"THE GOONIES" (1985)

CREDITSOVERVARIOUS CLOSE-UPSof the goonies' HANDSand FACES a-s they perform the secret 'ifOony-handshake. It is a very poetic, beautifully synchronized series of movements which displays a sense of kinship and brotherhood. We hear the VOICE OF MIKEY, ~eciting the GOONYOATH, over these images. ·

FADETO BLACK:

lA INT. JAIL - CELL BLOCK- DAY lA

FADE IN: CLOSE-UP. The leathery, bullish face of a JAIL GUARD. He SHOUTS.

CAMERA PULLSBACK. The guard stands in a dimly lit prison HALLWAY.Rows of JAIL CELLS stretch along the side walls. Crowded-with PRISONERS. The prisoners SHOUT and JEER at the guard. He removes his wooden BILLY CLUB. Giving a HARDRAP to the bars. It ECHOESthrough the prison. The guard SNARLS.

The prisoners SIMMERDOWN. The guard inserts a key into the MASTER LOCK. All of 'the cell doors OPEN. SIMULTANEOUSLY. The prisoners RUSHOUT. HUNGRY. The guard SHOUTS.

The prisoners crowd into a LINE. They PASS the watchful guard, who taps his palm.with the threatening billy club. Two ASSISTANTGUARDS lead the prisoners into another hallway. Toward the CAFETERIA. When all of the prisoners have exited, the guard turns to FOLLOW. He PAUSES. Hearing a NOISE. A CREAKING. The guard TURNS. He sees SOMETHING. At hallway's END. In the LAST cell. A DARK FIGURE. SWINGING back and forth. The guard WALKS to the cell. CURIOUS. CAUTIOUS. Hand GRIPPING his gun. He STOPS.

2 REV: 10-23-84

Outside of the OPENcell door. He PEERS inside. He is met with a SHOCKINGSIGHT.

The body of JAKE FRATELLI, a 33 year old excitable boy, * strong, muscular, with the face of a KILLER. JAKE is James Caan on speed. He HANGSfrom a rusty ceiling pipe. His belt is wrapped AROUNDHIS NECK. His eyes are CLOSED. His tongue HANGSOUT. Face frozen in a GHASTLYposition. His body SWAYS. An obvious SUICIDE. A NOTEis pinned to Jake's chest. The gμard ENTERSthe cell. He GRABSthe note. READINGit to himself.

"You schmuck! You really think I'd be stupid enough to kill myself?" (puzzled) Huh?

The guard LOOKSUP. Jake's eyes are OPEN. He is SMILING. * VERYALIVE. Before the guard can react, Jake quickly lifts his KNEE. SLAM! Into the guard's JAW. The guard HITS the floor. OUTCOLD. Jake BOOSTS himself out of the noose. We see th,at the noose is actually attached to a CONTRAPTIONthat fits around Jake's WAIST. Jake LOOKS into the hallway. Making sure the coast is CLEAR. He begins to UNBUTTONthe guard's shirt.

Jake RUNSfrom the jail. A blaring ALARM sounds! A GROUP* OF GUARDSrun out of the prison, in PURSUITof Jake. CAMERA PANS TO a waiting BLACK,nondescript, OFF ROAD VEHICLE. Leaning out the w±ndow of the driver's side, puffing on a cigarette, is MAMAFRATELLI. She is a 56 year old, heavyset woman, with.grey hair and a MENACING,EVIL face. ·She is part Marjorie Main, part Jungle cat. Her son, FRANCIS FRATELLI,-stands outside of the car, holding a can of GASOLINE. Francis is a 31 year old man with dark hair and crazed eyes. He resembles Victor Jory as Injun Joe in the 1938 film "Tom Sawyer". He has just poured a STREAMof gasoline several feet in front of the OFF ROADVEHICLE. The cops have nearly CAUGHTUP with Jake. Guns DRAWN, they are ready to SHOOT! Mama nonchalantly FLICKS her lit cigarette to the ground. The cigarette IGNITES THE GASOLINE. This creates a literal WALLOF FIRE between the cops and JAKE. Jake and Francis HOP into the car. The Off Road Vehicle DRIVESOFF.

3 REV: 10-14-84

MamaDRIVES. PANICKED. UPSET. She CHECKS the rearview mirror. A second police car joins the chase. The Police are GAININGon them.

THE POLICE CARSFOLLOW. IN HOT PURSUITdown the steep hill.

6 THE O.R.V. 6

takes a SHORTCUT, through a STOP N' SNACKPARKING LOT. The O.R.V. nearly HITS a Mexican woman, ROSALITA. She is ASKING DIRECTIONS from the store owner, an elderly woman named SYLVIAKEESTER. Rosalita we.tches in SHOCKas the two police cars shoot past her. In PURSUITof the O.R.V.

The CHASEcontinues through A RESIDENTIALSECTION of town. CAMERA PANSTO ONEPARTICULAR HOUSE, SEVERALFEET AWAY. We DOLLY INTO THE KITCHENWINDOW.

MOUTH sits on the kitchen sink, watching an old BLACKand WHITEMOVIEon T.V. Several cop cars CHASEJames Cagney's car, complete with POLICE SIRENS and FLYINGBULLETS. Mouth's Father, THE PLUMBER,works on the pipes below. WE SEE THE ONCOMINGCHASEthrough the kitchen window. But Mouth is TRANSFIXED by the television screen. Mouth's FATHER screams. ·'

Mouth TRIES to turn down the T.V. but the volume just seems to get LOUDER and LOUDER,as the real chase blazes past the window over Mouth's shoulder, all of it UNSEENby Mouth. SECONDS before the chase passes the kitchen window, Mouth's Father hits the WRONG PIPE. A GUSHOF WATER blasts through the sink drain. It DOUSESMouth and SPLATTERS the window. This creates a CURTAIN OF WATERthat BLOCKS Mouth's VIEW of the chase.

4 Relr. 12/10/84

DATA searches through an enormous trash bin, picking up discarded WIRES, CABLES,etc. Data is wearing a WALKMAN. It DROWNS out all sounds. He is tinkering with one of his crude inventions,· A BELTBUCKLESUC'XIONGUN. Data DECIDES to test his invention. He .S'l'EPSaway from the trash bin. He PRESSES a button on his BELTthat reads "O'U'r"! 'rhe BELT BUCKLE flips open •. A suction cup, attached to a long wire, SHOOTS OUTof the buckle. 'rhe suction cup STICKS to-the trash bin! Data HITS the "IN" button on his belt. Another mechanism causes the wire to REELthe trash bin TOWARD DATA! Data TRIES to turn it OFF! Doesn't work! .Suddenly, the trash bin comes to a STOP! Wedged between ?WO 'XELEPHONE POLES·! 'l'ne strong FORCEof the WIREbe~ins to PULLDATA IN'XO'!HE BIN! He CAN'-TSTOP IT! Data is PULLED inside the bin, an instant before the CHASEPASSESBY!

10 IN'r. O.R:V. - DAY 10

The SPEEDOMETERwavers past 100 mph. Mama GLANCES to the rearview. The cops· are still GAINING. Mama takes a SHARP 'l'lJ'RN. O'U'r·of the junkyard.

•,

'!HE CHASECON'XINUES.Moving along the MAINROAD.

ll IN'r. O.R.V. - DAY ll

Mama is FRENZIED. Wanting to LOSE'!HE CO?S. She makes a ·QUICK 'l'IJ'RN. OFF of the main road. Through the grassy field of a high school football field.

TINA TURNER'S "Better Be Good To Me" BLASTSfrom the stadium speakers. A grou~ of high school CHEERLEADERSpractice along with the music. ANDY, one of the prettiest-girls in town, LEADS the cheerleaders. 'rhey are forming a PYRAMID. The chase PASSESBY in the background, UNBEKNOWNSTto the CHEERLEADERS; 'rhe MUSICIS .TOOLOUDfor them to hear.

'!HE O.R.V. LEAPS a small ditch, out of the parking lot, through a wire fence.

Rev. 12/10/84

* l2A EXT. STREET - Dli.Y l2A*

The Fratelli o.R.V. squeals down the street, rapidly overtaking:

A LARGEVAN. The elderly ~ OCCUPANTS·(SIMON & SIMONE SIMIAN) exchange a contented glance. Simon now looks at his side view mirror, his expression instantly changing t.o panic as:

The van swerves hard right, allowing the Fratelli O.R.V. to screech around it. Now suddenly looming up from behind the right side: A POLICE PATROLCAR!

Simon swings the large van back hard left to accomodate the patrol car as:

A SECONDPATROLCAR starts to overtake the van fran the left side! The van spins in ·confusion, blocking the road sideways as A THIRD PATROLCAR skids to a stop in front of it, barely avoiding a er.ash. ·

The OFFICER inside jumps out, heads quickly for the van cab.

He suddenly stops as he hears FRANTIC POUNDINGand AGONIZED SCREAHS from within the rear of the van! Rushing to the side door, the Officer starts to jerk it open as:

Too late! The door flies open and TWORUGE GORILLAS leap out, decking the Officer in the process. Grunting and squealing with delight at their new-found freedom, they disappear around the corner of the van.

ANGLEON FAR SIDE OF VAN

The dazed Officer rounds the van in pursuit, scratches his gead, puzzled. The Gorillas have disappeared. In b.g. we now see, printed on the side of the van: BONZOTHE GREATAND HIS ~, with a picture of them driving a small red car.

,........ 5 Bev. 121/10/84

* 12B" EXT. PUTTING GREEN& GOLF CLUB· DAY 12B *

A neatly manicured putting green, part of an elegant country club.

TROYPREKINS and his FATHERstand on the green. In b.g. a little red golf cart sits, holding their clubs. Troy hovers seriously over a putt, using the knock-kneed stance made famous by Arnold Palmer.

Mr. Perkins spins around. The cart with the Gorillas is disappearing into the distance. He squints after it, enraged.

* l3 13 * thru Ccii:l'l:ED thN·, *lS l5 * rn. ~ Sl.:REE;I·- DAY 'IHE HIGHSPEEDOlASE! 'lhe two.police cars still foll.af..rthe OFF :roAD VEHICLE! IT o:NrlNOES thrcugh what is nomally a vecy ~. a::lASTAI.'Ia-lN.

The cars are headed for a MARINA. Several FISHING BOATSare docked here. STEF, a 16 year old girl, WORKSwith her Father on a small FISHING BOAT. Seconds before the CHASE passes, stef, wearing a mask and snorkel, ducks her head into a tank of water, sorting lobsters and crabs. As the chase PASSES out of sight, Stef RESURFACES. She's MISSED all of it.

CHUNKstands in the window. He is PLAYING a video game, alternating between bits of a giant PIZZA SLICE and a chocolate MILKSHAKE. The REFLECTIONof the chase is VISIBLE in the video game window. Chunk TURNSfrom the window, clumsily SPILLING the milkshake over his shirt and SMEARING the window with pizza. Chunk STARES at the chase. He sees the countless BULLETHOLESin the O.R.V. THE POLICE CARS follow. Chunk's eyes are WIDE. STARTLED by the exciting chase. He's the only GOONYwho's seen it.

& OMIT &

Mama CHECKSthe rearview mirror, seeing the police closing in. The boys LOOKat her in horror.

But Mama has NOT LOST her confidence. There is a certain GLEAM in her eyes, as if she-·KNOWSsomething. She TURNS to her sons.

The boys-OBEY Mama. Mama REACHESbelow the seat and removes a ·HELMET. She puts the helmet over her head and pulls down :the DARKface visor.

22 THE O.R.V. 22

makes a sudden TURN. The Police try to FOLLOW. Mama turns : onto the town' s MAINSTREET, where a crowd of people have gathered to view THE CAULDRONPOINT O.R.V. RACE.

Forty NONDESCRIPTOFF-ROAD VEHICLESline up at the starting line. All of their drivers wear HELMETS,their dark face visors PULLEDDOWN.

MAMA'S O.R.V. drives up to the STARTINGLINE and JOINS THE RACE. The STARTINGFLAGis waved .. The RACEBEGINS. THE POLICE CARSstop at the starting line. The POLICEMEN-get out. Guns RAISED. Ready to SHOOT. But as the countless vehicles pass, the Policemen can only STAREIN CONFUSION. Mama's o.R.V. is LOST in the crowd of similar vehicles. Her face is HIDDENin the crowd of similar face helmets. The race DISAPPEARSov.er a hill.

Ridden with bulletholes, Mama's O.R.V. turns away from the race, taking an ALTERNATEROUTE.

Mama removes her HELMET.~he and the boys are LAUGHING. They have LOST the cops. They are FREE.

CAMERA STAYSwith the O.R.V., as it cruises through the "GOON DOCKS". A small VILLAGE, located in and around the

docks. Made up of HOMESand SMALL SHOPS. several FISHERMAN and BLUE COLLARWORKERS live here. As the O.R.V.' drives out of town, the CAMERAPANS TO .~

A 3 STORY house. SIMPLE. PLAIN. This home is in slightly better condition than the others in the Goon Docks. CAMERA DOLLIES into the home's picture window. A 13 year old boy STARES.out the window. MIKEYWALSH. He has obviously JUST MISSEDthe chase. He gives an ANGRY, BORED shrug.

Mikey is a 13 year old HYPOCHONDRIAC. CUTE. A wiry, SKINNY body. ·sHORTfor his age. BRACES. SHAGGY brown hair. A "BRUCE SPRINGSTEEN"concert T-shirt. FADEDLevis. VELCRO sneakers. Mikey is in that AWKWARDstage of adolescence. His entire body is going through a CHANGE. Mikey gives himself a SHOTOF PROMOTENEMIST. Angrily STARINGout the window.

Mikey TURNSfrom the window. His brother, BRAND,hangs UPSIDE DOWN from a chinning- bar. In the BACKGROUND.He is attached to the bar by METALANKLETS. Brand looks NOTHING like Mikey. . Brand is a HANDSOME,MUSCULARyouth. A JOCK. His eyes are deep BLUE. His hair DIRTY BLONDE. Be wears gym shorts and a half T-shirt over his TANNEDBODY. Mikey gives an HONEST SIGH, letting his TRUEfeelings through.

CAMERA FOLLOWS Mikey inside the house. We are in the RECREATiml ROOM of the Walsh home. CLUTTERED middle class. Sears and Roebuck FURNITURE. Montgomery Ward .TELEVISION. · J.C. Penney OIL PAINTINGS. Mikey SITS on the sofa. He . OPENSa "MAD MAGAZINE"to the back cover. Mikey STARES at Al Jaffee's "FOLD IN". Mikey sits, trying to FIGURE out the Fold In. He REPEATSthe answer to himself. He then FOLDS the magazine together. He has GUESSED the correct answer. He TOSSES the magazine on the floor. Mikey STARES. DEPRESSED.

28 CLARKE "MOUTH" DEVEREUXenters. Mouth is the group 28 (Cont'd) PRANKSTER. A CLOWN. A 15 year old RICH LITTLE. TALL, GAWKY. CURLY, unkempt hair. A HOMELY kid. Be wears a blue plumber's SHIRT, JEANS, and SNEAKERS. Across his shirt's back, bright rellow letters spell out: "DEVERETJX'S PLUMBING". Bis shirt is still SOAKINGWET•from the earlier plumbing fiasco. A WRENCH,SCREWDRIVER and other PLUMBING TOOLSpoke out of his back pocket. Mouth has a perpetual SMIRKon his face. A devilish GLEAM in his eye. Be looks around the room, noticing the feeling of DEPRESSIONin the air. Mouth tries to LIVEN things up.

Brand reaches out to BIT Mouth. Mouth JUMPS BACK. Out of Brand's REACH. They are INTERRUPTEDby the sound of a ringing GATEBELL. Mouth TURNS.

Mouth POINTS to the SLIDING GLASSDOORS. LAWRENCE "CHUNK" COHEN is OUTSIDEof :he gate. Be is RINGINGthe bell. Chunk is 14 years old. PUDGY. CLUMSY. Chunk is a chronic LIAR, the king of FIBS. Be wears a light summer JACKET. A. bright colored HAWAIIANSHIRT. Large plaid BERMUDA SHORTS. BLACK knee socks. Brand NEWsneakers. Chunk SHOUTS to the guys

10 REV: 10-14-84

It's obvious t.~at Mouth WON'Tlet Chunk inside. Chunk SIGHS. He LIFTS up his SHIRT. Chunk EXPOSEShis soft, pudgy midsection. Chunk begins to TWIST and SHAKE. His belly J-IGGLES. Mouth is bent over with LAUGHTER.Mikey is not AMUSED. He RUNSto the window, GLARINGat Mouth.

Mikey OPENSthe window. He drops a STONEout of the window. In RUBEGOLDBERG fashion, the rock causes a chain of events that make the gate open for Chunk. Chunk HURRIESthrough the gate. He ENTERSthe house and EXCITEDLYlooks at the boys.

More amazing than the time you saved those old people from that nursing home fire?

NO ONEbelieves Chunk. Suddenly, we HEARthe JAMES BOND THEME! It ECHOESfrom outside. With that, as if it were • some sort of ritual, Mikey STANDS.and opens ,the window·.

-

29 MIKEY'S P.o.v. 29

Mikey SEES RICKY "DATA"WANG. A 13 year old TECENICAL GENIUS. Data is CHINESE. Small FRAMED. THIN. He wears circular, wire rimmed SPECTACLES. A "PRINCE" T-shirt. JEANS. NIKES. He is never seen without his LARGE, JAPANESE

11 REV: 10-14-84

29 BACKPACKand FLOWING WHITE CAPE. His dark eyes are 29 (Cont'd) PIERCING. INTELLIGENT. Data sees himself as Agent 007.

Data STANDS·on the window of his home. He has ATTACHED himself to a clothes line that CONNECTSMikey's house to Data I s. A LARGEPORTABLECASSETTEplayer is STRAPPED to Data'·s chest. The Bond Theme BLARESfrom the cassette. Data FLIES from hi.s house to Mikey• s. He SHOOTSthrough the open window, and FALLSinto Mikey, who shoots back, · colliding with the bottom half of upside-down Brand, who in turn arcs up, clunking Chunk. Chunk FALLSBACKWARDS and KNOCKSa miniature MARBLE REPLICAof Michaelangelo's DAVID to the floor. The statue lands with a THUD! Chunk NERVOUSLYpicks up the statue. It seems to be in ONEPIECE. But he is met with a SHOCKINGSIGHT. The statue's penis has CRACKEDOFF. Mikey gives himself another SHOTof Promtene Mist, and picks up the broken statue. He HOLDSthe statue in one hand and the penis· in the other. Mikey PANICS, holding out the broken penit high in the air.

Data OPENSa map and looks at the guys.·

· MIKEY You shut up about that stuff. It'll never happen. Dad'll fix it.

29 Brand leads the kids to a window-- They look out.· 29

Three MEN in leisure suits are looking at Mikey's home. They seem to be discussing the entire area. One of them carries a surveyor's !RANSIT. They point, gesture and even laugh. One man picks up a straight branch and imitates a golf swing.

Practic'ly droolin.

He opens his JACKETand REMOVES the cassette player. Inside of his shirt, is a CRUDEDEVICE.that is covered with different CORDS. Attached to the cords are SMALL,COLOR CODED PLASTIC RINGS. Data PULLS one of the cords. Two rubber tipped DARTSfly out of the sides of Data's glasses .. The darks MALFUNCTION,pull off Data's glasses, and ATTACH themselves to the window. Angry, he SCREAMS.

13 REV: 10-14-84

30 He pulls ANOTHERCORD. A mechanical device, very· similar to 30 (Cont'd) the "chest buster" in "Alien", BURSTSout of Data's chest. The device is PLASTIC, MECHANICALCHATTERBOXTEETH, with a homemade super spring for super grip. It shoots forward ACROSS THE ROOM. The teeth are attached to a thick METAL COIL, similar to a SLINKY. The teeth GRASPONTOthe Walsh DRAPES and HANGTHERE. Data TRIES to pull a few more cords. NOTHINGworks. Data is- LOSINGhis temper, ready to EXPLODE. Mouth puts his ARMon Data's shoulder to CALMhim.

IRENEWALSH, Mikey and.Brand's Mother, ENTERS. Irene is in her early FORTIES. Light BROWNhair. SLENDER. Dressed in a PLAID SKIRT and MONOGRAMMEDSWEATER. PRETTY, with a WAR KIND face. Her arm is in a SLING. BROKEN. Standing with her is Rosalita, a middle-aged, pudgy MEXICANwoman. The new MAID (whom we've seen in the first scene). .

