"THE KARATE KID PART III" (1989)

DANIEL watches thru window as Okinawa recedes from sight and clouds obscure his view. DANIEL One day we'll come back, Mr Miyagi. MIYAGI Not ‘'we', Daniel-San. Tf have found where I belong at last. As one day you must aiso. DANIEL doesn't guite understand this, but MIYAGI offers no explanation and returns to his reading instead.

LUCILLE LARUSSO pushes thru CROWD and waves excitedly as she spots DANIEL and MIYAGI coming thru Customs. LUCILLE & Danny! Mr Miyagi! Over here! DANIEL Bi, Ma! LUCILLE . Gimme a hug, you, oh boy did I miss you guys -- DANIEL Ma, my neck, take it easy -- LUCILLE Hey, I'm your Mom, I get all the hugs I want -- You too, Me Miyesi. == She goes to hug MIYAGI who gets out of it gracefully, by bowing and handing her 4 beautifully-wrapped gift. MIYAGI For you. From Okinawa. LUCILLE Oh, Mr Miyagi <= How beautiful we that's so sweet, oh thank you --

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“DANIEL Kumiko sent me a tape of this real hot Japanese rock band, wanna hear it? MIYAGI doesn't want to, but acquiestes to DANIEL‘S enthusiasm and puts on the earphones: His expression tells us now loud and cacophonic the music is and he removes the earphones quickly. DANIEL laughs -- MIYAGI Very hot, thank you. Which class you decide on? DANIEL Mostly the required stuff -- maybe 2 business course, toc. MIYAGI You want to be businessman? DANIEL The 'Two Lous' thought it was 4 practical idea. MEYAGI @ Not practical if not what you want. DANIEL What I want isn't in the catalogue. Look, I found this in with my stuff -- He unfolds a piece of paper from his pocket, gives it to MIYAGI. It's an application that reads: INTERNATIONAL KARATE TOURNAMENT, MADISON SQUARE GARDEN, 1389. MIYAGI reads it aloud - DANIEL Madison Square Garden, can you imagine? MIYAGI Would mean much training. DANIEL It's a year away. MIYAGI And much commitment. DANIEL & I could do it. With your help.

MONTAGE TO MUSIC: & EXT. SEACE. MORNING. ~ DANIEL and MIYAGI work out on their old stomping grounds, she ecean and sky behind them filled with sunrise -- cur to

DANIEL takes notes as PROFESSOR gives lecture; he sees a VERY PRETTY GIRL smiling flirtatiously at him; he's tempted te respond, but ferces his attention back to the lecture -~ CUT TO

DANIEL helps MIYAGI prune hedges while the OLD LADY bitches about something and her SCRAPPY DOG barks - cur TO

DANIEL burns the midnight oil reading an assignment; he Looks up, realizes the library is about to close -- < cur TO

DANIEL asleep, fully dressed. MIYAGI peers in, smiles, shuts off the light, exits, his REFLECTION briefly caught in the TROPHY on the dresser -- cur TO

DANIEL helps MIYAGI pick grasshoppers off the new tomato vines in the beautifully-rowed vegetable garden. They put the grasshoppers, alive, into a jar. DANIEL I guess insecticide's outa the question -- MIYAGI Zi wanted insecticide would shop at supermarket. DANIEL peers ints the jar of grasshoppers - DANIEL Whatta we do with these guys? MIYAGI Very crispy when correctly cooked. Show vou tonight.

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DANIEL pulls into the faculty lot, sarking behing a VAN whose side panel bears a sign reading SPORTSCENE NEWS WITH TROY McKENZIE. LISA hurries over with TROY: He's thirtyish, a great-looking ax-jock, impeccably coified and outfitted in an expensive sulc. Hi, we were just starting to worry -- DANIEL Sorry, I got a little lost -~ TROY (offers his hand) Troy McKenzie, howya doin', Dan? DANIEL Hi, I watch you on Tv -- TROY That's why we're number one - " MeGoGGY, how2it goin? : MIYAGI MinYAqgi. Y TROY I'll get it right by air-time, c'mon, the kids're waiting in the gym -- As they enter the school - A NEW ANGLE REVEALS CHARLIE - watching from nearby; behind him BUSTER is talking to some GIRLS. CHARLIE thinks for a moment; comes to a decision; starts walking toward the school. BUSTER Where you goin', Retard? You don't get permission te go nowhere -- CHARLIE What're you, my Mother now? BUSTER I look that agly? Get your dumb ass back hers, man, your brother said meet him right here -- CHARLIE e You meet Aim -- He enters the school

e BUSTER (to Girls cuT TO ENT. G2 890%: SAucWArs MOMENTS LATSR. MOVING with DANIEL, MIYAGI, LISA and TROY toward the gym. TROY -- scon as they cue me from the station I'll do my little intro - ‘Hiya, hiya, here we go' - follow it with a little spiel about you guys, then I/ll come over, interview you, now it's live, but don't be nervous, okay? DANIEL Live? TROY Action television, pal, s?why we're number one ~- You understand all this, MeGoccy? MIYAGI Mi-YA-gi. Hai. TROY Hi. “ {to Daniel) He speaks English, right? MIYAGI Depend. LISA We're here, everybody ready? She opens the doors and they enter - THE GYM - CONTINUOUS ~ MOVING with them into the gym, an old huilding in disrepair: Windows boarded and barred; bleachers scarred and needing paint -- athletic ecuipment broken, worn-out, hand-me-down: even the floor is unvarnished and lustarless. Ahead, a GROUP of KIDS awaits their arrival: A MAN WITH BLONDE HAIR whose face we don't see right away is talking to them. TROY'S MINI CREW - SOUND MAN, MINICAM OPERATOR, S are setting up nearby

DTSs. Before you talk to the kids 2 there's someone I want you to The BLOND MAN turns around, revealing himself te be their eld nemesis: - DANIEL Johnny Lawrence??? What the hell's he doing here? LISA Teaching karate -- You know each . other? DANIEL Sort of, we were never exactly close -~ JOHNNY approaches - he and DANIEL regard each other with tense but polite caution, Lisa Why didn't you tell me you knew them? It was John's idea to contact : you in the first place -- & DANIEL Really? . (to Miyagi) Must be an ambush. COHNNY So. LaRusso. DANIEL That's me -~ JOHNNY How's it going? ; DANIEL T's been worse ~ ‘John’. JOHNNY I remember. LISA What is going on here? Where do you know each other from? JORNNY gives her a little peck on the cheek, which bothers & DANIEL although he's not exactly surs why ~~

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KIDS LAUGH ~~ a MIYAGI Perhaps weiter for new fo keep iese clean and brain in head, hai? JORY Might help if he had a brain to begin with -- cur To

BUSTER jumps up as ANDRE, MANNY, EDDEE JAY and OTHER DANES appear 77 MANNY Where's Charlie? BUSTER : In the gym, man, checkin’ out the class ~~ MANNY You were sposed to keep an ® eye on Aim! BUSTER Io got my own business, I can'c babysit your brather no more, if he's a security risk do a Richie, man -- MANNY You tellin’ me how to run things, Buster? Pushes BUSTER against the fence; ANDRE pulis them apart -~ ANDRE He had orders to wait here, Manny -~ he left; that requires disciplinary action, brother or fo brother -= MANNY i Know what's required, Andre, but Charlie ainn the problem, it's these Alternative Sports people comin’ down here that'xe the problem -~

3 ANDRE

TROY signals to LISA that they have only a few minutes until airctime; he turns to a mirror, checks sut his hair as he talks to the CREW - TROY Keep tne kids alive in the back- ground during my intro, EF like that sense of activity - The CREW MEMBERS exchange glances: As if they Gidn's know exactly what to do and neeéed this jerkoff to ‘direct’ them - DANIEL and MIYAGI - are still answering KIOS' questions when LISA passes on TROY'S signal to them: . DANIEL Uh ~ looks like we only got 2 few more minutes, so anybody e& got a question? Somebody who hasn't been called cn yet? How ‘bout you? The KIDS turn to see who he's pointing at: It's CHARLIZE. Most of them didn't notice him before: now that they do, chey move away from him; an uneasy murmur ripples threugh the crowd 7 CHARLIE Uh -= me? DANIEL Yeah, what's your name? VOICE FROM CROWD zy 'RETARDO!! The OTHER KIDS LAUGH nervously; someone else mutters ‘try shithead'; ths meed has swiftly become hostile - JORNNY . Hey, be nice, what's wrong with you guys? TONY & We's im the Danes, they sent him here to scope us ous -

