And obviously your handlers or hangers-on convinced you that your first comic was good, which it was not - it was thoroughly mediocre with a few spiky bits of dialogue. And when you get your foot in the door of the business, what do you do? You tum out a piece of shit like 'Bluntman and Chronic'.
Chasing Amy (1997)
STEVE-DAVE
A screenplay character in Chasing Amy (1997).
- lines
- 6
- words
- 134
- scenes
- 2
- dialogue
- 1.4%
- avg words / line
- 22
- shortest / longest
- 3 / 57
Sample dialogue
And obviously your handlers or hangers-on convinced you that your first comic was good, which it was not - it was thoroughly mediocre with a few spiky bits of dialogue. And when you get your foot in the door of the business, what do you do? You tum out a piece of shit like 'Bluntman and Chronic'.
scene 2 — INT COMIC BOOK STORE- DAYJ said that.
scene 3 — 'BLUNTMAN AND CHRONIC'. PAH. WHAT WAS THAT THINGStinky-palm. You give comics a bad name. I tell all my customers not to buy it, to spend their money on a real comic book.
scene 3 — 'BLUNTMAN AND CHRONIC'. PAH. WHAT WAS THAT THINGYou're such a bitch! But thankfully, I've saved a dark forces Shaman card for just such an occasion.
scene 3 — 'BLUNTMAN AND CHRONIC'. PAH. WHAT WAS THAT THINGThis is the reality at Comic-Toast -you're not going to get your ass kissed here, because both me and Walt think you suck.
scene 3 — 'BLUNTMAN AND CHRONIC'. PAH. WHAT WAS THAT THING
Bookends
I schooled their asses, now rm schooling your's.