"MARY POPPINS" (1964)

Baaed on the Stor:I.Ba

Shoottng Sor:l.pt Bill ;/alah and Don Dallrad:I. songs by: R:l.obarn II. Sher:nAn Robert B. Sheno.a..-, Pebrua:;-y ll, 1963

..,ho 1• play1ng a mouth orgsn. CAMERA P1lU.S BACK, reveallng that Bert is pe:-tormtng upon an extreor<ilnary ensemble or cy,.bals, whl•tles, tweeter•, bulbhorns ancl druma 1n addition to the mouth orglln, most or which a:-e •t:-apped to hi! person. In his hand.a 1• a ,oma.11 batta:-ed l':-ench concertl.na. On hl• toe• ar,, am.all, tlnltling bells. Despite tne enc\.JJllbrance•, he movas grace:ru11:,, and CAMERAPANS ~ HD! as b.e pe:-tol"III.O a dance atep or t...o calculated to catch the intar,,s,: or tha pasae:-sbjr.

He 1s attracting a fai:-tsh crowd from the ne1ghl>orhoocl chl.lclren, a tradesman or t;,o, and some strOlle:-• snd Shoppers. A POLICEMAII d:-irta onto tb.e outer rim or the apectators,

as he gestures to the gatheru>g crowd, inviting them clo••=-•

JJlove a bit closer- - the:-e•a a love - Poems snd witt:i- •a:rlngs! Ext•111Porized and thought up be tore :,our vecy e:i-es !

C/00::RAMOVES IN CLOSER to hOld on Bert -

COlllical poems -!Ill.table for the occaoton - (oing;ing) 1\0011 'ere ro:- evecycne Gather around -

who 1• •=uncled bJ" Chlldren, and a tew grownups. lie reacta to :9e:-t'• ocng with a dour ""'1le, as the onlook•n laugh.

He Jotns in the laughter. C/00::RAMOVES WITH hill as he approaches l!ISS LARK.

a omall DOCl, i<ho otando at ltiss Larlt's feet. He ><ears a ll"orfolk jacltet, and a scarf, tuck&<! Aseot-fashion, around the th"'

CAMERA PULLS :SACK:to reveal two eno:rmus !lAUG.Ht£&i, raztged on either aide or Jlhoa. Corey,

CAMERA PANS WIT'.!! him aa he dance• over to MISS PERSIM!O!f.

CLOSE ON MISS l'ERSDIIIOH '·'

A tall, vinegar-raced apinater lean, rorw&.r<:1, l1otec1ng. She t:-1.e• to cone a al her ple!lsure at be1cg singled out b7 llert.

MISS PERSil'IMO!I (eagerly) Yeo?

ife ;,auoeo, laelcs around and up at tne slq, hls face l!"O?le wondertng and l!"entle.

•• they react ><0nderingly to the SOll!ID or the wind. A scatte:o of leaves and :her:-y bloosoma goeo THROUGH SCEIIE.

-, (01ng1ng •cftly, •• though to himself) Can't put m:; finger on What liea in ,ton But I feel wot•a to 'appen All 'appened before --

,, MED. CLOSE SFECTATORS

loolcing at :Bert in pu::lement.

CAMERA MOV""..SBACK ~o wm:;:R ANGLE, as Bert Whaclco into a rou.sing, headlong pie<:• of muate, :on<:lUding his perf0r111ance "1th a RI!IGI!fG c:,,,.hal •mash. T.1.ere is a amatter of A.!'PLA!ll!E, and Bert rftl<>vea a1s cap, shalc"3 1t out deftly and goe,i amci:,g the erowd.

(holding ~"'out his cap) Thank :rou, one and all, ror your k:Lnd support l

as tl'ley start to LEAVE the sczm:.

as she d:-ops a few ~oins into h1• cap.

CAMERA PULLS BACK "1th Sert a.s he moves ""'°ng tl>e remainlng spectators. A C!l':NTLEll!AHdrops a coin :i.,,.to the cap.

The g:-in on Bert'• race dies away quick!;, as he <Us covers he :l.s inadvertently hol<Ung his cap out to the Policeman, lfho regard• him ste:-nl;.

Bert moves awa7, eliciting a final 00111 from M!ss Lark.

Thank Y<'U ki!ldl:r,""" !tis• Lark. Generositr itself, that's wot 7ou are!

As she g<>es Oll'I', Bert nerj; turns toward C~A, hold:1.ng out the cap "1th the coins in it. He lowers the cap, !Jliling -•

as he pockets the coins, puts the aap back 011 h:l.a head.

(leaning """in to CAMERA) Kumber Seventeen Cherey Tree Lane, you oa;r? D:'l right. Just ""'" along w:l.ttl m&. (start• to turn)

18 -0 - SHOCTINO towarcl Cherr;,- Tree Lane, across froOI the square where Bert 1• St!Uld~g.

(points, -as lie picks up Ilia gesr) Tl:11! 'ere 1.s Cherr;,- T,>e,. :.an,._ Niae little apo,:, y':U.gl!t say. Number Seventeen ts ;ust down a bit,

Cjij,!EJ'IA MOVES W!TI! Bert, es lie start• acroas ~he stnet, SHOOTING !ro., the !\EAR, ea he walko towar-1 Cherry- Tree L!Ule. The cymbals Ct.ANO a little, and the drUJlla !3llM!' as lie walks. ,,

ao he atop, in front of J\.dlni.ral i!oom•• l!ouae.

(1nd1oating ~lie house) First, thia 11,ipooin' edittoe wot greets tile e:,-e 1! tile •oae of Admiral !loom, late of '1• MaJest:,-•• Ro:,-al Navy --

CA!'!EllA MOVES PAST BE:I\T, PANN!NO tr? en Admiral :eoom'a 1-..ouae. T!l.e higher !.t goes, the lll0re nauttaal it becomes - ,..1th a dreadnoug.'lt auperseruoture ror a roor, aignel nags 1n profusion, funnels instead of c!-.lllne:,-s, a or<>w'a nest, !Ind a cannon or gJ.eaiung brass, pok::tng ita snout over the parapet.

(o.s.) - Likes an 'ouse ShiP-sl!ape, 'e does. Ship-ehape and llristol !ashion.

CAMERA JIIOVES !N CLOSER to the roof-ship, as BI!ilfACLE, a salt:,--looting figure, ENTERS SCENE. lle :1.s a "'1nor naval rat1ng, dressed in garb tl!at combines regulation attire W1tl! gariaents of a ta1.ntl:,- p:1.ratical cast. H,. tal<e~ out a bosun•• pip,.,

as llinnaole stands at attention, !Uld PIPES the J\.dlni.ral aboard. ADMIRAL llOOII! comes m.ajeot1oally Im'O SCENE, 'and. loco out over the cit:,- witl! an air or proi:,rtetorSh:l.p. He produces a gold-encru.st,.d 1<atol! on a ol!a1.n, and holds it to 1-..J.s ear. He BANGS tt 1mpattentl:,- on the ra1l1n!l; to set :1.t ;oing, ·

:SDINACLE Ready and charged, ,1r.

ADMIRAL :BOOM (ehetkl.ns h.is watch) m:inut:es, si.x aeeond$ -- ~··

a• he tu.-ns to the aud1enc•.

-=• Good afternoon to you, young"""· I/he~ are you bound?

(loold.ne;= up and oalllll.g) Numb,... Seventeen. Got 00,... J>art1es 1n tow •ere wet want to see it.

Aa!D!.o.L :BOOM IIUmber Seventeen. (turning to BJnna~le) E:nter that in tb.e lo;.

(leaning over tha railing, e11.ll• to Bert) A word of advice, young man. Storm •ignals sre up at NwD.ber Seventeen. Bit or heavy ;,eat.Iler brewing tt,.,•re.

(lool<!ng up at Admiral) "" T.i.&nlt you, oir. l'll keep an eye •ld.n.-,ed.

ata.nding on the roof-deek 011 either si<ie of the eamion. ,filnnaole ha• a glowu,g gunner's mateh poised to touch to the eannon. The Admiral looks at his -tch aga.1.a, and holds up a pre-em,,tory hand.

ct: Bert as he wall<o down Cherry Tree Lane. A.! he approach•• Number Seventeen, he turns to au'11e11ce and lndleatea the houa ...

'Ere we are, Number"" Seventeen Cherrj- Tree Lane. Residence of Georg.- Bimlts. Eaqll.l.re.

OFP SCEIIE, fl'OJJJ.i11a1i1e tile house, faintly e011.es the SOO?IIlor SHOtl'l'Ill'G. Ther11 is the SLAM:of a door, a CRASH or dishes, and the clangour or pots and P&11s being SLAMME!lab01>t.

VOICE (o.s.) Let 'er gel Let 'er go, that•• what I say! And good riddaneal The Old Water buffalo! And glad I "-'l to oee the la.at of •er!

T:lere 1• another o.,. ser1a• of CRASliES. 3art ra1,es h!• eyebrows, as he- say• :o audience •..

• • 3E.'!T 'Ullo, '"Jllo, 'Ull.o! Admiral's right. ':e:avy "eather at lfumber Seventeen and no OUstake.

CAMERA CONTINUES PAST 3e:-t toward the houoe, and the Sl!OOTING INCREASES in vOlUJOe.

5:E:CONDVOICE (o.a.) Don't tell me wot to do! I don't •ave to :akenone ct your oorce!

CAMERA MOV"'..Sll? CI.OSER to front door or the Banko' house, past the number "17" on the door post, ao -

'' or the Banlca' house. !'IRS. BRILL, the coo1<, and nrFI', the maid, COME Tl!ROUQ!I:he K!tchen door at the back or th" llall, an<l advance toward the foo'I; of the sta~ra in an e:-rat1c aeries of D10ve11enta. (They have been the ""eel adveraa:-1ea.)

E:LUN Easy eno\l;ll. ~or_you to sayl Warm and coz;r out 1.» the kitchen!

MRS• .6:lill. I neve:- :ike<l 'ee- from the o,oment she set ~oot ln that door I

llut •co gets stu01< with ·enachildren ""''

MRS. llRlLL 'Er - with 'er '1gh and mighty wayo and tne race of 'er that would ,top a coal Oarge, it W<>Uld!

There is the SOUND or a door slam from upstairs, and !'!rs. Brill encl Ellen lo<>k up to see --

'' of !{ATIE NANNA, oolll1ng down the stairs, gr1,. and :hunderous. A for:itldable, large-bodied ""'"""- with a dloagreeaOle expresoion.

ICatie Nanna sweep a the protesting Ellen aside like a bit of chaff.

Elle" scuttles to the r.-ont door and. stand.s 1n fr<>nt or tt.

(te~rrull:,) Wot are we going to tell the i'laoter about the Children?

K!lTr:: N.o,ID!,\ It'• no concern ot mine! Toose little beast• have ,:-un away r,-om me for the laot time:

FIT? But ti>ey a:ust be some,ilaoe? Did )'OU look r-ound the Zoo 1n the Pa,-k? You knew '01< Jane and lli:hael 1• -• (stop•, stri~kan · by a oudden thought) Cool You don't think tile lion :ould •ave g<>t at them, do :,ou? You lal:ow '"'" fond the:, wao ot 'angtn, ar<>und the cage?

Krs. Brill slami, back :tnto the ititohen.

Katie Nanna otrug,glaa to open the front <l.oor with Ellen cllni-:1.na; to her sleeve, P:-0111o.a. comes the SOUNDor --

MIIS. B.o.HKS ( •1ng1ni,; o . , • ) Caot off the •hackles of '7esterday Shoulde,. to shoulder !nto the fray -·

ETTF!J Mrs. Banks! She's •ome!

Mrs. Banit,;, atr1di.ng SJRartly up the front walk to her door •

It spella forth "VCTES F<lR liOME:lf."

..,_ '"""' (a1ni,ing) OUr datu;htera' daughters W-111 ador9 u• And they'll sing In a;rate!'Ul chorus, ••ell done, oiater aufrragetta!

She :ill'l'EP.S the partially 01'£NED door ••

..,_ '"""' (haart1ly) Good evening, !Catie Nanna! llood evening, Ellenl

What a glortous ""·'"""',..,eting! filmi,ly t,,.ap1r1ng! i'!ra. Whitbourne-All,m cha.tned hel'aelf to the wheel of the Prime !Uniater'• carriage! Oh • lf you cou.ld only have seen lt!

MRS, BANKS Mrs. Unslie """ dra=d off to Jail, singing and ocattering pampnleto all the way!

Dur:l.ng <he cour,e of the SO!fc;, Cook ret"-.-ns to doorway. )Ira. Bank, plaoea r!bhon• on Mrs, Brill, ll:ll"n and Ke.tie Nazm.a.

l!RS. BANKS Thank :;ou, Katie Nanna. Eow good to know 7ou•re one or us! (o1ng1ng)

SONG: lle're clearly soldiers 1n pett1coata

Dauntleao cruaaders for ,.-o.....,•a votes Though we adore men lnd.1v1dually We ai.r,,e that aa a g:"<>upthey'r" rather atupld --

MRS. BA!IK3 (s:!.nging) cast orr the ohaclleo or yesterday Should«r to ohoulder lnto the rray OUr daughters' daughters will adore wo Md the7 'l"l sing 1.n grateful chorus •11e11 done!, aiat«r s..rrragette\•

KATIE NAlfNA Be that as it ""'7 --

(Alng1ng)--= l"rolll Kena1.ngeo0 to 51111.ngagate C.,e hears the re,tless orlea :p,.o., ev•r:r corner or the land l/omanldnd arlae!

'!RS. BANKS (cont'd) ( •1ng1ng) i'<>l1t1eal equali:7 And equal rlghto w1:h men ~ake heart, for Mr!. ?ankhurst haa Been clapped 1:, irons again! No more the :ceek and mild sub•e:rv!ant,, we \ie •re fightl"g for our righto, :C.lltantly ... (spoken) • . Never you fear:

i'IRS. BANXS (o1ng1ng) So - oa,e o~r the !hackle• or yeaterday Shoulder to ori.oulder J,.nto the fro::, Our daughters' daughter• w1ll adore U! And. they'll Sing ,1n grateful ehorua: 'Well done) Well done: \,'ell done, aister (cognizant at last, Katie Nanna 1! try1n,; to engaae lier atte,,tion) \lhat l:!. it, '>at1e Nanna?

'!RS • BANKS Where a.re the ch.1ldren7

Katie Nanna - tlll~ is Nallv too carele•• <>f you! Doesn•t ~hlsiiialce the thlrd t~me tll1• wee!<?

"'·' KATD NANNA 'he fourth time, -Madu, and I, for one. have had "':f fill of 1t, I'm not one to a;,eak ill of the <>hJldren, but --

(;,a.nicking)""·"""' Orae:touo, Katie Nanna, vou•re not leav1ngi \lh.!t will lit'. Bank$ oay? He•o ~1na: to be ercaa a.o it 1s, to co.me ho!'le and !ind the eh:l.ldren 11t1sat.ng! (hlll"t'ta<ll:V r.,m<>vea her "VOTES FOR WOMEN" ribbon, and ;,luo1<0 them fran. the boacru of the ether•) Ellen - put theoe awa-., You know how the Cause tntur!atea Jl!ro. Eankai

CAMERA PANS EITFJI A)IAYfroa the ia'QUP to the hall closet. /vJ ohe opena it to put the ribbons tnoide, m<>re eolor-ed :-1bb<>na are IIEVEALJIDhangl.ng !:-om "1.thtn. 'l'hev indicate the extent of Jl!roa. Banks' "cause,".

or the ball clock. J\n ·ominous str-eteh:l.ng and cracking SOlll!D ~omes from w:1th.1n it. A •llreik frcm Ellen o.s.

FlI El' (ruruting) Poota, everyone!

Adln!ral Jloom 1s poised, with upflung hand, ready to give the order to flre Off the cannon, .E\;.nnacle 1a roeacl7 to appl)' the gunner'• match to the toue:,.;,ole,

AllJl!IRAL BOOM (gazing at his watch) P1ve •econcla - four! - ThreeJ

i'lra. Banka, Ellen and Mr,. Brlll fan Ot11' :1.nto the fl"<l<lt room. l!;atie Nanna remains illllllOblle :tn the hall, holdtng her su,1 t case , watching grimly.

44 IN THE LIVDIO ROOM

Ellen runs Ot11' of SCENE, CAME:RALEPT. llra. Bt-111 ""= 011!' OP SCENE, CA.MERARIGHT. Jl!los. Bank$ turna to left jllllt 1na1de the doorway arch, and "elzeo atatue on pede,tal - JCJ.at as the o.s, BCOI! trom A<:IW.ral Boon,•a gun SOIJNOO. P.1eturea on the wall, the statue, scarf on the piano - vase on the piano JUMP, The piano begina to MOVE OCT OP SCENE ;:o CA.'IERA LEP'l'. The toppled vase rolls ot:!' Piano lid aa lt doeo, and !'Ira, Bank! catches it with pr~ctiaed dexteritv,

at the corner chin.a cabinet. The China is rocku,g from the SOUND or the cannon in the PR.a.-;rous SCENE. She oteadtea then,. Pia.no ROLLS IN :rr.,., RIGHT. lllen ahcve9· 1t 'back OCT OF SCENE with her root, Wall picture• are awry.

l"ani"-'< a,o:ainst a hi'belot cabinet in th• other corner or the room. steadytn,o: 1t, one &I'lll around a gcldrish bowl on a ped@otal. A vaa• toppl•• oft one end or the cabinet, and sh@ eatche• !t neatlv w1ti, the toe or h•r aho•.

without look:l.na; 'behind, replace• her Va!e on the piano, ao 1t ROLLS .BACKDITO SCENE.

bano:s the wall wtth Cl~r fiat, and all :Cle awry pictures "' rei:u.-n to their foriner position.

strai«htens the picture on her wall, casually. The,i goes into the hall to rssuine her converoat1on with Katie Nanna.

~- BAN!CS Katie Nanna, I beseech :,cu

MR, BANKS. a f1na-loold.n,!; """' With a Pleasant sense or assurance, comes through the Park .o:ates, approaching his home. lie wears a small roa,. iD. his buttOflhOle, a bowler, an.. swings a tightly fUrled \llllbrella iD. the classic manner. Ile is iD. extremely good spirits, light-rooting it acr<>sa th• stn•t, and wbJ.atling. Ha loolul up u, Adlliiral BO<:,m•sr,:,oftop o.s.

loolcing .DOWN!'rOIII a position next to !us "'"-Old.ng cannon. B1..-inacle la awabl:llng it out.

'Ill. BANKS (gaily) Ne,,11r better( Jll<>ney1~ SOU>ld! Credit rates are =v:!.na:~ - up - !!J!.l The E!rittsh pound is tile ai!ii'irattcn of the world,

C'LCSE ON Am!L'!.AL BOOM

as he eont1nueo on h.1• way.

MED. CLOSE - ADMIFIAL BOOM

as he lean• over the Side or the roof-d.ee)< and calls after Mr. Banks.

ADMIRAt BOO!! Banks! Shouldn't wonder if you weren't steering :!.nto a nasty P1<toe of weather! Banko! Do you hear me? -•

Aa he approacheo h.1a house, whistltng merrily, he oees a hanoom cab waiting at the curb. He turns up the front wall< and aeeo Katie Nanna EMERGING from the house. CAMEHA PANS her down the front walk, where ahe encounter• Mr. Banks. He lifts his hat ;,olitely and reaches for her bags.

l'IR. BANKS Those muat be quite hea'1y, Katie Nanna. Permtt me!

She gets IIITO the cab, and Mr. :sanka places the luggags 1n the veh!ole w:1th her. !!a lifts his hat again as the cab drtvea OFF.

Whiatling again, ti~ heads up the walk to th" fr=t door, Conelu<!.ea h:!.s wh1stltng passa~.

Ulen goes OUT of a:ene.

)IRS·. SANKS (troubled) Deo.r - it's about the Children

M::-. Banks str-oll• OUT or SCENE, into living ,-oom, ]'!rs. Banks hu::ccying after h!m.

i'!RS • :SANKS George, :hey•re rilS!ing:

Mr. Banko leans ca,ually on :he l!la-ntel, af:er tak1ng his gls•• of sller:-y from a s1lv"r tray •-

He slopeo into hi• ea.oy :lla.ir -

Mr. Banko tu..-no :o gr,,et 111, :hilliren. They are - of course • not preoen:.

JIii!. BANKS (agitated) The children! Jll!chael! Jane!

JI!::,, Banks leaps out or Ilia chair, CAMERA PANS KDI to the telephone on 'Che wall in the hall ••

n tl,e hall. Mr-. Ban:<• crank:• the hu.<lle determinedly.

MR. BA...'fKS Kindly do not attempt to cloud the 1••ue "'1:h facts. One fact - and one alone - :-em.a.1:is c,-,ystal clear. !Catie Nanna has faltered at her po•t - she has let the fal!l.11:, do>m, and I shall tr1ng her to tool: without fw-ther (pauoeo, the wind going out of hi• •alls) Oh - she'• gone, hasn't she?

MRS. :S.o.NXS Ye•, c.eorge. Only juot.

There is a RING at the f:sont .door.

MR. :SANKS ( on the phone) I should l!ke a policel!l.!ln•ent r<>und 1:mned1ately --

JI!?'•. Banks open~ tne door to reveal POLICE COUSTABI.E JO~S, a large, hulking""'"·

Mr. Bank• ;nats up "Che phone and turns co Constai>le Jones.

She move• :owa:,-d them, but Mr. Sank• ratoe• a hand.

Jane and Michael slowly advance, Michael otill oarcytng the remnants or the kite.

CONSTAllLE JONES You see., oir, in a manner of opealcing, tt was the ltite that nn away. Not tile children.

Michael holds :he ,:~:e ou: to hi• ra:hor.

Mr. Banks ta,<es the kite f:,,om l'l!ehael ancl throws it on the de•k.

lffl. SANKS I'm grateful to you, C<>nstable, for returrJ.ng the olt:ildren. l':c sure if you go to the ld.tchen, Cook Will ftnd you a plate of somet1t:1ng.

CONSTI.Bl.E JOIIES (coldly) Thank you, o1r. I'll be ret:.irning to ory <iuttes.

,- Tha.nk you, Constable.

The Constable siniles at the Children, the $1llle fading •• he look• up to Mr, Bank•.

CONS'!' I.JlLE JONES Cl<>odnir;ht, •1r.

Jl!R. B.o.NKS Discuss tt• W1th ·~ho111? The ch1ldr~n? Arter all, :hey're rmt quite persons yet, are :hey? (as Ellen comes IN) Ellen - cake Jorie and 11!:!.Chael upstairs straightaway.

i'lr. Sanks i;o:;:s INTO ll. .,l.ng :-ooin, followed Oy "Ir•. aanks. Ellen her:is Jane ""d )lichael UP the •tal.rs.

MIL BAJfKS Next t1:me? ~ dear - you have engaged si:< nannies !n the past four month•, and they' ~e a!l beer. unqualified dioaoters !

MR. 5ANK;S Choosing a nanny for the children 1S an important and delicate task. It r.,.~ulr~, ln>ig:it, halan:e, Judgmem:, and ah!l!ty to read character, Under the ct,:,cumstance,, it may he aproopos to cake J.t upon mys.,lf to selec: the next ;,er,on --

i'IRS. BANKS (rel1eved) Oh, ~orge would you)

Jl!fl. BA!fKS Obv1ousl7 the -.,ay to find a proper nanny 1• to go about 1~ !n a proper fashion. r shall place an advertise- m.,nt in the T1mes. Take th.ts down, please.

Mrs. Banl<s Sit• do= to aer des!< and takes up pen !n !"eadinesa.

Required - Nanny - Firm Respectable No nonaenae -

A llr1t1sh nanny must l>e a gene:,,al ~ .. future Eii,pire l!e• within her Md so the person that we ne~d To mould the bre"d I• a nanny who can give conmands (to hia W1(R) Are you getting tl'.:l.s, W!~.,;.:·,·e:l ' MR$. llANK.S Oh, yeo dear. Every word.

Jl!fl. llANK.S (re,woes s1ng1ng song) A l3r1tloh J:,anlc 1s run -~1th precialon A British home req_Ui:cea nothing lesa Tradl.tion, d1sc1pltne and rules i'lllat J;i, the tool• Without the,. - dl.sor<l":-! Catastroph"!

In short, you l!av" a gha3tly mess:

MRS • 3A/IKS • (writing furtcusly away) Splendid, George! L"">3p1rational! Tl,e T1m"a wtll be so pJ.~ased!

Pacing, Jl!r. Jlank3 turna to see Jane and Michael ln their n.1ghtclotnes, at tile door.

l'!l.chael and Jane come 1.n. Jane has a sheet of writing paper ln he:,, nand.

l'll9. BANKS should cercal::l)' \:hil",k sol

i'IR. BANKS IC wa, indeed I

l'll9 • BAIOCS Very •enslble. ! shall be ,tlad to have your help in th1• matter.

,- Thank you, Father. Tha\:'s why l'IJ.:hael and I wrote th1• advertl,eo,ent.

MR• .!!JINKS Advert1•eotent? For ~?

,- You said you wanted our h@lp

••anted - A Nanny F<>r r-,,o Adorable Children.

( •1ng1ng)'"' rr yo<. want thi• cho1ce position Have a cheery dtspos1t1on Rosy cheeks, no warto

IRS • BANKS (husl:iing nu) George!

(s1ng1ng)'"' Play gaines - all sort• You mt.:at be l<ind You must be >1itty Vecy sweet and very pretty TaltR us on outings - give us treats Sing song• - br1ng sweets --

Mrs. Bani<• looks warningly at him - a.nd he at.:Osides.

(Singing)'"' Never be croso or cruel Never reed t.:a castor <>11 or gruel Love us as a son and daughter Md never s.mell or barley water --

( •1ng1ng)'"' If you ,r0n•t ,cold and ctom!nate ua We ><111 never give :,o" cause tQ hate ua We won't hide yo<u- •peetacles, so 7ou can•: see Put toada 1n your bed Or pepper 1.'l your tea • l!c;rry, Nanny Marry thanks Sincerely -

MlCP.AE:L/IND JANE Jane and i'!ichael Banks,

i'IR. BANKS Thank you. !loot interesting.

1'11". Banl<s puts out hla hand for the sheet of paper with th• adve:-tiaemerit written on 1:. Jane handa :l.t to l!!JII.

Creotfallen, the ch.1ldren go OIJ'l'.

~- BA.NKS I'111 awa:-e they'tt Children, 1"!.:i.1.frltd. I Only oongrat\1late myself I decided to step in and take a b.and ! (glancing at the Children's a<lvertiae• ment, then •lowl:, tear:1.ng it up} Gtva treats! S:l.ng songs) Pla:, ga.meo: Rid:I.CU.l.ous l

le thr<>ws the piece• tnto the cold f:l.replacQ. Then goes to the telephone.

There's no ~uast:1.on in ,riy m.:l.nd. whatsoever! Now ts the t:1.me for acs:tonl

The blta of paper begin to S'!'D. 1'1 the fireplace --

A audcien, :r,ysteriouo Wl!Q p1ck, up the torn bit, of paper w:tth a g~ntle ><hooa/U.ng SOUND,and oends them hurtling up the chlmney

'he torn scraps of paper EMERGE from the chl..mne:,top anci soar upward,. CAMERA PANS Ul' with th" ooraps or paper, aa they wltlrl Ul'WAIIDS into the moonl1t n1ght.

DISSOLVE

95-97 E:XT. 1.DJ1!!RALBOOM'S WEATHERVANE • DAY

95-9

Next a,O=ing. 'The wine!, wJ-.:1,ohhas been whipping brisl<l:, from the WEST, begins to falter. 'The vane turn, slowly, and a new br,.e:e comes on str<>ngly tr<>m :he EAST •-

TheM> 1• the SOUND of th<t booun' a WliISTU: o, s,

CAMERA PANS DOWN to re•,eal A<lm1ral Boom being pipeci aboarci the roof deck of his house . .Binnacle atands at attention.

IUlMIR/IL BOOM I'll take cne report, Mr. E1nnac1e.

~<lm1ral Boom squints :,p coward the vane ••

---------------

Pro<!. 2162 ,,

(~at Rev. 5/17/53)

95-97 CONTINUED ,,_

ADMIRAL BOO!I! Solt la. T1.m" gun '-""ady?

Wl!at la it?

97-A CUlSE ON A!lf!IRAL BOO!'!

aa he loolt,! over the side toward the Bank!' hou.oe.

,a !!IS VIEW - DOl!ll SHOI' .,

A '-"""" of grim-faced applicants fo:,, the Job of Nann;,-, are 1:1.ned up to the dool' and down the sidewalk. They ar. a soml>«r, unatt%'act1ve group, all loolcing ve:ry much alike, w:1th the same lira!> clothe!, the sa.a,e dank hair acrewe<! \lP under a d:l.ng)T bonnet, Each llao a copy of the London Times tuck"<! under har arm. They atand silently, wa:1.t1ng tha atrol<e or eight o'clock.

(o.a.) Ghaatl.y-locld.ng crew, I must aay.

'' '' wno is loold.ng out th" window at the aide of the front door,

ot the sterri, 1.mmcbile faces •tan<Ung 1n lin•.

~. CLOS!'; • EC,LEN ''' as sl)& grimaees, t=• from the >dndow and gees INTO the <Un:ing roco,,

P:-od. 2:62 ,,

(2nd l!ev.6/26/63)

l02-lC4 INr. llXNING ROOM

le._-:

Mr. and Mrs. :9anl<a sre hreakfsat1ng a• Ellen comes IN.

ETtEN ':'he=•• a fsir good queue of 'em out there, s1:-. Shall I send •em 1n now?

Cer-ta1nly not! "'·I aa.J.d '""' e1~t o'clock, and e!Jrnt O'clock lt shall jell:,, well he! (take• out tu.a watch to conault 1t - h1t atands up, lifting tu.a cofre" cup fro,. 1ts saucer) Yes - eight aeconds to go. Slx - five --

Mrs. l3r1ll tlaahea throw:h the diD.ing :'O<llBon hilr wey INTO the livtng room. Mrs. aanka and Ellen beth FJCIT hastily to the living room to ts.J<e up their atattona.

The= ta a thWlder1ng !!0011! or the M.mir!l.l.1a cannon n""t door. I'he Eanl<s' house QIIIVEJl.S, there 1• the SOUNDof the p1ano BANGING lll"OWld in the l1v1ng room o.a.

Tl!E CAMERA1s F"'-'l'URING Mr. Banks. The table 1n front of him

':'he china cab1nat d0C>ra swing back and for-th. 1!1• chair, and the fern in the pot 1n the window b,cy- to hia rear give a noticeable twitch. The chandelie:- over his head ,ways back and forth. The table Bhl.mlllera aw,cy-rrolB beneath h1s hand.

Mr. Banko sw,cy-a bac1< ai,d forth, with dignity, lUce a sea captain on a sto:rmy bridge.. The table ahi...,.rs BA.CK1nto its former position. lie puts the coffee cup down 1n 1ts exact former position.

Jl!R. BANKS Ellen, it 1a now e1ght o'olock.

105 FITE»

,05

positioned ag;Unat the Oh1na cab1.net 1.n the f:-ont room nearby. The p1ano haa come ao:-osa the roolB and 1• nst1ng on Iler htp. With a flip of he:- derriere, Ellen propel• it 0\11' OF SCENE back to its proper p<>s1t1on.

{2nd Rev.

105-A IN THE OININO ROOM ' Jl!r. Bank!I tu.-ns and ;lancaoat hiluelf in the Still SWAYDIG Ollr-ror, adJuoting hi• tie. lie swa.70 gentl7 to ke~p !n line with the Ollrror.

l'!R. l!ANK:3 You ma7 ohow them in - one at a time!

106 ZLI.EN

,06

steadying the cabinet ance again, and going OUT --

EJ:pp, Yes, sir.

107 2XT. NURSERY ,IINDOW JAKE AND MICHAEI.

,07

laak1ng dawn d1scansolate17 at the queue ot nannies.

~= 1'1,ey•re horrible!

( COIITINUEII)

?e-od, 2162

,, (1st l\ev,5/17/6;)

,- (turning awsy) I don't u.-,der,tand. 'I'l>ey're net what we advertiS<td for at all.

TIIED\ VL"'W • DO'IIN SECT

,oa

of !=he qu,.ue of nannieo, A sudden WIND ,tarts up,

108-A

,,,

Mtchael 1! le&n!ng ou: the window, pointing e:<citedly.

Jane turn,, qutcl<ly, and leana <>ut the WUJ.dow-·

108-a TEED VIE\/ - llOIIN ANGLE • QUEUE OP NANNIES

108,

on the front a1dewalk. 'I'l>ey are being severely buffeted· by the wind. Thetr hats, paper• and bag! are blown away, and a couple or umbrellas are blown open and rtppe<1 apart. It 1• a scene or wild conrr.ision.

1aa-c C::.OS:E:l'I• THE NANNIES

108-

Th"" are desperately f1ght1.ng the wind. Suddenly, a ooupla Of the nar.n1eo begtn to riae Off the ground.

108-D CLOSE ON ANDREW

108-

the dog, who haa been watcntng interestedly fr<>m bentnd a poat. lie Pulls back heh.ind the po,t rearft.lll.y. aa he aeea -- ,,, HIS VIEWPOINT • Tl3'.2 NAHl!US ,,,

a• they begin to blew away.

109-A

109-,

blowtni, THROUGHsci::q. One cling, desperately to the fence railing, but she too io blown away,

109-a £7:r. NURSERY 1/DlDOW - JANE AND l'IICl!AEL

109-1

looking down, wateh!n.g the drama 'oelow.

Prod. 2162

(lat Rev. 5/17/63~

1C9-C

109·

as they U'e "ce1ng blown AWAY.