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CHARLIE - slowly puts the pencil down, starts walking through B the CROWD OF KIDS over to MANNY, and someone whispers: VOICE Told you he was a stcoge -- CHARLIE stogs, hearing that: The KIDS stare at him with contempt; whatever points he gained a moment ago are now lost totally - ~ and suddenly MANNY is all over him, shoving and yelling: MANNY WHEAT THE HELL'S THE MATTER WITH YOU? YOU COME WHEN I CALLE CHARLIE Manny, wouldja please don’t do this to me in front of everybody, please ~~ MANNY {in a low voice) i'm tryna save your ass, jerkoff ~ {slaps him, hard) * GET OUTA HERE, NOW! DANIEL Hey, leave him alone -~ MANNY Mind your own business! LISA (to JOENNY I’m calling Security -- JORNNY Look ~ we don’t want any trouble - why don’t you guys just leave ~ now -- ANDRE Hey, man, we're here to prac- tice, right Eddie Jay? EDDIE JAY Abbalutely. He tosses ANDRE 2 basketball; they play during the following, using the game as another method of intimidation: Tossing the ball close to the KIDS faces; slamming it against the backboard ] to make LOUD CLANGS that ECHO, rattle the windows, etc -~

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AT THE EXIT - JORY, VERLANE, TONY, have stopped, impressed by CHARLIE'S guts. JORY makes her decision, then crosses to the table where - CHARLIE LOOKS UP ~ at her approach -- TORY . Girls allowed in this class? LISA : You bet. CHARLIE hands her the pencil; she smiles at him; signs her name. AT THE DOOR - Two more KIDS, J.T. and ROBERT, watch with VERLANE - JT If a chick can do it, we can -- ROBERT I'm up for it, how hout you, Verlane? VERLANE I'm door monitor, man, no way & I'm leavin’ my post! JT and ROBERT - cross to the table to sign up for the class. ON THE COURT ~ TROY giggles and wipes tears from his eyes: TROY This is great, it's news, it's why I got in this business in the first place, it's - (sees something) - oh, shit -- ® HE SEES THE DANES - who don't Like what's happening and are on their way over to do something about it. ANDRE wraps a piece of chain around his fist -- TROY starts to move out cf their way, but stops, sees - DANIEL ~ stepping out to block the DANES‘ advance - ANDRE (sees Daniel} Wow, I’m worried - AND NOW JOHNNY - also steps forwerd, moves up beside DANTEL and ANDRE does start to look a little worried, but he @ doesn't look really worried until ~ MIYAGI STEPS FORWARD to complete the trio, and now there's @ real stand-off, with TROY trapped in the middle --

B DANES’ REACTION; Searing this, they are starting to get nervous. TROY (CONT) Right, now on my sight are some of the neighborhood kids who insisted on this demonstration unless ~- uh, wait -- they seem to be changing their minds, right guys? ANDRE Next time... They start to retreat as TWO SECURITY GUARDS enter in b.g. TROY Wait, hey, even the Security People dropped by to see it, hey ~~ Well, Tammy, we won't have the demonstration, but it looks like the Alternative Sports Program has scored 2 major success down here today at Union High -- More at eleven, including how you, the viewer, can help support this worthwhile cause -~ ] CLICK! - A HAND turns off the TV; as TROY'S image fades REVEAL

KREESE has just turned off the TV. He sits in his dimly- lighted office staring at the screen, On the walls and shelves are placques, awards, framed photos of XREESE in Green Beret uniform, various Ninja-style weapons. DUTCH You believe that? Johnny working with them? KREESE turns, startled: DUTCH MARTIN is at the deor - KREESE No one ever taught you to knock, Mr Martin? DUTCH i'm sorry, Sensei, I assumed you heard me. RREESE looks at him sharply to see if the remark was meant sarcastically. DUTCH’S face is expressionless. L KREESE Spit it out, Dutch, what do you want?

Two more students droped out today. RREESE Covid be the way you're teaching the class. BUTCH Maybe it's time for you to come back and teach it yourself -- siz. KREESE With these hands? He holds up his hands: They're scarre@ from where he put them through the car windows in KKII. He tries to make fists, put some of his fingers won't bend -- KREESE (CONT) Look at this, I still can't bend them -~ the Doctor says it might be another year ~~ No, I won't be teaching anymore; in fact I might -- give up the * dojo altogether -- DUTCH You can't do that! KREESE You‘ll find another one. DUTCR This isn't just a dojo to me, Sansei, it's lika -- a family ~- KREESE I'm not your family, Mz Martin -- DUTCH You Knew my Dad in ‘Nam, you're the only ane wha -+ KREESE That was a long time ago! You've got to learn to Let go of the past -= We all do -- DUTCH Sensei ~~ Give me the chance to put the Cobra Kai back on its feet ~- I?ll make this dojo better than it evar was --

eB INT, RESTAURANT. LATE DAY. MEYAGI, DANIEL, LISA, JOHNNY and CHARLIZ are having coffees JORNNY - You see Troy's legs? Shaking like this, swear te God ~~ LISA Eo was shaking, too, God 2 was so relieved when those kids left -- Any more incidents and we'll be banned from using school facilities DANIEL Well, I wanna toast Charlie, he's the hero today -- MIYAGI I second. JORNNY I third, you were great, man -- ] CHARLIE Well ~~ I figure it's worth it to study with Daniel and Mr Miyagi -- How many classes you gonna be teaching? Pause. DANIEL and MIYAGI look at each other. JOHNNY clears his throat. LISA stares into her coffee cup. MIYAGI We not teaching. CHARLIE But I thought -- DANIEL No, see, we just came down to heip publicize the program, sort of help get it rolling <- CHARLIE oh -- MIYAGI Johnny excellent teacher. eS CHARLIE Oh, yeah -- yeah, I know --

e CHARLIZ walks along; it's started to rain; he turks up his collar and hunches his shoulders. NEON spills Bright colors on the slick sidewalk, but it's still the same ovim and CHARLIE stops: Ahead, about a block away, he sees MANNY'S SUZUKI SAMURAl coming in his direction -- He quickly steps into a side-street; hugs the wall as the SAMURAI glides past.

He breathes a sigh of relief and turns to go when A HORN HONKS behind him -- He jumps about a foot in the air, scared shitless, turns to see DANIEL'S CHEVY CONVERTIBLE right behind him -- MIYAGI signals to him: ‘Need a ride?’ CHARLIE starts to say ne then sees the SAMURAI coming back again. He nods ‘okay! to MIYAGI end gets in the car -~ cUT TO

CHARLIE stares at the oil welis that front MIVYAGI'S home as they pull into the drive.

CHARLIE

B ‘ Hope nobody smokes around here.

: cuT TO

As they approach the house. CHARLIE Great hide-out, how'd va find it? DANIEL He built it. CHARLIE Wow, you're one amazing old , dude. MIYAGI turns to him sharply, narrows his eyes: MIYAGI Word ‘dude’ not allowed in Miyagi house. He gives DANIEL 2 little wink as he opens the door = & cur To

B INT, DANIEL'S ROCH. MOMENTS LATER. DANIEL takes an extra futon from the closet; he and MIYAGI unroil Lt and set it up during the scane. CHARLIE spots DANIEL'S ALL VALLEY TROPHY; stares at it, doubled by the reflection of his awed face in its Sree? Ssuetass... CHARLIE Man ~~ I'd like to win me ene of these +- MIYAGT Trophy won here first - {points to head} ~ tournament second. CHARLIE {points to his head Always wondered what to put up here, now Ll know -~ {looks at trophy) How's it feel to be 2 champ? DANIEL e té Il win this, I'll tell you -- Shows him the International Tournament application -- . CHARLIE Madison Square Garden! You're gonna have to bust your ass on this one -- DANIEL We train every day, that's why we don't have time to teach. Listen, I better call Lisa and tell her you're ckay -- DANIEL exits. CHARLIE thinks for a beat, then: CHARLIE How bout -~ how bout if T trained with you? MIYAGI (dubiously) CHARLIE ALL I gotta do is watch, I won't get in the way -- It's really important te me -- MIYAGI Why so important?

® CHARLIE aven know I'm there, I'll use binoculars if I have to -- All ioneed is to watch, that's how I taught myselZ karate in the first place -- MIYAGI Demonstrate. CHARLIE Huh? MIYAGE How you teach yourself karate. Demonstrate for Miyagi. CHARLIE What, right here? MIYAGS Why not here? CHARLIE & it's gonna look kinda funny. MIYAGI Then Miyagi laugh. CHARLIE Okay, if you say so -- He continues talking as he: Slips off his boots; there's 2 knife concealed in ome of them; he puts it on the dresser; takes a pair of brass knucks from his pecket, suts them with the knife; adds to these a mystericus bag that looks like it holds drugs; 4 handgun; the wad of bills; a couple of ear- rings ané other jewsiry; finally slips off his long-sleeved shirt, stands there in t-shirt revealing muscular érms chet are tattooed and scarred in several places ~~ (MIYAGI reacts to these various items, of course) -~ CHARLIE {talks throughout) What I did wes I'd see 2 guy doin' karate in a movie or on TV then I'd shut my eyes and imagine myself, well not me Like Iam, but another Charlie, who's Like me but really on tos of it and I'd make him do what = seen these other guys doin’ and then I'd do what he did, right?

nig posture changes; he stands taller and straighter, simos: ~ okay, here he is, here's Charlie, hew ya doin, man, oh we're cool, walkin' down the street, nobody can touch us -- Uh-oh, here they come, always after us, givin’ us a hard time - one of em’s got a sunt - Come on! Come on buddy, come on, buddy! Come oni Come on! COME ON! He lets out a ferocious yell, mimes a sunch, swivels and kicks as if fending off attackers. His movements are precise, but eccentric, some home-made karate uniquely Ais own, and powered by the images in his head -- suddenly a swing of ‘the arm knocks the trophy over, snapping him out of it as DANIEL re-enters the room -- DANIEL What's going on? CHARLIE to Miyagi) Well -- told you it was funny. . cUuT Ta

MIYAGI veads the morning paper at the table; DANTEL gulps down coffee as he prepares to leave for school - DANTEL I'll be late today, i've got a@ lab -- will you be okay? MIYAGI Why not be okay? DANIEL To mean -= can you handle Charlie and everything? MIYAGI is amused by their sudden role-reversal. MIYAGI I be fine -- ‘Dad'. @ DANIEL laughs, getting the point, and goes. MIYAGI returns to reading his paper. cur TO

e On nis way 20 class, DANIZL is recognized ay a VERY e8ETTY FEMALE STUDENT and her JOCK ZONFRIEND, whe grabs DANIEL‘S nang in a bear-grip -~

Guy Aeaay, LaRusse! Sew ya on Spoxrtscape yesterday, great, mani GERL We need more like you, lots more | She smiles meaningguily as DANIEL nods thanks and hurries on to class -- eee %

MIYAGI works on the engine of a4 '49 PLYMOUTH. Around Aim are the BRNTIQUE CARS we saw in KKI. CHARLIE emerges from house, yawning. CHARLIE Morning. MIYAGI Afternoon. CHARLIE Where's Daniel? ° MIYAGI School. CHARLIE Oh, yeah -- school. MIYAGI You not Like school. CHARLIE I don't knew, 1 didn't go too much, except when I needed to do seme business or somethin’. MIYAGI What xind ousiness? CHARLIE You don't wanna know.

. we dealt drugs ~ crack, stuf? like that. That's what gangs do - most of em.

e MIYAGI Too bad. CHARLIE It's so bad ‘cause the money's so good -- I made two, three grand 2 week, other guys make five- ten times that! MIYAGI Why you quit? CHARLIE So ~ what business are you in? Detective? 2 MIYAGI Mivagi try on many business. Someday find one fit perfect. Meantime, keep looking. CHARLIE You're still leoking? At your age? MIYAGI gives him a sharp look.

Lisa. Ne, Ro, you're studying ~~ (looks at the tock} a whole course on Yeats last summer OANIED (shuts book) Forget Yeats, you came all this way to thank me, I insist you sit down. that way I can sit down, too -- LISA {sits} Ckay, but E dién't really come all this way to thank you, actually I was coming from class and 2 juse happened to see you here -- DANIEL You -~ you're in school here? LISA Full-time. She slings her knapsack up on the table: It's full of beoks~. DANIEL & I thought you worked in the Sports program full-time. tIsA Hey, I'm superwoman, what can IT say? How's Charlie? DANIEL He snores, but other then that he seems okay -- LIsA If snoring's the only problem you're way ahead of the game. (eating his french fries It's tough dealing with these xids, we've got two foster kids living with us right now, sometimes it's like a nine-point-six on the culture shock scale -~ DANIEL Wait, wait -- you work full time, you go to schoo] fulictime, what else do vou do? 2 LIsk Iowork with the cisabled.

] TNE. TOOL SHED, MOMENTS LATER. MIYAGI Has just finished putting away garden tools, now washes Ris hands. Dantes Saere tn 5 DANIEL So you decided to take hin MIYAGT We decided take in on, Baniel-san. How was school? DANIEL i saw Lisa. We were a hiti They're looking for teachers like mad, they've got more students now than they can handle. MIYAGI Me too. GU To

DANIEL at desk works on pacer for tomorrow's class. B baseball cap covers the lamp so the light won't bother CHARLIE who's asleep on his futen across the room. He e mutters in his sleep; DANIEL locks up; listens -- CHARLIE (talking in slees) in = out -~ wax off -- right -- breathe ~~ in - out -- ja@tc) DANIEL Looks away. KUMIKO'S FACE stares at him fram its framed 8x10. Next to it is LISA'S card with her phone number. Now the Madison Square Garden tournament application catches his eye. Too many distractions here and CHARLIE's still muttexine. cut go

DANIEL has moved his kooks in here, now works on his saser at che kitchen table. He's tired and Yeats isn’= getting any more accessible. & NOISE outside captures his astention. cuT TO

DANIEL emerges from house, asses MIYAGI kneeling, diggins in or near the garden, Ais back co us. DANIEL MIYAGI Dig grave. For Charlie-san

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B They start handing out stuff from the bags: KIDS ase sugzled as they recalve rags, cleaning equipment, sanders, wax, @te. JORY What's this for? CHARLIE You'd hate me if I spoiled the surprise -~ LISA and JOHNNY are watching. LISA looks at JOHNNY es if to say ‘what's all this about?' JOHNNY shrugs ‘Who knows’ -- cnr TO VARIOUS SHOTS of the KIDS at work including: FIRST GROUP - on hands and knees sanding the seuffed gyn floor in circular, counter-clockwise motions while JOHNNY oversees. JOBNNY Counter-clockwise, Jones. JONES Howcome? JOENNY & When I know I'll tell you, in the meantime no questions. SECOND GROUP includes CHARLIE, VERLANE and TONY. THey sub cleaner on the wall with rags than wipe it clean. CHARLIE Cleaner on right -- breathe in, out, off left, breathe in, out -- VERLANE - has trouble ccordinating his breathing -- TONY You're throwin' me off, Verlane, you're breathin' out when you're sposed to breathe in ~~ . VERLANE You gonna stop breathin' alto- gather you don't shut that fat face a yours! MIYAGI Focus, not talk! VERLANE (under his breathf

P THIRD GROUP ~ including ROBERTO and Ty are sanding the bleachers ~ ROBERTO Tell me Sruce Lee started like Chis on inf Shit, man, this is probably : what killed him! ANGLE JOHNNY AT DOOR - watching the class. DUTCH enters behind nim -~ DUTCH What's this, karate or Maintenance 1017 SONNY Dutch, how ya been, bro? What're you dcing down here? BUTCH Heard you were working in a war zone, thought I'd ride & down and offer some back-up. JOHNNY Thanks, we've got the war _ under control for now -~ DUTCH So this is the famous Miyagi methed -~ Whatta ya do, hit your opponent with a mop? JOHNNY They didn't use mops when they tock the tournament away from as, did they? DUTCH That was luck, we let ‘em psych MeN « JOENNY So what can I do for you, Dutch? DUTCH First, this mission's confidential, is that understood? @ JOHNNY Dutch, we're in L.A. not Da Nang, okay? Now whatta ya want? .

a4 z hurt Ris hands at the tournament he's been totally weisded-ouc -- Won't teach; spends his time meditating; evan went to a Zen retreat for three months -- The dejo's going down the drain, man <-

