"THE GOONIES" (1985)

CREDITS OVER VARIOUS CLOSE-UPS of the goonies' HANDS and FACES as they perform the secret goony handshake.. It is a very poetic, beautifully synchronized series of movements which displays a sense of. kinship and brotherhood. We hear the VOICE OF MIKEY, reciting the GOONY OATH, over these images.

. FADE TO BLACK:

FADE IN: CLOSE-UP. The leathery, bullish face of a JAIL GUARD. He SHOUTS.

CAMERA PULLS BACK. The guard stands in a dimly lit prison HALLWAY. Rows of JAIL CELLS stretch along the side walls. Crowded- with PRISONERS. The prisoners SHOUT and JEER at the guard. He removes his wooden BILLY CLUB. Giving a HARD RAP to the bars. It ECHOES through the prison. The guard SNARLS. .

The prisoners SIMMER DOWN. The guard inserts a key into the MASTER LOCK. All of ‘the cell doors OPEN. SIMULTANEOUSLY. The prisoners RUSH OUT. HUNGRY. The guard SHOUTS.

- GUARD Single file. Single file.

The prisoners crowd into a LINE. They PASS the watchful guard, who taps his palm.with the threatening billy club. Two ASSISTANT GUARDS lead the prisoners into another hallway. Toward the CAFETERIA. When all of the prisoners have exited, the guard turns to FOLLOW. He PAUSES. Hearing a NOISE. .A CREAKING. The guard TURNS. He sees SOMETHING. At hallway's END. In the LAST cell. A DARK FIGURE. SWINGING back and forth. The guard WALKS to the cell. CURIOUS. CAUTIOUS. Hand GRIPPING his gun. He STOPS.

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Outside of the OPEN cell door. He PEERS inside. He is met with a SHOCKING SIGHT. ;

The body of JAKE FRATELLI, a 33 year old excitable boy, * strong, muscular, with the face of a KILLER. JAKE is James Caan on speed. He HANGS from a rusty ceiling pipe. His belt is wrapped AROUND HIS NECK. His eyes are CLOSED. His tongue HANGS OUT. Face frozen in a GHASTLY position. His body SWAYS. An obvious SUICIDE. A NOTE is pinned to Jake's chest. The guard ENTERS the cell. He GRABS the note. READING it to himself.

~ GUARD "You schmuck! You really think I'd be stupid enough to kill myself?" (puzzled) Huh?

The guard LOOKS UP. Jake's eyes are OPEN. He is SMILING. »« VERY ALIVE. Before the guard can react, Jake quickly

lifts his KNEE. SLAM! Into the guard's JAW. The guard HITS the floor. OUT COLD. Jake BOOSTS himself out of

the noose. We see that the noose is actually attached to a CONTRAPTION that fits around Jake's WAIST. Jake LOOKS

into the hallway. Making sure the coast is CLEAR. He ~- begins to UNBUTTON the guard's shirt.

Jake RUNS from the jail. A blaring ALARM sounds! A GROUP «x OF GUARDS run out of the prison, in PURSUIT of Jake. CAMERA PANS TO a waiting BLACK, nondescript, OFF ROAD VEHICLE. Leaning out the window of the driver's side, puffing on a cigarette, is MAMA FRATELLI. She is a 56 year old, heavyset

‘woman, with.grey hair and a MENACING, EVIL face. -She is

part Marjorie Main, part Jungle cat. Her son, FRANCIS FRATELLI, -stands outside of the car, holding a can of GASOLINE. Francis is a 3l year old man with dark hair and crazed eyes. He resembles Victor Jory as Injun Joe in the 1938 film "Tom Sawyer”. He has just poured a STREAM of gasoline several feet in front of the OFF ROAD VEHICLE. The cops have nearly CAUGHT UP with Jake. Guns DRAWN, they are

ready to SHOOT! Mama nonchalantly FLICKS her lit cigarette to the ground. The cigarette IGNITES THE GASOLINE. This creates a literal WALL OF FIRE between the cops and JAKE. Jake and Francis HOP into the car. The Off Road Vehicle DRIVES OFF.

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Mama DRIVES. PANICKED. UPSET. She CHECKS the rearview mirror. A second police car joins the chase: The Police are GAINING on then.

THE POLICE CARS FOLLOW. IN HOT PURSUIT down the steep hill.

THE O.R.V.

takes a SHORT CUT, through a STOP N' SNACK PARKING LOT. The O.R.V. nearly HITS a Mexican woman, ROSALITA. She is ASKING DIRECTIONS from the store owner, an elderly woman named SYLVIA KEESTER. RoSalita watches in SHOCK as the two police cars shoot past her. In PURSUIT of the O.R.V.

The CHASE continues through A RESIDENTIAL SECTION of town. CAMERA PANS TO ONE PARTICULAR HOUSE, SEVERAL FEET AWAY. We DOLLY INTO THE KITCHEN WINDOW. 3

MOUTH sits on the kitchen sink, watching an old BLACK and WHITE MOVIE on T.V. Several cop cars CHASE James Cagney's car, complete with POLICE SIRENS and FLYING BULLETS. Mouth's Father, THE PLUMBER, works on the pipes below. WE SEE THE ONCOMING CHASE through the kitchen window. But Mouth is TRANSFIXED BY the television screen. Mouth's FATHER screams.

: FATHER Turn down that goddamn T.V. and come help me with these pipes!

Mouth TRIES to turn down the T.V. but the volume just seems to get LOUDER and LOUDER, as the real chase blazes past the window over Mouth's shoulder, all of it UNSEEN by Mouth. SECONDS before the chase passes the kitchen window, Mouth's Father hits the WRONG PIPE. A GUSH OF WATER blasts through the sink drain. It DOUSES Mouth and SPLATTERS the window. This creates a CURTAIN OF WATER that BLOCKS Mouth's VIEW of the chase.

il

4 Rev. 12/10/84

DATA searches through an enormous trash bin, picking up discarded WIRES, CABLES, etc. Data is wearing a WALKMAN.

It DROWNS out all sounds. He is tinkering with one of his crude inventions, A BELT BUCKLE SUCTION GUN. Data DECIDES to test his invention. He STEPS away from the trash bin. He PRESSES a button on his BELT that reads "OUT"! The BELT BUCKLE flips open.. A suction cup, attached to a long wire, SHOOTS OUT of the buckle. The suction cup STICKS to -the trash bin! Data HITS the "IN" button on his belt. Another mechanism causes the wire to REEL the trash bin TOWARD DATA! Data TRIES to turn it OFF! Doesn't work! Suddenly, the trash bin comes to a STOP! Wedged between TWO TELEPHONE POLES! The strong FORCE of the WIRE begins to PULL DATA INTO THE BIN! He CAN'T STOP IT! Data is PULLED inside the bin, an instant before the CHASE PASSES BY!

The SPEEDOMETER wavers past 100 mph. Mama GLANCES to the rearview. The cops are still GAINING. Mama takes a SHARP TURN. OUT of the junkyard. .

THE CHASE CONTINUES. Moving along the MAIN ROAD.

Mama is FRENZIED. Wanting to LOSE THE COPS. She makes a

‘QUICK TURN. OFF of the main road. Through the grassy field

of a high school football field.

TINA TURNER'S "Better Be Good To Me" BLASTS from the stadium speakers. A group of high school CHEERLEADERS practice along with the music. ANDY, one of the prettiest-girls in town, LEADS the cheerleaders. They are forming a PYRAMID. The chase PASSES BY in the background, UNBEKNOWNST to the CHEERLEADERS . The MUSIC Is TOO LOUD for them to hear.

THE O.R.V. LEAPS a small ditch, out of the parking lot, through a wire fence.

AR Rev. 12/10/84

*12A EXT. STREET - DAY - 12A*

The Fratelli O.R.V. squeals down the street, rapidly overtaking:

A LARGE VAN. The elderly CAB OCCUPANTS (SIMON & SIMONE

SIMIAN) exchange a contented glance. Simon now looks at his side view mirror, his expression instantly changing to panic as: .

The van swerves hard right, allowing the Fratelli O.R.V. to screech around it. Now suddenly looming up from behind the right side: A POLICE PATROL CAR!

Simon swings the large van back hard left to accomodate the patrol car as:

A SECOND PATROL CAR starts to overtake the van from the left side! The van spins in confusion, blocking the road Sideways as A THIRD PATROL CAR skids to a stop in front of it, barely avoiding a crash. -

The OFFICER inside jumps out, heads quickly for the van cab.

OFFICER , This road only runs two ways pop, SO...

He suddenly stops as he hears FRANTIC POUNDING and AGONIZED SCREAMS from within the rear of the van! Rushing to the side door, the Officer starts to jerk it open as:

Too late! The door flies open and TWO HUGE GORILLAS leap out, decking the Officer in the process. Grunting and squealing with delight at their new~found freedom, they disappear around the corner of the van.

ANGLE ON FAR SIDE OF VAN

The dazed Officer rounds the van in pursuit, scratches his gead, puzzled. The Gorillas have disappeared. In b.g. we now see, printed on the side of the van: BONZO THE GREAT AND HIS MATE, with a picture of them driving a_ small red car.

*3b

5 Rev. 12/10/84

* 12B° EXT. PUTTING GREEN & GOLF CLUB =~ DAY - 128 *

A neatly manicured putting green, part of an elegant country club.

TROY PREKINS and his FATHER stand on the green. In b.g.

a little red golf cart sits, holding their clubs. Troy hovers seriously over a putt, using the knock-kneed stance made famous by Arnold Palmer.

ANGLE ON BUSHES

The two Gorillas emerge from the bushes, now catching sight of the red golf cart. Eyes dancing with delight, they circle it curiously, then hop in as:

BACK TO GREEN |

Troy has heard something, wheels in-time to see the Gorillas take off in the cart: His jaw drops in disbelief.

Mr. Perkins spins aréund. The cart with the Gorillas is disappearing into the distance. He squints after it, enraged.

MR. PERKINS

Hairy things, my ass! That's George

and Ethel Higgenhottom! I'd recognize

them anywhere! .

(yelling)

I see you, Higgenbottom! This could

mean your membership, you furball! QMITTED ; thr.

15 *

THE HIGH SPEED CHASE! ‘The two police cars still follow the OFF ROAD VEHICLE! IT CONTINUES through what is normally a very PEACEFUL, COASTAL TOMN.

The cars are headed for a MARINA. Several FISHING BOATS are docked here. STEF, a 16 year old girl, WORKS with her Father on a small FISHING BOAT. Seconds before the CHASE passes, Stef, wearing a mask and snorkel, ducks her head into a tank of water, sorting lobsters and crabs. As the chase PASSES out of sight, Stef RESURFACES. She's MISSED all of it.

CHUNK stands in the window. He is PLAYING a video game,

' alternating between bits of a giant PIZZA SLICE and a

chocolate MILKSHAKE. The REFLECTION of the chase is VISIBLE

in the video game window. Chunk TURNS from the window,

clumsily SPILLING the milkshake over his shirt and SMEARING the window with pizza. Chunk STARES at the chase. He sees the countless BULLETHOLES in the 0.R.V. THE POLICE CARS follow. Chunk's eyes are WIDE. STARTLED by the exciting chase. He's the only GOONY who's seen it.

OMIT , & : 20

Mama CHECKS the rearview mirror, seeing the police closing in. The boys LOOK at her in horror.

But Mama has NOT LOST her confidence. There is a certain GLEAM in her eyes, as if she” KNOWS something. She TURNS to

- her sons.

_ MAMA Duck down, boys!

The boys“OBEY Mama. Mama REACHES below the seat and removes

a HELMET. She puts the helmet over her head and pulls down the DARK face visor. . .

THE O.R.V. 22

makes a sudden TURN. The Police try to FOLLOW. Mama turns

-onto the town's MAIN STREET, where a crowd of people have

gathered to view THE CAULDRON POINT O.R.V. RACE.

Forty NONDESCRIPT OFF-ROAD VEHICLES line up at the starting line. All of their drivers wear HELMETS, their dark face

visors PULLED DOWN. ‘

MAMA'S O.R.V. drives up to the STARTING LINE and JOINS THE RACE. The STARTING FLAG is waved. The RACE BEGINS. THE POLICE CARS stop at the starting line. The POLICEMEN: get out. Guns RAISED. Ready to SHOOT. But as the countless vehicles pass, the Policemen can only STARE IN CONFUSION. Mama's O.R.V. is LOST in the crowd of similar vehicles. Her face is HIDDEN in the crowd of similar face helmets. The race DISAPPEARS over a hill.

Ridden with bulletholes, Mama's O.R.V. turns away from the race, taking an ALTERNATE ROUTE.

Mama removes her HELMET. She and the boys are LAUGHING. They have LOST the cops. They are FREE.

CAMERA STAYS with the O.R.V., as it cruises through the "GOON DOCKS". A small VILLAGE, located in and around the

docks. Made up of HOMES and SMALL SHOPS. Several FISHERMAN and BLUE COLLAR WORKERS live here. As the O.R.V. drives out of town, the CAMERA PANS TO

A 3 STORY house. SIMPLE. PLAIN. This home is in slightly better condition than the others in the Goon Docks. CAMERA DOLLIES into the home's picture window. A'13 year old boy STARES out the window. MIKEY WALSH. He has obviously JUST MISSED the chase. He gives an ANGRY, BORED shrug.

Mikey is a 13 year old HYPOCHONDRIAC. CUTE. A wiry, SKINNY body. SHORT for his age. BRACES. SHAGGY brown hair. A "BRUCE SPRINGSTEEN" concert T-shirt. FADED Levis. VELCRO sneakers. Mikey is in that AWKWARD stage of adolescence. His entire body is going through a CHANGE. Mikey gives himself a SHOT OF PROMOTENE MIST. Angrily STARING out the window.

Mikey TURNS from the window. His brother, BRAND, hangs UPSIDE DOWN from a chinningy bar. In the BACKGROUND. He is attached to the bar by METAL ANKLETS. Brand looks NOTHING like Mikey.. Brand is a HANDSOME, MUSCULAR youth. A JOCK. His eyes are deep BLUE. His hair DIRTY BLONDE. He wears gym shorts and a half T-shirt over his TANNED BODY. Mikey gives an HONEST SIGH, letting his TRUE feelings through.

. MIKEY Naw. I was just tryin' to make myself feel better...tryin' to dilute myself...'er, dilate myself?...ah

...dictate? BRAND "Delude" yourself. MIKEY Yeah. BRAND

I know how ya' feel,-wimp. I sure am gonna miss.this place.

CAMERA FOLLOWS Mikey inside the house. We are in the RECREATION ROOM of the Walsh home. CLUTTERED middle class. Sears and Roebuck FURNITURE. Montgomery Ward TELEVISION. J.C. Penney OIL PAINTINGS. Mikey SITS on the sofa. He OPENS a "MAD MAGAZINE" to the back cover. Mikey STARES at Al Jaffee's "FOLD IN". Mikey sits, trying to FIGURE out the Fold In. He REPEATS the answer to himself. He then FOLDS the magazine together. He has GUESSED the correct answer. He TOSSES the magazine on the floor. Mikey STARES. DEPRESSED.

CLARKE "MOUTH" DEVEREUX cnters. Mouth is the group 28 PRANKSTER. A CLOWN. A 15 year old RICH LITTLE. TALL. GAWKY. CURLY, unkempt hair. A HOMELY kid. He wears a blue plumber's SHIRT, JEANS, and SNEAKERS. Across his shirt's back, bright yellow letters spell out: "DEVEREUX'S PLUMBING". His shirt is still SOAKING WET’ from the earlier Plumbing fiasco. A WRENCH, SCREWDRIVER and other PLUMBING TOOLS poke out of his back pocket. Mouth has a perpetual SMIRK on his face. A devilish GLEAM in his eye. He looks around the room, noticing the feeling of DEPRESSION in the air. Mouth tries to LIVEN things up.

.Sniffin' some lace...downin' the brews... (slaps Brand in the stomach, John Belushi impression) But NOOOOOO....! YOU had to screw it up. You had to go and flunk your driving test.

Brand reaches out to HIT Mouth. Mouth JUMPS BACK. out of Brand's REACH. They are INTERRUPTED by the sound of a ringing GATE BELL. Mouth TURNS.

Mouth POINTS to the SLIDING GLASS DOORS. LAWRENCE "CHUNK" COHEN is OUTSIDE of =he gate. He is RINGING the bell. Chunk is 14 years old. PUDGY. CLUMSY. Chunk is a chronic LIAR, the king of FIBS. He Wears a light summer JACKET. A bright colored HAWAIIAN SHIRT. Large plaid BERMUDA SHORTS. BLACK knee socks. Brand NEW sneakers. Chunk SHOUTS to the guys ..:.

MOUTH

First ya' gotta' do the "Truffle Shuffle".

10 REV: 10-14-84

It's obvious that Mouth WON'T let Chunk inside. Chunk SIGHS. He LIFTS up his SHIRT. Chunk EXPOSES his soft, pudgy midsection. Chunk begins to TWIST and SHAKE. His belly JIGGLES. Mouth is bent over with LAUGHTER. Mikey is not AMUSED. He RUNS to the window, GLARING at Mouth.

Mikey OPENS the window. He drops a STONE out of the window. In RUBE GOLDBERG fashion, the rock causes a chain of events that make the gate open for Chunk. Chunk HURRIES through ee gate. He ENTERS the house and EXCITEDLY looks at the oys.

NO ONE believes Chunk. Suddenly, we HEAR the JAMES BOND THEME! It ECHOES from outside. With that, as if it were . + some sort of ritual, Mikey STANDS and opens the window.

29 MIKEY'S P.0.V. 29

Mikey SEES RICKY "DATA" WANG. A 13 year old TECHNICAL GENIUS. Data is CHINESE. Small FRAMED. THIN. He wears circular, wire rimmed SPECTACLES. A "PRINCE" T-shirt. JEANS. NIKES. He is never seen without his LARGE, JAPANESE

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BACKPACK and FLOWING WHITE CAPE. His dark eyes are 29 PIERCING. INTELLIGENT. Data sees himself as Agent 007.

Data STANDS on the window of his home. He has ATTACHED. himself to a clothes line that CONNECTS Mikey's house to Data's. A LARGE PORTABLE CASSETTE player is STRAPPED to Data's chest. The Bond Theme BLARES from the cassette. Data FLIES from his house to Mikey' s. He SHOOTS through the open window, and FALLS into Mikey, who shoots back, - colliding with the bottom half of upside-down Brand, who in turn arcs up, Clunking Chunk. Chunk FALLS BACKWARDS and KNOCKS a miniature MARBLE REPLICA of Michaelangelo's DAVID to the floor. The statue lands with a THUD! Chunk NERVOUSLY picks up the statue. It seems to be in ONE PIECE.

But he is met with a SHOCKING SIGHT. The statue's penis has

CRACKED OFF. Mikey gives himself another SHOT of Promtene Mist, and picks up the broken statue. He HOLDS the statue in one hand and the penis in the other. Mikey PANICS, holding out the broken penis’ high in the air.

MOUTH

You wouldn't be here if it wasn't!

Data OPENS a map and looks at the guys.~

DATA ; Any a' you guys ever hear of Detroit? | MOUTH Great place. It's where Motown

started.

(Data smiles) Also got the highest auEce= rate in the Country.

DATA

‘(frowns ) - well, that's where we! re movin' when we lose our house tomorrow. .

‘MIKEY You shut up about that stuff. It'll Never happen. Dad'll fix it.

Brand leads the kids to a window... They look out.- 29

GOONIES <- P.O.V. 30

Three MEN in leisure suits are looking at Mikey's home. They seem to be discussing the entire area. One of them carries a surveyor's TRANSIT. They point, gesture and even laugh. One man picks up a straight branch and imitates a golf swing. BRAND Lookit' em. -Smilin'. . MOUTH Practic'ly droolin.

This is war. Go on, Mikey...Open

that window...I'll get 'em. I got

all my special 007 assault options

all rigged.

me (shouts )

Glasses of death! He opens his JACKET and REMOVES the cassette player. Inside of his shirt, is a CRUDE DEVICE that is covered with different CORDS. Attached to the cords are SMALL, COLOR CODED PLASTIC RINGS. Data PULLS one of the cords. Two rubber tipped DARTS fly out of the sides of Data's glasses. The darks MALFUNCTION, pull off Data's glasses, and ATTACH themselves to the window. Angry, he SCREAMS.

DATA — Pinchers of peril!

(Cont'd):

13 REV: 10-14-84

He pulls ANOTHER CORD. A mechanical device, very similar to 30 the "chest buster" in "Alien", BURSTS out of Data's chest.

The device is PLASTIC, MECHANICAL CHATTERBOX TEETH, with a homemade super spring for super grip. It shoots forward

ACROSS THE ROOM. The teeth are attached to a thick METAL

COIL, similar to a SLINKY. The teeth GRASP ONTO the Walsh DRAPES and HANG THERE. Data TRIES to pull a few more cords. NOTHING works. Data is LOSING his temper, ready to EXPLODE. Mouth puts his ARM on Data's shoulder to CALM him.

IRENE WALSH, Mikey and .Brand's Mother, ENTERS. Irene is in her early FORTIES. Light BROWN hair. SLENDER. Dressed in a PLAID SKIRT and MONOGRAMMED SWEATER. PRETTY, with a WARM, KIND face. Her arm is in a SLING. BROKEN. Standing with her is Rosalita, a middle-aged, pudgy MEXICAN woman. The new MAID (whom we've seen in the first scene).

Mikey quickly passes the broken statue of David BEHIND HIS BACK, to Chunk. Chunk nervously COVERS the broken statue with his jacket. Irene LOOKS at Mikey and Brand.

IRENE

{turns to Rosalita) Boys...this is Rosalita.

(motions to her broken arm) Because of my accident with that spindryer...Rosalita's here to help - with the packing.

The boys WAVE. Rosalita SMILES. IRENE

Rosalita doesn't speak a word of English. And I was wondering if, well...I know some of you +have taken Spanish in school--

- MOUTH I speak perfect Spanish, Mrs. Walsh.

