"THE KARATE KID PART III" (1989)

CH.PtRLIEDELEON moves i.::totheli He1 s

painted on its ~ack; aJ.soearrings; boots; jear..s

Let s do this fast, okay? I don t wanna hang here any longer than~ have to -- You got the bucks?

nothin and don t get paranoidr just listen - when I1 mdone if you still wanna hop a plane, hey fine, my mcney 1 syours,but listen first

CEll~RLIE Iwant ya to -- r=rons~de- ~alkir..g with Andre --

I left the Danes cause Im

sick of guns and andwor~yin about gettin' killed all the time -- I'm gonna have me a real life,man, I'm gonna be sornebodv-- You laugh, dude, but when I come back champion

of the world you ll be laughin out your ass -- Take it easy, huh? You're a great kid, Charlie, ! hope ya live long e~ough to find that out~ Thanks for the loan.

-- I'm not that great~

RICHIE winks 1smiles 1 tu:::nstcgo and THREE FIGURES emerge blocking his path: Thev 2.::e: nineteen, leade~ of the DANES, a hardened c=~ninal i~ a

teenagers body; and his two stooges, EDDIE JAY and 3USTErt.

?.ICHIEturns back to CEARLIE wi t.:lalock cf be pai~ on his face --

He throws che money in CHAR:.IE'S face1 EDDIE JAY and ECSTER n~m -- a mista~e fa= them, cecause as RICHIE action we unde=stand what ki~d of

back .:n::oE!JDI:SJAYandANDR2 1 a ::ile

dor:1-change for irn) e~ters. a gun :landai:nedr.:, at RICHIE'S heart

Walk away, Charlie, you dii ycur job-=

Don 1 thurthi.:n, 1you promised you wouldn't hurt nim

Nobody s gonna hurt him just walk away Now.

CHARLIE looks at RICHIE1 who gives him one last penet=ati~g glance of C.espairand helplessness; CHARLIE quickly tur:1s his back and hurries away • FOLLOW CHARLIE -- wal~'\.ing--fasterand faste.:-away-- ever:~1- thing a blur around hiill,hisFOOTSTEPS ECHOING and all else SILENT until -- A SHOT explodes behind him -- CHARLIE f~eezes -- A SECOND SHOT rings out -- He runs back

A GRAY SUZUKI SF~~uR...;ISCREECHESupheadi~gnim off; t~e door swinas open; 1.nt:neca::-a::eEDDIEJP...Y,BUSTE:?.,ANDRE,.:'L:,~NN'Y; withOut Stopping; MA.NNYgrabs CHARLIE by the arm and ~~lls h~m iDtO the car and it speeds away as lights begin po9p~ng

on in the apa=t~en~s and PEOPLE S FACES in ap"22ar2-:1g a~ winCows and in the distar:,ceaW010_:S.~NSC?.E~...>1Sand - MONEY blows our way across t~e tien intoda~k~ess as we -

DANIEL wat=hes th~u window as Oki~awa recedes t=o~ s clouds obscure his view.

DANIEL doesn t qui~e understand this, but MIYAGI of~e~s explanation 2nd returns to his reading instead.

LUCILLE LARUSSO pushes th=u CROWD and waves excitedly as she spots DANIEL and i"iIYAG:comingthru Customs.

Dfu'IIEL Ma, my neck, take _,~4-easy

For you. Fro:raOkinawa.

-- that's so sweet, oh ~ha~k you

se you ',vor:1tbemadf

LOU comes ove=; he's an affable-looking Italia~ guy~~ his forties, a lit~le bashful. LUC!LLE wraps her ha~ds arcu~d his bee a-rm.

DANIEL and MIYAGI hardly know what to say: They stare a:: LOU and LUCILLE, both of whom are beaning anC obviously • very much in love --

MIYAGI expertly whips up stir-fry in a wok; it should not surprise us that he's a superb cook; his per~ectly-ordered kitchen reinforces the i~pression. DANIEL sets the table.

They re drivin' me crazy, Mr Miyagi -- slobbering all c7er each

other, makin' goo-goo eyes, it s like my Mother's eighteen again -- Plus, his na □ e'sLouand he calls

ner ~u• for short, I never know who's talkin' to who! And a!ter the wanna move to Fresno, cermanent 1 v!--I mean,

MIYAGI dishes up the stir-

Don t see the problem.

MIY,AGI And Mother object?

all right, it s Lou, : know, believe me I know --

Real problem not Fresno, Daniel-

First up. Eve=yone have to grow up scmeti~e, Daniel-san, even ~n Cal~for~ia.

MIYAGI doesn't ~ant to, but estes to CAN:E~ S err~husi~sm

Ei expression cells us ~ow loud

anc caco music is a~d he removes thee

MIY..½.GI Very ~ot1.thank you. Which class you ~ecide on?

The Two Lous thought was a practical id.ea.

What I want isn t ~n the catalogue. Look, I found this i~ with my stuf~

He unfolds a 9iece of paper from his pocket, gives i~ to MIYAGI. It's an application that reads: INTERNATIONA~ KA?J\TETOURN;..J.'4.ENT,~!F~DISONSQUAREGi\.RDEN,19 8 9.MIYAG:::-eads it aloud -

o,,;...NrE:, Madison Square Garden, can you imaa.;ne?

DAN3:EL It's a year away.

MTY~2~GI What about scico:?

you -- I d make the cornmi~.men-::if you would

MR MIYAGI takes a piece of r f=om his pocket and unfolds

with their names alreadv filled

You re amazing, yknow? You always know what Iwant befora I do -- I don't know how to say thanks --

DANIE:S TROP::IY} Move

DP.-1.'\fI:SLtakesnctesasPROFESSOR VERY PRETTY GIRL smil flirtatious 1

he s t:ed but ~orces his atten_t back to the lecture -

D.P.,NIELhelpsMIY.AGIprune s while the CLD LADY bitches about someth and her:"SCR.:l.PPYDOGba:::ks-

CUT TO

DANIEL burns ~he midnight oil reading an assignment; he looks up, realizes the library is about to close --

CUT TO

DANIEL asleep, fully dressed. MIYAGI peers _in,smiles, shuts off the light, exits, his REFLECTION 2riefly cauc;h:: in the TROPEY on the dresser -- •

CUT TO

Dfu'\fIELhelpsMIYP.~GIpickg::asshoppe::-soffthe::ewtomato vines in the beautifully-rowed vegetable ga=den. They put the grasshoppers, alive, into a ja=.

DANI3L ~ee=s i~tc the ja=of grass s

Whatt.awe do with these guys?

MIYAGI

•

•

Dea:.

Grass

~:SA VAUGH~ appears at the side of the hocse; she's ve=·: ~ro , about DANIEL'S age, gv~-cmcly ene=se~~= 2~~ ~u~pose- ;:.,..,Shek::.ocksonthe wall

• 1

Uh - if I m interr~pti~g somethi~g important -- ?

an alternat~ve t~ them joi~ gangs

LIs*::4 T~anks - a£ course gett~~g ~~ ~o work cre2t is anct~e= stcry -- ~~e

•

(CONT)

threa~ as an exc~se ~o

• --;;,,l"'"'°"r-;::,,-40·-~-."'~-¼~~-

LISA

They re working on it -- along with theother thirty unsolved cases~.. Look, I know it1 sdangerous, but i~'s more dangerous to do nothing -- Ii they cut the program, it'll get worse

• down there, not better, and Richie

will b.edeaC. for:nothing -- but i£ we can make the public aware o~ us and get thei~ support, then we have a chance --

DANIEL

go? he de as o::us?

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MIY..3i.GI Not have time to teach; not have time to t involved -- Not and quali tourriament.

DANIEL

We won t get i:ivolved1·we'll just go down; talk to 1em,ne~p 1e~ out a little, it's an hour, what's the big deal? Eey, I think it's time we follcr,-red~i::stinc::fo:: once --

MIYAGI looks at him; waybe a little fi:::-st; expression is fi=~; an asse=tion of independence that pleases MIYAGI and in some way saddens hi~o Ee tosses the ja=o: grasshop9e::-stoDANIEL, nods:

A street in the sane neighborhood where Richie was killed. ASSORTED NEIGHBORHOOD FACES - a HOOKER, a DRUGGIE, a MOTSE~, a SHOPKEEPER, a variety of ethnic types - look up with curi- ositv as DANIELiS 1950 YELLOW CHEVY CONVERTIBLE co:nesdcH-1r..

the Street; it s Cefi~itely an anomalous sight around here.

i:1stinct sense of di=ection.

fe~ce e~closes it:s

•

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• c'mon, the kids're waiting in

the gyw --

As they enter the school A NEW.ANGLE REVEALS CHARLIE -

watchi~g ~ron near~y; behi~d him BUSTER is talki~g to scme GI?LS. CSARLIE thi~ks for a moment; comest~ a decision; sta~~s walk

•

•

✓!:YAGI,~ISA and TRCY toward

intro Hiya1 h2:'.'ewe::; go' - follow it with a little spiel abo~t you guys, then ! 1 11 come over, interview you, now it's live, but don1 tbe ne~vous, okav?

DANIEL

we re number one -- You understand all this1 MeGCGGY?

•

MIYAG: Depend.

LIS~~ We1 rehere eve ?

She OFe~s che doors and they enter - ~HE GYM - CONT:~uous - ~OVING with them the gym, an old bui ~n disre9air: tiindows boarded and barred; bleachers scarred and pain~ -- athletic pment ~roken, worn-out1 eve~ che floor ~s unvarnished and lust~rless.

KIDS 2.•,,;aitsthei::

E~ONDE EAIR w~ose ~ace we do~•~ see ~ away is talki~g

•

3efore you ta~~ - the there's scneo~e _ wa~~

•

arour:c1 ;:,:,:nse;_::

hell s he doing he=e?

LISA

other?

JOHNNY approaches - he anC DANIEL regarC.each otl:e::W'i::hter:se but polite caution.

•

(toMiyagi) ~ust be a~ ambus~.

Dfu'HEL Thatis me --

LIS~:l.. What is go de other ~"'""'.""JM?,;,,='-IC(ca

JOHNNY ;:,?es or:the al exac::2,v

•

•

~~-""MiV..,.~,,;;-~,_,7 Hone:'is mine.

DANIZl.. So you1 rete c:lass?

•

Dlt1.""JIEL Question is are the Cobras out of you? Just asking

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MIY..ti~GI Welcome~

JANIEL looks at the KIDS. We see them f=am his (nervous)POV: BLACK FACES, WHITE FACES, BROWN 1-YELLOWFACES, MALE AND FEYLALEFACES scruti:;,izing

Nobody moves. No hands go up. SilP-nce. DANIEL looks 9leadi~gly at MIYAGI. MIYAGI looks up as preoccupied·with somRthing on the ceiling.

D.''.NIELI CONT) Okay, I'll start with some questions-- When I call on you, give me your name and tell me ·.vhy

• you want to take karate, okay?

You wanna go fi=st? What's your name?

Points to a FAT KID (TONY),who shrugs:

The K:DS laugh; the ice is broken a little --

DANIE:, What's ycu= =eascn?

•

never

• the

s cor:.1icr axe YOU a sues~icn: I get 2

I wanna axe I hit the guy with a is it t:rue_ can ra:nthe s 1 snose-bone into his skull and d=ive his brain r out th1 back his head?

1 1 1 1

The other KIDS grcan a1:.d:moancoo:! and gross a:1d ''Nf::ird'

obviously gets off on gross them out --

D:...NIEL Oh - I think Mr Miyagi should answe::that one

He steps back, bows, leaving MIYAGI i::-ttheforefron::.~

• VERLANE

Out the back of his head ar.dall over the wall

More groans; VERLANE1 Sreal getti~g off now --

He 1 linesup! VER.LANE checks it out; changes s mind, re-aligns him with a diffe=ent wall

'l"est wall

_s back tis hand; VERL~~NE 2'tlay

: :eek

•

V~.;,,-,.<'riPV he haC

s DAY.

appear

BUSTER

In the gym, wa~! checki~ out the class --

You were sposed to keep an eye on himl

BUSTER

• I got my own business, I csn't

babysit you= brotherno more, ~f he's a secu=ity =iskdo a Richie, man

lie ai~t the lem, it's these Alter~at~ve S9orts pecple comi~• dew~ he=e that're

•

TROY s als to LISA that have on air-time; he turns to a mirror, checks out 2is na~= as te talks to the CREW -

The CREW MEMBERS exchar:gsglances: As ~Fthev ~idn 1 tknow

exactly what to do and needed this jerko~fto 'direct them -

DANIEL 2nd t1IY;..GI-arestill ans;.;ering:':I:JS1q1.:est.ior:s.:,.;he:-, LISA passes on TROY'S signal to them:

• Ho~,,.,,~1 boutyou?

The KIDS tu=n ~o see who he's pointing at:

Most of them didn t notice hi~ ~efore; now that t~ey do, they move away ~ram nim; an uneasy mur~u= ri9ples through "':.:'.ecrowC-

Uh -- me?

DANIEL

Yeah1 what s you~ ~ame?

VOICE FRO:~-:CROWD

T:::vRET;-~RDO!

The OTEER :e:Ds LAUGH nervous

~hemood has swif~~Y

be ~ice, ~hat's ~=cng wi::h::ou guys?

•

•

Don't call me that.

He don't wa~na sign up, he 1 sjust their advance man, you '!latch:They gonna pull some shit!

CHARLIE looks around at the FAC~S awaiting his answer .

to CHARLIE'S HANDS: He is clenching and un-clenchi!"':ghis • fists --

CF.....-;RLIE

I m -- here alone.

LISA

Okay1 that s enough, let s get back to business -- Here1 sthe sign-up sheet, I real hope you 1 ll all join us and not let yourselves be scared of= --

CEA3LIE looks up, reac-:: :S.ichie'sr:ame ~!IY~GI- \¥hois hir:1,::ctices

LISA

take lots more like Richie

So we rr:it as well get s~arte~.

-:.~es~~n-u9stee~ on t~e -:.2ble12.l::\cst2.

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VOICE

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t ; \Y\~2. points he gained a ~omen~ ago a=e now lost total - ands ~L:l,.NNYis alloverhi.m 1shov anc :rell

0"1ANNY WHAT THE HEL~1 STHE ~L~TTE~ WITH YOU? YOU COME WHEN I CALL!

DANIEL

•

Hey, leave him alone --

M."NNY Mind your own business!

LISA (toJOHNNY)

I m calling Security

, man, we're here t~ orac- tice1 r Eddie

- ~~ . :ollot,1:::'~S'1

us the game as another setted o~ inti~idation: Toss the jal~ c se to the }C::Dsfaces;slarnrni::gitag2i:1stthe back;:)oard to make LOUD C~ASGS that ECEO, =attle the w~~dows, etc

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JORY

&;y,,),,T'"""";:::;r".s You be::.

name. AT THE DOOR - Two more KIDS, and 'datch '-'~_,_1,,,.

'"..J,.'-4~

iJERLA:'lE-

I m leavin my post!

• JT and ROBERT - cross to the table to sig~ up for the class. ON THE COURT - TROY giggles and wipes tea=s ~=cm his eyes:

(sees scme ) - oh, sni't:--

EE S:SEST:-!EDP.~.NES- who don't like what's happening and are on their way over ta do some about it. ANDRE wraps a ?~ece of c~ain a=cG~d his ::_st--

TROY starts to rnoveout of their way, but stops. sees -

s forward, moves ~p besi~e DA~:ZL

and -~'\JD?.EC:cesstarttolcot:a :ii:~le does~'t lac~ ~eallv wor=ied unc~~ :eiIY.::\G:ZS':'E?SFORW:'-<RJto • a reai s~a~?-n;=,w~~h TROY ~--•-•n,•~

'TROY C'.:':illout1g:.:ysrchil..: ",-',1;:;-~1,;:;oqu;~i-;:c.

•

We now got a tive S ?

CUT :SO

• Daniel LaRusso, All-Valley Karate

Champion, right Dan?

No answer f=om DANIEL, but the description registers wi~~ k½.NDREtEDDIE JAY! YLA..NNYItheD.?mNES:Theyhadn't =ealized who they were dealing with --

JOHNNY stares cool at the DANES, Coesn'~ answer:

TROY {CONT) and this1 oh this is Mr Megoggy who I understa~d not on trained Mr LaRusso a~d is a karate master 1o~ sense~, himself, u~~ is also a wa~ hero,

MiY

•

who ins~sted o~ ttis unless seem to be thei= minds1 guys?

start to :::etreatasTw·oSECURITY GUARDS en::er

CLICK! A }L~NDturns off the TV; as TROY1S image fades I REVE.Jl..L

KREESE has just turned off the He sits-~ his dimly- lighted office staring at the screen. On the walls a~d shelves are placques, awards, f~a~ed photos cf KREESE in Green Beret uniform, various Ninja-style weapons.

KREESE ~~~ns, startled: DUTCH MARTIN~~ at the Coor -

DUTCE

you heard me~

a::hims to see if the rema=k ~as raea~t DUTCH'S face is exp=essionless.

K~EESE

• tit out 1D~~ch 1 what Co

you want?

Ee Colds up his hands: them through t.hecarrN~indor,,.;sin.K:KII~:Ietries ma:<.efists,

but sone of his fingerswon t bend

bend them -- the Doctor says it might beanother year -- No, I won 1 tbe teaching anymore; in fact I!':',ight give up the dojo altogether

DUTCH

• Ycu can 1 tdo thatL

You k::ew:nyDad i.:1Nam the only one wha --

Sensei -- G~ve me t~e cha~ce to the Cob=a Kai back on i,ts feet --

•

,.0rsn=,~ ,,;""".<~"""'

•

BOBBY

KrtEESE

You :=enot as 2.S was

work; vou dcn t ha'vethe tale~t! Look the truth in the eye, Mr Martin, no matter how much it hurts: You1 llnever be as good as Jchnny; we lost the war in

Nam --- your Fathez:C.ied7.::-:e::e for nothi~a like t~ousands a= others and nobodv r~allv cares, and .!A..,\1NOTYOUR.f'_:l..J.\1ILYl)low, you got that, Mr Mart.in?

• DUTCH ~ods abruptly, tu=~s and leaves. K?EESE stares a~ nis t~isted ha~ds, en=a;ed --

TO

•

• 0 0

::::;,.;,,;::,ssa::,:::,.a

I was too, God I ·t1as when those kids left more incidents a~d we'll be banned f=om us schccl far~,i~i0s

• to study with Daniel and½=

Miyagi -- How many classes you gonna be teaching?

?ause~ DANIEL and MIYAGI look at each c~he~. JOHNNY clears his throat. LISA staz-esin~o he:=coffee c,,.,...,

CHJl...RLIE But I thought

MIYAGI

Oh, yeah

•

•

~c. I a~, it's -us~ ~na~ -- ~a go -- This is me,

LISA (flustered)

• Oh I1 msorry, I

CHARLI:S I'll be fine, okay?

He exits1 quickly. LISA waves a fast goodbye to OAN:EL a~c MIYAGI, grabs her purse and follows CHARLIE o~t --

~e fellows ~er out, leav DAN!EL and ~IYAGI alcne

DANIE:W Tha-t,1 sawaz life 0:-1theline :ust because he t we were gcnna be teach- a class -- I ~isi t~ere was some

• \-s~.d...a.~-

_j!

,:,.,,-,..,,-,_i,-..,_,-_.,..., '-~¼-~-""'-~

his ~irec~~on -- He quic l.ys::eps

past~ He breathes as of re ~and tarns to go wnen A HOR~ HONKS hi.:n He Jumps about a :oot in t~e ai~f scared shitless, tu:t:"nstosee DANIEL;s CHEVY CONVERTIBLE Yo behi::dhi:n-- M:IY;.Gr signals to him; ;Needa ::ide?1 CIL~~RLIEstarts to say ~--__,, then sees the S]s..;.\!U?---;Icomingbackagain~Eenods1okav1 to M:YAGI and gets~~ the car --

CUT '3:10

CHARLIE stares at the oil wells that front l"lIYAGI1S::-~ome as they pull i3to the drive.

CH}i....RLIE Hope r.obodvsmokes around here. , -

• CUT TO EXT~ MIYJl.dGIFRONTDOOR.NIGHT. As they approach the house.

Wore not allowed ir~ ::,·house.

~e gives DANIEL a l~tt:e wink as he opens ~~e door -

r-r'"f'f"IT'r-. """"-.;,.¼,,

•

~,-ro ❖ >"'\'\~~-:;,~___, -~'--c:a-a

'----._,;~,,-,

cne o!:these

MIYltGI won here =i:::st- (points to head) tournarne~tsecond.

• Shows hin the InternationalTournament applica~ion

We train eve=y that's we don't have time to teach. Listen, I better call Lisa and tell her you1 reckay

CHARLIE thinks ~o= a beat, ~hen:

How bout -- how bout trained with you?

MIYAGI (~ubiously)

A!l I gotta do is ~ate~, won't get in t~e way -- I~'s

•

, - SC -~,:~O.,c..;;;_~"'"""·

~us~ ~s, tia~•s a:: eve~ k~cw I'~ t~e=e,

M!Y~\GI Demons-::rat:.e.

CHARLIE

It s gonna lcok kinda

• MIYAGI

Then Miyagi laugh~

Ee continues tall<ingas Slips off his boots; knife concealed in o~e of them; he puts ito~ the dresser; takes a pair of brass knucks fromhis pocket, s them wi~h the knife; adds to these a mysterious bag that locks like i- holds Crugs; a the wad of bills; a ccuole c~ ear-

'

rings and o~her jewelry; finally slips of~ his :ong-sleeved shirt, stacds there int-shirt r2v2aling rnusc~lar a:~s ~CTa~ are tattooed and scarred in several =laces -- (MIY~GI

to these various items, of ccu=sel

•

-::hen

wa touch us -- Gh-oh, ~e=e a~te= us, gi ~~• us a ha=d ' . . time - one of em·s coca ~u~! - Come onl ori.buC.dy 1come Come onl Come onl COME CN!

Ee lets cu-::a:!:e.:::ocious m.:.:nesa swi.<,1els kicks as if fe ?~ecise, but Accentric, some home-made karate uoiquely h~s own, ana powered by ~he images i~ his head -- suddenly a swine;of ·thearm knccks the t:ro9hyo·:errsna9:9i::g:J.imout of i~ as DANIEL ~e-enters the room

DANIEL

What s gcir:gen?

CHP.~RLI:S {breathing heavi to Miyagi)

• Well -- told you it was funny.

~:YAGI KITCHEN. MORNING.

MIYAGI =eads t~e morning paper at the table; DANIE~ gulps down coffee as he prApa=es to leave for school -

I ll be late today, I ve got a lab -- will you be okay?

Why not DE ?

iJaC:1

-<'°'-~::-__,_,,--~'cces.

•

G!RL We need :norelike you, :::ore

She smiles ::lean,na1°11:as on to class --

CUT ':'0

of a 1 ~9PLYMOUTH. A=ou~d hi~

MIYAGI wo=ks on thee a~e the ANTIQUE CARS we sa7,.;inKKI. CHARLIE e~.e:::-ges::"om hocseI yawnir.g.

• CH.A.RI.IE

Where1 sDaniel?

is1IYAGI School.

CHA.R.:SIE I don't knew, T didn't go too much 1exc to do some business or sornethi~'

What ki~d ~usiness?

CHARLIE

•

y want t.Q as

Y!IY~;GI _ ask you fi::s::.

CHARL:ZE bet\veenyou

:'1IYAG! Hai.

We dealt. You know.

MIY..:.;GI Too bad.

•

Ycu re still

look.

•

MIYAGI

What's this fo::?

TO

A tree-shaded outdoor plaza; DANIEL =eads a textbook as he eacs a machine-bought sandwich. LIS~ approaches, even mere enthusiastic than usual

thank you -- Thank YOU!

-- We got so manv calls after that broadcast you would~'t believe it!

•

Plus Troy did this whole follow-up report ~t eleven -- I taped it if you missed it! -- The only p=oble~ is I have no idea what we1 regoing to do with all the kids who want to sign up, thev're crawl~nq out cf the woodwork

Dtl.J.~IEL That 1 sterri=ic, congratu:ations -~

Ohhh -- I do~•t k~ow how to than~ you, I tru 1 dor:t --

D&"\JIEL(sc·:Jotsover)

•

•

to thank me, _ ins~s~ that way f can si~ down, ~oo --

LISA

•

LISP.~ Hey, I1m supe::::woman,wha--::.ca:-si I s~y? Eow 1 sCharlie?

I~ s tough de2tl we've got two foster kids liv with us ri ~ow, so □ 2timesit's like a ~ine-poi~t-six en the cul~u=e shock sca:e

•

that.

S01 you go to school ful:-~~me; you work in the progran ~~ll-t~~e; you work with the disabled; you have foster kids l with you,

and your Dad s blind --

LISA

You can t tell, though, eve~yone thinks he can see he 1 samazing--

LISA

•

John? Why?

kind of -- I mean there s a definite

DANIE:. Definitelv, : nea~ itis obvious.

DANIE:1:, I mean cbem2as are like -- like me and Kcmiko, this

LISA

•

\Jk:',.-.

She stuf:fs °' come-on le; exits --

DANIE~ cakes a hand~ul of numbers from his pocket

DAN:i:EL been happening all day, ~ guess Trev really is :iumbe:::-one--

• to handle the overload -- If

you know anyone who could spare a couple hours a week let me know, okay?

She exits, quickly. DANIEL looks a~ the wad of nu~bers n.1.snano..

CUT TO

the:-: hi::i.

DANIEL arrives £:::cmschool. Sunl.ightbounces of::the

CARS, sos now ~hat DANI~L

s them~ CH.ARLIEs=~r~s'.'"",oc:1leCL'1Sbe.ckexhaust2d~

•

~"'-~"'""~:::-'""~--""':::

•

:J~~;,,'-;.;."'"""''""'::.,_,7"o< So yo 1s?;::;,r~,,..;; ⇒ C sn, ::sh?

el-san.

I saw Lisaa -:dewerea hit!

re loo fa~teachers like mad, they've got more stude~ts now than can ha~dle,

DANIEL at desk works on oaoe= fa= tomorrow s class.

A baseball cap covers the lamp so the light won t bcthe=

1 He

CHARLIE who s asleep on his tuton across the room. mutters in nis sleep; DA~IEL looks U?; listens --

CHARLIE:

•

{talking in slee9) wax on -- left -- breatte in -- out -- wax off -- ~ight breathe -- in - out -- (etc)

DANIEL looks away. KUMIKO'S FACE stares at h~~ from i~s f.:::-a:ned8xl0.Nexttoit is LISA'S card with her ?hone ~umbe=. Now ~he Madison Square Garden tournament a?9lica~ic~ catches

He s ti=ed a~d Ye2~s ~s~ ~ get~~~; A ~OISE ou~side cao~~=es h~s =~-~~--~-.

his back to us.

•

He gest~=es: C~ t~e beside h~2 :-~~~--~·:dope, ~~~~e, gun a~d brass k~ucks a~0 stacked ~n a pi~e.

Not Trade. For karate lesson. {drops i~ems o~e by into 1grave1) One weapon1 one lesson. Dope worse t:lanweapon 1get two lesson back. Talk about bargain? best t=ade since Manhat~an.

DANIEL

Actually, I ve been thinkins --

•

:HYAGI Teaching one of best ways £or student to learn* What about tournamen~?

7 can do Coth~

DANZ:SL

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•

L~Ke a ~ion; like some ancient 3ud~ha.

MIY;.~GI Verywell. We And ful

D~;NIEL (soft

CDT TO

SCHOOL OFFICIALS, P~?;,.RE~TSandKIDSIincluding V:SRLANE,TJ, TONY, ROBERT listenas DANIEL addresses the first c~ass:

• 1

part~ You learn karate, that s your part. What we tell you to do you do, no questions asked. Deal?

KIDS nod yes; only VERLANE looks dubious:

He picks up a shoppi~g bag filled with stuff .

bags.

~IYAGI Good speec~. Sound familiar~

Always wise to steal from bes~ .

•

~and~ng cut s~u~- ce~ve =ags, c~'e,,,,~,•=

• 7r-.""~,,

YVK",;,

spoiled the surprise

LISA and JOHNNY are ~,.:a LISA looks at JOH~NY as ~f 1 1 1 1 1 to say what s all s about? JOHNNY Who k.!1cws

VARIOUS SEOTS the KIDS at work inc FIRST GROUP - on hands and knees sanding the scuffed gyra floor in circular, counter-clockwise motions while ~OHNNY ove!:"sees~

• SECOND GROUP includes CHARLIEr VERLANE and TONY. They rub cleaner on the wall with rags then wipe it clean.

VERLANE - has trouble coor.din2tinghis breath

•

ANGLE JOHNNY AT DOOR - wat,c;:;,the class. DCTCH e:iters behind him

• JOHNNY

Thanks, we1 vegot the way;: under cont~ol =or ~ow

JOHNNY

They didn t usemaps when took the tour:1amer:tawayfrcm us 1did they?

JOHNNY

• Dutch 1 not Da ~ang 1

? New whacta ya want?

Come back -- ~elp me re-act~va~s the Cobra Kai -- me and you, t~e way it used to be

• 1

Who re you kidding?

He gees. DC~CE responds1 ominous

He gces1

ANG!.iE~1ER.:-A:NE-:iesuCden.J.yth:::-ow,shissanCe::c.cr,/:1o::"::le :Jleac:'~ers.

learn karate, not to clean up 1 scld.

You ARE lea,_ kara-:::e1

•

_::-i:::tGOTt:.:r,e,-'jwc....,,_,..... :C:'..ckass:JCW!

Karate's nc~ abcu~ x~cK

VERLANE: No? Well, ~~-s r:e .,.,.Mr",.-,..._,::;.;c -oa'.'V-~"-'"'f this WOPLD isl

We made a deal, Verlane Stick to it, or leave -- now.

VERLA.NEthinks this ove:cfo:::amomer:t,the:1p:.cks:_::?t.:-:e sande= and goes grumpily back to work.

DANIEL c~osses back to MIYAGI anc ~ISA, whispers unde~h~s breath to :•1IY)\GI:

DANIEL

How d I do?

MIY~A,.GI Good~ Remi~d riecf me.

•

DltNIEL We'll get there, all,- takes is a little time - (to hirr:self) and luck, and monev and a few miracles --

On MIYAGI overhears this; he gives DANIEL a q~ick lso%, then ~etur~s his attention to the KIDS as we BEGTN MONTAGE TO :1us:c:

~;_SUCCESSION cf CUTS shows the K!DS s::yle.CH.ARLIE a::dJORY work side

EXT~ COLLEGE c;J1PUS.

DANIEL hurries toclass. del ted to see each ocher a~d go _n

•

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1 1 1 1 1

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CUT TO

GYM~ DAY. At work agal~ with renewed enthusiasm and pur?ose, the KIDS

... .

go at the cleaning w1.t:nagur1g-no s9irit

CUT TO

:NT. DANIELiS ROO~- LATE AT tlIGHT. While CHARL::C.2sleeps,D~½.NIELstudiesfor a test, a ?i2.e o= books open in front himr th€ baseball cap in 9lace the 12.rnp-

CUT TO

• SJ..11E,NEXT:-10RNING-

DANIE~ asleep at his desk; the light bulb has scorched a hole in the baseball cap. CHARLIE sha~es DANIEL awake: Time for the ~orning work-out. DANIEL is rea 1 l•~a~~oved by CSARL!E'S enthusisasm -

CUT TO

DANIEL and ~1IYAGIin training. This tiilleCHARLIEtrains along with the:-a.DANIEL is tired and his conce~~=at~or. is way of::*

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CUT TO

r'"a'a>S

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• =eaG~ng a ~9wspaper behind ~he cccn~e= a~d ~hen ~e hear t~-s SCCEAK - SQ~ZAK - - and the L:TT~E AS:A~ -~-~ ;ces ove:c~a che window and ~coKs out as VErtL~::~z,IE?O?Si:-:::o?ie',-1anG;;; a~d beg_ns =:ean~ng i~ acd we

CWT TO

as the LITTLE ASIAN LADY runs out to find the KIDS the graffit~i =ram the bui s on this street and a couple of ONLOOKERS, a HOOKER haves to watch FIRST HOOKER leansover and asks

in MIYAGI S ea:::

FIRST HOOKER

What re they Going?

FIRST HOOKER tu=ns and shouts to a SECOND HOOKER standing on the next corner

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Hear the HEAVYSE':;wotii..;NI

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•

CLOSEG:?!c::_:;R.SI:Sf~::e then CLOSEUPS o~ TONY,

•

:-vithsand1 shoel rtelooks around: cthe:::sthat of saw what ANGLE OTHER KIDS - look up as VER.LANE!'."etu::-r:sr:o the stringy flattened remains of the pulverized fly ~n n~s chops he throws up his fist in av saluter

CUT TO

BEP...CHlLATER

FISH sizzles on the hibachi while DANIEL spars ~ith tne KIDS nearby. He calls CHARLIE up

• MIYAGI looks over, starts i:;.terject--

MIY..;GI Daniel-san 1wait --

Too late! CHARLIE hauls off and POW! knocks DANIEL flat on his assl

DAN!EL lies there for a moments up at the seaq~lls as MIY}1~GIbendsever him:

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•

Truth always best.met~od.

He looks at LZSAf ·wor.deringhow to tell

ANGLE L:SA a;:.dJORY

JO'RY

El-Hunko s really giving you the eye tonight --

LISA Looks at DANIEL, who is still watching he=...Whe~ =hei= eyes meet, they both look away, quickly

• JORY

Whoa, hit a nerve, she k~ew richt where to look --

~ just happened to look at him; okay? He was in my line of vision

LISA

Hunko ? Is what: you call him?

•

LISl\.

•

Ll:SA Thanks a let"

I m coking forward.to the benef ts of the resurgence of pre-feminist traditions minus the post-fesinis~ backlash, that 1 sall--

~ow but you re getting the eye, too

:ORY instantly turns and looks at CHARLIE, who is sta~ding by himself near water 1 sedge. LISA laughs. JORY, caught out, gives her a look~ •

JORY

It s just because he s ~he

only one who s as good at karate as I am --

LISA

No need to explain, you re not on the stand --

They both laugh -

JORY

Hey1 you re EJre an old broad --

I thi_;;,kyourer you ge~ Charlie? This i~val?es

•

'JQ

V see :-,.,,__~c-9,,

•

,""'~"'m"·,- ·~¾s./,,""'""

CH,,Zi.~RLIE What?

CHARLIE

I ll be there in a ~inute.

Ee looks at her sharply, looks away: •

She face; ~e shakes his head, smiles

•

~=~?S ~e~ as CA~;:E~ • s:~e;;::t:,""'~~-=-=0s-

CHARLIE

Nothin you can help me with.

it smy breath don t tell me.

CHARLIE

• It's notyou. Tell me something:

If a person caused something really bad to happen - a~d he didn't mean to - do you think ifhe does something good latet he can make it right?

TONY (call

Jory1 Cha=lie! C mon 1we ~e wai '.:er

C mcn --

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•

ROBERTO {imita~ ~iyag~)

Clean floe~ ~cwt Do ~ot ask

VERLANE

Man, I though~, this don t make se~sel Then I discovereC one fi~e Cay

ALL

'What we was learnin ~as KA-~;-TAYt

Now their movements become karate-like: Kicking, 2u~ch to the rap rhythm

• Clean that floor we now know why!

Breathe out left! B=eathe in ~~ghtl

I could keep this up all ni~htl VERLANE

Nowwe scrub with a mighty smile

TONY

Nowwe wax i~ the best of s le

TJ

'Nowwe sane til it s s~ooth as glass -

P,..LL

(softer12 coda) Ma did housework for her pay, Grandma ea=~ed it t~e same ~ay - Whatta s ·«·oulCsa:,;71 was ea=n~~· ka-~a-~AY?'

•

;;:;~·

• ~ --'-'---·~.~

~ram the Class at C~icn

DANIE:. You -- you made this?

S1::ernadethe cake but::::

L:CSA We just ~anted to say thanks for all you've done --

K:CDS Yay, Daniel! Yay, Miyagi!

• with South Street High, if we

can work out the details -- Me and LaRusso will be re:ereeing, so you better watch your steo from r:owon --

?:IDS300 and CHEER -- DANIEL and MIYAGI look at each r,._,'-'"••"--I'-:..,C,,...• no way DANIEL can d.::-opout of

CUT

~T/EXT. DANIEL'S CAR (MOVING) NIGH~.

DANIE::.1XIYAGI,CHARLIE - c!.::-ivinghome.::::-~Dt:~.ebeac;."'i. ,...;~c~-s~l~nco~a.:-a~ew beats, DANIEL ~ee9 ~~ MIYAGI s~ouched dew~ with his hat ove= h~s eyes, CEA~L:E ~~ t~e back seat.

DANIE:a

• adv~ce a~d ;ost?a~ed en~e=~~g ~~e

foc:n:~,._,a.,...,cn~?

•

CBAR:SIE

YCtl:::ed:-0ps tcn.i.::-na.:::s,er:-::?

This year -- Next yea= :'11 go ~or it again --

all

Now he feels be~te=. CUT TO

En::2.::-1.:-:gthehouse;CHAR.LIE:suddenlyblu:::-"::.scut:

• DANIEL

You serious?

Definite

TO

CHl'i.RLIE not? I could do~~ Mr , what do you say?

MIYAGI

wi~~ local tournament

<;o:or

•

• '.,):,',~-,,--~"~----~~

DANIE:. That's not what I meant --

is just as me as that was you to,~ imoortant, don't you unders~an6?

No, why don!t you explain it?

MIY~;G::;:: What things?

• CHARLIE

Me, my whole li=e -- I co~ld

BE SOMEBODY, do~ t you see t~at? Jus~ giw..rneashot,tra~::me the way you.were craining him, 9lease, Mr Miyag~, this is life and death to me

CHARLIE

• Please.

first. Deal?

•

uses l:rnwork

MIYAGI looks at him. He takes a breath 1 his calm~

He and MIYAGI shake nanas.

CHAR.LI::'.:shakeha:iCs.

~1IY~½.GI Goodnight. We start in mor~i~s-

Se goes out~ DAN:EL and CHARLIE glare at each other.

CUT T'O

• DANI:;:Lgetsin his car as MIYAGI ap;n:-oaches.

DANIEL

not ang:::y1real -- I :n fine~

DANIE:L I'm not angry, : swear -- but I better get to school, a ?

He ckly backs--,~ of the d:~veway.

•

•

,#-'."""'";;:::,,,_.__,_,

DANIEL'S car disappear

emerges from the house.

Listen 1Charlie-san. You are t?,vo:One Chat"lie you wish to be. One Charlie you afraid to be~ Can't be one or other unless both

Charlie s come toge~her~ Something prevent this. Must find out what. Bring two Charlies toget:J.er.Only then know who Cha=lie is. Now. We begin~

CUT TO

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THEY WOULDN'T LE~ CS ?IGET

2:ewalks away DUTCH, DUTCH gees up, goes to door; o~ his way out --

He goes out.. HOLD on KREESE as we hear, f::-omO. S.1theSOUND of .~0•.MO BARKING FEROCIOUSLY, then DUTCH 1 SMOTORCYCLE ROARING IN~O life and speedir:gaway --

KREESE turns, looking at the pictures of himsel::=on ::he wall: In 'Nam;in uniform; va:r-iousshots --He's hrea+--hl,.,g heavily; perspiring

CUT TO

• DUTCH si;eedsdown the freeway on his motorcycle, weaving i~ and out of TR.~FFIC~ecklessly, ig~oring all o~~ge~ ~~ke a man ?assessed --

CUT TO

One of those Valley specials - (1Valley Vista 1, 1Va.lley View', etc) - built in tie 40's and SO's; a row of beige lookalike structures -- DUTCH pulls upr enters o~e o~ t~e buildi::gs--

CUT TO

The olace is a wrack. DUTCH'S MOM doesn't clea~ i~ anc

DUTCH sure is~ t go to, either~ DUTCH e~ters, =~~cs a note to the TV. :treads: 'Took Marie1 sshi:t

back in f::::i 1

note a~d ~ur~s an the TV~ The AFTER)IOONNEWS fli.cke:::s to l~fe as DUTCE goes i3to

KITC:~EN-- takes cut beer,

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JOH:NNY

Lisa a~d: -- are J~~

•

yo~ knew, :~s~ i~ cas

,.:;'"'"4'.-,' ~-"·'~!

Thev 1 relauahina1 having a mock-fight, making noise.

TROY calls down from the other end of the hall:

A P~ODUCTION ASSISTANT e~ters carrying a bulky clown suit

ASSISTANT

• Troy, here's your costume

for the promo we1 reready

to Shoot whe~ you are --

TROY takes the clown costume, looks at it, a little e::1ba:c::--assed. Meekly, to LISA:

TROY

Hey you know -- when you re number one, takes some sacrifices

•

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?tst::eCRCWD se~t:es cown, -~SA ad~=esses :r,:,}s:eec:-~=r=n~A-0~~he gyx ~loo= Dur ;.1e::;e::gl,2..:7,;>sescf • "'/2:::,,,.,c',,:;.s:7-~,_, 0.,:,a's

On behalf of ~he ;17Q~~~-

s Prog=am I d l~ke you to an Exhibit~an Match between Union and South Street I want you to know that these kids have worked real hard ta lot of odds t9 get to this a~d I 1 m ve=y proud of them -- Our referees are John Lawrence and Daniel LaRusso for Union High and Mike Sanders and Bob Ulich from South Street -- Now for those cf you; like me, who

don t know karate, John LawrencA will explain the rul2s, John?

As JOHN steps up to the mike to explain the rules REVE;.~L~1...::...NNY-standing inthecrowd1viatchi:iganc-

CUT TO

• EXT~ STREErr.NIGHT.

EDDIE JAY and BUSTER ~atch the excitement at the gym ~ram across the st=eet~ A PATROL CAR glides the CO?S ct:.eck the~ out and continue on by

up and parks by sidewalk;

view. He's d=essed almost like a gang member, wit~ b:ack jacket, dark pants and boots, shades, a hat.

DUTCH

BUSTE?, (poi~ts to Edd~e) Eejs the sign

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STREET, a wi~h a half-shaved ~ead. On the side- lines, CHARLIE cheers her on as she makes a last kick -::o win the

JORY bo~,vs:smiles CHARLIE' ZflhOis

As VERLA.NEstarts out, he turns back tothe others 1..l:..t:ha wink:

•

brain-pan, justyou watch!

CUT TO

A ~oom in the back of a store. ANDRE seateG.with his feet up on t~e desk; he plays with a gun as he listens to DUTCH.

ANDRE

':'!':e:1youcan can::.

• you?

•

all I need -- ~s a tels~ha~e --

him. Ve= y slow_yhe raises between DUTCH'S eyes CUT TO

GYM~ NIGHT.

Exhibition continues. VERLANE has just lest --cnem2tch~

VERLANE .:::'eturnstotheUNIONHIGH KIDS. He 1 s

real

pointed and pissed MIYAGI puts his ha::don VERLANE 1 S should.er.

•

LEARY of SOUTH STREET jogs onto the tloor; it s just as we

the braided tattooed guy who looks like 2n

escapee from 'Last of the ½ohicans

MIYFtGI Both Charlies new -- ther.

CHARL:3 takes a deep breat~, closes his eyes = □ rasecc~d, will himself into ~hat 'other Char~ie', ~hen Jags au~ ~o meet his competitor --

~ ' . ~

The ma~ch begi:1s: ana a.2ter::1.::1ec1so:-:1e-

sidesteps ~E~RY'S kicks w~~h

ease, comes ~ac~ ~ith a so:~d •

On the s~eelines JORY cheers; MIYAG: watches with g=eac cor:c2ntration.

The match resumes. CHARLIE continues his great for~ 1 turning, looks into the CHEERING CROWD and sees: M-~NNY- watching him~ Their eyes meet. The CROWD NO!S2 seems to ?,,,;ave=:,muffled--

And now LEARY springs forward, gaining a point~

CHARL:E turns to £ace LEARY again. HIS POV: LEARY FLASHCUTS for a mili-second into RICHIE, then back again~ CHARLIE blinks, wipes his eye~. LEARY sp=ings fo.rNardagain, gain~ng another point

CHARLIE looks back at MA.NNY~ The CROWD is going wild.

CHARLIE and LEARY face off again -- LEARY t.ur::iSIkicks; CHARLIE dodges it, but just barely;as he turns he again locks eyes with :--t.?1..NNY--andsnapsbacktoat-:.ent:ionjust: enough to avoid getting tapped LEARY -- ~he CROWD is going nuts -- JORY is clenching both fists, --~':J~n,..,..~r"'-'-'-' will CELI\,RLIEtovie -- CHARLIE clenches his teeth, starts to leap at LEARYr again RICHIE FLASH CUTS ~nto sce~e: CHARLIE stops himself -- ls back -- and LEARY con~ec~s for the final point

SOUT:~STRE::::TSIDEgoesbananas! LE~;?s,ysm~r.ksa::CHAR:::::::; tn=ows U? ~~s a=~s to t~e c=ow~ ~~ a v~c~ory ges~u~e •

there ='-'-WG.~'=.c,,.,Y'""""""",;;

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on ~he sideli~es hurries o~ton t~e floor as

until MIYAGI enters,

away

CHARLIE

You set me up, didn t you? You TOLD him to comer You TOLD him!

MIYAGI pulls C~ARLIE away, trying to calm him while DANI~L watches, startled -- He wipes his race; blood ru~s f=om his nose --

• you say?

CUT TO

DUTCS:on the phone, !"'~isvoicemuffl2dby a rag. ANDRE; EDDIE JAY, BUSTER l~stening in b$g.

Ee hangs up :ast~ Looks at ANDRE, who shakes his head

at DUTC!-I1S

CUT :10

TY GUARD as ne glances at the CLOCKr rt:ns

forward LOUDSPEAKER --

The~e•s a bomb in t~is place, you gotta evacua~e

•

of in ~ivem~~utes --

C;

As ~~e ANNOU~CE~!E~T comes an ever the LCUDSPEAKE? ~e see

This ~s ?~inci?al Stu~ges We must evacuate this tu~:1-~; at once -- Please t=y ~o~ to ic -- S i=st raw walk as as you can to the nearest exi~ Please do ~ot canic --

But as the CROWD makes its way to the exits, the word bomb is hea~e rippling thro~gh them like a spreadi~g ~ire and very ~ckly parlicsets in: People start leapi~g do~n from the b ache=s, ?UShing t~e people ahead of them aside; one of the exit doors is closed; doing so a~d t~e 9anic spreads People are yelling, break- i~g windows to get out, etc

:n the midst of this HIYAGI leads CH..:=:.~.?J'...iIEot::t:andmakes:li.s vtavtowa=-d DANI::::L--CHA..?..LIEseesJORYinch:..nghe::"way ,::i,-.;.,,~1"'1?---'-''-'~•'-'"the~h!._,_,_0 ac1,c~s............;:i--nc"--~-

Suddenly a section of bleacher above her starts to cYack, a pile of PEOPLE clinging to it as it sna?S to pieces and - • CHARLIE breaks away .:romMIYAGI, runs to where JORY .1.ss".:a::c.:..::-:s as -

:~!.A.NNYseesD..:.m;seesthebleachersstarting to ccme c.c-,.,T~; t~en splinte=~ng with aLOUD CRACK; then .:all~~gas c~~~~~~ 1ra:OsJORY and f-IBNNYhurries toward then and -

Y....A..NNYgrabsC!--L?~RLI:C:andJORYandyanksthemoutf:;:-cmu:-,de::- the collaps bleache=s and drags them toward the exit as MIYAGI and DANIEL see that CHARLIE is sa::eand he each othe~ toward another EXIT and -

As M_4_NNYculls C!L;FLI:SandJORY to sa::e ?Couse, out o::br;athf fo::-a:noment-- CHA.s.LIEand:it...n.:E:1Ylooka-:, each other -- Neit~e= one of them knows what to say

t,,L;;NNYstartstowalkaway --

CHARLIE

s -- looks like you'=e st~~i my brother after all=- looks at::1:.m;sees

•

SIRE)4Showl i::the distance as DUTCHr .::~:NDREIE:JD::::E:JltY2L:\c! BUSTER watch the mg~oc a~ t~e school andmunc~ m~crowa·;e

Ot.:t-STJ\,~JDING,Dutch,:1r, an hono::'.°ary s

I m running this show now on~ You can tell him I said so~

THEIR POV FROM ROOFTOP -.Looking down t:J.eycan see.M...i.;.NNY approach£~g the building. He stops and looks up at them

• ~L~NNYcontinues toward the building --

CUT TO

FOLLOW ~L'.l~NNYasheslamsopen the door and goes i.;pthe stai:::s toward the roof. He's definitelv pissed

CUT TO

:1...:;.NNYconesthestairs, stops, loo:<sat ANDRE

~Ll\.NNY All tr man1 who did I aint askin1

5e's s

•

t,L;~JNY T,.fho1s:':e?

• ANDRE

to take cve::::1

¼ANNY starts togo =orniw; EDDIE JAY and BUSTER and DUTCE move in -- MANNY stops, realiz tl-lat 1s st.him --

cruisin around, laying down curfews and shit -- YOU BLEN IT! And know why? 1 Causeyour

• damn brother 1 sinthe classl

/A_l\.N"1Y That's bullshit, I exiled him, what more do you want?

skirmish -- We re gonna real psych these suckers out --

He looks at DUTCH, f=om whom he obvio~sly got these ideas: DUTCH nods suppor~ive

to me, you know the consequences either way

Well now's your chance ~o p~ove

•

CUT

-'.-.q-src;: ~"'"'"'""'<~f

s

No oarno-- -C~as a false

• DANIEL

What if the=e's a real bomb next tir:1e?

MIYP~GI Risk worthwhile ,- purpose worthwhile.

DANIEL

Maybe it s time to deal with the risk i~ a di£feren~ way.

MIY.,;GI Sooner, later each man must find way~

He nods, a littles to D~.NIEL,then

Hewat::hes wno is s back 2:: •

CUT TO

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JOHNNY cuts i~to the la~e, ?ass the BUS as a shi.eld between hi~ and che

TO

CUT

JOH~NY - neck and neck now with the BUS, which is on his le::'t. A KID on the BUS is yelling down and gest:ur JOHNNY ignores her I but

from his tank CUT TO

Dl'.NIEL'SCHEVY (MOVING) The TRAFFIC is LOUD: DANIEL is wrapt in his ow~ though~s, as are MIYAGI and CHARLIE~ Behind them we see-JOHNNY coming up by the BUS: He yells and HONKS but they don't hear him -- then the s~~~URAIcuts in front of the BUS, and moves into view directly behind the CHEVY

IN THE S~"iUR.A.I-

ANDRE takes out an AUTOM.~TICWEAPON and rests it on his M.ANNYglances at it nervously~ He1 sreally torn; lap. sweat dotting his brow --

CUT TO

• JOHNNY - pulling ahead of the BUS1 getting close~ to the CHEVY, then -

THE BUS'S RIGHT BLINKER GOES ON; it veers to the right for a stop, forcing JOHNNY over to the side of the road where the f~eeway is bound by a concretewalli He has two choices: Slow down and allow theBUS the right ofwav, or soeed uo and try to get past it before it flattens hlm agai;st th~ wall.

He crouches low on the bike and presses aheadl The BUS edaes closer to THE WALL as JOHNNY zooms forward and then th; BIKE skips and JOHNNY glances at the GAS GAUGE and

it s on EMPTY but new he has no ch9ice and he forces Ccwn the ACCELER-~TORhis escape route growing narrower and na:::::-oweruntil- He squeezes past the BUS at the last possible moment on to look ove= and find himself r side. side with

-- ANDRE over at 1startled, but

JOHNNY isn't fazed until he sees DUTCH - i~ the back seat and when he does

shouts 'NO!1and

• ANDRE :=aisesthe GUN toward JOffNNYand

accelerates c .r:ange.asthe

ANDRE cocks the gun and ;;,t,::.,,NNYsp:!.I'~sthe'Plheeswe:::v ?reveDs:ANDRE: f:::ommauccngtheshot anc

TEE sideswipesJOHNNY and

TEE BIKE downwith a SHRIEK on JOH:✓ ::r:(SLEGana hits the and flies end-over-end into the air t JOHNNY t:o the be fore it EXPLODES ::NTOFL"~¾iEa::.d Dl1~NIELslamson his brakes as

TEE~~~~~ crashes a l; skids down an embank.uentand speeds away

CUT TO

LISA at pay phone; DANIEL and VERLANE pacing; CHARLIE seated with his arm around JORY1 comforting her; MIYAGI standing 1 arms folded contemplatively.

RECEPTIONIST enters~

• clipboard with form attached. Hands him

Di\J.'HEL I don 1 thavethe insurance information, we 1 recallinghis parents right now, they'll have it

He takes the cl the RECEPTIONIST gives DANIEL a fros look 1exits.

•

yell

t1RS:AWRE::JC:S :vhe:ce1s.Jo

He's wich t~e doctor, M=s

Oh Gad Is he What

be here at all if it weren t for Mr Kreese --

For the first time the others notice that KREESE is standi~g in the doorway. •

MIYAGI and KREESE eye one another warily.

DANIEL

It s -- been a while~

MRS LAWRE;:,lCE

Where s Dutch? He s the one who called me

DOCTOR e!"lters=

DOCTOR

• Doctor Johr~nyjsgo

to Ce all

MRS LAWRE::,JCE Oh, thank Gcd

is broke anc he ~as

C:JTTO

- whe~e DUTCH listens at the door as the DOCTOR conti~ues:

DUTCH turns away to go and finds himself staring ~ight i~=a the face of a POLICEr'L~N,wholooks.at him suspicious

POLICEMAN

• You'll hear better from inside~

DUTCH

I m a family friend, I just didn1 twant to get in the way

You won't~ Come on, there 1 s some cuestions I need to ask, maybe you can he

cu~ TO

The POLICE!fi,.,,½..Niswrappingupthequestion

POLICE.M..Zi,.N

r~ ~ not much to go on1 but thanks -- we appreciate your cooperation

•

the way DUTCE as

anyone --

CEARLIS grabs her ar:n,snut her up~ She looks at him

POLICEM-J;,N Lots of gang members are into those kind of vehicles -- T~ey bop down there, pay cash for 'em with all their drug money -- Not the best of worlds, huh? Thanks again, goodnight.

He goes. MIYAGI is watching DUTCH; then, abruptly:

•

for truths

KREESE (CONT)

Sensei -- I know who a=e1 tre called the Danes

CHARLIE shakes his head no'

CH.21.:!)LIE I -- can't

•

MIYJi"'GI That not way tohandle it~

•

:,1IY..:S.,,,GI Call police.

•

tinue program

•

DANIEL

: never ~hought ! d say tnis, but maybe Kreese is r~ght -- somebody's gotta sto? ~hese gangs. ,The police haven1t made a dent, they have~1 tsolved Richie's murder, or anv of the others -- Maybe we need to take things into our own hands --

MIYP~GI Friendship for Johnny leadina thoughts down wrong Path1 Da~iel-sans

• DANIEL exits. LISA follows him out~

CUT TO

DANIEL scoops water fromwater fountain, pats it on his face. LISA rubs his shoulders~

VERLA:-JEapproaches--

you comin ?

He looks UP1 sees KREESEr DUTCH: JORY1 looking at n~m$

DANIE~ looks at them; looks at ~ISA for a moment, then • back at KREESE --

Danie I dcn1 t it1 s TO

L:SA hurries in -

Mr .quick-- 1ve gone after'the Danes

MIYAGI looks c~ushed; he can't believe --LISA goes to

He starts to leave; a steely comrnand fromMIYAGI stops hi:r, at the door~

MIYAGI advances on him; his face stern; almost in its intens

whatever he I he's my brother1

he took care cf me when the=e wasn t anyone else -- We had nothinl He food for us, clothes, he made me go to school, he 1sin a gar:g (MORE)

•

CEJ:.~RLI(CONT) 'cause that'sall there was us,we diGn't have any

•

ton top of him nis eyes burn

CHARLIE (CONT)

It s Richie1 all ? I wanted to talk to ·him,I didn 1tknew I was se him up, he wanted to borrow some money so he could away, he was gonna come a ~,,~,,cc~ion, Mr$ Miyagi, that 1 swhathe wante~! I just wanted to stay cause he was my friend, so I told 'em

I d get him to come out1 I DIDN'T KNOW ~L;NNYWAS GONNA KILL EIMl

Pause~ CHARLIE covers his face. MIYAGI looks slowly at LISA.

LISA dials as MIYAGI exits. • CUT TO

DANIEL 1KREESE, VERLANE1 JORY, DUTCH - pull up in DANIEL 1 S CHEVY across the street from the building.

•

Crouchin hidden the PARKED C~RS, KREESE, DANIEL r and JORY wake their way closer to the buildina -- suddenlv THREE FIGURES aooear -- 'i/ERLA~1Ejumps up, instantly adopting a karate stan~~ --

Yah! Haiiiieeeer

The THREE FIGURES are .::evealedtobe TONY, TJ and ROBER'!'O--

•

DANIEL

What re you guys doing he::-e?

peaker and let em know we1 rehere?

Fol KREESE'S lead they crouch behind ~he ?arked cars -

•

DANIEL

of these

TEEIR POV: Across the street, DUTCH beckor:sthem from the

4-' , •1,,•

doorway of -_ne.ou1.ic1.ng--

ROBERTO

How d he get inside?

how~ Let s go~

Running in acrouch, KREESE makes nis way ac=oss t~e st~eet followed by the others.

• AT THE DOORWAY - DUTCH smiles

KREESE

Maybe you d like to wai~ for them to come back. Let 1 sgo.

He enters, followed the others. DANIEL and DU~CH are

last; on his way inr DANIEL looks at DUTCH: There s some-

about this -- CUT TO

We see their SILHOUETTES enter the da::kream;

cautious Then the ~oar sla2s, ~e

DUTCH

•

KREESE1 DANIEL, the ~he DANES and star

Oh, sttit

Ditto=-

s gun to KREESE1 Sfacer holds 1r inches from

DUTCH raises his eye:

DUTCH

Shut up, LaRusso, you ll get your turn in aminute!

• MAtiNY

You gonna kill 1 emall, Dutch?

M...;NNYsitsbyhimself in the·corne.?:o::theroom,·in the shadows.

Ee grabs MANNY by the shirt1 pushes him with and the OTHERS

1MJl...NNYItheKI:JSturnand face the wall -=

~.,J,'1DRE(CONT) Hands up s gonna be like the St Valentine's Massacre, manr me and Al Capone, oriGi~al canqsters all the wav!

As he raises his weapon •

pli:itereC a kick from :'1?,/!.:..'""""'""':;:,~"'%'...;;'.L,-,,-,i

ANDRE t:irr:s':o::ire1but zstIYAGIis the ,r;oomsc kl:/ t 1 tiat !'"'1edoes::thaveti::1e-- liswift:kick C~sa=ms ~"~"..,,_1 a_backhand careerisE:LJD!EJ;AYi:1tothewall a::~"'iv.K::

As EDDIE JAY scra~bles bac V:SRLANE '.hk!,,,,,c,;?""

VERLA!-:J'E (first Wax on! (second Wax offI

BUSTER f ts off attacks rrom ROBERTO and JORY, DUTCH is on the run from KREESE; he tries to get to the door; but ½ANNY grabs him$ He turns1 kicks MANNY hard in the head, and escaoes as SIRENS are heard approaching in the distance and -r:.henMEMBERSofan LAPD SWAT TEJl.J,1en·terthe room, followed by CHARLIE and LISA In the chaos; CHARLIE makes his way over to M..~NNY(whoseface is bloody from t~e kick), and helps him up and

CUT TO

POLICE are cuffing the DANES and putting them in a VP.~N.

ONLOOKERS are gathered in groups, watching~ We ve seen their faces before, at the gym, on the street -- KREESE is in b~g~ talking to one of the POLICEMEN~ MIYAGI is with CHARLIE. THE POLICE~L~NFROM THE HOSPITAL crosses to MIYAGI and CHARLIE:

POLICE~Lq.N Your brother told us about Richie. Now everybody on the block is volunteering informa- tion1 maybe it'll help us clear up some of these other cases, at least it's a start --

POLICE!1-P...N Thanks fo::- You toot

Charlie, I it wasn t easy for you.