JOaNNT what de you want me to do? DUTCH Come back -- Halp me re-activate the Cobra Kai -- me and you, the way it used to he <~ JORNNY Eocan't go back to that, it doesn’t work for me anymore. Why don't you come here instead? Help us teach these kids, open ° your syes a little -~ DUTCH I don*t turn on my own, man -- I'm a warrior, a Samurai, you think I'm giving that up for this wimpy mop-and-bucket crap? Who'ze you kidding? JORNNY Nobody -- anymore. Think about what I said, okay? Take care of yourself. He goes. OUTCH responds, ominously: DUTCH You too, man.,.you, too. He goes, angrily. ANGLE VERLANE - He suddenly throws his sander down on the bleachers. VERLANE Screw this! I came here to learn karate, not to clean up somebody's old boogers! DANIEL You ARE learning karate, it 2 takes time --

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° DANIEL throws a punch at TS - DANIEL Sand right: Sand left! TI instinctively wards off the punches - Now DANIEL and MIYAGI move among the rest of the KIDS, barking commands: ‘Wax on - off!' ‘Cleaner on! Graffiti off!' ‘Clean left! Clean right!' etc -~ and we CUT among the VARIOUS KIDS responding t¢ their new conditioning, their faces reacting with exultation as they realize that this is what they've been working toward ail this time and now MUSIC SWELLS AND MONTAGE RESUMES and cur 70

At work again with renewed enthusiasm and purpose, the XIDS go at the clesning with a gung-ho spirit -- cur TO

While CHARLIE sleeps, DANIEL studies for a test, 2 pile of books open in front him, the baseball cap in place on cur To SAME, NEXT MORNING - DANIZL asleep at his desk; the light bulb has scorched @ hole in the basebali cap. CHARLIE shakes DANIEL awake: Time for the morning work-out. DANIEL is realiv annoved by CHARLIE'S enthusisasm - cur To EXE. BEACH. DAWN, DANIEL and MIYAGI in training. This time CHARLIE trains along with them. DANIEL is tired and his concentration is way o£fé. cur TO

KIDS work out im @ group, all dressed in their brand-new white karate uniforms and for the first time they look Like @ real martial arts clase! In unison, under JOHNNY'S commanés, they gunch, kick, Leap.

7 INTERCUT this with continued SHOTS of them cleaning, sanding, Ste. One SHOT shows DANIEL studying on the bleachers: He Lifts nis feet as TONY waxes under them ~~ CUTS linking the cleaning with karate build showing the gym gesting clean again as the MUSIC GETS FASTER, LOUDER, MORE TALUMPERNT. then, when the gym is clean, the KIDS loox at each other as 12 wondering what to do next and MIYAGI looks at DANIEL, the twe of them getting an idea simeltaneously and

cut TO

i a STORE. DAY.

e MUSIC FADES suddenly. We're in this store and it's real guiet and the store owner is a LITTLE ASIAN LADY and she’s reading a newspaper behind the counter and then we hear this SQUEAX ~ SQUEAK ~ SQUEAK ~ and the LITTLE ASIAN LADY goes over to the window and looks out as

. VERLANE pops inte view and squirts the window with Windex and begins cleaning it and we cur to

as the LITTLE ASIAN LADY runs out to find the ZIDS cleaning the graffitti from the building =~ It's a strange sight on this street and a couple of ONLCCKERS, including a HOOKER have stopped to watch -- FIRST HOOKER leans over and asks in MIYAGI'S ear: FIRST HOOKER What're they doing? MIYAGI Karate. FIRST HOOKER turns and shouts to @ SECOND HOOKER standing on the next corner -- FIRST HOOKER THEY'RE DOIN' KARATE, GLADYS! ANGLE SECCND HOOKER - one hand cupped to her ear, nods then velays the information to a THIRD HOOKER on the next corner - SECOND HOOKER ROSE! SHIRL SAYS IT'S KARATE! THIRD HOOKER neds, then calls over te a HEAVYSET WOMAN who watches from the upper floor of a building across the street. THIRD HOOKER IT'S KARATE, MAL BEAVYSET WOMAN TELL 'EM TO DO IT CN THE RESTA THE NEIGHBORHOOD! BACK TO DANIEL and MIYAGI ~ Hearing the HEAVYSET WOMAN, they both get the same idea simultaneously and as MUSIC CROWS AGAIN IN INTENSITY ~ cUuT TO

CUTS of the KIDS working on different buildings along the whole street -- scrubbing away the graffitti, sweeping, & painting, etc. -- CUTS of NEIGHBORHOOD ONLOOKERS coming oun to watch ~ MOTHERS, FATHERS, DRUGGIES, RAEPERS, HOOKERS, STORE OWNERS, all sizes, ages and ethnic backgrounds, each new glimpse showing the CROWD growing in size until

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CLOSESP, CHARLIE, then CLOSEUP JORY then CLOSEUP VERLANE, then CLOSEUPS of TONY, ROBERTO, TJ, each concentrating @ intently on something OFF SCREEN and NEW ANGLE REVEALS that they are each armed with chopsticks and are concentrating on catching flies. One by one they lunge out and one by one they miss. VERLANE lunges cvice then stabs at the fly, then chases it over the rocks, throws a chopstick at it like a spear, tries to blind it with sand, finally manages to smash it on a rock with his shoe! He looks around: He's far enough away from the others that none of them saw what happened - ANGLE OTHER XIDS - they look up as VERLANE returns holding the stringy flattened remains of the pulverized fly in his chopsticks; he throws up his fist in a victory salute! cuT TO BEACH, LATER - FISH sizzles on the hibachi while DANIEL spars with the KIDS nearby. He calls CHARLIE up -- DANIEL Okay, try to hit me, hard AS you can, don't worry -- CHARLIE But -- ] DANIEL Don't wimp out, I said hit me! MIYAGI looks over, starts to interject -~ MIYAGI Daniel-san, wait -~ Too late! CHARLIE hauls off and POW! knocks DANIEL flat on his ass! DANIEL lies there for 2 moment staring up at the seagulls as MIYAGI bends over him: MIYAGI Forgot to tell you: Worked : on punching yesterday with ; Charlie-san. : DANIEL I see that. MIYAGI Anyway, fish ready now. DANIEL Great, be right there. ] : CHARLIE (smug) Need some heip, champ?

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83S ] Lisa You're too much. FORY Better too much than not LISa Thanks a lot. SORY I just meant, you're an eighties chick, you had to spread yoursel# thin, ='m 3 nineties woman, I'm leoking : forward to the benefits of the resurgence of pra-feminist traditions ninus the post-feminiss backlash, that's all -- LISA Ch, that's all -- Well don't look now but you're getting the eve, sco ~~ JORY instantly turns and looks at CHARLIE, who is standing by himself near water's edge. LISA laughs, JORY, caught out, gives her a look. LISA Charlie, huh? JORY It's just because he's the only one who's as good at karate as I am -- LIsa No need to explain, you're not on the stand -- They soth laugh - TORY Hey, you're pretty sharp for an old broad -- JGHNNY (enters) e's about that time, what do you think? - LISA I think you're right -- dery, will you get Charlie? This involves everybody -~

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e He holds out his hand; when she reaches to help him, he she struggles - CHARLIE Sucker ~- TORE Oh yeah? Maybe I wanted it this way = They Look at each other. She frees her hands, embraces him as they kiss. He pulls back, looks at her; they're both breathing heavily - JORY Se what's on your mind? CHARLIE Nothin' you can help me with. TORY Z got something you can helo Re with -- (pulls him down and kisses him; he pulls away) * If it's my breath don't tell me. . CHARLIE It's not you. Tell me something: If a person caused something really bed to happen - and he didn't mean to - do you think : if he dees something good later he can make it right? JORY Depends what happened and what he does to make up for it. Care to be more specific? CHARLIE Tf TE told you....I mean -~ TONY (calling) Jory, Charlie! C'mon, we're waiting for you! JORY Tell me later, okay? @ They hurry back to the group --

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They Zinish the numer with 2 flourish and take an elasorace bow as DANIEL, MIYAGI applaud and cheers -- Now LISA and JOHNNY return, carrying a huge cake with Lighted candles. They present it to DANIEL and MIYAGI. The cake is in the shase of a karate fighter and written on it is: ‘Thanks to Daniel and Miyagi -- from the Class at Union High! -= DANIEL You -- you made this? VERLANE She made the cake but = wrote «fhe aap a LISA We just wented to say thanks for all you've done -- KIDS Yay, Daniel! Yay, Miyagi JOHNNY Hold it, hold it! I'd like to & + take this moment to announce plans for an Exhibition Match with South Street High, if we can work out the details -- Me and LaRusso will be refereeing, so you better watch your step from now on ~- KIDS 30Q and CHEER -~ DANIEL and MIYAGI look at each other; no way DANIEL can drop out of the program now -- cur To EINT/EXT. DANIEL'S CAR (MOVING) NIGHT. DANIEL, MIYAGI, CHARLIE - driving home from the beach They ride in silence for a few beats, DANIEL deeo in thought, MIYAGI slouched down with his hat over his eyes, CHARLIE in the back seat. DANIEL Mr Miyagi -- MIYAGE (a sleepy grunt S DANIEL What would you say if I took your advice and postponed entexing the tournament?

CHARLIE hears this, looks up in surprise. MIYAGI geeks out MIYAGI Would say good idea. CHARLIE You're dropping out of the kournament? DANIEL This year -- Next year D’ll go for it again -- I just took on too much, that's all -- CHARLIZE mulis this over. OANIEL looks unhappy with himself. MIYAGI reaches over and puts his hand reassuringly on DANIEL'S shoulder. DANIEL smiles. Now he feels better. cur TO

Entering the house; CHARLIE suddenly blurts out: CHARLIE what if I took your place? (they look at him e -- At the tournament -- DANIEL You serious? CHARLIE Definitely. DANIEL Z don't think you're ready for Madison Square Garden yet, Charlie -- cur TO

Entering the room; CHARLIE won't give it up -- CHARLIE Why not? I could do it -- Mr Miyagi, what do you say? MIYAGI Maybe if started smaller -~ with lecal tournament ~- CHARLIZE thing big, if T won it ~~ DANIEL : No way you're gonna win it --

that little jark --

BACK TO MIYAGI -

watching DANIEL'S car disappearing from view as CHARLIE

emerges from the house.

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ie KREESE If they'd let us fight the war -- we would've won it -~ THEY WOULDN'T LET US FIGHT THE WAR! He walks away from DUTCH. DUTCH gets up, goes to doer; on his way out -- DUTCH A true warrior doesn’t need permission to fight. Maybe you should've brought @ mote from home, maybe then they would’ve lat you win the war. He goes out. HOLD on KREESE as we hear, from 0.S., the SOUND of AMMO BARKING FEROCIOUSLY, then DUTCH’S MOTORCYCLE ROARING INTO life and speeding away -- KREESE turns, looking at the pictures of himself on the wall: In 'Nam; in uniform; various shots -- He's breathing heavily; perspiring -- ] + CUT TO

DUTCH speeds down the freeway on his motorcycle, weaving in and out of TRAFFIC recklessly, ignoring 211 danger tike a man possessed -~ cur To

One of those Valley specials - ('Valley Viste’, ‘Valley View', etc) - built in the 40's and 50's; a row of beige lookalike structures == DUTCH pulls up, enters one of the buildings <-- cur To

The place is a wreck, DUTCH'S MOM doesn’t clean it and DUTCH sure isn’t going to, either, DUTCH enters, finds a note pinned to the TV. it reads: ‘Took Marie's shift, back late, TV dinner in fridge: Mom’ -- DUTCH erumples the note and tuzns on the TV. The AFTERNOON NEWS flickers to life as DUTCH goes into KITCHEN -~ Opens fridge, takes out beer, gulos it as from LIVING ROOM WE HEAR: e PROYS VOICE (ON TV} Troy McKenzie here on Sportscape, (MORE)

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As the CROWD settles down, LISA addresses then from the mike at fhe center of the gym floor. During her remarks, we get glimpses of CHARLIE, MIYAGI, DANIEL, JOHNNY, the various wrincisals and their cpponents, all nervously awaicing che start of the metch -- LISA On behalf of the Alterna-~ tive Sports Program I'd like to welcome you to an Exhibition Match between Union High and South Street High -- I want you to know that these kids have wozked real hard against a lot cf odds to get ta this and I'm very proud of them -- our referees are John Lawrence and Daniel LaRusso for Union High and Mike Sanders and Bob Ulich from South Street ~- Now for these of you, like me, who don't know karate, John Lawrence will explain the rules, John? As JOHN steps up to the mike to explain the rules -- ] REVEAL MANNY - standing in the crowd, watching and - CUT To

EDOLE JAY and SUSTER watch the excitement at the gym fram across the street. A PATROL CAR glides by, the CO2S check them out and continue on by -- SUSTER They all over the place, man, ruin the damn neighborhood -- EDDIE JAY Abbalutely. DUTCH pulls up and parks by the sidewalk, blocking their view. He's dressed almost like a gang member, with black jacket, dark pants and boots, shades, a hat... BUSTER Hey! No parking, man -- DUTCH l don't see the sign. BUSTER {points to Eddie} He's the sign --

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Exhibition in progress. CROWD cheering; VARIOUS KIDS matched B up and sparring; JOHNNY and DANIEL refereeing. On the sidelines, GLADYS, ROSE and SHIRL improvise a home~ team cheering squad. [It's a geod clean match and sveryone’s naving a good team. TONY win $ a point and smiles at his DAD and MOM in the bleachers. They're fat, just Like him.. EN CUTS we see JORY squaring off against the GIRL from SOUTH STREET, A@& puNnker type with a half-shaved head. On the side- lines, CHARLIE cheers her on as she makes a last kick to win the match - JOHNNY Point. Kick. Winner Abrams, Union High -~ JORY hows, smiles at CHARLIE, who is cheering, loudly -- REFEREE ON LOUDSPEAKER Next match, Verlane Robinson Grady of Union versus Del Morris of South street -- As VERLANE starts out, he turns back to the others with a wink: ] VERLANE Nose-bone through the brain-pan, just you watch! cur To

A room in the back of a store. ANDRE seated with his feet 7 up on the desk; he plays with a gun as he Listens to DUTCE. DUTCH You want these guys cuta your territory, right? So do Z -- ANDRE Why? DUTCH That's my business. ANDRE Maybe you a cos. Pe DUTCH Then you can sheot me, can't

p EZ can shoot you. BUTCH this Sports Program outa your hair right now, tonight, and all I need -- is a telephone -+ ANDRE locks at him. Ver y slowly he raises the gun; cocks it; aims it right between CUTCH'S eves -- cur To

Exhibition continues. VERLANE has just lost the match. JOHNNY Winner, Morris of South Street <= VERLANE returns to the UNION HIGH KIDS. He's really disap~ pointed and pissed off. MIYAGI puts his hand on VERLANE'S shoulder. VERLANE i'm sorry, Mr Miyagi -- MIYAGI & For what? All of us very proud of you. VERLANE Yeah? You aint so bad yourself -- REFEREE ON LOUDSPEAKER Next match, Charlie Debeon of Union versus Gary Leary of South Street -- LEARY of SOUTH STREET jogs onto the floor; it's just as we feared, he's the braided tattooed guy who looks Like an ascapes from ‘Last of the Mohicans’ == MIYAGI Both Charlies now <- together. CHARLIE takes a deep breath, closes his eyes for a second, willing himself into that ‘other Charlie’, then jogs out te meet his competitor ~~ The match begins: LEARY'S tough and determined, but some- & thing happens to CHARLIE: He sidesteps LEARY'S kicks with ease, comes hack with s solid roundhouse to win the first

CHARLIE is standing there in a daze -- DANIEL comes forward D to lead him of2 -~ DANEEL Charlie -- it’s over, c'mon -- Suddenly CHARLIE turns, letting leose a flurry of blows on DANIEL! Driving him back and then to the Floor -- MIYAGI -- on the sidelines hurries out on the floor as DANIEL rolls then gets to his feet, CHARLIZ and DANIEL squaring off, the CROWD puzzled, not sure what's going on -- CHARLIE kicks; DANIEL dodges it, lands a punch that drives CHARLIE back -- CHARLIE comes back for more; the fight growing in intensity until MIYAGI enters, drags CHARLIE away -- CHARLIE You set me up, didn't you? You TOLD him to come! You TOLD him! MIYAGI pulls CHARLIE away, trying to calm him while DANIEL watches, startled -- He wipes his face; blood runs from his nose == ANGLE SECURITY GUARD ~~ the GYM PHONE RINGS; he picks it up. ] GUARD Gym -- What? What did you say? . cur To