Mikey ROLLS his eyes at Data. Irene SMILES at Mouth.

Mouth SHOOTS to his feet, hurrying to Irene's side. She 30 TURNS to leave. FPAUSING. She NOTICES Brand hanging upside

down.

Irene TURNS and EXITS with Mouth and Rosalita. Chunk

CATCHES HIS BREATH. He PICKS up the statue. A large HOLE surrounds the statue's groin. Chunk gives a HOPEFUL look to - Mikey.

Irene ENTERS with Rosalita and Mouth. Irene walks to a set of DRESSER DRAWERS. She POINTS each drawer out to Rosalita.

Rosalita stares BLANKLY. Irene TURNS to Mouth.

IRENE, | can you translate that?

Mouth NODS. With an EVIL GRIN, he points out the dresser drawers to Rosalita.

Rosalita gives a SHOCKED look. Irene smiles, thinking Mouth has translated her directions PERFECTLY.

CAMERA STAYS BEHIND the statue. The boys TRY to put the

statue's penis back into place. Chunk performs the DELICATE

TASK. Using Elmer's GLUE. Finished, Chunk gives a HOPEFUL look to the others.

The boys BREAK UP with laughter. Brand SLAPS Chunk in the ‘head.

‘CAMERA CIRCLES to the FRONT OF THE STATUE. Chunk has glued the penis on UPSIDE DOWN.

Irene EXITS the master bedroom with Rosalita and Mouth. Irene points to a TRAP DOOR in the ceiling. She LOOKS at

’ Rosalita.

. IRENE That's the attic. Mr. Walsh doesn't like anybody up there. Never.

Irene NODS to Mouth. Turning to Rosalita, he begins HIS translation.

Rosalita's face goes WHITE with fear. OMIT ~ : 34

Irene and Mouth enter with the HORRIFIED-Rosalita. Irene opens a SUPPLY CLOSET. She POINTS inside.

. IRENE

This is the supply closet. You'll 35 find everything you need inside.

.Brooms. Mops. Insect spray. Lysol.

Irene NODS to Mouth. He LOOKS at Rosalita.

Irene, Mouth and a NAUSEOUS Rosalita enter. The boys are GATHERED around the television. Playing MARBLES. Feigning INNOCENCE.

Irene SPOTS THE ‘STATUE. Back in its ORIGINAL place. LEAF over its genitals. She sighs, knowing that Chunk is responsible. She TURNS to Chunk.

IRENE

Lawrence... . (indicates that she wants the statue )}

Chunk PICKS up the statue ana gives it to her. Irene HOLDS the statue.

She REMOVES the leaf. The penis begins to FALL OFF the statue. Slowly TILTING. FALLING over. The glue stretches.

Mikey seés this and takes a hit from the Promotene Mist. Rosalita is, of course, shocked and makes the sign of the cross.

Irene gives a FLUSTERED nod. She TURNS to Brand.

‘(MORE )

{Cont'd)

Li

. [RENE (Cont'd) 36 (sees Mikey taking hit) Brandon, you stay inside with Mikey. If he's got asthma...he shouldn't be out in the rain. ,

Brand gives a reluctant sigh. Irene and a frightened Rosalita exit. Brand leaps at Mikey. TACKLING him.

Brand holds Mikey in a strangling headlock. Mikey is wheezing, coughing. Mikey struggles in the background. Brand finally pushes Mikey away.

Mouth, pondering something, looks at Mikey.

_ MOUTH That means it's all gonna go to the rich people anyway. Let's. go up and see if there's anything we can take for our parents.

Everyone joins in with a "YEAH! COOL! LET'S DO IT!" The kids RUN OFFSCREEN. Only Mikey stays behind, PROTESTING.

WY

18 REV: 10-14-85

Mikey FOLLOWS the guys OFFSCREEN.

DARK. DUSTY. The attic is crowded with historical Cauldron Point museum pieces. They date from the middle and late SIXTEENTH CENTURY. There are OIL PAINTINGS, SCULPTURES, antique FURNITURE, COSTUMES, WHALING HARPOONS, PIRATE AND FISHING MEMORABILIA, etc.

A LARGE SKYLIGHT looms over. the priceless collection.

BLACK, RAGING storm clouds are visible through the skylight windows. The.oncoming RUMBLING OF THUNDER can be heard.

The boys enter through a TRAP DOOR in the floor. Brand is FIRST.. He shines his.FLASHLIGHT through the attic. The “others FOLLOW. Mikey is the last to clumb inside. He sees the attic for the FIRST TIME. SHOCKED. AMAZED. All of the boys stare wide eyed at the roomful of items.

THUNDERCRACK! A FLASH OF LIGHTENING. From the skylight a mosaic of rain patterns slowly dances across the Goonies.

~

Brand's eyes burn. He GRABS Mikey in another headlock.

‘(Cont 'd)

Lg

Mikey forces a nod. Wheezing. Brand releases his grip. Mikey LIES on the floor. Catching his breath. MIKEY Can we go now? It's dusty up here. My hay fever's actin' up.

Brand leads Mikey and the others on a trek through the attic. Mikey follows. Suddenly, a HIGH PITCHED VOICE INTERRUPTS.

, MOUTH (0.S.)

Mikey...Oh, Mikey...You're such a

cute little boy.:.Come and kiss me... The boys turn to the direction of the voice. It ECHOES from behind the tattered OIL PAINTING of the naked woman and Pirate Captain. A TONGUE juts out of a tear in the woman's mouth, LASCIVIOUSLY licking its lips. Mikey STARES. SHOCKED. Brand and Data SHARE a chuckle. Suddenly, a FINGER pops out of each of the woman's nipples. The fingers twist and turn. Creating a bizarre image. Mouth calls out, again imitating a woman. -

Stop bein' so perverted, Mouth. You're wreckin' the painting.

Mouth's head POPS UP from behind the painting.

The kids continue WALKING through the attic. They INVESTIGATE the various ITEMS.

- CHUNK... What's all this stuff?

; MIKEY 37 Yeah. Anyway...these are the rejects. CHUNK

Kinda' like us. Mikey SHRUGS.

The boys RUMMAGE through the items. Each of the boys GRABS a particular piece of Pirate CLOTHING or EQUIPMENT. Mikey puts on an EYE PATCH. Mouth and Data find large PIRATE HATS with feathers. Brand GRABS a SWORD. Chunk puts on a-Pirate COAT and SCARF. mo

As the boys continue to investiage, Data stares in awe.

DATA ” Just think of it...All this stuff belonged to guys who walked on the same ground that we do...went swimmin' in the same Ocean, breathed the same air...

Mikey flips through a collection of framed portraits and photographs, He SPOTS something that catches his interest.

A FRAMED MAP. But the map is impossible to read. It is covered by a YELLOWED, DUSTY PIECE OF GLASS. Mikey tries to remove the FRAME. Won't budge. He TURNS over the map. The back is covered by a sheet of WOOD.-. There is only one way to read the map: Break the glass. Mikey can't bring himself to do it.

He sees Chunk STRUGGLING to remove a paint can from his 37 foot. Mikey SMILES. An IDEA.

Mikey holds out the map to Chunk.

Chunk gives a NOD. He takes the map from Mikey. Mikey turns. Pretending to examine another framed picture. WAITING. Within a matter of seconds Chunk loses his balance. He drops the map. It hits the floor. Its glass covering shatters into a million pieces. Mikey picks up the map. He feigns an ANGRY look at Chunk.

, MIKEY — Can't you do anything right?

Chunk gives an embarrassed shrug.

Mikey picks up the map. He removes a few small remaining pieces of glass. The map easily slides out of the frame. Along with a small, golden DOUBLOON that is fixed in the map's frame. Mikey studies the map and the doubloon. The map is now completely visible. It is beautifully detailed. ELABORATE. HAND PAINTED. All of the writing on the map is. in SPANISH. The map is signed "ONE EYED WILLY"! Mikey — STARES at the signature. There is an intricate drawing of a coastline. The coastline leads to a mountainous cliff. Below the cliff is a large "X". CAMERA DOLLIES TOWARD THE x",

Mikey is FASCINATED by the.map. Brand suddenly grabs the map out of Mikey's hand. The other guys gather around, all wearing various pieces of Pirate clothing and equipment. Chunk looks over Mikey's shoulder, studying the Doubloon.

. CHUNK This says, "1532". 'Zat a year? =. | MOUTH . _ it's your top score on "Pole Position".

22 REV; 12-17-64

37 CHUNK 37 (Cont'd) All the good stuff. BRAND

{points te Spanish phrase that headlines the map) What's all this Spanish junk?

Chunk HITS Mouth. Mouth gives an OBNOXIOUS CACKLE and SHRUGS. He translates again.

Everyone gives Mouth a puzzled look. Mouth raises his hand in the BOY SCOUT PLEDGE. He's TELLING THE TRUTH.

MIKEY * Hey! One Eyed Willy! He was the biggest pirate of his time! My Dad told me all about him one night.

BRAND ® Yeah. Dad'1l tell you anything to get you to go to sleep.

MIKEY _ * (ignoring him, to others) _ He had milliona in treasure, see, but the King sent his ships after him. So Willy took his ship, called: the INFERNO, and ducked into this cave to hide. But the King's men sealed him up inside it with cannon fire.

MOUTH : . Your Dad oughta write Saturday morning TY junk for teeny little kids - like you,

Chunk finds a NEWSPAPER CLIPPING. It is a framed, . yellowed paper with a photo of a smiling man who

_ bears a strange resemblance to Gabby Hayes ina

MINER'S HAT. Chunk reads the headline.

22a Rest ac was-od

{Cont'd}

23 REV; 20-14-84

Mikey's eyes are WIDE. HOPEFUL.

Three men in leisure suits stand outside of the screen door, like dangerous apparitions. They talk to the kids as though they were infants. One guys keeps practicing his golf

swing. PERKINS Hello, little guys. I'm Mr. Perkins. Troy's father,

BRAND .

{bristling at this remark)

No, sir. She's out at the market buying Pampers for all us kids.

{Cont’d}

The door is CLOSED. 38

It's Dad's business.

Brand is very depressed. The boys take pause as they look at the complicated legal forms and back out at the departing men. Mikey STARES. DREAMING. .

The boys pause. WORRIED. Brand breaks the silence by suddenly PULLING Mikey by the hair.

Brand valks back to his exercise area. Mikey, seeing that

Brand is out of sight, sneakily removes the map from beneath his shirt. He opens the map. The guys push in, all looking with dreamy speculation. CAMERA DOLLIES INTO THE MAP. A FLASH OF LIGHTENING sparkles the map.

MATCH CUT TO SKY 39 A long, thin crack of lightening shoots across the sky.

cUr To:

25 REV: 10-14-84

INSERT = TELEVISION = MTV LOGO 40

INSERT - ONE MARBLE SHOOTING INTO A TRIANGLE OF MARBLES = 41 INSERT - A CHEST EXERCISER BEING PULLED ACROSS A TENSE | CHEST. 43

RECREATION ROOM. SEVERAL MINUTES LATER. Mikey, Chunk, Mouth, and Data are gathered in the recreation room, FLAYING MARBLES. A look of extreme GUILT covers all their faces. Brand is in the background. He sits in a chair. Shirt off. He pulis a METAL, SPRING CHEST EXERCISER across his chest.

Mouth gives a 5ly look back at Brand. He turns to the others and NODS. They NOD BACK. Mouth, Chunk, and Pata sneak up behind Brand. Meanwhile, Mikey GATHERS his marbles and puts them into a small LEATHER POUCH. He stuffs the pouch into his pocket.

The kids sneak around the corner. All three quickly grab the chest exerciser out cf Brand’s hands! They WRAP it around Brand's chest and arms! Before Brand can react, Mouth CLAMPS the two ends of the exerciser together. Brand is TRAPPED. Unable to MOVE. The exerciser works like heavy metal CHAINS. It SECURES Brand to the chair.

, BRAND Hey! Wait...Lemmee out!

cur To:

The Goonies, walking through the backyard, careful NOT TO WAKE GRANDPA, who lies ASLEEP on a hammock. The kids WHISPER* to each other: ALL (whispering) . ~ Careful, don't wake Grandpa! Shhh? Don't wake him!"

Just as the kids round the corner of the house, a devious Mouth gives a light shove to the hammock, causing Grandpa to WAKE. :

CLOSE UP = TEN SPEED BICYCLE TIRE

A hand is LETTING THE AIR out of the tire. CAMERA PULLS BACK. We see that Mouth is letting the air out of Brand's

CONTINUED .

(Cont ’d}

bike tire. In the background, Mikey, Chunk and Data CLIMB 44 ONTO their bikes.

: MOUTH a Now it’s his most FLATTEST thing in the world.

Mikey HEARS Brand SCREAMING from inside.

Mikey PAUSES. Then FOLLOWS the others. As he SHOOTS out of the driveway, BRUCE SPRINGSTEEN'S "COVER ME" FILLS THE SOUNDTRACK.

The boys on their bicycles. Each boy's bike fits their INDIVIDUAL personality. The boys PASS the TOWN MUSEUM. Mikey's Father is working on the museum's rooftop, HAMMERING a leaky shingle. Mikey SHOUTS, "Hi, Dad!" to his Father.

HELLO! MR. WALSH

Brand is still trapped in the chair. GRUNTING. GROANING. STRUGGLING with the metal springs. Brand causes the chair to bounce and move backwards. The kitchen door suddenly OPENS. ROSALITA, the maid, stands in the doorway. Her arms are filled with GROCERIES. She sees Brand BOUNCING TOWARD HER. Like an oncoming freight train. This bizarre image only confirms her WORST FEARS about this house. Rosalita screams and DROPS her groceries. Irene walks up BEHIND Rosalita. Irene sees the bonded Brand bouncing on the chair. She CHUCKLES.

IRENE

Brandon. Why can't you do sit ups or push ups like normal kids?

{cont'd}

Irene and a HORRIFIED Rosalita walk by. Brand gives a 46

HELPLESS look. cUT TO:

Mouth, Chunk, Data and Mikey SPEED by on their bikes. Mikey HOLDS the open map. His eyes constantly GLANCE to it. He is OBSESSED with following the map. Up ahead is the Stop 'N Snack. Teenage hangout. Mouth, Chunk, and Data turn their bikes toward the Stop 'N Snack. Mikey continues forward.

Be suddenly STOPS, realizing that the kids have left him.

“Mikey TURNS and sees the others entering the STOP 'N SNACK.

He SHOUTS and holds up the MAP.

Brand AUNS out the front door, chest exerciser in hand. We HEAR Irene SHOUT from inside.

IRENE ~ Don't come home without your brother! Or I'll commit Hare Krishna.

Brand sees the air OUT of his bike tires. His eyes FILL With RAGE. He KICKS the bicycle over. He LOOKS around. Riding in the driveway is Data's SISTER. She is riding a TINY GIRL'S BIKE. Painted bright purple, with pink flowers. TRAINING WHEELS are attached to the rear wheels. Brand has NO other choice. It's the ONLY means of transportation in sight. He rims to the driveway, PICKS UP THE GIRL, removing her from the bike. Brand HOPS on the bike. He PAUSES, looks back to the girl and gives her the CHEST EXERCISER.

The girls STARES at the exerciser. Brand AWKWARDLY pedals

out of the driveway. The girl BURSTS into tears.

28 REV: 10—14-84

SYLVIA KEESTER, an OBESE, ELDERLY voman, works the CHECK-OUT COUNTER. Data is purchasing a pack of baseball cards.

Sylvia rings up the order on the COMPUTER CASH REGISTER.

The computer JAMS. Sylvia POUNDS the cash’ register. FRUSTRATED. Data OPENS a tiny door on the register. He begins to fiddle with two small WIRES.

Mouth stands by the MAGAZINE RACK. A sly look in his eyes, Mouth slips a copy of “PLAYBOY” magazine behind a copy of "OMNI". He begins to READ.

Chunk stands beside the JUNK FOOD. He LOOKS around. Coast is CLEAR. Chunk HUARIEDLY tears open a Twinkie. He quickly SLURPS out the Twinkie's creme filling. He REWRAPS the hollow twinkie and puts it BACK ON the shelf.

Mikey enters the store. He RUSHES over to Chunk. Mikey WAVES the map in Chunk's fate.

Chunk is TOO BUSY eating Hostess fillings to speak with Mikey. A frustrated Mikey RUNS over to Data, who is still fiddeling with the cash register.

SYLVIA a Don't bother ‘im while he’s workin’.

Mikey SIGES. He RUNS to Mouth.

Easy, dude--let your folks handle

this. That's their job...our job is

to get through the weekend without * destroying too many braincells.

Mikey gives himself a SHOT of Promotene Mist. He grabs a MAD MAGAZINE, and as always, guesses the FOLD IN. He suddenly NOTICES something. On the LOWER magazine rack. It's a section of dusty, "CAULDRON POINT" TOURIST MAPS. Mikey GRABS one of the maps and OPENS it.

ag

Meanwhile, Chunk has made his way to the FROZEN TREAT 43 FREEZER. He OPENS the freezer docr. He pokes his head

deeply INSIDE. Out of sight, he opens a container of HAGEN DAAS. He takes a few LICKS from the top. Then quickly

CLOSES the lid. He GRABS another container. He’s going to SAMPLE everything.

Data still FIDDLES with the cash register. It suddenly BEEPS and LIGHTS. It's WORKING again. Good as NEW. Sylvia gives a satisfied RUFFLE to Data's hair.

Sitting on the floor, Mikey has OPENED the tourist map and the museum map. He has laid them SIDE BY SIDE. Mikey is COMPARING the two. CAMERA DOLLIES INTO THE TWO MAPS. The coastline paths of both maps are IDENTICAL. Several key ROCKS and CLIFFS also MATCH. Mikey's eyes are BRIGHT. HOPEFUL. He NODS to himself. MUMBLING.

Suddenly, Mouth’s VOICE echoes through the store.

Mouth POINTS to the ENTRANCE DOOR.

‘TROY PERKINS struts in. Like he OWNS the place. Troy is 17

years old. TAN. COCKY. He's dressed in a white POLO TENNIS OUTFIT. EXPENSIVE tennis shoes. His hair is neatly STYLED. A spoiled rich BRAT. He lives in an expensive home on the HILLSIDE. Walking BESIDE Troy is ANDREA "ANDY" CARMICHAEL. She is 16 years old. The face of an ANGEL. Smooth, CREAMY complexion. Her-thick, BRIGHT RED hair falls to her shoulders. Her bright GREEN eyes are dazzeling. She is SLENDER. Filled with ENERGY. A BEAUTY. Still in her cheerleaders outfit. She is” wearing Troy's WHITE LETTER SWEATER. Troy's name is written in SCRIPT on the bottom of the sweater. Andy also lives on the HILLSIDE. Walking beside Andy is STEFANIE '"STEF" STEINBRENNER, also age 16. Andy's BEST FRIEND. Stef is short. PUDGY. Dark brown hair. GLASSES. She is wearing Denim FISHERMAN COVERALLS.

. Stef is TOUGH. QUICK WITTED. BRIGHT. She LIVES in the

"Goon Docks".

Troy walks straight to the MAGAZINE RACK. He GRABS the “Playboy" Magazine from Mouth and begins to PAGE through. Mouth, so ANGRY he's been rendered speechless, GLARES at Troy. Mouth BACKS OFF and picks up another magazine.

Mikey SEES Andy. A VISION. He stares at her with ADORING EYES.

49 Stef and Mouth EXCHANGE a glance. Stef CRINKLES her nose. 49

Trey NUDGES Andy.

She turns. Troy holds up the “Playboy” CENTERFOLD. Written above the photo, in large red letters, are the words, "CAN YOU MEASURE UP"? Troy gives a LECHEROUS GRIN to Andy.

Andy looks away. EMBARRASSED. Troy emits a HORSE LAUGH. Mikey gives a painiully HONEST look to Andy.

Andy SMILES. Giving a casual, BROTHERLY, ruffle to Mikey's hair. Mikey SMILES. In HEAVEN.

Meanwhile, Chunk still has his head BURIED IN THE FREEZER. Troy NOTICES. He WALKS over. He BRINGS the freezer door down on Chunk's head. TRAPPING Chunk in the freezer. Chunk PANICS. Troy CHUCKLES. TROY My Mom's makin' a “Goon Pizza"

tonight: She's gonna need some frozen dough.

Mikey notices. He SHOUTS to Troy.

Troy PAUSES. He RELEASES his grip on Chunk. Troy WALKS back to Mikey. TROY Did I hear right? Did I hear a Goony telling me what to do?

ad

Troy TOWERS over Mikey. He's ready to HIT Mikey, when he 49 notices the ANCIENT MAP. RESTING on the floor. He REALIZES that it’s important to Mikey. He TURNS from Mikey and GRABS

the old map. Mikey CLAWS at Troy.

MIKEY ‘ Let go. That's art you're messin’ with.

Troy holds the map HIGH in the air. ABOVE Mikey's reach. Troy is CONFUSED by the map. But he realizes its IMPORTANCE to the boys. Troy grabs a pack of cigarette TOBACCO from the counter. He POURS the tobacco out onto the map. He begins to ROLL the map. Like 4 CIGARETTE. He gives an EVIL grin to the boys.

TROY

Just can't get rolling papera like

this anymore. Mikey TRIES to grab the map. Troy gives him a HARD SHOVE. It KNOCKS Mikey to the floor. Troy FINISHES rolling the large "cigarette". He removes a Sutane LIGHTER from his pocket. FLICK. A large FLAME APPEARS. Troy MOVES the flame to the end of the "cigarette". He LIGHTS UF! The. boys WATCH in horror as Troy takes a LONG PUFF. The end of the map BURNS! CRINKLING! Mikey HIDES his eyes. Troy blows out SMOKE RINGS. He gives a relieved SIGH. A few more puffs and the map will be destroyed! Troy moves to take ANOTHER PUFF. Mouth WALKS up. He RAISES his eyebrow, doing his JACK NICHOLSON impersonation.