CHARLIE tne:?OLICE.M.J:,.~Nexits.

CHltRLIE What about Dan~el?

•

says someth_::igir'" ser les, hurries away.

the box, liftsout a bottlecf SAKE --

Thev continue on, passing KREESE on the way: For a beat KREESE and MIYAGI stare at each other, then MIYAGI anC CHARLIE move OUT OF FR.~~E;HOLD on KREESE'S FACE then

CUT TO

DANIEL si~s en the running board of his CHEVY looking totally dep~essed$ LISA finds him.

•

DAo.'HEL I'm sorry, look -- I need to be alone right now, okay?

She sits down beside him~

•

LISA

You re human~

LJ:SA C'mon, Daniel -- Mr Miyagi loves you -- The only thing he wouldn1 tforgive you for is not knowi~£ that

DANIEL

guess it s time to go home, huh? Thanks, Lisa I mean it~

ne starts to kiss her on the cheek, a little kiss of thanks, but suddenly it turns into a passionate kiss; at last she pulls back --

t

Kurnikohappy, do you?

She smiles at him; exits -- Iiewatches her go

CUT TO

The CAR pulls in past the oil wells; as it PASSES FR.,;.ME,

REVEAL DUTCH - watching, his back to us

CUT TO

NT. MIYAGI HOUSE~ MOMENTS LATER~ CHARLIE enters his room; MIYAGI continues toward h.:.scwrL

MJ:Y.°'G: Goodnight 1Charlie-san~

MIYAGI disappears into the house. HOLD on empty hallway .

Quietl?,

he wedges it against CHARLIE S door~ • CUT TO

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I~T. DANIEL'S ROOM. CONTINUOUS.

n red fan of flame rises

up beh the ".,,;inCow:The ss are sucked i~~c the =corn-- CHAPiIE to ths floor

CUT TO

~XT~ DANIEL S CAR~ CONTINUOUS~

Green li DANIEL accelerates. The CHEVY moves ahead~ STAY WITH DANIEL dri heme; now he to no that

the glow ahead is coming from somewhere near Miyagi s house

He turns down another street, getting closer and now he's

sure -- It's MIYAG!'S house that s burning! He floors the accelerator!

CUT TC

MIYAGI crawls on the floo=1 looking for another esca9e route. The room is thick with smoke~ MIYAGI looks up: FROM HIS POV: We see a framed 8 x 10 of his long-dead wife smiling down at him~ He grasps the pictu~e, puts it inside his robe, t=ies to. goon, coughs, tries to catch his breath - •

CUT TO

The fire is spreading to the wells as DANIEL S CAR swerves into view~ The FIRST WELL EXPLODES! -- TEE CHEVY SCREECHES into a skid -- DANIEL runs from the CAR as the SECOND WELL starts to go --

CUT TO

DANIEL rushes toward the flaming house

MIYAGI

:EXTERIOR- DANIEL Iakes his way in the flames As he :i:eacnes

the -

•

DAi'IIELstu:nblesback; DUTCH l¼nges at him; Dil~NIELdodces the bloi-v#!"°egainshis:!:eet:--andt:-1ebattleis onr DANIEL tries despe~ately to overcome DUTCH so that ~e can get to ;'1IYAGIand CHAPLIE in time; DUTCH i,sequallv dete:::uinedto s,-,1,,.:;rlv.....-...,'.Tc.,'6.Yj'C"Cwr,,.,;,,"i-~-i;;,\"°--=-C.:fh-,~"Y"-Y°llSL!,~.,...,..='c-;8Sod__..,.,l,-i<,,8;;•..,,,,,~CL::;,)"',-,,,-_'""OD;;;,luw;;C;.=,:,,_~D;,,St~e,;,8TI1~8S=~ ::owhe has :i.othi:i.gtolcse--

He lunges; DANIEL leaps, spins, kicks;DUTCH falls; DANIEL goes ~or chehouse; DUTCH t=ips him; they fight fiercely, the fire behind themthrowing them i~to::edsilhouette -- While they fight we see CUTS of; MIYAGI 1S gardenwilting and burning in the fire; the ANTIQUE CARS ricocheting flickeri.nglight as the flamescome nearer; MIYAGI inside semi-conscious on the floor; CHAR!..IEbangingagainst the door trying to save himself --

Finally DANIEL throws a punch that sends DUTCH sprawling tothe ground -- DANIEL hurries toward the house, dodging thewhips of flame --

DUTCH shakes himself back to consciousness, gets to his feet; turns to run and comes face to face with KREESE!

P,-1,"-1DPOW1HeflattensDUTCHwith one pu.."1.ch,thenmakeshis way toward t~e house

CUT TO

•

DANIEL bursts in, running low, sees MIYAGI on the floor, gets to him, drags him out as the house is finally consumed in the conflagration and -

CUT

DANIEL drags MIYAGI out of danger; the house behind them is now totally engulfed by the fire --

He comes toward them; behind him KREESE stands watching~

CHARLIE {CONT} Kreese got me out --

MIYAGI looks at KREESE* KREESE gives a sna=p little bcw with his head as i! say 'we'=e even1; then

tu.:=nsabruptly

and walks away •

The house or 'Mhat s leftof it: The main section ~s c □ m?~ets-

from ~~encw-arr~vad

ec11en'shoses. total loss,but most of theANTIQUE c'":;Rs FIREMEN in b.g. still at work as DP..,NIELbr a cup cf tea'::O MIYAGI~ But MIYAGI is refreshing lf 'witha s of thA LITTLE ~:;S!ANLADY 1 Ssake~

•

Thev embrace~ A FIREMAN comes over.

FIREM.l,N

We ve done everything we can do; sure hope you're insured.

aren t you?

He looks atMIYAGI; MIYAGI s

DANIEL

CUT

HOUSE A NEW D~A.Y~

The ner,,;houseis on its way up: We see YJ:IYAG:,3,z-:dDA':IIEL ove::-seeing the construction a:1d~,veEE;s,,RtheHJ:-Y-~"1ERBLOWS before we REVEAL that the cr:ewconsists of VERLANE, JORY1 CHARLIE 1 TJ, ROBERT01 TONY1 etc. LISA and JOHNNY (en crutches) are scd"' up a table lunch"'which is irn.1uinent. INCUTS we see the KIDS learned techn s to ham.mer in VER.LANE has an ins

VERLANE

Hey II m a hit!

LISA crosses to MIYAGI and DANIEL -

• A TRUCK filled with lwuber pulls in and KREESE slides out from behind the wheel~

The TWO with him start to unload the lumber and stack it on the ground as KREESE looks over at JOHNNY.

KREESE

How s the leg?

MIY.'\GI Thank

•

MIYAGI ex".:endshishand.

-1IY~:;GI Please0

ll~.fteramome:1tof hesitation, KREESE shakes MIYJ\GII Shand. I clutches KREESE1 Shand

ly, rubs it as DAN!EL,

LI-S.t'~1JOH'.:JNYandKREESEwatchcurious MIY~:;Grreleases the hand -

He takes KREESE'S other hand and repeats the process. KREESE looks at his free hand 1s to ld the f,r,m0 rc; into a fist: MIYAGI has healed injury! Now MIYAGI releases the second hand: Sarnething. KREESE bends the fingers, flexible again -- His eyes almost fill th tears as he bows to MIYi'.GI--

• you join us, Mr Kreese?

MIYAGI smiles at KREESE, nods yes -- KREESE finally manages

to squeeze out a smile and nods yes in return as THE KIDS stampede toward the lunch table and DANIEL stops them with a fierce look! They pause 1wait for his go-ahead; he nods them forward and they proceed to the table -- politely; this time. AT THE Tl!tBLE- everyone 1 seating, enjoying lunch 1when THE MAIL~l.A.Narrives, a nosey guy, checking out the food on the table, the progress on the house, etc~ --

M.1'.,.ILM.Z\N Lcokin 1 ,F....e.,;.o1-as,11.J..oc:e.::1.,.':1 good, where'~ Daniel La.Ru;;sc?

MAILl"-ll.N Letter for ya See ya tomor::owr guys the mail~cx down here, Then I won1 t have to wal~ so far!

•

I

It s from Kumiko --

disappointment~ She dcesn1 t

She smiles, 1 f her hand1 her a reass le -- DANIEL reads the

He reads on silently; suddenly he starts latighing-- loudly, uproariously --

DANIEL

• She dumped me! For this

rock and roll guy! Is that great or what?

He continues to laugh, and LISA starts laughing, too, the two of them smiling at each other and laughing while the KIDS look at each other, puzzled

Too many kicks to the head, man

And now the OTHERS begin to laugh, too, not sure what they're laughing at, as we PULLBACK and

ROLL CREDITS

END~

•