Mikey quickly passes the broken statue of David BEHINDHIS BACK, to Chunk. Chunk nervously COVERSthe broken statue· with his jacket. Irene LOOKS at Mikey and Brand.

The boys WAVE. Rosalita SMILES.

Mikey ROLLShis eyes at Data. Irene SMILES at Mouth.

CONTINUE

30 Mouth SHOOTSto his feet, hurrying to Irene's side. She 30 (Cont'd) TURNSto leave. PAUSING. She NOTICESBrand hanging upside down.

Irene TURNSand EXITS with Mouth and Rosalita. Chunk CATCHESHIS BREATH. He PICKS up the statue. A large HOLE surrounds the statue's groin. Chunk gives a HOPEFULlook to Mikey.

Irene ENTERSwith Rosalita and Mouth. Irene walks to a set of DRESSERDRAWERS. She POINTS each drawer out to Rosalita.

Rosalita stares BLANKLY. Irene TURNSto Mouth.

IRENE· Can you translate that?

Mouth NODS. With an EVIL GRIN, he points out the dresser drawers to Rosalita.

Rosalita gives a SHOCKED look. Irene smiles, thinking Mouth has translated her directions PERFECTLY.

CAMERASTAYSBEHINDthe statue. The boys TRY to put the statue's penis back into place. Chunk performs the DELICATE TASK. Using Elmer's GLUE. Finished, Chunk gives a HOPEFUL look to the others.

The boys BREAKUP with laughter. Brand SLAPS Chunk in the head.

CAMERACIRCLESto the FRONTOF THE STATUE. Chunk has

Irene EXITS the master bedroom with Rosalita and Mouth·. Irene points to a TRAPDOORin the ~eiling. She LOOKSat · Rosalita.

Irene NODSto Mouth. Turning to Rosalita, he begins HIS translation.

Rosalita's face goes WHITEwith fea:r.

34 OMIT 34

Irene and Mouth enter with the HORRIFIED-Rosalita. Irene opens a SUPPLYCLOSET. She POINTS inside.

IRENE

35 This is the supply closet. You'll 35 (Cont'd) find everything you-need inside.

-Brooms. Mops. Insect spray. Lysol.

Irene NODSto Mouth. He LOOKSat Rosalita.

Irene, Mouth and a NAUSEOUSRosalita enter. The boys are· GATHEREDaround the television. Playing MARBLES. Feigning INNOCENCE.

Irene SPOTS TEE·STATUE. Back in its ORIGINALplace. LEAF over its genitals. She sighs, knowing that Chunk is responsible. She TURNS to Chunk.

Chunk PICKS up the statue ana gives it to her. Irene HOLDS the statue.

She REMOVESthe leaf. The penis begins to FALL OFF the statue. Slowly TILTING. FALLINGover. The glue stretches.

Mikey sees this and takes a hit from the Promotene Mist. Rosalita is, of course, shocked and makes the sign of the cross.

Irene gives a FLUSTEREDnod. She TURNSto Brand.

36 IRENE (Cont'd) 36 (Cont'd) (sees Mikey taking hit)

Brandon, you stay inside with Mikey. If he's got asthma ... he shouldn't be out in the rain.

Brand gives a reluctant sigh. Irene and a frightened Rosalita exit. Brand leaps at Mikey. TACKLING him.

Brand holds Mikey in a strangling headlock.Mikey is wheezing, coughing. Mikey struggles in thebackground. Brand finally p~shes Mikey away.

Mouth, pondering something, looks at Mikey.

Everyone joins in with a ''YEAH! COOL! LET' S DO IT! 11 The kids RUNOFFSCREEN. Only Mikey stays behind, PROTESTING.

18 REV: 10-14-85

(Cont'd) Hey, guys ... My Dad's responsible for

all that stuff ... Don't wreck any- thing ... I'll bet the museum's got a list of it all somewhere ... Guys?' ...

Mikey FOLLOWS the guys OFFSCREEN.

DARK. DUSTY. The attic is crowded with historical Cauldron Point museum pieces. They date from the middle and late SIXTEENTH CENTURY. There are OIL PAINTINGS, SCULPTURES, antique FURNITURE,COSTUMES, WHALING HARPOONS,PIRATE AND FISHING MEMORABILIA,etc.

A LARGESKYLIGHT looms over. the priceless collection. BLACK,RAGINGstorm clouds are visible through the skylight windows. The.oncoming RUMBLINGOF THUNDER can be heard.

The boys enter through a TRAP DOORin the floor. Brand is FIRST. He shines his.FLASHLIGHT through the attic. The ·others FOLLOW. Mikey is the last to clumb inside. He sees the attic for the FIRST TIME. SHOCKED. AMAZED.All of the boys stare wide eyed at the roomful of items.

THUNDERCRACK! A FLASHOF LIGHTENING. From the skylight a mosaic of rain patterns slowly dances across the Goonies.

Brand's eyes burn. He GRABSMikey in another headlock.

37 BRAND 37 · (Cont'd) You shut up about that elevat·or! You

understand? Huh?

Mikey forces a nod. Wheezing. Brand releases his grip. Mikey LIES on the floor. Catching his breath.

Brand leads Mikey and the others on a trek through the attic. Mikey follows. Suddenly, a HIGH PITCHEDVOICE INTERRUPTS.

The boys turn to the direction of the voice. It ECHOESfrom behind the tattered OIL PAINTINGof the naked woman and Pirate Captain. A TONGUE juts out of a tear in the woman's mouth, LASCIVIOUSLYlicking its lips. Mikey STARES. SHOCKED. Brand and Data SHAREa chuckle. Suddenly, a FINGERpops out of each of the woman's nipples. The fingers twist and turn. Creating a bizarre image. Mouth calls out, again imitating a woman.·

Mouth's head POPS UP from behind the painting.

-~ MOUTH Easy, dude. It was already trashed.

The kids continue WALKINGthrough the attic. They INVESTIGATEthe various ITEMS.

37 MIKEY 37 (Cont'd) Yeah. Anyway•.. these are the

rejects.

Mikey SHRUGS.

The boys RUMMAGEthrough the items. Each of the boys GRABS a particular piece of Pirate CLOTHINGor EQUIPMENT. Mikey puts on an EYE PATCH. Mouth and Data find large PIRATE HATS with feathers. Brand GRABSa SWORD. Chunk puts on a-Pirate COATand SCARF.

As the boys continue to investiage, Data stares in awe.

Mikey flips through a collection of framed portraits and photographs, He SPOTS something that catches.his interest. A FRAMEDMAP. But the map is impossible to read. It is covered by a YELLOWED, DUSTYPIECE OF GLASS. Mikey tries to remove tire FRAME. Won't budge. He TURNSover the map. The back is covered by a sheet of WOOD.. There is only one way to read the map: Break the glass. Mikey can't bring himself to do it.

---··-··--·

37 He sees Chunk STRUGGLINGto remove a paint can from his 37 (Cont'd) foot •. Mikey SMILES. l,n IDEA.

Mikey holds out the map to Chunk.

Chunk gives a NOD. He takes the map from Mikey. Mikey turns. Pretending to examine another framed picture. WAITING. Within a matter of seconds Chunk loses his balance. He drops the map. It hits the fl-oor. Its glass covering shatters into a million pieces. Mikey picks up the map. He feigns an ANGRYlook at Chunk.

Chunk gives an embarrassed shrug.

Mikey picks up the map. He removes a few small remaining pieces of glass. The map easily slides out of the frame. Along with a small, golden DOUBLOONthat is fixed in the map's frame. Mikey studies the map and the doubloon. The map is now completely visible. It is beautifully detailed. ELABORATE. HAND PAINTED. All of the writing on the map is in SPANISH. The map is signed "ONE EYEDWILLY"! Mikey STARESat the signature. There is an intricate drawing of a coas.tline. The coastline leads to a mountainous cliff. Below the cliff is a large "X". CAMERADOLLIES TOWARD THE nxu.

Mikey is FASCINATEDby the.map. Brand suddenly grabs the map out of Mikey's hand. The other guys gather around, all wearing various pieces of Pirate clothing and equipment. Chunk looks over Mikey's sho~lder, studying the Doubloon.

22 R..~: 12-17-84

37 CRtlNX 37 (Cent 'd) All the geed stuff.

MOtl'IB (translates) "Chunk's'. .. Father .•. Screws .•. Sheep".

Chunk RI"rS Mouth. Mouth gives an OBNOXIOUSCACKLEand SHRUGS. Be translates again.

Everyone gives Mouth a puzzled leek. Mouth raises his hand in the BOYSCOU"rPLEDGE. He's 'XELLINGTEE TRU'!R.

DA"rA "rhat map's old news. Everybody and his Grandfather went after that thing wh~n cur parents were cur ages. Didn't ya• ever hear cf that Pirate guy? "One Eyed Willy"? •••

MIKEY * Hey! One Eyed Willy! He was the biggest pirate cf his time! My Dad told me all about him one night.

BRAND * Yeah. Dad'll tell you anything to get you to go to sleep.

MIKEY * (ignoring him, ¥o others) He had millions in treasure, see, but the King sent his ships after him. So Willy took his ship, called•the INFERNO, and ducked into this cave to hide. But the King's men sealed him up inside it with cannon fire.

MOU"rH * Your Dad oughta write Saturday morning TV junk for teeny.little kids - like you.

CON"rINUll)

iiA. •

37 MIKEY

(Cont' dl My Dad tells me the truth! And

he told me that Willy and his bunch spent years hiding out down there, building these undergroqnd caves, loaded with all kindsa booby traps to protect:the treasure.

Chunk finds a NEWSPAPER CLIPPING. It is a framed, * yellowed paper with a photo of a smiling man who bears a strange resemblance to Gabby Hayes in a MINER'S HAT. Chunk reads the headline.

CHUNK * Guys, look at this! "Chester Copperpot Missing in Pursuit of Local Legend! •.. Reclusive Scavenger claims: 'I have· the key to One Eyed Willy!"

23 REV: 10-14-84

*·

37 DATA 37 (Cont'd) Nobody ever found nothing. Why do

ya' think that map's sitting up here instead of in a safety deposit box somewhere!

Mikey's eyes are WIDE. HOPEFUL.

The kids REMOVEall of the Pirate clothing and equipment. The doorbell RINGS and the kids RUSHdown to see who is at the front door.

Three men in leisure suits stand outside of the screen door,

they were infants. One guys keeps practicing his golf swing.

The door is CLOSED. 38

Brand is very depressed. The boys take pause as they look at the complicated legal forms and back out at the departing men. Mikey STARES. DREAMING.

The boys pause. WORRIED. Brand breaks the silence by suddenly PULLINGMikey by the hair.

Eat it, Mouth .

Brand is out of sight, sneakily removes the map from beneath his shirt. He opens the map. The guys push in, all looking with dreamy speculation. CAMERA DOLLIES INTO THE MAP. A FLASHOF LIGHTENING sparkles the map.

39 MATCH CUTTO SKY 39

A long, thin crack of lightening shoots across the sky.

25 REV: 10-14-84

41 INSERT·- ONEMARBLE SHOOTINGINTO A TRIANGLEOF MARBLES 41

CBEST. 42

RECREATIONROOM. SEVERAL MINUTESLATER. Mikey, Chunk, Mouth, and Data are gathered in the recreation room, PLAYING MARBLES: A look of extreme GUILT covers all their faces.· Brand is in the background. He sits in a chair. Shirt off. He pulls a METAL, SPRING CHESTEXER9ISER across his chest.

Mouth gives a sly look back at Brand. He turns to the others and NODS. They NODBACK. Mouth, Chunk, and Data sneak up behind Brand. Meanwhile, Mikey GATHERShis marbles and puts them into a small LEATHERPOUCH. He stuffs the pouch into his pocket.

The kids sneak around the corner. All three quickly grab .. the chest exerciser out of Brand's hands! They WRAP it around Brand's chest and arms! Before Brand can react, Mouth CL/iMPSthe two ends of the exerciser together. Brand is TRAPPED. Unable to MOVE-: The exerciser works like heavy metal CHAINS. It .SECURESBrand to the chair·.

The Goonies, walking through~the backyard, careful NOT TO WAKE GRANDPA, who lies ASLEEP on a hammock. The kids WHISPER'to each other:

Just as the kids round the corner of the house, a devious Mouth gives a light shove to the hammock, causing Grandpa to WAKE.

CLOSEUP - TEN SPEED BICYCLE TIRE

A hand is LETTING THE AIR out of the tire. CAMERAPULLS BACK. We see that Mouth is letting the air out of Brand's

44 bike tire. rn·the background, Mikey, Chunk and Data CLIMB 44 (Cont'd) ONTPtheir bikes.

Mikey HEARSBrand SCREAMING.from inside.

Mikey PAUSES. Then FOLLOWSthe others. As he SHOOTS out of the driveway, BRUCESPRINGSTEEN'S"COVER ME" FILLS THE SOUNDTRACK.

The boys on their bicycles. Each ·boy's bike fits their INDIVIDUALpersonality. The boys PASS the TOWNMUSEUM. Mikey's Father is working on the museum's rooftop, HAMMERING a leaky shingle. Mikey SHOUTS,"Hi, Dad!" to his Father.

Brand is still trapped in the chair. GRUNTING. GROANING. STRUGGLINGwith the metal springs. Brand causes the chair to bounce and move backwards. The kitchen door suddenly OPENS. ROSALITA,the maid, stands in the doorway. Her arms are filled with GROCERIES. She sees Brand BOUNCINGTOWARD HER. Li~e an oncoming freight train. This bizarre image only confirms her WORSTFEARS about this house. Rosalita screams and DROPSher groceries. Irene walks up BEHIND Rosalita. Irene sees the bonded Brand bouncing on the chair. She CHUCKLES.

46 Irene and a HORRIFIEDRosali ta walk by. Brand gives a 46 (Cont'd) HELPLESSlook.

Mouth, Chunk, Data and Mikey SPEEDby on their bikes .. Mikey HOLDS the open map. His eyes constantly GLANCEto it. He is OBSESSED with following the map. Up ahead is the Stop 'N Snack. Teenage hangout. Mouth, Chunk, and Data turn their bikes toward the Stop 'N Snack. Mikey continues forward. He suddenly STOPS, realizing that the kids have left him. 'Mikey TURNSand sees the others entering the STOP 'N SNACK. He SHOUTS and holds up the MAP.

Brand RUNSout the front door, chest exerciser in hand. We HEAR Irene SHOUTfrom inside.

Brand sees the air OUT of his bike tires. His eyes FILL with RAGE. He KICKS the bicycle over. He LOOKSaround. Riding in the driveway is Data's SISTER. She is riding a TINY GIRL'S BI~. Painted b~ight purple, with pink flowers. TRAINING WHEELS are attached to the rear wheels. Brand has NO other choice. It's the ONLYmeans of transportation in sight. He runs to the driveway, PICKS UP THE GIRL, removing her from the bike. Brand HOPS on the bike. He PAUSES, looks back to the girl and gives her the CHESTEXERCISER.

out of the driveway. The girl BURSTSinto tears.

28 REV: 10-J.4-84

SYLVIAKEESTER,an OBESE, ELDERLY woman, works the CHECK-OUT COUNTER·. Data is purchasing a pack of baseball cards. Sylvia rings up the orde~ on the COMPUTERCASH_REGISTER. The computer JAMS. Sylvia POUNDS the cash'register. FRUSTRATED.Data OPENSa tiny door on the register. He begins to fiddle with two small WIRES.

Mouth stands by the MAGAZINERACK. A sly look in his.eyes, Mouth slips a copy of "PLAYBOY"magazine behind a copy of "OMNI". He begins to READ.

Chunk stands beside the JUNK FOOD. He LOOKSaround. coast is CLEAR. Chunk HURRIEDLYtears open a TWinkie. He quickly SLURPSout the TWinkie's creme filling. He REWRAPSthe hollow twinkie and puts it BACKON the shelf.

Mikey enters the store. He RUSHES over to Chunk. Mikey WAVES the map in Chunk's faee.

Chunk is TOOBUSY ~ating Hostess fillings to speak with Mikey. A frustrated Mikey RUNSover to Data, who is still fiddeling with the cash register.

Mikey SIGHS. He RUNSto Mouth.

Mikey gives himself a SHOTof Promotene Mist. He grabs a MAD MAGAZINE, and as always, guesses the FOLD IN. He suddenly NOTICESsomething. On the LOWER magazine rack. It's a section of dusty, "CAULDRONPOINT" TOURIST MAPS. Mikey GRABS one of the maps ano.OPENS it.

49 Meanwhile, Chunk has made his way to the FROZENTREAT 49 (Cont'd) FREEZER. He OPENSthe freezer door. He pokes his head deeply 'INSIDE. out of sight, he opens a container of HAGEN DAAS. He takes a few LICXS from the top. Then quickly CLOSESthe lid. He GRABS another container. He's going to SAMPLE everything.

Data still FIDDLESwith the cash register. It suddenly BEEPS and LIGHTS. It's WORKING again. Good as NEW. Sylvia gives a satisfied RUFFLEto Data's hair.

Sitting on the floor, Mikey has OPENEDthe tourist map and the museum map. He has laid them SIDE BY SIDE. Mikey is COMPARINGthe two. CAMERA DOLLIES INTO THE TWOMAPS. The coastline paths of both maps are IDENTICAL. Several key ROCKSand CLIFFS also MATCH. Mikey's eyes are BRIGHT. HOPEFUL. He NODSto himself. MUMBLING.

M~KEY I know where th.is is.

Suddenly, Mouth's VOICE echoes through the store.

Mouth POINTS to the· ENTRANCEDOOR.

years old. TAN. ·cocKY. He's dressed in a white POLO TENNIS OUTFIT. EXPENSIVE tennis shoes. His hair is neatly STYLED. A spoiled rich BRAT. He lives in an expensive home on the HILLSIDE. Walking BESIDE Troy is ANDREA"ANDY" CARMICHAEL. She is 16 years old. The face of an ANGEL. Smooth, CREAMYcomplexion. Her•thick, BRIGHTRED hair falls to her shoulders. Her bright GREENeyes are dazzeling. She is SLENDER. Filled with ENERGY. A BEAUTY. Still in her cheerleaders outfit. She is'wearing Troy's WHITELETTER SWEATER. Troy's name is written in SCRIPT on the bottom of the sweater. Andy also lives on the HILLSIDE. Walking beside Andy is STEFANIE"STEF" STEINBRENNER,also_age 16. Andy's BEST FRIEND. Stef is short. PUDGY. Dark.brown hair. GLASSES. She is wearing Denim FISHERMANCOVERALLS. Stef is 'l'OUGH. QUICKWITTED. BRIGHT. She LIVES in the "Goon Docks".

Troy walks straight to the MAGAZINERACK. He GRABSthe "Playboy" Magazine from Mouth and begins to PAGE through. Mouth, so ANGRYhe's been rendered speechless, GLARESat Troy. Mouth BACKSOFF and picks up another magazine.

Mikey SEES Andy. A VISION. He stares at her with ADORING EYES.

49 Stef and Mouth EXCHANGEa glance. Stef CRINKLES her nose. 49 -(cont Id)

Troy NUDGESAndy.

She turns . Troyholds up the "Playboy" CENTERFOLD.Written above the photo,in large red letters, are the words, "CAN YOU MEASURE UP"? Troy gives a LECHEROUSGRIN to Andy.

Andy looks away. EMBARRASSED. Troy emits a HORSE·LAUGH Mikey gives a painfully HONESTlook to Andy.

Andy SMILES. Giving a casual, BROTHERLY,ruffle to Mikey's hair. Mikey SMILES. In HEAVEN.

Meanwhile, Chunk still has his head BURIEDIN THE FREEZER. Troy NOTICES. He WALKS over. He BRINGSthe freezer door down on Chunk's head. TRAPPINGChunk in the freezer. Chunk PANICS. Troy CHUCKLES.

Mikey no~ices. He SHOUTS to Troy.

Troy PAUSES. He RELEASES his grip on Chunk. Troy WALKS back to Mikey.

49 Troy TOWERSover Mikey. He's ready to HIT Mikey,' when he 49 (Cont'd) notices the ANCIENTMAl'. RESTINGon the floor. He REALIZES that it's important to Mikey. He TURNSfrom Mikey and GRABS the old map. Mikey CLAWS at Troy.

Troy holds the map HIGH in the air. ABOVEMikey's reach. Troy is CONFUSEDby the map. But he realizes its IMPORTANCE to the boys. Troy grabs a pack of cigarette TOBACCOfrom the counter. He POURSthe tobacco out onto the map. He begins to ROLLthe map. Like a CIGARETTE. He gives an EVIL grin to the boys.

Mikey TRIES to grab the map. Troy gives him a HARDSHOVE. It KNOCKSMikey to the floor. Troy FINISHES rolling the large "cigarette". He removes a Butane LIGHTERfrom his pocket. FLICK. A large FLAME APPEARS. Troy MOVES the flame to the end of the "cigarette". He LIGHTSUP! The., boys WATCHin horror as Troy takes a LONGPUFF. The end of the map BURNS! CRINKLING! Mikey HIDES his eyes. Troy blows out SMOKERINGS. He gives a relieved SIGH. A few more puffs and the map will be dest'royed! Troy moves to take ANOTHERPUFF. Mouth WALKS up. He RAISES his eyebrow, doing his JACK NICHOLSONimpersonation.

_ MOUTH The tim~ ..l french kissed your Mother.

Troy's e:[es 'fill with MURDER. He DROPSthe map. LEAPING for Moutli. Mikey quickly GRABSthe map. STOMPINGout the fire. Troy has TACKLED Mouth. He is THROWINGpunches, Mouth COVERShis face. Mikey LEAPS onto Troy. Mikey GRABS Troy around the neck, trying to pull him OFF MOUTH. ·

In the background, Data tries to HELP Mikey! Data opens his shirt and PULLS A CORD! He SHOUTS "SMOKE SCREEN"! A RUBBER GARDENHOSE shoots out of Data's sleeve. But instead of emitting a steady stream of smoke, the hose slowly SMOLDERS. Data holds his arm in pain, as if it were ON FIRE. He RUNS

49 to an ICE MACHINEand burries his arm INTO THE ICE! A smile 49 (Cont'd) of RELIEF covers his face.

Meanwhile, Troy is busy DEFENDINGhimself agaii:i,st Mikey. Troy turns and GRABSMikey with his left hand. Troy PULLS BACK his right hand, ready to PUNCHMikey in the face. As Troy's hand FLIES TOWARDMikey, it is suddenly GRABBED, STOPPED in midair, by another HAND. CAMERAPULLS BACK. we see that BRANDhas grabbed hold of Troy's fist. Brand GLARES at Troy.

AFRAID of Brand, Troy gets off Mikey. The boys are RELIEVED. Brand GRABSTroy by the shirt. Ready .to FIGHT. Troy LOOKS away. SCARED. Mikey WATCHES,his eyes beaming with PRIDE. Brand RELEASES his grip on Troy. Troy STANDS. FORCING a cocky grin, he looks at all of the goonies.

Troy CHUCKLES. He TURNS to Andy.

Andy gives a NONCHALANTshrug. Brand TURNSto Andy. He shoots her a JEALOUSlook. Troy STRUTSout of the STOP 'N SNACK. THROUGH the window, we see him get into his bright· red, MUSTANG conyertible.

Mikey has;UNROLLEDthe map. It has SURVIVED the burning with on1y·a tiny singed edge. ·

Brand TtraNS to Andy. Their eyes MEET, a look of tragic desire! They want to be together, but this isn't the time •.. She FLASHES.her pretty eyes. Brand sorts of melts down.

Brand TURNSto Mikey. He GRABS the map from Mikey. SLAPPING Mikey's head.

33 REV: 10-14-84

49 BRAND 49 (Cont'd) Mom's waitin' for you. You just blew

your whole life, pal. * (to the other guys) The rest of you guys, too ... you•re all history. We don't need friends like you in our lives!

With that, Brand tucks the map into his back pocket. Mouth walks up to Brand. Mouth turns on the phony charm, putting his arm around Brand. Mouth starts to sing.

As he continues to sing, Mohth uses his FREE HANDto remove the map from Brand's pocket. Brand SHOVES Mouth away.

Mouth turns to the other goonies and SHOWSthem the map. They make a RUNfor it. A befuddled Brand reaches into his back pocket, ·realizing that the map is gone. He RUNS after the kids.

Mikey, Mouth, Data and Chunk hurriedly RIDE OFF on their. bicycles. Mouth holds THE ROLLEDMAP UNDER HIS ARM. Brand DASHES outside. He SEES the boys RIDE OFF into. the distance. ,

CLOSEUP - MIKEY, checking the MAP. CAMERA PULLS BACK. The kids are_riding their bikes, moving further up the coastal highway. The Springsteen song BLASTSfrom Data's stereo. The kids CONTINUE to look back.

52 OMIT 52

Chunk TURNSto his RIGHT. He sees the HILLSIDE COUNTRY CLUB.· Chunk points to the Club, looking at Data.

53 CHUNK 53 (Cont'd) My Dad tried to join there once.

When he still had his job. But they wouldn't let us in.

MIKEY'S P.O.V. - THREETALL NARROWROCKSjut out of the

himself.

MiKEY I know this place ...

It HITS him. A REALIZATION! Mikey NODSto himself.

CAMERA PANS FROMMIKEY. TO HIS P.O.V.: A TALL, NATURAL OBELISK. It stretches several HUNDREDFEET·into the air. A very steep HILL. Very WIDE. Lined with .JUTTING, JAGGED rock. The Coastal Road is DIRECTLYin front of it. At the obelisk, the road makes a SHARPTURN. Veering off into a different DIRECTION.

Brand .is way behind the kids,. furiously pedaling the girl's pink bicycle. Troy's red Mustang is.coming up behind Brand. The Mustang starts to smoke rubber, and reduces speed from 75 to 5 MPH. The Mustang rides BESIDE Brand. Troy CHUCKLES. Andy LOOKS away, embarrassed. Stef TURNS to Andy. . .

Brand TURNSaway. Angrily HUFFINGand PUFFING. As AI:idYand Stef look at Brand, Troy is slyly adjusting the rearview mirrow, tilting it downward in order to see down into Andy's shirt. Andy NOTICES. She GLARESat Troy.

ANDY 55

(Cont'd) Troy ... you touch that mirror again

and I swear to God I'll sock you in the mouth!

Troy quickly MOVES his hand from the mirror. Andy LOOKS BACKto Brand, trying to be NICE.

Brand SMILES, his eyes locking with Andy's in a moment that tells us they're "communicating". Troy NOTICESthis and fumes. He forces a SMILE to Brand.

Brand GRABS hold of the door handle. Troy TIGHTLYgrasps Brand's wrist. Troy TURNSUP the radio and floors the gas. Brand is TRAPPED. The Mustang is true to its stats, it goes from zero to sixty in 8.0 seconds ... and so does Brand. The bike pedals are churning so quickly, Brand has to lift his feet from the bike. Andy SCREAMS.

ANDY· Troy! ! ! Let 'im go! ! ! !You're going tod fast!! You're gonnakill ' im ! ! ! ! Let ' im go! ! !

Troy NODSand releases his grip on Brand. Troy SMILES at Brand.

The Mustang makes a SHARPTURN OFF the main road. But Brand KEEPS going. His training wheels FALL OFF. All the rubber on the. tires peel off, ,smoke, and the bike moves only on the

DISAPPEARING off the shoulder and into a field of tall grass.

SSA INSERT - EXT. ROADWITHMOSSY TREES SSA

The boys follow the map.

SSB INSERT - EXT. BRIDGEBY BEACH 55B

They walk their .bikes. across ..the bridge

SSC INSERT - EXT. ROCKYBEACH SSC

M~key knows where they're headed

SSD INSERT - EXT. HOLLOWWITHMOSSY TREES SSD

They continue to follow the map

SSE INSERT - EXT. SPOT TO TRIANGULATEROCKS SSE

Mikey is able to line up the 3 rocks and the lighthouse :through the notches in the coin.

Mikey arrives at the top. Data and Chunk are BEHINDhim, followed by Mouth. They stand on the EDGEof the hill. They are met with a SURPRISINGSIGHT. BELOW the boys, on the opposite side of the hill, is a tiny AREAOF LAND. A MINI-PENNINSULA. Thrashing ocean waves and jutting rocks surround the grassy penninsula. A small CEMETARYis built on a small section of land. POTTER'S FIELD. Crowded with old, crooked, GRAVESTONES.Built BESIDE the cemetary is

A rectangular, ONE STORYbuilding. RUNDOWN. DISTORTED by the years. Its white wood exterior is CRACKED~ ROTTING. The building is CROOKED. Its windows TWISTEDand DIRTY. A broken red and green NEONSIGN hangs over the building. A TALL, CROOKEDLIGHTHOUSE is built beside the building. An OPEN-CLOSEDsign hangs in the front door window. The heavy wind BLOWSthe sign. SPINNINGit around. We AREN'T CERTAIN if the place is open or clos·ed. SHADOWSpass by the dirty windows. There is a SINISTER, EERIE_quality to this place.

Mikey STARES. In AWE. MUMBLING to hims~lf, he excitedly looks at the map. But the map seems to END. Mikey is· PUZZLED. He suddenly gets an idea. He FOLDSthe map like. a MADMAGA~INE back cover. To Mikey's delight, the folded pieces form another MAP. Mikey REMOVESthe doubloon from his pocket. When he PLACESthe doubloon over the map, everything appears to be more CLEAR. He gets everyones ATTENTION,pointing to the map.

Mikey POINTS to the "X" below the cliff. SMALLFOOTPRINTS have been sketched on the map. They FORMa line from the bottom of the hill to the "X".

MIKEY 57

(Cont'd) This is where the rich stuff's

buried ... (POINTS back to house) Down there some place.

Mouth reads the SPANISHphrase written beside :the footprints.

The boys PAUSE. Figuring out the RIDDLE.

The kids suddenly NOTICE something. They TURN to the lounge. A DARKCAR pulls into the driveway. TWOTALL MEN, wearing dark, business suits, get out. They WALKto the ' restaurant door. They ENTER. Data TURNS-to Chunk.

57 DATA 57 (Cont'd) Drug dealers? Did you see their

clothes? J.C. Penney Polyester. Drug dealers wouldn't be caught dead in those rags.

Data is frantically searching for the right cord, wanting to answer the call of duty. He mumbles to himself.

Data pulls one-of his CORDS•from beneath his shirt. A mechanical device RAISES from Data's chest, with a pair of cheap opera glasses attached to the end. The glasses stop in front of Data's eyes. But when he moves to look through them, the glasses fly from their place and shoot forward .. Data gives a shrug. Mouth looks over Mikey's shoulder at the map.

Mikey NODS. The others PAUSE. THINKING.

The Goonies walking through the GRAVEYARD.Mikey LEADSthem toward the "LIGHTHOUSELOUNGE". Suddenly, a LOUDCRACKING SOUND is heard. Like a FIRECRACKER. Followed by ANOTHER. And ANOTHER. The boys FREEZE. SCARED. LOOKING AROUND.

Mikey CONTINUESto move forward. The boys FOLLOW. They are now a little SHAKEN. Eyes DARTING back and forth. A bit more cautious. They arrive at the front of the building. Mouth peers through the filthy FRONTDOORwindows. Mikey and Data walk to the side of the building. They try to LOOK into the windows. -TOOHIGH. The boys spot a PILE of discarded ORANGECRATES. They stand the orange crates on end. Climbing up onto them.

They PEER through the windows. Chunk WALKSto an outdoor soda machine that sits next to a closed garage. Chunk tries to peer into the garage, starts to open the door, INVESTIGATING IT.

59 GOON KID~' P . 0 . V. 59

A SHUTDOWN seafood restaurant. DARK. DUSTY. Seemingly DESERTED. Tattered FISH NETS, wooden OARS, stuffed FISH hang on the walls. Red VINYL BOOTHSline the walls. WOODEN TABLESfill the floor. A JUKEBOX sits in one corner.

The goonies see TWOPEOPLE standing in the rear of the restaurant. In DARKNESSwe can see only their shadows. They drag two long, limp, heavy objects into a back room. It is TOO DARKfor us to see what the objects are. Once the

40 REV: 10-14-84

59 two figures disappear, the goonies WALKto the restaurant's 59 (Cont'd) front door.

& OMIT &

Chunk PUSHES the garage door! The door flies OPEN! The orange slanted rays of a late day sun hit the black OFF ROAD VEHICLE, igniting it, over forty bullet holes, and a shattered rear window. CHUNK ALMOST DROPSDEAD. He RUNSto tell the guys, but they are a~ready ENTERINGthe restaurant.

The Goonies enter. Looking• around. Everything is SILENT. DESERTED. Chunk races inside and starts pulling at everybody's clothing, trying to signal them with bizarre hand signs and wild descriptive gestures that make him look totally not of this earth. He finally gets out a FEWWORDS.

Chunk is INTERRUPTEDby the SOUND OF A SLAMMINGDOOR! The kids nearly JUMP out of their skin! They turn to the DIRECTION of the sound!

The SHADOW of a person stands bythe restaurant door. The person has JUST CLOSEDthe door. They step FORWARD. INTO TEE LIGHT. IT IS MAMA FRATELLI! We immediately RECOGNIZE HER from the earlier JAIL BREAK. She GLARES.at the boys.

Immediately, Mama takes a strong dislike to Mouth. Chunk is in the background frantically signaling and * mouthing ... 'don't piss her off'. She LEADSthe boys to a table. She CALLSto the back room.

63 MAMA 63 (Cont'd) Jake ..• we got customers.

We hear a LOUDTHUMP from the back room. rollowed by Jake's VOICE.

Jake pokes his head out. He sees the KIDS. He PAUSES. MUTTERINGunder his breath.

Mama SNAPSher fingers at her son.

Jake RELUCTANTLYwalks to the kitchen. He walks PAST the Goon kids. Jake GLARES dpwn at·the kids. Eyes filled with ANGER. He enters the KITCHEN. The kids take their seats at a CROOKEDTABLE. I.t is IMPOSSIBLEto eat a meal at this table. It is WOBBLY. DIRTY. STICKY. Set with filthy, YELLOWED dishes and RUSTYsilverware. Mikey LIFTS his fork. It is attached to the table by a long, gooey WADOF CHEWED GUM. Throughout this, Chunk is trying to gesture and explain to the boys, but he is so excited, ONLYAIR comes out. MamaTOWERS over the boys. FROWNING down on them.

6 3 The other guys exchange NERVOUSglances. 63

Everyone follows Mikey and ORDERSWATER. MamaNODS.

An angry Mama LEANStoward Mouth. She GRABS his tongue. BETWEENHER fingers. PINCHING. She removes a POCKETKNIFE from her pocket. She MOVESthe blade to Mouth's tongue. Ready to CUT.

The boys all SHAKE THEIR HEADS. SCARED. Mama catches herself. She MOVES the knife away. RELEASING her grip on Mouth's tongue. Mama smiles falsely, and walks back to the kitchen's SWINGINGDOORS. Mouth COVERS his mouth. In PAIN. Mikey GETS UP from his chair. He begins to LOOKAROUND. SEARCHINGfor a spot on the floor, a trap door, anything that would indicate a buried treasure. LOUDARGUING IS HEARD from the kitchen. -~

The boys at the table LOOKat each other. FRIGHTENE

63 CHUNK 63 (Cont'd) (finally able to talk)

Guys, look ... if we don't get outta' here now.·.. there ' s gonna be some kinda' hostage crisis ... (out of breath, gesturing in a big whisper) Garage ... four wheel drive ... bullet- holes the size of Big Macs •...

A LOUDSOUND suddenly echoes through the place. CHURNING. BUMPING. WHIRRING. It sounds like a WASHINGMACHINE gone BERSERK. The kids EXCHANGE a FRIGHTENEDGLANCE. We hear the voice of a man SCREAMINGOBSCENITIES.. On the far wall ... A DOORFLIES OPEN! A MANSTORMSOUT! It's FRANCIS FRATELLI.

His clothes and body are SPLATTERED,STA.INEDby a DARKGREEN INK. He is SCREAMING. BOILINGMAD. He is YELLING across the hallway to Mama, holding up his hand .. A drawing of Ullyses s. Grant has been STAMPEDonto his hand.

FRANCIS

r- , . How the hell am I s 'posed to finish '·"------·

up downstairs ... with that piece of Smithsonian shit I got to work with?!

Francis sees the table of kids. STARINGat him. Francis PAUSES. STARTLED. He COVERS the stamp on his hand and DASHESback through the door. As if he were caught doing something WRONG. We hear him latching several LOCKSon the door behind him. The boys exchange another MYSTERIOUS GLANCE.

The KITCHENDOORS SHOOT OPEN! Mama STRADDLESOUT! Carrying a tray of GLASSES1n one arm. The metal CLEAVER in the other. The glasses a.re filled with RUSTY, ORANGECOLORED - WATER. Small PARTICLESfloat in the water. Mama DISTRIBUTESa glass of water to each of the boys. They STAREat-the water's ODDcolor.

(,,--\ 63 DATA 63 (Cont'd) (nervous laugh)

Yeah ... sure ... looks great.

Mama TURNSto Mouth. RAGEin her eyes. Mouth starts pouring his water from one glass to the other. It sounds a little like going to the bathroom. This is driving Mikey crazy. He starts to bounce up and down on his seat, knocking his knees together. He excitedly whispers to. Mouth.

The kitchen doors FLY OPEN again. Jake exits. He is wearing APRONS. Covered with BLOOD. His hands and arms are also STAINEDwith blood. He is carrying A HUGESTEAMING POT. A ladel RESTS in the pot. He RESTS the pot on the table. LOOKINGat the boys.

Chunk nervously raises his hand. Jake ladels the GROTESQUE contents of the pot into Chunk's plate. The fish surprise is made'up of a black, JELLIFIED LIQUID. Loaded with FISH HEADSand BONES. Chunk FROWNS.

Mama looks into the pot.

Jake NODS. Mama CHECKS her wristwatch.

63 JAKE 63 (Cont'd) I hate gain' down there, Ma. It--

Jake RELUCTANTLYwalks to a crooked wooden door. He OPENS the door. It leads into DARKNESS. Jake ENTERS. We HEAR him descend the creaky ~tairs. A nervous Mikey STANDS. BOUNCINGon one leg. He LOOKSat Mama.

With his usual wild hand gestures and expressions, Chunk is trying to convince Mikey NOi TO GO downstairs. Mama GLARES at Mikey.

·CHUNK (agreeing with Mama) Yeah, Mikey ... can't you hold it?!

Devilishly, Mouth pours a thin, noisy stream of water from one glass which he holds high above the other.

Mikey NODS. TREMBLING. Chunk still tries to CONVINCE Mikey.

Mikey IGNORES Chunk and WALKSto the basement door. He ENTERS.

A NARROW corridor. DARK. TWISTING. Lined with DAMP, STONE

64 WALLS. The stairs are made of ROTTEDWOOD. They CREAK and 64 (Cont'd) GROAN with his every step. Mikey ARRIVESat the bottom. There is a LONGHALLWAY.DIMLYLIT by a few dangling BARE BULBS. Mikey removes the MAP from his pocket. He OPENS to the maze. Trying to find some sort of COMPARISON.He suddenly hears BIZARRESOUNDS. GROWLING. SCREAMING. They echo from the hallway's OPPOSITE SIDE. Mikey PAUSES. CURIOUS. He TURNS. He puts the map back INTO HIS POCKET. He FOLLOWS the sounds. They lead him to a THICK, WOODEN DOOR. At HALLWAY'S END. Mikey STOPS. The sounds are LOUDER here. More DISTINCT. The growling CONTINUES. Like an ANIMAL. It mixes with the RATTLING OF CHAINS. The door is OPEN. A CRACK. Mikey PEERS inside.

MIKEY'S P.O.V. - A STONEROOM. · Resembling a JAIL CELL. The room is EMPTY. Save for a 'rATTERED,STAINEDMATTRESS. It sits in the MIDDLEof the floor. A very large person sits in a DARK CORNER. We will call him SLOTH. Only the LARGE OUTLINEof his shadow is visible. .Jake stands OVERHIM. Holding the pot of FOOD. Sloth GROWLS at Jake. He HOLDS the-pot out to SLOTH. Jake speaks as if he were talking to a DOG.

Sloth GRUNTS. He holds out TWO ARMS. They come INTO THE LIGHT. The arms are THICK, MUSCULAR. Covered with CURLY BROWN HAIR. TORN, FRAYED shirt sleeves hang from the arms. HEAVY METAL CHAINSare attached to his wrists. They SECURE Sloth to the wall. His arms STRETCH out for the food. Like a STARVING child. Mikey WATCHES. EYES WIDE. SHOCKED. Jake holds the pot INCHES fr9m Sloth's fingers.

