"PORKYS" (1981)

MUSICCRASHES in over a black screen; heavy, sensual, ,,. rhythm and blues with a hard sexual beat. We FADE UP on a 1 full screen SHOT of a pulsating red neon sign which is tilted diagonally across the screen. The sign reads:

p

It undulates and throbs like a living sexual being. MUSIC CONTINUES as CAMERAPULLS BACKto see Porky's, a wicked- looking redneck joint which is built out over the waters of a.swamp. A little bridge leads to Porky's main entrance. The wild throbbing MUSICcomes from within. CAMERA BEGINS TO 1-:0VE IN a slow drea:::1like manner TOWARDthe front door., WARPINGWEIRDLY as ic does so. As we approach the entrance, /!\ the MUSIC SWELLSin volume and intensity. CAMERA :MOVES

f-1 THROUGH the door and inside. The club is filled with bizarr '•,,, .......

people; full-bearded hillbillies, mean-looking crackers in overalls, bad asses and honky tonk women all leering and threatening. CAMERA LOOKSUP to see a huge pig-like face lunge INTO VIEW. The face grins lewdly and beckons the CAl'-fERA to come on in. The face begins to back away as CAME. MOVES IN TOWARD the bar. Finally the pig face steps aside and above us we see a wild, absurdly buxom woman in G-string and pasties. She is flanked by other equally lurid sirens. They undulate and throb exactly like the Porky's sien. The effect is both comic and provocative. The pig face keeps popping IN ANDOUT OF THE FRAMEbeckoning; the lusty women writhe madly in step with the Ml.!SIC which is ever building in intensity. Now we start to hear a LOWRUMSLE OF VOICES. We can bareiy hear them, but we finally realize they are all

chanting: "Get it at Porky's," "Get it at Porky's. This phrase builds in volume until the end of the scene. Now the

wild ladies are beginning to thrust themselves against the

CAMERA which somehow seems to welcome the action. Finally the MUSIC and CHANTbuild to a climax, and the women give themselves over to the CAMERAin a convulsive sexual ritual.

We are spared overt lewdness by the darkness of the bar' ·s dim lighting. The crescendo holds as the bacchanal cor~inues, until we make an inexplicable ...

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DAY

sleeping, obviously in the throes of a dream. A smug little grin lights up Pee Wee's face and he moans softly .. We still hear the pulsing MUSICand the CHANTING from Porky's and we realize we have· been seeing Pee Wee' s dream. Pee Wee is seventeen and five feet four .inches tall and continually the butt of short jokes. That fact dominates his life; that and the fact that he is the horniest little bastard who ever lived. As the dream continues the CAMERA PULLS BACKFROM Pee Wee's semi-comatose face to TAKE IN his whole body·lengch. About mid-section of Pee Wee's body, underneath the blankets, we see a suspicious protrusion, a slight rise. Could it be? The CHANTING and SINGING from Porky's BEGIN TO FADEuntil it's only a murmur. O.S. we hear a voice:

Pee Wee doesn't stir. CAMERA STILL HOLDS. A sly little sleepy grin spreads across his face .. Obviously the dream continues. Our suspicions deepen.

With a little BUZZ, the CLOCKRADIObeside Pee Wee's bed

Hli1'.Sto life; ··.a sonorous VOICE speaks: 'Good morning, Port Auburndale, this is Gene Morrison here on Florida's fabulous Gold Coast. The temperature this morning is seventy degrees and ... etc." Pee Wee stirs from his stupor. He blinks and tries to awaken. Finally he throws the blanket off and our suspicions are confirmed. The bulge in Pee Wee's pajamas reveals the adolescent's· eternal affliction; the unfulfilled wet dream erection known in the vernacular as a piss hard-on. Pee Wee loois down at his affliction. He grunts and plops his head back on the pillow. Suddenly the bedroom doo= flies open and ais MOTHER'scheerful face pops into the doorway. Startled, not to say embarrassed, Pee Wee does a half leap, half roll over to land flat on his stomach, there- by pranging his erected penis fiercely into the bed with his full weight.

She stops, seeing Pee Wee's contorted face. i

( CONTINUED)

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2 CONTINUED:

Pee Wee, in ~gony, lant~ a frozen little s~ile on his face and covers up. t

His mother dr.ones o for another thirty seconds while Pee Wee lies frozen in lace, the little smile set like· Jello. Finally his mother eaves and Pee Wee gives vent to his pent- up agony: e rolls on his backi grabs his crotch with both hands. His face te ls the story. ·

\ __) PEE WEE

Aggggrrrr rra. Arrehghghghgh Jezz! Ohhhhhhhh God! Arrrrghrrrghhh!

Finally the hurt st to go away. Pee Wee looks down at his disaster and mo

-PEE WEE ( c ntinuing) Instant e nuch! Argh!

Pee Wee snaps to. He throws the covers ff and starts to get up. He leans over quickly and takes something out of 2C.... the bedside drawer. He lies back down o the bed and---.-- reaches BELOWCAMERA with the object. He concentrates in- tently on what he is doing for a moment then pulls the object up in front of his face to examine ·it .. It is a ruler. Pee Wee looks discouraged as he sees by his finger mark on the ruler that he has measured off only four inches.

'PEE WEE (continuing) Shit! 2...0 He throws the ruler down and turns tb thtall. There is a little height chart for Pee Wee's penis.

· . (CONTINUED)

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2 CONTINUED: ·( 2) 2.E

1954 -1955 1956 1957 6'' ------5" 4 II -----3" 2'' ------1"

Pee Wee is no only hung up about his height·. He marks down the curr t size and bolts OUTOF FRAME. CAMERAHOLDS on the chart or a moment, then PANS UP TO the wall behind Pee Wee's bed hich is covered with photos of Pee Wee's school days. ITLES BEGINas we PAN these photos which give us a gl' se of Port Auburndale circa 1950. We see the team basketbal picture which shows us Pee Wee and some of his pals who w·11 populate our tale. We see Pee Wee's basketball tea ates, Billy McCarty, Tommy Turner, Tim

Cavanaugh and rian Swartz. The Port Auburndale Flying A s football team hows us Anthony "Meat" Tupperelo and Mickey Jarvis. The t tle sequence gives us a feeling for the early SO's period on Florida's Gold Coast and introduces us to our principal layers. We END on a SHOT of Port Auburndale High which becrmes ANIMATED and we find ourselves at:

CAMERA HOLDS on the school for several beats, then pulls back to find BILLY McCARTY pulling by in foreground in a 1950 two-

door Chevy. We recognize Billy as one of the basketball play':rs we saw in Pee Wee' s team photo. :. ,

3A :TOMMY TURNER comes wheeling up beside' him.Tommy is a winner, cool, shrewd, well-liked, a naturalunder-achiever, mischievous, irresponsible, and completelyunpredictab_le.

They yell at one another.

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3 CONTINUED:

MARV N, known as Highpockets, is a parking lot monitor. High ockets is the classical teenage toady. His every waki g hour is devoted to pleasing the power structure, the adul world. Thus, he is the natural enemy of every other kid n school. Symptomatic of Highpocket' s betrayal is the fact that he wears his pants where every mother wants them worn, above the hipsJ just below the belly button. He walks towa d our. guys.-· · ·-·

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They are taken Marvin has never had a comeback..

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MARVIN

1.,....../ Listen, Turner, I know you think I'rn

a square and a jerk, but ten years from now, when I'm president of a big corporation or Attorney General of the state, you guys'll be hanging your beer bellies over a pool table, shooting pool for nickels and dimes. Then we'll see who laughs?

M·rvin walks on, leaving the stunned duo staring afLer him.

'I'h y stop and look off toward a large RUMBLEcoming O.S.

s

MICKY JARVI ROARSinto the parking lot in a fierce-looking bl4ck picku Mickey is a good ol' Southern boy, clever and quick, a bi of a clown but tough and pugnacious as we shall f1d out. n unusual kid.

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6 MED. SHOT\- THE PARKIN,LOT.- TOMMY ANDBILLY

Oh no!

Tormny and Billy and abuc ten other people walking the

i gravel parking lot allstart running like crazy to get off

the dirt and gravel beore Mickey can get to them. Most of them, including Billy nd Tommy, are too late. Mickey does a long looping pinwhee, throwing tons cf gravel and dust over the hapless victi We are lost in the cloud of d:ust. CAMERA HOLDS until it lears. We see a line of people about thirty yards long coveed with heavy white dust. They curse Mickey as they shake t emselves free of the dust shower.

At that moment, Marvin c.omes up behind Mickey's c r.

That's as far as he gets. Mickey spins out, sendi g a volu- minous spray of gravel and dust hurtling into the oor kid's face. Hickey parks, jumps out and walks past the uckless Marvin who can't see a thing.

Mickey joins Tommy an~ Billy.

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6 CON'l'INUED:

war, so wrtch what you re sayin'.

_They laugh.

6 CONTINUED:

G,C

turn to .see WENDY. Elfish, sassy-looking, Wendy is a Yi a sexually adventurous girl who still commanrls. ct despite her promiscuity. She is perturbed at this t.

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- TOMMY I found a place that's got one. I~ll go tomorrow.

She· oes off muttering to herself.

()

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6 CONTINUED: (2)

OFF hear a voice.

PEE WEE

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10. *

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7 CONTINUED:

They whirl ar und to see Pee Wee.

, PEE WEE man, this is serious. Don't w around. I'm going tonight, t?

'BILLY I He s bringing a pair· of ers.

w

11. *

7 CONTINUED: (2).

(v ice rising) Listen, Im going! You bastards ... you'r not cutting me out of free nook

MICKEY * ...Right! r your rubber!

They give Pee Wee th old horse laugh and start off to- ward school. Pee We]· runs after them.

He c tches up to them.

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7A

7 COITTINUED: (3)

PEE·WEE No shit. Almost as good as getting aid. Here's what you do.

Pee Wee takes off is watch and doubles up the gold-plated flex watchband so hat it forms a loop about the size •Of a finger. He hands t to Tommy and says:

PEE WEE

real slo-like, stick your finger in and ot of the loop.

Pee Wee takes the back. '16 PEE WEE Look! e this.

Pee Wee slowly, se ously pushes his m'ddle finger in and out of the watchba d. He has a ridicu ous look of ecstasy on his face. He 1 ks at them,

Tommy looks at the thers as if to say 0h boy. He takes the watchband and des as instructed.

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7 CONTINUED: (4)

The others laugh.

MICKEY ..~ r-Jc_ How would OU know, Pee Wee

TOMMY

Pee Weegrabs the wat h. back.

CAMERA PICKS UP a pert, s ~t little girl as she makes her way across the Patio ere everyone hangs out befo-re school. She bring us to Meat, and Tim • .Cavanaugh and several oth guys. Tim is wiry, driven, racist; hot racist in the enign and minuless manner of Mickey, but angry and ightened. Tim is accepted by the guys, but e·is a bomb looking for a place to explode. Meat is an All American tackle, thick of mind as wel+ as b dy. He is truly tough, but not truly mean. The l'ttle girl addresses Meat.

Hi ! My name is Can I ask you something?

ME lJ •.. Yeah, sure.

Why do they Meat?

Tim and the other ress a laugh. Meat just shrugs.

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8 CONTINUED:

MINDY t Wendy w· lliams said I s ould ask ya! g B

They look to see endy and severa other girls across the Patio. They e giggling. N w we know why Meat got his nickname. ·

The guys are break'ng up now.

Meat looks at the ther guys. Th~y are breaking up.

MEAT

d You real y wanta know?

This girl hasn't a clue.

Meat looks at the ther guys as i to say, 'what can I do?'

The guys break up.

This sinks in. Meit turns to the irl and shrugs.

13B. *

8 CONTINUED:

191indy is thoroughly. perple:-:~d. Wendy and thegirls are egging her on. We see ee Wee approach. Mindy leaves. We hold on her as e see her walking back to Wendy and the others. W hear Pee Wee off camera.

PEE EEt (O. S.) Hey Tim, Meat, I ant to show you something.

We continue to hear Pee Wee explain the watch .band bit as we see Wendy and the othe;rs explaining "Meat's" nickn·ame. When Mindy understands, she drops her books and squeals.

We PAN UP from Meat's finger and the watchband to the faces of Pee Wee, ~eat afd the guys.

/-·-, .. slow. r-·,,..........

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8 CONTINUED:

Mickey, Billy, Tommy ands veral other guys all wait expec- tantly. Pee Wee urges Me~ on with a soft seductive voice.

ME It feels like I'.sticking my finger ina watc and ...

Everyone breaks up. is completely deflated.

I· don't know .can last till tonight.

Call Wendy ... it's an emergency!

TO No wonder he's fl nking out. He sits in study hal all day fucking his watchband.

He has been had, there's no way out: Pee Wee walk~ away and leans against the rail sulk~ng. Behind him, Tommy is get- ting all the guys to take t eir watchbands off. They do so. All six guys poise themselv s with fingers in their watch- bands. When they are all r~ady, Tommy calls out: .

15.*

8G HE TERROR OF PORTAUBURNDALE HIGH APPROACHING

ISS BALBRICKER,known as "Kong," the girls' Phys Ed teacher - 5' 10'' and 240 pounds of square-jawed Teutonic fury. She alks by giving Torrnnya withering look. Miss Balbricker oesn't like men. Tommy is her pet hate. The feeling is utual. Tormny-speaks with oily insincerity.

ss Balbricker looks like a bomb shelter. Tommy' sarcasm kes the hair raise on the back of her neck.

M ss Balbricker has been gaining weight exponentia ly for y ars. She stops and glares. Unable to come up w'th a s itable rejoinder, she stalks off.

TOMMY

Thy star~ toward school.

Mi key grimaces in mock pain grabbing is crotch.

-1.looks after Balbricker. *

The are shooting baskets as they wait for practice to b gin. Along with Billy, Tormny, Pee Wee and Tim, we see RIAN SCHWARTZ,a second semester transfer to Port Aubu ndale. He seems to be a loner and hasn't fit in as yet. And he ~oesn't s~ern ~o care.

Two ssistant coaches look on -- COACHBRACKETT and COACH WARRE . Brackett is probably no more than twenty-three and h s just joined the coaching staff of "The Flying A's." Brack tt is extremely attractive and engaging, and is the sort f coach who wants to be "one of the b.oys." He's singl and on the make. Coach Warren was not dissimilar when e was Brackett's age, but at thirty, with a wife and tree kids, he's become more of a company man. Still, he ca enjoy a good laugh.

10 THE "FLYING A" CHEERLEADERS

who troop out of the locker room to their practive area, led by a sinuous woman with blonde hair, an enticingly pre ty face, and a virtually flawless body. This is MISS HON YWELL, one of Miss Balbricker's fellow gym teachers and coach of the cheerleaders. We see Wendy Williams amo the cheerleaders. She spots Pee Wee and puts her hant up to her face and flattens her nose,.eyes and mouth

\ OA wit her fingers, mocking Pee Wee. Pee Wee looks disgruntled.

not [naware of Brackett.

COACH BRACKETT I O B Boy, would I like to get next to that... *

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COACH"WARREN Why do you think?

Warren stops and lets out a little quiethowl like the baying of a hound. ·\V

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co4cH BRACKETT You can tell me hy they call her Lassie.

Warren walks off leaving B ckett hanging.

CO ..,HBRACKETT (intrigue What are you talk'ng about?

He follows Warren.. The last words we hear before we CUT is Warren saying ... I COA~H WARREN But beware of Kon~1 I

I I

e Pee Wee's face peering between the flat that form upper wall of the locker room. He is peer·ng down onto It e gym floor.

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·\I A BILLY Keep checking ...

I CU'l TO:

They are obviously looking at Brian who is dre sing at the other side of the room.

that lives with a nigger without inviting a Jew. All we need is a Communist and a Spic and we got it all.

TIM

\<) Pussy is pussy, man. I just don't

know why we gotta invite some f riggin' Kite ...

Mispronouncing the racial slur.

BILLY:' Hold on, Pee wee. I gotta finish • dressing. *

CUT TO:·

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The bys crawl under the gym.

13,/:\. 13C.

13A) We see the beys qr wl into·the c awl space b~neath

the gym, then make their way fro one openin into another.

13B) A LONG SHOT ot the boys crawling their st rnachs

underneath a very_ ow c~~ent flo r.

13C) LONG SHOT looking hrough a crac in a wall. The

boys climb up onto a long alleyw filled w th pipes. They runt ward the crac. and dislod e some stones and crawl u .into the spa e.

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As he boys begin their voyeuring, the last of t~e gir s are on their way out of the shower room. All thy see are three depe.rting little asses. Then, we hear "Kong" theme MUSIC. Miss Balbricker·steps into the she er ro m. There's are pregnant pause. The guys hold their brea s. Miss Balbric•ker knows something is wrong, but she does 't know what. Fiaally, she turns the lights out and leavl .s.

l4D PEE WEE DI it, I told you we were going to miss them.

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14 CO!.TINUED:

14D MICKEY Pee Wee you're }',<>nna gc•t laid by an exo_t .c dancer in a couple of hours. That's r1 real womn9.

PEE WEE i Yeah, r ght! Yeah! Let's go, I gotta g home and warm up.

Pee Wee SPLITS F Mickey and Billy look after him_quiz- zically. Mickey

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We HOLD•TIGHTon a: pair of flaming red eyes. NIGHT SOUNDS are exploding AROUND US. FROGS, CRICKETS, NIGHTBIRDS, form a mghty chorus. THEME MUSIC is primal, slightly ominous. HOLDthis for a long moment until, in the distance, we hear a faint DIS-HARMONIOUS SOUND. After a moment, we rea- lize that it is the BLAREOF A RADIO and it is moving closer. It is coming from a vehicle and it is bearing down on us. The red eyes blink and the alligator -to which they are attached whirls around and kerplu.nks heavily into the road- side canal. CAMERA.PANS in time to see Mickey's pickup loom up and ROARpast.

The three conspirators, Billy, Mickey, and Tommy, are sit- cing in the cab. The vie tims, Pee Wee, Neat, Tim, and the two other guys, FRANKBELL and STEVE KLINGERHOFER, are riding in the truck bed. .. TOMMY Slow down. It's about a quarter of a mile on the left.

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16 CONTINUED:

·(pounding gleefully on the steering wheel) Beautiful. .. beautiful. · I can't wait, man. I can't wait.

Tim leans over from the truck bed to_talk to the cab. The wind blows in his face.

_MICKEY If you were shackin' up with a big ass nigger and s~rewing everybody in sight, where would you live?

The truck pulls to a halt and/Tommy.signals everybody t~

I be quiet and steps quietly ou of the truck. Off in the

distance about three hundred ards away, we see a simple two-room cabin nestled in. the jungle.

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17 CONTINUED:

A yellow light gleams in the window. Tommy listens for a long moment, then cups his hand to his mouth and gives out a pretty god imitation of a night owl. He does this three times. Billy suppresses a laugh. Tim is more skeptical tha ever. Suddenly we see the lights in the cabin flash on and·off twice. Tommy stands up.

They all pile out he truck and head toward the cabin. As Tim moves PAST RA, we hear him mutter to himself.

The guys enter the shack. I is devoid of furniture -ex- cept· for some old couch cushons and a 1934 model refrigera- tor and a table with a hot p ate. The floor is littered

with expended cans ·of food "d beer. It s a real dump.

TO Wait here.

He and Billy go through the oar into the bedroo.m,. leaving the others standing around l eking dumb.

Tommy.and Billy re-enter the room.

TO Okay, Cherry's rea Everybody get your clothes off. ·

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Etc ....

All eyes turn toward Pee Wee. He's already undressed, un- dressed and ready to go. There's general laughter. The ice is broken.

I'?C Everyone breaks up.

At that moment, CHERRYFOREVER makes a dramatic ent .....:.tice. She is wearing Frederick's of Hollywood pantiesand bra. As described by Tommy, not a great face but as unning body. A little charge of electricity runs thro gh the guys. They are definitely turned on and hooked even Tim.

(CON INUED)

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18 ,CONTINUED: (2)

Cherry hams it up real good. She swings towa~d the mes- merized group like a cobra. Cherry is a professional with a ready line of patter and it's not only/routine stuff, she's pretty damned quick and clever. Cherry be- gins her inspection like a general inspecting the troops. We SHOOTFROMBEHINDTHEIR BACKSto avoid fro tal nudity.

l?G- TOMMY I S'F ~erry, this is S-teve.

Suddenl in the classical prescried.manner o the rmy doctor, Cherry reaches her hand ot and place her ingers under S eve's testicles. She say as she loo s, st dious and con erned ...

This br aks everybody up. Cherry moves on. Pee We i.s next.

TOMMY f And tlis is Pee Wee! i CHERRY (looking at Pee I ee' s geni ta.ls) j I'll ay.

Billy apd Tonnny laugh conspirato ially. Obvtttsly, they have p ~ Cherry up to this.

Pee We knows h 's being had.

_/ his as or he's liable to fall in

CONT1r:D)

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18 CONTINUED: (3)

\~~ Ii H PEE WEE J~'F Hey, fuck ou, lady. Lok at the size of th t pussy. Mig t as wel the b ck door and f ck thew rld. open

Not a bad comeback. Cherry laughs and move .on.

when she sto s sudde y and st res Cherry st are , then over a Pee We 's geni ta area., at Tim's Bil y. Finally: and then

a Chery move~ on. Pee Wee

genitalia fo a mome t, sighti g down She appra it like a

Laughter. She movesJon.

TOMMY t d this i the pride o. Port uburndale; Anthony Tup erelo, nown affe ticnately as 'Meat.'

at Meat awe. Cherry

Meat grins pleased.

18 CONTINUED:

l8' H OMMY. Yo '11 need shoehorn get that in

(indi ating Meat)

Wee, up ront. I'll schedule light WOk first and ork up to Godzilla ere.

She turns an gives th classi·c cry a d arm wa e.

· Alight ... 1 t s roll e Yo ••• hooooo

As she walks 'nto the edroom with Billy and 1onuny, we hear her mutter.

ly just a .shack the guys have rented or borrowed for the night. As for "who we're lookin' out for," we see Tommy and Billy helping the enormous BLACK MA.N,Conklin, climb through the room's rear window. The Man is laughing as they help him through the window, and despite all of Tommy's and Billy's shushings, he keeps laughing throughout the remainder of the entire sequence. / C')A

As the Black Man gets fully inside the "bedroom, Billy i signals to Cherry to begin her number. She just stnr•:.; there and begins doing an exaggerated impression of a woman in orgasmic ecstasy.

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27:

('-1, \ ....../ 20 INT. OUTERROO OF CHE HO• SE - NIGH

\~A Pee ee is jum ing up d down

Cher is just standing in the middle of the roo, matter-

of-f tly reellng off tis ero ic talk. Meanwhi·e, Bill has hi nded the Black Ma a mac ete-type eapon, nd.as the Black Man prac,ices bra dishin it, Bill is sme ring ToIImiy with thel'trical b ood fr m head to toe.

'2 INT. fUTER ROOMOF CHERY'S HO SE - NIG

Theres a hush!of sexua excit-ment ove ent re room.

Suddenly the sf lence i·s broken

Billy takes th f machete and S THE R WIN· OW.

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BLACK f1AN (o.sj What s goin' n here!, you motJerfucke1'! I'll kill you white boy. No white

boy isses wi my ran. "V (CO~UED)

2-0

24 CONTINUE

We can sens that t e Black Guy i chuckl · ng thro·h his li.nes, but he boys outside are t rrified. Micke is biting his ongue t keep f om bl wing th gag pr ature- ly. Now we hear th SOUND F THE MACHETEPOUNDIN the walls, and ommy b~ ins to a seri s of bl d- curdling SH IEKS. '

TO (O. • ) , don't kill me Put,away th ife. P~ase sp re me mister. , don't ill me He' the one. was jus watchi H nest, I s ear.. ..·

(O.S.) Y u're bot ake that m therfuck r.

We hear ~or SLASHINf·AND S AMI~G. Bill 's scrJams and entreaties join with Tommy's. Ch rry is b gging er "boy- friend11 to sow mere as wel , BILLr ( 0 . S . ) kill us, misfer. · lease, only just bo, s.

On "two dead men," w have ACTiok SHOTS 11 aro nd. Pee Wee, Meat, S eve and !Frank a e froren ·with terror. Tim remains skep ical. jckey h s los contro and b gins laughing, bu no one otices him. ;it.J. ~ y K._

Now, suddenl, ~he dofr is h rled ?pen, an' ab o d-stai ed Tommy stagge s into t e room and dq,es ave fa e death scene. Howe er, it's enough to comi,vince ev,eryo e but Ti . ~ e ot er· gu s are pr paring to bot, nake~~r • o_. Now to top off t e charad, the lack uy liter lly w lks through the oor, teaing it,off is hinges. How ver, while his ac and his gestur s are ferociou, he' ready to piss from laughing

Mickey does is part, turn in and {. mning ott the front door. Four b~re asses spring into flight. Tim hqlds btk

• a moment, un~il the B~ack Man! turns toward • im an1 bell s .

Suddeniy, Tiwl is not s\o sure .1 · I

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d-.L../H 24 CONTINUED: ( 2)

(The following is a chronicle of what happens throughout the remainder of the sequence.)

Tim goes through the windo~ in the outer room. Frank- is already through it. ~ 4 L:

Meat overtakes Mickey at the font oor, and the two of them wrestle to see who'll ge through the door firs~.

Once outside, Mickey and Meat take off in the same direction, Mickey egging on Meat with cries of terror.

I ~SA

Pee Wee takes oI on his own, running like the wind, his little ass lie the tail of a deer bobbing up and down through thew eds.

Steve falls down the front tairs, which causes him to look ~'c · back and see that T~mmy, Bi11y and the Black Guy are stand- ing- in the .doorway laughing.

Tim and Frank are around the co1.-nep:-. They hear the laughter.~: I They re·alize they ve been royally pad. ,;)__S D

Now the ones who've discovered the gag Eec me part of it. With Billy and Tommyegging on the Black G y and encouraging him to yell and shriek more, those three

Mickey, feigning fatigue ,and injury, drops some fifty feet behind Meat. Meat is plowing through the swamp like a man possessed, destroying everything in his path.

Now we hear the bellowing of the Black l-!an, followed by the death-cries of Mickey.

~bA BLACK HAN (O.S.) I've got you, you white-assed mother --

Tnere' s o way Meat's going back to help his buddy. He just sta gers forward, trying to accelerate his pace.

------

n 30. ,, __ .,✓

-r Pe~ Wee is racing a~ong, far away from the action, but _J_ oblivious to any consideration other than flight.

He gets an idea. He reaches over and breaks off a bamboo reed.

TWO COUNTYCOPS are on patrol.

COP jfl Slow night.

Cop #2 will turn out to be TED JAR S, Mickey Jarvis oi er brother. Ted is an ex-Port Auburn~le High f otball sta and still· a legend among the townspeople. Hes a good guy.

Just at that moment, Pee Wee flash s into heading in the opposite direction.

He goes by so fast the two Cops ar not enti ly sure what they saw. They both swivel t eir heads o watch Wee disappear into blackness.

They look at each other. Ted shru s. Cop# turns Ch~ Cruiser around and heads after Pee Wee. The ~adlights reflect off Pee Wee's little ass. Pee Week 'eps on tru king,

COP /fl. I can't wait to hear th"s story ...

'V

car,.rr•o

30 CONTINUED:

3o 3oA 308 TED I think I know that kid -- Pee W e Morris!

The basketball play r?

Well, what do?

Ted looks at his partner and ins.

Cop #1 laughs and reaqhes up, utting.on t e red flas ing light. Ted pulls on the SIREN, The car pills up bes de Pee Wee. Ted leans out and sa···s:

Pee Wee looks up. Suddenly he swoons a_n_d___i_sappears [omic- ally from view.

Billy, Tommy, the Black Guy and the others are closing in on Meat, the Black Guy getting into it now, bellowing for all he's worth.

Suddenly they're stopped by a bizarre SOUND-- LIKE TI-IE TRUMPETING OF AN ELEPHANT. Befuddled, they slow their pace.

The group comes upon the pool of water where we last saw Meat. The grotesque SOUNDis louder now, right under foot. They look down into the pool of water, and there's ~~st, lying in water that's too shallow even to cover his ~orso, tryi.ng to hide from his would-be assailant and making the bizarre sound we've been hearing by brea_thing -- heaving is more like it through the reed. Everyone convulses with laughter.

- - - - - - -- - -

The Deadbeat is a joint on an undeveloped part of Port Auburndale beach. It is a hangout for Port Auburndale High. It consists of a package store, a raunchy bar and. an even raunchier restaurant with stools and tables. It is always crotvded and a. great deal of socializing goes• on in the park-

A SOUNDCUT. W~ see Mickey lying on his back over a car hood with his h~d cupped over his mouth as if he were hold- sing a bamboo red. He is imitating the bull moose sound Meat was making when discovered in the water. CANERA PULLS BACKto see a 1 rge crowd gathered around Mickey and the others, includi Meat.

338 him in mock rage Mickey retreats, continuing to bellow.

Meat stops sort as a cop car pulls into the parking lot. The car stops and Ted Jarvis steps out. MEAT (continuing) Hey, Mickey, it's your brother. TED I got something you guys lost out in ,,,. 3 3 D the Everglades. 33 .._ Pee Wee steps out of the car. He is dressed in a olicem n's pants and shirt which are outrageously large on h' . He looks like Sleepy of "Snow White and the Seven Dw fs. " Everybody is pissing themselves with laughter. PEE WEE You bastards, you left me out there.

\

( CONTINiJED)

as l'ed and his Part;.er are getting int their car, IM CAVA- NAUGH'SFATHER comes SCREECHING into t e parking lot on his motorcycle, a can of beer iri his hand, and a young kirl, not

much older than Tii::1, on the back seat. Tim s fathef. is 3L./.t), shockingly young, a brutish, truly dan erous man, cp.pable I · of great violence. He is taciturn and surly but helinstillp fear in almost anyone he meets. Tim's father pullstto ·a 1 halt, he makes eye contact with Ted Javis. It-is bvious Jarvis knows and detests this man. TED Get rid of the beer, Cavanau h. Tim's father is momentarily taken abac . Then he gins, with intense sarcasm. CAVANAUGH Oh•.. sorry, Officer Jarvis. And he tosses the beer can on the grou d near Ted's feet. Ted would love to lock up Tim's- father for~ reaspn, but he knows he doesn't have anything here wortnthe trbuble. He gets into his cruiser. . j _ Tim• s father sneers and laughs. Ted's Partner gi vep Ted a look which indicates he' 11 go through he trouble oif the arrest if Ted wants him to.· But Tedi too self-poksesse to get trapped into what really would e a "chicker.f-shit" arrest. He nods no. and the two cops rive off.---

\ ,.

Now Tim's father scans the parking lot in search of Tim. Finally, he spots him.

(CO!'l"'TINUED)

34 CONTINUED:

The SOUND of hi father's VOICE causes irn to instantly become sullen. His friends·' faces ref~l ct their shared pain on his heh lf. With his tail bet een his legs. Tim shuffles over t his father; Throughou the scene which follows, Tim's ather speaks loudly en9ugh so that a portion of what he's sa ing can be heard by TiIIJ' s classmates. It can all be hear by the girl, who neve utters a word herself. Her presence al both infuriates and further embarrasses Tim.

TIM

\."'/ (very softly)

It wa a practical joke.

He cuffs him.

35 MED. SHOT- TOMMY ANDBILLY

:', \. _____/· 36 MED. SHOT TIM ANDFATHER

Tim walks silently, in prof~und humiliaion, over to his car.

t He gets in without a word and _drives of. Tim'~ Father is

steeped in cold implacable fury. No on utters a word until he gets on his bike and ROARSoff.

CAMERA EMPHASIZES the five of our principals still rem_aining.

Manslaughter. Killed a guy in a fight, tore his ear off with his bare hands.

There is an embarrassed and uncomfortable silence. The silence is broken by Pee Wee who has .returned from changing into his own clothes.

..L- strike out with Wendy Williams,

there's nothing left but a ha. hock.

...:.;.::.. -- ...... - - . - ..... .A.,.~ - -

36 CONTINUED:

Everyone stares ft Mickey.

,,...........,. Are you crazy? You could get you

throat slit.

PEE WEE

- ....... ..-.;;...~ --

36 CONTINUED: (2)

3b 8 TOM?W You sure about this?

Ml'.CKEY Does·a bear ~hit in the woods?

BILLY.

...-... ('_)· It's seventy miles. And we ot a

_game Saturday night.

MICKEY,. What'd ya say, Turner? Meat Tim?

They nod assent.

Everyone turns to look at.Pee Wee.

3'7 CAMERA IN TIGHT on a pair of hands unwrapping a package.

t-l DY (.V .0.) Where'd you get· it?

( CONTU{UED)

:...·

37 CONTDTTJED: 3'1

A place in Miami. u know, one of those joke stores. at

CAMERA PULLS BACKto see Tommy, Billy, Mickey, and Wendy. Tommy pulls out what looks to ea giant balloon.

Suddenly they realize. It is huge prophylactic.

... BILLY Holy shit, it's ate gallon conaom.

She takes the rubber and puts t behind her back. She · smiles sweetly. Pee Wee looks at her suspiciously as she walks past.

PEE v-.TE

What ·s she· want?

·• TOMMY Gee, I don't know, P

Tim and Meat approach.

MICKEY

PEE WE~ No, really, this is weat. Drive -you nuts. This is wh!at you do. You catch. three f=i.es/ in a jar.

37 CONTINUED: ( 2) 3'7

-· BILLY

Flies, oh dearl

There is a groan. Everybody kno s what's coming.

THE GROU~ Oh sick! You are sick,!Pee Wee!

PEE,WEE No shit! All those tin.y little fly feet caressing your dork~- oh man! I wonder if I could get{a patent on this?

This breaks everybody up. 3'18

At this moment Wendy has moved up behind Pe Wee. She as the giant rubber behind her back in an obv ous way.

Pee Wee whirls around. He is itmnediately uspicious an un- easy when he sees Wendy. Everyone becomes quiet and it seems as if the entire patio is watching. Pee Wee look!i- around.

t(CONTINUED)

37 COtffINUED: (3)

w'ENDY (coy) I got something for you.

PEE "WEE A trophy? What are ya t lking about?

She holds up the giant :.ubber for verybody to see. The

crowd howls as Wendy, presents the trophy' to Pee We. He pushes it away choosing not to joi the fun. Pee W~e starts to walk away. And with that, Wend steps forward ~ith one swift move and jams the giant prop ylactic right ovier Pee Wee's head. The results are more han she could hfe

imagined. The rubber wedge~ tight over Pee ~ee head like it had been form-fitted.

cally inside the thin membrane. T~~ rest of the r bber dangles absurdly dm,m Pee Wee' s chejst. Pee Wee lo ks like a five foot four inch penis. He gyr es, wildly, tr ing to dislodge the device. The crowd RO S. Pee Wee mu1bles and twists. Finally Pee Wee manages to pull the rubbe over his head, not without some consider ble discomfort He throws it at Tamm~. TOffi:lIJYbends don and picks up fhe rubber and tosses _it to Meat. _____ _J_

TOMMY * · Here you go;Meat. Keep that £or a spare. M7a~ ~eacts by throwing the rubber back to T~mmy, d.1.saainfully. · ·· · • -.'7.E ....-- PEE WEE 3 You turds. I •m gonna get yoJ. guys. You too , Wendy. . .

\V (CONTINUED)

- --..:.:.,:t;.---

CONTINUED: (4)

We see Tommy approaching i~ the B.G. He has blown

__up the giant condom and ho~.ds the giant phallus -- against his- crotch andntjcg¢s:-i:t. ·against Wendy and various girls in the crowd. They SGUE.A.Land run away laughing.· 3if f Suddenly, a hush falls eve the crowd. Mickey and the others try to warn Torrirny b1.the is oblivious. He whirls

Balbricker. To make mattes much worse, the wavering mock penis lodges itself right etween Miss Ba1.bricker's thighs. Tommy stands there dumbly i··or a long moment with his surro- gate penis protruding thre feet out from his crotch right into Miss Balbricker·who des not budge. The crowd waits expectantly. Finally, Ta1:fy loosens his grip and the rubb r deflates slowly making thelcharacteristic raspberry SOUND, u.ntil it looks .like a wouncted nooaJ.e hanging limply betwe.e. Tommy's legs. Miss Balbri9ker rneraly smiles. This is a long-awaited victory for h¢r. She !'Uts out her ha.nd and Tonnny dejectedly hands c,ve;I!.the evidence. Miss Bal bricker marches off triumphantly. Tornny looks after her. Hickey_ steps up.

MIQ:KEY Your ass is mine! says Kong!

ToJ11IT No shit, Sherloctl

Tommy looks after the pachrlermic Miss Balbricker. He's in for _it and he.knows it. •

· . CUT TO:

J

CAMERA. _EMPHASIZES Brian, _v{hQ is being ___gui;irde};:)y Tim,during an intra-squad game. Tim tries to guard Brin physically, but Brian's moves are so slick and graceful hat he leaves Tom lunging at air and committing stupid fous. After one such incident, Tim mutters "Kite bastard" uner his breath. Tommy is the only one who hears him. TOMMY . - -- ·-- -- · And you thought Jews were just sm t. GOODENOUGH(off}

/

Turner ! I want to talk to you. Tom.-nyturns to sae Goodenough with Balbrick.r.

3'1

39 ANOTHER AL'1GLE

Now the CAMERA EMPHASIZS Brackett and Warren. Brackett nods in the direction o the girls' side of th gym, and the CAMERA FOLLOWS his ine of vision. We see Miss. Honeywell putting the Cleerleaders through the r paces. Brackett and Miss Hone)"· ell exchange coy smile .

~ellI Any lu k?

Warr~npoints up toward rhe equipment rooms ..

v '!:'N Yeah and the Pofe's Jewish.

$,ACKETT And how do I gI her upstairs put handcuffs o her ... tic a rope around her nee .. ?

l·~RREN Guile, charm, p~~suasion, and if that rloesn It work... just ask her_.-"'---

40 ANGLE L./0

Billy comes ru ning up to join Tommy who is running laps,

(COHTINUED)

40 cmiTINUEL·:

Lio Lfo A

'l'ornmy ho las up tJo f ingerE.

CAMERA SEES Miss Balbricker loom ng up as we turn toward her. She looks t Tommy, a tri phant smirk on her face. Tommy glares at er as he and Bi ly run past. · ~D TOMMY I'm going to nail her fat ass!

CAMERA PANS OFF hem TO the stil -smirking Balbr cker.

CAMERApulls back from. a sign pointing towardPorky's. We see Mickey's truck coming in the distance. We hear.

all boys singing a parody of Dixie (llI wishI was in: the land of Pussy .•. ",etc.). · The truck turnsdown the dirt road.

----

---,---

Pee Wee stands in the back of the truck pulling on his Port Auburndale High School letter sweater.

High school jocks don't even get ins~de this .place. You're .~uppose~ · to be· twenty..;.one. . = .

As. Pee Wee removes his sweater, •.Tommy turns to Meat in ·: disbelief. TOMMY A letter sweater!

In the background, we see a sign which says, * SHERIFF WALLACETOWN, FLORIDA. ~hen we see the Sheriff and two deputies sittin on a car outside their makeshift office.

C.?\MERA ESTABLISHES the neon sign atop Porky's, then PANS DOWNTO ESTABLISH the entire building. It is essentially the same as we saw it in Pee Wee'sdrearn. * It's a wood shingle building built out over a pier. The foundation of the building encompasses the entire pier except for about ten to fifteen feet in front of the building. This portion of the pier is narrower than the rest, and serves as a walkway between Porky's and its dirt or gravel parking lot.

The CAMERA.CONTINUES TO PAN, and we see that there's a small canal separating the Porky's complex from the main road. Across the canal are two small bridges, one for entering and one for leaving the parking.lot.

Now, STILL IN ONE SHOT, we see Mickey's truck arriving- ·- with Mickey, Tommy, Tim, Meat and Pee Wee. They pile out of the truck. Lt-IC- MICKEY Alright, eve~one got his

Everyone either responds that they do out their ID- -and holds it up. . • except

44A.

41 B CONTINUED:

-'.EAT It•s got my picture

·- --- ---· ..... - ...

41 C CONTINUED: (2)

There's general chuckling. Meat gives Pee Wee his ID. then looks through his wallet for other cards. Tommy looks, too.

MICI(EY Okay. terrific. Now just act cool. Act like you come here all the time. (to Pee Wee) Think you can handle that?

· MICKEY Alright, then let's go.

And Mickey leads the five of them to the front door,

Just inside the door, there's a BOUNCERchecking ID's. The boys' mood and the MUSIC should giv the moment of the ID check an aspect of high-tension.

..• which is comically undercut when t Bouncer glances at the ID's but doesn't even approxima inspecting them.

-

42 CONTINUED:

Pee Wee can't leave well ~ough alone.

As Tonm1yand Mickey glance skyward, th Bouncer looks at Pee Wee for the first time. The notio that Pee Wee is twenty-one. is patently absurd. Howeve, the Bouncer couldn't give less of a damn. He shak s his head at the foolishness of Pee Wee's bravado, but aves him on j_n just the same.

Yeah, a fuckin' regular. Jut stop talking and start drink"ng.

Pee Wee still won't let it alone.

-

But this time, Meat drags him away fro the door before Pee Wee manages to get them all tosse~ut.

The room is divided into four areas. the right s one enters is a horseshoe bar, and behind t e bar is a unway on which three strippers are presently umping and rind- ing, picking out various men s~ated at he·bar and esign- ing a particular piece of business for hose among he men who are interested. The strippers wearpasties and G- strings, but they'll remove them for th right kind of tip.

Pee Wee takes one look at the stripper rea and alm st leaps out of his shoes with excitement.

....... (CONTINUED)

- - -. - - - - -- -

43 CONTINUED:

3 A PEE WEE What?

?udendum. It's pudendum. hat's • the correct word for what y u t vulgarians call pussy. Pud ndum.

44 ANGLE

Meat leads Pee Wee to the bar and sit down beside him-. Tommy leans over and whispers into Pe Wee' s ear.

CAMERAEMPHASIZES Pee Wee and Meat One of he stripp·ers, figuring she has a live one, begin coming o to Pee Wee. Meat has all he can do to keep Pee Wee from umping up and down. Pee Wee signals the str pper thathe wants to see her breasts. She holds up two fingers.

Pee Wee's body goes into a sort o spasm. blabbers almost incoherently to Meat.

(continuing) She's hot. The broad i hot .

........

4Y-c +1.-1.s

45 CA.~RA EMPHASIZESMICKEY, TOMMYANDTIM

The BARTENDER brings them their eight-ounce gl ss of beer.

Tommyproduces a dollar.

· BARTENDER (continuing)· A buck apiece.

The boys exchange glances. If there were any oubt what sort of place this was, it's certainly been d"spelled. Glumly, they pay for their dollar eight-ounce eers. We B hear a COMMOTION o.s. YSA 4-s

L/s c.. \-lS D

l r = Two of Porky's henchmen are administering a beating to·a ·very drunk patron. Pee Wee is pinned against the bar by the drunk's dead weight. The two redneck thugs are pum- meling the drunk without mercy. One of them wears a wicked set of brass knuckles. Each blow squashes the hapless Pee Wee against the bar. Finally. they drag the semi-conscious man out of the bar. Mickey, Tonnny and Tim come to help Pee Wee, who is bruised but not hurt.

Now, with amazing speed, the strippers have dorined clingy, deep-cleavage dresses and have begun to mingle with the men at the bar. Mickey addresses Pee Wee. ·

- (CONTINUED)

- -. -- -- --- -

46 CONTINUED:

Pee Wee prac1,:ically lunges for the strippe with whom he'd been flirting. Meat restrains h:im.

Mickey addresses the Bartender.

The Bartender replies with a mingling of ostility and disdain.

The Bartender starts to resist further, ten smiles. It should be evident that he's got grief in .ind for Mickey arld his friends.

And he disappears into the rear of the n'ghtclub. Hickey turns to the other guys, smugly pleased ith his handling of this encounter. ·

46 CONTINUED: (2)

PORKY

- Who's asking to see me?

47 ANGLE

The five boys turn around -- and there's PO Y. Porkv is tall and immense, like a defensive lineman football team. However, his stubby legs make him ap fatter than he actually is, and his snout-like fac well, that's why they call him "Porky."

Porky does a momentary take. That price i so ridiculous he should just throw these amateurs out. ut he. catches himself, preferring to have some fun by stinging the boys along.

-

47 CONTINUED:

Porky stops, allowing Mickey to catch up wit him.

(disp:i.rited) That 's all. .. ?

POR..t<Y.

No one's fore in · you ... but it's a long ride home, longer with a hard-on.

The other guys have gathered around. They urmur their assent. PORKY Okay, pick out the ones you want .. .

Mickey looks to the 'others for coun el.

47 CONTINUED: (2)

Mickey starts to hand

The boys look at one ~nother abashe that they ha e been made so easily.

\ ....../ be dark in there, but don t be

surprised.

pack of underage kids, a d I don t want my liquor licenser oked. Sheriff around here's a ad-ass mother.

He laughs at a joke he's just made but we don't μnder- stand it yet.

/. you're in. The girls'll be wait::.n' ... f 'i

Pee Wee makes a pleasure sound and hops up and~-•

-.

(CONTINUED).

47 CONTINUED: (3)

Porky notices.

And Porky walks across to the bar where e strippe s are plying their trade; Mickey sees him tal to the st ippers and point toward him and his buddies. S isfied th tall is set, Mickey leads Tommy, Pee Wee, Meat and Tim eyer to the door Porky had indicated. They open "t and ster into a pitch-black room. Porky breaks out in big grin Everyone in the :immediate area is laughin.

' ' ---+....._

Mickey closes the door behind them, and the five boys find themselves standing in total darkness.

Now the door they've just come through is locked.

..:..:.

\ : 48 CONTINUED~ '•)._~_,.,,.(_

And a trap door opens, dropping the boys about 've feet down into about two feet of Everglades water, m and muck.

+50 ~EXT. UNDERNEATHPORKY' S PIER - NIGHT

At first, we hear nothing but a string of epithets as the angry and humiliated boys clamber out of the water under- neath the p_ier and up into the parking lot. We can hear raucous LAUGHTERcoming from above.

Now everybody is on Mickey's ·ass.

Mickey is humiliated, and consequently berserk with rage at the man who's humiliated him, who's caused him to lose face in front of his friends. But he projects a Herculean calm.

-

so CONTINUED:

TIM '· It'& too late, man. i MEAT Take care of what? We're out twenty bucks apiece.

I And befor·e anyone realizes what s happening -- or can stop him -- Mickey's gone back inside Porky's.

Mickey storms right past Bouncer #1. The man stares at him with surprise and amazement.

I

Mickey walks into the main room; -stops in his tracks and makes his challenge.

There's a stunned hush throughout the nightclub: All motion stops, except for Bouncer #2 who goes to get Porky. Bouncer boys are blocked from getting to their buddy and getting him the hell out of there.

Now Porky emerges through the crowd, walking up to Mickey with a vicious smirk on his face.

A murmer of shock passes through the club. Nobody talks to Porky that way. But Porky low-keys it for the moment.

52 CONTINUED:

And Porky leads the way out· to the parking loq:.

There's Porky and his two Bouncers, the Bartender, some other employees of Porkyts we haven't seen before, Mickey, the four other boys and a few curious guests from inside. Tommy and Meat are trying to cool off the whole thing.

Yeah, we'll just take him home and forget the whole thing.

Tommy takes Mickey by the arm and starts to lead him away. But Mickey is too proud. He wrestles free and makes a rush at Porky. Mickey takes a roundhouse swing, which Porky blocks with one great meaty arm. Now Porky shoves Mickey toward Bouncer #1, who proceeds to slap Mickey around. It's not a beating, more of a grazing. Mickey gets a bloody nose and a swollen lip, but there's no serious injury ... save ~o his already-damaged pride.

w 54 ANGLE 54 A

Mickey knee sin the dust of the parking lot. Just as Tim and the ot rs are about to enter the fray, no matter how reluctantly two police cars careen over the "in" bridge and SCREECH to a halt. The SHERIFF and three deputies get out. The S eriff is a huge hulk of a man, not unlike Porky in stature. He immediately seeks to take control.

Tommy tries to go to Hickey's aid, but th Sheriff stops him with a ord. SHERIFF (continuing) Freze. Buster I

CONTINUED)

\

- - - .....,.__

5 7. SLf-c..

54 CONTINUED:

Now the Sheriff walks over to Por

--

The Sheriff walks over to Mickey, lifting him ro ghly to his feet.

Mickey points to. his car. The Sh riff drags him over to it. He inspect~ it a moment.

drivin'with busted heaijlights. t MICKEY I don't have a busted

The Sheriff uses his nightstick Mickey'f right headlight.

(CONfED) \V

54 CONTINUED: (2) 5Lt c.. 54D

SHER FF

-

Funny, I could hav sworn you had a busted headlight That's a thirty· dollar fine boy -- thirty bucks·or a night i jail.

Mickey would dearly love. to !etaliate; but t is man re- presents the law ... such as tis. He fishes in his pock t.

MICK y I've only got bucks.

The others dig into kets.

TO I've got fifteen.

I've got six e thirty.

The Sheriff responds by smas ing Mickey's ta'llight.

'SHER FF Busted taillight r you twenty more.

I've only got a buck fifty.

The Sheriff takes it all.

Porky laughs and starts bac~ inside. J PORNY· Yeah, give 'em a Break. They're nice! clean-cut, 1·ort Auburndale pussies.

( NTINUED)

v .

6'-i c.. 54 D ·

54 CONTINUED: (3)

The Sheriff turns to

f asses back to Sew rd County -- n~

keep 'em there. his here's a man's county.

Mickey is spoiling for more but Tommy Meat dra him into the car. Tim and Pee 1ee pile in er, and t ey drive off.

CAMERA PANS to where Mickey is seated, surrounded by Tommy, Pee Wee, Tim and Meat. They've been relating their story

C to Billy, his girlfriend GINNY, and a half-dozen familiar

faces. TOM1fY Hell, ~t's something you write off. They're bad mothers, I'll tell you that.

Suddenly. Mickey leaps to his feet, pounding his fist into his palm. There's a look of grim determination on his face.

And Mickey begins striding toward his car, as t~e other guys grab him, try to head him off, block his way, etc. But Mickey's a man possessed. It appears the only way to stop Mickey would be for the guys to tackle him -- or for Meat to deck him.

-I- (CONTINUED)

,r---., 55 CONTINUED: .558 { i :--....../

Fortunately, ·ust as Mickeyreaches his car, Ted pulls up in the police cruiser. He umps out, grabbing Mickey by the arm. Mic ey suddenly bcomes calmer, allowing Ted to look into his eyes, check h out. It's clear Ted has a sway over Mic ey none of hi peers possess.

MIC y 55D I'm okay.

MICK ssc I'd ve whipped his ass for the sheriff.

There are seve~al simultaneou exhalatio s of air.

TED · (to Mickey) Now ust where were you headed?

w w

ss B SSD 55C S ---+---=--

55 CONTINUED: (

·-.

Go ck, back.

This .guy's dan e's playi ' arou d now but he's goi g to get tire of you, t1en he's gonna hur you ad.

Mickey says no hing. Ted watches him a long beat.

-M CKEY (beat). ht, I'll g home. onight!

Mickey heads f his pie p. Ted ooks afte him.

Billy and hers come up to Ted.

CAMERAMOVES IN on them. They look after Mickey.

s~

Coac Brackett stands i a doorway talking with iss Honey- well Tormny is by the b eachers talking, or rat er, sedu ing, Wendy. Miss B lbricker can be seen in the back- grou d, pacing, obviousl agitated to be in the resence of s much fecundity. W do not hear what is sald between eith r couple but the im act is clearly sexual. Finally, Miss Balbricker can st:an it no longer. She mar hes ,;.,, to M ss. Honeywell, ignor·ng Brackett.

'V (CONTINUED)

_..,_______

56 CONTINUED: 5&8

Miss Honeywell smiles owingly at Balbricke She is not afraid of this ogre. She gives Brackett a cute little mock kiss and, smiling t Balbricker, she he ds off. Bal- bricker•is not happy. he storms off. Coac Warren comes up bi:hind Brackett.

How's Lassie?

Brackett looks exasperated.

Warren says nothing, but points upward towar the locker

room and gives that little low hounddog howl. He walks off OUT OF CAMERA. Brackett stares after Waren and finally

does a sarcastic little howl of his own in W rren's direction.

-

57 INTERCUT & 58 It's near the nd of practice. Once again, the starting five are playi g against the first five off the bench. Tim is guarding Br an Schwartz, and Brian is once more getting 5n A around him, ou -faking him, scoring on him. Finally, in 1 frustration, trips Brian as he cuts past him to drive to the basket. It's an obvious, flagrant and dangerous ~oul, and Brian goes flying out of bounds, falling into. the wall behind the basket. The only thing which stops him from being seriously hurt is the presence of a large square of foam rubber padding which is attached to the wall behind the backboard for just such situations.

Now we're INTERCUTTINGbetween two situations. Coach Goode- nough haz seen what Tim has done. He whistles the practice to a halt and begins to chew outr Tim. At the same time. Billy, Tommy and Coaches Brackett and Warren have gone to attend to Brian.

~ 0, COACH GOODENOUGH ,.....0 (blowing whistle, furious) Alright, time out! Cavanaugh, t off the floor.

Tim is in a confused state. He's still i a rage at Brian for making him look bad, but he's· also acu elv embarrassed at having been caught taking such a cheap hot.

"1/

- - ......,;.;;__

,,-----, 57 CONTINUED: 5? \......) & 58 TIM

It ... it was an accident, Coach.

Off the floo-r -- now! i Tim lowers his head and trudges tow sidelines.

CAMERAEMPHASIZES Billy, Tommy and he assistant coaches helping Brian to his feet. He's sh ken up, and he has a mildly twi.sted ankle, but essentialy he's okay. Now, as Brian walks back onto the court ...

We see a basketball sneaker come hurtling into a locker. CAMERA PULLS BACK to see Tim, who angrily throws his other shoe after the first. Behind Tim, in the background, we see Brian and.the others file in. Tim has obviously been waiting for this mo~ent. He walks over to the guys and addresses them with false camaraderie.

Brian decides he has had enough. He walks directly over to Tim.

Tim lunges at Brian, but Billy and Tommy grab h:irn and hold him off.

59 CONTINUED:

0 C.

We're already into the fight. throw a r undhouse right. Brian ducks it easily, s Tim with a flurry of stinging jabs. Tim continue wildly, a d Brian continues to give him a boxing tablishing total superiority. Finally, in frust ation, T' rushes a Brian and with his hands open, as i to grab an choke hr·. Brian deftly handles this maneuver by grabbing Tim's hand and -- using a basic karate move -- tossing him into the a rand onto his ass. , ~OD

This ·scene includes numerous ACTION SHOTS of Tim and Brian's teammates. None oft ese boys know very much about Brian but they're coming to a 1ire him, both for being able to handle Tim, and for doing · in such a way as not to seriously injure him. ' 0 E

After a moment on the ground, Tim staggers up\ to make another charge at Brian, but we see him sudde ly and un- expectedly grabbed from behind by two street- lothes-clad arms which place him in a hammerlock. CAMERA reveals that it's Coach Brackett.

Brian comes over to Tim and extends his hand the gesture, turns and walks away.

·'

- -- ---- .....

Billy, Tommyand Brian are walking toward their respective cars. Instead of walking off by himself, Brian has allowed· Billy and Tormny to draw him into conversation.

BRIAN· Today was the first time.

\;;

They all laugh.

They laugh.

(CONTINUE)

0 l B

61 CONTINUED:

It's easy fo~ake his problems out on au. You know, Tim thinks you'r puttinghim d wn. He's.not a bad g y.

Billy and Tonuny look after Brian.

There is an understanding here.

BRIAN

go. See you guys.

They watch Brian go.

• We see Pee Wee, Tommyand an obviously very drunk Meat standing beside a pay phone at the back of a very crowded Deadhead's. At the far end of the restaurant where the counter is sit Billy, Brian, Ginny and Wendy.

Pee Wee starts to dial the pay phone. He is elated.

I

When Pee Wee finishes dialing, they look toward the far end of the restaurant as the PHONEbeside the cash register begins to RING. The WAITRESSwho appears to be very busy calls down to Wendy.

As Wendy gets up to answer the phone, the Waitress stops what she is doing to watch. Obviously she is in on the gag. Wendy picks up the phone. {f,J..fi

WENDY

62g Deadhead's!

Pee Wee speaks in a disguised voice.

/''. \~- PEE WEE , _____._/

Hi, I'm looking for my friend. He's supposed to be there. Could yo· ask if he's there?

PEE WEE • His name is Mike Hunt. I l Pee Wee pronounces "Mike Hunt" very carefμlly so ~hat the two· names do not run together. Wendy doe~n't cat hon that a rather obscene interpretation can be maae when ike Hunt is pronounced rapidly.

; i

She's put the phone down and starts walking down he counter

i I yelling loudly. I II I WENDY I (continuing) i

Is Mike Hunt here?

I i l l Several people in the crowded restaurant begin to giggle

immediately. It's an old gag but Wendy h~s been completely

_L taken in.

'1/

G2/s

62 CONTINUED: ( 2) -----r-.

' I.. WEHDY. (co tinuing) Is Mike Hut here? 62-.D

Meat stumbles up to here Billy, Ginny :andBriaf a;e at the end of the counter. They are all breaking up. ~eat yells out loudly and very runkenly. I

The entire restauran breaks up. Wendy still d esn' t get it. She ignores Mea

· MEAT Practically everybody in town from what IJea.

Q . ···•'

Then it hits her. Her face turns crimsd.n. The(crowd reaks into applause. Wendy turns to see Pee Wee and Tormnyo the pay phone. Pee Wee is beside himself w]th gleeJ_ Wend yells out. 62.,/; · i

WENl>Y _j__ l 'J J r,eL y Ht, l'<.•t• Wet•.

Wendy takes it in god humor. She walks back to put the phone down.

She sits down amid t e laughter. Just at this m ment tw COPS walk in the doof. They look at the applauding crow and particularly at peat who is now seated an trying ·-·a clumsily to eat the ~owl of chili which is in front of h The Cops are definit~ly looking. Brian leans over to Bi

I·i ;.:..:.~ 02....T ~ BRIAN

I What's got into Meat? I didn t think he drank?

62-T

621-1 CONTINUED: (3)

BRI"AN Princeton? Meat doesn't have the grades for Princeton. Besides, he's got scholarship off er.s from sixty colleges.

At this moment, Meat yells loudly.

Meaning, of course, "This chili tastes like hit," and with that, Meat's head· hits the counter witha lo thud. The Cops look up. They stand and start over in M at '.s direction. 62L

0 BILLY

Oh shit. Hey, Pee Wee. Get me some of those sugar cubes at the end of the counter. .

The two Cops arrive and look down at Meat.

Pee Wee runs INTO FRAME carrying the sugar. I

-

~ J;

·- ·- --. -

/~ , I. /·. 62 CONTINUED: (4)

l BILLY Two cubes of 1sugar- usually Anthony aroujd.

Billy takes two cubes qf' sugar from P e Wee and inserts them into Meat·' s mou~h.j Meat drunken y spits t e sugar cubes into the air and \they land in a~ owl of sup being eaten by a burly truckfdriver ten fee away. A little bit of chili bean lands ri ht on the firs officer' nose.

Tommy lets go of Meat' head to go an~ appease he truck

driver who is about to ~aise hell. Aj Meat's ead pitches forward smack i~to his ~bowl· of chili. Ev~ryone looks at ·; Meat. No one moves fo~ a long moment. Finally the First Cop calmly wipes the ei;rant chili bea from his nose. These cops are very coql and not lacking in as nse of ~umor. ~he ~op tilts_q~s head and l9ots down a Meat who is snorting .1.n the chil!,1., out cold.

Gee, I never· tsaw anybody drown in a bowl of ch~li before.

l SECOND COP Me neither. ~ wouldn't even know how to fill 0iut the forms on that. ~ FIRST COP Yeah, you're ~ight. It'd be a lotta hassle.~ I guess we better save him. ; ~ ~ SECOND COP Yeah, we bettrr.

He reaches over and lifts Meat's head from the c ili. Meat is a mess. I i SECOND COP (conti~uing) Gee, I'm not~ doctor, but I could swear this youngster is inebriated.

l I I I

Oh no, sir. μe's --

1FIRST COP

I

Well now, if ~ou all say he's a

l diabetic and ~e find out he's

drunk, we'd have to book the whole lot of you as; accessories!

/. I ,_,.;.;

i

-

··-------·-··- -·

b1L CONTINUED: ( 5)

BI Y, TOMMY PEE WEE He's drunk! Def nitely!

Pee Wee, as always, overpl ys it.

Everybody looks at Pee Wee in disbeli Pee Wee shrugs. Brian speaks up. G2N BRIAN (intervening as if a bystander) Officer, I couldn't help butnotic what's been happening here.

He extends his hand, and before they realize it, b th Cops have shaken it and are listening to him as i he a tually were some impartial voice of reason.

The two Cops laugh. The boys, on cue from B ian, ,oin in the laughter.

--.

- - - - - - - - - - - - - - - - - --- -

.. 72.

The two Cops wave and walk away. To y, Billy and F;ee Wee turn to Brian.

Brian just grins self-consciously. T a e slapp ng him on the back, pounding his hand. ad making general gestures of camaraderie. However, no sooner has the pol ce cruiser driven off, than Steve Klingehofer, on of the oys 11 1 from the Nympho in the Everglades' cper, comes running over

The group rushes out.

• I •

As Steve and all the boys except Meat run INTO FRAHE, the

CAMERAEMPHASIZES Mickey. He s sitting behind the wheel of his car, facing toward them, the car door open. Al- though there's blood all over his face, an eye swollen shut, perhaps a broken nose -- Mickey is grinning.

MICKEY b~fl bg ,g (barely coherent) The son of a bitch broke his ha

And so saying, Mickey collapses onto the teering eel unconscious.

Pee Wee nods and runs off. Billy turns t

i

63 fs 73.

63 CONTINUED:

Mickey sits up abruptly.

He starts up his engine .

Mickey, where y u going?

Mickey grins crazily at t em through ~is blood-so~ked face. He peels out and is gone. Billy stars after him .

We're gonna havr to babysit with him!

T?MMY That won't stopihim! I They look dejectedly after Mickey. F"

·- - (CONTINUED)

_I

---------------·---·

6 CONTINUED:

We get a very surprising reaction from the pe ite MiJs Honeywell. She's got qu·te a temper and obvi usly t kes

no merde" from anybody. Brackett is quite s unned y the force of her reaction.

We could swear that Miss Balbricker's heel~ c ick to ether as she draws herself up

1 I Balbricker is apopleptic Brackett s jaw hangs tote floo .

Well ... if thefe was a hurdy gurdy playing, I'd s y I was talking to

the fat lady a the circus. But asJ it is, I guess I'm t~lking to a toni of bad news n ed Beulah. Beulah. l 1 Be~lah. f {

Miss Honeywell shoves he face right up to Mi~s Balbricker's and says, "Beulah" as if she were a braying dpnkey. r ,1e effect is shocking, comifg from this seeming!' demure little woman. Brackett tries tf intercede.

toACH BRACKETT Uh ... Lynn ... f..·Uh ...

\l/

7Y. 6l/-r.!_ (:) 6 64~

-~ '.,____.) 64 CONTINUED: (2)

Balbricker draws he

t

MISS ONEYWE · What?

By now Balbricker is foaming ~t the m?uth. Sh~ turns and storms off. Miss Ho eywell stares affer her, /just as furious. She looks· p the sttirs, lo,ks back to Brackett, - and then back to Bal ricker. Her min is made/ up. She grabs Brackett b th hand an starts up the s~airs. She

-

J_

\ c9 TO:

--1- -·-

6Sfl CAMERA PICKS UP Pee Wee e comes to join Tommy, Rilly, Brian and Meat as they are dressed for basketball and track practice.

Did you see face?

Yeah, we saw it.

They all look up to see who is clearing out his locker about thirty feet away. 's face is purplish and swollen on one side.

- Brian looks at Tim in

--

76 ..

65 CONTINUED:

There is silence.

Brian looks at them.

B

Well, what hc1,pp h J.?n.

Because he got · a fight with a Jew -- and lost.

Brian is stunned.

It's not your man.

Brian looks at Tim. He i, obviously disturbed. He gets up and walks down toward Coad;h Goodenough's office. We cannot hear what is said but we Jave an idea.

CAMERAPANS along a row of assorted athletic uniforms and equipment and rows of locker_s where the boys keep their socks, jocks, T-shirts and other gear. We hear Coach Brackett and Miss Honeywell from O.S. Obviously a se~~ction is in progress. CAMERA COMES to them. Miss Honeywell breaks the clinch.

- see us. o/

66 CONTINUED:

CAMERA FOLLOWS them as they move past the lockers, back into the inner recess which is where the dirty laundry is piled as well as fresh socks/jocks, etc. for issue. The floor and tables are littered with worn athletic equipMent. The room is close and somewhat ripe. Miss Honeywell stops and draws in a lungful of air as if she were in the Alps.

MISS HONEYWELL / ~ B (continuing) ~ Ah ... smell that air!

Over her shoulder we see Brackett react tothis. The place doesn't smell that great to him. It is o ious that Miss Honeywell is getting turned on. She grab up a handful of T-shirts, jocks and socks and buries her ce in them. Her eyes are lighting up. She turns arou d to face Brackett

I Brackett can t believe his eyes. The gir is obviously aflame. He hardly has time to brace hims lf as she-rushes ac him and literally leaps on him, curlin~ her legs around his waist and devouring his mouth with het1s, Her passion is uncontained. Brackett gathers his witl:t and begins to disrobe her, slipping her shorts and pant~es down in one

- smooth move. She struggles frantically t help him with

his. They struggle, out of breath.

They manage to slip his shorts down and B4ackett tak~~ her standing up. Their frenzy is more.comic fhan salacious. They stumble about comically trying to stay upright and still keep the proper motion. Miss Honey{.rell is getting carried away, her breathing is coming in ireat gulps. Brackett's face is buried in her neck. H~ pants.

-

t'{ CONTINUED)

--

66 CONTINUED: ( 2)

COACH B CKETT

- (continuing)

Lynn, Lynn! . . . l gott know ... (breath) I gotta know ... (breath) Why••• (breath) Why do they call you ... (breath) call you Lassie.

MISS HO~EYWELL (breathing fief cely) I don ' t knowoowow.. . ·

And on the word "know" we and B ackett £ind o t exactly why Miss Honeywell is call~d Lassie because int e grip of un- cont:rcllable passion, 'Miss Honeywell's "know" turns into a piercing wail or rather howl,_a~ exact duplic tion of an old hound dog. It is immediate:j.y obvious tha* once started, Miss Honeywell canno-t possibly $top. The howls come in steady waves, reverberating offjthe equipmentlroom wall and echoing throughout the entire gym. These howts are long and loud. Brackett's eyes fly ~pen and his had flies back to l~at her in shock. Buth~ doesn't stop pumping. I COACH BaACKETT What the hell! I

MISS HorEYWELL Howl! Howl! Howl!

He slows down. · j

Brackett tries to put his hand Jver hermouthJto no avail. f_

b

) .. guy drives in ·............ The boys are havinf lay-up drills. As ea

for his lay-up, we see the mighty effort eing made to· keep from laughing. Coach Goodenough is probably the only person in the_gym who doesn't know what' going on.

' , (CONTINUED) '

67 CONTINUED:

He looks up and all around

Coach. Warren is rigfit at h s elbow an the pain of restrain- ing his laughter is! eviden on his fa e. Meanwhile, Miss Balbricker is turning abou eight sha es of red. Her girls are stifling giggles. She gives them a look that would wilt lettuce. ·The~ clam 1. The Ho· S ECHO throug~ the rafters.

Brackett doesn't know whether to shit or go blind, as the. expression goes. He's in too deep to stop, forgive the pun. His own arousal makes the thought of stopping un- bearable, but on the other hand, Lynn's howls have reached a er esc endo .

Coach Warren has broken down. He can contain himself no longer. He walks to the canvas mat which is hung on the back wall behind the basket. He pulls the mat away from the wall and steps behind it and lets his laughter pour out.. Coach Goodenough is thoroughly suspicious now. The boys are breaking up openly, even as they continue the

to Coach Goodenough.

Brackett is maneuvering· _Lynn toward the laundry baskets. •Lynn is totally gone now. Her head thrown back emitting howl after·howl. Brackett makes a monumental effort to keep stroking and, at _the same time, bend over and grab a handful of laundry. He succeeds and abruptly shoves a ·handful of clean jocks and socks square into Miss Honey- well's mouth, cutting her off in mid-howl. She looks at him in surprise for a moment, then continues to emit her muffled cries. They resume their frantic lovemaking.

CAMERA FOLLOWS Coach Goodenough as he walks deliberately over to the canvas mat and pulls it out from the wall. There is Coach Warren like some exposed bug.

71 CONTINUED:

He stares at Coach Goodenough, tears in his eyes, his body convulsed with lau hter, but in truth, he could be crying. He hurries past Co ch Goodenough, saying merely .. ·.

He heads toward th john. We... ·

cur TO:

Now trying to look as inc nspicuous as possible, Coach Brackett emerges from the door of the boys' locker room and walks across the gym o join his colleagues and his players.

A silence "erupts." Ever one's eyes are on Coach Brackett. There's stifled laughte~. If Coach Goodenough weren't present, cna should feel here might have been applause. REACTION SHOTS of all conerned. Miss Balbricker has a laser-like glare inhere e that would sear off Brackett's scrotum.

Coach Brackett finally re ches the side of the solemn..:as- stone Coach Goodenough. ,-:;i..A C CH BRAC~TT (feignin casualn ss) Sor~y I'm late, ~oach Go denough. Case of the runs. Hurt ike hell, you probably head me al the way out here.

CO CH·GOOD NOUGH (glancing after Warren) Must be catching

· (not uncle standinr) How's that ... ?

He turns his back on Brackftt and his whistle. -~

-

~ f· _.- ✓~ COACH G DENOUGH \ ..,_ •' ntinuingJ

Alright. st-break

CAMERA PANS over to albricker. Steam is coming out of her ears. '

Zhe boys are coming in om practice. Pee Wee hurries to catch up with Tommy ad Billy.

Wait a minute. Listen to this. It'll drive yo crazy.

What now, Pee

The others walk away ing Pee Wee standing there. ·

r--";; \ ...,,~-;'/ Forget it, Pee Wee.

At this point we pick up Mickey coming in from track practice. He walks past Pee Wee and on to Billy and Tommy. They look after im.

72 CONTINUED: -={-;lc_

Meat steps up.

BEHIND.THE GIRLS' SHOWER ROOM - DAY

In silent Montage we see Billy, Pee Wee and Tommy pursue the same tortuous path to the girls' shower room as was pursued by Billy, Pee Wee an'1 l•iickey in the previous

- ~equence.

As contrasted with the previous occasions, we can hear the SOUND OF MANY GIRLS TALKING, GIGGLING, milling about •

..

SHOWER ROOM FROM THE BOYS' POV - DAY (INTERCUT)

-

74 CONTINUED:

Indeed, peering int the showe from Tonnny's POV, there is a veritable rainbow of nubile oung girls sh wering, chat- ting, and being pla ful, as yo ng girls are qnt to do.

75 PEE WEE'S POV

And we see why he is pertur ed. A y ng lad who is ver+ broad in the beam is shower· g right in fron of Pee Wees

peephole. The expanse is e fectivel 1 blockig Pee Wee s view of the glory hole. We see only an ceca ional glimpse of a sweet young thing as t e girl's assive bottom obli- terates the view.

TO What's wrong?

sc... PEE WEE l They're starting c leave! Shit! J I indeed some of the girl are fin shing tlheir hewers leaving. Pee Wee scoot over an~ tries /to ho n in on y' s viewpoint. _l . I

'Hey, beat it,

- gratify.

~ . (CONTINUED)·

75 CONTINUED:

Pee Wee twists this way and that way, keening like an old Greek woman in mourning. Finally, in total frustration and quite loudly he blurts out:

God damn it[ Will you move it, Lard Ass!

Tommy and Billy snap their heads around like puppets and stare open-mouthed at Pee Wee. We...

76 BLUBBERMcNEIL

who stands glued to the sower £loo , her eyes wide, com- pletely spooked by the diembodied, ut very male voice, which seems to come from he ether. There are only about four GIRLS left in the.sh er at th· s point; they all stop and look at the wall. Fi ally, Blub er McNeil moves out as fast as she can. The ther Girls start giggling and covering themselves.

GIRL *l Who's that? ·who's back GIP.L if:2 Horpy bastards! The Girls are not leaving, however. ey are amused and slightly titillated. Tommy jumps in with both fee He peaks .in a11_.9fficious-sounding voice. TOMMY Don't be alarmed, girls. This is your Health Department. We're here to check out all unlicensed pussies If you haven't had yours checked in the last-·year ;· please step forward nd spread your legs. The girls are covered with towels by now. Thy laugh amo g themselves.

-· -- -----. GIRL _#1 ·who is that? I recognize that voice~ Who is that? WENDY What are you checking for?

- (CONTINUED)

-· --.

76 ONTINUED:

TOMllY Oh! Originality, neatness and h giene. WENDY° Tha IS Tommy a·lright. Hey, lis if ee Wee's with you, don't le loo .. He'll get confused. GIRL#3 You guys are going to get in tr PEE WEE The 're hot! These broads are h The want us to look. They're I'm telling ya! BILLY Wel , they aren't leaving! TOMMY Lets find out! w th that, To y kneels down and places h s face right u to the pee hole.

77 HE OTHER SijE OF THE SHOWE

nd we see a scrange sight: A disembo ied tongul comes

ozing throu h the wall. I is a thor ughly rid,culous I ight. The irls squeal an carry on. Tommy s ongu e ithes in a. absurd, mock-ascivious ay. endy starts creeping forwad. · Tommy peaks to lee Wee n a muted f· shion withoutithdrawing his tongue.

TO (sounding punchy bo Wh tare they doi

On of them for it.

TO No shit!

o see Wendy come up to ommy and po, r a hand :1.11o iquified shower soap right in the midie of Toi' s ongue.

-

(CONTINUED

'Y

/------., 78 C ', ,l ····"

T e tongue wit draws. J:~ the~~ To:; !:spitting a cursing. ee Wee an1 Billy lau h like hell. Tommy s nds up.

}oMMY

i (contint1-ing)

I'll give her $Omething t play with j

h that, Toltakes h~ld of his enis and begins forcing through the small opeming. Pee ee and B"lly are hyster- 1. We•••

79 TH OTHER SIDE OF THE WAf TI

Wendy is hovering over the hole expec ing the to gue to come out againi Instead, Tommy's 1 · p member po ~ s through like Punch of Punch an Judy. endy's ja drops and she runs bj'ck to the other girls squealing an laughing. - l

toMMY Here Chickee, Chickee, Ch ckee, good Chickee! !Good Chickfe. Here,

-

Chickee! /

tbNDY Hey, wait a mi??,ute •.. I know that guy Th girls nearly fall do'6 laughing] TOirjillY,of course, is flush against the wall ancannot se~ what is happening. Be must depend on Pee ee and BU,ly. Suddenly, the Gifls go cor11p · ateJ.y silet. Tommy loo sat Pee Wee.

80 THE SHOWERROOM

and we hear the familiar "KONG" THEME. The Gi ls are. silent, looking outside the shower room. Then in walks Miss Balbricker. The Girls immediately don sefious i~~es and scurry off. Miss Balbricker looks suspici?usly around the room. Her eyes go wide. We ZOOM TO what ihe sees: Tommy's limp penis hanging ridiculously out of the wall. Miss Balbricker's eyes light up like a slot m:r:ine.

(CrINUED)

o. 1Q.Pi_ ~- 10B 1~·c_

80 CONTINUED: I . T T

She hunches hers oulders 'nd sticks/her hands/out i~!front

-.

of her, looking fr all th world lire some mo ster in a Grade z horror mo ie. She creeps on tiptoes a ross tr··e shower room towar Tonmy's helpless ember. W

f crrr TO: .

INSIDE THE WALLa I A 1

I

j Hold on,lshe's almost got it. I 1' TOMMY I Are you j idding? i ;

At this point, Mi9s Balbricker, havfng crbsseB to thJ shower stall, realhes out and grabs; T01mnyr S p:enis, f~erc ely holding onto it w'th a viselike grir. j; I

MISS ·BALBRICKER I · I've go you now, Tommy Tfrner. I I /' know it'·s you, you filth~ littlk

pervert -- you freak, yo9 dirty/ I little egenerate... ,I /

Tommy cries out itj pain and surprise, but] he !dare not say a word; lest that jgive,Miss Balbrilker thF eVidence to support her prese9t surmise. '¥' I :

I . . . ( ONTINUED)

\J/ . . '¥

~,A. i'16 iob ~\c... T~ 1 a?·.

81 CONTINUED: *

In the interim, as TommyJis tryi g to wri gle fretj,, Billy Mac and Pee We have tak n off, onvulsed with la~ghter. Tommy's face i blue. H tugs w th great pain. liss Bal- bricker tugs b ck and pu ls Tamm flush ur agains the wall. Tommypulls, g nt'ing, B lbricke pulls, runting The silent tug of ~r goes o until inally T rmny's s apy penis slips out of :r·s Balbri ker's ion grip, sending her tumbling on he butt and onnny 1 kewise, nd the 4hase is on. I _J_ I _J_

~2 . INT. UNDERTHE GYM, FROM BEHINDTHE GlRLsf• SHOWERROOM.TO

THE TRAININGROOM,THE BACKTO THE BOYS' ~OCKER ROOM - DAY

0~.JOYS' LO $.ER ROOM - DAY (INTEkCUT)

To. y, in a ~ind pa ic, pulls up his pan~s, and ret1races th path y which he came as fast as he possibly ca.

Miss Balbricker begins by running along tfe wall in the ' shower room, hollering as she does so.

And she ru11s smack into the wall, knockin~ herself o to her ~rear end and bloodying her head. Tommy Pl-cks up pre ious

°'b-3.l)seconds as a dazed Miss Balbricker regains her equil · br ium.

Tommy makes it up into the training room and.through into the boy's locker room before Miss Balbricker manages to cross the gym floor and starts up the stairs to the boy's locker room. Goodenough, Brackett and Warren are coming · ?,Own the stairs. balbricker -runs right over· to them. - -~-;

---'-=we see Tommy running past the track and field boys;

then past the football players; and then past his own basketball collegues; past Btlly and Pee Wee, whom he curses roundly as he.runs byi and into the furthest end of the shower room. Now, hot on his heels, comes Miss Balbricker, such fire in her eye that she's unaware of the naked boys to her left and right. She passes the naked track and field men; ~he pass~s the naked football players (Coaches Brackett, w~cren and Goodenough pop their heads out of their offices and stare in absolute disbelief). And now she's into the bas- ketball locker room. Miss Balbricker reaches the basketball shower room -- and slips on the soapy water which is all over the floor.

83 CONTINUED:

Landing on her rear, she plows through eight or ten guys, knocking half of them over, until she comes to a stop in front of Tommy, who is lathering himself up.

As Miss Balbricker glares up ~t Tommy from her prone position on the soapy floor, Tommy smiles beatifically.

CLOSEUP FAN EYEBALL - DAY

And we son realize the eyeball is looking through the keyhole o the principal's office.

&~

(He'll begin the scene with the keyhole POV, then. /CUT TO a normal filming of the scene.)

Miss Balbricker, Coach Goodenough, Coach Brackettjand Coach Warren sit facing the principal, a kind-faced conservative- demeanored man of about fifty named MR. CARTER. .f\s the scene begins, Miss Balbricker is making an impassl'"oned plea:

86 REACTION SHOTS

Mr. Carter and Coach Goodenough are incredulous. l Coach Brackett and Coach Warren are fighting to keep fr.om laughing.

87 BACK TO SCENE

-

"'.-...

Br 89.

87 CONTINUED: T

Coaches Brackett and ~arren are biting their lips until they bleed, faking sn~ezes, coughing -- anything so as not to betray their laugh[. er.

· MISS BALBRICKER · (con inuing) ; Despite the juvenile snickers of some, this ~s a serious matter. This ... thi~ ... seducer and despoiler m~st be stopped. He is extremel• dangerous, and, Mr. Carter, I'm certain everyone in this room khows who that is. He's a contemptirle little pervert who's been ...

'MISS BALBRICKER Well, I'm s rry,l but I've got him now and I'm not going to let him slip througp my fingers again. 8111 87t5 I

At this faux pas,eveh Coach Goodenough has tobile his 'ip to suppress aguffaw. j

( c 011t inu ing) ;i Can we calL it -- tallywacker ... ; p-p-p-penis' is so ... uh ... personal.

(qu~te carried away) I We can put ~oods over their heads

- to avoid embarrassment.

(HORE) I

-V

(-.....,, 87 CO INUED: (2) , · ......./

By his time, even Mr. Carter is beginning to era k.

· MR. CARTER j Miss Balbricker, I'm sure you can JJ recognize th~ difficulty of such a request. ~'d like to apprehend this young mfin myself, but imagine I what the Boatd of Education would jj say if you w,ere granted a ... a ... lineup of na~ed young men to examine their ... pri.i\Tate parts for an j incriminating/- mole... . J

· MISS BALBRICKER I I But Mr. Car1er ! ! I f ·

Bra~kett can restrain ~imself no longer .. Everyt!ikng he sayf in the following ~aragraph is broken up by cpnvulsive butl- silent laughter. /AShe progresses, he can barely get the words out. !!I I

Wa en and Goodenough/have turned their backs in[laughter. Mr. Carter is now busting a gut to keep from laughing.

Br kett is sinking liOwe:::: ~:;:E: his chairj

(con inuing) I J ... and(!!u,~~e~)t up... . ...wanted osters ... all over ,I · school. ;

I

Brackett is barely coherent by now. Tears are cJming to Mr .J Carter's eyes. ! ~ -

Ji. y (CONtNUED)

7-

87g

87 CONTL ED: (3)

(co tinuing) Have you s1en this prick ... Report immediate! to Beulah Balbricker

this prick ... as 'it is armed and dangerousl --I -

Close-up of a larqe wanted poster * hand drawn, but ·well rendered. It depicts a large penis with an arrow pointing to the telltale mole with the word "mole" written beside the arrow. The following caption punctuates the poster:

HAVE YOU SEl;:N THIS PECKER! ! !

DO NOT, UNDER ANYCIRCUMSTANCES, ATTEMPT TO APPREHENDTHIS PECKER. BUT REPORT IMMEDIATELYTO BEULAH

,.,,.-._. BALBRICKER. \j ...,.,_...,,...- ALIAS: MONSIEUR LA COCK... THE

REMEMBER: THIS PECKERIS ARMED ANDDANGEROUS.

CAMERA PULLS BACKto see Miss Balbricker as she angrily rips it down. As she walks on, we hear a voice call out very high-pitched and softly.

Miss Balbricker wheels about and stares furiously at the students. Then, from another part of the corridor.

Pecker-checker.

She wheels the other way. Everyone is innocent. The word is repeated by five or six more voices, growing louder each time. Finally, every student in the corridor is say- ing it, saying it more loudly and more insistently, so that Miss Balbricker must walk through a veritable chorus o·f high-pitched voices calling:

l (CONTINUED)

··-

88 CONTINUED:

Tim steps out of Coach Goode1o~gh's office. He stands there a moment thinking. He looks toward the loc_ker room where the guys are dressing. He is thoughtful. Final_ly, he heads toward the guys.

Everyone is hushed as Tim cocies toward them. He opens his locker, takes out his gedr and starts to undress. I .

BILLi Coach gonna let yo~ play tonight?

· TIM !. Yeah, I been re-instated. - l Tim doesn't look up at anyon~ but the others all look at Brian. They know he has int~rceded for Tim. Tim knows it also, but he doesn't want ;to face the implications as yet. I

TOMMY That's great, Ti~-l

-

Yeah, that's

Everyone continues dressing ~n silence. Brian gets up and heads up to the court. CAMERA MOVES IN on Tim as he l_ooks after Brian. He is confuse:L

We hear the strains of Eddie Fisher's version of "ANYTIME." CAMERA PULLSBACK to discover that we are in the middle of an after-game dance. Billy is dancing with Ginny. 1,,r.:...Jiy and Wendy dance by.

, TOMMY Where's Mickey?

-· (CONTINUED)

---

90_ CONTINUED: __, I

Tommy indicates the other side of the patio where Meat stands talking with Pee Wee and Tim. Meat sees them look- ·ing his way and throws up his hands in frustration. He yells across the patio: qo/J

91 ANGLE

We see why Tim is cone erned. Tim's fat her and Brian are. squared off. Tim's father has obviously been taunting · Brian. The girl who is with Cavanaugh senior tries to pull him away. He shrugs her off and continues to bait Brian. The sight of this 33-year-old thug abusing an 18-year-old high school kid is sickening. Cavanaugh is a sick man. He is singing an old anti-semitic ditty.

Brian is frightened and it shows, but he won't back aown.

I l

of thing, do you?

l (CONTINUED)

91 CONTINUED:

That's more than Brian can stand. He moves toward Cavanaugh. Suddenly Tim steps INTO FRAMEbetween his father and Brian.

Tim's father stops short a~d stares at the boy.

I I

Cavanaugh's tone is chilling.

I

~ CAVANAUGH

I

Who you talking to, boy.

CAVAI-~AUGH · (with a sneer) Is that any way to talk to your pa!

you're my father.

f_

Tim's father explodes and slaps Tim viciously ac oss the face. Tim doesn't flinch. He just takes a deep breath, pauses for a second. The crowd is stunned. q (f3 TIM (continuing) Be sure you're finished! 'Cause this is the last time you'll ever lay a hand on me!

-

91 CONTINUED.: ( 2)

CfIC.. Tim's father goes ins ne. He slaps Tim with both hands as hard and fast as he c n swing. Tim doesn't even attempt to cover up. Finally hi father stops and grabs Tim by the throat with one hand. pushing him a ainsr the wa)l. Bloon trickles from Tim's n se. A teache tries to intrudeT Cavanaugh throws the an to the gro nd and turns back t Tim. 9(£ ... CAVANAUGH 9 l - 01 G Got any more smart talk? r- 7

Sudde ly, a large hand reaches out and grab his ann and whirl him around. CAMERAPULLS BACK to se that th hand belon s to Ted Jarvis. Ted sends a crushin right o oss smash ng straight into Cavanaugh's face. C vanaugh prawls flat n his back, semi-conscious. Tim's fa her is n t a cowar by any means and would probably kill Ted if h could but i was a devastating right hand. Ti.m'sfather s umbles unste dily to his feet. Ted steps forward.

Everyone turns to look at Tim.

TIM l' (continuing) Let him go. I'm not afraid of h" .

I'm never going back.

He addresses his father.

Tim's father grins at Tim. q1r l I

- you, I'd rather be queer. I •

i l (CONTINUED) } L _1_

lT 96.

91 CONTINUED: (3)

This is a tremendous aff~ ont. Tim's father starts toward

Tim. • Coach Brackett ste~s forward, as do Tommy, Billy and· the rest, including Bria •

I'm going to h ve you put under a peace bond, Mr. Cavanaugh. If you come near this oy again, I'll have you arrested.

Tim's father throws Ted' . arm off savagely and ba~ks away. He looks at Ted. j

qAVANAUGH I '11 be seeing i:u,again. '1/ /.(

I'll be lookin, forward to it, Slime. .

\___)

Cavanaugh turns and walk~ off. Everyone gathe s around Tim. -

- COACH BRACKETT

You alright, Tim?

Tim looks at them; he is self-conscious. It i an awkward moment, heavy with emotion. ·coach Brackett br aks it up. in typical fashion.

Everybody laughs and loosens up. They pat Tim on t!,P back. They are a united group of young men. Ted taf s Tommy aside:

- (CONTINUED)

J;

97 ,•

91 CONTINUED : ( 4)

At that moment we hear a MURMURFROM THE CROW ' . t

q2 3 92 ANGLE- THE CROWD ON THE DANCEFLOOR.

parts as someone we cannot see surges through. Finally, the crowd parts and we see

93 AN.GLE

A shockingly beaten and battered Mickey Jarvis. He·' s holding tenaciously to something in his hand, but he's only semi-conscious, only remotely aware of where he is. A hush falls over the crowd as Mickey stumbles out into the middle of the patio ..

And so saying, Mickey topples forward, pitching face-down

__ onto the floor. · - q 4-

Ted is at his side almost immediate y. He bends over his brother as our princ.ipals and the o hers crowd around.

94 BRACKETT

makes his way to Mickey. He conduc s a quick examination, then turns to Ted with a look of gr at concern on his face.

-

......-- ...,__ - ---

Mickey is being placed in the ambula ce. Billy, Brian and all the guys are there with Ted and oach Brackett. Ted closes the ambulance door and the am ulance pulls off.

Ted stares after the ambulance for a lonP, moment. Then he turns to the guys. •

i

allow one of ·you guysto:t,._hurt.

-L

Brian steps forward. q 5 (3

Nobody has to

They al1 look at Brian.

D What d'ya mean, Brian?

They all look at each oth r.

·95 CONTINUED:

BRIAN

·- It doesn't have to be

tonight, right?

They all turn to look at Brackett.

TOMMY

r··, You could get fired, Coach. \.,..).

COACH BRACKETT

- Are you kidding? I'm long gone

after this semester anyway. And don't call me Coach anymore. I'm only 23, for Christ sakes. Call me Roy.

lthey all look at Brackett in disbelief. Brackett points ro a scar on his forehead.

l COACH BRACKETT I (continuing) You see that? Porky gave me that I six years ago. I've always wanted I a shot at that mother. I'd like to feed him his nuts for lunch.

verybody applauds and yells approval. At this moment Ted nd Brian come back to the group.

......___

qsD I

95 CON INUED: ( 2)

Ted starts to leave.

Ted eaves.

Bria turns and walks off.

They all stare after him, commenting on his arcane behavior. CAME PANS over to Tim who looks intently after Brian. Fina ly, he starts OUT OF FRAME.

· CUT TO:

96 BRIAN

getting into his car, a late model Thunderbird. T i.!i• ENTERS FRAMEand walks up to Brian's car and opens the door and sits down on the passenger side. Brian looks at him.

Brian smiles.

BRIAN· Good thinking! How about ... Paddyt O'Connor, Aloysius, O'Brien .. .

- 1 any chances. ~-

96 CONTINUED:

Tim looks at Brian. It's a nice moment.

The ROAROF THE CAR drowns them out. 9 7 L. ~ f-fo~'r;e "PA/\J TI)

7ft 6t~Es-r rlov<:€ I CAMERA HOLDSon a blueprint o a building. It is Porky's. CAMERA PA.1':l'SALONGthe wall an comes to·a schematic view of Porky' s. As CAMERACONTINES TO PAN, it takes in various road maps, waterway carts, photographs of Porky's, as well as the Sheriff's head uarters, etc. Finally, CAMERA PULLS BACKto take in he whole room. It is ob- viously an artist~s loft or d aftsman's roam with skylights and many workbenches and engi eer easels. It has been converted into a "war.room" fr the war on Porky. O.S. we hear Tonn:ny's voice. -.::-I '1{ [5

CAMERA PULLS BACKto see all the guys: Tommy, Billy, Pee Wee, Meat, Tim, Ted and Brackett ... and finall , Brian.

BRIAN· This, gentlemen, is the war room. It used to be my dad's drafting studio -- but now it's the war room!

Brian indicates Ted.

'TED

..:.:,..

Simple enough. I (COEINUED)

97 CONTINUED:

He takes up a military-type poin er and points to the photos

-·

of Porky's and the Sheriff's hea quarters.

Everybody looks at Ted blankly. inally Tommy breaks the silence.

· TOMMY What does that mean?

\'..) at work. I

And we PAN DOWNto the model of and ...

INTO A NONVERBALMONTAGE, ORCHESTRATED WITH SOUNDEFFECTS ANDTHE MUSICFROM PORKY'SBAND. t'

t.

~:Cam~r~'is looking into the water beneath Porky Is. We see a figure swimming beneath the surface. Suddenly the figure breaks the surface. It is Brian. Brian is·towing a cable. He hands the cable up toward a

-Porky' s. The figure is Bracke-tt--and-h-e-i-s-straddling--~ the pilings with a telephone lineman's rig, and applying a gas powered saw to the pilings. Brian

- (CONTINUED)

102A

98 CONTINUED: ----

hands the cable up to Brackett and Brackett wraps the cable around the piling and hooks it. Camera zooms past Brackett to the front side of the bar where we see Tommy and Billy performing a similiar duty with a saw on the front pilings.

98A C.U. TOMMY & BILL¥:

We see that Billy is astride the pole and Tommy is supporting him •. The water·is only waist deep. Suddenly, we see Meat lean over from the shore and whistle sharply. Billy slides down the pole and out of sight. The saw is secured to the piling and hangs safely.

98B C.U. MEA~:

We see Meat straighten up and walk toward a truck where Pee Wee leans drinking a beer. In the B.G. behind Meat, we see the reason for Meat's warning. A group of drunken Rednecks reek out of Porky's on the way to their car.

\".--,) 1 NIGHT: ac EXT: BOAT - PORKY S

We see Brian pull himself up into the boat and tighten the wrench. The cable draws tight and we can see, of course, that it is attached to Porky's pilings about thirty yards away. Brackett is now working on another pole.

8D C.U. TOMMY & BILLY:

They pop up form beneath the water. The drunken party is gone. Billy resumes his.work.

I

q°lf/00

CAMERAE TABLISHES a sign. identifying apanel T-frarne

structure as Sheriff Wallace s office. Like his brother's club, Sh riff Wallace's office backs uu to the EvP.rgJades canal.

CAMERA ~ NS DOWNTO •..

t

100 THE SHE FF'S PARKINGLOT

Two e cruisers are parked out front. From within comes t SOUND of Sheriff Wallace and his deputies playing !POKERand the BLAREOF COUNTRY MUSIC over a RADIO. I /DOA Jt-~~f.l::r

101 ANGLE j /0/ /!"!IA I

Under co~er of arkness;: see Tim tinkering with each of I the carsl, thoug we can't ell what he s doing. Wben_he's finished', Tim s arts runni through the bush from Sheriff Wallace's to Po ky's, a di tance of just a half mile.-

ANGLE

102 /02

We see Billy and Tommy connecting the i7>~es they'vetied to the pilings to the trailer hitches o~/two pickup trucks through the use of grappling hooks.

·,

We see Pee Wee and Meat at work under the "entrance" and "exit" bridges which traverse the canal in front of Porky' s

r- complex.

C.U. T?MMY & BILLY:

-

_ljS - :G::e Meat and Pee Wee finish their work at the bridges.

-J.r--. ANGLE

the power boat Brackett is manning. He climbs in.

106 CONTINUED:

COACH BRACKE'.rT It was like being a ranger again, even if just for a few hours. Good luck, kiddo. I'll have everything ready at the county line.

·Brackett Smiles and salutes, then slips overboard and swims toward shore.

ANGLE

We see Tim break through the bushes into the parking lot. He joins Billy, Pee Wee and Meat. Now, their task is completed.

107 ANGLE

I We see Brae ett rrive on shore, signal to Billy s group that every hing•s· set out on the water, then continue across he parking lot, across the "exit" bridge, and on t where-his car is parked. He drives off.

108 ANGLE

CAMERAEMPHASIZE Billy's group. Billy walks up and pulls the truck' power horn.

109 ANGLE

CAMERA EMPHASIZES Tommy and Brian in their side-by-side power boats. They hear the signal.

Brian trumpets a return birdcall signal, also once.

110 ANGLE

CAMERA EMPHASIZES Billy's group off to the sides. Billy has heard the return signal •

They're ready.

f BILLY

Wait.

They pile into the truck.

1 DISSOLVE TO:

- ....

ll I

Some ime has passed. The parking lot is nearly empty. The B D can be heard playing its final set, concluding with ~ number like "Good Night, Ladies" or some other famou~ and recognizable "signoff" song.- The few remaining custo ers drift out to their cars and drive off. ·

Billy surveys the scene. Satisfied 1 he makes the birdcall signa twice.

Brian and Tommy ear the signal.

T~ey ~tar~ thee gines and Brian returns the birdcall

- CAME EMPHASIZESBilly, Tim, Meat and Pee Wee.

'v'

;;;i,r:s

113 CONTI ED:

And t~e four boys walk out of the bushes and stride r~so- lut,e.:_:1 into Porky' s. /. / . {

As it's closing time, the boys w ren't stopped at the door. They've made it into ·the main ro m without really being noticed. The band members are picking their instruments; some stragglers are making their way toward the door, most weaving drunkenly, a few not; th, Bart.ender is cleaning up; the Bouncers are smoking a final~cigarette; etc.

With Tim, Meat and Pee Wee backi g him up, Billy steps forward. He shouts out his word .

I

Listen up, now!

115 REACTION SHOTS 1

The room goes quiet. Most peopl look at Billy in confusion. At this point Billy begins to ca~l the hogs in the classic way pigs are called around the wdrld: "Suey ... suey ... suey ... " He keeps this up for ai!out twenty seconds and then says ...

Billy, Tim, Meat and Pee Wee stand near their wo pickup trucks.

Now Porky emerges from the club, backed by thr~e bouncers and the Bartender. Some customers and a band t"anber or two gather to watch. Porky and his henchmen a e carrying clubs and chains .

.._

116 CONTINUED:

Billy and Tim run toward one truck; Meat and Pee Wee run toward the other. Porky and his henchme are too confused to do anything but stand and stare.

Billy gets behind the wheel of his truck/and gives its

-:-~- power HOR.~TWO ear-piercing BLASTS. J_

Brian and Tommy have been sitting in their power boats with the motors idling. They hear the signal, and Brian immedi- ately sends back two equally ear-piercing BLASTS FROMA HORN attached to his boat. Now he turns to Tommy:

I And they GUN THE.MOTORS of the boats_. each heading his boat

away from the other, so as to pull loose the pilings on one side or. the other of the pier.

I -

,•·

Billy g~ns his t~uck, Meat and Pee Wee pull the cables

T out from the sand and gravel, hook it on the truck I and leap aboard. As Porky and his henchmen look on ' dumbfounded, the SOUND.OF THE.POWERBOATS merges with the SOUND OF THE TRUCKS. -· ' . We see the ropes from the truck pulled taut, ·and now we I begin to hear the pilings give way. Porky's pier and _j__;.;.Porky's itself is beginning to shake and topple~

The ropes from Brian's and Tommy's boats are also pulled taut, and the pilings they're pulling are beginning to give way. INTERCUT between Brian's and Tommy's smiling and satisfied faces.

-

J. u ti

Porky is standing in the middle of the bridge to the entrance of Porky's when suddenly it gives way under stress and Porky and his henchmen fall into the water.

120A C.O. BOYS IN TRUCK CAB.

t 120B C.U. TOMMY

120C · C.U. CABLE PULLING TAUT.

120D C.U. PILINGS SNAPPING FROM BOATS

120E LONG-SHOT OF TRUCK REARING

120F C.U. TRUCK 'WHEELSSPINNING

120G C.U. WATERCHURNINGBEHIND BOAT

120H C.U. PEE WEE AND MEAT IN TRUCK BED

120J C.U. PORKY'S SIGN ARCING AND SPARKS FLYING

MED. SHOT PORKY 1 S GROUP

120K

120L C.U. PORKY -·- ~'~~ .....,120M SLO-MO SHOT OF TRUCK PILINGS GIVING WAY

120N SHOT OF TRUCK LEAPING FORWARD

120P SHOT OF BOAT PILINGS GIVING WAY

120R C.U. PORKY'S SIGN COLLAPSES

120S SHOT OF PORKY'S TWOPIGS RACING OUT OF JOINT

120T SHOT OF TWO PEOPLE RACING OUT OF PORKY'S, AND FALLING IN WATERAS BRIDGE HAS COLLAPSED.

120V BOATS LEAP FORWARD

120W THREE CAMERA'S OF PORKY'S COLLAPSING: 1- SLO-MO. Porky and group hurry out of water as bridge collapses. And now Porky's starts coming down, collapsing where it stands and sinking, along with its pier, into the shallow water and mud of the canal.

Porky is running about aimlessly. He yells to the Bartender.

- -

108A

We see Sheriff Wallace .r:uns to his desk·. -. He turns to

his two DEPUTIES. *

The Deputies pick up shotguns, pistols, billy clubs, brass knuckles, cattle prods, chains -- every weapon imaginable -- and head out the door. The Sheriff has lingered behind a moment to select and load his favorite sawed-off shotgun -- with dumb-dumb shells. . j_

2 7-f-7 /:2.2B

The first two Deputies et into a carp rked directly in front of the Sheriff's ~ffice. They fl or the gas pedal, , but instead of going fonward Tim has ri ged the car to go only in reverse -- w ich it does, r· ht through the plate glass facade and · to the Sheriff's office.

The Sheriff is standing ehind his deskt completin the task of loading his shot Now, all pf a sudden this police car is zooming b kwards through! his window into his office, carrying his desk and him tnrough the limsy rear wall of his office and out into the canal.

I .. , ...,'

/23 /24 109.

,,---..,,_ ; ' The water is deep and the Sherif can't swim. ;';·,-·../

The two Deputies have freeB th selves from the police car which is submerged nose-down, r ar bumper-up in a dozen feet of water. The Sheriff's d sk floats by.

The Sheriff grabs a desk drawer which promptly comes slid- ing out of the desk, leaving h' no better off. Now he grabs a corner or a leg of his 1esk, while the Deputies grab some other portion of the esk. They begin to swim toward shore, swimming with one hand and holding the desk with the other. The Sheriff ho~ds the desk with both hands -- holds it for dear li~e. I

-1-

1-25 EXT. THE CANAL, NEAR PORKY'S - NIGHT

We see Brian and Tormnyunhook the ropes from their power boats. Now they pull up alongside one another.

Brian waves his accord, and the two boys speed their boats in the direction of the Sheriff's office which is on their route back to Port Auburndale.

126 OMIT.

;r-'\ Their job finished, it's time for Billy and the guys to ,..> make their escape. As Billy and Meat keep their trucks' motors going, Tim and Pee Wee leap out and undo the grap- pling hooks. Seeing two of the boys on the ground, Porky comes running over. Tim and Pee Wee scamper back into the trucks, and Billy and Me~t drive over the little bridges.

J::Z..i7 12-7 l5 /2 D

Now, as or y gets ne r the r ge, Pee Wee pushes the remote s itch and DET NATESth plastic EXPLOSIVES under 1'"7/1 that bri ge. The bri ge BLOWS and dirt and mud fly upon 12 re_ Porky' s ace. Tim no detonat s the second bri~e. Nothin happens. . { .2/ C

And they take off, Met a.rid Pe -Wee's truck ight behind them.

Porky drags himself off the ground. His rush ove?r to him. Porky is a mess.

BOUNCER ffl You okay, Porky?

Porky notices one bridge is still standing.

PORKY

And he and the three Bouncers and the Bartend~r pile i.nto l two cars and set out in pursuit of Billy and~t's trucks.

The Sheriff and the two Deputies who went into the canal . with him are climbing up the bank into the parking lot area.

) '--/ The eriff and the first two Deputies have reached the park· g lot. Now the Sheriff notices two other Deputies stan'ing around waiting for him. He flares in anger.

They all pile in the emaining car. The Deputy gets behind the wheel and starts he motor, and as he does ... each of the wheels falls off . . one at a time ... until the car is lying impotent.in the dirt parking lot.

THE SHERIFF'S POV - NIGHT .

The Sheriff sees Billy's pickup truck drive by followed by Meat's pickup truck. Then comes a car carrying two of Porky's Bouncers and the Bartender.

The Sheriff realizes there's a chase on. He leaps out of the police car just in time to hail Porky's ar as it drives by.

Porky SCREECHES HIS CAR to a halt. The Sher'ff and his five Deputies rush up.

The six men pile in with Porky and one Bounc rand the chase continues.

I s3 ·· l 33g

SEWARD COUNTY LINE - NIGHT

This is a CHASE SE UENCE, with 11 the CUTTING BACK AND FORTHbetween the arious cars - inside the cars and out- ___; side the cars -- w ich such as quence implies.

As the chase conti ues, Porky's cars begin g~ining on Billy's and Meat's trucks. Thep ...

~ .J_

J3sfl /34

POV - NIGHT

At first, all we can see are ome lights in the distance, but they're ough to make Bi~ly smile.

BILLY f f We' e going to make it.

... ...

Billy's truck and Meat's truck cross the line and continue on about two hundred yards.

Porky's two cars cross the line inadvertently, skidding to a halt about one hundred yards into Seward County.

136 r?. l ~b<2-

COUNTY LI - .. NIGHT

l'sbb

Suddenly he area is bath din light -t light fro five Seward Co nty police cars, including T~d's, lights from several P rt Auburndale s hool buses, floodlights "lluminat- ing the P rt Auburndale b d, the Forti Auburndale h~er- leaders, he Port Auburnd le majorette~, Wendy, Gipny, Miss Hone ell, Coach Bra kett and halr the Port Auburndale student b dy.

ard County polic surround P rky's cars, a huge up; the BANDS RTS TO PLAYfl·the cheerleaders

begin a c eer; and the stu ents begin inging an appro- priate fi ht song. I

Billy, e pile out f their tru~ks.

We did it. l

,/,

J l - t ) I (CONTINUED) 'V'

~

136 CONTINUED: J?:bF · Is66_·

A group of studen s carr .out Mic ey on he clos able approximatio of a 1 'tter might constru

huge CHEER goes u for Mi key. ive me an M, some- thing of that ord r.

j.

Now, a.s Porky arid the She iff get of their c s, Ted/ back in police cl thes, s eps for to deal wi them.

PbRKY -~ {pointin to our / 3b r · guys)·

They destroyed lub.

p RKY I Well, first the came in and ..

r Which ones ... c e in? I

p RKY I

,,.--··· That one and th tone oyer thee ... f-; ''•~---✓ f

T D t (mock iniredulit~) You mean ... thi$ seventren-yea - old ... and thislsixteenryear-o youngster were ln your ~stabli

S~RIFF f (interrurting; j apoplec ic) :

They'd been the~e beforr' -- no just tonight. I (pointin& to Mic~ey) Particular_ly th t one. l Little

fucker kept com ng backjover a

Porky realizes the trap tney're i~. He ties to ut his hand o:7er his brother's m1uth, to(lead h ·.n away.

- P~RKY =r · Uh .. ,' we must h ve made; a mista e. Obviously, it cquldn't have be these youngster~.~-

S~ERIFF (still berserk) l Fuckin'-A right-j it was~- Man, cu

- crazy, Porky? ! · l

I 0-iORE) 1 \~/ i j; V V

I36 C:...

136 CONTINUED: '(2)

Ted smashes the eadlights on Porkyj1 s car.

TE l i (continui g) J f Drivi g with ab oken·hea light... I that' a fifty-d llar fin in 1 Sewar1 County. I

Porky peels the roney off r roll.· e hand~ it to ~ed.

PORKY I I l

Here, off icer. ll t / I /

Ted takes gun and b ows a ho e thro~gh the ~ngine I

completely isabling it. Then I e SH001S out tre tires .,

· TE~ I I 1 Heyn w, driving•with a btoken I

How m ch, Officet? You n~me it. f I I ! · I

I TEP I I .., I'll 4et you offifor the romise, you'l~ get your fSS back cross I ; that qounty line} and thelpromis~ I from iour brother that al i peccadilloes tha~ might h ve J ! occur1ed tonighttlwill be rorgott,n. 1

SH RIFF 'i I i l f Stick it up your . . t - J · f I I

Porky puts his tand over hls brothe 's mou1h once rore. f

I I l . J 'f. + ¥- \/~CONTI~D) i

\V

(stt-l 11s.

136 CON iNUED: 3)

l I' 1 promis toput y foot.·u,his. .. i

~~ ~:?go ba k ::E:::1ecting pir

(ver softly) I J I. . promis f I

TED I l . Ca~tt hear ou. Sherlff. i i

I TED t I

Ho11' s t~:~cing) l ( . l

I l : SHERIFi 1 t I (gro ing subdtled) 1· l l 1romise. • r

l I TED I I j Noto.;get thi car out lof Se,;3arrt ~ County. 1 l {

I SHERIF¾ & PORKYI r Bud you sho the engine ... the ~ ti~es are fat... I I ! I · 1 j.

Ju~ L put a ittle we{ght behind it. ~ I Yo, boys ca manage fhat. . . f J /ti/'If._

Big UGH from the criwd. Poriy, with Sheriff and Depu ies, star pushing the ca. With four flat~tires, thee:~~ t r. is epormous. ! At this point Mi¢key step~ forward and ra ses his pands to kilence he crowdJ A hush:falls over the crow. Mickef walks p slowly!to Porky;who is st~ll bet over! the car ushing. j Mickey ~ays: l ~

I J_ J; . . J__ I (CONTipuED)

-- --- ..l.-

.....

136 CONTINUED: (4)

And with that, he givjs Porky at emendous kick in the ass which nearly sends h~ through the radiator of the car. A tremendous ROARgoes up from the 4rowd and our principals /?~Lt are hoisted onto shouVders as CAflll:RAPULLS BACKto TAKE IN ~6 1 the entire scene. Th~ BAND STRI,S UP. The cheerleaders cheer and we begin EN~ CREDITS. verything that follows will b·e UNDEREND CREDITS. 1 --i-- . ~ ANGLE

We see Brackett and Honeywell embracing.

ANGLE

We see Billy and Ginny embracing .

Pee Wee, Meat and Tim all congratulate each other and Mickey. Mickey throws away his crutches.

39 ANGLE

Ted and Brackett shake hands.

ANGLE

Ted and Mickey embrace.

l 1 ANGLE -

Suddenly a ROA GOES UP FROMTHE CROWD and we see the POWER BOATS ROARup o the shoreline of the canal and Tommy and

-

· (CONTINUED)

----------- ----------

/4l A

141 CONTINUED:

The crowd surges forward and Brian and Tommy are hoisted onto shoulders a d paraded over to the.roadside. Brian and Tommyjoin u with our other five to congratulate each other. When the congratulations are over, Tommy says:

Pee Wee suddenly looks dejected.

Tli.e·y all turn to Pee Wee.

Tommy looks at Pee Wee, then his eyes t look over the crowd. CAMERA PANS over the crowd. Su we s e Wendy trying to hide behind the majorettes. ,.,

Tommy walks over and takes Wendy by the hand and p 11s her back to the group.

-- school! wt

· (CONTINlJJ;:D) ..y

/41~

141 CONTINUED: (2)

Pee Wee recants immediately.

Tommy looks at Wendy. / 4\ D

· Wendy walks over and takei:; Pee Wee by the hand.

She takes Pee Wee into one of the school buses. The guys wait outside to keep guard. CAMERA PANS ·to a c ump of bushes over behind the bus. Something is lurking ther Whoever it is starts to move and suddenly darts out to position behind the bus. It is too dark to see who it~

142 BACK TO BUS

The guys look toward the bus expectantly. Suddenly a voice rises from inside. / 5 I

WENDYIs VOI E You dickheadl The first you come on the date wearing ne, now

We hear FOOTSTEPS scurrying down t bus. Pee Wee eme10 es from the.door pulling on his pants.I We don't hear what he . says but we get the idea when the gP.ys all start taking out their wallets. Finally someone hafs Pee Wee one and he rushes back on the bus. . I~ -

\Y; CUT TO:

...:...

/A-\~

143 ANGLE ' .........__ I ), We see the skulking figure .Tmoves stealthily along the -···--~-...

row of cars. We still can't ~~eL who it is. CAMERA CUTS TO the mystery figure's POV. j

i-

144 MYSTERY FIGURE~S POV

We see Tommy and the group from the ominous POV... they are being stalked. Could it be one of Porky's gang?

145 THE BUSAGAIN

Pee Wee comes scurrying off the bus and over to the guys. He is frantic. He has the rubber in his hands.

Everybody starts digging in their wallets again.

But they continue to dig. Finally, someone comes up with another one. With a plaintive little whimper, Pee Wee is off again.

BACK TO THE LURKING FIGURE

The MUSIC IS VERYOMINOUS now. The figure creeps forward slowly. Finally the figure stops and leans slowly forward

into the 1 ight. We see the face. It is Kong." Her face is ablaze with madness. She leers at Tommy. All reason has flown. She is a wild beast stalking its prey. With a mad cry, she launches her attack. We...

147 THE GROUP

\

as they hear the weird cry. Everybody jumps. They whirl around. Tommy looks wide-eyed at the specter bearing down on him. Balbricker is crouched low, coming on like a two- ton Tasmanian devil.

·147(}_ /47D

By this time, Coach Brackett, Ted a ·d several ot er cops

have plunged in to ttry and pull Mis Balbricker way.· Her furious obsession ptllls the whole gr· up to the gound in a heap. She contin1es to scream.

The place is in tot~l chaos by now. f The crowd btgins to · chant "Pecker-Checkfir, Pecker-Checker." Ton:nny i flailing wildly. Bal bricker lis incoherent bY1now. Final y the

police force manage~ to drag Bal bric er off. As they carry

I

her away. she sere sand laughs man·cally. ·(

CAMERA PULLS BACK totake in the whole mad scene as Bal- bricker is taken awa . The last thing we see as the rINAL CREDITS ROLL is Pee ee sticking his head out of the window of the bus and yelli g and waving his ·arms in sheer triumph. He pounds his .chest nd gives a long Tarzan yell. The crowd applauds and c eers.