,,o

,,,

/llichael po1nta Ul)ward, as the two c~ldren watch the flight or the departing nannies.

110-A THEIR Vn:it

:10-

of the nannies being "clown over the treetoo, and up over the etty, disappearing into the diatance,

l.l.l

'''

Jane 1• at.ill watehing the nannie,. 111ehael ls looldng out towar,I the Park. Suddenly he points.

(exo1tedly)"'""" - look!

(pointing)"'""" 0-,er the tree•!

'''

looking toward the Park. Across the trees, a PIIJURE appears to be blowing toward theJII. ~ 1t grows in •ize, we begin to reeogDize Jllaey Poppins, cll.ngtng to her opene<t Wlbrella, ,,,

,,,

as the,- watch the al)proaching ftgu.-.,.

Do you suppose '"""'~t•• a w1tcn•

,- or course "ot! Witches have bro0111s:

,,, rB.E.IRrn

'''

or Mary Popp.in~. She !loat, through the air, swing:!.ng g""tly back and !orth as she Clings to the Wllbrella hand.le. Despite the Wl.nd, wl'.ich ia blow:1.ng her 1:1.ke a paraehutist to the Bank:r.' household, her clothes are unruffled, and her hair unmuased. She 1s elaborately unperturbed.

?C'<>d. 2162

(2nd Rev.

•• sne float, aoroso the street, oroosini;; the now deseri:ed fc-:,nt walk and u,, -~o t~e fr<>nt poroh.

116 C:.OSE ON JANZ AND Jl!IC!!A.c.""L

staring out ot ~he nu:-,ery window.

,- t's"•he! :t's the person! answered our adveMoioement! ,,., "'" cheeks and ever:,thi.'>6!

117 ANGLZ TO FRONT PORC!l

'' 7

Macy Poppino comes IN for a g,-ao .. ful land.i.'16, puts down r.er carpetbag, olo•e• her umorella, and eucks it under her aroi. We have a view of the umbrella !'Jandle - th• carve<! !'Jea<i of a jaded, oholeric-lookini;; parrot. $he pulls th& doorbell chord,

118 0MI'!'l'ED

,,a

119 THE FRONT !!ALL

''

3:llen opens the door to R=.VEA!, Mary Poppins.

You mair come in. =One at a t:tme.

MARY _POPPINS Thank :rou!

Mary Poppins lllOVea p&st Ellen and into the living room, O!!T OF SCENE. HOLD ON Ellen & mo,oent ao she looks out the door, puzzled b:r the <ieaerte<i fr-ont walk.

120-125 L~. LIVINQ ROOM

a• Mary Poppins eomeo !II. Mr. ::an;.:s !• po1set: a~ tha ,:iantel. ~illing hi• !)ipe "1th a fir:o, •x~eu:1•1e atr, :le s:arts :o speak

)low then -

MARY POP~IIIS You are the fa:her of Jane ar,d M!.chael 3anl<;;-;-are you not? { she p:-oduceo a paper fr-Qm .~er ':>ag)

Mr, 3anl<s frown,. She 1• rtot qu!te what he expected. Nor had he expected ner to speal< so forthrig.•1:cly.

~- ,~ Ah - you hrought yot.r references. May I see them• r --

MARY POPPI!IS The qualiflcattons, rte"' Cne -A cheery d1spo5ttion. I am never cr-::ss.Ite= T"wo - Rosy cheeks C·bviously. rte= Three --

MR. BANK$ Ex:use me. 1'1ay r? (he tal<.es the paper trom her hand, and stares at it) Sut how did you get this? I :ore i,;; up?

Mary Popp~n• take• the paper out of Mr. Eanl<,;' hand.

-,'

MAR'[ POFP!NS ( continuing) r:em Three - I'lll sure :ne cetil<lren ..-111 f!r,d ,,,,,- gaJ11es e,:;;;::-einely diver:ing (she pauses :o :ook a,: Mr, :3anks, who !a c::-ouc:>ac ove::-, lool<l.r.g up :he cl".1:nney) Have 7ou lost ao.,eth!ng?

l'!r. Banks looks u;, quickly, Oang!n5 tu.s head or, the mantel,

)!fl. 91.NKS Ow! Confound it! Nol That is -- yes! That ;,aper - ! thought I !lad

MAAY t'OPP!NS You are - George Banks - are you not?

~- or course I ain! a::-e -- '

MARY POPP:NS Vecy well then. Item ,Four - I ..,. kind but extrelDely ~irlll -- (she stops agaln as st:ie sees}

ll!r. Banks is tcy1ng to reconstruct in pantomime 1<hat ha did with the pape::-. He to::-e 1: up - and t!lrew J.t in the fi::-aplace.

)LoJly POPPINS I hag yo= pardon. /\re you 111'

MR. BA/fKS {caught in the act) 0~ course r,ot - ! Just -

JIW!Y PQPPINS ~e r-efe~nce here :o my wage~ is •,ecy obscure.

1'!R. llANXS )(ow Just a OlOment --

(CONTINOE:l))

~-. -,~- --"~- ~--<

'

IIJL~.Y?OPPINS We mus;: point, 01Ustn't

MARY POPP!NS : aha:: :-e:;u!:-e •very s@cond ':'·sesoay Q::.

:it:-. 3a.,,ko !s c1,-c:1ng i'\ary Poppins, star.l.r.g at he:o. She stands he,- ;::-our.<:, say!;.g:

)IAl!Y POPPINS On further thoug.it, r O@::i.eve a tr!al pe:-iod ;:1.l.gnt be ,,.1•e --

)!fl. BANKS A tr-1al per:!.od? l don•~ th.ink

MARY ?<lPPl:iS I'll give ;rou one week. I shoul:1 l<;no1< oy then.

)Ill. 3MOCS (eomple:ely ,~~rled) You snould know-?

Mar;, Poppins folds up t~.e ad·,er:1sem@"t, ;,ops !t 1n h1t:- ba;,: and snaps it shu,:.

She tu:-r.s on he:- heel and wal,Cs through tlle door,

126 GU.lSE

on Jll:r. Banks. H.!.! tace 1• a ptc~ure ot f!'Ust:,at1on.

)Ill, ]lA/fKS

127 IN':'. 3AJIKS' l!OtlSE - llALL

'''

)lary Poppins walks to :ooe o: stairs - looks up.

aER VIEW

Michael and Jane loold.ng down througn the :'ailing, of the ftrst :1oor :and.1Cl.g.

Pr,,d. 2162

(l•t Rev. 5/lli./63)

or Mary Poppins at the foot of the sta.iro, a.a ahe

gracefull7

hopo onto the banniater, adJusttng her oa.rpetOa.g

and wo.Orel:a

in her hand.

CLOSE ON JANE AND M:IcaAEL

peeldng throug.'l tl',e ratl!ngs, a loo;; of pu::lement on their face•.

~29-E ':'l!E!R VInl

of Mary Poppins as ohe otarts to sl1de U? the bannister to the landing where the ch:l.l~n a=.

129-C CUlSE ON JANE AND MICRA.EL ,,,

who stare through the ratllngs, tra.nofl.:<ed.

129-!l THEIR VIEW ,,,

of J1a:r,- Poppins a.a !he oonttnuas on up the Oann:!.oter, nearing the lan<Ung.

,,, MEil. CLOSE - JANE I.ND MICRAZI.

ao they pull awey !r010 the Oannlater !n ewe, hUddling together a.gUnst the land!ng wall.

130·

huddling agaJ.nst the wall, as Mary Poppins SLI!lSS Ili'l'O SCENE on the cann.1,ter.

MARY l'llPPINS (looking down at the oh1ld=n, sternly) Close yol.li'" mouth, Michael. You are not_a ood!iSh!

She h<>)ls off the banr.J.ster.

131-A CUlSE ON J"ANE AND MICHAEL

The child=n are too surprl.oed to say an:;th1ng. !Ucha.el closes h.1s mouth, Cut Ooth oh1ldren oonti:iua toota.re ~• Mar:; Poppins passes in front or them.

P:00<1. 2162

35-• (lat ,lev. 5/14/63)

13"2

14ary PopJ):!.na pasoea in fr<>nt or tile oh:1.ld:-en, a• they otand otar1ng at ner.

~e crl1ld,-en tu:-n :·o.look at ner.

l'!AXY :'OPP!lfS E-aot ~oot :orwar<i! Spit spot!

AlJnoot agaiast the:!.,- o"" will, they turn an<! march off obediently, up the stai,-o to the nursery on the t<>p floor.

133-

Mr. Banl<o is crouching at the fl:-eplace, peering IIJ) U,.to the chimney agu,,, as Jlltos. Bank! come a INTO the room.

George!

Mr. Banks involuntarily raiaea hi• heed, a...,_<1bangs :!.t against the bricks agaia.

l!RS. BANKS What on eertll are you doing? I thought you wen 1.nterv1ew:1ag nannies?

l!RS • BA!IKS You mean, you selected one already?

Yeo, yes. It'•"'· all~ over.

l!RS. BA!aS lolell - where 15 she?

( CO!f,L'l.11OED)

Prod. 2l62

;6 (~st '!•v. 6/13/5°'

13:3-136 COIF.INUED

Ml\. BANKS 1/heroe• Oh. t!pota1r• 1n tile nuroery. Of couroe. I put lier otralghtaway to work.

low cl~ver or --=you, George. (t,icJd.ng her a...-m coo1ly in hlo) I'd have muddled tl,e ,,,i,ole thlni;. Tell Ole - 1• she everytl11ng we hoped !he'd l>e'

Ml\. 3ANKS (dimly) Well lt all happened •o qutckly. ' ..

l!I\S • BANKS (quoting her huol>and) I• she flrm? Will ohe gt,,.,cmomands? Will •he mould our young l>reed?

'Ir. Banks ota:-eo at her and h.1! race beg-1n• to lighten --

1!1\. BANKS You know, lc:L-.t.::~c:' r th.lnl< she w:l.ll! (ne smiles) Yesi i:la - !:!!_! I th.ink she~!

In that case, --=perhaps you'd better tell Ellen to di•inl•• the others.

ElJEN (eppear:!.ng a b1t too qUlcltly) Si:-?

l!I\. BANKS Tell ttle oener applicants they may go. The position t:ias been filled.

(blankly) The others, str?

( CONTI!flJl,D)

(1st Rev. 5/l4/6;f

l33-l36 CO!l'l'INl.lED- 2

Ellen ocUl'T:ie• to ~he doer. ,,, CLOSER SHOT - OVER ,,..,l ""N•S • SHOUI.D£FI ,,,

Aa she opens the door-, no one ta on the f,-ont wall<, save for And:-ew, the omall, seated deg-, who locit:, up ouricusl)I". ,,, REVERSE ,,,

to Ellen. She looks out, says to the dog -

EIT:rN The position has been filled.

,,, CLOS£FI ,,,

Th• dog t,.,_-ns and goes.

El,I Ell ,,,

Olosea the door. ,,, IN THE NllRSE!IY ,,,

Mar,- Poppins 1a standing 111 the center of the ro0&, looking around witl'l a ortt1oal eye. The Nom 1a 1n diaan-ay. Toya and clothes Srft littered about.

,_ (apologetioall)I") I'm afr"-ld the nursery's not very tiiiy,

l!AllY POPPINS It 1a rather like a bear pit, ian•t it?

Jane iruil.catea another, ""'all er roQlll, adJo1n.1r11J the nursery and leads the way.

l'!Ic;!!AEI (indicatlng carpetbag) That•a a tunrzy- sort of bag.

/QJIY POPPINS Cari,et.

(CO!hINOEll)

?:'od. 2152

(1st llev. 5/14/63)

CON'l'INUED

To ear:-:, carpets"""'"'" in, you mean'

A• they go th..-ough a pair or double doors -

~s is yoUI' r<lOIO.'"" It has a lovely v1ew of tha Park.

Mary Popp1..-i.a pu:• her bag and umbMtlla down, ""<I lOOlt! ar<,u,,<I.

-JU.RYPOPPilfS (!UM"eying the r<lo:m)

,,, !ED. C:.OSE - IIICRAEt. ,,,

as he reaches out to touch llary Peppin• UlOb"lla. CAXE!!A il!OVES IN CLOSER ON the parrot •a head handle, and we see the pa.-r-ot '• eyes •= oloeed.

142-

ae llichael's hand oomes Il/TO SCENE to touch the parrot's head. The parr<>t suddanl7 opens h.10 eyes, and thrm<s a warning glance 1n l!ichael•• direot1on. 1!1eha•l qU1okfy draws back hi• hand. During above •

(o.s,) I'm afr!lid the ro0lll is rather pla.in -

;.112-B CLO.SE ON !UCJ!AEL

142-:

aa he =•eta in amazement to the parrot's l::aad.

Jl!ARY POPPINS ( 0 ••• ) On the contrary. It'• quite SU1table.

,,, ED. CI.Os.E - MAR'! POPPINS ,,,

She r!t1110vea her hat as she continues to look abou,: the room,

Prod, 2162

(lat Rev.

WIDER I.NOLE - l'!ARY POPPDIS ROOM

Jllary Poppins wall<:! to the table Where !he has placed her carpetbag, The cn.1ldren otand "atcn1..,g her, l<Cnder1ngly.

3he open• the carpetbag, and betore .:ane and Michael'• aaton.1aned eyes, ;,ull• out a ha~r-ack.

/!!ARY l'OPPilfS (pulling out the hatraok} I always say the pr<:>per place to hang a hat 1a on a r.atrac1<.

Aa Macy l'opp1ns 1110ves OUT of SCENE to place the hatraol< 1.., a corner, Jane and Micheel lean forward anx:i.ousl:7 and 1001< in•ide the carpet;,ag, onl)I' to find it empt)I'. Michael p1ok!I up the bas and turns it upoide down.

IIE:O.CLOSE - MARY POPPINS

She hang• up her hat and scarf en the hatrack, and then turns to look :1.:nto a .small mirror hangin11: en the wall.

MARY XlPl'IlfS (loclcing 1n the lllir:-cr) Oh, thia w:tll never do --

WIDER ANGLE - GROUP SRCll'

ao Jl!Bry Popp:1t\a goea back to the carpetbag

MA.RY PllPPINS I JaUCh prefer seetns all !11)1' race at the Oal!IB time.

Aa the Children wat~h, aha lift• :he bag over clooer t<> her and re1110veo a large, gilt-edged m,.,..,r.

CLOSE 011 J/lJm AND i'!IC!!All

i'IICRAEL (in aoton!•lum!nt to Jane) But ther,, waa no~hi-"S in it!

146-B MED. CLOSE - MARY POPl'INS

146-:

She haa hung the ot1r:-cr over tha ehe•t or drawers, and 19 touching at he:,, tia:tr- a, she looks a~ her r,,flection appr,,eiatl'tely

(CONTINU2!l)

P:-od. 2162

(1st ilav. 5/lli./63)"'

146-B CONTINUED

ll:.6-G :r.oSE 011 JI.NE AND MICHAEL

at :hey stare at Mary Poppins, dwobfounded.

_., WIDD ANIJU: - GROUP SRO:-

..''•-,

)far:, Popp!ns hao moved bacl< :o the table and her carpetbag. Aa .;ane looks an, !Uchael crawls under the table to exami.ne :he under•1de of it. During th.ls Mary Poppins reaches into i:he carpetbag and :-emoves a large rubber plant. She carries it out ot scene as Jane and "1chael watch.

JIIED. CLOSE - JANE AND i'IICRAEL

Uchael ts still under the table, and he and Jane look atter Mary Poppins with a•to,Uolllnent.

l!l-7 -B!!E:l. CLOSE - Jl!Altt POPPM

lll-7-

as ahe places the rubber plant near the window, and stands back to !tud7 it critically.

Jl!Altt ?c!P?IIIS P..cmmn. A little 111<>relight pe:-hapa.

,,, WIDER ANGLE - GROUP SHCT ,,,

as Mary Poppins moves back to the carpetbag, and removes a liM.ted :leer lo.mp, which she carries over near thee rubber ,>lint. Michael COJRea out tr<,,. under the table, and Jotns Jane.

148-A CLOSE ON J ,\NE AlfD MIC1!AEL

( ast'tl.e --to IUchael) She ' s -ndertul !

~= ( unconvtnced) I don't know - She'• tricky --

lll-8-B CLOSE ON Jl!Altt POPP!NS

148-l

as she puto the lamp down nsar the r-~l>l>er plant.

P'r<>d. 2162

(lot Re·,. 5/14/63) "'

WIO.ER A.>;GI.2 - QROtlP SHOT ,,,

M!U7 Popp1ns reacheo 1nto her carpetbag aga.1n, •earol!.!ng fo:- somethJ,..ng,as lllcllael once again goes under tile table.

149-A CLOSE ON l'!AAY POPPINS

149-

as she !\olds up the coiled tape measure.

l'!Al'.Y POPPINS Now, stand ove:, !l!ere ..•

149-B t«D. CLOSE - J= AND MICHAEL

Jane does wl!at Mary- Poppins asks will.in~. l!ichael s,-udg.lngly goes to stand next to l!la s1stei',as l'!l!.ry- Poppins comes over to measure them.

MAR1 POPPilfS Head up, l'll.chael. Don't slouch.

Jllary Poppins measures Mlchael fr-oa head to toe.

149-C l!RD. CLOSE - 1W!Y POPPINS

as she i'eads oft the tape. The cl!lldren at and watching her.

'!ARY POPPINS Just aa I thought •.. extremely stubborn and. auspicious.

149-0 IIEVEl!Sl'; SHOT - IIICHAEL AND JANE

149-l

l'll.ohael looks indlgnantl:, at the measuring tape in 11ary P0pp1r.s • har.da.

Ia.inot!

Mary Pappiru, thrusts the tape under Mlchael'a noae.

KPJcr POPPINS See for :,our•alf.

P:'1:ld. 2162

1'.2 (1st llev,5/14/63)

llSERT - Tl!E MEASURING TAPE

l -J·

wl>ich read, "EXTREXE:I,ySTUEBOIINAND SUSPIC!OUS \"

~ra"' (reading "1th d1tf1oulty Q,o.) Extrelllel;r stub-stubborn "-I:d auo,, •.

150 MED. cr.osz - JANE AND MICl!AEI.

Mary Poppins move• around Jane, WhQ 1a g!ggling a: Michael's reaction. She leans :!own and meaaurea Jane from head to toe, "nd ::-eado from the tape.

Jl!iohael atarta to laugh, enjoying Jane's embarraoament.

150-A INSERT - TH!i: KEASID!ING TAPE

150-,

which reads "RATHER INCLINml TO GIOOLE! DOESN'T PUT THINGS AVAY".

150-B CLOSE ON J A111!AND MICHAEL

150-1

as they look up at Jl!ary Pcppt.na, o.•. Jl!1ohael aaka crtt1cally -

~= (to !llary Popptll.o) How about you?

CI.CSE ON MARY POPPINS ,,,

aa •he holds out the end of the tape to Michael.

K= POPPINS Very -11. Hold thia tor me,

151-A WIDEii A11'GLE - JAIi!! AND MJ:CIUEL

151-A

•• they alt on the t1o<>r at Mary Poppins• feet. Jl!1ohae1 holds the t"pe measure to Mary Poppins' toe. CAMERA PANS tlP\IARD aa Jane follow,, the other en<I or the tape ""'""""", which Mary Pcppt.n~ holda to the top of hsr <»<I), heed. CAMERAl'!OVES IN CLOSE on ltary Poppt.ns aa aha t&it~~ the tape meaaur<> a.ml reada 1t

l'IAfl:r POPPIHS (loold.ng at tape meaBure) Just aa I thought --

Prod. 2162

(1st Rev.

151-B DISERT • !'IEASORING TAPE

whl<m ~ado "MAR? POPPINS, !'RACTICAU.Y !'IDU>!;:C'!' IN EOE!\:! WA.Yff.

151-C C:.OSE • J AliE ANDMICHAEL

Mary Peppin,? '""I• that your n4!Dlt? It's lo,,.ely.

151-0 CLOSE ON llARY POl'l'INS

151- llARY POl'PINS ThanJc :fOU, I've alwayo liked it, (conoulto her lapel watch) Now then, shall ,... get on "1th it?

,,, WIDER ANOLE - GROUP SHO'l'

,,,

Mary l'oppino, follo.,.d by the ohilc1r•n, wallcs baok to the table and takes an apron rroii, the group or things she haa ~ed from her carpetbag.

MARY POP!'!NS In your advert1•e..,nt, )'Ou '11d, did you not, speotfically request 1 l'l~ Oamea'?

llARY !'OPPDIS (putting on tile apron) Very well •. OUr firs!: game 1• called. - 'Well begun 1a half done'.

~= ( auop1 oiously) I don't like the SOW"Jdof it.

llARY POl'PINS (a, she moves towai"d. the nursery) otherwise ent1tl"'1, 'Let'• tl.dy up the nursery t •

F:,o,;. 2162

~2-l (l•t Rev. 5/14/63)

152-A CI.OSE OH .TAu:;: AllD /l!IC!lAEl,

153 Cl.CSE OH !ORY POPPINS

1;3

as •he tc.rns to loolc; at :he children, Oefore entering nur•er:,.

1"RY POPP!HS Indee<1?

CI.CSE OH JANE AND MICl'.AEL ,,,

,- It lo a game, 1on•t it, Mary Popplno?

155 k"Ill!l:R A.NOl.2 - GROUP SRO'!'

ao Ma:<7 Poppins •tando looking down at the ohildran. '''

156-159 I'.f THE HURS~

156-11

as Mar:, Poppins coo,eo IN, ;:,1clUng up an O<>eaoional ohoe, rubbing a r1nger a~cmg the edge of the rurnttura to deter,nine the amoun,;: of accU!Wlated dust.

l!icM.el and Jane have stopped at the door to watch. l!ichael 1• ocorn!'Ul -

( opoken)"'""" Fun? I/here•• the !'un•

III= I don't belie~e it.

( CON'!'l.1'10.e:D)

-----·--

1~6-l MAR'! ?CPPlNS (singing) l.r:d evecy task we under~al<e 3ecomeo a ;,ie:e of cake A lark - a o;,ree It's ver-J ::ear ~o see --

':'hat a spoonful or suga,- 11elps the l!le,Ucine go down :M medlci::e go down-own J,\e<:tclne go :own Just • spoor.fo.il or sugar lelps the med1c1r.e go down ~ a moot <ie11j-htful "al' ( spoken Sturry 1:1. here --

She goes to the >n.ndow and th::-ows it open, loo1<1ng out --

160 l!E'IERSE

,,,

on Ma:-y Poppins. A SOUND er a. .-obln o. s.

of • :'Obin and his mate Ousr ·.:1th nest ])uilding -- '''

The male r-<>hin flies OUT of SCEllE towa::-d Mary Pop;,1ns --

:62-165 MARY ?OPPINS

162-16;

reaches down our op SCENE an<! hr:!.ngs the ::-Obin INTO SCENE, perche<i "n her tinger. The r-<>hln whistles an INTRO an<! OBJ.,IGATO as Macy Poppins sin6• the ohorus.

(CONTINO£D)

,,- •Ca - ~----

MAAY ?CPPINS (sing!ng) ?or a spoonful or ·sugar clelps the med1:1ne go do..,,-, The medi:tr.e go :own-own Me<'.:.!c1ne go <lOwn

Helps Cl:1e otedicir,e go down n a lll¢s;; del!;,ntful ·•ay

':'he rnl:!n goes Oa:k OU';' to :~::i!sll .~!•nest, and llat"J :'oppins :lo••• the ••tr.dow,

i'!ary Poppins turns :o he,:, :ask in the nurser,,-. '01tl> a snap of her f1nge:-s, Piles ot clothing leap oft the floor, folding t11e1uel•1es ~n ,aid-air, placing the,.sel·,es in Ma,-y's hands. Bu:oe~u ar.d d:-esser dra>1ers open to receive th.em. Weacy-looking an1!0.lil.s and dolls •tra1~:en up. Jlll.chael and Jane look on, Wicle-eyad.

Jene wanes to help. ~lls and l:ooks leap from their scattered place, into b.er arms.

MICHA.<o"'L (fiercely, in a low tone, to Jane) You can't play: You're not a p:-ac:ically ;,erfec: person!

JAITT: I don•: care!

mchael h"s1taees a. lll0Jnent, then can't stand it any longe:-. He ~oins the Tidying-Up Ga..<neand i.s •11rtually buried under the toys ar,d clothes that leap at him,

1E6 MARY POP?INS

watches the children a: work, then .~eves toward her own room, :'"moving the star:hed apron as she c!oes --

:v.RY P<JP?L'IS E.,.en such Prac:1:all:r Perfect Persona as - ( •1nsing) The noneybee, that :etch t!l.e nectar '!'om the flowers to the comb Never tire of ev~r l:uzztng '::'o and fro,

IN MARY ?CPP!NS • P.OCM

Sl,e •tando Oe~ore he:- m:L:-:-or :uc~:1.g a s-orant of .'la!:- o:- ~'-"'O i:1. place, !nten-o on her refleo,oion. In one o.g., M:l.:c.ael and Jane ire SC\.:r::"/ing a::-ou.'ld the nurse::";, clean!ng ~l> -

MARY POP:'L'iS (Si:>ging) 9ecau,e :hey :<Me a littl• ~ip -

)!ary Poppins and her reflection sing the next line together.

IIIARY POP?!NS I.ND !ER REFLECTION (sir.g1ng) And hence '!.'hey find Their task is not a grind -

)la,-y Poppins begins to WHISTLE, putt1:ig on her hat. She co,nes INTO the nu::-ser:;.

170-1~0 IN TIE NURSERY

170-19<

Me:-:, Poppins picks up the Children'• hat and coa1:s. She glances a,: her lapel watch.

'•"1th her umbrella, Mary Poppina TA?S OUT t!me, plok!.ng up the T:C:,U,Oof the music.

No", the nurse,-y fairly hums with the S?EEDCJ-U? act1v1i;y. Shoes spring up, asserting and ::-eaosorting, ma:::-ching into closets, - the bed makes 1tselr, the bureau t11!es itself up at a starn glance from Mliry- Poppins. Toya race into thei,- proper places, and there ts a final frenzied Ours;: or aetivit7. l!&ry Poppins turns All/,.Y - 'Out .:here 10 a secondary frenzy of OIOVements •• tha toys, b<>r0au dr&wars, doo,.., kce,ep opening an<! •hutting, reluctant to i;tva up the game. Mary Poppins :urno, "atehl.ng it all aaug.'ltJ.ly tor .a mo01ent. Everyt.'llng subsides wider her gaz~.

(COIITINUEO)

Prod. 2162

(1st l\ev. 5/14/63)"'

lT:l-190 CONTlnm:Il :ro~t!

(e:,;uberant) "'"'"' Let'• do that aga1n!

He pick>! up an &rlltl.osd ot toys and :I.a about to hurl them tack onto the floor.

i1!ARYP<lPPINS (conoult1ng her lapel watch) T!:tat wlll be surr1c:1.ent, th.onlc you. It 1• time for our outing in th" Park.

r i:!on't want ru,"'""" out:l.ng\ I want to tidy up the nursery aga1n\

The toys wriggle out ot hi• sr:n., and hack onto the shelves.

190-A I/IDER WG!..E - GI\OUP SHor

190-A

CAMERA PANS \iITli them as Mary Poppina leads the way to th" door, with th" oh!ld~n rosrch1ng behind her, haat:1.ly putt:l.ng on their hat a ruid coats.

As Mary Poppins goea OUT the door, CA!'!ERAMOVES IN CLOSER on Jane and Jlliohael as they hurry ~ter her.

,,, £XT. SECOND FLOOR LANDDfO

n1..,, 1• dusting the balustrade. She looks up •• ohe !EARS the o.s. singing.

46-; (lat Rev. 5/14/63)

JANE AND Jl!ICHAEL ( s1ngl.ng) Juat a spoonful of sugar •

l9l-!l

191-

on lllen, as •he stands watchliii;; the111, clW!lbfou.nded.

JANE Allll·MICEAEI. ( al.ni;;ing o • a . ) E:elpa the medioine go clown In a most delightful way -

191-C

~llen otarub baok aa l!ar;r Poppina, Jane and Michael Slide PJ\.ST her on the bannloter. Jana turno to ·s11111e at Ellen,

191-D CLOSE 011 EI• FY,,

191-1

aa ahe watehea the111 continue on clown the bannl.ater,

191-E iiER VIZW- • DOW SHOT

191-.1

or Mar;r Peppin• and the Childr~n, all.ding down toward the front door.

191-Ji'

· 191-P

on Ellen aa ahe atares wide-eyed at the group.

192 EEi! VIE',/ - DOW!! SHOT

,,,

or !lle.r;r Poppins and the ohil:iren aa they deharlc gracefully. Led by Mary Poppino, they 111arch toward the fr<>nt door, which O!'mm by ttaelf, lfithout a pause, Mary Poppt11s goes OUT the door. The ohild:-en turn to. wa'le at ?J.len, then follow Kar;r Popptno OUT th& deer, aa it CLOSES by itself behind them.

1!ED. CLOSE - EI I F:/l ,,,

stancl.1ng on the land.tng. She l<>clcs at the baluatracle, then g~tting an 1clea, olin:ba aboard tt ancl atarts _to otng.

EIJE>r (atng1ng) Just a apocnful or sugar •

p,-od. 2162

46-3 (l•t Rev. 5/14/631

194 R...~.SE SECT - M!'.S. ll1UL1.

:;11

wl!<>Ila• ~ust come INTO the rr-ont hall. SIie looks up 1n aston1sl'.ment at Ellen.

( •ir.ging= o ·•.) •;::ps :he :r1edic!ne go down -

or Ellen, as sl!e •11:le• down tile bannis~er to tile front hall, •1ng1ni. ._.,d dusting as •he goes,

::r• ON (o1ng:uig) Jl!edicine go down-own

:'!E'VERSEAND CLOSE

on M,,s, Erill, who react, 1n horror a• Bha watcl!es Ellen•a '" descent.

...,.,tEN (singing o.,.) lled:iclne go do>l?l -

296-A

or Ellen as ah& hits the bottom at rull opeed. SIie comes orr ,tagger1ng •l1gl!tl7, regain• her balance and d:mces past the aston.ished e7es of /!rs. :Brill, !l1ck1ng an Lmag.1nar:, l>lt ot dust off her a• ohe go•• l,7, =~ slUT OP SCfilli:,

(oingtng) In a most delightf'->l wa7 -

''' CRANE MOVING DOWN

A carriage pao,eo Tl!ROUGH SCENE in f.g. A half-<!o~en or oo portrUto and landocapea have been done ~n colored chalk on the sidewalk near :he park wall. The oubJecta include var~ou•lr - "?unting on the Thueo', "Heru-:, 'J'III", "A Still 11:e", A Country Circus" and other t!me-worn CN>wd-plaaoero. A placard nearby otatea '"°destly, "All My o.m w<lrk". A few pas,eroby atop to look at the pict=es, and then continue on their way.

1'1:e ai~ewalk a1"t1•t 1• 3ert, whom we !llet !n the openi"g scene ao a one-inan Oa.'1.d. CA.l!ERA MOVES OP BEHIND Sert, revealing h.1m at work on a lovely ocene of pastoral E:ngland. ':'he bright, fresh ooloro atand out atron,i;l:, agatnst the •urround:l.ngs.

~~ (stng.1ng) Chll, thlm-tn-ey ChiJO, Ch11!1-in-ey Ch:l.io, chl.m oher-oo I cl.oeo what r l:!.ke• i\nd I 11kea what I do (he turna Sllghtl:11'. loold.ng coward CAMERA) 'TJllo, art lovera!

MED. CLOSE - BERT ,,,

li'itl> bits of chalk f1ttecl. to the ead of an e,:tens1on stlelc, Bert moves around eo.sily ancl. e,:taeberantl7, SHAllIIIG, defin:l.ng, artf'lllly Lmproving each picture with a praotiaecl. l>and.

(oi:,ging)'"" Toda1 I'm o. oereever And as you can oee A •c=e,,er 's an artist or '1gheot degree -

198-A Ml'l>. CLOSE - TSE CHALK DRAI/INGS

198-,

( oinging'"" o ·•.) And it's 0.11 me own wcrk From me cwn memory --

'rod. 216~

,a (lot Rov. 5/!3/631

198-E ~OSE ON :3EIIT

:;;9E

( op.. alcing)""' Not Rcya.l Acadeory, I •uppoae - Still they're better than a f1ngar in th" eye, ain't :hey?

'OIDER ANGLE - EERT

l99

a, he dance• f:-,,,. por~ra1t to portrUt, ualng the exten•!on ot1ck to :ouch-up and Lmprove them.

~~ ( oing1ng) Ch.tm, ch.tm-in-ey Ch.tm, eh1.m-in--ey Chim, chi!O-cheroo I drawers ....,t I likea And. I likea W<>t I d.r,ow -

,oo MEl:I, CLOSE - EERT

,oo

ao he geto down on h1o kn"••· Putting th" axtena1oti ,tick aaide, he oalecta a rew colored chall<ll from a pile, and quickly draws another picture.

( singing)= No ntmuneration Doe• I aak ot 7""

or a copper or two ••

,o,

~Cl

of the picture Bert hao Juot completed. Sa places Ma cap 1n the m1ddle or the picture, ><h1ch ha• a banner running ac:-oaa the top reading, • JI.I,L COll'l'RI!lllTIOll'S ,IEI,COME".

( !l.nglng ""'O ••• ) lie cap would be glad or a c<lpper cl"'two --

,o, DOW!f s;JCI!' - SithvOE'l"I-"-'>

'''

or lllary Poppins and the child.r,,n, aa they appaa:- on the pavesent.

(o1ng1.ng= o.o.) Ch.tm cti1.m-1n-ey Cn1.m ctll.m-tn-ey -

( CONTJ::i'UED)

P:-od. 2162

·o (lat Rev. 5/13/63 !-

CONTDIUEP, ,,,

Ao Mary l'opp!na' o1lhouett& appearo over the portrait on whioh Bert 15 worlc:1ng --

(opokan) - Wait! 'Old it! Stay rig.'l.t wtiare you are !

202-A INSERT - KARY POPPINS' S!I.HOIJZ'!'l'?

ao Bert'a hand trace• around !t.

{o.a.) I'd know that silhouette anywhere!

(loold.ng up) "" llary Popp1n1!

,,, GROUl' SHOT - Jl!I\RY POPPINS, BERT AND THE Cl!II.DREll

''' KARY l'Ol'l'INS It's ~ce to see you again, Bert. I e:,.pect you 11:r!owJane and 111ehael.

Well, I've aean- them ' er" and about - chaa1n• a k:1te last tl.mtt, weren't 1t?

Jane =cl. Michael respond w.l.tn a small eu.-tay =cl. bow,

204-A CLOSE - JANE AHD MICHi.EL

204-

,- . llary PoP'l'ina 1• tald.ng us to the Park.

204-B CLOSE ON BERT

To the Park:? Not if I know "" Jl!ary Poppins! other nanntea take c:hildren to parl<ll ...•

a, (1st l\ev. 5/13/6§"

2G4-C C!.OSE ON CHILDR3:N

•• they ,-eact to Be,-t 's wards.

( 0 ••. ) "'' But "hen :,ou're w1th Mary Poppins •• Uddenl:,t -- you 1re 1n place! you :'.!ever d,-e..,.ed o~ - and qu.1ck a, you can say, 'Bo"o's :ro= uncle!' - the meat ur,uaual tt~ngs beg:l.n to 'appen I

c:;:.;;5E ON JV.."Y POPPINS

20l:-l

,05 GROG' SHO':' - =, MARY POPPINS ANO THE CJULlll'.EN

ao;

Jo!:l.ndyou, 1t's "''not ll1'J plo.ee to conJecture, but what she Pr<:>bably 'as 1n !Und is a Jolly 'ollday somewhere or other, (leading the chlldren over to the drawings) Something along Chese lir.es, ~ shouldn't 1>e •=r1sec1 --

As the children look down at the clraw1ngo, Bert s.tntles at ~ary Poppina.

206 DISEIE

or the chalk draWing, 'Punting on t?'.:e Thames",

(o.s.) - Punting on the Thames •• that'$ always good, 1r you like outings.

,o,

with hi• drawing stick, Bert mime• the fella>< polln,g the boat in the draw::l.ng for the ectterta!r.ment of the Ch1ld,-en. He pretend~ the pole becomes stuck in the mud, cla..~ers on 1: and fall•. The Chlld:-en !augh.

( ela.mi,e,-tr.g•= on the pole) ru.ver•• a hit ~tloky today --

Prod. 2162

(1st Rev. 5/:3/63)

208 CLOSE CN MARY ?OPP!NS

:,,,_'fr (lnd!ca~ing drawing) The C1roua! 'Cw about a level:, ctrcua? Liona and tlge::,s! --

,,, INSERT ,,o

A chalk drawing of a •Mall country circus, I< man on a

-, ( 0 ••• ) World frucoua artistes, performing death-<iefy!ng feato of d«,:tertty and •ldll before your ve<7 eyes!

21!

111mclc1ng the action of the p!cture, S..rt pretend.a to ride a =cycle for the benefit of the a:nus"d bo:,.

212 CLOSE ON MARY POPPINS ,,,

who leeks on, disapprovingly.

,,, CLOSE ON JANE ,,;

as •he look,!I down at one of the other chalk dra .. 1ngs,

,_ Oh - that's lovely! If ycu Pleaae, l 'd lllUCh ratl:er ge there --

( CONTINUEil)

?r-<>d. 2162

~ . {lat Rev. 5/13/f '

213 CONT!NUED

:3eI"t and Michael come up behind Jane to 1001< over her '' ahoulder at i:he draw<..ng.

-, :3eaut1!'.l.!, Un•~ !:?

IMS:'.'l'~

of the paator~l drawing --

( 0 • s . ) A typical Engliah country-aide, aa done by a true and lovin' 'and. Wot•s mor .. , tho you ""-"'t ,.,., it, there' a a little country- ra1r down that road and over the hill.

21!

loold.ng down at the Plcture.

(criticall:,-)"~= I don't aee an:,- r<>ad

llot? No road? -

2::.6 INSERT - THE DRAWDIG

as Bert'• ll'AND comea INTO SCEN:E:, and deftl:,- aketchea a road down the center or the l'1ctur•.

(o.a.) One country- """d - aUltable tor trav,.l and '1gh adventure!

217 IJROUP SHOT • !!ERT, IWcr POPPINS A!i'.DTHE C!!ILDRE:N

,,,

Jane and Jl!iohael are clamoring and bounding a~out lbry- Popplns.

Jllay we go, Mar;y"= l'Ol'l'J.na? Please! May we?

( COlfTilfUW)

(lat Rav. 5/13/63f

,,,

21' ,_

It's such a lovely Place. Don't 7ou th1.nk 1t'• lovel:;r, l'!a:ry Poppin•?

217-A &!IT IJID THE CIII!.DREN

". ·-

No"'" the ~!me,""' Macy :!'opp1ns! No one'• loold.ng!

l{!CB'.A£L AflD JANE Plaa,e, Mary Peppin•. Plaa,e!

CLOSE Ol! 10..'<Y POPPINS ,, '''

Jl!ARY POPPIKS I have no intention of IIU!ld.ng a spaetacle of m;ysalf, thanlt you.

,,, CLOSE CH &RT AND THE Cl!Il.DREll

21s

( oonapiratoriallj ,, "" Jane and Jllichaal Th•o:1 I 111 do it m;irself,

~= Do wltat?

u~ (...._tohing the act:ton to "Me ""r<I•) llit of "18.gie. It's ea,,--,_r! 'You W1nl( - 'You think - 'You do a double hllnk --

,,,

He ta.J<es their hands, and gets ready to Jump -

(clo•ing -hl• "7••l 'You olosa ;rour eyea arul --

,,,

CAMERA Si!OOTIHG PRO!'! 3El!IllD, as hOld.ing hattda, they all .Jump Ulto the chalk d.:-aw:ing --

( CO!fTnm::D)

Prod. 2162

(lot Rev. 5/!3/6:l l '"

,,, COll'l"DIOED

~

They l:md 1n the lllidcU .. or the d::-aw1ng, but IO.UChtc Bert'. surprioe, nothing happen,.

MED . CLOSE - 3EJIT AND TSE CHILDREN ''' Jane and Jll:1:ho.el otand loo,:ing•up at Bert queotloni!lgly.

,- r. 0011t11th1ng,upposed to hapi;,en?

,,, CLOSE ON MARY POPPINS

MARY l'OPPDIS ''' (oever•l:r) Bert, what utter nonoenoel

,,, EERT, MARY POl'l'DIS Alfll THE ClilLDRElf ,,,

Mary Poppina open• her Ullll>rella, and otap, over to where Bert and the C!lildren ,u-,. otancilng next to the pastoral. ocene.

IE!). CI.CSE - OROIJP S!fO'l' ,,, ''" Mary Popp1na llolda her UJDbrella over the group, ao the:, otand in front or the ch-anng.

,,; GROUP SHOT • wrn ANGLE ,,;

On the count or three, tha:, all leep up together, and IIITO the chalk drawing.

Prod. 2162 cc

(~:1.d R~Y. 6/l/5{)

''' ;cLLY HOL!DAY SEQUZNCE - 11:Ef'LACEDBY Jll-1T!IRCI Jll-228 - (LIVE ACTION AND AJ!T..MATIONCOMl!Il!ED) '" --- '~"3;:

J""rl-lEXT. E:NGLI5H COUNTRYSIDE - IIAHY POPPINS, 3Ef\T AND ClULllREH

,J7I-l

A stJlized vero1on of the pastoral SCDIE - done 1n chalk tones and nues. As the ch.all< duot Bettles, M.,ry Popi,ins and • the otner• look at each other in delight and surprise, •• they stand in tne :n:!.ddle of a w:l.nding 001.ntry" road.

i'!ary Pop~ins, look1ng a ;:-eat deal younger, 1• dreosed in the airiest o~ !'a->iuon. A large sweep1ng hat, "1th a lons cur!ine; feat~er, ,noes wit~ ~1amond bucltle,, f!ne wlUte gloves, and a silk umtr-•lla Jaake up an ensemble to dazzle the eye.

Bert too, 1• younger lootlrrg. He looks ,crubbed and •IUn!ng ln whlte flannels, red and green blazer, straw boater and cane·, 1'.ionael end .Jane, aave fo:- the chalky hue to their clothes, ~r• muon the sao,e.

Fr<>rn o,s. come, the faint SOl!Nll of ,aerry-go-row:,d MUSIC.

-'H-2 3ERT AND 11AHYPOPPINS

m-,

(tu.--ning- to M.,ry) i'!a:-y Poppins l You loo I< l>•autiful i

You do, for rair! l..lke th• r1rat - day I me: ")'"OU.

m-,

MAR¥ POPPINS You look f~ne, too, Bert.

m-s

,_ (loold.ng around) Eve:-Y,:hl.ng's oo lovely!

Jl!ICHAEt (to Sort) I thought you said there was a fair.

(ls: Rev. 5/2/63)

,- (~•1ng !l.1! oane to point the way) So I dl.~. 1lown the :-oad, and ove:, the h.!ll, remember?

:a.-,e Cakes ~<:~ael '• c.ar.d, and they ,::art o~: 1~ the Q...,<:tion

Come on: hear:~• 11i,,ato from the :nerry-50-:cound:

As they d.taappear ove:r • hill -

JH-10 3!::RT !JO MARY POPPINS

(,tng:.ng) - Aln't it a glo:etou• d~! P..l.gl).t a• a mot"!lin' 1n May

(sing!ng)= I ~eel like I could fly:

;H-12 3E.;r.' /JfD MARY POPPINS - L::lNGER ANGLE

1'IARY POPP!NS {op~kon) None of your :a,-l<.l.ng about, ~ow --

(CONTINUE:i)

,- (lot Rev. S/2/6;)

•a -..--

( s1ng1ng)= ~ave you evo:- seen

"~ it!' (s~n~ng, ge•oure, ;,1th hl• o,ane) :'he gr••• so g:-esn• Or~ tlu•r olcy!

,,!-:-' ~R'.!' AND i'IARY ?O??!NS - CLOSER ANGLE

(sing1ng)= Oh, it'• a Jolly '011day With 11-acy Mary makes your 'eart so light --

10.RY POPPINS (opok<m) Haven't changed • Ott, have yeu?

:::.CSE: ON BERT

Jl!-11

(slr.gj.ng) - When the <lay 1• gray one:! ord1nacy

Jl!-17 WIJER AHCU.E- BER'!' AND KAXr POPPIHS

Jn-l~

a, they •troll along the path tlu-ough the oountryoide.

(suiging) - Kacy -· the •= SMDtt Or1ght

'I.ARY POPP!NS ( spoken) o,, gj.ve over, E,itrt --

(o<r,g1ng)= 'App1neos 1• Oloom1n• all a.round 'er - The <iaffoltils are "'111n' at the <love --

-----·---

(lst Rev. 5/2/63)

••• - Q "·'-•-

_,

(sl<>glng) W1len Ma:-y •o~d• your 'and You teel so g:-and -

... . ~ "•"·-~ ~LCSE ON BERT

as .oe ;,laoeo r.is hand !n•1<l• ~• coat over 0.1• h~a:rt, and jemon,crate, 1:, ;,alpatatlono. With hia cane he haa:s out c~.e rc.yt:un on the top or hi• boater, forcing it down ever ~1• "Y••

-, (singing) Your 'ear: starts beating Like • big brass Oand --

J~-2C ~LCSE ON MARYPOPPTNS JH-2C

MP.RY POPPIJfS (opoken) L:.g.~t-headed, :nat'• >ll"l&t 7ou are!

J:'i-21 MARY POPPINS Alm l!l1Jl'.r

{olngj.ng) - Ol"l, !t's & Jolly 'Oliday with Kary No wonder that it'• ll!ary that ..e love:

J:'i-22 IIIDEJ! I\NG:...:E:- .MARY POPPI?i'S ARD BERT JH-2~

They have come to a otile ,epa.rating the lane t:-c,m a o.me.11 far,oyar<I. Eert lifts ll!ary P<lppina onto the •tile, and J..s POLL.:DOVER hillloelr by the energy or hi• g•oture.

Jl!-23 :EEI\T /,JI!! A GROUP OP PARM AHD1AI.S

who gathpr a:-<>Wldto add their tr1butes to Mary Popp1ns.

ANnlAL AD-LIBS 'Ear! 'Earl -· Right y•aral

JH-24 MA.'lYPOPPINS Ami !!ERT JJ!-24

Ma:,,,r P~noins sits on the fence, watch1ns ODf)rcv1n~ly ao Sert, using ~• cane as a baton, lead• the ona,a10 1n song.

JH·25 A LAf!llE RA}!

,~ ( al.ng!ng ) Oh, !t 's a Jolly 'Oliday rlth llary •

-----·---

F:,o<!. 2162

(1st Rev. 5/2/63)

;R-26 WIDER A!IGLE - MARYPOPPDIS, :SERT .o.Nl>Tl!IIE:1:LAMBS .;'!l-2 -- The lambs hound pa•t Macy Peppin• and .s,,r,;,

,_

(s1n~g) Ma:"y ""'=•your •eart so ligl'!ti

He is jolne<l by a CO\/ -

,~ (oln&lill;) i'!&cy ~akes the sun Shine bright --

J:~-28 A TR!O OF GEESE

The geese scatter •• a PIO 1ntrudoo to add lu• praises

,,, The datro<Ul• a:-e s"'111ng at the dove Sno:-t : Snor. !

Bert help• Macy ?oppino down from the tente, and th~ 1nlm1l• all join in >n.th hill1 to olltg tha oho?'Uo.

(atnging)- - """""' When 111u7 'olds you::- 'and You reel ao ;ranc1 •• (aert lead• !'lar:, Pc,p~ino

•

through tho ta.rm;rU<IJ You'n 'cart atarto beating Ll,ka a big br••• hand --

JH-30 GROUP Sl!OT • DRAY l!ORSE AlfI) AlfDl1'LS

Uoing tuo hoof, the <U'q horse heato out the reyj:11111.on. a washtub hanging against the barn wall.

DRAY l!ORS:e: Bang I Ba.ng ! Bang! Bang I

?rod. 2162

(lot Rev. 5/~/63)

"""!l-31 GROUP SHOT - "1ARY POPPINS, BERT AND AND!AI.S

•- ·'

T:le an1 ... 1., in h.g. l<>ok on•• i'!ar:, Poppins and Bert "alk through farmyard and CIJ'l' of SC'ENJ!.

ANIMALS It =T (o1ngl.ng) It's a Jolly 'Oll.<l.ay with Mary -- ( HOLD ON GROUP SHOT or ANIM/.l.S 01.ng.1."'S) No w<>nde:,- tll.at lt '• l!ery tMt we love i

m-3

T11.e7 a:,-e just coll'.l!.ni, tfil'~ugn. tele gate. Sert closes it hell.ind 11.!.mand leans n1, cane against it. He takes~ Popp1na' ~•raool, and >11th a flou:-1ot-., closes 1: and l•an• it next to 11.1s cane.

o7i-33 WUlER "-NGU: - 3E~T AND 11A!!Y POP?INS

Jli-3,

E@rt takes Ma:-y Poppins• hand, and tll.ey d"-~Ce through the count:-yo1de, awoy fro,o the farmyard.

as they rise fr<>JII :heir place aga.tnst the gat•, and float •~.roug.~ the air in pursuit of l!a:-y Peppin• and Bel"t •

as they danoe tCl:t'ough the counoryside, tollo>1ed by the

Jl!-36 cr.osER - Hll!!T AND KAin' POPPIKS

•t~lling hand-in-hand thrOUih e grove of trees. A rlo~k of llird, fly overhead and. the roreot an111l&J.o eome out to ~et them.

J,i"-37 3J:.""RTAND 11A!!Y POPPINS

They stop in a field or wild flower,. Sen pick• a bouquet and gallantly pttse,,t, 1t to Mary Popp:Lno.

JH-38 CLOSE ON 1'IARY POPPINS

J'll-30

a, she appreciatively ,m.iffa the flower•.Suddenly the ~lower• eo,ne to life 1n her hands, ""'1 atttrano.!"ormed into a myriad of flying butterflleo.

,_-, ("st Rev. 5/2/63)

,,;.39 WID:;:F>.A.'IOU: - !!a.7\T AND 1'IAJIT POPPINS

s::ool"ing :h:eough tC.e fore,,, followe~ O:, the ani.m.>ls and b~tcerflieo in ~.g.

The animals have followe~ ilert and !ole.ry Popp1ns to a pond ~."l•b!ce~ ty two turc:es. ::'lle cane an~ ;,aeoasol fly 1.nto sc•:.e. and ~:,-, ana Mary Popptr., :-each ~P t¢ graap them.

~ '" ~LCS;;l'[ - 3E!'.T llJ!D 1'1ARYPC?P:rns -~---

JH-4;

,"E-42~ EEP.T AN:) MA.'!YPOPPINS

JH--4;

A• te.e a'11.mal• look on, Se:ot assists Mary Poppins o":o th~ Caok o~ one of the t<>rtle,.

JH-1:.3 OMIT'!::srl

tnd feet or 1'!ary Popptno and Bert, a• :hey otep lt;;lltly onto :ne ~acks or the tu:-tlea.

,H.c.4 OMI'lT==il

•• they gltje acr<>oo the pond on the baeka of the turtl•~. I:1 b.g. <he forest an1m.a.ls waton the depart!ng f1gur*s.

::LOSE ON D' 'tl' AND /!!ARY POPPINS

eoh~ing l1ghtly on :ne backo of the tur:le,.

WIDER ANGLE - 3E:flT I.ND /!!ARY POPPINS

ao :cl-.oy :-each the hank. 30:-t helps Mary l'opp1na •• ohe alights from one t=<le•• back, and cums to thank tne tu.-tle.

KARY POPP!NS (to o.a. turtl•l ~&nk you, ve"l' m~cn.

,, (lst Rev. 5/2/63)

"•--

-~--,~- '•n

co !r.clude :he pond and :=tl••• Bert and Mar:; Poppins ss=d a: :he foe: or a SOlal: or!dge Wh!c.~ spar.s a otre.,.. Ma:-)' Poppins waves goodtye :o >he :u:o:;les, ao :!er: offers he:- -"'1•arC11.

C~~SER - = AND ~A?Y P0PP!NS

MAP.'! POPPINS (,tng!ng) Oh, 1:'• • Jolly ~ol!day with you, 3e-rt • Gentlemen l!ke you a:-o few -

(spoken) A vant•h1ng Oroed, that's Ole.

JH-51 \i!DE ANG~ - B£RT A.ND MA.,¥ POPPINS

JJ!-51

•• they pause in tho !Uddle of the Cridge.

'lie~ POPPINS {s1ni;ing) :'hough you're just a diamoncl in the rou;J,, !!eM • \!nde~ea:h your hlood 1a Olue.

• JJl-52

[spoken)""' Co1111110nknowledge, you misht •~•

llAR:r POPP!NS (sing1ng) You'd never thlnl< of pressing your advanta;e Porhearanoe 1! tho hallmark of your oreed, •

er.cs;;:ON oE:;tT

Prod. 2162

C:LOS:E: - MIUrl POPPINS I.ND :BERT

MA.U" POPPINS l•!ng1ng) A lady needn't fear When you are near 7our •weet gentility 10 tryst~l tlea:r --

R::FL.',::":"!~lf SHCT - :9E..~ A./ID !'!ARY POPPINS

~A.~ P~PP:NS' '!EF'..tCTION ( s!ni,l.ng) Oh, 1t'O a Jol!y HOli<lay witn you, :S,,,-t A Jol:y Jolly Holi<lay with you.

A ,wan an~ her oygr,eto glide t:,.-~ •oene, dioturl>ing the reflection, wr.1~h diooolves in their wake.

wrn:,;I\NCiLl: - 3, ,,. AND 1tARY POPPINS

•• they otep from the hr!dge and approach a charming tea pavilion.

•n-,,"' --!Ell": !.ND l'IARY POPPINS

•• he tttt'tls and too,e, hi• hooter toward the o.o. hatrack.

Bert's hat, ca.ne and llar-y Poppino' paraool fly into ocene, and !ind their p:-oper place• on thft rack.

Jll-60 CLOSE 011 BEIi'?

oeated at the :cahle. LO!>l<!ng 0ft to a door in b.g., h• elapo h1a handa.

(calling)""' ~aiteri Service, please!

The door 1n h.g. aw1.ngs open, and waddling out at hig.~ apeed come four PENOUIHS,

P:md. 2162 ,,

(l•t Rev. 5/2/63)

They are d.ressad 1n wa1ter•• garb, ><1th napld.n• over ;ho1:- &l'lll8, and art hearing water glaaae,, napk!na a.nd o,enu,. They ruan forwlU'd to •~e th•1:- o. •. ouot0.111er•.

Jl!-62

JE-6"2

~• ponguina ,cuttle around :ne tahle, placing a clean cloth over 1:, ••tting down a vase of flowers and water gJ.aoaea.

Jll-63 &RT, KA.'!Y POPPIHS Allll THE ?D/GllI!!S

J"l!-63

One or tho penguin• leaps onto the tal>l•, fillir.g tho gla•••• from a pitcher. lie 1• joined by a aeoond pongW.n, who nopa onto tho table :o preoent llary Poppina and Bert with menuo.

GROUP SHOT - Tlu PENGIIVIS

One of the pengu!no lea.po ctt the table, and jo1.ns th• other three, who atand waiting for tho order.

CLOSE ON /!!ARY POPPINS

ao aho atucUea tho menu.

Jll-57 CL0.2 01" 1W1Y POP!'DIS

IIAll! POPPI!fS (opol<an) You'N v•rr ldnd.

CLOSE OK PEIIGUDl

Anything for =~-~ /l!ary Poppina.

,, (1st Rev. 5/2/63)

CLOSE ON SECOND l'ENOll!N

SE~OMI) PENGUIN You•r• our favor::.:e per,on

CLOSE ON !II.RY POPPlNS

(•ingl.ng =o.,.} ~oebe'• del!si,tful, !l.oude 15 d1sanrd.ng --

:•2.5. ~ENOtrINS

JH-73 Ct,OSE ON BERT"

(•1ngl.ng) - Ch~...Ung! 'ol:!.M!red'a daohing, Vitian'a awe•t Steph&nie'• =aah1ng, Pr1actlla a treat -

JH-7~ Ct,OSE Olf MARY POPPI!fS

reoettng d1oapprov1ngly to Bert•• oc,ervations.

JH-75 THE l'E!l(Hl'IIIS

(a1ng1ng)-=• VeroJU.ca, ltl.ll1eent, Agne, and Jane --

(1st Rev. 5/2/63)

;H-TT c:csE:ON KARY POPPINS

(!!ng1ng, =o.s.) llut ::-ea.en or Che o:-op T~p of Ch@ top

3= AND P~G!1ll{S (•1no,1ng) :~' • Mary P~pplc.s ar.d 'OC,er@ .,e soop I

~CSE: CN 1'WF. POPPINS

JB-1'

JH-ao QROUl' SHOl' - &RT, MARY POP?rNS I.ND THE PElfQ!1ll{S

and scatter, the grains on the ground. The penguin! and Mar-J Poppins >1atcn a• Bert does a aan~ dance.

GROUP Sll"C'l' - BER"!'' MAF:'£POPPINS AND T::"E PE:NatnHs

Bert approaches the ta~le, and ge9tures for the penguin• to joln him tn t!-.e ~a.nee, a• Macy Poy;,1ns looks on.

lla:RT AND THE PENGUINS

One t,y one the pengu!.n• leap r:-om the table and follow Bert •

J:i-i34 c:osE: ON IIARY POPPINS

EERT AND Tl!=: PENGUINS

dancing. :se,.t :U~~c• the peng,lins, !m!.tatlng their gestures and JOOVe:ent•.

JH-86 CLCSE ON MARY PO?PL'iS

a~ she watches.

(1st Rev. 5/2/61)

~• •hey con;;1r.ue the :--ou:ine. ?>ert pla:;~'-'l:y forces ce.e peng1l1::s to one o1<1e of the <lane@ ~loor. They

C:.OSE ON :3ErtT

as .oe scurries away ~.-om the peng•a1ns, the:: ti.:.-::s or, them •.u~~e,:,ly end .~olds o~: • :,estra!::!ng hand.

C::.:sE ON F!NO~':::NS

-"11-

J!!-91

•• he <loes .__.,1ntr1ea~e d.._.,ee o:ep.

-'!!-92 c:.,os;: ON mRT

a, n~ turns tC>Ward tho penguin•, gesturing for them to im!.ta:e the step he has J;ast done.

,.-.-,~-· ~,

J!!-C" -

as tney ~01:ow hi• lead, and suecessfu.J.lyilut~te hio routine.

c:.,osE ON BER':'

as he per~o::1110 another routine, with a t1ng~r snappirli: endin,i;.

0~0\/P SHO'l' - Tl!E PENOll!Nll

as :hey take turn, a~tempting t0 illlitate Ber~•• routine.

J!!-96

Jll-91

Bert watche• ao one OT the penguins succeoofully duplicate• a step. Sert pe:,f0rll!ll a tricky slide, ao the pengW.no :,eact in ><!de-eyed surpri•••

"·•,,••"••

'"'""' ' --·"• •••" " ~" -

r,0• 0 ' ' ' •"• "• •• " •

r;""ru '

, i;'-fi••••••'".~"0•.,~§~ ••.0.,"0I<~1:jZ••••0••0..."",:

" • ••• ... .••" ~.'i,."••

•o .. -. -· -

~• ••r.."''..,,<..~P, ••.,••• • 0 , 0 .r:

r." "• "'"'

..'r. 0 "

" "'0 e• • 0 , ~ ~ :?.g;g ' ' ' ' • "0• " " o,

- '

8~ ,,...:::•...",:.."•"~... "'""''..""0ej.1l0

"• .,0 ~..• • •.. •••~"~ 5 "lg-~"~ ,.

'Cl P,,,0• ' ....r.u..c:,_,0.. j'·" l:iu0 •""..""

.. . - r.. • ..." " ~"""

"1,:.......0......._, -,

' , ,_,n.:"., ,_, .'""'•"•••". ....g;.. 0 - ..., ' _, , ., " •

~" -;'!'" • ,f, .

e ..00" 0•'" ~ " '

' ..00 '

•• • l • 0•• 0•"'• 0 0 .. " 0 0

' •' • • •"•••" l 0•"•"• • 0•'0 -

' "..0 ' ' • ' ••' " • 0~

' d00 '

••, ."".,•",.••••""•••0."".,',. ..••"" "" §~

•• • •• '•• ... .-~'., • 0• 0••

' 0 • •" ' . • " "

m-~5t:~" • ; ~~ ",;/,:lo•··

:;~~j•'r.....-•...•~'- 0

••0.-....

,. ~ ••.. 15" .,-,,

s "..0• I ' • ~' l •0••!

" ..0B '

i"" - ••"",.a;,, ~~ _, "" -•• 8 " 0• • ''

' "rl""0 • •"• ' " ..00

'

§£ ..• •••••••••••...s,•••• •,.,•••"0 ;J "

- ' 0'• ' •• ••• '•• ••

" 0

• ..

;ii '" E "0 •• -, s. • • • I " • •••' " " •• ..••• ''

' "..0 ' 0 0s"•' ti

" ..8" '

ti

' " •" •" •

' ' ' '

s "rl~ ~ "• fil' '""' •• ' ' " ,,0"0

'

" ••'" • " • ,

•0••••• • •• •• • 00••• ..•••••' 0 ; 0 • -

i~~ ' "••" • -o•••1',. • •',• -•• • " 0•" •, rl••• ' '

••• OC>-~ (1•~ Rev. S/6/63)

J:~-100

SLAPPING the1:r th1gru 1n t1me to the ...,,to.

JH-lOOG =Sl'.T, P~OIJINS Allll MAHY POPPDfS

J:1-100

i'lary Poppins watcheo ao l!ert an~ Peng-~1n• conclude the1:- perfo,.,.ance, dancing Oil"!' OP SCENE.

BERT AND PENGtl!NS ( s1ng1ng) No wonne:- that it's Jll,.::-y ;c,at we love!

J:~-100-l BE.~, PENGU:!NS Allll )IAPJ !'OPP!NS

Jll-100-

3e:'t arnl Pengu.J.ns come IN'!'{) SCENE to talce their bows in front or J11,.n Poppino. Bert extend, hio cane toward the ta~le, fol"!lling a !:ridge for the pengul.no. One by one they leap onto the e!lD.e,

Be:'t givao the penguins a gentle shove, a,,,d they l).op from the cane onto the table. Eo.ch takes a bow and departa, except the last penguin, !ffio stand• locld.n; shyly at Kan Poppino.

JR-lOOK CLOSE - P!Mt'!' POPPIRS /IJID THE PENGUDI J'll-100!

The pengU1n g1 veo Man Popp1na a ld.oo, then tunio al>J"l)I' away a• she reacts with ~leooure, Bert'• C!lD.e 00111es Ill'rO S~, g1V1ng the p•ngU1n the l).ook" and Pulling hill OUT,

The peuguins loolc on•• Eert hcwo gallantly and invttes llar,- ?cpptn• tc dance. He draw• her to her raat, and thay begin to waltz. The penguins dance !U'Ound the wh1rling r1guros.

le:'t and Mary Poppin.5 waltz :oward the o,s. merry-go-round, who•• SOUND gro.,.,, otrone;er in the waltz ti.lie. The pffl3W_na hound gaily !U'Ound the reced.l.ng figureo. The b.g. whirl• raate~, and the wh1rl1n,,; colors begin to talce the shape of a !ller:")l'-go-round,

MATc::11DISSOLVX

65-D (lot Rev. 5/6/63)

Jl!-lOl TIIE MF.R.'t!f-GO-?IOU!!l) - DAY

The br1ghtly-pa!nted hor••• plunge to the OIUS1o of a oalllope and bra•• enoem"le.

:LOSER - Gl!OUl' Sl!CT

JH-lC:

Mary ?oppln• and 3ert a,,e •eated on ~oodan horoeo '::>ehind Ja...,e an~ "!!ohael, ,mo a"" wildly exolted. ':.'ho horoe• bear a s;r!~r.g reoemblanoe to ~b.e!r rider•.

:..osE ON MIC!!AEL

J11-10;

•• .oe exct;edly urges his s;eed fo:-wa.:-d.

fil= ~1dd)'Up! Come on, boy: )l'asteri_ ?aster:

J!!-104 CLOSE ON JANE

JH•lOl

,- 0!-.: Thls 19 such !tui! Imagine! Ot.r own private merry-go-round!

Jl!-105 CLOSE ON BERT

• •

"ho 19 r1d1ng hl• horses s1de-•addle.

(nonchalantly)= t'o vecy ru.ce. Ver-; nloe 1ndeed, (tu. ...... ln hl• saddle, so he 1• r1d1ng bacl<t<ard) I~ :,ou dOD.'t want to go anr,,nere;

Jl!-106 CLOSE 0~ MARY POPPINS

JH-lo6

as •h• r1deo demurely atop !>,or ,teed.

J1!-l07 1'!ARYPOPPDl"S

JH-lC7

as she l&ans fr0111 h&r horse and call• to o.s, guar<l.

)!ARY POPP!NS (calling) Oh, guard!

66-i 5/6/63)

THE GUAflD

• d=;,y, Oher~b1c l!ttle IIAN, ota.'>4ng 1~. <he

ceoter by the

calliope, with a numbe:o of lever• beaid• ~-

I!& ltfto hi• cap .

Re pull• back en ehe talleot lever --

~:..CSE ON 1!ARY PCPP:NS

JH-lOS )!_A.;;;' POPPINS Thank you.

Jll-110 A :.OCNGVIEW

Jll-ll~

W!th a ae:1.e• of ~rasr,!ng SOUNDS, the zalliope ond brAoa enoemble on the mer:-y-g<,-round grows lo<lder, arul 1t p1oko up opee<i. Aa it •Pino faater ar,Q faoter, Mary POPPillll' horae plu."geo f:-<>mthe whirling platform onto the grouncl., ;ane'• horse q:Uokly follows •~lt, Ml.chael'• and Bert•• horseo both follow,

JH-lll THE OUAIID

J:i!-112 A LONG VIEW - 11A!1YPOPPINS, T!l:5: C!!II.DREN AND BERT

JH-113 WIDE ANGLE - J1W1:Y?OPPI~S, THE Cl!ILllRJ::N ANII BERT

JH-114 LONG VIEW - l BRiro.E

Mary P<,ppina• horoe come• ove~ the bridge, followed by Bert'• ,rnd the children•• horoeo .

•"11-115

,-d-115

'!ich.ael urs•• his horoe foNard, =d atorto movtng up.

)II= My horoe is the fasteoti

?:-o~. 2162

66-? {l•• Rev. 5/6/6;\

(to h~• =horoe) 'Ow ahout it, Mate? You going to ••and ~or that?

B<:-~'• ho:-,e p:ur.ge• ~o:-wa:-i along•ide 1'!1chael'a, and tne cwo C.o:-se• :-ace pao;; M<.:-y Poppins.

C~OSE ON MP.RYPOPP!NS

,r,1-:1;

l'IJlRY PCPPTifS Ber:;! i'!l.chael! Now, :-eally, Bert\ You•~ a• had •• the chlloren!

JH-ll!

Bert r,,igne ln hl• nor••.

Sorry! Ho, hoy - 110! - (calling to !Ucha•l, who 1• ha'l':!.ng trouble reigning 1n h.1• horse) 'ull h.1111in, 1'!1cllael! (Bert lends 1'!1chael •=> \lhoa! You w'in! Eaoy now

JH-119 CiROUl' SHOT - MIL'lYPOPPINS, J'Allll, MICHAEL AND BEIi'!'

JIIAm' POPPINS That•a hetter! Arter all, we•r,, not on a racing couroe, ora ...,,

A l!UNTINOEORN sound• in the diotance, and Mary Poppina rea~ta l:now:!.ngl7.

66 -(l (1st Rev. S/6/63)

L~NG V!EW - A POX l!lJNT J:1-12'-

which 1, in pro~••• A• the .ountt.ng horn SOll!OS, hcmtsmen and hounds bound aorooo the countryside.

JH-122 MARY POPPINS, ,3Em' AIIP Tl!E =itEll

s!t:ing atop the mer.-y-go-round horoes. Bert atnd the o~ldren look expeot,uitly at Jl!ary Poppino. She start• o~~, :eading the way to the fox hunt.

MAl!T POPPINS Now follow me, plea••i

Jl!-123 ·~~ll"- A/IGU: - MARY POPPINS, EEi!"!' AHD Tl!E: ClIIl.DREM Jll-123

•• they rid~ off in pursuit or the huntBmen.

A dtg:Ufied and elegatntly dr,,s,ed huntsman, ~undlng along atop his steed, !s sudci:enly overtaken by MB....---yPoppins stop her wooden horoe.

Jli-125 CLOSE ON lW'!Y POPPINS

aa or.e passes the huntean and nod1.

CLOSE ON HONTSMAII"AllD HIS HOJ!SZ JB-126

Neither horoe nor rider react1 1mmed1at•ly.

:E:r a - yea, qUlt• -- -·- (suddenly reooto, astoniohed) ~?--

Jl!-127 I/IDE AlfGtE - IW!! POPPINS AHD Tl!lE lJUNTSMAN

As Mary Popptn• goe• aatl1n1 1.mp•rturbabl:,- over a atream, the hunt=•• horse ponJ.co, lltl.sae1 the jump and both M.d•r anQ horse go oraslltng 1n~o the stream.

JH-128 CLOSE ON l!UIITSMAN

Jl!-128

as he sticks llts head up out of the water.

l111N"'.'SMAN I sayi

(CUriIDIOED)

Prod, 2162

55-l! (lot Rev, 5/6/63)

~.1ohael'• horoe oo,.ea •al.ling over the otreu. The mRrry-go. round pole puoheo :he huntoo,an•• head under wat•r agsin. Uthe huntomon oomeo up ro:- the oeoond tllfl •

Have you -·-·

3ert'o hor,e comes IN':'O SCEN2, and the merry-go-r0und pole aga~n plunges the nuntoman under the water,

_,_

(oom:l.ng up for the th.1.rd time) Evah --- •

Jane's horoe oome, INTO SCENE, and onoe more the huntomar, is •u~me:-s•"-.

Jl!-:29 CLOSE ON HORSE J\ND KOIITSMA!I

Jl!-1~9

•1tt1ng •ide-by-oide in the m:l.dcl.le of the streu, loolcing after the merry-go-round horoeo in wond•:- •

.. • .. . Nevah!

•• they leap ove:- a hayrack, aitt1ng in !'r0nt of a atone wall.

Jll-131 CLOSE ON Kl:CH.!J!L

Jl!-i3l

~= (ahcut:l.ng exo1tecUy) Y01oka! Ycioka!

J1!-l32

ao he co,oea up ~eh1n<l. a portly hUD.tswoman, r1d.1ng oerenely atop her ot•ed.

Yoioka!

Jl!-133

ao the huntowcman'o hor,e reacts in terro:- to J!l.ohael'• f1erce-lo<>k1ng steed.

d-134 '-Wu! ANOL&

Aa 1!1chael a.n~ h.1.s her~• bound out of octtne, thtt hunting ho:-oe bolts, thro~ the otartil One:- to the gl'.Curul.

Hl!IITINO HORSJ; Jlorci!'ul heavens!

66-J (!st Rev, 5/6/63)

JH-135 C~OSE • HUNT1NG HORSE

Jll-1;

l!lllfTINO ROIISE (cl1ng:!ng to brMche~) E,;traor-;iina:cy!

~rt, riding taolcl;ard, r~olt."ll.ng againot the mee-:cy-~o-round pole, ga:lop, past a second hunt°"""'.

(6off1ng -~.1• ~at) What cheer, Q,.,.,,

CLOSE - SECOND ITTl!ITSMAN All!l Hrs HORS%

Jl!-137

A1' they r•act in su..-;,rise, eaoh looeo 111• IIIO<IOCle,

Jl!-13S

rld.1:i.g off, waving to the startled huntomn.

JH-139 CLOSE - SECO!itl l!UN'l'SMA/f All!l HIS HORSE

JH-140 CLOSE ON l!UNTSl'IAN

,till atop the ••ated boroe.

That•• the trouble-- with hunting n0wada7s No standards\

J&ne OOlllltorlcting thrcug.~ soeno, wavtng to the huntoman atop the seated horoe.

Ta ta-a --·

l!UNTING HORSE (ol"'y:tng and stOJlll)tng '1l.• hooves) No - no - no • no - 00!

56-K (lot Rev, 5/6/63)

,eated a:op h1• hcroe, •urr<>unded by hlo pack ot hound,, Hor,e and hounds •111:e are "po1ntlng", >1hen ,uddenly all react to ,ometh1ng o,s.

ClOSE - MAS'.:'EHOF !')!E HOUNDS

and hlo hor•e, as they bo:h loo~ ott and react :o what they aee.

M~S':'E!!.OF TE:!: HOUNDS V1ew Haloo' \'~"' l!aloo!

HZS i!ORSE Oh, yes -- def1r.1tely -- V1ew l!aloo!

,~ (reoc:1ng) V1ew !{a.loo?

K/..S':'ER OF Tlli!: l!OUNDS

J11-_.;

aa he SOUNDS the call, and gallop• otf ln pursuit ot the to:,:.

JH-1"'6

reactir.g with !ear to :he sound!. II• look& around deoperately and tal<eo the neareot avenue ot escape.

ro, Fa1th and begorra! It's th!Jl redcoats agal.n!

Jl!-147 CLOSE ON Tl!E IIOUNllS

,,- (howling) Vil!'WHallooooooo i

l!O!JNIJS Yowp! Yowp! Yowp:

66-L (1st Rav. 5/6/63)

on - wu.-:-a - =•''' --

w~o !!as Jo!ned tl!e e~ase -

~ally ~o, ~awrn= away:

~ll-151 Cr-.?SE ON HOUNDS

JH-15:

g:'Owl!ng and panting ln hot pur,uit ot tl!e !ox,

HOlllf!lS Growf ! Gn-rowf:

,n1-;;.52CLOSE ON FOX

JlI-151

as lie 1001<s over h15 ohoulder at the pureulng hounds, to s@e tl!at they are galnlng on htJO.

~, Saint• preoarva uo: Yolel<•l

Jl!-153

Jl!-154

who JOake, a deope:-ate lungeat the tox'o tall, just aa pull• tl!e !ox ~ £!. oeena.

The hound goes op:-awltng.

Jl!-155 BERT AND THE FOX

do,m on the back of tne imerry-go-round ho:-oe.

Up you go:

The oon:ruaed and terr:11'led tox oloaeo his eyea and nanga on to Bert tor dear lite.

2162 56-Jo! (lst l!ev. 5/6/63)

,·a •• -. • ;•0

atop the morry-g,,-rourul horae ao they 0011 •a•1!y over a nedge, followed "oy ~he ,orambl1ng houndo.

JH-l~

il<!rt a.nd tho to~ w1th the hourui, in olooe pur•u.1t, f~nd th•uelvoo bounding &long a race cow-so.

a~-.•.. ' --,oc~cs:c:CN FOX

(thumping"" the horoe's :flank, experimentally) Wh1sst: ~Oul.d ye look at that now? Tl• &n 1lig&nt merr;,-go-row,d horoei

':"l!EHOtlNDS JB-151

•till in hot 1>w-a111t.

CLOSE ON Tl!E POX

JH• .C

who!• jumping preou-!0ua1y on the back o! the l>orsa, challenging the hound~ -

(tauntingly) "" c•mon a.n• fight! Y' dirty omadhauno:

As one of the hounda JUJIIP• up to on&p at the !0.:<, the fox kicks him !n the snout, and retMato to a •afer position.

(ld.olcl.ng ""the dog) I kin l1ek the lot ot ye~ ••

whc hao taken a p<>!ition on the head of the merr,--go-roun~ h<>roe.

(to horse)= Faaterl me beauty: :'&SCtlng 1n terror to something c.s.) A: •• g.',!

66-1{ (l•e Rev. 5/6/63)

...-··,--~ ' ~

or a pouruung pack ot srmt.t:(:IUSE HORSES'""' their iu=, hearing down on them from the oppo,tte <U=ot1on.

Jll-163

J:i-16

Ten!~1ed, the fox leap• onto Bert'• head and up the 1118:-,-Y- go-round pole. B•rt'• boater hao h•en ohoved down over hi• eyes, momentarily restr1ot!ng hi• v1aton.

J""ri-164 'Ct.OSE ON FOX

c:1ng1ng desperately to the top or the pole •

?.eocting to the danger ahead, Ber.: trl.e• franttoally to rein up hia hor,e. Ao the hor,e comea to a acreechtn; halt, the pursuing hound, come crashing 1nto them fro,n beht.nd. There ta a groW'tng TlfUl!IIER OF HOOVEs, aa th• steepleohaae h~r••s come poun<ll.ng INTO SCENE, aen<Ung the hounda off 1n all d1reot1ons. Ao, the dust olea:rs, we see Bert•• me:-ry-g<>- round hor•e aptnnJ.ng v1olimtly on 1ta pole.

;;}!-166 THE HOllllllS

Jll-161:

'· .. racing away, howling and belloW'1ng in terror.

HOUllllS Yipe! Yipe! Y1pei

CLOS:: ON THE FOl;

Jl!-167

clutoh1ng the tOp of the ap1nn1ng pole.

Jll-168

Jl!-168

The te:-r1f1ed fox dropo down beo1de B&rt, and e,;:teru!o h1• paw. Bert takea the pa~ and !hakes 1t.

G-bye --- lad =---

JH-169 CLOS!: ON THl!; FOX

quickly shalc1ng hand.a as he look• nervoumly about.

An' -- t-th-thanli;= ye --- It'• a -- gr - gr - grand th-thin,g -- ye•ve ~-don~ th1• d--clay --

~e quickly jumps to the ground.

---- -- ---------

l':rod. 2162

56-0 (1st Rev. 5/6/63)

_Jll-lTO

r•:1 no~er forget= it --

JH-171

Jl!l.Ohael and Jane co~e ~oundi,,.,; Ilrl'O SCENE.

•= And Ka.17 Poppino 10 wi.cning! (ohe points o.,,) t.ook, l!ert!

Bert looko Off in the di""'ot1on Jone ha• 1rullcat•d.

Jil-172

Jll-'""2

The pounding paok of oteoplechaae !>er•••• 1noluclj,n,g llary Poppins near the lead,

Jl!-174 1/IllE!\ ANIILE - STRAIOll'I' B.!.Cll:

Jl!-17~

facing the two leader• of the race, their facee ten••• thei:r mcunta ot:r!Uning. J!a.ry Popplna appear• behincl them on the mer.-y-g,:,-roW'l<! h<>roe, col'11ng up fast. Sbe le""" fon,a:rd •lightly, ~ with her Ulllbttlla, tapo one of the leader• on the •houlder.

Oh, r:tdara --

,Jll-175 CLOSE ON IIAllY l'OPPDIS

€6-? (ls;; ib!v. 5/6/63)

•• ho doffs his cap 00 Ma:-y Poppino.

JH-l 77 GROIJ;'SHOT._ MAi!YPOPPINS IJID JOCrtEfS

JH-: 77

c"he joekioys doff :heir capo and move ••id•, •lloWing Mary Po~pins to ride :hrousr,, d!rec~ly hetween them.

MARY PO?PINS Thae,lc you.

;oci:-,,1~ Not at e!l, 1'lull ---

C~CSE CN JOCJ!:!:YS

,_, Not at a---------

C"LOSEON MAl!YPOPPDIS

JH-l8o

ri~ng demurely at~p her merry-go-round horse.

JH-181 WIDE ANOU: - THE F!NISH LINE

Cl.OSE ON MAl!Y ?OPPDIS

Jli-183 IN T!IE STEWARD'SBOX - GROUP SHOT

Two elegantly dresoed En&lish ~ntlemen - the RACDIQ STEWARllS,are dioouooing ths f11ll.ah. The ftrot steward lo gazing thrcugh tincculo.ro, wb..1.le the oecond oheelc3 '11s otcpwatch. ':'he ~ther gentle.man 1n the !>ox look on mutely.

SECOND STEWARll (look1C1g up ~rem otcpwatch) Excellent t1me, gentlemen.

P:-oci. 2162

::6-i;_ (lot Rev. 5/6/5;)

JH-18~ Cl.CSE ON SECCN!l STewARD

SECOND STDiARD ~eel:ent form, al,o -- if I may ooy !O --

A":' '":':;:E 1/'!Nfil:R'S C!RC"..E

Ma:-y Poppin•, ~olding a Oouquet or flowe:-,, :o bel.ns ;,no~os,-aph.ed. ':'c.er~ is an o.o. oounci <:<r.HOll!!'!Dm, wh.l.oh. oo,.e• ~rom a group of pearlies standing noar'oy.

PEARl,IES (humming o.,.) ,,. ,, <Ciddle diddle diddle, '~ di<l.cile '~ didd:e diddle diddle, dicidle ,, '~

JH-186 CLOSE ON GROUP O!' ,'EA;!!.T"S

PEARl,IES (~um<Ung) '~ diddle diddle dicidla, '~ ciici<l.l• ,, '~ di<l.dle diddle di<tdle, '~ di<tdle "'

OROIIP SHO'!' - BEK!' PJIIl Tl!E CHILll!IEN

are sitting on a fence nearby, eating candied apple& as thoy lf8teh. Toe ,.er:-y-go-round heroes a,-,, tethereo alcngoloe •hem.

Jl!-188 THE WINllER 'S CIRCLE

PHOTOORAf'l!l!l! 'Old st1ll nowi

T!>er,, 1• an explo•ion and a cloud o~ ""'eke, ao the Photographer take• the Pict~. CAMERA MOVES IN a, lla:ry Poppins is surrounded by :he r•portera.

'Il!ST REPO!lfiR Si:,,, does 1t fe•l, Ma:ry Poppins, >drlnlng tl:e race?

SECOND l!EPOR'I'ER aa1n1ng f"11l" and fortune --

(CC!Nl'l.llUED)

?rod. 2162

56-R (1st Rev. 5/5/63)

·,_. -'E-18!

Tl!Iall REPOl!TE!t Having 7ou:r piotu:re taken for the newspaper --

FOURrH REPOIIT£R Besides having your extreme good looks, ~ I may say oo --

CI.as:;: ON )WU POPPINS

Jl!-189

On the eontra:,y - ~here'• • vecy good word\ AIIIr rtgllt, Bert!

CLOSE Oil &RT

J:El-190

'.!'ell 'im <mat it 1o! -

J"Jl"-191WIDER AlfGLE - JllARY POPPINS ANll REPOKl'E&

J:El-191

MAHI ?OPPtllS Sure you don't !!Und1

CJ.,OSE ON 3El!T

J"l!-192

(enJo:,-ing= tho oan<Ued opple) Not at all --

Jl!-193 GROUP SHOT - IOOff f'OPPINS AJID Pl!:.IJILIES

J:El-193

Ma:,y Poppino hao walked over to Join the pearl1••• wbo begin hUIIIUns.

JH-194 CLcSE ON 1IIARYPOPPil!S

11/oRYPO!'P!HS (oinging) Super-oal1-trag11-1ot1o-u-pt-ali--docioua Even though the ooWld or tt 1a something qu:l.t• atrootous I: you say it loud enough, you'll alwayo 00\ffld precociouo

I ' i i

"'• • rl••

•'"• ' - rl•• i "- • "•

F, rl"'0 ~• • ~ • ; • 0•••H• E • ~ '

i-Tl ~ • •• "• ~ ~• Hrl"" • •~" :ff • •,•',. ' rl••'"rl'•rl•rlrl•0•H0•, ' ' ''

•,,"rl ~ • ~ ~ •" ! ' F,"·rl

'

• •" Hrl'"' i••'•" 0•0'•• rl! -

e~ :~ i~ • 0H•0rl••rl ' '

"0 ••"" url0••0 ~ ' • ' u0 • ! "

'"rl

• • 0rlrl"•'H••• H••rl•;•••• 0 • • H • - I •• ' • •'" "0, !

-

••'u0 •• ~ •- 0rl••H• •

" • ' rl0 u3•• 0•~ "• ! •

" rl '

• •'•0 •0•"rl! •"'•rl!'

•

~. ~- ••••~~ -~ 0H00rl•" • '

" ..00 ' " •" 0• •0f •• ij " • , rl

'

•'•0 .,•I 'rl•rl • •

• • • ••

• i •• ij •-'" • • •

" ' e 0 ~ I • §

" • '

• •H•••••!, .,00••0""•••rlrli"•' • • ' rl•

• ••• • •• '• •" 'H•

• 0 • I

§ - ''."Hrli~~

?§ ,•"" •• , •""0•'••

rl ' J• • • '

" • a " " • ~ i ' " e rl

' fiiit! ,,.i"""0..,0.,,.,.,,"'"'~>•..•:H.,CpH!l0..•••I••

... Q ...... Ii ~ 0-'C!,• ". '•' • ..• H -'

66-'.!' (1st Rev.~/6/63)

JH-202 OROUP SHOT BERT, KA!!Y POPPDfS AND PEARLIES

J'!l-20:

( s:l.nging)""' The l>:!.ggest ""r<l you ever '•ard Ar,d this :I.! 'ow :l.t goes! Oh -•

Bert and Kary !>oppins dance a.""-s1',.g • chor\la.

BEl!T AND KIIJr.{ POPPIKS Supe:--cal:I. -::-agl.1-:1.st:1.c-e:,c-p:I. -al:!. -doc:l.ouo \

They reou..e their plaeeo in front of pearl:!.••• who Join 1n song.

E.E:i!T, U;n" POP!>INS AND PEAALIES SUper -ea 11 - fragl. l -1 •t:I. e -ex -pi • a 11 -do c i oua :

JH-203 Cl.OS:!': ON

~- -,- JH-203

watchinghapp:!.ly from their place on the fence.

(hllllD:l.ng''"'-"' o.o.) ·~ diddle diddle diddle, 'um d:l.ddle "7

GROUP SHOT - P%ARLIES, KARY POPPINS Jl!-204

--

l!ert and "2rT Popp:!.no watch, •• the pearl:l.ea hum enthua:l.sst:I.CaJ.ly.

PEA!Jt.:tU, 'lllll d:l.ddle d:l.ddle d:l.<l.dle, 'Ull diddle "7 •

Jl!-205 CLOSE Oil Jo!ARYPOPPIHS

Jlf-206 CLOSE ON BERT

(!lilgl.ngJ =aa.J.aam,i deeply) When Dukes and KaharaJaa paao The tl.me of day "1th me - (g:-::1.na l>!."'Oadly"" he dofta hi• hat) I oay me opec:l.al word and then-•

P::-od. 2162 ,-

-t>-U (lot Rev, 5/6/63)

J!l-207 ORCOP SHOT - EDi.T AND MARY POP?DIS

a, the pearlieo watch from ~.g.

_,

(oingtng; takes Ma=7 ?opp!no arm) They ••k 1ae in to tea - Oh ---

:3e::-t and Mary Poppin• oing and dance a chorus.

:3E!':', M.ll!Y POPPINS & Ptlll'.!.IF;S (•1ng1ng) Super-cal1 -~::-agil -1,tic -ex -pi -ali -doctouo Even tho<>gt, the oound of it io something quite atroctouo I~ you •ay !t :c~d enough you'll alway• oo""d precoctous

J'rl-208 BERT AND KP.HY POPPINS

Jll-200

dancing wtth their ha~, ~tpped for-ward, concea.J.!ng their faceo. U they end the dance, they puoh the!:- hat• hack

5tRT A/ID MARYPO!'PDIS (o1,:ig1ng) iiluper -••11-fragtl -1 sttc -e,c -pi -ali -dootoua !

JH-209 ~MOP SRO'I' - 1'SARLIES_

PEAf!LIES 'U., cliddle d1ddlo diddle, 'um cllddle 1.:y '°"'diddle cliddle cliddle, 'um cllddle l.y

J'll-210 ClROOP SHO'l' - llAitf POPPINS All!) 'l'HI!: Rtl'ORTZI\S

llAitf POl'?IlfS (otngtng to n,po::-ters) So when tne cat has got ycu::- toni;ue Tl>ere•s no need for cllsmay -

J'll-211 CLCSE Olf mJ\Y POP?INS

J'll-211

l'!P..<rf POPPINS (sin~ng) Just summon u;, tt".1• word and tnen You've get a lot to oay - :SUt better u3e 1 t oareruJ.ly :For 1t eon ohange ycu::- life - (glance• c.•.;- •poKen) :For e,:aaple --

JH-212 CLOSE OIi A !'F.ARLY

He 1• a •'""ll, tl.OU.d """'·

C~OSE ON HIS GIJU.

She is"" eno=ou,, fc~doble-look!ng lummox •. She raises ner tam1>ou=-:1r.e as or,e glar~s at t!le pearl)'" 1<itll .disapproval.

1'3:AllLY (singing o.s.) AAd new me girls me >lite!

J:1-214 CLOSE ON ~liE P=:.oJU.Y

J"!l-214

•• the tOlllbOurine eomeo crashing down on hi! head.

'!:ARLY (•poken; dazzedly) lovely thing ahe 1•, too -- (singing) She's --------------

-- JH-215 c:r,os:;: OK THE Pl':ARLY' S 1/Il'E

m:RT, Jl!A!!Y POPPIHS ARD PEARLIES ( si.nglng o . • • ) Super-oall -rragtl -1st lo -ex -pt -all. -doolouo !

JH-217 CLOSE OK JV.RY POPPINS Al!D Ba:RT

JH-218 WDE ANGLE - Gl!OUP SJrol'

Over the laat of this, there ls a sud<l.en CLAP OF THilNDEI!.

""' ,

• • N••N ' e. - • • ~ ~ -e

•• ••

' -·

' "N• ~ ~ '

" •• ii'•'• " •'• • "•••'• •• !•"•

f.'• •• • "••'• • -

" N•

" "• • I ~ ~ ••0•••fi ' ' N•0• ' .

::~~ •••,l~,••••"••.. "••

_, " • ,,

••"'.,::1".• '

~ .

' NN ~' " ~ '

' NN•' s '

• • • '!• i ••••'.,•"•

"•'"•" ••" "•• "'•"•' ' ,.

f.

'" ~ r m ~ ' '•

" • •"• ' • • 0•••"• ~ ' • N• ' - '

i' ~-;•·a·-00•• ' '• -· '' :.ll.'••••...!E

• ••

l •" • •• ••• " •••• , ,,§•'• ••• ' • •

f.'• • • •

' NN• i • ~ '

•• l, f.§••• ••• •• •••• ••

Il ~- ••. .,•••l,•••• • ,.

•• • 'g• • • • , • •

' N ,.~ '

s• N••' ~ •• • ~ '

•• f. . •• a'i

•• •• '•••"""••••• ••.fl;'!••.,••••~••••ia ...,'.,,•"" ~ •

• " t ••

~ •• ~

"• ~ e ij ; ' N

" '•• • • i ~ i • ' ' ••" • ' - ' •

••ti •"••,1 ~~ 1:"' .••.,••••f.,.•:••,••, ••

" .• ~t::§",••~i:1 !:: •• ,,. . '

1l ' .

....,, - .

·• ~

• •

i; ~•• .;

• •' • ~ ' b w• '' - ''

i1i ~,l ]i: • ••• " ! •'• ,'' ••' ••

'

~; ;J " "•••••,.•,~5'.••••.,'•••• •• ,l " g;f•'"••;~ ,, •

I~!;''•••• _,.

••. • , .

"' ., "' • .. • , .

fi

• • 0

66-I

?,-0<1 . ?/6/63)

(l•t :lev.

111• SI'1n rtdansas the ,-a1n beat•

~• he look• up. n•aV1l7 into hi• race.

I'm ohong1ng ""'to anothe,- bus1n•••· Thi• • ere 1• l<>Vely 'ot ohe9tnut weathar. JH-227

JH-227 ~- CLOSE - MARY POPPINS AND THE eHILDREli

She •e1zes the children and hurrtes them off in the d!rect1on of the Banlt:!,' house.

~ POPPIMS Hurry along, oh1ldrenl Wa'll _t,a late for tea. -- Goodbye, Bart -- JH-226

J"ll-228 Ao Ma.ry Poppins &nd th• ch1ldren run down the street, tha ohil<!:'en call their goodbye!.

JANE AND ta:Cl!AE.L (shoutini;) ClOodbye, Bert -• Goodb"f* -•

(-tol'.1ng= them go) CloOdby• --

E• tu:rn• up h1• co•t oollar, ,..-oockS h1s bot, and with a 11gllt-hearted little step, danca• through the d1•1ntei;rat1ng form• and colors of his sidewalk pictura•, and 1nto the park.

(o1nglng)= Ch.1.111chUl-1n-"7 - Chim ohUl-1n-..,- - Cl-Jim, ohim, oner-oo

Ail tho rain beats down, obocur1ng tile acme --

l'ADE our

?:,od. 2162

(lst l'lev.

, •J.>3 !N

331-A

Ilr.~!01'1 T;t;: NURSDIY

~ tire glow• in the !i..epl&ce. On the hea:".h 01'e Jan,;,, and 1!1cha•~•s shoe•, d:-ying out fra,n the daon th!'OUg!I Che rain. Over the r1reocreen &nd • n•&rC,- chair ar- several piece• of wet clothin,;. )la:-y Peppin•' umbrella •••n• a~~1nst the fireplace near the ocreen.

331.:;

331-B

Ma<',' Poppln• ~• tucl<l.nc Jane into bed.

,_

(lool<l.ng up lovingly) Ma:-y Pcppina, you won't ever leave us, will you!

MED. c:LOSE - MARY POPPINS AND KICl!J.EL 331-C l\a:,-Y Poppina turna to Michael'• be<1, and a<1juats the blanket o.round h!m.

~= Will you atay it we proll!iae to be good?

)11chael loob after h•r aa ohe goes OUT or scene.

331·

331-D

,- {a1tt1ng up in bed) Slit whit,: shall we evu• do rttnout you?

331·

331--.: )IE!). c:LOSE - MARY POPPI!iS aa she arttch•• orr the light near th• door.

(lst Rev.

;31-?

l!ICJ!AZL Sut, Mary P0pp1no, now long rlll tha: be?

~ P()PPINS ( 1n:e:::-:-u~t~ng) Silence, ple•••· It 10 t\.,lle to go to sleep.

331-11 331-ll

(exc1tedJ.y)-- Oh, we C0Ulc1n't po••1bly sleep! So~= lovely th!ng• have happened tod.oy !

331-J 331-J

331-Y. 11!:D. CLOSE - JANE 331-1

,_ ',lhy, when we jumped into Bert•• Chalk p1et=-e .••

331-L 331-:

~- And Ye rode the Hrr)'-go-r<>und - then all tr.e nor••• Jumped orr -- 1 ,_

And we all went riding over the countryside I

331-)! C'LCSE ON MIC!!A:tL 331-

ao he re-live• ~he ride.

M:cru.Et [exe1todly) Tally-hooo~! -- Tohunga.! TChuna! Tohunga!

66-c:

'Tod. 2162 (1st Rev. 5/15/63)

3~- -l

IIED. C'.,OSE - Jlt/L~ POPPDIS

•• she goes back tc her .,.nding,

~eall;,• 331-'

331-? CLOSE - JI.NE

,= Mar;, Poppins - dor.'t you r•member? You won the norse raoe? 331-

l'ZD. C:.OSE - MARY POPPINS "":---~ ~

as one look• up ste:,nly.

l(Alr\' POPPINS (severely) A reapeetable per,on like ,n tn a norse raoe? Now d..:re you ausgeat such a thing? 331·

331-R

~= But I ,aw you do 1t! ,,,

331-3 l'!E!l. CLOSE - MARY POPPINS I;;;no:rnl.n6 the ,~atement, she goea back to her men<ling,

331-T '''

~- It did nawen! ! saw 1tl

M.o1IY POPPIJIS ( 0 ••• ) Go to •leep, pleaae!

~= I don't ><ant to go to slerp!

------

66-~! (lot Rev, 5/l.5/63)

331-\/ CLOS:.: ON JANE

~e're much too-- exoited, )!a:ry Popp in• I 331-

331-V )ED. CLOSE:- MARY POPPINS

ID,H'/' POPPIN'S (earelesol7) ·;ee-y "ell. Suit youroelves.

331-

331-

CLOSE ON !o\A-~.YPOPPINS. 331-X

o1tt1ng in the rocker, mending.

Stay awak• J)On't reat your hea<1 -- 331•

331-Y CLOSE ON JAIIE who is finding it lnoreaoingly dlftleult to keep her eyes open.

IAAY ?Ol'PINS (,1ng1n,g <>-•-) Don't 11• d0><n upon you:- 1:>ed •-

331-Z CLOSZ 011 MICHAEL who h•• put hla head down on the pillow. Hi• eyes are 1:>eginnlng to close.

IWl'l l'OPPill5 ( aingJ..ng <>.•. ) Wh:!.le the 1110onc1::'1fta 1n th• old.a• --

331-AA CLOSE ON MAITIPOPPINS

MARY PCl'P:rNS (singing) Stay awake •• DOn't olose your eyes -

-------- ---- -- - --- -- ----

66-E'! (l•s: Rev. 5/15/63)

331-~B C~SE ON J.o.NE

Her eyeo are c!osed and •he 1• sleeping so:,ndly.

1W!Y ?OPPINS ( •lngl.ng o. • , ) '!'hcug.~ the world !s fast ••leep

031-C

He too 1• sour.C ••leep.

331-DD :::.osE:CN PAR?.01"S HEAD 1.IMBfil.ll.A

which 1• leaning against the fiNplaoe. The parrot'• ey•• are open, and he 1• :oold.ng over towhere )lacy Poppins 1• •lttlng o.s.

Th• par:-ot' s oyeo t>eg:l.n tc close. He opens h.1• beak a.nd eodta • YAW.

Th• pa:Tot'a eyeo are closed. As he fall• asleep, hi• head droops to one aide,

}S~-n ::LOSE - MARI'POl'PINS

331-i':E

,, (:ot Rev. 5/15/53)

':'he nex" morru.ng. A heaut1f\l.l da7. ':'h• •1gnal :lags are ~r.lpping o:-:l.oply l.n th& spring breeze. lldml.ral aoom 1, PIP3::l O!r.'O D~CXby l!lnnaole, who stanQ, at a:"ention •• Adi=!ral Boom st:oi.:!es his domain, avidly sn!:~1ng ~ne mo:r-,,.1,:i_gair.

ADMI:'lAL:SOOM Glo::-!ou, cay, )Ir • .e!nnaole: Olerious( No one oleeps t!\1o "'ornl.ng! Put i,o_ a douhie ohars-e or pow<!er:

333 ,,,

reacting,

334 Am:I1\J\l 000M ,,,

AllMIRAL BOCtl Shake thing, up a hit, wl>at?

l '' ,,, -·

Re Jc:irously ,ta:,-to puor.u,g large kego of powder "I> co the eann0n mouth •

•

--------- ------- ----- -- ----

,,~ _,,.,. -,= ~~~,~ ~oo" -~- __ , ""'' u ••,.,.u .. ,., --::o- -

o~ ~:~e =anJ<•' nouse. :,,.,-,. :ank• ~• at :he s!'.iecoa:-'.i a:-:-ar.;~:1; the r:owe:-s as El:en CCOleo !N ~·!th some cf the ar<ea;;:ao: t~!:1..:s. o::1an is h'"""1ll-n;. :c :he kitchen o,s, .e H'.cA.'l !'t"s. ::-!l:, - o1ngi::u,- !:1 a s:rc:1.;, ;enet:-acir.s Y01:e, A ro~l:1 !a cn!:-:"~p!:1; :oucily OU'!'SIJE the w1nC.ow,

l!RS. BANKS A love:,., ::·,el;r :norn!r.~, 2:ler:!

:;:· • "N Indee~ !: is, m~~-

1'11'.S• BA.'fKS 've :-~ther a ~ull •c';edul• co<::ay. Did :,o•~ put the spoiled eggs 1::ito o,y ca:,-ry-all?

AnC Zllen sees OUT, h""""1n5, a• M?'. Banko come• IN !Nm the hall, J!!l-o. Bani<• goes to him with • flower for lu• l>Utto<lllole

MRS. 3/.Jl:'.S ;:iow d1ot1ngu1ah@<l you look tl"..1• moni.l.ng, G<,orge.

MRS• BANKS It'• Cook, singing.

MR. BAllXS Cook• Singing? Wna;: '• wror.g w!tll he:-? L thoug.'>.t ste na;:ad :he wo::-l<l!

?rod. 2162

...

Reall:r"

Ml\5 . BJ!.NKS TaJ<e "i:llen, for !:,a,:ance. Sr.e na,n•c ~roJ<en a d!ah all mcrn!ng.

:-!?.5. BANKS Ar.O<:her :h1=ig. She an:0 Cook a~"'ays :1ght li,ce cata and de;;•. But :oi:lay

)lro. 3ar.J<s pauaeo and locks o. •. ,:o.,ar1 the ~ant:-,1 door. Mr. Banks follows her ga:e.

,,,

AT TP.:E ? /INI':\Y DOOR

wtu.cl'. 1! o;,en1'16. 11=-a. Er11~ is graciously holdJ.:1.g the door open for Ellen.

MI\S• BRILL (!1ng1ng) Supereali rr~gil:!.at! c (spoken) Sure that tray !sn't too 'ea,rJ fer you, :l.uo~o? '"i:re, let :ae 'old the door for you.

EI-lEI' (ol:1111ng at her) Thanka, ever ao.

339 Ml!. BANKS 339

reacting to <:Ill! J.n puzzlement -•

340 GROUP SHOT

Ellen, ><!th the :ray, comes Ilf, h\ll!llll1ng. She puts a plat8 of egg, and 1<1ppe:'o 1:, ~::-or.t or Mr. Banko.

l!R. B/lNKS )Undly stop :iakl.ng tl'.at o:tenstve sound with your nose. And •hut: the i.,tndoi.,! ':'hat oird ~• g1v1ng me a headache.

~ Very good, o1r. (ahe 5oes to ·,tndo..-, ~ooko cut, ancl Cl.I.LS) c.;u:!.e<:! You'::-• gi·,1:1.• ~t-.a M"a•~e::-

,_'

M.'!S. EIL//Jo;S I'.'ll sor!')' you•r• no,: fee:!:1g "~'.~ this ,n,i::T.!ng, d••::-.

M.'l. :SA?':,(S I/no said I':o nc: ~ee:!ng we:.:-, n absoluto!y Cip-cop ,r.ape\

Mr. Bar.ks turns at the somro or Jane and Michae: s1ng1ng, "Sup.,::-cal1frag1l!•,:1cexp1al1dee1ou•" O!'fSC'Em! as :he)'" com" <:ownotairo.

The)'" ,oarch down th<> la•t re,. stairs o!nglng, ar:<I INTO the d!ning r<>cm.

3~" TIE DININ~ ROOM

as Jane and l!:ichael come IN. ':'hey mar en C,.app!!y ar-ound the table, oillging. !'Ir. Banl<a watches them balefully --

As "1-.c!l.ael marchis past hi• rootr.er, he ~uts a bouquet or toorning !lower~ in f:cont or her ~late,

..

)!r•. E.ri::;. ~•-~ voices :: ~he sor.g.

,~ (slng!ng, ex:•pt l'!r. :Sar.Ks) Super: alif:cagl :l s,;1c - Supe::"caa.1rragl C! s: ! c - ~p1all<!Gcious I

IIR. BAN1:S Stop! S:op ! Stop:

,,~ Ooo<! :no::-ning, ?a:her. Ma::-:, ?opl)1'1S taught us tne most wonderf'Jl ·•o:-d t

M!Cl!AEl. ( •1ng1ng) Supe re all fragi i i • t 1 o - Rxp1al1doc1ous:

Mr!. 31,,.>f!S 'lfnat ->n ea:"th are you :alld.ng about? Superca11cal1frae;mm - ~hatever th~ infernal tning 1• !

,- It's something to say when you car,' t think 1<hat to say.

,- Supercal!~:ragili !tlcexplalidoc:Lous ) (sm:1.ling) See how it "Orks?

MRS • BAlfi(S Wily, that'• wonderful)

JWE IJlD ;l[[CJ!AEL ( s:Lnsing) Supercalifragilisttc --

( COtfTINUED)

Prod. 2:02 ,,

(lot Rev, 6/2E/6;

•46-> - - MR. !lAlllrS Wloifred! Will yo" be good enou~ to explain tl'.io unseemly h\ll.labaloo?

)!RS. 8ANKS (calmly) I don't think there'• anything to •:,:plain, do you• ::ou•re obvloualy out of aorta tt-.J.s o,orning, and the Oh1ldren came 1.n to ,nake yo" ~eel better i

l!R. !lA.!IKS (with a.-, effort to re,nain calm) I ahould l1k• to <nru<e one thing clear, once and for all. I ,... not out of sorta. I OJI! in a perfectly equaSii" ,nood. I do not require being made to feel betteri

351 CLOSE

on the clock on the aidebou•d. A PINGING SOUND that heralds the approach of elght o'clock.

(<>.a.) Cle<>rge - you a.re always saying ;rou want a cheer!Ul and pleasant houaehol<!

3 52 IN TIIE DINING 1100!'1 3;,

353 MVIHSh ANGLE 353

Ellen an<! Mrs. Brtll come racl.ng 0171' of the pantry, thl"'Ougl> the d1.n1ng room and OU'!' into :he living roo,a. They are followed by l'!ro. Banks. Kr. 3an~, left alone, gets up from the hreald'a tahle. CAMn,. FOLLOWS :ilM to the arcl!way 'oetween the ll'ltn,s roc,or and dining room. There is a Chair there.

( CONTDIUEO)

P:-od. 2l62 ,,

(lo: Rev. 6/26/6:;;

353 CONTI?roED 3-,

-- l!R. BANKS I have no objection to anyone being pleasant or ~heerfu.l. But I do in•tst on prope:- decorum •·

MRS. il.o.NKS (o,s.) Pi ve • ~our • 1:hree

Ol'PSCENE, Ad!lliral Boom'• cannon goes OFP with a ohatter1ng ROAR. More than Tl.-IC'E the usual SOON!l. The entire hou,e quiver• and shakes, There ts also the SOON!l of falling bric-a-brac and rurn!. ture .

The cha.t:,- 1.n the archway Jump• up and atrik!t! Mr, Blink• back ot :he lmeea. He aits do"tl abruptl:,. A vase on the pedestal behind him rock.! back and forth dan,e;er<>usly over hi• head. The piano come a ROLLING INTO SCENE, hellllOing him in •omewhat. Eut in hi• !ndig:,ation, he continues without pause

,,,

354" 1'8S. BANXS

despe:-ately trying to ateady the ?edestal near the doc:-.

Yea, dear --

_, MR. :SANKS 35S 3--

aet• hia coffee cup onto the piano, ani:l plunk,i.~, irritably. It gives forth a d.15oordant 50UND. F.e puahea the piano OUT OF SCENE -

356 MRS. EANKS

as the piano rolla INTO s=, and she place• the vaae on 1t •• ,

?:-ed. 2162 7~

(2nd Re•,.6/26/1' 0 '

357 IIR. EMIKS

aa ha M-•ea a::d walks INTO SCEm: with )Ira. :3anlc!.

1!11. :3ANKS I auggeat ycu have t!Ua piano r,,;,aired. "When I ait down to an instrument, I want 1t 1.., tune!

Jl!!!S. BANK:l l!ut, George - you don't play •••

Mr. Ba.nka - 1n archway to the nall - t::rna ...

l!R. E!ANKS Madam - tnat 1a enti~l;; be aide the p<>int:

Re anatohe• up hl,s \.:lllbrella and bowler and ,1...,,, OUT the front do

DISSOLVE

358-362 OM!TTEtl

363-365 =• BAflKll' HOUSE - DAY

aa !'lar;; Popp1.na tomea OUT with l'!1chael and Jane. Mar;; Poppizlll' _ has a ohOPJ>lni;; llat 1n her hand. The eM.ldren a,,e bourvl!ne; happily i,r,:,und her 111<!! pupptea.

IW!Y l'OPPDIS ( con,oul ting her llat) r..t .,. eee -- P1rat err, we must atop at the rlsllme~r•a fer s nite Dover aole and a pint cf prawna --

Mar;; Pcppins, ;;cu•= won't ever leave us, vill you?

MAftt POPPINS (oct heeding) Then the ptanc tuner's. -'J"ter that, to )!rs. Ccrry'a shop for acme i;:u,.gerbread --

/Uchael la walld.iig along, one root: en the curb1':j and one toot 1n the gutter, playing "long leg, ,hort lag •

IUR'C l'OPPIIIS (oeverel;,-) 1'!1thael, stop stravaigln,g along behind!

{CONTINUDl)

Prod. 2162

(2nd Re7. 6/26/l~)

36:-:

'.366 . LONO SHOT • Tl!EIR VIE\ol Ol" ADMIRAL BOOM' S HOUSE

The Admiral and his man, Binnacle, a.re otandiog 1n a small rowcoat su.opended by rOpe9 P.ang1ng from overhead dav1to, 1'lounted on the :-oof. With a long handled bruah and a pail of water, Bl.nnaele 19 9C:-Ubb1ng do"" the side ot the houoe, w>der Admiral lloom'a d1r~ct100.

( C'llllng """"'(io"°)=• Good day to you!

367 MAR'! POPPINS MD ClilLil!il':N

MARY POPl'IlfS Good day, Acmliral :soom.

,,,

(heartily)""""' •= Jl!:1chael! \ill.at :rlne &d7eneu.-..,, are we orr upoi,. today? Going to tight the Hottentot•? Dig tor buri•d treaaure?

,,,

369 CLOSE SHOT • MICHAEL

We1r<> gO:l.nll: to buy"'= oome tiob.!

370 ADMIRAL BOOX AHD BINNACLE IN Tl!E l:!OA'r 370

V,n-y good! Pr<>ceed at tlanld.ng opeed! """""""" (to Rinna~le) Let'a put our backs tnto it, lad! Jloroo 8P1t and poliab •· that'• what'• wa,,.ted around here!

,,,

371 U,Ul"llill

l'r<ld. 2162

~r<lSS t~.e ,cre~t, approaching the park ~a•••· :':ley tOJrn et ;:.~e SOUIC Of 31>.RKINGo.s.

372..~rnv. v.:..:.11

of ~ndre•, -- lt:.Sa :ark's dog -- runr.ing d<lwn the street toward ttem.

373 i'!M---Y :'OPPINS ~10. '!"l!E CH!:.:JR~

i'!ICHAE.L It'• Andrew:

37~

Yap yap-yap! Yap-yap-yep-yap!

37': l'!A.'IT PCPPINS

!ARY PlJPPIIIS lot ,o fa•t, ;,lea,e. I can't make out a 1<0:rd you're saying.

,,- -' 0

(,lower) ·-· Yap yap - yap - yap: Yap: Yap:

377 MA.'U POPPINS

'" MARY PlJPl'INS (1ncreduloualy) Ag~in?

378 ANDREW 37S

379 MICHA.:;LAND JAME ,,,

r~acting to all th.is

380 AIIDREW ;eo

Yep: Yap: --Yap-yap i

•< . '~--~

330-A l'AilY ?C?P!NS

AARY ?O?P!)IS Ye•, of coc:rsei ':'here isn't a o,o,nent ~o lose, !'ll go ot,-a!ghtaway, !.nd ~hank you .,... I lllUCh.

ANDfu.>I Yap - yap - yap:

CS 1 A ~~°tJGE'. .>.NGG -··

as /.n<:::'ew turns ar.d GCES. ':'he Children are :ons,.,,.ed ><!eh our1os1~:r.

,- ',lhat did l:e oay?

,- What else did he say?

~~= ( sl<ept 1 call;) I don't ~hink he satd an:,th!ng.

Ma<7 Poppins take• the chlldren by the hands ._.,,:1takes the,. n t.~e ilr!IECTION f,;om wt,1eh Andrew came -

Ki>JlY POP?DIS The:ce's been a change of Pl=•! Come along, please: Don't straggle!

':'hey hurry aero so the street.

ilISSOL",E

P:o<>d, 2162

- '/'/~,, - - --

A street e:x:terior near !Incle A'-be:-:;', house. Macy Popp!ns approaches CAMERA "'1th Ja...,e and llichael,

ar~iIOR - DOORWAY OF micu; ALEER'!"S HOUSE

Mary Poppins raps at cr.e door "':!.ththe umbrella bondl•' Eert opens the door a,nd look• Otr.'.His e:x:;,reosior. !• ser!o~•. •

,~, came over the mcm.,nt I 'eard.

,s, HALI.WAY!NTIDIIOI!

,s,

ao they all come Ill.

il!ARY POfPIIIS How 1• he?

lever aeen 'U! ao 'bad ao th1•, and ""' that'• the truth.

?:-om OFFSCEIIE comes a serieo of ga,pir.g, nigh-pitched SOU!!DS.

(inclloat1ng'"" ths children) 'Ow about them1 It's :ont,.gj.oua, you know.

,- Shall we get spots?

lla:ry Poppins motions for Ja...,,. and Jlliohael to otand belu.nd her as ohe opens the hall door to the front ro<>lll, and go,u ,,.

,a, IJNCU: ALaERT' S l'RCNT ROOM 384

l'lary ?oppins and tl",e others stand at th" door, looking IJP.

MAR'! POPPIIIS (indignantly) llnc!e Alber-a i

( COIITIIIIJED)

-e

CI.ME:IA ?!I.NS l;;> ;c d!oclC.5e '::l~:.Z =T; flea"~"'- e:tor"l•!al7 up ne._,. :he eop cf tt.e :e!:!::-.;;;, !he ti.1.g:1-μ!:cl::.ed gasp~:,g SCOIIDSnave ocme f:-om r:!;:i. 3ut ra:her :t:a:i !hcw:.:,g any o!g::• of ~s::-eas, he "-"-s ":;se:, gas;,1:,g w!~n laugr,ter --

:aJ.ess - Ole••':!;! sc1.01i .Zs tnat Mary ?opp!::io? .,_- - ,.··---.,__.,... -,- oee _1oua

386 C:.OSE - ONCU: /.lJIEllT

frncw; ALBERT I - I know, my dea:,,t I :ried really I did! 311t I do ao enJoy laughing, you know? (start• to bnal< Ul') And. the toooient I otart -- :.: 1t'• all 'e]2_><1U:i !!_!

CLOSE - JANE AIIIl i'IIC!!J.ll 387

'l'hey ,tart to g!ggle.

,,, :sEJ!T AND MAR'( POPf'INS 38'

/1\Af!Y POP~!NS Jane! lUchael: DO,:'~ you dare! You'll onl:, m.ake h1.m wor,,.! It'• reall7 qui:e oer1oua !

Yea - whateve:" =7ou do • keep a atrll.igl,t faee ! (t:-ying :o stttl• his own ,-1,tng la,.,gh.ter) The last :1..e -- the :ast ttme it took ~s ''"' da:;• tc get lU.ol down!

(:at P,ev.5/2/6' 1

,,, "'" LONG Sl!CT

of the r00111. Jl!ary Popp1nB and the others looking trP aa Uncle JUbert bursts into song --

(atng:ing) """""""' I :ove to laugh Ha, ha, Ila, ha Loud. a,,d str<>ng a.nd clear--.-

389-A CLOSE - :JNCU: Ar.=r

(ainging) """""""' I love to laugh --

(s1ng1ng o.s.) """""""" Elo, ho, ho, he ---

,,,

Jllltry POJ>ptno and Ber. in tllo ! ,g. llnelo Albert r10at1ng and bobbing above the111 --

( 01nging)"""-' """" And it'• gett:!.n/J; "°"""e'<e:cy 1ear:

,,, BER'!' AND MARY POPPilfS

3s,

Mary Poppins turno !nd:ignantly to :S.,rt, who can no lon;er oontatn h.10 own amu.ae&ent.

J1W!Y POPPINS I 11111stSay you're not helpii,_g matter,,!

393 vJUtt£D •

3S' C!.OSI!: OR ll!ICLE ALBER':'

, ..

( aioglng)="""" The 110,... I laugh, Ha, ha, Ila, ha -- The 1110n, I till w:ttll glee --

He bobs UP11ARDS -

eO (~ot R~v. 5/2/E3)

395 JANE AND l'IICHAJU.

b\lbbl!ng wtth la<.gln:er

tl!l'CI.E ~.LaERT (oingl.ng o.a.) And the mo,-e the glee Hee, hee, bee, hee

UNcu: .<.Ll!ERT (olngj.ng o.o.) The more I'm a n,errter me!

w== '" It' a !tmbarraaatng! ( alngi.ng) Tn!t IOONt I'll a llle"'1'1er !lie) Ha, ha, me, ho, ho!

398 EEllT AND !WI'! POPPINS

Bert onj.ckering un<.lleeked, aa Mar,- Popp1na regarda him eoldl:r •

1U.RY POPPINS ( •1np!>g) Some peo;,le laugh Through their noaea SouncUng ao ... thing like thia - (im.tattng Bert) 3ll!)t! S.llptl SIIPt! ltidicu:to"al Tnat'a wh"-t it ta\

"'' gasping :1n .mirth ""'

t!MCLE ALBZ!tT T::~! Tzz:zcz! Tz~:z:z!

,,,

,,,

MA:fcr POPPINS ( atnging) Some people laugh Throug.'l. their : eeth, Goodneaa oakea,

Prod. 2162

s, •,-3t .&V.5/2/~• ' '

JIIAf\Y POPPINS (cont'd/ ( S1ng1ngj i"iz:z:1.,g and hioz:tns Ll.ke onakeo ! {<Oimicklng Clnc:e Albert) T:: I T:zz ! Tz:z ! (spoken) Not ae all attractive to :!!. wzy of thlnld.ng!

UNCLE I.LEER'!'

floating an<i bobbing and bu:-bl:l.ng --

Oh, ..,,-1

(singing}""" So.,.. laugh t<:>0 raot -- (a rai:,1<i lausJl) Some only blaot! (oingle laugh hlaot) Other• they tW1tter lilt: birdoi (b1l'<i-l1ke yamm.r)

MARY POPPI!IS {to Bert) I believe you•re as Cad aa he is!

403-A

(oinging)""" Then there'• the l<ind Wot can 't man 11p the1:- mind (a oerteo of 1.I1oonoluo1-.e laugha)

4o3-B UNCLE ALBEJ!.T

403-B

1lNCLE AI.BER'!' {a:tngtng) ',/hen thing• strike me ao !'llnny I oan't lu<ie it inside And ' squeak' A.ii the aqueak~lers do -

( l•t ?.ev. 5/2/~~)

62m' AND MARY :PCPPINS

"'" UNCLE AI.EERT (singing o.s.) I've got to lat go-·

-, (:onvulsed and joining !n •ong w1~h Uncle Albert) Wi:h a ho, no, ho, ho!

He rise• fr-om 01,e floo:c, mov1r.g ·or. o~ FRAME--

As Bert RISES fr<llll the floor towar<l lJncle Alber<: --

(singing)= ha, ha, ha, ha, ha, ha, too!

405-A

as Oncl• Alber<: greeto l-..1.mwo.rmJ.:r --

•06 MAAY POPPINS

reacting "1th disdain --

"'' Macy PoPJ)tn• in the t .g. loolc:1ng UP to Bert and Uncle Albe:.-t"'' perfor,oing an Lmprollll'tU dance step ao they !1ng --

BE!l'l' AND UNCLE AL!!ERT (s1.ng1.ng) ~ love to laugh Ra, ha, ha, ha! Loud and strong and clear We love to laugh Ho, ho, hO, ho! So ever,-body can hear!

,os

burot:l.ng into laUghter, and otar1:tng to HISE 011'1' OF "'' rn-.

Rev.

ANOT!!ER ANGLE

a• )!a.ry Popp!'1.a •e1:es ~n•::: oy 1::,e a..'Utle• a:2<0er!~• ~o haul the!!! down --

MU" l'OP?::.'IS No,;, don'~ 70u two s:a:-t --

3!:r." AND UNC'"..,:EALBERT ( slng!.ng) And the mo:-e the glee Hee, hee, t::ee, hee - The =ore we ':-e a me:crter we i

,,, JANE AND lllCHAE:L

Joi!llng, delii;htedl:, in with Eert e.nd 1J<lcle Al~er-;. Ag"-ln the:, rise our 0? FR.•,MIL

JANE AND M!CJ{AF.:I. (,ing!ng) Ila, ha, we, ho, hOi

IVlutRER AlfOLE

4i2

Mary Potplna re•!gned!:, w.atches Ja.,e and ll!chael RISE A1it1 GO 011!' Ol' FRAM!: --

JANE AND Jl!ICl!An. ("1th Bert anr1 Uncle Alb•rt o.a,) The IDC>rewe're a merr!er wei

,,,

-~= Kary in the t.g., look;1ng Ill' a, the chtld=n Jotn Bert and Uncle Albert -·

UNCLE All!Ell'I' Welcome, .,,- dear•i Do m.ake :,our•elvee coo,1'crtal> le I

,,, J11ARYPO?PIIIS ,,,

l!A.'<l!"POPPDfS I 1111,e oa:,, you're a aigll.t, ~he lot of )'OU!

St:. 5/2/63)

Mary <'OPPl.:ls • - '"'-" t . .;., :ccl!:!r.g tc1<a:"<1 tl:e '=>ubbl:l.r.g tOUl""90- --

?cu ,a,o", apea:C..'lg ct >!g.',t•, :hat rel!l:;.nda ::e o: "'7 :e-cth<1:- ·-

C:XC""..l:.:.!.3£RT A "t>rotl:erS :a:, 1: c.~a,: !ntereot!ng!

-, Ye•, and. :,-ou lc,.ok ..-ot• 'E '•• a !lice ouohy Job !n a watol: ~ao:o:ry-\

ll!fC""..E =T I• tr.at so• \.Ir.at Coe, he do?

You know wot -'a doeo? (lauglung •o he can h,U-dly get the wo.-ds out i •E stands arou.'li:! tn th.!o watch raoto:ry- all day and make• faoeo !

IJncle Albert sor,o,.oheo w:l.th appreo:1.attva laughter -·

A 11:!DE.ANGLE ,,,

Mary- !'oppi:,,o in the r .g. ~oold.ng UP to S<!rt, !Incle Albert, Jane anQ lltohael, t,owl1:,g and rolling ""-th laughter •-

4!7-A REVERSE Olf MARY POPPI!fS

417-A.

,,,

'''

Sp!t"-ld.ng ct behav:10112', I ~ound. a - ho-rseohoe today. You l<now what that 11earui?

418-A UNCI.E AL6!RJ.'

418-A

I certainly dOl !t :11eans ooiepoor horse is ><albng aro,:nQ in his otock:l.ng reet \

a, 5/2/63 1

'1.20 A LONGER 11.NGf..,E

Uncle Albert, Jane and :"'.icnael laugh 1"'con::-ollabl7, :9e:-t has turned all ~he way w'Sl'.DE DOIIN, an:! 1• star,,1ng en :ne ceiling in helpless delight --

420-A CLOSE

~20-

on Mary Poppins, look:.ng UP --

IWlY POPPINS Most disgraceful thi..,g !'ve e"er 9@en - or my n"-"'e isn't Mary Poppins!

A 'li!DE ANGLE

on the celling foursome.

Spealcing of names,- ! know a 111a.n wtth a wooden leg na'""<! Smith -•

IJliCLE AU1€Rl', J A/IE AllD KICllAEI. .,,

Reall7? What' o th« name of h19 other leg?

Ul gu:ffaw wtl<ll7, bobbing UPWAJwS and bang!ng again~t th• oelling.

422-A MARY POPPINS

422-1

MARY POPP!IIS ( !lrmJ.7) ll'ow then, Jane, Miohael! It la time tor tea! I w1ll not have my a.ohe<!1>le d.iaM1pted!

A LOll'IJ ANGLZ

IJN17..EALB£RT Oh, please stay! Looi<! (1ndlcat1rig table below) I have a SJ>l@ndid tea waiting :or ua \

1W1Y POPPINS So I aee. It' a 1"'doubted.ly getting cold,

?:,od,

(~st Rev. ~/2/E3J''

t!HC..E ALllERT What a tragedy[ 'l'l!e tel:i. tahle 1• down the:,,e , and we 're Ul' HERE! Mary l'opp1no, :an't you he!i,uo?

423-

423-

t!HCLE ALEERT Well - I diolike to aok tl>eoe t!-.1..'Clgs, but yo<l eou.J.d manage to get the tea table to -- (he pau,eo, loold.n,g DOIIH and 0.S., pleaoed) on ---

423-n THE TEAT=

1123-l

t;uive:-o oliglltly, and RISZS Ttl\iARll ':'!IE C£I!.ING --

wcu = ( 0 ••• ) Splend.tdl Splendid: 'l'l!ank you, ,q dearl

,,, UNCLE ALl!ER'l', JANE AND f!Il;J!AEl, ,,,

t!HCLE ALBE!!T (to the Ch.lldren) Keep your feet batk! 111nd tl>e jUll

,,, A LONG .Alfllr.E ,,,

as the tea table comes Ul' and oettles itoelf tn the center or tile roursoma --

Qcod-Ohl I knew- 51,e'd brtng 1t off!

,,, Jl!ARYPOPPilfS

''' lllARY POPPINS Next th.J.n,g, I suppoae you'll be w,u11,ing me to pour out.

She RISES OUT 01!' FRAME towa:'<\ the ceiling --

?::-od. 2152

(1st lie•,.5/2/63)

,,,

,,,

as ~""7 P<>μ,iina -"!SES :m:o Sc::;:NE at the end o: :ha tea tabla.

Yeo, please.

!ARY POPPDIS Bo!rt?

-, No suga.- re::- ma, than!UI.

(aa Mat,~. pou::-1"'5 milk into tho O'lPO) 'moo glad yo'1'1"9 her<>. It wouldn't have been amr run wtthout you.

(the OWi.Ve oottversaticnaliot) ""' Del1;.httul weather we•::-e ha'nng re::- t!lia time or yaa.r, don't 701> ag,.-<,e? (Mary Poppins gives him a eccl glanoe and han<is h.1m M.o ellp)

,,,

,,,

( C01trl:OUED)

as (lot Rev. 5/2/63)

OONTINl:O

ONC""..EA!..BERT Spe!<king or -~ea'Cher, you bow, a f:-:!.end of ~:ie wen,: to tuy oome long

'!10"1<long do you want it!' And my ~rler..d oaid, 'Oh, frc,m about Septeml,e:- to Ma:-chl'

laugll uproarioua:y, and bob upwardo

SERT .,,

,,, A WIDE ANGLE .,,

All - wtth the e><cept1on of Mary P<>pp:!.n• • laugh and bobble ahoc:t. ~e tea table tip,i and owaya precarl<>uoly ••

MARY POPP:illS AND UNCLE AU!ERT .,,

lJrmiovea, ohe hancla a cup to llncle Albi.rt ••

IIA.<[y POPPINS Your ;;ea, Uncle Albert -·

~== Thank you, m::,-dear. I'm hav:l.ng sueh a g<>od tlle. I "1ah you OOUld .rr- otay up hen w:!.th me alwayo .

MICl!.&.n. (llappily) We'll Jolly well have to! There's no wa7 to get do,m!

TIIRU 0M1ITED 479-B

l-79.c UNCLE ALBERT

~== Well, to be honest, there is a wa:,- to get do,m. But rrankl:,-, -r den• t like to aiention it. You have to think of something sad •·

P:rod. 2162

,, (lat Rev. 5/2/63)

"79-D MARY POPPINS

Then, do i;et on with 1t, Pl&aoei

479-F

starting to Dl!OP lleh1nd the tea ta\lle, a• their race• g:-ow oomber --

o= Oh - that ts oa<l!

The POO:t' cat!

,a,

Y•• - the man said, 'I'm ver-:, oo=,- ""'"""' a\loue :rour cat. I'd like to replace it. t '',/ell,' •aid the W<>IIIAn, 'that'• all Hgllt Wl.th me. l!ut how are :rou at catching llice?'

Bert and Uncle Al\lert_, __who havebegun to DROP \lehind the tea table, •ud.<lenl:r BOll \!PWARDS,as they burat into roars or laughter.

480-A Ji\NE AND l'IIC'liAEL

shoot 01' again ""-

1.80-B Jt!AR1:POPPINS

480-B

regard• thie d!sapprovingl.7 --

480-C IJIICLE ~

i.ao-c

You see? I do""' try- to= \le sad.~, •"-how, eve:t')'thing tu:ma o"th1larioua i

48o-D BER!'

'Old on! I know- something sad. A real •ean-wrtn.ger, 1~ 1a, Conc,rning m• ~ouain, 'go went o"t 'witing w1th a gt.n one day. •:;; never came bael<.

T?ley start to SINK again •-

80..'1"!' \/e don't really knew. Near as we ean make cut, "omething 'e dloag:-eed w1t1> ~ '1m! -

They .;u.i'faw and shoot IJl' asa!n --

JIW!Y POPPINS ,,, "'' glaneins at her lapel watol> --

MARY PCPPill"S That'• qu.1te eno"gh ct that! It 'a ,a, ,, ~~! - -

,,,

m<= ,- .oJiD MICHAEL ,,,

""""·

~. that'• Oad!"'"" That's= :!!!!.aad!

Thsy all begin to slowly ll!l()P behlcd the tea table --

493-A cr.osE

on IJncle Alb"l"t, aa h1a head llROPS 011? OP FRAME ••

OllCI.E ALEERT Th.at •a the saddest thlng I ever heard!

A LONll ANllLE ''' llary Poppins 1~ already down, waiting, aa Bel"t, llnele Albert, Ju.e and M!.ehae1 llltSCEND Ill'l'O SCENE rrcm above. They go uncere110n1cualy to the rlccr, all ending in s:ttt1ng poa:ttiona.

!ARY POPPINS (oal.mJ.y) along, Children! Spit-apot!

,,, -

on the seated group --

~ -~ (tearru11y) Must :rou really go?

P:cod, 2162

(lo~ Rev. 5/2/6''''

•ee

Oli'CLE lu,fil:RT (oobbing) People come to see 1!18 • and we have lovely t!Jne. Then they all have to ,.•

AT 'l'l!E :COOR

Ma:-y Poppins, Jone and ~ee!ael ~ause to lool< hacl< ••

Don't "0rry\ "'"=l,,le'll te bacl< soon:

,- Thank ycu\ We've had a lovely tiloe\

MARY POPPil!S De l<eep on eye on Uncle Albert, will you, Bert?

BERT AlfD t!NCLY. AIBERT ''' Be:-t puto an arm around the dlsconoolate Uncle Albert •• ""

I'll o1t witn """'1"' a wti1J,e. (tc Uncle Albert) I •ave a cheery little otory, I'v• saved ror Juot ouci, an ooeaoton. Would you like to •ear 1t?

llNCU Al.B!RT (oobbing) I'd ba oo gratef'ul.

4B8•A TWO SHOT PAVORDl'G l!EltT 11aa.•

11:1.ghto. About.,..""" granddadc2y, it ts. 'Ad a nightmare. Scar,,d '1.!ll oo much, 'e el>....ed. '1• pillow to h1ta\ Next morntng, I aal<ed 11.!ll •ow lie relt. 'Not bad, ' •e •BY•• 'just a 11ttl• do,m 1n the -""'Uthl' - - -

488•B t'WO SHOT • FAVORING UNCU ALBERT 468.B

Uncle Albert br!talc! into r,-eah tears,

?rod. 2162

,, (2nd olev,5/'-4/63)

"" (,Joyouely) - I alway, oay the.-e'• nothing l!ke a good ,Joka.

UNCU I\LBE!IT (oobb1ng) Y•• - and :hat'• nos:h1ng :1ke a good Joke.

~•k on Che:,-ry Tree Lane. ~dnliral Boom 1• ,tandlng nut "'' eo hi• cannon, w1th arm uptlung, eyes on IU.s watch, r-esdy to g1ve the o1gnal to "FI:RE:". illnnacla stands next to the cannon, ready with the gunner•• match.

AD!llRAL BOOM Pirel

illnnacl• appl1e• the match to the touch-hola. Th117 br•c• the...,elveo tor the explooicn. There 1• a S1Zzling ancl grumbl:lng SOUND from the cannon, but no explosion. They turn to look queat1on1ngly at tt.

Mra. Ba.nka, Ellen ar,d llrs. Brill are all ready, val'icusly holi!ln.g the bric-a-brac and bracing the china cloaat. The explos1cn of the cannon tall• tc eventl.late. Puzzled, the1r heads turn towsrd the di?'ect!on cf Admiral Boom'• o,a. rooftop.

ON THE ADMIRAL'S ROOP ,,, "'' He is gazing irritably towar<I the cannon, trom wh.1ch the • 111Utte,:01ngand a1zzl1ng SOUNDot1ll comes.

i;oea to the !IIO•ff:hof the cannon and peors 1nto the "'' sizzling barrel. = the cannon oomeo the SOUND or a sr-.int, a small apologetto teloh and a spume or 'olaok smoke.

?:-<,d. 2162

,- (l!t Rev. 5/14/ I

B1nnacle pi,lla hack and turns to Ad..'lll.ral Boom, salutlng. :3in.'lacle 's !'ace 1s blackened by tile •••=*•.

:3DINACLE Sir! w1,11 to report wl!at appear• to be a wet powd.er •it~ationl

ADMIRAL ilOCM (cre•c~allen) Pity\ St1l~ - tl!ere are days when th.ins• don•t <:_t.:.lte alwa:,o go ':3oom', aren't ~hee-e?

Blnnaele ;,ieka up a amall kes of powder.

:3DINACI.E I'll take this lot down to the galley, air. !lave 1t dried out in a Jiffy.

Admtral Boo,. salute• mecl!anJ.cally as Binnacle OOES OU'!'. :eoom.look• over the parapet, =acts. ,,,

,,

or !II:'. Eanka, walking Slowly past, Oent in !hought. ,,,

pi,zzled., consults his watcl!. Leans over the Bide to bellow --

"""" ~~ Late tonight, aren't )l'OY, Banko? aay -- Bank•!

I<!ll. BANKS ,,

continue• ><alkin,;, w=-apped in meditation, ,,,

ADM!ll.,\L BOOM ( ca1·:1r.,; aft~r him)

:2aru<a I

(ls~ ~•v.

,,, THE FRONT WALK

aa 1'11-, Bang approaches hi! own frc,nt door, un.~eedl.ng Ad!lliral Boon,.

499-504 DffERIOR - :SJUIK.S' F!!.OIF. !i.!.Lr.

aa Ulen, holding a vase mider one a:,n, OPENS the door for Mr, Bar.ks. :1e hands her hl• bowler and gloves, as he ataggera under an ONSLAUQHT \>:; Jane and )'ichael, who raoe INTO SCENE:. They are wearing tneir n..l.ght :hir.gs.

,_

Father, "'"'re so glad ycu•re he111e! We've been waiting for you!

MICHA..'<"L Want to near a joke?

,- We had the 1110st wonderful afternoon with l!ary Poppins I

,_

Fl.rat"" went to tlr:cle Albert's and we floated in the a.1r - !

~= I know a 111anwtth a woo<len leg named S!llth --

,_

And we had tile o,ost beautlftlJ. tea part:;! -- And --

?:-od, 2:62

(ls~~•"- 5/14/f ' ""

499-:;04 CON':'::Nt/U)

)!!CHA.EL (,tubbo:mly) Tl",ere' s this wooden leg nrun,,d Smith, Md :here was another chap --

JA.'!E T.ie:-e we sat - the :oe of us bobOin;: around Che ceiling ai::-y as you please!

J,!ICHAEL T.le oe:ond chap say,, 'W)l.at'• tile name of 111s other leg?'

MR. B.o.NKS Stop I Stop i Sto:;, l

,- Mary Po:pp!ns ,ays lf we are g<:>0d, •he'll" take uo there agaln wt,en -- (Jane's speech trails off as ohe sees her father's ex;,ression)

505 M!l.. :SAIIKS

looking o .s. to --

500 MARY POPPINS

Callnly descending tl".e ota!rs,

507 MIL BANKS

?:ood. 2l62

a, (l•t i!e•,.6/13/$3)

;05 A ',/IDER ANOU:

,,a -- M.'.JIY POPPillS A• you wion.

Subdued, the Child:-en go !IP the ata!:os. )!ary ?opp in a goes ~nto the frorit room, followed by Mr. :Cariko, ><ho caref:.ll)' :loses the dou])le door leading to the hall.

MR. Bi\N1tS (as he Clo•e• the door,) i'<lppins - I ve"'f much ::-eg:oet >rnat I must say to ,-ou --

CLOSE

as Mary ?oppina and 1'!r. Bank• come IN. /'!rs. Banks is Juot replacing some 01' the Cr!c-a-Orac !n her arms.

MR. l!llITTtS (turn!ng) Now then, Poppina, I must c,:,nte,,,_ I'm disappointed in you.

':ll AT Tl'lE KITCHEN DOOR

Ellen and Mr-s. Brill, heads together, are listening tnrougn the door, ajar

( CCNTL'WED)

~ (lst Rev. 5/14/i:""

CON'!'lN';JED

SIie's for .1t now.'""' I''te 'eaM. tile Master do tl!!s speeol! before.

MRS• E.'l~ I'll te !Or."'{ to see her i!;o. SIie wasn't a ':>ad sort for all her o:range way• --

5l2-528'IN THE LIVINIJ ROOM

MR. E!JI.NKS In :ig.'lt ot what na• happened --

MRS. llJI.NKS George - are you certain :,ou \<no" wl!at you're doing?

SONG: ( a.1nging) -

A !lr1t.1sh bank is run nth preoia1on A British horoe reqUirea nothing leoa Tradition, diSOipllne and rules Muat be the tools Without them - Disorder! ChaoaJ Moru d1s1ntegrat1on! In •hort, you have a ghastly messl

( CO!IT!/fUE!l)

;12-;:

MA~Y POPPINS 5upe,.cal!f,-ag!~1 st!c e,:pi a.11 ::!ocious •

IR. 3Al/KS or course. Than.-:: ,-ou. ( Singing) And popping :l,..-:,ug.~ p!c:u,.eo Eave little use, f.ilfill no hao!c need They•-,• ,:ot to learn the honest truth Jespite the1,. 7outh They must learn -

IR. EANK.S :i:J:actly !

IR. EANKS Quite right, ?oppins:

l!/.EY PCPP!NS (sir.g!ng) ',/hen ga:lng at a graph That shows tC,e proflt• ~p Their liCOle c~p of ~Cy Should over~low -

Pree1sely'

M"-~Y ~CP~INS ( sin;;lng: ~:•• t!me tc,e7 learned co wal~ In your fo~cateps

Witb. ~ri::!e.

P:-~d. Zl€2

MR. ilANKS Absolu:ely correc;;!

)!JlRY POPPINS (aingJ..ns) To,co:-:eow ~us: a.s you suggesc ?:-eSS€d ar.d c:-eased Jane llld Ml.ohael -~J..11 ~" at yo•or side!

)!IL EANK.S SplendL:l! You•ve n1: :r.e nail directly on Che -- (pause) At n,y stc!e' "lll::ere are "" gotng?

JIIAJ!YPOPPINS '!'o the ban~, of course. ~actly as you proposed.

Ill!. BAN!r;.S (blanl<ly) I -- ;,r<>pased?

lla1"7 Poppins goes Ol11'.

Jl!R. BANXS Goad nigh.t, Pappina.

MRS. BANlCS Goad night.

l'!:,,. Banks turr.s somewhat daaedly to his wife --

'IRS. BANKS I: certainly so,.,nded that "SY, dear.

He Cl\ucl<les in sel~-satJ..ofactton.

c?'od. 2162

"O {1st ~""· 6/26/63;·-

~29-533 =• ITTll!SERY

Jane and Michael run to u,e door "" l!!ary ?oppins cccoes !N and clutch at her --

,_

(tear!'Ulll') lie. Mary P0pp1n~i Noi lie won't let you goi

)!ARY ?CPPDIS Go• Go? llha1: on earth are )'OU talk1!lg about,,...

-~= Didn't you get ,acl<ed•

MA1G" POPPINS Sacl<ed? Certainly not! I am rtev<tr oacl<ed!

,_ (rell.ev<td) Oh, Mary f'oppino i

- ""

( CO!f!'!NUED)

:~o

CCN':'INun

,- (wid~-eyed) An outt:1,;•. :.11:h Facner?

-!!CHAEL I don'c believe it!

,- He'• never taken U! :or an outing ·oefore.

l'IICHAEI. He'• neve::- ta:a:en :.is anywhere,

Mary Poppir.•, you muat have put the ld~a in his head aom@how.

i'IARY POPPINS (o~ssly) Impertinence! 'I/hat a rude thing to oay I I never put things in people's heads!

She ha• herded the ohildren to their bedo --

,_ Where 1• he talcl...,g '-'•? • 1'!AAY POPPINS To t,.,e :3anlc.

,- (excitedly) In the City? Oh, M:l.ohael - ima~tne~ The City: We •hall see all the O!ght•~ Fat hire an point them out to U! I

MARY PCPP!NS Perhaps you can show your father a thing or t-'O.

'!ARY POPP:li"S Be :ha: as 1t o,a:,. Si.:: sometl..i:teo, a ;>eroon we love - :hrou5h no !"ault of t:1• o"n - :an't see past the end of ~1s ,;ooe.

,- T!oen we "''-'•: help I

,_ 3:ow, Mar:, Popplr.o? Howl

F:-om her dreos1ng table nea,:, the CC>Mecting door to the nursery, Mary Peppin• tl.as taken orr a Victorian-style pap@r- ·~eight. A s,nall heavy crystal ball conta1n1ne; a replica of St. P~'-'l' a cathedral. Ao the Children look •·

,- (0.5.) Yes?

535-536 MARY POPPINS AND = CHlLDI\EN 535-53

ao Mary ?oppir.s sits on Jane•• bed

SONO: i'W!Y POPPINS - (S:1..."lging)

Earl:, each day To the steps of St. ~aul' • The l!t::le old bird lady comeo ~n he:- own apectal ,..ay T" the people she :all• - • Come buy Jr!'/ hag, full o~ orumho'

MARY ?OP?!NS (cont'd) (singing) Come ~eed ~he li:t:e b!rds Show them you care

':hei!" young or.es a,-e hur.gry T!lei!" nests are so.bore All !t takes !a t..ippence "'°""':;ou --

,,,

on the peperweignt, A st.owe,- or ••·h!te particles,

suggeseir:g

b!rds, flutte!"s 00\ffland ~OUT tr.e :oepliea or St.

Paul's, l.tomersed

n the liq:uid "!thin the glass paperweight.

DISSOLVE

GD!~ CLOSE on the E.i!"d W<>inan. The ~igeono Are poking Around her long sl<.1rts on the ground. ':'hey are in her pooketo, on l'.e:- shoulde:-s, and in the a!r a.b01.:t her.

CAME!!A rs MOVING BACK to ::-eveal 11aore scope or th@ cathedral. PANNING UP',IARD, lt :cevea:, tne dmne and large flock• Of pigeons fl:;ing about 1t.

AARY i'OPP!NS (s1ng1ng o.s.) All around the oa:h,.dral The Sa1nts an<! Apootleo Look down a• sne ~@ndo l-.er wares Althougr. ;cu ca.'1.'t see it Yau know :he; a!"e s:n.tl1ng - Each ti.me someone shows that he eareo ... Though -~":- ~o:ods a:ce slmple and few Listen, C:!.sten. sne's calllng to l'"" l""@d the oi::-ds, c\1ppence a 'bag. Tuppence, :upvenoe, tuppence a bag.

(CO!frINIJJID)

Prod. 2162

10~ (lot Rev . 5/27/63) ,

,,s

-- INSTRID!!':NTAL Ml!SlC as tile l>i.rds wheel an:C t=n overJ-:ead - ::'l!E LIGH!' he gins to CKANGE. DUSK falls onto :.,e seene. r'CI• bir,;is flutter down ar<>ll.Ild the Bird Woman, stlll poldng around her skirts, snuggling into her pockets, s!t:!ng on :,er hat.

540 MARY POPPINS

10.RY POPPINS ( stnging) Though her words are simple and few Llaten, listen, she's eall1ng to you

,,,

ae 'lary Popplns tueks the covers closer about Jane and Jl!iohael, who are asteeJl.

'IARY l'OPPilfS ( singing) Feed the bi:-ds, tuppence a bag l.'\l.ppenoe, tuppence Tuppence a bag.

CIJIERA HOLDS ON the dome for a moment, then slowly pans DOWN to a olty stt'1'et nearby. OOT of the paose:-sby eme:-ge• Jl!r, Banks, followed b")r Jane and M1o.'1.ael, holding hando. OVER SCENE we hear the EELLS of St. l'aul' s.

GROOI' SHOI' ,,,

CAJIIERAMOVES Wl'.t'l! I'll,. 3anks, Jane and )U.octael aa they wall< down th<t stre"et, appr<>aontng a corner.

"11. BJ\NKS Re01e01ber that a bank 1• a quiet and deeor<>= place. '!'he best bel-.avtour ts requ1red.

~~- I thought tt wao your bank.

Pro<!. 2162

:cu (1st !le7, 5/27/6;

They ha'Te reached the co=er, Mr. Bank• otart,

around !t,

"hen 5uddenl:; Jane reacts to SOOlethtng o.!.

l'liohael! C-,ok!·=

The t.,,0 c~l:lren pause to look o.s.

or the BIRD WOMAN. Seated on tl\e steps in front or St.

Paul'•,

she 1• surrounded 'o:, wal;cJ.ng, flying, fluttering blrda.

~.

proffers baga or breadcrUlilba to the pas,ersby --

JAl'<'.E, MICHAEL

~- - ·- MICHA..."!. It 'a her!

~- (turn.tn,s; puzzled) 'oho? ·- It'!WhO?

(o.a.)·= Just where Mar:, P<,ppins aUd she'd be!

You do see her,·= don't you, l'ather?'

( CON'l'DroED)

(lst Rev. 5/~7/€3)~

Jl!R. BANKS Of course I ,ee her~ Do :,ou ,:):ink I can•t aee paat the end or "'1 nose?

(looking ~-o.o.) Oh, liaten, J-ather. She•• saying 1:1

548 T!!EL'l 7L,.--W- T:I!:: EI:!D '.fO~

El:RD 110"-'N Feed the birds! !'uppenc& a bag! P,,ed the htrds i

MEll. CLOSE - JANE, MICl!A.EL AND Jl!R• BANKS

111!..BANKS (puzzled) I/hat else -.ould she say? --

,- 7leaoe, Father, u7 we feed the htrdo?

1111. BANKS Whatever for?

CLOS;;: - JAME A.NDl!IC!!AEL 549-A

look:!.ng up plei>dingly at their rather.

~~- I've got tuppence from my mcney ho:t.

,- Juat th.1• once, pleaoe.

549-B

MR. llANKS 1/aate your money oo a lot of ragamuffin bird•? CertatnlY not!

549-C

,- But Mary Popptna s2yo

549-D Ct,OSE - MR. BANKS 549-0

MR, lllOOCS I am not intereated in what Mary Poμptna say•. Nor do r wiah to keep hearing her name for the :-,,st or the day. Now, come along!.

P~od. 2162

1~- 5/TT/63,

c:.os:;: CN MICJ!AEL

:~•· o,y tuppence,~- Fathe~.

He starts toward the bird woman.

549-F

•• he "alks to1<ard :he Eird Woman l.n b.g.

i'!R. BAMKS (c-.,.J l!l.ehael I

J!1ehael turns t~ look at hi• father.

MR. llAN"ttS I ><111 not perm;Lt you to th:-ow your money away.

550-B

•till looking back at hi• rather, trying to dectde.

551 WIDE ANGLE - i'!R. 8AMKS, JANE AND )IICl!AEI,

,,,

Mr. 5M>ka otarc, down the •treet, aa Michael come• INTO SCENE to join Ja.ne. She take• h1• hand, end the children start down the atreet behind their father. llichael lookS back O<iott'Jlly toward the Bird Woman, o.o.

:e,= WO!l!AN (o.s.) Feed the birds --

''' 552 the Eird Woman, aa •he look• arter the~ 1.mpaoo1v~ly.

:3IRil WOMAN Fe~d the bird• --

' -- (ls,; Rov. --

-- 5/29/63) A-553 CLOSE ON PLAQUE

whioh is on the ped1men: hl.g.'> ahove the :olumr.s o: Che hank. CAJ,!E!!AHOLDSon the Plaque "'hi:h reads, "T'!:S DAIIE:$, TCl!ES, MOU5LEY, GRUBBS l'IDELI'l'Y FDUCIAi!Y 3Af!K r.TD."

D!SSCLV".:

: 1s a 111asoivo, oent,.,r1es-old •truoturo of <!&oor.mt and PNPri&ty. Jllr. Saruc• and the ohildren deooend th& steps leading :o the huge doors, "h1oh are flanked hy stately columns. A doorman stand• ready to adJn1t tho111to ohe hanlt.

553-

•• the doorman opens the door for II![-. 3anl<! and the ohl.ldron, usher!ng the111into the MaL~ Hall.

LONG SHcPr - !NrF;RIOR Tl!,:; "1An/ HALL

,,.

SHOCII'INODOWNon tho counting and d,.awing hall "h•n tile tellers' oagea e:,-e. Th.e at1110spheN! to hual!•d. II![-. Ba.nlca and tile ol!ildren walk towaN! oaaaera, paot the teller's oage•.

as they ""lk down the~ aiole. Jane and lliohael look ahout the111 !n wide-eyed ""'nder •• they paoa the teller~• oa;ea. Both tellero and client• speak in tones olightl:, ahcve,"o whl.oper. Meoaengero gob:, on noiooleso feat. The inteMor of a cathe~ral could not he 1110reaolei:,n.

;_, ·- WIDE ANGLE - THE LOIIBY ,,,

Ao they reach the end of the hall, they c011e upon the lobby of the •~•cut1ve wing into which the directors' otftoao and the hoard :-oom open. i'!r. llanl<s and tile Ch:11<1ren stand wai,;!ng ao the l!eoars. ~AWES, T02'1ES, MOUSLEY and GRUBBS approach ~hem. _,,.-- l'!ED. CLOSE - crROUP SIIOT

;;6

ao Dawes, Tome,, l>!ou,:e:r and Grubba wal~ toward Jllr. Bank• and the oll.il<lren.

i'!II. DA\IES, JR. Hullo, Sanko. What•• all thio ahout?

'!'he Banker,, stzr.d look:1ng down at :he oluldr..n.

(CONTI.TIED)

?rod. 2162

;ca 5~9/63'.

CONTINllED

MR, BANKS These ~re o,y children, )Ir, Dawes.

JI!!!. DAW"'...S,J11. So I asslll!led. But ><ny are they C.er<!?

556-A

to IlfCLU!IE the hacks of ~he ha,nkero.

556-B

556-B

The1r face• ohow the1r appro~al, a• they contL~u• to look down at the ch1ldren.

MR. OAWES,JR. Oh capltall Capital! l.nd hov much money do you have, young man?

556-C CLOSE ON JANE ANO MICl!An,

~= (cloo1ng hls tiot protec:lvely on the tuppence) Tuppence, hut I ""nt it co teed th" l>!rds.

i.11. DAWES, SR. (o.a.) Tupp.,nce !

556-D

Sl!oarING ACROSS the lobby to the far door thr<>ugh Wh1Ch MR. DAWES, SR. ha• juot einer~ed. He 10 a frag1le, atooped man or ninety-odd yearo, and •• he m.aktl• h.1a way acrooa the lohby toward the i;roup, he leans heavily on a gold-headed cane.

MR. OA'IIES, SR, Tuppence! T!l.at 1• Pr<!~loely how I ,tarted ...

556-E CLOSE - MR. llAlllt3 A1ID TI!E c:"HILDIIEll

MR. BAlllt5 (le..,,lng over and Wl>lapertng to the children) The elder Jllr. o.a.....,s, Chai:ro,an of the !loar<I. A giant in the -..orld of finance.

P:-ocl. 2162

1~9 (lst ~e•,, 5/~9/63)

536-F CI.CSE ON MICHAEL

••6-'•• •

(perplexedly)~- A glant?

557 HIS VU'W

of~. Dawe,, Sr. a9 he totter, acros, the 1obOJ towa~ the group, C.:.ME!IAMO= "1th h1.m a• he moveo into ,cene oncl stando d:l.reotly in f:-ont of fll1ohael. -

JI!!!. DAliES, JR. These~ !lank•'• o~.J.ldttn, Father. They want ~o open "" aooount.

MR. llAliES, SR. I know, bey - I know!

I.a the Ole! inan totter, paot h1• oon, he rap• the Jr. Daw••' anltlea "1th hi• oane.

MIi, DAWES, JR. Ot oouroe. So:-ry, Fatha:-.

MIi. llAliES, SR. (9tancl1ng in front ot lflohael ancl extencling h19 hand) So you have tu~enoe, May I be per111:ttted to see lt?

557-A

557-A

as he looks up tear!'ull.y at Mr. Dawes, Sr.

(olutehing~- the tuppence 1n h1• ft,t) I neecl it to feecl the bll"da.

557-ll 1!EVE1iSEl.!fGLE - MR. DAliES, SR.

557-B

ao he peer,, down 1i:ito the bOY'• face.

i'!R. DAliES, SR. Jl'1ddlest1cks! :P,,ed the birds and what have you got• Fat 1>1:-do! But - if you 1nve,t yo= llOney "1oely tn the bank - (oing:ing) Sare and. oouru! Scon that tuppenc9 Safely invested in the bank ~1li eompo=d ....

Prod. 2162

(l•t !\ev. 5/29/63,

557-C CLOSE ON M:!Cl!J\EL

557_,

pulling back as !Ir. Dawes, Sr. leano over h:1.lO -

MR. !lAWES, SR. (sl.ngj.r.g) And you'll ach1~ve that oenso of con~ueot As your affl:2•nce e;-q,ands -•

057 -:

1.UT<>unded by the other banker• 1n b.g.

IIR. DAIIES, SR. (o1ng1ng) In the han<i• of the <1.1,-.,ctor• Who invest a• Pr<>pr1ety demands.

fe pauses, out of br,,atl> and exhausted.

557-E CLOSE ON 1'1R. i:!ANK.S

557-E

~- ,., ,. alr? •=

557-F CLOS!!:ON MR. DAIIES, ,,.

557 -I'

DAWES, ,,. ~- Carry on.

557-G =~ m= - ,,.

~- •= -M. DAWES, 557-0

in r.g., "1th Daweo, J"r., ~ •• Mousley and Grubba 111 b.g. They all face the Chlld.~n, ao !Ir. Bank!, tM.es to l111Pre•• l!l.cba&l Wlth·the·tmportance of sa"'1ng hla tuppence.

MR. DA'olES, SR. (spoken) The •h1pa! Tell h1.m about the •hips:

AA. BAJOO! (ain&tn!!;) Fleets of ocean g::,eyhounda !

1!!1. DA'olES, SR. (opoken) l!cre! Tall him mere!

P~d. 2162

11: 5/29/63)

557 -ff CLOSE Cl/ lllC!!A..""I.

ao he looks ~p at the group.

MIL :SANKS (singing o,s,) MaJestic, oelf-uort1•1ng oanalsi

557 -• C:::.05E 011 It'\, DAWES, SE.

557-.r

MR. DA'WES, SR. How it fire• the 1mag1nat1on!

557-K CLOSE 011 l'!R, BANKS

557-K l'IR• E Al/KS ( ,1n.;1ns) Plantation• or rlpenJ.r-3 teal All rro,o -

557-L GROOP Sl!OT

557-L

Mr-, Banko and !tr. ~•~eo, Sr. tn :!'.g, "1th the other bankee-• in b,g.

MR. EANK.S5, Tll3: D!i!EC'l'ORS (o1ng1ng) Tuppence - Prt>dently, th:r1:!'t1ly, :!'ruga1:y Inveat1td 1n the --

MR. DAWS, 3R. To be spect:!'ic --

MR. BANK.S5, THE DIRECTORS (singing) In the Dsveo, TOl!les, Jl!Ousley, Grubba - Fidelity, l'1duolary E!anlc!

,,,

Jone and ll!j_chael atand 1n :!'.g. watching•• i'!r. Dawes, Sr. pound• on the !loor·w:1th_h1s cane, keeping t1.me to the muslc,as Mr-. B""ka and the <U.rectora march past him.

CLOSE OH Jl!R. DAWES, SR.

558--',

as he p0W1da his c&ne on the flooe-, '!'he Ohildr~n watch f:-<>,ob.g. as they huddle together rear~uJ.ly.

(lot ~e·,.5/29/63)

•·•-~'-'- a

SSB-:

Dawe,, Jr. , '.!'oa,e, , i'!oualey and G:,uh~• •• they !llarol\ past ca.a,ere.

··9 -- CI.OSE - l!R. DA"oES, SR. -- •••

-~"

as he leans over anG exoends h.!• ha.~d :o 1'!:ichae! !or the tuppence.

)!11. DPW:ES, SR. Ve:-y well, ,zy- Ccy --

559-• CLOSE ON MICJ!A"""

509-J

)UCJ!A.El. Nol I want !t to feed the Oirds!

559-E c:tOSE Off )!II. DAWES, SR.

559-B

as he looka up angr!ly an~ shouts -

l!R. DAWES, SR. (shouting)

559-C CLOSE CN MR. BANKS

559-C

Ml!. BAAKS (nervouoly J 11' -- (leaAfng o,·er !Uchael) low,1!1chael, when you ~epooiots,ppence hank account -- '" ,

559-D

559-E CLOSE OH l!R. BANlC.'I

559-E

l!R.l!ANKl!- (,tngtng) That it hloom.s tnto ctt<Ut or a genero~s a.eiount -- Se.mi-annually.

Mr. Daweo, Sr. and oh~ other hanlcera move !n Cl.OSER,

( COIITilflJEO)

c:mT!NUED

(s1ng1n;,;)= And you'll ac!"Jiove t:Jat sense o~ otaturo Ao your influence er,,ands

559-:i'

as llr, Dawes, Sr. leans over h1:n.

(oing!ng= o.,.J To Chat l".~gn flnanc1al strata That estal>lished :red1t now cootm.and,:

of Mr. ~awes, Sr. who start• advancing towar-<1 tnem.

MR. DAWES, SR. ( singing) First :.nd Second Trust Deeds (spoken ao he lean, towar-<1 tne Children) Thtnlc of the fo"clooures:

559-1!

559-H

as they look up perplexedly at Mr. O..weo, Sr. Ao he l•=• clooer and clooer, their expreoo1ons change to tear.

MR. DAWES, SR, EOndo: Chattel•i Div1dern1,: (l~an• clooer} Shares i

Durin~ the •hove, Jl!r. Eank• and the other director, ElfTEI! Fl!A!l!E :.nd hegin adv:.neing on the children, who hack away fearfully,

059-J '!'HE DIRECTORS - JAIIE AND [l((C!iAEL'S P.0.V.

559-J

lead l>y Daweo, Sr., the group continues to advance.

Debtor oaleo!

Opportun.1t1e• ~-!

DAWES, JR. All manner of private enter;,ri~ei

•"•• • rl•• "

••••••

..rl•• :;-;'"•~ • • ,

"'"'•• i ••• •0 ; • I "''"'0. ' ' '

•'•..'• •••

e 0 ~

...••- ... • •• •..•

0 0i

..,,••~rl ·• ' •' • ,,. ....

" m ...•.- •• ..•rlrl••..•..

0 ! ' ' ...•••- ... 0• ;"

'"•0 ~ ""• ~0

•••• ,..,••••',,••••.•i•••'0 '• '• "•• rl'•• s •

' • •• • "

.. • ,'

00a ~.J{l~•••

' ' • •.....00..,.'•••-·~i!.'l;~•'""...."•..

5.., ••,,

0.. • .,:. = rl-

• • ..-·

~ 0 • ~ 0~ I •0 ~ •" ~ -• • 0• ~ 0- ' ' ' '

·• •• • '

Ii o:i..,..~zo• "' • ...li,.......'i , i ••.., ~:iit:':::!•rl 0 1;\.... .fl ,, " - ..Orl.. :.i•.-· • rl , " ,, 'S ,5 .., • .. 5 :

""•" • ....••"•• • ••'..•'• • ~ • • ..•"••

~ • rl " I ! • ' ••• '" rl

'

1i••• 00, 'ii~• j ..•.."..0•••••.. ••'"• •'•,,....•

rl ..•

~!i" il •"'' ·• •• ii :1''.. • " ' rl•

,,, (1st ?.e•,,.0/<9/6.:)

Re 1a being propped up by !ti• oon an<! Mr. Banko, \olho su;,port him ~n either Sid•. He lean, over :he Cltildren ~•nacing:y.

Mil, DAI/ES, SI!. '"hen f•ll the banks of England ""ng 1 ,nd ~alls:

561-a

M!!, BANKS (o.,.) You oee, /Uchael, all ror the lack of --

Mil. BA!IKS & DIRECTORS (ainging) Tuppence, Pottent::.Y, cautiously, truotingly

'%1-D WIDER ANGLE - Ill!. BANKS AND DiilECTORll

to include i'!r. Dawe,, Sr. le...U.ng over the cltlldren in t.g.

Ill!. BAlllrll ANtl D.!R!:C'!'Ol!S (o1ng1ng) Inveoted 1n the - 'l'o l>e spec;itic

';61-E C"..OSB CN M!l. DAI/ES, sa.

';ol-E

He rubs !ti• chin thoughtfully aa he look• down at lll.chael.

IIR. l!AlllrllAND DIRECTORS (oinging o.o.) In the Dawes, Tomeo --

561-11' CI.OSE ON l!J:CJIAEI.

H• pulls back 1n floar and lli• finger, loooen on the tuppence.

MR. BANIG AND :JIIU!C'!'ORS (oinging- o.o.) Mouoley, a~bb• --

of the tuppence in !tichael'• hand,

Ill!. B~ AA0 (singing o,,.J _F1dellty, F1ducta:ry -•

P:-od. ~162

"~••• (1st Rev. 5/29/6;

561-!! CLOSE 011 MR. OAWES, SR.

IIR, E!ANK.9I, DIP..!:CTOP.S (81ng:tng o.a,)

Mt-. Da,,,es, S::-. snatches the tuppence out of Michael's hand. Hts eyes glltt@r as he look, at er.e t'-'ppenc@.

MR. DAWltS, Sil. (to l!ichael) •••lee~ i -- '!:o our Jo:,f•Jl fallll.l:, of investoro I

561-,

~rn= (reae!\ing out for the tuppence; ang:-ily) Give it 'oack! Give me back !Ill'" money!

WIDE ANGLE - GROUP SHOT

Mr. Daweo, Sr. aru! Michael otruggle over the tuppence.

MR• .SANKS (ahocked) Michael! Behave :,our,elf!

,- Fleaoe i;tve it back!

(deterlllined)~- I want >q 111<>ney! Give it back:

Ill'!'. l!AIII HAU, - A ,....,-Jii'P', CAGE

Two '.iOMEH stan<U.ng ata telle::-•• cage ::-eaet to the tunioll in th• lobby. The atar-:1ed teller look::I o.,. in dls'oeliet.

PIRST WOJlAN (look:l.ng o.a.) Thera'a somat!\ing wrong. The l>anlc "°"-'t gtve aomeone their o,oney!

SECO!lll WOl!AN Well, I'111 go1.ng to get "'1ne

( COll'l'IITTIEI))

l . .,. (l•t il••1.3;2915,r

CCll'T!!ltJED

':he ••ecnd wo""'n r.abs the lapelo or tho dc:mhfour:ded teller.

SECONll \,'Cl'W! Come along, young ma.n. Every penny from my account i

~ GENT:.ZMANollent reaots to Che woman•• ~o1ce, •• it CARR!~ OV-::.R,and pounds IL1.• f1•t on the counter, demanding h1o ~Oney from =other startl~d tell•r .

• AA Give me :ir,' money -- allot iti

:N '!'!!E MAIN !iAU. - 1/lDE ANGLE

Small tlurr1es of panic mount throughout the room, The customers all race to the counter• SH0111'INGtor their mcney.

SHOOTING OUT toward the onruoh1ng mobs. Ao the SHOUTING

"'

IKCRllASES, cleric• beg:l.n to Ol!llll the >lielceta ohut.

~Na SHOT - DO\ill ANGLE

of the Ma.in Hall, ao the panic spreads, '.:'he entire pl~ce 1a !n :.n upr<>ar.

The NOISE inoide the bani< opreada the panic to tbe outside, and paaaeroby •torm up the front &tepo, trying to gain entrance to the O=lt. ,,, WIDE ANGLE - MO!! OI" CUSTOMERS

trying to !Oree their way Chr-ough the dooro leading into "' the illa1.n llall. ,,, MEil. SHOT - CLERKII

"'

570 IIEll. CI.OSE - ELDERLY C'..ERI!:

•• he pushes shut a sat~. "'

WlDER ANGLE ''' An ~lderly cleric, ataggeM.ng under a :JIOuntainous snack o! "' l•dgera, collide• with anothor eler~ who rushes into SCP:HE carrying baso of 0Ull1on. Ao they collide, 0Ull1on a.nd ledgers ';O flying.

l • a (:ot Re,,, 5/29/63i-

''' 572 or the pan:lc otr!cken :oob •• a guard fo:-ceo hi• ""-Y :h:-oug.~ the con!uston :o aler:: tl>e ma.nag<oment,

573 !!ED. CLOSE - GC"ARDANtl MR, DAI/ES, ~.

as the guard whiapers to Dawes, Jr., who reacts in ,".O"""or. He leans over and whlspera :o hi! father, Imo replies angrily -

DAl/'O...S,SR. I= on the ~ank' F1d<llest1cks, boy! Hasn't been a :-un en thls can;, ~or t,..c, hundred year, I

574 ',lr.JER ANGLE - GROUP SllOl'

llichael takeo tlu• opportunity tc retrieve hi• tuppence, ''" He reache• over and ,natches the CUppence from !Ir. Daweo, Sr. Jone and 111chael tu:-n and :-un, as the banker, react in anger and surpr1,e.

IIR. DAWES, SR, (shakir.g hl• c,._.,e) Stop that young :-uffian!

IIR. :!!AIIKS Clul<!ren! Come back here at once! De you hear a,ei

'''

aa they run through the lllilling cr<>wds tn the Main Hall.

576 ,,,

p~hing their w:,y through the moO.

WIDER ANGLE - Tl!E MAIN DOORS '" ''' as the guards t,-y tc ohut the door• againot the DOC out,tde.

,,a

PU'5h!ng through the orowds. "'

,,a A GllA!!D

wl>o 1• pu:rsui.'l!! :ane ar.d l'liohael.tr_-oug.~ the lla;llling throng."'

UllAllll ( •hcut!ng) Stop those chileren!

~ro<l. 2162

..; ( lst Rev. 5/29/6~j

:ounning through the crow<!, followed b7 the !,'~an!. ~e; :~nall; aocape by crawl:Uig i,nder the leg• of the custonero.

aa Jane end l!l.chael oqueeze through the 1111.lling C:'OWd outaide, and ,-,.., down the atepa of the hank.

as he tries to follow the children tnroug.~ the doors, pushing againot tha ot:n::ggl1ng cuotomero.

,,- (ohouti",!:} Stop tnooe chil<::ren!

The dooro sla,n ill nio face. A City of L-on<!onPOUCEM.o.H outsi<le tne ba.nk blows hi• WHISTLE. ,,, EXT, STREET - 1/lllE ANGLE ,,,

Jane and Michael pltmmet <!own the otreet. Prom the distance eomoa tha somm o: a police ll'!!ISTLE. ,,,

running down the atNOet. As they tu..-n a co=•r they run directl7 into a POLICEMAN, who hurri@o OJl'l"1n answer to the police whistle. 11\e-c~J.l<::ren daoh off in the cppoaite direct1on,

,,, LONG SHOT

,a,

Jana an<! Jlllchael •~- running '!'OWARDC.oJo!E!U,dO>m a long narrow otreet. A• they co111ein CLOSE, CAME:RAHOLDSon their terror:l.zed faceo.

,ea

as J!llle and Jl!ichael run dO>m ~he street, an<! around. a corner.,

,,,

on the Children a,·thay turn the col'tler and :1ru1 themoelve• in a dead en<!. An ev1l-loolc1ng ol<l CROKE, comes INTO SCENE. Jane and Michael turn !lrul <lod)le !earftlll7 pa lit her pan:>g· han<l•, The police 1'1HISTU SOUNDSag.-in o.s,

Come with me, 11'1 dearo. ~ranny'll 'ida 7ou safe and oound.

aea I/Ill!! AlfGU. - J AHi! Alfil Jl!XC!!AEL

:-win:lng across a t>r:l.dge, apann!ng the r:1.ver. They run down the step a ami OFF into the d.iotance,

P:ood, 2162

:20 ( lot !\e•r. 5/29/63"

:e9

•• they run past a hu1ld1n.g, and a:oe confron:ed hy a v1o1ouo, snarling dog.

,,, WIDER I.NG!.E - JANE AND l!ICH/1£L

as they turn and run back down Che ot:o!!cet. A• tt",ey round a o~:-ner they come to a sudden halt and look up 1n terror at a otr~nge I\P~J\llI"!'ION. ~e appartt1on'• ~aoe 1• smudged black, and pecul!ar hru•h-l1ke form• protrude from 1: tn every direction.

591 i!: 592 591 I<

,,,

593- JANE, l!ICHAEI, .>JU) APPARI"!'ICN ,,, 593-

,o,

Jane ocre!llllo, ao the creatu.-.. oetzeo both of theo,. l'l!.chael •trugglao ter<>c1ouoly.

Terr<>r-,tr1cken, the child.-en only f!g.~t the harder.

Jana and mchael caaoa the1r •trugglea to look wcnder1n&].y at their captor --

,- ~! rt•• you:

(~owing)= :rn the :leah and at 7our ser71ce.

(look1ngn- Bert over With tnte.-..at) You're r11thy.

Per.•apo a smudge= 'ee-e and ther,,, (holdlng up a ~r>.>!h) It oo 'appena t""-t today I'm a Cnl=l@y aweep .

(CONIIIIVUJ)

:2: 5/29/E3)

ea;- CONTD{UE:ll aca 59~-

Soo ,- {Curot!ng into tear, and ~alling againot =) Ch, Se:-,: • we're sc fr11,htened'.

New, don't take= on. Bet"O'll look after you. like I wa, your own father. !!ow - 'oo'o atter you!

Pother 1,.

(ota:,,tled)= What? ,_

(iuaerably) Jtather brought us to ,ee hla bank. I don't kru>w what we did, but tt 1111.ist have Ileen ,omethlng <lreadtul. He waa turioua "1th us.

~= (indignant) He set the pol!oe after uo i And the "rll!1" - o,,d evecythlng!

,_ Jlltol>ael don't exaggerate!

few, now, tnere- must be """"' "'1stake, Your Dad's a very fine gentleman. •~ lovea you. ,_

I don't tl1u!lt so. You ohould have oeen hia race.

m= He doesn't like= at all.

Bltrt an<i the ohildr,,n sit down on same stepa. He puta a COm:!'Orting = a.r<>UZld the· children.

fow - tl,at don't- seem very likely, does it?

{ CONTnmED)

:22 (lot Rev. 5/29/63

093- CCNT!NtJED - < ;ce

gg ,_ ( an1rrt..,g) It• a t:::-~a.

You know - begging ;our pa:'<!on - the one ,rr:, •eart go•• out to 1• your :athe:-. (th• ch.11:iren lOOlt at 1111111n puz•lement) :'hera '• la, in that cold., 'eae-tl••• banlc day atte:- day. ''!!mme<1in on e7er-y o1<ie by mound• or cold 'eartlesa :oone;. u tha lady in th@ •cc •aid, 'I 'ate to see

,_ Father? In a cage?

They mak1> cage•- 1.n all shape• am! •1zes, :,cu la!ow. Eank-ohaped, oome ot •em, w:1th carpet• am! all.

,_ :SUt Father'• not 1.n trouble, We 4rai

{aortly)= Sure or that, are you? (Jane and "1cllael con- sider thio trulught!Ully) LOolc at lt thio lfay, !ou•va got you,- mcther to looic after you. /Uld ""l7" P<>ppln•. An<! Conatabla Jone a. And me. 'Oo loolt!I artar your father? Tell~• thati (Jana am! 1'!1chael looic aheeplah) If a<>m&thing terrible •appena, wet doea 'e do! :!'ends for •tm:oelf, •e <l.oeoi 'Oo <l.0<10 'e t1tll a~out it? NO one. D<>eon't bla~ hia trouble• at '°""· Ju~t puanea on at •10 Job, uncompla1n1ng. Alone. Silent

l'ather•• not ver:,~- silent.

,- (emotionally) lie ot1ll, yoQ littl~ ~eaot. Oh, Bert -- do you think Father need• help?

( CONT!l!UED)

593- COll'l'INUE:D- 3 608 593 -

,,,

'~ l<no"!? It'•""' not o,y ;,lace to oay. (rioing} I on:y observe, a father can alway• <!o wtr a 1>1t or 'el;,. Co,ne on, !'ll ••e you •o:oe.

l!e take• the ch.ild::-en '::.y the han<I and lea<!o :r.em u;, the •tep,.

(o1ng1ng) ""' Cht.n1 ch1.m-1n-ey Cht.n1 ch.11n-1n-ey Cht.nl, chl.m cher-e• A oweep 1• ao lucky A,i luck," can be --

Chi.m chi.::,-J.n-ey Chu Ch.1.cn-in-ey Ch1.m cr.;1,. cher-oo (he otopo to ,hake h~s) GoO<l luck wtll r-ub ott ',/hen I ohakeo 'ando wtth you! (as he continues on his way) Or l>low 01e a l<.1sa --

Jl!Ell. CWSE

,,o

• or a beautiful LAL)'! 1n a paoo1ng hanoc,,. She pauaea to blO>I :!!ert a kl.•a.

(,ingj.~.g)= that'• :uoq, too!

Prod. 2162

(1st Rev. 5/29/531

as they stroll :owa:rd CAME:i!A.

&~ (singing) Now~$ the ladder of life 'as been str..ing You toay think a sweop's on tne botto=o•t rur.g l'hou~h I spendo me time !n the a,ne• and smoke In tt.1• 'ole world ther-e', no 'app!e:- bloke:

i,e stopo :o shale~ hand• With anotner PASS:;:.=. then cont!nue, ~n do,,m tile st:-eet w:l.th tho ch!lci:-en.

(oing1ng) - Chim chim-1n-ey Ch.1.m ch1!11-1n-e:r Chim ch1.m chor -ee A oweep 1• ao lucky Ao lucky can be!

He heott&teo a "'°ment to !hakR hand! with ot1ll another FASSE:REY

Ch!m Ch:1m-1n-ey - Chl.:m chim-ln-ey Chim chlOI che:,,-,,o Good l~ck w:tll rub off When l shake• hand• wtf you:

BERT, JANE Am) MICIIAEL (singing) Chim ch:1m-1n-ey Chim ch1m-1n-ey Chim oh.1.m Cher-•• A ,weep !• ao lucky Ao lucky can be!

,,,

,,,

as they walk up the path to the llank•' houaa.

BERT, JANE AND ll!lCl!AEL ( sing;l.ng) Ch.1m chim-tn-ey Ch.1m Ch!m-1n-ey Chim ch.1.m ch~r-oo Good luck W1ll rub orf When I !hakes 'ando wif you!

Jan,, :-eachao up and I\ING.s ehe dcor~ell.

122-~ (lot Re7, 5/29/1:3)

NT, i!ANKS' l'RONT HAU

Ell:-

Ellen 1• helptng l'lrs, Benk:I p:!.n on one of )>er Can.".ers.

/!IRS, :sAllltS See who it is, Ellen, and sei-,d th@lil away. I'-"' C::-eadfUlly la:e.

~15 =. FRONT DOOR - BA,'l"t:S'HCUSE

3~T Well, I'll ~e getting on now --

,_ Oh, Bert, p~ease stay 't!l ~oor Feth&r "°""'"ho111e. He'll feel so orueh Cetter if you shake hand• with h1111!

MEll. CLOSE- ELLEN

•• she oper.o ~he fr<>nt door, then t=• to 111:'s.Banks, 1n b.g.

"TIFN It's the Ohilc!ren, """"•

ml. CLOSE - BERT Allll C'ltILllRE:M

e,,

as they stand looting at Mrs, Banks,

,_ They 'aven't exactly been running away, lil!Jll!. They •ave 'ad a bit ct a ~right, :hough -- need so,oeone to look atter •e:n!

e,s Jl!ED. CLOSE - MRS• BANKS AND nLlm

e,s

MRS. BAN!rS ~, ct course! Mary Popp:tno will look after - no, it's ~er day cut. (tunur.g t0 Ellen) lnl~n, I W<>nder if

(r1=1y) Sorry, lllUm - ! 'aven': done me braooeo --

BE.'IT Am> •·- (;!!!.,DP.EN

The eh1l<!r•n look up at E!ert w~otfu:ly.

llllS. :BANKS (o.,.) W1ll you ask 1'!ro. 9r11l'

620 CLOSE CN TII==i,{

EJ I "'.N wouli!n't oet foot ~n :hat l<~tchen ~or an 'undr~<i 1"-id. This 'ere i• 9al<1ng Jay, a.-,.d you know how Cook 10 I

,,, CtcSE ON IIRS. 91'.NKS ,,,

l!R.'l. BANKS (turni.ng to Bert) You•ve been oo 1<1:>.<i~hou,: 1001<1ng after the oh1ldren •·

CLOSE ON E£JIT ,,,

,= Yeo, ""1111. But I•v• get to he m0v1ns along • the Lord Mayor has th1o ,topped up Oh1.:nl.ey

,,, C"LOSE ON l!R.'l. 9A.'IKS ,,,

olRS• BANlC.S The ohilllney! or 0<>11rse1How claver of you to know! The Drawing Room oh1mney 1• 1n gha,tly 00nd.1tt0n! SmDl<e• inoeasontly!

3EIIT, 1'!R.S. EA.NKS AND Tl1E CHIT.llREN ,,, ''" The oh.1ldren giggle h.appily.

• 1!113. BAND Thank you, oo oruoh!

~· -

a, 3!!:-t am:l the Oh.ildren otand lo01<1ns at her.

IRS • B ANK3 Beoideo, it w:tll aJlluse the Ohildren •·

GclOUP Sl!OT

i'l:'s. 3anks walks pas: Se?"a and tlle cllildren.

':'he t..ord ~ayor••""' go1:,g :o be te:erlble P"' out --

)1!!5. 3/JIKS Tha.~k yo" so mucni I do appr~e!ata it

,,,

as she turns to look back at the~ as she cont!nuos dcwn the w~lk.

,,,

standing on the fr<>nt doorstep. The children look up at Ser'C, •• he perplexedly ,tond• ocrateh1n;: hi• ~ead.

i'!RS. BANKS { 0 ••• ) Eye bye, "'1 darlings --

,,,

,,,

aa she waves back to the children.

1'!R3. 3ANKS Sae :rou at teat

DISSOLVE

5eM: lo i>utt1ng down hia brushea, •• Jane and Michael drape •heeta over the furniture.

(s1n~g)- choose""' Or1$tleo "1f pr1de Yeo, I do A br<>om for the ,haft An<! a brw,n for the flue.

The cnlldren Join lUm tn front or the fir,iplac,, They crouch ~own and peer into the Olaei<ened flue.

,- Err! I ~houlWl't lli<e to go up ~her,,

?rod. 2162

••• ( ls~ Re•,. ,·;•o;{:i~- _,

3:::J!T, J AlfE AND l>!IC!!AEL - :,OWN SHOT

Ao 3ert and the Oh:!.ldr~n loo): up ·1nto the blazl<:ened :l\.le, C=A Shoots DOl/li en tctelr UJ)t'1rned :aoeo.

(tald.e,g =~J) one o: r.1• bruohes) There! You see lrnw _>r.«>ng ~eople 'can be7 That there 1• wet you m:l.~ht call the doot"l<ay co a p:aoe o: enonantment. ( • ln;,:1 ng ) Up where :ne •mo~e lo al~ hllle~ed "'ld O"l'led Twut pave,neno and ota<'o ls the oh:!.mney ,weep woria (putting an extension on the handle of the hruah) When there•, 'ardly no day Nor 'ardly no nlght There'• tlll.r.go 'al: 1n shadow And 'alfi<ay !n light Or, the :r-oortcps o: Lendon Coe - ! What a Sight!

631-A CLOSE ON JAN£

,- (loold.r.g up) Oh, I Wl!h we OOUld go UJ) there!

631-3 CT.,OSEOM MICHA.!:r.

63l·B

~~ (enthuo1e,ttoally) So do· l! I~ oh1:nneyal

631-C CLOSE ON BERT

631-C

~~ filghtly ,c. A oh.1.ml.ey'• a wondrouo th:!.ng. It's b<.:l.1t tall up ther,:, <>n the roof. ·.nen the wtnd J.o Juot r1ght • lt 'blo"" aorooo oho top - and, lt <!roars the omoke ~!~t up tbe flue!

,,, DOWN SHOT - l!ICHAEL, ~A/IE AND BERT

Bert gl'tes l'!lohael c,oe C.an<lle of the b:r-ash, "luoh he has "'4:ten<le<I up the !l~e.

,= 'Ere - !•el t~e ;,ull on the en~ of th:!.o ll'"••h? Like you got a whale on th• er.cl. cf Che line, don't lt?

(COIIT!!IUED}

Ml.Chael hold! onto the )>andla or the hl"~•h. ~ and :ane 'Oum a• they hear --

MARY PCP?INS ( 0 • " • ) Michael! Ee ca,-eful!

'!!EIR V::'.E'.. - )!II.RY POPPINS 633

stan<!ihg in the hall, taking of~ C'.er glove,. Sr,e ~• wea::-ing i'.ee- hat an~ ca:-ry1ng her un,hrella, havlng juae 001110 1'>.

MA/!Y PCPPINS One never 1<n0wa what inay happen c-ouru:i a tireplaee.

,,.

by the fireplace. B&rtand Jane an looking at Mary Poppins o.o. when oui!d.enly they hear a 'WHOOSH!"from the oh.1.au,ey, 'l'ley turn to oee 111:h••l, ot1ll holding the end of the b.-uah, a• he fl1es t1P the chianey our llP SIG!!T,

,,, CI.CSE CN MAHl' POPPINS ,,,

•• aha look• ctt toward fireplace,

Bother!

,,, ,,,

a• Ml.chael comts flying OUT of the Cl-.lmney, otill holding onto the hruah, and otarto downward towal'd. the r~oftop.

,,, ,,, CLoSER - Tl!E i'IOOFl'OP

next to the cl>l.ozn,ey-,as Jl!l,c!;ael'• feet COi-!!!:rNTO PRAME, as he landB gently on the r-oor. He atando look:1..ng up at the ehiJllne-:, in awe.

,,, ,,,

Jan@ leans into the fireplaoe an~ p@era ~p ~r:e,, Ml.C~ael.

,_ M1chae1! JU.ohael!

Eert tU..-ns to look at Mary Popplru!, o.s.

'l'lat •a ewlcward, I ,oust aay! -

12~,, (l,t Rev. 5/29/53.

IIED. CLOSE - a.:RT A.NDi'IAJ!l' POPJ>rHS ,,,

-- '!ARY PO:PPINS I'!l :hank you to otop putting ideas in their h"ada.

Th"re 1a a ,.,oond ''"1100SH'.", and J""! flies U? the ohlm,,oy, OU'!' 0.P SCENE.

i1!ED. CLOSE - BEHl' AND MAf!Y POPP!NS

Thertt g,:,,,.th" other one

Shall I go aftor 'em? -

'"'

,_ ll-don't be frightened, lJ!ichael --

The Child.rm turn arouru! auddenly, reacting to a third "Wl!OOSH'."

642-A CLOSE ON JANE AND IIICl!AEL

642-A

'!'heir facea ,,_..,. blackened, and tha1r clothes are coverttd with aoot. '!'hey look 1IJ) in awe to aee --

642-B !!Al!Y POPl'llfS

•~ •hooting OUT or :he chilm:tey. She is holdi.ng her clooed umb~lla straight up in th" air. Ao ol:e Cai.ins to d"ocerid to tl:e rooftop, the umhrttlla Op•n• autOIIL!l.t1cally.

642-C Erl'. J!OOl"l'OP- JA!fl!: A.NDMIC!!AEL

542-C

loold.J:1g up in ,wnder, aa llary Poppi..:1,o comea lll'l'O FR.AMS, teet first, for a gentle landing beside the childi'en. She holds out oometlu.ng to the c.'>ildren.

JW!Y P01FilfS Kindlt ptlt 1our hats ..,d coats on at once.

'• ,,"•0 0 • -• '• ' ~ •""-•>

...'"b ~ 0"•

0 " I 17 "0 b " • •

• " ,,""' i; ••

:e••·•,, ~ £ ~ ij a

I 0•,,

'g "•e ,g s [ ' "' ••• • ""' ~ • • " • '

••"" ' ~ •0, ' I

~ •"• ·' ..,~-!t.., ;',. ~ " . '", .§ •~ - " .,•• .. B.,. g ••~"'g, ~.,.lj ••••""il"~'":.,iii!•... - •• :i::••"""

• l •- • • :~...~ij..."Oi'"..

t1 • ",

~ ,·•.,••.. ''',g,, ••••,,••••••""•••.••.l• ••!i:t.

, ...•",.

g .. H§ " I ' 'i • ~ •••;:;5

' 1ib I e s ij i

b

0' - "'I• ·-,~

•"> I e § ~ ~ I

;!. •• i ••0 ; " g f " ! '

,, :t g:••••••ls ~i

~ - !I.. • •

'""~ ,..,g~g ,,••••"~:.,:i:i•••,.•• 82" ,:5 'j..-~,,.~:::-~..:

•" " !;Ja . • "'8:]0;::

'\;! 1i

~ ii " •• !,' i; •

•• ..,8~,. ,, ,. • :: ,,""••~.,,-••a; ii " "

,i".::i.-1!*i,.g~.g-"'"••.....'....•:"·

g •

..•• •--~ • " '•~ "• :i:;'~~i·-

f ~ ; - g § • I 1i

' ' ! "• g f - ; ! • " "'.

'

- Ii -·

122-1 (!st Rev. 5/29/63'.

CO/l'l'INTJED

642-l

Rlght-o, Mary= Popp1na?

,- (lootir-s up at Mary Popp1na pleadingly) Oh, p!esae, l'!a::-y Poppina!

642-L CLOSE ON J11A11YPOPPU!S

•• ohe takeo out a small co:iq>ac~ and begl..ns to powder her race.

IAl!'! POPPillS Very wall. It we m=t, ,.., :mnt.

,., E:tT. ROoi'l'OP - )IJ;l)E!I 1,Ji'GL:E ,.,

l!ary Popp1na 1111•• up Bert and the Ch1ldran in a o1ngl• tile.

·/IIAl!I POPPINS Ahe:mi••.• ::::t;,ed1t1on! •.. Atten-ahunl (Bert and the <>1111~-en come :o o.tt•ntlon) L<ift turn: ~•Y turn az,d i'\ar;' Popp1110 heado the group) quick m.a:rchl

Lead by Mar:; J>opplno, the grou;:, ma.rchea THROUGHSCENE.

ao !!ary Poppins leAd! the group l'ltROUGHand Otrr or SCENE.

/IIAl!I POPPINS l'ra1l ••• armo!

She extend• her umbrella, and the g::-oup 1.mltateo her lead by extending their bruoheo.

643-B

•• Mary Poppirui leado the.m acro,o the rooftop ""d down the oteap •lope of the ro<>t.

1'IIlE ANGLE - UlNG SHOT 643-C

•• the group march"• de>wn the steep •lope or tha root, otepp!ng err it• edge onto a flat adJo11Ung rcor oovered

Pr<><:!. 2!62

,U Mary Fcppino c00,e9 !NTO SCEm':, lea<:.J.r.g :he grou,: dewn a narrow aisle past the ch1:nneys.

643--'.:ctCSE ONJAlfE

643-F A /l!CVIN(l Sl!C":'

of the cnany ehi=eys, bele~:,g forth !IIIOke.

'!E'.1£Rlra SHOT

Sl!OC'l'ING DOWN a na:-,,ow "-l5le bet~een the tall chl.llltleys, a, l!ary Poppino COMES :NTo SCENE, leading the group tow~ camera.

MED. CLOSE - !!::CHAE!.

643-H

aa he stop, to investigate one ot the ehilllney P1P••· As he peers into it, a sudden cloud ot soot sbooto fortll into h:1• face.

ctOSll Oil BERT ''' '" loolc:1ng down at Ktchael.

,= (laughing) It'• just nice, Olean soot, "!l.~hael!

,,, llROUP SHOT ,,,

Mary Peppin.,, the chllli,-en &nd Bert all .ioln hando a:1d. dance along the edge of the roof. ,U they a•cend. a oloping pe!Ut, they <Usappear into a cloud of heavy •1110ke.

645-A THE ROOFTOPS

sticking out of th• ""'°ke cloud. Mary Poppins, Bert the ehlldren allddenly com,, out orth& !1110ke elolld as as01t1:1d the peaked roof.

IIIAry ~Pino, Bert and the ch11C'en al1de on their heels down the oth.., oide of t:,e olopplng root, and otep o7er to an adjoining peaked roor.

'-<i-:ii {1•~ ~ev. 5/29/6C)

6117 WDE ANGLE

as the i;=-oup walk! s1ngle :1:e along the leng':h or the ?eaked roof :owan the •ds•. A• sho:-t way or: !n the ~.g. stands a tower-l:-,.g Ch<U'Ch steeple. As they teeter along the ••eep peak, 3ert YODELS.

CLOSER - BERT, :ii/I.RYPOPPI~S AND TEE c"!l:I.DREN

The r.o~;, stand• ':lefore three •mok:!ng oh!=•Y•, and look ;.;p at the tower1:,.g steeple o.s.

A!l far ao we go,= right?

MRY POPP!NS (;,o,d.,o_g at the omoke from the nearest ehi11111ey "1th her umhrella) )!ct at all

647-a CLOSE - MIC'!IAEL AND JANE 647-!

watching Mary ?opp1n• 1n wide-eyed wonder.

6lr.7-C

The smoke f:-om the chi:oney has taken the form of steps, and )!ary Popp1no lead• the grou;, up them.

lllA!!l! POPPINS (reaching :or )tlcha•l'• hand) Co..e along, lll.ohael

6lr.7-D CLOSE OH MAR! POPPINS 647-D

647-E 11!:DE AH0LE • CLOSE ON SMOKE STATIIWA'I" 6lr.7-E

as lt!.ehael •teps caut1oualy onto the SIIIOke sta..trway, and follovo Mary Popp in• up and OUT Of SCDra. Jane COl!ES nt'l'O Sc:E!IE, following !!:l.ehael. They each cllng to the handle ct the chi"1ney bruoh in front or them, forming a cha.in.

1'\A!IY POPPINS ( 0 ••• ) Do keep a stead)tl!ne, please.

LOll"G SEm' - WIDE ANGLE 64;

cf the sroup as they wall< tIJl the •111oke •t~lrwey, nearlng- the top of the ohureh· oteeple.

li<-N (l•t Rev. 5/29/63)

6!<7-G

1'1ary Popp1no, BeM: ond the ehildnm ateo on:o • small platfo:-o, at th• top o~ the oteeple.

ME:D.C~CSE - GRCIJl'SHO'!'

Jl!ary Popplno, Bert and :he <hll:1:-en otand lool<:.~g ou: over ~he 01:y.

Wot did I :ell =you? '!"her•'• she whol• world at your !e•t.

,., THEIR VIEW - THE Cr.."!"

'rte last rays or oun •hlne :hrous-~ the m!•t, l>at~.!ng rooftopo and steeple• 1n a golden h•z•. ;,.,, the oun ~1,appearo l>eyond the horizon, a few lights 1n the elt:,- beg;l.n to come on,

( 0 ••• )= And who ever gets to oee lt, Out the l>irds, the stars and the eh:umiey sweep?

,., ,.,

,- What • lovely ounoet I

CLOSE - NJ!Y POPPINS AND EERT 649-A

MAR'! POPPDfS W• muot all come 1n out of th• night air. Follow me, pleaoa,

649-B

~ry Poppins stepa off the platform onto a eloud or smoke. Bert and. the children follow, "-lld ~h~ cloud l>eg:l.r.a to deoeend.

LONG SHO'l' - WIDE ANGLE 649-C

or Bert, Mary Poppins and the ch1ldren atOp th~ o!llCke clou~, a• 1t gentl:; br1ngs them down from th• church steeple 1n b.g. We oee the eloUd 1• part or a long column of smoke, streamng from ·one of th• ehimn~• ~el"".

649-D CLOSE SIIO'l' - l!ERT AND MAR'! PCPPDIS 649-D

MARY POPPINS I< EE!!T (a1.ng1ng) Chim eh1m-1n-,- Cr.:l.m. eh1m-1n--:r Chi.m ch1m eheree

-------- ---- -- - --- -- ----

P::-od. 2162

(:st Re•,.

JANE Alm M'.ICHAEI. (looking down; singing} When you'r<> with a owe~p -

of th" rooftop h@low, to 1nolud" the oC.1.mn•y and col=, of smoke. CAMEl\A )!CVES !N AND !lCWN, followin6 the smo,<e column ao 1t c:,olone• hack !nto the chi=ley,

S.07\T, Jl!AII! PO??!NS & C-.ITI.DR:":N (singing o.s.) YOU'r• !n glad company - No><_her~1• there

~- cr.osE - GROUP SHC'l' 649-G

BERT, i'WtY POPPINS & =r.DREN (a1ng1ng) A more 'appier er"" •

WIDE ANGLE CJ!D!NEY ON ROOFTOP 61&9-H

CA1!E!\AHOLDS on the chimney ao the smoke pours hack into it.

BERT, MAICTPOPPINS & C'dllDRllN (oi~ng o.o.) Than the,o vct s1D.g• -

illary Popp1na, Hert and the children deaoend into trae feet first, atop the diaappea:-ing ooluom of so,oka. A• they ,tep fr<>m it onto th• ohl.,oney e~ge -

BERT, !!All'! POPPINS & CHII.DRE!I (singing) Ch:1.nl ohi.m Cheree -

The:; step onto the rooftop"" th" last puffs of =ok• DISAPPEAR liown th,i, ehulrley.

l!ERT, MAl!l: POPPINS &: ClULDRU (s1ng;l.ng) Ch1JII cheroo

MJUtt POPPINS AND BERT (s1n,g1ng) Than theo, ..ct •l.ngs - Ch:1m = oheree Ch:1m cheroo (Be:,-t look, o.,.; listens, then ohouts) Cherooi Cheroo! Cheroo! (!!ary f'<lp;1n9 ~eacto "1th dl.sapproval)

Prcd. 2162

12; ('-•t ~ev,3/29/63)

6~0- Eo;

Suddenly, fro,n a doeon cC.1m:>eyo, a nUMber ot S•,,Ps explode in black purrs or amcke, They are ~r•oaed like ~•rt, begrillled, grinnJ.ng and dancing ~iercel;, Acrobatic leapo, olldes, towering, deat~-d•!yir.g

':'l'.ey have a "1ld Cockney Song and ::lance --

SCNG, SWEEPS - (•1:o.ging)

lick :;ow, 4leeo ~P, step !n ti""'! rick your knee, up, ,tep !n tim•! Nevor need a reaoon, nevor need a r~e ICick yow, knees up, atop 1n ti""'!

U.nk your elbows, atop 1n time! Link your elbows, o,;ep in t11cei Never need a reason, never need a rhyme U..-,Jc yo= •lbowa, step in t1 ... 1

Spin about, and step in ttme! Spin about, and step in ti.ale! Never need • reaaon, never need a rhy,n,, Sptn about, and step ln t!lae!

ilou..,_d the <:h:!.mney, otop !n t!mo! Jump the eh:I.Jllney, ot@p 1n tl~e! Never need~ rea,on, nev~r ~e~d a ~hym• Round the <:hlm:u,y, step in tlMe!

Atll!iral :'!OoJOis ;:eer!n,; c.~ro•agh 1-.!s ~l••• a: :!!• Cola:..::ene,;, wh!rling <:ervishes on t.~e r,eig~bor!:,g roo:sops. 3J.r.r.acle ar.: 3a::-nacle are scand!n5 nearby, wi:h tt'.e g•.:,1ner's :r.a:cn at :l",e r•~C:.;

IJ:Jl!IRJU. 3001'! Stand fas:, gentle:ne::; We'r• bei,ig "t:acked by Hot:en:ots I

BINNACLE ~~"D EA?.NAC:2 ',-•·,~o•'••) \ •G-•"·'"'

1.1,M!R o..L BOOM Cheeky devils i ~! ·:e theo; the ·•orJ<s I

3l~AC""..E (delJ.g~:ed) 2veryth1r.g, sir?

ADMIRAL EOQJI! 2vecy scrap I Teach the beggar• a lesson! Lively, r.owi

Binnacle tilts the canner, baci<, Barnacle sta""s shoveli::; 1n 13(:.al flares, Ve:-y li~ts, fuaeo and po,.,der.

665-669 CN" THE BANKS' ROOF

665-6,

EER'!' AND SWEEPS (singing) Flap like a Cic-:iie, otep tn :1me! Flap like a Cird.ie, step in ttmei Never need. a reaoon, never need a rhy:oe ?lap like a Oir<!ie, •te;, in ti,oe!

There 1s a trl!'lllendocis ?.OAR fro,n o.o., i<nd the alr is rent by talls cf fire, clots of spa:-ks "-'Id exploding coloro, iosuing from Adlniral Eoom's cannon. :Ser: seizes Jane and leap& DOWN the cni"1ney. Mot.' SWEEl' grabs l'l:ichael and F'Qr.;:.OWS--

670-67<; IN'l'E:!IOR - LIVING ROC-M

67C-67

as :he sweeps come o~rst!r.g OUT cf t~e f!replace and eontinue dancing gaily arocind :ne room. T><O of them stand on either si~e of the fir,,place :o catc.~ :,\ary Peppin• as she plops IN th:roug:, a cloud of soot. Ever:,one, lnelud!ng Che C/1.1.ldren, is dancing.

( CONTINUED)

--------- --- - ---

670-67? CONTI~U:S:D

( •1::ging)=

" Hop on'"'or.efoot, otep !n ~ime: Never need a rea,on, neve::- need ilop on one ~oot, otep in ti:oe!

ll!Cl'IAEL W!.;g~e )"OU::" ~ars

''-' (s1r.g1ng) ',liggle 7ou.r ears, step in t1Me I Wlge;le your earo, step in ti.me\ Never need a reaoon, never need a rhy:ce, Wiggle 7our ears, step ln tlllle!

Mr•. Brill and Ellen come IN'!'O the ::-com. Cook J.eto out a SCREAM, as they are grabbed and 0:r-ol.€ht into the dancing circle.

JIIRS. B.'!ILL (Sc::-eui:)

( singing)= Scream!I Step in tU,e! ISorea.111! Step tn time! Never need a reason, never need a rh:,me (Sc:-ea.'Jl!) Step in tl.mel

6eo IN TEE FRONT HALL

1-tr'o. Banks has Juot come IN. She 1• standing, 1<lth the "VOTES l'OR WOIIE:M"ribbon ac:,,oso her front, loolting tnto the living "°""'·

l'IRS. 6A/!KS Ellen - when you have a momee,t? forgot my pamphlets.

A couple of che sweeps come up, Cow gallantly, and draw her INTO tile l!vt:ig roco, and the "-a:ice.

MRS. BAlfXS Thank you. Bui: really, I don't ~111nl< --

682 IN THE LIVING ROOM ,a,

as they <l.ance her ga:l.ly ar<:mnd ~lie room --

(s~ging)= Votes for womerr, Ste~ 1'1 t1me! Vote• for WOJ11en,s:ep 1n time: Ne-,e:, e,eed a :,ea,on, never :,eed a rhyme! Vo:es for •.-omen, Step !n time:

:-oa. •- • '

1:23 A': THE l'RONT DOCH

It 1a open. Mr. Sank• !o com.tns IN slcoCy, watci'.ln~, an lncredulauo expre•alon on hi• !'ace.

looka o. •. and aeeo llr, 3anka.

'IRS . BR:c!.L (cer.-l.!'lea) r:' • the ,nao:e:-:

(s1e,ging)= r:•s the rnaste:-, step tn time! It's the D1aater, ocep in time! Never need a reaoon, never need a rhy,ne It•s the :naster, step in time!

685-689 AT THE DOOR

665-60

Mr. Bar.ks, te!ll{lorarlly paraly~ed by tl,e sig.'1.t, finally loosens a bellow or rage.

l'!R. SANKS What's all th.:ts•

( Singing)= \lhat•• all this, otep !n tl.me! What'• all this, ate;, !n t.1.<De!

The oweeps graO Mr. Banks, dance him, atruggllnr, vair,l;r, ar<>und the room. He wrenches h.imsel!' loose. They dance pa,t hi:o, out the open front door, pausing only to ohake ha,1ds "1th "-1.m v1gor<>usl:,- as they GO --

SWEEl'S Good luck, guv•nor! Good luck! Good lUClt!

They all dofr i:heir capo going out, •ach revealing the s:ar.C white forehead atop the smudged raceo.

690 u;:EruoR - sm

ao the dancing o><eepe ;,our out or the Banlta' house, Still dancing, they go the.1r rOlliclting way down :he a:r-eet AWAY f:,om CAMERA. Pausing her-e and there :o setze an outraged ?OLICEMAN or a otar:led P.I.SSERE'{ and "h.1rl then, ar-ound and around. They 00 CUT 01' SC-cl!E, son,e :urru.ng around tne core,er-, some !n:o the Parlt.

91-695 !NT. THE LIVINQ ROOK

Mr. 5anlta, shattered, d1oheveled, his hands and coat cover-,,d w1:h soot, 1• standing in the !!U.ddle of the room, l<>olting around. Cook and nlen ha•,e fle<I.

(1st ;iev.

,_ Oh, Pather :•in oo glad you got home in :1me i

l!R. BANKS (da~edly) What" T1:ne for what•

,- Every sln,;le one ot those aweepo ohOOK YOUl' hand i Yo"' re g<>1ng to he the

Mrs. Banks takes thl• onportun1ty to go OUT - covertly ro0t0v1ng the "V~..S FOR W01€1f" :-:1.t.bon ao ohe does.

MR. !IANICS Just a mo..ent, Popp1nol Poppln•l What la the meaning of thla outrag~?

l'!I\RY POPPINS (coolly) I beg your par<lon?

Yea?

l'!Afcr POPPINS I never explain an)":M.ng!

~-~ But --

l'lARY P<lPPINS C=e along, ehild=n. Sp!t-apot i

M.~

(CONTIN1JED)

'

Mar-J P~ppi_ns and :he :h1ld:-er. go OU':'. Tele pnone ~:NGS i.o the :~all. Mr. Eanks goeo to 1: an<O li~Cs the rece1·1e:-.

596 !Ir.'. ?AWES' Ol'!'!CE

ae the bank. Dawes, JC". 1o on the phone, tall<ing :o Mr, Ban,:s, llr. Daweo, Sr. 10 at his •ide, prompting him,

MR. DAWES, JR. (coldly) We shall expect you precisely at nine o'clock, Bank,,

IIR. DAWES, SR. Without ra11:

MR. DAWES, JR. Without rail! (pai.oe) Yea, ,Banks, I'm af:-~1d it's extremely serious.

MR. DA'-'ES, SR. We :-egr-et .:tits eouroe of action. After all, you've been lnth us a good m=:r years. J\.s """ :,o"r father before you --

Jll'.R, DAWES, JR. (repeating it) We regret this couroe of action. After all -

l1ste.ung "1th a sinking Cleare .

• MR. BANKS Yes, $1r. Sl.r - does thls mean that I - 1<ell, you "ouldn't be needing me anymore! (pause) Yeo - yes, 1'!:'. !).,:~es, I'll be there at nine c'oloclC.

Mr. Eanleo hangs up the phone. Stands ,l_ll.l.etly a "'oment.

698 AT THE LANDING

on the second ~loor. Jane and Ill.cha el are loold.ng down thrm;gll the banisters at :ne1r father.

Jllr. l!anks caines s'.owl:, I:;T~ :he l!v:!.ng roco,, s:!.os :iown .".ea7:!.:7. l!ert :!.s wrapp1:1.g up hl• pale• and Crist'.es. etr. l!ar.l<s see,is u,,a,.are or his ?resence.

SCNQ: JIil!. BANKS - ( Singing)

A man has dre"-llls Of wall<!.ng wlth gta.nts '::<> carve hls ~icne :1 the edl~!ee or tt.,,e le~ore ;;he O!Ortar of h:l.o :eal Has a cha.-ice co ccngeal ~l'.e oup !S dashed ~:,-mo ,1:!.S l:!.p• I The ~'.ame :!.s snuffed a-bornlng. :>e • • brought to rac,: a:'ld ru!n in hls prt:n@ ! (spoken) ~e prize 1• snatched froin hls ,;ra,p!

3ERT ( sy:mpathetl cally) Life'• a rWll go, guv'nor. ':'!!.at•• the truth

II!!. BANKS (olowly rising from h:!.s chair, the light dawning an h.1m) You mow what I thlnl<? It's that woman, Mary Poppins! P::-am themoment she steppe!:\ into thio hcuse, things hegan to happen to

so, Mary Poppins?

II!!. BANKS Yeo, or coursel {singing) JI!)' worll:\ was calin!Well orl:\ered! Exemplary! '!'!>.en came thio woman W1th chaos tn '>er wake! Anl:\ now, my l!i'e'• ambition• go With one tell l>low It's quite a h1oter plll to tal<et (opoken) It's th.at ?o~pins woo,an! 1tl -- I l<now ::1e •,e.---1 person you aiean. Mary Poppino 1s the one that slngs -- (singlng) A spoonr·~l or sugar That lo all !: :a><:eS It cl:anges bread and water Into tea anl:\ cakes!

(CON'l'INOED)

)ffl. :SANKS Youse,.• That's ex,rntly ..-nae! mean! Ch11ngi::ig l>read and water in:o tea an~ cake, ~ndeed ! No wor,der eve:-:,thlng' s coo,1:1.g u..,•t ru..,g arcund hero !

( s1.ng1r.g)= A spoon!"\!l of sugar Goe, a long, lor,g way 'Ave your,elf an •ealchy 'elpin' E·,ery day! (spoken) Ar'. 'ealth:, 'el~in' o: ::,-ouJ:le, if you ask me!

Mll. :SANKS (indignantly) You know ><hat !he did? I reall~e it riow! She tricked me into taking Jane and "'1chael on an outing! That'• now all the trouble started!

Tricked you into :ak:J.ng the child~n on - o.n outing? Outrageou,! A i,an "1:h all the 1mportlint things yo<l •ave to do? Shameful! (a1ng1ng) You're a man or '1g.'1 position Esteemed by your peers And when your 11:tle tyke• Az'e cryin' You •aven't time to dry their tears And see the111 gratef\il little race, Smilin' u;, at you Because their dad, '" alway• knows Just wot to do. (aa !tr-, Banko start, to protest, Bert otops him) I know, lluv' nor - You've got ~o gri.nd, grtnd, grind At that grindstone '!'hough thild'ood alips U.lte aand tnroug.', a a1eve An<i a.J.l too aeon, :hey•ve up and groom And then they've flown And it's toe late tor you to give -

Juot ~hat opoon!"\11 er sugar To 'elp the medicine go dOWI\ The medio!ne ;,e ~own-com Med.icine go down Juat a spoonful or augar 'Elpo the cned.ioine ge doom In a !!IOat de_llghtful way\

?:-od. 2162 .... ' .

:3ERT (oon~'d) ( opoken) That's like all 1:hat other arg:;,-- ba:-gy l'!ary Popptns !Salway• :al,cin' about --

:3<!rt ha• gatharad '-'P h.13 t.hings and gee, ;o the hall. :ie tur,,a --

,_ Well, good day, !1r. Sorry to 'ave tr-<>ul>led you.

He goeo Otl'l'.

711 JIIR, BANKS 711

Moved Cy Bert'• oor.g, Mr. Banks s:l.ts quiet.ly :!.n hl.a oha!r. After a moment, he looks up and off to --

71~ JANI!: AND MICl!AEI. 712

standing ln the doorway of the hall.

713 MR• BAHXS ,,,

Jane and l'll.ohael come slowly INTO the room,

,- lle'ra oorry about the tuppence ...

MR. :SANKS Yeo?

,- ..... didn't )<now it. would cause you so muon trouble, ,_ ~- It's all right, How oc:mld you know,

715 ON T!!E ST AL"'l.S ,,,

Jl!ary Poppins listening quietly.

7:6 IN THE F:I.ONT :I.QOM

:ane take• he:- ~a:he:-' s hand and placeo , .

.. .

,- You can have the tuppence,

M!'. 3anko s:ar-eo do,m •• ,

Tl T CLOSE

-·' _, -

on the tuppen:e 1n :'1.ls hand.

718 !S T!S ROOM

,- "ill that make everythlctg all r!ght?

Ml!. E!ANKS Yea, Thank you. Oood n!ght,

The c!u.ldren go OUT. M:-. Banks looks at the tuppence :-est!ng in tl>e palm of 1>1• hand.

OISSot·n

719 A STREET Q'tSRIOR - NIGHT

A lonely, darkened street in the City. Mr. :S...nk! ls Dlalc1ng''' his way to the :S...nk,

720 ANOTHER Sl'l\D'l' EXTERIOR - NIGHT ,,o

appr-oaohing the Bank, The area is deaer1:ed. He •lowly walk• the s:epo,

721 AT Tl!E DOOR

'''

A gri.!o-faced custodian admits h!m to the interior of the establi!hment.

722 THE DOOR

'''

or the Eoard RoOlll. M:-. E!anko pauses at the door a mQment to pluc1< up heart, opena the door and goea :n;,

723 !l!R. BANKS' VI.:.W

72:l

or M:-. :iawes, Sr-. and the E<:lard or D:1:-ectors seated at a maaaive table :l.n the meeting room, One by one, the heads at tha table turn toward him, ohafto or light glinting orr their glasses and p1nce-ne%, piercing the dark Edwar<lian fμoom or :hs room. The races ar-e stern and 1n,;:raotable.

Prod. 2162

(los: :l.ev.6/26/63)

---- 72"--72 walk! slowly, bravely, toward the io,plaeable face,. He o:ancts he fore tl,e,n. :ry!ng to gather h1s composure,

l!R. SANKS O<,od ev:en!ng, gentlemen.

T!l.ert' is Silence for a moment. Mr. Dawes, Sr. pokes his son >1l.th tMe cane.

MR. DAWES, SR. (lQ on! Oet on >11th it!

MR. DAWES, JR. Yeo, father, (addre,eing Mr. Ea.nks) n the year 1773, an official of this bank unw:tsaly loaned o. large swo of money to finance a shlpm,,nt or tea to the Alnerican Colonie!. Do you i<n<>w what happened?

MR. DAll'es, JR. Prect,ely[ Tile loan was defaulted, panic enaued witllln tlleoe >1alls - and there was a run on tile bank --

JIii!. DA\IES, SR. l"rO& tllat time to now, oir - ther,, llaa never been a run on tlu.a hank - until this morning! A run caused by tlle i:lisgraceful conduct ct your son! Do you deny it?

Mr. Ban',ca squo.re• hi• sllouldera aga.tnot the t1.L.'7 or Mr. Dawes, Sr ..

~-= • I do not, ,tr. I allall Oe glad to assume the reoponsthillty for my son.

Mr. Daweo, Sr. OQUinto at llim, momentarily surprised at tlu.o gl!.nt of courag" - tl!en poi<@! Dawes, Jr. with Ilia eane.

( CONTINUED)

Prod. 2162 .. ·,

( 1st Re7. 6/26;6j°)

724-7 DA,IES, SR. Well • what are you waiting for? G<>on!

Mr. Dawe•, J:-., hie race grim and ex;,reso1on.less, come• a:-ound to Mr. aank.5 and collfroato him. Amid a deathly silence. he takes the roae from Mr. Banks' lapel and ohredo it, the petals dropping to the ~loor, lie takes the tightly furled "'°brella f:-om Mr. Eanks' hand. uncoeo the ~11~, and begins to shake it ou~.

728 MR, )!OUS!...,.7"AND i'l!l. QRUEES ,,,

at the table. Mr. )!ouole:;r flinches.

MR. !'!OUSLEY (hoaroely) II<): Not that:

729 MR. B"-NKS AND MR. DAWS, JR. ,,,

1'1r-. Da.,eo, Jr. take• the umbrella and w:tth a aw:1rt, cold movement of the handle, pulls it inside out, the ribs g01!1J! awry in every direction. He hands the umbrella back to llr. Banks, takes the bowler from h1• hand.

730 MR. TC!o!ES

,,o

at the table, averting hl• eyea.

731 MR. DAWES, JR. ,,,

holds the bowler at arm's length, and with "'10ther swift movement, punches a hole through it. He hand a the battered headpiece 'oack to Mr. Banks. Dawes, Jr. turns "'1d :-esumes his place at the table,

732 !ffl. DAWES, SR. ,,,

)Ill.. DAWES, Sll. Have you any~htng to say, Banks?

733 MR. :9ANKS

MR. B.o.NKS ''' Well, sir. \/hen there's nothing to azy, all you can aay 1s --

Standj.ng. Sha.l<en bctt unbowed, he has found aometh1ng 1n hia pocket. SUrpr1aed, he looks down to Jane and l'llchael's tuppence, restino; 1.n the palm of r.J.s hand.

73h. Wl'llf!ED

,'rod. 2lE2

(lat Rev. 6/26/6§''i

r

---' ~;-1•-

- l!R. DAWES, SR,

Confou.'ld it, 3anl<s, I said, do )'OU have anyth1n" to oay?

'Ir, 3anlcs beg1na to sn1cl<er, The melllller• of the Boaril., ai;!,aa~, loo!< a: each other 1n wonder.

)!!I. BANKS J11at one wo:'d, •ir.

)!!I. OA'<IES, SR, Yes?

~-= Supereal1frag111st1oexp1al1doc1oue.

1!R, DA.WES, SR. '<lhat?

MR. BANlell Supercal1frag1list1cexptal1doc1oua! (chortling) Jl!ary Poppins 1<ao n~t! Extrao:'dinary! It ~ make you feel better!

!R, DA'<IES, SR, What a= you talking about, ;can? T!iere'• no such WOr<ll

' l!R, l!ANK.S (roaru,g with laughter) No • no, Mr. Dawea! It is a word! A perfectly good wOr<l! Actually, you l<r,.ow what the=•• no such thing ••? lfith all due =•pect, oir - it turns out, there's no such thing "" You!

MR. DAI/ES, SR. llopertlnence, sir!

~-= (leaning 1n cont1deil.ttally) Speakin._ or :)..mp"rt1nence, sir, would you lll<e to hear a marvelous Joke? A real sna-pp.,r?

JIIR, DAWS, SR. (bl!IIlkl.y) Jake? Snapper?

P::-ad. 2162

''6 (1st Rev. 6/~6;6§)

73.,-7 MR. DAWES! s,. ( as1ae to !us son Re 's !!"Onelll.adI Call the ,:ua::-d I (pauses aa ha sees ~- Banks aomng t°"ard b.J.m) Banks! Stop! Don't aco,e near me!

MR. :9ANKS Supercal1fra~il1 sti :e.s;p1al1doo1ous ! I'm 1'eeltrui, better all the time!

JIIR. DA\iES, JR. (trying to tbr<>w hJ..• body aeroao his ratn&r) Don't you dare strike ll1Y father, Banks!

fingers, and. thrusto the tuppence into hJ..s l>and.

~-~ There's the tuppence, Mr. Dawea! The e,:pialidoc1ous tuppence! OUard it welll Goodbye!

1'IR. DAWES, SR. Where are you going•

JIIR. DAWES, SR. Poppins?

Mr. >lank., cocks the battered bowler on tus head, twtrls the des@crated wnbr,.lla Jauntily, an<i heads for the door.

He <c<>eaOUT. Tl>"Y stare after !um.

MR. DAWES, JR. (to ~ualey) llad asa Mare!! hare! (turns to !us rather) Fatl>er-- ?

,, -·..

JolR. DA'BS, SR, ( f:-ownlng) ;. nood!'1 leg named Sm:1th1

on tl",e tu;;pence !:, h!s gna:-led hand.

J, LAilC~ ~..N(1:,E

~eaturing i'II'. Dawes, Sr, wi:h n1s son andthe others ',overing eppr,,hens1·,ely allout him. Mr. Jawe,, Sr.sn1cke:,s - then l:egins to ceckle 1n e high, re~dy vo1ce.

Jll!t. DAWES, J'R. Father? Fatl:"r - wnat 1$ 1t?

1'111. DAWES, Sil. (gasping witl"l mirth) A wood -- wooden leg nruoed Smith! (and he &ur~ 1n;;o-d:-y, - heaving peals or laughter)

'nd as .~e laughs, 1'tr, Dawes, Sr. l:>egins :o 'FLOAT UP\,'AP.IJS. They tr"/ to seize and ho).d him in ht, oha1:-.

MR. DAW"'..S, J'R, :l'ather! Stop tt ! Come down:

Mr. Dowes, Sr. bul>bles with uncontrollable leughter and ~lm<l7 wafts upwards. The paI"tner, try to Cring h:!.m :IO,m. CAMERA SLOWLY MOVES EACII:.

DISSOLn

'!'he next morning. Cl.OSZ on th" weather vane ato9 Ad.!niral Boom'• l\ouae. Toe 1"1nd., wM.ch )lao been blow!ns stead.J.l)' from :he E~ST, falte?'s. The vane bobbles almle•sl)' for a D10ment, then turns, and otead.iea, ao a fre•h breez~ C0"1e! 1.."I from the w:E:S'!' --

750 CLOSE

~n ."C.:o.l.-al Boom, squinting UP at it.

Alll'IIRAL :3001'1 llind.'s come around, lad.: Blowing dead-on f.-om the weot I

751 rJ;T. MARYPO:P~INS' i!.OOM ,,,

Jane and lliohael forlornl)' wa~cl\ Mary Pop;,1ns pack her t~lngs.

( CCN1'INU,D)

----------

':cod. 2l62 .,,

( l•t Re•,. E/S/63 ;·

Jl!IC}!AEL (bitterly) She doean't care ;,hat hacppens to ua!

~os::: 011 JANE ANll MICBAZL

,,~ sr.e only pro-"lisedto stay until the wind changed. Isn't that oo, Mary Poppins?

753 a!DER ANGLE - MAAY POPPIIIS AND THE CHILDREN

She conttnueo putting her persanal effects into the ca~etbag without lOold.ng at the children.

75' CLOSE ON JANE ANDMICHAE.t

75'

aa they pick up tile II.at atand.

~ra= Jllary Popp!na, don't you love ua?

,55 CLOSE 011 MARY POPPINS

She pauaea tor a IIIOJllent, looking at the unhappy ch1ldren, There ta a fleeting 1110.,.,nt of tenderness 1n which ,.., see ll<>wmuch ahe doe a love Jane and Michael, Then J.t 15 g::,ne.

WIDE ANGLE - MARY POPPINS ANil CIIILDREII'

She puta the hatstand 1nt<> her carpetbag. Aa She pushes it d<>wn, it pushes !!E. a hal.rbrush, WIUOh she catches,

75, INT, FRONT !!ALLWAY

Constable Jones is at the telephone, speaking and occasionally referring to IUe notebook,

_, POLlC:E CONSTABLE JONES

That's ,-1ght, sir. Georg11 w, J'.anka, Hur,,ber 17, Cherry Tree Lane. I ot,ould say about six feet one, air --

Prod. 2162

13~ (lat Rev. 6/;/6;)

,,,

,,,

ANGLE ",1J:DEN5a.a CA!'!E:;!A l'ULLS BACK to 1nclud• Mr!. 1!a.n1t:,

extremely dl.stra.ught, a.a at>e crease• to wt>ere :S:llen and Mr•. :qrtll a.r• Standing.

CAMERA 'ffll! !'!:rs. P-a.-,ks, a.a st>e jotns Ellen and Ml'•.artll, 'ooth of whom a:-e wringing tt>e!l' t>ands and ""'-king sound1 ct <Uatl'e!S.

EIJE!l (darkly) wouldn't 'ul't to •ave tt>am dr•g tt>e river. There'• a nice bit theN by Soutt>wark B:r1<1p that'• popular "1th J~ersl

:S:llen aubatd•• aa Mrs. Brill, wtth a warning 11:lanca at tr-a. Banks, ~aba Ellen •harply :t.n tha rib•.

,,, ctOS:E ON COIIS'l'ABI,E JON&9

CONSTAB.LB JON:Ell '" (1ttll en phon•l 'Z 1,.,,.. to •av• ba•n I rtn•, 1t1bla gm,.tl1111an, ,tr. llo t>anle:y-panlq, it you lcno,,, what I uan, air.

l'1'0ln th• ctinotton ot th• c,llar, c.a. 00111eath• SOOIIDor Jllr. Sank1 atn;ing luat1ly 1n a r1uooua, op•rattc t11h10n •

... """' ( Sins!na: o. I . ) i'<lr • apoOllf"-l er sugar • 'a! La! La! La! La! La!

COHSTAm.1 JOIIES (en phcna) Regular hal>tta aa rar aa anyone knows ••

(l,t :lev. 6/5/63)'"'

: .c.~ . CLOSE 7,CC,

' --

,"!:'s. Banks, Ellen and M:-s. l'!r!ll all lcclc toward o. •. cellar with startled exi:reaa1ona.

/.IR • S ii.lfltS (•ing!.ng o.s,) Fol-fol-la! La! La: Lal Fa-la La, la, la! La, la:

CLOSE CN POLICE COHSTABtE JONES ,,o

COHSTI.BLE JON""~ (to Mro. l\~nlca) Mrs. l',anlcs, cculd we have a little lesa noise on the premtsea? I can't malce out what the inspector is saying.

THE CELLAR OOOR ,,,

There 1s the aound of FOOTS'l'EPS on the st&J.rs, and Mr. l\anks' o.a. atnging. The cellar doot' ts slightly •Jar.

(singing •=o,s.) La! La! F•l•la-la!

MED. CLOSE THflEE SHOT

Mrs. llanka nacts happily to the o.s. sounds.

• MRS, BRILL (hapPily) It•e '1m.

(terrified)= •=eth1ng that sounda 11ka 'im!

,,, Jl!EJ. CLOSE - CELLAR DOOR ,,,

ltl-. Banka APPEARS in the doo,,,.ay. ll"ot 1a a...,_dgotd, rumpled and d~ohev&led. Ke 1• still wearing the bowler with the broken, rtapptng crown. ,11th one hand, he 1a conceal1ns ao,oething beh!nd h1a back.

JIii!. BANKS (•1ngtng) La La-fol, la, la, la, la:

Prod. 2l62 141

( 1st Rev. 6/5/6,

76"- ME!l. C:.OSE 76"-

:-tr9. Banks, Ellen an<! Coolt r10act "#1th su:-;,r1se at hi• app10aro.nce.

1'1RS.BANKS (leorge !

She rushes to :>1:n, throwing Mer arms around ~1• neck. He still r.olds tne oryster:!.ous ob;ec: bel,1:,d h:l.5 "oack. They ~••.

MRS. B~.N"<CS (~mot!onally) Ch, (l;orge - you didn't J""'-P into tl":e ;:,t,er: Ho>< very sensible!

76:, CI.CSE C)I COIISTAEI.E JOI/ES

COIIS'!'ABL,: JOI/ES (on the phone) It'• all rtght, air. '£'• Jw,t been found. No, alive, sir. Cr so I presume. •:,;•, ldostng l'!ro. Bank:!.

-; 66 CLOSE - MR.. llND MRS. BANKS

1'!RS. BJl.)IKS happened at the Bank!

767 llIDER ANGLE

Mr. Banks has put the ol>Jact he has been holding down ruisr the cellar door. He picks up hi• w:tfe and Whirls her around merrtl7.

MR. BAN!\'.S {breaking into sQng again) Lai La: La! -- I've been oacke<!, _ my dear! Diocharged! Flung into the street! Pa! La! Lal Ls!

768 C<,CSE Cl/ EU.EN AND l(I\S. !!RILL

,.,.. . ,- - ... v.S/•/6""'"'

MR . I.ND MR5 . EANK.3 76g -·

)!R. BANKS J~st a :nomen:, my :!ear. •bere are cha C'11L::lren° (looks o.s. to nurse=-:,; call~) "·ane'. M!ohael! (t=n• ;;oes bacl<; to cellar door)

;-o INT. MARY POPPINS' ROOM ,,,

Macy Poppir.s 1• f1n~sh!ng he:,, packing. '!."he Ch!ldren turn ar,d look off t<> the SOUND or P-1--. Banks' calll ....-ig.

i'IR. BANKS (o.s.) ~! lliohael!

MlCl!J\.EL \/ho's that?

MR. BllNKS (o.s.) Jane: l'll.cl\ael l

It ls l'atner --! -

Sr.e eurns a..,d runs CUT. M1chael atands hasit=tly a moment, loold.ng up at Kary Poppins.

You =n•t .:o~ "'"""' l'IAAY POPPINS ( f1.o.1sh1ng h•r pack:l.ng) Run along, Michael! Spit-opot!

Jane and Michael race down the stairs. The:; ~top on :he lanc!tng to look down at s:heir ratner. _,

(l!t Rev,

7(~

of )!r. and :-1::"s. E.a:,ks lee;;~:,,; up towa?'d the ~andin!,. M?'. E.a:,'.~s !S r.o;_d!~•!! :he obJect Cehlnd. hlo 00.0k. !le brl.ngo lt fo:""'ard, •'-~wly. It 1a tne chlldren•• lc!.:e - or,ce battered a:,d ·:rcken, :,ow restored to 1:s fcr,ner glory.

l-1:C!!.'.EL ( :mbe ~! ev!ng / rte :oended. !t !

?tr. and l!r!. Bank• watoh ao the oh!ldren come boundin!, d.owr. the otairo to><ard. them.

CLOSE ON J.>.NE ~.ND l!!Cl!AEL

"'

l'..l.ohael take• the l<!te and inopecta it. Jane 1001<0 up at her ~ather.

,,~ It's wonderful! now did you manage it?

r..PER ANOU - OROUP SHOT

l'EAT'JR!NG Jllr. Bank•, aa he begin• to aing.

)!R • aJl/lltS ( s!ng:l.ng) ·,;1th tuppence for pape.- and ot.-ing• You can have your mm set or wing• -

C:.OSE ON JANE AND lllC!'_l\EI. m

"atcn!ng happily.·

llll. llAJIKS ( singing c. •.) Wlth your feet on the g?"Ound You' re a btrcl 1n flight --

cr,03:;:: ON .~. BANKS rrs

l'II!.. BA!lKS ( s:n~ng) With your f1ot holding tight c To tne strtn.o; of your lute --

Prod. 2162 140.

'.lst !!ev. 6/;/6:3)

TT8 CLOSE ON JANE AND MJ:CHAn.

(Jumping up and down, excitedly) Oh ;,lease, may we fl:r it?

Plea,e?

780 MED. ctCSE - GROlll' SHOT

)Ir. Bank• takes the cni:dren >;,y th" hand, ao llrs. Banl<s 1001<, on witl1 pleasure.

l!R. BANKS (,!nging) Let•• go fly the 1<1te Up to the hJ.gnest height

,a, "1IDER ANGLE

Mr. Banks lead• the ohJ.ldren towar<l the front door. lira. Banks turns, goea to the hall elo,et.

,,, ,,, MED. CLOSE - MRS. B.I.NKS

who ha• taken, out her "VOl'ES POR \/OMEN" banner. She turn• to the group

l!RS. BANlG A Pr<>P<tr 1<1te needs a proper tat!, don't you thJ.nlc?

Mr. Banks and the children bring the ld.te to her, and ohe ra,ten• the banner onto tne kite.

,,, CLOSE ON CONSTABLE JO!r,,,S

'~., , (l!t Rev. 6/5/63)

as ~. and Mrs. 3ar.k:, and the Cll!ldren come ou~ of the house,

( •1ng1'1g)= Let'$ go ~ly a l<lte Up ~o the hl.,;;hest height

:::er. WINDOW MAR:! POPPINS' !'.Ctlll

l'la:"J Po~pins, "earing her hat and coat, :ooks :iol<'t1 at the depar~1ng group.

(singing =o.s.) Let's go fly a kite And send it soaring -

,s, £El\ VIEW DOWN SHOT

of Mr. and Mrs. Banks holding the children'• hands •• '" they walk down Cherry TM!e Lane.

(singing)= Up I Through the atmosphera - Up! \lhe:-e the air is clear:

CLOSE ON MARY POPP!/fS

,e,

as ahe watches them with aatiafaction.

(•inging =o.s.) Oh - let's go! Ply a l<lte!

,es E;XT. STRn'l'

,ss

near the Park gates. aart is at hi• usual spot, aelling ltites. l'!e ts ou:rrounded b:; a small group.

(s1.ng1ng)- As :;ou watch it fl:;ing up there ;Ul at once :;ou'?"e lighter than air -

88-A CLOSE ON BERT

788-A

_, (singing)

- Yau can dance on the breeze Over •ouses and s:rees With your fist 'oli11ng ti,;;ht To the string of your kite!

?:-od.. 2162

l-6 (1st Rev. 6/5/63)

--,'. )UC'lUEL .uro JANE - E:XT, P~..P.X

":'l30' .

near gate!I. ltlchael !a holdtng the ball o:r tw1ne, am! is ~ett1ng out the atr1ng. In b.g. o,e can aee !laveralother kite flyers, colorfullv dott1ng the area.

( calling ~"'"'to h1• father)

(s:1.nglng= o.s.) Let's go fly a kite

as they excitedly tug on the atrlng as the klte goeo Up. '''

(singing =o.a.) Up to the h1ghest height!

E:XT. PARK AREIL - 'JI!)E ANGLE ,,,

Tlle skyabove the Parlt is dotted "1th oolorfUJ., soaring k1tes. In f.g. Jane !Ind i'liohael's l<lte beg1ns to drift upward, jointng the others,

(aing1ng =o.a.) Let'• go fly a l<ite ~.nd send 1 t soar1ng -

793 MEil. CLOSE MR. AND MRS. EANXS

'''

Mrs. Bania loolts at her husband proudly, ae he watches Jane ond i'lichael o.$,

(singing =o.a.) Through tile atmoaphera ! llhere the a.1r 1a clear! "" let's go fly a kite! ''"" -

Mr. Bank:O puto tits arm around tits wife. They both 1001< OFF', as they he,u, -

MR. DAWES, JR. (o.s.) "-h, tllere you are Banlta!

-------

Prod. 2l62

l~7 (lot l\ev. 6/5/63)

THEIR VllW ''" of the bankl.ng p&rtners, Daweo, Jr., Tomes, l!ousley and Grubbs - Who are all :!.n holiday 11100d, happily all Clingtng to !d.te strings, l'!r'. Dawes, Sr, 1• not.present.

IIR. :!AWES, JR, Want to cong,-atulate you! Capital 1:>it of l!u,oor - that. A wooden leg nued Sioith or Jones -- .,hatever it wao. Father died laughing!

,,, CLOSE ON HR. I.ND !'!RS , BANKS ,,,

reacting sadly,

,,, CLOSE ON DAWES, JR.

DAWES, JR. '" Nonoenae: Nothing to be aorcy about: Never aaw Father so 1-.i.PPJ" in his life: Lert us with an. ope~g for a new partner! Congrattuationa, again:

CLOSE ON MR, AND MRS• BAJIICS ''' Mrs. Banks !d.soes her l>t:<aband on the ohee1<. '"

HR. BAl'!X!3 Oh - thank :rou, air!

,,, E::cTERIOI\ - BA!ttl!' HOUSE ,,,

.._,. Mary Poppina eo,oes OUT or the house and looks off to • ,,, THE !'Jilli: - !!ER P.o.v. ,,,

or the area 1n tr<:>nt or the Park gates. She see• the eclcrt'ul. area ct ld.te tlyere,

CLOSE ON n!£ BIINXS' !'AMILY .,,

1n a hap:P:J group.

&n MED. CLOSE - MARY POPPIN:l .,,

and the parrot-head umb~lla.

:'<><... ~-~' ' i:Ol CONTINUED

MARY PCPP!NS (coolly) Oui:e true.-

PM..'!.OT-l!EA!l Look at then,. ':'hey think more of the!r tether than they do of you:

80!-A CLOSER - l'W!Y POPPIYS

ar.d the patTot-head.

'!ARY POPPINS That'• a• 1t should be, don't you th1nk"

801 -B CI.OSE ON MARY POPPINS 8ol-8

MAl!Y POPPINS Practically pe:-fect people never permit ,ent:Lment to muddle their thlnld.ng --

801-c CLOSE ON PARROT-HE:,qJ 801-cr

ao, CLOSE ON 1UllY POPPINS .,,

J1!AR1POPPINS Really?

802-A WillEll ANIJLE

802-A PARROT-l!EAil Yes, nall;r: I know what these children mean to YO'-', and if )'"QU • th1nk I'm going tc, keep •till any 1on;ier -- Glurggh!

Jllary Poppins ha• reached out and l'ulled the drawstrtn.e; around the parrot-head's neck taut, effectively cutting off his speech.

1W!Y POPPINS That w:tll 'oe quite enough of that, thank you!

Prod. 2162

•••• • (l!t l!ev. 6/5/63)

•• Eo3 Er.' . l'RONT DOOR - BANKS' HOUSE

Mary Pop;,tna turns the umbrella over and opens it. As she does a gust of "ind come• in and loft• her into the atr.

so,

She rtses graoet'"-11:;r from the doorotep, and drifts upward toward the Park a,:,ea.

ctOSE SHOT - ANMn1

806., IIEil. CLOSE

at ht• plaoe nesr t1'.e Park gateo. He looks up to see -

HIS VL::.-W 807

- or l!ary Peppin,, Clinging to her wm1,=lla, rising among the colorfUJ. array of kites 1n th" sk.y.

CLOSE Off m:RT 808

,..ii (aoftl:;r)

-

a·,:_, Goodbye, ~ Poppins. Don't atay l;r~: away too long!

i;.:•'1!d he blows her a kiao •• ,

809 }_\hosE ON l'!Aln ~PPilfS .,,

¾4• she looks back and •Jntlea slightly.

s,o -'·'" ----'<=LI. ,,-~. 'e<>-c; ,,, -- it·o:rl!ary Poppins dr1t'.:ing, tu=tng slowly, this way and ~-!::'at, AWAY fr<:>.m CAME!!A. -.::;.. -. au~..,,-,~ I.OHO SHor ,,, ;;,_·.:.r.o1~ of Xs.cy Poppins, outlined in the rays of :he morning sun. U she war.:a paat St. ?aul'• Cathedral, a cloud of birda RISE to provide her escoI"c th.-ougi,. the London sky.

Ao end title oomes OV£R ocene -

P"-DE OOT

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