Troy's eyes fill with MURDER. He DROFS the map. LEAPING for Mouth. Mikey quickly GRABS the map. STOMPING out the fire. Troy has TACKLED Mouth. He is THROWING punches: Mouth COVERS his face. Mikey LEAPS onto Troy. Mikey GRABS ~ Troy around the neck, trying to pull him OFF MOUTH.

In the background, Data tries to HELP Mikey! Data opens his shirt and PULLS A CORD! He SHOUTS "SMOKE SCREEN"! A RUBBER GARDEN HOSE shoots out of Data's sleeve. But instead of emitting a steady stream of smoke, the hose slowly SMOLDERS. Data holds his arm in pain, as if it were ON FIRE. He RUNS

to an ICE MACHINE and burries his arm INTO THE ICE! A smile 43 of RELIEF covers his face. .

Meanwhile, Troy is busy DEFENDING himself against Mikey. Troy turns and GRABS Mikey with his left hand. Troy PULLS BACK his right hand, ready to PUNCH Mikey in the face. As Troy's hand FLIES TOWARD Mikey, it is suddenly GRABBED, STOPPED in midair, by another HAND. CAMERA PULLS BACK. We see that BRAND has grabbed hold of Troy's fist. Brand GLARES at Troy.

' BRAND Nobody hits my brother except me!

AFRAID of Brand, Troy gets off Mikey. The boys are RELIEVED. Brand GRABS Troy by the shirt. Ready to FIGRAT. Troy LOOKS away. SCARED. Mikey WATCHES, his eyes beaming with PRIDE. Brand RELEASES his grip on Troy. Troy STANDS. FORCING a cocky grin, he looks at all of the goonies.

TROY

Can't wait till Monday...when my Dad kicks you all out in the street.

(imitates golf swing) While you goonies are pilin’ all your stuff into moving vans...I'1l1 be teeing off on what used to be your front lawns.

Troy CHUCKLES. He TURNS to Andy.

Andy gives 4 NONCHALANT shrug. Brand TURNS to Andy. He shoots her a JEALOUS look. Troy STRUTS out of the STOP 'N SNACK. THROUGH the Window, We see him get into his bright © red, MUSTANG convertible.

Mikey has:‘UNROLLED the map. it has SURVIVED the burning with only a tiny singed edge.

Brand TURNS to Andy. Their eyes MEET, a look of tragic desire! They want to be together, but this isn’t the hee FLASHES her pretty eyes. Brand sorts of melts own.

Brand TURNS to Mikey. He GRABS the map from Mikey. SLAPPING Mikey's head.

(Cant 'd)

os

S2

33 REV: 10-14-84

BRAND 43

Mom's waitin' for you. You just blew

your whole life, pal. * {to the other guys)

The rest of you guys, too...you're

all history. We don’t need friends

like you in our lives!

With that, Brand tucks the map into his back pocket. Mouth Walks up to Brand. Mouth turns on the phony charm, putting his arm around Brand. Mouth atarts to sing.

As he continues to sing, Motith uses his FREE HAND to remove the map from Brand’s pocket. Brand SHOVES Mouth away.

Mouth turns to the other goonies and SHOWS them the map. They make a RUN for it. A befuddled Brand reaches into his back pocket, “realizing that the map is gone. He RUNS after the kids.

Mikey, Mouth, Data and Chunk hurriedly RIDE OFF on their - bicycles. Mouth holds THE ROLLED MAP UNDER HIS ARM. Brand

DASHES outside. He SEES the boys RIDE OFF into. the distance.

-

CLOSE UP = MIKEY, checking the MAP, CAMERA PULLS BACK. The kids are yiding their bikes,.moving further up the coastal

highway. The Springsteen song BLASTS from Data's sterec. The kids CONTINUE to look back.

OMIT 32

Chunk TURNS to his RIGHT. He sees the HILLSIDE COUNTRY CLUB. Chunk points to the Club, looking at Data.

MIKEY'S P.O.V. - THREE TALL NARROW ROCKS jut out of the

ocean. In-a "V" PATTERN. Mikey PAUSES. THINKING to

himself.

It HITS him. A REALIZATION! Mikey NODS to himself.

CAMERA PANS FROM MIKEY. TO HIS P.O.Y.: A TALL, NATURAL

’. OBELISK. It stretches several HUNDRED FEET ‘into the air. A

very steep HILL. Very WIDE. Lined with JUTTING, JAGGED rock. The Coastal Road is DIRECTLY in front of it. At the obelisk, the road makes a SHARP TURN. Veering off into a different DIRECTION.

EAT. ROAD THROUGH WOODS =- DAY 55

Brand .is way behind the kids, furiously pedaling the girl’s pink bicycle. Troy’s red Mustang is. coming up behind Brand. The Mustang starts to smoke rubber, and reduces speed from 75 to 5 MPH. The Mustang rides BESIDE Brand. Troy CHUCKLES. Andy LOOKS away, embarrassed. Stef TURNS to Andy. - STEF

No wonder he can’t get a license.

Brand TURNS away. Angrily BUFFING and PUFFING. As Andy and Stef look at Brand, Troy is slyly adjusting the rearview Mirrow, tilting it downward in order te see down into Andy's shirt. Andy NOTICES. She GLARES at Troy.

S54

S5B

a5

Troy quickly MOVES his hand from the mirror. Andy LOOKS BACK to Brand, trying to be NICE.

. . ¥ Brand...Can we give you a lift somewhere?

Brand SMILES, his eyes locking with Andy's in a moment that tells us they're "communicating". Troy NOTICES this and fumes. He forces a SMILE to Brand.

. TROY

Yeah, Walsh...Grab hold of somethin!

you can handle. Brand GRABS hold of the door handle. Troy TIGHILY grasps Brand's wrist. Troy TURNS UP the radio and floors the gas. Brand is TRAPPED. The Mustang is true to its stats, it goes from zero to sixty in 8.0 seconds...and so does Brand. The bike pedals are churming so quickly, Brand has to lift his feet from the bike. Andy SCREAMS.

_ ANDY: Troy!!! Let ‘im go!!!! You're going too fast!! You're gonna kill ‘im!!!!

Let ‘im go!!!

Troy NODS and releases his grip on Brand. Troy SMILES at Brand.

The Mustang makes a SHARP TURN OFF the main road. But Brand KEEPS going. His training wheels FALL OFF. All the rubber on the tires peel off, smoke, and the bike moves only on the

_Xims, SPARKING LIKE MAD! The little bike is last seen

DISAPPEARING off the shoulder and into a field cf tall grass.

INSERT - EXT. ROAD WITH MOSSY TREES SSA The boys follow the map.

INSERT - EXT. BRIDGE BY BEACH 55B

They walk their bikes. across the bridge

55¢C

55D

S5E

af

INSERT - EXT. ROCKY BEACH 55¢ Mikey knows where they're headed

INSERT - EXT. HOLLOW WITH MOSSY TREES 7 55D They continue to follow the map

INSERT ~ EXT. SPOT TO TRIANGULATE ROCKS S5E

Mikey is able to line up the 3 rocks and the lighthouse through the notches in the coin.

Mikey arrives at the top. Data and Chunk are BEHIND hin, followed by Mouth. They stand on the EDGE of the hill. They are met with a SURPRISING SIGHT. BELOW the boys, on the opposite side of the hill, is a tiny AREA OF LAND. A MINI-PENNINSULA. Thrashing ocean waves and jutting rocks surround the grassy penninsula. A small CEMETARY is built om a small section of land. POTTER'S FIELD. Crowded with old, crooked, GRAVESTONES. Built BESIDE the cemetary is

‘EXT. LIGHTHOUSE LOUNGE - DAY | 57

A rectangular, ONE STORY building. RUN DOWN. DISTORTED by the years. Its white wood exterior is CRACKED AND ROTTING. The building is CROOKED. Its windows TWISTED and DIRTY. A broken red and green NEON SIGN hangs over the building. A TALL, CROOKED LIGHTHOUSE is built beside the building. An OPEN=CLOSED sign hangs in the front door window. The heavy

Wind BLOWS the sign. SPINNING it around. We AREN'T CERTAIN

if the place is open or closéd. SHADOWS pass by the dirty Windows. There is a SINISTER, EERIE quality to this place.

Mikey STARES. In AWE. MUMBLING to himself, he excitedly

looks at the map. But the map seems to END. Mikey is PUZZLED. He suddenly gets an idea. He FOLDS the map like a MAD MAGAZINE back cover. To Mikey's delight, the folded Pieces form another MAP. Mikey REMOVES the doubloon from his pocket. When he PLACES the doubloon over the map, everything appears to be more CLEAR. He gets everyones ATTENTION, pointing to the map.

Mikey POINTS to the "X" below the cliff. SMALL FOOTPRINTS

have been sketched on the map. They FORM a line from the bottom of the hill to the "xX".

{Cont'd}

Mouth reads the SPANISH phrase written beside the footprints.

The boys PAUSE. Figuring out the RIDDLE.

; MIKEY I got it! If we walk 30 paces...to the lowest point...we'll get the treat...the rich stuff! CEUNK

{gets a chill) I dunno...it's gettin’ late...My Mom's gonna be worried. Besides

.-What's that place doin’ open in

the fall? It'S only a summer place. Seems pretty creepy to me.

The kids suddenly NOTICE sométhing. They TURN to the lounge. A DARK CAR pulls into the driveway. TWO TALL MEN, wearing dark, business suits, get out, They WALK to the , restaurant door. ‘They ENTER. Data TURNS to Chunk.

- DATA “See. There's nuthin’ to be scared of. Two other customers are goin’ in. CHUNK

Maybe they ain’t customers...maybe they're drug dealers or somethin’.

Data is frantically searching for the right cord, wanting to answer the call of duty. He mumbles to himself.

Data pulls one of his CORDS:from beneath his shirt. A mechanical device RAISES from Data's chest, with a pair of cheap opera glasses attached to the end. The glasses stop in front of Data's eyes. But when he moves to look through them, the glasses fly from their place and shoot forward. ce gives a shrug. Mouth looks over Mikey's shoulder at the map. :

° MOUTH ~ Okay...but, how're we s'posed to dig ‘for anything? Knock on the door? Ask whoever's there..."S'cuse me .-Mind if we wreck your floor?"

CHUNK ; 57

: DATA Be means, "case the joint".

Mikey NODS. The others FAUSE. THINKING. cur TO:

The Goonies walking through the GRAVEYARD. Mikey LEADS them toward the "LIGHTHOUSE LOUNGE". Suddenly, a LOUD CRACKING SOUND is heard. Like a FIRECRACKER. Followed by ANOTHER. And ANOTHER. The boys FREEZE. SCARED. LOOKING AROUND.

Mikey CONTINUES to move forward. The boys FOLLOW. They are now a little SHAKEN. Eyes DARTING back and forth. A bit more cautious. They arrive at the front of the building. Mouth peers through the filthy FRONT DOOR windows. Mikey and Data walk to the side of the building. They try to LOOK inte the windows. ‘TOO HIGH. The boys spot a PILE of discarded ORANGE CRATES. They stand the orange crates on end. Climbing up onto then.

They PEER through the windowS. Chunk WALKS to an outdoor soda machine that sits next to a closed garage. Chunk tries to peer into the garage, Starts to open the door, INVESTIGATING IT. ©

GOON KIDS’ P.0.V. S59

A SHUT DOWN seafood restaurant. DARK. DUSTY. Seemingly DESERTED. Tattered FISH NETS, wooden OARS, stuffed FISH hang on the walls. Red VINYL BOOTHS line the walls. WOODEN TABLES fill the floor. A JUKEBOX sits in one corner.

The goonies see TWO PEOPLE standing in the rear of the restaurant. In DARKNESS we can see only their shadows.

They drag two long, limp, heavy objects into a back roon.

It is TOO DARK for us to see what the objects are. Once the

&

40 ' REV: 10-14-84

two figures disappear, the goonies WALK to the restaurant's 59 front door.

Chunk PUSHES the garage door! The door flies OPEN! The orange slanted rays of a late day sun hit the black OFF ROAD VEHICLE, igniting it, over forty bullet holes, and a shattered rear window. CHUNK ALMOST DROPS DEAD. He RUNS to tell the guys, but they are already ENTERING the restaurant.

‘

The Goonies enter. Looking: around. Everything is SILENT. DESERTED. Chunk races inside and starts pulling at everybody's clothing, trying to signal them with bizarre hand signs and wild descriptive gestures that make him look totally not of this earth. He finally gets out a FEW WORDS.

Chunk is INTERRUPTED by the SOUND OF A SLAMMING DOOR! The kids nearly JUMP out of their skin! They turn to the DIRECTION of the sound!

The SHADOW of a person stands by the restaurant door. The person has JUST CLOSED the door. They step FORWARD. INTO THE LIGHT. IT IS MAMA FRATELLI! We immediately RECOGNIZE HER from the earlier JAIL BREAK. She GLARES at the boys.

Immediately, Mama takes a strong dislike to Mouth. Chunk is

in the background frantically signaling and * mouthing...'dontt piss her off'. She LEADS the boys to a table. She CALLS to the back room.

(Cont'd}

Jake...we got customers.

We hear a LOUD THUMP from the back room. Followed by Jake's VOICE.

Jake pokes his head out. He sees the KIDS. He PAUSES. MUTTERING under his breath.

Mama SNAPS her fingers at her son.

MAMA ; Now go on. Get in the kitchen. Warm up the stove.

Jake RELUCTANTLY walks to the kitchen. He walks PAST the Goon kids. Jake GLARES down at: the kids. Eyes filled with ANGER. He enters the KITCHEN. The kids take their seats at a CROOKED TABLE. It is IMPOSSIBLE to eat a méal at this table. It is WOBBLY. DIRTY. STICKY. Set with filthy, YELLOWED dishes and RUSTY silverware. Mikey LIFTS his fork. It is attached to the table by a lony, gooey WAD OF CHEWED GUM. Throughout this, Chunk is trying to gesture and explain to the boys, but he is so excited, ONLY AIR comes out. Mama TOWERS over the boys. FROWNING down on them.

_ _ CHUNK What kinda' fish?

63 The other guys exchange NERVOUS glances. 64

Everyone follows Mikey and ORDERS WATER. Mama NODS.

MOUTH

{out of extreme nervousness, forces an Italian accent} I'd like a' the Antipasto salad...the fettucini Alfredo...the a Veal Scallopine...and a bottle of Botticelli...1981. —

An angry Mama LEANS toward Mouth. She GRABS his tongue. BETWEEN HER fingers. PINCHING. She removes a POCKET KNIFE from her pocket. She MOVES the blade to Mouth's tongue. Ready to CUT.

The boys all SHAKE THEIR BEADS. SCARED. Mama catches herself. She MOVES the knife away. RELEASING her grip on Mouth's tongue. Mama smiles falsely, and walks back to the kitchen's SWINGING DOORS. Mouth COVERS his mouth. In PAIN. Mikey GETS UP from his chair. He begins to LOOK AROUND. SEARCHING for a spot on the floor, a trap door, anything that would indicate a buried treasure. LOUD ARGUING I5 HEARD from the kitchen. *

JAKE (0.5.}

But, Ma...this was s’posed to be our dinner...

~ MAMA (0.5.) Just shut up. Shut up and do what I told ya'.

The boys at the table LOOK at each other. FRIGHTENED. DATA

What about those two guys who came in before us? What happened to them?

“eee

(Cont ’d)

$3

Guys, look...if we don’t get outta’ here now. there’ s gonna be some kinda' hostage crisis.

(out of breath, "gesturing in

a big whisper) Garage...four wheel drive...bullet- holes the size of Big Macs....

A LOUD SOUND suddenly echoes through the place. CHURNING. BUMPING. WHIRRING. It sounds like a WASHING MACHINE gone BERSERK. The kids EXCHANGE a FRIGHTENED GLANCE. We hear the voice of a man SCREAMING OBSCENITIES. .On the far wall...A DOOR FLIES OPEN! A MAN STORMS OUT! It's FRANCIS FRATELLI .-

His clothes and body are SPLATTERED, STAINED by a DARK GREEN INK. He is SCREAMING. BOILING MAD. He is YELLING across the hallway to Mama, holding up his hand. A drawing of Ullyses §. Grant has been STAMPED onto his hand..

Francis sees the table of kids. STARING at him. Francis PAUSES. STARTLED. He COVERS the stamp on his hand and DASHES back through the door. As if he were caught doing something WRONG. We hear him latching several LOCKS on the deer behind him. The boys exchange another MYSTERIOUS GLANCE .

The KITCHEN DOORS SHOOT OPEN! Mama STRADDLES OUT! Sarr a tray of GLASSES in one arm. The metal CLEAVER in the other. The glasses are filled with RUSTY, ORANGE COLORED WATER. Small PARTICLES float in the water. Mama DISTRIBUTES a glass of water to each of the boys. They STARE atthe water's ODD color.

tCont'’d)

Mama TURNS to Mouth. RAGE in her eyes. Mouth starts pouring his water from one glass to the other. It sounds a little like going to the bathroom. This is driving Mikey crazy. He starts to bounce up and down on his seat, knocking his knees together. He excitedly whispers to Mouth.

The kitchen doors FLY OPEN again. Jake exits. He is wearing APRONS. Covered with BLOOD. His hands and arms are also STAINED with blood. He is carrying A HUGE STEAMING FOT. A lade] RESTS in the pot. He RESTS the pot on the table. LOOKING at the boys.

Chunk nervously raises his hand. Jake ladels the GROTESQUE contents of the pot into Chunk's plate. The fish surprise

is made up of a black, JELLIFIED LIQUID. Loaded with FISH

HEADS and BONES. Chunk FROWNS. ;

Mama looks into the pot.

a

Jake NODS. Mama CHECKS her wristwatch.

~ MAMA Time to feed your brother. JAKE Let Francis do it...I fed it last night. MAMA

Francis is busy.

Jake RELUCTANTLY walks to a crooked wooden door. He OPENS the door. It leads into DARKNESS. Jake ENTERS. We HEAR him descend the creaky stairs. A nervous Mikey STANDS . BOUNCING on one leg. He LOOKS at Mama.

With his usual wild hand gestures and expressions, Chunk is trying to convince Mikey NOf TO GO downstairs. Mama GLARES at Mikey. -

Devilishly, Mouth pours a thin, noisy stream of water from one glass which he holds high above the other.

LADY...PLEASE!!...

Downstairs. Te your right. And STAY -to your right!!! 7”

Mikey NODS. TREMBLING. Chunk still tries to CONVINCE Mikey. . es | | CHUNK - (whispering) Mikey...Don't...You can't...please... Mikey IGNORES Chunk and WALKS to the basement door. He ENTERS .

A NARROW corridor. DARK. TWISTING. Lined with DAMP, STONE

{Cont'd}

WALLS. The stairs are made of ROTTED WOOD. They CREAK amd «4 GROAN with his every step. Mikey ARRIVES at the bottom. There is a LONG HALLWAY. DIMLY LIT by a few dangling BARE BULAS. Mikey removes the MAP from his pocket. He OFENS to the maze. Trying to find some sort of COMPARISON. He suddenly hears BIZARRE SOUNDS. GROWLING. SCREAMING. They echo from the hallway's OPPOSITE SIDE. Mikey PAUSES. CURIOUS. He TURNS. He puts the map back [NTO HIS POCKET. He FOLLOWS the sounds. They lead him to a THICK, WOODEN DOOR. At HALLWAY'S END. Mikey STOPS. The sounds are LOUDER here. More DISTINCT. The growling CONTINUES. Like an ANIMAL. It mixes with the RATILING OF CHAINS. The door is OPEN. A CRACK. Mikey PEERS inside.

MIKEY'S P.G.¥. = A STONE ROOM. - Resembling a JAIL CELL. The room is EMPTY. Save for a TATTERED, STAINED MAITRESS. It sits in the MIDDLE of the floor. A very large person sits in a DARK CORNER. We will call him SLOTH. Only the LARGE OUTLINE of his shadow is visible. Jake stands OVER HIM. Holding the pot of FOOD. Sloth GROWLS at Jake. He HOLDS the -pot out to SLOTH. Jake speaks as if he were talking to a Doc.

JAKE ° Here, boy...You hungry? Want your supper?

Sloth GRUNTS. He holds out TWO ARMS. They come INTO THE LIGHT. The arms are THICK, MUSCULAR. Covered with CURLY BROWN HAIR. TORN, FRAYED shirt sleeves hang from the arms. HEAVY METAL CHAINS are attached to his wrists. They SECURE Sloth to the wall. His arms STRETCH out for the food. Like a STARVING child. Mikey WATCHES. EYES WIDE. SHOCKED.

Jake holds the pot INCHES from Sloth's fingers.

Sloth’s hands try to GRAB the bowl. Jake PURPOSELY DROPS the pot. It SMASHES on the floor. The fish and broth are SUCKED into the dry cement. Sloth CRIES OUT. Mikey's eyes are SAD. SYMPATHETIC. Jake feigns PITY.

Sloth WHIMPERS., With a SADISTIC GIGGLE, Jake turns to exit

{Cont'd}

the room. Mikey quickly HIDES. BEHIND the door. Jake 65 walks back UPSTAIRS. Mikey PEERS out from behind the door. Seeing that THE COAST I5 CLEAR, he walks out. Mikey looks

back INTO THE RCOM. CAMERA DOLLIES INTO MIKEY'S FACE. -He

SEES SLOTH's face. (But we don’t). Mikey's face goes WHITE.

His eyes fill with TERROR. We hear Sloth GROWL at him.

Mikey TURNS. He SPRINTS OFF down the hallway. He DASHES

back upstairs. SCARED TO DEATH. .

“Mikey RUSHES into the room. He RUNS into Brand's ARMS!

Brand, dirtied and muddied from his bicycle accident, is | STANDING in the restaurant. Brand GRABS Mikey's collar. He PICKS Mikey up off the floor. Brand GLARES at him.

Chunk has actually been eating some of the Fish Surprise, and has lost most, if not all, of his color.

Mama WALKS back into the room, startling Brand with her

Malevolent presence. She LOOKS at all of the boys, ANXIOUS to get rid of then.

/” MAMA It's all right boys. Go on home. It's on the house. Chunk sticks his head under the table and BARFS.

Go on, get out of here: Jake'll “clean up. Now git. The boys almost knock the table over getting out of there as Mama fakes her politeness, then shuts the door and turns the "Closed" sign facing out.

DARKNESS approaches. The goon kids are HIDING OUT here.

67 Behind the TOMESTONES. Mikey's SCARED. ‘Trying to EXPLAIN 67 (Cont’da) WHAT HE SAW.

MIKEY

I'm tellin' ya'...They got an "It" ..-A giant "It"...and they got it chained to the wall..-.and when it, when it came into light...

{gives himself a shot of

Promotene Mist) Yat shoulda’ seen it's face...it was horrible. All the parts were mixed around...°

Chunk points OFFSCREEN. &rand PAUSES, turning curisusly to where Chunk points.

GOONIE'S P.O.V. = JAKE and FRANCIS exit through a side door. Heads DARTING back and forth. Making sure that the COAST IS CLEAR. They are CARRYING a large, limp bag. The SIZE OF A BODY. MAMA follows. CARRYING another similar bag. —

The Goon kids CURIOUSLY watch from behind the tombstones. The garage door opens, revealing the Black O.R.V.

Jake OPENS the hatchback of the 0.R.V. Jake OPENS a false FLOOR in the 0.R.V.'s bed. He and Francis manage to FIT one bag onto the vehicle bed. They ATTEMPT to load the cther bag. WON'T WORK. Not enough SPACE. Jake CLOSES the false floor. He and Francis CARRY the other bag BACK INSIDE the

~ restaurant. ; . . —

- DATA Whattayou think they got in the hags?

The kids have NO ANSWER.

Jake and Francis come back OUTSIDE. They get INTO THE O.R.V. with Mama. They DRIVE OFF. The Lighthouse Lounge is EMPTY. Mikey excitedly LOOKS at the others.

(Cont ‘*d)

Mikey PULLS the map from his pocket. He TRIES to read it. TOO DARK. He LOOKS at the others.

SUDDENLY. A SMALL FLAME APPEARS. It ENTERS from OFFSCREEN RIGHT. ANOTHER FLAME APPEARS. Entering from OFFSCREEN LEFT. The flames are TWO MATCHES. HELD by ANDY and STEF., Andy's eyes TWINKLE in the firelight. But her hand is SHAKING, her eyes DART from left to right. She is cbviously FRIGHTENED by the graveyard.

Hi, Brandy.

Brand SMILES at Andy, and LOOSENS his grip om Mikey. Stef gives a WASTY smile to Mouth.

Brand gives. a PUZZLED look to Andy.”

_ ANDY Followed you guys. We were out drivin' with Troy...He was bein' a Teal spas-ass...ya' know, tiltin' the mirror so he could look down our shirts...

(shrugs). So I elbowed his lip.

68 Mikey still reads the map. MUMBLING to himself. ' 68

{cont'd} MIKEY Okay...if it's thirty paces... (begins to count off the - paces) One...Two...Three...

Data GRABS Mikey from behind, STOPPING hin.

Mouth TAKES OVER. Walking out the paces with LONGER STRIDES. Moving TOWARD the lounge. Mouth counts out the paces as ELMER FUDD.

Mouth CONTINUES walking. The kids FOLLOW. Andy LOOKS at rand. :

Brand suddenly REALIZES that this could be the best night of his life. He TURNS to leave with Andy, but then realizes“he has another duty.

Andy ROLLS her eyes. Brand TAKES her hand, pulling Andy to the lounge with him. Mouth ARRIVES at the Lounge door. TRYING to open it. LOCKED. Mouth PAUSES. WHAT TO DO? An IDEA. He LOOKS back at Chunk. Mouth SMILES.

aL

RAGE fills Chunk's eyes. He COMES at Mouth. Like a LINEBACKER. Mouth DODGES out of the way. Chunk RAMS into | the front door. WHAM! The door BREAKS OPEN! Chunk GETS to his feet. BRUSHING himself off. Mouth CACKLES.

This FRIGBTENS Andy. She TURNS TO RUN. ANDY I'm goin! home. You guys are gonna get in big trouble.

She turns to RUN. Andy is — FACE TO FACE with a LARGE STONE GARGOYLE! She SCREAMS! The gargoyle sits ATOP a

' tombstone! Andy turns and RUNS BACK to Brand's arms.

The other goonies have ENTERED the place. Mouth is still COUNTING PACES. Back to his ELMER FUDD impression. He STRIDES across the restaurant floor.

: MOUTH I'd rather dive into a awimming pool “full of razor blades than inpress you.

BRAND

{pulling Mikey) We gotta get outta here!

6$

Mikey breaks away from Brand and hurriedly opens the

basement deor. He motions for the guys to follow.

Mikey leads the goonies down the dark, narrow stairway into

the basement. A distant SOUND is heard. The RATTLING OF CHAINS. <A low GROWLING. The Kids pause, frightened.

Mikey continues to descend. The kids cautiously follow. Another GROWL roars through the basement. Louder, like an

- animal. The Kids stop again, scared. Chunk turns to Mikey-

. CHUNK Sounds Like "Kong".

The kids continue down the stairs. They arrive at the bottom. Mikey pauses. He looxs at the others.

The kids shake their heads. "No Way".

Mikey leads the kids toward Sloth's door. The frightened kids stay close together. They move slowly, carefully, toward the door. Meanwhile, Andy grabs Brand's hand.

Brand nods. He stays behind with Andy. They stand in

a3

front of another door. A moment alone. Andy is shivering. Brand puts his arms around her. She cuddles - closer to him. Brand smiles to himself. Now's the time to

make his move.

Meanwhile, the Kids are only a few feet from the door. Eyes wide, scared to death. Mikey siowly reaches out. He grabs the doorknob. The Kids hold their breaths. Mikey twists the doorknob...Sloth’s ROARING GROWL blasts from behind the door. Louder than ever! It sends a shudder through the hallway. The kids jump back.

Brand, who is leaning to kiss Andy, inches from her lips is interrupted by the group of kids falling toward him. The kids fall into Andy and Brand through another docr. The door bursts open. Everyone falls inside like dominoes. (Resembling the "State Room" scene from the Marx Brothers’, "A Night at the Opera".)

The kids get to their feet. In the chaos, the doubloon has fallen from Mikey’s pocket. It rolls on its side, along the floor. Chunk grabs it, seconds before the doubloon . falls into a drain. Chunk pockets the doubloon. We are inside of a large stone room. At one time used as a kitchen. The room is equipped with a giant freezer, two large stainless steel sinks, a Sparklett's glass water cooler, a stove and a stone fireplace. A tiny flame still burns in the fireplace. The only object that seems out of place is a large, black metal printing press. The press is ancient, rusty. A small window sits above the press. A phote of the Fratelli’s adorns the wall behind the press. The kids exchange a bewildered shrug. Chunk goes straight for the water cooler. Chunk moves his mouth beneath the tiny faucet. He turns on the faucet and lets the water stream into his open mouth. ~

An excited Mikey grabs 4 fireplace poker. He finds a random spot in the center of the floor.

ee MIKEY “Guess This is as goed a-place as any - to start diggin’...

Mikey raises the poker high in the air. He brings it down, hard on the concrete floor. Wham! The poker doesn’t make a dent! Instead, it sends a reverberating slock through Mikey's body. His teeth even begin to chatter.

Brand shakea his head.

ral

FL

BRAND

You sure we're not adopted? Are we from the same family?

(glances to Andy, who

desperately vants to leave) C'mon, Mikey...you're embarrassin' me. There's nothin’. buried under here. Damn it...This is the 20th Century.

Chunk's sudden movement causes the Sparklett's container to tilt. It falls off its base and smashes to the floor into a million pieces. The water flows acroes the floor trickling into the open fireplace. Several seconds pass before the water hits the fireplace bottom. Mikey pauses.

They listen to the slow trickle for a moment. Brand shrugs.

The kids dash to the fireplace. Brand pushes Mikey out of the way and reaches down to pick up a log. He burns his hand. Brand drops the log and lets out a yelp. Mikey looks at“Brand, shaking his head.

Oe MIKEY Brand...You sure we're not adopted? Are we from the same family? (glances to Andy) C'mon...You're embarassin' me.

Brand grumbles and takes off his shirt. He wraps his hands

with the shirt. He begins to remove the firey, hot logs from the fireplace. When all of the logs are removed, only

(Cont’d)

a section of black, rusted steel grating remains. Brand 71 removes it. A few feet below, the fireplace floor is lined

with ancient bricks and pieces of rock and earth.. Brand

shoves his foot into the fireplace. He begins to pounce on

the bricks, trying to break through.

Chunk is looking around. His eyes light. “He! s discovered the freezer. He mumbles to himself, smiling.

CHUNK ; Hmmm. Wonder if they got Chipwiches? -

Chunk grabs the freezer handle. He pulis hard. It's jammed. He pulls again. Still won't budge.

Brand is stomping on the fireplace ground. it creaks, cracks. The bricks crumbling. The kids curiously watch. He gives a hard stomp to the ground. A loud CRACK! Erand's foot shoots through; up to his knee. An opening! The boys help Brand out of the fireplace.

Suddenly, a loud noise rocks the room! Data has turned on the printing press. A freshly printed sheet rolls out of the press. The sheet is filled with perfectly printed counterfeit fifty dollar bills.

Everyone hurries to Data, save for Chunk. He is still pulling at the freezer handle.

Stef comes upon a horrible realization. She grabs the Photo from the wall. en

~ ' STEF Oh, God...1 knew I recognized these faces...The Fratelli Mob?

Still pulling at the jammed freezer, Chunk calls back to the boys.

71 Suddenly, the freezer handle snaps! The freezer door 71 iCont'd) shoots open! A DEAD BODY stands there. Frozen, eyes wide open. It's one of the TWO MEN IN DARK SUITS who we saw enter the restaurant earlier. The man is bound and gagged. An FBI badge is pinned to his lapel. A bullethole is through his forehead. The stiff is halfway zipped into a green, plastic bag. The body falls forward. Chunk jumps back. The stiff hits the floor. Slam! The kids let out a simultaneous scream. They dash out of the room. |

The goon kids run down the hallway, frightened. They hurry to the upstairs stairway.

Suddenly, a moise. The kids stop. Dead in their tracks, at the foot of the stairs. Brand motions for them to "Shhh." We HEAR the sound of VOICES, familiar voices. Mama, Jake, Francis, back home. The kids pause. Breathless. WE HEAR the basement door creak open. The kids look up to the top of the stairs. The long, menacing shadows cf Mama and the two boys appear on the wall, heading inte the basement.

The kids turn, sprinting to the counterfeit room.

The kids run back inside, panicked. Mikey uses his Promotene Mist. Chunk is scared to death. | CHUNK Mommy! Daddy! Uncle Wormer...!

Andy crosses herself. Chunk sees this, tries to cross himself and instead cutlines a Star of David over his entire chest and stomach. . er

(Cont'da}

Mikey and the goonies rush over to help. Chunk who is already lifting the body to put it back up. Chunk stands in front of the body. The kids stand in back, lifting it

up. The voices of Mama and the boys are getting closer.

The kids lift the body to its feet. They hurriedly push it into the freezer. The clumsy Chunk still stands in front of the body. He is pushed into the freezer with the body. The kids close and latch the freezer door. They run to the fireplace.

Chunk is frozen, face to chest with the corpse. He tries to scream for help. He's too scared. Speechless. The corpse begins to slide down Ghunk's body until it is face te face with hin.

Mikey leads everyone into the fireplace. He kicks away a

few loose boards. Mikey grabs one of the fireplace tools; a métal shovel. He motions for the kids to crawl into the fireplace. One by one, the kids hurriedly crawl into the

passageway. Brand is hesitant.

_ BRAND Geez...Looks kinda small...

VF

I told you to shut up about that--

Brand is interrupted by Mama and the Boy's voices, getting closer, clearer. He quickly crawls into the fireplace. Mikey is the last to crawl inside. He gathers the grating and logs. Once inside the fireplace, Mikey puts the grating and logs back in place, over his head. Mama and the boys enter.

Using Andy's lighter, Mikey restarts the fire over his head.

INIT. KITCHEN 7T

Jake moves to open the freezer door, but Mama spots the broken water cooler. Things are not as they left then. Mama snaps at the others.

Jake moves from the freezer. Mama and the boys hurry out of the room. We HEAR Mama's voice:

The goonies watch through the fireplace grating. Suddenly, the freezer door slowly opens. Chunk steps out from behind the corpse. He dashes to the fireplace. He whispers to |

‘the kids:

- CHUNK _C'mon, guys! Lemme in! Lemme in!

Chunk HEARS the Fratelli’s coming back. He spots the window above the printing press. Chunk leaps the top of

$9

77 the press, crawling out of the tiny window. Just as Chunk 77 (Cont'd) slips out of the window, Mama and the boys re-enter the Troon,

MAMA

I knew he couldn’t break those

chains... JAKE

Maybe it was one a’ them tremors,

Ma... FRANCIS

Yeah. Ya' know how the otean sometimes shakes up the place...

Mama shrugs. No time for thinking. There's work to do. She points to the freezer. .

The boys ned. Jake opens the freezer door. They begin to move the corpse. Mama looks at the boys.

The Kids move away from the grating. They climb hack into the passageway.

A narrow, man-made tunnel, surrounded by smooth rocks and hard earth. The tunnel moves downward. Getting wide, larger as it moves further in the distance, but there is only darkness ahead. The goon kids cluster tighter together, whispering, scared to death.

Data opens his shirt, searching for the cerrect cord.

DATA

Yeah...In case of emergencies...when I'm walking home from school and some big guys stop me...They say, "Soony, we're gonna dust -you!"”...1 pretend like I'm real scared...then I reach inside and pull this cord and say...

(Screams) BULLY BLINDERS!!!

Two bright 8mm movie projector lamps extend from Data's Nips. They flip on, causing incredibly bright light. The goonies all cover their eyes and scream. But suddenly, the lights fizzle out. Data shrugs. :

DATA ; Only problem...batteries don't live so long. {reaches into backpack) So... have Father's backyard light.

He removes a large lantern. He flips it on. It illuminates the passageway. Brand grabs it,

; BRAND ; Okay...I'll walk ahead with the light...

MOUTH

“Walk?! What about...RUN! All of the kids run off into the passageway. . CUT TO:

Chunk is running for his life. He runs to the side of the

61 REV: 10-14-84

road, headed back to town. Suddenly, bright headlights 80 come toward him. Chunk turms. He steps into the middle of

the road. He waves his arms, hoping to flag down the car.

The car comes to a stop. Bright headlights shine in

Chunk's eyes, blinding everything in front’of him. A MAN

steps out of the car. We can only SEE the outline of his shadow. He speaks to Chunk.

‘Look, Mister...I need a ride...My friends and I just had a mm in with these really gross people...Ya' fighta heard of ‘em...The Fratelli's. Anyway, we found their ~ hideout! If you could gimmee' a ride to the Police station...

The Man motions for Chunk to step forward. Chunk hurries to the Man. Chunk walks through the blinding headlights. He can finally see the car. His face goes white. It's the black off-read-vehicle, lined with countless bulletholes. Chunk looks up at the man's face. It's Jake Fratelli. Chunk turns to mun. Jake grabs him around the waist. He Carries the struggling, s¢reaming Chunk to the rear of the O.R.¥. Jake opens the false floor. Jake ferces Chunk inside. Jake closes and locks the floor. He gets into the O.R.¥. Francis is also here. He and Jake drive off.

Chunk again lies face to face with the FBI corpse. Chunk is frozen with fear.

Brand moves forward, helding the lantern. The light guides them through the dark tunnel.

The kids round a corner and come upon an odd sight. A large Cluster of twisting metal pipes runs along the cavern ceiling. The rusted pipes dangle a few feet. They are obviously connected to something several feet above the surface. Warm and cold light seeps down from the surface surrounding the pipes. Stef nudges Mouth.

STEF

Your old man's a plumber. What kinda pipes are those?

8s

MOUTH

Gas pipes, electrical, sewage, plumbing, hot water, cold water,

pressure pipes.

BRAND

Water pipes? Hey..-.You think if we started bangin’ on ‘em...somebody

upstairs might hear?

Mouth gives a nod. He pulls a wrench from his pocket. The other kids pick up rocks from the ground. They began to

rap on the pipes.

The Hillside Resident's private club.

The kids are going wild; swinging, hanging from the pipes, using all of their adolescent, athletic abilities. Brand hangs upside down from one of the pipes. Andy swings from pipe to pipe, not unlike a gymnasium's parallél bars.

Mouth words hard at unscrewing one

particular pipe.

THREE overweight, pink, CLUB MEMBERS are taking a shower.

The kids still pull and swing from the pipes. The pipes are twisted and tangled out of Proportion, leaking and

spewing water. The pipes begin to

move by thenselves..,

Like slowly moving pistons on an ocean vessel.

A MAN reaches cut to turn down the cold water. Before his hand can touch it, the spigot is pulled into the wall! He pauses, puzzled. He reaches out for the hot water spigot. WHOOSH! It is sucked into the wall. The Man steps back,

frightened. The shower head and nozzle above him is pulled

into the wall. He Looks around.

Suddenly, one by one, all

of the shower heads disappear into the wall! The confused

a2

{Cont'd}

$1

members stare at the wall, their bloated bodies covered 87 with soap. Suddenly, a fecid brown backwash explodes from

the holes in the tile, where the spigots once were. The backwash covers the bodies of the club members. They dash

out of the shower room, scared to death. ~

A TENNIS PLAYER pauses, getting a drink from a court» fountain. The player moves his lips to the fountain. The entire fountain is pulled down a few inches. The puzzled Player bends lower. The fountain i5 pulled dewn a few more inches. The player again bends lower. The fountain suddenly shoots upward, knocking in the the player's chin! The player hits the ground, out cold.

The pipes are a moving, tangled mess of leaking, spraying Water. Several shower nozzles, water fountains and various spigots have been pulled underground. But the kids still have not given up, still thinking they' ve had no contact with

the outer world.

Suddenly, all of the pipes begin te move faster, bouncing, becoming violent. Steam and water HISS and spray.

REVERSE PRESSURE! !!LET'S GET OUITA RERE!!! ,

a

Troy goes into a stall as a low rumbling can be heard. He drops his pants and sits down on the commode. Immediately,

an explofion of toilet water hlasts Troy off his seat,

sending him crashing all the way up to the ceiling.

The kids walk away defeated, out of breath, sweating. Brand shakes his head.

{cant 'd)

$2

BRAND 91

Geez. Ya think somebody woulda noticed. CcuT TO: OMIT 92 . &

CLOSE UP = Hamilton Beach blender. A hand comes into frame holding a large eggplant. The eggplant is placed into the blender. The blender "LIQUIFY" switch is hit. The eggplant is pushed into the blender. The eggplant is crushed, turned to mush from the bottom to the top. We HEAR Mama's VOICE OVER as the eggplant is crushed:

CAMERA PULLS BACK. We are in the Fratelli basement. Francis is holding the eggplant and controlling the blender. Jake is holding a gun to Chunk’s head. Chunk is nervous, sweating, tied to a. chair by an extension cord. Mama stands in front of Chunk, spewing out threats. Mama a. Sal to turn off the blender. Mama looks back at Chunk.

(Cont 'd}

_ CHUNK

(hysterical, blabbering,

exploding like a bullet) Okay...okay...in third grade, 1. cheated on my History exam...in fourth grade, { stole my uncle's toupee and glued it on my face when I played one of the Wise Men in our school Christmas play...In fifth grade, I pushed my brother down the stairs and blamed: the dog...i...

Mama and the boys just lock at each other. They can't even get a word in.

Cut TO:

CLOSE UP = PASSAGEWAY FLOOR (TRACKING SHOT). A light beam illuminates the uneven floor, covered with jutting rocks and sudden inclines and declines. We SEE & gum Wrapper, a metal cigar tube, and a mildewed, dog-eared Bible scattered across the ground. CAMERA PULLS BACK. We SEE the goonies making their way through the passageway. They are still incredibly frightened. Andy 15 stzll muttering her prayers. Mikey picks up the discarded gum wrapper.

STEF_ {getting a chill) Maybe we better hope they're not!!

(Cont' da}

66 REY: 10-14-54

CAMERA PANS to where Andy is pointing. A decayed skeleton is lying on the floor. . Its legs are trapped under a giant boulder. Mikey looks up to the ceiling. He SEES a length of boulders, hanging from chains on the ceiling. The skeleton was obvicusly a victim of some sort of booby trap. hiker suddenly makes: the realization. He talks to himself.

The other goonies slowly gather around the miner's body. The skeleton is dressed in miner's clothes. He is wearing a miner's hat, and equipped with several tools: Shovels, Picks, hoes, etc. The goonies stare in shock, frightened. Mikey opens his map to look for a way out. The other kids move toward the body. Data makes a realization.

The last guy who went lookin’ for “the rich stuff...They say he went in but never came out...that was back

in 1935...

(Cont 'd}

67 REV: 10-14-84

Stef sighs and decides to look for the wallet. She slowly 95 reaches into the skeleton's trousers. She removes the

wallet, but the skeleton's hand Lodges on the wallet. Stef tries to pull the wallet. But the skeleton hand pulls

back. A tug of war. Stef finally breaks the wallet free.

She opens it and checks the name. It reads: CHESTER

COPPERPOT. The kids look at each other, frightened.

, DATA Oh, God...if he didn't make it out...And he was s'posed to be an expert! What about us?!

Data walks BEHIND everyone. He pulls a cord on his chest * and a couple dozen small red items automatically pop out into his hand. Mikey NOTICES. He LOOKS at Data.

_ MIKEY What're you doin'?

Mikey SUDDENLY notices something hanging around the skeleton's neck, a sort of MEDALLION. Mikey GRABS the medallion and studies it. It is an ANCIENT COPPER iten, shaped like a skull! There are THREE IRREGULARLY CUT HOLES in the medallion, at the points where the skeleton's EYES and NOSE would be located. Mikey STARES at the medallion, trying to COMPARE it to the map.

_ Méanwhile, Data spots ROAD FLARES in Copperpot's backpack.

Data REACHES in and begins to PULL OUT each one of the ROAD FLARES. But Data doesn't NOTICE that he also REMOVES ONE STICK OF DYNAMITE! He PLACES it with the other flares and inserts them into his backpack.

Andy is SCARED-TO DEATH! She WANTS OUT! She BEGINS TO RUN FORWARD! a - _

_ ANDY Let's get outta’ here! Come on! Let's keep moving!

Andy SHOOTS FORWARD. Mikey LOOKS UP! He SEES that about TWO INCHES from the ground, ALONG THE LOWER WALLS, are CAREFULLY PLACED TREE BRANCHES! The branches are a SORT OF TRIGGER! When broken, they CAUSE THE BOULDERS ABOVE TO FALL! MIKEY SHOUTS!

_ 35

68 REV; 10-14-84

But it’s TOO LATE! Andy's FOOT SNAPS A BRANCH! A CREAKING SOUND is heard! The BOULDERS ABOVE begin to WAVER! Ina tremendous PANIC, the kids DASH FORWARD! They SNAP EACH BRANCH, causing the boulders to FALL BEHIND THEM! ONE BY ONE! Each boulder JUST MISSING the kids by a hair! The kids MAKE IT to the far wall as the last boulder DROFS BEHIND THEM! They CLUSTER TOGETHER! SCARED OUT OF THEIR WITs!

The Kids turn, STANDING at a virtual DEAD END! A SMALL CIRCULAR BOULDER sits in the middle. The kids PAUSE. LISTENING. They hear NOISES. BEHIND the boulder. Stef is EXCITED.

ANDY’ (hopefully) Maybe it’s a way out!

The kids attempt to move the boulder. Brand PUSHES everyone out of the way. He gives a MACHO raise of the eyebrow to Andy. He'll do it HIMSELF. Brand REMOVES his shirt. He flexes his MUSCLES. Andy BLUSHES. Mouth whispers to Data.

In the background, Mikey TRIES to make a muscle...But NOTHING happens. He frowns. Brand GRABS held of the boulder and begins to PULL WITH ALL HIS STRENGTH. GRUNTING. GROANING. The boulder begins to MOVE. The crumbling sound of rock is HEARD. Mikey watches, PROUD of his brother. Andy STARES at Brand's muscular body. Brand finally manages to PULL OUT THE BOULDER! The kids CONGRATULATE and APPLAUD Brand. The kids POKE their heads INTO THE NEW OPENING. There.is NOTHING BUT DARKNESS! But there is that SOUND...it is the sound of SQUEAKING, FLAPPING WINGS. The kids LOOK at each other. PUZZLED. FRIGHTENED.

Brand leans his head into the hole, craning it as far | * forward as he possibly can, stretching his eyeballs to see in the dark.

69 REV: 10-14-84

95 A screech and a whistling sound, and then a black winged * 95 {Cont'd} creature with sharp teeth and red eyes explodes into camera! EVERYONE (yells) ' BATS!11!!

HUNDREDS OF BATS BLAST PAST THE KIDS! The bats ATTACK! FRENZIED! Pulling at HAIR! Clutching ONTO clothes! | Everyone SCREAMS! Arms WAVING!’ HELPLESS! The kids DUCK FOR COVER! The bats MOVE ON back through the passageway-

THE BATS RACING through the PASSAGEWAY, in the same direction the kids came from. The creatures move like a BLACK CLOUD OF LOCUSTS!

96 INI. LIGHTHOUSE BASEMENT KITCHEN 96

Chunk is CRYING his eyes out. TEARS streaming down his face. Mama and the boys are LISTENING. FASCINATED. He makes one last hysterical CONFESSION.

CHUNK

But the worst thing..-the worst thing I ever done...I mixed up this fake puke at home...I went into this movie theater...hid the puke in ny jacket.. climbed into the balcony and...and. --1 made a sound like this

{makes VOMITING sound) Then I dumped it over the side...on all the people in the audience...then..,then the people started gettin’ $ick...throwin' up all over each other.

(bursts into tears) It was horrible..:I never felt so bad in all my life.

‘Mama SQUEEZES the fat on Chunk's double chin. HARD. Mama's eyes are filled with FURY. She STARES at Chunk.

Now where are your friends?

9?

Mama RELEASES her grip. DISGUSTED. She turns

Francis grabs the BLENDER. The blender starts with a DEADLY WHIRRR!

Chunk.

to FRANCIS.

He hits the "Puree" BUTTON. Mama LOOKS at

Chunk stares in HORROR. Mama NODS to Jake. He GRABS .

Chunk's hand.

SCREAMS .

fingers toward the SHARP, SWIRLING BLADES. . STRUGGLES.

Suddenly,

FORCING it to the top of the blender. Chunk

CRYING. HYSTERICAL. Jake begins te PUSH Chunk's

Chunk

"Mama HOLDS HIM DOWN. Chunk’s fingers are LESS THAN AN INCH from the BLADES: ;

A NOISE. Coming from the FIREPLACE.

Everyone

TURNS. The logs literally BLAST from the fireplace. The grating FOPS OUT. BOUNCING across the floor. of the fireplace. They fly THROUGH the room,

shoot out

The bats fly UPWARD. Where it's DARKER.

TOGETHER .

fireplace.

THE BATS

They CLUSTER

ON THE CEILING. Francis RUSHES to the

He PEERS into the opening.

The kids STAND in the passageway, on top of each other's SHOULDERS. They have formed a PERFECT CHEERLEADER PYRAMID,

ype

in order to REACH the ceiling. Mikey is HOLDING Chester 97 Copperpot's SHOVEL. He DIGS into the ceiling. CLUMPS of dirt begin to fall to the ground. Andy SHOUTS to everyone.

ANDY ‘ Okay, everybody...we made a perfect Touchdown Victory Formation Pyramid. Don't make a move of we'll tip over.

With a LITTLE effort, Mikey's shovel SHOOTS THROUGH the ceiling. He SMILES and CALLS to those below hin.

CLOSE UP = A SIGN. CAMERA PANS from the sign to a fenced grassy area. TWO GORILLAS, BONZO AND BERTHA are cavorting about. BONZO drives a little red convertible pedal car, as he shows cff for BERTHA who looks sweet and demure with a little pink ribbon the zookeepers have put in her hair.

Mikey CONTINUES to DIG through the ceiling. CLUMPS of dirt FALL.

Bonzo gets out of his pedalcar and begins to groom Bertha. Bertha grooms back. Bonzo has that look in his eye. The look of a guy ready to “score”. He immediately moves around to the back of Bertha, who reacts with mock, ladylike surprise. ; o

CLOSE = BONZO'S FEET. ‘he shovel digs through, missing Bonzo's foot by inches.

CLOSE = BONZO. Making his move! ~He MOUNTS Bertha...a moment later the ground spens up and BONZO is sucked underground and out of sight. BERTHA almost speaks...she says..."HUH?" .

The GORILLA FALLS to the ground. SLAM! The pyramid COLLAPSES. The shocked kids SCREAM. Bonzo gets to his feet. CATCHING his breath. The Gorilla SEES the kids. He looks up and remembers what he was doing. He GROWLS. The kids TURN and RUN. Dashing FURTHER OFF into the tunnel! Outraged, Bonzo CLIMBS back up through the hole, back into his cage.

CLOSE UP = KITCHEN CUPBOARD DOOR .

.The door OPENS. What should be filled with kitchen

utensils, is filled with GUNS. ALL TYPES. PISTOLS. RIFLES. MAGNUMS. CAMERA PULLS BACK. Mama grabs a PISTOL. She looks at the BOYS.

Chunk STARES. FRIGHTENED by what he's heard. Mama POINTS

the pistol at Chunk's forehead. Ready to SHOOT. She PAUSES. MOVING the gun.

Chunk gives a NERVOUS NOD. Jakes-LIFTS Chunk and the chair. Something FALLS OUT of Chunk's pocket. The DOUBLOON. It HITS the floor. Mama GRABS it. She STUDIES it. PUZZLED. She LOOKS at Chunk. ;

_ 4 CAUNK We found that on the map...it’s got somethin’ to do with the buried treasure...

Mama is still PUZZLED. She HOLDS the doubloon out to Francis.

a

1068

You're s'posed to be 4n expert...

Francis takes the doubloon. STUDYING it. His eyes get WIDE. His mouth DROPS OPEN. Total SHOCK.

Mama and the boys shoot him a PUZZLED look.

*. 163

OMIT wo! thru

a 107

The passageway is EXTREMELY SMALL, TIGHT, forcing the kids to CRAWL THROUGH. The passageway continues to get LOWER. Becoming SMALLER. NARROWER. BRAND still LEADS. HOLDING the flashlight. Brand is covered with SWEAT. Extremely NERVOUS. Suddenly, the flashlight beam begins to BLINK. DYING OUT. Brand PANICS to Data. BRAND

Hey! What's goin’ on?!? This

thing's losin! juice! What’re we

gonna do about light?!-..

Data REACHES into his backpack. He FUMBLES in the darkness through the ROAD FLARES he lifted from Chester Copperpot. Data's fingers pass over the STICK OF DYNAMITE, and instead grab a FLARE. Data LIGHTS the flare and PASSES it to Brand. Brand STILL COMPLAINS.

. BRAND. ‘. All we keep doin' is goin' lower!

Where We goin'?...Where's this

leadin' us?...this place is gettin' “awful small! Awful small!...

Mikey takes advantage of the situation and moves even

Cont'd)

CLOSER to Andy. As he explains to her, he SMELLS her 108 perfume and the. shampoo rinse in her hair.

. MIKEY

Me and Brand got stuck in this elevator once. For five hours. It was okay at first...then he started gettin' closet--..-closetphotos...

Mikey gives Brand the PROMOTENE MIST. Brand GRABS it. Sucking up the PRECIOUS mist. Mikey again WHISPERS to Andy.

MIKEY ; Last time he used that was in the elevator. (serious, trying to be strong) Andy...this might get rough. You better let me take your hand.

Andy TAKES Mikey's hand. Thé passageway has gotten WIDER. The kids can now walk UPRIGHT. The kids ROUND a corner and have made it to a POOL OF WATER. The water comes up to: their ANKLES. Mikey HOLDS the map above water. He suddenly notices piles of glistening SILVER and COPFER COINS, surrounding the edge of the walls. Mikey SMILES, as if his payers were answered. Struck with goldfever, Mikey DASHES out ahead of everyone.

Mikey falls to his HANDS AND KNEES in a shaft of cool exterior moonlight from far above. Brand takes several DEEP BREATHS, taking in the sudden burst of FRESH AIR from above. He starts PICKING UP all the coins in a one inch pool of dirty water.

.Cont'd)

75 REV: 10-14-84

DATA ioB What year was that map made?

The kids BEGIN to POCKET the change, joyously FILLING their pockets with the money. Stef PAUSES. Something is BOTHERING her. She LOOKS at the others.

. STEF Wait...these are somebody else's wishes. Not ours.

Stef EMPTIES her pockets. The other kids PAUSE, doing the same. Mouth PAUSES, putting one of the quarters into his pocket.

. MOUTH Yeah. Well this wish was mine and 1t didn't come true.

Mikey STARES at the map, then STARES at the medallion he found around Chester Copperpot's NECK. Mikey is PUZZLED. TALKING to himself.

Mikey EXAMINES the medallion, locking for some sort of clue. Suddenly, a SPLASH. in FRONT cf Data. Data FISHES

for what landed in the water. He removes a SILVER DOLLAR. He LOCKS at the other kids. SURPRISED.

108 DATA 108 (Cont'd) who's got the "K" to be makin' ' dollar wishes?

109s EXT, WISHING WELL - NIGHT 109

Troy sits at the side of the well, his red Mustang in the background. He's JUST TOSSED the silver dollar. Troy is a@rinking Buds with THREE of his muscular FRIENDS. One of the friends gives a COCKEYED smile to Troy.

. TROY To make it with Andy.

Suddenly, the silver dollar’ FLIES BACK OUT of the well. AITIING Troy in the head. He GLARES down into the well.

Everybody goes nuts. The goonies SCREAM and CHEER -for help.

A hopeful Troy LOOKS at his friends. He SHOUTS back into the well.

112s INT. WISHING WELL - NIGHT | 112 Andy SCREAMS, thinking ONLY of herself. | ANDY (0.8.) Yeah, Troy! I‘m stuck down here!

How "bout sendin’ down the bucket . and rope! Please! Save mel

Troy LOWERS the bucket into the well.

The kids WAIT. EXCITED. But Mikey stands ALONE, staring at the medallion and the map. A PUZZLED, CONFUSED LOOK on his face. He TALKS to himself.

MIKEY ° I know I can beat you...this is just another one a’ your tricks...right, One Eyed Willy? °

cur TO:

Sloth sits with his BACK to us. He sits in FRONT of the T.¥. His face a few INCHES from the screen. He is watching a pirate movie. Jake and Francis CARRY Chunk

.inside. They sit his chair directly BESIDE Sloth. Sloth

DOESN'T notice. Too INTERESTED in the show. Jake SMIRKS at Sloth. .

Jake and Francis LAUGH. Sloth IGNORES them. They EXIT the room. Chunk STARES ahead. SCARED. He still CAN'T SEE Sloth's face. He emits a NERVOUS LAUGH. Trying to be FRIENDLY.

Sloth TURNS from the T.V. Emitting a LOUD, ANGRY GROWL. WE SEE SLOTH'S FACE. For the FIRST TIME. Lit by the FLICKERING blue of the T.V. screen. Sloth's MISHAFEN head is ENORMOUS. RECTANGULAR. A small patch of GREYISH hair

(Cant'd)

Bits on the top of his pointed skull. His neck and temple 115 are SHAVED. His ears are HUGE. His WIDE, BULBOUS NOSE stretches across his face. His lips are THICK. ORIPPING

with saliva. His front teeth PROTRUDE. CROOKED. YELLOW.

His eyes are CROOKED. One sits in the MIDDLE OF AIs

CHEEK. The other is in its PROPER PLACE. A MONSTROSITY.

“Chunk SCREAMS. TRAPPED. Sloth gives a HIGH PITCHED

GIGGLE. He's found a FRIEND.

Mama and the boys INSPECT the fireplace passageway. Each carrying a pistol and a FLASHLIGHT. Francis is holding the DOUBLOON. STUDYING it. Mama KICKS OUT the fireplace grid and starts into the tunnel. Jake and Francis COCK their pistols and FOLLOW Mama inside.

Curt TO:

The bucket has LOWERED to the bottom. Andy GRABS it first. The other guys GATHER AROUND. EXCITED. HOPEFUL. But Mikey is still STARING at the map and medallion, still PUZZLED, still MUMBLING to himself. Mikey sees that the bucket has ARRIVED. Andy PUTS her foot into the bucket. Mikey SHOUTS to her.

Folice...

117 ANDY 117 (Cont'd) Unless he's dead.

MIKEY

{a realization) Right...I forgot for a second.

{to the others} But you guys...don'’t ya’ understand? The next time you see the sky, it'll be- over another town. Next time you take a test, it'll be at some other school...our Moms and Dads want the best of stuff for us...but they gotta do what's good for them because it's their time now...down here it's OUR TIME! But that's all over the minute we ride up Troy's bucket.

Andy PAUSES. Mikey takes 4 SHOT of Promotene Mist. He. LOOKS at all of the kids. He gives a STRONG, DETERMINED look to everyone.

117 MIKEY (Cont'd) 117 (Cont'd) Prize is behind Door #1? Door #27 ' or Door #37" Now my Dad's Lucky Number was always "2". He got married on August Two. He got his job on June Two. And he's got two kids...

show guys screams. .."Congratulations! You've just won...QONE HUNDRED TROUSAND.. ;

(a pause) -

And the door swings open. And this huge glass jar is sittin’ in the middle of the stage...filled with TOOTHPICKS. One hundred thousand toothpicks.

Everyone LISTENS. INTERESTED. Troy SHOUTS from above.

He PULLS the rope. Andy PULLS BACK, lingering for another moment, fascinated by Mikey's story.

Everyone LOOKS at each other. How can they ARGUE? They're GOING FOR THE TREASURE! Troy AGAIN SHOUTS from above.

'" 4117

118A

B81 REY: 12-10-84

; TROY (C0.S.) Hey, Andy...you wanna stay down . there with the Goonies? Or are you comin' up here where you belong? I ain’t got all night! :

Andy PAUSES, turning to the ‘@fhers. They STARE at Andy.

Waiting for her DECISION.

Troy BEGINS to PULL the Bucket and rope. It is HEAVY.

Troy gives a VICTORIOUS SMILE to his friends. The bucket

ARRIVES at the top of the well. Troy is met with «4 SHOCKING SIGHT. The bucket is wearing Troy's LETTER SWEATER. Troy GRASS the letter sweater. The bucket filled with PEBBLES and ROCKS. His friends CHUCKLE. HUMILIATED Troy turns and walks to his Mustang.

CLOSER ON MUSTANG

Troy reaches dejectedly for-the door handle as the SHERIEF'S CAR suddenly pulls up, lights blazing.

SHERIFF

Tryin’ to stop a lynching, son. (Trey is puzzled) Mine, All hell’s busted loose over a bunch of missin' goonies. I got their parents callin' me, the newspapers callin’ me, the Mayor's callin’ me, and I sure as hell don't want to tell you what they're callin" me.

- SHERIFY Somebedy said they saw you and Andy walking with one of ‘em earlier today... ; {looks at notebook} a Stefanie...goddamn these polish names...

is A

118A

Li8K

B1A REV: 12-10-84 *

TROY 118A" Me? Walking with a goonie? When my asa learns how to chew gum, Sheriff.

. . SHERIFF Well when it does, son, you be sure and give me a call. There's a damn few things left in this world I'd pay to see, but that's one of ‘em.

The Sheriff’s car roars off. Troy watches, quiity but defiant.

Andy stands in FRONT of Mikey, prepared to take the (GOONE VOWS. MIKEY gives a SERIOUS LOOK to Andy-

Andy RAISES her right hand. She REPEATS every word Mikey ays. =

, . MIKEY 't will never betray my goon dock friends, We will stick together until the whole world ends, Through heaven and hell, and nuclear

war, Good pals like us, will stick like

tar,

In the city, or the country, or the

forest, or the boonies,

I am proudly declared a fellow..." {Mikey's eyes: go wide, HE SCREAMS ! }

LEECSE!f!3?

—_ ANDY Leech!

(pauses, puzzled} | Leech? You mean "goony”!

CONTINUED ©

{Cont'd}

8&2

Andy LOOKS at her arm. There are countlesS TINY, BLACK,

SLIMY LEECHES covering her arm! The kids PANIC. Everyone is COVERED with the little bloodsuckers. They DASH OUT OF THE WATER!

t

CLOSE UP - T.V¥. SCREEN. JULIA CHILD prepares a CHOCOLATE _ FUDGE CAKE. She pours creamy CHOCOLATE FROSTING over the double layer cake. CAMERA PULLS BACK. Chunk and Sloth both STARE at the T.V. screen. Both their mouths WATERING over the food. They are both incredibly HUNGRY. Sloth UTTERS a word. If a GRIZZLY BEAR could speak, it would sound like Sloth.

Chunk gives an APPROVING SMILE back. They share a COMMON LOVE. Chunk REMEMBERS something. Although his hands are tied, he has enough freedom to move into his back pocket. Chunk's fingers DIG into the pocket. He removes a somewhat crushed "ALMOND JOY". Chunk LIFTS the candy bar. SHOWING at to Sleth. Sloth gives a GIANT SMILE. ~

Chunk tries to throw the candy bar to Sloth. It lands BETWEEN them both. On the FLOOR. Out of Chunk and

Sloth’s REACH. Sloth GROWLS. ANGRY. UPSET, He begins to PULL at the chains that BIND HIS LEGS to the wall.

Chunk WATCHES. FRIGHTENED. Sloth pulls HARDER.

GRUNTING. GROANING. The wall surrounding the bolts begins to GIVE.” Plaster CRACKS. CRUMBLES. The bolts FLY OUT OF THE WALL. The chains DROP TO THE FLOOR. Sloth’s legs are FREE. Chunk SHAKES HIS HEAD. ,

Sloth gives a WHEEZING LAUGH. He begins to pull at the chains that BIND HIS ARMS. Chunk just WATCHES.

63 REV: 12-17-84

The kids are COVERED WITH LEECHES! They are in a FRENZY. HELPLESS. Andy tries to SHAKE the leeches from her arms and fingers. Erand tries to.PULL OFF the leeches. Mikey tries te DANCE off the leeches. Nothing WORKS. The leeches are STUCK.

Data thinks FAST. OPENING his yellow vinyl blanket! He removes a medium sized, 20 VOLT BATTERY! He hurriedly CONNECTS two wires to the battery. Data rung to the edge of the WATER POOL. Data keeps his feet in the SHALLOW SECTION. He inserts the ends of the battery wires INTO THE WATER. A LOW VOLTAGE SHOCK surges through Data. The leeches FALL OFF his body! ELECTROCUTED! Data MOTIONS for the others to join him. As each person STEPS into the water, Data INSERTS the two wires. A SUCCESS. The device REMOVES the leeches from everyone. Only Andy and Stef REMAIN. Andy STEPS into-the water. She gets her electric SHOCK. A SMILE slowly appears on her face. Her knees BUCKLE. WEAK. She emits a SIGH. Followed by a tiny SQUEAL. The SAME thing happens to Stef. Once they're out af the water, Stef WHISPERS to Andy.

Andy leoks at Data, who ig HOLDING up the two electrical Wires. Data victoricusly smiles and wiggles his eyebrows suggestively. Andy SLAPS Data across the face. This causes a chain reaction on Data's BOBBY TRAPPED body. A tiny GI JOE DOLL pops out of Data's shirt and fires a Single shot PLASTIC PROJECTILE at Andy. The GI JOE goes

-back down inside of Data's shirt, not unlike a CUCKOO

CLOCK. Andy ROLLS her eyes. CUI TO:.

84 REV: 12-17-84

AN AGONIZED SCREAM is heard as Jake tries to pull Mama over the top of a boulder while Prancis pushes frem behind. The lady is spreadeagled over the huge rock as the tro boys struggle hard. .

‘Braneis gives a mighty shove up on Mama's behind as she lurches forward with a ROAR, instantly SLAPS Jake in the face:

MAMA ; Sure. Right before they ate hin.

“Stupid...

CONTIRUED

a4

122 FRANCIS 122 (Cont'd) This is Chester Copperpot. He went ; ' Jlookin' for the missing treasure of William &. Pordobel...better known as "One Eyed Willy”. ’

MAMA, (holds up doublocn} That's what this is from?

FRANCIS

One Eyed Willy was one at the most

ingenious pirates of the 16th

Century. The guy started out as a

Caurt Jester, but was banished from

5 Spanish Courts because of his

off-color stories and pratical

jokes... Jake GRABS the doubloon from Mama. He STAYS BEHIND, examining the doubloon as Mama and Francis CONTINUE AHEAD.

FRANCIS

So, Willy formed this Pirate Band...and they set sail on this ship, “Inferno”. Willy and his men marauded hundreds of the King's Ships. They accumulated a treasure worth millions.

{a beat} Legend has it...that while bein’ attacked hy three of the King's ships, Willy steered his stricken ship into a hidden, underground cavern,..which the British sbaled with their cannon fire. Willy and -the other survivors spent the next couple years hidin’ out, tryin’ to repair the Inferno. They built a bunch of underground caves, loaded With all kindsa' weird booby: traps..-.to protect the treasure. One of his mén escaped to tell Willy's story...

(shrugs) And that's been the local legend around here for a couple hundred years.

MEANWHILE, Jake still stands in the background, STARING at the doubloon. Jake is STANDING directly BELOW the hole where earlier, the Gorilla had FALLEN. Suddenly, a LARGE, HAIRY GORILLA ARM reaches down. The arm GRABS the toupee off Jake's head.

122 JAKE 122 {Cont’d) _ MAAAAABA--!!

- Jake REMEMBERS , then looks at MAMA with fear in his eyes.

took it!

Jake TURNS and RUNS. Suddenly, THERE IS A LOUD BANG! Jake

85 REV: 12-17-84

Jake whacks Francis in the face!

a JAKE Your message from Mama!

Jake lurches backward from the blow. Suddenly, THERE IS A LOUD BANG: Francis jumps! We hear ANOTHER LOUD BANG!

Prancis draws his pistil, FIRES, as Mama and Jake duck for cover. .

(Cont’d)

&6

JUMPS! He begins to RUN AGAIN! We hear ANOTHER BANG! And 172 ANOTHER! Jake FIRES his pistol! Up ahead, Mama and Francis DUCK for cover.

cur To:

The goonies are FROZEN in their section of the passageway. The BANGS ARE AUDIBLE, far back in the passageway. The Kids EXCHANGE A FRIGHTENED, PANICKED GLANCE!

DATA

My booby caps.

(holds up caps) I put these on the ground so we can hear if somebody's following us!

The kids all exchange a SHOCKED PAUSE! The realization suddenly HITS THEM! Stef SCREAMS!

With a SCREAM, all of the kids RUN OFF INTO THE PASSAGEWAY! cUT TO:

Jaké manages to CATCH HIS BREATH. Mama EXAMINES the seal beneath him. She picks up a-ROW OF CAPS from beneath Jake’s shoe. She gives Jake a SLAP to the head. MAMA . What's yer’ problem? -Firin' yer gun over a buncha’ kiddie caps?

The Goonies are running through the passageway. Data LEADS the way with a flare! His light illuminates a GRADUAL RISE in elevation. The kids round a corner, arriving ina SMALL, CONFINED AREA. A DEAD END! The flare GOES OUT!

125 Data reaches back. His hand fumbles over a stick of 125 (Cont'd) DYNAMITE, but grabbing another FLARE instead! Meanwhile, a look of PANIC seizes Brand. He begins to HYPERVENTILATE. Becoming more CLAUSTROPHOBIC. Andy tries to COMFORT him.

ANDY

“We go back the same way we came in. Mikey LOOKS to the map. PUZZLED. Talking to HIMSELF.

; ‘MIKEY

It's gotta go on.,..Right "One Eyed Willy"? You wouldn't end it here...you always got somethin’ up your sleeve... :

In the background, Brand CONTINUES to FREAK OUT. His face has become a DEEP PULSING RED. His eyes BULGE. CRAZED. He is on the verge of EXPLOSION.

Mikey FINDS a SPANISH PHRASE written on the map that corresponds to where the kids are. Mikey POINTS it out to Mouth. Mouth TRANSLATES.

(Cont'd}

Brand begins to literally CLIMB TBE WALLS. He TEARS and 125 RIPS at the walls with his hands. He tears off the MOSS!

He rips cut pieces of earth and ROOTS! The goonies each

GRAB a piece of Brand, trying to hold him back. Finally,

they get him to the ground and PILE ON TOP-OF HIM! When he finally RELAXES, the kids get off. ONE by ONE. Stef LIFTS her shirt and motions for Brand to put his head INSIDE.

Brand's head is STUFFED beneath Stef's shirt, his head buried into her chest. Andy just STARES. Her eyes ANGRY. Stef NOTICES this and PUSHES Brand out from beneath her shirt and teward Andy. ,

Andy NODS. Brand stuffs his head UNDER her shirt. Meanwhile, Mikey TURNS to the wall that Brand hae raped. The wall has been COMPLETELY STRIPFED of earth and moss. All that remains is a STONE WALL of JUTTING, STONE PEGS. They appéar to be very NATURAL, but they manage to CATCH Mikey's eye. He SMILES, talking to himself.

* MIKEY "Copper bones..." {he holds up the medallion looking through the holes at the wall} .-.TI1iple stones..."

Mikey begins to try and FIT the COPPER MEDALLION'S HOLES over three of the jutting stone pegs. He TRIES several

stones, but nothing seems to fit. The kids are GATHERED around Mikey. In the background, Brand is still buried

alia Andy’s shirt. The other goonies CURIOUSLY watch ikey. ; ..

Mikey SUDDENLY fits the medallion over THREE JUTTING

as

STONES. A PERFECT FIT. Mikey WHISPERS to himself. (conbta) PUZZLED.

Mikey tries to TURN the medallion to the West! Suddenty,

like a built in doorknob, the medallion and the stones TURN. WE HEAR a LOUD CREAKING SOUND! Mikey STEPS back.

The kids EXCHANGE a puzzled look. SUDDENLY, A CANNONBALL

FLIES OUT OF A SECRET COMPARTMENT IN THE WALL! - The kids

JUMP BACK! The cannonball rolls into a small PATH that we see is meant for the cannonball. In typical RUBE GOLDBERG

fashion, the cannonball sets off a chain of events that

climaxes with the FLOOR BENEATH DATA FLIPPING OPEN! This

Bends Data FLYING and SCREAMING into the deep darkness of the new hole!

CAMERA ENTERS HOLE WITH FALLING DATA!

Data SCREAMS and FALLS through the darkness. TOWARD the

bottom. As Data FALLS CLOSER to the bottom, we cut to: DATA'S P.0.V, = COMING AT HIM, A SKELETON is VISIBLE,

standing at the bottom of the tunnel. Surrounded by SHARP

WOODEN SPIKES.

The Goonies stand over the hole. Data's screams suddenly DIE! COMING to an ABRUPT STOP! The kids PAUSE. LOOKING at each other. A FRIGHTENED, QUESTIONING look fills their

eyes. They GATHER around the hole. The kids PEER inside. 127 There is NOTHING BUT BLACKNESS. Brand CALLS our.

There is no answer. Andy’s face goes WHITE. She shouts inte the HOLE! PANICKED!

MOUTH

They probably got Chunk...

(screams down into the hole} DATA! DATA!! DAAARATTTTTAAAA!!!

(looks up at all the

kids = in a soft voice says) He went down...I coulda’ grabbed him...I was this Close...this close. He's really...

-..gone.

Upon hearing this everyone breaks down and starts crying. Mikey, already sobbing, starts to cry uncontrollably. Brand, who's been holding Andy, leaves her to put his arms. around Mikey. He lifts Mikey up and the two brothers clutch each other.

{remembering} "Glasses of Death!"..."Bully Blinder"!..."Smoke Screen"...

SUDDENLY, A VOICE ECHOES FROM SELOW!

R — OF HOPE covers the kids' faces. They SHOUT into the ole.

(Cont'd}

EVERYONE . 127

Data! Data?! Are you okay? Speak to us!

Data HANGS a few inches from the top of the skeleton's head. He has been SAVED by his "Pinchers Of Peril”. They have CLAMPED ONTO A JUTTING ROCK several feet above Data. He DANGLES in midair, bobbling up and down on the SLINKY-LIKE COIL. Be SCREAMS DPWARD.

Data LOOKS DOWN. The skeleton below him seems to be part of a new passagevay. There: is a phosphorescent LIGHT glimmering throughout the passageway. Data SHOUTS.

_ * DATA Hey, you guys...iI found another hole...It's all lit up down here...

Up above, the goonies exchange a puzzled glance. Brand - notices he's still holding onto Mikey. He drops him like a Small sack of fertilizer and moves over to reclaim his territory on Andy.

TwO GIANT, HAIRY HANDS RIPPING the "Almond Joy” candy bar in two. CAMERA PULLS BACK. “We are back in Sloth'’s room. — Sloth has torn his bindings FROM THE WALL. The fragments of heavy chain still HANG from his arms and legs. Chunk Still sits BESIDE Sloth. TIED UP. In his CHAIR. Sloth GOBBLES DOWN half of the candy bar. He pauses and puts the other half into Chunk's MOUTH. Chunk happily CHEWS. Sloth WALKS toWard Chunk. His DARK SHADOW towering over Chunk. Sloth's arms REACH OUT for Chunk. Chunk PANICS. Thinking he's going to he KILLED.

Sloth GRABS Chunk by the shoulders. Sloth LIFTS Chunk AND the chair. UP INTO THE AIR. Until their faces are on the SAME LEVEL. Chunk its still FRIGHTENED. Sloth leans forward and KISSES CHUNK! On the LIPS! It’s a HARMLESS,

{Cont'd}

131 -

GENTLE KISS. ‘Sloth's expression of FRIENDSHIP. Sloth 130

leans back and giggles. Chunk GRIMACES. CHUNK

Man. You smell like P.E. '

Sloth DROPS:Chunk! Chunk and the chair HIT THE FLOOR! SMASH! The chair BREAKS. Into several pieces. Chunk gets to his FEET. FREE. Chunk BRUSHES himself off. Sloth GRABS Chunk's hand. o

Sloth PULLS Chunk out of the room,

Sloth pulls Chunk inside. Sloth RUNS to the freezer. He OPENS THE DOOR. He LOOKS BACK at Chunk,

Sloth rips open. the freezer's PLASTIC BAG. He removes a thick, FROZEN T-BONE STEAK. Sloth takes a HUGE BITE from the frozen meat. CHEWING the crunchy steak. Sloth OFFERS a bite to Chunk. Chunk DECLINES.

Sloth SHRUGS. He CONTINUES eating the steak. BONES and all. Chunk spots a TELEFHONE. He walks out of the freezer and GRABS the PHONE. Chunk DIALS a THREE DIGIT number.

™Flus, we found the hideout of those ‘Fratelli people. .then--

SHERIFF {¥.0.) Wait. Just hold on here. Is this you again, Lawrence?

CHUNK

{embarrassed} Ah...Yeah.. It is.

_ 131

. SHERIFF (V.0.} 132

When the hell are you gonna’ stop buggin’ me? Da I hafta’ call your Mother again?

Meanwhile, Sloth has begun to DEVOUR a FROZEN TURKEY. He

RIPS the turkey apart. One of the legs FLIES OUT of

Sleth's hands. Bouncing INTO THE FIREPLACE. Sloth RUNS to

the fireplace. Chunk tries to CONVINCE the Sheriff.

Sloth REACHES into the fireplace hole. Trying to FIND the turkey leg. He NOTICES the dark passageway. He looks into the BLACKNESS. Sloth emits a ROAR into the passageway.

The passageway ECHOS BACK with another ROAR. Sloth

LAUGHS. He ROARS again. Another echo ANSWERS BACK. Sloth laughs HARDER. He's found ANOTHER FRIEND. ‘Chunk STILL TRIES to convince the Sheriff.

s Honest, Sheriff...you gotta believe. m@...

Chunk NOTICES something. Sloth is CLIMBING INTO THE FIREPLACE. ‘ CHUNK Sheriff...hold on...

{calls to Sloth) Wait! Get back here! Hey!

As Chunk DOES this, he clumsily TEARS THE PHONE OUT OF THE

WALL! Sloth CONTINUES to crawl into the fireplace. 131 CHASING his new friend. Seeing that there is NO CHANCE to repair ‘the phone, Chunk runs to the FIREPLACE and FOLLOWS

Sloth inside. CUT TO: -

The kids have LOWERED themselves into the new passageway from a length of ROPE. A DIM, PHOSPHORUS LIGHT fills the area, caused by microscopic sea creatures and plankton.

They walk into a circular chamber with THREE SEPARATE TUNNELS. THE SKELETON, dressed in PIRATE'S COSTUME, is suspended in a CHAIN-LIKE contraption, amidst a series of SHARP, WOODEN SPIKES, in the middle of the room. The kids STARE at the skeleton, FUZZLED, SHOCKED by what they see. The kids slowly INCH TOWARD the skeleton. Mikey NOTICES that the three tunnels all lead off into DIFFERENT DIRECTIONS. Nothing in particular DISTINGUISHES one tunnel

‘from the cther. The kids are PUZZLED. CONFUSED.

CAMERA MOVES IN on Mikey. Can history be repeating itself and handing Mikey a second chance? He LOOKS at the map. Andy is BOUNCING up and down on one leg. She has to go to the bathroom. She turns to Stef. Stef is ALSO BOUNCING up and down on one leg. Andy PULLS Stef's arm. They SNEAK | OFF TOGETHER. Into ONE of the three tunnels. Everyone is too CONCERNED with One Eyed Willy to notice. Meanwhile, Mikey has FOUND the spot on the map where the path veers off into three directions. A SPANISH RIDDLE is written here. Mikey FOINTS this out to Mouth.” Mouth EXAMINES the phrase. He TRANSLATES, in the voice of PETER LORRE.

“ MOUTH "Three tunnels of mystery, All lead to unknown, To travel correctly, Tickle the funnybone.”

Everyone TURNS to the skeleton. LOOKING for the funnybone.

anything anymore! cuUT To:

Andy and Stef have finished their business. They are without a flashlight, or flare. Stef turms to go back. Andy pauses, giggling. -She composes herself and cries out:

How can you be thinkin’ about Brand at a time like this?

Brand and the boys surround the dangling “One Eyed Willy" skeletony still looking for the funnybone. Andy's voice

echoes from the tunnel.

— ANDY (0.5.) ranag!...

Brand sighs. He gives a slap to Mikey.

BRAND | Go see what she's raggin’ about.

Mikey follows Andy's yoice into one of the tiumnels. Brand looks at the others.

BRAND , 135 Okay, 50 we gotta tickle ‘im...But where's the funnybone?

Mouth tickles behind the skeleton's elbow.. This triggers & LOUD CREAKING SOUND. Suddenly, a skeleton shoots out of one of the caves, dressed as the "Angel of Death”. The skeleton is carrying a large Scythe. Its rusted blade long and sharp. The booby-trapped skeleton speeds across the floor fastened to a wooden board with wheels. The scythe blade coming straight for the boye’ heads. The boys duck, just in time. The skeleton shoots by. The sickle hlade just missing their heads by less than an inch. The skeleton slams into a far wall, shattering inte a million Pieces. The boys catch their breath.

The Fratelli’s make their way out of the small water pool. They are smoking cigarettes, burning off the leeches with the fiery end of the cigarette. Mama spots footprints leading out of the pond. She smiles.

. MAMA They went this way. There's little Nike prints all over the ground.

Mama,. Jake and Francis continue forward.

Mikey walks through the twisting tunnel, leoking for Andy. She crouches a few feet ahead, at the edge of the dark corner, waiting. Stef watches. In the background, Andy calls again.

Andy heafs footsteps coming her way. She exchanges a smile with Stef. The footsteps get closer. Mikey rounds the corner. Andy wraps her arms around him.. In the darkness, Andy mistakes Mikey for Brand. Andy kisses Mikey. A long, PasSionate, open mouthed kiss. Stef watches, realizing that it's Mikey. She hides her layghter. Andy finally stops. She leans against the wall, out of breath, eyes closed, in dreamland. A giant smile covers her face.

A startled, but ecstatic Mikey doesn't say a word. Se looks at Stef. She gives him a wink. She won't divulge

$7

137 his secret. Mikey turns. He moves back te the boys. Andy 137 (Cont'd) opens her eyes. Stef gives a questioning look.

. STEF Okay, you kissed...now tell!

. ANDY {acientificaliy} Well! He's not what he appears. He's scholarly...and sensitive...and very, very Sweet. But there's. something weird...

. STEF What’s that? ANDY I think he wears braces. STEF {hiding laughter) Next time...You gotta kiss ‘im with

YOUr eyes open. It's a whole different experience.

Stef pulls Andy's arm. They move back to the chamber.

The boys still sit in front of "One Eyed Willy", shaken, puzzled, trying to figure out where the funnybone is located. Mikey enters, followed a few seconds later, by Stef and Andy. They SEE the smashed skeleton with the scythe, puzzled.

Okay. Everybody turn around and hide your eyes.

GOONTES

“What? Turn around? Hide our eyes? _ Why?... STEF Hey...You wanna get outta here or not?!?

The guys shrug. What can they lose? Everyone turns around and hides their eyes. When Stef gets the privacy she wants, she reaches out and...grabs the skeleton's. crotch.

A moment passes. A creaking SOUND. The kids brace

$a

themselves for another booby-trapped scare. But this 138 time...One Eyed willy’ s body contorts. The chain holding

the skeleton's right arm begins to move. Siowly, the arm raises. It stops in midair. The arms finger points to

door number THREE. Stef smiles.

The kids turn around and SEE the skeleton pointing to the third door. But the kids are puzzled. How did Stef figure this out?

The boys know better than to ask any questions. Mikey seems disappointed that the skeleton is pointing to Door

number 3. Mouth puts his arm around Mikey.

Mikey doesn't say a word as the others begin to move through Door #3. But Mikey gets a sudden idea. He covers his right eye with his hand. He stares at the skeleton's finger. He moves his hand, then covers his eyes again. He smiles; a realization.

The kids pause. Mikey looks” at everyone.

Mikey covers his eye. The other kids follow suit and do

the same, They SEE that when you cover your eye, the skeleton actually points to the middle tunnel.

39 REV: 1-11-85

138 BRAND 138

(Cont‘'d} (turns to Mikey) It's the middle tunnel! {to Mouth)

peor number twa!

Mouth shrugs, reluctantly agreeing. Everyone congratulates Mikey, as they run into the middle tunnel.

CUT Te:

°139 . INT. CHESTER COPPERFOT TUNNEL . - 139

Sloth is rumming through the passageway, eating the frozen turkey leg. Chunk is a few steps behind Sloth. Sleth walks through the tunnel. He emits a LOUD SCREAM into the dark passageway. An ECHO again answers back. Sloth chuckles, continuing forward. Chunk grabs Sloth's arm,

trying to explain.

: CHUNK Walt! Listen to me! That's nota person. That's just your ECHO. Understand? Your ECHO! ‘

- Sloth pauses. Higa face lights. He nods, thinking he understands Chunk.

Sloth turns and continues forward excitedly repeating "Eggo - waffle" to himself. Chunk follows, trying to reasan with Sleth. - —

CHUNK ‘ No! Not "Egga"...ECHO! ECHO!

oe SLOTE

EGGO! _ CHUNK

ECHO! SLOTH

EGGO! CHUNK

Okay! Have it your way!

Sloth pauses, then grins, his eyes dancing like pinbalis with instant recognition.

SOA REV: 1-11-55 . *

Chunk beams, immediately joining in, as the two fast friends head off dawn the tunnel singing together.

CHUNK : (voice trailing off) Actually, my favorite is Domino Pizza, I'il take you to one when we get back...

Suddenly, a GROWL is heard. Sloth pauses. He leoks around. A frightened Chunk hides behind Sloth. Suddenly, a hairy GORILLA ARM reaches down from above and grabs the turkey leg from Sloth's hand. But Sloth doesn't let go. Sloth pulls the leg! The Gorilla pulls back! A tug of. war!

100 REV: 12+13-84

WE SEE BONZO having a tug of war with someone underground,

Bertha grabs hold of Bonte, assisting her mate.

UNDERGROUND -

The tug of war continues. Sut Sloth is stronger! He manages to pull Banzo and Bertha through the hole and inside of the passageway. Sloth is met face to face with

the TWO GORILLAS. Bonzo and Bertha GROWL! Ready to kill! But Sloth steps into a sliver of light and the Gorillas SEE Sleth's face! They are terrified! Sloth growls and snaps,

leaping forvard, and Bertha and Bonzo panic, dashing forward into the passageway.

BONZO AND BERTHA

run several feet and leap up the walls, trying to burrow

out through the ceiling.

Tray and his friends have stopped at the gas station. A MIDDLE=AGED ATTENDANT in greasy work clothes fills the gas tank

of Troy's Mustang. Troy and his friends get out of the

car.

They're guz2ling bottles of Heineken. Troy fumbles

through his pockets to pay the Station Attendant. Troy

looks at the front fender. invisible scratch.

Troy slugs some beer. We hear a “DING-DING" in b.g. as another vehicle pulls up at the pumps.

. ; TROY (CONT'D)

You better start linin' up for food stampa, pal. My old man's best friends with the guy who owns this station. You can kiss your job goodbye.

He spots a microscopic, nearly

102 REV: 12-13-84

Another "DING-DING." The irritated Attendant tums. 144 toward the noise.

" ATTENDANT Listen, I'll be with ya in a...

ANGLE ON GORILLAS - HIS POY

The TWO GORILLAS leap out of their red golf cart on the other side of the pumps! Grunting in ecstacy at the sight of Troy’s red automobile, they lumber toward it, tossing Troy and his friends to one side like Cabbage Patch dolls.

Bonzo jemps onto the hood, caving it in, as Bertha leaps into the car. Bonzo takes his familiar place behind the wheal, reaches out to stomp on the pedals. The car Llurches forward and drives away erratically, spinning from side to side.

Troy gets to his feet, purple with rage.

The satisfied Attendant rehooks the gas nozzle to the pump, checks the readings.

curt To:

Mama and the boys anter. They SEE the skeleton pointing to the third cave. CAMERA PANS to the floor. We SEE the Several NIKE footprints leading into the middle cave. Francis stares at the skeleton.

Jake walks to the skeleton and begins to go through the skeleton's pockets.

Jake's hand reaches into the skeleton's crotch area. The skeleton's arm springs back and socks Jake, knocking him to the ground! A raging Jake raise hia pistol, ready to blow the skeleton's brains out. Mama interrupts:

Jake and Francis pause. We HEAR the distant sound of the GOONIES’ VOICES echoing from the middle tunnel. Their voices are high, squealing with axcitameant, as if they've just discovered samething. A menacing smile slithers

ee ee ee

{Cont'd}

across Mama's face. She checks her revolver, making sure 145 it's loaded.

The Goonies have arrived in a large section of the passageway. A long, crooked, wooden mast stretches acroseé a deep, stream of rushing waters. The mast is the only way across the stream, which leads to a Skull-shaped opening in the wall. Countless living starfish line the surrounding walls.

CLOSE = GROUP SHOT

For the First time, all of the Goonies sense the impending magic of Mikey's adventure. All stare, jaws limp. Andy whispers to Brand:

Andy reaches out for Brand's hand. Mikey reaches back. and grabs Andy's hand first. Andy can't téll the difference. But Brand, who stands ahead of Mikey, gropes back for Andy's hand, Mikey thinks fast and grabs a starfish from the wall. He puts the starfish into Brand's hand. Brand is satisfied, thinking he is holding Andy's hand. Mikey smiles to himself. Brand moves his hand forward. He SEES the starfish. Letting out a scream, he pulls the starfish from his hand. Mikey quickly lets go of Andy's hand. He ona hide his giggle. Brand notices. He grabs Mikey in a eadlock,

They are suddenly interrupted by the SOUND of BANGING CAPS! The kids exchange a startled. aE aeIeee 7!

; MOUTH “Shit! That sound again!

The kids emit a mutual scream. They run for the mast. They begin to climb the mast. Some of the kids balance themselves, trying to walk across. Others straddle the mast, crawling toward the skull-shaped opening. The old’ mast creaks and groans with their every move. A low, ominous voice suddenly echoes through the chamber.

MAMA (0.S.} 146

Oooooohhhhh, Booocooyyyyssss!. ANDY Coocoohhhhh, shhhhiiiiittttt!. MOUTH {turms, trembling)

Jerk alert! |

The kids stop and turn, having made it halfway along the mast!

MAMA, JAKE and FRANCIS : 147

stand at the entrance to the passageway, at the foot of the mast, over 75 yards away from the Goonies. Mama raises. her pistol toward the kids.'

The kids look at each other, turn and move. faster along

the mast, practically crawling over each other to make it to the opening! Mama shoots! A section of the mast is hit, blowing it to smithereeens! The kids continue to

runt Mama fires another shot! The bullet zips past Mikey, . just missing him. It blows away a section of wood directly in front of him! The kids arrive at the top, running into the opening. Mama and the boys dash forward, beginning to cross the mast. Before entering, Data turns, seeing the Fratelli's coming after him with a gun. He reaches for a cord inside of his shirt. He pulls the cord and screams.

DATA

-

Slick shoes!

Both heels of Data's shoes pop open! A plastic tube extends! Black oil sprays out, splattering down the mast! As Mama balances herself on the mast, she raises her gun, aiming at Data. But the oil has splattered over the entire mast. Before Mama can fire a shot, she slips and falls, tumbling back into Jake and Francis. They nearly fall off the mast, holding on for dear life! Data cheers, but suddenly begins to slip himself. Seconds before he falis into the stream of water, Mikey grabs him and pulls Data inte the chamber. Py

The Goonies run inside, panicked, scared. The chamber is no more than thirty feet in length. Its passageway is

{Cont'd}

blocked by a giant boulder. Brand and Mouth try to move 148 the boulder that blocks the path. Too heavy. Won't

pudge. - The kids exchange a frightened glance. They are trapped. Built into the wall, beside the boulder, is a

pipe organ. A quite unusual organ. Each piece, from the

keys to the pedals, are constructed of human bones. Stef reaches out to hit a key. A frenzied Mikey opens the map, reading it with Mouth. Mikey shouts out to Stef.

MIKEY

Stef pauses. Mouth hurriedly reads another of the map's riddles. Beneath this riddle, a few bars of MUSIC are written. But a few of the notes are erased and smeared. A result of the map's age. Mouth translates the riddie. ~

MOUTH

"To move on, play the tune, As each note 1s said,

For too many mistakes,

Ye will surely be dead."

: MIKEY {holds up map) Anybody know how to read music?

The kids shake their heads. Stef locks at Andy. STEF

Hey...You were the only one of us who could afford piano lessons...

“ Better than nuthin’. Mikey gives her the map. Andy examines the bars of music. Data is looking back through the tunnel entrance.

DATA'S POV = Mama and the boys are back on their feet. Red

with anger. They attempt to again climb the mast, slipping: sliding, and struggling.

Data LOOKS back to the goonies.

Everyone TURNS to Andy. SCARED. HELPLESS. Their SURVIVAL is up to her. She gives a NERVOUS shrug.

Andy takes a SEAT at the organ. She places the MAP on the piano's music stand. Andy READS the first note. Siowly, she PUSHES down the foot pedals. She PRESSES one of the bone keys. A hollow, mysterious CHORD OF AIR echoes through the tunnel. The boulder CREAKS. Opening a CRACK. The kids EXCHANGE a hopeful: smile. .

Andy READS the next two notes. She hits TWO KEYS. Two chords ECHO through the tunnel. The boulder CREAKS again. Opening a LITTLE more. Less than an INCH. Andy TRIES to read the next note. It is SMEARED. UNREADABLE. Nervous, she piays a RANDOM NOTE. A SOUR CHORD blasts through the tunnel.

A LARGE CHUNK OF THE FLOOR CRACKS! It DROPS OUT! INCHES from Mikey's feet. He JUMPS BACK. There 15 now a LARGE HOLE in the floor. Mikey PEERS into the hole. it's a HUNDRED FOOT DROF. Onto a floor of SHARP STALAGMITES. Mikey CATCHES his breath.

years old!

Andy is TREMBLING. NERVOUS. She ATTEMPTS to read the note again. This time, she PLAYS a different key. The chord

is CLEAR. MELODIC. It SINGS through the tunnel. The boulder moves AGAIN. Opening another INCH. The kids emit

a group SIGH. Data still keeps WATCH.

Lod INT. PASSAGEWAY WITH MAST OVER WATER iSi

Mama, Francis and Jake are more than halfway along the _ mast. Francis slips, nearly falling into the stream. Only his gun falls into the waters. Francis composes himself and continues climbing upward.

Data panics. He SCREAMS to Andy.

Andy begins to play faster. She hits several correct keys. The boulder slowly opens. inch by Inch. But Andy suddenly hits a wrong note.- Another huge section of floor drops out. Mouth nearly falls to his death. Stef grabs him. In the nick of time.

153 MAMA AND THE BOYS 153

are only a few feet from the opening.

154° INT. ORGAN CHAMBER 154 Data SCREAMS at Andy.

Andy tries to play faster. This causes the boulder to open a little more quickly. But in the frenzy, Andy manages to his a few wrong notes. The Sour notes always trigger another section of the floor to drop out. The goonies are diving. Leaping. Doing everything to avoid the deadly holes in the floor. Soon, only one section of the floor

- remains intact: the section holding the organ. All of the - kids are clustered together. Clutching, grabbing onto differenf sections of the organ. The remaining section of floor tilts and quivers. If this section drops, the organ ae and all of the goonies will fall to their eaths.

We're all ganna die!

{Cont’d@)

Andy nods, Hands shaking. Dripping with sweat. She - 154 hurriedly plays the final bar of notes. Andy looxs at the map's final note. Completely blurred. Andy pauses.

Trying to decide what note to hit.

MAMA, JAKE and FRANCIS 155

arrive at the foot of the chamber, still slipping and sliding. They reach up. Grabbing the chamber'’s ledge for Support. Trying to crawl inside.

Andy sits at the keyboards. Frozen. Trying to decide what note to hit. Seeing the Fratellis, Data SHOUTS to Andy.

Andy closes her eyes. She raises her index finger. She randomly drops it onto the keyboard. A loud melodic note sounds through the tunnel. The boulder slowly opens. Wide enough for the kids to get through. Andy and the kids climb from the organ, through the opening! But Mikey's foot steps on yet amother note! A wrong note! The organ begins to crumble! The floor holding the organ sways, and Mikey is still hanging on! Brand reaches out and grabs his brother's hand! He pulls Mikey into the opening, seconds before the entire organ and floor crumble into a million pieces! “

The Goonies have escaped into a steep, long circular Water slide! The goonies duck and dodge various jutting rocks and stallactites as they slide to the bottom! Screaming the whole way down!

A rocky wall. <A small passageway. Less than four feet tall. It sits at the bottom of the vall. A miniature caye. A stream of water suddenly gushes out of the passageway. Brand, Mikey and Data also shoot out! They

land in the pool of water below it. A few seconds pase. 158 Mouth, Stef and Andy flow out! Ejected from the

passageway! The kids catch their breath. Shaking the

water from their ears. Spitting the water out of their

lungs. Mikey sees something. His eyes get wide. His

mouth drops open. Speechless. The others are soon met

with the same sight. They are equally shocked. - Delighted. Overwhelmed. For several moments, the kids

stare. In wonderment.

CAMERA PULLS BACK , 159

We are in an enormous underground cavern. An enchanting, magical place. The high ceilings and walls are lined with sparkling rocks. A large pool of water stretches across the ground. The most amazing sight in the entire cavern, is an authentic, wall preserved pirate ship! The gigantic ship is tilted on its side. Constructed of wood. Its crooked mast and tattered sails are in place. A black,. skull and crossbones flag waves. At half mast. The figurehead of a beautiful woman adorns the ship's bow. Ancient cannons jut from the side of the ship. Half of the ship is buried into the cavern wall. The result of a cave in. Hundreds of years ago. The kids continue to stare at the amazing Sight. Speechless.

Sloth climbs down the rope, moving toward the circular chamber. Chunk holds onto Sloth's back. As they climb downward, Chunk looks at Sioth.

Sloth gives a GRUNT. Chunk keeps talking.

- CHUNK And I got this other friend... Mitch...He's got this...this big hairy thing growin' out of his neck... People always make fun of it. So he only goes out to play at night.

{nods ) Bet you only like to go out at (MORE }

{Cont' a)

Sloth gives an understanding GROAN. They arrive at tthe bottom and enter the circular chamber. Sloth and Chunk stare at the Pirate Skeleton with childlike astonishment. Sloth walks up to the skeleton, removes the Pirate hat and puts it on his head. He turns, wiggling his eyebrows to Chunk, his expression saying "How do I look?” Chunk smiles. An honest expression on his face.

CUT To:

Mama, Jake and Francis move slowly, carefully. They walk,

back to the wall, across a thin catwalk along the edge of

the chamber wall. The catwalk was caused by the fallen

floor. One slip and they're dead.

cuT TO:

The kids stand before the large pool of water. Mikey

. begins to walk into the water. Brand grabs him.

Mikey pauses. Data has a solution. He reaches into his shirt and pulls a cord. A large, yellow life raft pops out of his backpack. The raft begins to inflate. But it just deesn't stop. It continues to get bigger... Bigger...until...BOOM! It explodes! The sound sends a shudder through the ancient cavern! A small rumbling is heard. Tiny pieces of earth crumble from the cavern

ceiling. ‘The kids exchange a frightened glance. With this 163 they jump into the shallow water and hurry toward the

ship. As they wade through the water, Mikey stares in astonishment at the ship.

The kids continue to hurry forward. Stef suddenly feels something strange, brushing against her thigh underwater. She turns to Mouth, who is behind her. Stef glares at him, raising her hand as if to slap him.

Mouth gives a puzzled shrug. Stef turms back around. CAMERA PANS underwater. We see a giant, slitherly tentacle wiggling a few inches from Stef's thigh. The tentacle begins to rub stef's thigh. ;

CLOSE = STEF

Her face glowing with anger. She raises her hand, ready to slap Mouth.

' STEF I warned you...

Stef turns and gives a hard slap to..

A giant squid! ‘Its bloodshot eye and tentacle are face to face with Stef! It has shot out of the water, between Stef and Mouth. Stef is speechless! In shock!- The squid retaliates with a Slap to Stef, knocking her into the water! The goonies clutch each other. Terrified. Another

_tentacle swoops down. With the sound of a cracking whip,

the tentacle slams into the water between the kids.

_ DATA Giant sushi!!!!

The bloodshot eye of the squid moves just above the surface

past the goonies as another tentacled arm sucks across Andy's breasts, pulling her toward the squid's gaping

mouth, Data removes his cassette player from his backpack. 163 He turns it on! Cranking the volume. The Talking Heads “Burning Down the House” blasts from the twin speakers!

Data throws the cassette player into the squid's mouth.

The squid reels back, letting go of Andy! The booming chorus of the Head's song reverberates through the squid's body. It trembles. Quivere. In shock. The monster

shoots away from the goonies. It is crazed by the rock n' roll. The squid wildly bounces off the cavernous walls, trying to make the music step. The squid inadvertantly does a comic dance, rocking to the beat cof the music and the

kids watch it disappear. Far into the cavern.

The goonies run to the pirate ship. Scared out of their wits. They arrive at the ship's bow. The gigantic ship towers over them. Mikey jumps up. He begins to climb the side of the ship. Placing his foot in the thin cracks of wood. The other kids hurriedly follow. Mikey shouts down to them.

Mikey continues babbling as he climbs over the ship's top.

The kids climb aboard. They stand on the ship's crooked deck. The deck is long and wide. Covered with old, creaky boards. Various sworde and knives hang on a weapon rack.

On the outside wall of the main cabin. The kids look for a way out. Brand and Mouth scan the wall of weapons.

Looking for a door. Mikey runs up onto the raised deck. Stef and Andy find a trap door. But it is locked by several thick, metal chains. Data walks up to the ship's extended, curved ventilator. Data crawls intd the wide ventilator opening.

Moving along the raised deck, Mikey backs into something. He turns. A pirate stands there! His back to Mikey, The Pirate is huddled over the ship's huge, wooden steering wheel. He is dressed in a tattered, colorful pirate costume. Mikey catches his breath. He reaches out, touching the pirate. A CREAK. The Pirate turns. Mikey is face to facé with a grinning Pirate skull. Two daggers protruding from the deep eye sockets! Mikey SCREAMS. Everyone rushes to him. Save for Data. The kids examine the skeleton.

164 - {Cant'd)

Stef pulls one of the daggers from the eye socket. 164 Examining it. The dagger’s handle is lined with small sparkling jewels. -Diamonds. Andy grabs the other dagger. Examining the jewels.

rt

Andy gives Mikey a ruffle to his hair. He'd rather have another kiss. They aré interrupted by Data's voice. Screaming for help. Everyone turns. Data's tiny legs protrude from the ventilator's hole. Kicking. Data is stuck. The kids come to his rescue. Brand and Mouth each grab one of Data's legs. Pulling. Hard. Instead of

' pulling Data out of the ventilator...Brand and Mouth pull

the ventilator out of the deck! Data falls on his botton, Still inside of the ventilator. A lafge hole has replaced the ventilator. In the ship's deck. Andy peers into the dark hole. Her head pops back out. Nose crinkled. Coughing. It's dusty. Andy looks at the others.

Andy‘ motions for the others to follow. She lowers herself into the hole. Data has managed to squirm out of the ventilator. He follows the others into the bowels of the ship. Before entering, Mikey takes a shot from his breath- alizer. .

The kids enter the large cabin below deck. A thick layer of greyish brown dust covers the floor. The kids huddle close together. The kids feet move through the thick dust.

Mikey stops. Noticing something in the middle of the ceiling. A small yellow glow. Shining through the dust! Mikey points it out te the others. -

The kids clear the dust with their hands. The glowing gets brighter. Brighter. The dust is cleared. An area o boards is visible. Bright golden light glimmers. Through the cracks. The kids exchange hopeful glances. Mouth gives a Sarcastic smirk. .

Mikey spots another riddle. Carved into the beams. Mouth translates, in the voice of the British Pirate.

_. DATA . That's the first riddle... From the attic.

Mikey excitedly standson a bench. He grabs hold of a loose board. He pulls. Hard. The ship creaks and shudders. But the kids are too curious to care. Mikey continues to ull. Finally, the board snaps. A glaring shaft of ight! Shining through the rectangular hole! Mikey smiles at the others. They are anxious. Excited. Everyone grabs hold of a board! As each board is removed, more light fills the cabin. The ship continues to creak and groan. The kids work fast. Urgent. Pulling away more boards. The ceiling above the kids begins to weaken. The Small section of céiling gives, tumbling down onto the kids, revealing the glorious light.

The kids have climbed into a large room. Filled with the treasure!

A magical room. Glistening with all the colors of the rainbow. The room is literally a garden of jewels. There are trees with branches of silver and gold coins, and leaves of emeralds. Rose bushes are made of sparkling rubies. There are flowers of sapphires. Bushes made of pearls. There is even a half moon, suspended in the air, made of diamonds. Scattered throughout the jewel garden, are hundreds “>of other items. Drinking goblets. Necklaces. Rings. Crowns. More treasure than the kids (or the audience} has ever seen in one room! Pirate skeletons surround the treasure. Arms croésed. Armed with swords. Guardians of the treasure. ;

And sitting in the middle of all of this, at a long wooden table covered with a feast of treasure, is One Eyed Willy. A look of total respect and admiration cover Mikey's face. He nods to One Eyed Willy.

1i¢ REV: 10-14-84

166 MIKEY 166 (Cont'd) Hello. I'm Mike Walsh. These are my friends. You've been expecting us, and well, here ve are += we nade it, Willy. All in one piece too. so far.

Mikey notices an ancient version of what could be taken for a breathalizer sitting in front of One Eyed Willy. Mikey smiles. Curious, Mikey reachs and lifts One Eyed Willy's eye patch. There is no socket. It is a solid skull.

Mikey reverantly replaces the patch.

The others are ecstatic! Joyous! Laughing and giggling wildly! They make a mad scramble for the treasure. The begin to load themselves with the pieces. Stuffing their pockets, shirts, pants and secke. Andy and Stef try on . rings and necklaces. Data wears a huge golden crown. It covers most of his head. Mouth begins to gather his favorite pieces, he reaches over to the small pile of jewels in front of One Eyed Willy. Mikey stops Mouth.

Mouth shrugs and grabs more jewels from the floor. Mikey finds a large ruby.

‘later.

Mike removes his marble bag. He empties all the marbles and £1115 the bag with small, choice jewels.

166 MIKEY | 166 (Cont'd) I know... The Hardy Boys did this once...

The kids listen. Continuing to stuff themselves with treasure. Their clothes bulge. Tight. Like they're wearing fat suits. Mikey continues.

The kids turn. Mama, Jake and Francis stand in the cabin. Jake and Francis are armed with swords and knives from the weapon rack. Mama points her gun at the kids. Laughing. The kids look at each other. Frightened. Suddenly, Data fumes with anger. Re cries out.

Data's arms, legs and crotch begin to expand, giving him enormous muscles! Lifts in his shoes cause Data's height to expand! Data begins to look... Intimidating! But his muscles continue to grow. Getting bigger... Bigger.. Bigger.. Until suddenly... Boom! They explode! But Data is undaunted! He screams. DATA optional Bully buster!

Data opens hig coat and pulls another cord! Several rows of flash cubes are attached to Data's coat! They begin to flash! At first they are effective, but soon fizzle out because of Data's contact with the water! Data's eyes are raging! He begins to pull every cord on his body! One by one, each of his home made devices is tripped. But alas, as always, they don’t work! Green smoke, meant to be used as a smoke screen, slowly billows out of Data's clothing. GI JOE toys pop out of his shirt and pockets, firing plastic projectiles that only travel a few inches before hitting the floor. Countless ball bearings shoot out of his pant leg and cuff. There are bottle rockets, sparklers, firecrackers... Everything shoots from Datd's body! But

{Cont ’d)

116 REV; 10-14-84

nothing works! Data's body is a literal explosion of junk! 1é¢

The Fratellis watch, both amazed and amused by what is going on. JAKE This kid's better than Fourth of July in Asbury Park!

Finally, Data hits the “Out” button on his belt buckle.

The belt buckle flips open! The suction cup projectile shoots forward! It attaches itself to Mama's gun! Data hits the "IN" switch on his belt, trying to reel in the gun. But Mama holds tight! The powerful ‘suction cup pulls Data toward Mama! Data stares in shock as he and Mama collide! This causes an electrical shock which sends the two of them flying across the room! Mama also drops her gun! Data gets to his feet.. He and the frightened goonies run out of the room! Jake and Francis revive Mama and follow! In hot pursuit!

The kids run across the top deck. The Fratellis are right behind them! Bigger! Faster! They manage ‘to tackle the kids! They surround the goonies. Swords pointed at the. kids' throats. Mama glares at the kids.

The kids stand.

The kids lift their shirts and begin to empty the jewels onto the deck. Rubies, diamonds, emeralds roll out onto the deck. Mama stares at the treasure. Her eyes fill with greed. Then Mama goes over to Mouth. She looks at him as Lt something was not quite right with him.

Mouth just smiles, keeping his mouth closed.

1693

PIRATE SHIP - TOP DECK

' The goonies are tied up. They stand in line, at the edge

of the deck. Mama walks to a Wooden plank. Built onto the ship's edge. She turns and looks at the kids.

Mame pushes out the plank. A long thick board. It extends far over the edge of the ship. It overlocks the deepest section of water. Mama walks back to the kids. She paces in front of the kids. She looks them over, deciding who's first! Mama looks at Andy. Andy gives a hard kick to Mama's shins. Mama doubles over. Andy snaps.

_ANDY You gross old witch!

Mama looks up. Eyes glowing with rage. She moves the tip of her sword to Andy's throat. Mama growls.

; MAMA Move it, sweetie.

Andy steps out. Mama pokes her with the sword. Andy walks to the plank. The kids watch. Horrified. Andy steps onto the plank. Mama stays béhind. Jabbing Andy with the sword, Andy begins to walk the plank. The other kids watch. Helpless. Mikey'’s eyes fill with tears. Andy continues to walk. Only a féw feet from the end of the

_ beard. She looks down. The deep water sparkles helow.

Andy gives a frightened gulp. Mama is a few feet behind meen Resembling an old pirate witch. Mama gives a mad cackle.

- MAMA Hold your breath, sweetie-

Mama jabs Andy. Andy falls off the plank. She hits the water! A loud splash! Brand cries out!

{Cont‘d)

118 REV: 10-14-84

Brand dashes forward. out ef line. ‘176

Before the Fratelli brothers can stop... Brand leaps over the side of the ship! We hear a splash! Brand sinks. Under the deep water. Mikey hides his eyes. Scared. Trembling. Mama turns to the kids. She gives a vicious smile.

UNDERWATER ; 171

Andy sinks to the bottom of the deep pool. Hands tied behind her back. Andy holds her breath. Cheeks puffed With air. Brand floats downward. A few feet above Andy. He struggles with the rope binding his hands. With a few twists of his wrists, Brand's hands come free. He swims toward Andy. He grabs Andy. Her eyes are wavering. Nearly unconscious. Brand puts his arm around Andy. Holding tight. He swims upward. Using all of his strength! ‘Brand swims toward the surface and pulls Andy onto a rock next to the ship.

Brand leans over the unconscious Andy. Giving her mouth to mouth. Andy suddenly wakes. She sits up, Coughing.

‘Brand holds her. Comforting her. She composes herself.

Giving a puzzled look to Brand.

Brand gives a modest nod. Andy throws her arms around Brand. Planting a long; hard kiss on his lips. A few moments pass. Andy breaks the kiss. She withdraws her lips. A puzzled expression covers her face. She reaches into Brand’s mouth and seem to be feeling for something. Puzzled, she withdraws her fingers, looking at Brand.

{Cont‘d)

1193

She suddenly understands. 172 They both stop and look at each other.

cur TO:

TOP DECK 173

Mouth and Stef have been tied together. Back to Back. They are walking the plank. A few inches from the end. Mama stands behind them, jabbing them with the sword. Edging them forward. Stef looks back to Mouth. An honest,

serious expression in her eyes.

Actually... About ten seconds. You were always Champion of that “underwater stuff.

Mouth looks at Stef, he is s6 touched by this, he cannot speak for the first time in his life.

Mama jabs Mouth and Stef. They go off the edge. Suddenly, a loud pirate scream pierces the air! Everyone turns. To the direction of the scream.

SLOTH 174

Swings down from the ship's mast. He is dressed in bright Pirate clothing. A sword is strapped to his waist. Sloth emits another loud scream. Before Mouth and Stef hit the water, Sloth scoops them up! Saving their lives! Carrying Mouth and Stef under his arm, Sloth swings back onto the deck. He safely places Mouth and Stef beside the other kids. Sloth turns to Mama and the boys. Sloth growls. He

{Cont'd)

126 REV: 10-14-84

flexes his muscles. His shirt begins to rip. Tear. L174 Muscles bulging. For the first time, we see that Sloth has

an incredible, muscular bedy! He has transformed from a grotesque creature into a virtual superhero! Stef stares

at Sloth. Awestruck. °

With everyone's attention focused on Sloth, Chunk sneakily climbs over the ship's side. His torn and tattered clothes have now taken on the appearance of a Firate costume.

Chunk sneaks up behind the kids. They are shocked to see hin.

_ BRAND

; CHUNK "Captain" Chunk!

Chunk begins to untie the kids' hands. Meanwhile, Mama points to Sloth. She snaps at Francis and Jake.

The two come at Sloth. Their swords are exteneded. Ready. for a fight. Francis swings his sword at Sloth. Sloth ducks. He picks up Francis, lifting him above his head. Sloth throws his brother through the air. Francis flies inside of the ship's figurehead! Francis’ head breaks through the woman figure's head. This creates a bizarre image: The shapely body of the figurehead, adorned with the head of the unconscious Francis.

Chunk still unties the kids... Mikey works with hin. Speeding up the process. ;

Sloth continues his swordfight with Jake. Sloth fights like the expert Pirates he's seen on TV,

_ DATA Pinchers of Feril!?!

Data fires his clapping teeth. The teeth clamp down on Jake's crotch...doubling him over! Sloth grabs the sword from Jake's hand and breaks it in two. Sloth throws a hard punch to Jake's jaw! The powerful punch sends Jake flying across the deck floor! He skids into a pyramid of cannonballs! Konk! He's out cold!

Chunk has untied all of the kids! They run to the side of the ship!

Beneath them, Andy and Brand wade in the water. Brand 175 shouts to his friends.

BRAND

C'mon! Jump} The. kids jump over the side, imto the water!

Meanwhile, Mama finds herself face to face with Sloth. Sloth growls at her. Mama holds her sword. Trying to reason with Sloth. :

Sloth gives a louder growl. He walks toward Mama. ready to attack. Mama pleads. Frightened.

Sloth grabs the sword from Mama. He throws it overboard. He picks up Mama in his arms...ready to throw. her overboard... She begins to sing.

He pauses. Listening. The song is warm, comforting. It brings a pleasant smile to his face. He begins to gently rock Mama in his arms. She continues to sing.

Sloth smiles. He drops mama overboard! As she falls, Sloth sings the final verse.

Mama hits the water! Meanwhile, the kids are all in the water. They have begun their escape, swimming to the shore. Sloth jumps into the water. He swings toward the Kids. When Sloth makes it to the kids, Chunk introduces him, ,

{Cont ’d)

177?

_. ,_ GHUNK ; 175 Guys... This i5 Sloth. He's just like us. A reject.

ABOARD THE PIRATE SHIP . _ 176

Mama climbs back onto the deck. Soaking wet. She sees the kids swimming away. Hez eyes are angry, frustrated. But their is something more important on her mind. She runs to Jake. He still lies beside the cannonball pile. Dazed. Mama slaps him. He stirs.

Mama, Jake and Francis enter. They greedily begin to stuff their pockets with the treasure.

Mama walks to where One Eyed Willy is seated. She reaches for the pile of treasure in front of One Eye Willy. Mama grabs the pile. But it is attached to a long, metal

chain! Mama pulls hard on the chain! This begins another of One Eyed Willy's chain reaction booby traps. One Eyed Willy's skeleton shoots upward, toward the ceiling! A trap door in the ceiling opens! Mama and the boys watch in shock!

TOP DECK 178

One Eyed Willy? s skeleton flies through the trap door on the Captain's deck. He lands directly in front of the ship's steering wheel. In riibe goldberg fashion, the trap door hits a cannonball, which rolls along a path in the ship's deck, which is connected to a long section of wood that stretches to tHe cavern ceiling, the wood is connected to the ceiling's support system. The cannonball hits the section of wood, causing the wood to snap, causing the entire s@pport system to become undone....

The entire cavern begins to shudder. Rumble. The Pirate ship tilts. Shakes. The sails buckle. The ship's anchors raise. :

THE GOONIES ; 179

and Sloth have waded to the shore. They quickly haul out of the boat. Dashing to the cavern entrance.

The entire caverm begins to shake. Like an earthquake, The ground begins to break. Opening. The walls begin to crack. Crumble. Pieces of rock begin to fall. Crashing to the ground.

MAMA AND THE Bors . 186

have run onto the top of the tilting ship deck! Running for their lives. But they tumble and roll across the deck. They fall off the trembling ship. Into the water!

THE GOONTES ' 181

arrive at the Caverm entrance. Boulders and earth fall in front of the entrance. Causing it to collapse. Sloth meves forward. Not unlike Sampson, Sloth holds out his

ae er arms. He grabs each side of the cavern walls.

ding them in place. He supports the crumbling ceiling with his strong back. This keeps the passageway open. Sloth motions for the kids to hurry inside. The kids crawl through his leqs. Out of the cavern! Rocks and boulders fall all around Sloth. But he doesn't budge. Doesn't

-flinch.

AL1 of the kids have crawled to safety. Chunk is the last to join them. Sloth turns. Ready to join the kids. But something catches his eye. He sees Mama and his brothers. In the water. Struggling for their lives. Chunk holds out his hand to Sloth.

- CHUNK Sloth! c'mon! Take my hand!

Sloth shakes his head. He turms and gives an innocent hiss to Chunk's cheek. Sloth releases his grip on the walls and ceiling. He steps. back out into the caverm. Chunk cries out. -

An avalanche of falling earth seals the cavern entrance! Forming a permanent wall between Chunk and Sloth!

The entire cavern is being devastated. The Sails fill with wind. The Pirate ship begins to move, with One Eyed Willy at the wheel. .

Sloth swims to Mama and the boys. He wraps his enormous arms around them. Saving their lives! They look up seeing the Pirate ship shaking in front of them.

The Goonies are trapped in a dark, rumbling, shaking ‘passageway. Both sides of the passageway have begun to cave in! Closing in on the trapped Goonies! Brand screams.

Data FUMBLES in his backpack for a light. He reaches back for the last ROAD FLARE. But, unbeknownst to Data, he hasn't GRABBED a road flare...it'’s the stick of DYNAMITE! Data LIGHTS the stick! It SPARKS, illuminating the passageway! The goonies LOOK AROUND! They see the CRUMBLING DIRT COMING AT THEM FROM BOTH SIDES! There is NO wag an Suddenly, Data NOTICES something strange about | e flare...

The KIDS TURN AND RUN!! Data runs in circles, trying to find a Place for the SPARKING DYNAMITE! He SEES A CRACK IN THE WALL, emitting a SMALL AMOUNT OF LIGHT! Data INSERTS the dynamite INTO THE CRACK! Data RUNS to his friend!

They CLUSTER TOGETHER! Ears PLUGGED! Eves CLOSED! «

BOOM!!! The dynamite ROCKS the already quivering Passageway! A few moments pass. The kids OPEN their eyes through fhe SMOKE! The dynamite has BLOWN A LARGE HOLE INTO THE WALL! An OPENING! LEADING to the outside world! The EXCITED Goonies RUN toward the hole! They EXIT, SECONDS BEFORE the passageway COLLAPSES!

The goonies STAND in a small, rocky ALCOVE. The stretch of OCEAN is in front of then.

184A

L186

125 REV: 1-11-85.

The heavy RUMBLING becomes a muffled echo in the background. One Eyed “Willy's caverns and passageways are being SEALED FOREVER! The GOONIES pause to breathe in the fresh sea air! Their bodies are seratched and BRUISED, covered with MUD -and DIRT. Their clothes are in TATTERS, hanging like RAGS. They have gone through a visual TRANSFORMATION from Goon kids to COURAGEOUS ADVENTURERS. ,

A NATIONAL PARK RANGER slams on his DUNE BUGGY brakes, squints curiously into the distance, now raises his binoculars to get a better look. His jaw drops eas he reaches for his radio.

. leaking for... ae:

The Ranger Statiop parking lot is PACKED. SHERIFF'S CARS. AMBULANCES. LOCAL PRESS. PARENTS and ONLOOKERS. The Goonies emerge from the Ranger Station as the Crowd CHEERS and: the PARENTS rush forward to meet their kids.

CLOSER ANGLE

. IRENE rushes up to Mikey and Brand. MR. WALSH and ROSALITA

18?

can be seen farther back in the Crowd.Mikey looks at up at

.

Irene with embarrassed eves.

eyes. She WRAPS HER ARMS around Mikey and Brand, embracing them tightly.

OMIT

ANOTHER ANGLE

CHUNK runs to an obesa MAN and WOMAN. His PARENTS. The man is dressed exactlt like CHUNK. Hawaiian shirt. Plhaid Bermuda shorts, Black knee socks. The WOMAN wears a FLOWERED ORESS,

holds a CARDBOARD BOX COVERED WITH TIN FOIL. Chunk embraces his Parents, ™

&9 at

126 "REV: 1-L1-@s

MOM gives the foiled-wrapped CARTON to Chunk. He grabs it - excitedly, rips the foil auey - HOT DOGS! LOADED WITH EVERYTHING:

MOUTH and STEF. Mouth LOOKS at Stef. A SERIOUS, HONEST look on his face. He SPEAKS IN HIS OWN VOICE.

CAMERA PANS TO ANDY AND MIKEY

PATCHING. SMILING. Andy turns to Mikey, a warm smile on har ace.

BRAND walks up. He puts his arm around Andy. They walk away

together. CAMERA FOLLOWING. Brand gives Andy an impressed look.

127 REV: 1-11-85

‘. She GRABS Brand and kisses him. Mikey stands a few feet away

wont WATCHING. ALONE. JEALOUS. He begins to COUGH. He removes his

PRIMOTENE MIST. Ready to take a shot. He pauses, looks at the breathalizer, then tosses it on the ground. WHO NEEDS IT?

Through the Crowd, Mr. Walsh has noticed, smiles proudly.

Suddenly, averyone is INTERRUPTED. A group of POLICEMEN rush _to the shore:

192 ANGLE ON SLOTH

SLOTH walks out of the ocaan. DRAGGING *the waterlogged MAMA, JAKE, and FRANCIS. The POLICE quickly take Mama and the boys inte custody. Chunk's EYES LIGHT UP, seeing Sloth. He runs to him, holding out his carton of hot dogs.

; ; CHUNK Sloth. Sloth.

Sloth gives a happy GRUNT, glad to see his friend. He picks up Chunk, who offers him the carton.

Sloth devours a giant hot dog in a single gulp as Chunk's PARENTS watch in HORRIFIED AWE.

He's my new best friend....and Dad? If they take away our house and we have to move ts New York... I thought maybe we could adopt him...geat him a job with the New York Jets...or with the Rangars as Head Goalie...

Sloth destreys another hot dog, BELCHES VOLCANICALLY as Chunk's Parents exchange a PARALYZED LOOK.

to OMIT

OS

128 REV: 1-11-95

ANOTHER ANGLE

Mama and the Boys are HANDCUFFED, then put into the back of a POLICE VAN, CAMERA PANS AS:

MR. FERKINS :and TROY suddenly pull up in a white Cadillac convertible, screech to a stop. They get out quickly, approaching Mr. Walsh, who stands at the edge of the crowd with Mikey. Mr. Perkins advances agressively, waving a piece of paper.

Mr. Walsh nervously takes out HIS Primotene Mist, then Looks down at Mikey whe stares back up, tears in his eyes.

HIKEY ; I'm sorry, Dad...we had our hands on the future, but... (nis lower lip starts to guiver We blew it...we thraw ir all away to save out lives.

Mr. Walsh fights to hold back a tear.

wont

--7 1)

129 REV: 1-11-35

They turn. Mr. Perkins grins cruelly.

PERKINS

You're looking at the richest people in Cautdron Point. Sow sign it.

Troy props the paper up against his father's back for signature, whips out a pen with a sickening smile.

Mr. Walsh tries to steady himself, trembling, looka off: ANGLE ON GOONTE CROWD

The CROWD is hushed as the rest of the GOONIES and their PARENTS turn to watch helplessly.

BACK TO SCENE

Mr. Walsh slwoly takes the pen from Troy, lifts an unsteady arm, Stares at the paper, eyes misting over. He STARTS TO SIGN ag

_the Sheriff takes a sympathetic step forward, stopping hin.

Oh, hell...

{suddenly looks off)

T already found your son's damn Caress.

wont

213 -

1306 REV: 1-11-85

Hr. Walsh grits his teeth, oblivious to everything. He begins to SIGN as Perkins TURNS, and the signature is written ACROSS THE BACK OF HIS JACKET!

ANGLE ON GORILLAS AND RED MUSTANG - THEIR POV |

The RED MUSTANG careens into the parking lot at high speed, the GORILLAS behind the vheel! It heads streighc for the

CROWD, spinning out at the lasc second, squealing sideways, CRASHING INTO THE SIDE OF MR. PERKINS’ WHITE CADILLAC? °

Tha Gorillas SCREAM back at Troy with equal excitment, covering their eyes. Bonzo whips the car into reverse, roars eff through the Crowd as BYSTANDERS DIVE FOR SAFETY: -

ANGLE ON CROWD

One entire side of the white Cadillac is caved in! The stunned CROWD suddenly bursts into CHERRING, APPLAUSE, AND LAUGHTER!

The LAUGHTER grows LOUDER: Even Mr. Walsh and Mikey scart to join in.

ANGLE ON EDGE OF CROWD

Sloth watches from the rear edge of the Crowd. To one side of | him is Chunk. To the other, ROSALITA. They all laugh heartily with everyone else as SUDDENLY:

SLOTH'S EXPRESSION BEGINS TO CHANGE!:

His eyes ROLL. He begins to COUGH, feeling CURIOUS RUMBLINGS in his stomach. The Crowd's laughter continues es ha POUNDS himself in the chest, trying to clear his massive airways as:

A GLEAMING OBJECT EJECTS ITSELF FROM HIS MOUTH?:

31e

rai

ANGLE ON DATA

dead: REV: 1-11-85

ANGLE ON ROSALITA

The OBJECT hits the ground at Rosalita’s FEET. She looks down curiously, then picks it up, EYES WIDENING with surprise.

IT IS A HUGE, SPARKLING DIAMOND!

“BACK TO SLOTH

Sloth is DOUBLED OVER now, INNER EXPLOSIONS wracking his huge body. A concerned CHUNK rushes over ta him.

Sloth straightens wp, looks at his friend, then GRINS, his mouth falling open:

IT IS FILLED WITH JEWELS FROM THE PIRATE SHIP! BACK TO ROSALITA

SEEING. REALIZING. ‘Holding the diamond up high, she starts to make her way through the beisterous CROWD.

BACK TO PERKINS

The furious Perkins SLAMS the PAPER down on what's left of the hood. of his car, turns on Mr. Walsh. The Crowd ' 5 LAUGHTER is beginning to subside.

Troy helds out the pen. The Crowd QUIETS as Mr. Walsh exchanges a sad look with Mikey, then takes it, reluctantly leans over the hesd af the car.

+

DATA stands with his PARENTS, his eyes glassed over.He looks off at MOUTH who srands with STEF nearby.

FO SCENE

i “ HEAVY SIGH, Mr. Walsh starts to put pen to paper. nh as:

ROSALITA'’S VOICE (from middle of crowd, in Spanish) Wait! Don't sign:

*. Walsh looks up, momentarily pausing, then leans over the

iood again, ignoring ROSALITA'S VOICE as the Crowd MUMBLES _ suriously.

‘BACK TO MOUTH AND STEF

saying? MOUTH

- Don’t... (thinking)

Don't sit down...no...don' t shoot... don't throw up...don't..

eee REALIZING) DON'T SIG

22 BACK TO WALSH MR. WALSH HAS BEGUN TO WRITE HIS SIGNATURE AS: Mouth and Stef rush up: Mikey rushes up: Rosalita. rushes up!

Mikey GRABS the piece of paper, pulling Mr. Walsh's PEN ACROSS IT IN A STRAIGHT LINE!.

Perkins and Troy stare unbelievingly as Rosalita holds up the DIAMOND to a dumbfounded Mr. Walsh and:

133 REV: 1-11-85

ANGLE ON CHUNK

As EVERYONE TURNS. Chunk raises his CUPPED BANDS, now opens them: ‘

CLOSE ON CHUNK!S HANDS

FILLED WITH GEMSTONES! Sparkling DIAMONDS! Glorious. RUBIES! Bright EMERALDS!

BACK TO SCENE

Sloth BELCHES. THREE MORE JEWELS are ejected from his mouth !

The CROWD CHEERS ag the GOONIES rush to Sloth, swarming over him like mountain climbers, JEWELS erupting from his mouth as they pummel him like a huge vending machine.

SEVERAL REPORTERS rush up SNAPPING PICTURES, peppering the Goonies with questions.

The Sheriff smiles patronizingly, turns, starts to Walk away.

HE SEES SOMETHING IN THE DISTANCE, STOPS, THUNDERSTROUCK! ! SHERIFF Holy Mary Mother of God... ; {jaw drops)

LOOKI! EVERYONE turns to look with AUDIBLE GASPS, as WE SEE: ANGLE ON PIRATE SHIP - THEIR POV THE PIRATE SHIP, SAILING across the ocean. A MAGICAL SIGHT. CAMERA PANS the faces of everyone en shore. POLICEMEN. THE SHERIFF. SLOTH. IRENE. MR. WALSH. THE GOONIES. Staring in AWE. ANGLE ON MIKEY

THE BACK OF MIKEY'S HEAD. He turns slowly to face the AUDIENCE, WEARING THE BLACK PATCH OF ONE EYED WILLY.

MIKEY WINKS at all of us with a warm smile.

134 REV: 1-11-85

228 BACK TO PIRATE SHIP

Farther away in the distance now. A GRACEFUL, ROMANTIC DOT against the beautiful horizon. AS WE: *

FADE OUT: