"TREMORS" (1990)

STATS110pages162scenes24,300words28%dialogue47characters

Words

  • dialogue6,71628%
  • action16,47068%
  • other1,1144.6%

Scenes

location
  • INT 17
  • EXT 85
  • UNKNOWN 60
time
  • DAY 43
  • NIGHT 1
  • DAWN 3
  • UNKNOWN 115
1

OPEN

* * * * * * * * * * * * .~. * * * *. * * * BENEATH PERFECTION *

* * * * * * * Written by * * * * s. s. Wilson, Brent Maddock * * * * * * * * * * * * * * * • * • * * * • ~

Representation----------------------> Nancy Roberts

The Roberts Company 427 N. Canon or. Suite 215 Beverly Hills, CA 90210 (213) 275-9384

c 1988 s. s. Wilson and Brent Maddock WD6 Registered: WGAW #379594 6/21/88

OUTLINE--> WD6 (June 21, 1988 printout)

STAJ.tTSECTIONl (l - 33) l START SECTION 3 (SJ - 95) 43 EDGARand FRED intro l Boulder field start 46 Mule grabbed 2 Pole vaulting start so VAL and EARL intro 3 Earl discuss Val w/Rhonda 52 Jeep trail - guys get stuck 5 Phams twnsfolk learn of Grs 53 RHO.NOAintro 7 Reveal phone maint truck 55 MELVINintro 10 creatures arrive in town! 57 PHAM, BURT, HEATHER intro 10 Val saves Rhonda 60 Car alarm set up 12 Staying quiet in Pham's 62 Bulldozer & trailer intro 12 Viola's trailer attacked 63 NESTORintro 12 Pham Van grabbed 65 Truck trailer setup 13 Everyone now on rooftops 68 VIOLA intro - cesspool pump 14 NANCY and MINDYintro 15 STAll'fSZCTIOII4 (95 - 152) 68 Guys leave Perfection! 17 Burt's basement attacked 70 ROAD CREW intro 17 Creatures start check bldgs 74 Dog chases truck 18 Nestor grabbed 76 OLD FRED'S place intro 18 Burt's truck destroyed 78 Edgar.found dead! 18 Val and Earl must save town 78 Jim does autopsy on Edgar 20 Val runs for bulldozer 84 Old Fred Grabbed 21 Rhonda does water noise 86 Dog that chases now missing 21 Melvin - shed roof gag 88 Old Fred found dead! 22

ST.ln.SBCTICll-5,(153 - 173) 89

START SBCTIOB 2 (33 - 52) 23 Bulldozer arrives at Burt'·• 89 Road crew grabbed 23 Bulldozer falls into pit 93 Pham Van's - phone's out 25 Rock outcrop begins, 97 Discover tentacle on truck 27 creatures fall off cliff 104 khonda almost grabbed 29 At Pham'a - discuss options 30 Jim and Megan grabbed 32 Val and Earl ride for Bixby 36 Jim and Megan's ear found 38 Guys meet a MONSTER! 39 Fence/ditch - monster dead 41

GRBS, (06/21/88) 1.

1

EXT. DESERT VALLEY - DAY

The high desert -- absolutely silent -- a vast, hard land~ scape stretching away to distant mountains. The silence is broken by hoof-beats.· PAN TO ESTABLISH:

2

EXT, EDGAR'S PLACE - DAY

It's a simple cabin dwarfed by a big, ramshackle barn. EDGAR DEEMS (60s), a weathered desert ra"'tofa hermit, is walking his donkey around in circles. ·

Now, rattling toward them down an endless dirt road, comes an old, sun-bleached Buick, It stops and out leans OLD FRED (70s) wearing a sweat-stained fedora. The two friends nod.

OLD FRED
How's she doing?
EDGAR
She wants to lay down. I'• a little worried.

Old Fred climDs out with a bushel bas.ketof carrots.

OLD FRED
Well, I brung her something I know she likes.
EDGAR
Damn, Fred, you can't give away all those.
OLD FRED
Forget it. I got vegetables coming out f111Years.Usually the varmints eat up half my crop, but lately I ain't so much as seen a gopher or a jack-rabbit nowherii':'
EDGAR
If that ain't the truth. And I count on them for a little bit of stew meat•••Thank you, Fred.

Edgar takes the carrots and feeds one to the donkey.

EDGAR (cont'd)
Here you go, Justine. Look what Fred brought you.
OLD FRED
We playing cards tonight?

GRBS. (06/21/88) 2.

2 CONTINUED:

EDGAR
I think I'm gonna be sitting up with her.
OLD FRED
I'd do the same. Well, catch you Thursday.
EDGAR
You bet.

The men nod, and Old Fred drives off.

CLOSE-UPof the donkey's hooves thumping along as Edgar leads her to the barn.

EDGAR(cont'd)
Let's get you out of the sun for• spell.

He ushers her inside, shuts the door, then heads for a water trough, calling back:

EDGAR(cont'd)
I'll get you so- fresh water.

But, suddenly, - hear the donkey restlessly stomping its hooves and braying. Edgar turns, concerned. Now - hear en odd sound. Distant .thunder? The wind? The donkey gets more and more frantic.

The barn shudders violently. Frightened birds explode from the eaves. Dust puffs from every old sea■ • Roof shingles rain down. Edgar stares in amazement.

EDGAR (cont'd)
•••some kind of earthguakel?

Then another sound -- the donkey starts screeching in wild panic.

EDGAR (cont'd)
Justine, hang onl I'm coming!

Edger races beck to the barn and flings open the doors.

3

INT. EDGAR'S BARN - DAY

oust swirls through the air. But -- the barn is empty. No donkey. Now Edger is hit by a ghastly stench. He staggers back, and covers his nose with a handkerchief. Then he sees, splattered across the walls -- blood!

GRBS. (06/21/88) 3•

3 CONTINUED:

EDGAR
What in the name of Jehovah •••?

He raises his arms above the door frame. When he lowers them he's holding a 12 gauge shotgun. He races outside, ready to shoot, but there's nothing -- as far as the eye can see.

4

EXT. CLIFFS - DAWN

The sun lights up spectacular sheer cliffs which plunge 1000 feet from a ruggedly beautiful high-desert plateau. At the top of the cliffs, silhouetted again~t the dawn, a lone cow- boy seems to gaze in deep contemplation at the sunrise. As we MOVE IN, we realize he's actually peeing over the cliff.

This is VALENTINE McJCE:E(25). Smart and good looking, Val has nevertheless managed to underachieve brilliantly. He coasts through life, following the path of least resistance -- which has brought him to this dubious rustic existence on the edge of civilization. But lately he's beginning to wonder why he hasn't accomplished more in his 25 years.

6

. '

As a few sleepy cows gaze at him, sleepy Val shuffles over to his battered old pickup truck. A hand-painted sign on the door reads: •v, E - All Type's of Job's.• Indeed, the. pick-up bed is jumbled with tools and supplies for every conceivable odd job -- and the noisily snoring form of his partner huddled in a dirty sleeping bag. Val raps on the side of the truck.

VAL
(softly)
Good morning, Mr. Bassett, this is your wake-up call. Please move your fat ass.

No response from the sleeping bag. Val stares at the cows chewing their cud -- and perks up as he gets an idea. He gently steps onto the truck's running board, th•n suddenly starts jumping up and down as hard as he can, rocking the truck violently.

VAL (cont'd)
STAMPEDE! EARL, GET OOT or THE WAYI

The sleeping bag tries to get up and run for it. It tumbles out of the back of the pickup. While Val laughs uproar- iously, EARL BASSET (43) claws his way out of the bag, looks around wildly, and finds himself staring at three motionless cows.

EARL
You dumb shit.

CONTINUED .

(06/21/88) 4 •

7

4 CONTINUED:

Earl is a good-ol' boy who has livedhis lifejust likeVal, driftingfrom job to job. He knows why ~ hasn't accom- plished anything, and often tries to impart his hard-won wisdom to Val, but the last thing the younger man wants is advice.

Earl stretches. The men begin a silent ritual: Earl gropes throughhis pocketsfor a cigarette,but only finds a lighter. Meanwhile, Val digs in his pockets, coming up with cigarettes,but no lighter. Typical of these two, each guy al wayshas half of what.he needs. Eventually they sort it out, trading the necessary implements.

Earl reaches for a coffee-pot on a battered Coleman stove on the tailgate. But it's cold.

EARL
You didn't cook breakfast?
VAL
Did it yesterday. Franks and beans.
EARL
(tries to recall)
No••• itwaseggs. I did eggs.
VAL
Hell you did. Your turn.

Earl raises his.fist. Thia is The Challenge,and it instantly triggersthe partners' conflict-resolution technique. They solve all disputes using the children'sgame of •scissors, rock, paper.• Earl raiaN his fiat in response. The game is played swiftly and silently-- one, two, three. on three, Val mimes •paper• (open hand)~ Earl mimes •scissors•(two extendedfingers)• Sciaaors cuts paper. Val has lost. He shrugsand .startspumping up the stove fuel tank.

VAL (cont'd)
Well, when I'm your age I'll probablyforget what I eat, too.
4A

EXT. DESERT - FENCE - OAY

Val and Earl are restringinga dilapidated, and seemingly endless,barbed wire fence. A few bored cows watch them.

VAL
How many cows does it take to make a stampede? Is it like three or more? Is there a minimwa speed?

W/M wd6.l GR.BS, (06/21/88) s.

4A CONTINUED:

EARL
(shakes his head)
I was in one. A bolt of lightning blew up a cottonwood tree. Three hundred head going hell•bent for the horizon. wasn't so damn funny, I can tell you.

Earl's hand slips and the fence snags him right through his thick glove.

EARL (cont'd)
OWi God damn! Is this a job for intelligent men?l
VAL
If there was one nearby I'd probably ask him.
EARL
I keep thinking, if we -re-but half serious about 110ney.we shoul~ quit being hired hands and•••
VAL
(11ockserious)· Handymen, Earl. We're handymen.
EARL
Whatever the hell - are, we should quit and go get ourselves so- real ·employment.

Val gestures to the vastness around the■ •

VAL
What, and give up all this personal freedom?

s EXT. JEEP TRAIL - DAY s

Val guides.the truck down a tortuous, rocky, almost impas• sable trail. It takes full concentration as he fights the steeringwheel, shifts, rides thebrake and leans out trying to pick a decent route. Earl braces his feet on the dash and munches breakfast, a raw hot dog right out of the package.

VAL
Godd-n jeep trail gets worse every year.
EARL
(shrugs)
Had a lot of rain.

W/M wdf>.l GRBS. (06/21/88) 6.

5 CONTINUED:

Earl pulls a box of Hershey bars from under the seat. There's only one bar left. He sets the box down between them. Val glances at it -- and raises his fist: The Challenge. One, two, three. Val mimes "paper;• Earl mimes •rock." Earl· loses. Val takes the bar.

EARL
(pointing ahead)
You're gonna get us hung up.
VAL
Do not talk to the driver.

THWONKI The truck lurches to a stop, its frame caught on a big rock. Val glares at Earl.

6

EXT. DESERT INTERSECTION - PICK-UP TRUCK - DAY

The pick-up turns from a dirt road onto an old paved road.

VAL (V.O)
What do we have next?
7

INT. PICK-OP - MOVING - DAY

Earl consults a crumpled list pulled fro■ inside his hat.

EARL
Uh.·••Digqingthat watering hole for Nestor.
VAL
Burt and Heather'• place is closer. Let's do their kitchen today. Do Nestor tomorrow.
EARL
Nestor's out of town tomorrow. We don't dig today. We don't get paid today. D-n it, Valentine, you never plan ahead. You never take the long view. Bell, here it is Monday and I'm already working on Wednesday.

(squints dubiously at his schedule) It.!! Monday, right?

But Val is peering at the desert up ahead. Off the road a ways is a small Toyota pick-up truck and, beside it, a lone figure trying to flag them down.

GRBS. (06/21/88) 7 •.

W/M wd6.l

7 CONTINUED:

VAL
Who the hell's that? That's not what's his name ••• thegradstudent?
EARL
Nah, it's September. Must be the new one.
VAL
The new one! That's supposed to be a girl!

Earl braces himself, knowing what Val will do. Val swerves the truck wildly off the road, barreling across the desert.

VAL (cont'd)
(almost praying)
You will have long blonde hair, big greeneyea, nice full breasts that stand up and say hello, ass that won't quit. And legs, legs that go all the way upl · -

Earl shakes his head, mildly bemused as they slide to a atop in a cloud of dust.

8

EXT. DESERT - RHONDA'S TRUCI - DAY

val looks out hopefully. The dust clears. He aeea her -- RHONDA Le&ECI, (25). Val's eyes do an expert vertical scan: short brown hair, •-11 brown eyes, ao-ao cheat, legs hidden in baggy dungarees.

Laden with a"port&ble computer, notebdoka, and ao- seiamograph printouts, she stares at hi■ through tilted glasses. Her little pick-up truck is loaded with geology field equipment. She shakes Val's hand firmly.

RHONDA
(brightl~)
Hi•,I' ■Rhonda. Rhonda LeBeck. I' ■up here for the semester•••
VAL
Yeah, geography.
RHONDA
Right, geology. And you have to be Val and Earl. I've heard all about you.
EARL
We deny everything.

n1M WQC.J. (06/21/88) 8.

a ·coNTINUED:

Rhonda smiles.

RHONDA
Listen, got a question for you. Do you know if anybody is doing any blasting or drilling or anything like that?
VAL
Around here? Why would they?
RHONDA '
Well, I'm supposed monitor these seismographs. You know, they measure vibrations•••
VAL
Yeah, vibrations in the ground.
RHONDA
Yeah, -11, I'm getting what I refer to scientifically~• •weird vibes.• Every aenaor I've got is ' giving me strange readings. I mean, the school has had th••• machines up here three years and they've never recorded anything like this.
EARL
Well, -•11 ask around. Let you know if - hear of anything.
RHONDA
Thanlca. God, I hope they're not screwed up. I might have to bag the whole aeHater. Anyway, sorry to bother you.
EARL
Ho problem. Nice meeting you. Bope you get it sorted out.

Rhonda unhappily turns back to her equipment as Val and Earl drive off.

9

INT. PICK-OP TRUCK - MOVING - DAY

Earl glances over at Val with a gleam in his eye.

EARL
You know, if you wanted, - could take a look at those seismographs for her.

W/.M wd6.l GRBS, (06/21/88) 9.

9 CONTINUED:

VAL
What the hell do we know about seismographs?
EARL
Nothing. But it sure might be a nice way of getting to know her.
VAL
Why?
EARL
Goddamnit, Valentine, you won't go for any gal unless she fits that damn list of yours A to z•••
VAL
Well, sure.
EARL
••• Andis dumber than my hind end. Like that Bobby Lynn Dexter•••

val flips down the truck's sunvisor. Taped to it are snap- shots of nearly identical blonde bimbos. vai points to one.

VAL
(defensively)
Tammy Lynn Baxter.
EARL
Don't matter. They're all the s-e: dead weight. Can't make a decision, can't walk because of their shoes, can't work because of their fingernails. Make ■y skin crawll
VAL
Well, I'm a victim of circumstance.
EARL
I thought you called it your pecker. Look, don't make the mistake I ude. Twenty years of looking for a woman exactly like Miss October 1968, and where'd it get me? Here with you.

Val rolls his eyes -- •Give me a break.•

W/M wci6.l GRBS. (06/21/88) lO.

lO EXT. PERFECTION- ESTABLISH- DAY lO

The pick-up rattles toward a tiny, utterly isolated high deserthamlet -- a few dozen houses and mobile homes fighting for shade in thevast landscape. Its most prominent feature is an agingwood-frame water tower, perhaps 25 feet high, near the center of town. A sign PANS.into view -- "PERFECTION-- Pop. 14.•

11

EXT. PHAMVAN'S STORE - DAY

Val and Earl head past thewater tower for Pham Van's General Store, Perfection's maingossip stop and only business. The store's sign, in English andVietnamese, reads: •Groceries, Haircuts, PostOffice, TowHall, VIDEOs1• Val and Earl park next to a camouflage-painted, large-tiredBlazer.

Just then they spotMELVIN, the town's surly teen-aged pain- in-the-ass,coming toward them, mindlesslybouncing a basketball off thehoods of parked cars. As he nears their truck:

EARL
Melvin, touch that truck.anddie. '

Oh, man, I'mreally ahaking.

But he steersclear of their truck.

12

INT. PHAM VAN'S STORE -DAY

Inside, theenergetic Vietnamese owner, PHAMVAN, preside• over his all-purpose estal:llishment:partgeneral store,part barber ahop,part saloon.

At thebar are BURT GUMMER andhis wife HEATHER, twono- nonsense survivalists who have settled inPerfection toawait thecoming apocalypse -- anice enough couple,but there'sa hint of paranoia around theedges. Burt is shovinga box of ·cartridges across to Pham.

BURT
No, Pham, they're not hollow points. I ordered hollow points and that'swhat Iwant.

When Val and Earl enter, Pham automatically pops the tops on two coldbeers and has them in placebefore thecowboys reach thebar. Everyone exchanges nods.

HEATHER
Hi, guys,what you been up to?

w/M wd6.l GRBS. (06/:Zl/88) ll.

12 CONTINUED:

VAL
Ran into the new college student, Rona.
EARL
Rhonda. Rhonda LeBeck. She's getting some kind of strange readings on her things.
BURT
Damn, you know, those ~ids turn up oil or uranium or so-thing out there ••• nextthingthe Feds will be at our door. •sorry, time to move. Eminent domain.•
HEATHER
Down, honey, down.
VAL
Yeah, Burt. The way you worry, you're gonna have a heart attack. , before you get to survive World War III.

Heather and Phu laugh. Burt smiles patiently, Just then the compressor in Pham'• ice creU1 freezer comes on. It's a loud chug-chug-chug sound ■ixed with a high-pitched squeal.

PHAM VAN
Hey Val, listen. Bearing going out, you think?
VAL
Could be.

He st&rta toward the compressor, but Earl heads him off.

EARL
Catch it later, Pham. Gotta get over to Nestor'••
VAL
Right. We plan ahead. That way - don't do anything right now. Earl explained it to me.

As they turn to go, Val does a take, amazed, as he spots a decorative bleached-out cattle skull displayed on the counter -- with a $29.95 price tag.

VAL (cont'd)
Hey, Pham Van, what the hell is this?

W/M wd6.l GRBS. (06/2!/88) 12.

12 CONTINUED: (2)

BURT
A beauty, isn't it? We bought three of them for the rec room.
VAL
(whispers to Pham van)
We sell 'em to you for threebucks a piece!
PHAM VAN
(deadpan)
And I appreciate it.
VAL
(playfully)
You don't get it, Pham. The idea wu: - -re rippingl'.2!!off.

Suddenly a car alarm blares froai outside. Burt'•out the door in a flub. The others follow.

13 EX'l'.PHAM VAN'S STORE - DAY 13

Burt races out and shouts at Melvin who backsguiltily away

from Burt's ca-aiouflageBlazer.

BURT
Melvin, you little pain-in-the-ass!
MELVIN
It wun't -• manl Your truck'• just screwed up, that's all.

Burt angrily switches off the alarm. Val and Earl laugh u they cliaibinto their truck.