Sloth's \l_ands try to GRABthe bowl. Jake PURPOSELYDROPS the pot. It SMASHESon the floor. The fish and broth are SUCKED into the dry cement. Sloth CRIES OUT. Mikey's eyes are SAD. SYMPATHETIC. Jake feigns PITY.

Sloth WHIMPERS. With a SADISTIC GIGGLE, Jake turns to exit

65 the room. Mikey quickly liIDES. BEHINDthe door. Jake 65 (Cont'd)walks back UPSTAIRS. Mikey PEERS out from behind the door. Seeing ·that THE COASTIS CLEAR, he walks out. Mikey looks back INTO THE ROOM. CAMERADOLLIES INTO MIKEY'S FACE. -He SEES SLOTH's face. (But we don't). Mikey's face goes WHITE. His eyes fill with TERROR. We hear Sloth GROWLat him. Mikey TURNS. He SPRINTS OFF down the hallway. He DASHES back upstairs. SCARED TO DEATH.

Mikey RUSHES into the room. He RUNSinto Brand I s ARMS! Brand, dirtied and muddied from his bicycle accident, is STANDINGin the restaurant. Brand GRABS Mikey's collar.· He PICKS Mikey up off the floor. Brand GLARES at him.

Chunk has actually been eating some of the Fish Surprise, and has lost most, if not all, of his color.

MamaWALKS back into the room, startling Brand with her malevolent presence. She LOOKSat all of the boys, ANXIOUS to get rid of them.

Chunk sticks his head under the table and BARFS.

~

The boys almost knock the table over getting out of there as Mama fakes her politeness, then shuts the door and turns the "Closed" sign facing out.

DARKNESS approaches. The goon kids are HIDING OUT.here.

67 Behind the TOMBSTONES.Mikey's SCARED. Trying to EXPLAIN 67 (Cont'd) WHAT HE SAW.

Chunk points OFFSCREEN. Brand PAUSES,-turning curiously to where Chunk points.

GOONIE'S P.O.V. - JAKE and FRANCISexit through a side door. Heads DARTINGback and £orth. Making sure that the COASTIS CLEAR. They are CARRYING a large, limp bag. The SIZE OF A BODY. MAMA .follows. CARRYINGanother similar bag._

The Goon kids CURIOUSLYwatch from behind the tombstones. The garage door opens, revealing the Black O.R.V.

Jake OPENSthe hatchback of the O.R.V. Jake OPENS a false FLOORin the O.R.V.'s bed. He and Francis manage to FIT one bag onto the vehicle bed. They ATTEMPTto load the other bag. WON'TWORK. Not enough SPACE. Jake CLOSESthe false floor. He and Francis CARRY the other .bag BACKINSIDE the restaurant.

The kids have NO ANSWER.

Jake and Francis come back OUTSIDE. They get INTO THE O.R.V. with Mama. They DRIVE OFF. The Lighthouse Lounge is EMPTY. Mikey excitedly LOOKSat the others.

68 CHUNK 68 (Cont'd) (scared)

our parents are gonna be worried! Let's go home.

Mikey PULLS the map from his pocket. He TRIES to read it. TOODARK. He LOOKSat the others.

SUDDENLY, A SMALLFLAME APPEARS. It ENTERSfrom OFFSCREEN RIGHT. ANOTHER FLAMEAPPEARS. Entering from OFFSCREEN LEFT. The flames are TWOMATCHES. HELD by ANDYand STEF. Andy's eyes TWINKLEin the firelight. But her hand is SHAKING, her eyes DARTfrom left to right. She is obviously FRIGHTENED by the graveyard.

ANDY " Hi, Brandy.

Brand SMILES at Andy, and LOOSENShis grip on Mikey. Stef gives a NASTYsmile to Mouth.

Brand gives;- a PUZZLEDlook to Andy .. ,

so

68 Mikey still reads the map. ~UMBLING to himself. 68

Data GRABS Mikey from behind, STOPPINGhim.

Mouth TAKES OVER. Walking·out the paces with LONGER STRIDES. Moving TOWARDthe lounge. Mouth counts out the paces as ELMER FUDD.

Mouth CONTINUES walking. The kids FOLLOW. Andy LOOKSat Brand.

Brand suddenly .REALIZESthat this could be the best night of his life. He TURNSto leave with Andy, but then realizes'"ile has another duty.

Andy ROLLSher eyes. Brand TAKESher hand, pulling Andy to the lounge with him. Mouth ARRIVESat the Lounge door. TRYINGto open it. LOCKED. Mouth PAUSES. WHAT TO DO? An IDEA. He LOOKS back at Chunk. Mouth SMILES.

68 MOUTH 68 (Cont'd) Hey, Chunk ... got some naked

Polaroids of your Momtakin' a bath. Wanna' buy 'em? Real cheap.

RAGE fills Chunk's eyes. He COMESat Mouth. Like a LINEBACKER.Mouth DODGES out of the way. Chunk RAMSinto the front door. WHAM! The door BREAKSOPEN! Chunk GETS to his feet. BRUSHING himself off. Mouth CACKLES.

This FRIGHTENSAndy. She TURNSTO RUN.

She turns to RUN. Andy is met FACETO FACEwith a LARGE STONEGARGOYLE!She SCREAMS! The gargoyle sits ATOP a tombstone! Andy turns and RUNSBACKto Brand's arms.

The other goonies have ENTEREDthe place. Mouth is still COUNTINGPACES. Back to his ELMERFUDDimpression. He STRIDES across the restaurant floor.

69 MIKEY 69 (Cont'd) (strugging)

C'mon, Brand! What's another couple minutes gonna hurt? What if we find somethin'? Huh?

Mikey breaks away from Brand and hurriedly opens the basement door. He motions for the guys to follow.

Mikey leads the goonies down the dark, narrow stairway into the basement. A distant SOUNDis heard. The RATTLINGOF CHAINS. A low GROWLING. The Kids pause, frightened.

Mikey conti'nues to descend. The kids cautiously follow. Another GROWLroars through the basement. Louder, like an animal.. The Kids stop again, scared. Chunk turns to Mikey.

The kids continue down the stairs. They arrive at the bottom. Mikey pauses. .He looks at the others.

The kids shake their heads. "No Way".

Mikey leads the kids toward Sloth's door. The frightened kids stay close together. They move slowly, carefully, toward the door. Meanwhile, Andy grabs Brand's hand.

Brand nods. He stays behind with Andy. They stand in

70 front of another door. A moment alone. Andy is 70 (Cont'd) shivering. Brand puts his arms around her. She cuddles· closer ·to him. Brand smiles to himself. Now's the time to make his move.

Meanwhile, the Kids are only a few feet from the door. Eyes wide, scared to death. Mikey slowly reaches out. He grabs the doorknob. The Kids hold their breaths. Mikey twists the doorknob ... Sloth's ROARINGGROWLblasts from behind the door. Louder than ever! It sends a shudder through the hallway. The kids jump back.

Brand, who is leaning to kiss Andy, inches from her lips is interrupted by the group of kids falling toward him. The kids fall into Andy and Brand through another door. The door bursts open. Everyone falls inside like dominoes. (Resembling the "State Room" scene from the Marx Brothers', "A Night at the Opera" . .)

The kids get to their feet. In the chaos, the doubloon has fallen from Mikey's pocket. It rolls on its side, along the floor. Chunk grabs it, seconds before the doubloon . falls into a drain. Chunk pockets the doubloon. We are inside of a large stone room. At one time used.as a kitchen. The room is equipped with a giant freezer, two large stainless steel sinks, a Sparklett's glass water cooler, a stove and a stone fireplace. A"tiny flame still burns in the fireplace. The only object that seems out of place is a large, black metal printing press. The press is ancient, rusty. A small window sits above the press. A photo of the Fratelli's adorns the wall behind the press. The kids exchange a bewildered shrug. Chunk goes straight for the water cooler. Chunk moves·his mouth beneath the tiny faucet. He turns on the faucet and_ lets the water stream into his open mouth. '

An excited Mikey grabs a fireplace poker. He finds a random spot in the center of the floor.

Mikey raises the poker high in the air. He brings it down, hard on the concrete floor. Wham! The poker doesn't make a dent! Instead, it sends a reverberating sleek through Mikey's body. His teeth even begin to chatter.

Brand.shakes his head.

from the same family? (glances to Andy, who desperately wants to lea~) c•mon, Mikey ... you're embarrassin' me. There's nothin'.buried under here. Damn it ... This is the 20th Century.

Chunk's sudden movement causes the Sparklett's container to tilt. It falls off its base and smashes to the floor into a million pieces. The water flows across the floor trickling into the ope·n fireplace. Several seconds pass before the water hits the fireplace bottom. Mikey pauses.

They listen to the slow trickle for a moment. Brand shrugs.

The kids .dash to the fireplace. Brand pushes Mikey out of the way and reaches·down to pick up a log. He burns his hand. Brand drops the log and lets out a yelp. Mikey looks at'"'Brand, shaking his head.

Brand grumbles and takes off his shirt. He wraps his hands with the shirt. He begins to remove the firey, hot logs from the fireplace. When all of the logs are removed, only

:iS

71 a section of black, rusted steel grating remains. Brand 71 (Cont'd) removes it. A few feet below, the fireplace floor is lined with ancient bricks-and pieces of rock and earth .. Brand shoves his foot into the fireplace. He begins to pounce on the bricks, trying to break through.

Chunk is looking around. His eyes light. He's discovered the freezer. He mumbles to himself, smiling.

Chunk grabs the freezer handle. He pulls hard. It's jammed. He pulls again. Still won't budge.

Brand is stomping on the fireplace ground. It creaks, cracks. The bricks crumbling. The kids curiously watch. He gives a hard stomp to the ground. A loud CRACK! Brand's foot shoots through~ up to his knee. Ah opening! The boys help Brand out of the fireplace.

Suddenly, a loud noise rocks the room! Data has turned on the printing press. A freshly printed sheet rolls out of the press. The sheet is filled with perfectly printed counterfeit fifty dollar bills . •

Everyone hurries to Data, save for Chunk. He is still pulling at the freezer handle.

Stef .comes upon a horrible realization. She grabs the photo from the wall. .

Still pulling at the jammed freezer, Chunk calls back to the boys.

Suddenly, the freezer handle snaps! The freezer door 71 shoots open! A DEADBODYstands there. Frozen, eyes wide open. ·It's one of the TWOMEN IN DARKSUITS who we saw enter the restaurant earlier. The man is bound and gagged. An FBI badge is pinned to his lapel. A bullethole is through his forehead. The stiff is halfway zipped into a green, plastic bag. The body falls forward. Chunk jumps back. The stiff hits the floor. Slam! The kids let out a simultaneous scream. They dash out of the room.

The goon kids run down the hallway, frightened. They hurry to the upstairs stairway.

Suddenly, a noise. The kids stop. Dead in their tracks, at the foot of the stairs. Brand motions for them to "Shhh." We HEARthe sound of VOICES~ familiar voices. Mama, Jake, Francis, back home. The kids pause. Breathless. WE HEAR the basement door creak open. The kids look up to the top of the stairs. The long, menacing shadows of Mama and the two boys appear on the wall, heading into the basement. The kids turn, sprinting to the counterfeit room.

The kids run back inside, panicked. Mikey uses his Promotene Mist. Chunk is scared to death.

CHUNK: Mommy! Daddy! Uncle Wormer... !

Andy crosses herself. Chunk sees this, tries to cross himself and instead outlines a Star of David over his entire chest and stomach.

MOUTH· -What're you doing?

'em back!

Mikey and the goonies rush over to help.Chunk who is already lifting the body to put it back up. Chunk stands in front of the body. The kids stand in back, lifting it up.

The voices of Mamaand the boys are getting_closer.

Sl'EF He's so cold! Andy, help us!

The kids lift the body to its feet. They hurriedly push it into the freezer. The clumsy Chunk still stands in front of the body. He is pushed into the freezer with the body. The kids close and latch the freezer door. They run to the fireplace.

Chunk is frozen, face to chest with the corpse. He tries to scream for help. He's too scared. Speechless. The corpse begins to slide down ehunk's body until it is face to face with him.

Mikey leads everyone into the fireplace. He kicks away a few loose boards. Mikey grabs one of the fireplace tools; a metal shovel. He motions for the kids to crawl into the fireplace. One by one, the kids hurriedly crawl into the passageway. Brand is hesitant.

MIKEY 75

Oh, yeah? Like the elevator.

Remember?

Brand ...is interrupted by Mama and the Boy' s voices, getting closer, clearer. He quickly crawls into the fireplace. Mikey is the last to crawl inside. He gathers the grating and logs. Once inside the fireplace, Mikey puts the grating and logs back in place, over his head. Mama and the boys enter.

Using Andy's lighter, Mikey,restarts the fire over his head.

Jake moves to open the freezer.door, but Mama spots the broken water cooler. Things are not as they left them. Mama snaps at the othe_rs.

Jake moves from the freezer. Mama and the boys hurry out of the room. We HEARMama's.voice:

The goonies watch through the fireplace grating.· Suddenly, the freezer door slowly opens. Chunk steps out from behind the corpse. He dashes to t;lle fireplace. He whispers to the kids:

CHUNK

Chunk HEARSthe.Fratelli's coming back. He spots the window above the printing press. Chunk leaps the top of

77 the press, crawling out of the tiny window. Just as Chunk 77 (Cont'd) slips qut of the window, Mama and the boys re~enter the room.

Mama shrugs. No time for thinking. There's work to do. She points to the freezer.

The boys nod. Jake opens the freezer door. They begin to move the corpse. Mama looks at the.boys.

The kids move away from the grating. They climD back into the passageway.

-~

A narrow, man-made tunnel, surrounded by smooth rocks and hard earth. The tunnel moves downward. Getting wide, larger as it moves further in the distance, but there is only dartp.ess ahead. The goon kids cluster tighter together, whispering, scared to death.

(Co_nt'd) · Okay, look guys ... I'm the oldest.

I'll call the shots. (a pause) we go1:ta look for a way out .... start looking for manholes!

Data opens his shirt, searching for the .correct cord.

Two bright 8mmmovie projector lamps extend from Data's hips. They flip on, causing incredibly bright light. The goonies all cover their eyes and scream. But suddenly, the lights fizzle·out. Data shrugs.

He removes a large lantern. He flips it on. It illuminates the passageway. Brand grabs it.

~ BRAND Okay ... I'll walk ahead with the light .. .

All of the kids run off into the passageway.

Chunk is running for his life. He runs to the side of the

61 REV: 10-14-84

80 road, headed back to town. Suddenly, bright headlights 80 (Cont'd) come toward him. Chunk turns. He steps into the middle of the road. He waves his arms, hoping to flag down the car. The car comes to a stop. Bright headlights shine in Chunk's eyes, blinding everything in front·of him. A MAN steps out of the car. We can only SEE the outline of his shadow. He speaks to Chunk.

The Man motions for Chunk to step forward. Chunk hurries to the Man. Chunk walks throu~h the blinding headlights. He can finally see the car. His face goes white. It's the black off-road-vehicle, lined with countless bulletholes. Chunk looks up at the man's face. It's Jake Fratelli. Chunk turns to run. Jake grabs him around the waist. He carries the struggling, screaming Chunk to the rear of the O.R.V. Jake opens the false floor. Jake forces Chunk inside. Jake closes and locks the floor. He gets into the O.R.V. Francis is also here. He and Jake drive off.

Chunk again lies face to face with the FBI corpse. Chunk is frozen with fear. -~

Brand moves forward, holding the lantern. The light guides them through the dark tunnel.

The kids round a corner and come upon an odd sight. A large cluster of twisting metal pipes runs along the cavern ceiling. The rusted pipes dangle a few feet. They are obviously connected to something several feet above the surface. Warm and cold light seeps down from the surface surrounding the pipes. Stef nudges Mouth.

82 MOUTH 82 (Cont'd) Gas pipes, electrical, sewage,

plumbing, hot water, cold water, pressure pipes. ·

Mouth gives a nod. He pulls a wrench from his pocket. The other kids pick uprocks from the ground. .They begin to rap on the pipes.

•

The Hillside Resident's private club.

The kids are going wild; swinging, hanging from the pipes., using all of their adolescent, athletic abilities. Brand hangs upside down from one of the pipes. Andy swings from pipe to pipe, not unlike a gymnasium's parallel bars. Mouth words hard at unscrewing one particular pipe.

THREE overweight, pink, CLUBMEMBERS are taking a shower.

The kids still pull and swing from the pipes. The pipes are twisted and tangled out of proportion, leaking and spewing water. The pipes begin to move by themselves., Like slowly moving pistons on an ocean vessel.

A MAN reaches out to turn down the cold water. Before his hand can touch it, the spigot is pulled into the wall! He pauses, puzzled. He reaches out for the hot water spigot. WHOOSH!It is sucked into the wall. The Man steps back, frightened. The shower head and nozzle above him is pulled into the wall. He looks around. Suddenly, one by one, all of the shower heads disappear into the wall! The confused

87 members stare at the wall, their bloated bodies covered 87 (Cont'd) with soap. suddenly, a fecid brown backwash explodes from the holes in the tile, where the spigots once were. The backwash covers the bodies of the club members. They dash out of the shower room, scared to death.

A TENNISPLAYER pauses, getting a drink from a court fountain. The player moves his lips to the fountain. The entire fountain is pulled down a few inches. The puzzled player bends lower. The fountain is pulled down a few more inches. The player again bends lower. The fountain suddenly shoots upward, knocking in the the player's chin! The player hits the ground, out cold.

The pipes are a moving, tangled mess of leaking, spraying water. Several shower nozzles, water fountains and various spigots have been pulled underground. But the kids still have not given up, still thinking they've had no contact with the outer world.

Suddenly, all of the pipes begin to move faster, bouncing, becoming violent. Steam and water HISS and spray.

Troy goes 'into a stall as a low rumbling dinbe heard. He drops his pants and sits down on the commode. Immediately, an explosion of toilet water blasts Troy off his seat, sending him crashing all the way up to the ceiling.

The kids walk away defeated, out of breath, sweating. Brand shakes his head.

BRAND 91

(Cont'd) Geez. Ya think somebody woulda

noticed.

92 OMIT 92 & &

CLOSEUP - Hamilton Beach blender. A hand comes into frame holding a large eggplant. The eggplant is placed into the blender. The blender "LIQUIFY" switch is hit. The eggplant is pushed into the blender. The eggplant is crushed, turned to mush from the bottom to the top. We HEAR Mama's VOICE OVERas the eggplant is crushed:

CAMERA PULLS BACK. We are in the Fratelli bas~ment. Francis is holding the eggplant and controlling the blender. Jake is holding a gun to Chunk's head. Chunk is nervous, sweating, tied to a.chair by an extension cord. Mama stands in front of Chunk, spewing out threats. Mama nods for Sal to turn off the blender. Mama looks back at Chunk. .

94 JAKE 94 (Cont'd) Don't give us any a' your bullshit

stories ... (shaking him) We want the truth! Spill your guts! Tell us everything! EVERYTHING!

Mama and the boys just look at each other. They can't even get a word in.

66 REV: 10-14-84

wrong with that, is there? If I hadn't acted so vain, I'd still be cruising the coast with Troy. I, have a terrific body -- why shouldn't boys look all they want ... I mean ... how many more years do I get before ! ... before I ... (her face goes white, she screams out) ... before I start looking like HIM!!

CAMERA PANS to where Andy is pointing. A decayed skeleton is lying on the floor. Its legs are trapped under a giant boulder. Mikey looks up to the ceiling. He SEES a length of boulders, hanging from chains on the ceiling. The skeleton was obviously a victim of some sort of booby trap. Mikey suddenly makes•the realization. He talks to himself.

l-lIKEY You did this, One Eyed Willy •.. Didn't

you? This is one a' your tricks .. You wouldn't ·a gone to all this treuble unless you were hidin' something• ... would you, Willy?

The other goonies slowly gather around the miner's body. The skeleton is dressed in miner's clothes. He is wearing a miner's hat, and equipped with several tools: Shovels, picks, hoes, etc. The goonies stare in shock, frightened. Mikey opens his map to look for a way out. The other kids move toward the body. Data makes a realization.

67 REV: 10-14-84

95 Stef sighs and decides to look for the wallet. She slowly 95 (Cont'd) reaches into the skeleton's trousers. She removes the wallet, but the skeleton's hand lodges on the wallet. Stef tries to pull the wallet. But the skeleton hand pulls back. A tug of war. Stef finally breaks the wallet free. She opens it and checks the name. It reads: CEESTER COPPERPOT. The kids look at each other, .frightened.

Data walks BEHINDeveryone. He pulls a cord on his chest * and a couple dozen small red items automatically pop out into his hand. Mikey NOTICES. He LOOKS at Data.

Mikey SUDDENLY notices something hanging around the skeleton's neck; a sort of MEDALLION.Mikey GRABSthe medallion and studies it. It is an ANCIENT COPPERitem, shaped like a skull! There are THREE IRREGULARLYCUT HOLES in the medallion, at·the points where the skeleton's EYES and NOSEwould be located. Mikey STARESat the medallion, trying to COMPARE it to the map. '

Meanwhile, Data spots ROADFLARES in Copperpot's backpack. Data REACHES in and begins to PULL OUTeach one of the ROAD FLARES. But Data doesn't NOTICEthat he also REMOVESONE STICK OF DYNAMITE! He PLACESit with the other flares and inserts them into his backpack.

Andy is SCARED'TODEATH! She WANTS OUT! She BEGINS TO RUN FORWARD!

Andy SHOOTS FORWARD.Mikey LOOKS UP! He SEES that about TWOINCEES from the ground, ALONGTHE LOWER WALLS,are CAREFULLY PLACED TREE BRANCEES! The branches are a SORT OF TRIGGER! When broken, they CAUSETHE BOULDERS ABOVE TO FALL! MIKEYSHOUTS!

68 REV: 10-14-84

95 MIKEY 95 (Cont'd) Andy! Stop!! ....

The kids turn, STANDINGat a virtual DEADEND! A SMALL CIRCULAR BOULDERsits in the middle. The kids PAUSE. LISTENiNG. They hear NOISES. BEHINDthe boulder. Stef is EXCITED.

ANDY" (hopefully) Maybe it's a way out!

The kids attempt to move the boulder. Brand PUSHES everyone out of the way. He gives a MACHO raise of the eyebrow to Andy. He'll do it HIMSELF. Brand REMOVEShis shirt. He flexes his MUSCLES. Andy BLUSHES. Mouth whispers to Data .

In the background, Mikey TRIES to make a muscle ... But NOTHING happens. He frowns. Brand GRABS hold of the boulder and begins to PULL WITHALL HIS STRENGTH. GRUNTING. GROANING. The boulder begins to MOVE. The crumbling sound of rock is HEARD. Mikey watches, PROUDof his brother. Andy STARESat Brand's muscular body. Brand finally manages to PULL OUTTHE BOULDER! The kids CONGRATULATE.and APPLAUDBrand. The kids POKEtheir heads INTO THE NEW OPENING. There.is NOTHING BUT DARKNESS! But there is-that SOUND... it is the sound of SQUEAKING, FLAPPINGWINGS. The kids LOOKat each other. PUZZLED. FRIGHTENED.

Brand leans his head into the hole, craning it as far * forward as he possibly can, stretching his eyeballs to see in the dark.

69 REV: 10-14-84

95 A sc.reech and a whistling sound, and then a black winged * 95 (Cont'd) creature with sharp teeth and red eyes explodes into camera!

HUNDREDS OF BATSBLASTPAST THE KIDS! The bats ATTACK! FRENZIED! Pulling at HAIR! Clutching ONTOclothes!. Evecyone SCREAMS! Arms WAVING!.HELPLESS! The kids DUCK FOR COVER! The bats MOVEON back through the passageway.

THE BATSRACING through the PASSAGEWAY,in the same direction the kids came from. The creatures move like a BLACK CLOUD OF LOCUSTS!

Chunk is CRYINGhis eyes out. TEARS streaming down his face. Marnaand the boys are LISTENING. FASCINATED. He makes one last hysterical CONFESSION.

Mama SQUEEZESthe fat on Chunk's double chin. HARD. Marna's eyes are filled with FURY. She STARESat Chunk.

96 CHUNK 96 (Cont'd) I told ya' ... in the fireplace ... they

took out the logs ... then the grating ... then they crawled into some secret passageway ...

Mama RELEASESher grip. DISGUSTED. She turns to FRANCIS.

l'.1AMA Hit "Puree".

Francis grabs the BLENDER. He hits the "Puree" BUTTON. The blender starts with a DEADLYWHIRRR! Mama LOOKSat Chunk.

Chunk's hand. FORCINGit to the top of the blender. Chunk SCREAMS. CRYING. HYSTERICAL. Jake begins to PUSH Chunk's fingers toward the SHARP, SWIRLINGBLADES. Chunk STRUGGLES.. Mama HOLDSHIM DOWN. Chunk Is fingers are LESS THANAN INCH from the BLADES. .

Suddenly, A NOISE. Coming from the FIREPLACE. Everyone TURNS. The logs literally BLAST from the fireplace. The grating POPS OUT. BOUNCING across the floor. THE BATS shoot out of the fireplace. They fly THROUGHthe room. The bats fly UPWARD. Where it's. DARKER. They CLUSTER TOGETHER. ON THE CEILING. Francis RUSHESto the fireplace. He PEERS into the opening.

The kids STANDin the passageway, on top of each other's SHOULDERS. They have formed a PERFECTCHEERLEADER PYRAMID,

97 in order to REACHthe ceiling. Mikey is HOLDINGChester 97 _ (Cont'd)Copperpot's SHOVEL. He DIGS into the ceiling. CLUMPS of dirt begin to fall to the ground. Andy SHOUTSto everyone.

With a LITTLE effort, Mikey's shovel SHOOTSTHROUGHthe ceiling. He SMILES and CALLSto those below him.

CLOSEUP - A SIGN. CAMERA PANS from the sign to a fenced grassy area. TWOGORILLAS,BONZO AND BERTHA are cavorting about. BONZO drives a little red convertible pedal car, as he shows off for BERTHAwho looks sweet and demure with a little pink ribbon the zookeepers have put in her hair.

Mikey CONTINUES to DIG through the ceiling. CLUMPSof dirt FALL.

Bonzo gets out of his pedalcar and begins to ~room Bertha. Bertha grooms back. Bonzo has that look in his eye. The look of a guy ready to "score". He immediately moves around to the back of Bertha, who reacts with mock, - ladylike surp.rise. ·

CLOSE - BONZO'S FEET. The shovel digs-through, missing Bonzo's foot by inches.

CLOSE - BONZO. Making his move! ·He MOUNTSBertha ... a moment later the ground opens up and BONZOis sucked underground and out of sight. BERTHA almost speaks ... she says ... "HUH?"

The GORILLAFALLS to the ground. SLAM! The pyramid COLLAPSES. The shocked kids SCREAM. Bonzo gets to his feet. CATCHING his breath. The Gorilla SEES the kids. He looks up and remembers what he was doing. He GROWLS. The kids TURNand RUN. Dashing FURTHEROFF into the tunnel! Outraged, Bonzo CLIMBSback up through the hole, back into his cage.

Chunk STARES. FRIGHTENEDby what he's heard. MamaPOINTS the pistol at Chunk's forehead. Ready to SHOOT. She PAUSES. MOVINGthe gun.

Chunk gives a NERVOUS NOD. jakes·LIFTS Chunk and the chair. Something FALLS OUTof Chunk's pocket. The DOUBLOON.It HITS the froor. Mama GRABSit. She STUDIES it. PUZZLED. She LOOKSat Chunk.

Mama is still PUZZLED. She HOLDSthe do~loon out to Francis.

102 MAMA 102 (Cont'd) You're s'posed to be an expert •..

Francis takes the doubloon. STUDYINGit. His eyes get WIDE. His mouth DROPSOPEN. Total SHOCK.

Mama and the boys shoot-him a PUZZLEDlook.

thru OMIT thru

The passageway is EXTREMELYSMALL,TIGHT, forcing the kids to CRAWLTHROUGH. The passageway continues to get LOWER. Becoming SMALLER. NARROWER. BRAND still LEADS. HOLDING the flashlight. Brand is covered with SWEAT. Extremely NERVOUS. Suddenly, the flashlight beam begins to BLINK. DYINGOUT. Brand PANICS to Data. r~·-..,

·-.......,·

Hey! What's goin' on?!? This thing's losin' juice! What're we gonna do about light?! ..•

Data REACHES into his backpack. He FUMBLES in the darkness through the ROADFLAREShe lifted from Chester Copperpot. Data's fingers pass over the STICK OF DYNAMITE,and instead grab a FLARE. Data LIGHTS the flare and PASSES it to Brand. Brand STILL COMPLAIN$.

BRAND

Where we goin'? ... Where's this leadin' us? .•. this place is gettin' - awful small! Awful small ! ...

Mikey takes advantage of the situation and moves even

108 CLOSER to Andy. As he explains to her, he SMELLSher 108 iCont' d) perfume and the. shampoo rinse in her hair. _,--.

Mikey gives Brand the PROMOTENEMIST. Brand GRABSit. Sucking up the PRECIOUSmist. Mikey again WHISPERSto Andy.

Andy TAKESMikey's hand. The passageway has gotten WIDER. The kids can now walk UPRIGHT. The kids ROUND a corner and have made it to a POOLOF WATER. The water comes up -to their ANKLES. Mikey HOLDSthe map above water. He suddenly notices'piles of glistening SILVER and COPPER COINS, surrounding the edge of the walls. Mikey SMILES, as if his prayers were answered. Struck with goldfever, Mikey DASHES out ahead of everyone.

Mikey falls to his HANDSAND KNEESin a shaft of cool exterior moonlight from far above. Brand takes several DEEP BREATHS,taking in the sudden burst of FRESHAIR from above. He starts PICKING UP all the coins in a one inch pool of dirty water.

75 REV: 10-14-84

108 DATA 108 -.-1Cont'd) What year was that map made?

The kids BEGIN to POCKETthe change, joyously FILLING their pockets with -the money. Stef PAUSES. Something is BOTHERINGher. She LOOKS at the others.

Stef EMPTIESher pockets. The other kids PAUSE, doing the same. Mouth PAUSES, putting one of the gu~rters into his pocket.

Mikey STARESat the map, then STARESat the medallion he found around Chester Copperpot's NECK. Mikey is PUZZLED. TALKING to himself.

Mikey EXAMINESthe medallion, looking for some sort of clue. Suddenly, a SPLASH. In FRONTof Data. Data FISHES for what landed in the water. He removes a SILVERDOLLAR. He LOOKS at the other kids. SURPRISED.

108 DATA 108 (Cont'd) Who's got the "K" to be makin'

dollar wishes?

Troy sits at the side of the well, his red Mustang in the background. He's JUST TOSSEDthe silver dollar. Troy is drinking Buds with THREEof his muscular FRIENDS. One of the friends gives a COCKEYEDsmile to Troy,

To make it with Andy.

Suddenly, the silver dollar•FLIES BACKOUT of the well. HITTING T~oy in the head. He GLARESdown into the well.

Everybody goes nuts. The goonies SCREAMand CHEER-for help.

lll EXT. WISHINGWELL- NIGHT 111

A hopeful Troy LOOKSat his friends. He SHOUTS back into the well.

Andy_SCREAMS,thinking ONLYof herself.

Troy LOWERSthe bucket into the well.

The kids WAIT. EXCITED. But Mikey stands ALONE, staring at the medallion and the map. A PUZZLED,CONFUSED LOOKon his face. He TALKSto himself.

Sloth sits with his BACKto us. He sits in FRONTof the T.V. His face a few INCHESfrom the screen. He is watching a pirate movie. Jake and Francis CARRYChunk

DOESN'Tnotice. Too INTERESTED in the show. Jake SMIRKS at Sloth.

Jake and Francis LAUGH. Sloth IGNORES them. They EXIT the room. Chunk STARESahead. SCARED. He still CAN'T SEE Sloth's face. He emits a NERVOUS LAUGH. Trying to be FRIENDLY.

Sloth TURNSfrom the T.V. Emitting a LOUD, ANGRYGROWL. WE SEE SLOTH'S FACE. For the FIRST TIME. Lit by the FLICKERINGblue of the T.V. screen. Sloth's MISHAPENhead is ENORMOUS.RECTANGULAR. A small patch of GREYISHhair

115 sits on the top of his pointed skull. His neck and temple115 (Cont'd) are SHAVED. His ears are HUGE. His WIDE, BULBOUSNOSE stretches across his face. His lips are THICK. DRIPPING with saliva. His front teeth PROTRUDE. CROOKED.YELLOW. His eyes are CROOKED. One sits in the MIDDLEOF HIS CHEEK. The other is in its PROPERPLACE. A MONSTROSITY.

Chunk SCREAMS. TRAPPED. Sloth gives a HIGH PITCHED GIGGLE. He's found a FRIEND.

Mama and the boys INSPECTthe fireplace passageway. Each carrying a pistol and a FLASHLIGHT. Francis is holding the DOUBLOON.STUDYING it. MamaKICKS OUTthe fireplace grid and starts into the tunnel. Jake and Francis COCKtheir pistols and FOLLOW Mama inside .

•

The bucket has LOWEREDto the bottom. Andy GRABSit first. .The other guys GATHERAROUND. EXCITED. HOPEFUL. But Mikey is still STARINGat the map and medallion, still PUZZLED,still MUMBLINGto himself. Mikey sees that the bucket has ARRIVED. Andy PUTS her foot into the bucket. Mikey SHOUTS to her.

ANJ)Y A chance at what, Mikey? Getting killed? Look, if we keep go-in' ... somebody's gonna get dead." Maybe killed. Boulders a • • bats .... · ·· gorillas! Just imagine what kinda' _ other stuff is down here! Besides ... we gotta get to the Police ..•

117 ANDY 117 (Cont'd) Unless he's dead.

Andy PAUSES. Mikey takes a: SHOTof Promotene Mist. He · LOOKSat all of the kids. He gives a STRONG,DETERMINED look to everyone.

117 MIKEY(Cont'd) 117 (Cont'd) Prize is behind Door #1? Door #2?

or Door #3?" Now my Dad's Lucky Number was always "2". He got married on August Two. He got his job on June Two. And he's got two kids •..

Everyone LISTENS. INTERESTED. Troy SHOUTS f~om above.

He PULLS the rope. Andy PULLS BACK, lingering for another moment, fascinated by Mikey's stor~.

Everyone LOOKSat each other. How can they ARGUE? They're GOINGFOR THE TREASURE! Troy AGAINSHOUTSfrom above.

81 REV: 12-10-84

(Cont• d) Hey, Andy ••• you wanna stay down

there with the Goonies? Or are you comin' up here where you belong? I ain•~ got all night!

Andy PAUSES,-turning to the :o'Ehers. They" STARE·a~ Andy. Waiting for her DECISION.

Troy BEGINS to PULL the bucket and rope. It is HEAVY. Troy gives a VICTORIOUSSMILE to his friends. The bucket ARRIVES at the top of the well. Troy is met with a SHOCKINGSIGHT. The bucket is wearing Troy's LETTER SWEATER. Troy GRABSthe letter sweater. The bucket is filled with PEBBLES and ROCKS. His friends CHUCKLE. A HUMILIATEDTroy turns and walks to his Mustang •

118A. CLOSERON MUSTANG ll8A *

Troy reaches ··dejectedly for the door handle as the SHERIFF'S CAR suddenly pulls up, lights blazing.

- SHERIFF Somebody said they saw you and Andy ·walking with one of 'em earlier today ••• (looks at notebook) a Stefanie ••• goddamn these polish names •••

---------- ----------~ ------- -- ---- -- -

BlA REV: 12-10-84

llBA: TROY llBA* (Cont-' d) Me? Walking with a goonie? When

my ass learns how to chew gum, Sheriff.

The Sheriff's car roars off. Troy watches, guilty but defiant.

Andy stands in FRONTof Mikey, prepared to take the GOONY VOWS. MIKEYgives a SERIOUS LOOK to Andy:

Andy RAISESher right han,d. She REPEATSevery word Mikey says.

"I will never betray my goon dock friends, We will stick together until the whole world ends, Through.heaven and hell, and nuclear war, Good pals like us, will stick like tar, In the \:ity, or the country, or the forest, or the boonies,

SCREAMS!) LEECH! ! ! ! !

119 MIKEY 119 (Cont'd) ·I mean LEECH! All over your arm!

LEECHES!

Andy LOOKS at her arm. There are countless TINY, BLACK, SLIMYLEECHES covering her arm! The kids PANIC. Everyone is COVEREDwith the little bloodsuckers. They DASHOUT OF THE WATER!

•

CLOSE UP - T.V. SCREEN. JULIA CHILDprepares a CHOCOLATE FUDGE CAKE. She pours creamy CHOCOLATEFROSTING over the double layer cake. CAMERAPULLSBACK. Chunk and Sloth both STARE at the T.V. screen. Both their mouths WATERING over the food. They• are both incredibly HUNGRY. Sloth· UTTERSa word. If a GRIZZLYBEARcould speak, it would sound like Sloth.

Chunk gives an APPROVING SMILE back. They share a COMMON LOVE. Chunk REMEMBERS something. Although his hands are tied, he has enough freedom to move into his back pocket. Chunk's fingers DIG into the pocket. He removes a somewhat crushed "ALMOND JOY". Chunk LIFTS the candy bar. SHOWING it to Sloth. Sloth gives a GIANT SMILE.

Chunk tries to throw the canay bar to Sloth. It lands BETWEEN them both. On the FLOOR. Out of Chunk and Sloth's REACH. Sloth GROWLS. ANGRY. UPSET. He begins to PULL at the chains that BIND HIS LEGS to the wall. • Chunk WATCHES. FRIGHTENED.. Sloth pulls HARDER. GRUNTING~ GROANING. The wall surrounding the bolts begins to GIVE. Plaster CRACKS. CRUMBLES.The bolts FLY OUT OF THE WALL. The chains DROPTO THE FLOOR. .Sloth's legs are FREE. Chunk SHAKES HIS HEAD. .

Sloth gives a WHEEZING LAUGH. He begins to pull at the chains that BIND HIS ARMS. Chunk just WATCHES.

83 REV: 12-17-84

The kids are COVERED WITHLEECHES! They are in a FRENZY. HELPLESS. Andy tries to SHAKEthe leeches from her arms and fingers. Brand tries to-PULL OFF the leeches. Mikey tries to DIINCEoff .the leeches. Nothing WORKS. The leeches are-STUCK.

Data thinks FAST. OPENINGhis yellow vinyl blanket!. He removes a medium sized, 20 VOLTBATTERY! He hurriedly CONNECTS two wires to the batte~. Data runs to the edge of the WATER POOL. Data keeps his feet in the SHALLOW SECTION. He inserts the ends of the battery wires INTO TEE WATER. A LOW VOLTAGE SHOCKsurges through Data. The leeches FALLOFF his body! ELECTROCUTED! Data MOTIONS for the others to join him. As each person STEPS into the water, Data INSERTSthe two wires. A SUCCESS. The device REMOVES the leeches from everyone. Only Andy and Stef REMAIN. Andy STEPS into-the water. She gets her electric SHOCK. A SMILE slowly appears on her face. Her knees BUCKLE. WEAK•. She emits a SIGH. Followed by a tiny SQUEAL. The SAME thing happens to Stef. Once they're out of the water, Stef WHISPERSto Andy.

Andy looks at Data, who is HOLDINGup the two electrical wires. Data victoriously smiles and wiggles his eyebrows suggestively. Andy SLAPSData across the face. This causes a chain reaction on Data's BOBBYTRAPPED body. A tiny GI JOE DOLLpops out of Data's shirt and fires a singl~ i;hot PLASTIC PROJECTILEat Andy. The GI JOE goes

CLOCK. Andy ROLLSher eyes.

84 REV: 12-17-84 *

AN AGONIZEDSCREAM is heard as Jake tries to pull Mama over the top of a boulder while Francis pushes from behind. The lady is spreadeagled over tne huge rock as the two boys struggle hard.

Francis gives a mighty shove up on Mama's behind as she lurches forward with a ROAR, instantly SLAPS Jake in the face!

They see the .skeleton of Chester Copperpo:t lying on the ground. Jake leans down, picks up the wallet, opens it.

122 FRANCIS 122 (Cont'd) This is Chester Copperpot. He went

lookin' for the missing treasure of William B. Pordobel ... better known as "One Eyed Willy".

Jake GRABS the doubloon from Mama. He STAYSBEHIND, examining the doubloon as Mama and Francis CONTINUEAHEAD.

MEANWHILE, Jake still stands in the background, STARINGat the doubloon. Jake is STANDING directly BELOW the hole where earlier, the Gorilla had FALLEN. Suddenly, a LARGE, HAIRYGORILLA ARM reaches down. The arm GRABSthe toupee off Jake's head.

122 JAKE 122 (Cont'd) MAAAAAAA--!!

Jake TURNSand RUNS. Suddenly, THERE IS A LOUDBANG! Jake

BS REV: 12-17-B4

1.22 CONTINUED

·Jake whacks Francis in the face!

, ..... __ Your message from Mama!

Jake lurches backward from the blow. Suddenly, THERE IS A LOUDBANG! Francis jumps! We hear ANOTHERLOUDBANG! Francis draws his pistil, FIRES, as Mama and Jake duck for cover.

122 JUMPS! He begins to RUNAGAIN! We hear ANOTHERBANG! And 122 (Cont'd)ANOTHER!Jake FIRES his pistol! Up ahead, Mama and Francis DUCK.for cover.

CμT TO:

The goonies are FROZENin their section of the passageway. The BANGS ARE AUDIBLE, far back in the passageway. The kids EXCHANGE A FRIGHTENED,PANICKED GLANCE!

The kids all exchange a SHOCKEDPAUSE! The realization suddenly HITS THEM! Stef SCREAMS!

With a SCREAM,all of the kids RUNOFF INTO THE PASSAGEWAY!

Jake manages to CATCHHIS BREATH. Mama EXAMINESthe floor beneath him. She picks up a,-ROWOF CAPS from beneath Jake's shoe. She gives Jake a SLAP to the head.

MAMA

over a buncha' kiddie caps?

The Goonies are running through the passageway. Data LEADS the way with a flare! His light illuminates a GRADUALRISE in elevation. The kids round a corner, arriving in a SMALL,CONFINED AREA. A DEADEND! The flare GOESOUT!

125 Data reaches back. His hand fumbles over a stick of 125 (Cont'd)DYNAMITE, but grabbing another FLAREinstead! Meanwhile, a look of PANIC seizes Brand. He begins to HYPERVENTILATE. Becoming more CLAUSTROPHOBIC. Andy tries to COMFORThim.

Mikey LOOKS to the map. PUZZLED. Talking to HIMSEL

In the background, Brand CONTINUESto FREAKOUT. His face has become a DEEP PULSINGRED. His eyes BULGE. CRAZED. He is on the verge of EXPLOSION.

Mikey FINDS a SPANISHPHRASE written on the map that corresponds to where the kids are. Mikey POINTS it out to Mouth. Mouth TRANSLATES.

Everyone LOOKS around. They are SURROUNDED by MOSSY, E.ARTHENWALLS. Everyone is INTERRUPTEDby a SCREAM. Brand suddenly SNAPS!

CONTINUtD

125 Brand begins to literally CLIMBTHE WALLS. He TEARS and 125 (Cont'd)RIPS at the walls with his hands. He tears off the MOSS! He rips out pieces of earth and ROOTS! The goonies each GRAB a piece of Brand, trying to hold him back. Finally, they get him to the ground and PILE ON TOP,OF HIM! When he finally RELAXES,the kids get off. ONEby ONE. Stef LIFTS her shirt and motions for Brand to put his head INSIDE.

Brand's head is STUFFEDbeneath Stef's shirt, his head buried into her chest. Andy just STARES. Her eyes ANGRY. Stef NOTICESthis and PUSHESBrand out from beneath her shirt and toward Andy.

Andy NODS. Brand stuffs his head UNDERher shirt. Meanwhile, Mikey TURNSto the wall that Brand has raped. The wall has been COMPLETELYSTRIPPED of earth and moss. All that remains is a STONEWALLof JUTTING, STONEPEGS. They appear to be very NATURAL,but they manage to CATCH Mikey Is eye. He SMILES, _talking to hi)!lself.

Mikey begins to try and FIT the COPPERMEDALLION'SHOLES over three of the jutting stone pegs. He TRIES several stones, but nothing seems to'fit. The kids are GATHERED around Mikey. In the background, Brand is still buried beneath Andy's shirt. The other goonies CURIOUSLYwatch Mikey. '

Mikey SUDDENLYfits the medallion over THREEJUTTING

125 STONES. A PERFECTFIT. Mikey WHISPERSto himself. 125 (Cont'd) PUZZLED.

Mikey tries to TURNthe medallion to the West! Suddenly, like a built in doorknob, the medallion and the stones · TURN. WEHEARa LOUDCREAKING SOUND! Mikey STEPS back. The kids EXCHANGEa puzzled look. SUDDENLY,A CANNONBALL FLIES OUTOF A SECRETCOMPARTMENT IN THE WALL!-The kids JUMP BACK! The cannonball rolls into a small PATHthat we see is meant for the cannonball. In typical RUBEGOLDBERG fashion, the cannonball sets off a chain of events that · climaxes with the FLOORBENEATH DATAFLIPPING OPEN! This sends Data FLYINGand SCREAMING into the deep darkness of the new hole!

CAMERA ENTERSHOLEWITHFALLINGDATA!.,

Data SCREAMS and FALLS through the darkness. TOWARDthe bottom. As Data FALLS CLOSERto the bottom, we cut to:

DATA'S P.O.V. - COMINGAT HIM, A SKELETONis VISIBLE, standing at the bottom of the tunnel. surrounded by SHARP WOODEN S~IKES.

The Goonies stand over the hole. Data's screams suddenly DIE! COMING to an ABRUPTSTOP! The kids PAUSE. LOOKING at each other. A FRIGHTENED,QUESTIONING look fills their

127 eyes. They GATHER around the hole. The kids PEER inside. 127 (Cont'd) There is NOTHINGBUT BLACKNESS. Brand CALLSOUT.

There is no answer. Andy's face goes WHITE. She shouts into the HOLE! PANICKED!

Upon hearing this everyone breaks down and starts crying. Mikey, already sobbing, starts to cry uncontrollably. Brand, who's been holding Andy, leaves her to put his arms around Mikey. He lifts Mikey up and the two brothers clutch each other.

SUDDENLY, A VOICE ECHOESFROMBELOW!

"Pinchers of Peril 11 !

A LOOK OF HOPE covers the kids' faces. They SHOUTinto the hole.

127 EVERYONE 127 (Cont'd) Data! Data! Are you okay? Speak

to us!

Data BANGSa few inches from the top of the skeleton's head. Be has been SAVEDby his "Pinchers Of Peril".· They have CLAMPEDONTO A .JUTTINGROCKseveral feet above Data. Be DANGLESin midair, bobbling Up and down on the SLINKY-LIKECOIL. Be SCREAMSUPWARD.

Data LOOKSDOWN. The skeleton below him seems to be part of a new passageway. There,is a phosphorescent LIGHT glimmering throughoutthe passageway. Data SHOUTS.

Up above, the goonies exchange a puzzled glance. Brand· notices he's still holding onto Mikey. Be drops him like a small sack of fertilizer and moves over to reclaim his territory on ,Andy.

TWOGIANT, HAIRYBANDS RIPPING the "Almond Joy" candy bar in two. CAMERA PULLS BACK. ~we are back in Sloth's room. Sloth has torn his bindings FROMTHE WALL. The fragments of heavy chain still BANGfrom his arms and legs. Chunk

- GOBBLESDOWN half of the candy bar. He pauses and puts the other half into Chunk's MOUTH. Chunk happily CHEWS. Sloth WALKStoward Chunk. Bis DARK SHADOWtowering over Chunk. Sloth's arms REACHOUT for Chunk. Chunk PANICS. Thinking he's going to be KILLED.

Sloth GRABSChunk by the shoulders. Sloth LIFTS Chunk AND the chair. UP INTO THE AIR. Until their faces are on the SAMELEVEL. Chunk is still FRIGHTENED. Sloth leans forward and KISSES CHUNK! On the LIPS! It's a HARMLESS,

130 GENTLEKISS. Sloth's expression of FRIENDSHIP. Sloth 130 (Cont'd) leans back and giggles. Chunk GRIMACES.

Sloth DROPS·Chunk! Chunk and the chair HIT THE FLOOR! SMASH! The chair BREAKS. Into several pieces .. Chunkgets to his FEET. FREIL Chunk BRUSHES himself .off. Sloth GRABS Chunk's hand.

Sloth PULLS Chunk out of the room.

Sloth pulls Chunk inside. Sloth RUNSto the freezer. He OPENS THE DOOR. He LOOKSBACKat Chunk.

Sloth rips open- the freezer's PLASTIC BAG. He removes a thick, FROZEN T-BONESTEAK. Sloth takes a HUGE BITE from the frozen meat. CHEWINGthe crunchy steak. Sloth OFFERS a bite to Chunk. Chunk DECLINES.

Sloth SHRUGS. He CONTINUES eating the steak. BONESand all. Chunk spots a TELEPHONE.. He walks out of the freezer and GRABS the PHONE. Chunk DIALS a·THREE DIGIT number .

CHUNK Hello? Sheriff? I'm at the old Lighthouse Lounge ... And... well, I'd

murder .•. actually, two murders. -plus, we found the hideout of those · Fratelli people .. then--

131 SHERIFF (V.O.) 131 (Cont'd) When the hell are you gonna' stop _,.,.~ "\

buggin' me? Do I hafta' call your Mother again?

Meanwhile, Sloth has begun to DEVOURa FROZENTURKEY. He RIPS the turkey apart. One of the legs FLIES OUTof Sloth's hands. Bouncing INTO THE FIREPLACE. Sloth RUNSto the fireplace. Chunk tries to CONVINCEthe Sheriff.

Sloth REACHESinto the fireplace hole. Trying to FIND the turkey leg. He NOTICESthe dark passageway. He looks into the BLACKNESS. Sloth emits a ROAR into the passageway. The passageway ECHOSBACK with another ROAR. Sloth LAUGHS. He ROARSagain. Another echo ANSWERSBACK. Sloth laughs HARDER. He's found ANOTHERFRIEND. ·Chunk STILL TRIES to convince the Sheriff.

Chunk NOTICESsomething. Sloth is CLIMBING INTO THE FIREPLACE.

As Chunk DOESthis, he clumsily TEARS THE PHONEOUT OF THE

131 WALL! Sloth CONTINUES to crawl into the fireplace. 131 (Cont'd)CHASING his new friend. Seeing·that there is NO CHANCEto repair ·the phone, Chunk runs to the FIREPLACEand FOLLOWS. Sloth inside.

CUT TO:·

The kids have LOWEREDthemselves into the new passageway from a length of ROPE. A DIM, PHOSPHORUSLIGHT fills the area, caused by microscopic _sea creatures and plankton. ·

They walk into a circular chamber with THREESEPARATE_ TUNNELS. THE SKELETON, dressed in PIRATE'S COSTUME,is suspended in a CHAIN-LIKEcontraption, amidst a series of SHARP, WOODENSPIKES, in the middle of the room. The kids STARE at the skeleton, PUZZLED,SHOCKEDby. what they see. The kids slowly INCH TOWARDthe skeleton. Mikey NOTICES that the three tunnels all lead off into DIFFERENT DIRECTIONS. Nothing in particular DISTINGUISHESone tunnel · from the other. The kids are PUZZLED.CONFUSED.

CAMERA MOVESIN on Mikey. Can history be repeating itself and handing Mikey a second chance? He LOOKSat the map. Andy is BOUNCINGup and down on one leg. She has to go to the bathroo~. She turns to Stef. Stef is ALSOBOUNCING up and down on one leg. Andy PULLS Stef' s arm. They SNEAK OFF TOGETHER. Into ONE of the three tunnels. Everyone is too CONCERNEDwith One Eyed Willy to notice. Meanwhile, Mikey has FOUNDthe spot on the map where the path veers off into three directions. A SPANISHRIDDLE is written here. Mikey POINTS this out to Mouth./ Mouth EXAMINESthe phrase. He TRANSLATES,in the voice o'f PETER LORRE.

Everyone TURNSto the skeleton. LOOKING for the funnybone.

133 BRAND 133 (Cont'd) (agreeing)

It's what Dad shoulda' picked!

Andy and Stef have finished their business. They are without a flashlight, or flare. Stef turns to go back. Andy pauses, giggling. ·She composes herself and cries out:

Brand and the boys surround the dangling "One Eyed Willy" skeleton~ still looking for the funnybone. Andy's voice echoes from the tunnel.

Brand sighs. He gives a slap to Mikey.

Mikey follows Andy's voice into one of the tunnels. Brand looks at the others.

135 BRAND 135 (Cont'd) Okay, so we gotta tickle 'im .•. But

where's the funnybone?

Mouth tickles behind the skeleton's elbow., This triggers a LOUDCREAKING SOUND. Suddenly, a skeleton shoots out of one of the caves, dressed as the "Angel of Death". The skeleton is carrying a large Scythe. Its rusted blade long and sharp. The booby-trapped skeleton speeds across the floor fastened to a wooden board with wheels. The scythe blade coming straight for the boys• heads. The boys duck, just in time. The skeleton shoots by. The sickle blade just missing their heads by less than an inch. The skeleton slams into a far wall, shattering into a million pieces. The boys catch their breath.

The Fratelli 's m_aketheir way out of the small water pool. They are smoking cigarettes, burning off the leeches with the fiery end of the cigarette. Mama spots footprints leading out of the pond. She smiles •

They went thip way. There's little Nike prints all over the ground.

Mama,.Jake and Francis continue forward.

Mikey walks through the twisting tunnel, looking for Andy. She crouches a few feet ahead, at the edge of the dark corner, waiting. Stef watches. In the background, Andy calls again.

Andy hears footsteps coming her way. She exchanges a smile with Stef. The footsteps get closer. Mikey rounds the corner. Andy wraps her arms around him. In the darkness, Andy mistakes Mikey for Brand. Andy kisses Mikey. A long, passionate, open mouthed kiss. Stef watches, realizing that it's Mikey. She hides her laughter. Andy finally stops. She leans against the wall, out of breath, eyes closed, in dreamland. A giant smile covers her face.

A startled, but ecstatic Mikey doesn't say a word. He looks at Stef. She gives him a wink. She won't divulge

137 his secret. Mikey turns. He moves back to the boys. Andy 137 (Cont'd) opens her eyes. Stef gives a questioning look.

S'l'EF okay, you kissed ... now tell!

(scientifically) Well! He's not what he appears. He's scholarly •.. and sensitive ... and very, very sweet. But there's. something weird ...

S'l'EF What's that?

S'l'EF (hiding laughter) Next time ... You gotta kiss 'im with your eyes open. It's a whole different experience.

Stef pulls Andy's arm. They move back to the chamber.

The boys still sit in front of "One Eyed Willy", shaken, puzzled, trying to figure out where the funnybone is located. Mikey enters, followed a few seconds later, by Stef and Andy. They SEE the smashed skeleton with the scythe, puzzled.

The guys shrug. What can they lose? Everyone turns around and hides their eyes. When Stef gets the privacy she wants, .she reaches out and ... grabs the skeleton's. crotch. A moment passes. A creaking SOUND. The kids brace

----·--·--·--- -------·------···--- --·· -~------- ---- ----

138 themselves for another booby-trapped scare. But this 138 (Cont'd)time ... One Eyed Willy's body contorts. The chain holding the skeleton's right arm begins to move. Slowly, the arm raises. It stops in midair. The arms fin9er points to door number THREE. Stef smiles.

The kids turn around and SEE the skeleton pointing to the third door. But the kids are puzzled. How did Ste£ iigure this out?

The boys know better than to ask any questions.Mikey seems disappointed that the skeleton is pointingto Door number 3. Mouth puts his arm around Mikey.

Mikey doesn't say a word as the others begin to move through Door #3. But Mikey gets a sudden idea. He covers his right eye with his hand. He stares at the skeleton's finger. He moves his hand, then covers his eyes again. He smiles; a realization.

The kids pause. Mikey looks'at everyone.

Mikey covers his eye. The other kids follow suit and do the same. They SEE that when you cover your eye, the skeleton actually points to the middle tunnel.

99 REV: l-ll-85

138 BRAND 138 (Cont'd) (turns to Mikey)

It's the middle tunnel! (to Mouth) Door number two!

Mikey, as .they run into the middle tunnel.

· 139 INT. CHESTERCOPPERPOT TUNNEL 139

Sloth .is running through the passageway, eating the frozen turkey leg.. Chunk is a few steps behind Sloth. Sloth walks through the tunnel. He emits a LOUDSCREAM.into the dark passagewar. An ECHOagain answers back. Sloth chuckles, continuing forward. Chunk grabs Sloth's arm, trying to explain.

CHUNK Wait! Listen to me! That's not a person. That's just your ECHO. Understand? Your ECHO!

Sloth pauses. His face lights. He nods, thinking he understands Chunk .

Sloth turns and continues forward excitedly repeating "Eggo· waffle" to himself. Chunk follows, trying to reaso.n with Sloth. ·

SLOTH * EGGO!

SLOTH * EGGO!

CHUNK .. Okay! Have it your way!

Sloth pauses, then grins, his eyes dancing like pinballs * with instant recognition.

99A REV: 1-11-85

139 SLOTH 139 (Cont• d) (singing the Burger (Cont'd)

King commercial) Have it your way •••

Chunk beams, immediately joining in, as the two fast friends head off down the tunnel singing together.

Suddenly, a GROWL is heard. Sloth pauses. He looks around. A frightened Chunk hides behind Sloth. Suddenly, a hairy GORILLA ARM reaches down from above and grabs the ·turkey leg from Sloth's hand. But Sloth doesn't let go. Sloth pulls the leg! The Gorilla pulls back! A tug of. war!

100 REV: 12-13-84

WE SEE BONZOhaving a tug of war with someone underground, Bertha grabs hold of Bonzo, assisting her mate.

142 UNDERGROUND· 142

The tug of war continues. But Sloth is stronger! He. manages to pull Bonzo and Bertha through the hole and inside of the passageway. Sloth is met face to face with the TWO GORILLAS. Bonzo and Bertha GROWL! Ready to kill! But Sloth steps into a sliver of light and the Go~ill.&s SEE Sloth's face! They are terrified! Sloth growls and snaps, leaping forward, and Bertha and Bonzo panic, dashing forward into the passageway.

143 BONZO AND BERTHA 143

run several feet and leap up the walls, trying to burrow out through the ceiling.

Troy and his friends have stopped at the gas station. .A MIDDLE-AGEDATTENDANT in greasy work clothes fills the gas tank * of Troy's Mustang. Troy and his friends get out of the car. They're guzzling bottles of Heineken. Troy fumbles through his pockets to pay the Station Attendant. Troy looks at the front fender. He spots a microscopic, nearly invisible scratch. · ·

Troy slugs some beer. We hear a "DING-DING" in b.g. as * another vehicle pulls up at the pumps.

_ TROY (CONT'D) * You better· start linin' up for food stamps, pal. My old man's best friends with the guy who owns this station. You can kiss your job goodbye.

101 REV: 12-13-84

144 Another "DING-DING." The irritated Attendant turns 144 * toward the noise.

Bonzo jumps onto the hood, caving it in, as Bertha leaps into the car. Bonzo takes his familiar place behind the wheel, reaches out to stomp on the pedals. The car lurches forward and drives away erratically, spinning from side to side.

Troy gets to his feet, purple with rage.

The satisfied Attendant rehooks the gas nozzle to the pump, checks the readings.

Mama and the boys enter. They SEE the skeleton pointing. to the third cave. CAMERA PANS to the floor. We SEE the several NIKE footprints leading into the middle cave. Francis stares at the skeleton.

Jake walks to the skeleton and begins to go through the skeleton's pockets.

Jake's hand reaches into the skeleton's crotch area. The skeleton's arm springs back and socks Jake, knocki-ng him to the ground! A raging Jake raise his pistol, ready to blow the skeleton's brains out. Mama interrupts:

Jake and Francis pause. We HEAR the distant sound of the GOONIES' VOICES echoing from the middle tunnel. Their voices are high, squealing with excitement, as if they've just discovered something. A menacing smile slithers

---------

145 across Mama's face. She checks her revolver, making sure 145 (Cont'd) it's loaded.

The Goonies have arrived in a large section of the passageway. A long, crooked, wooden mast stretches across a deep, stream of rushing waters. The mast is the only way across the stream, which leads to a Skull-shaped opening in the wall. Countless living starfish line the surrounding walls.

Andy reaches out for Brand's hand. Mikey reaches back.and grabs Andy's hand first. Andy can't tell the difference. But Brand, who stands ahead of Mikey, gropes back for Andy·•s hand. Mikey thinks fas·t and grabs a starfish from the wall. He puts the starfish into Brand's hand. Brand is.satisfied, thinking he is holding Andy's hand. Mikey smiles to himself. Brand moves his hand forward. He SEES the starfish. Letting out a scream, he pulls the. starfish from his hand. Mikey quickly lets go of Andy's hand. Be can't hide his giggle. Brand notices. He grabs Mikey in a headlock.

They are suddenly interrupted by the SOUNDof BANGING CAPS! .The kids exchange a startled. glance.

:·-:.. MOUTH - Shit! That ·sound again!

The kids emit a mutual scream. They run for the mast. They begin to climb the mast. Some of the kids balance themselves, trying to walk across. Others straddle the mast, crawling toward the skull-shaped opening. The old· mast creaks and groans with their every move. A low, ominous voice suddenly echoes through the chamber.

146 MAMA (O.S.) 146 (Cont'd) oooooohhhhh, Booooooyyyyssss! •..

T}l.ekids stop and turn, having made it halfway along the mast!

147 MAMA, JAKE and FRANCIS 147

stand at the entrance to the passageway, at thefoot of the mast, over 75 yards away from the Goonies.Mama raises. her pistol toward the kids.•

The kids look at each other, turn and move.faster along the. mast, pra~tically crawling over each other to make it to the opening! Mama shoots! A section of the mast is hit, blowing it to smithereeens! The kids continue to run! Mama fires another shot! _The bullet zips past Mikey, just missing him. It blows away a section of wood directly in front of him! The kids arrive at the top, running into the opening. Mama and the boys dash forward, beginning to cross the mast. Before entering, Data turns, seeing the Fratelli's coming after him with a gun. He reaches for a cord inside of his shirt. He pulls the cord and screams.

Both heels of Data's shoes pop open! A plastic tube extends! Black oil sprays out, splattering down the mast! As Mama balances herself on the mast, she raises her gun, aiming at Data. But the oil has splattered over the entire mast. Before Mama can fire a shot, she slips and falls, tumblingoack into Jake and Francis. They nearly fall off the mast, holding on for dear life! Data cheers, but suddenly begins to slip himself. Seconds before he falls into the stream of wate~, Mikey grabs him and pulls Data into the chamber. ,:

The Goonies run.inside, panicked, scared. The chamber is no more than thirty feet in length. Its passageway is

148 blocked by a giant boulder. Brand and Mouth try to move 148 (Cont'd)the boulder that blocks the path. Too heavy. Won't ·budge. The kids exchange a frightened glance. They are trapped. Built into the wall, beside the boulder, is a pipe organ. A quite unusual organ. Each piece, from the keys to the pedals, are constructed of human bones. Stef reaches out to hit a key. A frenzied Mikey opens the map, reading it with Mouth. Mikey shouts out to Stef.

Stef pauses. Mouth hurriedly ·reads another of the map's riddles. Beneath this riddle, a few bars of MUSICare written. But a few of the notes are erased and smeared. A result of the map's age.· Mouth translates the riddle.

The kids shake their heads. Stef looks at Andy.

AlIDY (shrugs) Six months of lessons. When I was five.

Mikey gives her the map. Andy examines the bars of music. Data is looking back through the tunnel entrance.

DATA'S POV - Mama and the boys are back on their feet. Red with anger. They attempt to again climb the mast, slipping, sliding, and struggling.

Data LOOKSback to the goonies.

Everyone TURNSto Andy. SCARED. HELPLESS. Their SURVIVAL is up to her. She gives a NERVOUSshrug.

Andy takes a SEAT at the organ. She places the MAPon the piano's music stand. Andy READSthe first note.. Slowly, she PUSHESdown the foot pedals. ·She PRESSES one of the bone keys. A hollow, mysterious ·CHORDOF AIR echoes through the tunnel. The boulder CREAKS. Opening a CRACK. The kids EXCHANGE a hopeful• smile.

Andy READS the next two notes. She hits TWOKEYS. Two chords ECHOthrough the tunnel. The boulder CREAKSagain. Opening a LITTLE more. Less than an INCH. Andy TRIES to read the next note. It is SMEARED. UNREADABLE.Nervous, she plays a RANDOMNOTE. A SOURCHORD blasts through the tunnel.

A LARGE CHUNK OF THE FLOORCRACKS! It DROPSOUT! INCHES from Mikey's feet. He JUMPSBACK. There is now a LARGE HOLEin the' floor. Mikey PEERS into the hole. It Is a HUNDRED FOOTDROP. Onto a floor of SHARPSTALAGMITES. Mikey CATCHES his breath.

Andy is TREMBLING. NERVOUS. She ATTEMPTS to read.the note again. This time, she PLAYSa different key. The chord is CLEAR. MELODIC. It SINGS through .the tunnel. The boulder moves AGAIN. Opening another INCH. The kids emit a group SIGH. Data still keeps WATCH.

Mama, Francis and Jake are more than halfway along the mast. Francis slips, nearly falling into the stream. Only his gun falls into the waters. Francis composes himself and continues climbing upward.

Data panics. He SCREAMS to Andy.

Andy begins to play faster. She hits several correct keys. The boulder slowly opens. Inch by Inch. But Andy suddenly hits a wrong note.• Another huge section of floor drops out. Mouth nearly falls to his death. Stef grabs him. In the nick of time.

153 MAMAAND THE BOYS 153

are only a few feet from the opening.

Data SCREAMSat Andy.

Andy tries to play faster. This causes the boulder to open a little more quickly. But in the frenzy, Andy manages to his a few wrong notes. The tour notes always trigger another section of the floor to drop out. The goonies are diving. Leaping. Doing everything to avoid the deadly holes in the floor. Soon, only one section of the floor remains intact: the section holding the organ. All of the kids are clustered together. Clutching, grabbing ontp differen~ sections of the organ. The remaining section of floor tilts and quivers. If this section drops, the organ will crumble and all of the goonies will fall to their deaths.

154 Andy nods. Hands shaking. Dripping with sweat. She 154 (Cont'd)hurriedly plays the final bar of notes. Andy looks at the map's final nl?te. Completely b~urred. Andy pauses. T.rying to decide what note to hit.

155 MAMA, JAKE and FRANCIS 155

arrive at the foot of thechamber, still slipping and sliding. They reach up. Grabbing the chamber's ledge for support. Trying to crawlinside.

Andy sits at the keyboards. Frozen. Trying to decide what note to hit. Seeing the Fratellis, Data SHOUTSto Andy.

Andy closes her eyes. She raises her index finger. She randomly drops it onto the keyboard. A loud melodic note sounds through the tunnel. The boulder slowly opens. Wide enough for the kids to get through. Andy and the kids climb from the organ, through the opening! But Mikey's foot steps on yet another note! A wrong note! The organ begins to crumble! The floor holding the organ sways, and Mikey is still hanging on! Brand reaches out and grabs his brother's hand! He pulls Mikey into the opening, seconds before the entire organ and floor crumble into a million pieces! r

The Goonies have escaped into a steep, long circular water slide! The goonies duck and dodge various jutting rocks and stallactites as they slide to the bottom! Screaming the whole way down!

A rocky wall. A small passageway. Less than four feet tall. It sits at the bottom of the wall. A miniature cave. A stream of water suddenly gushes out of the passageway. Brand, Mikey and Data also shoot out! They

158 land in the pool of water below it. A few seconds pass. 158 (Cont'd)Mouth, Stef and Andy flow out! Ejected from the passageway! The kids catch their breath. Shaking the water from their ears. Spitting the water out of their lungs. Mikey sees something. His eyes get wide. His mouth drops open. Speechless. The others are soon met with the same sight. They are equally shocked. : Delighted. overwhelmed. For several moments, the kids stare. In wonderment.

159 CAMERA PULLSBACK 159

We are in an enormous underground cavern. An enchanting, magical place. The high ceilings and walls are lined with sparkling rocks. A large pool of water stretches across the ground. The most amazing sight in the entire cavern, is an authentic, well preserved pirate ship! The gigantic ship is tilted on its side. Constructed of wood. Its crooked mast and tattered sails are in place. A black,. skull and crossbones flag waves. At half mast. The figurehead of a beautiful woman adorns the ship's bow. Ancient cannons jut from the side of the ship. Half of the ship is buried into the cavern wall. The result of a cave in. Hundreds of years ago. The kids continue to stare at the amazing sight. Speechless.

Sloth climbs down therope, moving toward the circular chamber. Chunk holds onto Sloth's back. As they climb downward, Chunk looksat Sloth.

Sloth gives a GRUNT. Chunk keeps talking.·

160 CHUNK (Cont'd) 160 (Co_nt'd) night. Huh? Yeah. I know how ya'

must feel. It's like when I go swimmin' at the public pool ..• And I gotta' take my shirt off. I get· really embarassed.;. All the other guys got dark tans and ripples in their stomachs ... And I'm this Pillsbury Dough Boy. So I swim in a sweatshirt.

Sloth gives an understanding GROAN. They arrive at .the bottom and enter the circular chamber. Sloth and Chunk stare at the Pirate Skeleton with childlike astonishment. Sloth walks up to the skeleton, removes the Pirate hat and puts it on his head. He turns, wiggling his eyebrows to Chunk, his expression saying "How do I look?" Chunk smiles. An honest expression on his face.

Mama, Jake and Francis move slowly, carefully. They walk, back to the wall, across a thin catwalk along the edge of the chamber wall. The catwalk was caused by the fallen floor. One slip and they're dead.

CUT TQ:

The kids stand before the large pool of wat~r. Mikey begins tt?_walk into the water. Brand grabs him.

Mikey pauses. Data has a solution. He reaches into his shirt and pulls a cord. A large, yellow life raft pops out of his backpack. The raft begins to inflate. But it just doesn't stop. It continues to get bigger ... Bigger ... until ... BOOM! It explodes! The sound sends a shudder through the ancient cavern! A small rumbling is heard. Tiny pieces of earth crumble from the cavern

163 ceiling. The kids exchange a frightened glance. With this 163 (Cont'd)they jump into the shallow water and hurry toward the ship. As they wade through the water, Mikey stares in astonishment at the ship.

The kids continue to hurry forward. Stef suddenly feels something strange, brushing against her thigh underwater. She turns to Mouth, who is behind her. Stef glares at him, raising her hand as if to slap him.

sn:F Watch yer hands! Touch me again and I'll She-Bop you!

Mouth gives a puzzled shrug. stef turnsback around. CAMERA PANSunderwater. We se.e a giant,slitherly tentacle wiggling a few inches from Stef's thigh.The tentacle begins to rub stef's thigh.

Ste£ turns and gives a hard slap to ...

A giant squid! · Its bloodshot eye and tentacle are face to · face with Stef! It has shot out of the water, between Stef and Mouth. Stef is speecnless! In shock!, The squid retaliates with. a slap to Stef, knocking her into the water! The goonies clutch each other. Terrified. Another

the tentacle slams into the water between the kids.

The bloodshot eye of the squid moves just above the surface past the goonies as another tentacled arm sucks across Andy's breasts, pulling her toward the squid's gaping

163 mouth. Data removes his cassette player from his backpack.163 (Cont'd)He turns it on! Cranking the volume. The Talking Heads "Burnirig Down the House" blasts from the twin speakers! Data throws the cassette player into the squid's mouth.

The squid reels back, letting go of Andy! The booming chorus of the Head's song reverberates through the squid's body. It trembles. Quivers. In shock. The monster shoots away from the goonies. It is crazed by the rock n' roll. The squid wildly bounces off the cavernous walls, trying to make the music stop. The squid inadvertantly does a comic dance, rocking to the beat of the music and the kids watch it disappear. Far into the cavern.

The goonies run to the pirate ship. Scared out of their wits. They arrive at the ship's bow. The gigantic ship towers over them. Mikey jumps up. He begins to climb the side of the ship. Placing his foot in the thin cracks of wood. The other kids hurriedly follow. Mikey shouts down to them.

Mikey continues babbling as he climbs over the ship's top.

The kids climb aboard. They stand on the ship's crooked deck. The deck is long and wide. Covered with old, creaky boards. Various swords and knives hang on a weapon rack. On the outside wall of the main cabin. The kids look for a way out. Brand and Mouth scan the wall of weapons. Looking for a door. Mikey runs up onto the raised deck. Stef and Andy find a trap door.· But it is locked by several thick, metal chains. Data walks up to the ship's extended, curved ventil.ator. Data crawls' into·. the wide - ventilator opening. · ·

Moving arong the raised deck, Mikey backs into something. He turns. A pirate stands therel · His back to Mikey. The pirate is huddled over the ship's huge, wooden steering wheel. He is dressed in a tattered, colorful pirate costume. Mikey catches his breath. He reaches out, touching the pirate. A CREAK. The Pirate turns. Mikey is face to face with a grinning Pirate.skull. Two daggers protruding from the deep eye sockets! Mikey SCREAMS. Everyone rushes to him. save for Data. The kids examine the skeleton.

(Cont'd)Examining it. The dagger's handle is lined with small sparkling jewels. ·Diamonds. Andy grabs the other dagger. Examining the jewels.

Andy gives Mikey a ruffle to his hair. He'd rather have another kiss. They are interrupted by Data's voice. screaming for help. Everyone turns. Data's tiny legs protrude from the ventilator's hole. Kicking. Data is stuck. The kids come to his rescue. Brand and Mouth each grab one of Data's legs. Pulling. Hard. Instead of pulling Data out of the ventilator ... Brand and Mouth pull the ventilator out of the deck! Data falls on his bottom. Still inside of the ventilator. A large hole has replaced the ventilator. In the ship's deck. Andy· peers into the dark hole. Her head pops back out. Nose crinkled. coughing. It's dusty. Andy looks at the others.

Andy·motions for the others to follow. She lowers herself into the hole. Data has managed to squirm out of the ventilator. He follows the others into the bowels of the ship. Before entering, Mikey takes a shot from his breath- alizer.

The kids enter the large cab·in below deck. A thick layer of greyish brown dust covers the floor. The kids huddle close together. The kids feet move through the thick dust. Mikey stops. Noticing something in the middle of the ceiling. A small yellow glow. Shining through the dust! Mikey points it out to the others.

- . MIKEY Cool. Yellow stuff.

The kids clear the dust with their hands. The glowing gets brighter. Brighter. The dust is cleared. An area of boards is visible. Bright golden light glimmers. Through the cracks. The kids exchange hopeful glances. Mouth gives a sarcastic smirk.

165 MOUTH 165 (Cont'd) Great. We found Three Mile Island.

Mikey spots another riddle. Carved into the beams. Mouth translates, in the voice of the British Pirate.

_ DATA That's the first riddle ... From the attic.

Mikey excitedly stands on a bench. He grabs hold of a loose board. He pulls. Hard. The_ship creaks and shudders. But the kids are too curious to care. Mikey continues to pull. Finally, the board snaps. A glaring shaft of light! Shining through the rectangular hole! Mikey smiles at the others. They are anxious. Excited. Everyone grabs hold of a board! As each board is removed, more light fills the cabin. The ship continues to creak and groan. The kids work fast. Urgent. Pulling away more boards. The ceilin~ above the kids begins to weaken. The small section of ceiling gives, tumbling down onto the kids, revealing the glorious light .

The kids have climbed into a large room. Filled with the treasure!

A magical room. Glistening with all the colors of the rainbow. The room is literally a garden of jewels. There are trees with branches of silver and gold coins, and leaves of emeralds. Rose bushes are made of sparkling rubies. There are flowers of sapphires. Bushes made of pearls. There is- even a half moon, ·suspended in the air, made of diamonds. Scattered throughout the jewel garden, are hundreds-of other items. Drinking goblets. Necklaces. Rings. Crowns. More treasure than the kids (or the audience) has ever seen in one room! Pirate skeletons surround the treas~re. Arms crossed. Armed with swords. Guardians of the treasure.

And sitting in the middle of all of this, at a long wooden table covered with a feast of treasure, is One Eyed Willy. A look of total respect and admiration cover Mikey's face. He nods to One Eyed Willy.

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166 MIKEY 166 (Cont'd) Hello. I'm Mike Walsh. These are

my friends. You•ve been expecting us, and well, here we are -- we made it, Willy. All in one piece too ..• so far. ·

Mikey notices an ancient version of what could be taken for a breathalizer sitting in front of One Eyed Willy. Mikey smiles. Curious, Mikey reachs and lifts One Eyed Willy's eye patch. There is no socket. It is a solid skull. Mikey reverantly replaces the patch.

The others are ecstatic! Joyous! Laughing and giggling wildly! They make a mad scramble for the treasure. Ther begin to load themselves with the'pieces. Stuffing their pockets, shirts,. pants and socks. Andy and Stef try on rings and necklaces. Data wears a huge golden crown. It covers most of his head. Mouth begins to gather his favorite pieces, he reaches over to the small pile of jewels in front 9f One Eyed Willy. Mikey stops Mouth.

Mouth shrugs .and grabs more jewels from the floor. Mikey finds a large ruby.

Mike removes his marble bag. He empties ali the marbles and fills the bag with small, choice jewels.

MIKEY 166

I know. . . The Har_dy Boys did this

once ...

The kids listen. Continuing to stuff themselves with treasure. Their clothes bulge. Tight. Like they're wearing fat suits. Mikey continues.

The kids turn. Mama, Jake and Francis stand in the cabin. Jake and Francis are armed with swords and knives from the weapon rack. Mamapoints her gun at the kids. Laughing. The kids look at each other. Frightened. Suddenly, Data fumes with anger. He cries out .

That's it! This is war! We will not be taken alive!!!" (opens his shirt, pulls a cord and screams) "intimidator!"

Data's arms, legs and crotch begin to expand, giving him enormous muscles! Lifts in his shoes cause Data '.s height to expand! Data begins to look ... Intimidating! But his muscles continue to grow. Getting bigger ... Bigger •. Bigger .. Until suddenly ... Boom! They explode! But Data is undaunted! He screams.

DATA Optional Bully buster!

Data opens .his coat and pulls another cord! Several rows of flash cubes are attached to Data's coat! They begin to flash! Jrt first they are effective, but soon fizzle out because of Data's contact with the water! Data's eyes are raging! He begins to pull every cord on his body! One by one, each of his home made devices is tripped. But alas, as always, they don't work! Green smoke, meant to be used as a smoke screen, slowly billows out of Data's clothing. GI JOE toys pop out of his shirt and pockets, firing plastic projectiles that only travel a few inches before hitting the floor. Countless ball bearings shoot out of his pant leg and cuff. There are bottle rockets, sparklers, firecrackers ... Everything shoots from Dat~•s body! But

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166 nothing works! Data's body is a literal explosion of junk! 166

The Fratellis watch, both amazed and amused by what is going on.

Finally, Data hits the "Out" button on his belt buckle. The belt buckle flips open! The suction cup projectile shoots forward! It attaches itself to Mama's gun! Data hits the "IN" switch on his belt, trying to reel in the gun. But Mama holds tight! The powerful ·suction cup pulls Data toward Mama! Data stares in shock ·as he and Mama collide! This causes an electrical shock which sends the two of them flying across the room! Mama also drops her - gun! Data gets to his feet .. He and the frightened goonies run out of the room! Jake ·and Francis revive Mama and follow! In hot pursuit!

The kids run across the top deck. The Fratellis are right behind them! Bigger! Faster! They manage ·to tackle the kids! They surround the goonies. Swords pointed at the_ kids' throats. Mama glares at the kids.

The kids stand.

The kids lift their shirts and begin to empty the jewels onto the deck. Rubies, diamonds:., emeralds roll out onto the deck. Mama stares at the treasure. Her eyes fill with greed. .Then Mama goes over to Mouth. She looks at him as if some~ing was not quite right with him.

Mouth just smiles, keeping his mouth closed.

Mouth reluctantly opens his mouth and a truckload of gems spill out. Not satisfied, Mama sees something on Mouth's tongue, reaches in and pulls out about three feet of beaded pearls.

168 OMIT 168 & & 169 OMIT 169

The goonies are tied up. They stand in line, at the edge of the deck. Mamawalks to a wooden plank. Built onto the ship's edge. She turns and looks at the kids.

Mamapushes out the plank. A long thick board. It extends far over the edge of the ship. It overlooks the deepest section of water. Mama walks back to the kids. She paces in front of the kids. She looks them over, deciding who's first! Mama looks at Andy. Andy gives a hard kick to Mama's shins. Mama doubles over. Andy snaps.

Mamalooks up. Eyes glowing with rage. She moves the tip of her sword to Andy's throat. Mama growls.

Andy steps out. Mamapokes her with the sword. Andy walks to the plank. !he kids watch. Horrified. Andy steps onto the plank.· Mama stays behind. Jabbing Andy with the sword, Andy begins to walk the plank. The other kids watch. Helpless. Mikey's eyes fill with tears. Andy continues to walk. Only a few feet from the end of the board. She looks down. The deep water sparkles below. Andy gives a frightened gulp. Mama,is a few feet behind her. Resembling' .an old pirate wi:t;ch. Mama gives a mad cackle. ·

- MAMA Hold your breath, sweetie.

Mamajabs Andy. Andy falls off the plank. She hits the water! A loud splash! Brand cries out!

-------

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170 Brand dashes forward. Out of line. 170

Before the Fratelli brothers can stop ... Brand leaps over the side of the ship! We hear a splash! Brand sinks. Under the deep water. Mikey hides his eyes. Scared. Trembling. Mama turns to the kids. She gives a vicious smile.

171 UNDERWATER 171

Andy sinks to the bottom of the deep pool. Hands tied behind her back. Andy holds her breath. Cheeks puffed. with air. Brand floats downward. A few feet above Andy. He struggles with the rope binding his hands. With a few twists of his wrists, Brand's hands come free. He swims toward Andy. He grabs Andy. Her eyes are wavering. Nearly unconscious. Brand puts his arm around Andy. Holding tight. He swims upward. Using all of his strength!· Brand swims toward the surface and pulls Andy onto a rock next to the ship.

Brand leans over the unconscious Andy. Giving her mouth to mouth. Andy suddenly wakes. She sits up. Coughing. Brand holds her. Comforting her. She composes herself. Giving a puzzled look to Brand,

Brand gives a modest no,d. Andy throws her arms around Brand. Planting a long; hard kiss on his lips. A few moments ~ass. Andy breaks the kiss. She withdraws her lips. A puzzled expression covers her face. She reaches into Brand's mouth and seem to be feeling for something. Puzzled, she withdraws her finge~s, looking at Brand.

172 She suddenly understands. 172

They both stop and look at each other.

173 TOP DECK 173

Mouth and Stef have been tied together. Back to Back. They are walking the plank. A few inches from the end. Mama stands behind them, jabbing them with the sword. Edging them forward. Stef looks back to Mouth. An honest, serious expression in her eyes.

S'!:'EF How long can you hold your. breath?

Mouth looks at Stef, he is s6 touched by this, he cannot speak for the first time in his life.

Mama jabs Mouth and Stef. They go offthe edge. Suddenly, ·aloud pirate scream pierces the air! Everyone turns. To the direction of .the scream.

174 S):.OTH 174

Swings down from the ship's mast. He is dressed in bright Pirate clothing. A sword is strapped to his waist. Sloth emits another loud scream. Before Mouth and Stef hit the water, Sloth scoops them up_! Saving their lives! Carrying Mouth and Stef under his arm, Sloth swings back onto the deck. He safely places Mouth and Stef beside the other kids. Sloth turns to Mama and the boys. Sloth growls. He

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174 flexes his muscles. His shirt begins to rip. Tear. 174 (Cont'd)Muscles bulging. For the first time, we see that Sloth has an incredible, muscular body! He has transformed from a grotesque creature into a virtual superhero! Stef stares at Sloth. Awestruck. '

With everyone's attention focused on Sloth, Chunk sneakily climbs over the ship's side. His torn and tattered clothes have now taken on the appearance of a Pirate costume. Chunk sneaks up behind the kids. They are shocked to see him.

Chunk begins to untie the kids' hands. Meanwhile, Mama points to Sloth. She snaps at Francis and Jake.

The two come· at Sloth. Their swords are exteneded. Ready- for a fight. Francis swings his sword at Sloth. Sloth ducks. He picks up Francis, lifting him above his head. Sloth throws his brother through the air. Francis flies inside of the ship's figurehead! Francis' head breaks through· the woman figure's head. This creates a bizarre image: The shapely body of the figurehead, adorned with the head of the unconscious Francis.

Chunk still unties the. kids ... Mikey works with him. Speeding up the process.

Sloth continues his swordfight with Jake. Sloth fights like the expert Pirates he's seen on TV..

Data fires his clapping teeth. The teeth clamp down on Jake's crotch ... doubling him over! Sloth grabs the sword from Jake's hand and breaks it in two. Sloth throws a hard punch to Jake's jaw! The powerful punch sends Jake flying across the deck floor! He skids into a pyramid of cannonballs! Konk! He's out cold!

Chunk has untied all of the kids! They run to the side of the ship!

175 Beneath them, Andy and Brand wade in the water. Brand 175 shouts to his friends.

The-kids jump over the side, into the water!

Meanwhile, Mama findsherself face to face with Sloth. Sloth growls at her. Mama holds her sword. Trying to reason with Sloth.

Sloth gives a louder growl. He walks toward Mama. ready to attack. Mama pleads. Frightened.

Sloth grabs the sword from Mama. He throws it overboard. He picks up Mama in his arms ... ready to throw. her overboard •.. She begins to sing.

He pauses. tistening. The song is warm, comforting. It brings a pleasant smile to his face. He begins to gently rock Mama in his arms. She continues to sing.

·' MAMA "When'the bow breaks, the cradle will fall ..• 11

Sloth smiles. He drops mama overboard! As she falls, Sloth sings the final verse.

Mama hits the water! Meanwhile, the kids are all in the water. They have begun their escape, swimming to the shore. Sloth jumps into the water. He swings toward the kids. When Sloth makes it to the kids, Chunk introduces him.

175 CHUNK 175 {Cont'd) Guys ... This is Sloth. He's just

like us. A reject.

176 ABOARD THE PIRATE SHIP 176

Mama climbs back onto the deck. Soaking wet. She sees the kids swimming away. Her eyes are angry, frustrated •. But their is something more important on her mind. She runs to Jake. He still lies beside the cannonball pile. Dazed. Mama slaps him. He stirs.

Mama, Jake and Francis enter. They greedily begin to stuff their pockets with the treasure.

Mama walks to where One Eyed Willy is seated. She reaches for the pile of treasure in ·front of One Eye Willy. Mama grabs the pile. But it is attached to a long, metal chain! Mama pulls hard on the chain! This begins another of One Eyed Willy's chain reaction booby traps. One Eyed Willy's skeleton shoots upward, toward the ceiling! A trap door in the ceiling opens! Mama and the boys watch in shock!

178 TOP DECK 178

One Eyed Willy's skeleton flies through the trap door on the Captain's deck. He lands directly in front of the ship's steering wheel. In rube goldberg fashion, the trap door hits a cannonball, which rolls along a path in the ship's deck, which is connected to a long section of wood that stretches to tlie cavern ceiling, the wood is connected to the ceiling's support system. The cannonball hits the section of wood, causing the wood to snap, causing the entire ~upport system to become undone ....

The entire cavern begins to shudder. Rumble. The Pirate ship tilts. Shakes. The sails buckle. The ship's anchors raise.

179 TEE GOONIES 179

and Sloth have waded to the shore. They quickly haul out of the boat. Dashing to the cavern entrance.

The entire cavernbegins to shake. Like an earthquake, The ground beginsto break. Opening. The walls begin to crack. Crumble. Pieces of rock begin to fall. Crashing to the ground.

have run onto the top of the tilting ship deck! Running for their lives. But they tUlllble and roll across the deck. They fall off the trembling ship. Into the water!

181 THE GOONIES 181

arrive at the cavern entrance. Boulders and earth fall in front of the entrance. Causing it to collapse. Sloth moves forward. Not unlike Sampson, Sloth holds out his mighty arms. He grabs each side of the cavern walls. Holding them in place. He supports the crumbling ceiling with his strong back. This keeps the passageway open. Sloth motions for the kids to hurry inside. The kids crawl through his legs. Out of the cavern! Rocks and boulders fall all around Sloth. But he doesn't budge. Doesn't

ALl of the kids have crawled to safety. Chunk is the last to join them. Sloth turns. Ready to join the kids. But something catches his eye. He sees Mama and his brothers. In the water. Struggling for their lives. Chunk holds out his hand to Sloth.

Sloth shakes his head. He turns and gives aninnocent hiss to Chunk's cheek. Sloth releases his grip onthe walls and ceiling. He steps.back out into the cavern. Chunk cries out.

An avalanche of falling earth seals the cavern entrance! Forming a permanent wall between Chunk and Sloth!

The entire cavern is being devastated. The sails fill with wind. The Pirate ship begins to move,with One Eyed Willy at the wheel.

Sloth swims to Mama and the boys. He wraps his enormous arms around them •. Saving their lives! They look up seeing the Pirate ship shaking in front of them.

The Goonies are trapped in a dark, rumbling, shaking ·passageway. Both sides.of the passageway have begun to cave in! Closing in on the trapped Goonies! Brand screams.

Data FUMBLES in his backpack for a light. He reaches back for the last ROAD FLARE. But, unbeknownst to Data, he hasn't GRABBED a road flare ... it's the stick of DYNAMITE! Data LIGHTSthe stick! It SPARKS, illuminating the passageway! The goonies LOOKAROUND! They see the CRUMBLING DIRT COMING.ATTHEM FROM BOTHSIDES! Ther~ is NO WAY OUT! Suddenly, Data NOTICESsomething strange about the flare ...

The KIDS TURNANDRUN!! Data runs in circles, trying to find a place for the SPARKINGDYNAMITE!He SEES A CRACK IN THE WALL,emitting a SMALL~OUNT OF LIGHT! Data INSERTS the dynamite INTO THE CRACK! Data RUNSto his friend! They CLUSTER TOGETHER! Ears PLUGGED! Eyes CL~SED!i

EOOM!!! The dynamite ROCKSthe already quivering passageway! A few moments pass. The kids OPEN their eyes through the SMOKE! The dynamite has BLOWNA LARGE HOLE INTO THE WALL! An OPENING! LEADING to the outside world! The EXCITEDGoonies RUNtoward the hole! They EXIT, SECONDS BEFORE the passageway COLLAPSES!

The goonies STANDin a small, rocky ALCOVE. The stretch of OCEAN is in front of them.

125 REV: l-ll-85.

The heavy RUMBLING becomes a muffled echo in the background. One Eyed'Willy's caverns and passageways are being SEALED FOREVER!The GOONIES pause to breathe in the fresh sea air!· Their bodies are scratched and BRUISED, covered with MUD ·and DIRT. Their clothes are in TATTERS, hanging like RAGS. They have gone through a visual TRANSFORMATIONfrom Goon kids to COURAGEOUSADVENTURERS.

A NATIONAL PARKRANGER slams on his DUNEBUGGY brakes, squint·s curiously into the distance, now raises ·his binoculars to get a better look. His jaw drops as he reaches for his radi~.

RANGER

Harvey? •••• Get the .Sheriff on. _._ the horn ••• I think I jus-:t· found..~ that bunch of Goober's he's been .. looking for. • • -·-· - -· .

The Ranger Statio~ parking lot is PACKED. SHERIFF'S CARS. AMBULANCES.LOCAL PRESS. PARENTSand ONLOOKERS. The Goonies emerge from the Ranger Station as the Crowd CHEERSand·· the PARENTSrush forward to meet their kids.

IRENE rushes up to Mikey and Brand. MR. WALSHand ROSALITA can be seeri ·farther back in the C~owd.Mikey looks at up at Irene with emb~rrassed eyes.

Irene can't hide her smile, or the happy tears in her eyes. She WRAPSHER ARMS around Mikey and Brand, embracing them tightly.

OMIT

189 ANOTHER ANGLE

CHUNK runs to an obese MANand WOMAN. His PARENTS. The man is dressed exactlt like CHUNK.Hawaiian shirt. Plaid Bermuda shorts. Black knee socks. The WOMAN wears a FLOWERED DRESS, holds a CARDBOARD BOX COVEREDWITH TIN FOIL. Chunk embraces his p·arents. -

126 REV: l-ll-85

•

MOM gives the foiled-wrapped CARTON to Chunk. He grabs it· excitedly, rips the foil away - HOT DOGS: LOADEDYITH EVERYTHING:

190 CAMERA PANS TO:

MOUTH and STEF. Mouth LOOKSat Stef. A SERIOUS, HONEST look on his face. He SPEAKSIN HIS OYN VOICE.

191 CAMERA PANS TO ANDYANDMIKEY

WATCHING. SMILING. Andy turns to Mikey, a warm smile on her face.

BRAND walks up. He puts his arm around Andy. They walk away together. CAMERA FOLLOWING. Brand gives Andy an impressed look.

127 REV: l-ll-85

'l She GRABSBrand and kisses him, Mikey stands a few feet away ~cnt WATCHING,ALONE,JEALOUS, He begins to COUGH. H~ removes his PRIMOTENE MIST; Ready to take a shot. He pauses, looks at the breathalizer, ;hen tosses it on the ground. WHO NEEDSIT?

Through the Crowd, Mr. Walsh has noticed, · smi_les proudly.

Suddenly, everyone is INTERRUPTED.A group of POLICEMEN rush to the shore:

192 ANGLEON SLOTH

SLOTHwalks out of the· ocean! DRAGGING•thewaterlogged MAMA, JAKE, and FRANCIS. The POLICE quickly take Mama and the boys into custody. Chunk's EYES LIGHT UP, seeing Sloth. He runs to him, holding out his carton of hot dogs.

Sloth gives a happy GRUNT,glad to see his friend. He pie.ks up Chunk, who offers him the carton.

(singing happily with instant: recognition) Hot dogs, Armour hot dogs ••••

Sloth devours a giant hot dog in a single gulp ·as Chunk's PARENTS watch in HORRIFIEDAWE.

Sloth destroys another hot dog, BELCHES VOLCANICALLY as Chunk's Parents exchange a PARALYZED LOOK.

to OMIT

REV: 1-11-as

o9 ANOTHER ANGLE

Mama and the Boys are HANDCUFFED,then put into the back of a POLICE VAN. CAMERA PANS AS:

MR. PERKINS:and TROYsuddenly ~ull up in a white Cadillac convertible, screech to a stop. They get out quickly, approaching Mr. Walsh, who stands at the edge of the crowd with Mikey. Mr. Perkins advances agressively, waving a piece of paper.

Mr. Walsh nervously takes out HIS Primotene Mist, then looks down at Mikey who stares back up, tears in his eyes.

Mr. Walsh fights to hold back a tear.

------------ ·------ --

129 REV: 1-11-as

9 PERKINS ~ont Walsh?

They turn. Mr. Perkins grins cruelly.

Troy props the paper up against his father's back for signature, whips out a pen with a sickening smile.

Mr. Walsh tries to steady himself, trembling, looks off:

210 ANGLE ON GOONIE CROWD

The CROWD is hushed as the rest of the GOONIESand their PARENTS turn to watch helplessly.

BACK TO SCENE

Mr. \.7alsh slwoly takes the pen from Troy; lifts an unsteady arm, stares at the paper, eyes misting over. He STARTSTO SIGN as the Sheriff takes a sympathetic step forward, stopping him.

---- ------------ --- ----- ---- ·-·

130 REV: 1-11-es *

Mr. Walsh grits his teeth, oblivious to everything. He begins to SIGN as Perkins TURNS, and -the signature is written ACROSS THE BACKOF HIS JACKET:

The RED MUSTANGcareens into the parking lot at high speed, the GORILLAS behind the wheel: It heads straight for the CROWD, spinning out at the last second, squealing sideways, CRASHING INTO THE SIDE OF MR. PERKINS' WHITECADILLAC: ·

The Gorillas SCREAM back at Troy with equal excitment, covering their eyes. Bonzo whips the car into reverse, roars off through "the Crowd as BYSTANDERS-DIVEFOR SAFETY:

One entire side of the white Cadillac is caved in: The stunned CROWD suddenly bursts into CHERRING,APPLAUSE,ANDLAUGHTER!

The LAUGHTER grows LOUDER!Even Mr. Walsh and Mikey start to join in.

214 ANGLE ON EDGEOF CROWD

Sloth watches from :the rear edge of the Crowd. To one side of him is Chunk. To the other, ROSALITA.They all laugh heartily with everyone else as SUDDENLY:

SLOTH'S EXPRESSION BEGINS TO CHANGE::

His eyes ROLL. He begins to COUGH,feeling CURIOUS RUMBLINGS in his stomach. The Crowd's laughter continues as he POUNDS himself in the chest, trying to clear his massive airways as:

A GLEAMING OBJECTEJECTS ITSELF FROM HIS MOUTH:!

131 REV: l-ll-85

5 ANGLE ON ROSALITA

The OBJECThits the ground at Rosalita's FEET. She looks down curiously, then picks _it up, EYESWIDENING.with surprise.

,

IT IS A HUGE, SPARKLINGPIAMOND!

"216 "BACKTO SLOTH

Sloth is DOUBLED OVERnow, INNEREzyLOSIONS wracking his huge body. A concerned CHUNK rushes over to him.

Sloth straightens up, looks at his friend, then GRINS, his mouth falling open:

IT IS FILLED WITHJEWELS FROM THE PIRATE SHIP!!

BACK TO ROSALITA

SEEING. REALIZING.:Holding the diamond up high, she starts· to make her way thr.ough the boisterous CROWD.

218 BACK TO PERKINS

The furious Perkins SLAMSthe PAPERdown on what's left of the hood- of his car, turns on Mr. Walsh. The Crowd's LAUGHTER is beginning to subside.

Troy holds out the pen. The Crowd QUIETS as Mr. Walsh exchanges a sad look with Mikey, then takes it, reluctantly leans over the hood of the car.

219 ANGLE ON DATA

DATAstands with his PARENTS, his eyes glassed over.He looks off at MOUTH who stands with STEF nearby.

...

-TO SCENE ( ·,

,in as:

100d again, ignoring ROSALITA'SVOICE as the Crowd MUMBLES uriously.

, -BACKTO MOUTHANDSTEF

2 BACK TO WALSH

MR. WALSH HAS BEGUNTO WRITE HIS SIGNATURE AS:

Mouth and Stef rush up! Mikey rushes up! Rosalita rushes up!

Mikey GRABS ·the piece of paper, pulling Mr. Walsh's PEN ACROSS IT IN A STRAIGHT LINE!. .

Perkins and Troy stare unbelievingly as Rosalita holds up the DIAMOND to a dumbfounded Mr. Walsh and:

133 REV: 1-11-as

223 ANGLEON CHUNK

As EVERYONETURNS. Chunk raises his CUPPED HANDS, now opens them;

224 CLOSE ON CHUNK!SHANDS

FILLED WITH GEMSTONES! Sparkling DIAMONDS! Glorious. RUBIES! Bright EMERALDS!

225 BACKTO SCENE

Sloth BELCHES. THI!.EEMOREJEWELS are ejected from his. mouth!

The CROWDCHEERSas the GOONIES rush to Sloth, swarming over him iike mountain climbers, JEWELS erupting from his mouth as they pummel him like a huge vending machine.

SEVERALREPORTERSrush up SNAPPINGPICTURES, peppering the Goonies with questions.

The Sheriff smiles patronizingly, turns, starts to walk away.

HE SEES SOMETHINGIN THE DISTANCE, ~TOPS, THUNDERSTRUCK!

EVERYONE turns to look with AUDIBLE GASPS, as WE SEE:

THE PIRATE SHIP, SAILING. across the ocean. A MAGICAL SIGHT. CAMERA PANS the faces of everyone pn shore. POLICEMEN. THE SHERIFF. SLOTH. IRENE. MR. WALSH. THE GOONIES. Staring in AWE.

227 ANGLEON MIKEY

THE BACKOF MIKEY'S HEAD. Re turns slowly to face the AUDIENCE, WEARINGTHE BLACKPATCH OF ONE EYED WILLY.

MIKEY WINKS at all of us with a warm smile.

134 REV: 1-11-as "

228 BACKTO PIRATE SHIP

Farther away in the distance now. A GRACEFUL, ROMANTIC DOT against the beautiful horizon.AS WE:

FADE OUT: