"THE MUMMY RETURNS" (2001)

STATS103pages183scenes21,373words21%dialogue35characters

Words

  • dialogue4,53021%
  • action16,01675%
  • other8273.9%

Scenes

location
  • INT 94
  • EXT 83
  • UNKNOWN 6
time
  • DAY 106
  • NIGHT 55
  • DAWN 2
  • DUSK 3
  • UNKNOWN 17
1

OPEN

by

Stephen Sommers

Second Draft February17, 2000

FOR EDUCATIONAL
PURPOSES ONLY

l

The Universal Pictures Globe DISSOLVES into aGOLD DISC, /,...--•.~\ embossed with a gold SCORPION.The gold disc is the masthead I at the top of abanner being carried by an AKKADIAN SOLDIER.

2

. ... ..~/

SIX THOUSAND AKKADIANSOLDIERS march with him•

NINE THOUSAND SUMERIANSOLDIERS are coming at them from across the golden dunes.Behind the Sumerians is the massive walled CITY OF THEBES:palaces, temples, needles, --the works. The Nile runs alongsideit.

ARDETH BEY (o.s.)
Six thousand years ago,a fierce warrior known as the ScorpionKing, led a great armyon a campaign to unite the known world.

A powerful FI.STisthrust into FRAME, clenching a scimitar, a GOLD BRACELET adorns thewarrior's wrist. Muscular, brutal looking and heavilyscarred, this is the SCORPION KING.The spooky thing about him is that througha strange Akkadian tribal ritual, all theskin on his head above his eyebrows has bE!enremoyad.exposing his BLEACHED SKULLCAP.He BELLOWS a command. Heand his soldiers CHARGE FORWARD.

CUT WIDE: as botharmies, fifteen thousand men strong,pour over the golden dunes and CLASH.The Scorpion King fights like aman possessed. Slowly being swallowed up in the dust.

ARDETB BEY (o.s.)
The Scorpion King andhis army were finally defeatedby the Sumerians and driven deep into the sacred desert ofAhm Shere.
3

EXT. THEDESERT.OF ABM SHERE - DAY

The remains of the Scorpion King'sdecimated army retreats into the desert.

ARDETB BEY (o.s.)
For three months they wandered the desert, slowlydying, until the Scorpion King himself was the last man leftalive.

Alone in the middle of avast wasteland, the Scorpion King crawls on his hands and knees, then he looks up into the heavens, raises his fist in anger,and BELLOWS A CURSE.

ARDETB BEY (o.s.)
On death's door, he made a pact with the great god Anubis.

I J

The Scorpion King sees a live SCORPION crawling towardshim. He looks backup to the heavens and sneers, thengrabs the wriggling thing with his bare hands.His face grimaces as it STINGS HIM.Be shoves the·scorpion into his mouth and chews.

ARDETHBEY (o.s.)
He swore that ifAnubis would spare him, and lethim conquer his enemies, that he would give Anubis his soul, and build him agreat temple, _a pyramid of gold.

Suddenly, in a circle around him,--LUSH GREEN VEGETATION SPRINGSUP OUT OF THE SAND, then EXPLODES OUTEXPONENTIALLY IN EVERY DIRECTION.SUPERIMPOSED ON THE SCREENARE THE WORDS:

~BB OASIS OF ABM SBBRB

And then aHUGE HOLE opens up in the ground in front of him. STAIRSMADE OF SAND lead down into a NETHERWORLD.Grinning malevolently, the Scorpion King starts down the stairs-

4

EXT.ANCIENT THEBES COURTYARD - DAY

A decapitated HUMAN HEAD rolls throughFRAME, followed by a HEADLESS MAN, still 'l'WI'l'CHING.And then a bigCLAWEDFOOT steps onto the headlessman's chest.TILT UP: to reveal an extremelyevil looking ANUBIS WARRIOR: fromthe waist down he has ahuman exoskeleton covered in striated muscles,from the waist up he's a hairy Anubis-headed creature.He lifts his scimitarand SHRIEKS in triumph._

ARDE'l'HBEY (o.s) Thenext year, the Scorpion King stormednorthward with the Army of Anubis.And like a great flood, washed away all that lay before them.

CUT WIDE: Thousands of hideous Anubis Warriorsswarm through the fantasticand sprawling City of Thebes,now in ruins. BuildingsBURN. Monuments COLLAPSE. PeopleSCREAM. SUPERIMPOSEDON THE SCREEN ARE THE WORDS:

BG!P~ - 3,112 B.C.

ARDETHBEY (o.s.)
He defeated his enemies, united all ofEgypt, became the first Pharaoh,and created a religion that would last fora thousand years.

The SCREEN fills with the horrific face of an Anubis Warrior, he SHRIEKSand then DISSOLVES into BLACK SAND,revealing:

5

EXT. THE TEMPLEOF 'L'BEBES-DAY

ANCIENT RUINS along thebanks of the Nile. Deserted except for THREECAMELS. SUPERIMPOSED ON THE SCREEN are theWORDS:

BGXP~ - 1935

6

INT. EGYPTIANTEMPLE - DAY

Inside the temple,dozens of GIANT PILLARS rise up from the rock strewn floor to the cracked ceiling above.Ashaft of dusty sunlight shines in through a doorway.A smallFIGURE in a pith helmet enters, holding aTORCH. The Figure moves through the pillars and enters aFISSURE in a far wall.

7

INT. CATACOMBS -DAY

We follow the pith helmetedFigure as he slowly creeps through spookycatacombs. The walls are covered indark hieroglyphics. Ascary NOISE is heard. The Figure freezes, then turns aroundand faces us: it's an adorable little eight-year-old boy.This is ALEXANDER O'CONNELL.

Alex looks around,eyes wide. It's dark and quiet.And then a HAND GRABSHIM. Alex SCREAMS. It's O'CONNELL,looking dashing and handsome and wearing a sleevelessshirt.

O'CONNELL
Alex, I told you to wait up in the temple.
ALEX
But Oad--1
O'CONNELL
No Mbutsn,it's dangerous down here. Now be goodand I'll get ya sanethingwhen we get home.
ALEX
How about atattoo?
O'CONNELL
NOS
ALEX
But Dad--J
O'CONNELL
No Mbutsn.
ALEX
~ have a tattool

J

Alex points toa very cool TATTOO emblazoned across O'Connell's muscular upper rightarm: a mariner's compass

pointing downwith--falcon:s·wings pointing up,forminga pyramid. In the center of thepyramid is the Eye of Isis.

O'CONNELL
I told you, Iwas only three or four when this thing was slapped on me. I didn't have a say in it and neither do you.

O'Connell spins Alex around and gently sendshim packing.

O'CONNELL
Now back to the temple big guy. And keep your fingers off the furniture.
8

INT. CHAMBER- DAY

HOT COALS arebrushed across ancient engravings chiseled into a wall:TWO SEXY EGYPTIAN PRINCESSES IN HAND-TO-HANDCOMBAT. EVY is doing the brushing,looking quite sexyherself, having gone abit "native". Something HISSES. Evy looksdown. Next to her foot is a BIGBLACK SNAKE. She doesn't even flinch.

EVY
Go.Away.

Her foot hooks thesnake and tosses it across the room. O'Connell comes through thedoor~ Evy gestures.

EVY
'"atchyourhead, honey.
O'CONNELL
It was justAlex.

Not listening,O'Connell SMACKS his head on alow hanging beam.He YELPS, grabs his head and goes to sitdown.

EVY
Don't sit there.
O'CONNELL
He never listens.

Not listening,O'Connell sits on a rock covered inHOT COALS. HeYELPS and leaps up. Evy just smiles at him.

EVY
I wonder where be getsthat from?

....-----------------------------

O'Connell gives hera forlorn look with his puppy dog eyes.

O'CONNELL
Why can't we have normal vacations like other families?
9

EXT. TEMFLE - DAY

FOUR EVIL LOOKINGCHARACTERS ride up on horses and dismount, The two SRI:TISHMENdraw their guns; the two ARABS whipout. their scimitars. This isRED, SPIVEY, ABDUL, and MUHAMMAD.

10

INT. TEMPLE - DAY

Inside the temple,next to a large gathering of ancient artifacts, Alex is buildingsame sort of strange CONTRAPTION out of bamboo shoots,mummy wrappings, and rotted bones.

ALEX
No swords. No scimitars.No bows and arrcwa. Hov's akid supposed to have any fun around here?

He's also keepingan eye on some RATS off in the corner. Suddenly,VOICES are heard. Frightened, Alex looks around, he spots a forty foot highWOODEN SCAFFOLDING. He quickly scurries over andstarts to climb up. At the top,Alex bellycrawls across it and looksdown over the other side:

Red, Spivey,Abdul, and Muhammad enter the temple, slow and easy. Gunsand scimitars up. Real professionals. A truly vicious looking crew. Alex's eyes widen infear.Muhammad head& forthe fissurein the wall. Red turns to him.

RED
Don't light it untilI yell at ya.

Muhammadnods and slips into the fissure. Spivey has been staring .atAlex'scontraption. Inside it, a piece of CHEESE sits ona plate. Spivey grabs the cheese. The contraption GOES OFF.A bamboo shoot SLAPS DOWN HARD onto Spivey's hand, --'l'HWACKllIt'sarat trap. We COT AWAY on Spivey's SCREAM.

11

INT. TEMPLEMUMMY CHAMBER - DAY

WHAMlA huge slab hits the ground. Tarantulas and scorpions flee.Poison ups HISS. The room is filled with creepy half- eatenmmnmies. o' Connellholds a pry bar.

O'CONNELL
-all I'm sayin' is maybeit's time to be normal. Youknow, normal mom, normal dad, regular •everyday folks?

--............----------------------

Evy gestures at the creepy, infested room, incredulous.

EVY
And give up all of this!?

Herhands whip through cocwek>s,which stick to her fingers, she tries to wipe them offas O'Connell enters theroom.

O'CONNELL
Remind me again why you've been so obsessed with coming here?
EVY
Ever since I had that dream, this place is all I can think of. I feel like I've been here. -I kncw I've been here.
O'CONNELL
Evy, nobody's·been here, not in over three thousand years.

Evy grabs a TORCH HOLDER on the wall and pulls it.A hidden TRAP DOOR suddenly OPENS, revealing a secret passage.

EVY
Then how do I seem to know exactly where I'm going?
12

INT.'L'EMPLE-DAY

UP ON THE SCAFFOLDING: Alex quietly reachesoack into his rucksack and withdraws a wrist-rocket-style SLING SHOT. DOWN BELOW: Red, Spivey, and Abdulare viciously ransacking the artifacts, clearly looking for something.

RED
It ain't 'ere, dammit, it ain't 'ere!
SPIVEY
Maybe they ain't found it yet.

A rock THWACKS Spivey in the head. HeSCREAMS. Red and Abdul nearly jump out of their pants.

RED/ABDUL What l?'NHATl?

SPIVEY
Something hit mel

, . They all look around, suspicious. ',__,/,

I J

13

INT. CATACOMB - DAY

Muhammed creeps up·to·the,holethat O'Connell just created. He pulls out several tightlywrapped STICKS OF DYNAMITE.

14

INT. PRIEST CHAMBER- DAY

O'Connell steps into a darkchamber.

O'CONNELL
...maybeit's your ancestors calling. Yer half Egyptian,maybe it's some sorta Primal thing.

Evy sticks her torch into theroom and pans it around. As the torch passes in front ofCAMERA the SCREEN FLASHES and we are sudd@nly catapultedbagk in time. four thousand years: The room now looks gloriously newand utterly fantastic. On the far wall, an EGYPTIAN PRINCESS comes out of aDOOR. We don't see her face, butwe catch a glimpse inside the room: TWO HUGE SPOOKY WARRIORSstand on either side of an omate CHEST. The Princess shuts the doorand turns a SUNDIAL on it's face: twice to the right,once to the left, locking it. She starts to leave. O'Connellwalks through her. THE SCREEN FLASHES. The chamber is ancientand dark once again. O'Connell steps up to the door.He didn't see any of it.

O'CONNELL
Allow me.

He slams theprybar into the door seam and starts prying. Evy waves her torch around,trying to get that flashback thing to happenagain, looking a bit wigged-out. O'Connell sees it in her eyes,he stops prying, concerned.

O'CONNELL
Another one of those-,visions?

· Evyquickly covers with asmile.

EVY
It's nothing, really.
O'CONNELL
What do you mean it's nothing? C'mon Evy, this's been goin' on for nine years.

Evy just nods, a bit concerened herself.

EVY
Yes, ever since we left Hamunaptra.

O'Connell starts prying again,grunting and groaning.

O'CONNELL
It's like goin' there triggered some ancient memories or somethin'.

Evy gral:>sthesundial~turns it twice to the right,once to the left. The door opens.She gives O'Connella nervous look.

EVY
I think perhaps the answer lies on the other side of this door.
15

INT. TEMPLE -DAY

Spivey bends over to look into a sack filled with trinkets. UP ON THE SCAFFOLDING:Alex fires the SLING SHOT andducks. Spivey gral:>shis assandleaps up SCREAMING.

SPIVEY
OH MY GOD THATHURT1

Again, Red andAbdul scan the temple suspiciously.

16

INT. CATACOMBS -DAY

Muhammad jimmysthe sticks of dynamite into the wall.

17

INT. CHEST CHAMBER- DAY

Evy and O'Connell slowly creep into the chamber.Evyturns to her left, --a SOLDIERMUMMY IS STANDING RIGHTNEXT TO HER. Evy SCREAMS and jumps back.O'Connell instantly leapsfoJ:Ward and swings his pry bar,decapitating the mummifiedSoldier Mummy. It's head ricochets off the walls.

Evy steps up with her torch to reveal that there are actually TWO SoldierMumlies, the same spooky warriors we saw inher vision, nowmummified, standing guard on either side of the same ornate CHEST,now covered in spiderwebs.The GOLD DISC from the first shot of the movie sits on top of the chest.

EVY
Oh my god, the ScorpionKing.
O'CONNELL
Bad guy?
EVY
The worst.

Evy kneels down andstarts analyzing the chest.

EVY
But he's always been considered a myth. No trace of him has ever been found, no artifacts,no writings_

O'Connell tries to get her pumped up.

O'CONNELL
This is the perfect capto your career. The final feather in your hat! You'll be the toast of the BembridgeScholars! Now we can finally settJ.e down.

Evy gives him a witheringlook. O'Connell just sighs heavily.

O'CONNELL
Can't blame a guyfor trying.

He SPITS into both of his palms for leverage andgrabsthe pry bar. Evy grimaces.

EVY
2'hat'sattractive.

O'Connell SLAMSthe pry bar into the seam of the chest.

18

INT. TEMPLE- DAY

Alex FIRES the SLING SHOT.Abdul spins around and grabs the rock right out of theair, TBWAPJ Two inches behind Spivey's head. AND he catcheseyes with Alex before Alex can duck. Abdul opens his fist.Spivey and Red see the rock in his palm. Abdul closes his fist andcrushes the roc;k;topowder.

ABDUL
I'll take careof this.

He pulls out his scimitar,--SHINGJ Alex's eyes widen. He starts backing offdown the scaffolding. Red walks fC>l:Ward, --right;in trout·ottbe fissure, ·

RED
We're gonna get youBQ!ll
19

INT. CATACOMB- DAY

Muhammad is holding a lighteras Red's VOICE ECHOES in:

RED (o.s.)
-BQKl,...NOW!...Nowt..now!

Muhammad LIGHTSthe dynamite fuse and hauls-ass.

20

INT. TEMPLE LIBRARY - DAY

Evy steps up to.the.•,.headlessSoldierMummy.AKEY dangles from a gold chain around it's neck.Evy rips it off. O'Connell is still prying awayat the chest when Evy sticks the key into it and unlocks it.O'Connell gives her a look.

O'CONNELL
Ya know, we don't always hafta do things the easy way.

Evy opens the chest. Cradled inside it isthe same thick GOLD BRACELET we saw on the Scorpion King's wrist.The bracelet is c;losedtight.

21

INT. TEMPLE - DAY

Abdul's sciDdtar is clenched between his teeth ashe climbs up the scaffolding. Alex slowly backs down to the edge of it, he looks around, there's nowhereelse to go. Abdul is almost to the top. And that's whenMuhammad comes running in.

MtJBAMMAD Gol GOJ GO! The dynamite! It's going to blowl

RED
What are you ta.lkin''bout!? We ain't found it yeti
MUHAMMAD
I heard you yell!
SPIVEY
Get back there and pull the fuse!
MUHAMMAD
It's too latel It's too latel

Abdul looks down to see his three buddies sprintingout of the temple, he gives a quick look at the terrified little boy, snarls at him, then slides all the waydawn to the floor. At the bottom, Abdulkicks a balance board out from under the scaffolding. The scaffolding immediately begins to ROCK and SWAY. So does Alex.Abdul runs out of the temple.

IN'l'.CATACOMBS- DAY

The dynamite EXPLODES. Rocks and bouldersFLY. And then RAGING WATER comes BLASTING through the hole.

22

INT. SACRED CHAMBER - DAY

O'Connell and Evy are almostblown off their feet. They look at each other, panicked.

O'CONNELL/EVY Alex.

O'Connell quickly throws the disc into the chest,slams it shut, shoves it into his rucksack, slings the rucksackar~und his shoulder, grabs Evy's hand and RUNSLIKE HELL.

23

INT. TEMPLE - DAY

The scaffolding is SWAYING WILDLY.Alex is still on his feet at the top, desperately trying to maintain his balance.

24

INT. LIBRARY - DAY

O'Connell and Evy run out of a tunnel andjag left. A MASSIVE GEYSER OF WATER BLAS'l'SOU'l'behind them.They find themselves trapped at a dead end, overlookinga deep chasm, it's walls filled with thousands of shelvespacked with papyrus scrolls.

EVY
Oh my godJ It's the LibraryOf Alexandria! It's beautiful! It's magnificent!
O'CONNELL
It's in our way.

O'Connell rips out a grapplinghook from inside his rucksack. Be starts to swing it.Evy is ecstatic over the find.

EVY
It's the eighth wonder of the world!

MASSIVE BLASTS OF WATER suddenlyGUSH out of every door and crevice in the place. Destroying everything.

O'CONNELL
Not anymore.

O'Connell throws the grappling hook over abeam, grabs Evy around the waist and JUMPS.The two of them SWING across the deep chasm, which is beingBLAS'l'EDBY GEYSERSOF WATER. They make it to the other side andrace into an open fissure.

IN'1'.TEMPLE- DAY

'l'hescaffolc:ling.SLAMSintoahuge pillar.The pillar STARTS TO FALL. The scaffolding starts toCOLLAPSE. Alex LEAPS off the collapsing scaffolding and onto the falling pillar•

26

INT.ANTECHAMBER - DAY

O'Connell andEvy are swept off their feetby a TORRENT OF RAGINGWATER. They get trapped in a smallchamber which is fillingup quick. O'Connell rips a pick out of his rucksack and startspicking away, trying to smashhis way out.

27

INT. TEMPLE- DAY

Alex slides down the falling pillar andOUTOF FRAME. The falling pillarSLAMS into the next pillar,which falls and SLAMS into thenext pillar, and onward it goes.The CAMERA PANS 360 degrees with the falling pillarsasthey all DOMINO. TheCAMERA ends on Alex just as he rises to his feet.He looksaround at the completely destroyed temple,stunned.

ALEX
Oops.
28

INT.ANTECHAMBER - DAY

Thechamber is almost completely filled.The air is almost gone.O'Connell looks at Evy. Evy looks at O'Connell.Both desperate.HIS EYES. HER EYES. The waterSWALLOWS THEM UP.