VAL
Why don't his parents ever take him to Vegu with them?
EUL
You gotta ask that? -
14

EXT. PIT - DAY

At one end of town, Earl maneuversa hugebulldozer with a scoop-104derblade through a choking cloud of dust, scouring out a shallow pit to serve u a wateringhole. Val sights down a row of stakes which mark one end of the pit. The job 1..-done. He signals Earl to cut his engine. Both men have kerchiefs covering their faces and are totally encrusted with dust.

W/M wd6.1 GRBS. (06/21/88) 13.

15

ANGLE - TROCK TRAILER - DAY

Nearby is an old battered truck trailer -- the masaive, solid steel kind used for heavy rock hauling. Tire ■flat, mired in dried mud and weeds, it hasn't been used in year ■• Now it provideswelcome shade as the men sit sipping some coffee.

NESTOR CONNINGHAM drives up, surveying the pit with approval.

NESTOR
It came out great,boy ■• Should fill up just fine come the next rain. Lemme have your J>ill.

Earl and Val start fishing in theirpocket ■ forpen and paper. Earl comes up withvarioua piece ■of paper,Val with threeor fourpens. It'sa moment before they realizeeach has the otherneeded implement. Earl write ■out the bill during:

NESTOR (cont'd)
I'llhave to ■end it toyou the firat of themonth, boya.

Val and Earl exchange p&ined look ■•

NESTOR (cont'd)
Now, you know I'•good for it.
VAL
Yeah, Neator, we know. Don't wo:i:ry a.bout it. catch ua when you can.

They ambleover to their truck. Earl take ■thedriver'• aide -- and start■ f1ah1ng inhi• pocket■ f~r thekey.

VAL (cont'd)
Are we tooeaay-going?
EARL
No, -•re not tooeaay-going. Thia area 1•economically depreaaed.

Val realize ■11e·haa thekey and hand• it over.

VAL
so What if- juatdid it •••today. Paek up. Drive ■ traightdown to Bix.by. Get serious.
EARL
We could. We could. But-•d have toget really serioua. It'• gonna coat twice as much to rent a place.

CONTINOED

tv;M web.1 GRBS. (06/21/88) 14.

lS CONTINUED:

,..... VAL

So? That car wash pays good, and they're always looking.

EARL
Car wash?! That's got no future. If we're gonna take the plunge we oughta have a better plan than that.

VAL • Yeah, sure. Go ahead and plan it ••• forayear or two.

16

EXT. VIOLA'S PLACE- DAY L6

CLOSEON a stencilled sign: PHAMVAN'S O-RENT -- CESSPOOL, SEPTICTANKS. POLL OOT to seeVal and Earl have rented a portable septicpump (perhaps trailer mounted). The aged machine reeks of and drips with its ignoble cargo. The intake hose has been repaired so often it looks.to be more tape than hose. Gri-cing Val threads the slimy hosedown through the Qpen top of Viola's cesspool.

Beside them is Viola'• well-kept mobile ho- on a lowhill ,-... not far from Pham Van's store. Well-kept flowergardens surround the place. VIOLA, a sweet littleold lady,watches the men work while straining to hold the leashof her tiny but ferocious dog. The dog yaps continuously, lungingat Val and Ear1.

VIOLA
Stop itl Stop it, you horrid animall
(toVal and Earl)
I'm going to give her back to my son. I swear it.
VAL
Hey, Viola, you've got !!!I permission.
EARL
God almighty, my -- sure didn't raise me for this.

Val gets up and starts the pump's gas engine.

VAL
Well, you're the one won't work in the car wash. You're the one's gotta have a plan.

CONTINUED·

(06/21/88) 15.

16 CONTINUED:

EARL
Damn it, Val! Not having a plan is what keeps us doing jobs likethis!

Earl angrily throws the pump valve and starts the pump mechanism. He and Val stand on •ither side of the intake hose as it gurgles happily.

VAL
What keeps ua doing jobs like this ia you dragging your feet. l was up for going to Bixby; I was getting excited. -
EARL
In the past year I must've said a hundred times •we gotta get out of Perfection. We gotta better ourselves.• You gonna stand there in broad daylight and tell me you think I'm the reason we're still here? You want to know how close~ am to going to Bixby right now? - VAL I'll call that little bluff. How close?

POW! GOOOOSBl The gurgling intake hose ruptures, showering them with -- -11 you know. They react aa if they'd been shot; gagging, staggering, screaming obacenities_.

17

EXT. VAL AND EARL'S TRAILER -·DAY

Val and Earl'• beat-up 110bileho- ia·juat down the street from Phu Van'• store. Val and Earl, now in cleaner clothes, march out resolutely. Val has a portable TV in one hand and a framed COORS beer sign in the other. Earl unhooks the clothes line and dumps it, clothes and all, into the back of their truck, on top of the rest of their belongings.

They stare at each other for a moment. Thia ia it. No going back. The leap into the truck. Aa they drive off, Val leans out and yanka their wooden nameplate 1•E.Basset -- v. Mc1tee•1 off the -ilbox. · ·

18

EXT. NANCY'SHOOSE- DAY

They haven't gone fifty yards when they spot NANCY STERNGOOD (40a)working in front of her house. The guys pull their hats low over their faces. Earl swerves to the far aide of the street.

W/M wd6.l GRBS. (06/21/88) 16.

18 CONTINUED:

EARL
Uh oh, it's Nancy. She wants another load of firewood.
VAL
Forget it, man. It's notworth it.

Nancy spots themand beckons excitedly.

EARL
She's got us. Now, listen, the plan is: - have done our lastjob in Perfection.
VAL
That's the plan.

They stop beside Nancy. While they talk, Nancy's daughter, MINDY(9), comes bouncing along on her pogo-stick, listening to her Walkman and slowly circling the truck.

NANCY
Mindy, honey, don't pogo in the street. Hey, guys, I've got a job for you•••
EARL
Sorry, Nancy. We ain't doing odd jobs anymore. We're headed for Bixby per-nent.
NANCY
(skeptical)
Oh, sure•••
(sees stuff in b.l.ckof truck)
•••My God, you really are!
VAL
Yep, we're relocating to an area with a greater economic base.
(to Mindy, over her music)
Hey, Mindy, what's the count?
MINDY
Six hundred three, six hundred four, six hundred five•••
VAL
Go for itl

W/M wd6.l GRBS. (06/21/88) 17.

18 CONTINUED: (2)

NANCY
Gee, guys, I made the big decision. I'm putting in that satellite dish, I was going to offer you five hundred dollars.

Val andEarl glance ateach other -- five hundred dollars!

19 EXT, DESERT ROAD - PICK-UP TRUCK - OAl 19

20

The truckroars toward the •z.eavingPerfection•sign. Val and Earl are elated, downright giddy,

21

EARL

We did itl We faced temptation and we did not bend!

VAL
Oun straight! Now there's nothing between us and Bix.bybut nothing!

They zoom past the sign,

VAL (cont'd)
Last ti- we'll see th&t signr

They laugh, then are thrown half out of their seats as Earl accidentally hits a big pothole,

EARL
I.Astti- we hit that goddamn pothole!
20

EXT, DESERT - WIDE - DAY

As the truck streaks across the landscape. Val and Earl merrily continue their good-byes to whatever is visible,

VAL (V,O,)
so· long,cactus1
EARL (V,O,)
Adios, bridge!
21

EXT, CANYON ROAD - DAY

On its way down from the high desert, the lonely road now winds through a twisting, narrow canyon. A county highway maintenance truck is parked to one side and two road workers, CARMINE and HOWARD, re~air a slide-da-ged section of the road, Carmine breaking up asphalt with a jackham-r. Val and Earl pull up, hand them each a beer, and speed away, shouting:

CONTINOED

W/M wd6.l GRBS. (06/21/ 88) 18.

21 CONTrPJED:

VAL
Last time down this damn twisty road!
22

EXT, SHACK - DAY

The pick-up speeds past a small shack. Val and Earl automatically roll up their windows. In a moment we see why: a monster, ferocious dog comes galloping out to chase their truck. Earl gives the dog the finger,

EARL
Last chance, asshole, Run, run ••,!
23

EXT, OLD FRED'S PLACE- DAY

Old Fred latches the gate on his corral filled with sheep. He looks up as Val and Earl's truck speeds past, Val and Earl honk their horn and wave happily, Old Fred waves back.

24

EXT. ROAD - ELECTRICAL TONERS - DAY

The pick-up zooms along, the road now paralleling a line of tall high-tension electrical towers.

2S

INT,/EXT, PICX~UP TROCX -~OVING - DAY

The guys have calmed down,but each is still dreaming of a new life,

EARL
Okay, here's the plan. We bust our tails iD thecar wash six110nths... well, -ybe nine ••• and- don't spend a di-, you know? And then - go for'Tt ••• downpayMnt on a tow-truck or a back-hoe or SOMthing, right? Start a real .business. We can start looiingfor ■o-thing today, tonight!

Val points up ahead -- a man is sitting near the top of a distant electrical tower.

VAL
Jeez, look at that guy,
EARL
(shakeshis bead)
One job I'd never take is working around electricity.

W/M wd6.l GRBS. (06/21/SSl 19.

25 CONTINUED:

VAL
Especially when it's twohundred feet off the ground.

But as they pass the tower:

VAL (cont'd)
Hey, hold up ••• That'sEdgarDeems!
EARL
You're full of shit.
VAL
He's only got one damn jacket. That's him, I'm telling you.
26

EXT. ELECTRICAL TOWER - DAY

Earl pulls over. They climb out and peer up at the tower. Edgar is hard to see through the criss-crossing girders.

EARL
· (impressed) Man, oh, man. Be must've really been drunk this tiM.
(shouts)
Edgar! What the hell you doing? Get on down fro■ there!

Edgar doesn't move. Val and Earl shift about uncomfortably. Val finally speaks for boths

VAL
Well, shit, we can't leave hi■ up there.

They stare at each other. Someone's got to climb up. val raises his•fist in The Challenge. Their fingers fly. Rock breaks scissors. Val loses.

Valentine unhappily climbs the tall tower while Earl watch-• from below.

VAL (cont'd)
Bey, Edgar, don't you move. I'm coming to get you•••You damn fool, you owe - on this one •••

Higher and higher Val climbs. He tries not to look down.

Be's approaching Edgar from below and behind. As he gets nearer he begins to notice forboding details: one of Edgar's shoes is missing, half the trouser leg is torn ~ff. Edgar is

GRBS. (06/21/88) 20.

26 CON7INUEO:

strapped to a girder by his belt, his shotgun gripped in his hands. A swarm of flies buzzes away.

VAL (cont'd)
What the hell•••

He edges around to where he can see Edgar's face -- the eyes are wide open, staring. He's dead.

27

EXT. OLD FRED'S PLACE - DAY

Old Fred is now hoeing his garden. He glances up as Val and Earl's pick-up roars back toward Perfection.

28

EXT. JIM ANO MEGAN'SHOUSE- DAY

A big station wagon is parked bet-en a small mobile ho- and a half-finished house being built by JIM and MEGAN WALLACE, an out-going, energetic older couple. LWll:>er,cinderblocks, and tools are scattered around the yard.

Jim examines Edgar's body in the bed of Val and Earl's pick- up truck. Va~, Earl and Megan talk in subdued tones.

VAL
Real sorry to bother you, Megan, but we figured since Jill'sa doctor•••
MEGAN
No, it's fine. You did the right thing. When Ji■ is done we'll call the Coroner's office in BiXby. We'll take care of it.
(shakes her head)
Poor Edgar.
EARL
(triesto break the mood)
Well, I see you got all the wallboard up.
MEGAN
That was easy. You two did the hard part. Sure sorry you're leaving.

Jim climbs out of the pick-up.

EARL
was it a heart att.ack?

W/M wd6.l GRBS. (06/21/88) 21.

28 CONTINUED:

JIM
(shaking his head)
He died of dehydration. Thirst.
VAL
But that doesn't make sense. That takes a couple of days, doesn't it?
JIM
Three or four even.
EARL
You mean he sat up there three or four dfys? Just sat there till he died o thirst?

Jim shrugs. Everyone is mystified.

29

EXT. OLD FRED'S PLACE - DAY

rred is still hoeing. In the nearby pen his sh-ep start acting restless. Be eyes th-. What's up? We hear a strange muffled sound. Onseen, behind hi■, at the far end of the garden, his scarecrow mysteriously tilts.

Old rred keeps hoeing. Be stops, his foot is caught in the dirt. Suddenly he is yanked knee-d-p into the groundl

30

EXT. CANYOH ROAD - DAY

Val and Earl's truck, again headed for Bixtiy,and going way too fast, zooms past the two workers still repairing the road. The workers glance up, annoyed.

31

EXT. SHACK - DAY

Val and Earl, sobered and deep in thought, drive past the· shack where the ferocious dog lives. They auto..tically roll up their window• during:

EARL
Reckon he hated Perfection more than us? You suppose he wanted to kill himself?
VAL
If he did, why didn't he use his duan shotgun?
EARL
Maybe he just couldn't pull the tr1gger•••

W/M wd6.l GRBS. - (06/21/88)

31 CONTINUED:

VAL
Oh sure, he figured it was easier to die of thirst? Come on, somebody must've chased him up there.
EARL
Oh, you mean somebody who ain't scared of a twelve gauge shotgun. And then what did they do? Camp out down below and just;.waitfor hillltodie?

Val has no ans-r. It's too weird.

VAL
Well, whatever the hell happened it's just one 110regoddamn good reason to haul ass out of this place.
EARL
You got that right.

They are passing the aback. Earl suddenly realizes:

EARL (cont'd)
Bey, where the hell's that •••hole dog?
VAL
. (looking around) Probably up• pole starving itself to death.
EARL
Okay, the plan is: pedal to the -tal the whole way. We don't atop till we hit the carwaah, not even to pee.
VAL
I'll go with that plan.
32

EXT. OI..DFRED'SPLACE - DAY

CLOSEON t;hepick-up's tires skidding to. atop. POLI,OOT to see we're back at Old Fred'••

VAL
What are you doing?

n,M wcb.U,2 GRSS. (06/21/88) 23.

32 CONTINUED:

Eul is staring wide-eyed. Val follows Earl'• gaze and is aghast when he aees --

The sheep pen -- it's a ghastly, bloody mess. Scattered on the churned up ground a few dismembered sheep legsand heads are all that remain of the flock.

VAL
(whispers)
What the hell •••?

val and Earl leap out of the truck to investigate.

VAL
Hey, Old Fredi Fredi Where are you?I

Eul dashes into Fred's house. Val checks around outside. Earl comes back out. ,-

Not here.

Then they spot so-thing lying in the aiddle of the garden - Old Fred's hat.

Still looking all around, Val squats distractedly to pick up the hat. Be and Barl stuable backward in shock.

OLD FUD IS STILL WEARING HIS HATII His -ngled face stares up at them, eyes and mouth frozen open in a death grimace.

EARL
Oh, Jesiis11
VAL
What the hell is going on? I mean WBAT TJIBHELL IS GOING ON? 11
33

EXT. CANYON ROAD - DAY--

Carmine and Boward continue repairing the road, Carmine still using the noisy jackhammer. Val and Earl drive up.

EARL
You guys better get the hell outta here! We got a killer on the loosel
HOWARD
What?

Carmine stops jackhammering to listen.

111/Mwd6.2 GRBS•. (06/21/88) 24.

33 CONTINUED:

EARL
A murderer, man! A real psycho. He's cutting people's heads off! I'm serious! I'd high-ta~i for town if I was you!

Val and Earl speed away.

CARMINE
They're drunk •
36

HOWARD

Yeah•••

But he edges over to the truck and takes out a heavy s~eel pry-bar tokeep within easy reach.

carmine goes back towork, pounding the asphalt with the jackh&111111er.Suddenlytheblade strikes something beneath the road, something soft. We hear a strange, unearthly shriek from underground. A weird.orange goo gushes up around the blade. Then the jackhAIIIJllertakesoff.byitself)ike a harpoon stuck ina whale! Carmine gets tangled in the jack- ·halllMr'sair-hoseand isdragged along, shouting for help.

Howard chases him down theembankment and into the acru»- brush. He hears Carmine screaming.

HOWARJ) Carmine! What thehell is it?I Where are you?

But now there ia only silence. Ho-rd crashes through the brush. All he finds iathe tornend of the.air-hose - whic~ sudden-lysucks down into the ground. H•'• 110..ntarily staggered by an awful s•ll, but forces himself tokeep looking. He letsthe pry-bar drag on theground. Then so..thing -- it looks likea mouth or a horrid beak -- shoot• out of the ·groundand grips thepry-bar with uncanny strength! Howard drops hia weapon and scramble• -dly away.

He clambers back onto theroad. But almost immediately cracks form in the pavement around him. Morebeak-things break throughthe asphalt between him and hia truck.

He dashes across the road, scramblingup the embankment. He clings precariously toa treeroot, looking down -- where'd theygo? Suddenly thedirt around himbegins to •bubble.• Several hungry beaks break through andgra.b him, yanking him head first into the embankment. Then the embankment gives way, crashing down onto the road, takingwith it a nearby telephonepole and snapping the lines.

W/M wd6.2 GRBS. (06/21/88) 25.

34

INT. PHAM VAN'S STORE - DAY

Pham van is talking to MIGUEL, a local rancher. They both jump as the doors burst open. Val and Earl race in, trailed by Nestor and Melvin. Val heads for the payphone during:

NESTOR
His head? You mean just his head?

Val grabs the phone and digs in his pocket for change.

VAL
Yeah, really sick, -n. Sweet Old Fred.

Earl comes up with change and hands it to Val, who dials.

PHAM VAN
Something happen to rred?
MELVIN
(ignoring Ph-)
Are you serious, man? They killed him just to take his shNP?

EAllL He didn't have nothing else to steal. Neither did Edgar.

MIGUEL
What happened to Edgar?

Val stares at the phone.

VAL
I don't believe this. The phone is out! Pham, your phone is out!
PHAM VAN
I didn't do itl What's going on?

Val and Earl rush out.

JS EXT. PHAM VAN'S STORE - DAY JS

Trailed by the others Val and Earl march out and leap into their truck, Val driving now. He searches for the key.

NESTOR
We've gotta get the police up here. You guys gotta step on it to Bixby.

Earl hands val the ke.y.

VAL
Consider it stepped on.

GRBS, (06/21/88) 26.

36

EXT, CANYON ROAD - OAY

Again the pick-up barrels through the canyon.

VAL
Brother, we decided to leave this place just one day too late, you know?
EARL
(grimly)
Well, there's sure as hell nothing t.o stopus now. Everyb.ody- know between here and Bixby is already dead.

Earl points ahead and sere•-=

EARL
LOOK ODTI I

Val brings the truck to a squealing atop. Ahead: the collapsed embankment completely blocks the road. It's totally impassable. The cowboys are ~Ullbfounde~.

EARL
Is sou higher force at work, here? Are - asking too much of life?

But Val is in no mood for pnilosophy. Be leaps out and peers into the highway maintenance truck which sits undisturbed, emergency lights still flashing. There's nobody in it. Be starts looking ar~und.

VAL
Those assholes are supposed to be fixing the goddaan road!
(shouts)
Beyl Where are you guys? People gotta use this road, you know! You on a booze break or what?!
EARL
(whispers, urgently pointing)
. Vall Vall

Val looks where he's pointing -- Howard's bloodstained hardhat lies at the edge of the landslide. Val gets the point. Looking around for the unknown assailant, be eases back into the.truck. Barl already bas a pistol in his lap and is digging through the glove compartment.

EARL (cont'd)
Where are the bullets? Don't - have any goddamn bullets?

CONTINUED.

GRBS. (06/21/88) 27.

·36 CONTINUED:

Val quickly jockeys the truck to turn it around on the narrow road, But as he backs into the hillside, we hear a strange grating clunk from underneath, When he tries to pull forward, the truck won't move, The engine stalls.

VAL
Jesus! I don't believe this!
EARL
You're hung up again.
VAL
I &111not!

They both lean out. The rear tires are clear. Val restarts the truck and tries to pull forward, rocking the truck against some unseen pull, Smoke wells up from the clutch,

EARL
You're hung up I tell-you. You're gonna burn the clutch. . '

Val slams the truck into low-range four-wheel-drive and revs· it, .Thetires dig in, fighting for traction -- and suddenly the truck lurches free, We hear an Hrie shriek mingled with gear and engine noise as Val angrily roars away,

EARL (cont'd)
Je'Sua,you can break an axle like that.
VAL
Fuck you!
EARL
Bey, I don't want spend the night out herel
37

EXT, PHAM VAN'S STORE - DAY

The word baa spread. Everybody in town ia gathered at Phu Van's. They.rush out to meet Val and Earl as they drive up.

BURT
What the hell you doing back already?
VAL
You're never gonna believe this, but the canyon road.,.- were on it not two hours ago•••well, it's completely••,

W/H wd6.2 GRBS. (06/21/88) 28.

37 CONTINUED:

But he stops because they're all staring wide-eyed at the rear of the truck,

NANCY
My God...I.

Val and Earl jump out and look where everyone else is looking, Their jaws drop, REVEAL: hanging from the rear axle of their truck and trailing out behind like a nightmare wedding decoration -- a six foot long, grotesque, fleshy, tentacle. The end gripping the axle.looks like a vicious, razor-sharp beak or hook. The trailing end is mutilated, oozing orange 900 - as though the creature was torn in half,

MELVIN
Unreal! ·Where'd you get it?
VAL
Uh,,,didn't know we had it •••
NANCY
It's disgusting.
40

VIOLA

Looks like,••an eel.

NESTOR
Naw•••eels live in water.
VAL
so·..,it'ssome kind of snake?
EARL
Or a big mother slug aaybe?
BURT
so- kind of mutation,.,?

Burt, more daring than the others, pries the thing off the axle with a shovel.

PHAM VAN
·Don't touch, don't touch, . BURT It's dead all right. Tore the damn thing in half,
EARL
It must've grabbed us. That's why the truck stalled-out.

W/11 wd6.2 GRBS. (06/21/88) 29.

37 CONTINUED: (2)

VAL
(suddenly indignant)
Yeah! Next time I tell you I'm not hung up •••!
BURT
Stalled out your truck? Have to be one strong sonof a bitch.

Pham Van leapsover tothem.

PHAM VAN
Igive you boys five dollars for it.

Val and Earl square their shoulders. This time they're ready for him.

VAL
Twenty,
PHAM VAN
Okay, ten dollars.
EARL
Pifteen.
PHAM VAN
Okay, fifteen.
VAL
Damn right fifteen.

Burt is deep in thought.

BURT
Just one of these couldn't eat up off a whole flock of sheep. There'• gotta be 110reout there, a lot more.

A cold chill spreads through the group. They stare out at the vast, forbidding desert. They suddenly feel alone -- very alone.

38

EXT. DESERT - DAY

CLOSEon Rhonda'• hat lying on the ground. We think the worst. Then she reaches in, picks it up and puts it on, REVEAL she's in a lonely corner of the valley working with a seismograph. She pounds a marking stake into the dirt.

W/M wd6.2 GRBS.- (06/21/88) 30.

39

INSERT - CLOSE ON SEISMOGRAPH

The needle responds to each blow on the stake. We hear Rhonda stop pounding. The needle stops. All is silent but the needle starts moving again1•

40 BACK TO SCENE 40

LOWCAMERA is MOVING in Rhonda's general direction. She starts to pound another stake. CAMERA REACTS so it ia moving straight toward her. As it paaaea a burrow, a rabbit suddenly shoots out. CAMERA WHIP PANS to wa~ch the rabbit scamper into the distance, then TURNS BACK to move toward Rhonda, who still pounding her stake.

CAMERA passes Rhonda's seismograph. The machine tilts slightly aa the ground bulges up beneath it.

Rhonda finishes pounding. She heads for her truck, noisily tossing in her tools and sla-ing the tailgate. CAMERA CLOSES IN on her, faster and faster. It is right~!!!.£ heels as she climbs into the cabl

41

ANGLE - RHONDA'S TRUCK

A beak-thing thrusts out of the ground, groping where Rhonda's boot just was. Rhonda drives off, unknowingly running right over the thing. We hear a shriek of pain aa the tentacle writhes and sucks back under the ground.

42

INT. PHAM VAN'S STORE - NIGHT

Mindy Sterngood poses cautioualy with the bizarre hook tentacle. A ca•ra l'LASBESand - REVEAL Ph- Van taking her photo beside a sign: •Photographs -- You and the Snake Monster -- $2.00.• Viola and Miguel, wait in line.

we now••• the store is crowded with concerned townsfolk debating what to do, and how to protect themselvea. Val and Earl sit on the aidelinea, sipping beer, gazing in awe at enterpriaing Pham Van:

EARL
Slick as snot and I'm not lying.
VAL
Pifteen louay buck ■•
EARL
A man who plan■ ahead.

Dominating the diacuasion are Burt and Heather now armed with scoped, magnum hunting rifles. Heather stand ■guard at a. window, peering out into the night.

GRBS. (06/21/88) 3l.

42 CONTINUED:

BURT
(to group)
••• Look,we organize, we arm ourselves. We go out, we find those damn snake things, we make 'em extinct.
NESTOR
Come on, Burt, we don't even know what they are.
VIOLA
Might be aliens. Who knows?
MIGUEL
Why go looking for trouble?
BURT
Miguel, the trouble'• co- to us. If we're not ready •••
HEATHER
. ' Phone's out. Road'• out. We're on our O'tlln.
NANCY
(sarcastic)
And you two just love it, don't you?
HEATHER
come on, Nancy, don't let•• get personal. We need to~ so-thing.

Burt steps over to a faded topographic map on the wall and points out details during,

BURT
Daan right. You folk• gotta analyze the situation. With that road out we're completely cut off. Got the cliff• to the north, 110untainaeast and west. That's why Heather and - settled here in the first place, geographic isolation.
NANCY
Well •••theremust be •o• way to get help.
VIOLA
Yea, that's what! say.

W/M wd6.2 GRBS, (06/21/88) 32.

42 CONTINUED: (2)

BURT
How, for chrissake? You gonna~ thirty-eight miles to Bixby?
MIGUEL
Hey, what about Pham Van's saddle horses?

All heads turn toward Pham van.

PHAM VAN.
You'rewelcome to them. Does anybody knowhow to ride?

Allheads turn towardVal andEarl.

43

EXT. JIM ANO MEGAN'S HOOSE- ESTABLISH- NIGHT

Inthe vast desert night a single floodlight illuminates Jim and Megan's partially finished house. Their station wagon is parked out front. A country and western tune-drifts to us from its radio.

As we MOVE CLOSEll,we see the floodlight is powered by a

46

SMALL,SOFTLY PURRING GENERATOR SET -YBE FIFTY FEET AWAY.

Jim and Megan, both exhausted, unload a big stack of roofing shingles from their station wagon. Jim starts to lift a package of-shingles but gives up and sits on tbe tailgate.

JIN
I'• dead. Let's finish in the morning.
MEGAN
Ne have to go into Bixby in the morning.
(grins devilishly)
The concrete blocks are in.
JIN
The con •••1 Oh my God.
MEGAN
Just keep looking at that beautiful sky.
JIN
What?
MEGAII
That's the sky that's going to be over our roof every night, when we•re-cione.

w1M wd6.i GRBS. (06/21/88) 33.

43 CONTINUED:

JIM
(joking)
Ah, but consider this, ifwe don't finish theroof, we can look at that sky all the time.

Just then the whirring of the generator becomes strangely muffled. The floodlight flickers. Now the generator dies. Darkness engulfs them. The ear radio music drones on incongruously.

JIM (cont'd)
Damn that thing!
MEGAN
(sarcastic)
We could always buy a new generator.

Jim digs out a powerful flashlight and heads over toward the generator. Megan lies back, taking a -1co- breather. After a moment:

MEGAN
Well, what's wrong with it?
JIM (V.O.f
It's •••gone•••I

44 ANGLE- JIM 44

Baffled, he •-eps the whole area with the flashlight. Megan joins hi.II.

MEGAN
You sure this is where it was?
JIM
AllI sure?I
(pointswith flashlight)
It was right here. There's the cord.

The severed electric cable stops at the edge of a cone-shaped depression in the dirt where the generator sat. He hands her the flashlight and kneels. We watch tensely as he probes the looseearth with his hands.

JIM (cont'd)
Maybe the ground caved in. There's a lot of old mines and stuff around here.

Megan grabs his shirt, trying to pull him back.

GRBS, (06/21/88) 34.

44 CONTINUED:

MEGAN
Well don't then! You don't want to fall in.

Suddenly, about ten feet away·-- WHOOMPII The generator shoots up out of the ground! Jim and Megan dive for cover as it sails through the air, and crashes to earth. They stare, transfixed. The generator is dented and bent almost beyond recognition -- and covered with oozing slime.

JIM
What the •••?

But Megan is all action. She yanks him back.

MEGAN
Come~• Get away from itl
JIM
God, what a stink!

We again hear thatmysterious rumbling sound•.~im stops, sweeping the flashlight around them.

JIM (cont'd)
. Hearthat?
MEGAN
Never mind! Let's 901 Let's just go intotown or so-thing! Jim, please!

She hustl•s him bodily toward the car during:

JIM
You know, I bet it's geological or so-thing, like natural gas, or a geyser. They stink like that. Remellberin Yello-tone •••?

Suddenly he drops knee-deep into the ground! Megan is thrown off balance and·tumbles to one aide. The flashlight falls, lighting them at an eerie low angle.

JIM (cont'd)
so-thing's got ■ell

We hear sickening CRUNCHES from below the earth. He SCREAMS in excruciating agony.

JIM (cont'd)
Oh, God! Get me Out!I GET ME 00'1'11

CONTINUED .

W/M wd6.2 GRBS. (06/21/88)

, 44 CONTINUED: ( 2)

He struggles wildly, but just sinks further down! Megan slides a 2x4 over to Jim. He grabs it like a drowning man, trying to keep himself from being pulled down. But he's pulled with such power the 2x4 snaps!

His head is going under. Megan desperately tries to dig the smothering earth away,but she's losing. Now only his arms are above ground. She pullswith all her might, but he sinks inexorablydown, down. She's pulled flat onto theground. He's gone.

-

The next instant,a vicious hook-tentacle erupts through the earth,missing Megan's faceby inches. She scrambles back frantically.

45

ANGLE - STATION WAGON

LOW CAMERA pursues Megan toward the car, justmissing her as she dives in through the open tailgate. She slams itafter her. The talons rake across the car, scratching theglass.

48

'

Megan tumbles into the front seat. Thank God the keys are in the ignition. She starts the engine. But outside the •snake things• attack the car in a frenzy, slashing blindly. A rear uire is totally shredded just as:

Megan floors it. The car lurchesforward but the mutilated tire falls apart. The wheel rim digs into the looseearth and the car is stuck. With no other recourse, Megan locks the doors,.rolls up the windows and cowers inthe middle of the car, panting, sobbing. The radio -isstill playing a happy cowboy tune. Sh~ peeks out. They gave up? She's safe? Nothing happens for a moment, then --

49

.

The car starts to shake and shudder! Oust wells up around the windows.

Outside we see a bizarre sight. The earth around the rear of the car is •boiling,• dirt flying in all directions -- and the car starts to~~ S!!!_groundll

Megan wildly honks the horn! The car looksjust likea ship going down by the stern, hood tilting up gracefully. The back windo- shatter, dirt pouring inl Megan smashes the windshield with a s-11 fire extinguisher and scrambles out on the hood. But there's no hope. The car keeps sinking, tilting now almost ninety degrees, forcing her onto a precarious perch on the grille -- sinking, sinking.

Out of her mind with terror, she keeps softly murmuring the same hopeless phrases:

MEGAN
Stop it! Stop it! Somebody stop it •••!

GRBS. (06/21/88) 36.

:46 EXT.' DESERT- JIM ANOMEGAN'SHOUSE- VERYWIDE - NIGHT 46

The headlights are two ironic beacons sending their beams skyward through the roiling dust into the night sky. The sound of the radio becomes muffled. The headlights sink from view -- and then Megan's scream floats across the desert.

47

EXT. PHAM VAN'S STORE- DAWN

Out front of Pham Van's, nervous Val and Earl saddle up the horses while Pham loads their saddle bags with food. Every- one has gathered to see them off. Tbere's an air of t.ension.

VAL
(eyeing the horses)
Pham, we don't want to be stuck on a couple of canners. They better be fast.
EARL
Relax. A snake thing like that couldn't move too quick.
VAL
screw you. For all you know they could !!I·

Earl pulls their old Smith and Wesson revolver and battered Winchester rifle,out of the pick-up truck.

EARL
You want the rifle or the Smith?
VAL
(definite)
The rifle.

So does Earl. He raises his hand. They swiftly do a round of scissors-rock-paper. Earl loses. Be hands Val the rifle. Just then, Burt and Heather pull up in their ijlazer,climbing out with their hunting rifles.

BURT
.You guys all set?
EARL
Ready as we'll ever be.
BURT
Heather and I are going to drive around a little, see if we can find that college girl and tell her to get her ass back into town.

W/1'1.Wd6.2 GRBS. (06/2l/88) 37.

47 CONTINUED:

VAL
Good idea. And we'll swing by the doctor's place. They were going to 90 into Bixby but we don't know if they left before the road was out.

Val and Earl mount up.

HEATHER
Hold on. You guys oughta .take something that packs m~e punch than that thirty-thirty. Take one of our Browning autos, or even my model seventy•••
(offers her hunting rifle)
lt's'three-seventy-five Hand H mag.

Earl takes the a-some-looking gun with a smug glance at Val.

EARL
Gee•••thanlts,Heather. Hope we don't need it.

Heather unhooks a box of cartridges from her belt and hands it to Earl. suddenly there's a blood-curdling SCl\EAMI The door to Phu Van's flies open. Out staggers Melvin, wrapped in Pham Van's hook-tentacle, writhing in apparent agony.

MELVIN
IT'S GOT MEI IT'S GOT MEI AAAAHGHI

People scatter like sheep. Burt ~nd Heather have guns trained on him in an instant. Then everyone realizes it's a sick joke. Melvin collapses with laughter. Burt is livid. He almost shot Melvin. He charges over and yanks the kid to his feet, scre-ingr

BURT
You stupid punkl You close, that closell . - EAltL One of these days, Melvin, somebody's gonna kick your ass.

Phu rushes over and grabs hi• precious tentacle. As people calm down, Val and Earl gaze nervously at the vast desert before them.

BUR'l' Well••• youfellas watch yourselves.

NANCY
Come back with the Sheriff.

W/M wd6.2 GRBS.: ( 06/2l/8111 3 8.

47. CONTINUED: (2)

NESTOR
Sheriff, like hell. Come back with the National Guard.

They ride out to an adlib chorus: •xeep your heads down;• •Go careful, boys;• •Keep a sharp lookout;• etc.

48

EXT. DESERT- DAY

Val and Earl ride along, very tiny iR the vast, lonely landscape, and very on edge. Constantly looking all around,

EARL
You know, we can't possibly make Bixl)yby nightfall,

Val doesn't want to hear that.

EARL (cont'd)
That -ans -•re gonna be out here, like, in the dark.
VAL
(resentfully)
Great. Thank you.

Faint Country and Western radio music drifts to them, They're nearing Jim and Megan'• house.

49

EXT, JIM AND MEGAN'S HOOSE- DAY

Val knock• on the door to the mobile home•

53

VAL

Hey, doctor, anybody here?

No answer. He opens the door and peers inside. Behind him Earl atepa out of the half-finished house and ahruga, Nobody around. Wind rustle• the plastic sheeting over the windows. Strangely they can still hear the muffled radio clearly,

VAL
(spooked)
Oh, man, I hate this shit,

They walk briskly to their horses. Earl snatches Heather's rifle from its saddle scabbard. Val pulls out the Winchester. Earl tries to reassure himself,

EARL
Car's gone. We just missed them, that's all,

GRBS •. (06/21/88) 39.

49 CONTINUED:

VAL
Then where's the goddamn Conway Twitty coming from?

They focus on the sound and walk gingerly toward it, keeping constant watch in every direction. The ground here is all torn up like the sheep pen -- and the music is coming from underneath! What the hell is going on?

Val serapes at the dirt with his boot -- and finds the headlight of Jim and Megan's station wagon, still on, glaring up at him. He drops down and wildly'sweeps away more dirt, revealing more of the ear's grille and hood -- and blood- soaked dirt which sticks to his hand. He leaps away, frantically rubbing the blood off on his pants.

VAL (cont'd)
Oh, man••• oh,man•••
50

EXT. DESERT - CONCRETE DITCH - DAY

Val and Earl are riding at full gallop. They race alongsid• a concrete-lined flood-control ditch and veer off to follow a barbed wire fence which crosses the ditch.

51

EXT. DESERT - BALLED WIRE PENCE - DAY

They ride &long the fence during:

EARL
Here's the plan•••we don't even stop. Ride like hell. Tonlgli't- keep right on going. We'll walk the horses. ·
VAL
That is the plan••• I-an, goddamn it1 iiiatthe hell are those things? How could they bury an entire Plymouth station wagon?
EARL
Why would they do it?

Suddenly the horses stop short. In a frenzy they wheel around, rear up, refusing to go on. The cowboys fight to control them.

VAL
I lcnewitl Pham van wouldn't lcnow a decent horse if ••• l

W/M wd6.2 'GRBS. (06/21/88) 40.

Sl CONTINUED:

But Earl's already drawing his rifle,

EARL
Shut upl They got wind of something they don't like!
VAL
Oh shit!

He draws his rifle, They look wildly in all directions at once -- but there's nothing, only empty desert.

VAL (cont'd)
But I don't see anything!

They keep staring, The horses keep pacing nervously, Then -- Earl's horse rears wildly and falls! Earl goes flying, Val wheels around wildly, dismounts and runs to Earl, who's bruised and winded but basically unhurt, They think Earl's horse just tripped.

VAL (cont'd)
Hey, you okay? rou okay?

EAlll, reah,••yeah. (turning to the horse) What about the hor.;,? ·

Their eyes bulge. Several •snake things• have engulfed the horse's head, sucking, crushing, slurping. Val's horse goes berserk and gallops for the horizon.

EA1IL(cont'd)
What in the name•••?
VAL
That's how they get you! They're under the godduin ground!

Suddenly they realize what that means -- the things could come up under th-11 The cowboys scramble frantically away. But .nothing.puriiiiathem. They pause, glancing back nervously,

EARL
What the hell!£! they?
VAL
Sona of bitches!

Val raises hia rifle and takes a -11-ai-d shot, hitting one of them. orange goo spurts out, We hear a deafening shriek as all the •snake things• instantly zip back underground.

W/M wd6,2 GRBS, (06/21/88) 41,

51 CONTINUED: (2)

Then -- A HUGEMOUND OF EARTHRISES UP UNDER VAL ANOEARL!! The cowboys tumble down its side, Val losinghis rifl•. They roll over and stare dumbfounded at the mound.

VAL (cont'd)
(gasps)
There must be a million of them!!

The mound of earth turns toward them. The ground splits open and out rises -- a huge head!

EARL
(awestruck)
Nope••• justone.

The monster is a horrendous thirty-foot long eating -chine! Its head is eyeless, utterly alien, covered with tough boney plates which close together to form a cork-screw point.

The cowboys stwable back toward the fence in speechless terror. The creature slides toward them, pushing through the earth like a whale through water. No,cit opens jts 1110uth-- but it's like a grotesque flower, boney plates spreading opeA like petals, revealing a huge, slimy, fleshy, oozing orifice! And inside the mouth, a ghastly mul_ti-t;entacledtongue! These are the •snake things,• not snakes at all but actually the horrid hook-tentacles that can shoot out six feet to snag their prey!

The monster snorts and snuffs, throwing up plumes of dust, sounding like a horrendous pig. It sinks into the earth and charges! We see the hump of earth move toward them faster and faster but then it disappears as the creature goes deeper.

Val and Earl leap sideways and run along the fence. Th• creature goes straight and sl•- into a fencepost from below. All we see is the fencepost knocked at a crazy angle.

The cowoys ~eep running. The creature regroups and charges after them, hitting each fencepost in turn, sending -ird sinuous shock waves along the barbed wire, -king almost musical twanging sounds. Val looks back.

VAL
It's gaining on uall

And as if that -ren't enough, Earl points to more trouble ahead.

52

EXT. CONCRETE DITCH - DAY

The fence runs straight to the edge of the ditch, an eight foot wide gap yawning dead ~head. The creature churns like

W/11 wd6.2 GRBS. (06/21/811) 42.

52 CONTINUED:

a locomotive cehind, They'll have totry to jump! They strain desperately for every last fraction of speed.

EARL
We can do it, we can do it!

They leap and -- they don't do it!! They smack into t.he opposite side of the ditch, clawing frantically at the lip, only to tumole to its sloping cottom. A split second later the charging creature slams like a wre~king call into the foot-thick concrete wall! The wall-CRACKS AND BULGES OUTI A hook-tentacle flops out through one of the cracks! Terrified Val and Earl scramcle away. But the wall holds together.

And then, strangely, all is quiet. The tentacle lays dead still. Eventually, the cowering cowcoys dare to creep cack a little closer, still panting, exhausted, jumpy,

EAIU.
Stupid son of a citch,,,knocked itself cold, . . .

And now orange slime cegina to ooze through the cracks in the concrete.

VAL

,-... Cold, my aaal It's dead!' We

killed the caatardl

He audde_nlyahalceiihisfiat at the dead ceaat.

VAL (cont'd)
You POCURI 1

They allow themselves a aull wheeze of nervous laughter, only to jump lilceraocita aa some pecclea rattle loudly down the concrete wall oehind the■ , They whirl to see Rhonda, up on the opposite aide of the ditch, staring down at the■, She's lugging a cunch of her equipment, including a sm&ll folding shovel.

RHONDA
Hi, guys, how're you doing? Look, can I ask you so-thing? Did you just notice something -ird? Viorations? You know, so- kind of earth treaor?

Val and Earl look at each other, then curst out laughing. Rhonda spots the cracked wall.

RHONDA (cont'd)
What's that? - DISSOLVETO:

W/M wd6.3 GRBS. (06/2l/88J 43.

53

EXT. CONCRETE DITCH - LATER - DAY SJ

The shattered concrete has been pulled away to fully reveal thecreature's horrendous head. Start CLOSE on it: oozing blood, slavering mouth plates hanging open, hook-tentacles lollingout. WIDEN tosee Earl and Rhonda, sweating,dusty and tired, staring in awe and cringing at the stench.

EARL
Jesus Christ •••thinkit smells like that 'causeit's dead?
RHONDA
I don't see any eyes•••must be totally sw:,terranean•••andthose tentacles•••
EARL
I think they shoot right outta its mouth, hook you, and pull you right in. Good thing - stopped it before it killed anybody el•••
RHONDA
(shudders)
·Yeah, I'm lucky it didn't find •••
(overwhelaed) - This is impartant, you know. This is like, well, let's say it, it's probaoly the biggest zoological discovery of the century. The century? Forget it. Histoq.

We can hear a shovel digging up above, and now Val shouts:

VAL (V.O.)
I got itl Here'• the other end! Just look at wbat - caught herel

Earl and Rhonda climb up. CRANE OP with the• to REVEAL the . . whole aniaall Val, digging excitedly with Rhonda'• shovel, is just scraping away the last loo•• dirt fro■ the creature'• tail. The whole length of the i-ense thirty foot beast ia partially uncovered, in king-sized bas-relief.

l!!AaL (hushedI This is one big mother!

VAL
So this is the guy that had your aeismos working overti-?

She nods, stepping down to study the creature. The body is stream-lined, cigar-shaped, maybe eight feet in diameter at its thickest. It's covered with hundreds of short, rear-

W/M wd6.3 GRBS. (06/21/88) 44.

53 CONTINUED:

pointing, retractable spikes. Rhonda gingerly jiggles one. It can be pushed in and out of its socket like a plunger.

RHONDA (cont'd)
It must push itself along with these. Hundreds of them pushing at once. That's how it can move so fast. I mean this thing was tripping sensors all over the valley. No wonder I couldn't•••

A chilling thought stops her in mid-sentence. She springs down into the drainage ditch to get her backpack, pulling out her seismograph printouts. She studiea them frantically during:

EARL
Hey, Rhonda, you ever heard of anything like this before?
VAL
(elbow• Earl) . Sure, Earl, everybody know• about them. We juat didn't tell you. come on, nobody'• ever seen one of these! We're really in on something here 1 -

The guys look at each other. One thought immediately apring• to their minds._

Elll, Pham Van don't get hi• mitt• on

58

!:!!!!FORNOMEAALY FIFTEEN BUCKAL

VAL
You got~ right!

While they·baak in their fame-to-be, Rhonda continues to study the print-outa, coming to a terrifying concluaion.

EARL
Here's the plan: we'll get a.•.a flatbed, I gueaa, with a big winch, figure a five ton anyway.
VAL
Naw, don't want to winch it. That'd tear it all up. Want to lift it. so- kind of crane with lifting atrapa.

But Rhonda interrupts -- now really scared.

W/H ·wd6.3 GRBS. (06/21/88) 45.

53 CONTI~UED: (2)

RHONDA
Hey, hey, shut upl The way I figure it. There are five more of these things!

Val and Earl shut right up. Earl edges up a fencepost. val sidles up onto a rock during:

EARL
?,m more?

Rhonda paws through her unwieldy printouts, pointing out jagged ink lines on the graphs, comparing different ones.

RHONDA
Yeah, darn it, look. I've got seismographs all over the valley. If you compare the different readings, there have to be five. Here's one at two o'cloc:k yesterday, but here's another one three miles away at the saH time., So that's two •.Now, here•••

The men leap from their perches and hustle her in the direction she came from.

VAL
We'll take your word for it.
EARL
Yeah. Where's your truck?
RHONDA
'The other side of that dome.

She indicates what to most of us would be a hill, dotted with huge boulders thrusting out of the sandy desert soil like big mushrooms. The trio jogs toward the hill.

54

EXT. DESERT - SEISMOGRAPH - DAY

En route to the truck, they pass near one of Rhonda's seismographs. Suddenly Earl atulllblesasone leg drops knee- deep into the ground! He screams. Val wheels and bodily yanks him up. They back away from the small hole in the ground, calming a little as they realize:

EARL
Prairie dog burrow •••
VAL
Little sons of bitches.

W/M w0c•3 GRBS. (06/21/88) 4 6.

54 CONTINUED:

Rhonda tenses as she hears a sound she knows well -- the soft scratching of the seismograph needle across its paper cylinder. She whacks Val on the shoulder and points speechlessly at it. •

55

INSERT - SEISMOGRAPH

The needle is going wild!!

56 BACI<TO SCENE 56

She doesn't have to explain. All three of them dash dash for:

57

EXT. BOULDER FIELD - DAY

The re-ins of an old rail fence lay beside one of the boulders. Val, Earl, and Rhonda scramble over the wood, up onto the rock and stand there tensely.

Ina moment, the creature gently rustles the eatth at the base of the rock. The monster'• slimy hook-tentacles slither out, searching therock base. Shuddering, the humans 110veas high as theycan, well out of reach. The tentacles slip back beneath the earth. Everyone breathes a sigh of relief.

EARL
Well, at least thebastard can't climb. Pardon my French.
RHONDA
Probably couldn't move too easily on the surface.
VAL
God, the liveones ■-11 worse than the dead ones.
EARL
Okay, now, how far'syour truck?

Rhonda points. They can see the roof of her truck, maybe a hundredyards away through theboulders. Val and Earl think about it.

VAL
I don't know. If this one's any faster than that other one•••
EARL
(nods)
I thinkwe wait right here.
DISSOLVETO:

W/M wd6,3 GRBS, (06/21/88) . 47.

58

EXT, BOULDER FIELD - SUNSET

It's hours later. Stiff and uncomfortable, they have nothing to do but theorize.

RHONDA
There's nothing like them in the fossil record, I'm sure.,,Okay, so they predate the fossil record,,,
(notbuying it herself)
That'd make them a couple of billion years old.,.and we've just never seen one till now, Right.
EARL
I'd vote for outer space, No way those are local boys,
VAL
(jokinc;J)
Atomic testinc;J,or, no, bio- enc;JineeringJThe governaent built them, a bi9 surprise in the next war.

There's• lonc;Jpause. Earl stares at the dirt around the rock.

EAltlr Well•••haven't seen• ■ ic;Jnfor hours. N&ybe it's long gone.

VAL
MayJ:,eitis. lfhydon't you take• little stroll.and see?
EARL
ruck you, too. Pardon my French.
RHONDA
Well, -•ve got to do ■ o-thin9.

Val c;Jetsanid••• He c;JrG ■apost fro■ the dilapidated fence and cautiously slips down near the boulder's edc;Je.

EARL
Watch yourself! It'• c;JOtagood six foot reach.

Val nods. Dead silence as he reaches way out with the post and scrapes it on the c;Jround.Almost instantly the creature roars up, c;Jral:,J:,inc;Jthepostinaflurryofflyinc;Jdirtand lashing tentacles, nearly hookinc;JVal'shand. Val practically falls over himself scra■J:,linc;Jbacktosafety.

VAL
Son of a bitch!

W/M wd6,3 GRBS. (06/21/88) 48.

58 CONTINUED:

EARL
Son of a goddamned bitch! Been waiting there all this time. How .thehel l 'siteven know we're s til l here?
VAL
It's been listening to us. It's got no eyes. It sure as hell can't smell anything underground, so I figure•••

Rhonda stares at Val, impressed.

RHONDA
Of course! It can sense the slightest seismic vibration••• hear every move we 111&ke.Especially on this rock. It's a perfect conductor.

They all settle back, having no idea what to do.next. Rhonda gazes out at the desert that surrounds the■ like an ocean.

UONDA (cont'd)
I always wanted to be stuck on a desert island. But somehow I always imagined, you know, water.
DISSOLVE TO:

SSA EXT, BOOLDEJtFIELD - NIGHT SSA

Our heroes are silhouetted against a huge, spectacular, desert night sky. After a very long pause:

E1JII, You know, I hate to be crude, but I' ■gonna have to take care of so■e business here. ·

VAL
· (emphatic) Me, too.
RHONDA
(just as emphatic)
Same here.

The silhouettes shift, Val and Earl moving down one side of the rock, and Rhonda down the other. We can no longer see them. We just hear zippers zipping down -- then soft sighs of relief from Val and Earl. Then:

W/M wd6.3 GRBS. (06/21/88) 49.

SSA CONTINUED:

RHONDA (V.O.)
(softly)
Darn it!
VAL (V.O.)
You okay?
RHONDA (V.O.)
Yeah. But I'll tell you, if you ever wanted proof God is a man, this is it.
DISSOLVETO:
59

EXT. BOULDER FIELD - DAWN

Rich orange sunlight creeps silently across the deathly still desert. Earl is already awake. Val is curled up without his jacket, shivering. He wakes with a start. Where the hell'• his jacket?

64

.

Rhonda wakes slowly. She's surprised to find herself wrap,-d in Val's jacket. Touched by his chivalry, she embarrassedly hands it to baffled Val.

RHONDA
Thanks.

Val glances at Bul, who looks away. Whoi -?

VAL
(to Rhonda)
No problem. Anyti-.

Earl gropes through his pockets, coming up with only cigarettes. Val fishes in his own pockets, finding only their lighter. They exchange items and light up during:.

EARL
We_ll,folks, what'a the plan?
VAL
First let's see if Stumpy'• still out there.

Thia time he tosses a piece of wood out onto the sand. With soft rustling, a bulge forms in the earth, moves over to the wood, then subsides. Rhonda starts looking around during:

EARL
Don't he have a home to go to?

...,M.woo.J GRBS. (06/21/88) so•

59 CONTINUED: (2)

VAL
(grim)
Well, that's why Edgar never got down off that tower.
RHONDA
I might have an idea •••
EARL
(ignoring her)
We're gonna have to co"9 up with some kind of plan or it's just gonna wait us to death,
RHONDA
Well, I waa wondering if - could •••
VAL
Well, let'• just run for it, We outran that one yesterday, at least on a sprint.

Rhonda gives up on them. She goes over and pull• a long cross rail from the fence during:

lllL Run for it? Rwming'a not a plan. Running ia what you do when the plan fails. You're not even trying to come up with a plan!

VAL
Well, it's not like we've got a hell of a lot of ~ptiona•••
RHONDA
(interrupting)
You guy• know how to pole vault?

Theywatch in surprise aa she hefts her pole, check• the

65

BALANCE,EYEL:LALLATHEDISTANCE TO THE NEAREST .BOULDER. THEN

she chargea..betweenthem, plants her pole and vault• smoothly over to the next boulder, may.befifteen feet away. The creature aurfaceawhere her pole touched down, .buttoo late -- a hook tentaclevainly •-eps the area, then disappear• into theground. val andEarl glance at each other, impressed.

RHONDA (cont'd)
We just stay where it can't get ua••• onthese residual boulders. My truck'• parked right next to one.

W/M wd6.3 GRBS. (06/21/88) 51.

59 CONTINUED: (3)

Earl rushes to grab a couple more fence rails.

EARL
Stay on those residual boulders!

Val just stands staring across at Rhonda -- his horizons are broadening. Earl stuffs a fence rail into his hands.

EARL (cont'd)
(pointedly)
Tammy Lynn Baxter, she ao a lot of pole-vaulting?

Earl takes a deep breath and goes for it, vaulting across to Rhonda. Val follows.

60

EXT. BOULDER FIELD - WIDE SHOT - DAY

Through the shi111111eringheatinthedistance - see the strange sight of the three figures vaulting from boulder to boulder.

61

EXT. BOOLDER FIELD - RHONDA'S TROCK - DAY

Val, Earl and Rhonda pole-vault their way toward the truck. Finally they're at the nearest boulder, but the truck is still ten feet away.

VAL
Think it's still following us?
RHONDA
Let's assume that it is.

EllL. And once - hit that truck - gotta go fast. I say we all jump together.

Rhonda and Val nod. Rhonda grips her car keys in her teeth.

RHONDA
(through clenched teeth)
Ready?
VAL
Yeah. one, two, three•••

They all vault in unison, landing in the truck bed. Rhonda scrUlbles up, slides open the cab's rear window, and begins wriggling through headfirst.

W/M wd6.3 GRBS. (06/21/88) 52.

61 CONTINUED:

EARL
(whispers)
Come on·,girl, it ain't gonna give us much aime •••

oust explodes around the rear of the truck! Hook-tentacles snake up on all sides, narrowly missing Val. He and Earl grab whatever's handy, pounding at the tentacles with expensive instruments.

VAL
GOI GOI GOI

Rhonda's only half way through the cab window, still hanging headfirst into the cab, She frantically starts the truck, dives down _and punchesthe accelerator with her fist.

As the truck roars away, one tentacle manages to tear off the the muffler. The engine thunder• like a tank, Val and Earl sit back, sighing with relief, then react when they aee Rhonda is driving upside down and blind,

62

EXT, PHAM VAN'S STORE - DAY

Rhonda skids her noisy truck to a halt in front of Phu van'••

VAL
We better get everybody together.

Val leap• out and jumps into hia pick-up truck, He searches for the key.

EARL
You go north, I'll go south,
VAL
Right.

Val holds out hia hand for the key. Earl tosaea it to hi■, Val drives off, We FOl,LOWRhonda and Earl aa they drive the other way, toward Viola'••

EARL
I'll bet you're sorry the college ever sent you up here.
RHONDA
Well, I'm scared, but I'• not sorry.

W/M wd6.3 GRBS. (06/21/88) SJ.

62 CONTINUED:

EARL
You know, Val went to that college, too. For a whole year. Couldn't quite sit still for it, though. Had too much vinegar in his system. But once he settles down, forgets this cowboy stuff, he'll be one in a million.

Rhonda sees straight through Earl's clumsy attempt at match- making. She can't help but smile. -t:arlgrinssheepishly.

EARL (cont'd)
All right, I'm about as suatle as a donkey's ass. Pardon~ French. I'm just saying the boy a got potential, that's all.

MOVE IN on Rhonda -- her and Val?

69

INT. PHAM VAN'S STORE - DAY

Nestor, Viola, Nancy, and Miquel nervously crowd around Val, Earl, and Rhonda. Viola holds her yappy dog which perio- dically snarls and snaps at people. Phaa van is on his CB radio trying to contact Burt and Heather.

MIGUEL
You serious, Val? You think we're not even safe here in town?
VAL
Ailk- that after you -•tone. I think we-should all get the bell out wbile the getting'• good.
NESTOR
Why not just take a Number Ten pick axe and give it one good whack••• ?
VAL
-Nestor, damn it, these things are bigger than an Airstrea■ trailer!
NANCY
God, I've got to find Mindy.

Nancy rushes out.

EARL
Hey, Pham, where's Burt and Heather?

- - - --

W/M wd6.3 GRBS. (06/21/88) 54.

63 CONTINOED:

PHAM VAN
(hangs up CBI Can't raise them. I guess they're still out there somewhere.
RHONDA
If you've got a radio, why aren't you calling somebody in Bixl:>y?The police or •••
PHAM VAN
Can't reach outside the valley. You know, because of the mountains,
MIGUEL
Hey, Rhonda, what's th• name you call thoae things, huh?
PHAM VAN
Where'd they coaiefrom?
RHONDA
Huh? I don't know.
PHAM VAH
You're a scientist, right?
VIOLA
You should have a theory at least.
RHONDA
Look, these things are aoaolutely unprecedentedI
NESTOR
Yeah, but where'd they co- from?
RHONDA
(exasperated)
Where'd they CON fro ■ ?Okay, wonia, probal>l-Yinthe Jurassic period, Cosmic radiation was much .higher then,,.so they mutated•••and they got so big they just sank right into the ground and fell asleep••• But now continental drift has brought them to the surface, ready to be harvested by th• ancient alien meat growers who planted them here.

Everybody atarea at her, then they smile, realizing she's pulling their lega.

w/M wd6.3 GRBS. (06/21/88) 55.

63 CONTINUED: (2)

EARL
You're right, don't matter where .they come from.
VAL
Right. We need to be talking about what we're gonna do.
VIOLA
My goodness, Valentine, once they see the road is out and the phone lines are down, someone will be along to look in on us. Don't you think?
64

EXT. CANYON ROAD - DAY 64.

we see the utility truck still parked near the landslide blocking the road. REVEAL, on the far side, a telephone maintenance truck is now parked, e-rgency lights flashing -- and nearby, aaid phoneworkers' climbing and rep,ir gear, two more hard hats lying on blood-soaked ground.

6S

INT. PHAM VAN'S STORE - DAY

The crowd is still jabbering away. Rhonda speaks over them:

RHONDA
No no no, they listen! They can sense the slightest vibration through the ground. That's how they seel That's how they hunt! - MIGOEL so, like we don't vibrate, right? Maybe they won't even come to here, huh? Maybe they leave ua alone.

Val shakes his head, and marches over to the topographic map on the wall.

VAL
They caught up with Edgar here. They grabbed Old Fred here. They nailed the asshole dog here. And the doctor's place is here •••

The spots he indicates describe a line leading along the valley straight toward town.

- -

W/M wd6.3 GRBS, (06/21/88) 56.

65 CONTINUED:

VAL (cont'd)
This valley's just one long smorgasbord and ifwe don't haul ass outta here we're thenext course.

we hear an a eerie SHRIEK from outside. Something shoots in through the window, striking Earl in the chest!! Earl flails frantically at it -- but it's only Melvin's basketball. We glimpse Melvin outside, doubled over with laughter. Earl grabs the ball and hurls it viciously back, but Melvin easily dodges it.

EARL
You little ass wipe! You knock that off or you're gonna be shitting that basketball! Pardon my French.
NESTOR
(toVal)
Now, Val, let's assume tl),ey'reas dangerous as you say. Where are we going to go that's safer than right here?
VAL
Rhonda's got an idea a.boutth•t•.
RHONDA
Yea, see, they iaove.veryeasily through the Pleistocene Alluvials•••
(offtheir blank looks)
•;.the dirt •••theloose soil that makes up the valley floor. But they can't move through solid rock. I think - should travel west to the mountains.
EARL
You know, up the jeep trail.
RHONDA
The mountains are solid granite. We'd be safe there, and - could hike along the■ •••allthe way to Bixl>yif we have to.
66

EXT. EDGE OR TOWN - DAY

Nancy rushes back toward Pham Van's, still looking.

NANCY
Min<.1yIMindy I

l'i/M wd6.3 GRBS. (06/21/88) 57.

67

EXT. PHAM VANS' STORE - OAY

We're CLOSE on Melvin as he circles around the back of Pham van's, bouncing his basketball, mischief inhis eyes. we can hear the townsfolk inside.

VIOLA (V.O.)
No, Valentine, I'mnot leavingmy place.
VAL (V.o.)
Well, it's gonna take us.days to get back with help.
EARL (V.O.)
Doggone it, Viola, it's just plain crazy to stay.

Then, to Melvin's astonishment, the steady rhythm of his bouncing basketball suddenly 1tops. The ball ju1t goes flup and doesn't bounce back up to him. He looks down. No ball! Just swirling dust at his feet.

68 IN'l'.PHAM VAN'S S'l'ORE-OAY 68

Everyone jumps as we once more hear an ear-shattering SHRIEK from Melvin. ·Earl snarls and heads for the door, Val right behind him.

EARL
I'm gonna kick his asst
VAL
I'm gonna help you.

69 EX'l'.PHAM VAN'S S'l'ORE-OAY 69

Val and Earl are well ahead of the other townsfolk as they march around to the side of Pham Van's. But where's Melvin? Nothing out here but the oppressive, hot desert silence. 'l'hen theyheara soft shuddering whimper -- from above. There's terrified Melvin, halfway up a telephone pole, clinging to-it desperately.

Val and Earl freeze in their tracks and glance at each other, realizing instantly what's up. Without a word they leap desperately in opposite directions. Like a breaching whale, a creature roars up through the earth right where they were standing, great mouth gaping open, slimy tentacles lashingin all directions.

CON'l'INUEO

GRBS. (06/21/88) 58.

69 CONTINUED:

The townsfolk scatter, some heading for their homes, including Viola and Nestor. Others scramble over each other as they pile back into Pham Van's. The telephone pole shudders. Melvin falls and scampers for the nearest hiding place, a corrugated tin storage shed near Pham Van's.

70

INT. PHAM VAN'S STORE - DAY

Val, Earl, Rhonda, Miguel, and Pham Van rush in.

MIGUEL
Jesus Christi Man, you got a gun?!
PHAM VAN
Big as a house! What are - gonna do •••?I
RHONDA
Quiet! QUIETI I

Miguel and Pham shut up. Then - hear somethini new -- the building itself creaking and groaning like a ship. Th• liquor bottles behind Pham van's bar vibrate and clink. The creature is moving beneath the building. Th• people freeze like mannequins. Now we can hear its pig-like snorting. Pham Van and Miguel react as the awful smell percolates up through the floorboards. Val signals them to keep quiet. Finally, the creaking stops.

Rhonda addresses the group in an intense whisper:

RHONDA
• Remember••• nonoise. No vibration.

Everyone stands stock still -- and sweats. But, then, slowly we become aware of a faint, yet oddly familiar sound. Squeak, squeak, squeak -- Mindy on her pogo stick! They all scraml:lletothe windows.

71

EXT. MAIN STUZT - DAY

There she is, alone in the vacant street, Walkman blaring in her ears, merrily bouncing along to a rock 'n-'roll beat.

MINDY
Seven eighty-one, seven eighty-two, seven eighty-three•••
72

ANGLE - PHAH VAN'S STORE

Thoughts of personal safety vanish as the horrified people lean way out the doors and window.Jand shout with one voice:

GRBS. (06/21/88) 59.

72 CONTINUED:

CROWD
(ad lib)
MINDYI Get off your pogo stick! Get in here, girl! Run, Mindy!
73

ANGLE - MINDY

She can't hear them over her Walkman. A tell-tale puff of dust spurts up not fifty feet from herl

74

ANGLE - PHAM VAN'S STORE

Val sees Mindy has only seconds leftl He vault1 straight out the window and charge1 toward herl Right behind him come Earl and Rhonda•

79

75 ANGLE - NANCY 75

As she round1 a corner at the opposite.end of town. She spots Mindy, then seesVal running. She starts running.

NANCY
Mindy! Mindyl
76

ANGLE - MINDY

She's lazilybouncing in circles -- 1quealt,squeak, 1qu•aJt. She goe1 wide-eyed•• she rotates to SN Val coming at her like a m&dbull, aru outstretched. The asphalt under her pogo stick cracks and --

Val tackle• ber, both of tbe■ tumbling head over heel1. She scrambles up, rUbbing her skinned elbow and yelling:

MINDY
OWWI Val, you hurt me•••,

Val claps bis hand over her mouth. She goes wide eyed as 1he sees: her pogo stick standing straight up in the cracked asphalt! Then it 11 IUCked down like so IIIUCb1paghettil

Nancy rushes into frame, bugging Mindy. Val signals her to be quiet. They sit uneasily. Where's the creature? Suddenly the pogo stick erupts out of the earth right in their midstl

Val runs oneway, Nancy and Mindy the other, heading up the street toward their house. Val scrambles up onto his pick-up

--- - - --·

GR.BS, (06/21/88) 60.

76 CONTINUED:

truck! The creature rams the truck, rupturing a tire. As it shakes the truck violently, Val spots Rhonda and Earl, now standing uncertainly halfway between him and Pham Van's.

VAL
Go back, for chrissake!

Rhonda and Earl hesitate.

EARL
We gotta get him off there. It'll suck that truck down!
81

BUTEARL NOW HEARS SOMETHING BEHIND THEM! DOWN THE STREET,

a little wall of cinder blocks framing Viola's driveway suddenly topples over.

EARL
Oh, Jesus. Rhonda, another one!
77

ANGLE - LOW CAMERA - RHONDA AND EARL.

CAMERA charges toward them. Earl swerves toward Pham Van's, but"Rhonda is cut off! She heads toward the next nearest, haven:

78

EXT, STORAGE SHED - DAY

The storage shed where Melvin is hiding. It sits in a vacant, weed-choked lot. Crashing through the weeds, Rhonda has almost reached the shed when she is suddenly brought up short and slau face down in a cloud of dust!

She can't get upll Southing's got her! She's caught in an old rusted barbed wire fence, lying almost flat, hidden in the weeds. So• strands have come loose and are curled up like vicious concertina wire.

Barely has she taken this in when -- the ground caves in under her! She·rolls wildly to one side as hook-tentacles snake up, missing her by inches! She keep~ rolling-crawling- scra■bling - anything to get away fro■ the awful maw -- but gets her legs hopelessly tangled in the barbed wire. She freezes. The creature feels around where she was.

She calms herself, pulling gingerly at the wire, working tensely to free herself but --

The creature's mouth slams shut on the fence. Like a spider sensing something caught in its web, the monster knows it's on to something. Its hook-tentacles shoot forward to snare three feet of fence, then the creature lunges up and out,

CONTINUED.

r,'••.,...,.'-'•,.. GRBS. (06/21/88) 6 l.

78 CONTINUED:

swallowing that three feet in a big "gulp" and yanking Rhonda violently toward it! She screams, pants ripped, legs slashed and bleeding! GULP! She's dragged even closer.

79

EXT. MAIN STREET - THE PICK-UP - DAY

The truck shakes and shimmies as Val's creatur.etries to pul 1 it down. Val sees that Rhonda's in trouble. He searches frantically fora weapon -- and finds one --a CHAIN SAW! He leaps as far from the truck ashe C4flandhits the ground running,yanking furiouslyon the saw's starter cord.

80

EXT. STORAGESHED - DAY

Rhonda is in adead panic, thrashing helplessly in the barbed wire. The beast takesanother gulp of fence,wrenching her within inchesof a probing hook-tentacle! Suddenlywe hear a nasty ROAR as Val's chain saw swings in, slicing the squirm- ing tentacle inhalf, spraying gore everywhere!. The creature unleashes an unearthly shriek, and theother teQtacles recoil. The severed one writhes likea beheaded snake.

Val yanks off Rhonda's boots.

VAL
co- onl Outta your pants!

She frantically claws at her belt. But in-re seconds:

RHONDA
(pointing)
I.001OUTI

Tentacles snake out to regain theirgrip on the fence. Val gral)sthe saw and starts slashing wildly, but this ti- the hook-tentacles snag it and wrench itfro■ his grasp. It slams to the ground, motor dying. The ■onster readies itself for the lungethat will suck Rhonda in. Val gral)sher under thearms and pulls. Rhonda wriggles wildly to get out of her wire enmeshed pants.

The creature lunges! Rhonda pulls free! She and Val tumble backward. The creature gets only a mouthful of Rhonda's jeans.

The next instantthe second creature explodes up throughthe ground right next to fallen Val and Rhonda! They roll sideways, come up running, and sprint forPham Van's along an old wooden sidewalk.

(06/2l/88J 62.

Bl EXT. .PHAMVAN•'S STORE - OAY Bl

Earl flings open the front door. Val and Rhonda race toward theporch. Right on theirheels the creature ripples the boards like anocean wave I

EARL
Come on! Come on! Oon't look back! Just run! Run like screaming fuck!

They dive through the open door of Pham van's. The rippling boards zoom on past it. Earl quickly.eases the door shut.

82

INT. PHAM VAN'S STORE - OAY

Earl turns to breathless Rhonda.

EARL
(whispers)
Pardon my French.

OISSOLVE TOI

83

INT. PHAM VAN'S STORE - LATER

It's a tense, edgy group. Every movement -d• ia in alow motion, every ~rd ia a Whisper. They gaze grimly out the windows at the silent, deserted, heat-ahi1111eringmainstreet.

Val gingerly daba iodine onto the cuta on Rhonda's lega. She doesn't even wince.

VAL
You paying attention? Thia ought& hurt like hell.
RHONOA
It doea.

She amilea at him.

RHONDA (cont'd)
So, ia that one of your usual joba, saving peoples' lives?
VAL
(embarrassed)
First time for me.

She gazes at him. He looks away. Over at the bar, Pham holds up a new pair of pants for Rhonda.

RHONDA
Oh, thank you.

W/M wd6.3 (06/21/88) 63.

83 CONTINUED:

Grateful for something to do, Val eases over to get the pants. Rhonda looks after him. Then she becomes aware of someone staring at her. It's Earl, giving her a big Cheshire cat grin that says Twliatdid I tell you?•

Pham hands the pants to Val. Then Pham and Miguel reach simultaneously for a soda bottle and -- knock it over! It rolls all the way down the bar as a flurry of desperate hands try to stop it. No good. It rolls off the end and -- CRASH!

Everyone freezes. Sure enough the building shudders. Floor boards creak and bend as searching tentacles thump and scrape along _underthe floor. People close their eyes, not even breathing. Finally the noise subsides. Everyone relaxes-~ a little. '

NIGUEL
So what are - gonna do, you know? How long till they go away?

·EARL (shakes his head). . They got the patience of Job. They just sit and goddum wait til they hear something that sounds like lunch. we need a plan.

PHAN VAN
-I've got a plan. You and Val take your truck, get to the mountains. Hike to BiXby. Get us so• help.
VAL
Those scumsuckers ate my radials, PhUII
RHONDA
Well, we can take my truck then.
EARL
No good. You need major four- wheel-drive just to get up that jeep trail.

They all shut up when they hear Viola's dog yapping in the distance.

· 84 EXT. VIOLA'S TRAILER - DAY 84

Up the hill across from Pham van's, the old trailer looks perfectly peaceful. Except Viola's dog keeps yapping. Then we hear panicked Viola.

W/M wd6,3 GRBS. (06/21/88) 64.

84 CONTINUED:

VIOLA (V.O.)
Quiet! Quiet you hateful thing ••• !
85

INT. PHAM VAN'S STORE - DAY

Everyone gazes out the windows tensely.

EARL
Shut it up! Shut the little .bastardup!
VAL
Chuck him out the door! Like a little hors d'oeuvre.
89

EXT. VJOLA'S TRAILER - DAY

we hear a loud whapl The dog's bark simply changes to piercing yelps. It would be funny except --

The trailer suddenly bucks upward, hit fro■ below as thougb by a pile driver! Again and again the unseen creature• .al- into the frail structure.

VIOLA (V.o.)
Get away! Get away! Oh God in heaven, help me!

The trailer is finally knocked right off ita foundation! It tips over •nd tumbles all the way down the hill! Aa the dust clears, all is silent. A huge hole ia torn in the trailer's floor. Viola'• poaseasiona are scattered everywhere.

86

INT. PHAM VAN'S STORE - DAY

Everyone stares in shock.

RHONDA
Ob.my God.
EARL
Son of a bitchin' lowlife, putrid, scum•••
91

VAL

Gotta do something. Gotta get the

92

BASTARI!IL

MIGUEL
(hopeless)
Man, what the hell can - .!!2to those things?

GR.BS. (06/2l/88) 65.

86 CONTINUED:

EARL
Well, we're sure as hell not going to sithere being quiet forGod knows how long. Are we?
PHAM VAN
Now wait a minute, Earl. Igot enough foodhere to last us for weeks. Those damn thingscan't wait around forever.
(pause)
We can do it. Imean,. ifwe have to, right?

Everyone turns away from the windows, gingerly sitting down, glumly pondering this possibility. There is a longsilence.

Then suddenly-- ROAR! The silence is shattered as Pham van's big freezer compressor suddenly comes on.

!ARI, Jesus! Shut it offl

Pham runs to the freezer. Its on/off switch is buried behind stacks of soft-drink eases. He tears at'them like a madman, toppling them this way and that. Earl and Val join him.

But right behind Pham, the floor BOCIL!!SOP, a monster's snout BURSTING THROUGH and engulfing one of his legal The creature starts.to back down into the jagged hole, dragging screaming Pham with it. Yal, Earl, Rhonda, and Miguel grab Pham's arms but are no match for the aonster. It shakes and spins hi■ like some gigantic dog, effortlessly throwing them off, relentlessly pulling Pham down. ·

The hole in the floor is too small for Pham to fit through! As one leg goes down, the other ~s bent7iicleoiislybaekward. Pham.screams and screams as jagged wood tears into him, bones snap, ribs crack. The others grab hi ■again but are utterly helpless. With vicious, po-rful jerks the creature yanks his u.ngled l)odydown. The last thing we s,e is his.foot, now folded back·past his head, and he's gone.

Val is wild with helpless anger.

VAL
Son of a bitch! son of a bitch!

The floor bulges up in another place! A seeond·ereaturel Then. third, coming RIGHT UP UNDER THEM! E.llrlsprawlsonto the bar. Rhonda springs onto the shelves in the middle of the store, knocking groceries everywhere. Val and Miguel climb up shelves which cover the rear wall of the store.

n,M wac•.J GRBS. (06/21/88) 66.

86 CONTINUED: (2)

The whole building shakes and shudders, dust powdering down from the ceiling. Flailing tentacles are everywhere, slashing open food packages; clouds of flour fill the air!

Val spots a hatch in the ceiling.

VAL
Everybody! This wayl The roofl

Earl leaps from thebar to the rear shelves. Val and Miguel slide sideways till they'rebeneath·the hatch, then use the shelves as a ladder, climbing up to thehatch. Val pounds on it frantically.

In themiddle of the store,Rhonda leaps from shelf to shelf, trying toget closer towhere Val is. Soon she reaches the last one,balancing precariously. But a creature tips over the firstonet The shelves topple likedominoes, crashing ,- toward Rhonda. She ishalf catapulted, half jumps right throughan open window, ripping through the screen.

Val seeswhat's happened. With maniaeal atreng~hhe •-•hes open the batch and climbs out onto -

87

EXT, PHAM VAN'S STORE - ROOP- DAY

Val rushes to the edge of theroof shouting,

VAL
Rhonda! Keep moving. Don't stopl

He looksdown where Rhonda fell. She's not there. He bears a whistle and isrelieved to see:

88

EXT, WATER TOWER - DAY

Rhonda isperched as high as sbe can get on thewater tower. near Phu Van's, It's-ybe twenty-five feet tall,a simple wood fr...holding a big galvanized tank. The wooden legs standon big concret~ anchors buried in theground.

89

EXT. STORAGE SHED - DAY

Melvin peers terrifiedout the sheddoor, up at theguys on Pb&111van'sroof.

MELVIN
Heyl What's going on, -n?I What thehell you doing up there•••?!
MIGUEL
Melvin, abut thehell upl

GR.BS. (06/21/88) 6 7.

89 CONTINUED:

It's too late. Wham! A cre•ture strikes. The little shed shudders, dust puffing from every old seam. In a split second Melvin has climbed to the shed roof.

90

EXT. NANCY'S HOUSE• DAY

Nancy and Mindy peer to the window, surprised to see the men on Pham Van's roof.

91

EXT. PERFECTION -WIDE• DAY

We hearVal shouting to the re-ining townsfolk.

VAL
Nancy! Nestor!
92

EXT. PHAM VAN'S STORE• ROOP• DAY

VAL
Get up on your roof! en'your roof( They can co• through the floor!

The store shakes and shi-ies. We hear the110nster's thunderouscrashing frombelow.

EARl. C&Jl'tyou about a littlequieter?

93

EXT. BUM, BEATDJL'S BOOSE• DAY

Burt and Beathe.r'splace, about amile fro■ town, isno- nonsense, functional, ugly -- unpainted concretewalls, no yard, chain-link fence. Burt and Heather drive up in their big Blazer and park right beside thehouse. Bot and tired, theycl1m!> out,each carrying aheavy, scopedhunting rifle. Burt pears toward Perfection throughbinoculars during:

HEATHER
Ican't believe it. No tracks,no sign, no spoor.
BURT
Yeah, whatever they are,you'd think after theyate all those sheep they'd have to takea du■p someplace•••
(reacts towhat be sees)
What the bell's going on in town?

..,11woo•.3&4 (06/21/88) 68.

94

EXT. PERFECTION - TELEPHOTO - BURT'S P.O.V. - OAY

The town is a very strange sight. It's as though an invisible flood were in progress, driving people to high ground. We see: Rhonda perched on the water toweri Val, Earl and Miguel on the store roofi Nancy and Mindy on their roofi Melvin on the storage shed; Nestor on his roof.

95

EXT. PHAM VAN'S STORE - ROOF- OAY

Val, Earl and Miguel gaze out at th• town, trying to concoct a plan. Suddenly Earl perks up. The men speak softly.

EARL
Hey, here's the plan: Nestor's Cadillac. His tires are nine hundred sixteens. We sprint for it, grab the spare, put it on our truckwith our spare.

Val stares at him, incredulous.

VAL
How the hell long it take you to change a tire?
EARL
(sighs)
Just about too damn long. Bolt pattern's probably wrong anyway.
VAL
We need another plan.

Suddenly, down in the store, Pham van's CB radio squawks loudl·y.

BURT (V.O.)
Yo, P.v., Burt here. come back.

The buildin9 shudders as the creatures a9ain smash through the floor inside, lookin9 for the source of the noise. Val, Earl and Nivuel scrUlble to the edge of the roof.

96

INT. PHAN VAN'S STORE - OAY

The CB radio sits on a shelf near an open window. Tentacles are feelin9 alon9 the wall just below it. Val appears out- side the window -- upside-down. He snatches the radio and is hauled straight up out of fr•-•

BURT (V.O.)
Pham? Anybody copy?

W/M wd6.4 GRBS. (06/21/88) 6 9.

97

EXT, PHAM VAN'S STORE - ROOF - DAY

Miguel and Earl haul Val by the feet back up onto the roof. Val quickly turns down the CB volume.

VAL
(whispers into mie)
Burt, now listen. We found out what's been killing people. Over?
98

INT. BURT, HEATHER'S HOOSE- BASEMENT - DAY

A peculiar cross between bomb shelter and blue-collar den, Burt's wood-paneled basement haa all the comforts for post- Apocalypse living. Burt talk• on hia CB.

BORT
Negative copy on that, Pham, check your frequency. I'm on forty-nine.
VAL (V.O.)
(a little louder)
Burt, can you hear - now?
BORT
Just barely, Pham. What are you all doing up on your roofs. What the hell's going on? Co• back.

A few feet away Heather works at their ammunition reloading bench. She dumps a few hundred empty cartridge caaea into a ease cleaner and switches it on. It HOMSloudly as it · vibrates.

99

INT. PHAM VAN'S STORE - DAY

The groping tentacles swiftly auck back below the floor. TILT OP to aee out the window aoae distance away, a couple of old trash cans topple over aa the creature streaks paat beneath them, aa.kinga bee-line for Burt's.

100

EXT. PHAM V'AN'SSTORE - ROOP -DAY

Miguel points·frantically at the trash cans.

MIGOEL
Oh man, they're going, manl I think they're going for Burtl

Val talks a little louder into the mic. INTERCOT as needed.

W/M wd6.4 GRBS. (06/21/88) 70.

100 CONTINUED:

VAL
Burt! This is Val! Get out of your basement!! Take your radio! You and Heather get up on your roof! Then we'll talk, okay?!
BURT (V.O.)
Val? What the hell you doing back already?
VAL
(shouts)
Burt, get out! Get up on your roof or someplace! we found out what's been killing people! They're under the ground!
BURT (V.o. I
What's under the ground? We're not getting up on the roof. Barth shelter's the beat. lnown that since I was a kid.
VAL
Listen! Listen! We know what they are! They're big thing ■under the ground IMuch bigger than we thought! They're coming•fter you! They're coming right nowl

lOl INT. BURT, HEATHER'S BOOSE - BASEMENT - DAY 101

Hearing thatwarning, Burt andHeather go intoa well-honed drill. They grab their hunting rifle ■and take position ■at basementwindows. Burt ■ can ■withthebinocular ■• He see ■ nothing. Heglances at Heather. She shrug ■•Nobody coming.

BURT
(into CBI We don't aee anything,Val. Now what the hell a~e you talking about? over.

Val is frantic. How do you explain these things?

VAL (V.o. I
They're coming underground! They •••they candig !Ike a sonof a bitch •••Bigmonsters under the ground, Burt! Now get thehell outl Hurry!

W/M wd6.4 GRBS. (06/21/88)

101 CONTINUED:

Burt and Heather exchange looks. Has Val gone nuts? Then they hear a low RUMBLE, growing louder and louder. Tools hanging over the work bench start to shake; the decorative cow skulls on the wall rattle; the overhead lights sway and then -- everything stops. Dead silence, except for the humming of the ease cleaner.

THEN THE WALL MOVES! The wood paneling bulges slightly. Nails pop out. The wall is pushed again1 the paneling cracks. A cow skull falls. Burt aQd Heather level their rifles and --

A huge creature pushes right through the wall! Fully half its bulbous, spiked body writhes into t~e center of the room, great multi-part jawa drooling open, hook-tentacles lashing out.

102

EXT. PHAM VAN'S STORE - ROOP- DAY

The three men can hear the chaos over the CB.

BURT (V.O.)
Jesus Chri•••1 ·

The CB goes dead. The aienstare numbly. Then, drifting across the desert,·a soft popping sound. The -n perk up; they know what it is - distant gunfire.

103

INT. BURT & HEATHER'S HOOSE - BASEMENT - DAY

The gunfire is DEAPENING as Burt and Heather blast away. Gloppy blood spurts from a dozen wounds, and the er·eature pulls back a little. The couple keeps firing until magazines are empty. The creature lunges forward again.

PAN with Burt and Heather to REVEAL a wall of the basementwe haven't seen until now - a wall covered with guns -- hand guns, long guns, riot guns, flare guns, antique guns, military guns, elephant guns.

Heather grabs an BJt-91assault rifle, slua in two magazines, bottoms taped end to end, and opens fire! A hook-tentacle snags her boot, yanking her right off her feet. Burt pumps out eight devastating blasts fro■ a twelve-gauge riot gun, severing the tentacle. Heather ia on her feet in an instant. She expertly flops her double magazine over, loading the full one taped upside-down to it, and opens fire again. Burt grabs an AR-15 semi-auto and joins her. They lay down -s•ive fire, virtu.lly disappearing in muzzle flash and smoke. Ejected shell cases clatter and clang all around the room.

W/M wd6.4 GRBS. {06/21/88 J

103 CONTINUED:

The guns are empty. THE CREATURE IS STILL COMING! They back down the wall, desperately grabbing weapons one after another: a lever-action, a magnum handgun, even a flare gun which Heather fires right into the creature's mouth. Shrieking in pain, the horrid thing thing KEEPS WRIGGLING TOWARD THEM!

Burt and Heather scramble up over a desk to keep something between them and it. Burt smashes open a fancy glass case holding a huge four-gauge elephant gun~ He slams in two gigantic cartridges nearly an inch tn diameter. He fires. The concussion literally shakes the building. The recoil slams Burt back against the wall.

-1

The monster bullets tear monster holes in the monster. Great gouts of curdled blood spew from it -- Burt hit an artery or something. The beast convulses grotesquely, then collapses, deflating like a beached whale. Burt and Heather stagger together and hug each other fervently. They stare dumbfounded at the massive dead horror. Burt suddenly shouts vehemently:

BURT .
Broke into the wrong goddamn rec room, didn't you, you BASTARDI

,-... 104 EXT. PHAM VAN'S STORE - ROOF - DAY 104

Val, Earl and Miguel listen to the silence hoping for some sign that their friends are alive. Suddenly:

BURT (V.O. filter)
We killed litlYou got that? we k1lled thatmotherfuckerl Come back!

It takes a 1110111entforthistosink in, then the men CHEER -- as quietly as possible.

VAL
Oh••• rogerthat, Burt. Uh, congratulations. Oh, be advised, however, there are four more, repeat, four more motherfuckers. Come back.
105

EXT. BURT I HEATHER'S HOUSE- ROOF - DAY

Burt and Heather dash out onto the roof, laden with weapons, a1111110boxesandtheirCB\radio. They hit the deck, assorted rifles and the elephant gun the ready.

W/M wd6.4 GRBS. (06/2l/88) 7 3 •

l06 EXT. PHAM VAN'S STORE- ROOF - DAY 106

Val shouts toeveryone:

VAL
They gotone! They killed one of the sonsof bitches!

l07 EXT. STORAGESHED - ROOF~ DAY 107

Melvin pumps his fist inthe air.

MELVIN
Way togo, dudes!

l08 EXT. THE STERNGOOD HOUSE- ROOF- DAY 108

Nancy and Mindy hug each other.

l09 EXT. NESTOR'S HOUSE- ROOF - DAY g

Perched on his Spanish tile roof, Nestor pours coffee from his thermosand raises his cup ina toast.

ll0 EXT. WATER TOWER - DAY 110

Rhonda letsout a WHOOP.

lll EXT. PHAM VAN'S STORE - ROOF- PAY lll

The men sit, temporarily jw,ilant.

EARL
Well, Iguess we don't get to -k• fun of Burt's lifestyleanymore, huh? .

Val grabs the CB mic.

VAL
Burt, any chance you can get the rest of them?
112

EXT. BURT, HEATHER'S HOUSE- ROOF- DAY

Burt and Heather peer from their fortress-likeroof. Burt spotsearth bulging up near the foundation of his house.

BURT
(intoCB)
One second, Val.

W/M wd6.4 GRBS. (06/21/88) 74.

112 CONTINUED:

He grabs the elephant gun and takes two well-aimed shots -- two deafening BOOMS which echo off the distant mountains. But the bullets bury themselves harmlessly in the dirt. The bulge in the dirt moves calmly away and sinks from view. Heather shakes her head.

HEATHER
You're not getting the penetration, even with the elephant gun.
BURT
Damn!
(into CBI Val, - can't get them. Never figured on having to shoot through dirt! Beat godda111nbulletstop there is. Come back.
113

EXT. PHAM VAN'S STORE - ROOF - DAY

The men are disappointed. That'• not what they wanted to hear from Burt. Then Earl perk• up and gral)atHe CB mic.

AIU. (into CBI Okay, Burt, listen. Forget shooting them. Tell me this: can you get to your truck?

BURT (V.O. I
No problem.
EARL
Good. You've got the only truck in the valley that can -ke it up that damn jeep trail. So, here's the plan: You and Heather go for help. Get to the mountains•••

But Rhonda interrupts, pointing urgently from the water to-r.

RHONDA
Hey, guys! Look! They're up to something.

Val, Earl and Miguel rush to the edge of the roof and look down where she's pointing

A creature is running its tentacles along the building'& foundation. It's a &trange, more studied movement than -•ve seen before.

W/M wd6.4 GRBS. (06/21/88) 75.

llJ CONTINUED:

VAL
(toRhonda)
What's it doing?
RHONDA
Why do you all keep asking ,!!!!?

They all stare nervously down as t.betentacle& feel their way along the wall, moving toward a corner of the building. Suddenly Miguel spots something down the next wall.

MIGUEL
Hey, there's another one coming!

Another set of tentacles is feeling along the adjacent wall, The two creatures meet at the corner, their tentacles touch- ing rather like ants' antennae. Then they submerge; tenta- cles zipping into the earth. Nothing happens for a moment.

Then the corner of the building suddenly heaves up a couple of feet. Clapboard siding splits. A warped window shatters. (We don'tsee the creatures, only the.effect of ,theirshoving from below). The -n nearly lose their balance. Then the corner sinks back down.

EARL
What the hell was ~ all al:>out.?

ll4 EXT. NANCY'S HOUSE- DAY 114

Nancy and Mindy are still huddled on the roof. They don't make a sound.· They're startled when the house suddenly groans and tilts as creatures.give it a tentative shove. Nancy and Mindy frantically cling to the peak of the smooth roof. The picture windows shatters. We hear beams POP and CRACK, dishes CRASHoff shelves. The front screen door swings open. At last the house slowly settles back down.

llS EXT. PHAM VAN'S STORE - ROOF - DAY llS

The men are watching Nancy's house tensely.

MIGOEL
They weren't making no noise. Why they bothering them for?
VAL
(mindracing)
They're studying the buildings••• trying to figure them out.

Rhonda chimes in from the water tower.

W/M wd6.4 GRBS. (06/2l/88) 76.

llS CONTINUED:

RHONDA
Yeah, they're confused. They can feel our vibrations, but they can't find us.
VAL
They're working together, too.
EARL
Yeah, like they got a plan •••
BURT (V .O. I
Breaker there, Earl. What do you want. usto do?
EARL
(into CB)
Hang on, Burt. The bastards are up to something.

ll6 EXT. NESTOR'S HOUSE- "ROOP- .DAY 116

Straddling the peak of his steeply sloping roof, Nestor grabs on in panic as the creatures lift the place up slowJyl The roof warps, Spanish tiles shatter and rain down on the ground.

This causes a flurry of activity. Tentacles snake around where the tiles fell. We hear creatures crash through inside, snorting and huffing. They attack the house in earnest, shaking it violently, pushing the front wall out till it falls flat. The roof collapses on that side! Nestor can't hang onl He slides all the way down, landing across a window on the flattened wall. The next instant he's grabbed and pulled through the window, right into the ground. He SCREAMS!

DOLLYalong the ground, heading towar~ the storage shed where Melvin is. All we can see is dirt, but we can can still hear Nestor screaming UNDERGROUND! His screams get more and more faint as DOLLY ENDS on:

117

EXT. STORAGE SHED - DAY

CLOSE ON horrified Melvin as he rocks back and forth autistically.

MELVIN
Oh, wow, -nl No way! No fucking way, ~- •• I

-- ------

W/H wd6.4 GRBS. (06/21/88) 77.

118

EXT. NANCY'S HOUSE• ROOF - DAY

Nancy comforts Mindy.

119

EXT. WATER TOWER• DAY

Rhonda turns away.

120

EXT. PHAMVAN'S STORE• ROOF• DAY

Val, Earl and Miguel stare in horror and.disbelief. Miguel crosses himself. They're in worse trouble than they thought.

VAL
They knocked his place down on purpose, man. They're gonna tear this whole town out from under usl
121

EXT. BURT, HEATHER'S HOUSE- DAY

Burt and Heather's truck is parked in.foregroun4. The couple is up on the roof in background. Burt prowls along the edge of the roof with the elephant gun. Heather mans the c.B•

• VAL (V.O.) llurtl Heather!

HEATHER
Yeah, Val.
VAL (V.o. I
We're in deep shit over here. Let's change that plan.

A hump of dirt rises near the base of the house. Burt jerk• the rifle to bis shoulder and squeezes off a shot. The hump moves away from the house.

HEATHER
Enock it off, Burt!
SORT
I think I scared itl
VAL (V.O.)
Forget going for help. We'll all be dead long before you get back.

Still moving away, the hump of dirt passes under the side- walk, rippling the flagstones gently.

W/M wd6.4 GRBS. (06/21/88) 78.

121 CONTINUED:

HEATHER
(into CB)
We're here, Val. Just tell us what you need. Come back.
VAL (V.o. l
They're tearing down the houses here! We all gotta get outta here togetherI Now!

The hump of dirt passes under Burt and Heather's truck, rocking the vehicle slightly.

HEATHER
We're with you, Val. We'll come get everybody. Just hang on tight.

The truck's security alarm starts BOOPINGI Burt and Heather stare down helplessly as the noisy truck is furiously attacked by the frenzied creatures. Oust flies as metal ripe and tires shred.

122

EXT. PHAM VAN'S STORE - ROOL"- DAY 12L

Val, Earl and Miguel listen in disbelief to the distant truck alarm. It finally sputters and dies.

HEATHER (V.O,)
Val, -•re going to have to forget about the truck•••
VAL
(into CBI Yeah, Heather, - got you.

They've hit rock-bottom, They sit in helpless, deaperate silence.

over on the storage shed roof, Melvin is losing it:

MELVIN
Bey, you better think of something, manl You gotta do so-thlngl
EAIIL
Who?
MELVIN
You and Val, man!

Miguel nods in agreement, Val and Earl stare at him, incredulous.

-· - . - --

W/M wd6.4 GRBS. (06/21/88) 79.

122 CONTINUED:

VAL
What?II Since when the hell's every goddamn thing up to 2?1
RHONDA
(flatly)
You guys do all the odd jobs.

Val just stares at her.

Then -- CRASH! The store shudders, creaks, and groans. The creatures are back. One corner of the store lifts up, beams splintering. Then another corner lifts up! The roof tilts like the deck of a storm-tossed ship. From now on the monsters shake and ram the building almost constantly. Hanging on tight, the men peer over the edge.

EARL
We don't have a hell of a lot of time here.

Meanwhile, Rhonda tries her desperate.best to.b~ logicals

RHONDA
Look, the situation hasn't changed. We still have to get to solid rock. There must be .!2!!!!!way!
VAL
(shouts,angry)
Like what?! There's nothing left that'l!make it to the mountains!
MIGUEL
Hey, Val, quiet, -nl
EARL
Doesn't -tter now. They know where we are and how to get us.
VAL
.we·need a helicopter is what we need, or a goddamn tank•••
EARL
Wait a minute ••• theCat. Could we take the cat?
VAL
(d~ioua)
Jesus. It's slower than hell.

W/M wd6.4 GRBS. (06/21/88) 80.

122 CONTINUED: (2)

EARL
Yeah, but itweighs better than thirty tons •No way they could stop it.
MIGUEL
we can't all fit on thatbulldozer.

ButVal iswarming to the idea.

VAL
aut •••wecould kull something! We could, Idon't now, drag a car behind it!
EARL
A car, huh? Like a big armored car? Need something bigger, tougher••• ourtruckmaybe ••• or, hell, that old semi trailer!
VAL
Its tiresare flat•••
EARL
Doesn't matter. The catcan pull anything.
VAL
Well ••• allri9htl We just rollon out of here!

EllL we got a plan!

They squintat thebulldozer - 'way in thedistance.

EARL (cont'd)
'Course, that's onehelluva long walk.

They star•grimly, momentarily stuck for an idea. Then:

RHONDA
Listen, they only respond to vibration, right? Couldn't we ••• distract them somehow?
VAL
Yeah, good! so-thing tokeep them busy. We need a decoy.
EARL
HP-y,Melvin, you wanna make a buck?