DUTCH on the phone, his voice muffled by a rag. ANDRE, EDDIE JAY, BUSTER listening in b.g. DUTCH (on phone) You heard me -- There's a bomb in the gym -- You've got five minutes before it blows sky-high -~ He hangs up fast. Looks at ANDRE, who shakes his head admiringly at DUTCH'S ingenuity -- cut TO

FOLLOW SECURITY GUARD as he glances at the CLOCK, runs forward to LOUDSPEAKER -- & GUARD There's a bomb in this place, you gotta evacuate right away -- Ti's going off in five minutes --

A BYSTANDER overhears this, turns to the PERSON ceside him: Ag the ANNOUNCEMENT comes on over the LOUDSPEAKER we see also that FPEOSLE are hearing the word ‘bomb’ and starting PRINCIPAL ON LOUDSPEAKER This is Principal Sturges -- We must evacuate this building at once -- Please try not to panic -- Starting with the first row walk as quickly as you can to the nearest exit -- Please do not panic -- But as the CROWD makes its way to the exits, the word semb is heard rippling through them Like a spreading fire and very quickly panic sets in: People start leaping down from the bleachers, pushing the people ahead of them aside; one of the exit doors is closed; the GUARD tries to cpen it, but she crush of PEOPLE flooding toward him prevents him from acing so and the panic spreads -- People are yelling, break- ing windows to get out, etc -- in the midst of this MIYAGI leads CHARLIE out and makes his way toward DANIEL -- CHARLIE sees JORY inching her way around the bleachers and ~ B Suddenly a section of bleacher above her starts to crack, a pile of PEOPLE clinging to it as it snaps to pieces and - CHARLIE breaks away from MIYAGI, runs to where JORY is standings as - MANNY sees him; sees the bleachers starting to come down; then splintering with a LOUD CRACK; then falling as CHARLIE grabs SORY and MANNY hurries toward them and - MANNY grabs CHARLIZ end JORY and yanks them out from under the collapsing bleachers and drags them toward the exit as - MIYAGI and DANIEL see that CHARLIE is safe and help each other toward another EXIT and - cuT TO

As MANNY pulls CHARLIE and JORY to safety -- They pause, out of breath, for @ moment -- CHARLIE and MANNY look at each other -~ Neither one of them knows what to say -~ MANNY starts to walk away -- CHARLIE Manny -- {Manny stops} -- locks Like you're still my eB brother after ail -- MANNY says nothing; looks at him: goes ~~ . . CUT TO

SIRENS howl in the distance as DUTCH, ANDRE, EDDIE JAY and » BUSTER watch the melee at the school ang munch microwave : popcern. ANDRE Out-SPANDING, Dutch, I'm making you an honorary Dane for this -- BUSTER Manny might have something to say about that. ANDRE I don’t care what Manny says, I'm running this show from now on. You can tell him I said so. EDDIE JAY You can tell him yourself, here he comes THEIR POV FROM ROOFTOP ~ Looking down they can see MANNY approaching the building. He stops and looks up at them -- BUSTER B «+ and Llookin' a little pissed -- MANNY continues toward the building ~- DUTCH (tc ANDRE Don't worry, I'll back you up. cur TO ~

FOLLOW MANNY as he slams open the door and goes up the stairzs toward the roof. He's definitely pissed -~ CUT TO

MANNY comes up the stairs, stops, locks at ANDRE -- MANNY All xight, man, who did it, I aint askin' twice -- BUTCH I did. He's standing behind MANNY. MANNY spins, leoks him over

eS POLICE, FIRE TRUCKS, MIYAGI, DANIEL, CHARLIE, others, watch 2s the BOMB SQUAD emerges from the gym and gives the all-clear sign -- SOHNNY cresses tc DANIEL & MIYAGI -- JOHNNY . No komb ~- It was a false alarm == LISA Who would do such a thing? DANIEL Three guesses. CHARLIE IT don't think it was the Danes -- Manny was in there -= TORY He pulled us out when the bleachers broke ~~ JOHNNY So what do we do now? MIYAGI Reschedule Exhibition. Can't surrender to threat. DANIEL What if there's a reali bomb next time? . MIYAGI Risk worthwhile -- if 7 purpose worthwhile. DANIEL Maybe it's time to deal with the risk in a different way. MIYAGI Sooner, later -- each man must find own way. He neds, a little sadly, to DANIEL, then walks away. CHARLIE Listen, uh -- I'm sorry about what happened in there} I went a little crazy -- DANIEL ® Forget it, doesn’t matter. He watches MIYAGI, who is standing alone, loaking back at

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JOHNNY cuts into the lane, passing the BUS and keeping it e as 4 shield between him and the SAMURAI - cur To catching up to DANIEL and MIYAGI: The BUS is on their right, Loud and smoky -- MANNY accelerates - ‘ cur TO JOHNNY - neck and neck now with the BUS, which is on his isit. A KID on the BUS is yelling down and gesturing; JOHNNY ignozes her, but A NEW ANGLE REVEALS ~ gas leaking from his uncapped tank cur To DANIEL'S CHEVY (MOVING) The TRAFFIC is LOUD: DANIEL-is wrapt in his own thoughts, as are MIYAGI and CHARLIE. Behind them we see JOHNNY coming up by the BUS: He yells and HONXS but they don't hear him -~ then the SAMURAI cuts in front of the BUS, and moves into view directly behind the CHEVY -~ IN THE SAMURAI - ANDRE takes out an AUTOMATIC WEAPON and rests it on his lap. MANNY glances at it nervously. He's really torn; B sweat dotting his brow -- . cur To JOHNNY = pulling ahead of the BUS, getting closer to the CHEVY, then = THE BUS'S RIGHT BLINKER GOES ON; it veers to the right for a stop, forcing JOHNNY over to the side of the road where oe the freeway is bound by a concrete wall! He has two choices: Slow down and allow the 3US the right of way, or speed up and try to get past it before it flattens him against the wall. He crouches low on the bike and presses ahead! The BUS edges closer to THE WALL as JOHNNY zooms forward and then the BIKE skips and JOHNNY glances at the GAS GAUGE and it's on EMPTY but new he has no choice and he forces down the ACCELERATOR his escape route growing narrower and narrower until - He squeezes past the BUS at the last possible moment only to leok over and find himself riding side by side with THE SAMURAI! -~- ANDRE looks over at him, startled, but JOHNNY isn't fazed until he sees DUTCH - in the back seat and when he does & ANDRE raises the gun and MANNY sees the GUN and suddenly shouts ‘NOI’ and ANDRE raises the GUN toward JOHNNY and

JOHNNY accelerates to get cut of range as the IKE dies : B ANDRE cocks the gun and MANNY spins the wheal swerving to prevent ANDRE from making the shet and THE SAMURAI sideswipes JOHNNY and THE BIKE Lays down with a SHRIEK on JOHNNY'S LEG and hits the wail and flies end-over-end inte the air throwing JOHNNY co the ground before it EXPLODES INTO FLAME and DANIEL slams on his brakes as THE SAMURAI crashes through a guard-rail; skids down an embankment and speeds away -- cuT TO

LISA at pay phone; DANIEL and VERLANE pacing; CHARLIE seated with his azm around JORY, comforting her; MIYAGI standing, arms folded contemelatively. RECEPTIONIST enters. DANIEL Is he okay? RECEPTIONIST t don't know, sir, I’m just here eB to gét the insurance information, if you could fill this out - Wands him clipboard with form attached. DANIEL I don’t have the insurance information, we're calling his parents right now, they'il have = Se em RECEPTIONIST I have to have the information siz, before we can -~ DANIEL The HELL with your stupid INSURANCE! MIYAGI (steps in) Twill take care of this. Thank you. He takes the clipboard; the RECEPTIONIST gives DANIEL a frosty look, exits. DANIEL & What's WRONG with these people? MIYAGI Nothing yelling will fix.

MRS LAWRENCE, JOHNNY'S MOTHER, enters in a flurry -~ Bp MRS LAWRENCE Lisa? Where's Johnny, ts he -- 7? LISA He's with the doctor, Mrs Lawrence -- MRS LAWRENCE Qh God =~ Is he all right? What happened? DANIEL He got sideswiped on the freeway, we got him here as fast as we could - LISA I've been trying to call you -~ MRS LAWRENCE I've been calling everyone, ay ear's in the shop and my hus- band's in New York, I wouldn't be here at all if it weren't for Mr Kreese -- ) For the first time the others notice that KREESE is standing in the doorway. . MRS LAWRENCE I don't know if you all know each other, or -~ MIYAGI and KREESE eye one another warily. MIYAGI A little. DANIEL it's -- bean a while. KREESE Not long enouch. MRS LAWRENCE Where's Dutch? He's the one who called me -- DANIEL Dutch? No, he hasn't -- DOCTOR enters = ] DOCTOR Mrs Lawrence? ~- Hi, f'm Becter Copley. Johnny's going to be all right --

: 36 ANGLE MIYAGI ~ looking up: There's something funny about the wey QUTCH asked that question -- - POLICEMAN Not yet. We think the accident and what happened at the gym are gang-related: The busdriver de- scribed the car as a gray or silver Samurai, if that rings a bell with anyone <~ ORY That's -- CHARLIE grabs her arm, shutting her up. She leoks at him -- POLICEMAN Lots of gang members are into those kind of vehicles ~~ Thev bop down there, pay cash for ‘em with all their drug money -- Not the best of worlds, huh? Thanks again, goodnight He goes. MIYAGI is watching DUTCH; then, abruptly: MIYAGI co Were you at gym tonight, Dutch? B&B DUTCH . Me? No, I came from home. MIYAGI How you find out about accident? purce Wh -~ whatta you mean? I called Mrs Lawrence, she ~ told me ~~ MIYAGI She say you tell her. DUTCH Well, she's confused, man, whatta you expect? KREESE Locking for a scapegoat? : MIYAGI Leeking for truth. KREESE The truth is your method doesn't work, : that's why Johnny's in there now! (CONT}

B He goes out, follewad by DUTCH. DANIEL I never thought f’d say this, but maybe Kreese is right -- | somebody's gotta stop these gangs. The police haven't made a dent, they haven't solved Richie's murder, or any of the others -- Maybe we need to take things into our own hands -- MIYAGI Friendship for Johnny leading thoughts down wrong path, Daniel-ean. DANIEL Maybe not, Mr Miyagi --- Maybe sometimes you have to put passion ahead of principle. There are people out there getting hurt for real, bleeding for real, dying for real, what are we supposed to do? MIYAGI Wait. Truth always show itself. & DANIEL ‘Wait! -- right. DANIEL exits. LISA follows him out. . cUT TO

DANIEL scoops water from water fountain, pats it on his . face, LISA rubs his shoulders. DANIEL Feels good -- VERLANE approaches -~- VERLANE We're goin' after the Danes, man, you comin'? . DANIEL What? He looks up, sees KREESE, DUTCH, JORY, looking at him. KREESE How about it, La Russo? & Ready to enter the real world? DANIEL Looks at them; leoks at LISA for a moment, then back at KREESE --

Log LISA

cor To ‘|

CHARLIE amd MIYAGI. LISA hurries in -~ LISA Mr Miyagi; quick -- they've gone after the Danes -~ MIYAGI Kreese ~~ ? LISA And Daniel -- and Dutch and Verlane -- MIYAGI Daniel-san? MIYAGI looks crushed; he can't believe it --LISA goes te shone. LISA I'm calling the police -- CHARLIE No, don't -- Z'11l stop it, okay? I can stop it -- LISA 7 How? CHARLIE I'll talk to Manny, that's - all -- Trust me -~- He starts to leave; a steely command from MIYAGI stops him at the door. MIYAGI Charlie-san! Now time for truth. MIYAGI advances on him; his face stern, almost frightening in its intensity -~ CHARLIE Iocan't, Mr Miyagi,he's my brother, whatever he did, he's my brother, he took care of me when there wasn't anyone else -~ We had nethin! He got food for us, clothes, he made (MORE)

{ 192 | KREESE I think my English was clear enough, Mr LaRusso ~~ Mr Martin, Ewant you to reconnoiter the pack, see if there's another en- erance -- DUTCR Yes, Sensei. KREESE The rest of you follow me. STREET, MOMENTS LATER’ - Crouching low to remain hidden by the PARKED CARS, KREESE, DANIEL, VERLANE and JORY make their way closer to the building -- suddenly THREE FIGURES appear -- VERLANE jumps up, instantly adopting a karate stance -= VERLANE Yah! Haiiiiesee! TONY . : Shut up, Verlane, it's us! The THREE FIGURES are revealed to be TONY, TJ and ROBERTO -~ & VERLANE Don't sneak up on people like that, man, GODDAMN! DANIEL What're you guys doing here? Td . Verlane called us from the hospitel -- VERLANE Well, I didn't tell you to pop outa nowhere on a dark street, did I? GODDAMN! KREESE Why don't you guys just get a loudspeaker and let ‘em know we're here? Following KREESE'S lead they crouch behind the parked cars - ROBERTO What're we doing? DANIEL ~ I'm beginning to wonder.

- The lights go on! KREESE, DANIEL, the KIDS find themselves surrounded by the DANES and staring down the barrels of several automatic weapons! ROBERTO oh, shit ~- Ditto -- KREESE What is this? DUTCH raises his gun to KREESE'S face, holds it inches from nis eye: DUTCH Truth, Sensei! Look it in the eye! . DANIEL You're crazy, man, whatta you think you're doing? DUTCH Shut up, LaRusso, you'll get ] your turn in a minute! MANNY You gonna kill ‘em all, Dutch? MANNY sits by himself in the ‘corner of the room, in the shadows. ANDRE : No, I'm gonna kill some of ‘em, starting with you! He grabs MANNY by the shirt, pushes him over with DANIEL and the OTHERS -~- . ANDRE Everybody face the wall! I SAID FACE THE WALL! DANIEL, KREESE, MANNY, the KIDS turn and face the wall -- ANDRE (CONT) Hands up high ~~ This gonna be like the St Valentine’s Day Massacre, man, me and Al Capone, original gangsters & all the way! As he reises his weapen -~

THE DOOR CRASHES OPEN, splintered by a kick from MR MIYAGI: i P ANDRE turms to Zire, but MIYAGI is in the room so quickly that he doesn't have time -- A swift Kick disarms ANORE, a backhand punch careens EDDIE JAY into the wall and by _ then everyone's in the fight! As EDDIE JAY scrambles back to his fe@t, VERLANE puts him out with two punches: VERLANE (first punch} Wax ont (second punch) Wax off! BUSTER fights off attacks from ROBERTO and JORY, DUTCH is on the run from KREESE; he tries to get to the door, but MANNY gxvabs him. He turns, kicks MANNY hard in the head, and escapes as SIRENS are heard approaching in the distance and then MEMBERS of an LAPD SWAT TEAM enter the room, followed by CHARLIE and LISA -- In the chaos, CHARLIE makes his wey over to MANNY (whose face is bloody from the \ kick), and helps him up and cuT To

POLICE are cuffing the DANES and putting them in a VAN. ] ONLOOKERS axe gathered in groups, watching. We've seen their faces before, at the gym, on the street -- KREESE is in b.g. talking to one of the POLICEMEN. MIYAGI is with CHARLIE. THE POLICEMAN FROM THE HOSPITAL crosses to MIYAGI and CHARLIE: POLICEMAN Your brother tolé us about Richie. Now everybody on the block is volunteering informa- tion, maybe it'll help us clear up some of these other cases, at least it's a start -- MIYAGI Hope so. : POLICEMAN Thanks for your help: You too, Charlie, I know it wasn't easy for you. CHARLIE nods; the POLICEMAN exits. MIYAGZ We go home now. & CHARLIE What about Daniel?

io? | LISA 1 DANIEL That's my excuse, huh? I don’t know -- I don't think I'll ever be able to face : Mr Miyagi again -- : LISA C'mon, Daniel ~~ Mr Miyagi loves you -~ The only thing he wouldn't forgive you for is net knowing that -- DANIEL I guess it's time to go home, huh? Thanks, Lisa -- I mean it. He starts to kiss her on the cheek, a little kiss of thanks, but suddenly it turns into a passionate kiss; at last she pulls back -- LISA Look -- uh -~ 2 don't think this would make Kumiko happy, do you? DANIEL No, I -- guess not. She smiles at him; exits -- He watches her go -- cuT TO ’

The CAR pulls in past the oil wells; as it PASSES PRAME, REVEAL DUTCH - watching, his back to us -~- cuT To

CHARLIE anters his room; MIYAGI continues toward his own. CHARLIE Goodnight, Mr Miyagi. MIYAGI Goodnight, Charlie-san. MIYAGI disappears into the house. HOLD on empty hallway. 2 DUTCH. ENTERS FRAME, carrying piece of two by four. Quietly. he wedges it against CHARLIE'S door. cur To

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A FLAMING TORCH comes in at him from outside -~ We glimpse Pp DUTCH'S FACE, outside -- He thrusts the torch at MIYAGI, keeping him imprisoned in the burning house -- cut TO

CHARLIE alse tries a window: A xed fan of flame rises up behind the window: The glass explodes; the FLAMES are sucked into the room -= CHARLIE drops to the Floor -- cuT TO

Green light. DANIEL accelerates. The CHEVY moves ahead. STAY WITH DANIEL driving home; now he begins to notice that the glow ahead is coming from somewhere near Miyagi's house =~ He turns down another street, getting closer ~- and now he's sure ~~ It's MIYAGI'S house that's burning! He floors the accelerator! cur To

MIYAGI crawls on the floor, looking for another escape route. The room is thick with smoke. MIYAGI looks up: FROM HIS POV: We see a framed 8 x 10 of his long-dead wife smiling down at him. He grasps the picture, puts it inside his robe, tries to. go on, coughs, tries to catch his breath - cuT TO

The fire is spreading to the wells as DANIEL'S CAR swerves into view. The FIRST WELL EXPLODES! -- THE CHEVY SCREECEES into a skid -- DANIEL runs from the . CAR as the SECOND WELL starts to go ~~ cur TO

DANEEL rushes toward the flaming house -- DANIEL Mr Miyagi! Mr Miyagi! INSIDE THE HOUSE - MIYAGI hears him, calls back: MIYAGI Daniel~sani Here! e EXTERIOR - DANIEL makes his way in through the flames ~- As he reaches the door DUTCH comes toward him swinging the Flaming torch -~

11g DANIEL stumbles back; DUTCH lunges at him: DANIEL dodges p the blow, regains his feet -- and the battle is on! DANIEL tries desperately to overcome DUTCH so that he can get to MIYAGI and CHARLIE in time; DUTCH is equally determined co hold DANIEL at bay until the fire has consumed his enemies -- now he has nothing to lose -- He lunges; DANIEL leaps, spins, kicks; DUTCH falls; DANIEL goes for the house; DUTCH trips him; they fight fiercely, the fire behind them throwing them into red silhouette +~ While they fight we see CUTS of: MIYAGI'S garden wilting and burning in the fire; the ANTIQUE CARS ricocheting flickering light as the flames come nearer; MIYAGI inside semi-conscicus on the floor; CHARLIE banging against the : door trying to save himself -- Finally DANIEL throws a punch that sends DUTCH sprawling to the grouné =~ DANIEL hurries toward the house, dodging the whips of flame -- DUTCH shakes himseli back to consciousness, gets to his feat, turns to run and comes face to face with KREESE! KREESE I had a feeling you'd come here. . AND POW! He flattens DUTCH with one punch, then makes his way toward the house -- ‘ cur To

DANIEL bursts in, running low, sees MIYAGI on the floor, gets to him, drags him out as the house is finally consumed in the conflagration and - cuT To ~

DANIEL drags MIYAGI out of danger; the house behind them is now totally engulfed by the fire -- MIYAGI Charlie-san -- Charlie-san -- CHARLIE I'm here, Mr Miyagi, I'm okay ~~ He comes toward them; behind him KREESE stands watching. CHARLIE (CONT} Kreese got me out -- e MIYAGI looks at KREESE. KREESE gives a sharp little bow with his head as if to say ‘we're even’; then turns abruptly and walks away --

LiL e EXT. MIYAGI HOUSE. MORNING. The hous@ or what's left of it: The main section is SORE le cae: ly gutted, charred and water-damaged from the now-arrived firemen's hoses. The garden's a total loss, but most of the ANTIQUE CARS escaped serious damage. FIREMEN in b.g. still at work as DANIEL brings brings a cup of tea to MIYAGI. But MIYAGI is refreshing himself with a sip of che LITTLE ASIAN LADY'S sake. DANIEL You all right, Mr Miyagi? MIYAGI Hai. Considering. DANIEL Mr Miyagi, I want you to know that -- I'm sorry. For everything. I acted like a total idiot. I'll try to regain your respect, I'll -- : MIYAGZ . Daniel-san. Respect already regained. No problem. Miyagi love you very much, Danial-san. That never change. DANIEL ZI love you too, Mr Miyagi. They embrace. A FIREMAN comes over. FIREMAN : We've done everything we can do; sure hope you're insured. DANIEL : What is WITH you people? Cf course he's insured -- aren't you? He looks at MIYAGI; MIYAGI shrugs, shakes his head ‘no’ -- DANIEL on my God -- what're we gonna do? MIYAGI Start over. DANIEL groans. cor To

B The new Mouse is on its way up: We see MIYAGI and DANIEL overseeing the construction and we HEAR the HAMMERBLOWS ' before we REVEAL that the crew consists of VERLANE, JORY, i CHARLIE, TJ, ROBERTO, TONY, etc.

LISA and JOHNNY (on crutches) are setting up a long table for lunch, which is imminent. IN CUTS we see the KIDS applying their Miyagi-learned techniques to hammer in nails, sand, paint, etc. VERLANE has an inspiration: . . we VERLANE New rap, guys, listen: ‘Hammer in left, hammer in right, Fit them doorways in real ¢ight --' ALL THE KIDS SHUT UP, VERLANE! VERLANE Bey, I'm a hit! LISA crosses to MIYAGI and DANIEL - LISA Lunch in five minutes -~ Be DANIEL Great. A TRUCK filled with lumber pulls in and KREESE slides out from behind the wheel. . KREESE Thought this might come in zs handy. The TWO MEN with him start to unload the lumber and stack it on the ground as KREESE looks over at JOHNNY. KREESE How's the leg? 7 JOHNNY Good, Thanks. KREESE Well -- sayonara. MIYAGI Thank you. KREESE 2 No big deal. .

Ald | Pp MIYAGI extends his hand. MIYAGE Please. After @ moment of hesitation, KREESE shakes MIYAGI'S hand. MIYAGI clutches KREESE'S hand tightly, rubs it as DANIEL, LISA, JOHNNY and KREESE watch curicusly. MIYAGI releases the hand ~ MIYAGI Other hand. He takes KREESE'S other hand and repeats the process. KREESE looks at his free hand, slowly begins to fold the fingers into a fist: MIYAGI has healed.the injury! Now MIYAGI releases the second hand: Same thing. KREESE bends the fingers, flexible again -- His eyes almost fill with tears . as he bows to MIYAGI -~ KREESE Thank you -- Sensei. MIYAGI No big deal. B LISA Lunch, everybody! will you join us, Mr Kreese? MIYAGI smiles at KREESE, nods ‘yes' ~- KREESE finelly manages to squeeze out a smile and nods ‘yes' in return as QHE KIDS stampede toward the lunch table and DANIEL stops them with a fierce look! They pause, wait for his go-ahead; ~ he nods them forward and they proceed to the table ~~ politely, this time. AT THE TABLE - everyone's eating, enjoying lunch, when THE MAILMAN arrives, a nosey guy, checking out the food on the table, the progress on the house, ete. -- MAILMAN Leekin' good, fellas, lookin' good, where's Daniel LaRussa? DANIEL Here -~ . MAILMAN Letter for ya ~~ See ya tomorrow, . guys ~~ Hey, put the mailbox have to walk so fart

il4 DANIEL 7 {cinping open the letter! Te's from Kumiko -- LISa * on. She smilies, trying to cover her disappeintment. She doesn't fool JOHNNY, who pats her hand, gives her a reassuring smile ~- OANIEL reads the letter ~- DANIEL She's heen hanging eut with that rock band she wrote me ‘about ~~ He reads on silently; suddenly he starts laughing ~~ loudly, uproariously -- 7 DANIEL I can't believe iti ft can NOT believe it ! MIYAGT What, Daniel-san? S DANIEL She dumped me! For this rock and roll guy! Is that great or what? He continues to laugh, and LISA starts laughing, too, the two of them smiling at each other and laughing while the 7 KIDS look at each other, puzzled -- VERLANE Too many kicks to the head, man -~ And now the OTHERS begin to laugh, teo, not sure what they're laughing at, as we PULLBACK and ROLL CREDITS END.