29

INT.TEMPLE - DAY

Alex hears a NOISE and looks up. The last pillar hasn't completely fallen, it's stuck ona t.eamandslowly slipping. Alex races over to themassive pillar and pushes with all his might, trying to stop itfrom falling.David versus Goliath.

30

INT.ANTECHAMBER - DAY

UNDERTHE SWIRLING WATER: O'Connell andEvy wrap their ams aroundeach other and hug tight.

31

INT.TEMPLE - DAY

Alex loses the fight.The giant pillarFALLS and CRASHES right through a hieroglyphed wall, --a hugeGUSHOF WATER EXPLODESOUT from the new hole in the wa11·.Evyand O'Connell are poured autthrough the hole and thrownacross the floor. They slide upnext to Alex, gasping for air,exhausted and stunned. Alex looksdown at his parents, then around at the huge mess that was once the beautiful temple, then he looks backdown at his parents, terrified.

ALEX
Mom. Dad.Count to ten.
32

EXT. DESERT DIG SITE - NIGHT

FLOODLIGHTS sweep across a largeDESERT DIG SITE, picking up glimpses of-.ancient- ruins,a fleet of1930'strucks and bulldozers, and over a HUNDRED NATIVEDIGGERS. FIFTY HEAVILY ARMED ARAB MEN in BLACK TURBANSand long robes are spread out and keeping an eye on the Diggersand the dark desert beyond. SUPERIMPOSED ON THE SCREEN ARETHE WORDS:

BAKUBAP~aA - ex~~ OP ~HE DBAl>

33

EXT. OPEN TENT - NIGHT

The black BOOK OF THE DEAD slamsdown onto a dusty table.

LOCK-NAB (o.s.)
The Book Of The Dead ;iyes life.

The gold BOOK OF AMON RA is slammeddown next to it.

LOCK-NAH
The Book Of The Living takes it away.

A gorgeous, sultry, youngWOMAN with long black hair and tight fitted khakis blows dust off thel:>ooks.This isMEELA. She looks up at a tall, spookylooking MAN wearing a RED TURBAN. This is LOCK-NAB.Meela gives him an evil smile.

MEELA
We're getting close.
34

EXT. SANO PIT - NIGHT

Down inside a nearby sand pit,a group of Diggers work away. Staring down fram above is a very pious appearing fellow with an evil edge. This is the HIGHPRIEST. He turns as a LAND ROVER pulls up out of the darkness.Red and Spivey jump out. The High Priest is too excited to notice their nervous looks.

HIGH-PRIEST
Did you acquire itl?

Before they can even answer theground suddenly SHAKES. Red, Spivey and the High Priest stop in theirtracks. The ground SHAKES AGAIN. More violent now.Closer.

The Diggers in the pit l.ookaround,wide-eyed. 'Thensomething familiar happens: A MOUND OF SANDBEGINS TO RISE UP out of the bottam of the pit. The Diggers stare at it, transfixed. And then the mound BURSTS OPEN AND ATHOUSAND SCARABS EXPLODE UP OUT OF I'l'.

The Diggers SCREAM in terror and frantically try to scramble up out of the sandy pit,grasping for purchase, legs and hands churning away in the sand,their progress nightmarishly slow. The SWEEPING FLOODLIGHTSmake it all the more kinetic and creepy. And then the hideousbugs overtake the SCREAMING Diggers and start eating them alive.

Red and Spivey freak out andscramble back up into their jeep. The High Priest just grins.

35

INT. TENT - NIGHT

Hearing the horrible SCREAMS,Meela calmly looks at Lock-Nah.

MEELA
We're getting ,ma close.
36

EXT. SAND PIT - NIGHT

A Digger stumbles up out of the pit,MULTIPLE SCARABS are CRAWLING mmER HIS SKIN.Rad and Spivey SCREAM. The Digger opens his mcuth, -SCARABS POUR OUT OF IT. Red and Spivey SCREAM LOUDER.

Men in BLACK TURBANSrace forward, using FLAME-THROWERSto chase the CHIT'l'ERINGscarabsbackinto the pit. Behind them, men in RED 'l'URBANSbegin toSHOUTwith excitement and point to a LARGE CRANE swiveling oversome ruins; a bigROCK hanging from its claw.

The High Priest sees thisand is completely elated and distracted, he quickly scurries off for the crane.

HIGH PRIEST
We found himt We found·him!

Meela and Lock-Nah stride out of the tent,followed bytwo red turbaned men, eachcarrying one of the books.A Servant bows for Maela and opens the back door to acreme colored Rolls Royce convertible.Meala dismisses him offhand,then stops near the pit andgrabs the gold book.

MEELA
They used this book to condemn Imhotep, correct?
LOCK-NAB
That is so.
MEELA
It is the only thing thatcan harm him, yes?

)

Yes.

Meela flings the gold book-into the pit.We hear scarabs CHITTER from below as they scurryout of it's way. Meela and Lock-Nah continue on. Red andSpivey slide out of the jeep.

SPIVEY
Did you see that!? Thatbook was made of gold 1 Pure gold!

Red is still shaken, he wipesthe sweat off his brow and sarcastically gestures into the pit.

RED
Feel free.

Spivey stares at the pit,greedily licking his lips. A bulldozer shoves amound of aand into it. Scarabs CRITTER wildly as they are buried.Spivey and Red shiver in disgust.

The High Priest,Meela-and Lock-Nah stride up to the crane just as the claw sets the bigrock down. Molded inside the rock is a horribly deformedPETRIFIED CORPSE. A nightmarein stone. The HighPriest grins.

HIGH PRIEST
Imhotep.

With a devious smile,Meela caresses the corpse's cheek. Lock-Nah lifts upa large BLACK ORN covered in hieratic.

LOCK-NA
Now we must raisethose who served him.

The High Priest nods,then turns as Red and Spiveywalk up.

HIGH PRIEST
The bracelet! Give me the bracelet.
RED
We, uh, ...missedour chance.

Meela and Lock-Nah arestunned. The High Priest is furious.

HIGH PRIEST
!laDAG ~ bracelet.

Meela gently touches his shoulder.

MEELA
I told you Lock-Nab and I should have handled it.
HIGH PRIEST
I did not want your-
(pause)·-· -past history, to cloud the issue.

Spivey tries to be reassuring.

SPIVEY
Don't worry, we know where it is, we'll take care of it.
HIGH PRIEST
No. fie'lltake care of it.
(gives them a creepy grin)
I have a different chore for you now.

Meela scowls at Red and Spivey..

MEELA
What happened to the O'Connell's? Did you at least kill the woman, as I asked?
RED
No; -they escaped.
MEELA
Where are they!?
SPIVEY
They're headed back home--
(finally noticing the corpse)
-to --London.

Red and Spivey stare at the corpse,a bit creeped out. Lock-Nab whispers to the High Priest.

LOCK-NAB
London is also where the Scepter of Osiris resides.

The High Priest gives Lock-Nahand Meela a·very ominous look.

HIGH PRIEST
Then London is where we must go.
37

EXT. LONDON - DAY

HIGB ANGLE of 1933 LONDON:Big Ben, the House of Commons, and the river Thames twinkling underTower Bridge. Thick dark 'rHUNDERHEADSare rolling.in,torn by FLASHES OF LIGHTNING.

EVY (o.s.)
That bracelet, I believe, is a legend, a map, of some sort, to the Lost Oasis of Ahm Shere.
38

EXT. BELGRAVIA - DAY

WE PAN DOWN the gorgeous whitetownhomes of Belgravia until we see O'Connell through some hugebay windows, carrying suitcases and heading into theirlibrary.

O'CONNELL
Evy, I know what your thinking and the answer is Mnon. We just got home. We haven't even unpacked.

Evy passes in front of thelibrary windows.

EVY
That's the beauty of it, we're already packedl
39

INT. O'CONNELL HOME LIBRARY- DAY

The O'Connell library isan eccentric, disheveled, private museum, two stories high,filled with tons of books and lots ancient artifacts. O'Connelldrops the suitcases.

O'CONNELL

EVY
It's just an oasis, dear, a beautiful oasis.
O'CONNELL
Right, palm trees, cool water, cozy beach, what's the catch? There's always a catch.

Alex staggers under theweight of the Scorpion King chest.

ALEX
Ugh! This sucker weighs a god-dang ton!
EVELYN
(scolding)
Alexl
ALEX
..{posh English) Rather weighty, this.

Evy hustles around the library,gathering books and papers.

EVY
The Ancients believedAhm Shere is where the evil Army of Anubis awaits the order to destroy mankind.

O'Connell is right behind her.

O'CONNELL
Evil army?
EVY
They are commanded bya vicious warrior known as the Scorpion King.
O'CONNELL
Vicious warrior? See, Iknew there was a catch.
EVY
It's written, that the Scorpion King awaits a challenger,one who may defeat him and wrest control of this army. If the victor is good, the earth is saved--
40

EXT. O'CONNELL TOWNHOME- DAY

A LIMOUSINE pulls up andstops. The TWO SINISTER MEN up front wear RED TURBANS. Theylook up at Evy in the library windows.

EVY
--but if the victor is evil, he shall destroy Mankind.

In the back of the limoare FOUR MOU MEN. Lock-Nab rolls down the window and sticksa pair of BINOCULARS to his eyes. BINOCULAR POV: Alex crosses the bay window lugging theCHEST.

ALEX
Tell him about the gold pyramid! A single block of it wouldbe worth a blooc:lyfortune!

O'CONNELL/EVY ALEXI

IN'l'.O'CONNELLLIBRARY - DAY

Alex sets the chest down and looks at his dad,confused.

ALEX
What?1 MBloodyw fortune, MGod-dangw fortune? Whose language am I supposed·to speak? Hers or yours?

Evy shakes her head and continues on.

EVY
He's incorrigible.

O'Connell heads after her, pointinga finger at Alex.

O'CONNELL
And I was gonna give you that tattoo.
ALEX
Yeah, right.

Evy climbs up the spiral stairs to thebook-filled balcony.

EVY
In 2,400 B.C., RamsesV dispatched the last known expedition toAhm Shere, which includedmore than a thousand armed men.

O'Connell is hot on her heels.

O'CONNELL
Don't tell me, none of them was ever seen.again, right?
EVY
Neither was the oasis,whose exact location was lost to the sands of time•.
O'CONNELL
I'm thinking it should stay that way.
EVY
Alexander The Great sent troops in search of it.
O'CONNELL
Evy.
EVY
So did Caesar.

O'CONNELL

' \ /

EVY
And Napoleon!

O'CONNELL

Startled, Evy looks at him,her next sentence petering off_

EVY
None of them-ever -returned...
O'CONNELL
And chances are, neither would we.

Alex hearsa loud CLICK coming from INSIDETHE CHEST. Surprised,he looks at it, then pulls the key out of his pocket andstarts to open the chest.

UP IN THEBALCONY: O'Connell steps up close to Evy.

O'CONNELL
Evy,the other day we were .that. close to buying thefarm.
EVY
Why wouldwe buy a farm?
O'CONNELL
Died.We almost died.
EVY
Oh thankgoodness, I'd rather diethan buy a farm.

Alex opens the chest, inside it thebrageletis now OPEN. Alex stares at it, thensneaks a look up at his parents.

O'CONNELL
If wedied, who'd raise Alex? Jonathan?
EVY
Oh myGod.
O'CONNELL
Exactly.

Alex rolls up his jacket sleeve and sets his wrist into the open bracelet. It suddenlySNAPS SHUT.Alex's eyes fly open in surprise.He leaps back, staring at the bracelet.

OPABOVE:·O'Connell takes Evy in his arms.

'\_____.../)

O'CONNELL
When I first fell for you,I wanted to hang up my guns right then, but you were just finding your wings, so I figured a few more adventures wouldn't kill me. Well, -the last one almostdid.

And then something mysticalhappens around Alex: the area around him fills with astrange, three dimensional VISION of the GIZA PLATEAU: threepyramids, one Sphinx. All brand new. UP ON THE BALCONY: O'Connell andEvy are oblivious to it.

O'CONNELL
Evy, I've been·riding hard since I was five years old, hell,I joined the Foreign Legion just so I could get some free room andboard...

Evy stares up into O'Connell's eyes.He looks tired and beat. And then Alex's vision racesdown the Nile and across the desert. Stopping at theTEMPLE OF KARNAC, circa 2000 B.C., then it dissipates andvanishes. Alex just stares at the bracelet on his wrist, wide-eyed.Evy hugs O'Connell tight.

EVY
Wellll, the BembridgeScholars h4D been begging me to run the British Library.

She smiles. O'Connell grins.They start to kiss, gently. Alex rattles his head,then frantically starts fumbling with the bracelet, tryingto get it off; there's no clasp or hasp, it almost looks fused shut.O'Connell starts down the stail:s.

O'CONNELL
I'm going to run over to Jonathan's, get my car back.
(he heads out the door)
Alexi Behave yourself for afew minutes will yal

Alex quickly rolls his sleevedown over the bracelet and SLAMS the chest shut.

ALEX
You bet!

Evy starts down the stairs.Alex picks up the chest, it's light, he quickly sets it down,keys it open, grabs a heavy VASE off a table, shoves it into the chest andslams it shut again. Evy rounds the bookcase and ruffles Alex's hair.

EVY
You readyto settle down for a bit,my little man?

He gives her abig innocent·.smile.

ALEX
Hey, if youguys are happy, l.!mhappy.
41

INT.LIMOUSINE - BELGRAVIA - DUSK

The limousine isnow empty except for thetwo men up front, watching O'Connell walking east down Belgravia road.The Driver STARTSTHE ENGINE. And that's when aTAXI pulls up from the westand stops. '7.'herear door opens.A greatpairof camel skin BOOTS ~tep out. ~t'sABDE~ BEY, still dark and handsome. He's holding a BOUQUE~ OFFLOWERS. His gorgeous eyes scan the street.

42

INT.LIMOUSINE - DUSI(

The two Red Turbans in the limousinesee him and duck down, looking shocked. One of them whispers to the other:

Medjai!

EX'r.PEMBRIDGE STREET - DUSX

O'Connell rounds a corner and comesto a deacl stop.He rolls his eyes and shakes his head.

O'CONNELL
No. It hasn"t grown on me.

He stares up at an incrediblyGAtJI>YBUILDING;the garish FLASHING NEON LIGHTS say it all:

JO'IIUBIU('SI
Egyptian Casino
43

INT. BET>ROOM- DUSK

A skinny white guy, wearing onlyboxer shorts and knee-high black socks, leaps out of a bathroom, pirouettesin mid-air, slides across the wooden f1oor andskids to a atop with his arms raised high. J:t'&JONATHAN.

JONATHAN
'?A-DAAAAI

I

The High Priest andfour v~cious Men in red turbans stand inside theroom staring at him. Jonathan turnsa shade redder than their turbans,then looks at the High Priest..

JONATHAN
You're not Sheila's father are you?
HIGH PRIEST
No.

JONA'rHAN Well uh,thank goodness for thatJ

HIGHPRIEST
We asked usheilanto step out.
JONATHAN
Ahl Isee.

The Men start moving in onhim.

JONATHAN
Or maybe I don't.

The men grab him and pull him down intoan overstuffed chair.

HIGH PRIEST
We're looking for the Scepter of Osiris.
JONATHAN
Good! Good for yous Good thing to have, the old Scepter of Osiris!
HIGH PRIEST
Where is it?
JONATHAN
Ahl You're looking .tu:m,for the, uh, scepter. I see, well, I have no idea what you're talking about.
THE HIGH PRIEST
You took it from Hamunaptra. we were told that it never leaves your aide, that you carry it around like acne pompous prince.

One of the men sticks a knife under Jonathan's throat.

JONATHAN
Maybe if you gave me a description?
HIGH PRIEST
It is exactly this long,made of pure gold, capped witha perfectly round black amethystand adorned with a cartouche of the thirteen gods of ancient Egypt.
JONATHAN
Could you be atrifle more specific?

The knife digs into Jonathan's throat.

JONATHAN
I lost it in a card gamelJ
HIGH PRIEST
For your sake, Ihope not.

Meela steps out of theshadows, dressed to the nines,gold and diamonds glitter across her silky skin.She holds a WOODEN BOX in onehand and seductively caresses Jonathan's cheek with the other.

MEELA
Hello.

Jonathan gets a little excited.

JONATHAN

Well hello there.

Meela sets thebox on a nightstand, then opens it and stares inside.Her hand suddenly blurs into the boxand pulls out a poisonousASP by the neck. Jonathan withers.Meela smiles.

MEELA
Egyptian Asps are quite poisonous, but the venom tends to workvery slowly, very painfully.

Meela and herasp head for Jonathan, the asp HISSES and struggles, really pissed-off.

MEELA
Most men,when bitten, beg to be put out of their misery long before the poisontakes full effect.
JONATHAN
UpstairsJ Inmy office! There's a safe. It's behind a rather flattering painting of me.The combination is 3-20-58.

25--·--·--1

Meela starts to stick the asp up to Jonathan's neck,his eyes bulge out of his head.

JONATHAN
HeyJ Wait! I told you! I TOLDYOU!
MEELA
And your point is?
JONATHAN
My point ..f.6.I told you so you wouldn't kill me!
MEELA
When did we make~ arrangement?

She squeezes the asp's neck. It's jaws open,revealing sharp fangs. Jonathan starts to SCREAM.And that's when the door is KICKED OPEN and O'Connell stepsin. Meela, the High Priest and all the Turbans spin around.O'Connell just nods.

O'CONNELL
Howdy.

There's a tense moment as the badguys try and decide what to do. O'Connell sighs heavily,not really up for a fight.

O'CONNELL
Okay folks, knowing Jonathan, I'm sure he deserveswhatever you're about to do to him.
JONATHAN
(sarcastic)
Thank you, thank you ever so much.
O'CONNELL
But he's my brother-in-law and my wife would kill me if I let you do it, sooo...

Meela suddenly throws the asp atO'Connell. O'Connell snatches it right out of theair, holding it l:tyit's neck. O'Connell looks into Meela's gorgeous eyes.

O'CONNELL
Nice Asp.

EVERYTHING HAPPENS AT ONCE: Turban#1 lets go of Jonathan and draws a pistol. O'Connell throwsthe Asp at him, which tangles aroundhis·hand. Theman SCREAMSand flails with the snake. The snake BITES HIS FACE. Theman SCREAMS LOUDER.

Turban #2 pulls theknife away from Jonathan's neck. Jonathan immediately throws himselfbackwards, the chair topples over and spills Jonathanonto'the floor. Turban #2 FLINGS the knife at O'Connell. O'Connell snatches it out of the air. FLINGS it right back athim, impaling him in the chest.He falls to the floor in front of Jonathan,who doesn't even slow down, just crawls right up and over the dead guy.

Meela and the High Priest backaway as O'Connell heads for Jonathan, who is quickly crawling for the bathroom.

O'CONNELL
Time to go, Jonathan.
JONATHAN
I have to go to the bathroom.
O'CONNELL
You can hold it.
JONATHAN
No I can't!

Jonathan scrambles into thebathroom. O'Connell can't believe this, he forces a smileat Meela and the High Priest. Meela's EYES swivel, looking behind O'Connell.O'Connell sees it and immediately DIVES out of theway just as Turban #4strides through the bedroom doorand OPENS UP with a machine-gun. The radiator is HIT, STEAMSHOOTS OU'!',CLOUDINGTHE ROOM. O'Connell hits the floor, rolls into thebathrooom, pops up onto his feet and SI.AMSthe door shut.

44

INT. BATHROOM - DUSK

Jonathan scoops up his clothes and the SCEPTEROF OSIRIS;a thick, short, rather innocuous looking gold scepter.

JONATHAN
This is what they're looking forJ Must be worth more than Ithought!
O'CONNELL
Are you crazy!?

The bathroom door is suddenly RIPPED APART by machine-gun fire. O'Connell and JonathanDUCK.

O'CONNELL
Who the hell .a.r4theseguys!

The bullets RIP through-the door andTEAR the far wall APART.

JONATHAN
I don't knowJ I haven't done anything to anybody_J

O'Connell runs full bore at the far wall andCRASHES through it. Jonathan tight on his tail.

JONATHAN
-lately.
45

INT. O'CONNELL TOWNHOME - DUSK

Evy is frisking Alex, looking for something as theDOORBELL CHIMES in the background.

EVY
Just a moment1 ...Nowwhere J,.4 that key, Alex? I want to see that bracelet.
ALEX
(lying)
I lost itl But it's somewhere! I'll find it. Don't worry. Just go do sanething and I'll find it.

The DOORBELL CHIMES again.

EVY
JUST A MOMENT! Alex, sometimes you can be so exasperating.

Evy gives up on Alex and starts tohead across the room. Alex quickly grabs the chest and starts tosneak off behind her. Lock-Nab suddenly steps into the room right in front ofAlex.

LOCK-NAH
Give me that chest.

Alex skids to a stop, shocked.Evy spins around.

EVY
Who are·XQll?What are you ~oing in here? Get outl
LOCK-NAH
The chest! Give it to me nowt

Evy quickly grabs a big Roman SWORDoff the wall.

EVY
I'll give you something, alright.

Alex can't believe what he's seeing.

ALEX
Whoa, Mom, maybe not the best idea.

And then three moreRED TURBANS step out behind Lock-Nah, carrying scimitars. Alex swallows hard.

ALEX
Definitely not thebest idea.
LOCK-NAB
Now we will kill you and take it anyway.
ARDETH BEY (o.s.)
I.think not.

All eyes go to ArdethBey, who glides up next to Evy.

ARDE'l'HBEY I hope you don't mind,I let myself in.

It's obvious Evyhasn't seen him in a long time.

EVELYN
Ardeth??

Lock-Nab gives hima hard stare.

LOCK-NAB
Ardeth Bey.

Ardeth Bey looks at Lock-Nah,then pulls a sword out of the bouquet and lets the flowers drop to the floor.

ARDETB BEY
Lock-Nab.

Lock-Nah and hiamen CHARGE FORWARD. Ardeth Bey and EvyPARRY their blows. Ardeth Bey takes on Lock-Nah and another guy. Amazingly, Evy goessword-to-sword with the other two, LUNGING, THRUSTING,FEINTING and PARRYING like a pro.Alex dodges out of the way with the chest,he can't believe it.

ALEX
wow1 Mum! When did you learn to do that?

Evy can't believe it either.

EVELYN
I have no idea.

One of theTurbans slams Evy up against a wall.He leans forward and laughs with rotted yellow teeth.Evycringes, then KNEES him·inr•the·,t>alls,heSCREAMSand bends over,she KNEES him in the face,he YELPS and pops back up,she decks him with aRIGHT HOOK. He goes down and out.

EVELYN
.rha.t,Ilearnedfrom your father.

Another Turban GuyCHARGES forward. Evy parriesand feints.

46

INT. CASINO -NIGHT

O'Connell and JonathanEXPLODE through a plate glass window up on the casino'ssecond floor balcony. Theyhit the floor running andCRASH right through the wooden railing.

O'Connell dropsdown onto a stage filled with gorgeous BELLYDANCERS.The Dancers all SCREAM and run. O'Connell leaps off thestage and finds himself under abig central STAIRCASE facing a huge Guyin a red turban. TheGuy rips a FIREAXE off the wall and SWINGS I'l'atO'Connell. O'Connell leaps out of theway. The axe SMASHES througha support beam, tearing itclean off. O'Connell looks up. There's only one more beamholding the staircase up.

Jonathan danglesfrom a huge CHANDELIER ringed with dozens of tiny KEROSENELAMPS. Turban #4 with the machine-gun steps out and aimsit at Jonathan. And that's when several of the chains holding the chandelier tothe ceilingBREAK LOOSE. TheMachine-gunner OPENS FIRE as Jonathan and the chandelier SWINGdown and across the casino and CRASH into the LIQUOR SHELVES abovethe bar. '?heliquor CATCHES FIRE.WHOOSHl The entire side of the casino goes up.Whiskey bottlesEXPLODE like .Molotov cocktails.Everyoneis RUNNING and SCREAMING.

O'Connell shucks and jives away from the Guy swinging the axe, and at thesame time he'a PILEDRIVING his fists into the bigGuy's face and stomach.

Jonathancrouch-runs behind the bar, still holding the Scepter of Osiris.The Machine-gunner starts downthe staircase,spraying the bar with MACHINE-GUN FIRE. Jonathan issuddenly trapped in a corner.

O'Connellbacks into the last support beam, it looks like he's trappedas well. The big Guy smiles and SWINGS theaxe. O'Connellducks. The axe cuts the beam in two. O'Connell dives out of theway. The big Guy looks up as the entire staircase CRASHESDOWN ON HIM, taking the Machine-gunner along with it.O'Connell dashes for Jonathan.

1---------

I 30 I

47

INT.O'CONNELL LIBRARY - NIGHT

The libraryis getting trashed as the battle rages. Still holding the chest,Alex slams his body against a bookshelf. ItTOPPLES over and CRUSHES one of theTurban Guys. Another Guy runs up and grabs a handle on the chest.He and Alex st.arthaving a tug-of-war.The Guy finally ripsthe chest away.Ardeth Bey leaps over and skewers him.The Guy drops the chest. Ardath Bey YELLS atEvy as Lock-Nab attacks him.

ARDETH BEY
What's in the chest!?

Evy knocks another Turban Guy into a big glass case which TOPPLES over and SMASHES to smithereens.

EVELYN
A bracelet! Belonging to the Scorpion King!

Ardeth Bey is shocked.

ARDETH BEY
You have the bracelet!? Get itl Get it now and get out of here!
EVY
But--1
ARDETH BEY
--NOWI They must not get the bracelet!

Evy drops her sword and picks up the chest.And that's when a huge MOUNTAIN OF FLESH wearing a red turban roars out of the shadows, scoops Evy up and tears through a side curtain.

This distracts Ardath Bey. Lock-Nah SLICEShim across the IU:m.Ardath Bey tumbles back overa display case. Then Lock- Nah sees Alex sitting up againsta far wall. He THROWS his scinlitar.It whips end-over-endacross the room. Alex dodges left just as the scimitar SLAMSinto the wall, two inches from his head.·Lock-Nah races out throughthe curtains.

48

EXT. CASINO - NIGH'!'

It's POURING RAIN as O'Connell and Jonathan sprint down the street, accompanied by the SOUND of onrushing FIRE ENGINES. Behind them, the casino is ENGULFED INFLAMES.

JONATHAN
That casino was everything I had! All I've got left is this bloody gold stickl

They came racing around a corner,heading for the O'Connell townhome. The limousine almost runs themdowns O'Connell TACKLES Jonathan out cf the way justin time. They beth hit the pavement and roll. --O'Connell seesEvy inside the limousine, surroundedby the guys in red turbans. 'l'he limo CAREENS around the corner and vanishes.Alex runs up.

ALEX
Dadl DADS

O'Connell leaps to his feet as Alex runs into hisarms. O'Connell hugs him tight,then he sees Ardeth Bey coming.

O'CONNELL
Ardeth Bey??

Then something dawns onhim and he grits his teeth in anger.

O'CONNELL
Don't te11 me.

Ardeth Bey strides up.

ARDETB BEY
!es, once againsomeone has removed Imhotep from his grave.

O'Connell shakes his head.Jonathan is incredulous.

JONATHAN
I don't mean to point fingers, but isn't it~ jobto make sure that this doesn't happen?
ARDETH BEY
He·was well hidden under the ruins of Hamunaptra.But the woman who iswith them, she knew go,g;tlywhere tolook.
O'CONNELL
Just like Evy knewexactly where to find thatbracelet.
ARDETH BEY
That bracelet is what they were after.

Alex rolls up his sleeve to revealthe bracelet.

ALEX
Well they didn't get it.

Ardeth Bey is shocked,he gently grabs Alex's wrist and checks out the bracelet. Alex is very excited.

ALEX
When I put it on,I saw a mirage, the pyramidsat Giza, then whoosh! Across the desert to Karnac.
O'CONNELL
(scolding him)
We'll talkabout this later.
(then to Ardeth Bey)
You have any idea where these guyswent?
ARDETH BEY
Thatis why I came to seek you out.We traced them here tc London, then we lost them.

He pulls out aPHOTOGRAPH of the High Priest.

ARDETH BEY
But wherever this man is, Imhotep and your wife will surely be.

Alex rips the photo away and stares at it.

ALEX
Iknow him! He's the assistant curator at the British museum.
ARDETH BEY
Are you certain?

O'Connellgrabs Alex's hand, already on the move.

O'CONNELL
Trusthim. He spends more time in that.museum than he does at home.
49

EXT.LONDON STREETS - NIGLRL'

LIGHTNINGFLASHES across a mint condition RollsRoyce Silver Shadowas it races through the streets of London.

50

INT.ROLLS ROYCE - NIGHT

O'Connell is at the wheel.Ardeth Bey is in the front passenger's seat,he looks over and sees O'Connell'sTATTOO, partially sticking out of his rolled-up shirt sleeve. Ardeth Bey looks very surprised.

ARI>E'l'HBEY O'Connell, ifI said to you: uI am astranger traveling from the east,seeking that which is lost•••"

O'Connell isstuMed, then confused,he stares out through the rain whipped windshield, his mind racing back intime.-

O'CONNELL
I wouldreply-: u1 am a stranger traveling from the west, it is i whom you seek."
ARDETH BEY
uThenwe shall meet in the circle."
O'CONNELL
"Forthe sake of the Widow's son."

O'Connell looks atArdath Bey,blown away, as if in a dream.

O'CONNELL
My father taught :methat. It's one ofmy first memories, my only recollection ofhim. I never knewwhat.it meant.
ARDETH BEY
It means,my friend, that you area Masonic :,emplar.

He rolls up hisown sleeve, to reveal an identical tattoo.

ARDE'l'HBEY A "Medjai", like myself.

Alex leans fonrard £ran the back seat,very excited.

ALEX
Wow look at that1 What's a MasonicTemplar, Dad?
O'CONNELL
It'san ancient secret society, Alex.
ARDETB BEY
Dedicated tothe Brotherhood of Man. Under the all seeing eye ofGod.

Alex turns to Jonathan, very excited.

ALEX
My dad's an ancient warrior!

Jonathan pokes at O'Connell's tattoo.

JONATHAN
What's a job like that pay?

O'Connell SWATS Jonathan's hand away.

O'CONNELL
I am Jli2:t. aTemplar.Some joker slapped this tattoo on me when I was put in the orphanage in Hong Kong.
ARDETH BEY
It is not a tattoo, buta precise brand, there is only one print of it in all the world. It would only have been given toa Medjai father to place on his son.
O'CONNELL
All I remember, isthat it hurt like hell.
ALEX
When you're a Templar,whaddaya get to do?

AlU>ETHBEY our fate is tobe a Protector of Man, your destiny, to fight evil, always.

O'Connell looks dubious.

O'CONNELL
Sounds great.
ARDETH BEY
It is in the blood, passeddown fram generation to generation, fram father to son.

Alex looks elated.

ALEX
Sounds really greatsThat means .z.:m.gonna getatattoo!

O·'CONNELL You are·.mttgoing to get a tattoo.

)

51

EXT. BRITISHMUSEUM - NIGHT

The Rolls skids toa stop in front of the BRITISHMUSEUM. It's late, and there's nota soul in sight.THUNDER RUMBLES.

52

INT. ROLLSROYCE - NIGHT

Ardeth Bey turns toAlex in the back seat,smiling kindly.

ARDETHBEY
To earnyour brand, you must performa featwhich is both brave and wise.

O'Connell plays along.

O'CONNELL
That'sright.,Alex, ao I want you to stay hereand protect the car.

Jonathan quickly raiseshis hand.

JONATHAN
Icould do that.

Alex gives his Dad a very sarcastic look.

ALEX
..,Prgteet"thecar.C'mon Dad, just because I'meight, doesn't mean I 'ms:t;qpid.

O'Connell grins and ruffles his son'shair. Jonathan gives Alex a forlorn look.

JONATHAN
If you seesaneone came running out screaming, it'·s justme.
O'CONNELL
Jonathan, maybe you should stay here with Alex.
JONATHAN
Now you're thinking!
53

EXT. ROLLS ROYCE - NIGHT

O'Connell pops open the trunk. His GUNNYSACKlies inside. He throws it open. Revealing pistols, a pump shotgun,a submachine-gun, and other weaponry. O'Connell gives Ardath Bey a hard look~

O'CONNELL
My parents abandonedme.
ARDETH BEY
No Templar would everabandon his child. He must have been killed, your father.He would have gladly given his life for you. As you would for your child.

This seems to give O'Connell strength.He slowly grins,then reaches into the gunnysack withboth hands and rips out the shotgun and machine-gun.LIGHTNING FLASHES across his face.

O'CONNELL
Let's do it.
54

INT. BRITISH MUSEUMSTORAGE WAREHOUSE - NIGHT

Deep in the bowelsof the museum is a huge storagearea. In the midst ofall the giant crates and boxes, ancient pillars and statuary,a sacred ceremony is being performed: The High Priest,Lock-Nab and all their Men arenow PAINTED GOLD and WEARINGPRIES'l'LYGARB.TORCHES light the.scene as they CHANT in a circle around the horrific petrified rock.

Evy is groggy, but starting to wake.She sees her situation: she's lying on top ofa sarcophagus lid with her hands and feet tied together.Then she looks over and seesIMHO'l'EP'S PETRIFIED CORPSEstuck in the rock. She can'tk>elieveit.

EVY
Imhotep.
55

INT. EGYPTIANGALLERY - NIGHT

LIGHTNING FLASHESthrough a skylight down onto O'Connell and Ardeth Bey, guns up, quietly creeping through theMuseum's Egyptian Gallery.They can hear the distant CHANTING.

56

INT. BRITISHMUSEUM BASEMENT WAREHOUSE - NIGHT

Imhotep's petrified-corpse suddenlySHUDDERS as the High Priest reads framthe black Book Of The Dead.

HIGH PRIEST
(ancient Egyptian -subtitled)
Rise upf RISEUPJ RISE utJUUPf
57

INT. EGYPTIANGALLERY - NIGHT

O'Connell andArdeth Bey creep alongside an ancient coffin. A ROT'l'EDMOMMYSUDDENLYRISES UP INSIDE 1'1'.Accompaniedby ROARING THUNDER anda FLASH OF LIGHT:tiING.

O'Connell and Ardeth Bey both SCREAM,whip their guns around and back up against a glass case. Anothermummy SLAPS it's face up against-the glass behind them.O'Connell and Ardeth Bey quickly back away as all themummies in the room squinn and writhe inside their cases, tryingin vain to break out.

58

INT. BRITISH MUSEUM BASEMENT WAREHOUSE- NIGHT

The CHANTING and READING of the Book reaches aCRESCENDO. LIGHTNING flashes across Imhotep's petrified corpse,which STARTS TO COME ALIVE. His petrified tissue begins toanimate. His tattered flesh and rotted bonesbegin to move.

The High Priest and Lock-Nab are thrilled.Evy is horrified.

lmhotep's rotted corpse steps free of the rock.The Priests STOP CHANTING and prostrate themselvesbefore him. Illlhotep looks around with hideous empty eye sockets, they suddenly fix onto something. Evy turns to see what itis.

It's Meela, striding down a corridor.'l'HESCREENFLASHES. And Meela is now striding through Pharaoh's palace wearing little but paint from head to toe, --she'sreally ANCK-SJJNAMQN. Anck steps up to IMHOTEP,who looks more muscular and handsome than ever. He looks into her luscious eyes.

IMHO'l'EP Anck-sunamun.

THE SCREEN FLASHES. And Meela is standing in front of Imhotep's living corpse. The High Priest looks at her.

HIGH PRIEST
Do not be frightened.

Meela stares at Imhotep, a stone cold ice queen.

MEELA
I am not afraid. I am the direct descendant of the goddess Isis. I am the thirteenth daughter of the thirteenth daughter.
(ancient Egyptian -subtitled)
I am Anck-sunemun reincarnated.

Imhotep stares back at her.

IMHOTEP
(ancient Egyptian -subtitled)
Only in body. But soon--

Imhotep's fetid lips and rotted cheeks almost form asmile.

IMHOTEP
(ancientEgyptian - subtitled)
I shall bring your mind and soul back from the depths of the underworld.

UP ONA CATWALK: O'Connell and Ardeth Bey stare down on this surreal tableau.O'Connell just shakes his head.

O'CONNELL
Ya know,a few years ago I woulda been a little wigged outby all of this-

DOWNBELOW: Lock-Nab pours a VIAL OF ACID into the keyhole of the Scorpion King chest.The metal SMOKESas the acid bums through it.The High Priest steps up toLock-Nab and grins.

HIGH PRIEST
Lord Imhotep willbe much pleased.

Lock-Nab pulls open the chest. -But only the VASE is inside. The High Priest'sface goes ashen.

HIGH PRIEST
Where is it? Where is the bracelet!?
(he looks atEvy)
The O'Connell womanJ
LOCK-NAB
Not She does not have it.

PUSH IN: on Lock-Nah, as his face slowlyhardens.

LOCK-NAB
But I think I know who does.
59

EXT. STREET - NIGHT

TIGHT ON: ALEX, standing outside the car.

ALEX
-and at the very top of the gold pyramid was a huge diamond.

Jonathan is absolutely mesmerized, practically drooling.

JONATHAN
Buge diamond? Bow huge?
ALEX
Itwas so.big it would reflect the sun andwink at distant travelers, beckoning them to theirdeaths.
60

INT. BRITISH MUSEUM STORAGEWAREHOUSE - NIGHT

/ Meela leans in..closer:. toImhotep.

MEELA
(ancient Egyptian- subtitled)
I have a gift for you,my love.

She gestures. Imhotep looks.His face flashes hatred.

IMHOTEP
{ancient Egyptian -subtitled) Herl

LIGHTNING FLASHES acrossEvy, struggling on the sarcophagus lid, she sees them lookingat her. Meela grins, cat-like.

MEELA
(ancient Egyptian- subtitled)
Yes. I knew it would please you to watch her die.

Meela snaps her fingers.A group of Priests lift the lid.Evy struggles on top of it, then she notices they're carrying her to an open sarcophagusFILLED WITH WRIGGLING SCARABS.

EVY
Oh my god.

Imhotep's fetid lips grinat Evy as she's carried pasthim.

IMHOTEP
(ancient Egyptian~ subtitled)
The underworld awaits you.

Evy is carried up to the sarcophagus.She YELLS at Imhotep.

EVY
You wait! I'll put you in your grave againt

The High Priest steps up and gives-Evya creepy grin.

HIGH PRIEST
our thinking was:· not ifwe put you in your grave first.

Evy looks down·at ·thesquirmingscarabs. Imbotep YELLS:

IMHOTEP
(ancient Egyptian - subtitled)
Kill herl

--------------------

Meelagrins in delight. THUNDER CRACKS.The Priests TILT THE LIDtowards the sarcophagus. Evy SCREAMS andROLLS OFF.

O'Connell leapsforward and catches her.LIGHTNING FLASHES. And that's whenArdeth Bey OPENS FIRE from up in the catwalk. The High Priest,Lock-Nab and all the Priests dive for cover. The sarcophagus lid CRASHES to the floor.Bullets rip into the pillarabove Meela's head, she SCREAMSand hits the deck.

61

EXT.ROLLS ROYCE - NIGHT

Standing outside the Rolls Royce,Jonathanand Alex hear the GUNFIRE.They both attack the door handle,fighting over it.

ALEX
Openit! Open it! Open itl
JONATHAN
Let gol Let gol Let go!

Thefront door opens and they both leap inside.

IN'I'.ROLLSROYCE -NIGHT

Jonathan jams the key into the ignition and frantically turns it, thekey BREAKS OFF in the ignition.Alex SCREAMS at him.

ALEX
You broke itl You broke itl
JONATHAN
Be quiet, Alexi If there's going to be any hysterics, they'll come from~1
62

INT.BRITISH MUSEUM BASEMENT WAREHOUSE- NIGHT

Ardeth Bey races across the catwalk,BLASTING AWAY, keeping everybody pinned down. O'Connell uses one hand to snap open a butterfly knife and cut the ropes holding Evy, at the same time, his other hand is pumping shotgun BLASTS.One of which blowsa Priest backwards into another Priest,who falls into thescarab filled sarcophagus •.ThePriest SCREAMSand FLAILS WILDLY as the hideous flesh eating scarabsENVELOP HIM.

Imhotepsteps up to the BLACK URNwhere his 41 Servants"are kept. Bullets RIP THROUGH HIM. Be doesn't seem to mind.

IMBO'l'EP (ancient Egyptian -subtitled) Rise ye my servants!

O'Connell and Evy start racing up a staircase.

---------·----------------------- ------···

Imhotep continues his chant overthe urn.

IMHOTEP
(ancient Egyptian- subtitled)
Collect your bones, gather your limbs, shake the earth from your flesh! Your Master is here!

Imhotep RIPS the lid off the black urn,--A MASS OF SAND EXPLODES OUT OF IT andFORMS INTO FOUR SOLDIER MUMMIES. O'Connell, Evy and .Ardeth Bey meet at the top ofthe staircase, they look downand see the Soldier Mummies.

O'CONNELL
Not these guys again.

lmhotep points to our heroes, then looks at the Soldier Mummies and utters thosefamous words:

IMHOTEP
E-heeby-uut Set-nal

O'Connell yanks Evyout the door. Ardath Bey is right behind. The Soldier Mummieshunker into attack position and SCREECH.

63

EXT. ROLLS ROYCE -NIGHT

Jonathan and Alex scrambleout of the car. They hear the distant SOUND of the SoldierMummies SCREECHING INSANELY. Jonathan grabs Alex tightly,panicking.

JONATHAN
What are we going todol? What are we going to do?J
ALEX
You' re askingHE??I I'm only eight years old for cripessake!
64

EXT. MUSEUM ALLEY- NIGHT

The side door of themuseum BURSTS OPEN. O'Connell, Evy and Ardath Bey run out.'l'heyrace down the alley.Behind them, the brick wall of the museum EXPLODES as the four Soldier Mummies jump through it in perfect unison, hit the pavement, pivot sharply, and stridedown the alley after them.·

65

EXT. STREET- NIGHT

O'Connell, Evy.andArdath Bey race out into the deserted street and up to theempty Rolls Royce.

O'CONNELL
Where the hell's Jonathan?

A BRIGHT RED DOUBLE-DECKERBUS careens around the corner. Jonathan at the wheel,nervously trying to maintain control. The bus slows.Alex pulls open the door. O'Connell,Evy and Ardath Bey leap inside.Evy hugs Alex. O'Connell gives Jonathan a look-to-kill.

O'CONNELL
What's the matter with,m car?
JONATHAN
We were forced to find alternative transportation.

O'Connell is incredulous.

O'CONNELL
A double-deckerbust?

Jonathan points toAlex.

JONATHAN
It was hisideaJ
ALEX
Wasnatl
JONATHAN
Was tool
ALEX
Was not1
JONATHAN
Was tool
O'CONNELL
GOl11

JonathanHITS THE GAS and SHIFTS UP. The bus lurchesforward. O'Connell runs to the back of thebus and looks out.He sees the four SoldierMummies stride .outof the alley,two-by-two assault formation.They pivot and march rightup and over his Rolls Royce.Severely CRUSHING the trunk, roof and bonnet. O'Connell is devastated.

O'CONNELL
I hatemummies.

The SoldierMummies fan out, four abreast, and begin to accelerate after the bus.O'Connell looks at Ardeth Bey.

O'CONNELL
You take the low road. I'll

I take the high. \

ARDETH BEY
Right.

O'Connell heads for the staircase.

O'CONNELL
There's nothin' better than shooting mummies.

He sees his son looking athim.

O'CONNELL
Except reading, writing andarithmetic.

Alex just roll his eyes.O'Connell heads up the stairs. Ardeth Bey hefts his machine-gun.Aims it at the back window.

66

EXT. TOP OF BUS - NIGHT

O'Connell comes up onto theTOP DECK of the bus. Sees the Soldier Mummies CHARGINGafter him. And gaining quickly.

Okay, here we go, everything happens at once,READ FAST:

O'Connell starts pumpingSBO'l'GUNBLASTSdown at the Soldier Mummies. Blows out severalribcages. All four Soldier Mummies instantly fan out andRUN UP THE SIDES OF THE BUILDINGS, running horizontal to the street,two on either side.

O'CONNELL
Right.
67

INT. BUS - NIGH'L'

One of the Soldier MummiesLEAPS off the building and plasters himself to theback window of the bus, --WHAM! Scares the shit out ofArdeth Bey. He OPENS FIRE. Blasts the window. SBA'l"l'ERCI'l'Y.TheSoldier Mummy isRIPPED INHALF. The lower half of it'sbody drops away and hits the street.

68

EXT. TOP OF BUS - NIGHT

Another Soldier MummyLEAPS off a building at O'Connell. O'Connell FIRES. Blows itout of the air. He feels something coming and pivots, --too late. Another SoldierMummy FLIES through the.air and TACKLEShim. They both SLAM to the deck. O'Connell's shotgun skitters offdown the aisle. READ FASTER:

69

INT. BUS - NIGHT

Ardeth Bey popsthe cartridge out of his machine-gun, it drops to the .floor,he fumbles for another one.Suddenly, the torso of the SoldierMwmny he just shot in halfSWINGS in through the shattered rear window,SCREAMINGin rage. Ardeth Bey starts backpedaling up the aisle, trying to reload.

70

EXT. BUS - NIGHT

The Soldier Mummy up top grabs O'Connell's throat, liftshim to his feet and startsSTRANGLING HIM.

71

INT. BUS - NIGHT

Ardeth Bey backpedals up the aisle,having trouble reloading. The half-SoldierMummy chases him, scurrying over the seats using only it's hands, like a crazed monkey,SCREECHING WILDLY. Evy and Alex see it coming,they YELLat Jonathan.

EVY/ALEX TURNJ TURNITURN!

Jonathan CRANKSTHE WHEEL.

72

EXT. BUS -NIGHT

The bus SLEWSBARD TO THE LEFT. Up top,O'Connell and the SoldierMummy strangling him are THROWNacross the aisle.

73

INT. BUS -NIGHT

So is Ardeth Bey and the half-Soldier Mummy. Ardeth Bey's gun goes flying out thewindow. The bus ROARS into HydePark.

74

EXT. BUS/HYDEPARK - NIGHT

O'Connell quickly crawls on hishands andknees as fast as he can down the aisletowards his shotgun.

75

INT. BUS -NIGHT

Ardeth Bey leaps to his feet,unarmed. The half-SoldierMummy rises up overa seat in front of him and lifts it'sdeformed hand, --RAZORSHARP, FOUR INCH FINGERNAILS GROWout of it's fingertips. ItSWIPES at Ardeth Bey. RIPS intohis cU:m. Ardeth Bey SCREAMSand falls back. Evy and Alex grab him.

76

EXT. BUS - NIGHT

O'Connell's fingertipsgrab the butt of the shotgun.He's almost got a grip on it.

77

INT. BUS - NIGHT

The half-Soldier Mummy SCREECHESand leaps forward.

EVY/ALEX TURN! TURN! TURN!

Jonathan CRANKS THE WHEEL.

78

EXT. BUS - NIGHT

The bus SLEWS HARD TO THE RIGHT.O'Connell's shotgun goes skittering away from him.His eyes widen as he sees it tumble down into the stairwell.They get even wider as the Soldier Mummy behind him grabs hisankle and LIFTS HIM UP.

79

INT. BUS - NIGHT

The half-Soldier Mummy SWIPESat Ardeth Bey again. RIPS him across the chest. ArdethBey slams into the wall of the bus, dazed and hurt. The half-Mummycloses in for the kill.

Evy hears something to her right,she looks: it's O'Connell's shotgun tumbling dONn the stairs.Evy grabs it..Pumps it..

The half-Mummy lifts ArdethBey up with one hand while drawing his hideous clawfingersback for the final blow. Evy spins around and pulls the trigger,--BLAMJ Point blank. Blows the half-Mummy to pieces.

Jonathan and Alex are staring out through the front windshield. Eyes wideningin unison.

JONATHAN/ALEX UH-OH.

Up ahead, is a very low hanging pedestrainBRIDGE.

JONATHAN/ALEX (in unison) We're not gonna make itl

80

EXT. BUS - NIGHT

Op top, O'Connell is tryingto fight off the Soldier Mwmny as it viciously strangles him.Then he sees something over the Soldier Mummy'• shoulder. O'Connell's eyes widen.Be throws a wild punch, knocks himself free.Hits the deck and covers his head. The Soldier Mummy looksdown at him, then quickly turns to see what's coming. --It'sthe bridge.

The bottom two-thirds of thebus goes under the bridge. The top third is RIPPED CLEAN OFF, taking the SoldierMummy right along with it.

BACKUP ON TOP OF THE BUS: O'Connell cautiously opens his eyes, --there's nothing but tom metal all around him. The bus races out ontoTower Bridge.

81

INT.BUS - NIGHT

Alex throws his arms around Jonathan.

ALEX
Great driving Uncle Jon!

Jonathan hugs Alex with his freearm;we see how close they are.A moment of calm. And then Alex hears something to his immediate right.He turns and looks,--A SOLDIER MUMMY POPS UP INTOTHE OPEN WINDOW, clinging to the side of the bus. Alex SCREAMS. Jonathan SCREAMS. The Soldier MummySCREAMS!

And then the barrel of a shotgun whips intoFRAME over Alex's shoulder and right into the Soldier Mummy's mouth.

O'CONNELL
Close youreyes, Alex.

Alex scrunches his eyes shut. O'Connell pulls the trigger. The Soldier MUDDDy'shead is BLOWN OFF.

82

EXT. TOWER BRIDGE - NIGHT

The headless Mummy's body FLIES off thebus and out over Tower Bridge.

83

INT.BUS - NIGHT

Jonathan starts to shift down. Coming .from the engine isa SOUND like nails being dropped into a blender.This bus is a write-off. O'Connell looks at Ardeth Bey.

O'CONNELL
You alright?

Ardeth Bey winces painfully.

ARDETH BEY
I prefer the company of camels.

O'Connell gives Evy a hangdog grin.She gives him a sexy smile, then lifts a finger and curls it,gesturing for him to cane hither. He does. She grabs him.They KISS gently. Jonathan and Alex both roll their eyes in disgust.

JONATHAN/ALEX Oh pu-leeeeze.

Alex walks off downthe aisle, shaking his head. The bus slowly CLATTERSto a stop. O'Connell and Evy unlock and look into each other's eyes.O'Connell SIGHS HEAVILY.

O'CONNELL
Are all librarian'sthis much trouble?

They both smile. And that'swhen they hear Alex YELLING.They turn and see him beingpulled out a back window by Lock-Nab. Evy SCREAMS.

EVY
ALEXl 1

O'Connell practicallythrows himself down the aisle.He makes it to the window intime to see Alex struggling with Lock-Nah and several red turbaned men on top of aflatbed truck,which WHIPS AROUND and CHARGESback out onto the bridge.

EX'!'.BUS -NIGHT

O'Connell comes tea.ringout of the bus withEvy and Jonathan right on his tail.He races after the truck. But theTower's drawbridge STARTSTO RISE UP in front of him, cutting him off. The truck CAREENSoff the far end of bridge and vanishes up an alley. O'Connell staggers toa stop, looking likea guy who's just had hisheart ripped out.

O'CONNELL
Alex_
84

EXT. BRITISH MUSEUMPARAPET - NIGHT

Imhotep stands on the uppermost parapet of the British Museum, surrounded by moldy copper gargoyles.

IMHOTEP
(ancient Egyptian- subtitled)
Now I shall go toAhm Shere and kill the ScorpionKing.

He turns to Meela,who is looking sexy as hell.

IMHOTEP
(ancient Egyptian- subtitled)
And we shall rule the world together.

Meela smiles. In the background, the High Priest nervously urges her on.

HIGH PRIEST
Tell him. -Tell him!

Meela stays him with a glance, then looks at lmhotep and steels herself.

MEELA
(ancient Egyptian -subtitled)
My love, we do not have the Scepter of Osiris.

Imhotep looks at her,-and then just smiles.

IMHOTEP
(ancient Egyptian -subtitled)
I do not need the Scepterof Osiris.

His face hardens in anger and he givesher a bitter smile.

IMHOTEP
(ancient Egyptian- subtitled)
When they cursed me,they made me stronger than theirgods!

Then he leans in tokiss her. His ugly corpse face frightens her. She startsto leanback. THE SCREEN FLASHES.They are now face-to-face in Pharaoh's palace.Handsome lmhotep and beautiful Anck-su-namun.Anck looks around, surprised to be there. Imbotepcontinues to lean in for his kiss. Anck grins at the handsomeman, then kisses him hard and closes her eyes. THE SCREENFLASHES. Imhotep's rotted face and fetid lips are nowkissing Meela's smooth skin and full lips. It.'sa good t.hinghe:eyes are closed. l'mhotep'sface ROTS AWAY just a littlebit more.

85

EXT. TOWER BRIDGE -NIGHT

O'Connell andEvy stare out over theThames to where the truck vanished, looking stricken. Ardeth Bey steps up.

ARDETH BEY
Po not fear, my friends.They will not hurt ycur son.

O'Connell andEvy turn and look at him.

ARDE'.rHBEY They gan not hurt hlJD.Forhe wears the bracelet of Anubis.

•Evy looks at O'Connell.

EVY
Alex is wearing the bracelet?

O'Connell just wants answers,he steps towards Ardeth Bey.

O'CONNELL
Alex said he sawGiza, and then

\

Karnac-?

ARDETH BEY
When they reachKarnac, the bracelet will show him the next step on the journey,and continue to do so until they reachAbm Shere.
O'CONNELL
Then we better get toKarnac, pronto.

Jonathan looks devastated.

JONATHAN
Don't tell meI've got to go backto the desert.

O'Connell, Evy and Ardeth Bey all turn and glare at him. Jonathan quickly shifts gears and smiles brightly.

JONATHAN
Hey 1 we're going back toEgypt1

O'Connell grits his teeth and pumps his shotgun,KA-CRANK!

O'CONNELL
Iwant mY son back.
86

EXT. CAIRO TRAIN STATION (MATTE)- DAY

A TRAIN is pulling out of CAIRO STATION.The FIFTY ARMED MEN in black turbans sit on top of each car. In the background, are the pyramids and the Sphinx of the Giza Plateau.

87

INT. LUXURY CAR - DAY

Lock-Nab pulls Alex into a luxury parlor car.Alex sees the High Priest hand Meela the black BOOK OFTHE DEAD. Alex points to it, very impressed.

ALEX
Heyl The Book of the Dead.

Lock-Nab slaps his hand down as Meela and the High Priest turn to face them.

MEELA
What abright little child.

-·-···-------··-----------------

so

She licks her fingers andstraightens his hair, very motherly.

MEELA
Your mother must be missing you terribly. If you wish to see her again, you best behave.
ALEX
Lady, I don't behave formy parenes, what makes you think I'm gonna do it for ,ZQl,l?
MEELA
Because your parents wouldn't slip poisonous snakes into your bed while you were sleeping.

She smiles. Alex's eyes widen.The High Priest looks at Lock- Nah.

HIGH PRIEST
Lord Imhotep wishes to meet the boy.

Lock-Nah nods, then YANKSAlex out the back door. There is a knock on the front door as it opensand Red and Spivey step inside, followed by Abduland Muhammed, carrying a •box" shrouded in a blanket.The High Priest stares at them.

HIGH PRIEST
Did you acquire what we asked?
RED
Oh, we •acquired it" all right. 'ad to kill two a them guards at the museum to acquire it.

Abdul pulls the shroud off the•box", -it's the SAME EXACT CHEST the Americans foundand opened in the first movie. Abdul angrily fingers the hieroglyphson it's lid.

ABDUL
This chest is cursed. It says there is one, the undead,who will kill all those who open th-ischest-
HIGH PRIEST
(dismissing him)
--Yes, yes, and suck them dry and then he'll become whole again. We've all heard the story before.
RED
I 'erd the American chaps who found it nineyears ago all died, 'orrible deathsthey were.

Spivey gives them a grin.

SPIVEY
So we want five thousand.

Lock-Nab is furious.

LOCK-NAH
The deal was fortwo!
SPIVEY
We want fiveor we'll sell it elsewhere.

Lock-Nabreaches for his scimitar. Meela stopshim.

MEELA
Fivewill be just fine.

She turns andheads for the back door.

MEELA
Follow me,gentlemen, and you Shall receive allthat you deserve.
88

INT.CLUTTERED BOXCAR - DAY

The interior of thisboxcar has been transformed into an ancientEgyptian temple. Lit by TORCHES. Incense burns.Very Dl00ciy.Therear door opens. Alex is hustled inby Lock-Nah, who _closes the door and escorts Alex up toahooded FIGURE. Lock-Nabbows down. The Figure turns around.Alex SCREAMS. It's Imhotep,looking incredibly creepy andgrosa.

PUSH IN:on Imhotep as he begins speakingANCIENT EGYPTIAN. PULLOUT: as his ANCIENT EGYPTIAN morphs into ENGLISH:

IMBOTEP
Keetashissirian ilm it is you who are the chosen one,~ who will take me toAhm Shere.

Alex blinks, then shakes his head, a bit disconcerted.Then he stops himselffran trembling and tries to be brave.

ALEX
What if I don't?What if I get a little,-lost?

S2

I Imhotep's sinewy face formsa horrific semi-smile. /~. I I

IMHOTEP
You have strength little one, you areyour father's son.

Lock-Nah is staring at Alex and Imhotep, to him,they are BOTH speakingANCIENT EGYPTIAN.

IMHOTEP
But I knowsomething you don't.

Imhotep grabs the bracelet on Alex's wrist.Alex is terrified.

IMHOTEP
This braceletis a gift .m;u;l a curse.The sands of time have already begun to pour against you.

Imhotep reaches over and flipsa large HOURGLASSfilled with black sand.The sand begins to pour.

IMBOTEP
Framthe moment the bracelet takes hold of your wrist,seven days do you have to enter the pyramidof Ahm Shere, and ·then...

Imhotep stares at the bracelet.Alex stares at Imhotep.

ALEX
Yeah?AND THEN?!

Imhotep lookshim square in the eyes.

IMHOTEP
And then it will suck the life out of you.
ALEX
Wait a minute, that's in five days!
IMHOTEP
Then Ithink it would be best if we did notbecane lost.

Alex slowly gritshis teeth and gives Imhotep a hard stare.

ALEX
My dad··isgonna kick your ass.

VOICES areheard caning fran outside. Imhotep spinsaround andheads back to the altar. Lock-Nab quicklygrabs Alex and pullshim out the front door. Meela enters through the rear door,ushering Red, Spivey, Abdul, and Muhammed inside.

MEELA
In here,gentlemen, you shall receive your just rewards.
RED
No tricks'·now,woman, we' re not givin'up this 'ere chest 'tillwe're satisfied.

Meela gives him a very seductive look.

MEELA
There is much satisfaction to be had.

Abdul and Muhammed carry the chest into the gloomy cabin. Meela quickly sweeps out behind all of them and shuts the door,LOCKING IT from the outside.Spivey looks spooked.

SPIVEY
What the 'ell'?

Red and Abdul squint into the smokycar. They can just barely make out a large shadow. Red draws his pistol.

RED
Wha' do we 'av 'ere then?

Imhotep steps intoa SHAFT OF LIGHTand SHRIEKS. Red, Spivey, Abdul, and Muhammed just about·jumpout of their skin. Spivey andMuhammed start to SCREAM and PANIC andCLAW at the back door. The metal plate covering thepeep hole slides back, revealing Meela's beautiful face.

MEELA
Be wants you to open the chestl Quick1 Open the cheat!

The peep hole slams shut. Spivey goesfor it. Abdul YELLS:

ABDUL
NOOOOS

But Spivey grabs the lid-to the chest and pulls,-it POPS OPEN WITH A LOUD HISS AND A BLAST OFWHITE VAPOR. Imhotep's mouth starts to open wide, AND KEEPS OPENING, untilhis mouth is aboutthe size of an oil drum. Then be LUNGESFORWARD and SUCKS MtJBAMMADINTO-HIS MOUTH. He immediately SPITSHIM OUT. Muhammad's SHRIVELLED CORPSE slams off a wall anddrops to the floor.Now even Red and Abdul freak out.

Imhotep startsstalking them. He SUCKS Spivey into his mouth. SPITS HIMOUT. Spivey's shrivelled corpse STICKS to the wall. Red andAbdul start FIRING their revolvers.

89

INT. PARLORCAR - DAY

The High Priest hears theTWO GUNS FIRING and looksup from the book he's reading.Meela enters and sits acrossfrom him.

MEELA
Nothing to worryabout.

Now onlyONE GUN FIRES •...Andthenall goes quiet.She smiles.

MEELA
Nothing to worry about at all.
90

INT.CLUTTERED BOXCAR - DAY

Imhotep steps out of theshadows, nowFULLY REGENERATED, looking more muscular and handsomethanever. And he seems quite pleased with himself.

91

EXT. IZZY'SHANGAR - DAY

Jonathan'sDussenberg trundles across the desert and up to a beat-to-shitAIRPOR'I'HANGAR.A SIGNREADS:

MAGIC CAR.PB~ AIRWA%S

O'Connell,Evy and Jonathan get out of thecar. The hangar door opens.A wild-haired MECHANIC covered in grease steps out.This is IZZY. He takes one look at O'Connell and immediately runsback inside, SLAMS the door andLOCKS IT. Evy gives O'Connell a look.

EVY
I see you've met.
O'CONNELL
Jonathan,get our bags, I'll deal withthis guy. ·

Jonathan lifts up the Scepter of Osiris.

JONATHAN
Myhands are pretty full-

--o,connellsnatches it away.

O'CONNELL

JONATHAN
Right, right, I'll get the bags.

Jonathan scurries.away. O'Connell walksup to the hangar door, pulls his gun and SHOOTSOFF the doorhandle. Evy gives him another look.

EVELYN
Honey, you're not a subtle man.

O'Connell holsters his gun.

O'CONNELL
Don't have time for subtle.

He KICKS the door open,then courteously waves Evy in.

92

INT. IZZY'S HANGAR - DAY

Izzy is very upset, pacing andRANTING:

IZZY
Forget it, 0' ConnellIEverytime I hook up with you I getmy butt shot off. Look!Seel I hardly got any butt left at all.RemeJ'Gl::w!r that bank job inMarrakesh?

Evy looks at O'Connell and raises aneyebrow.

EVY
Banltjob?

O'Connell lamely triesto cover.

O'CONNELL
It's not like it sounds.Really.

Izzy looks at Evy.

IZZY
I fly in low for the pick up,land on a friggin' dime,next thing ya know, I'm lyin' in the middle of the road, all shot uplMy spleen hangin' out--1

Evy cringes. Izzy gesturesto O'Connell.

IZZY
-and I·see h.i.mwaltzin' off with some bellydancer girl!

Evy cocks an eyebrow at O'Connell.

EVY
Bellydancer girl?

Then she looks back at Izzy.

EVY
ciearly, you and Ineed to get better acquainted.

O'Connell slams a large bundle of cash onto the table, trying to change the subject.

O'CONNELL
We don't care what it costs.
IZZY
O'Connell, you looked around here any? What do Ineed money for? What the hellam I gonna spend it onl?

O'Connell punctuates hisdialogue by pointing the Scepter at Izzy:

O'CONNELL
Look Izzy, my little boy is out there and I'm gonna do whatever it takes to get himback.

O'Connell notices that Izzyhas been staring at the Scepter. He moves the Scepter tothe left. Izzy's eyes follow it.He points it to the right. Izzy's eyes are locked on.Up.Down. Izzy's head comicallymoves with the Scepter. O'Connell smiles knowingly. Izzy finally points to the Scepter.

IZZY
O'Connell, you gimmethat gold thing there, you canset me on fire and call me names.

O'Connell hands Izzy the Scepter.Izzy grabs it. O'Connell doesn't let go of it.

O'CONNELL
The men we're up against wanted this thing awful bad.Bring it along.
IZZY
You think I'd leave ithf:rJj?

S7

O'Connell lets go.Izzy gleefully scurries away. Jonathan staggers upand drops the luggage.

JONATHAN
Hey, where'smy gold stick?

O'Connell looks at him.

O'CONNELL
Don't worry,we did the right thing.
JONATHAN
We did?
93

EXT. HANGAR- DAY

O'Connell andJonathan step out of the hangar, followedby Izzy, wiping his greasyhands across his dirtyyellow shirt, and givingEvy a flirty, rotten toothed smile.

IZZY
-You're not exactly catching me at my best.

And then he spots ArdathBey and TWELVE MEDJAIWARRIORS sitting on horses.He stops in his tracks, suddenly nervous.

IZZY
And uh,who, exactly, are these friendly looking fellows?

Ardeth Bey dismounts.

ARDETHBEY
They are thecommanc:lersof the twelve tribescf the Medjai.
(he lifts hisa.i:m)
Horus!

A FALCON on theaJ:mof one of the Mec:ljaiCommandersflies off and over toArdath Bey, landing on his outstretchedarm. Jonathan looks atArdath Bey and grins.

JONATHAN
Pet bird?

Ardeth Bey lovingly strokes Horus' feathers.

ARDETB BEY
My best and most clever friend. He will let the othercommanders know..of our progress,sothat they may follow.

Ardeth Bey looks at the otherCommanders, then with an open palm he touches his heart and waves ittowards the sun.

ARDETH BEY
Harum bare shad!

The Commanders make thesame sign and CALL BACK:

COMMANDERS
Harum bara shad!

Then they rear their horsesaround and gallop off.

ARDETH BEY
If the Army of Anubis arises, they will do e.lltheycan to stop them.
94

EXT. HANGAR - DAY

O'Connell, Evy, Jonathan and Ardeth Bey round the side of the hangar. They come toa dead stop as they look up and see:

A small golden DIRIGIBLE,a blimp, floating in the air,held down by mooring lines. Slung to its underbellyis adecrepit old FISHING TRAWLER.An airplane propeller sticksout of the rear of the boat engine. It all looks very hand-made and jerry-rigged. Izzy stands in front of it,grinning proudly.

IZZY
Isn't she beautiful!

O'Connell looks very annoyed.

O'CONNELL
It's a balloon.
IZZY
It's a dirig:ibleJ
O'CONNELL
Where's your aix:»lone? ,
IZZY
Airplanes are a thing of the past.

O'Connell does a slowburn as Ardath Bey shakes his head.

ARDETH BEY
Why can't you people ever keep your feet on the ground?

O'Connell,Evy, Jonathan and Ardeth Bey followIzzy up the gangway.There are multiple BANNERS slung along the side of the boatcovered in NAMES WRITTEN IN ARABIC.

JONATHAN
Why arethere names written all overit?
IZZY
(proudly)
That wasm idea.
EVY
Your idea?
IZZY
Yeah, ya see,I talked all the localmerchants into payin' me to put theirnames on it.
(smilesbroadly)
I callit: •Product Placement"'.

Izzy cuts the mooringlines. The blimpBEGINS TO ASCEND. CtrrWIDE:as the 'blimpmotors off intothe desert towards a gorgeousSETTING SUN. DISSOLVE TO: a fantasticFULL MOON, as theblimp floats across it. A billionstars twinkle brightly.

95

EXT. BLIMP - NIGH'!'

Jonathanand Ardeth Bey are sitting alongside the cabin•. Jonathan'sarm is reaching into a porthole,scrounging around inside for something.Ardath Bey is lovingly petting Horus.

ARDETHBEY
It is written, that theoasis of AhmShere is where Man began, and wherehis demise will originate.
JONATHAN
Yes,yes, sounds terrible, now aboutthat gold pyramid?
ARDETHBEY
(ominously)
It is written, that since thetime of the Scorpion King,no man who has everlaid-eyes upon it, has everreturned to tell the tale.

Jonathan looksnervous.

JONATHAN
Where isal.lthia stuff written?

\

...···········----------------~

Then he pulls the Scepter out through the porthole.

JONATHAN
There!Got it. Pretty nice eh?
ARDETHBEY
Yes,and it must be very important, if I were you,I would keep it close.

Jonathan proudly puffs up his chest.

JONATHAN
Theam1I, couldn't take itaway.

Izzy walks past and snatches it out of Jonathan's hand.

IZZY
That's mine,skinny boy, keep ya hands off.

Jonathan looks crestfallen. Ardeth Bey just laughs.

UP AT THE BOW: O'Connell steps up toEvy, who is staring out at the fantastic landscapes below. Shestartsto tremble.

EVELYN
Iwant him back, Rick. I want himin my arms.

Evy starts to cry. O'Connell gently wraps his arms a.round her and hugs her tight.

O'CONNELL
Iknow-, I know_

He sees the GOLD DISC in her hands and points to an engraving of someAnubis Warriors, trying to get her mind off of Alex.

O'CONNELL
So whoare these guys?
EVELYN
AnubisWarriors. Minions of the Scorpion King.
O'CONNELL
And these little guys here?

Evy looks intobis eyes and gives him a slight smile,she knows what he'strying to do, and she loves him for it.

EVELYN
Pygmies. The Pharaohs used to catch them and bring them back to ~hebes for show. They were cannibals. And DD, ill tempered.
O'CONNELL
So whatever happened to this Scorpion King guy?
EVELYN
He betrayed Anubis andwas condemned for all time.His curse was so horrible, it has never been described.

Evy's eyes drift off.O'Connell hugs her tighter.

O'CONNELL
-I promise, Evy, we're gonna get him back.
96

EXT. TRAIN - DAY

The SUN RISES behindthe train as it races between giant golden sand dunes.

97

INT. TRAIN - PRIVATEPASSENGER COMPARTMEN'L'-DAY

A tight little passengercompartment. Alex drums his fingers on the windowsill andstares at Lock-Nah, who sits across from him and stares rightback.

ALEX
Are we there yet?
LOCK-NAB
No.
ALEX
Are we there yet?
LOCK-NAB
No.
ALEX
Are we there yet?
LOCK-NAH
No.
ALEX
Are we there yet?

Lock-Nahleaps up and SLAMS a knifebladedown between two of Alex's fingers,missing them by a hair.Alex just stares.

ALEX
Wow,that was amazing, perfect aim.
LOCK-NAB
Whatare you talking about?

Look-Nabyanks the knife out.

LOCK-NAH
I missed.

Alex's eyes widen. Lock-Nab starts picking his teeth with the blade.Alex glares at him.

ALEX
Ihave to go to the bathroom.
98

INT.TRAIN BA'!'BROOM-DAY

The bathroom door opens and Alex looks into the most rancid, filthy,disgusting, windowlesscraphole imaginable. He looks up at Lock-Nab, and in a very dainty voice says:

ALEX
Where's the bidet?
LOCK-NAH
HURRY OP!
ALEX
Just kidding, _geez.

Lock-Nab crosses his arms and staresdown at Alex. Alex stares right back up at him.

ALEX
I can't go when someone's watching.

Lock-Nab snarls, then steps out andslams the door. Alex looks around, disgusted and dejected, then he looks down into the•toilet".

ALEX
Yikes. Doesn't anyone around here know how to flush a toilet?

He gingerly grabs the rusty chain and pulls.There is a loud FLUSHING SOUND•.And--then-Alex's eyes widen.

The bottom of the toilet hasOPENED and is spilling rinsewater right onto the train tracks.Alex quickly grabs the rusty toilet and pulls, peelingit back to reveal a HOLE big enough for-h.im·tofit through.The tracks WHIZZ past.

99

EXT. TRAIN - KARNAC - DAY

The brakes on the train suddenly LOCK-UP.The train starts to SCREECH to a stop near the hugeTEMPLE AT KARNAC. Men SHOU'l'inARABIC and broken English.Something about ''theboy has escaped!". Several men on top of the trainOPEN FIRE.

Imhotep's boxcar doors CRASHOPEN. Imhotep stands in the doorway. Be sees Alex, scurrying off through the ruins, heading for the temple, bulletsRICOCHETING all around him. Imhotep angrily looks up at the twomen firing above him. He raises his aJ:mS.The two men are suddenly picked up off their feet by an invisible force, lifted into the&ir, viciously SLAMMED together, then flung like rag dolls into the ruins.

IJDbotep's£age DECAYS a bit fromthe effort. Alex vanishes into the templecomplex. Meela and the High Priest turn and glareat Lock-Nab, who angrily lowers his head in shame.

100

INT. TEMPLE ROOM - DAY

Alex races into a temple room,panting from exhaustion. Suddenly, the room fills with a VISION: It's the exterior cf KARNAC, only brand spankingnew. Then the vision races across the desert to the fJ.'EMPLEISLANDOFPHILAE,circa 2,000 B.C•• A GIANT MAN suddenly comes striding across the island.The vision vanishes. It's Imhotep.He stops in front cf Alex. Alex is suddenly LEVITATED off his feetand brought up to eye level with Imhotep. Imhotep's faceROTS AWAY a tiny bit more. He grins and wags a moldy finger at Alex.

lMHOTEP Tch, tch, tch-

101

EXT. BLIMP - DAY

The blimp floats high over the Nile, backlit by another gorgeous SUNSET. O'Connell andArdath Bey are busy locking and loading, preparing for l:>attle.

O'CONNELL
What kinda problems can we expect from our old pal?
ARDETH BEY
lmhotep's powers are weak, but he is still quite formidable.

- ----·-··-------------------

Evy strolls up,looking very worried.

EVY
We had better get to Karnac before they leaveit, or we won't have the foggiest where to go next.

O'Connell looks over atIzzy, sitting up in the cockpit.

O'CONNELL
IZZY!
IZZY
I already told yal
O'CONNELL
Tell me again.
IZZY
We'll be there before the sun rises. Cross my heart.

O'Connell gives Evy a wink and a reassuring squeeze.Evy forces a smile and heads for thebow of the boat. Suddenly, her eyes start to glaze over and she goes into atrance-

e INT. KARNAC TEMPLE POOL -DAY

·Imhotep isCHANTING over a tinySACRED POOL covered in FOG. Meela stares into it, her eyesgluing, going into a trance. Imhotep stops chanting and turns to her.

IMHOTEP
(ancient Egyptian - subtitled)
It is time to remind you of who you are.

He passes his hand overthe fog, it begins to part, revealing not a pool',but a VISIONOF ANCIENT EGYPT: PHARAOH'S PALACE.

IMHOTEP
(ancient Egyptian - subtitled)
And of who we are together.

The SCREEN FLASHES and we findourselves in ancient times.

102

INT. PHARAOH'S PALACE -DAY

Two Egyptian Princesses, their faces hidden by ornate gold MASKS, are engaged in hand-to-handcombat, these are the same two Princesses depicted in the hieroglyphs atthe beginning ',__,,,i of the movie. Imhotep and PHARAOHwatch, greatly amused.

IMHOTEP (o.s.)
(ancient Egyptian -subtitled)
For our love is a true love,an eternal love. oursouls mated forever.

Using small, hand-heldTRIDENTS, the two gorgeous women expertly PUNCH,KICK, ELBOW and BACKHAND each other as they brilliantly fight across the palacechamber. One of the Princesses is viciously thrown to the floor,HERMASK IS KNOCKED OFF, --It'sm.

The other woman lunges forward,stopping her knife a quarter inch before it plunges intoEvy's neck. The metal flapson the woman's mask SNAPOPEN, -revealing ANCK. The look in her eyes tells us she'd likenothing better than to drive her knife to the hilt.Evy gives the look right back at her, clearly, there's nolove lost between these two.Anck forces herself to smile atEvy.

ANCK-SUNAMUN
(ancientEgyptian - subtitled)
You have improvedgreatly, Princess Nefertiri.

Imhotep,Pharaoh and the surrounding COURTIERS applaud as the two women get to their feet.Pharaoh steps forward.

PHARAOH .
(ancientEgyptian - subtitled)
Wonderful!Wonderful! Who .betterto protectPharaoh-
(gastures toEvy/Nefertiri} --thanmy lovely daughter, (gestures toAnck)
And my future wife.

Pharaoh hugsNefertiri.-She lovingly hugs him back.And then, over Pharaoh's shoulder,she sees Anck and Imhotepexchange knowing looks.

103

EXT. BLIMP - DAY

Evy's eyes narrow suspiciously•

104

EXT. PHARAOH'SPALACE PARAPET - NIGHT

Nefertiri is strolling theparapet, enjoying the night air. She looks acrossthe pa.lacecourtyard and spies Anck coming through same drapesand into a bedroom. Nefertiri scowls, and then her eyes startto widen in surprise.

CUT TO FOO'l'AGEFROM'1'HEFIRST MOVIE:Anck glides up to Imhotep, standing in the bedroom.She passes her hand over his face in her special wayand they start to KISS.

Nefertiri looks away, furious, trying to decide what to do. Then she looks back across the courtyardand sees Pharaoh entering the bedroom.Anck now stands alone.

CUT TO FOOTAGE FROM FIRST MOVIE:Pharaoh strides up to Anck and accuses her. Anck's eyes flicker over his shoulder. Pharaoh turns around. It's Imhotep.He grabs Pharaoh's sword.

Nefertiri starts to panic,she quickly looks around and spots some Medjai bodyguards in the courtyard.She points to the bedroom amd YELLS:

EVY/NEFERTIRI (ancient Egyptian - subtitled) Quickly! My father needs youJ

Nefertiri looks back across the courtyard in time to see: FOOTAGE FROM FIRST MOVIE:Imhotep and Anck STABBING PHARAOH.

105

EXT. BLIMP - DAY

Evy lunges forward, SCREAMINGin anguish.

\,•,., O'Connell and the othersturn and look just as Evy starts to ,____,, FALL OVER THE RAILING. 0' ConnellLEAPSUP and DIVES for Evy, he grabs her hand, --butis pulled right over the railing along with her! At the last secondhis free hand grabsone of the banners slung alongside the boat. --but the banners RIP AWAY from the railing,SNAP-SNAP-SNAP1 The last one finally catches. Their descentJERKS TO A STOP.

Evy dangles from O'Connell's outstretchedarm, looking shocked. There's a half mile of dead air between them and the earth below. O'Connell strains under the weight, fighting the tug of gravity. Be gives his wife an incredulous look.

O'CONNELL
Going somewhere?
106

INT. KARNAC TEMPLE POOL-

Meela is still in a trance, staring into the pool,she YELLS:

MEELA/ANCK (ancient Egyptian - subtitled) Got Save yourself! Only you can resurrect mel

107

INT.PHARAOH'S BEDROOM - NIGHT

Imhotepis dragged away by his priests.Anck spins around as the Medjai enter-the room•.She curses them and STABSHERSELF.

108

INT.KARNAC TEMPLE POOL - DAY

Meela CRIES OUT, her eyes snapopen and go blank, as if she's just died fromshock. Imhotep isna.,,readingfrom the black Book Of The Dead. Suddenly, Anck'sBOG SPIRIT rises up out of pool and gloms onto Meela's faceand body. The bog spirit sucks itself right into her.Anck awakensand looks at Imhotep.He looks back at her,lovingly.

IMHOTEP
Anck:-sunamun.

Anck stares at him, and then her face softens and she smiles.

ANCK-SUNAMUN
Imhotep.

Imhotep gesturesaround at the temple ruins surrounding them.

IMBO'rEP (ancientEgyptian - subtitled) Our love has lasted longer than the temples of our gods.

Anck passes her hand over his face in her special way,and then they embrace and kisspassionate1y.

109

EXT. BLIMP - NIGHT

Izzy sits up in the cockpit, gliding theblimp through the clouds. O'COnnell, Evy, Jonathan and ArdethBey sit around a warm, glowing barrel of fire.

EVY
-so I was Princess Nefertiri?
ARDETB BEY
Three thousand years ago.

Jonathan leans in to Ardath Bey.

JONATHAN
I don't suppose there's an inheritance we should know about?

Ardeth Bey just smiles and looks back atEvy.

ARDETHBEY
· Because of you,Imhotep was caught, and then cursed for alltime.
JONATHAN
No wonder they want you dead,Evy.

Ardeth Bey looks at O'Connell.

ARDETHBEY
Now do youbelieve, my friend? Clearlyyou were destined to protect this woman.

O'Connell gives ArdethBey a sarcastic look.

O'CONNELL
Right. Evy'sa reincarnated princess and I'm descended from ofan ancient brotherhood of warriors.

ARDE'l'HBEY Bowelse do you explain ,hm.:dreams, andZQJ.t.ttattoo?

O'CONNELL
Coincidence.
ARDETH BEY
My friend, there is a fine line between coincidence, and Fate.

O'Connell shrugs it off, then wraps bisarmaround Evy, getting a little frisky.

O'CONNELL
Youknow, I've never slept with a princess before.

Evy giveshim a big sarcastic smile.

EVY
No, but you've slept with a bellydancer.

She gets upand walks off. O'Connell looks really bummed.

O'CONNELL
Aw c'mon,honey. She meant nothing! Imarried~, didn't Il?

O'Connell gives Izzyan angry look. Izzy starts whistling innocentlyand slides out of sight in the cockpit.

·---.--------

110

INT. TENT- NIGHT

Inside a tent,Alex paces in a circle,and that's all he can do because hisankle is chained to athick stake driven deep into the ground.Lock-Nab rips the flap back and enters.

LOCK-NAB
Whenthe time cCllles,I will truly enjoy killing you.

Alex holds up the bracelet.

ALEX
Uh-uh-uhl

Lock-Nab freezes in his tracks.Alexsmiles.

ALEX
But until that time you better bea little nicer to me. Now where's my water?

Lock-Nab angrily hands Alex a cup of water.

ALEX
No ice?

Lock-Nab snarls and storms out of the tent.Alex smiles to himself,then looks around to see if anyone's watching him. He getsdown on his hands and knees, spills the cup of water ontoa pile of sand and starts playing withit.

111

EXT. KARN.ACTEMPLE - DAY

The train·sits idle by the side of the great temple as O'Connell stealthily moves through the ruins,guns up. He stops and signals Ardeth Bey,who nods and dashes across the sand and up to the train.ArdethBey sticks his gun into the parlor car. It's empty. O'Connell throwsopen the door to Imhotep'sboxcar. It's also empty. --The last bit ofsand drains out of the top of theHOURGLASS.O'Connell is crushed.

O'CONNELL
We're too late.

Ardeth Bey looks out across the deserted temple complex.

ARDETHBEY
They'regone. We've lost them!

And then O'Connell spots something. A glimmerof hope f1its across his eyes.He starts to run.

O'CONNELL
EVYll

O'Connell races across the sand and up to a little BOY'S TIE hanging from a branch.

O'CONNELL
Look! Alex lest his tie.

Evy runs up to him ashe gestures with a smile.

O'CONNELL
And he made a little sand castle.

TILT DOWN: from thetie to the ground. The tie isactually pointing to a tiny "sandtemple" en the ground. Intricately shaped. Very distinctive. It's what Alex was working en.

EVY
It's the Temple Island of Philae.
(she smiles at O'Connell)
They're going to the Island of Philae.

O'Connell is elated and proud.

O'CONNELL
Atta boy ALEXl

TIGHT ON: a tiny SCRAPOF PAPER with Arabic writing being rolled up and stuck into a tinytube. The tube is magnetically stuck to the leg of Horus the falcon. Ardeth Bey launches Horus,who flies off over the temple.

PUSH IN: on the tiny sand temple, thenwe do a perfectMATCH DISSOLVE TO: THE ISLANDOF PHILAE, as the blimp touches down.

TIGHT ON: ALEX'S JACKET,lying en the ground.O'Connell bends down and picks it up,underneath it is another TINYSAND TEMPLE: a cone shaped mountain with four Collcssi.Evygrins.

EVY
The great temple cf AbuSinibel.

Again, Ardeth Bey launches Horus,who flies away. PUSH IN: on the tinyAbu SiJabelsand castle, thenMATCH DISSOLVE TO: The Great TempleOf Abu Simbel as theblimp lifts off from it. Horus flies right pastCAMERA.

112

EXT. NUBIAN DESERT- DAY

Way off in the-distance, traversing ahuge sand dune, is a caravan of a sixty men,one woman and one kid on cam.els.

TIGHT ON: Lock-Nah.Bearing the CRY OF A FALCON. A knowing look crosses his face.His eyes scan the desert for Horus.

113

EXT. DESERT - DAY

Horus lands on the um of a Medjai Commmander. Behind him are a HUNDRED WARRIORS on horseback.The Commander removes the note from the tube and reads it,then CALLS OUT:

COMMANDER
La Nile Azurl

As the Commander and his men move out,WE CRANE UP: and over the dune behind them, toreveal: TEN THOUSAND MORE WARRIORS.

114

EXT. NILE CANYONS -DAY

The blimp floats throughdeep canyons, following ariver. A BALD HEAD steps into theEXTREME FOREGROUND, watching the blimp as it vanishesaround a canyon corner. --It's Imhotep.

115

EXT. BLIMP - DAY

O'Connell, Evy, Jonathan and Ardath Beystare at the river.

O'CONNELL
That's the blue Niledown there. We're out of Egyptnow.
EVY
Yes, but we're still in ancient Egypt.
JONATHAN
How are we ever going to find them in this maze of canyons?
116

EXT. NILE RIVER BANKCAMPSIGHT - DAY

Alex sits by the edge of the water, surreptitiously making a design in the wet sand.A BOOT suddenly stomps on the design. It's Lock-Nah. Be YANKSAlex to his feet, furious.

LOCK-NAB
Leaving bread crumbs?

Imhotep steps up and looksdown at the smashed design, then he looks at Alex andstarts speaking ANCIEN'l'EGYPTIAN.--But to Alex, it's ENGLISH:

IMBOTEP
You·are·:very clever, little one. I hope your mother and father enjoyed their journey.

Imhotep turns and wades out into the Nile.He starts to raise his a.nns.A MASSIVE WALLOF WATER RISES UP OUT OF THERIVER.

117

EXT. BLIMP - DAY

O'Connell, Evy, Jonathan and Ardeth Beyare looking out over the bow of the fishing trawler.Suddenly, they hear aLOUD RUMBLE. Izzy is the firstone to look back and see it coming:

IZZY
What the hell-?

A MASSIVE WALL OF WATERCRASHES DOWN THE CANYON. CHARGING RIGHT AT THEM. Throwing rocksand boulders out of it's way. Everybody reacts. O'ConnellYELLS at Izzy.

O'CONNELL
Izzy! Go Right! Starboard! Starboard! Starboard!

Izzy pulls the FLAMECABLE and turns the wheel. Theblimp ACCELERATES and startsto corner into a smaller side canyon.

A GIANT FACE forms insidethe massive wall of water. It's lmhotep. He startl!Itoopenhis HUGE WATERY MOU'l'H.

Izzy ignites the afterburners and fires up the hand-made booster rockets, --WHOOSH!FLAMES shoot out the rear of the fishing trawler.The blimp makes it into the side canyon. The massive wall of water doesn'tmake the turn. lmhotep's watery face SCREAMS inanger as it explodes past the blimp.

Everybody stares back at the big canyon as it recedes. Jonathan is the firstone to turn and look forward.His jaw just about hits the floor.

JONATHAN
Ubhhh people?

Everybody turns to see whatJonathan's seeing. Up ahead,this smaller canyon dumps into aMASSIVE BOWL SHAPED CANYONFILLED WITH AN ENORMOUS JUNGLE.Ardeth Bey nods in wonderment.

ARDE'l'HBEY Ahm Shere.

O'Connell snaps out his telescopeand zooms in. TELESCOPE POV: way off across the jungle is the TIP of aGOLD PYRAMID.

O'CONNELL
You bet your ass it is.

And that's when they hear anotherRUMBLE. Izzy looks back.

IZZY
Son-of-a-SURF'SUUUUUPJ

AnotherMASSIVE WALL OF WATER is charging downthe canyon and coming right at them.Imhotep's crazed, watery faceforms

118

INSIDEIT. HE LAUGHS MANIACALLY. HIS HUGE MOUTHOPENS WIDE TO

swallow theblimp. Izzy kicks the throttle, ignites the afterburnersand fires up the booster rockets,giving it all. she's got,--WHOOSH! FLAMES shoot out the sides of the boat.

119

EXT.AHM SHERE - DAY

Theblimp ACCELERATES out of the canyon, --but it's too late. The MASSIVEWAVE OF WA'l'ERexplodesout of the .canyon behind it. Imhotep's hugewatery mouth ENGULFS'1'HEBLIMP.The blimp CRASHESdown into the jungle along with a massive quantity of water.

120

EXT. NILE RIVERBANK - DAY

Imhotep staggers out of the Nile,exhausted,his face horriblyDECAYED. He looks at Alex. Alexreacts in horror.

EXT~ JUNGLE - DAY

The blimp is half deflated; the trawler a torn up mess. O'COnnell, Evy, Jonathan and Ardath Beyare putting on packs filled withweaponry and gear. O'Connell looks atIzzy.

O'CONNELL
I'mgonna go get my son, and then I'm gonnawanna get out quick,so make it work, Izzy.

Izzy is pacing and ranting angrily.

IZZY
Youdon't understand, godama:dtl Itwas filled with au,, not hot air.I need gas to get this thing off the ground,where am I _gonna getgas around here? Tarzan's Fill 'RUpl?

Jonathan makes sure Izzy isn't looking, then he steals the Scepter of Osiris and shoves it into his pack.

IZZY
Now Icould maybe jerry-rig it to takehot air, but you know howmany cubic meters I'd need?!

O'Connell walks up and slaps him on the back.

('~\

O'CONNELL
If anybody can fill this thing up with hot air, it's you.

Ardeth Bey launches Horusas they head off into the jungle.

121

EXT.JUNGLE ROCKS - DAY

TheCAMERA follows Horus as he fliesup over the canopy. Lock-Nah suddenly appears in the foreground,aiming down the barrel of his rifle.He FIRES.

122

EXT. JUNGLE - DAY

Ardeth Bey spins around as he hearsthe report of a rifle and the CRY of a falcon.

ARDETH BEY
Horus!

He staggers forward and stares up into the canopy,now it's Ardeth Bey's turn to look devastated,A LONG BEAT, and then he starts to take off his pack.

ARDETH BEY
The Army of Anubis will arise from the sands outside of this oasis. I must let the commanders know where it is.

O'Connell gently grabs his armand stops him.

O'CONNELL
I need you to help me get my son back.

Ardeth Bey stares at him, sees the look in O'Connell's eyes.

ARDETB BEY
Then first, I shall help you.

O'Connell nods in appreciation.Ardeth Bey raises an eyebrow.

ARDETB BEY
And Imhotep?

O'Connell gives him his most dangerous smile.

O'CONNELL
Don't worry, this time I'll put him down for good.

i /

123

EXT. VALLEY OF THE DEAD - NIGHT

A FULL MOON shines down on thedark jungle. The High Priest and Lock-Nah are on horses, leadinga walking caravan of black turbans carrying TORCHES.Imhotep and Anck are being carried on pallets by red turbaned men.Alex is near the back, his hands tied in front ofhim, looking a bit scared.

Everyone's eyes widen in horror as theycame upon HUNDREDS OF ROTTED SKELETONS scattered throughout thejungle. Some piled high, others lying off by themselves.Many appear to have been barbecued alive on fire spits. All are wearing the various tattered remains of once gloriousuniforms and a:rmour.The FULL MOON gives them a creepy glow.

HIGH PRIEST
over there, Roman Legionnaires. And there, turn of the century French, Napoleon's troops.
LOCK-RAH
What in the name of Osiris did this?

Each and every person is terrified. All except Imhotep.

124

EXT. JUNGLE ROCKS -NIGHT

O'Connell and Ardetb Bey areaming themselves to the teeth. O'Connell suddenly looksaround.

O'CONNELL
You hear that?
ARDETH BEY
What?
O'CONNELL
Nothing. Absolutely nothing. It's dead silent. I've never heard a jungle be so quiet.

The two men share a nervous look.Evy and Jonathan are locking and loadingrifles. Jonathan sees something and brushes back the foliage.A dozenSHRUNKEN HEADS dangle from a pole. Jonathan'seyes widen.

JONATHAN
I say, look at this, shrunken heads.
(looks closer)
I'd absolutely~ to knowhow they do that..

In unison, O'Connell,Evy andArdeth Bey all give him a look.

Jonathan looks indignant.

JONATHAN
Just curious.

Be hefts a longrifle. Ardath Bey looks athim.

ARDETB BEY
Are you any good with that?
JONATHAN
(outraged)
Three time Fox and Hound Grand Champion, I'll haveyou know!

Be fumbles with the rifle,almost drops it.

JONATHAN
That was of course before I started drinking.

O'Connell steps up to his wife.

O'CONNELL
Your r everything I've taught you over the years?

·e Evy looks him squarein the eyes.

EVY
I won't miss.
125

EXT. JUNGLE CLEARING- NIGHT

The caravan comes into a clearing.Far off in the distance, they all see the TIP ofthe GOLD PYRAMID spiking the stars. Imhotep grins. The High Priest,Lock-Nah, and Anck all smile. In the back, Alexis suddenly looking very nervous.

ALEX
Cripes, i'm in troublenow.

Lock-Nab whispers to the High Priest,who nods and looks back at Imhotep.

(ancient Egyptian -subtitled) My Lord, now there is no need for the boy.

Imhotep gives himaknowing·grin.

IMHOTEP
(ancient Egyptian -subtitled)
. Do withhim as you please.

Lock-Nahgrins, then turns his horse andstarts riding back down the movingcaravan, heading for Alex. Alex's eyes widen. He tries to backaway, but is pushed forward.Then suddenly, for no reason,Lock-Nah's horse STOPS andstarts BUCKING and WHINNYINGWILDLY. The High Priest's horse does the same.The whole caravanis forced to come to a stop.The two men prod at their spooked horses and curse them inArabic.

A GENTLEBREEZE begins to blow through the jungle and swirl around the caravan,accompanied by a creepy SOUND, like an eerie wind whistling throughdry bones.Imhotep knows what's coming.He YELLS a command to themen carrying him. They set him·andAnck down.

One of theblack turbaned men sees samethinglying against a tree,almost molded into it. Heslowly approaches. It's a hideousPYGMY CORPSE. Branches and vines have grown through it's bones, whichare bleached a ghostly white.The man leans in fora closer look at the gruesamething. It's crusty eyelids suddenlySNAP OPEN. TheMan SCREAMS. It has no eyes. It HISSES throughrotted teeth andSir.ABShimin the chest with a small spear. The Man SCREAMSLOUDER and dies.

126

EXT. JUNGLE - NIGHT

O'Connell andArdeth Bey hear theSCREAM- And then the gentle BREEZE starts to whistle around t:hem.Thetwo men look at each other.Eyes an fire. O'Connellhetts the two revolvers in hishanclsand nods his head.Ardeth Bey lifts a machine- gun in one hand anda sword in the other,and nods back. They both take off running through the jungle. Full bore.

127

EXT. JUNGLE CLEARING - NIGHT

As the BREEZE turns into a strong WIND,Lock-Nab and the High Priest are THRONN from their horses. All the black turbaned men aim their guns into the foliage,their fear-filled eyes sweeping the jungle.The creepy NOISE is getting louder and closer.

128

EXT. ROCKS - NIGHT

Evy hefts the rifle to her shoulder and adjusts the sight.

EVY
Jonathan?
JONATHAN
Yes?
EVY
That's my husband andmy son down there, ...makeme proud.
JONATHAN
(sincere)
~oday, is that day.
129

EXT. JUNGLE CLEARING- NIGHT

O'Connell and Ardeth Beycrash through the jungle, coming up on the caravan from the rear.O'Connell spots Alex.

Lock-Nab is also heading forAlex. And he's only ten feet away. Alex sees him coming.His eyes widen in terror. Lock-Nab withdraws hisrazor sharp scimitar, --SHING!

OKAY. HERE WE GO. EVERYTHINGHAPPENS AT ONCE:

A black turbaned man suddenlyjerks foxward SCREAMING. He spins around, his backis plastered with BLOW DARTS. The surrounding foliage suddenly comes a.live withMOVEMEN'r, accompanied by a horrible HISSING sound.Arrows and blow darts explode out ofthe bushes. The black turbanedmen all panic and aimlesslyOPEN FIRE.

Alex backs away fromLock-Nab, who is still coming athim, but starting to losehim in the exploding frenzy.

TIGHT ON: O'Connell.Bis eyes never leaving Alex.

Imhotep grabs Anck's bandand starts to pull her away.Anck lunges back and grabsthe Book of the Dead off her pallet. The two of them run off into the jungle.

O'Connell and Ardath Bey sprint into the frenzy,cuttingdown black and red turbaned men with equal abandon,like two human scythes. O'Connell goesempty, tosses his pistols. Several black turbaned men turn to shoothim, --but are suddenlyshot· off their feet because:

UP IN THE ROCKS: Evy and Jonathan areFIRING round after round. Perfect precision.Completely emotionless. We look down their GUNSIGHTS: they're actually clearing a path for O'Connell and A:rdethBey,shooting men out of theirway.

Lock-Nah steps up toAlex and raises his scimitar.

O'Connell grabs a shotgunshouldered across his back, whips it forward and CHARGES for Alex.

Lock-Nab SWINGS his scimitardown at Alex with all his might. Alex SCREAMS. The scimitarPRANGS off O'Connell's shotgun. O'Connell scoops Alex up on therun. Doesn't even slow down.

Lock-Nab spins around andis about to throw his scimitar at II~. O'Connell's back, when Ardeth Bey leaps out of the fray and i\ the two men immediately go at it. All the other men are SCREAMING, running,SHOOTING and dying.

O'Connell throws Alex up over his shoulder.Alex isnow looking back. His eyes pop wide.

ALEX
Oadl BEHINDYOU!

O'Connell spins around,sees TWO HIDEOUS PYGMYSKELETONS hot on their tail.He lifts his shotgun and FIRES.Both barrels. Point blank. Blows the pygmy skeletons to smithereens.

Ardath Bey and Lock-Nah are fiercelyBATTLINGAWAY. Scindtar against scimitar.Ardath Bey is clearly more pissed-off,more aggressive. He spinsaround and SLICES Lock-Nah'schest, then UPPERCUTS him acrossthe stomach. Lock-Nab dropsto his knees, mortally wounded. Ardeth Bey staresdownat him.

ARDETBBEY
That, -was for Horus.

The MOUN'l'AINOFFLESHwho grabbed Evy at her home runs up behind Ardeth Bey,about to decapitate him with a scimitar. Ardeth Bey doesn't even seehim. At the very last second the mountain of flesh is hitby multiple bullets.

UP IN THEROCKS: Evy lowers her rifle.

EVY
Let's go Jonathan.

Jonathan lowershis rifle, a complete emotional wreck.

JONATHAN
Thank God.

They head offdown the rocks.

BACK WITHARDETB BEY: as he grabs the reins of Lock-Nah's horse, swingshimself up into the saddle and GALLOPSOFF. Lock-Nah falls facefirst into the mud. Dead as lead.

130

EXT. QUICKSAND, BURIAL GROUND - NIGHT

The High Priest anda dozen black and red turbaned men run for their lives through the jungle.The terrifying HISSING SOUND of pygmy skeletons fills the air,chasing after them, hunting them down,picking them off one-by-one, relentless.

Four men fall intoa PIT OF QUICKSAND. They flailabout, /-~. trying to get out.The High Priest and the others don't \ even slow down to help,a bunch of pygmy skeletons run right over them, forcingthem deeper into the muck,using them as stepping stones on theirway after the others.

The last two men areTACKLED to the ground bya group of pygmy skeletons,who immediately start GNAWING on them. The High Priest and his Servant run out into a clearing and race across a LINEOF WHITE STONES and small earthen mounds.

HIGH PRIEST
Look! A sacred burial ground! We're safe. They'll never cross it.

They come to a stop twenty feet beyond the markings.

SERVANT
Are you sure?

A PYGMY SKELETONsprints right over the burial stonesand STABS the Servantin the heart with a spear,then runs off. The High Priest looks at his dyingServant.

HIGH PRIEST
My mistake.

The servant gives the High Priest an incredulous look,then keels over dead.The High Priest hears more pygmies skeletons coming. Frightened,he quickly withdraws a ceremonial dagger and sticks the sharpblade to his eyebrows.His other hand grasps his scalp.WE CUT AWAY as he starts to slice.

131

EXT. JUNGLE- NIGHT

The High Priest's painfulSCREAMS echo through the jungle as Alex leaps into Evy'sarms. O'Connell runs upand slaps Jonathan on the back with a smile.

O'CONNELL
Great shootin',Text

Ardeth Bey gallops up, reaches intohis pocket andflips sanething to O'Connell.

ARDE'l'HBEY Take this.

O'Connell checks it ·out. It·'s a beautifulGOLDBRANDwith a precise MASONICTEMPLAR LOGO gorgeously welded onto it.

ARDE'rHBEY Burn it into your son's&J:m. He has earned it.

O'Connell gives hima look like he's out of his mind.

O'CONNELL
Maybe where,zcmcome from.

Ardeth Bey rears his horse.

ARDETH BEY
I must go and signal my men.

O'Connell startsto hand Ardeth Bey his shotgun.

O'CONNELL
Take this.

ARDE'l'HBEY (shakes his head) No. ?!here is only one way to kill anAnubis warrior.

He whips out hisscimitar, --SHINGJ

ARDETHBEY
You musttake off it's head. BEYAi

He gallops off.

ARDE'1'HBEY
Good luck,my friendsl

O'Connell, Evy,Jonathan and Alex suddenly hear theSOUND of HISSING pygmies,coming fast.

O'CONNELL
Time to go.

They all turn and haul-ass into the jungle.

132

INT.JUNGLE - DAWN

Imhotep strides through the jungle, holdingAnck'shand. A group ofpygmy skeletons suddenly races up behind them. Imbotep spinsaround to face them.

The pygmyskeletona skid to a stop and stare at Imhotep, HISSING,about to pounce. Anck is terrified.And then Imhotep unhingeshis jaw,OPENS HIS MOUTH EXTRAWIDE and ROARS. The creepy littlecorpses bow their headsand back away. Imhotep grins,then grabs Anck's hand and continues on.

133

INT. JUNGLE - DAWN

O'Connell, Evy, Alex and Jonathan race through the jungle. The horrific SOUND of pygmy skeletons following them fills the air. They look back and see a hugeHORDE chasing after them. Evy throws her rifle away.So does Jonathan. Everyone trying to run faster. O'Connell spots the TIPof the GOLD PYRAMID, they're closer now, maybe onlya mile away.

They race out across a huge log spanning a deep ravine.On the other side, O'Connell skids toa stop, frisks himself and pulls out a lone stick of dynamite.The pygmy skeletons start to race across the log. O'Connell lights the fuse an inch from the dynamite, then tosses it to the first skeletonand runs like hell. The pygmy skeletongrabs the dynamite. The dynamite EXPLODES. The log and the skeletonsare blown apart.

O'Connell runs up to the others, all breathinghard.

O'CONNELL
Alright, I think we made it.

And that's when another horde of the hideous pygmy skeletons sprint out and foz:ma blockade in front of them.A LONG BEAT, and then one of the pygmy skeletons races straightat Alex, HISSING horribly, spear in hand.Alex holds up his hands to defend himself. The pygmy skeletonskids to a stop, HISSING ,-=-4 i1;fe~, hthebacksdida"!ay.Alehxldseesthih~tit. wasthehbraceleton ,_____,,, his wrist at it. He o s up s wrist to s ow al1 the pygmys. They all HISS in fear,which sounds really creepy and horril>le,then they t>ackaway andvanish into the jungle.

O'Connell, Evy and Jonathan are shockedand relieved. Alex grabs O'Connell's arm and startstugging him forward.

ALEX
C'monl Dad! C'monl We have to get to that pyramid! I haveto get the bracelet offns;ml

Jonathan waves him off, totallyexhausted.

JONATHAN
Leave it on, Alex, it looks goodon you.
O'CONNELL
Relax, buddy, we'll get there.
ALEX
No you guysl You don't understand! He told me the bracelet will kill me if I don't get inside the pyramid before the sun hits itl Todayl

O'Connell, Evy and Jonathan all immediately realize the implications. They quickly look offtowards the surrounding mountains. -The SON is·justabout to crest the east face.

EVY
Oh my God.

O'Connell grabsAlex's hand and starts to run withhim.

O'CONNELL
C'MONl

And they' re off 1JBlasting through the jungle as fast as they can. O'Connell looks up.The SUN CRESTS THEMOUNTAINS. CUT HIGH AND WIDE: lookingdown on the jungle canopyas the SUNLIGHT startsto move across it like the tide,heading straight for the goldpyramid, getting closer and closer, about to light it up.

O'Connell and Alex run fasterand faster. Alex starts to collapse in pain.O'Connell scoops him up and runs faster, he races acrossa clearing and DIVES through one of the many arched entryways justas the SUN STRIKES the hugeGOLD pyramid, causinga blinding FLASH OF LIGHT.

134

INT. TEMPLEENTRANCE - DAY

O'Connell and Alex lie on the floor,exhausted andpanting.

O'CONNELL
Ya know,-it's hard being a dad.

Alex looks over and grins at him.

ALEX
Yeah, but you do it realgood.

O'Connell wraps his am around Alex and drags him up close. Alex hugshim back~ The bracelet POPS OFF. Alex grabsit and angrily FLINGSit across the entranceway.

135

EXT. GOLDPYRAMID - DAY

Evy and Jonathan stagger out of the jungle and into the clearing.Evy smiles as she sees O'Connell and Alex safe inside thepyramid. Jonathan just stares up in wonder at the huge gold monolith.And then Evy hears something and turns around. --Anck is right there. Shedriyes a dagger into Eyy's etomach.Evy doesn't even scream, just stares at Anck, incredulous.Jonathan apins around. Imhotep GRABS himby the throat, LIFTShim up and THROWS him across the clearing.

,___,,,,./'

136

INT. TEMPLEENTRANCE - DAY

O'Connell and Alex spin aroundand look outside just as Anck withdraws -herdagger·fromEvy's stomach. Evycrumples to the ground.O'Connell jumps to his feet.

O'CONNELL
NOOOOl11
137

EXT. PYRAMID- DAY

O'Connell sprints out of thepyramid, heading for Evy. Alex is right behindhim, he sees Imhotep and Anck running into another entrance.Anck blows a kiss at Alex with one hand, while holding the Book of the Dead in the other.

Evy is curled up and holding her stomach as O'Connell kneels down next toher. He gently rolls her over. Ber eyelids flutter.He rips her shirt open. His eyes widen.

O'CONNELL
Oh no, oh no-no-no, this isn't happening.This can't happen.

Alex runs up.O'Connell quickly waves him off.

O'CONNELL
Stay backAlexl Stay backl

Alex freezes,looking more scared than he's ever looked.

ALEX
She's alright isn't she,Dad? Mum's gonna be alright?

Jonathan steps up and hugs Alex tight to his side. O'Connell stares intoEvy's weak eyes.

O'CONNELL
You're gonnamake it, Evy, you're real strong. Just,_just hang on.

O'Connell looks around, out of his mind with desperation.

O'CONNELL
Where's some- don't we haveany_ -she needs help-

Evy tries to talk.O'Connell touches her lips with his fingers.

O'CONNELL
No, no, no, don't...sayanything, save your-, -just,-oh god Evy.

O'Connell hugs her tighter,he can feel the GrimReaper coming to takeher away, he can't think he's so desperate.

O'CONNELL
What do Ido, Evy? What do I do?
EVY
-take,-take care of Alex.

Alex starts to sob,Jonathan hugs him tighter. O'Connell chokes back the tears, caressing her face.

O'CONNELL
You can't leave me.-I need you somuch-

With her lastbit of strength, Evy gives him aweak grin.

EVY
-love you.

O'Connell gentlypresses his lips to hers, and then he looks into her eyes for the lasttime, devastated.

She dies.Right there. In his arms. O'Connell hugs hertight-

138

INT.TEMPLE ENTRANCE - DAY

A HANDgrabs the bracelet up off the floor. It's the High Priest, --all the skinon his skull abovehis eyebrows has beenremoved. He looks horrific. He stares at the bracelet maniacally.

139

INT. SANDSTEPS - DAY

Imhotepand Anck came down the STAIRS MADE OFSAND. At the bottom is a large goldCREST embossed with agold scorpion. Imhotepsteps onto the crest. His entire body immediately SPASMS,as if hit by an electrical shock.He CRIES OUT. Anck jumps backand watches. Imhotep's face slowly REGENERATES, until he looks strongand healthy and whole onceagain. And then it's over.Anck stares at him, thrilled.

ANCK
(ancient Egyptian -subtitled)
You arehealec:UThe c;urseis gone!

Imhotep looks stunned,he stares at his hands in despair.

IMHOTEP
(ancientEgyptian - subtitled)
...butsoaremy powers.

For the second time in his life,Imhotep looks vulnerable. Anck just grins like theChesire cat and carresses his face.

ANCK
Do not fear, my love. If he kills you..

She holds up the BOOK OFTHE DEAD.

ANCK
(ancient Egyptian - subtitled)
r can resurrect youJ
140

EXT. PYRAMID - DAY

Evy lies dead on the ground.O'Connell takes Alex's jacket and starts to cover her face,he can't bring himself to do it. He tucks the jacket under her chinand gently smoothes it over her chest. He stands up andlooks at Alex and Jonathan.

O'CONNELL
Stay here.

Be gives one last sad lookdown at Evy, and then his face goes hard and he turnsand strides towards the pyramid.

O'CONNELL
I'm going to finish this.
141

INT. KEYROOM - DAY

The High Priest solemnlysteps up to a bas-relief of human skulls and bones embeddedinto thick gold, shaped into a large SCORPION. In each of it'sarms is a small, gold, close-quarter canbatWEAPON.

The High Priest looks at the bracelet,now on his wrist, then at a HOLE in the scorpion's mouth.He shoves his hand into the hole up tohis elbow, then turns his aJ:11\like a key. There is the SOUND OE'ALOCK BEING UNLOCKED and then a vaporous •ELEC'rRICALCHARGE"spreads out from the hole and passes over the entire room, clearing the gold walls of fungus and mold. TheHigh Priest stares in wonder.

142

INT. TUNNEL - DAY

A TORCH WIPES FRAME. It'sO'Connell, creeping down a tunnel, unarmed but for the torch.The gold walls are covered in green mold and fungus. O'Connell's eyes widen as the vaporous electrical charge comes racing down the tunnel walls.Be spins around as it passesby him. The fungus and mold on the walls are WIPED CLEAN. The gold looks brand spanking new.

143

EXT. DESERT - DAY

The vaporous electrical charge spreads out acrossa GIANT DUNE made of BLACK SAND. As it subsides,WE PAN: to reveal a GOLDEN SAND DUNE opposite the black one.Thousands upon thousands of Medjai Warriors crest the gold dune on horses.

Ardeth Bey scans the black sand, then looks off and sees the TIP of the gold pyramid rising abovethe distant dunes.

144

INT. KEYROOM - DAY

O'Connell enters the keyroom. The High Priest is struggling to withdraw his arm, which is stuck inside.

HIGH PRIEST
You're too late, O'Connell1 I have released the Army of Anubis! Lord Imhotep shall soon take command!

O'Connell pulls a small ancientDOUBLE-AX out of the gold scorpion's grasp.

O'CONNELL
Not after I get through withhim.

The bracelet gets unstuck and the High Priest starts to withdraw his am, --then suddenly hisarm is GRABBED from inside. The High Priest's ayeswiden in terror. He starts tugging on his arm, trying to wrench it free.Then he starts SCREAMING IN AGONY as the SOUND of somethingEATING HIS ARM is heard, and the CRUNCHING OFBONES and the GNASHING OF HIDEOUS TEETH.

O'Connell backs away, half ho~rified,half gratified.

The High Priest finally rips his am out, or what's left of it, --under his torn robe there's only astump. The High Priest staggers off down a tunnelSCREAMING in pain.

O'Connell backs out of the roan, double-axup.

145

INT. STATUARY MAZE - DAY

Imhotep and Anck creep through aMAZE OF GOLD STATUARY and up to a spooky, mist shrouded GA'l'EWAY.Imhotepgrabstwo small combat weapons off a statue and turns toAnck.

IMHOTEP
(ancientEgyptian - subtitled)
I lllUStface the ScorpionKing alone.

Anck nods, stares at him fora beat, then sets the Book of ~, the Dead down, grabs his face and kisses him passionately.

146

EXT. PYRAMID - DAY....

Jonathan and Alex are kneeling next to Evy's deadbody. Alex is sobbing. Jonathan is devastated and hugginghim tight.

JONATHAN
Try and...,tryand think of it like this, Alex, -she's- she's in a better place_. Like the good book says-

--Alex jerks himself away from Jonathan,eyes on fire.

ALEX
What?
JONATHAN
What...what??
ALEX
--That's it! THAT'S IT!
JONATHAN
What's it? WHAT'S IT?

~ ',~/ Alex leaps to his feet and starts pulling at Jonathan.

ALEX
C'mon Uncle Jon! I got an ideal
147

INT. NETHERWORLD - DAY

O'Connell walks through a strange Netherworld: weird smoke and eerie shadows play across the Stygian landscape.Water DRIPS. A distant windBOWLS. He sees Imhotep standing in front of a GIANT GONG mounted near a set ofHUGE DOORS.

O'Connell starts to jump over a CREVICE.Imhotep BANGS the gong with a -gongpolew.The entire chamber TREMBLES from the vibrations. O'Connell loses his balance and almost falls into the crevice. Be looksdown into it, --it DROPS TO ETERNITY.

148

EXT. DUNES - DAY

Ten thousand Medjai prepare for battle along the top of the golden dune. Ardeth Bey suddenly senses something coming, like a wave at night,dark and terrifying. Be looks over to see the black dune STARTINGTO COME ALIVE with WRITHING FORMS. CUT TIGHTER: to·· see that the black sand is slowly FORMING ITSELF IN'l'OTHOUSANDSOF HIDEOUS ANUBISWARRIORS.

149

INT. TUNNEL - DAY

Jonathan and Alex carry Evy's inertbody down a tunnel.

JONATHAN
-YOU realize of course that it can only be doneby someone who can actually read ancient Egyptian. I don't know about you, but I'm a tad rusty.

They come to a fork in the tunnel.

ALEX
Go left.
JONATHAN
How do you know?

Alex nods to some ancient HIEROGLYPHSabove the left doorway.

ALEX
#Iman kasheesh ifran Osirian nye•. Basically, Mthis way to the Scorpion King".

Jonathan looks at him. Alex gives hima sad little grin.

ALEX
Mum taught me.

Jonathan is stunned.

JONATHAN
This just might work.
150

INT. SCORPION KING CAVERN - DAY

Imhotep BANGS the gong, then startsto set the gongpole down. O'Connell leaps forward and SWINGING thedouble-ax at him. lmhotep quickly lifts the pole. 'l'heaxCLEAVES into it.Gets stuck in the wood. The men struggle.'l'heaxand the pole are thrown across the floor and skitter downinto the crevice. The two men square off. O'Connell looks like aman possessed.

O'CONNELL
Never thought I'd have to kill ,Dm again.

Imhotep grins. They start to circle each other.

O'CONNELL
But I'm happy to get the chance.

---------~---...._......._________----------

151

EXT. SAND DUNES - DAY

The Army of Anubis, two thousand hideous creatures strong, raise their spears, swordsand tridents and SHRIEK WILDLY. Without a word, ArdethBey and the ten thousand Medjai raise their scimitars. Fiercely determined.

152

INT. STATUARY MAZE - DAY

Anck is staring through the gateway when she hearssomebody clear their throat. She turnsand looks. It's Jonathan. He puts up his dukes, English style.

JONATHAN
Come and get it, you wench!

Anck smirks, then sets the bookdown and strides forward. Jonathan starts to boband weave.

JONATHAN
This is for my sister.

Alex sneaks up and grabsthe book. He looks over in time to see Anck plaster Jonathan with two frontJABS t.ohis face.

153

INT. NETHERWORLD- DAY

C __..) O'Connell and Imhotepviciously and relent.1esslyPUNCH,KICK, ELBOW and.BACKHAND each other.Expertly fighting hand-to-hand across the floor. Suddenly, the entirechamber TREMBLES.The two men freeze and look around.something's coming.O'Connell recovers first and throws aBOOK into Imhotep's jaw. Imhotep SLAMS up against a weapon-wielding scorpion statue.Hegrabs a small trident and ascythe. O'Connell steps over to another statue and grabs two of the same.They starts to circle.

154

EXT. SAND DUNES - DAY

An Anubis warrior SCREECHESa command. The Anubis warriors CHARGE FORWARD. ArdethBey YELLS a command. The Medjai GALLOP FORWARD. The Anubis Warriors race across the sand, full bore. The Medjai CRASH into the Anubiswarriors._The battle begins.

155

INT. STATUARY MAZE- DAY

Anck wheels around with aROUNDHOUSE KICK. Knocks Jonathan back into a statue. Jonathangrabs a spear. Anck grabs an ax. She moves in for the kill.Jonathan desperately backs away.

JONATHAN
Hurry up, Alexl1

\

-----------------------~-~----

Alex sits next to his mother, Book open,concentrating.

ALEX
Hootash naraba oos Veesloo. Ahm kum Ra. Ahm kum Dei.

Anck slices Jonathan across the chest.He CRIES OUT.

156

INT. NETHERWORLD - DAY

O'Connell and Imhotep go at each other like gladiators. weapons in both hands. Two highly skilled warriors.The fighting is lightning quick. The cavern'l'REMBLESHARDER·. It's getting oloser.

157

EXT. SAND DUNES - DAY

Ardeth Bey fights like a tiger, decapitating Anubis Warriors left and right. All around himthe Medjai and the Anubis creatures are battling each other to the death.Ardeth Bey is suddenly knocked off his horse.

158

INT. MAZE - DAY

Alex is desperately trying to figureout the inscription.

ALEX
Efday Shokran...?EfclayShokran...? I don't know what this last symbol isl1

Jonathan frantically raises his spear, trying to defend himself as Anck batters the hell out of him.

JONATHAN
What's it look like!?

Flustered, Alex starts flapping hisarms like a bird.

ALEX
It's a...,it'sa..,it's a birdl A storkl

Anck grabs Jonathan by the throat,slams him up against a statue and starts stranglinghim. Jonathan CHOKES--

JONATHAN
Ah--1 Ah--1 Ahmenophus1

Alex lights up.

ALEX
That's itJ EFDAY SHOKRAN AHMENOPHUSl
159

INT.NETHERWORLD - DAY

O'Connell startsHAMMERING Imhotep, clearly getting the best of him.The whole place TREMBLES. It'sgetting~ close.

160

EXT.DUNES - DAY

The Medjai are actually beating the Anubis Warriors, clearly getting the upper hand.

161

INT.MAZE STATUARY - DAY

Jonathan isslammed up against a wall,stunned and choking. Anck smiles, quite pleased with herself.She raises her trident,then LUNGES FORWARD for the finalblow!

A HAND grabs her wrist, --SLAP! Stopping the blade from piercing Jonathan's throat.Anck's head whips around to see whograbbed her. --It's Eyy.She shoves Anck away. The two.women face off. Alex steps up.

ALEX
Hey mum, can I throw a rock ather?

Evy keeps her eyes on Anck.

EVY
The two of you go help your father.
ALEX
But mum--
EVY
--No buts. I'll be fine.

Jonathan grabs Alex and starts to hustlehim away.

ALEX
What about mwnl?
JONATHAN
She said she'd be fine. When was the last time your mother was ever wrong about.anything?

Anck wields her trident and stares atEvy.

ANCK
Nefertiri.

Evy grabs another small trident off a statue and stares back.

----------------- ~

EVY
Anck-sunamun.

Anck smiles, pleased·thatEvy knows who they both are.

ANCK
Good.

They raise their weapons.

162

INT. NETHERWORLD- DAY

O'Connell and Imhotep CLASH and lock steel.The two men go face-to-face. Staringinto each other's angry eyes.

And that's when the huge doorsBURST OPEN. For a BEAT,there is nothing there,-andthen the SCORPION KING slowly lowers himself down from the ceiling, still partlyhidden in shadow. From the waist up, he'sexactly how we remember him; a huge, muscular, vicious warrior, butfram the waist down, --hi.!.i. a yer.ylarge SCORPION-AN EGYPTIAN MINOTAUR.

O'Connell and Imhotep stare in awe at the horrid creature, then they look at eachother, then back at the Scorpion King. The two men breakaway frcm each other and back off in opposite directions,keeping their eyes on the creature.

163

EXT. DUNES- DAY

The last Anubis Warrior goesdown. The Medjai BURST into CHEERS. All except ArdethBey and a few Commandersstanding near him. They knowit's not over.

164

INT. STATUARYMAZE - DAY

Evy and Anck are havingan EXACT RECAP of the fight they had three thousandyears ago. Using the small tridents, the two gorgeous women expertlyPUNCH, KICK, ELBOW and BACKHANDeach other as they brilliantly fight across the maze floor.

The Scorpion King suddenly and quite angrily scuttles up to Imhotep. Imhotep backsaway, then, thinking quick, he grabs his scal.p andBXPS the skin offthe to,pof his decrepit skull. He kneels downand slaps his hideous dry skullcap.

IMHO'l'EP Mi Phat Ahsl Mi Phat AhsJ (subtitled) I am your disciple!

, I \,__,/

The Scorpion King stops and staresdown at him,then slowly ,,,---..._,nods and turnsand heads for O'Connell. Imhotep lifts his eyes, grinning evilly. He's fooledhim.

O'Connell backsup into a pillar, terrified, then slaps his own head and tries tomimic Imhotep's ancient Egyptian:

O'CONNELL
My fat asslMy fatasst

The ScorpionKing LASHES down at him with one of his big skeletal pincers.O'Connell DIVES out of the way just as the pincers SHEARthrough the pillar. O'Connell runs like hell. TheHigh Priest suddenly stumbles into his path, holding hisstump and whimpering. O'Connell grabs aHELMET off a statue,SLAPS it onto the High Priest's head, then turns him aroundand kicks him in the ass, sendinghim towards the ScorpionKing. The High Priest looks up in stunned amazementas the Scorpion King sto%1DSup tohim. The High Priest suddenly recoversand YELLS:

HIGH PRIEST
Mi PhatAhsl Mi Phat.Ahal

He pats his head, --butthe helmet is coygrin;his skull. His eyes widen in panic.He quickly tries to get the helmet off, but it's stuck tight to his head.The ScorpionKing's pincers GRAB the High Priest around the waist and lift him up.The . High PriestSCREAMS in terror. The pincers CUTHIM IN HALF.

165

EXT. DUNES- DAY

The remaining Medjaiare still CHEERING when a strangeSOUND stops them cold.Ardeth Bey quickly turns to the dune behind them, clambersup it and looks over the other side.Spread out across the plainin front of him are FIFTYTHOUSAND ANUBIS WARRIORS.The Medjai are vastly outnumbered.

ARDETH BEY
Allah save us.
166

INT. STATUARYMAZE - DAY

Anck is viciouslythrown to the floor. Evy lunges forward, stopping her knifea quarter inch before it plunges into Anck's neck.Evy's eyes are on fire, she wants to do it badly.Anck forces herself to smile.

ANCK-SUNAMUN-
(ancient Egyptian -subtitled)
You have improved greatly, Princess Nefertiri.

And that's when they hear the ScorpionKing BELLOW IN FURY. Evy is distracted. Anck knocks the trident awayand takes off running. Evy hauls tail after her.

167

INT. NETHERWORLD - DAY

O'Connell is SLAMMED up against a wall next to a LIFE SIZED CARTOUCHE OF A MAN. O'Connell shakes off thecobwebs in his head, then notices the cartouche.It's actually holding the SCEPTER OF OSIRIS. And then O'Connell's eyes get really big.

WE GO TIGHT ON THE TATTOO on O'Connell'sarm; then PAN OVER to the cartouche's am, it has the exact sameMASONIC TEMPLAR TATTOO! The Scorpion King's tail suddenly PULVERIZES the ca.rtouche,missing O'Connell's headby an inch. O'Connell leaps away. Dives and rolls.Paps up on his feet.

O'CONNELL
Okay, okay, I'm a believer, I'm a believer.

He looks back at the cartouchewall, --which is actually a PICTOGRAPH, multiple cartouche'soft.he same Man: holding the Scepter of Osiris~ fiddling with the head of it;and then teleego,pingit out into a SPEARIThe last cartouche shows the man throWing the spear ata likeness of the Scorpion King.

O'CONNELL
That's it.

O'Connell ducks as the Scorpion King's tail whips over his head and takes out another pillar.He takes off running.

Jonathan and Alex race into the cavern and skid to a stop, they go wide-eyed as they see the Scorpion KingCRASHING through the landscape chasing O'Connell.O'Connell sees them.

O'CONNELL
Jonathan! AlexJ It's a spear! The scepter is a spearl It opens up into a spearl
JONATHAN
Yes? And?
O'CONNELL
IT CAN KILL HIM11
JONATHAN
AhJ I see!

Alex quickly grabs'the Scepter away fromJonathan.

ALEX

,'~. Gimme that!

From across the cavern,·Imhotep sees the Scepter.

IMHO'l'EP (ancient Egyptian- subtitled) The Scepter Of Osiris!

168

EXT. DUNES- DAY

The massive horde of Anubis WarriorsSHRIEK WILDLYand then start to stampedeacross the plain, heading right for the remaining Medjai. It's going to be a veryquick slaughter.

The Medjai lookshocked and defeated.

And then Ardath Bey grits his teeth,clenches his swordand yells out a BATTLECRY. The other Medjai look at him.A true warrior to the bitter end.This gives them courage.They all clench their swords and join in hisBATTLE CRY.

169

INT. NETHERWORLD-·DAY

The Scorpion King's pincers and stingersSLASH andTEAR their way through the pillars and walls, trying to kill O'Connell. Jonathan and Alexare deciphering the hieratic on the scepter and futzing with the various indentations on the head of it.

Imhotep CHARGESacross the cavern, heading for Alex and Jonathan.Anck and Evy race in. They both skidto a stop as they see the Scorpion King's pincerSWAT O'Connell.

EVY
RIIICKJ

O'Connell SPIRALSthrough the air, SLAMS into a.walland lands on hisass, spread-eagled. Be sees Evy. His face twists, half smiling, half crying.

O'CONNELL
Oh my Goel,Evy.

--The Scorpion King's stingerSLAMS down between his legs, SMASHING a hole in the floor.O'Connell leaps to his feetand graJ:>shis trident off the floor,suddenly full of life.

O'CONNELL
Burry up and use thatdamn thing will ya1l

He whips the trident at the Scorpion King, --but it just bounces harmlesslyoff his shell. Imhotep is twenty feet away from Alex andJonathan and closing quickly.

·····--·--·-·---------

Jonathan twists the bottom of the Scepter, it SLIDESOPEN, ~ \, revealing a SHARPTIP. Alex grabs it and TELESCOPES it out another four feet,--now it looks just like a spear.Jonathan sees Imhotepcoming. He snatches the spear away from Alex.

JONATHAN
Move out of theway, I'm a professional.

He quickly aims it at the Scorpion King.Imhotep is almost on top of him.Jonathan THROWS IT. Imhotep SCREAMS:

IMHOTEP
NIIIIIYJ

The ScorpionKing spins around and BATS THE SPEARAWAY with his stinger. It SPINS offthrough the air.

170

EXT. DUNES- DAY

The Anubis Warriors race fullbore at the Medjai.SHRIEKING WILDLY.A hundred yards away. Now eighty yards.Now sixty. Fifty. Forty. ArdethBey is to die.

171

INT.NETHERWORLD - DAY

The spear SPINS across theroom like a propeller.O'Connell leaps up andgrabs it out of the air. Hits the groundrunning and heaves the spear back atthe Scorpion King.It NAILS him right in the chest.With a terrifying SCREAMof pain and rage,the Scozpion King staggers back. Imhotepcan't believe it,he runs towards the Scorpion King HOWLING in rage.

IMHOTEP
NIIIIYYll

TheScorpion King looks at O'Connell and BELLOWShorribly. O'Connell fights hispain, grits his teeth and stares back.

O'CONNELL
Go to hell.

TheScorpion King EXPLODES into,BLACK VAPOR. TotalBLACK OUT.

172

EXT.SAND DUNES - DAY

TheMedjai are three feet away from being stampededby the hugemass of Anubis Warriors when all of a sudden the they EXPLODE INTOBLACK SAND and dissipate across the Medjai.

173

EXT. PYRAMID/OASIS -DAY

I THICK BLACK VAPOR EXPLODESout of all the arches around / the pyramid and··thenMUSHROOMSup into the sky like a thermonuclear blast.The giant mushroom cloud takes the form of the SCORPIONKING'S FACE SCREAMING IN RAGE.

174

EXT. SAND DUNES - DAY

Ardath Bey and the Medjaiwatch as the horrific cloud quickly reaches it's apex. The Scorpion King'sCLOUD FACE gives one last BELLOW, and then the whole thingIMPLODES IN ON ITSELF. Actually being sucked back into the pyramid.

175

INT. NETHERWORLD - DAY

The whole place startsSHAKING LIKE MAO. The crevice SPLITS WIDER. O'Connell and Imhotepare knocked into it crevice. Evy lunges forward.

EVY
N00001J1

But she's forced backby all the RAZOR SHARP STALACTITESthat start DROPPING LIKEMISSILES fram the ceiling.

INSIDE THE CREVICE:O'Connell and Imhotep cling to the

176

-. CREVICE WALL FOR DEAR LIFE,BELOW THEM IS A DROP TO ETERNITY.

V With the last of their strength they both manage toclimbup to the edge of the crevice.But they're both starting to lose strength. They can't hold on much longer.

Evy is desperate to dashto her husband and help him, but the stalactites keep falling.O'Connell sees the look in her eyes.

O'CONNELL
Stay there EvylYou stay there!

Imhotep desperately clawsat the ledge. He sees Anck.

IMBOTEP
Anck-sunamun1
(ancient Egyptian -subtitled)
Help meJ

Anck stares at Imhotep.Evy stares at O'Connell. A minefield of deadly falling stalactites between them.Eyy goes for it. Running like mad for theman she loves. Anck turns and runs off down a tunnel. Imhotepcan't believe his eyes.

IMHOTEP
ANCK-SUNAMUN11

Anck vanishes down the tunnel. Imhotep looks likehis whole world has just collapsed. / /

IMHOTEP
Anck-sunamun??

He looks over and sees Evy dive up to the edge of the crevice andgrab O'Connell's arm. Evy helpsyank O'Connell up and over the lip of the crevice to rel.ative safety.

O'Connell and Evy look at Imhotep,who is totally devastated. He stares at them, A LONG BEAT, and almost smiles.Then he let's go of the crevice wall and FALLSFORETERNITY-

177

INT. KEYROOM - DAY

Anck dashes into the keyroom justas the far wall COLLAPSES, blocking her path, she sees that she's standing at the edge of a moat FILLED WITH WRIGGLINGSCORPIONS. Her eyes widen in horror. She turns and starts to run back the way shecame.

The room VIOLEN'I'LYSHAKES.Anck loses her balance.Her arms flail wildly as she teeters on the edge of the scorpion filled moat, she has just long enough torealize the ramifications if she falls in, --and then she falls in.

Anck SCREAMS and FLAILS wildly as the mass of scorpions envelop and STING her. She sinks into the mass of wriggling scorpions and, still SCREAMING,vanishes under them.

178

INT. ENTRANCEWAY - DAY

Inside the entranceway, BLACKVAPOR AND MASSIVE FOLIAGE are being SUCKED through every archway and down into a huge hole in the middle of the chamber.

Our heroes climb up out of a smallhole in the floor, a solid gold arch behind them blocks them fromgetting nailed by the flying debris. They have to SCREAMabove the HOWLING WIND.

EVY
How are we going to get out of .here!?

O'Connell spots some stairs inside the arch.

O'CONNELL
Follow mel

They all race into the arch and up the stairs.

179

EXT. PYRAMID - DAY

/ O'Connell, Alex, Evy,and Jonathan crawl out of a crack in the side of the gold pyramid,about midway to the top.Their mouths drop open as they look outand see:

THE ENTIRE OASIS IS BEINGSUCKED INTO THE PYRAMID:palm trees, bushes, shrubs,massive quantities of dirt and debris, as well as ancient corpses and HISSING pygmy skeletons. The pyramid itself begins toSHAKE VIOLENTLY.

O'CONNELL
This whole damnthing's gonna get sucked in 1

O'Connell quickly looks around and then instinctively starts running up the steps of thepyramid.

O'CONNELL
Let's got Let's galLet's got

They all race to the top and look out:A MASSIVEWAVE OF FOLIAGE is heading right for them,completely encircling them, they're trapped.

EVY
Oh my God.

O'Connell wraps oneam around Evy, the other around Alex. There is no way out.And then they hear a VOICE:

IZZY(o.s.)
BEY!11

They all turn around, --theblimp is rising gp behind them. Izzy at the wheel.

O'CONNELL
IZZY!I
IZZY
Hurry upl I ain'tgot all daylt

O'Connell hoists Alex andEvy up into the trawler and then jumps after them. Izzy pulls a lever,SHOOTING FLAME out of the bellow and up into a hole in theblimp. The blimp starts to rise quickly.And that's when Jonathan jumps. He slams into the side of theboat, loses his grip and falls, --but his feet get tangled insome fishing net along the side of the boat and now he's hanging upsidedown.

180

'

IOI

TheDIAMOND TIP of the pyramid GLINTS in Jonathan's eyes. He quickly reaches over andgrabs it just as the wholedamn pyramidis SUCKED DOWN INTO THE EARTH.

COTWIDE: The blimp rises up just as the massive wave of foliageCRASHES DOWN, a near miss. With one last mightyROAR, allthe foliage is SUCKED INTO THE EARTH, --WHUMP!!

And then theoasis is gone. Completely obliterated. Everythinggoes dead quiet. The blimp rises abovea valley of dusty,sandy desert that was once the Oasis ofAhm Shere.

181

INT.BLIMP - DAY

Jonathan crashes to the floor of the boat,clinging to the bigchunk of polished.diamond that was once the tip of the pyramid,he hugs it tightly, grinning tohimself.

Evyand Alex run up and hug Izzy and thankhim profusely. Izzyis both pleased and embarrassed by a.llthe attention. Thenhe sees O'Connell slumped up against the wall of the trawler,wincing and looking really beat-to-shit.

IZZY
O'Connell!You look like somethin' _mycat coughed up! Who the hell you beenmessin' with this time?
O'CONNELL
Oh, you know,mummies, big bugs, pygmyskeletons, -the usual.

Izzy smiles. O'Connell smiles back, then he looks out and sees the Medjai battlefield below. A lone rider stands out. O'Connell steps up to the railing. Evy,Alex and Jonathan come up and flank him. They all lookdown.

182

EXT. DUNES - DAY

Ardeth Bey sits on a horse. He smiles up at his friends in the sky. And then with an open palm he touches his heart and waves it towards the sun.

ARDETH BEY
Harum.barashad. 'l'hankyou again, my friends.
183

EXT. BLIMP - DAY

O'Connell salutes him. Evy waves. Then O'Connell looks at Evy.

O'CONNELL
I thought I lost you.
EVY
For a moment there you did.

She giveshim a mischievous grin.

EVY
You want to know what heaven looks like?

O'Connell just stares at her.

O'CONNELL
I alreadyknow.

He wraps his arms around her and they KISS. Jonathan and Alex roll their eyes in disgust.

JONATHAN/ALEX Oh PU-LEEEZEl

Izzy grins, turns the wheel and throttles up. The blimp sails off into the SUNSET.

!!BBBRD