W/M wd6,4 GRBS, (06/2l/88) Bl.

l22 CONTINUED: (3)

MELVIN
Fuck you!

Miguel graDs Earl and points down at little garden tractor in a juml:)leofPham Van's equipment and tools near the side of the store.

MIGUEL
Hey, how aDout the tractor? Start him up. Let him go DY itself. Let those thingschase itall over if they like that noise.
EARL
(nodding)
Not Dad.
(toVall What do you think?

The store takes aheavy hit. The front porch collapseswith a terrificcrash.

VAL
Ithink theground·'•getting closer. I thinkwe do it. We're gonna saveour asseshere!
RHONDA
Wait! How areyou going to know they'reall following it?
VAL
Good point.
EARL
we got tworight here.

val scraml:,lestothehighest point of the sagging roof and shouts toNancy.

VAL (cont'd)
.Nancy, we gotta findal 1 fourof them. How many you got over there?
123

EXT. NANCY'S HOOSE - ROOP - DAY L23

The house shuddering and shaking.

NANCY
There's one. I think one.

-- -- . --

W/M wd6.4 GRBS. (06/21/88) 82.

124

EXT. PHAM VAN'S STORE - ROOF- DAY

Earl grabs the CB mic.

(into CB) Burt, Heather, we got a little sort of a plan going here, maybe. Can you tell if you've still got any of those things out at your place? Come back.

12S

EXT. BURT & HEATHER'SHOUSE- ROOF- DAY

BURT
(into CBI Yeah, still got one poking around.
EARL (V.O.)
That's four. Let us know if it starts moving, Burt.
SORT
Roger that.
126

EXT. PHAMVAN'S STORE - TRACTOR - DAY

Val and Earl have lowered Miguel down to awindow sill right above thegarden tractor. He has used his kerchief to tie the steering wheel to keep the frontwheels straight. He jams the throttle open and signals thumbs-up toVal and Earl above.

127

EXT. PHAMVAN'S STORE - ROOF- DAY

Val and Earl stride purposefully towardthe opposite end of theroof. Realizing they have thesame idea, each one tries to edge ahead of the other.

VAL
..!.'..!!!-kingtheruntothe Cat.

Like hell you are.

VAL
Get real. I'm faster than you.

l.'..!!!bestatdrivingtheCat.

VAL
Only if something i,appensto me.

W/M wd6.4 GRBS. (06/21/88) 83.

127 CONTINUED:

EARL (cont'di
Look, you'd better listen. I'm older and wiser.
VAL
Yeah,well, you're half right,

Earl raises a fist: The Challenge, Theydo scissors-roek- paper. One, two, three. Val loses.

VAL (con1:'dl
Damn. Guess Ihave todo it,
EARL
(shakeshis head)
Iwon. l pickwho does it,

val glares athim. Earl's obviously determined,

EARL (cont'd)
(shouts)
Ready when you are, Miguel!

Ear1 positions himself, nervous as hell, ready to leap at the right moment.

128

EXT, PHAM VAN'S STORE - TRACTOR - DAY

Miguel leansout precariously and pulls the tractor'• starter cord. Nothing. On the second try it starts. He slams it intogear and sends itout towardopen desert. The store shakesunder Miguel, almost knocking him off thewindow sill, as twohumps of dirt pursue thenoisy tractor,

MIGUEL
There theygol They're chasing itl
129

EXT, NANCY'S BOOSE - DAY

A •spout•ot duat erupts near the foundationas thecreature beneath zoomsaway toward thenew sound, ·Nancywhispers:

NANCY
It '•going,..
(then shouts)
There goes thisonel It'sgoing!
130

EXT, PHAM VAN'S STORE - ROOF - DAY

TheCB radio squawks:

- - - . -- - -- .. -

W/M wd6.4 GRBS. (06/21/88) 84.

130 CONTINUED:

BURT (V.O.)
Hey, this guy just took off like a shot. What'd you people do?

Earl is poised to leap, Val steps up and slaps him on the back..

VAL
Watch your ass, shithead,

EARL .• Don't worry about me, jerkoff.

Val instantly elbows Earl hard in the stom&ch. Al Earl doubles over, Val springs off the edge of the roof,

EARL (cont'd)
(gasping)
You goddamn suicidal son of a bitch!

We see Val running for al 1he's worth . and theFe's the bulldozer at the edge of town a long way away,

131' EXT, DESERT~ DAY 131

LOW CAMERA pursues the garden tractor as it bounce, along,

132

EXT, PERFECTION - DAY

Val charges acrosa the vaat open area that separates him from the bulldozer, We can hear the tractor droning along in the background.

133

EXT, DESERT - DAY

The tractor auddenly take• a bad bounce and flip• over! The engine diea, Total ailence.

134

EXT, PHAM VAN'S STORE - ROOP- DAY

Earl, Rhonda and Miguel have aeen the tractor take a header.

EARL
Oh my God!

W/M wd6.4 GRBS. (06/21/88) 85.

135

EXT. EDGE OF TOWN - VAL - DAY

Val's crunching boots seem incredibly loud in the sudden silence. He hesitates, glancing over his shoulder. He's totally out in the open, halfway to the bulldozer. Should he run back or go forward? He decides to go for the bulldozer.

136

EXT. DESERT- DAY

All four creatures are now heading for Val. INTERCOTfour slightly different LOWCAMERA ANGLES.speeding over the ground, racing after him. He strains to lhe limit, breaths coming in painful rasps -- but the creatures are closing in on him with chilling ease.

137

EXT. PHAM VAN'S STORE - ROOF - DAY

Everyone watches in horror.

EARL
He'll never make itl They're gonna get himl
RHONDA
(yells)
VAL, STOP! THEY'RE COMING! DON'T NOVEi
138

EXT. EDGE OF TOWN - VAL - DAY

Val hears her and stops dead. So do the creatures. Maybe twenty feet away, their giant snouts poke up out of the ground: one, two, three, four. Val stands trembling•. The creatures softly shuffle back and forth, searching blindly for him, hook-tentacles feeling everywhere. One tentacle sweep& toward Val's boot. He manages to lift his foot just in ti-, letting the tentacle pass beneath. He balance• precariously like a flamingo.

139

EXT. PHAM VAN'S STORE - ROOF - DAY

EARL
It worked! They can't find him!
(pause)
Okay, okay•••uh••• we gottamake solllenoise•••alot of noise! HEY, YOO SORRYSONS c5rBITCHES, COME ANO GET ME•••1111

He starts jumping noisily up and down. Miguel joins in, cursing the monsters in Spanish.

W/M wd6,4 GRSS, (06/21/88) 86.

139A

EXT, WATERTOWER - DAY

Rhonda kicks and shouts. aut it's obvious they need some- thing louder. She spots the aging oupet pipe coming from the water tank, Bracing herself, she kicks at it with both feet, It finally gives way at a rusted joint. A torrent of water blasts out, thundering into the dirt.

140

EXT. EDGE OF TOWN - VAL - DAY

All the creatures wheel about in the.dirt and zoom off toward town. Val breathes a big sigh of relief and sprints t.othe bulldozer.

141

EXT, PHAM VAN'S STORE- ROOP - DAY

EARL
That did it, girl! Goddamn good thinking!
142

EXT, WATER TOWER - DAY

A mass of tentacles and snouta swirl through the big paddle where the water is falling. The creatur•• breathing throws up spouts of muddy water. Rhonda looks down nervously. Earl calls reassuringlyfrom Pham Van's:

EARL
Don't worry. No way they can lift that tower. I mean it's really heavy.

143· INSERT- CONCRETE J.POOTING 143

The dirt begins to cave in around the to-r•• footing. The creatures are digg1ng-ai.-d1rt away!

144 SACK TO SCENE 144

The water tower tilts ever so slightly, creaking and groaning! Rhonda frantically grabs a handhold.

RHONDA
They're not trying to !ill it!
145

EXT. SULLDOZBR - DAY

Val lands in the driver'sseat and turnsthe engine over --

140

I.TDOESN'TSTART!

--- -- ---

W/M wd6.4 (06/21/88) 87.

145 CONTINUED:

VAL
NO FUCKINGWAY!

The old machine starts. Val slams it into r~verse and backs up toward the semi trailer.

146

EXT. WATER TOWER - DAY

The water tower is starting to tilt seriously. water spills over the top edge of the tank, drencbing Rhonda.

147

EXT. BULLDOZER - DAY

Val has used heavy-chains on the back of the bulldozer to jerry-rig a hitch to the semi trailer. Now he scrambles back into the driver's seat. He guns the engine, wrenching the old..semitrailer from years of dried mud and tumbleweeds. Ancient tires disintegrate. Rusted wheels screech and complain -- but it moves. Val lets out a whoop and heads full-tilt for town. He's suddenly shacked aa he,aeea:

148

EXT. WATER TOWER - DAY

Rhonda's in big trouble. She acraml>leato the high aide of the tower platform. The tower's going to tip over at any moment! It's roof slides off and crashes into the street!

On Pham Van's, Miguel and Earl are tearing apart the swamp cooler, throwing pieces of it off the roof, trying to distract the creatures, but they can't compete with the noise from the water.

In BG the bulldozer rUml>leatoward the tower at top speed -- an excruciatingly slow eight miles per hour.

The tremendously heavy water tank suddenly tears loose, sliding off its platform, nearly carrying Rhonda with it. She ends up hanging from a cross beam as the water tank splatters like an enormous egg below, sending a small tidal wave down the street.

The re-ins of the tower tilt crazily nearly forty-five degrees. The bulldozer grinds closer and closer. Rhonda tries to climb up, but the jostling and shuddering of the tower keeps her dangl;ng precariously. Suddenly she falls!

And lands in the dirt. The creatures zero in on her! She turns wildly and leaps for the blade of the approaching bulldozer. The blade is only inches off the ground but Val swiftly raises it, lifting Rhonda high into the air just above the grasping tentacles!

- .. -· ·-

W/M wd6.4 GRBS. (06/21/88) as.

149

EXT. PERFECTION- MAIN STREET - DAY

As Rhonda climbs down into the cab, Val heads the bulldozer over to Pham van's and stops. Almost as soon he does, creatures attack, a frenzy of tentaclesgrabbing at all sides of the massive earth-moving machine, slithering into the treads. Val and Rhonda watch this nervously as Earl and Miguel quickly clamber from the roof down into theprotective steel belly of the semi trailer.

Val mentally crosses his fingers and sends the bulldozer roaring forward, It effortlessly tears loosefrom the tentacles, grinding one to pulp in.its treads, The creature shrieks in pain, The humans cheer! At last they've got the upper hand!

150

EXT. STORAGE SHED - DAY

Melvin dances merrily, and noisily, on the metal rooftop.

MELVIN
way to go! Dwao fucking worms! Now haul ass over here, uni Me. next! Get me off of here •••!

The flimsy shed seems almost to explode as a furious creature roars up inside. The walls buckle out. The whole structure sags. Melvin scrambles to the peak of the roof.

Oh. shit! o~. God! Help!

As the unseen creature thrashes around inside the shed, the walls topple outward and the roof drops to the ground like a pancake. Melvin has lost all self control and just keeps screaming. Val pulls along side, jumps down onto the tread, and reaches out to Melvin. But just as they join hands, the creature hits the roof from beneath, dragging it several feet. Val is yanked off the bulldozer and landswith Melvin on the roof!

The creature slams into the roof repeatedly, but the corru41atedmetal is both light and resilient. It bends, but the frustrated monster can't get enou41h•bite• to tear throu41hit. Val and Melvin straddle the peak of the roof, tryin41desperately to hang on as it heaves up, bucking like a bronco.

Earl scrambles into the bulldozer driver's seat and heads after them at full throttle, the big diesel roaring.

Melvin and Val prepare to jump onto the bulldozer, but just before it reaches them the roof suddenly starts to slide like some mad flying carpet, carried from beneath by a creature! Val hangs on likea rodeo rider, struggling to keep fear- crazed Melvin from tumbling off. ·

W/M wd6.4&5 GRBS. (06/21/88) ·89.

lSl EXT. DIRT DITCH - DAY lSl

The roof zigsand zags, spins and twists. Melvin and Val won't be shaken loose. Earl does his best to head it off, but it's hard to predict which way theroof will scoot next.

The roof careens alongside the edge of a dirt-walled drainage ditch, then suddenly skitters sideways and plunges over the edge. Melvin and Val tumble to the bottom. As they jump to their feet:

VAL
We got about three seconds!

Val sees, almost right above them, an exposed pipe which spans the ditch. He shoves Melvin toward it. They leap up and grab the pipe, pulling their legs up as high as they can. An instant later, the creature blasts through one wall of the ditch, roars past beneath them and burrows into the opposite wallI ,-

Earl brings the bulldozer to a thundering stop next to them.

EARL
Well, come onl

1S2 EXT. NANCY'S HOOSE - DAY 152

Nancy and Mindy huddle together·on their roof. The upraised scoop blade of the bulldozer comes INTO SHOT with Val riding it. He helps them step across into it.

1S3 EXT. BDRT • HEATHER'S BOOSE - ROOF - DAY 153

Burt is using a hacksaw to cut lengths from a heavy vertical pipe to which his TV antenna was anchored. Heather works with the sections Burt has already cut off. She is filling them with gunpowder fro ■reloading cannisters and hammering . the ends shut -- they're making bombs.

Then they hear rumbling. What is it, more creatures? They're surprised by the odd sight of the strange contraption approaching.

BURT
(impressed)
God damn! Armored transport!

Val climbs up on the bulldozer roll cage so he's about even with Heather and Burt. A creature occasionally slams into ~he underside of the bulldozer or the semi trailer, rocking them slightly, throwing up clouds of dust.

w;M Wd6.5 GRBS. (06/21/88) 90.

153 CONTINUED:

VAL
Let's go you two. We're headed for the mountains.
BURT
In a minute.

He grabs a coil of blackpowder cannon fuse. He cuts off a length and stuffs it in the end of one of the pipe bombs during:

VAL
Come on, Burt, we can't hold still long. They're damn smart and getting smarter by the minute.

Burt hefts the finished bomb.

BURT
That's fine. We've got so- new things to teach th•••
VAL
Damn itl They'll sink this rig just like a boatl

Just then the bulldozer starts to tilt sideways, creatures digging dirt away beneath it. Earl guns it forward out of the depression they're -king.

EARL
See that? They're doing it nowl They trl'it every ti- we hold still.

Burt and Heather are impressed. They rush around the rooftop, gathering food, a11110,guns,the finished bombs, handing them to impatient Val who hands them down to people in the semi trailer during:

VAL
Jesus Christ, -•re only going nine miles. Be there in two hours, tops!
BURT
Yeah, well those things are gonna be on our ass every foot of the way, right?

He holds up two rifles to Heather, the HJC91assault rifle and another elephant gun.

BURT (cont'd)
What do you think? Max firepower or •••?

W/M wd6.5 GRBS. (06/21/88) 91.

153 CONTINUED: (2)

HEATHER
I'd go for penetration. The 458 shooting solids -- less ammo to carry anyway.

Burt nods. Everyone on the bulldozer and semi trailer shouts:

TOWNSFOLJt (adlib) come on! Who cares! Forget it! Let's go!

Oust flies up. The bulldozer tilts. Earl guns it forward again. Heather and Burt grab a few more things and leap down into t.hesemi trailer.

MELVIN
Give·me a gun! I'll take one!
BURT
I wouldn't give you a gun if it was world War Three.

Earl pilots the strange looking contraption out into the desert. Burt and Heather watch their fortress-home recede.

SORT
Food for five years•. A thousand gallons of-gas. Air filtration. water filtration. Geiger counter. BOB shelter•••
(looks heavenward)
••• undergroundgoddaan monsters?!

Heather puts a consoling arm around him.

154

EXT. JEEP TRAIL - DAY

The bulldozer easily luBers along the really rough road we saw Val and Earl's truck struggle over the other morning.

As they co- closer - see Burt and Heather riding •shotgun,• he sitting out in the bulldozer's scoop, she on the rear of the semi trailer, elephant guns at the ready, Val, Earl and Rhonda are in the cab.

155

EXT. CLIFFS - DAY

It's late afternoon, sun casting dra-tic shadows across the beautiful desert. We are WIDE on the bizarre vehicle,

W/M wd6,5 GRBS. (06/21/88) 92.

155 CONTINUED:

resolutely grinding along not far from the cliffs, nearing the mountains ahead.

156

EXT, DESERT- BULLDOZER - DAY

As they scan the desert, the people are feeling like they may get out of this after all. Earl calls back to the people in the semi trailer.

EARL
Any sign of'em?
MIGUEL
Maybe they just gave up, you know.
MELVIN
Yeah, the bulldozer's too much for them, man.

As they top a gentle rise, Burt excitedly points ahead,

BURT
There - go, solid rockl

Everyone cheers. But then Heather points up ahead to one side.

HEATHER
What's!!!!S?

157 P.o.v. - THE GROUP - DOST CLOUD - DAY. 157

Perhaps two hundred yards from them, a huge cloud of dust wells up from behindbig boulders.

158 BACg TO SCEHE 158

Everyone staresuneasily at thebillowing cloud.

NANCY
Ia itthem?
MIGUEL
What else could it be?
MINDY
What're they doing?
MELVIN
Maybe they're taking a dump.

W/M wd6.S GRJ3S. (06/il/88 J 9 3.

158 CONTINUED:

RHONDA
We're not going over there, right?
EARL
No. We go straight.
VAL
Damn it. What the hell are they doing? They're up to southing.
EARL
I don't care what they're doing as long as they're doing it way over there.

Earl shoves the throttle all the way. The engine screams.

159

EXT. DESERT- OOSTCLOOD - DAY

we MOVE IN through the cloud of dust. Dirt is flying by the ton out of an eight foot diameter hole in the gr,ound. A huge mound of the tunneled-out dirt is already piled high. The creatures are digging a tunnel -- but why?

160

EXT. DESERT - BULLDOZER - DAY

we watch the bulldozer rumbling along. It seems unstop- able. The mountains and safety are barely a mile away --

when the EARTH CAVES INII THE BOLLOOZER PLONGES NOSE FIRST INTO AN UNSEEN PIT DOGJOST BENEATH THE SORPACEI

The -chine ends up half-buried at a steep angle. The ae■1· trailer is right on the edge of the pit•. Everyone is shaken, bruised, bloodied. Val, Earl and Rhonda look frantically for Burt, who was riding out front in the scoop. They're relieved to see him clawing his way out of pit. Val hauls him up and all four of them now leap into the semi trailer. As they COH to rest, Val slowly realizes what's happened.

VAL
They•••they dug a trap! I can't believe this!

The idling bulldozer engine coughs and dies. There is a moment's crushing silence.

Then the dreaded digging begins. Oust boils up around the semi trailer -- creatures digging from below! The semi trailer shakes and shudders, slowly sinking. The people ,.,._ huddle together in sheer panic. Val and Earl grab the nearest of Burt and a~ather's guns and fire wildly, hope- lessly, down at the dirt. Ricochets whine into the distance.

W/M wd6.5 GRBS. (06/21/88) 94.

160 CONTINUED:

Burt grimly digs in an overloaded knapsack for one of his pipe bo111Ds.He leaps up between Val and Earl and lights the fuse, looking for a target.

BURT
Hungry?! Eat this!!

He tosses the bomb at some churning earth and dives back into the semi trailer.

BURT (cont'd)
Keep your heads down!

KABOOM!The explosion throws up a big plum• of dust and rocks. we hear a new, ve y strange sound of phik from the· creatures. The semi trai1er Instantly stopi s a ing. The creatures have stopped digging. All is quiet.

The people peer up over the edge of the semi trailer, looking all around. Then1

RHONDA
There they are!

161 P.o.v. THE GROOP- DISTANT CREATURES 161

Numerous spurts of dust mark their paths as they race madly away, fanning out from the semi trailer.

162 BACK TO SCENE 162

MIGOEI, Hey, Burt ••• didyouget one•••!

RHONDA
No, there'• still four of them. See•••there'• like four different dust trails.
VAL
Sure got their attention, though. Nice going, Burt.
(to Earl)
Earl, what about the Cat?

Earl's already staring down at the bulldozer.

EARL
No way. It's down for the count.

Val looks around.

W/M wd6.5 GRBS. (06/21/88) 95.

163 P.o.v. VAL - ROCK OUTCROP 163

Toward the cliffs he sees a big rock outcrop.

164 BACK TO SCENE 164

Rhonda points in the opposit• direction from where Val is looking.

RHONDA
Here they come! They're coming back!

Heather unexpectedly fires two deafening bla ■ t ■fromher elephant gun at the approaching creature ■,then shake ■her head, frustrated. They're still coming.

VAL
come on, everybody! We gotta run for thoserocks over there!
EARL
Jesu ■,Val, it' ■pretty far.
MELVIN
Yeah, man! They'll get usl
VAL
They'll ■ureas hell get us if - stay here!
RKONDA
wait, wait, listen. Burt do you have any more of those things?
BURT
Thebombs? Damn right I do.
RHONDA
Well, what if you throw one~ way, theway - want to go•••
(points toward rocks)
Then, when the explosion happens••• if it drive ■them away again•••- all run like goddamn bastards!
(to Earl)
Pardon my French.

Wham! With a jolt the ■ emitrailer begins shaking and shuddering again -- sinking, sinking.

MELVIN
What if it doesn't scare them? What if they don't run?

W/M wd6.5 GRBS, (06/21/88) 96.

164 CONTINUED:

RHONDA
I don't think it does scare them! It hurts them! They're so sensitive to ~ound, they have to run! It hurts too much! -

Glances all around.

BURT
She'sgot my vote.
VAL
Right. We're gonna run. Get ready.

Val squats infront of tear-streaked Mindy.

VAL (cont'd)
Mindy, you understand what -•re going to do?
(offher nod)
And don't worry, they can't get us, once we're on those rocks.
MELVIN
I don't know, -n. They're too fast! You can't outrun them, no way!

As Burt readies.another bomb, he pauses to hand bug-eyed Melvin a huge Ruger Super Redhawk 44 magnum handgun.

SORT
Here, kid. This'll m&ke'em think twice.

Melvin's eyes bug out further. Burt lights his bomb.

BURT (cont'd)
Beads downI I

He hurls the bomb. Wait. Wait. WHOOOMIAgain we hear the creatures• unearthly shriek of pain. Rhonda's on her feet before the rocks stop falling. She spots the creatures.

RHONDA
It worked! There they goll
VAL
LETIs DO IT I I

Earl lets out a wild war WHOOP. It's infectious. CRANE UP with them as everyone piles out of the semi trailer like soldiers out of a trench -- they charge acros~ no-man's-land.

w/11 wao.5 GRBS. (06/21/88) 97.

164 CONTINUED: (2)

Melvin runs like a demon. He tries toshoot at the first thing he sees but the gun just clicks over and over -- empty.

MELVIN
Burt, you bastard!!

Enraged, he doubles his speed, trying to overtake Burt.

Mindy can't keep up. Nancy tries to pull her along. Val and Earl swoop in, grab Mindy under either arm, and carry her between them.

165 ANGLE- THE CREATURES 165

The ground heaves violently as the retreating monsters angrily wheel about and charge back after the hu-ns.

166

EXT. DESERT - ROCK OUTCROP - DAY

Big slabs jutting this way and that-~ a rock.iqeberg in a. sand ocean. The people scramble onto it amid whoops of joy and relief. Melvin charges up to Burt:

MELVIN
You asshole! There's no bullets in this gun!
BURT
Got you moving, didn't it?

Burt's line gets a laugh from people, but then tentacles burst up on all aides of the rock, probing, feeling. The effect 1• instantly sobering. Burt swiftly grabs out his remaining bombs - six of th- -- and holds one ready. But they're in no immediate danger.

EARL
so ••• nowwhat?
RHONDA
Could - make it to the mountains?
VAL
(gesture•to Burt'• bombs)
No way. We'd need fifty of those things.

The hopelessness of the situation suddenly hits Val, Earl, and Rhonda. After a moment:

EARL
Well •••that'sit. we're not getting off this rock •••

GRBS. (06/21/88) 98.

166 CONTINUED:

VAL
Not going to pole vault anywhere. That's for sure.
HEATHER
What's the matter with you? What are you talking about?!
RHONDA
They'll just wait out there till we're dead. That's what they do.

As this sinks in, Burt loses his cool, igniting an argument.

BURT
What? Well, for chrissake, we could have made a stand at our place! We had food, water•••
EARL
You can't fight'•• that way•••
BURT
You two jackasses hauled us way the hell out here•••!?
VAL
BACK OPP, BORT••• I
BURT
Well, who put you two in charge?
NANCY
(shouts)
Burt! Those animals would have killed you!

Everyone stares in surprise at normally quiet Nancy.

NANCY (cont'd)
(softly)
You haven't seen what they can do.
VAL
(calmer)
They'd have dug your place out fro ■ under you in half an houri

There's a long, grim silence. Everyohe sits glumly. Finally, Burt picks up a bomb and contemplates it:

W/M wd6.5 GRBS. .(06/21/88) 99.

166 CONTINUED: (2)

BURT
If itcomes to starvation, I know what I'mdoing. Take one of these. walk nght out therewith the fuse lit. Stuff itdown my pants and let'emtake me down. BOOOOMI

Heather puts a soothing hand on his shoulder.

HEATHER
Jesus, honey!

But now Earl brightens a little.

EARL
You know, that'• not a.bad ideal

The others react. IsEarl nut1?

EARL (cont'd)
No, I mean, it gives - an idea ••• going fishing like•••

COT TOI

167

EXT. DESERT - ROCK OUTCROP - LATER

In the open desert, a rock lands. Then another. Val and Rhonda are throwing them from the rock outcrop.

Val, Earl, Rhonda, and Burt have 110Vedaway from the 11&in group to another section of the rock outcrop where intervening boulder• will protect everyone from an explosion •

153

Earl has tied a bolllbtoaome nylon rope from one of Burt's knapsacks. Burt places the other bombs safely out of the way behind a ledge. Meanwhile, Val and Rhonda keep throwing rocks. soon, the ground shifts.

VAL
(toEarl)
There! Right straight out in front of you.

Burt has hia coil of fuse.

BURT
How·much you think?
EARL
I don't know••• They're pretty quick •.-.fifteenseconds?

W/M wd6.S GRBS. lOO.

167 CONTINUED:

Burt nods, expertly eyeballing a fifteen second length and snippingit off, As he stuffs it into the bomb:

EARL
What thehell is that, anyway?
BURT
Cannon fuse,
EARL
What do you use it for?
BURT
(matter of fact)
My cannon.

The bomb is ready-- it'smoment of truth, Earl digs in his pocketfor the lighter-- but~Val haa it, Val nervously leansover to light the fuse,but then frown• u he seea how Earl is holding therope.

VAL .
Come on, you're not going to do your laaso thing•••?
EARL
Hey, just 'cauaeyou're no good with a rope•••

Val shakeshis head and light• the fuse. Earl whirls the bomb on theend of ita rope like a laaso, and leta it fly out as faras he can. Then he start• pulling it back in along theground likea fishing lure. Rhonda stare• at herwatch as theyall ainkdown behind the protective boulder.

RHONDA
Come on •••come on •••
BURT
Take it •••takethe bait•••

Suddenlya snout aubtly surfaces and gulps down the bomb. A tenae two aeconda later -- IABOOOMI Bullaeyel It's a volcanoof gory creature parts. They aplatter all over! The remaining creature• shriekand race away again. The people cheerwildly.

CUT TO:
168

EXT, DESERT- ROCI OUTCROP - LATER

Val, Earl, Rhonda, and Burt prepare to try again, This time Val has the rope and a new bomb, Rhonda stands by him, ready with the lighter. Earl lobs rocks out into the desert.

GRBS, (06/21/88) lOl.

168 CONTINUED:

EARL
Where the hell are they? Hope they didn't wise up.
RHONDA
(pointing)
Nope, there! That's one.

Rhonda shakily lights the fuse. Val heaves the bomb out and starts trolling. The creature swallows it. Everyone drops down behind the boulder, Val impulsively grabbing a s•cond bomb. They tense with anticipatory glee -- but the creature suddenly spitsll! a2!!!2~ ~I It sails back right over their heads. It strikes the rocks above them, skittering down a crevice and landing in -- BURT'S PILE OF BOMBS! .

Val, Earl, and Rhonda scatter. Burt dives backward over a rock ledge.

BABABAMMM I IAll theboml:)sexplode, throwing rocks every- where. The creatures streak away. Val, Earl and Rhonda sprawl into thedirt, half stunned.

When the panic isover, Val and Earl realizewhere they are -- fiftyyards out in open desert! So is Rhonda, off at an angle from them! Only Burt is safe on the rock outcrop.

And thecreatures are coming back fastl

The stranded trio startsback for the outcrop, but the creatures burst up aheadof them - oneblocking_ Rhonda's path, the other twocutting Val andEarl off! The creatures roar toward theireasy prey!

Val and Earl freeze. The ground bulges as the creatures "skid"to a halt not ten feet fro■ them. Rhonda stands stock still some fifty feet away, eyeing her own creature.

Over on theoutcrop with themain group of people Heather sizesup the situation.

· HEATHER

155

M&KE NOISE. EVERYBODY! COME ONI

Everyone startshopping up and down, yelling, screaming, and clapping. Burt even runs a f- feet out from the rocks, firinga pistol into thedirt.

BURT
COMEON, YOIJ SLIMEBAGSI OVER HERE! FRESHMEAT •••l

The crowdkeeps up the ruckus. The creatures are distracted by thenoise, but ,!:h!!time they don't automatically 90 after

CONTINUED.

GRBS. (06/21/88) 102.

168 CONTINUED: (2)

it. Their big snouts turn uncertainly this way and that. But they just stay where they are. Their hook-tentacles slide out, feeling all around. Earl whispers:

EARL
They're not falling for itl

Heather takes careful aim with her elephant gun.

HEATHER .
I'll make'em pay attention, goddamnit•••

But before she can fire, the creatures mysteriously sink from view. Val, Rhonda, and Earl remain frozen. What the hell is going on? Nothing happens -- then - ·

A HUGEHOMP OF EARTH suddenly wells up near Rhonda. It sinks back down as fast as it appeared. It's like the creature suddenly lifted its whole body almost to the surface then submerged again. Another hump rises and falls right near val and Earl. There's a pause as the -n.whisper;

VAL
They're••• they'retrying to -ke us move!
EAIIL
Or just knock us over. Look, use the bombl
VAL
It's ,ur last one. we can't kill them all.

The creatures try another random •barrage• of humps, so- coming perilously close. They know they'll eventually topple their prey. One comes so close to Val and Earl that pebbles roll down its side• onto their bootsl

EAIIL
Dae the fucking bombl
VAL
So, we get back on that rock and in three days we're dead anyway.
EAIIL
(slowly; terrified)
I want to live for the three days.

More hump• rise and fall. Val give• in. He signals Rhonda, gesturing with the bomb. She understands. He'll set it off, driving away the creatures, and they'll all run back to the outcrop.

CONTINOEi)

(06i21/88) lOJ.

168 CONTINUED: (3)

Val digs for the lighter. Doesn't have it. Earl digs for it, too. Buth.!,doesn't have it either! They 90 dead pale. How can that be? They look across fifty feet of deadly open ground -- t~embling Rhonda holds up the lighter!

over on the outcrop, Burt shouts:

BURT
What's wrong? use the bomb, for Godsake! .

Val signals to Rhonda to throw the lighter. She nods. But just before she does, A HUMP STARTS RISING DIRECTLYUNDER HER! She fights to keep her balance -- stru99lin9 to keep from taking that single step which will instantly tell the creatures where she is.

But there's no hope. The hump jerks higher. Her boots slip down the gravelly side! Instantly the creature twists toward her, its hungry mouth erupting out of the dirt. She screams and dashes for Val and Earl. They run to meet her. The other creatures surface. The trio is.cut off.f~o• the rock outcrop!

Val and Earl link up with Rhonda and they all run madly while Rhonda trie1 to light Val's bomb fuse. But suddenly Val yanks the bomb away.

VAL
No.wait! This wayl

He veers off in a new di~ection. Startled Earl and Rhonda. have no choice but to follow. As they desperately try to catch ~ to Val:

EARL
(gasping)
What the hell are you doing?!!
VAL
I GOT A GODDAMN PLANII

Earl looks up ahead. They're headed right for --

169

EXT. THE CI.IFPS- DAY

The massive cliffs. Earl's eyes bug out. In seconds they'll be right at the brink with nowhere to run.

EARL
This better be one great plan!

CONTINUED·

GRBS, ( 06/21/88 l 104.

169 CONTINUED:

157

AS THEY SKID TO A STOP AT THE VERY BRINK, VAL BREAKS OFF THE

bomb fuse, leaving only one inch of it. He whirls to check the progress of the advancing creatures.

VAL
Get ready!

He holds the bomb out to Rhonda. She instantly tries to light it. He grabs her wrist so hard it hurts.

EARL
Light it, man! LIGHT ITII
VAL
Not yet, not yet •••

The charging creatures are almost underfoot. Finally Val pulls Rhonda's hand over to light the fuse. Instantly he hurls the boau,as far as he can, behind the creatures.

EARL
Too farl You threw it b~hind theml,

The ground opens under their feetl Tentacles snake toward Val and Earl. A horrid mouth clamps onto Rhonda's boot. She screams as it starts to pull her down.

WHOOOMll The boau,explodes! The creatures shriek in pain, instantly releasing their prey and racing away from the painful shock wave in the only direction they can -

170

EXT. CLIFFS - WIDE LOW ANGLE - DAY

Right out through the face of the cliffsll The huge, shriek!ni creaturei""iee■tonaiii"'inmid-air for a mo-nt, their grotesque bodies undulating in pain. And then they fall! And fall and fall - a thousand feet!

171

EXT. BOTTOM OP CLIFFS - DAY

The creatures land on -ssive jagged rocks, exploding like immense, horrid watermelons. Multi-colored gore festoons the whole cliff face.

TILT OP to see three tiny figures standing at the top of the cliff.

172

EXT. CLIFFS - DAY

Val peers down at the distant creatures for a long time. Then he notices ~arl and Rhonda are staring at him. Where the h!ll did he get an idea like that? After a moment:

GRB.S. (06/2l/88J l0S.

l72 CONTINUED:

VAL
Well, it just suddenly hit me, you know? Stampede?

They turn and head back toward the others. They laugh as they realize how stealthily tbey are walking. Val starts taking big, exaggerated stomping steps. Rhonda and Earl follow suit. The trio goes off arm in arm, stomping merrily, hopping like frogs, etc.

DISSOLVE TO:
173

EXT. PERFECTION - MAIN STREET - DAY

Val and Earl roll two scavenged truck wheels down the street toward their own truck, which is up on jacks, two wheels missing.

Mindy races past excitedly.

MINDY
Lookl

A highway maintenance truck is rolling into town followed by a police car. The townsfolk happily swarm around the MAINTENANCE MEN and POLICE OPFICER who gape at the destroyed town.

Val and Earl eagerly start bolting on one of their new wheels.

EARL
Road's inl
VAL
Road's inl Now, soon as - hit Bixby - start making phone calla. We could make SOM real 110neyoff this whole thing, get in People ..gazine•••
EARL
.People? Hell, National Geographic.
162

VAL .

Sell the ■ovie rights. ·we're going straight from blue-collar to white- collar.

EARL
Yeah••• butno ties.
VAL
No ties.

CONTINUED·

(06/21/88) 106.

173 CONTINUED:

Rhonda pulls up in her truck, leans out and snaps their picture with a top-of-the-line Nikon.

RHONDA
Hi, guys. Burt loaned me his camera.
EARL
Howdy, Rhonda.
RHONDA
You're really leaving, huh?
EARL
You bet. You gonna be staying up here?
RHONDA
Well, yeah! There's going to be major research up here. First thing is to get so- pictures of that one we dug up.

An awkward pause. Finally she extends her hand to the■• Val just gives it a quick shake.

RHONDA (cont'd)
Uh•••well, maybe I'll see you sometiM •••
(to val:)
And thanks for everything, you know, saving my life and stuff.
VAL
(awkwardly)
Well•••you're welco-.

She gazes at him, just a hint of so-thing in her eyes. Earl springs to attention. Is the boy blind? Then Rhonda snaps out of it.

RHONDA
Well•••a- ya.

They nod. She drives off. Earl stares at Val who starts putting the second wheel on the truck~

EARL
Christ, Val, maybe she's not your type, but you could, at least, be civil.

VAL

,,..... Civil? I'm civil.

CONTINUED-

W/M WQC,j GRBS, (06/21/88) 107.

173 CONTINUED: (2)

EARL
You're not civil, you're glum. We got the world by the tail with a downhill pull and all of a sudden you go glum on me.

Earl freezes as a bell goes off in his head.

EARL (cont'd)
Oh my God. She got to you. You~ . like herl
VAL
somebody paying you to do this?
EARL
She just practically asked you for a date. What the hell is wrong?I

Val glares atEarl for a moment.

VAL
• Earl, get real. What does she need with a guy like me?

Earl isduml)founded.

EARL
What was that? All this time she'• not good enough for you. Now, suddenly, you're not good enough for her? God, my work i• never done. You don't decide if you're worthless, she does. But you gotta give her a chancel

Val lower• the jack letting the truck down.

VAL
Earl, I'mnot gonna -ke a fool of · myself! You got that covered.

Earl atanda·there fuming, mind racing. A last ditch idea hits ho- - - see a devilish glint in his eye.

EARL
Pine, make the mistakes I did. I think I'll just be playing this hand myself.
VAL
What?

,,,,...

\\Jb/.l.li681 l08.

l 73 CONTINUED: (3)

EARL
She likes both of us. We both helped her'out.
VAL
You are so full of shit•••
EARL
Oh yeah? Thinkabout this: She ain't u narrow-minded as you. I'll lay odds she's looking for character in.a man. ·rormy part, I'd l:)eproudto have her. I'd goddamn worship her.

Earl hops into the truck.

EARL (cont'd)
I'm going out there right now, help her take those pictures•••aetup her seia110-jiggers. Nbataver sbe wants. Nbo the hell knows wb&t'll, happen?

Earl starts to drive off. Val sprinCJainto the pasMn9er seat. Through the truck's rear window we see Val raiae his hand in The Challenge. They do a rowld of sciaaora-rock- paper -- but it's a tie. They go again. Another tie. They keep playing and tying as they drive off into the distance and - --

FADE OUT

TU END