"RAMBO III" (1988)

STATS111pages332scenes16,888words20%dialogue35characters

Words

  • dialogue3,43420%
  • action12,61775%
  • other8375.0%

Scenes

location
  • INT 52
  • EXT 131
  • UNKNOWN 149
time
  • DAY 42
  • NIGHT 23
  • DAWN 4
  • DUSK 5
  • CONT 2
  • UNKNOWN 256
1

OPEN

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"RAMBO III"

By

Sylvester Stallone

ALMOST, COULD BE, NOT QUITE SURE, FINAL DRAFT.

January 2, 1987

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"RAMBO III"

FADE IN:

1

EXT. UNEVEN TRAIL - TRACKING - NIGHT

OPENING SCENE: THE MOON IS HALF FULL BUT BRIGHT ENOUGH TO REVEAL TWO ROVER JEEPS A?m PICKUP TRUCK WITH LOW WAT- TAGE YELLOW HEADLIGHTS APPEARING OVER THE RUGGED HORIZON.

THE LOCALE IS TRULY BAR..tU:NTHATOFFERSNO COMFORT AT ALL TO HUMAN EXISTENCE. THE ROVERS CONTINUE THEIR SLOW BUT TURBULENT PROGRESS OVER TH~ UNEVEN TRAIL~ THEIR STRAIN- ING ENGINES PROVIDING THE ONLY SOUND IN THIS DEATH-LIKE ARENA OF STONE.

2 A!~GLE- TRACKING 2

IN THE FIRST ROVER THE IMAGE OF AN AMERICAN CAL~BE SEEN DRIVEN BY A MAL~GARBED IN TRADITIONAL AFGHAN CLOTHING. UPON CLOSER INSPECTION, WE SEE THAT IT IS COLONEL TRAU"rMAN,DRESSED IN KACKI CLOTHING. SEATED BEHIND HIM IS A THREE-MAN DOCUMENTARY CREW. • •THEC.Al.'1ERAMANSITS POISED WITH HIS HAND-HELD, SIXTEEN MILLIMETER CAMERA, POISED ON HIS LAP. • •TRAUTM&~IS READING A MAP WITH A FLASHLIGHT. .

THE SECOND ROVER HAS HAD ITS ROOF REMOVED AND IS CRAMMED WITH SEVEN ARMED AFGHAN FREEDOM FIGHTERS. FIVE MORE HEN ARE RIDING IN THE REAR OF THE PICKUP TRUCK.

AS THE MACHINES CONTINUE TO GRIND AHEAD, A THROBBING SOUND BEGINS TO FILL THE NIGHT .•.THE F~RBODING SOUND CONTINUES GROWING WITH UNNERVING INTE?iSITY. .

3

DIFFERENT ANGLE - CLOSE SHOT - TRACKING

THE DRIVER OF THE FIRST ROVER SLOWS DOWN. HIS FACE A PORTRAIT OF MOUNTING CONCERN. • .TRAUTM.Al.~RAISESHISEYES FROM THE MAP, LOOKS OUT AT TH= DARKNESS THEN QUICKLY AT THE DRIVER.

TRAU'r'MAN Try to take cover!

4 WIDE ANGLE 4

AS TnE FINAL WORDS LEAVE"HIS LIPS, A MASSIVE MI-24 RUS- SIAN GUNSHIP, FOLLOWED BY TWO SMALLER CHOPPERS, EXPLODE OVER THE MOUNTAIN'S CREST, WITH BONE-RATTLING INTENSITY -- THEN SEARING WHITE SEARCHLIGHTS BLINDING THE MOTOR- CADE.

5

CLOSEUP - TRAUTMAN

TRAUTMAN
Try to run for it!!!

6 WIDE ANGLE 6

BEFORE THE FREEDOM FIGHTERS CAN BARELY RZACT, THE GUN- SHIPS, THE RUSSIAN BIRDS OF DEATH, OPEN FIRE.

IN A MATTER OF SECONDS THE ROVER AND ITS OCCUPA..~TSARE TOTALLY REDUCED TO SMOKING MOUNDS OF TWISTED WRECKAGE••• THE FIREPOWER IS SWIFT AND MIND-BOGGLING.

THE SEVERAL AFGHANS THAT MANAGE TO JUMP FROM THE SECOND ROVER ARE -LIFTZDOFF THEIR FEET AND SENT CAREENING THROUGH THE AIR.

THE GUNSHIPS' POWERFUL LIGHTS FLARE INTO THE LENS AS IT LANDS. ·

TRAUTMAN LAYS SEMI-CONSCIOUS WITH A SEVERE SHOULDER AND SCALP WOUND. A HAND COMES INTO VIEW AND TEARS THE ROVER DOOR OPEN. WE SEE.THE OUTLINE AND DECERNABLE FEATURES OF A HUGZ SOVIET SERGEA.J.~TNAMED_KOUROV.BZHIND HIM STANDS THE MAIN ?-1AN,COLONELZAYSAN, A PERFECT IDEALOGIC SOVIET COMM1u~DER.

ZAYSAN
... Keep this one alive.

WITH MUSICAL FLORISH AND VISUAL FLARE, THE SCENE ENDS.

FADE OUT.

ROLL TITLES OVER:

FADE IN:

7

EXT. BANGKOK - DAY

CROWDED SIDEWALKS TEEMING WITH ASIANS, JITNEY BUSES ROLL BY. GOLDEN SPIRES OF ANCIENT SIAMESE PALACES RISING IN THE DISTANCE. A BUSTLING THIRD WORLD ?1ETROPOLIS.

CUT TO:
8

EXT. UNITED STATES EMBASSY - BANGKOK - DAY

AN AMERICAJ.~FLAGRUSTLING PROUDLY OVER FORTIFIED GATES. AN EMBASSY STAFF CAR PU:.LSTO A HALT IN FRONT OF THE MAIN ENTRANCE. TWO MEN IN CIVILIAN CLOTHES HURRY DOWN THE STAIRS TOWARD THE CAR. A BODYGUARD, BLONDE, BLUE- EYED, 30, FOLLOWS.

3

9 CLOSE ANGLE 9

AS THEY GET INTO THE BACK SEAT, A MARINE EMBASSY GOARD POSHES THE GATES OPEH. HE SALUTES THE STAFF CAR AS IT RUSHES PAST HIM. ONE MAN IS AMERICAN, THE OTHER THAI. THE AMERICAN, GRIGGS, IS 35 TO 40, VERY CONSERVATIVE AND WELL-DRESSED. FIVE FEET NINE OR TEN WITH A STRONG BODY, SHORT HAIR,,AND IS QUITE ALL-AMERICAN LOOKING.

CUT TO:
11

INT. COMMON TRANSIT HOTEL - DAY

GRIGGS, NYON AND A BODYGUARD ENTER THE HOTEL .••THEY CONFRONT THE MAN:AGERAT THE DESK. • •THE!i".LAHAGERSHAKES HIS HEAD NO AS HE LOOKS AT A PHOTOGRAPH PRESENTED TO HIM.

CUT TO:
12

EXT. PH.ATPONG DISTRICT - VARIOUS SHOTS - NIGHT

SUPER STAR BAR. PH.ATPONG DISTRICT •••GRIGGS, NYON AND GU.n.RDINA SERIES OF QUICK CUTS: IN THE DEPRAVED DIS- TRICT CONFRONTING A VARIETY OF KNOWLEDGEABLE AND COLOR- FO~L STREET-TYPES.

COT TO:
13

EXT. SUPER STAR BAR - NIGHT

THE TRIO APPROACHES THE DOORJ."1.ANTOTHESEEDYCLUB.

14

CLOSER ANGLE - FAVORING DOORMAN - NIGHT

HE IS A STRONG-LOOKING, EX-VET tiITHCLOSE-CROPPED HAIR. HE INSPECTS A ?ICTURE GIVEN TO HIM BY GRIGGS •••HE NODS HIS HEAD IN RECOGNITION AND GESTURES DOWN THE STREET.

CUT TO:
15

EXT. RVZRSIDEWARBHOUS:C::-NIGHT

THE ARBA WOULD Pfil:SENTA PLEASAJ.~TSTILL-LIFE.SCENEW:C:RZ IT NOT FORTHE OBVIOUS ACTIVITY E!1INATINGFROM A LOCAL WAREHOUSE ..• SEVERALTHAI MENARE SEEN RUSHING IN AS IF LATEFOR AN EXCITINGEVENT.

CUT TO:

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16

INT. WAREHOUSE - NIGHT

THE 2, 000-SQUARE-FOOTBUILDING ~TITH20-FOOT RUSTED TIN CEILINGS IS BURSTING AT THE·SEAL"ISWITHHUMANITY ••• ·I-T SZEMS 500 THAI ARE WAVING MONEY AND SCREAMING ALL AT THE SAME TIME•.• CLOUDS OF TOBACCO SMOKE PERMEATE THE AIR AS FOUR MEN STAND IN THE CENTER OF THE ROOM COVERING BETS IN FOUR DIFFERENT DIRECTIONS. A FIGHT IS IN PROGRESS. TWO.THAIS BATTLE IT OUT WITH A PAIR OF WICKED-LOOKING STICKS •••FINALLY ONE IS KNOCKED DOWN AND SUBMITS TO HIS OPPONENT, WHO IS HOVERING OVER HIM. CROWD CHEERS, MONEY CHANGES HANDS. THEY GUIDE THE FIGHTERS AWAY AND ~HE SELF-APPOINTED REFEREE, WHO IS DRESSED IN BASIC PEDESTRI- AN STREET CLOTHES MOTIONS TO· LEFTAND RIGHT, WHILE AN- NOUNCING THE NEXT FIGHT IN NON-STOP CHATTER.

17

CLOSEUP - THAI FIGHTER

A BATTLE-HARDENED, LARGE MAN WITH TEMPERED MUSCLES IS HUNI<EREDDom~ IN ONE CORNER OF THE ROOM. HIS ONLY HAND- LER POURS WATER FROM A LADLE DOWN THE FIGHTER'S BACK, AND IT-SPILLS RANDOMLY ON THE LITTERED FLOOR. NONE OF THIS DISTRACTION CAN CAUSE THE FIGHTER TO REMOVE HIS EYES FROM HIS OPPONENT SEATED 20 FEET AWAY.

18

CLOSEUP - RAMBO

TIES ON HIS HEADBAND. STARES VACANTLY AHEAD. HIS EX- PRESSION IS ONE OF TRANCE-LIKE CALMNESS. HE IS HUNKERED DOWN IN THE ASIAN FASHION.

1.9 VARIOUS ANGLES 19

THERE ARE NO ROPES OR ELEVATED RING TO SPEAK OF -- THI.S SETTING RESEMBLES MORE OF A LOCALE BEFITTING A DOG FIGHT RATHER THAN A SKILLFUL E~~COUNT:E:RBETWEENTWOTRAINED ATHLETES.

20

MEDIUM SHOT - ANNOUNCER

THE INCREDIBLY LOUD .A..'TDSWEATYANNOUNCERYELLSTHAT ALL BETS ARE LAID AND BELLOWS FOR THE FIGH"rERSTO l;lIS.E••• WHICH THEY DO. SOME RATHER VOLITILE WORDS AR:::BARKEDBY THE DISHEVELED ANNOUNCER. AND RAMBO REACHES FOR A PAIR ·OF FIGHTING INSTRUMENTS THAT RESEMBLE A PAIR OF SHORT BATTLE STICKS THAT ARE FASHIONED FROM WOOD.

21

CLOSEUP - THE FIGHTERS

THE FIGHTER IS HANDED HIS STICK BY HIS UNSAVORY H&~DLER.

22

ANGLE - ARENA

THEIR BODILS TIGHTEN AS THEY CIRCLE ONE .ANOTHER..•THE CROWD YELLS FOR THEIR RESPECTIVE FAVORITES.

23 ANGLE 23

THE THAI FIGHTER MAKES THE FIRST CAT-LIKE LUNGE AND HACKS AT RAMBO WITH BRUTAL INTENSITY.

24 ANGLE 24

RAMBO PARRIES THE ASSAULT AND BACKS THE THAI UP WITH SUCH SMOOTH EFFICIENCY THAT HAS THE CROWD LOUDLY COM- MENDING HIS QUICKNESS.

25 ANGLE 25

SEVERAL OF THE LETHAL PARRIES GO BACK AND FORTH UNTIL THE THAI FIGHTER DECIDES TO INCREASE THE VOLITILITY OF HIS ASSAULT BY CHOPPING AT RAMBO'S LEGS, WHICH RAMBO BLOCKS, THEN CATCHES RAMBO WITH A BEAUTIFULLY-TIMED BACK SPINNING BACK KICK THAT CATCHES RAMBO COLD. HE KICKS RAMBO THREE MORE TIMES.

26 ANGLE 26

BADLY DAZED, RAMBO RAPIDLY BACKS UP AGAINST THE WARE- HOUSE WALL·. THE FIGHTER WILDLY SPINS HIS SWORD-CLUBS IN A .FLAMBOYANTGESTURE THAT SEEMS TO BE A BIT OF SA- DISTIC SHOWMAi.~SHIP.BEFOREDELIVERINGTHE FINAL BLOW.

27 ANGLE 27

RAMBO SMOOTHLY SIDESTEPS THE ENRAGED THAI WHOSE STICK SMASHES WITH A BONE-SHATTERING FORCE-AGAINST THE WALL THAT NEARLY SPLITS THE PLAi.~KINGOFTHE NEAR-DRY-ROTTED BUILDING. THE THAI KNOCKS ONE OF RAMBO'S STICKS LOOSE WITH A SLASHING BLOW.

28 ANGLE 28

RAMBO IS BACKED UP AND'BEING KICKED BRUTALLY.IN THE LEGS, AND SIDE-STEPPING VICIOUS SWIPES OF TijECLUBS.

29 ANGLE 29

AT THE RIGHT MOMENT, RAMBO SHIFTS INTO THE NEXT COMBA- TIVE GEAR... HE BECOMES A WHIRLING, SLASHING BLUR OF ENBATTLED HUMANITY AND CUTS LOOSE WITH A BARRAGE OF KICKS AND PARRIES THAT HAS THE THAI FRANTICALLY RETREAT- ING.

30

ANGLE - ON THE SPECTATORS

C)

GRIGGS AND NYUN ENTER AND WEDGE THROUGH THE BELLOWING CROWD.

GRIGGS IS THE FIRST TO SEE RAMBO.

GRIGGS
There.

31 ANGLE ON RAMBO 31

RAMBO'S ASSAULT IS BEAUTIFULLY PARRIED Al.~DHE ISGIVEN A BACK-FIST .AJ.~DELBOWSMASHBY THE THAI •••RA.'GODEFENDS AGAINST THE ASSAULT AND, WITH A SERIES OF DARING LEG SWEEPS, KNOCKS THE THAI TO THE GROUND••• RAMBO SNATCHES UP HIS FIGHTING STICICSAND LEAPS TO HIS FEET ASTRIDE HIS MAN.

NYUN
That's your man?
GRIGGS
••• Without a doubt.

and OMITTED ·and

34

THE THAI FIGHTER - CLOSEUP

••• THE THAI LOOKS AT RAMBO'S UP-RAISED STICKS AND SUB- MITS TO INEVITABLE DEFEAT.

35 ON THEAUDIENCE 35

EXPLODINGWITH A GRINDING BLEND OF CHEERS AND GROAl~S.

36

ANGLE ON - RAMBO

RISESTO HIS FULL HEIGHT, BOWS TO HIS OPPONENT ANDMOVES AWAY.

37 ON GRIGGSAND NYUN 37

TRAVERSING THE CROWD TOWARD RAMBO.

38 ON THE ANNOUNCER 38

REACHES INTO HIS SWEAT-SOAKED POCKET&"® HANDS OV~R A CERTAIN AMOUNT OF FOLDED MONEY TO RAMBO, WHO NODS AND MOVES AWAY, PASSING A PAIR OF STICK-CARRYING COMBATANTS PREPARING FOR THE NEXT MATCH.

39 ANOTHER ANGLE 39

THE ANNOtn~CERIS SHOOTING THE ODDS OF THE NE:CTMATCH TO THE INTENSE CROWD AS GRIGGS .AJ.~DNYUNANGLE PAST.

40

TRACKING SHOT - ON RAMBO

RAMBO HAS JUST SLIPPED A .BAGGYTHAI SHIRT OVER HIS WAR- SCARRED BODY AND IS HEADING OUT THE DOOR, RUBBING HIS BRUISED RIBS.

GRIGGS (O.S.)
•••Rambo.

NOT HEARING, RAMBO CONTINUES EXITING.

GRIGGS (O.S.)
(continuing)
John Rambo.

RAMBO Tt.raNSANDFREEZES AS GRIGGS APPROACHES ...RAMBO

STARES AT GRIGGS WITH A BEWARE" :C:XPRESSION.

GRIGGS
How're you doing, Rambo?
23

RAMBO

(softly) Who are you?

GRIGGS
You put on a hell of a fight.
RAMBO
I said, who are you?
GRIGGS
Jack Griggs -- I'rnattached for the moment to the local embassy.
(pleasantly)
Is this what you do for a living now--? Then again, I wouldn't expect to find you working in a book store; right?

8 •.

40 CONTINUED: . 40

RAMBO LOOKS AT HIM FOR A MO&~T THEN STARTS TO EXIT.

GRIGGS
(continuing)
We have something to talk about.
RAMBO
We have nothing to talk about.

RAMBO BEGINS TO WALK AWAY AGAIN.

GRIGGS
Let's keep this simple, all right--? I'm here about a friend of yours -- Colonel Trautman.
RAMBO
Trautman. What about him?
41

ANOTHER ANGLE - FAVORING RAMBO

RAMBO STUDIES GRIGGS' NOW "OFFICIAL" EXPRESSION.

GRIGGS
Where can.we talk?

RAMBO TURNS AWAY, AND GRIGGS, NYUN AND THE BODYGUARD FOLLOW, DISAPPEARING INTO THE CROWD.

42

ANGLE ON - THE A..""1NOUNCER

HE GESTURES FOR THE NEXT FIGHT TO BEGIN, WHICH IT DOES.

43 ANGLE ON THE CROWD 43

BEGINS SCREAMIN<;;WITHA DEAFENING ENTHUSIASM.

45

INT. WAREHOUSE BASEMENT - NIGHT

IT IS THE LOW CEILINGED, IMPOSSIBLY SEEDY LOWER DEPTHS OF THE WAREHOUSE THAT RAMBO JUST FOUGHT IN ••.RAMBO EN- TERS THE DIMLY-LIT ROOM AND MOVES TO ITS REAR. HE IS FOLLOWED BY GRIGGS, NYUN AND THE BODYGUARD.

GRIGGS
Rambo; this·is the field official with our embassy, Mr. Nyun. He helped track you down .•.
RAMBO
What about the Colonel?
GRIGGS
•.• Ten days ago, Trautman and a documentary team disappeared inside the borders of Afghanistan -- They were delivering medical supplies and also doing fact-finding on why the Afghanistan freedom fighters aren't getting the financial and weapon support so-claimed. Itwas a simple op that ran into complications. All the facts aren't in~ But what we think is, that he was captured by Afghan Government troops near the Khyber Pass, and turned over to the reaion's Soviet commander. -
RAMBO
Is he alive?
GRIGGS
We think so -- But no guarantees Now, you don't know anything about me, but this line of work is sort of my specialty -- going all the way back to M.A.C./S.O.G. in '68. Hell of a specialty, huh--?
RAMBO
What do you want with me?
GRIGGS
Because of the success of your last mission, I've been asked by the powers that be to get Trautman and crew back, before their capture can be used as anti-American propaganda by the Soviets. We'd like you to help lead the extraction team.

45 CONTINUED: ( 2) 45

RAMBO
I can't do that.
GRIGGS.
It's a very small classified mission -- And ·we'llprovide the necessary equipment
(smiles)
no charge.
RAMBO
.•• I'm out.
GRIGGS
I heard you're supposed to be this great soldier --
RAMBO
I'm not anything -- My war is over.
GRIGGS
Hey, don't give me that 'war is hell post-syndrome flashback' bull shit -- I was there, too --!!! ~ime moves on: even here!

RAMBO LOOKS AT HIM t'IKEHE COULD TEAR HIS HEART OUT ..

·GRIGGS (continuing) I'm talking about going after your friend.

RAMBO
We'll talk tomorrow.
GRIGGS
Hey, what's your problem?

RAMBO RAISES HIS DOWNCAST EYES AND SPEAKS IN RAPID THAI TO r,m.NYUN AND Sl'ARTSPAST GRIGGS.

GRIGGS
(continuing)
What did he say?
NYUN
... He told me where he lives.
THEY WATCH RAMBO GO.
)
27

11.

NYUN
(continuing)
You shouldn't have to beg anyone.
GRIGGS
It's not your back he'll be watching.
CUT TO:
45A

EXT. RUSSIAN FORTRESS IN AFGHANISTAN - NIGHT

THE MASSIVE ANCIENT BUILDING CUTS A FOR.BODINGOUTLINE IN THE MOONLIGHT .••IT IS THE LOCAL COMMAND POST FOR THE SECTOR.•• GUARDS WATCH FROM ELEVATED TOWERS AND r BARBED-WIRE SURROm~DS THE STRUCTURE.

4SB· INT. FORTRESS - NIGHT 453

COLONEL ZAYSAN WALKS DOWN TH£ STONE l:IALLWAY,FOLLOWED BY SERGEh~T KOOROV, A MASSIVE, THOUGH NOT OVERLY TALL SADIST ..•ZAYSAN LOOKS ZVERY INCH A PROFZSSIONAL SOL- DIER. APPROXIMATELY 40 TO 45 YEARS OF AGE, SQUARE- SHOULDERZD WITH SLIGHTLY GREYING SHORT HAIR THAT IS SLIGHTLY PARTED. ZAYSAN PAUSES BEFORE A CELL.

45C

INT. TRAUTH.IW'SCELL - NIGHT

A FLASHLIGHT BEAM PIERCES THE DARKNESS OF THE CELL·,EX- POSING THE WOUi~DEDFIGURE OF TRAUTMAN. HIS SHOULDER IS WRAPPED WITH A BLOOD-CAKED BANDAGE.

ZAYSAN
We wish to talk.
TRAUTMAN
{softly) Go to hell.
ZAYSAN
It is you who are in hell -- Tomorrow I will return ... We have time.

I · THELIGHT F~ASHES OFF, AND THE SCENE: I

BLACK OUT.
I

I

I

I

46

EXT. BANGKOK STREET - TRACKING - DAY

WE SEE GRIGGS AND NYUN IN A TAXI DRIVEN DOWN A BUSTLING STREET OF SMALL-TIME BUSIN:;;:ss&~OF THE SUB-HUMAN LE- VEL. PEOPLE YELL AND HUSTLE THEIR WAY THROUGH WALLS OF ENTERPRISING HUMANITY. IT IS THE WAREHOUSE, BARGAIN BASEMENT EPICENTER OF THIS VERY SWEATY CITY.

47

EXT. METAL SHOP - THE TAXI - DAY

PULLS UP BESIDE THE CHIPPED FACADE OF A SMALL SHOP. GRIGGS GETS OUT WITH MR. NYUN.

48

ANGLE ON - GRIGGS AND NYUN - DAY

ENTERING THE SHOP.

CUT TO:
49

INT. I-1ETALSHOP- DAY

THE ELDERLY OWNER SEES NYUN, WHO SPEAKS IN THAI. THE ELDERLY MAN POINTS TO THE RZAR OF THE SHOP.

50

ANOTHER AUGLE - TRACKING

GRIGGS AND NYUN ARE LEAD THROUGH THE SHOP BY THE OWNER. THE INTERIOR IS INCREDIBLY CLUTTERED WITH FORGED BRASS OBJECTS FOR SALE. A UEW SOUND BEGINS TO INTRUDE: ME- TAL AGAINST METAL. THE SOUND GROWS LOUDER AS GRIGGS AND NYUN ARE LED OUT BACK.

CUT TO:
51

INT. SIDE ROOM - DAY .51

THE SOUND IS EMANATING FROM HERE. AS GRIGGS AND NYUN AR~ USHERED THROUGH THE DOOR •••

52 GRIGGS' POV 52

HE SEES A SMOKE-FILLED ROOM. BLACKENED WALLS. A FIRE BURNING BRIGHTLY IN TH= CENTER OF THE ROOM. SMOKE ES- CAPING THROUGH A HOLE IN THE CEILING. A MUSCULAR FI- GURE -- HIS BACK TURNED TOWARD US -- BRINGING A BMW.I.ER DONN UPON A RED-HOT PIECE OF ,r.,t.ETALLAYIN,GATOPANAN- CIENT FORG:::.

A YOUNG THAI IS WORKING THE BELLOWS THAT'S STOKING THE WHITE-HOT FIRE. THE MUSCULAR MAN USES A PAIR OF METAL TONGS TO LIFT THE RED-HOT IRON OFF THE FORGE.

53 WIDER ANGLE 53

GRIGGS
... Tough job.

RIVULETS OF SWEAT ARE POURING DOWN HIS FACE AND BODY AS HE LOWERS THE GLOWING-:HOTMETAL INTO A VAT OF WATER•••

GRIGGS
(continuing)
So, this is where you work? Hell of a life, Rambo.

RAMBO NODS AND TURNS AWAY TO PUMP THE BELLOWS OF THE COAL FIRE.

GRIGGS
(continuing)
-- So, you been thinking about it .•.? Well, I'm listening.
RAMBO
Last time it was personal, and now you pulling me back into it again.
GRIGGS
It's your fault -- you did too good a.job last time -- I could handle this -- no problem, but I take orders like everybody else.
RAMBO
I have a different life now.
GRIGGS .
If you want to back away from your duty, that's your call.
RAMBO
My duty is over; my war is over -- He shouldn't have gone in there.

\

CJ
53 CONTI~UED: 53
GRIGGS
All right, I've got the picture -- You're a lost Vet trying to get your act together; your friend means nothing, and you're scared of combat because maybe the next blood you'll see will .beyour own. Hey, no problem. But, keep running from Reality,. because it hurts.

GRIGGS STARTS TO GO, AND RAMBO LEAPS ON HIM Al'lDPINS HIM BACKWARDS••• RAMBO SNARLS INTO HIS FACE:

RA.'-!BO Don't ever talk to me about combat; I've buried more reality than you'll ever know.

RA1'1BOTURNSAWAY AND FACES THE BURNING EMBERS.

RAMBO
(continuing)
When do we go'?
COT TO:
53A

EXT. RUSSIAN FORTRESS - NIGHT

A YOUNG, HUSKY GUARD WALKS HIS LONELY WATCH ALONG THE WALL. IN THE BACKGROUND ARE TWO OTHER GUARDS.

CUT TO:
53B

INT. CELL BLOCK

A GUARD PASSES DO'WNTHE .DARKE!'!EDHALLWAY. • •EYESFROM INCARCZRATED AFGHAJ.~PRISONZRSPEER FROM THE SMALL OPEN- INGS IN TnE DOORS ...THE GUARD FLASHES A LIGHT INTO A CELL.

53C

INT. TRAUTNAN'S CELL

WE SEE TRAUTMAN SITTING IN THE RECESSES OF THE DARK CELL. HIS BEARD HAS GOTI'ENHEAVIER AND HIS EYES TUR..~ SORELY FROM THE GLOWING LIGHT. :\ j

thru OMITTED thru

78

INT. METAL SHOP - SIDE ROOM - NIGHT

LATE AT NIGHT, RAMBO IS WORKING THE BELLOWS, STOKING THE WHITE-HOT FIRE. ONCE DONE, HE CLANGS AWAY ON A RED-HOT PIECE OF GLOWING METAL. HIS FACE AND BODY ARE SHINY WITH SWEAT AS HE POUNDS A..~DSHAPESWITH A HEAVY METAL HAMMER.

THE SHAPING COMPLETED, HE LIFTS THE RED-HOT METAL WITH THE TONGS AND INSPECTS IT.

79

CLOSEUP - A KNIFE BLADE

NEARLY 12-INCHES IN LEI~GTH,SLIGHTLY CURVED IN THE CEN- TER. AN INTIMIDATING HUNK OF METAL, TO SAY THE LEAST.

80

ANGLE ON - RAMBO

HE LOWERS THE GLOWING BLADE INTO THE WATER BARREL, AND. IT EMITS AL~ANGRY HISS.AS S~EAM ENVELOPS ITS IMAGE.

CUT TO:
81

EXT. PESHAWAR - ESTABLISHING - DAY

THE SCENE FADES INTO THE CLOUDS, THEN PANS DOWN ONTO:

82

EXT. PAKISTAN REFUGEE TOWN - DAY

THAT'S LIKE SOMETHING OUT OF A BAD DREAM. A MULTITUDE OF DIVERSE ETHNIC GROUPS (PATHANS, PUNJABIS, UZBEKS, ETC.), MANY WITH WEAPONS, SOME WITH BANDOLIERS ACROSS THEIR CHESTS. STARVING CHILDREN ANP WEARY MOTHERS FILL

83

A SERIES OF QUICK CUTS - DAY

TO A VARIZTY OF SKILLED, BUT MANUAL, JOBS, SUCH AS POT- TERY MAKING, GLASS BLOWING rum FLAGRANT I1ERCHA..~TSYELL- ING AT ALL WHO WILL LISTEN.

CUT TO:
84

A.~GLEON - RAMBO, GRIGGS AND MOUSA - TRACKING - DAY

THEY WALK THE CROWDED STREETS LEADING THEIR HORSES. A MILITARY BAG ON RAMBO'S BACK AND HIS NEW KNIFE AT HIS SIDE. A CANVAS-COVERED POUCH HOLDING A HIGH-TECH MILI- TARY RIFLE HANGS FROM EACH OF THEIR SHOULDERS. SOME OF THE LOCAL ROWDIES WATCH THEM t'lITHSUSPICION.

MOUSA IS A WIREY, INTENSE, EXTREMELY LIKABLE AFGHAN WITH GLOWING EYES THAT RADIATE A LOVE OF LIFE. MOUSA IS DRESSED IN TRADTIONAL AFGHAN GARB -- WHILE RAMBO AND GRIGGS WEAR AFGHAN SHIRTS AND MILITARY PANTS. GRIGGS WEARS AN AFGHAN HAT.

GRIGGS
Forty miles inland we'll tie up with a rebel leader named Mosaad -- Hey, in and o~t in 72 hours. What's life without its little challenges, right?

84A- MONTAGE OF SHOTS 84A

THEY PASS THROUGH THE MASSIVE REFUGEE CAMP. EVERYWHERE AROUND THEM IS A TESTAMENT TO THE HELLISH NIGHTMARE OF WAR••• DYING, DISEASED CHILDREN, GRIEVING MOTHERS, AND BROKEN OLD MEN MORE DEAD THAL~ALIVE .••

RAMBO
Wo are they?
GRIGGS
Afghan refugees -- more than a million.
MOUSA
..• More come every day, yes.
CUT TO:

thru OMITTED thru

88

EXT. PAKISTAN BORDER - STEEP MOUNTAIN TRAIL - TRACKING ·88

- DAY

RAMBO AND GRIGGS RIDE THEIR THICK-LEGGED HORSES. -UP AHEAD IS MOUSA, WHO LEADS ;,;_PACK-HORSE.MOUSA ADDP.F.SSES THEM AS THEY ASCEND THE "STEEPMOUNTAIN TRAIL.

48

MOUSA

Sir, they make a good decision, to choose Mousa as guide. He show you best trail -- Soviets ·not find -- excellent guide.

GRIGGS
Modest devil.

THEY CONTINUE TH::::IRCLIMBTOt'lARDTHESUMMIT.

CUT TO·:

89

EXT.·THE SUMMIT - DAY

MOUSA REACHES THE SUMMIT FIRST AND AWAITS RAMBO'S AR- RIVAL A SECOND LATER. WITH A CONFIDE?n',EXPANSIVE MOVEMENT OF HIS HAND, MOUSA DISPLAYS ALL THAT LIES BE- FOR HIM IN ONE WORD:

MOUSA
Afghanistan!
50

90 ANGLE ON - RAMBO A.~DGRIGGS 90

THEY SURVEY THE HARSH LAND BEFORE THEM.

GRIGGS
Nature had a hangover when it created this place -- Let's go.
91

RAMBO'S POV - DAY

STEEP MOUTAINS AND.RI"DGELINES GOING ON AND ON; SCEl~ERY FOREVER. MAGESTIC, DEADLY.

92

EXT. MEDIUM SHO'R- RAMBO, GRIGGS A..~MOUSA - TRACKING

DAY

MOUSA .
over two thousand years of war -- Afghan never defeated -- Hard country. Hard people, yes.

RAMBO SIGNALS THAT THEY SHOULD MOVE OUT. HE AND MOUSA :BEGINTHEIR DESCENT TOHARD THE DISTANT BATTLE ZONE.

•!l!!J',;;r,;@i'.;li)VIWlffil'itlJ!llID:ffl1,a15¥3#;"'7"l?WlfPWU2Ji'l1)'15ITTi':l'i:Wff!tf1FcEW3'1Ftltm'"iit1'tllS'J\',.

() 92 CONTINUED: 92

MOUSA
(continuing)
You do not talk much.
RAMBO
Not much.
GRIGGS
He leaves it to people who do it better.
MOUSA
Like me?

<:;RIGGS Like you.

MOUSA
Yes -- thank you.
CUT TO:
54

THE SKIES ARE BZGI~'"NINGTODARKEN IN THE DISTANCE. PIL-

LARS OF BLACK OUST FUNNELING INTO ROILING CLOUDS.

MOUSA
(points). The black wind come.
RAMBO
Wh~t•s the black wind?
MOUSA
... Storm, yes -- Always some- thing difficult here.
GRIGGS
A bad one can tear the skin off your body.
CUT TO:
94

TRAVEL MONTAGE - DAY.

A) THE BLACK STORM RAGES. IT'S A STANDARD DUST.GALE.

_) (CONTINUED)

94 CONTINUED.: 94

B) RAMBO, GRIGGS AND MOUSA CONTINUE TO.JOURNEY THROUGH

THE HARSH TE~IM. THEIR BODIES LEAN HARD AGAINST THE WIND, AS IF THEY DARE SIT UPRIGHT, THEY WILL BE BLOWN AWAY.

C) THEY PASS BURNT-OUT HULKS OF SOVIET TANKS AND APC'S.

• DISSOLVE TO:

95

EXT. BARREN PLAINS - TRACKING - DUSK

THE BLACK STORM HAS PASSED. MOUSA SIPS WAT!;RFROM A SKIN BAG. THEY PASS WHAT APPEARS TO BE THE RUBBLE OF A BURNT-OUT HOME FASHIONED FROM CLAY WITH SKELETONS OF LONG DEAD ANIMALS ROTTED BLE.ULY IN THE HARSH SUN.

MOUSA
For thousands of years we fight. Alexander the Great, Ghenis Khan, the British, now Russia try to conquer this coun-try -- They will not do this -- Afghan warrior is very brave -- fight anybody. There famous prayer you want hear?

RA.t.mONODS.

MOUSA
(continuing)
Thank you -- the prayer say -- 'Deliver us from the venom of the cobra, the venom of the tiger, and the vengeance of the Afghan.' Do you understand what it means?
GRIGGS
.•. You guys don't take any shit.
MOUSA
Yes, correct.

THEY HEAR WHAT SOUNDS LIKE DIST&\JTTHUNDER. A SOVIET HELICOPTER GUNSHIP PASSES, WAY IN THE DISTANCE.

CUT TO:
96

EXT. GORGE - TRACKING - DAY

AT 5,000 FEET. RAMBO, GRIGGS ANO MOUSA WALK THEIR FRIGHTENED HORSES DOWN A NARROW FOOTPATH THAT DROPS OFF INTO A GORGE THAT APPEARS TO BE THOUSANDS OF FEET DEEP. LOOSE ROCKS PLUMMET TO WHAT APPEARS TO BE A ONE-WAY TICKET TO HELL.

MOUSA
•.• In ancient day, an Afghan king was asked to send five hundred of best warriors -- How is said? 'Bad asses'?
RAMBO
Yeah.
MOUSA
Five hundred bad asses into battle foreign invader. King send Only five. His five greatest. He say; 'Better to send five lions than five hundred sheep.'
GRIGGS
Thanks for the travelogue, Mousa --
(to Rambo)
I estimate three-and-a-half hours to rendezvous point.
CUT .TO:

and OMITTED and

99

EXT. AFGHAN WILDERNESS - MINE FIELD - TRACKING - DAY

59

_. RA1"1BO,GRIGGSAND MOUSA RIDE THROUGH THE DESOLATE LAND-

SCAPE. MOUSA'S HORSE IS PICKING ITS WAY PAST COUNTLESS ROCKS AND PEBBLES. SUDDENLY MOUSA YELLS:

MOUSA
No! Wait!

RAl-IBOPULLSHIS HORSE UP SHORT. MOUSA GETS DOWN.

MOUSA
(continuing)
Here·-- see!

SMALL GREEN TOYS, OR 'WHATSEEM TO BE, ARE SCATTERED BY

THE HUNDREDS BEFORE THEM. THESE DEADLY TOYS" BLEND QUITE WELL WITH THE GROUND. MOUSA CAUTIOUSLY PICKS ONE UP BY THE EDGE AND, INSPECTING IT AS THOUGH IT WERE A LOATHSOME INSECT, TOSSES IT ASIDE, .AJ.'IDITEXPLODES. GRIGGS PICKS UP ANOTHER.

GRIGGS
Little presents the Soviets leave for the kids. removes a hand or foot in a flash. They don't want to kill the folks, just wound 'em --Damn.

GRIGGS GETS BACK ONTO HIS HORSE.

MOUSA
-- Yes -- to be wound in Afghanistan is to die ••.slow. It is slow dead.
100

DIFFERENT ANGLE - TRACKING - D.~Y

THEY START TO MOVE AWAY.CAUTIOUSLY, WI'r'HOUTEVERREMOV- ING THEIR EYES FROM THE DEADLY GROUND.

MOUSA
(to Griggs)
Are you not glad Mousa save your life so soon?
RAMBO
... I owe you, Mousa.

THE UNNERVING SOUND OF APPROACHING MACHINERY BEGINS TO PERMEATE THE AIR. RAMBO LOOKS UP AND SEES IN THE DIS- TANCE A PAIR OF APPROACHING HELICOPTERS. THE THREE MEN GRAB THEIR HORSES AND LEAD THEM BEHIND A ROCK OUTCROP- PING.

101

EXT. ROCKY OUTCROPPING - DAY

RAMBO, GRIGGS AND MOUSA ARE SITUATED ONLY 400 FEET FROM A RIDGELINE. RAMBO SEES THE SOVIET GUNSHIPS APPROACH AND CIRCLE HIGH ABOVE THE RIDGELINE M"D THEN DIS}..PPEAR FROM VIEW..•

... MOMENTS LATER, THOUSANDS OF BULLETS SEEM TO BE EX- PLODING AS THE GUNSHIPS ATTACK A DESIGNATED TARGET.

RAMBO AND GRIGGS GALLOP THEIR HORSES TO THE TOP OF THE RIDGELINE.

103

EXT. AFGHANVILLAGE -POV SHOT -DAY

WHAT RAMBOAND GRIGGSSEE ISMINI-WARFARE INA VILLAGE OF NOMORC:•rHAN SIXTYTO SEVENTYPEOPLE, AND A FEW SCAT- TERED HEADOF SHEEP. THE WOMEN AND CHI!..DRENSCURRY IN VAIN FOR COVER,AS THE TWENTY OR SOMEN OF VARYING AGES SHOOT BACKWITH THEIR ANTIQUATED WEAPONS.

GRIGGS (O.S.)
Son of a bitches--! Let's move.

GRIGGS STARTS OFF INONE DIRECTION,WHILE RAMBOMOVES IN ANOTHER AND LEAPS OFFHIS HORSE.

AS THE.GUNSHIPS THROWFORTH A DEADLY STREAMOF FIRE, PEOPLE LEAP BEHIND ROCKS,DASH INTO THEIRMAKE-SHIFT TEN·rs,WHICH ISWHAT THEVILLAGE IS MOST!.YCOMPRISED OF -- SOME LEAP INTOAQUAFIERS THAT ARE COVEREDWITH A FLAT STONE.

THISACTIVITY IS INVAIN AS THE HELICOPTERS RAIN FORTH AN UNCEASING STREAM OFTARGETED HELLFIRE.•• SWIRLING DUST NEARLY BLOTS l'HEPICTURE FROM VIEW.

CUT TO:
106

EXT.ANGLE - GRIGGS -DAY

GRIGGS LEAPS FROM HIS HORSEAND REMOVES HIS ULTRA-MODERN RIFLE FROM HIS SHOULDERPOUCH. MOUSA STEPS INTOVIEW iUT-H HIS RIFLE RAISEDAT THE CHOPPERS.

GRIGGS
They'll kill you!.·Get down!
CUTTO:
107

ANGLE ON - SOVI~T GUNSHIPS - DAY

CONTINUETO FIRE AWAY AND MANAGE TO KILLFIVE AFGHANS IN RAPID SUCCESSION.

•·wr¥1'"¥V'WiiRrv.&w,;:m,.t1'1e:1nw-v:sfilW½v:w«wnS&11f:YE·mar

66

23.

107A MOUSA 107A

MOUS~ IS TOTALLY CRAZED BY THE ATTACK AND BRAVELY RIDES FORWARD WHILE FIRING. HIS HORSE IS SHOT FROM UNDER HIM. HE IS THROWN HARD TO THE GROUND, AND IS UNCONSCIOUS.

108

EXT. RIDGELINE - RAMBO - DAY

RAMBO HAS ASSEMBLED HIS RIFLE AND REMOVES A TYPE OF MOR- TAR FROM ANOTHER POUCH.

109

ANGLE ON - GRIGGS - DAY

GRIGGS, IN ALL THE HELLFIRE, TRIES TO LINE UP A SHOT WITH HIS WEAPON.

109A

INT. CHOPPER FL

THE GUNNER SIGHTS HIM AND FIRES.

109B Ai.~GLE-FAVORING GRIGGS 109B

GRIGGS IS RIPPED APART. RAMBO SEES THIS AND RUSHES TO HIS SIDE.

109C RAMBO 109C

RAMBO ARRIVES AT GRIGGS' SIDE AND KNEELS BESIDE THE DEAD HAN.• •HE FACI:STHE CHOPPER Ai.~DRUSHESUP THE RIDGELINE.

110

~XT. THEVIL!.AGE - DAY

AN OVERALL VIEW REVEALS THAT ALMOST EVERYONE HAS BEEN KILLED •••HALIMA, A BADLY-WOUNDED (HEAD WOUND) YOONG GIRL OF TEN IS SEEN AT HER DEAD MOTHER'S SIDE CRYING WILDLY, PULLING VAINLY AT THE DECEASED WOMAi.~.

CUT TO:
111

INT. CHOPPER #1 - DAY ·111

OUTOF THE CORNER OF HIS EYE, THE PILOT SEES HALIMA AND, ALMOS~ DISDAINFULLY, TURNS THE MACHINEAROUND •.• nALIMA STARTS TO RUN.

CUT TO:

)

112

EXT. ANGLE - ON CHOPPER #2 - DAY

CHOPPER i2 IS FIRING ROCKETS AT THE LAST REMAINING WAR- RIORS, WHO ARE SEMI-HIDDEN IN THE HILLSIDE.

COT TO:
113

EXT.CHOPPER #1 - TRACKING - DAY

THE GUNSHIP CHA:.~GESCOURSEAl~DB~GINS TO ROLLER-COASTER TOWARDS THE FLEEING GIRL.

COT =ro:

114

EXT. RIDGELINE - RAMBO - DAY

WHILE IN ?-IOVEMENT,RAMBOATTACHES THE MORTAR TO HIS RIFLE MUZZLE AHD SWINGS AROUND A LARGE ROCK AT THE TOP OF THE SUMMIT.

COT TO:
115

INT. CHOPPER #1 - DAY

THE GUNNER LOOKS DOWN AT A RADAR SC~EN. WE SEE.THE GIRL'S GRAPHIC OUTLINE ON THE GREEN RADAR SCREEN.

COT TO:
116

EXT. RIDGELINE - ON RAMBO - DAY

RAMBO STEADIES HIMSELF BY PROPPING ONE LEG OP ON A ROCK EL~VATION.AND TAKES DEADLY AIM.

BECAUSE OF THE VALLEY CONTOUR, UPDRAFTS CAUSED BY THE CHOPPER'S PROP WASH BETWEEi.'1RAMBOA?li"DTHECHOPPER.

COT TO:
117

INT. CHOPPER #1 - DAY

THE GUNN~R HAS LINED UP HIS TARGET. A GLOVED HAND IS ABOUT TO SQUEEZE A BOTTON THAT ACTIVATES THE MACHINE GUNS.

COT TO:

'(

118

EXT. RIDGELINE - ON RAMBO - DAY

WITH INHUMANCALM, RAMBO LEVELS HIS RIFLE AND PREPARES TO BAREDOWN ON THE TRIGGER.

CUT TO:
119

EXT. VILLAGE - HALIMA - TRACKING - DAY

HALIMA LOOKS OVER HER SHOULDER AT TH~ HOVERING HOUND OF DEATH .•.THE WIND FORCE NEARLY TOPPLES HER FROM HER STRIDE.

CUT TO:
120

EXT. RIDGELINE- POV SHOT FROM RAMBO'S GUN SIGHT -DAY

-DOWNTHE LENGTH OF THE GUN BA.~REL,WE SEE THE GIAi.~T SOVIETWAR MACHINE RAPIDLY APPROACHING. ITHAS THE SAMECONCEPTUAL FEEL OF A GREA~ WHITE SHARK ABOUT TO FEAST UPON A HELPLESS MORSEL.

CUT TO:
121

INT.CHOPPER #1- DAY

THE PILOT SUDDENLY SEES RAMBO OUT OF THE CORNER OF HIS EYE AND YELLS TO THE GUNNER.

TH2 GUNNER WHIPS THE MACHINE GUN TOWARD RAMBO AND FIRES.

CUT TO:
123

EXT. RID.GELINE- ON RAMBO - DAY

RAMBO SQUEEZESTHE TRIGGER, AND THE MORTAR EXPLODES FORTH.

CUT TO:
124

EXT. CHOPPER #1- DAY

THE MORTAR COLLIDES INTO THE NOSE OF THE CHOPPER. THE MORTAR SHATTERS THROUGH THE NOSE-GUNNER'S PLEXIGLASS, AND, A HEART-BEAT LATER, BXPLODES. THE MACHINE ERUPTS.

CUT TO:

,26 •.

125

EXT. CHOPPER #2 - DAY

THE SECOND CHOPPER WATCHES ITS SISTER SHIP TRANSFORM IN- TO A SHATTERED, TWISTED, SCREAMING BALL OF FIRE THAT RAINS DOWN ON THE DECIMATED VILLAGE LIKE A MACABRE DIS- PLAY OF FIREWORKS.

CUT TO:
126

EXT. VILLAGE - ON HALIMA - DAY

THE GIRL PAUSES IN HER MOUNTING TERROR TO CATCH A GLIMPSE OF RAMBO AT THE TOP OF THE RIDGELINE.

CUT TO:
127

EXT. CHOPPER #2 - TRACKING - DAY

SWINGS AROUND AND ANGLES TOWARD RAMBO.

128 ANOTHER ANGLE 128

CHOPPER #2 FIRES A S!1ALLROCKET THAT EXPLODES JUST AS RAMBO LEAPS FROM VIEW.

RAMBO'S FLEEING FORM·IS ALL BUT HIDDEN FROM CLEAR VIEW BY THE BLACK SMOKING REMAINS OF CHOPPER #1.

129

EXT. CRTOPPER#2 - DAY

SWINGS THROUGH THE SMOKE AT THE TOP OF THE RIDGELINE. THE SOVIETS INSIDE ARB RIGID WITH ANTICIPATION.

CUT TO:
130

EXT. THE VILLAGE VALLEY - WIDE - DAY

A PANORAMIC SHOT OF THE RAVAGED VILLAGE SHOWS THE AREA FILLING WITH NEARLY I?ll>ENETRABLEBLACKSMOKE FROM THE DOWNED CHOPPER, MADE ONLY MORE BLINDING BY THE PROP WASH OF CHOPPER #2.

CUT TO:
131

EXT. CHOPPER #2 - DAY

DROPS DOWN LOWER INTO THE VALLEY AS IT PROBES THE VALLEY WALLS FOR SIGNS OF HIDDEN HUHANITY.

THE GUNNER FIRES BLINDLY INTO THE SMOKE·,ASTHE PILOT ROTATES THE CHOPPER ON AN INVISIBLE AXIS. THE BULLETS TEAR AT THE ROCKS,AND ONLY GLIMPSESOF THE. CRAGGY VAL- LEY WALLS CAN BE SEEN. AFTERWHAT SEEMS LIKETHOUSANDS OF BULLETS, THE GUNNER CEASES.

CUT TO:
132

INT. CHOPPER.#2 - DAY

GU't-.~ER (in Russian) They're dead -- Let's go.

THE PILOT IS ABOUT TO GUIDE THE CHOPPERAWAY WHEN HE SEES SOMETHING IN HIS PERIPHERAL VISION•••

133

PILOT'S POV - DAY

RAMBO IS SEEN THROUGH THE SMOKE THAT BLURS PAST HIS OUTLINE •.•

RAMBO HAS THE CHOPPER DEAD IN HIS SIGHTS.

PILOT (0. S.)
There!
CUT TO:
134

EXT. ROCKS - DAY.

THE PILOT TRIES TO TURN THE CHOPPER AROUND. BUT TOO LATE. RAMBO FIP..ES,ANDCHOPPER #2 IS HISTORY.

CUT TO:
135

EX~. VILLAGE - DAY

THE VILLAGZ IS COMPLETELY DEVASTATED. CONTORTED BODIES LAY EVERYWHERE. OLD MEN, WOMEN, CHILDREN, ANIMALS. A LONESOME WIND SOFTLY WHISTLES IN 'rHEMOUNTAIN PASS. DUST KICKS UP ALL AROUaD TH:i::M.THEREISN'T A SIGN OF LIFE ANYWHERE.

THE ONLY SOUND IS TH3 BURNING, SCATTERED F·RA.."1ESOFTHE SOVIET CHOPPERS.

CUT TO:
136

EXT. ROCKS - FEATURING RAMBO - DAY

RAMBO LOOKS DOWN AT THE SMOKING RUBBLE, RUBS HIS EYES. AFTER WHAT SEEMS TO BE A HONORED LIFETIMES OF COMBAT, HE IS STILL REVOLTED BY THE INSANE COMPLEXITY OF WAR.

CUT TO:
137

EXT. THE VILLAGE - TRACKING - DAY

RAMBO WALKS THROUGH THE DESTROYED AND SMOLDERING VIL- LAGE. HE HEARS MOVEMENT COMING FROM BEHIND A ROCK AND GOES QUICKLY TO INSPECT IT•••

138

EXT. BOULDER - DAY

OUT OF THE CORNER OF HIS ·EYE,RAMBO SEES THE LITTLE GIRL, HALIZ.1A,DASHINGTO ANOTHER HIDING PLACE. SHE HAS A WOUNDED ARM.

RAMBO
Wait!
CUT TO:
139

EXT. VILLAGE - ANGLE - DAY

THE WIND IS SLOWLY BUILDING UP •••RAMBO HEARS THE RUMBLE OF APPROACHING HORSES. FROM OUT OF THE BLOWING SMOKE. AND SWIRLING SAND, A HOONTED AFGHAN TRIBE RIDES INTO VIEW AND CIRCLES RAMBO.

140

ANGLE - FAVORING KHALID - DAY

THE CHARISMATIC LEADER, KHALID, AGE FORTY-FIVE, GLARES AT RAMBO WITH HIS HARD, PROUD EYES. HIS BEARDED FACE LOOKS LIKE IT ROSE OFF THE·PAGES OF A HISTORY BOOK.

KHALID
(in Pathan)
Roussi! Tie him down! Tie him down!
141

ANGLE - ON RAMBO - DAY

THEY PULL RANB0 S WEAPON F:RZE.

RA."1.BO

) I'm American!

KHALID
Roussi! Spy!

A GUN BUTT SLAMS INTO THE REAR OF RAMB01 SNECK, AND HE STAGGERS FORWARD AND IS HIT FROM ANOTHER ANGLE.

THE HORSES TIGHTEN AROUND RAMBO, AND ROPES ARE THROWN AROUND HIS NECK AND BOTH WRISTS. THIS HAPPENS WITH GREAT FRENZY.

THE ROPES ARE FASTENED TO THE HORN OF TWO AFGHAN HORSE- MEN'S SADDLES AND RAMBO'S ARMS ARE SPREAD OUT AND HE!..D PAINFULLY TAUNT.

CUT TO:
142

EXT. RIDGELINE - MOUSA - DAY

~OUSA STAGGERS TO HIS FEET A..'®VIEWSWHAT IS ABOUT TO HAPPEN .••HE YELLS WILDLY, BUT THE.WIND CARRIES HIS VOICE AWAY •••HE STRUGGLES TO RUSH FORWARD.

CUT TO:
143

:C:XT.VILLAGE.-FEATU.RINGRAMBO - DAY

RAMBO, SEMI-CONSCIOUS, REALIZES THAT HE IS ABOUT TO BE PULLBD IN HALF, AND HE DESPERATELY TRIES TO STRUGGLE FREE. THE GIRL, HALIMA, LOOKS OUT AT THE SCENE AND STEPS FROM HER HIDING PLACE.

WITH HIS LAYERED CLOTHL.~GBLOWING WILDLY, KHAL.IDCURSES AT RAHBO AND SIGNALS FOR THE AMERICAN TO'BE PULLED APART.

144

ANOTHER ANGLE - ON MOUSA - DAY

RUNS INTO VIEW.

MOUSA
(in Pathan)
No!!!

KHALID AND ALL PRBSENT .TURNTOWAP.DSMOUSA, WHO PLEADS FOR RAMBOI S LIFEBY R.~PIDLYEXPLAINING WHO TH:C:AMERICAN REALLX IS. AS MOUSA CONTINUES TALKING; KHALID WAVES HIS HAND AT THE BURNING CHOPPER, AND MOUSA EXPLAINS THESE ARE THE AMZRICANS THEY WERE SUPPOS:EDTO MEET UP WITH.

MOUSA
(continuing)
He wants to know who help bang machines.

'Bang''?

MOUSA
Bang.

MOUSA GESTURESAN EXPLOSION WITH HIS HANDS.

145

ANOTHER AL~GLE -DAY

THE LITTLE GIRL, HALIMA, STEPS INTO VIEW, AND SPEAKS.

HALIMA
(in Pathan)
He did it -- I see!
146

ANGLE -TRACKING - DAY

THE STONEY~FACED GUERRILLAS LOOK AT ONE ANOTHER WITH ADMIRATION FOR RAMBO.. RAMBO !S RELEASED.

147 ANGLE ON KHALID 147

KHALID GETS OFF HIS HORSE AND GOES TO RAMBO. HE STARES HARDAT RAMBO AS THE WIND WILDLY WHIPS THEIR GARMENTS .••

KHALID EMBRACES RAMBO, THEN REMOUNTS AND PEELS OFF. A REBEL REACHES DO'WNAND PICKS UP HALIMA AND STARTS TO RIDE AWAY ..•MOUSA HANDS OVER THE REINS OF RAMBO'S HORSE.

MOUSA
(toRambo)
Again you lucky to know me.

RAMBO LOOKS OVER AT THE DEAD ~.&!:RICAN'NEARTHEROCKS.

RAMBO
I have to bury him.
CUT TO:
148

EXT. RUSSIAN FORTRESS - LATE AFTERNOON

A LARGE ANCIENT STRUCTURE SITUATED UP ON THZ BROAD FACE OF A MOUNTAIN IS THE LOCAL COMl.'1ANDPOSTFORTHE RUSSIANS CONTROLLING THIS SECTOR OF THE COUNTRY •.

ROLLED BARBED-WIRE RINGS THE FORTRESS, WHILE PATROLLING AFGHAN GOVERJ.~MENTTROOPSPACE ALONG THE TOP OF THE WALL ... IN THE TWO ELEVATED LOOKOUT TO'ilERSAREYOUNG RUSSIAN SOLDIERS. THE FORT LOOKS TO BE ACTIVE, SINCE THE NEWS OF THE DOWNED CHOPPERS HAS BEEN PASSED AROUND •••SEVERAL VEHICLES ARE SEID~RAPIDLY ENTERING THE FORT.

149

INT. FORTRESS - HALLWAY

OUT OF HIS OFFICE STEPS COLONEL ZAYSAN. .HISEXPRESSION IS DRY PROFESSIONALISM. HE IS FOLLOWED BY THE POWERFUL SGT. KOUROV.

CUT TO:
150

INT. FORTRESS - CELLBLOCK - DAY

AS COL. ZAYSAN AND SGT. KOUROV TURN THE CORNER AND ARE GREETED BY A 25-YEAR-OLD LIEUTENANT NAMED TOMSK. TWO AFGHAN GOVERNMENT TROOPERS STAND BEHIND LT. TOMSK.

ZAYSAN
(in Russian)
Open the door!
TOMSK
Yes, Colonel. So -- we have not allowed him to sleep.
CUT TO:
151

INT. FORTRESS - TRAUTMK~'S CELL - DAY

TnE DOOR OPENS AND LIGHT ANGLES IN EXPOSING TRAUTMAN ... TRAUTMAN LOOKS DRAWN AND DEHYDRATED.--

ZAYSAN
(broken English)
You know about the attack?!

TRAUTMAN LOOKS AT THE COLONEL IN SILENCE.

ZAYSAN
(continuing)
You know about attack!!! Who is working withyou?!
TRAUTMAN
-- I don't know what the hell you're talking about. •

ZAYSP.NGRASPS Hia BY THE HAIR·.

ZAYSAN
You know!
(in Russian; to Sgt. Kourov)
Bring him!

ZAYS.Ai'lEXITS.

CUT TO:
152

EXT. CAVE - GUERRILLA FORTRESS -DAY

NEAR THE BASE OF A MOUNTAIN WE SEE RAMBO, MOUSA, AND OF COURSE, THE BAND OF GUERRILLAS, ARRIVING AT THE REBEL CAMP. SOME CHILDREN RUN FROM THE NEARBY RIVER.

ONCE AT TH~ FRONT OF THE CAMP, KHALID BARKS SOME ORDERS, AND THE MEN DISMOUNT THEIR HORSES. CHILDREN GATHER AROUND KHALID. LIKE A TRUE FATHER-FIGURE, HE STROKES THEIR HEADS WHILE KISSING SOME. HE MOTIONS A.~DSPEAKS TO HOUSA AND GESTURES AT RAMBO.

MOUSA
(toRambo)
With him he want you to go.

THEY ENTER THE CONFINES OF THE CONCLAVE OF AFGHAN TENTS AND MAKE-SHIFT SHELTERS; SOME WITH OLD SURPLUS ANTI- AIRCRAFT METTING OVER THE TENTS.

HORDES OF WOMEN COVERED IN TRADITIONAL DRESS GO ABOUT THEIR CHORES OF MAKING BREAD, AND MENDING CLOTHING AND T:SNDINGTO ANIMALS ••.A GROUP OF MEN SIT IN CIRCLES DRINKING TEA, DISCUSSING LIFE. SOME CLEAN THEIR OLD WEAPONS .••ONE GROUP IS WATCHING A WRESTLING MATCH BE- TWEZN THE FULLY-CLOTHED YOUTHS.

NANY OF'THE WOMEN AND YOUNGER CHILDREN EYE RAMBO WITH

111

\

MORE CURIOSITY THAN SUSPICION AS HE PASSES. MANY WAVE AND OFFER COMPLIMENTARY EXP~ETIVES TO KHALID AS HE PASSES.

•r'l'fllSWB'ffl·t!Wr':Wit'ff••!"552&:WPJ:tnilttrWEill1:1~-IDil

RAMBO
Is this their base of operations?
MOUSA
Until Soviets find, yes -- No fast foods here, Rambo.
CUT TO:
154

EXT. HOSPITAL AREA - DAY

TENT COVERED AND FASHIONED AGAINST A STONE ~ACADE OF THE MOUNTAIN IS AN EXTRAORDINARILY DEPRESSING PRIMITIVE IN- FIRMARY AREA. THE .AILINGLAY UPON BLAL~KETS,SCATTERED STRAW AND BLOOD-STAINED RAGS OF YELLOWING LINEN.

HANGING ON A ROPE, APPEARS TO BE STOCKPILES OF ARTI- FICIAL LIMBS, SOME FASHIONED FROM STICKS, METAL; SOME APPEAR TO BE SLIGHTLY USED CHIPPED PLASTIC. ON AN AD-. JOINING TABLE OR COBBLER'S .BENCHIS AN ASSORTMENT OF WOODEN FEET. LANTERNS HANG FROM A ROPE HUNG DOWN THE CENTER OF THE TENT. ·

KHALID AND THE CHILD, FOLLOWED BY RAMBO AND MOUSA, MOVE TOWARDS A WOMAN AT THE REAR OF TSE INFIRMARY... .

MICHEL PILLAR, A SA.~DY-HAIRED,35-YEAR-OLD DUTCH WOMAN., RISES FROM TENDING TO A SEVERELY-BURNED CHILD AND GOES TO GREET KHALID •.•MICHEL IS NOT GARBED AS A DOCTOR WOULD BE EXPECT:C:DTOBI::.IN THESE TIMES OF WAR, SHE HAS ADOPTED A RATHER DISHEVELED APPEARANCE, BEING GARBED IN A WRINKL:i:::DKHAKIMILITARYSHIRTAND PANTS. SHE HAS A VERY STRONG BUT PLEASANT CONTENANCE.

KHALID
(in Pathan)
This child was wounded in.a village raid -- Her family is dead.
MICHEL
(in Pathan)
And the rest?

KHALID SHAKES HIS HEAD "NO." THE LITTLE GIRL IS STILL IN A HINOR STATE OF SHOCK AND 'itISIBLYWITHDRAWN. MICHEL INSPECTS HALil-"J.A'SSUPERFICIALWOUND.THE CIGARETTE STILL HANGS LOOSELY FROM HER MOUTH. Al~AFGHAN WOMAN IN A CHARDRI HELPS CLENSE THE CHILD'S WOUNDS.

MICHI:L (continuing) -- Who is this?

KHALID
An American. He destroyed two gunships. Another American died.
MICHEL
(to Rambo)
The other American with you died? I'm sorry.

RAMBO NODS.

MICHEL
(continuing)
So, obviously you're not a journalist, and you haven't come to take pictures then leave, like the others: so, why are you here?
RAMBO
I'm looking for someone.
MICHEL
Who?
RAMBO
A friend another American.
MICHEL
(nods)
Where is he?
RAMBO
I hope they can tell me.
KHALID
(in Pathan)
You both talk later.
(to Rambo)
You come now with me.

KHALID EXITS THE INFIRMARY. MICHEL GOES TO HALIMA. MOUSA MOTIONS TO RAMBO TO FOLLOW.

MOUSA
Now you talk chiefs.

/

(CONTINUED}

/\ 154 CONTINUED: (2) 154 /i

113

RAMBO

'To' chiefs.

MOUSA
To chiefs. Thank you.
CUT TO:
155

EXT. CAMP

THIRTY GUERRILLAS SIT IN A TYPE OF SEMI-CIRCLE FASHION WITH RAMBO BEING AT ONE END &iD CERTAINLY THE OBJECT OF ATTENTION. KHALID SITS TEN MEN AWAY FROM RAMBO. LIKE- WISZ, T1'/l0OTHERCHIEFTANS,NAMED RAHIM AND A HEAVILY- BEARDED, FEARSOME-LOOKING HOLY WARRIOR NAMED MOSAAD. THE THREE TRIBAL CHIEFTANS DISCUSS IN A.~IUATEDFASHION ABOUT THE ACTUAL INTENTIONS OF RAMBO. IS IT A KGB PLOT? DID HE REALLY RESCUE THE GIRL? IS HE TO BE TRUSTED?

MOUSA
They don't know if you are to be helped.

MOUSA TAKES THE OPPORTUNITY TO BREAK INTO THE DIALOGUE AMONGST THE TRIBAL CHIEFTANS AND BEGINS A VERY ANIMATED STREAN OF CONVERSATION ru:.--r.ATINGTHEEVENTSOFEARLIER. IN THE DAY...

... RAHIM RAISES HIS HAND FOR MOUSA TO STOP SPEAKING.

RAHIM
(in Pathan)
We want help in the war -- help from other countries -- But this has not happened. We can not help.a country that does not help us.
KHALID
We see you help many people. In. Afghanistan,no help·. 'tie fight for survival. Alone.
RAMBO
The American taken was here to learn all this -- He was here to learn why the aid has not reached you
KHALID
Where he is -- he cannot be helped.
RAMBO
I don't know that yet.
KHALID
He can not be helped!
RAMBO
I've got to try.
KHALID
Then you die!

RAMBO STARTS TO RISE.

RAMBO
Maybe.
MOSAAD
Wait.

RAMBO PAUSES. MOSAAD SPEAKS WITH.BARELY AN ACCENT:

MOSAAD
(continuing)
My name is Mosaad. You must not judge us before you understand why we are not reaoy to help.· Our children die of disease, torture and poison. Our villages destoyed and burned. But .stillwe resist, determined not to be slaves. Every year the death grows. Yet the world does not see this; they see us only as savages who live in a savage land. So we must fight harder. We are Mujahideen -- holy warriors -- To us, this war is a Jihad, a holy war. Because it is a war to defend our faith, a war against an infidel an athiest power that believe in no God or faith -- In a holy war there is no true death. When we die in battle, we will be taken to heaven by Muhammad, and live with our God forever. So you see, we have no food, no big weapons, no planes; we have only our God that gives us strength, and the men will fight until we are no more.
(MORE)
MOSAAD (CONT'D)
But we want to stoo this death of our women and children .•. This is why we need the world's help... But it has not come.

RA!-1DO I don't know what to say -- I

• wish I could help more .

MOSAAD
It is not your fault, you are only one man. You leave us now, and let us decide.

RAMBO STANDS, HODS HIS APPRECIATION AT MOSAAD, AND STEPS OUT WITH MOUSA.

CUT TO:
156

EXT. VILLAGE - DAY

TEN AFGHAN WARRIORS ARE PLAYI~G A GAME WHERE THEY CHARGE ON HORSEBACK WITH A I,A!;CEANDTRY TO SPEAR A THREE-INCH TENT PEG STUCK IN THE EARTH. IT IS A SKILLFUL AFGHAN SPORT OF NERVE A~lDDARING, WITH A TOUCH OF FLAGRANT IN..: SANITY.

RAMBO AND noliSAMOVE A BIT CLOSER AS THE GAf.!EPICKSUP WITH THE ANIHATED AFGHANS GALLOPING TO Ai'iDFRO,TRYING TO SPEAR THE PEG.

HOUSA
Mousa believe they will help you. It is very hard for Afghan to trust, after what they been through.

RAMBO NODS Ai~DLOOKS BACK OUT AT...

157 RAMBO'S POV 157

... A HORSEMAN DEFTLY SPEARING A TENT PEG AT FULZ..GALLOP.

HOUSA (O.S.)
It very insane game, yes -- old insane game .
158

&.~OTHERANGLE - TRACKING - DAY

/,--'>\ ...:,__,) MOUSA WALKS A LITTLE BIT CLOSER TO THE CHARGING HORSEMEN.

RAMBO
When will the leaders make their decision?
MOUSA
Sometime tribe not agree for long time -- Sometime,fast.

159 ANOTHER Al~GLE- DAY 159

ANOTHER PLAYER GALLOPS PAST, BUT MISSSS THE PEG; AND THE OTHER PLAYERS JEER HIM IN A GOOD-NATURED FASHION •••

160

DIFFERENT A..~GLE-DAY

AS RAMBO APPROACHES, THE PLAYERS AND BYSTANDERS EYE HIM WITH SUSPICION.

MOUSA
Do not look at them -- They think you want to play.
161

WIDER ANGLE - DAY .

ONE OF THE PLAYERS HHO HAS DROPPED OUT OF THE AC7ION MO- rmNTARILY YELLS TO MOUSA THAT THE A?'1ERICANSHOULDTRY THE GAME. A LARGE PLAYER SMILES, MAKES AN EVEN LOUDER CHALLENGE TO RAMBO.

MOUSA
Do not look at them -- They are crazy.

TWO MORE PLAYERS ALONG THE SIDELINES YELL AT MOUSA, WHO PAUSES AND YELLS BACK ~1I·rHOBVIOUSANNOYANCE.

RAMBO
What're they saying?
MOUSA
Just normal Afghan insults Do not listen.
RAMBO
Tell rne.

MOUSA YELLS BACK AT THE MEN IN THEIR NATIVE TONGUE.

MOUSA
They think you can not do -- afraid.
RAMBO
Can't have that.
MOUSA
No --
162

ANGLZ - TRACKING - DAY

RAl-1BOGOESFORWARD. HE IS HAND:::DTHEREINS BY A GROUP OF [-10CKINGHORSEMEN. RAMBO EXPERTLY MOUNTS THE HORSE AND IS GIVEN A PIN-POII-lTSHARPLANCE.

MOUSA
Go in peace!
163

ANGLE - ON RAMBO - TRACKING - DAY

RAMBO GOES PAST A GROUP OF SKEPTICAL HORSE?-!ENASHE FACES •rHEPEG NEARLY FIFTY YARDS AWAY.

164

CLOSEUP - MOUSA - .DAY

ISVERY WORRIED ••.HE YELLS ENCOURAGEMENT.

165

EXT. ELZ:VATED GROUND -MOSA..LU>-DAY

OBSERVES ·rHEACTIVITY DO':imBELOW.

166

EXT. ROCKY PLATEAU - PLAYING FI:I:::LD-'RI'LACKING-DAY

RAMBO CHARGES FULL AHEAD AND LOWERS HIS LANCE INTO PO- SITION. EYES STARE UNBLINKINGLY AT THE MINUTE TARGET.

167

CLOSEUP - LANCE POINT - TRACKING - DAY

FLASHING PAST.

168

CLOSEUP - TRACKING - DAY

RAMBO'S HORSZ'S DIGGING HOOVES.

169

HIDE ANGLE -RAHBO -DAY

LEANS FURTH=R DOWN TO SPEARTHE PEG AND MISJUDGES THE DISTA.~CE. HISLANCE DEEPLY IMPALES THE GROUND IN FRONT OFTHE PEG.

128

170 CLOSERAUGLE 170

RAMBO ISJOLTED OFP THEHORSE AND FLUNG FORCEFULLY TO THE GROUND.

171

CLOSEUP -HOUSA -DAY

STUNNEDFOR A MOMENT. NOT KNOWING IF~.BO IS DEAD.

172

CLOSEUP -RAMBO -DAY

SLOWLY SITS UP. DUSTYAND E¼BAR..~SSED••• HE COLDLY EYESTHE BEMUSED MUJAHIDEEN WARRIORS.

173

EXT. ELEVATED GROUND -MOSAAD -DAY

WATCHES WITH KEEN INTEREST;LIKEWISE, MANY OTHER AFGHAN WARRIORS WHO HAVEBROKEN AWAY FROM THEIR CIRCULAR CON- VERSATIONS TO WATCH THE A.M.ERICANMAKEHIS UNIMPRESSIVE DEBUT.

174

EXT. ROCKY GROUND - RAF1BO-DAY

RAHBO RISESAND PULLS OFFHIS.AFGHAN SHIRTAND GETS BACK ON THE HORSE, HZLD BYMOUSA.

MOUSA
Do not get killed, bad for reputation, yes. Do not do this, please.

RAMBO NODSAi.~DPULLS THEHORSE AWAY. AlmTHER REB:CLGOES TO HANDHIM A LANCE.

175

ANOTHER ANGLE - RAMBO -DAY

SHAKESHIS HEAD "~,m,"ANDLINES UP TO CHARGE.

176

DIFFERENT ANGLE -THE OTHERPLAYERS - DAY

THEY ARE TOTALLY CONFUSED BYRAMBO'S REFUSALOF THE j' LANCE. . .MOUSALOOKS AT THEE AND SHRUGS.

176A GROUPS OF CHILDREN 176A.

RUN TO OBSERVE THE AMERICAN.

177

WIDE ANGLE - RAMBO - TRACKING - DAY

RAMBO CHARGES AT FULL GALLOP AND STARES WIDE-EYED ATTHE BARELY VISIBLE PEG••• AS HE NEARS THE PEG, RAMBO DRAWS HIS LONG KNIFE AND POINTS IT AT THE PEG •••

178

DIFFERENT ANGLE - THE SPECTATORS - DAY

THEY CANNO'rBELIEVE WHAT IS ABOUT TO HAPPEN.

179

EXT. ELEVATED GROUND - MOSAAD - DAY

STARES WITH KEEN INTEREST.

180

EXT. ROCKY GROUND - RA1•1BO-TRACKING - DAY

RA!'.iBOREACHESTOTHE GROU?tDAS HE THUNDERS PAST;

181 CLOSEUP - KNIFE BLADE - TR.'Z\CKnrn-DAY 181

RESEMBLES A ·SHARK~SIT TRAVELS PARALLEL TO THE ROCKY GROUND.

182

WIDER ANGLE - RAMBO - TRACKING - DAY

RAMBO SPEARS 'I'HBTENTPEG AND HOLDS IT HIGH AS HE CIRCLES AROUND THE PLAYERS•••

••. TH~ PLAYERS YELL THEin APPROVAL•••

183

EXT. - MOS.~ - DAY

MOSAAD SMILZS.

183A A BEARDED MULLAH 183A

A RELIGIOUS HOLY MAN YELLS DOWN AT THI::PLAYINGFIELD IN A SORT OD DRONING WAIL.

184 ~x·r.ROCKY GROUND - DAY

THE PLAYERS CE.'Z\SEUPONHEARINGTHE MULLAH'S COMMAND.

185

TWO SHOT - RAMBO AND MOUSA - DAY

MOUSA
That was excellent --

RAMBO GLANCZS AROUND AT THr:DEPARTING PLAYERS.

RAMBO
Why are they stopping?.
MOUSA
(moving away)
Time to pray -- How you like game?

RAMBO

I ll take baseball.

MOUSA RENDERS A CONFUSED EXPRESSION. AND RAMBO SMI~ES BACK AT HIM.

CUT TO:
186

EXT. BOMBED VILLAGE - SUNSET

A SURVEILLANCE HELICOPTER~ITH SOVI~T MARKINGS HOVERS OVER THE BURNED, SKELETAL REMAINSOF THE TWO DOWNED CHOPPERS.

CUT TO:
187

INT. HELICOPTER - POV SHOT

OF THE DOWNED CHOPPERS.

188

INT. HELICOPTER - PILOT - SONSET

WE SEE THE PILOT REACH FORTHE MICROPHONE.

CUT TO:
189

EXT. MOUNTAINSIDE - SUNSET

A GROUP OF A HUNDRED MUJAHIDEE~J'GUERRILLAS, INCLUDING THETHREE LEADERS, MOSAAD, KHALID AND RAHIM,ARE ALL KNEELING INPRAYER. THE !10LLAH ISLEADING THE PRAYER CHANT.•. RAMBOWATCHES THE RELIGIOUS ACTIVITY FOR A MOMENT, THZN TURNS BACK.TOWARDS THE HOSPITAL SECTION.

CUT TO:

' I

-+iiiil&faft::!R··ii?iffi·W11111'ir''ifi,,,•d"e&iiY¼"iR'½G-d?ffi)t....,.,.-w:arv·m''SWF'iK'"T•s·m

190

INT. HOSPITAL SECTION - NIGHT

RAMBO WALKS AMONG THE INFIRMED, MOVING TOWARD THE BED OF STRAW UPON WHICH LIES THE 10-YEAR-OLD GI~, HALIMA.

191

CLOSE SHOT - NIGHT

RAMBO LOOKS DOWN AT HALIMA. THE DUTCH DOCTOR WEARILY APPROACHES FROM OVZR RAMBO'S SHOULDER. HALIMA SPEAKS TO RAMBO IN HER NATIVE TONGUE.

MICHEL
She is saying thank you for saving her ·life.

RAMBO REACHES DOWN AND STROI<ESHER HAIR, THEN FACES THE DOCTOR, WHO DRAGS ON HER HAND-ROLLED CIGARETTE AND SIGHS WITH DEEP WEARIN~SS.

RAMBO
Where do they go from here?

MICHEL

Some ••.back to the mountain. The ones that are terribly crippled, we try to get to Pakistan -- And some go back to fight.. That's what most prefer, is to fight •••

n; THE DIS'rANCE,MICHEL SEES AN ELDERLY MAN WITH NO LEGS AND CRUDE STICKS FOR LEGS.

MICHEL
(continuing)
See the old man? He lost both legs fighting -- Now he serves his people by being a walking mine detector.

MICHEL SMILES AS SHE DRAGS DEEPLY ON HER CIGARETTE. THE OLD MAN HOBBLES ON CROTCHES IN THE BACKGROUND.

MICHEL
(continuing)
-- He walks across mine fields and finds a safe path, and does not care if he steps on a mine, since he has nothing more to loose. These peo?le have great spirit and not much else.
192

ANOTHER ANGL~ - NIGHT

R.:n.MBOA..""IDMICHELSTARTTOMOVEAMONGTHEWOUNDED. A LARGE MAN WITH BLONDE HAIR AND BLUEEYES PASSES~Y, CARRYING WATER. RAMBO STARES A~ EIMFOR A MOMENT.

MICHEL
A Russian defector who joined the rebels. Now he helps here.
RAMBO
How can you trust him?
MICHEL
Why not? Out here you learn who to trust -- You can feel it -- I even trust you.

RAMBO SMILES.

CUT TO:
193

EXT. FORTRESS - NIGHT

WE SEE A SEARCHLIGHT SMOOTHLY SCA..~INGTHEBARREN SUR- ROUNDINGS.

CUT TO:
194

INT. FORTRESS - TRAUTMAN'S CELL -NIGHT

TRAUTMAN SITS' BEN'rAND BOmID, IN HISDAMP CELL •••ONCE AGAIN THE FLASHLIGHT GLARES INTO HISEYES. HE SEES THE HIGHLIGHTED OUTLINE OF ZAYSANWHO STANDSBEFORE HIM. SGT. KOUROV, WHO IS OFF TO ONE SIDEAUD LT. TOMSK WHO IS ON THE OTHER; ALONG WITH SOMEAFGHAN TROOPERS ••• TRAUTMAN HAS BE:C:N.ROUGHLYMANHANDLEDANDLOOKS EXHAUSTED A..f\JDINPAIN•

ZAYSAN
You are all alone here --you have only us to de?endon -- You have been deserted by your own people. You have seenno one has tried to findyou. But that is politics;~sn't it? In some ways, we are alike;we both are loyal, andwe both are disposable. I despise theway we are all considered so replaceable by the powers that be.
(MORE)
ZAYSAN (CONT ID).
But·that is theway of war -- a pathetic war,like all wars. But it is ours,not yours. So, why areyou here?
TRAUTMAN
I told you.
ZAYSAN
Tellme again!!! This time, the truth! ! !
TRAUTMAN
Sightseeing.
ZAYSAN
Spying! Wo else is crossed the border?!
TRAUTMAN
No one.
ZAYSAN
Liar! Who else!?
TRAUTMAN
No one.
ZAYSAN
Do not wastemy time, or insultmy intelligence!!! Two of our gunshipswere a~tacked and were shotdown today. This has neverhappened in my sector. Do you think I believe this is a coincidence?
TRAUTMAN
I don'tknow.

ZAYSAN MOTIONSTO SGT.KOUROV TO TIGHTEN A LEATHER STRAP THAT ISAROUND TRAUTMAN'S NECK. THE AMERICAN REDDENSAND GAGS. KOUROV LOOS~NS THE STRAP.

ZAYSAN
Have you ever heard the name Mosaad Haidar, a bandit they call theLion of Kandahar?

TRAUTMANSHAKES HIS HEAD.

ZAYSAN
(continuing)
Where is the rebel leader Mosaad?

TRAUTMANRE?-1AINSSILENT.

ZAYSAN
(continuing)
t'lhereis the rebelcamp?
TRAUTMAN
Idon't know.

ZAYSANTURNS TO SGT. KOUP.OVAND SPEAKS IN RUSSIAN. SGT. KOUROV SMASHESHIS FIST INTO TRAUTMAN'S ALREADY BRUISED FACE •••THEAFGHAN GOVERNMENT SOLDIER GLANCES AT THE DE- TERMINEDEXPRESSION OF ZAYSAN.

ZAYSAN
If there is a plan to upset the order of this regi~n -- it will end soon!
CUT TO:

thru OMITTED thru

198

REBEL CAMP - DAWN

A WEDDING IS TAKING PLACE ON A HIGH POINT OF THE CAMP SITE. CHILDREN ARE LEAPING INTO THE WA'!'ER.WO.MENFEED T8E ANIMALS AND PREPARE THE FOOD.

REBELSCLEAN THEIR OLD WEAPONS AUD CONVERSE AMONG THEM- SELVES. SOME ARE HAVING A TYPE OF MASCARA APPLIED ••• OTHERS HAVE POT A FEW DESERT FLOWERS IN THEIR TURBANS.

RAMBO SITS WITH MOUSA. HE IS PREPARING SMALL EXPLOSIVE CHARGES ...MOUSA GESTURES AT THE WEDDING CEREMONY.

MOUSA
Sometimes I do not understand this life myself -- People get married in morning, die in afternoon -- War make people hurry.
RAMBO
.••You live years in days.

SUDDENLYTHE SOUUD OF AN ARRIVINGHORSE CAUSES THEWED- DING CONTINGENTTO TURN. RAMBOWATCHES AN AFGHAN DRESSEDIN A GOVER..~MENTUNIFORM,DISMOUNTAND ENTER MOSAAD'STENT. RAMBO EYES THEGOVERNMENT TROOPER WITH CONFUSION.

RAMBO
(continuing)
He's a government trooper.
MOUSA
He is spy for us.

CU'l'TO:

199

:CXT.CAMP- DAY

A COUPLEOF HUNDRED MEN ARE PREPARINGTHEMSELVES FOR BATTLE. SOME CLEAN THEIR WEAPONS:SOME SIT MEDITATIVE- LY; SOMEARE GEARING UP THCIRANIMALS. WOMEN GATHER AROUNDTO CONVERSE RAPIDLYWITH THEIR SOON-DEPARTING HUSBANDS.

MENARE IN A LINE,·DANCING INUNISON AS SEVERAL DRUMS AND SITARSPOUND OUT A STEADYBEAT.

200

DIFFERENTANGLE - TRACKING

RAMBO,WITH MOUSA, WALKS OVERTO AN AREA NOT FAR FROM WHERETHE BULK OF HUMA..~ITYISCONGREGATED. RAMBO WATCHESTHE WARRIORS DANCE.

MOUSA
Men dance before thefight -- It make them not think of the danger -- yes? Me ,Ino 1 ike· to dance, so I havea problem.
RAMBO
(gestures)
What're they talking about?

MOSAAD,KHALID AND RAHIM AREENGAGED IN ANIMATED CON- VERSATION.

MOUSA
Who will lead men --
(MORE)
MOUSA (CONT'D)
-- who will plan attack ••• All the chiefs are smart; they all think their plan is God's will. They all want to lead -- But Mosaad is the Lion of Kandahar. He will lead •
155

MOSAADSEEMS TO HAVE CONVINCED THE OTHER CHIEFTANS THAT

HIS PLAN IS THE WISEST.

MOSAAD TURNS AND NOTICES RAMBO'S PRESENCE WHILE HE'S IN MID-SENTENCE WITH THE OTHER TWO CHIEFTAN LEADERS. MOSAAD APPROACHES, FLANKED BY SEVERAL OF HIS MEN.

MOSAAD
You fight with us, American.
RAMBO
I'm here to get the other American.
MOSAAD
It will wait --we must stop thisconvoy before it reaches the village.
P..AMBO
What if the American is moved?
MOSAAD
Icannot answer -- We must help our people first -- You help, or you watch?
RAMBO
Where're you going to attack?
MOUSA
It is ina valley twenty kilometers from here.
RAMBO
.Iwant to go there two hoμrs before the convoy with six men.
MOSAAD
You go with us -- together.
RAMBO
Tell him, if he wants me to help -- let me help my way.
156

49.

MOUSA STATESRAMBO'S REQUEST. MOSAAD THINKS FOR A MO- MENT, THENNODS HIS CONSENT.

CUT TO:
201

EXT. VALLEY -TRACKIUG - DAY

RAMBO HASARRIVED WITH MOOSA AND SIX OTHER MUJAHIDEEN WARRIORS. PULLING UP HIS HORSE SHORT, HE SURVEYS THE MASSIVE STONEFACADE THAT BORDERS BOTH SIDES OF THE VALLEYWHERE THE CONVOY WIL!..SOONBE.

MOOSA
So much rock,so little bombs is that not story of life?
RAMBO
Let's get to the top of that ridge.
CUT TO:
159

A) WE SEE RAMBOTAKING EXPLOSIVES FROM HIS BAG AND

PLACINGDETONATORS UPON THE LETHAL OBJECTS AND STRATEGICALLYSETTING THEM AGAINST CERTAIN ROCK OUTCROPPINGS.

B) WE SEE RAMBOHAND AN ALREADY "DOCTORED" EXPLOSIVE

TOANOTHER WARRIOR, At-10HEPOINTS TO A DISTANT LO- CATION... .

C) WE SEEMOUSA PLACING PRIMER CORD AND EXPLOSIVES AT

AN EVENHIGHER ELEVATION.

D) WE SEE RAMBOUP NEAR THE PEAK, PLACING YET ANOTHER

CHARGE.

E) WE SEETWO MUJAHIDEEN WARRIORS PLACING A CHARGE

WITH PRIMERAND LEADING PRIMER,CORD IN THE OPP0SITE DIRECTION. THEY CONTINUE TO DO SO UNTIL THEY COME OP TOWHERZ RAMBO IS STRATEGICALLY POSITIONED. RAMBONODS AT THEM IN AN AFFIRMATIVE MANNER.

CUT TO:

so.

203

EXT. ROCK OUTCROPPING - DAY

RAMBO IS HIGH ATOP ONE OF THE ROCK OOTCROPPINGS WHENHE SEES THE DUST OF THE APPROACHING MUJAHIDEEN WARRIORS. MOUSA NOTICES THEIR ARRIVAL.

MOUSA
Mujahideen come. Are we ready?

RAMBO NODS.

..

204 ANGLE 204

THE WARRIORS, BEING LED BY KHALID A...'mRAHIM,ARRIVEAND BEGIN TO SPLIT UP INTO THREE SECTORS, EACH TAKING A DIF- FERENT STRATEGIC LEVEL ON THE VALLEY'S FORMATION: LEFT, RIGHT AND IN THE MIDDLE.

205 ANGLE 205

MOSAAD COMES UP TO RAMBO AND LOOKS DOWN FROM HIS HORSE.

MOSAAO
Now you become one of us.

RAMBO NODS. MOSAAO RIDES OFF.

RAMBO
Why do you fight like this -- out in the open?
MOUSA
It is way we fight for thousand years -- And look what we have to fight with. ~'1ehaveno choice.
CUT TO:
206

EXT. VALLEY'S MOUTH - HIGH NOON

THE RUSSIAN CONVOY, COMPRISING OF TWENTY VEHICLES AND TWO TANKS, COMES INTO VIEW OVER THE HORIZON. TEN EARTH- COLORED MOTORCYCLES LEAD THE WAY.

CUT TO:
207

EXT. ROCKS - DAY

RAMBO, ALONG WITH MOUSA.ARE TWO OF THE FIRST TO SPOT THE ON-COMING ENEMY.

208

&~GLE - FEATURING MOSAAD - · DAY

MOSAAD NODS AN AFFIRMATIVE "GET READY" TO HISFIRST IN COMMAND.

209

ANGLE ON - RAHIM

ON THE OPPOSITE SIDE OF THE VALLEY, MAKESA MOTION TO HIS MEN TO PREPARE.

210

ANGLE ON - KHALID - DAY

SITS HIGHER UP ON THE MOUNTllN S FACE, POISEDNEXT TO THE PAIR OF SOLDIERS THAT MAN THE 12.SMM GUNS.

CUT TO:
211

EXT. VALLEY MOUTH - DAY

THE CONVOY IS ONLY A HUNDRED METERS FROM ENTERINGTHE MOUTH OF THE VM.LEY.

CUT TO:
212

EXT. ROCKS - KHALID DAY.

KHALID'S EYES ARE THE EYES OF A HUNGRY HAWKAS HE STARES DOWN.

213

ANGLE ON - RAMBO - DAY

FROM HIS VANTAGE POmT, RAMBO DOES NOT LOOKAT 'THECON- VOY AS MUCH AS HE STARES ABOVE.

CUT TO:
214

EXT. VALLEY - THE CONVOY - DAY

THE TANK CONVOY HAS NOW MADE ITS APPEAaAJ.~CEINTHECEN- TER OF THE VALLEY.

CUT TO:

2l5 EXT. ROCKS - FEATURING MOSAAD - DAY 215

MOSAAD RAISES HIS ARM AND EMITSA BATTLE CRY. AND ALL HELL BREAKS LOOSE. I J

CUT TO:
216

ANGLE - DAY

GUNFIRE ERUPTS FROM ALL THREZ DIRECTIONS. REBELSYELL INSTRUCTIONS TO ONE ANOTHER. THEY APPLY A TYPEOF FREE FORM BATTLE.

cu·rTO:

217

EXT. VALLEY FLOOR - THE CONVOY - DAY

THE CONVOY TRUCKS ARE CAUGHT COLD.

CUT TO:
218

EXT. ROCKS - DAY

RAM.BOMOTIONS TO MOUSA TO SET OFF THE FIRST CHARGE, WHICH MOUSA DOES; AND ANY CHANCE OF RETREAT IS·REMOVED AS:

219

EXT. VALLEY ENTRANCE - DAY

HUNDREDS OF THOOSA.TWSOF TONS OF ROCKS CASCADEDOWN AND BLOCK THE VALLEY'S ENTRANCE.

220

EXT. VALLEY FLOOR - DAY

THE SOVIET SOLDIERS THAT.POUR OUT OF THE REAROF THE TRUCKS -- SPETSNAZ SPECIALISTS START TO TAKETO THE HILLS AFTER THE REB~LS.

COTTO:
221

EXT. ROCKS - DAY

AT PRECISELY THE RIGHT MOMENT, MOOSA, UWDERRAMBO'S CO~.A.~D,FIRES OFF THE HEXT VOLLEY OF EXPLOSIONS.

Cu'"TTO:

222

EXT. A SOVIET HIND GUNSHIP - TRACKING -DAY

SUDDENLY APPEARS FROM THE REAR OF THEVALLEY.

RAMBO
(to Mousa)

It s a trap! Get behind cover!

\ ) CUT TO:

223

EXT. ROCKS - DAY

RAMBO MOTIOHS TO MOUSA, 'WHOHAS MOVED INTOPOSITION ON AN OPPOSITE PEAK.

CUT TO:
224

EXT. SOVIET GUNSHIP - TRACKING - DAY

BEGINS TO SPIT RAPID DEATH FROM ITS MACHINEGUNS.

CUT TO:
225

EXT. VALLEY FLOOR - DAY

Sl:."VERALAFGH&~SARERIDDLED AND ARE STREWNUPON THE BEDROCK.

CUT TO:
226

~XT. ROCKS - WIDER ANGLE

MOSAAD AND KHALID YELL WILDLY AT THEIRMEN TO RETREAT TO SAFETY, BUT SAFETY IS IMPOSSIBLEON THESE EXPOSED ROCKS.

CUT TO:
227

WIDE ANGLE - THZ GUNSHIP - DAY

PREPARES TO MAKE ANOTHER PASS •••

228

DIFFERENT ANGLE - SOVIET SPETSNAZTROOPS -DAY

CONTINUE TO CHASE THE MUJAHIDEENWARRIORS TO HIGEER ELE- VATIONS.

229

ANGLE ON RAMBO - DAY

HE TAKES HIS AUTOMATIC RIFLEAND MANAGES TO PICK TWO SPETSNAZ TROOPERS OFF FROM HISLOFTY POSITION.

CUT TO:
230

EXT. SOVIET GUNSHIP -TRACKING -DAY

THE _ROARINGENGINES OFTHE CIRCLING GUNSHIP· GROWSIN VOLUME AS IT PREPARESFOR ITS SECOND PASS.

IT FIRES THP..EEOFITS 128 ROCKETSAND PREPARES TO FLY PAST RAMBO'S HIDDEN POSITION.

231

WIDE ANGLE - DAY

RAMBO TENSES; MOUSA TE!~SES•••ONLY A SPLITSECOND MORE .

186

•. THE GUNSHIP IS IN PERFECTKILLING POSITION •••

• . .ASTHE GUNSHIP FIRESAT THE AFGH&~S, RAMBO FIRES ALMOST IN UNISON •••

••. A SPLIT SECOND LATER,MOUSA FIRES OFF HIS EXPLOSIVES.

CUT TO:
232

EXT. SOVIET GUNSHIP -·DAY

THE RESULT IS: THE GUNSHIP ISLITERALLY OBLITERATED BY ROCKS TRAVELING LIKE MET~ORITES INTOITS FLANKS. THE V.A..~GLEDCHOPPER~XPLODESANDFALLS TO THE GROUND.

CUT TO:

.. '._./I

233

EXT. VALLEY FLOOR -.WIDE SHOT -DAY

THIS VICTORY RALLIES TH~AFGHANS; AND THE RUSSIANS ALL BEGIN TO FALL BACK-.

CUT TO:
234

EXT. ROCKS - RAMBO·- DAY

RAMBO FIRES OFF ANOTHER PRE-SETCHARGE •••

CUT TO:
235

EXT. VALLEY FLOOR - DAY

A RUSSIAN TA!~KEXPLODESAS ITATTEMPTS TO MOVE AGAINST THE REBELS.

CUT TO:
236

EXT. ROCKS - WIDE ANGLE - MOUSA DAY

MOUSA FIRES OFF ANOTHER CHARGE THAT CAUSES:

CUT TO:
237

EXT. VALLEY FLOOR - DAY

A SUBSTANTIAL LANDSLIDE ON THE OPPOSITE SIDE OF THE •VALLEY .••AND,OVER TEN SPETSNAZ TROOPERS ARE HISTORY.

CUT TO:
238

ON RAMBO - TRACKING - DAY

RAMBO MOVES RAPIDLY DOi1NTHE HILL FIRING •••HE HITSA SOVI:ETSOLDIER, WHO HAD HAD HIS SIGHTS ON THE AMERICAN.

AS RAMBO STARTS TO GO PAST THE DEAD RUSSI&~, HE IS FIRED UPOH•••

239

WIDE A:.~GLE-DAY

MOSAAD A..~HIS ?'~NCHARGE FOR;'lARD.• •RAMBOISRUNNING TO JO INTHEM.

CUT TO:
240

EXT. VALLEY FLOOR - THE RUSSI&~ TANK - DAY

SUDDENLY THE TA.i.~KGRINDSOUTOF THE CLOUD OF DUST. IT WAS NOT DESTROYED AND OPENS FIRE ON THE REBELS.

CUT TO':

241

ANGLE - DAY

THE TANK'S CANNON BLASTS A GROUP OF REB:tLS,AND OTHERS ARE CUT DOWN WITH ?-~CHINEGUN FIRE.

242 ANGLE 242

MOSAAD CALLS HIM MEN TO RET!'~T.

243 ANGLE 243

RAMBO YELLS OVZR ro MOUSA, FIFTY FEET AWAY:

R..~0 Throw the charge!!!

244 A.L~GLE 244

MOUSA SWINGS THE CANVASBAG FROM HIS SHOULDER AND IS ABOUT TO HEAVE ITWHEN HE ISPINNED DOWN BY INTENSE Y.ACHINEGUN FIRE FROM COTOF VIEW •••

245 A..~OTHERANGLE 245

R.Z\MBORUSHESAND TAKESTHE SATCHEL FROM MOOSA AND GOES TO THE TANK'S FIA~KWITH THE SATCilELCHARGE. 'THZMA- CHINE GUN FIRE RIPS OVERHIS HEAD, AND HE MANAGES TO TOSS THE CHARGE ONTOTHE TOP OF THE TANK, THEN HE DIVES BENEATH THE TANK.

246 THE TANK 246

RAMBO IS·N:::ARLYCRUSHEDBENEATHTHE FIFTY TON MACHINE AS IT SLOWLY MOVES OVER HIM.

247

ANOTHER ANGLE - RAMBOAND THE TANK

THE TANK GRINDS FORWARD,CLEARING RAMBO, WHO GETS OP AND RUNS AS TH~ TANKFI~S ITS CANNON A SPLIT SECOND BEFORE:

248 FULL SHOT - THETiu~ 248.

THE SATCHEL CHARGEBLOWS OFF THE TANK'S TURRET••• IT BE- COMES A FLAMING INFERNO.

249 ANGLE ON MOSAAD 249

MOSAAD LOOKSAT RAMBOWITH EXTRAORDINAR~ RESPECT AND YELLS FOR HIS REBELSTO ATTACK.

250 THE BATTLE GROUND 250

THE FIGHT CONTINUESWITH NEITHER SIDE TAKING GROUND. THE AFGHANS RE?10VETHEIRWOUNDED AND DEAD, AND THE BAT- TLE RAGES ON.

RAMBO LOCKS EYESt·1ITHMOSAAD,WHO LOOKS GRIEF-STRICKEN OVER THE LOSS OFLIFE. RAMBO TAKES UP A RIFLE A?m . FIGHTS ON.

DISSOLVE TO:

)

251

EXT. OUTSIDE THE WALLS OF THE RUSSIANFORT - DUSK

WE SEE THE OMINOUS ANCIEN~ STRUCTUREIN THE FADING LIGHT OF DAY •..THE SOUND OFRUSSIAN VOICES IS HEARD.

CUT TO:
252

EXT. INSIDE THE RUSSIAN FORT -DUSK

INSIDE THE WALLS OF THE FORT, SOVIETAND AFGHAN GOVERN- MENT TROOPS ARE HERDING TENAFGHAN POLITICAL PRISONERS TOWARD THE CENTER OF THE BARE,BLEAK COURTYARD. SGT. KOUROV LEADS THE DETAIL.

COT TO:
253

INT..FORTRESS - TRAUTMAN'S CELL -DUSK

TRAUTMAN IS EYE:I?iGPRISONERSBEINGPULLED FROM THEIR CELLS.

·CUT TO:

254

EXT. FORTRESS COURTYARD - DUSK 25.4

IN THE FADING LIGHT, THE COLONEL ISAGGRESSIVELY AD- DRESSING HIS TWO AIDES,MAJOR AZOV AND LT. TOMSK. '.

AZOV
We cannot always foreseewhat will happen, Colonel -- Our tactics are well-planned.
ZAYSAN
Do you eall the loss of three gunships and over ahundred men in two days, well-planned?! We will move on a search and destroy at nightfall.
AZOV
By acting too quickly, it may be the exact tactic they ·want.

ZAYSAL~ (bellowing) No Those resoonsible must be eliminated at once --

AZOV
What about the American?
ZAYSAN
What about him?
AZOV
He should be transfered to Kabul before we act. Should he witness --
ZAYSAN
The American will go nowhere until this embarrassment is settled!!! Do you understand, Azov?!
KOUROV
(approaching)
The rebels are lined up, sir.

Do as ordered

COLONEL ZAYSA.L~EXITS.

CUT TO:
255

INT. FORTRESS - TRAUTMAN'S CELL - DUSK

HE IS SITTING IN THE OPPRESSIVE CONFINES WHEN HE IS· AROUSED BY A VO!.LzyOF AUTOMATIC GUNFIRE.

CUT TO:
256

EXT. REBEL CAMP - DUSK

THE MAJORITY OF THE CAMPSITE IS GATHERED AROUND TWENTY COVERED BODIES. THE MULLAH P.ECITESA PRAYER WHILE THE CONGREGATION MOU1U1STHE DEAD.

MOUSA RISES &"'IDSTA&."WSBESIDERAMBOIN THE DISTA?;cs.

MOUSA
These men who die here are martyrs. These that die for the jihad will go to the paradise and live forever. I hope one day to die and go to the paradise as a martyr like these men. In paradise there will be wine and good food and everything forbidden to a Moslem in this life will be given in paradise --
(MORE)
MOUSA (CONT'D)
-- A martyr does not die: he lives forever.
RAMBO
Don't die yet. I like having you around.
CUTTO:
257

REBEL HOSPITAL - DUSK

RAMBO PASSES THE DEFECTED RUSSIAN,WHO ISATTENDING THE FEEDING OF A WOUNDED SOLDIER. RAMBOANO THELARGE, SHORT-HAIRED RUSSIAN LOCK EYES FOR A MO~T, THEN HE NODS A GREETING AT RA?'J.BO•.

MOUSA
••• He will know how to find American.
CUTTO:
258

EXT. HOSPITAL - DUSK

THE RUSSIAN AND RAMBO STANO ON AN OUTCROPPINGNEAR THE HOSPITAL OVERLOOKING THE PRAYING MOSLEMS. THERUSSIA..~'S ~AME IS ANDRE. • •MOUSASTA?IDSIN THE BACKGROtn~D.

ANDRE
.•. I know where they put prisoners. If 1-iosaadwantme to show you, I will show you how to find.
RAMBO
Draw a map I'll find him.
AHORE
No good, you need my help -- we will not get through mine fields around fort.

RAMBO STARES AT HIM.

ANDRE
(continuing)
You do not know if to trust.
RAMBO
Why did you desert?

ANDRE· Many Soviets defect. Many die -- friends die; inMoscow · nobodyknow. They thinkwe win; nobodywin in war ••• hate what we do here. No, you can trust Andre; canI trust you, American?

THE DUTCH DOCTOR COMESOVER, POINTING AT HALIMA WHO IS IN BED.

MICHEL-
I thought you mightwant to see how your little friend is doing.
RAMBO
How is she?

MICHEL TURNS AL~DSPEAKSTO THE CHILD IN PATHAN, ANO SHE SPEAKS BACK TO THEDOCTOR IN HER NATIVE TONGUE.

RAMBO
(continuing)
What did she say?
MICHEL
She hopesyou get wounded soon ~o she canhelp you the way you helped her.

RAMBO SMILES ANDTOUCHES HA.LIMA'SHAIR.

RAMBO
She 1ll probably get her chance.
CUT TO:

and OMITTED and

261

EXT. CAVE - DUSK

RAMBO PACESWITH MOSAAD NEAR THE HORSES. MOUSA IS NEAR- BY; LIKEWISEANDRE.

261 CONTINUED: 2-61

MOSAAD
How many men do you need?
RAMBO
Mousa, the Russian,and five men waiting with horses.
MOSAAD
It will not be enough.
RAMBO
It is if we do our job right -- You cannot afford to lose any more men.
MOSAAD
I will go.
RAMBO
No -- If something happens, these men shouldn't be without a leader.

MOSAAD LOOKS AT RAMBOFOR A MOMENT AND NODS HIS CONSENT.

MOSAAD
Inshallah.
262

EXT. RUSSIAN FORTRESS -OUTSIDE WALLS - NIGHT

BENEATH THE SHADOWYREFLECTION GIVEN OFF BY A HALF MOON L'lTHE MOUNTING SAND STORM,RAMBO, MOUSA, ANDRE THE RUS- SIAN, ANO A BANDOF FIVE MEN ARE SEEN ARRIVING WITHIN THREE HUNDREDYARDS OF THE FORTRESS. STATIONED IN FRONT OF THEFORTRESS ARE TEN TANKS.

263

ANGLE - FEATURINGRAMBO AND THE GROUP - NIGHT

RAMBO DISMOUNTS,LIKEWISE THE AFGHAN REBELS AND ANDRE.

ANDRE
They keep prisonerson north side --down in bottom.

SEARCHLIGHTSFROM THE FORTRESS RAKE THE AREA. MOUSA IS RUBBING A TYPEOF JELL ON HIS EXPOSED AREAS••• ANDRE RUBS I.TON.

RAMBO
--Have the horses a hundred meters in those north rocks.
MOUSA
Do you think this is possible?
RAMBO
Yeah.
MOUSA
Put on -- It leopard grease -- Dogs afraid of smell when they smell, they afraid to bark.

RAMBO RUBS SOME ONE HIS ARMS: THEN REMOVES A LONG, WOOND ROPE FROM THE SADDLE••• THEN HE REMOVES HIS AFGHAN CLOTH- ING •••HE IS TOTALLY COVER.EDIN DARK, CAMOUFLAGE MAKEUP. HE AND ANDRE START TO MOVE OUT. MOUSA ADDRESSES THE FIVE RESELS IN PATHAN.

MOUSA
(continuing)
-- If we're not out in thirty minutes, leave.
CUT TO:
264

EXT. FORTRESS - NIGHT

WE MOVE WITH RAMBO, MOUSA AND ANDRE AS THEY MOVE CAU- TIOUSLY UP TO THE PERIMETER OF THE BUILDING -- ANDRE GUIDES THE WAY.

265 RAMBO 265

RAMBO SURVEYS THE GROUND AND IMMEDIATELY SPIES A VAST ASSORTMENT OF ANTI-PERSONNEL BUTTERFLY MINES •••ANDRE POINTS THE WAY ••.

• • •THECAMERA PULLS BACK AS RAMBO, MOUSA AND ANDRE STEP FORWARD, CAREFULLY AVOIDING THE PRESSURE MINES. RAMBO LOOKS UP•.•

266 RAMBO'S POV 266

RAMBO SEES A RUSSIAN SOLDIER PACING ON THE WALL •••THREE MORE SOVIET GUARDS PACE AT THE BASE OF THE WALL ON THE OUTSIDE OF THE FORTRESS. THEY HAVE DOGS. THE WIND CON- TINUES TO MOUNT.

267 BACK TO ANDRE 267

HE LOOKS DOWN AND SEES• • •RAMBOLOOKSDOWN :

268

RAMBO'S POV - ANOTHER ANGLE.

... A HAIRLINE TRIP WIRE CONNECTEDTO A PAIR OF LIVE GRENADES.

269 ANGLE ON ANDRE AND RAMBO 269

ANDRE MOTIONS FOR RAMBO TO STOP.

270

RAMBO AND MOUSA - ANOTHERAHGLE

THEY STEP OVER THE LETHALW~RE AND CONTINUE ON.

270A

ANGLE - GUARDS A:.~DDOGS

THE RUSSIAN GUARDSW~TH THE DOGS CONTINUE WALKING. THE DOGS PAUSE AND SMELL THEAIR ANO TURN AWAY IN FEAR OF THE LEOPARD SCENT.

CUT TO:
271

EXT. OUTSIDE FORTRESSWALLS - NIGHT

THE REBELS MOVE SILENTLYTOWARDS THE NORTH WALL.

CUT TO:

272· EXT. FORTRESSTOWER -NIGHT 272

THE RUSSIAN GUARD STARESL~STLESSLY OUT INTO THE NIGHT ••.

• • •UPONCLOSER INSPECTION,WE SEE THAT HE IS WEARING A SONY WALKMANAND MUSIC, EVER SO FAINTLY, ESCAPES HIS EAR- PHONES.

CUT TO:
27

3 EXT. OUTSIDEFORTRESS -THE WALL - NIGHT 273

RAMBO, MOUSAAND ANDRE START TO ASCEND THE WALL.

CUT TO:

i /

274

INT. FORTRESS - CORRIDOR - NIGHT

A VIEW OF THE STARK CORRIDOR, LINEDWITH MEDIEVAL CELLS.

CUT TO:

2~5 · INT. FORTRESS -·TRAUTMAN'S CELL -TRAUTMAN - NIGHT 275

TRAUTMAN IS AWAKE IN HIS CELL•••MUMBLING OR PRAYING CAN BE HEARD COMING FROM OTHER CELLS.

COT TO:
276

INT. FORTRESS - TORTURE ROOM -NIGHT

ONE FLOOR BELOW TRAUTMAN ISTHE TORTURE ROOM, A BARBARIC STONE-ENCASED ENCLAVE OUTFITTEDWITH MODERN ELECTRICAL AND PRIMITIVE IMPLIMENTSOF TORTURE. THE MOST OUTSTAND- ING BEING AN ELECTRIC CHAIR WITH A METALHOOD. .

PRESENTLY, TWO AFGHANS ARE UNDERGOINGTORTURE. COLONEL ZAYSAN IS CONDUCTING THEPROCEEDINGS. WITH HIM ARE LT. TOMSK, THE POWERFULLY-BUILT SGT.KOUROV, ANO TWO AFGHAN GOVERNMENT TROOPERS.

CUT TO:
277

INT. FORTRESS - TRAUTMANLS CELL -TRAUTMAN - NIGHT

TRAUTMAN TRIES TO SEE OUTOF THE SMALL OPENING IN THE DOOR.

ZAYSAN (V.O.)
(in Russian) · Again -- Where is the rebel camp?!

OFF SCREEN, THEAFGHAN SOLDIERREPEATS THE QUESTION. THE BEGGING VICTIMDOES NOT KNOW.

ZAYSAN (V. O.)
(continuing)
Put on the acid.

TRAUTMAN RECOILSAS THE MAN SHRIEKS IN AGONY •••

CUT TO:
278

EXT. OUTSIDE THE FORTRESS - WALL - NIGHT

RAMBO, MOUSA AND ANDRE ARE HALF WAY UP ·THEWALLWHEN RAMBO SEES THE SEARCHLIGHT SLOWLY BEING SWUNG TOWARDS THEIR VULNERABLE POSITION.

279

ANGLE ON - THE SEARCHLIGHT GUARD

STILL LISTENING TO HIS WALKMAN, HE LISTLESSLY GUIDES THE LIGHT.

280

RAMBO, MOUSA AND ANDRE - DIFFERENT ANGLE

MANAGE TO MOVE AROUND THE CORNER OF THE WALL AS THE LIGHT PASSES OVER••• ANDRE LOOKS DOWN BELOW AND SEES •••

281

ANGLE - ANOTHER SOVIET GUARD

PASSING BELOW.

282 BACK TO ANDRE, RAMBO AND MOUSA 282

ANDRE TAPS RAMBO'S LEG TO STOP. RAMBO FREEZES, AS DOES MOUSA, UNTIL THE DANGER CLEARS •••

283 WIDER ANGLE 283

222

•• THE LIGHT PASSES BACK, A..'IDTHEGUARDBELOW MOVESON.

CUT TO:
284

EXT. OUTSIDE FORTRESS - REBEL WARRIORS - NIGHT

ON THE OUTER PERIMETER, THEY MOVE CAUTIOUSLY TOWARDS THE WALL'S NORTH SIDE.

CUT TO:
285

EXT. FORTRESS WALL - NIGHT

RAMBO, FOLLOWED BY MOUSA AND ANDRE, SLIPS OVERTHE TOP OF THE WALL AND CROUCHES PROTECTIVELY INTHE SHADOWS. THEY EYE 'l'HETWOOTHER SEARCHLIGHT GUARDS. RAMBORE- MOVES A SMALL, RIGGED BOMB WITH A TIMER.

RAMBO SETS THE TIMER AND PLACES IT AGAINST THE WALL ••• HE HANDS A SECOND TIMER CHARGE TO ANDRE, WHO PLACES IT AGAINST THE WALL. RAMBO CHECKS HIS WATCH; THEN THEY MOVE ON .•.MOUSA ALSO HAS A SMALL BACKPACK FILLED WITH TIMED EXPLOSIVES.

CUT TO:

286

EXT. INSIDE FORTRESS - WIDE ANGLE - NIGHT

DOWN BELOW ARE SEVERAL TANKS, 2~-TON TROOP TRUCKS, AND OTHER TYPES OF PERSONNEL CARRIERS.

ANDRE APPEARS HIGH ABOVE THEM, LEADING RAMBO AND MOUSA. THEY MOVE OUT OF SIGHT. . MOUSA!-IOVESINANOTHER DIREC- TION.

CUT TO:
287

EXT. FORTRESS - COURTYARD - NIGHT

ANDRE MOVES AMONG THE MACHINERY AND PLACES A TIMED EX- PLOSIVE ON THE BOTTOM OF A TANK •••

• • •LIKEWISE,MOUSA, WHO MOVES LIKE A GHOST PAST SEVERAL GUARDS WITH DOGS. AGAIN, THE GUARDS TAKE NO NOTICE.

288

EXT. FORTRESS COURTYARD - LOW ANGLE - NIGHT

• • •WESEE THE UNDERBELLY OF A TROOP TRUCK AS RAMBO SLIDES SERPENTINE-LIKE INTO VIEW.••

228

• •HEPLACES SEVERAL MORE BOMBS• • •THENCHECKS HIS

WATCH Ai.~DLOOKSOVER AT •••

289 ANDRE 289

... WHO NODS, EVERYTHING IS FINE, AND PLACES ANOTHER BOMB.

289A MOUSA 289A

MOVES NEAR A FUEL DUMP AND PLACES TWO CHARGES.

CUT TO:

\. )

290

INT.FORTRESS - TORTURE ROOM - NIGHT

SEEN INTHE DISTANCE, AND THROUGH A S~.iALLOPENINGIN THE DOOR, ISA YOONG PRISONER WHOSE HANDS ARE BOUND BEHIND HIS BACK. A ROPE HONG OVER~ BEAM IS USED TO PAINFULLY HOISTTHE YOONG MAN'S BODY NEARLY OFF THE GROUND. SGT. KOUROVDOES THE PULLING.

WE SEECOLONEL ZAYSAN PACING, HIS PATIENCE IS WORN.

AFGHAN SOLDIER (O.S.)
(in Pashto)
Where are the rebels? Where are the rebels.
COT TO:
291

EXT..FO_RTRESSCOURTYARD- ARCH - NIGHT

RAMBO PLACESAi,-qOTHERTIMEDEXPLOSIVEUNDER AN ARCHWAY LEADINGTO THE LOWER RECESSES OF THE COMPOUND WHILE MOUSA AND ANDRE GUARD WITH THEIR A.K.-47.

MOUSA
•••All finished. I

FOOTSTEPS ••• !

292 ANGLE ON - A GUARD - TO INCLUDE RAMBO, MOUSA AND ANDRE 292

A GUARD APPEARS AROUND THE CORNER AND STOPS NO MORE THAN THREE FEET FROM RAMBO AND MOUSA, WHO HAVE SLIPPED AS FAR BACK IN THE SHADOWS AS POSSIBLE .••RAMBO LOOKS DOWN, CAMERA PANNING DOWN AND IN •••

•••THE GUARD'S FOOT IS ONLY INCHES AWAY FROM THE BOMB.

THE GUARD MOVES ON. THEY LOOK AROUND FOR A...~DRE.HEIS GONE.

RAMBO
Where did he go?
MOUSA
Bastard ..•Come, I know way.
CUT TO:
293

INT.FORTRESS - TRAUTMAN S CELL - NIGHT

TRAUTMAN IS STARTLED BY THE SEARING SCREAMS COMJ:NGFROM THE INTERROGATION CELL.

294 REBEL CELLS 294

THE GROUPS OFMORE THAN FIFTY PRISONERS YELL IN PROTEST.

AFGHAN SOLDIERSPOUND THE OUTSIDE OF THE PRISONERS' CELL DOORSWITH RIFLE BUTTS. THE IMPRISONED REBELS QUIET DOWN.

CUT TO:
295

EXT. FORTRESSCOURTYARD - WL:DEANGLE - NIGHT

THE RUSSIANGUARD NONCHALANTLY MOVES ON AS THE SCREAMS FAINTLY REACHHIS EARS.

RAMBO AND MOUSA SLIP OFF IN THE OPPOSITE DIRECTION.

CUT TO:

29·6 INT. FORTRESS- CORRIDOR - MAJOR AZOV - NIGHT 296

MAJOR AZOV MOVES RAPIDLY DOWN THE HALLWAY LEADING TO THE INTERROGATIONROOM.

CUT TO:
297

INT.FORTRESS - STEPS LEADING TO CELL BLOCK - NIGHT

MOUSA AND RAMBO MOVE QUICKLY DOWN THE STONE STEPS LEAD- ING TOTHE HOLDING CELLS FOR POLITIC.ALPRIS.ONERS ••• · THEY SEE •••

298 THEIR POV -AN AFGHAN GOVERNMENT SOLDIER 298

PASSINGIN THE DISTANCE.

299 BACKTO SCENE 299

RAMBO REMOVESA DAGGER-LIKE BOOT-KNIFE, AND ALSO REACHES INTO HIS SHOULDERSACK.

300 CLOSEUP 300

RAMBO'SHAND IS SEEN WITHDRAWING A SMALL EXPLOSIVE CHARGE.

YELLING IN PASHTO COMES FROM THE INTERROGATION ROOM.

\I

PULL BACK TO A WIDE SHOT, AS RAMBO AND MOUSA AREABOUT TO MOVE; WHEN THEY ARE SUDDENLY SPOTTED'BY AN AFGHAN GOVERNMENT SOLDIER, WHO HAS STEPPED OUT OF A DOOR THRITY FEET AWAY.

THE GUARD STARTS TO YELL AND LIFT HIS RIFLE. RAMBO IS

I

ABOUT TO THROW HIS KUI.FE. ANDRE S HUGERAND SUDDENLY APPEARS FROM AROUND THE CORNER AND GRABSTHE SOLDIERAND SNAPS HIS NECK.

\ I

301 ANOTHER ANGLE 301

ANDRE LOOKS AT RAMBO. HIS EXPRESSION SUDDENLY BECOMES FEARFUL AS RAMBO THROWS HIS KNIFE DIRECTLYAT ANDRE•••

302 ANGLE 302

••• THE KNIFE BURIES ITSELF INTO THE NECK OF A RUSSIAN SOLDIER WHO HAD SUDDENLY APPEARED BEHINDANDRE.

303 ANDRE AND THE RUSSI.A..~SOLDIER 303

THE GUARD C:RIESIN PAIN, BUT THE SCREAMING OFTHE TOR- TURED VICTIMS ,DROWNSHIM OUT. ANDRE GRABS THE STRICKEN SOLDIER.

ANDRE DRAGS THE GUARD INTO THE DOORWAYHE HAD JUST STEP- PED OUT OF AND NODS TO RAMBO.

CUT TO:
304

INT. FORTRESS - TORTURE ROOM - NIGHT

THE LAST VICTIM IS BEING REMOVED BYTHE TWO AFGHAN TROOPERS.

SGT. KOUROV IS DRAGGINGAWAY ANOTHERAFGHAN POLITICAL PRISONER, WHO COULD BE NO MORE THAN·13-YEARS-OLD.

MAJOR AZOV ENTERS.

ZAYSAN
(in Russian)
What is it?!
AZOV
This will notwork -- this only makes them resisteven more --
(MORE)

(CONT.INUED)

304 CONTI.NUED: 304

AZOV (CONT'D)
-- It is the mentality of these people
ZAYSAN
I will decide what is right, Major
(toKourov)
Bring the American
AZOV
What will he know? How much bearing will it have on our situation--? None ••• All the tortures has not improved our chances of winning the war. It's made the enemy more defiant than ever. It has done nothing!
ZAYSAN
Get out! Tomorrow you will be transfered to Kubal.

AZOV EYES THE TERRIFIED BOY AS HE IS DRAGGED AWAY ..• AZOV EXITS.

CUT TO:
305

INT. FORTRESS - CORRIDOR - NIGHT

RAMBO, MOUSA AND ANDRE STEP OUT OF THE DOORWAY ANDMOVE DOWN TO THE CORNER •.

306 ANOTHER ANGLE 306

TRAUTMAN I.SBEING LEAD, FORCIBLY, BY TWO AFGHAN SECRET POLICE.

307 TRAUTMAN AND TRAUTMAN'S l?OV -TRACKING 307

HE LOOKS AT THE LINE OF TEN CELLS LINING THE FIFTYFOOT CORRI.DORAS .HEIS DRAGGED l?ASTTHE OTHER PRISONERS. HIS VI.SI.ONISBLURRED.

308 RAMBO 308

I/\. ' / HE QUICKLY .EYESHISWATCH.

309

INSERT - CLOSEUP -WATCH

... DIGITAL SECONDSCOUNTER: 56 - 57 - 58

310 ON A?IDREAND MOUSA 310

THEY SLIP INTO A &HADOWY ALCOVE•••

311 ~.BO 311

LOOKS AT HISWATCH.

312

INSERT - CLOSEUP-.WATCH

50 -. 60!

SMASH CUT TO:
313

EXT. FORTRESSWAL~ - NIGLIT

AN EXPLOSIONBLOWS DEBRIS FROM THE TOP OF THE WALL.

314

INT.FORTRESS - CORRIDOR - WIDE SHOT - NIGHT

THEAFGHAN SECRET POLICE FREEZE WITH TRAUTMAN •••

••. RAMBOSTEPS FORWARD AND BLASTS THEM WITH RAPID-FIRE MACHINEGUN FIRE.

THROUGHTHE SMOKE, TRAUTMA..~SEESRAMBO APPROACHING LIKE DEATH INCARNATEAND CANNOT BELIEVE HIS EYES.

TRAUTMAN
Rambo!
CUT TO:
315

EXT. ON TOP OF FORTRESS WALL - NIGHT

INA PANIC, THE GUARD AT THE SEARCHLIGHT SWINGS THE BEAM OVER .••

316 HIGHFULL SHOT 316

SOLDIZRSARE STARTING TO POOR OUT OF THE DIFFERENT SEC- TORSOF THE COURTYARD.

CUT TO:
317

INT.FORTRESS - TORTURE ROOM - NIGHT

ZAYSAN ISSTUNNED BY THE EXPLOSION •••HE RUSHES OUT, FOLLOWED BY SGT. KOUROV ANO LT. TOMSK.

CUT TO:
318

INT.FORTRESS - CORRIDOR - NIGHT

MOUSA RUNS OP AND PULLS THE CELL KEYS FROM THE SECRET POLICE •••ANDRE COVERS HIM.

RAMBO PULLS TRAUTMAN BACK.

RAMBO
C'mon!

THEY HEAD BACK TOWARDS TRAUTMAN'S CELL.

CUT TO:
319

EXT. FORTRESS COURTYARD - NIGHT

AS THE SOLDIERS RUSH AROUND IN CONFUSION •••

320

INSERT SHOT - CLOSEUP - THE TIMER

THE TIMER ON THE 2½-TON TRUCK REACHES ZERO, AND •••

321 FULL SHOT 321

•••THE TRUCK EXPLODES, Ah"DA HALF-SECOND LATER. THE GASOLINE IGNITES, SPIRALING DEBRIS ANO FLAMES GRANDLY UPWARD, TAKING AT LEAST FOUR SOLDIERS, TWO AFGHANS Al-~ TWO SOVIETS, WITH IT. THREE MORE EXPLOSIONS.

CUT TO:
322

EXT. OUTSIDE FORTRESS - NIGHT

THE REBELS HOLD THEIR POSITION NEAR THE NORTH WALL.

CUT TO:
323

INT. FORTRESS - TRAUTMAN'S CELL BLOCK - NIGHT

RAMBO REACHES TRAUTMAN'S CELL AND FIRES AT THE LOCK,

WHICH SHATTERS; AND RAMBO TEARS OPEN THE DOOR.

RAMBO
Take this!

RAMBO HANDS MOUSA THE CELL BLOCK KEYS, RAMBO GESTURES TO THE OTHER CRAMMED CELLS OF YELLING AFGHANS.

RAMBO
(continuing)
Let them out!

RAMBO HAN S TRAUTMAN THE SMALL MACHINE GtJN. ANDRE

STANDS BESIDE HIM.

ANDRE
I cover him.
TRAUTMAN
Who' sthis? !
ANDRE
An acquaintance.·

RAMBO REACHES INTO HIS CANVAS BAG.

324 CELL BLOCK HALLWAY 324

MOUSA STARTS OPENING UP CELL DOORS AND PRISONERSPOUR OUT, HEADING UP THE STAIRS.

325

EXT. FORTRESS COURTYARD - WIDE SHOT - NIGHT

COLONEL ZAYSAN IS ON THE SECOND LEVEL, SCREAMINGORDERS WHEN THE EXPLOSIVES UNDER THE THREE TANKSERUPT, KILLING MORE TROOPERS. • •TWOHORE CHARGES RIPTHE HEART OUT OF THE .MAINGATE.

ZAYSAN IS IN A TOTAL STATE OF PANIC AS HELOOKS AROUND FOR THIS INVISIBLE ENEMY.

·CUT TO:

326

INT. FORTRESS - TRAUTMAN S C:E:LL-CONTINUOUS

RAMBO HAS JUST FINISHED SETTING A LARGEQUANTITY OF EX- PLOSIVES AGAINST THE NORTHWALL.

327

INT. FORTRESS - CELL CORRIDOR- CONTINUOUS - NIGHT

MOUSA CONTINUES TO OPENDOORS, AND THE POLITICAL PRISON- ERS RUSH OUT WITH INSANE:e;NTHUSIASM.MOUSA YELLS FOR THEM TO FIGHT.

CUT TO:
328

EXT. FORTRESS COURTYARD- WIDE SHOT - NIGHT

THE FIRST WAVE OF PRISONERSHITS THE COURTYARD Ai.~DPRO- CEED TO ATTACK, BARE-HANDEDLY,SEVERAL PASSING RUSSIAN • AND AFGHAN GOVERNMENTTROOPS.

329

ANGLE - COLONEL ZAYSAN

ZAYSAN TUR.~SFROMTHE UPPER WALL LEVEL AND SEES THIS AND BELLOWS ORDERSTO THE WATCH TOWER.

330

SEARCHLIGHT -WIDE -NIGHT

IT SWINGS ON THECHARGING AFGHANS A."mTHE TOWER GUARD FOLLOWS COLONEL ZAYSAN'SORDERS AND FIRES -- KILLING AFGHANSAND AFGHAN GOVERNMENT TROOPS AT THE SA.i.'1ETIME.

CUT TO:
331

EXT. OUTSIDE ·FORTRESSWALLS- NIGHT

THE MUJAHIDEEN WARRIORSWANT TO ATTACK, BUT THEY HOLD FAST.

CUT TO:
332

EXT. FORTRESSCOURTYARD - ARCHWAY - NIGHT

THE FINALEXPLOSIVE CHARGE SET BY RAMBO BLOWS WITH A VENGEANCE,AND THE ANCIENT ARCHWAY COLLAPSES, BLOCKING THEWAY FOR ANY MODE OF TR&~SPORTATION TO EASILY EXIT THE FORTESS.

333 ZAYSAN 333

MACHINE GUN IN HAND, ISYELLING INSANELY AT HIS TROOPS TO CHARGE FORWARD. HE SUDDENLYTUR..~STOSGT. KOUROV:

ZAYSAN
They've come·for the American!

334 LT. TOMSK 334

YELLS AT HIS MEN TO START CLEARING THE RUBBLEBLOCKING THE ARCHWAY EXIT AT THE FORTRESS. YETANOTHER EXPLO- SION DRIVES THEM BACK.

335 SGT. KOUROV 335

HE SHOOTS A FLEEING AFGHAN IN THE BACKAND PHYSICALLY ASSAULTS ANOTHER.•• ZAYSAN RUNS TO HIM:

ZAYSAN
(in Russian)
Get to the American!
CUTTO:
336

INT. FORTRESS - CELL BLOCK - NIGHT

THE FORT IS A BLAZING INFERNO••• TWO SOVIET SOLDIERS TURN THE CORNER DIRECTLY IN Ln7EWITH THEESCAPING PRISONERS.

THE SOLDIERS FIRE••. FIVE AFGHANS CRUMBLE.

331 TRAUTMAN AND ANDRE 337

STEP INTO VIEW AND FIRE IN RETURN.

338 ANGLE 338

CAUGHT OFF GUARD, THE SOLDIERSARE RIDDLED INTOTHE NEXT WORLD.

339

INT. TRAUTMAN'S CELL - RAMBO

HE COMPLETS SETTING THE CHARGE AND LEAPS INTOTHE COR- RIDOR.

340

INT. CELL BLOCK - CONTINUOUS

MOUSA IS WOUNDED AND WEAK. TRAUTMA..'lRUSH:E:S.UPTORAMBO CARRYING ONE OF THE DEAD SOLDIER'S RIFLES.

TRAUTMAN
The charge set, Johnny?!

·340 CONTINUED: 340

RAMBO
Ready!

RAMBO MOVES TRAUTMAN BACK AGAINST THE WALL~ THEN LOOKS AT HIS WA"rCH.

341 ONE END OF THE HALLWAY 341

THREE SOVIET TROOPERS ARRIVE WITH COLONEL ZAYSAN AT ONE END OF THE HALLWAY.

342 THE OTHER END OF THE HALLWAY 342

THR!:EMORE SOLDIERS ARRIVE AT THE OTHER END OF THE HALL- WAY.

343 ANGLE ON ZAYSAN 343

ZAYSAN
Stop them!! !

THE SOVIETS FIRE •••BULLETS RIP OFF PI~CES OF STONE •••

344

ANGLE - FEATURING RAMBO, ANDRE, MOUSA AND TRAUTMAN

RAMBO PULLS THE PIN ON A SMOKE GRENADE, HEAVES IT AND DROPS LOW AND FIRES. • •ONEDECEASim TROOPER. • .A?IDRE ELIMINATES A SECOND •••THE BLACK SMOKE RAPIDLY FILLS THE ROOM.

345

ANOTHER ANGLE - FEATURING COLONEL ZAYSAN

ZAYSAN RECOGNI.ll:SANDRE.

ZAYSAN
(to Kourov)
That is Gagorski! Gagorski fights against us?! Bastard!
346

ANGLE ON - ANDRE, MOUSA, RAMBO AND TRAUTMAN

FEATURE ANDRE, PRESSED AGAINST THE WALL. RAMBO FIRES TO KEEP THEM BACK. TRAUT~l LOOKS WEAK, AND ANDRE SUP- PORTS HIM.

-1 I

\ } /

347 ANGLE FEATURING COLONEL ZAYSAN AND SOVIET TROOPERS 347

ZAYSAN YELLS FOR HIS MEN TO MOVE IN, WHICH THEY DO.

CUT TO.:

348

INT. TRAUTMAN'S CELL - CLOSEUP - EXPLOSIVES NIGHT 348

SET, READY TO GO OFF AT ANY MOMENT ••.

CUT TO:
349

INT. FORTRESS - CELL BLOCK - CLOSEUP - RAMBO'SWATCH

350

EXT. OUTSIDE NORTH WALL OF FORTRESS - NIGHT

AS IF BLOWN FROM A CANNON, THE STONE WALL SHATTERS INTO BLASTED STONE! THE FORT .ISA WRECK.

CUT TO:
351

EXT. NORTH WALL.OF FORTRESS - SURROCNDING AREA - NIGHT

THE MUJHAIDEEN WARRIORS OPEN FIRE.

CUT TO:
352

EXT. FORTRESS - ON SEARCHLIGHT AND GUARD - NIGHT .

THE SEARCHLIGHT STARTS TO SPIN TOWARDS THE EXPLOSION ••• REBEL BULLETS SHATTER IT AND KILL THE GUARD.

WHAT IS INCREDIBLE IS THE AMOUNT OF RED TRACER BULLETS THAT STREAK THROUGH THE NIGHT.

353

INT. FORTRESS - TRAUTMAN S CELL~ NIGHT

RAMBO, MOUSA, ANDRE AND TRAUTMAN HAVE ENTERED. RAMBO MOTIONS TO ANDRE.

RAMBO
Go a hundred meters straight out!
TRAUTMAN
I'm staying.
RAMBO
Take him!

ANDRE GRABS A HOLD OF TRAUTMAN AND AIDS HIM OUT.

TRAUTMAN
(weakly)
I can run, goddamnit!

RAMBO PULLS A GRENADE FROM HIS POUCH AND TOSSES IT OUT INTO THE:

354

INT. FORTRESS - CELL BLOCK CORRIDOR - NIGHT

THE GRENADE EXPLODES IN FRONT OF SEVERAL SOLDIERS, KILL- ING THEM •••

SGT. KOOROV SAVES ZAYSAN. THEY CREEP AHEAD, RIFLES IN HAND.

355

INT. TRAUTMAN'S CELL - NIGHT

RAMBO, TRAUTMAN, MOUSA ANO ANDRE EXIT THE HOLE IN THE

WALL.

CUT TO:
356

EXT. FORTRESS COURTYARD - WIDE SHOT - NIGHT

REMAINING AFGHAN PRISONERS STILL BATTLE WIT-HTHE SOVIET TROOPS ..•SOME OF THE PRISONERS ARE NOW USING RIFLES

THEY HAVE MANAGED TO TAKE FROM THEIR CAPTORS.

THE COURTYARD IS IN TOTAL DISARRAY -- STONES AND DUST

EVERYWHERE.

357 LT. TOMSK 357

IS SHOVING TROOPS TOWARD THE EXPLOSION.

CUT TO:
358

EXT. OUTSIDE NORTH SIDE OF FORTRESS WALL - NIGHT

RAJ.'1BOANDCOMPANYMOVE RAPIDLY TOWARDS THE REBELS.

CUT TO:

·79.

359

INT. FORTRESS - TRAUTMAN' SCELL - NIGHT

ZAYSAN AND SGT. KOUROV STEP INSIDE THE SHATTERED CELL. ZAYSAN FIRES, LIKEWISE SGT. KOUROV. TWO TROOPERS RUSH INTO VIEW.

CUT TO:
360

EXT. OUTSIDE THE HOLE IN THE WALL - ANDRE - NIGHT

ASSISTING TRAUTMAN, ANDRE IS STRUCK IN THE SHOULDER AND SPINS PAINFULLY TO THE GROUND.

RAMBO
Stay down!!!

ANDRE STRUGGLES TO HIS ~EET AND KILLS THE TWO SOLDIERS, BOT IS GUNNED DOWN IN RETURN FIRE FROM SEVERAL MORE TROOPERS.

361

FEATURING RAMBO - TO INCLUDE THE HOLE IN THE WALL

RAMBO DROPS AND RETURNS THE FIRE AND KILLS THE TWO RUS- SIAN TROOPERS WITH A HAIL OF FIRE POWER.

362 ANOTHER ANGLE 362

MOUSA AND TRAUTMAN ARE LY~G FACE DOWN AS ZAYSAN CON- TINUES TO FIRE. RAMBO DIVES BESIDE THEM. ANDRE IS MORTALLY WOUNDED.

ANDRE
•.. You can trust •.•you can trust •••

ANDRE DIES.

RAMBO
(to Trautman)
Can you move? !

TRAUTMA1~ Let's get the hell out of here!

MOUSA
Getting too close to paradise.

THEY CRAWL AWAY, HIDDEN FROM VIEW BY MOUNDS OF ROLLING TERRAIN.

COT TO:
363

INT. FORTRESS - ARCHWAY - LT. TOMSK - NIGHT

HIS GROUP HAS CLEARED ENOUGH DEBRIS TO SEND SOVIET-BUILT JEEPS THROUGH AN OPENING.

CUT TO:
364

INT. FORTRESS - MAJOR AZOV'S OFFICE - MAJOR AZOV - 264

NIGHT

SITTING IN HIS OFFICE, ALMOST IN A STATE OF METAL RE- MORSE. HE COULD NOT CARE LESS ABOUT THE ABSURDITY OF WAR ANY LONGER.

CUT TO:
365

NORTH WALL - NIGHT

ZAYSAN YELLS ORDERS AS SOVIET TROOPS POUR OUT AFTER RAMBO••~ THE SOVIETS ARE CUT DOWN BY THE MUJAHIDEEN

WARRIORS.

366

~O, MOUSA AND TRAUTMAN - INCLUDE HOLE IH THE WALL

MOUSA HELPS TRAUTMAN, WHILE RAMBO FIRES BACK AT THE AFGHAN AND SOVIET TROOPS THAT POUR OUT OF THE GAPPING

HOLE IN THE NORTH WALL •••

..• THESE TROOPERS FALL MORTALLY WOUNDED.

367 JEEPS 367

APPROACHING.

368 RAMBO &'iDTRAUTMAtt 368

RAMBO AIDS TRAUTMAN ONTO A HORSE A..'IIIDLEAPSONONEHIM-

SELF. MOUSA FOLLOWS. TOGETHER WITH THE REBELS, THEY

GALLOP AWAY.

CUT TO:
369

EXT. FORTRESS COURTYARD - NIGHT

IN THE COURTYARD FIVE MORE JEEPS ROAR OUT, THE LEAD

JEEP CONTAINS SGT. KOUROV.

370

EXT. FORTRESS ENTRANCE - NIGHT

THE GUN-MOUNTED JEEPS ARE SEEN ROARING OVER THE RUBBLE AND TOWARDS THE AFGHAN REBELS.

COT TO:
371

EXTREME LONG SHOT - THE PURSUIT - NIGHT

THE REBELS GOING FLAT OUT. THE SQUAD OF JEEPS IN HOT PURSUIT •••

372

CHASE ON FLAT TERRAIN - NIGHT

THE JEEP SQUAD IS GAINING ON THE REBELS. THE LEAD JEEP WITH SGT. KOUROV FIRES.

373 RAMBO 373

HE STOPS AND FIRES BACK WITH AUTOMATIC FIRE. MOOSA JOINS.IN.

374 A JEEP 374

THE WINDSHIELD SPLATTERS, AND,THE JEEP SPILLS ROUGHLY OVER THE TERRAIN, ELIMINATING THE OCCUPANTS.

375 THE MUJAHIDEEN WARRIORS 375

THEY ARE YELLING THEIR FURY. THEY PUl.LUP AND FIRE BACK •••

37.6 WARRIOR_ 376

IS TORN FROM HIS HORSE.

CUT TO:
317

EXT. NARROW PASS - BASE OF FOOTHILLS - NIGHT 377

MUJAHIDEEN HORSEMEN WITH THE JEEP SQUAD ONE HAIR-PIN TURN BEHIND THEM. IT IS APPAR.i::.~TTHATTHEHORSEMEN ARE DOOMED.

\

378 FIRE POWER 378

THE NIGHT EXPLODES WITH A MASSIVE WHITE FLARE: THEN WITH MACHINE GUN FIRE THAT COMES FROM THE HILLSIDE DIRECTLY BEHIND THE·CHARGING HORSEMEN.

379A THE HORSEMEN 379A

POLL OP AND LOOK ABOVE THEM.

380 THE REBELS 380

IT IS MOSAAD WITH THIRTY ARMED REBELS FIRING AUTOMATIC WEAPONS AT THE JEEPS. I.

381 SGT. KOUROV 381

SUDDENLY PULLS TO A SHUDDERING STOP.

SGT. KOOROV
No!!! -Stop!!!
382

ANGLE - JEEP SQUAD

SINCE THEY ARE PURSUING IN A BASICALLY FLANKING FOR- MATION, THEY FAIL TO SEE SGT. KOOROV WAVING THEM BACK.

383 JEEPS 383

ROAR HEADLONG INTO THE FIREPOWER•••

384 RAMBO AND THE WARRIORS 384

RAMBO AND COMPANY REACH THE ROCK FACE OF THE CLIFFS.

385 MOSAAD 385

MOTIONS FOR HIS MEN TO.OPEN UP WITH SEVERAL BAZOOKAS.

386 THE JEEPS 386

THREE JEEPS EXPLODE IN A STAGGERING PATTERN THAT LASTS NO MORE THAN A FEW SECONDS.

387

ANGLE ON - SGT.KOUROV

WATCHINGWITH MOUNTING FURY •••MANAGES TO SPEED AWAY.

388

PLATEAU - RAMBO

HEWATCHES THE SINGLE JEEP BELONGING TO SGT. KOUROV PULL AWAY IN THEDISTANCE ••.

TRAUTMAN ISWINDED AND EXHAUSTED AND LEANS ON HIS HORSE.

RAMBO STARESUP AT MOSAAD AND_RENDERS A SEDATE WAVE OF HIS HAND.

389 ANGLE 389

RAMBO,MOUSA, TaAUTMAT ANO MOSAAD'S MUJAHIOEEN WARRIORS RIDEOFF WITH THE FIRES IN THE FORTRESS SEEN WAY OFF IN THE B.G.

- CUT TO:

390

EXT. REBEL CAMP - DAWN

WOMEN AND CHILDREN ARE SEEN PACKING THEIR MEAGER BELONG- INGSONTO MULES AND HORSES. THE AREA IS OHE OF MUCH COMMOTION.

CUT TO:
391

INT.CAVE -·DAY

A GROUP OF THIRTY AFGHAN REBELS ARE SEATED IN A SEMI- CIRCLE;.

RAMBO IS PRESENT, LIKEWISE MOUSA.

MOSAAD, RAHIM AND KHALID ARE ENGAGED IN A VERY HEATED DEBATE •••WE CAN DEFINITELY SEE THAT THE GATHERING IS BROKEN OP INTO THREE SEPARATE ISSUES OF DEBATE.

KHALm POINTS AN A.~GRYFIMGER AT MOSAAD, THEN ·POINTSIN ~OTHER D:tRECTION. RAHIM LOUDLY RETORTS.

SEVERAL OF THE SUPPORTERS YELL ACROSS AT ANOTHER GROUP OF WARRIORS •••THE ARGUMENT RAPIDLY ESCALATES.

KHALID RISES, DIRECTING A VERBAL BARRAGE AT RAMBO, THEN BACK AT RAHIM.

392 ANGLE ON MOUSA 392

STANDS BACK NEARLY TWENTY YARDS MONITORINGTHE DEBATE, WHILE SLIGHTLY PACING.

393 KHALID AND HIS MEN 393

KHALID LEAVES. HIS MEN LEAVE •

.. 394 RAHIM AND HIS MEN 394

RAHIM RISES. HIS MEN RISEWITH HIM.

395

ANOTHER ANGLE - FEATURING RAMBO AND MOOSA

MOUSA
{to Rambo) They say they respect you -- But think you come here,make soviet want to destroy more. Come_;..Now must run. Find new camp for people.

ALL THE AFGHANS BEGIN TO EXITWHILE STILLDEBATING.

RAMBO RISES WITH MOUSA.

MOUSA
(continuing; points)
Rahim want to stay and fight.
(points)
Khalid want to move camp to south, and Mosaad want to take people to Pakistan •••This always problem. They fight each other, instead of fight just enemy.
RAMBO
Now what?
MOOSA
They do what they do for thousand years. Go ownway; fight own war.
COT TO:
396

INT. TENT HOSPITAL- DAWN

RAMBO WALKSWITH MOSAAD AMONG THE AFGHANS TOO INJURED TO MOVE•••

TRAUTMAN'SWOUNDS ARE BEING DRESSED BY MICHEL.

MOSAAD
Before they find this placewe willdivide and move north you come withmy tribe.
RAMBO
We should go alone -- They want usmore than you. It's better ifwe go alone --
TRAUTMAN
He's right,we draw the search away from your people: but why can't the tribes unite asone? And fight as·one. Otherwise, how can you ever expect to defeat such an organized enemy?
MOSAAD
Ido not wish it, but it is a nation of tribes;a nation of ancient customs that cannotbe .changed becauseyou will it; yet in the end we will die for our country. That is what matters.

MOSAAD LOOKSAT MICHEL, WHO IS TENDING THE WOUNDED. MICHEL RISESAND GOES TO THE LEADER. MOSAAD, HIS MIND FILLEDWITH A MILLION THOUGHTS, STARTS TO EXIT.

MOSAAD
(continuing)
We will leave five men to watch you and the ones that cannot travel. We will be back in seven days to takeyou to new camp.
MICHEL
That's how long the supplies will ·1ast.

MOSAADMOVES OUT. MICHEL TURNS TO TRAUTMAN.

MICHEL
(continuing)
How is your shoulder?

/\ i i \__,/ TRAUTMAN

Better ... Is thereanythingwe can do?

MICHEL
Tell the story.

TRAUTMAN SHAKES THEWEARY DOCTOR'SHAND AND 'GLANCESAT THE AILING AFGHANS ANDDEPARTS. RAMBO GLANCES AT THE BEDRIDDEN HALIMA THEN GUILTILY EXITS.

CUT TO:
397

EXT. FORTRESS - DAWN

PATROLS ARE SEEN MOVJ:NGOUT•••THEY ARE CARRIED BY 2~- TON TRANSPORT TRUCKS,FOLLOWED BY OTHER HEAVILY-ARMORED MODES OF TRANSPORTATION. SEVERALTANKS FOLLOW.

CUT TO:
398

EXT. FORTRESS COURTYARD -ANOTHER ANGLE -DAWN

FULLY DRESSED FOR BATTLE,COLONEL ZAYSANIS YELLING OR- DERS TO SEVERAL JUNIOR OFFICERSTHAT ARE MOVING AWAY WITH THE MOTORCADE.

SGT. KOUROV STANDSBEHIND ZAYSAN.

MAJOR AZOV APPROACHES.

ZAYSAN
(in Russian)
When you reach theKhyber Pass -- contactme at once! We will continue north of Landi,and Lt. Tomsk to the sound toward Gandahar.
AZOV
I ask once again,to call Kabul for more air assistance.
ZAYSAN
Denied!
AZOV
You'vemade this too personal. If you intend to capture the American without assistance merely to get the recognition, I will not cooperate.

Si.

C) ZAYSAN

We have enough gunships, we have enough menl No more sup-portis needed, Azov! And you'll carry out orders, or you'll be shot! Sgt. Kourov will join your for enemy interrogation.

AS ZAYSAN STARTS TO MOVE OUT, HE PAUSESAND FACES AZOV.

ZAYSAN
(continuing)
..• I want the Americans •••
CUTTO:
399

EXT. CAMP - DAWN

A WIDE SHOT OF THE GROUPS LEAD MYMOSAAO, KHALIM AND RAHIM. DUST CLO.UOSRI.SEAS KHALIMAND RAHIMLEAD THEIR TRIBES IN SEPARATE DIRECTIONS.

400 ANGLES TO COVER 400

THE.BADLY-CRIPPLED ARE FASTENED TOANIMALS INRIGGED 11 AFGHANAMBULANCE'S.nBASI;CLIVING UNTENSILSARE STRAP- PED TO CAMELS AND MULES•••

•. .WARRIORS CARRY PORTABLE MISSLES STRAPPEDACROSS THEIR BACKS •••

402 MOSAAD 402

MOSAAD APPROACHES ON HIS HORSEAND SPEAKSRAPIDLY TO MOUSA IN THEIR NATIVE TONGUE.

MOSAAD
{turns to Rambo) You will go over the moutains north of Landi. If I getmy people to safety, I will try to join you at the border
RAMBO
Thanks for doing what you didn't have to do.

{CONTINUED)

MOSAAD
Inshallah.
RAMBO
Inshallah.

MOSAAD NODS AN AFFIRMATION TO MOUSA AND THE GUIDEMOUNTS UP.

403 MOSAAD 403

GESTURES TO HIS TRIBE, AND THEY ALL BEGIN TO MOVE OUT.

404 VARIOUS ANGLES 404

•.• THE DUST FROM THE PROCESSION BEGINS TO CLOUD RAMBO'S IMAGE AS HE, TRAUTMAN AND MOOSA MOVE AWAY.

CUT TO:
405

EXT. ROADSIDE - WIDE ANGLE - DAY

A GROUP OF A HUNDRED MEN, FOOR TRUCKS AND SIX MOTOR- CYCLES, BACKED BY SEVERAL TANKS.

LT. TOMSK SPIES FOUR PEASANTS CARRYING THEIR MEAGERBE- LONGINGS AS THEY TRUDGE ALONG.

FOUR YOUNG SOVIET SPETSNAZ TROOPERS LEAP OUT OF THE TRUCK AND BLOCK THE PEASANTS' PROGRESS.

THE GROUP CONSISTS OF A MOTHER AND THREE CHILDREN.

AN AFGHAN GOVERNMENT SOLDIER ROUGHLY GRABS THEMAND BARKS OUT A QUESTION.

CUT TO:
406

EXT. RANG~ - DAY 406.

RAMBO, MOUSA AND TRAUTMAN ARE SEVERAL MILES AWAYFROM THE ORIGL~AL BASE CAMP. THEY LOOK AT A DISTANT SNOWY MOUNTAIN PASS.

TRAUTMAN
How long to get over that?
MOUSA
Ten hours -- More, maybe. Very difficult.

RAMBO PULLS UP AND FACES TRAUTMAN.

RAMBO
They're going to find that hospital.
TRAUTMAN
Mosaad doesn't think so.
RAMBO
What if he's wrong?
TRAUTMAN
He's their leader.
RAMBO
(rides away)
What if he's wrong?

CU'l'TO:

401 407 and OMI.TTED and

409

MOSAAD - DAY

HIS GROUP IS MOVING TO THE SAFETY OF THE HIGHER GROUND ••• MOSAAD AND THE AFGHAN REBELS SCAN THE SKIES FOR ANY KI.NDOF ENEMY CRAFT.

CUT TO:
410

KHALID - DAY

PAUSES AT A HIGHER ELEVATION AND SPIES IN THE DISTANCE SWI.RLSOF DUST.

411

KHALID'S POV - RAHIM'S TRI.BE 41!.

IN THE DISTANCE, DOWN BELOW, HEADING IN ANOTHER DIREC- TI.ON.

412 BACK TO SCENE 412

KHALID'S EYES REFLECT CONSTERNATION OVER THE SPLITTING , UP OF THE LARGE REBEL GROUP.

COT TO:
413

RAHIM' STRIBE - FEATURING RAHIM - DAY

RAHIM IS TOUCHED BY A TRIBE MEMBER, WHO INDICATES:

414 RAHIM'S POV 414

KHALID'S GROUP ON THE MOUNTAIN PLATEAU.

414A RAHIM 414A

NODS AND TURNS AWAY.

415 HOSPITAL 415

RAMBO HAS THE THREE BADLY WOUNDED ON STRETCHERS RIGGED FROM THE REAR OF THE HORSES. TRAUTMAN HAS GOTTEN OFF HIS HORSE. MICHEL IS ATTENDING THE WOUNDED IN THE STRETCHERS.

MICHEL
They shouldn't be moved.
RAMBO
You canlt stay here Get every blanket you can.
TRAUTMAN
Ready, Johnny?

RAMBO NODS.

TRAUTMAN
(continuingi to Mousa)
Let's move it •

I

..HALIMASITS ASTRIDE RAMBO S HORSE, WHILE MICHEL IS HELPED

ONTO THE BACK OF MOUSA S HORSE.

MICHEL
Why did you come back? This is not your responsibility.

{CONTINUED)

/)

RAMBO
So what? C'mon, let's move.
CUT TO:
416

EXT. SMALL TENT VL:LLAGE- NOON

COLONEL ZAYSAN'S IDLING GIANT GUNSHIP KICKS UP DUST IN THE F.G. AS A GROUP OF 25 NOMADS WITH SHEEP AND SEVERAL MULES ARE BEING ROUGHLY LINED UP••• THE VILLAGE, COM- PRISED MOSTLY OF TENTS, BUR..~SWILDLYIN THE B.G.

AS AFGHAN TROOPERS Y:!LLAT THE PLEADING NOMADS.

AFGHAL~TROOPER Where is the American? Where?! Where?

417 ANOTH_ERANGLE 417

OFF TO THE SIDE, WE SEE AFGHANS BEING PULLED ROUGHLY FROM DIFFERENT DIRECTIONS AND BEING THROWN IN LINE.

418 BACK TO SCENE 418

AFGHAN TROOPER
(to another old man)
Where is the rebel camp?

THE ELDERLY MAN SAYS THEY HAVE NO INFORMATION. OTHER NOMADS PLEAD FOR HIS, AND THEIR, LIVES •••

THE AFGHAN TROOPERS CURSE THEM AND SPRAY MACHINE GUN FIRE NEAR THE FEET O.FTHE LINED-UP NOMADS ,WHICH CAUSES THEM TO SCREAM AND SCATTER.

AFGHAN TROOPER
(continuing)
Where are the rebels -- Where is the American?

A CHILD RUNS UP TO THE AFGHAN TROOPER HOLDING SOMETHING TO HIS CHEST.-····THECHILDHANGSON TO THE SOLDIER. THE SOLDIER PANICS; THEN THEY BOTH EXPLODE.

419

ANGLE TO INCLUDE - COLONEL ZAYSAN

THE NOMADS ARE SHIEKING AND SCATTER.

COLONEL ZAYSAN LOOKS IN DISDAIN AT THE GROUP AND Tt;.JRNS -BACKTOWARDS HIS CHOPPER IN F~AR THAT HE COULD BE NEXT.

CUT TO:
420

- EXT. MOUNTAINS' BASE - DAY

• RAMBO, TRAUTMAN, MOUSA, MICHEL AND TSE FIVE INVALIDS START THEIR PERILOUS ASCENT••• THEY ARE LEADING THEIR HORSES.

TRAUTMAN LOOKS DOWN AT THE STEEP DROP THOUSANDS OF FEET ABOVE THE VALLEY.

303

RAMBO LOOKS UP ANO SEES THE ICE FORMATIONS OF THE PASS THEY MUST GO THROUGH.

MICHEL
We can't go over that.
RAMBO
We've got to.
(to Trautman)
How ya doing?

RAMBO LOOKS AT TRAUTMAN, WHO NODS THAT HE IS ALL RIGHT.

421

EXT. VILLAGE - DAY

ANOTHER HALF-TENT, HALF-DEMOLISHED VILLAGE IS NOW OCCU- PIED BY MAJOR AZOV'S TROOPS. SGT. KOUROV'S MEN HAVE LINED UP TEN AFGHAN CHILDREN ON TSE GROUND IN FRONT OF A T-54 TANK.

THE FIFTY OR SO WOMEN, HELO IN A CONTAINED CIRCLE OF SOLDIERS, WAIL IN HORROR -- THE SOLDIERS YELL OBSENITIES ANO SHOVE THEM BACK.

AFGHAN SOLDIER
Where is the rebel hideout? Where is Mosaad!?

THE WAILING CONTINUES. MOVE IN ON SGT. KOUROV AS HE STRONGLY MOTIONS TO THE TANK DRIVER TO MOVE FORWARD. HIS FACE IS FLUSHED WITH THE EXCITEMENT OF WAR.

SGT. KOUROV
Move! Move over them.
305

/ (CONTINUED)

AZOV
(rushing in)
Stop this! Stop!!!
SGT. KOUROV
w~ have orders ... !
AZOV
Hell with the orders! Have you gone insane ?
422

ANGLE ON - THE CROWD

THE AFGHAN AND SOVIET TROOPS HOLD BACK THE HYSTERICAL CROWD.

423

WIDER A..~GLE-SGT. KOUROV - TO INCLUDE TANK

SGT. KOUROV GLARES AT THE OFFICER AND WAVES THE TANKTO MOVE FORWARD.

SGT. K'OOROV
I have my orders! Now get back!

424 THE TANK .TREADS 424

THE TANK TREADS GRIND SLOWLY FORWARD.

425 THE CHILDREN 425

THE CHILDREN WHO ARE STAKED DOWN AND BLINDFOLDED STRUG- GLE IN VAIN.

426 SGT. KOUROV AND MAJOR AZOV 426

AZOV
You don't tell me your orders -- I'm an officer.

SGT. KOUROV PULLS HIS PISTOL AND POINTS IT AT AZOV.

SGT. KOOROV
I don't give a shit who you are -- We have orders, Comrade.

427 THE TANK TREADS 427

THE TANK TREADS GRIND CLOSER TO THE CHILDREN.

428 MAJOR AZOV AND SGT. KOUROV 428

AZOV
(enraged)
Havewe all become animals?!

AZOV TRIES TO STEPFORWARD. BUT THE POWERFUL SGT. KOUROV PULLS HIM ROUGHLY.TOTHE GROUND. SGT. KOUROV ADDRESSES THEAFGHAN TROOPS:

SGT. KOUROV
Where is the rebel camp?

THE AFGHANTROOPS YELL THE QUESTION AT THE NOMADS.

429 ANOTHERANGLE 429

A DARKLY-CLADMOTHER BURSTS FROM THE RANKS ANO FALLS PLEADINGTO THE GROUND -- SHE IS SCREAMING IN AFGHAN. THEAFGHAN SOLDIER YELLS TO STOP THE TANK.

SGT.KOUROV MOTIONS TO THE TANK COMMANDER.

430 CLOSEUP 430·

THE TANK'S GHASTLY TREADS GRIND TO A HALT INCHES FROM A CHILD'SFACE.

CUT TO:·

431

EXT. MOUTAIN - DAY

RAMBO,TRAUTMAN, MOUSA, MICHEL AND THE INVALIDS ARE PAST THE SNOW L:tNE. THEY ARE BUNDLED WITH CRUDELY-FASHIONED SHEEPSHIDE JACKETS AND WQR?lBLANKETS. MICHEL WALKS ALONGSIDE, TRYING HER BEST TO MONITER THE INJURED AFGHANS' CONDITION.

SUDDENLYTHEY ARE FIRED UPON •••ICE RIPS OFF NEXT TO MOUSA' SHEAD. • •THEYALL LEAP TO COVER. ONE OF THE HORSES CARRYING A STRETCHER IS SHOT AND CRUMBLES. RAMBO PULLS HALIMA OFF THE HORSE AND DIVES FOR COVER.

RAMBO
Get down -- Mousa, who're they?
MOUSA
Border guardst

MICHEL DRAGS AN INJURED AFGHAN BEHIND A ROCK OUTCROPPING FOR PROTECTION.

,'' /

9.3.

BULLETS KICK !JPAROUND TRAOTM&~AS HE PULLS ANOTHER TO SAFETY. RAMBO GOES TO GETANOTHER INJUREDAFGHAN WHO FIRES AT THE BORDER GUARDS FROM HISSTRETCHER.· THE AFGHAN REBEL IS KILLED IN HIS STRETCHER.

TRAUTMA...~ Do they have radio contact?

MOUSA
Do not know!

432 AFGHAN TROOPS 432

THE GROUP OF SIX SPREADS OUT.

433 RAMBO, TRAUTMAN AND MOUSA 433

RAMBO IS SIGHTING DOWN HIS RIFLE,WHILE TRAUTMAN SCANS THE SURROUNDINGS••• MOUSA RUSHESTO A BETTER POSITION. MICHEL ATTENDS TO THEWOONDED.

TRAUTMAN
They have us pinneddown.

MOUSA LOOKS AT RAMBO AND POINTSAT:

434 A SNOW SHELF 434

ABOVE THEM.

435 BACK TO SCENE 435

RAMBO TAKES HIS RIFLEAND TWISTS ON A GRENADE. HE GES- TURES TO THE SNOW F:!ELDJUSTABOVE THZM.

RAMBO
What do you think?

TRAUTMAN LOOKSDOWN, THENBACK UP AT THE SNOW FIELD.

TRAUTMAU
Herl of a long shot.
RAMBO
-- Coverme, then dragthem behind those rocks!

RAMBO MOVES OUT.

CUT TO:

436 AFGHAN SOLDIERS 436

STARTTO FIRE AT RAMBO. ONE TROOPER FRANTICALLY RADIOS INTO HEADQUARTERS.

309

437 TRAUTMAN AND MOUSA 437

FIRE IN RETURN.

438 RAMBO 438

DASHES TO A LOCATION A LITTLE FURTHER UP.

439 TRAUTMAN AND MOUSA 439

MOVE IN THE OPPOSITE DIRECTION OF RAMBO. MOUSA IS AL- MOST HIT.

MICHEL IS PULLING TWO WOUNDED AFGHAN REBELS TO A SAFER AREA.·

440 SCENE 440

THE AFGHAN SOLDIERS CONTINUE TO SPREAD TOWARD RAMBO.

441 RAMBO 441

SETTLES ON A FAIRLY LEVEL AREA AND LOOKS DOWN AT THE APPROACHING SOLDIERS.

442 TRAUTMAN AND MOUSA 442

PAUSE TO CHECK OUT RAMBO'S STRATEGY. TRAUTMAN PULLS HALIMA ALONG •••MOUSA FIRES AT THE TROOPS. MICHEL USES ONE OF THE AILING REBEL'S RIFLE TO FIRE BACK AT THE TROOPS.

44 3 RAMBO 443

AIMS HIS GRENADE-MOUNTED GUN AT THE SNOW FIELD ABOVE HI-.MANDFIRES. ·,

444

POV - SNOW FIELD 444 I

THE GRENADE CAUSES A MAJOR EXPLOSION, BUT DOES NOT CAUSE THE SNOW MASS TO MOVE.

311

97•.

445 SOLDIERS 445 /-~ I . .. .CONTINUE THEIRASCENT, FI.RINGAS THEY GO •

312

··__/

446 RAMBO 446

FIRES BACK AND QUICKLY MOUNTS ANOTHER GRENADE •••HE FIRES.

447

POV - SNOW FIELD

THE GRENADE EXPLOSION CAUSES THE SNOW FIELD TO MOVEAL- MOST IMPERCEPTIBLY AT FIRST•••

448 THE SOLDIERS 448

CONTINUE TO MOVE FORWARD UNTIL A MOUNTING SO.ONOSTOPS THEIR PROGRESS.

449 THE SNOW FIELD 449

IS SHI.FTINGAND BEGI.NNmG TO CRUMBLE.

450 RAMBO 450

STARTS TO SPRINT AWAY AS THE AVALANCHE BEGINS.

451 ANGLE 451

MILLIONS OF TONS OF SNOW BEGIN TO MOVE DOWN THE MOUNTAIN SIDE.•. THE SOUND IS DEAFENING.

452 FAVORING THE SOLDIERS 452

THEY BEGIN TO RETP.EAT,BUT THE STEEP AMGLE OF THE GROUND THEY ARE SITUATED ON PERMITS ONLY REVERSE MOVEMENT RATHER THAN LATERAL.

453 THE AVALANCHE 453

IS TEARING OUT EVERYTHING IN ITS PATH.

454 TRAUTMAN, MI.CHELAND MOUSA 454

ROLL AND CARRY THE WOUNDED AS THE AIR AROUND THEMBEGINS TO FILL WITH CRYSTAL SNOW PARTICLES, WHICH GROWS STEADILY INTO A MINOR SNOW HAZE.

455 RAMBO 455 -~ / \ DASHES FOR HIS LIFE, DESPER..~TELYTRYINGTO MANEUVER OUT _j

OF THE SNOW'S PATH.

456

THE AVALANCHE - WIDE SHOT

IS A THUNDERING DE..?wtON,A CASCADINGWHITEHELLDESTROYING EVERYTHING THAT DARES TO STAND IN ITS PATH.

457 RAMBO 457

JUST MANAGES TO REACH A ROClCOUTCROPPING AT THE VERY OUTER EDGE OF THE AVALA..~CHE•••

THE SNOW ROARS PAST HIM AND OVER THE ROCK SHELTER.

458 THE AFGHAN SOLDIERS 458

ARE DOOMED AND SOON DEVOURED BY THE AVALANCHE.

459 TRAUTMAN, AND MOUSA 459

FROM THEIR VANTAGE POINT, THEY THINK RAMBO IS SURELY DEAD.

460 WIDE SHOT 460

THE SNOW FIELD THUNDERS DOWN TO THE VALLEY BELOW AND SOON THE ROARING SUBSIDES.

461

TRAUTMAN AND MOUSA - TO INCLUDE ~O

CAL'rnOTBELIEVETHEIR EYES AS RAMBO EMERGES FROM HIS SAFETY AREA.

MOUSA
Thought you go to paradise.
RAMBO
Not yet.
462

EXT. MOUNTAINSIDE - DAY

MOSAAD IS LEADING HUNDREDS OF HIS PEOPLE TO SAFETY ••• THE PLAINS IN THE DISTANCE SEEM CLEAR••.

CUT TO:

iI

319

••THEY PASS SIGNS OF WAR {DESTROYED HOMES, EXPLODED

TAL~KS,ETC • ) •

464

A LONE REBEL·- DAY

A LONE REBEL GALLOPS FRANTICALLY TOWARD THE CARAVAN. HE PULLS UP IN FRONT OF M0SAAD AND BEGINS TO FRANTICALLY RELATE WHAT HAS HAPPENED TO THE VILLAGE.

CUT TO:
465

EXT. REBEL CAMP - WIDE SHOT - DAY

THE SOVIET GUNSHIP, Wu.~D BY COLONEL ZAYSAN HAS LANDED.

466 GUNSHIP #2 466

THE GUNSHIP CARRYING SGT. KOUROV AND MAJOR AZOV LANDS.

and OMITTED and

323

•• WITH THE SOUND OF IDLDLG GUNSHIPS IN THE B.G.,

SOVIET SOLDIERS POUR INTO THE EMPTY HOSPITAL WITH SAVAGE PRESENCE.

COLONEL ZAYSAN STORMS IN, FLANKED BY SGT. K0UROV AND

MAJOR AZOV. HE KICKS AT AN EMPTY BED OF STRAW.

ZAYSAN
Burn it! Where the hell have they gone?!

TEN SPETSNAZ TROOPERS START TO BURN THE TENTS DOWNWITH FLAME THROWERS•••

324

•. ALL THIS IS DONE WITH FURIOUS PACING. A TROOPER

COMES RUNNING IN AND SPEAKS RAPIDLY TO ZAYSAN

ZAYSAN
{continuing; to Kourov) They've found ·them.
CUT TO:
470

EXT. MOUNTAIN - LATE AFTERNOON

IT IS NEARLY TWILIGHT AS RAMBO, TRAUTMAN AND MOUSA MOVE DOWN THE STEEP TRAILS LEADING OUT OF THE SNOW LINE. MICHEL STILL OBSERVES THE TWO REMAINING AFGHAN REBELS AND HALIMA WHO IS ON RAMBO'S HORSE.

CUT TO:
471

VALLEY BOTTOM - TRACKING -- SUNSET

THEY LAND ON THE NEAR-LEVEL VALLEY FLOOR AND START TO MOVE AROUND A ROCK OUTCROPPING••• ONLY TEN MILES FROM THE PAKISTAN BORDER.

MOUSA
We close now-~ Mousa say only ten miles to border.

472 DIFFERENT ANGLE 472

WHEN THEY TURN AROUND THE ROCK OUTCROPPING, THEY SUD- DENLY COME TO AN ABRUPT HALT •.

473 THEIR POV 473

AT FIRST, WHAT ALMOST APPEARS TO BE A MIRAGE IN THE RIS- ING HEAT •••

MICHEL
Oh, God.

474 LONG SHOT 474

WE SEE A COMMAND OF NEARLY EIGHT HUNDRED SOVIET AND AFGHAN GOVERNMENT TROOPS SEALING THE VALLEY EXIT TO THE PAKISTAN BORDER. COLONEL ZAYSAN STA?tDSELEVATED IN AN ARMORED VEHICLE BEHIND THE TROOPS. HE IS SEPA- RATED FROM THEM BY A TWENTY-FOOT GORGE THAT ~ROPS A THOUSAND FEET•••

•.• FLANKING THE TROOPS ARE EIGHT TANKS .••

475 RAMBO 475

EYES DIM IN THEIR INTENSITY. ALL IS LOST.

476 WIDER ANGLE 476

TRAUTMAN LOOKS AT THE MASSIVE BLOCKADEAND SHAKESHIS HEAD.•• MOUSA COMES AROUNDi SEARCHINGHIS BRAIN FOR SOME MIRACULOUS EXIT; THERE IS NONE. .

MOUSA
Life never easy, Rambo.
TRAUTMAN
There's no way out.

MICHE;L Let's go back!

RAMBO
No way.
TRAUTMAN
Johnny, I'm sorry you ever got into this.

477 ZAYSAN 477

HE ADDRESSES THEM WITH A BULLHORNTHAT IS MOUNTED ON HIS TRANSPORT CAR.

ZAYSAN
Americans •••Do not·try to retreat..We will ·notattack if you do not run! We do not want to hurt you!

478 RAMBO, TRAUTMAN AND MOUSA 478

THEY EYE EACH OTHER.

327

RAMBO

(to Mousa) Undo the stretchers.

RAMBO LIFTS HALIMA DOWNFROM HIS HOURSE AND MOUNTS.

MICHEL
What're you doing? What are you going to do?

479 ZAYSAN 479

IN HIS ARMORED CAR.

ZAYSAN
We want to returnyou alive!

480 MEDIUM SHOTS 480

THE TANKS, THE FOOT SOLDIERS, THE Aru10REDPERSONNEL CARRIERS, THE MOTORCYCLES, ETC.; OFF TO THE SIDE IS THE RIFLE TROOP TRANSPORT CHOPPER.

481 WIDE SHOT 481

BEHIND THE BLOCKADE A RUMBLING IS HEARD AS ONE SOVIET HIND GUNSHIP RISES FROM BEHIND THE VALLEY WALL, FOLLOWED

• BY FIVE SMALLER ONES. THEY HOVER LIKE DEATH-BIRDS A

HUNDRED METERS BEHIND AND TO EACH SIDE OF ZAYSAN.

482 RAMBO, TRAUTMAN, MOUSA AND MICHEL 482

EYE THE INCREASING MANPOWER.

TRAUTMAN
Ready when you are.
RAMBO
(toMichel)
Take everyone against the rocks.
MICHEL
You're committing suicide!

483 ZAYSAN 483

ZAYSAN
You will be returned to head~ quarters Do not attempt to retreat.

484 RAMBO, TRAUTMAN, MOUSA AND MICHEL 484

ZAYSAN (V .O.)
(bullhorn)
Do not attempt to run.
MICHEL
Why don't you just do as they say:?
TRAUTMAN
.•. He never was very good at taking orders.
MICHEL
So, you're going to die for nothing What sense does it make:?
RAMBO
It never did.
(looksaround)
They've got gunships, tanks and troops -- No way out.
MOUSA
What should we do?
TRAUTMAN
Any ideas, John?
RAMBO
••• Take no prisoners.

RAMBO STARTS TO RIDE FORWARD: AND HE IS FOLLOWED BY TRAUTMAN AND MOUSA.

485 ON ZAYSAN 485

ZAYSAN
You were ordered not to move!

SUDDENLY A RUMBLING OF WHAT SOUNDS LIKE THE BEGINNING OF A SUMMER THUNDER STORM.

486 RAMBO, TRAUTMAN AND MOUSA 486

PAUSE.

487 VALLEY ENTRAL~CE 487

TWO HUNDRED MUJAHIDEEN WARRIORS ON HORSEBACK APPEAR, LED BY MOSAAD.

488 ZAYSAN 488

LOOKS THROUGH HIS BINOCULARS AND CANNOT BELIEVE HIS EYES.

489 RAMBO AND HIS GROUP 489

LOOK AT TH:SMASSIVE DISPLAY OF MANPOWER THAT HAS COME TO THEIR AID.

TRAUTMAN

Why .dthey came back?

MOUSA
It is Afghan way -- live together, die together.

490 THE SOVIETS 490

THE SOVIET FORCE BEGINSTO SHIFTWITH MOUNTING ANXIETY.

491 ANOTHER VALLEY ENTRANCE 491

THROUGH A SECOND ENTRANCETO THE VALLEY, KHALID APPEARS WITH TT.40HUNDREDMORE HORSEMENA..l'IDSEVERALCAPTUREDAR- MORED VEHICLES. MANY OFTHE MUJAHIDEEN WARRIORS ARE LOADED WITH RUSSIAN-MADE R.P.G. 'S&'®HAVE BROUGHT OTHER HEAVY FIREPOWER.

492 RAMBO &~D COMPANY 492

EYE THE JOINING FORCESWITH MOUNTING OPTIMISM.

493 WIDE AL"'llGLE 493

THE UUJAHIDEENWARRIORS BEGINTO SPREAD OOT IN A FULL CHARGE FORMATION.

CUT TO:
494

ANGLES - VALLEYWALLS

HIGH ON BOTH SIDES OFTHE VALLEY WALLS, MUJAH~DEEN WAR- RIORS HAVE POSITIONEDTHEMSELVES WITH HIGH-POWERED ANTI- TANK AND GUNSHIPWEAPONS.

495 Zl'i,YSAN 495

ZAYSAN
{in Russian) ... They are insane. They can not expect to win! They have nothing.

496 MOSAAD 496

RAISES HIS RIFLE, A..'iDT.HEWARRIORSSTARTTOMOVE FORWARD~ SLOWLY AT FIRST.

CUT TO:

497 AZOV 497

LOOKS TO THE FLANK AND SEESRAHIM'S TWO HUNDRED WARRI- ORS APPROACHING FROM THE SOVIETS'WEA!<SIDE.

498 RAHIM 498

RAISES HIS RIFLE,AND:

499 MOSAAD 499

RETURNS THE GESTURE. LIKEWISE:

500 RAMBO 500

PULL BACK. RAMBO,MOUSA AND TRAUTMAN CHARGE.

MOUSA
••• Seeyou in paradise,my friend!!!

501 ZAYSAN 501

TAKES UP HISMICROPHONE AND ADDRESSES HIS COMMANDERS.

ZAYSAN
A~tack ~-But do not kill the Americans! Iwant the Americans!

(NOTE·.:THE BATTLE SCENES -- WILLBE STORY-BOARDED AS PER THE DIRECTOR,WITH THE MAJORITY OF THE TANKS AND GUNSHI.PSBEINGDESTROYED BY THE REBELS HIGH ABOVE, ON THE VALLEY WALLS.)

502 SCENE 502

THOUGHWOUNDED, TRAUTMAN CHARGES AHEAD AND IS KNOCKED DOWN AND CAPTUREDBY SOVIETS WHO QUICKLY TRAi.~SPORTHIM VIA SGT. KOUROV.

503 TRAUTMANAND HIS CAPTORS 503

CROSS A SMALL,STONE BRIDGE THAT TRAVERSES THE GORGE TO ZAYSAN.

•·n:,rtftf"PFSim:ara:::,n«rm·-r:ii!"rW"<I\Tf'..,..,,srfllfriNl'srrrrrez,w•vm:z,r

504 SCENE 504

RAMBO SEES THI.SAND CHARGES AHEAD••• MOUSA IS BEHIND RAMBO.

sos SCE:-:rE sos

SGT·.KOUROV, WHO HAS CROSSED BACK OVERTHE BRIDGE, SHOOTS AT MOUSA.

506 SCENE 506

MOUSA, WHO IS WOUNDED IN TWO PLACES, GUIDES HISHORSE TOWARD SGT. KOUROV. MOUSA PULLS OUTA HAND GRENADEAND LEAPS FROM HIS HORSE AND LANDS ON SGT. KOUROV.

507 SCENE: 507

AFGHANS BLOW THE CHOPPER FROM THE SKY.

508 SCENE 508

RAMBO CHARGES AHEAD.

509 SCENE 509

AFGHANS HAVE TAKEN COMMAND OF A TANKAND ROARTOWARDS THE SOVIETS.

510 SCENE 510

ZAYSAN TRIES TO GET AWAY FROM THE BATTLE SCENE,BUT A MUJAHIDEEN SNIPER KILLS THE DRIVERAND WOUNDS ZAYSAN IN THE LEG.

511 SCENE 511

THE MUJAHIDEEN SNIPER IS KILLED BY HEAVYRETURN FIRE.

512 SCENE 512

THE BATTLE HAS SWUNG IN THE REBELS'FAVOR.

513 SCENE 513

•••THE SOVIETS ARE FIRED UPON AND KILLED.

thru OMITTED thru

517 SCENE 517

RAMBO CHARGES WILDLY AT ZAYSAN.

518 SCENE 518

ZAYSAN TAKES UP AN AUTOMATIC RIFLE AND OPENS FIRE ON

RAMBO.

519 SCEHE 519

RAMBO IS HIT IN THE LEFT SHOULDER.

520 SCENE 520

ZAYSAN FIRES AGAIN, AND HITS RAMBO.IN THE LEG.

521 SCENE 521

RAMBO NEARLY FALLS FROM HIS HORSE AND HANGS ONAS THE ANIMAL CHARGES BLINDLY FORWARD.

522 SCENE 522

ZAYSAN FIRES AGAIN.

523 SCENE 523

RAMBO RIDES LOW TO AVOID CREATING A LARGERTARGET •.•

524 SCENE 524

329

• •TRAU'L'MANISREGAINI!~GCONSCIOUSNESS.

525 THE GORGE 525

RAMBO IS GOING FULL-STRIDE AS HE LEAPS IN A TRULY MIND- BLOWING, DARE-DEVIL.MANEUVER OVER THE GORGE.

526 ZAYSAN 526

TA-~ESAIM AT RAMBO, AS .••

330

•.NOW PULLS OUT HIS HUGE KNIFE A..'10CONTINUESCHARGING.

528

ANGLE - RAMBO AND ZAYSAN'S VEHICLE

RAMBO'S HORSE IS ONLY YARDS AWAY FROM ZAYSA.~'SVEHICLE.

ZAYSAN TAKES AIM•.•

•.• TRAUTMAN, THOUGH STILL BLEEDING AND PROSTRATE ON THE VEHICLE FLOOR, SHOVES ZAYSAN.

529 ZAYSAN 529

FIRING AND MISSING.

~

530 RAMBO 530

GUIDES HIS HORSE IN AND JUMPS TOTALLY OVER THE VEHICLE.

AT THE VERY HEIGHT OF THE JUNP, THE MORTALLY WOUNDED RAMBO THROWS HIS HUGE KNIFE DOWN AND IMPALES ZAYSAN.

531 RAMBO 531

RAMBO TUMBLES FROM HIS HORSE AND CR..~SHESTOTHE ROCK SURFACE .••HE IS BARELY ALIVE.

TRAUTMAN GOES TO HIM.

532 ~.AJORAZOV 532

STILL IN THE THICK OF BATTLE SEES THIS AND GRABS HIS MICROPHONE AND ORDERS ALL SOVIETS TO RETREAT.

CUT TO:

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533 TRAUTMAN AND RM-".BO 533·

TRAUTMAN CRADDLES RAMB01 SHEAD.

TRAUTMAN
Johnny. Hang on, you incredible bastard, hang on.

RAMBO NODS, THEN STRUGGLES IN LABORED BREATHES.

CUT TO:
534

EXT. VALLEY FLOOR - LATER THAT DAY

MOSAAD AND HIS MA.i."nMUJAHIDEENWARRIORSSURROUND A TRANSPORT VEHICLE THAT CONTAINS AN AFGHAN DRIVER, TRAUT.MAN,AND A HEAVILY-BANDAGED RAMBO, WHO SITS IN THE REAR.

MOSAAD
You have been·a great friend -- and together we won a great victory -- I hope you will tell the story of our fight.
TRAUTMAN
We will.
MICHEL
After Pakistan, where do you go?

RA!-1BOLOOKSAT TRAUTM&~ THEN BACK TO MICHEL.

RAMBO
•.. I think home -- Are you staying?

MICHEL NODS AND KISSES RAMBO ON THE CHEEK. MOSAAD HUGS RAMBO, AS THE OTHER REMAINING CHIEFTA?;,KHALID,NODS HIS APPROVAL.

MOSAAD
You fight good for an American .•. May you return when our country is at peace •••Inshallah.
RAMBO
•.-~.Inshallah.

HALIMA STEPS UP AND KISSES RAMBO, WHO TOUCHES HER HAIR. MOSAAD NODS TO THE DRI~R, WHO PULLS AWAY. TRAUTMAN FACES RAMBO.

11.0.

TRAUTMAN
'Inshallah,~ what does it mean?
RAMBO
God willing.
TRAUTMAN
Y'know, John, I hate to admit it -- But I think we're • getting a little soft.
RAMBO
A little, sir; just a little.

THE VEHICLE IS SLOWLY ENVELOPED IN SWIRLING DUST AND GRADUALLY BECOMES JUST A SMALL OBJECT ON THE MAJESTIC L&~DSCAPE.

FADE OUT.
THE END