"MARY POPPINS" (1964)

Baaed on the Stor:I.Ba

Shoottng Sor:l.pt Bill ;/alahand Don Dallrad:I. songs by: R:l.obarnII.Sher:nAn Robert B. Sheno.a..-, Pebrua:;-yll,1963

..,ho1•play1ng a mouth orgsn. CAMERA P1lU.SBACK, reveallng that Bert is pe:-tormtngupon an extreor<ilnary ensemble or cy,.bals,whl•tles, tweeter•, bulbhorns ancldruma 1n addition to the mouth orglln,most or which a:-e•t:-appedto hi! person. In his hand.a 1• a ,oma.11batta:-edl':-enchconcertl.na.On hl• toe• ar,,am.all, tlnltlingbells. Despite tne enc\.JJllbrance•, he movas grace:ru11:,,and CAMERA PANS ~ HD! as b.epe:-tol"III.O a dance atep or t...ocalculatedto catch the intar,,s,:ortha pasae:-sbjr.

He 1s attracting a fai:-tshcrowd from the ne1ghl>orhoocl chl.lclren,atradesman or t;,o,and some strOlle:-• snd Shoppers. A POLICEMAII d:-irtaonto tb.eouter rim or the apectators,

as he gestures to the gatheru>g crowd, inviting them clo••=-•

JJloveabit closer- - the:-e•aa love - Poems snd witt:i-•a:rlngs! Ext•111Porized and thought up be tore:,our vecy e:i-es!

C/00::RAMOVES IN CLOSER to hOld on Bert -

COlllicalpoems-!Ill.tableforthe occaoton - (oing;ing) 1\0011'erero:-evecycne Gather around -

who 1• •=uncled bJ"Chlldren, and a tew grownups. lie reacta to :9e:-t'•ocng with a dour ""'1le, as the onlook•n laugh.

(~lng;lng-~-•.) The co=table'• reaponstable! Now - 'c,wcloeatrutt,ow,cl?

He Jotns in the laughter. C/00::RAMOVESWITH hill as he approaches l!ISSLARK.

a omall DOCl, i<hootando at ltissLarlt's feet. He ><earsa ll"orfolkjacltet,and a scarf, tuck&<! Aseot-fashion, around the th"'

CAMERA PULLS :SACK:toreveal two eno:rmus !lAUG.Ht£&i,raztged on either aide or Jlhoa.Corey,

CAMERA PANS WIT'.!!himaa he dance• over to MISS PERSIM!O!f.

CLOSE ON MISS l'ERSDIIIOH '·'

A tall, vinegar-raced apinater lean, rorw&.r<:1,l1otec1ng. She t:-1.e•to coneaal her ple!lsure at be1cg singled out b7 llert.

MISS PERSil'IMO!I (eagerly) Yeo?

ife;,auoeo, laelcsaround and up at tne slq, hls face l!"O?le wondertng and l!"entle.

•• they react ><0nderingly to the SOll!IDorthe wind. A scatte:oof leaves and :her:-ybloosoma goeo THROUGH SCEIIE.

-, (01ng1ng •cftly, •• though to himself) Can't put m:;finger on What liea in ,ton But I feel wot•a to 'appen All 'appened before --

,, MED. CLOSE SFECTATORS

loolcing at :Bertin pu::lement.

CAMERA MOV""..SBACK~o wm:;:RANGLE, as Bert Whaclco into a rou.sing,headlong pie<:•of muate, :on<:lUding his perf0r111ance "1th a RI!IGI!fGc:,,,.hal•mash.T.1.ereisa amatter of A.!'PLA!ll!E, and Bert rftl<>veaa1s cap, shalc"31t out deftly and goe,iamci:,g the erowd.

as he begin• co move ""'°ngthe o:-O'Wd.

(holding~"'outhis cap) Thank :rou,one and all, ror your k:Lndsupport l

as tl'leystartto LEAVE the sczm:.

as she d:-opsa few ~oins into h1• cap.

CAMERA PULLS BACK "1th Sert a.she moves ""'°ngtl>eremainlng spectators. A C!l':NTLEll!AHdropsacoin:i.,,.tothecap.

The g:-inon Bert'• race dies away quick!;, as he <Uscovers he :l.sinadvertently hol<Ung his cap out to the Policeman, lfho regard• him ste:-nl;.

Bert moves awa7, eliciting a final 00111from M!ss Lark.

Thank Y<'Uki!ldl:r,"""!tis•Lark. Generositr itself, that's wot 7ou are!

As she g<>esOll'I',Bertnerj;turns toward C~A, hold:1.ngout the cap "1th the coins in it. He lowers the cap, !Jliling -•

as he pockets the coins, puts the aap back 011h:l.ahead.

(leaning"""intoCAMERA) Kumber Seventeen Cherey Tree Lane, you oa;r? D:'lright. Just ""'" along w:l.ttlm&. (start• to turn)

18-0 - SHOCTINO towarcl Cherr;,-TreeLane, across froOIthe square where Bert 1• St!Uld~g.

(points,-as lie picks up Iliagesr) Tl:11!'ere 1.sCherr;,-T,>e,.:.an,._Niae little apo,:,y':U.gl!tsay. Number Seventeen ts ;ust down a bit,

Cjij,!EJ'IAMOVESW!TI!Bert,esliestart• acroas ~he stnet, SHOOTING !ro.,the !\EAR, ea he walko towar-1Cherry-Tree L!Ule. The cymbals Ct.ANOa little, and the drUJlla!3llM!'asliewalks. ,,

ao he atop, in front of J\.dlni.rali!oom••l!ouae.

(1nd1oating ~liehouse) First, thia 11,ipooin'edittoe wot greets tilee:,-e1!tile •oaeof Admiral !loom, late of '1• MaJest:,-••Ro:,-alNavy--

CA!'!EllAMOVESPAST BE:I\T,PANN!NOtr?en Admiral :eoom'a1-..ouae. T!l.ehigher !.tgoes, the lll0renauttaal it becomes - ,..1tha dreadnoug.'ltauperseruoture ror a roor, aignel nags 1n profusion, funnels instead of c!-.lllne:,-s,aor<>w'anest,!Ind a cannon or gJ.eaiung brass, pok::tngitasnout over the parapet.

(o.s.) - Likes an 'ouse ShiP-sl!ape,'e does. Ship-ehape and llristol!ashion.

CAMERA JIIOVES!NCLOSER to the roof-ship, as BI!ilfACLE,a salt:,--lootingfigure,ENTERS SCENE. lle:1.sa"'1nornaval rat1ng, dressed in garb tl!atcombines regulation attire W1tl!gariaentsof a ta1.ntl:,-p:1.raticalcast.H,.tal<e~out a bosun•• pip,.,

as llinnaole stands at attention, !UldPIPES the J\.dlni.ral aboard. ADMIRAL llOOII!comesm.ajeot1oallyIm'O SCENE, 'and. loco out over the cit:,-witl!anair or proi:,rtetorSh:l.p. He produces a gold-encru.st,.d1<atol!ona ol!a1.n,andholds it to 1-..J.sear.He BANGS tt 1mpattentl:,-on the ra1l1n!l; to set :1.t;oing, ·

JUlll!D..o.L,oo, (to B.1nnaela) '!'!Jnegunready?

:SDINACLE Ready and charged, ,1r.

ADMIRAL :BOOM (ehetkl.ns h.iswatch) m:inut:es,si.xaeeond$ -- ~··

a• he tu.-nsto the aud1enc•.

Wot 'e'o ramous"'"for1• punctuality. Th• 'ole >«>rldtalces it• t:l!Der,..,,. 0,-,,enwich,butGreem<:l.eh,they aay, takes 1to time r,..,,.Adm:l.ra.lBcoa. (l001t:1upat roor- deck an<:\calla) lf<ltcheer,Admiral:

-=• Good afternoon to you, young"""· I/he~ are you bound?

(loold.ne;=upand oalllll.g) Numb,...Seventeen. Got 00,...J>art1es 1n tow •ere wet want to see it.

Aa!D!.o.L:BOOM IIUmberSeventeen. (turning to BJnna~le) E:nterthat in tb.elo;.

(leaning over tha railing, e11.ll•toBert) A word of advice, young man. Storm •ignals sre up at NwD.berSeventeen. Bit or heavy ;,eat.Ilerbrewingtt,.,•re.

(lool<!ngup at Admiral) "" T.i.&nltyou,oir. l'll keep an eye •ld.n.-,ed.

ata.ndingon the roof-deek 011either si<ieof the eamion. ,filnnaoleha• a glowu,g gunner's mateh poised to touch to the eannon. The Admiral looks at his -tch aga.1.a,andholds up a pre-em,,tory hand.

ct:Bert as hewall<o down Cherry Tree Lane. A.!he approach•• Number Seventeen, he turns to au'11e11ceand lndleatea the houa...

'Erewe are, Number""Seventeen Cherrj-Tree Lane. Residence of Georg.-Bimlts. Eaqll.l.re.

OFP SCEIIE,fl'OJJJ.i11a1i1etilehouse,faintlye011.estheSOO?IIlor SHOtl'l'Ill'G.Ther11istheSLAM:of a door, a CRASH or dishes, and the clangour or pots and P&11sbeing SLAMME!l ab01>t.

VOICE (o.s.) Let 'ergel Let 'er go, that•• what I say! And good riddaneal The Old Water buffalo! And glad I "-'ltooee the la.atof •er!

--S SECOND VOICE ( 0.••) Not Stop '•rt I'm not gol.ni;;to ta.Icetheblame for ,..,t'appened! Ot,tof the way!

T:lere1• another o.,. ser1a• of CRASliES. 3art ra1,es h!• eyebrows, as he-say• :o audience •..

• •3E.'!T 'Ullo, '"Jllo,'Ull.o! Admiral's right. ':e:avy"eatherat lfumber Seventeen and no OUstake.

CAMERA CONTINUES PAST 3e:-ttoward the houoe, and the Sl!OOTING INCREASES in vOlUJOe.

5:E:CONDVOICE (o.a.) Don't tell me wot to do! I don't •ave to :akenone ct your oorce!

CAMERA MOV"'..Sll?CI.OSERtofront door or the Banko' house, past the number "17" on the door post, ao -

'' or the Banlca' house. !'IRS.BRILL,the coo1<,and nrFI', the maid, COME Tl!ROUQ!I:he K!tchen door at the back or th" llall, an<ladvance toward the foo'I;ofthe sta~ra in an e:-rat1caeries of D10ve11enta. (They have been the ""eel adveraa:-1ea.)

E:LUN Easy eno\l;ll.~or_youto sayl Warm and coz;rout 1.»the kitchen!

MRS• .6:lill. I neve:-:ike<l 'ee-from the o,oment she set ~oot ln that doorI

llut•co gets stu01< with·ena children ""''

MRS. llRlLL 'Er - with 'er '1ghand mighty wayo and tne race of 'erthat would ,top a coal Oarge, it W<>Uld!

There is the SOUND or a door slam from upstairs, and !'!rs.Brill enclEllen lo<>kup to see --

'' of !{ATIENANNA, oolll1ngdownthe stairs, gr1,.and :hunderous. A for:itldable,large-bodied ""'"""-witha dloagreeaOle expresoion.

at t!-.ehott<>111of.thestairs

ICatieNanna sweepa the protesting Ellen aside like a bit of chaff.

(lortilY) I wouldn't stay in thia houa..onother minute! !fot1( you hea.ped..e«1th a.11 the Je.,elain Chriatendom)

Elle" scuttles to the r.-ont door and.stand.s1n fr<>ntor tt.

VT!.::N"J\NN,\ (tgnoring ~•- :Srill) Stand away from that door, my ,;trl:

(te~rrull:,) Wot are we going to tell the i'laoter about the Children?

K!lTr::N.o,ID!,\ It'• no concern ot mine! Toose little beast• have ,:-unawayr,-om me for the laot time:

FIT? But ti>eya:ustbe some,ilaoe? Did )'OUlook r-oundthe Zoo 1n the Pa,-k? You knew '01<Jane and lli:hael1• -• (stop•, stri~kan · by a oudden thought) Cool You don't think tilelion :ould •ave g<>tat them, do :,ou? You lal:ow'"'"fondthe:, wao ot 'angtn, ar<>undthe cage?

KATD NJ>.NNA (thrusting r.eras:tda) I've oaj.d"'Ysa:,,and that's all I'll ~....-:I'vedone with th!• house!

Krs. Brill slami, back :tntothe ititohen.

Katie Nanna otrug,glaa to open the front <l.oorwith Ellen cllni-:1.na;tohersleeve, P:-0111o.a.comesthe SOUND or --

MIIS.B.o.HKS (•1ng1ni,;o.,• ) Caot off the •hackles of '7esterday Shoulde,.to shoulder !nto the fray -·

ETTF!J Mrs. Banks! She's •ome!

Mrs. Banit,;,atr1di.ngSJRartlyup the front walk to her door •

It spella forth "VCTES F<lRliOME:lf."

..,_ '"""' (a1ni,ing) OUr datu;htera'daughters W-111 ador9 u• And they'll sing In a;rate!'Ulchorus, ••ell done, oiater aufrragetta!

She :ill'l'EP.Sthepartially01'£NEDdoor••

..,_ '"""' (haart1ly) Good evening, !CatieNanna! llood evening, Ellenl

What a glortous""·'"""',..,eting!filmi,ly t,,.ap1r1ng!i'!ra.Whitbourne-All,m cha.tnedhel'aelfto the wheel of the Prime !Uniater'• carriage! Oh • lf you cou.ldonly have seen lt!

iCAl'ENA!!NA (gri.mJ.y) i'!rs.Bank,• I -..ou.ldlikea lfOr<l with you ••

MRS, BANKS Mrs. Unslie """ dra=d off to Jail, singing and ocattering pampnleto all the way!

CATIENANNA (firmly) I1"1glad you':-ehome, Madam. I've. alway• given the best that' a 1..'1m&-•

Dur:l.ng<hecour,e of the SO!fc;,Cookret"-.-nsto doorway. )Ira.Bank, plaoea r!bhon• on Mrs, Brill, ll:ll"nandKe.tieNazm.a.

l!RS.BANKS Thank :;ou,Katie Nanna. Eow good to know 7ou•re one or us! (o1ng1ng)

SONG: lle're clearly soldiers 1n pett1coata

Dauntleao cruaaders for ,.-o.....,•avotes Though we adore men lnd.1v1dually We ai.r,,ethat aa a g:"<>upthey'r"rather atupld --

MRS. BA!IK3 (s:!.nging) cast orr the ohaclleo or yesterday Should«r to ohoulder lnto the rray OUr daughters' daughters will adore wo Md the7 'l"lsing 1.ngrateful chorus •11e11done!, aiat«r s..rrragette\•

KATIE NAlfNA Be that as it ""'7 --

(Alng1ng)--= l"rolllKena1.ngeo0to51111.ngagate C.,ehears the re,tless orlea :p,.o.,ev•r:rcorneror the land l/omanldndarlae!

'!RS.BANKS(cont'd) (•1ng1ng) i'<>l1t1ealequali:7 And equal rlghto w1:h men ~ake heart, for Mr!. ?ankhurst haa Been clapped 1:,irons again! No more the :ceek and mild sub•e:rv!ant,,we \ie•refightl"g for our righto, :C.lltantly... (spoken) • . Never you fear:

i'IRS.BANXS (o1ng1ng) So - oa,e o~r the !hackle• or yeaterday Shoulder to ori.oulderJ,.ntothefro::, Our daughters' daughter• w1ll adore U! And.they'll Sing ,1ngrateful ehorua: 'Well done) Well done: \,'elldone, aister (cognizant at last, Katie Nanna 1! try1n,; to engaae lieratte,,tion) \lhat l:!.it,'>at1eNanna?

'!RS•BANKS Where a.re the ch.1ldren7

KATil:N,IXNA To be p~oise, l'!ada.111.theoh.1ldren ~ not here.

Katie Nanna - tlll~is Nallv too carele•• <>fyou! Doesn•t ~hlsiiialce the thlrd t~me tll1•wee!<?

"'·' KATD NANNA 'hefourth time, -Madu, and I, for one. have had "':ffillof 1t, I'm not one to a;,eakill of the <>hJldren, but --

MRS, BANKS ',lhandoyou e::<;,ectthe111ho111e?

KATIE ~!I.NNA I really COUldn't •a>'. !low!~ :\'OU wl.llbe good enou,;hto compute !!IV wageo ---

(;,a.nicking)""·"""' Orae:touo, Katie Nanna, vou•re not leav1ngi \lh.!twilllit'.Bank$oay? He•o ~1na: to be ercaa a.oit 1s, to co.meho!'leand !ind the eh:l.ldren11t1sat.ng! (hlll"t'ta<ll:Vr.,m<>vea her "VOTES FOR WOMEN" ribbon, and ;,luo1<0them fran.the boacru of the ether•) Ellen - put theoe awa-., You know how the Cause tntur!atea Jl!ro.Eankai

CAMERA PANS EITFJIA)IAYfroa the ia'QUP tothe hall closet. /vJohe opena it to put the ribbons tnoide, m<>reeolor-ed :-1bb<>naare IIEVEALJIDhangl.ng!:-om"1.thtn. 'l'hevindicate the extent of Jl!roa.Banks'"cause,".

or the ball clock. J\n·ominousstr-eteh:l.ngandcracking SOlll!D~omesfrom w:1th.1nit. A •llreikfrcm Ellen o.s.

FlIEl' (ruruting) Poota, everyone!

Adln!ralJloom1s poised, with upflung hand, ready to give the order to flre Off the cannon, .E\;.nnacle1aroeacl7to appl)'the gunner'• match to the toue:,.;,ole,

AllJl!IRALBOOM (gazing at his watch) P1ve •econcla - four! - ThreeJ

i'lra.Banka, Ellen and Mr,. Brlll fan Ot11':1.ntothefl"<l<lt room. l!;atieNanna remains illllllOblle:tnthehall,holdtng her su,1tcase,watching grimly.

44 IN THE LIVDIO ROOM

Ellen runs Ot11'ofSCENE, CAME:RALEPT. llra.Bt-111""= 011!' OP SCENE, CA.MERARIGHT. Jl!los.Bank$turnato left jllllt 1na1de the doorway arch, and "elzeo atatue on pede,tal - JCJ.atasthe o.s, BCOI!trom A<:IW.ralBoon,•agun SOIJNOO. P.1etureaon the wall, the statue, scarf on the piano - vase on the piano JUMP, The piano begina to MOVE OCT OP SCENE ;:oCA.'IERALEP'l'.The toppled vase rolls ot:!'Piano lid aa lt doeo, and !'Ira,Bank! catches it with pr~ctiaed dexteritv,

at the corner chin.acabinet. The China is rocku,g from the SOUND or the cannon in the PR.a.-;rousSCENE.She oteadtea then,. Pia.noROLLS IN :rr.,.,RIGHT. lllen ahcve9·1t 'back OCT OF SCENE with her root, Wall picture• are awry.

l"ani"-'<a,o:ainstahi'belotcabinet in th• other corner or the room. steadytn,o:1t,one &I'lllarounda gcldrish bowl on a ped@otal. A vaa• toppl•• oft one end or the cabinet, and sh@ eatche• !t neatlv w1ti,the toe or h•r aho•.

without look:l.na;'behind,replace•her Va!e on the piano, ao 1t ROLLS .BACK DITO SCENE.

bano:sthe wall wtth Cl~rfiat, and all :Cleawry pictures "' rei:u.-ntotheir forinerposition.

strai«htens the picture on her wall, casually. The,igoes into the hall to rssuineher converoat1on with Katie Nanna.

~- BAN!CS Katie Nanna, I beseech :,cu

MR, BANKS. a f1na-loold.n,!;"""'Witha Pleasant sense or assurance, comes through the Park .o:ates,approachinghis home. liewears a small roa,.iD.his buttOflhOle, a bowler, an.. swings a tightly fUrled \llllbrellaiD.theclassic manner. Ileis iD. extremely good spirits, light-rooting it acr<>sath• stn•t, and wbJ.atling. Ha loolulup u, AdlliiralBO<:,m•sr,:,oftopo.s.

(calling) B:lt early tonight, aren't :rou, A<llllira.1. ~='

loolcing.DOWN!'rOIIIaposition next to !us "'"-Old.ngcannon. B1..-inaclelaawabl:llngitout.

51 CLOSE ON JIIR.BANKS'

'Ill.BANKS (gaily) Ne,,11rbetter( Jll<>ney1~SOU>ld! Credit rates are =v:!.na:~ -up - !!J!.lThe E!rittshpound is tileai!ii'irattcnofthe world,

C'LCSE ON Am!L'!.ALBOOM

as he eont1nueo on h.1•way.

MED. CLOSE - ADMIFIAL BOOM

as he lean• over the Side or the roof-d.ee)<and calls after Mr. Banks.

ADMIRAt BOO!! Banks! Shouldn't wonder if you weren't steering :!.ntoanasty P1<toe of weather! Banko! Do you hear me? -•

Aa he approacheo h.1ahouse, whistltng merrily, he oees a hanoom cab waiting at the curb. He turns up the front wall< and aeeo Katie Nanna EMERGING from the house. CAMEHA PANS her down the front walk, where ahe encounter• Mr. Banks. He lifts his hat ;,olitelyand reaches for her bags.

l'IR.BANKS Those muat be quite hea'1y, Katie Nanna. Permtt me!

She gets IIITOthe cab, and Mr. :sanka places the luggags 1n the veh!ole w:1th her. !!alifts his hat again as the cab drtvea OFF.

Whiatling again, ti~heads up the walk to th" fr=t door, Conelu<!.eah:!.swh1stltngpassa~.

I feel a surge of deep satlsfao!!on MUc/'.asa l<~ngaotri:ie h!s nobl• •teed :har1tls:ne bowler, sloves and c:,i,b::-ellato2::en) Tharu<:,ou. (5ing!;.g) \,"henIre:u::-r.::-omdailystr1:e To hear:h ar.:iw1fe (he gives l'lr•.:Eanlc•,><ho comes IN, a :fle,.t1ngl<l.••l How pl•a•anc is :he life I lead -

Ulen goes OUT of a:ene.

)IRS·.SANKS (troubled) Deo.r - it's about the Children

M::-.Banksstr-oll•OUT or SCENE,into living ,-oom, ]'!rs.Banks hu::ccyingafterh!m.

a, the Banks eo,ne!~.

i'!RS•:SANKS George, :hey•re rilS!ing:

Splendid! 5ple~d1d! (singing) It's g:-andco Oe an En,;liohmanin nineteen-ten, K.!ng~~wa:-j',ior,tl".et:1rone,1:'•the Age of :nee,--

Mr. Banko leans ca,ually on :he l!la-ntel,af:ertak1ng his gls•• of sller:-yfrom a s1lv"r tray •-

(oing:1.ng) I'm the lord of ,rrycastle The sover-eig:,.,<heliege I treat .,,_,sub;ects,-- (Servan,:s,"ife, chilti:ren '111:.~af!rn,butgentle lland) N"oble,seoblige! --

He slopeo into hi• ea.oy:lla.ir-

Mr. Banko tu..-no:o gr,,et111,:hilliren. They are - of course • not preoen:.

JIii!.BANKS (agitated) The children! Jll!chael!Jane!

JI!::,,Banksleapsout or Iliachair, CAMERA PANS KDI to the telephone on 'Chewall in the hall ••

n tl,ehall. Mr-.Ban:<• crank:•the hu.<lledeterminedly.

MR. BA...'fKS Kindly do not attempt to cloud the 1••ue "'1:hfacts. One fact - and one alone - :-em.a.1:isc,-,ystalclear.!Catie Nanna has faltered at her po•t - she has let the fal!l.11:,do>m,andI shall tr1ng her to tool:without fw-ther (pauoeo, the wind going out of hi• •alls) Oh - she'• gone, hasn't she?

MRS. :S.o.NXS Ye•, c.eorge. Only juot.

There is a RING at the f:sont.door.

MR. :SANKS ( onthe phone) I should l!ke a policel!l.!ln•ent r<>und1:mned1ately --

JI!?'•.Banksopen~ tne door to reveal POLICE COUSTABI.EJO~S, a large, hulking""'"·

Mr. Bank• ;nats up "Chephone and turns co Constai>leJones.

??-om Cehind him, each ol1ng1ng to a gl.anthand, the Coru,table drawo !orth two ch1ldren. JANE BANKS, aged eight, and MIC!l/1..EL EANKS, aged s:lJt.Michael car:e-1eoabattered kite.

She move• :owa:,-dthem,but Mr. Sank• ratoe• a hand.

Jane and Michael slowly advance, Michael otill oarcytng the remnants or the kite.

CONSTAllLE JONES You see.,oir, in a manner of opealcing, tt was the ltite that nn away. Not tilechildren.

Michael holds :he ,:~:eou: to hi• ra:hor.

Mr. Banks ta,<esthe kite f:,,oml'l!ehaelanclthrowsit on the de•k.

I'm grateful to you, C<>nstable,for returrJ.ng the olt:ildren.l':csure if you go to the ld.tchen,Cook Will ftnd you a plate of somet1t:1ng.

(coldly) Thank you, o1r. I'll be ret:.irning to ory<iuttes.

,- Tha.nkyou, Constable.

The Constable sinilesat the Children, the $1llle fading •• he look• up to Mr, Bank•.

CONS'!'I.JlLEJONES Cl<>odnir;ht,•1r.

Jl!R.B.o.NKS Discuss tt• W1th ·~ho111?The ch1ldr~n? Arter all, :hey're rmt quite persons yet, are :hey? (as Ellen comes IN) Ellen - cake Jorieand 11!:!.Chaelupstairs straightaway.

i'lr.Sanksi;o:;:sINTOll..,l.ng:-ooin,followedOy"Ir•.aanks. Ellen her:isJane ""d )lichaelUP the •tal.rs.

SLLl:N (g,-umo11ng) r knew 1:: \11",e:,all'•sa!dand dor.e, 'oo Oears the brunt o~ eve,,..Jth1ng around 'e:ce? Me - t.~at's •ooi L.:.ke : don't 'ave eno"ughto :io. They :ion't want an 'Or.est- ·ard-working girl around 'ere - :r.eywant a ruddy zoo-keeper I

I'll try to do--=Oetternex~t1=.

MIL BAJfKS Next t1:me? ~ dear - you have engaged si:<nannies !n the past four month•, and they'~e a!l beer.unqualified dioaoters !

MR. 5ANK;S Choosing a nanny for the children 1S an important and delicate task. It r.,.~ulr~,ln>ig:it,halan:e, Judgmem:, and ah!l!ty to read character, Under the ct,:,cumstance,, it may he aprooposto cake J.tupon mys.,lf to selec: the next ;,er,on--

i'IRS.BANKS (rel1eved) Oh, ~orge would you)

Jl!fl.BA!fKS Obv1ousl7 the -.,aytofind a proper nanny 1• to go about 1~ !n aproper fashion. r shall place an advertise- m.,nt in the T1mes. Take th.ts down, please.

Mrs. Banl<sSit• do= to aer des!<and takes up pen !n !"eadinesa.

Required - Nanny - Firm Respectable No nonaenae -

A llr1t1shnanny must l>ea gene:,,al ~ ..future Eii,pirel!e• within her Md so the person that we ne~d To mould the bre"d I• a nanny who can give conmands (to hia W1(R) Are you getting tl'.:l.s,W!~.,;.:·,·e:l ' MR$. llANK.S Oh, yeo dear. Every word.

Jl!fl.llANK.S (re,woes s1ng1ng song) A l3r1tlohJ:,anlc1srun-~1th precialon A British home req_Ui:ceanothing lesa Tradl.tion, d1sc1pltne and rules i'lllatJ;i,thetool• Without the,.- dl.sor<l":-!Catastroph"!

In short, you l!av"a gha3tly mess:

MRS• 3A/IKS • (writing furtcusly away) Splendid, George! L"">3p1rational! Tl,eT1m"a wtll be so pJ.~ased!

Pacing, Jl!r.Jlank3turna to see Jane and Michael ln their n.1ghtclotnes,at tiledoor.

l'!l.chaelandJanecome 1.n. Jane has a sheet of writing paper ln he:,,nand.

,,~ i'!!.ohselandrhave discus,ed ever-;- tt:ln;, We·r• very sor":"yabou; •,mat we dl:l today.

l'll9.BANKS should cercal::l)'\:hil",ksol

i'IR.BANKS IC wa, indeed I

l'll9•BAIOCS Very •enslble. ! shall be ,tladto have your help in th1• matter.

,- Thank you, Father. Tha\:'swhy l'IJ.:hael and I wrote th1• advertl,eo,ent.

MR• .!!JINKS Advert1•eotent? For ~?

,- You said you wanted our h@lp

••anted- A Nanny F<>r r-,,oAdorable Children.

(•1ng1ng)'"' rr yo<.want thi• cho1ce position Have a cheery dtspos1t1on Rosy cheeks, no warto

IRS•BANKS (husl:iingnu) George!

(s1ng1ng)'"' Play gaines - all sort• You mt.:atbe l<ind You must be >1itty Vecy sweet and very pretty TaltRus on outings - give us treats Sing song• - br1ng sweets --

Mrs. Bani<•looks warningly at him - a.ndhe at.:Osides.

(Singing)'"' Never be croso or cruel Never reed t.:acastor <>11or gruel Love us as a son and daughter Md never s.mellor barley water --

MRS. BAlllt3 Ssssh: Do be quiet, deari

(•1ng1ng)'"' If you ,r0n•t,cold and ctom!nateua We ><111never give :,o"cause tQ hate ua We won't hide yo<u- •peetacles, so 7ou can•: see Put toada 1n your bed Or pepper 1.'lyourtea • l!c;rry,Nanny Marrythanks Sincerely -

MlCP.AE:L/INDJANE Jane and i'!ichaelBanks,

i'IR.BANKS Thank you. !lootinteresting.

1'11".Banl<sputsout hla hand for the sheet of paper with th• adve:-tiaemeritwritten on 1:. Jane handa :l.ttol!!JII.

Creotfallen, the ch.1ldrengo OIJ'l'.

They wanted to help. They're Juat ch.illiren.

~- BA.NKS I'111awa:-ethey'tt Children, 1"!.:i.1.frltd. I Only oongrat\1late myself I decided to step in and take a b.and! (glancing at the Children's a<lvertiae• ment, then •lowl:, tear:1.ngit up} Gtva treats! S:l.ngsongs) Pla:,ga.meo: Rid:I.CU.l.ousl

lethr<>wsthe piece• tnto the cold f:l.replacQ.Then goes to the telephone.

There's no ~uast:1.onin ,riym.:l.nd.whatsoever! Now ts the t:1.mefor acs:tonl

The blta of paper begin to S'!'D.1'1the fireplace --

A audcien,:r,ysteriouoWl!Q p1ck, up the torn bit, of paper w:tth a g~ntle ><hooa/U.ngSOUND, and oends them hurtling up the chlmney

'hetorn scraps of paper EMERGE from the chl..mne:,topanci soar upward,. CAMERA PANS Ul'with th" ooraps or paper, aa they wltlrl Ul'WAIIDSintothe moonl1t n1ght.

DISSOLVE

95-97 E:XT.1.DJ1!!RALBOOM'SWEATHER VANE •DAY

95-9

Next a,O=ing. 'Thewine!,wJ-.:1,ohhasbeenwhipping brisl<l:,from the WEST, begins to falter. 'Thevane turn, slowly, and a new br,.e:ecomes on str<>nglytr<>m:he EAST •-

TheM> 1• the SOUND of th<tbooun'a WliISTU: o,s,

CAMERA PANS DOWN to re•,ealA<lm1ralBoom being pipeciaboarcithe roof deck of his house. .Binnacleatands at attention.

IUlMIR/ILBOOM I'll take cne report, Mr. E1nnac1e.

~<lm1ralBoom squints :,p coward the vane ••

---------------

Pro<!.2162 ,,

(~atRev. 5/17/53)

95-97 CONTINUED ,,_

ADMIRAL BOO!I! Solt la. T1.m"gun '-""ady?

Wl!at la it?

97-A CUlSE ON A!lf!IRALBOO!'!

aa he loolt,!over the side toward the Bank!' hou.oe.

,a !!ISVIEW - DOl!llSHOI' .,

A '-""""of grim-faced applicants fo:,,theJob of Nann;,-,are 1:1.nedupto the dool' and down the sidewalk. They ar. a soml>«r,unatt%'act1vegroup, all loolcingve:rymuch alike, w:1ththe same lira!>clothe!, the sa.a,edankhair acrewe<! \lP under a d:l.ng)Tbonnet,Each llaoa copy of the London Times tuck"<!under har arm. They atand silently, wa:1.t1ngtha atrol<eor eight o'clock.

(o.a.) Ghaatl.y-locld.ngcrew, I must aay.

'' '' wno is loold.ngout th" window at the aide of the front door,

ot the sterri, 1.mmcbilefaces •tan<Ung 1n lin•.

~. CLOS!';• EC,LEN ''' as sl)&grimaees, t=• from the >dndow and gees INTO the <Un:ingroco,,

P:-od.2:62 ,,

(2nd l!ev.6/26/63)

l02-lC4 INr. llXNINGROOM

le._-:

Mr. and Mrs. :9anl<asre hreakfsat1ng a• Ellen comes IN.

ETtEN ':'he=•• a fsir good queue of 'emout there, s1:-. Shall I send •em1n now?

Cer-ta1nlynot! "'·Iaa.J.d'""'e1~to'clock, and e!JrntO'clock lt shall jell:,,well he! (take• out tu.awatch to conault 1t - h1t atands up, lifting tu.acofre" cup fro,. 1ts saucer) Yes - eight aeconds to go. Slx - five --

Mrs. l3r1ll tlaahea throw:h the diD.ing:'O<llBonhilrweyINTO the livtng room. Mrs. aanka and Ellen beth FJCIThastily to the living room to ts.J<euptheir atattona.

The= ta a thWlder1ng !!0011!orthe M.mir!l.l.1acannonn""tdoor. I'heEanl<s'house QIIIVEJl.S,there1• the SOUND of the p1ano BANGING lll"OWldinthe l1v1ng room o.a.

Tl!ECAMERA 1s F"'-'l'URINGMr.Banks. The table 1n front of him

':'hechinacab1nat d0C>raswing back and for-th. 1!1•chair, and the fern in the pot 1n the window b,cy-tohia rear give a noticeable twitch. The chandelie:-over his head ,ways back and forth. The table Bhl.mllleraaw,cy-rrolBbeneathh1shand.

Mr. Banko sw,cy-abac1<ai,dforth, with dignity, lUce a sea captain on a sto:rmy bridge.. The table ahi...,.rsBA.CK1nto its former position. lieputs the coffee cup down 1n 1ts exact former position.

Jl!R.BANKS Ellen, it 1a now e1ght o'olock.

105 FITE»

,05

positioned ag;Unat the Oh1na cab1.net1.nthe f:-ontroom nearby. The p1ano haa come ao:-osathe roolBand 1• nst1ng on Ilerhtp. With a flip of he:-derriere, Ellen propel• it 0\11'OF SCENE back to its proper p<>s1t1on.

{2nd Rev.

105-A IN THE OININO ROOM ' Jl!r.Bank!Itu.-nsand ;lancao at hiluelf in the Still SWAYDIG Ollr-ror,adJuotinghi• tie. lieswa.70gentl7 to ke~p !n line with the Ollrror.

l'!R.l!ANK:3 You ma7 ohow them in - one at a time!

106 ZLI.EN

,06

steadying the cabinet ance again, and going OUT --

EJ:pp, Yes, sir.

107 2XT. NURSERY ,IINDOW JAKE AND MICHAEI.

,07

laak1ng dawn d1scansolate17 at the queue ot nannies.

~= 1'1,ey•rehorrible!

(COIITINUEII)

?e-od,2162

,, (1st l\ev,5/17/6;)

,- (turning awsy) I don't u.-,der,tand. 'I'l>ey'renetwhat we advertiS<tdfor at all.

TIIED\VL"'W • DO'IINSECT

,oa

of !=he qu,.ueof nannieo, A sudden WIND ,tarts up,

108-A

,,,

Mtchael 1! le&n!ng ou: the window, pointing e:<citedly.

Jane turn,,qutcl<ly, and leana <>utthe WUJ.dow -·

108-a TEED VIE\/- llOIINANGLE • QUEUE OP NANNIES

108,

on the front a1dewalk. 'I'l>eyarebeing severely buffeted· by the wind. Thetr hats, paper• and bag! are blown away, and a couple or umbrellas are blown open and rtppe<1 apart. It 1• a scene or wild conrr.ision.

1aa-c C::.OS:E:l'I•THENANNIES

108-

Th"" are desperately f1ght1.ngthe wind. Suddenly, a ooupla Of the nar.n1eobegtn to riae Off the ground.

108-D CLOSE ON ANDREW

108-

the dog, who haa been watcntng interestedly fr<>mbentnd a poat. liePulls back heh.indthe po,t rearft.lll.y.aaheaeea -- ,,, HIS VIEWPOINT • Tl3'.2NAHl!US ,,,

a• they begin toblew away.

109-A

109-,

blowtni,THROUGH sci::q. One cling, desperately to the fence railing, but she too io blown away,

109-a £7:r.NURSERY 1/DlDOW - JANE AND l'IICl!AEL

109-1

looking down, wateh!n.gthe drama 'oelow.

Prod. 2162

(lat Rev. 5/17/63~

1C9-C

109·

as they U'e "ce1ng blown AWAY.

,,o

,,,

/llichaelpo1ntaUl)ward, as the two c~ldren watch the flight or the departing nannies.

110-A THEIR Vn:it

:10-

of the nannies being "clown over the treetoo, and up over the etty, disappearing into the diatance,

l.l.l

'''

Jane 1• at.illwatehing the nannie,. 111ehaells looldng out towar,Ithe Park. Suddenly he points.

(exo1tedly)"'""" - look!

(pointing)"'""" 0-,erthe tree•!

'''

looking toward the Park. Across the trees, a PIIJUREappears to be blowing toward theJII.~ 1t grows in •ize, we begin to reeogDize JllaeyPoppins,cll.ngtngto her opene<tWlbrella, ,,,

,,,

as the,-watch the al)proachingftgu.-.,.

Do you suppose'"""'~t••aw1tcn•

,- or course "ot! Witches have bro0111s:

,,, rB.E.IRrn

'''

or Mary Popp.in~. She !loat, through the air, swing:!.ng g""tly back and !orth as she Clings to the Wllbrella hand.le. Despite the Wl.nd, wl'.ichiablow:1.ngher1:1.keaparaehutist to the Bank:r.'household, her clothes are unruffled, and her hair unmuased. She 1s elaborately unperturbed.

?C'<>d.2162

(2nd Rev.

•• sne float, aoroso the street, oroosini;;thenow deseri:ed fc-:,ntwalk and u,, -~o t~e fr<>ntporoh.

116 C:.OSEON JANZ AND Jl!IC!!A.c.""L

staring out ot ~he nu:-,erywindow.

,- t's"•he! :t's the person! answered our adveMoioement! ,,., "'" cheeks and ever:,thi.'>6!

117 ANGLZ TO FRONT PORC!l

''7

Macy Poppino comes IN for a g,-ao..fulland.i.'16,putsdown r.ercarpetbag, olo•e• her umorella, and eucks it under her aroi. We have a view of the umbrella !'Jandle- th• carve<!!'Jea<i of a jaded, oholeric-lookini;;parrot. $he pulls th& doorbell chord,

118 0MI'!'l'ED

,,a

119 THE FRONT !!ALL

''

3:llen opens the door to R=.VEA!,Mary Poppins.

You maircome in.= One at a t:tme.

MARY _POPPINS Thank :rou!

Mary Poppins lllOVeap&stEllen and into the living room, O!!TOF SCENE. HOLD ON Ellen & mo,oent ao she looks out the door, puzzled b:rthe <ieaerte<ifr-ontwalk.

120-125 L~. LIVINQ ROOM

a• Mary Poppins eomeo !II. Mr. ::an;.:s!•po1set:a~ tha ,:iantel. ~illing hi• !)ipe "1th a fir:o,•x~eu:1•1e atr, :les:arts :o speak

)low then -

MARY POP~IIIS You are the fa:her of Jane ar,dM!.chael 3anl<;;-;-areyounot? {she p:-oduceoa paper fr-Qm.~er':>ag)

Mr, 3anl<sfrown,. She 1• rtotqu!te what he expected. Nor had he expected ner to speal<so forthrig.•1:cly.

~- ,~ Ah - you hrought yot.rreferences. May I see them• r --

MR. BAI/KS Indeed• We'll Just haYe to ,.,.,ahoi.:t-- (he pauses, lool<1nsat the peper in h"r hand - it 1• the advertisement wrttten hy Jane and )UchO.el, hut pasted into a s:!.nglepie:e)

MARY POPPI!IS The qualiflcattons, rte"'Cne - A cheery d1spo5ttion. I am never cr-::ss.Ite= T"wo- Rosy cheeks C·bviously. rte= Three --

MR. BANK$ Ex:use me. 1'1ayr? (he tal<.esthepaper trom her hand, and stares at it) Sut how did you get this? I :ore i,;;up?

Mary Popp~n• take• the paper out of Mr. Eanl<,;'hand.

-,'

MAR'[POFP!NS (continuing) r:em Three - I'lllsure:ne cetil<lren ..-111f!r,d,,,,,-gaJ11ese,:;;;::-einelydiver:ing (she pauses :o :ook a,:Mr, :3anks,who !a c::-ouc:>acove::-,lool<l.r.g up :he cl".1:nney) Have 7ou lost ao.,eth!ng?

l'!r.Bankslooks u;, quickly, Oang!n5 tu.shead or,the mantel,

)!fl.91.NKS Ow! Confound it! Nol That is -- yes! That ;,aper - ! thought I !lad

MAAY t'OPP!NS You are - George Banks - are you not?

~- or course I ain! a::-e -- '

MARY POPP:NS Vecy well then. Item ,Four - I ..,. kind but extrelDely~irlll-- (she stops agaln as st:iesees}

ll!r.Banksis tcy1ng to reconstruct in pantomime 1<hatha did with the pape::-. He to::-e1:up - and t!lrew J.tin the fi::-aplace.

)LoJlyPOPPINS I hag yo= pardon. /\reyou 111'

MR. BA/fKS {caught in the act) 0~ course r,ot- ! Just -

JIW!Y PQPPINS ~e r-efe~nce here :o my wage~ is •,ecyobscure.

1'!R.llANXS )(owJust a OlOment --

(CONTINOE:l))

~-. -,~- --"~- ~--<

'

IIJL~.Y?OPPINS We mus;: point, 01Ustn't

MARY POPP!NS : aha:: :-e:;u!:-e•verys@cond':'·sesoayQ::.

:it:-.3a.,,ko!sc1,-c:1ngi'\aryPoppins,star.l.r.gathe:o.She stands he,-;::-our.<:,say!;.g:

)IAl!YPOPPINS On further thoug.it,r O@::i.eveatr!al pe:-iod;:1.l.gntbe,,.1•e--

)!fl.BANKS A tr-1alper:!.od? l don•~ th.ink

MARY ?<lPPl:iS I'll give ;rouone week. I shoul:1l<;no1< oy then.

)Ill.3MOCS (eomple:ely ,~~rled) You snould know-?

Mar;, Poppins folds up t~.ead·,er:1sem@"t, ;,ops!t 1n h1t:-ba;,: and snaps it shu,:.

She tu:-r.son he:-heel and wal,Csthrough tlledoor,

126 GU.lSE

on Jll:r.Banks. H.!.!tace1• a ptc~ure ot f!'Ust:,at1on.

)Ill,]lA/fKS

127 IN':'.3AJIKS'l!OtlSE-llALL

'''

)laryPoppins walks to :ooe o: stairs - looks up.

aER VIEW

Michael and Jane loold.ngdown througn the :'ailing, of the ftrst :1oor :and.1Cl.g.

Pr,,d.2162

(l•t Rev. 5/lli./63)

or Mary Poppins at the foot of the sta.iro,a.aahe

gracefull7

hopo onto the banniater, adJusttng her oa.rpetOa.g

and wo.Orel:a

in her hand.

CLOSE ON JANE AND M:IcaAEL

peeldng throug.'ltl',eratl!ngs,a loo;;of pu::lement on their face•.

~29-E ':'l!E!RVInl

of Mary Poppins as ohe otarts to sl1de U? the bannister to the landing where the ch:l.l~n a=.

129-C CUlSE ON JANE AND MICRA.EL ,,,

who stare through the ratllngs, tra.nofl.:<ed.

129-!l THEIR VIEW ,,,

of J1a:r,-Poppinsa.a!he oonttnuas on up the Oann:!.oter, nearing the lan<Ung.

,,, MEil.CLOSE - JANE I.NDMICRAZI.

ao they pull awey !r010 the Oannlater !n ewe, hUddling together a.gUnst the land!ng wall.

130·

huddling agaJ.nstthe wall, as Mary Poppins SLI!lSS Ili'l'O SCENE on the cann.1,ter.

MARY l'llPPINS (looking down at the oh1ld=n, sternly) Close yol.li'"mouth,Michael. You are not_a ood!iSh!

She h<>)lsoff the banr.J.ster.

131-A CUlSE ON J"ANE AND MICHAEL

The child=n are too surprl.oedto say an:;th1ng. !Ucha.el closes h.1smouth, Cut Ooth oh1ldren oonti:iuato ota.re~• Mar:;Poppins passes in front or them.

P:00<1.2162

35-• (lat ,lev.5/14/63)

13"2

14aryPopJ):!.napasoeainfr<>nt or tileoh:1.ld:-en,a•they otand otar1ng at ner.

~e crl1ld,-entu:-n:·o.lookatner.

l'!AXY:'OPP!lfS E-aot ~oot :orwar<i! Spit spot!

AlJnootagaiast the:!.,-o""will,they turn an<!march off obediently, up the stai,-oto the nursery on the t<>pfloor.

133-

Mr. Banl<ois crouching at the fl:-eplace,peering IIJ)U,.to the chimney agu,,, as Jlltos.Bank!comeaINTO the room.

George!

Mr. Banks involuntarily raiaea hi• heed, a...,_<1bangs:!.t against the bricks agaia.

l!RS.BANKS What on eertll are you doing? I thought you wen 1.nterv1ew:1agnannies?

l!RS•BA!IKS You mean, you selected one already?

Yeo, yes. It'•"'·all~over.

l!RS.BA!aS lolell-where 15 she?

(CO!f,L'l.11OED)

Prod. 2l62

;6 (~st '!•v.6/13/5°'

13:3-136 COIF.INUED

Ml\.BANKS 1/heroe• Oh. t!pota1r•1n tile nuroery. Of couroe. I put lierotralghtaway to work.

lowcl~ver or--=you,George. (t,icJd.nghera...-m coo1ly in hlo) I'd have muddled tl,e,,,i,olethlni;. Tell Ole - 1• she everytl11ngwe hoped !he'd l>e'

Ml\.3ANKS (dimly) Well lt all happened •o qutckly. ' ..

l!I\S•BANKS (quoting her huol>and) I• she flrm? Will ohe gt,,.,cmomands? Will •he mould our young l>reed?

'Ir.Banks ota:-eoat her and h.1!race beg-1n•to lighten --

1!1\.BANKS You know, lc:L-.t.::~c:'rth.lnl<shew:l.ll! (ne smiles) Yesi i:la-!:!!_!Ith.ink she~!

In that case,--=perhapsyou'd better tell Ellen to di•inl•• the others.

ElJEN (eppear:!.ngab1t too qUlcltly) Si:-?

l!I\.BANKS Tell ttleoener applicants they may go. The position t:iasbeenfilled.

(blankly) The others, str?

(CONTI!flJl,D)

(1st Rev. 5/l4/6;f

l33-l36 CO!l'l'INl.lED-2

Ellen ocUl'T:ie•to ~he doer. ,,, CLOSER SHOT - OVER ,,..,l""N•S•SHOUI.D£FI ,,,

Aa she opens the door-, no one ta on the f,-ontwall<, save for And:-ew,the omall, seated deg-,who locit:,up ouricusl)I". ,,, REVERSE ,,,

to Ellen. She looks out, says to the dog -

EIT:rN The position has been filled.

,,, CLOS£FI ,,,

Th• dog t,.,_-nsandgoes.

El,IEll ,,,

Olosea the door. ,,, IN THE NllRSE!IY ,,,

Mar,-Poppins 1a standing 111the center of the ro0&, looking around witl'laortt1oal eye. The Nom 1a 1n diaan-ay. Toya and clothes Srftlittered about.

,_ (apologetioall)I") I'm afr"-ldthe nursery's not very tiiiy,

l!AllYPOPPINS It 1a rather like a bear pit, ian•t it?

Jane iruil.cateaanother,""'aller roQlll,adJo1n.1r11Jthenursery and leads the way.

l'!Ic;!!AEI (indicatlng carpetbag) That•a a tunrzy-sortof bag.

/QJIYPOPPINS Cari,et.

(CO!hINOEll)

?:'od.2152

(1st llev.5/14/63)

CON'l'INUED

To ear:-:,carpets"""'"'"in,youmean'

A• they go th..-ougha pair or double doors -

~s is yoUI'r<lOIO.'""Ithasa lovely v1ew of tha Park.

Mary Popp1..-i.apu:•herbag and umbMtlla down, ""<IlOOlt! ar<,u,,<I.

-JU.RYPOPPilfS (!UM"eying the r<lo:m)

,,, !ED. C:.OSE- IIICRAEt. ,,,

as he reaches out to touch llary Peppin• UlOb"lla. CAXE!!A il!OVESIN CLOSER ON the parrot •ahead handle, and we see the pa.-r-ot'•eyes •= oloeed.

142-

ae llichael'shand oomes Il/TOSCENE to touch the parrot's head. The parr<>t suddanl7 opens h.10 eyes, and thrm<s a warning glance 1n l!ichael••direot1on. 1!1eha•lqU1okfy draws back hi• hand. During above •

(o.s,) I'm afr!lid the ro0lllisrather pla.in -

;.112-B CLO.SEON !UCJ!AEL

142-:

aa he =•eta in amazement to the parrot's l::aad.

Jl!ARYPOPPINS (0 •••) On the contrary. It'• quite SU1table.

,,, ED. CI.Os.E-MAR'!POPPINS ,,,

She r!t1110veaherhatas she continues to look abou,: the room,

Prod, 2162

(lat Rev.

WIDER I.NOLE - l'!ARYPOPPDISROOM

JllaryPoppins wall<:!tothe table Where !he has placed her carpetbag, The cn.1ldrenotand "atcn1..,gher, l<Cnder1ngly.

3he open• the carpetbag, and betore .:aneand Michael'• aaton.1anedeyes, ;,ull•out a ha~r-ack.

/!!ARYl'OPPilfS (pulling out the hatraok} I always say the pr<:>perplaceto hang a hat 1a on a r.atrac1<.

Aa Macy l'opp1ns1110vesOUT of SCENE to place the hatraol< 1..,acorner, Jane and Micheel lean forward anx:i.ousl:7and 1001<in•ide the carpet;,ag, onl)I'tofind it empt)I'. Michael p1ok!Iup the bas and turns it upoide down.

IIE:O.CLOSE-MARY POPPINS

She hang• up her hat and scarf en the hatrack, and then turns to look :1.:ntoa.smallmirror hangin11:enthe wall.

MARY XlPl'IlfS (loclcing1n the lllir:-cr) Oh, thia w:tllnever do --

WIDER ANGLE - GROUP SRCll'

ao Jl!BryPopp:1t\agoeaback to the carpetbag

I JaUChprefer seetns all !11)1'race at the Oal!IBtime.

Aa the Children wat~h, aha lift• :he bag over clooer t<> her and re1110veoalarge, gilt-edged m,.,..,r.

CLOSE 011 J/lJmAND i'!IC!!All

i'IICRAEL (in aoton!•lum!ntto Jane) But ther,,waa no~hi-"Sin it!

146-B MED. CLOSE -MARY POPl'INS

146-:

She haa hung the ot1r:-crovertha ehe•t or drawers, and 19 touching at he:,,tia:tr-a,shelooks a~ her r,,flectionappr,,eiatl'tely

(CONTINU2!l)

P:-od.2162

(1st ilav.5/lli./63)"'

146-B CONTINUED

ll:.6-G :r.oSE011JI.NEAND MICHAEL

at :hey stare at Mary Poppins, dwobfounded.

_., WIDD ANIJU:- GROUP SRO:-

..''•-,

)far:,Popp!nshao moved bacl< :o the table and her carpetbag. Aa .;anelooks an, !Uchael crawls under the table to exami.ne :he under•1de of it. During th.lsMary Poppins reaches into i:hecarpetbag and :-emoves a large rubber plant. She carries it out ot scene as Jane and "1chael watch.

JIIED.CLOSE - JANE AND i'IICRAEL

Uchael ts still under the table, and he and Jane look atter Mary Poppins with a•to,Uolllnent.

l!l-7-B !!E:l.CLOSE - Jl!AlttPOPPM

lll-7-

as ahe places the rubber plant near the window, and stands back to !tud7 it critically.

Jl!Altt?c!P?IIIS P..cmmn.A little 111<>relightpe:-hapa.

,,, WIDER ANGLE - GROUP SHCT ,,,

as Mary Poppins moves back to the carpetbag, and removes a liM.ted :leer lo.mp,which she carries over near theerubber ,>lint. Michael COJReaout tr<,,.underthe table, and Jotns Jane.

148-A CLOSE ON J,\NE AlfDMIC1!AEL

(ast'tl.e--toIUchael) She 's-ndertul !

~= (unconvtnced) I don't know - She'• tricky --

lll-8-B CLOSE ON Jl!AlttPOPP!NS

148-l

as she puto the lamp down nsar the r-~l>l>erplant.

P'r<>d.2162

(lot Re·,.5/14/63) "'

WIO.ERA.>;GI.2-QROtlPSHOT ,,,

M!U7 Popp1ns reacheo 1nto her carpetbag aga.1n, •earol!.!ngfo:- somethJ,..ng,aslllcllaelonceagaingoes under tile table.

149-A CLOSE ON l'!AAYPOPPINS

149-

as she !\oldsup the coiled tape measure.

l'!Al'.YPOPPINS Now, stand ove:,!l!ere..•

149-B t«D. CLOSE - J= AND MICHAEL

Jane does wl!atMary-Poppins asks will.in~. l!ichael s,-udg.lnglygoes to stand next to l!la s1stei',as l'!l!.ry-Poppins comes over to measure them.

MAR1 POPPilfS Head up, l'll.chael.Don'tslouch.

JllaryPoppinsmeasures Mlchael fr-oahead to toe.

149-C l!RD.CLOSE - 1W!Y POPPINS

as she i'eadsoft the tape. The cl!lldren atand watching her.

'!ARYPOPPINS Just aa I thought•..extremely stubborn and.auspicious.

149-0 IIEVEl!Sl';SHOT-IIICHAELAND JANE

149-l

l'll.ohaellooksindlgnantl:,at the measuring tape in 11aryP0pp1r.s•har.da.

Ia.inot!

Mary Pappiru,thrusts the tape under Mlchael'a noae.

KPJcr POPPINS See for :,our•alf.

P:'1:ld.2162

1'.2 (1st llev,5/14/63)

llSERT - Tl!EMEASURING TAPE

l -J·

wl>ich read, "EXTREXE:I,ySTUEBOIINAND SUSPIC!OUS \"

~ra"' (reading "1th d1tf1oulty Q,o.) Extrelllel;rstub-stubborn"-I:dauo,,•.

150 MED. cr.osz - JANE AND MICl!AEI.

Mary Poppins move• around Jane, WhQ 1a g!ggling a: Michael's reaction. She leans :!ownand meaaurea Jane from head to toe, "nd ::-eadofrom the tape.

Jl!iohaelatartato laugh, enjoying Jane's embarraoament.

150-A INSERT - TH!i:KEASID!INGTAPE

150-,

which reads "RATHER INCLINml TO GIOOLE! DOESN'T PUT THINGS AVAY".

150-B CLOSE ON JA111!ANDMICHAEL

150-1

as they look up at Jl!aryPcppt.na,o.•. Jl!1ohaelaaka crtt1cally -

~= (to !llaryPopptll.o) How about you?

CI.CSEON MARY POPPINS ,,,

aa •he holds out the end of the tape to Michael.

K= POPPINS Very -11. Hold thia tor me,

151-A WIDEiiA11'GLE-JAIi!!AND MJ:CIUEL

151-A

•• they alt on the t1o<>rat Mary Poppins• feet. Jl!1ohae1 holds the t"pe measure to Mary Poppins' toe. CAMERA PANS tlP\IARD aa Jane follow,,the other en<Ior the tape ""'""""", which Mary Pcppt.n~holda to the top of hsr <»<I),heed.CAMERA l'!OVESIN CLOSE on ltaryPoppt.nsaa aha t&it~~the tape meaaur<> a.mlreada 1t

l'IAfl:rPOPPIHS (loold.ngat tape meaBure) Just aa I thought --

Prod. 2162

(1st Rev.

151-B DISERT • !'IEASORINGTAPE

whl<m ~ado "MAR? POPPINS, !'RACTICAU.Y !'IDU>!;:C'!'INEOE!\:!WA.Yff.

151-C C:.OSE• JAliE AND MICHAEL

Mary Peppin,? '""I•that your n4!Dlt? It's lo,,.ely.

151-0 CLOSE ON llARYPOl'l'INS

151- llARY POl'PINS ThanJc:fOU, I've alwayo liked it, (conoulto her lapel watch) Now then, shall ,...get on "1th it?

,,, WIDER ANOLE - GROUP SHO'l'

,,,

Mary l'oppino, follo.,.dby the ohilc1r•n, wallcsbaok to the table and takes an apron rroii,thegroup or things she haa ~ed from her carpetbag.

MARY POP!'!NS In your advert1•e..,nt, )'Ou'11d,did you not, speotfically request 1 l'l~ Oamea'?

llARY!'OPPDIS (putting on tile apron) Very well•. OUr firs!: game 1• called.- 'Well begun 1a half done'.

~= (auop1oiously) I don't like the SOW"Jdof it.

llARYPOl'PINS (a, she moves towai"d. the nursery) otherwise ent1tl"'1,'Let'• tl.dyup the nursery t•

F:,o,;.2162

~2-l (l•t Rev. 5/14/63)

152-A CI.OSEOH .TAu:;:AllD/l!IC!lAEl,

153 Cl.CSE OH !ORY POPPINS

1;3

as •he tc.rnsto loolc;at:he children, Oefore entering nur•er:,.

1"RY POPP!HS Indee<1?

CI.CSEOH JANE AND MICl'.AEL ,,,

,- It lo a game, 1on•t it, Mary Popplno?

155 k"Ill!l:RA.NOl.2-GROUPSRO'!'

ao Ma:<7Poppins •tando looking down at the ohildran. '''

156-159 I'.fTHEHURS~

156-11

as Mar:,Poppins coo,eoIN, ;:,1clUngupan O<>eaoional ohoe, rubbing a r1nger a~cmg the edge of the rurnttura to deter,ninethe amoun,;:of accU!Wlated dust.

l!icM.el and Jane have stopped at the door to watch. l!ichael 1• ocorn!'Ul -

(opoken)"'""" Fun? I/here••the !'un•

III= I don't belie~e it.

(CON'!'l.1'10.e:D)

-----·--

1~6-l MAR'! ?CPPlNS (singing) l.r:devecytask we under~al<e 3ecomeo a ;,ie:e of cake A lark - a o;,ree It's ver-J::ear ~o see --

':'hataspoonful or suga,- 11elpsthe l!le,Ucinegodown :M medlci::ego down-own J,\e<:tclnego:own Just • spoor.fo.ilorsugar lelps the med1c1r.ego down ~ a moot <ie11j-htful"al' (spoken Sturry 1:1.here--

She goes to the >n.ndow and th::-owsitopen, loo1<1ngout --

160 l!E'IERSE

,,,

on Ma:-yPoppins. ASOUND er a..-oblno.s.

of • :'Obin and his mate Ousr ·.:1thnest ])uilding-- '''

The male r-<>hinflies OUT of SCEllEtowa::-dMary Pop;,1ns--

:62-165 MARY ?OPPINS

162-16;

reaches down our op SCENE an<!hr:!.ngsthe::-ObinINTO SCENE, perche<i"n her tinger. The r-<>hlnwhistlesan INTRO an<! OBJ.,IGATOasMacy Poppins sin6• the ohorus.

(CONTINO£D)

,,- •Ca - ~----

MAAY ?CPPINS (sing!ng) ?or a spoonful or·sugar clelpsthe med1:1ne go do..,,-, The medi:tr.e go :own-own Me<'.:.!c1nego<lOwn

Helps Cl:1eotedicir,egodown n a lll¢s;;del!;,ntful·•ay

':'hernl:!ngoesOa:k OU';'to :~::i!sll.~!•nest,andllat"J:'oppins :lo••• the ••tr.dow,

i'!aryPoppinsturns :o he,:,:ask in the nurser,,-.'01tl>a snap of her f1nge:-s,Piles ot clothing leap oft the floor, folding t11e1uel•1es~n ,aid-air,placing the,.sel·,esinMa,-y'shands. Bu:oe~u ar.d d:-esserdra>1ersopen to receive th.em. Weacy-looking an1!0.lil.s and dolls •tra1~:en up. Jlll.chaelandJane look on, Wicle-eyad.

Jene wanes to help. ~lls and l:ooksleap from their scattered place, into b.erarms.

MICHA.<o"'L (fiercely, in a low tone, to Jane) You can't play: You're not a p:-ac:ically;,erfec:person!

JAITT: I don•: care!

mchael h"s1taees a.lll0Jnent,thencan't stand it any longe:-. He ~oins the Tidying-Up Ga..<neandi.s•11rtuallyburied under the toys ar,d clothes that leap at him,

1E6 MARY POP?INS

watches the children a: work, then .~evestoward her own room, :'"moving the star:hed apron as she c!oes --

:v.RYP<JP?L'IS E.,.ensuch Prac:1:all:rPerfect Persona as - (•1nsing) The noneybee, that :etch t!l.enectar '!'omtheflowers to the comb Never tire of ev~r l:uzztng '::'oandfro,

IN MARY ?CPP!NS • P.OCM

Sl,e•tando Oe~ore he:-m:L:-:-or:uc~:1.gas-orantof .'la!:-o:-~'-"'O i:1.place,!nten-oon her refleo,oion. In one o.g., M:l.:c.aeland Jane ire SC\.:r::"/inga::-ou.'ldthenurse::";,clean!ng~l>-

MARY POP:'L'iS (Si:>ging) 9ecau,e :hey :<Me a littl• ~ip -

)!ary Poppins and her reflection sing the next line together.

IIIARYPOP?!NS I.ND !ERREFLECTION (sir.g1ng) And hence '!.'heyfind Their task is not a grind -

)la,-yPoppins begins to WHISTLE, putt1:ig on her hat. She co,nes INTO the nu::-ser:;.

170-1~0 IN TIE NURSERY

170-19<

Me:-:,Poppinspicks up the Children'• hat and coa1:s. She glances a,:her lapel watch.

'•"1thherumbrella, Mary Poppina TA?S OUT t!me, plok!.ng up the T:C:,U,Oofthemusic.

No", the nurse,-yfairly hums with the S?EEDCJ-U? act1v1i;y. Shoes spring up, asserting and ::-eaosorting,ma:::-chinginto closets, - the bed makes 1tselr, the bureau t11!es itself up at a starn glance from Mliry-Poppins. Toya race into thei,- proper places, and there ts a final frenzied Ours;:or aetivit7. l!&ryPoppins turns All/,.Y-'Out.:here10 a secondary frenzy of OIOVements•• tha toys, b<>r0au dr&wars, doo,..,kce,epopening an<! •hutting, reluctant to i;tvaup the game. Mary Poppins :urno, "atehl.ngit all aaug.'ltJ.lytor.amo01ent. Everyt.'llngsubsides wider her gaz~.

(COIITINUEO)

Prod. 2162

(1st l\ev.5/14/63)"'

lT:l-190 CONTlnm:Il :ro~t!

(e:,;uberant) "'"'"' Let'• do that aga1n!

He pick>!up an &rlltl.osdottoys and :I.aaboutto hurl them tack onto the floor.

i1!ARYP<lPPINS (conoult1ng her lapel watch) T!:tatwlllbe surr1c:1.ent,th.onlcyou. It 1• time for our outing in th" Park.

r i:!on'twantru,"'"""out:l.ng\Iwantto tidy up the nursery aga1n\

The toys wriggle out ot hi• sr:n.,andhack onto the shelves.

(calmly) Hat• and coata, please. Spit opot! Spit apotl orr we go!

190-A I/IDERWG!..E- GI\OUPSHor

190-A

CAMERA PANS \iITlithem as Mary Poppina leads the way to th" door, with th" oh!ld~n rosrch1ng behind her, haat:1.lyputt:l.ng on their hata ruidcoats.

As Mary Poppins goea OUT the door, CA!'!ERAMOVESIN CLOSER on Jane and Jlliohaelasthey hurry ~ter her.

,,, £XT. SECOND FLOOR LANDDfO

n1..,,1• dusting the balustrade. She looks up •• ohe !EARSthe o.s. singing.

46-; (lat Rev. 5/14/63)

J.91-A

of Mar;rPoppins ancl the Children, as they come slidl.ng do><nthe banru.ster.

JANE AND Jl!ICHAEL (s1ngl.ng) Juat a spoonful of sugar •

l9l-!l

191-

on lllen, as •he stands watchliii;;the111,clW!lbfou.nded.

JANE Allll·MICEAEI. (al.ni;;ingo •a. ) E:elpathe medioine go clown In a most delightful way -

191-C

~llen otarub baok aa l!ar;rPoppina,Jane and Michael Slide PJ\.STheron the bannloter. Jana turno to ·s11111eatEllen,

191-D CLOSE 011EI•FY,,

191-1

aa ahe watehea the111continue on clownthe bannl.ater,

191-E iiERVIZW-• DOW SHOT

191-.1

or Mar;rPeppin• and the Childr~n, all.dingdown toward the front door.

191-Ji'

· 191-P

on Ellen aa ahe atares wide-eyed at the group.

192 EEi! VIE',/-DOW!!SHOT

,,,

or !lle.r;rPoppinsandthe ohil:iren aa they deharlcgracefully. Led by Mary Poppino, they 111archtoward the fr<>ntdoor, which O!'mm by ttaelf, lfithouta pause, Mary Poppt11sgoes OUT the door. The ohild:-enturn to.wa'le at ?J.len,then follow Kar;r Popptno OUT th& deer, aa it CLOSES by itself behind them.

1!ED.CLOSE - EIIF:/l ,,,

stancl.1ngon the land.tng. She l<>clcsatthe baluatracle,then g~tting an 1clea, olin:baaboard tt anclatarts _to otng.

EIJE>r (atng1ng) Just a apocnful or sugar •

p,-od.2162

46-3 (l•t Rev. 5/14/631

194 R...~.SESECT - M!'.S.ll1UL1.

:;11

wl!<>Ila•~ustcome INTO the rr-onthall. SIie looks up 1n aston1sl'.mentatEllen.

(•ir.ging=o·•.) •;::ps:he :r1edic!nego down -

or Ellen, as sl!e•11:le• down tilebannis~er to tilefront hall, •1ng1ni.._.,ddusting as •he goes,

::r•ON (o1ng:uig) Jl!edicinegodown-own

:'!E'VERSEANDCLOSE

on M,,s,Erill, who react, 1n horror a• Bha watcl!esEllen•a '" descent.

...,.,tEN (singing o.,.) lled:iclnegodo>l?l-

296-A

or Ellen as ah& hits the bottom at rull opeed. SIie comes orr ,tagger1ng •l1gl!tl7,regain• her balance and d:mces past the aston.ishede7es of /!rs.:Brill, !l1ck1ng an Lmag.1nar:,l>ltot dust off her a• ohe go•• l,7,=~ slUTOP SCfilli:,

(oingtng) In a most delightf'->lwa7-

DISSOLVE

,, (lot Re,,,5/13/6'!)

''' CRANE MOVING DOWN

A carriage pao,eo Tl!ROUGHSCENE in f.g. A half-<!o~enor oo portrUto and landocapea have been done ~n colored chalk on the sidewalk near :he park wall. The oubJecta include var~ou•lr - "?unting on the Thueo', "Heru-:,'J'III", "A Still 11:e", A Country Circus" and other t!me-worn CN>wd-plaaoero. A placard nearby otatea '"°destly,"All My o.m w<lrk". A few pas,eroby atop to look at the pict=es, and then continue on their way.

1'1:eai~ewalk a1"t1•t1• 3ert, whom we !llet!n the openi"g scene ao a one-inan Oa.'1.d.CA.l!ERAMOVESOPBEHIND Sert, revealing h.1m atwork on a lovely ocene of pastoral E:ngland. ':'hebright, fresh ooloro atand out atron,i;l:, agatnst the •urround:l.ngs.

~~ (stng.1ng) Chll, thlm-tn-ey ChiJO,Ch11!1-in-ey Ch:l.io,chl.moher-oo I cl.oeowhatr l:!.ke• i\ndI 11kea what I do (he turna Sllghtl:11'. loold.ng coward CAMERA) 'TJllo,art lovera!

MED. CLOSE - BERT ,,,

li'itl>bitsof chalk f1ttecl.tothe ead of an e,:tens1on stlelc, Bert moves around eo.sily ancl.e,:taeberantl7,SHAllIIIG, defin:l.ng,artf'llllyLmprovingeach picture with a praotiaecl. l>and.

(oi:,ging)'"" Toda1 I'm o.oereever And as you can oee A •c=e,,er's an artist or '1gheot degree -

198-A Ml'l>.CLOSE -TSE CHALK DRAI/INGS

198-,

(oinging'""o·•.) And it's 0.11me own wcrk From me cwn memory --

'rod.216~

,a (lot Rov. 5/!3/631

198-E ~OSE ON :3EIIT

:;;9E

(op..alcing)""' Not Rcya.lAcadeory, I •uppoae - Still they're better than a f1ngar in th" eye, ain't :hey?

'OIDER ANGLE - EERT

l99

a, he dance• f:-,,,.por~ra1ttoportrUt, ualng the exten•!on ot1ck to :ouch-up and Lmprove them.

~~ (oing1ng) Ch.tm,ch.tm-in-ey Ch.tm,eh1.m-in--ey Chim, chi!O-cheroo I drawers ....,tIlikea And. I likea W<>tI d.r,ow-

,oo MEl:I,CLOSE -EERT

,oo

ao he geto down on h1o kn"••· Putting th" axtena1oti ,tick aaide, he oalecta a rew colored chall<llfrom a pile, and quickly draws another picture.

(singing)= No ntmuneration Doe• I aak ot 7""

or a copper or two ••

,o,

~Cl

of the picture Bert hao Juot completed. Sa places Ma cap 1n the m1ddle or the picture, ><h1chha• a banner running ac:-oaathe top reading, •JI.I,LCOll'l'RI!lllTIOll'S,IEI,COME".

(!l.nglng""'O•••) liecap would be glad or a c<lppercl"'two --

,o, DOW!fs;JCI!'-SithvOE'l"I-"-'>

'''

or lllaryPoppins and the child.r,,n,aathey appaa:-on the pavesent.

(o1ng1.ng=o.o.) Ch.tm cti1.m-1n-ey Cn1.m ctll.m-tn-ey-

(CONTJ::i'UED)

P:-od. 2162

·o (lat Rev. 5/13/63! -

CONTDIUEP, ,,,

Ao Mary l'opp!na' o1lhouett& appearo over the portrait on whioh Bert 15 worlc:1ng--

(opokan) - Wait! 'Old it! Stay rig.'l.t wtiare you are!

202-A INSERT - KARY POPPINS' S!I.HOIJZ'!'l'?

ao Bert'a hand trace• around !t.

{o.a.) I'd know that silhouette anywhere!

(loold.ngup) "" llaryPopp1n1!

,,, GROUl'SHOT - Jl!I\RYPOPPINS,BERT AND THE Cl!II.DREll

''' KARY l'Ol'l'INS It's ~ce to see you again, Bert. I e:,.pectyou11:r!owJaneand 111ehael.

Well, I've aean-them 'er" and about - chaa1n• a k:1telast tl.mtt, weren't 1t?

Jane =cl.Michael respond w.l.tnasmall eu.-tay=cl.bow,

204-A CLOSE - JANE AHD MICHi.EL

204-

,- . llary PoP'l'ina1•tald.ngus to the Park.

204-B CLOSE ON BERT

To the Park:? Not if I know "" Jl!aryPoppins! other nanntea take c:hildrento parl<ll...•

a, (1st l\ev. 5/13/6§"

2G4-C C!.OSEON CHILDR3:N

•• they ,-eact to Be,-t'swards.

( 0••.) "'' But "hen :,ou'rew1th Mary Poppins •• Uddenl:,t -- you1re 1n place! you :'.!everd,-e..,.edo~-andqu.1ck a,you can say, 'Bo"o's:ro= uncle!' - the meat ur,uaual tt~ngs beg:l.nto 'appenI

c:;:.;;5EONJV.."YPOPPINS

20l:-l

,05 GROG' SHO':'-=, MARY POPPINS ANO THE CJULlll'.EN

ao;

Jo!:l.ndyou,1t's"''notll1'Jplo.eeto conJecture, but what she Pr<:>bably 'as 1n !Und is a Jolly 'ollday somewhere or other, (leading the chlldren over to the drawings) Something along Chese lir.es,~ shouldn't 1>e•=r1sec1 --

As the children look down at the clraw1ngo,Bert s.tntles at ~ary Poppina.

206 DISEIE

or the chalk draWing, 'Punting on t?'.:eThames",

(o.s.) - Punting on the Thames •• that'$ always good, 1r you like outings.

,o,

with hi• drawing stick, Bert mime• the fella>< polln,g the boat in the draw::l.ngforthe ectterta!r.mentof the Ch1ld,-en. He pretend~ the pole becomes stuck in the mud, cla..~erson 1: and fall•. The Chlld:-en !augh.

(ela.mi,e,-tr.g•=onthepole) ru.ver••a hit ~tloky today --

Prod. 2162

(1st Rev. 5/:3/63)

208 CLOSE CN MARY ?OPP!NS

:,,,_'fr (lnd!ca~ing drawing) The C1roua! 'Cwabout a level:,ctrcua? Liona and tlge::,s!--

,,, INSERT ,,o

A chalk drawing of a •Mall country circus, I<man on a

-, (0•••) World frucouaartistes, performing death-<iefy!ng feato of d«,:tertty and •ldll before your ve<7 eyes!

21!

111mclc1ngthe action of the p!cture, S..rtpretend.ato ride a =cycle for the benefit of the a:nus"dbo:,.

212 CLOSE ON MARY POPPINS ,,,

who leeks on, disapprovingly.

,,, CLOSE ON JANE ,,;

as •he look,!Idownat one of the other chalk dra..1ngs,

,_ Oh - that's lovely! If ycu Pleaae, l'd lllUChratl:erge there --

(CONTINUEil)

?r-<>d.2162

~. {lat Rev. 5/13/f '

213 CONT!NUED

:3eI"tandMichael come up behind Jane to 1001<over her '' ahoulder at i:hedraw<..ng.

-, :3eaut1!'.l.!,Un•~!:?

IMS:'.'l'~

of the paator~l drawing --

( 0 •s. ) A typical Engliah country-aide, aa done by a true and lovin' 'and. Wot•s mor ..,tho you ""-"'t,.,.,it, there' a a little country-ra1r down that road and over the hill.

21!

loold.ngdown at the Plcture.

(criticall:,-)"~= I don't aee an:,-r<>ad

llot? No road? -

2::.6 INSERT - THE DRAWDIG

as Bert'• ll'ANDcomeaINTO SCEN:E:,and deftl:,-aketchea a road down the center or the l'1ctur•.

(o.a.) One country-"""d - aUltable tor trav,.l and '1gh adventure!

217 IJROUPSHOT •!!ERT, IWcr POPPINS A!i'.DTHEC!!ILDRE:N

,,,

Jane and Jl!iohaelare clamoring and bounding a~out lbry- Popplns.

Jllaywe go,Mar;y"=l'Ol'l'J.na?Please! May we?

( COlfTilfUW)

(lat Rav. 5/13/63f

,,,

21' ,_

It's such a lovely Place. Don't 7ou th1.nk 1t'• lovel:;r,l'!a:ryPoppin•?

217-A &!IT IJIDTHE CIII!.DREN

". ·-

No"'" the ~!me,""'Macy:!'opp1ns! No one'• loold.ng!

l{!CB'.A£LAflDJANE Plaa,e, Mary Peppin•. Plaa,e!

CLOSE Ol!10..'<YPOPPINS ,, '''

Jl!ARYPOPPIKS I have no intention of IIU!ld.nga spaetacle of m;ysalf, thanltyou.

,,, CLOSE CH &RT AND THE Cl!Il.DREll

21s

(oonapiratoriallj ,, "" Jane and Jllichaal Th•o:1I 111doit m;irself,

~= Do wltat?

u~ (...._tohingtheact:ton to "Me ""r<I•) llitof "18.gie.It's ea,,--,_r! 'You W1nl(- 'You think - 'You do a double hllnk --

,,,

He ta.J<estheir hands, and gets ready to Jump -

(clo•ing-hl• "7••l 'You olosa ;roureyea arul--

,,,

CAMERA Si!OOTIHGPRO!'!3El!IllD,ashOld.inghattda, they all .JumpUlto the chalk d.:-aw:ing--

(CO!fTnm::D)

Prod. 2162

(lotRev. 5/!3/6:ll '"

,,, COll'l"DIOED

~

They l:md 1n the lllidcU..orthe d::-aw1ng,butIO.UChtcBert'. surprioe, nothing happen,.

MED .CLOSE - 3EJITAND TSE CHILDREN ''' Jane and Jll:1:ho.elotandloo,:ing•upat Bert queotloni!lgly.

,- r. 0011t11th1ng,upposedtohapi;,en?

,,, CLOSE ON MARY POPPINS

MARY l'OPPDIS ''' (oever•l:r) Bert, what utter nonoenoel

,,, EERT, MARY POl'l'DISAlfllTHEClilLDRElf ,,,

Mary Poppina open• her Ullll>rella,andotap,over to where Bert and the C!lildren ,u-,.otancilngnextto the pastoral. ocene.

IE!).CI.CSE- OROIJPS!fO'l' ,,, ''" Mary Popp1na lloldaher UJDbrella over the group, ao the:, otand in front or the ch-anng.

,,; GROUP SHOT • wrn ANGLE ,,;

On the count or three, tha:,all leep up together, and IIITOthe chalk drawing.

MARY POPPINS

They :-apldl:,d11111.n.1oh111SIZE,landing-onthe Chalk road in the ch-awing, as a cloud of colored chalk goes up, IIIOlllentarilyobscuringtheirarrival.

Prod. 2162 cc

(~:1.dR~Y.6/l/5{)

''' ;cLLY HOL!DAY SEQUZNCE - 11:Ef'LACEDBYJll-1T!IRCIJll-228- (LIVE ACTION AND AJ!T..MATIONCOMl!Il!ED) '" --- '~"3;:

J""rl-lEXT. E:NGLI5HCOUNTRYSIDE - IIAHYPOPPINS, 3Ef\TAND ClULllREH

,J7I-l

A stJlized vero1on of the pastoral SCDIE - done 1n chalk tones and nues. As the ch.all<duotBettles, M.,ryPopi,insand • the otner• look at each other in delight and surprise, •• they stand in tne :n:!.ddleofaw:l.nding001.ntry"road.

i'!aryPop~ins,look1ng a ;:-eatdeal younger, 1• dreosed in the airiest o~ !'a->iuon.A large sweep1ng hat, "1th a lons cur!ine; feat~er, ,noes wit~ ~1amond bucltle,,f!ne wlUte gloves, and a silk umtr-•llaJaakeup an ensemble to dazzle the eye.

Bert too, 1• younger lootlrrg. He looks ,crubbed and •IUn!ng ln whlte flannels, red and green blazer, straw boater and cane·, 1'.ionaelend.Jane, aave fo:-the chalkyhue to their clothes, ~r• muon the sao,e.

Fr<>rno,s.come, the faintSOl!Nllof,aerry-go-row:,dMUSIC.

-'H-2 3ERT AND11AHYPOPPINS

m-,

(tu.--ning-toM.,ry) i'!a:-yPoppinslYou looI<l>•autifuli

You do, for rair! l..lketh•r1rat - day I me: ")'"OU.

m-,

MAR¥ POPPINS You look f~ne, too, Bert.

JH-4

a• he r•acts w:l.thPl~~•ure,tliold.ngthe br:l,..mofhlaboater.

m-s

,_ (loold.ngaround) Eve:-Y,:hl.ng'soolovely!

Jl!ICHAEt (to Sort) I thought you said there was a fair.

(ls:Rev. 5/2/63)

,- (~•1ng!l.1!oaneto point the way) So I dl.~. 1lownthe :-oad,and ove:, the h.!ll,remember?

:a.-,eCakes~<:~ael'• c.ar.d,andthey ,::arto~: 1~ the Q...,<:tion

Come on: hear:~• 11i,,atofromthe :nerry-50-:cound:

As they d.taappearove:r• hill -

JH-9

T~ll 'e!OBert=,ent )'OU!

JH-10 3!::RT!JOMARY POPPINS

JH-10

••they walk along the countryroad.

(,tng:.ng) - Aln't it a glo:etou•d~! P..l.gl).ta•amot"!lin'1nMay

JH-11

They a:rajoined by a b1:ed,wC,oflits Sally around them. Poppina look, on a• :sereflaps ht• !ll'IIIO1nl..mitat1onor

(sing!ng)= I ~eel like I could fly:

;H-12 3E.;r.'/JfDMARYPOPPINS- L::lNGERANGLE

JH-12

~• Eert •tars;,to watt •cp~ard,/1/BryPoppir.s...,aoti.e,forh.isooa~, Pctlling-himctown.

1'IARYPOPP!NS {op~kon) None of your :a,-l<.l.ngabout,~ow--

(CONTINUE:i)

,- (lot Rev. S/2/6;)

•a -..--

(s1ng1ng)= ~ave you evo:-seen

"~it!' (s~n~ng, ge•oure, ;,1thhl• o,ane) :'hegr••• so g:-esn• Or~ tlu•r olcy!

,,!-:-'~R'.!'ANDi'IARY?O??!NS- CLOSER ANGLE

(sing1ng)= Oh, it'• a Jolly '011day With 11-acy Mary makes your 'eart so light --

(opok<m) Haven't changed • Ott,have yeu?

:::.CSE:ONBERT

Jl!-11

(slr.gj.ng) - When the <lay1• gray one:!ord1nacy

Jl!-17 WIJER AHCU.E- BER'!'ANDKAXr POPPIHS

Jn-l~

a, they •troll along the path tlu-oughthe oountryoide.

(suiging) - Kacy -· the •= SMDtt Or1ght

'I.ARYPOPP!NS (spoken) o,, gj.veover, E,itrt--

(o<r,g1ng)= 'App1neos 1• Oloom1n• all a.round'er - The <iaffoltilsare"'111n' at the <love--

-----·---

(lst Rev. 5/2/63)

•••-Q "·'-•-

_,

(sl<>glng) W1lenMa:-y •o~d•your 'and You teel so g:-and-

... .~ "•"·-~ ~LCSE ON BERT

as .oe;,laoeor.ishand !n•1<l•~• coat over 0.1•h~a:rt,and jemon,crate, 1:, ;,alpatatlono. With hia cane he haa:s out c~.erc.yt:unonthe top or hi• boater, forcing it down ever ~1• "Y••

-, (singing) Your 'ear:starts beating Like • big brass Oand --

J~-2C ~LCSE ON MARY POPPTNS JH-2C

(opoken) L:.g.~t-headed,:nat'•>ll"l&t7ouare!

J:'i-21MARY POPPINS Alm l!l1Jl'.r

{olngj.ng) - Ol"l,!t's& Jolly 'Oliday with Kary No wonder that it'• ll!arythat..elove:

J:'i-22IIIDEJ!I\NG:...:E:-.MARYPOPPI?i'SARDBERT JH-2~

They have come to a otile ,epa.ratingthe lane t:-c,mao.me.11 far,oyar<I.Eert lifts ll!aryP<lppinaontothe •tile, and J..s POLL.:DOVER hillloelrbythe energy or hi• g•oture.

Jl!-23 :EEI\T/,JI!!AGROUPOPPARM AHD1AI.S

who gathpr a:-<>Wldtoadd their tr1butes to Mary Popp1ns.

ANnlAL AD-LIBS 'Ear! 'Earl -· Right y•aral

JH-24 MA.'lYPOPPINSAmi!!ERT JJ!-24

Ma:,,,rP~noinssits on the fence, watch1ns ODf)rcv1n~lyao Sert, using ~• cane as a baton, lead• the ona,a10 1n song.

JH·25 A LAf!llERA}!

,~ (al.ng!ng) Oh, !t's a Jolly 'Oliday rlth llary•

-----·---

F:,o<!.2162

(1st Rev. 5/2/63)

;R-26 WIDER A!IGLE- MARY POPPDIS, :SERT.o.Nl>Tl!IIE:1:LAMBS .;'!l-2 -- The lambs hound pa•t Macy Peppin• and .s,,r,;,

,_

(s1n~g) Ma:"y""'=• your •eart so ligl'!ti

He is jolne<lby a CO\/-

,~ (oln&lill;) i'!&cy~akesthe sun Shinebright --

J:~-28 A TR!O OF GEESE

JB-21

TRIO OF GE:ESE (olngtng) 'Applne•o1• bloOll!l..n'alla,..,undher•

The geese scatter •• a PIO 1ntrudoo to add lu• praises

,,, The datro<Ul• a:-es"'111ngat the dove Sno:-t: Snor.!

Bert help• Macy ?oppino down from the tente, and th~ 1nlm1l• all join in >n.thhill1toolltgtha oho?'Uo.

(atnging)- - """""' When 111u7'olds you::-'and You reel ao ;ranc1•• (aert lead• !'lar:,Pc,p~ino

•

through tho ta.rm;rU<IJ You'n 'cart atarto beating Ll,kaa big br••• hand --

JH-30 GROUP Sl!OT• DRAY l!ORSEAlfI)AlfDl1'LS

Uoing tuo hoof, the <U'q horse heato out the reyj:11111.on.a washtub hanging against the barn wall.

DRAY l!ORS:e: BangI Ba.ng! Bang! BangI

?rod. 2162

(lot Rev. 5/~/63)

"""!l-31GROUPSHOT - "1ARYPOPPINS, BERT AND AND!AI.S

•-·'

T:lean1...1.,inh.g. l<>okon•• i'!ar:,PoppinsandBert "alk through farmyard and CIJ'l'ofSC'ENJ!.

ANIMALS It=T (o1ngl.ng) It's a Jolly 'Oll.<l.aywithMary-- (HOLD ON GROUP SHOT or ANIM/.l.S01.ng.1."'S) No w<>nde:,-tll.atlt'•l!erytMtwe lovei

m-3

T11.e7a:,-ejustcoll'.l!.ni,tfil'~ugn.telegate.Sertclosesithell.ind 11.!.mandleans n1, cane against it. He takes~ Popp1na' ~•raool, and >11tha flou:-1ot-.,closes1:and l•an• it next to 11.1scane.

o7i-33 WUlER "-NGU:-3E~T AND 11A!!YPOP?INS

Jli-3,

E@rt takes Ma:-yPoppins• hand, and tll.eyd"-~Cethroughthe count:-yo1de, awoyfro,o the farmyard.

as they rise fr<>JII:heirplaceaga.tnstthe gat•, and float •~.roug.~theair in pursuit of l!a:-yPeppin•and Bel"t•

as they danoe tCl:t'oughthecounoryside,tollo>1edby the

Jl!-36 cr.osER- Hll!!TANDKAin'POPPIKS

•t~lling hand-in-hand thrOUih e grove of trees. A rlo~k of llird,fly overhead and.the roreot an111l&J.oeomeoutto ~et them.

J,i"-373J:.""RTAND11A!!YPOPPINS

They stop in a field or wild flower,. Sen pick• a bouquet and gallantly pttse,,t,1t to Mary Popp:Lno.

JH-38 CLOSE ON 1'IARYPOPPINS

J'll-30

a, she appreciatively ,m.iffathe flower•. Suddenly the ~lower• eo,neto life 1n her hands, ""'1att trano.!"ormed into a myriad of flying butterflleo.

,_-, ("st Rev. 5/2/63)

,,;.39 WID:;:F>.A.'IOU:-!!a.7\TAND1'IAJITPOPPINS

s::ool"ing:h:eoughtC.efore,,, followe~ O:,the ani.m.>lsand b~tcerflieo in ~.g.

The animals have followe~ ilertand !ole.ryPopp1nstoa pond ~."l•b!ce~tytwo turc:es. ::'llecanean~;,aeoasolfly1.nto sc•:.e.and ~:,-,ana Mary Popptr.,:-each~P t¢ graap them.

~ '" ~LCS;;l'[-3E!'.TllJ!D1'1ARYPC?P:rns -~---

JH-4;

,"E-42~EEP.T AN:)MA.'!YPOPPINS

JH--4;

A• te.e a'11.mal•lookon,Se:ot assistsMary Poppins o":o th~ Caok o~ one of thet<>rtle,.

JH-1:.3 OMIT'!::srl

tndfeet or 1'!aryPopptnoand Bert, a• :hey otep lt;;lltly onto :ne ~acks or the tu:-tlea.

,H.c.4 OMI'lT==il

•• they gltje acr<>oothe pond on the baeka of the turtl•~. I:1b.g. <he forest an1m.a.lswatonthe depart!ng f1gur*s.

::LOSEON D''tl'AND/!!ARYPOPPINS

eoh~ing l1ghtly on :ne backo of the tur:le,.

WIDER ANGLE - 3E:flTI.ND/!!ARYPOPPINS

ao :cl-.oy:-eachthehank. 30:-thelps Mary l'opp1na•• ohe alights from one t=<le•• back, and cums to thank tne tu.-tle.

KARY POPP!NS (to o.a. turtl•l ~&nk you, ve"l'm~cn.

,, (lst Rev. 5/2/63)

"•--

-~--,~-'•n

co !r.clude :hepond and :=tl••• Bert and Mar:;Poppins ss=d a: :he foe:or a SOlal:or!dgeWh!c.~ spar.sa otre.,.. Ma:-)'Poppinswaves goodtye :o >he :u:o:;les,ao:!er: offers he:--"'1•arC11.

C~~SER - = AND ~A?Y P0PP!NS

MAP.'!POPPINS (,tng!ng) Oh, 1:'• • Jolly ~ol!day with you, 3e-rt• Gentlemen l!ke you a:-ofew -

(spoken) A vant•h1ng Oroed, that's Ole.

JH-51 \i!DEANG~ - B£RT A.NDMA.,¥POPPINS

JJ!-51

•• they pause in tho !Uddle of the Cridge.

'lie~POPPINS {s1ni;ing) :'houghyou're just a diamonclin the rou;J,,!!eM • \!nde~ea:h your hlood 1a Olue.

• JJl-52

[spoken)""' Co1111110nknowledge,youmisht •~•

llAR:rPOPP!NS (sing1ng) You'd never thlnl<of pressing your advanta;e Porhearanoe 1! tho hallmark of your oreed, •

er.cs;;:ONoE:;tT

JH-53

(spoken)-- ,~.

Prod. 2162

C:LOS:E:-MIUrlPOPPINSI.ND:BERT

MA.U"POPPINS l•!ng1ng) A lady needn't fear When you are near 7our •weet gentility 10 tryst~l tlea:r--

R::FL.',::":"!~lfSHCT-:9E..~A./ID!'!ARYPOPPINS

~A.~ P~PP:NS' '!EF'..tCTION (s!ni,l.ng) Oh, 1t'O a Jol!y HOli<laywitn you, :S,,,-t A Jol:y Jolly Holi<laywith you.

A ,wan an~ her oygr,etoglide t:,.-~•oene,dioturl>ingthe reflection, wr.1~hdiooolves in their wake.

wrn:,;I\NCiLl:-3,,,.AND1tARYPOPPINS

•• they otep from the hr!dge and approach a charming tea pavilion.

•n-,,"'--!Ell":!.NDl'IARYPOPPINS

JH-57

T,i.eyhaveentenod the tea pavilion, and B<irtbows Mary- Poppins i.r=d!y to a tiihl•. A hatracltotando 1n l>.g,

••he tttt'tlsandtoo,e,hi•hooter towardthe o.o. hatrack.

JH-59 'I'HEKA.TRACK

JH-59

Bert's hat, ca.neandllar-yPoppino'paraool fly into ocene, and !ind their p:-operplace• on thftrack.

Jll-60 CLOSE 011BEIi'?

oeated at the :cahle. LO!>l<!ng0ftto a door in b.g., h• elapo h1a handa.

(calling)""' ~aiteri Service, please!

The door 1n h.g. aw1.ngsopen, and waddling out at hig.~apeed come four PENOUIHS,

P:md. 2162 ,,

(l•t Rev. 5/2/63)

They are d.ressad1n wa1ter•• garb, ><1thnapld.n•over ;ho1:- &l'lll8,andarthearing water glaaae,, napk!na a.ndo,enu,. They ruan forwlU'dto •~e th•1:-o. •.ouot0.111er•.

Jl!-62

JE-6"2

~• ponguina ,cuttle around :ne tahle,placing a clean cloth over 1:, ••tting down a vase of flowers and water gJ.aoaea.

Jll-63 &RT, KA.'!YPOPPIHSAllllTHE?D/GllI!!S

J"l!-63

One or tho penguin• leapsonto the tal>l•, fillir.gthogla•••• froma pitcher. lie1• joined by a aeoond pongW.n, who nopa onto tho table :o preoent llaryPoppina and Bert with menuo.

GROUP SHOT - Tlu PENGIIVIS

One of the pengu!no lea.poctt the table, and jo1.nsth• other three, who atand waiting for tho order.

CLOSE ON /!!ARYPOPPINS

ao aho atucUea tho menu.

JH-65

P!.NOODIS (oingii,g) Order what :,oun11 Th<lro'llhe no bill It'• 00mpllllentU7

Jll-57 CL0.2 01"1W1Y POP!'DIS

IIAll!POPPI!fS (opol<an) You'N v•rr ldnd.

CLOSE OK PEIIGUDl

Anythingfor =~-~ /l!aryPoppina.

,, (1stRev. 5/2/63)

CLOSE ON SECONDl'ENOll!N

SE~OMI) PENGUIN You•r• our favor::.:eper,on

JH-7(

a= r~'• t>'Uethat - (singing) i'!av!oen~Sybil nave ""Y" that are winning ?rudence o.ndOwenjolyn ,e~ your hea,--,spiM1ng

CLOSE ON !II.RYPOPPlNS

(•ingl.ng=o.,.} ~oebe'• del!si,tful,!l.oude15d1sanrd.ng--

:•2.5.~ENOtrINS

JH-72

PENOUlNS {s1ng1ng) l'el1cta,l'el1city,Cynthia -

JH-73 Ct,OSEONBERT"

(•1ngl.ng) - Ch~...Ung! 'ol:!.M!red'adaohing,Vitian'aawe•t Steph&nie'• =aah1ng, Pr1actlla a treat -

JH-7~ Ct,OSEOlfMARY POPPI!fS

reoettng d1oapprov1ngly to Bert•• oc,ervations.

JH-75 THE l'E!l(Hl'IIIS

(a1ng1ng)-=• VeroJU.ca,ltl.ll1eent,Agne,and Jane --

JH-76

(a1ng1.ng)= Convi'l':l.aleompany,timeandagUn Dorcas ""d Phyl~ia and Glynia are aorta 'll agree ~ three Jolly good oporta -

(1st Rev. 5/2/63)

;H-TT c:csE:ON KARY POPPINS

(!!ng1ng,=o.s.) llut::-ea.enorCheo:-op T~p of Ch@ top

3= AND P~G!1ll{S (•1no,1ng) :~'• Mary P~pplc.sar.d'OC,er@.,esoopI

~CSE:CN 1'WF. POPPINS

JB-1'

JH-ao QROUl'SHOl' -&RT, MARY POP?rNS I.NDTHEPElfQ!1ll{S

and scatter, the grains on the ground. The penguin! and Mar-JPoppins >1atcna• Bert does a aan~ dance.

GROUP Sll"C'l'-BER"!''MAF:'£POPPINSANDT::"EPE:NatnHs

Bert approaches the ta~le, and ge9tures for the penguin• to joln him tn t!-.e~a.nee,a•Macy Poy;,1nslooks on.

lla:RTANDTHE PENGUINS

One t,yone the pengu!.n•leap r:-omthe table and follow Bert•

J:i-i34 c:osE:ON IIARYPOPPINS

EERT AND Tl!=:PENGUINS

dancing. :se,.t:U~~c•the peng,lins,!m!.tatlngtheir gestures and JOOVe:ent•.

JH-86 CLCSE ON MARY PO?PL'iS

a~ she watches.

(1st Rev. 5/2/61)

~• •hey con;;1r.uethe:--ou:ine.?>ertpla:;~'-'l:yforces ce.epeng1l1::sto one o1<1eof the <lane@~loor. They

C:.OSEON :3ErtT

as .oescurries away ~.-omthe peng•a1ns,the::ti.:.-::sor,them•.u~~e,:,ly end .~oldso~: • :,estra!::!nghand.

C::.:sEONF!NO~':::NS

-"11-

J!!-91

••he <loes .__.,1ntr1ea~ed.._.,eeo:ep.

-'!!-92 c:.,os;:ONmRT

a, n~ turns tC>Wardtho penguin•, gesturing for them to im!.ta:ethe step he has J;astdone.

,.-.-,~-·~,

J!!-C" -

as tney ~01:ow hi• lead, and suecessfu.J.lyilut~tehio routine.

c:.,osEONBER':'

as he per~o::1110anotherroutine,with a t1ng~r snappirli: endin,i;.

0~0\/PSHO'l'-Tl!EPENOll!Nll

as :hey take turn, a~tempting t0 illlitateBer~••routine.

J!!-96

Jll-91

Bert watche• ao one OT the penguins succeoofully duplicate• a step. Sert pe:,f0rll!llatrickyslide,ao the pengW.no :,eactin ><!de-eyedsurpri•••

CI.CSECN 3ERT

as he goe• 1ntc a complicated an~ frenzied routine, emUng it with a tlo<tri•hj__.,frontofM.ar;Poppino, •l.~~1ngat the table.

"·•,,••"••

'"'""' - " ' -·"• ••• " ~" -

r,0• ' ' 0 •"• "• •• " • ' r;""ru

'

,i;'-fi••••••'".~"0•.,~§~••.0"~1:jZ•••0••

•o.. ~• ,< -. -· -

••r.."''..,..~P, ••.,••• • 0, 0 .r:

r." "• "'"'..r. 0 "

'

" "'0 e• • 0 , ~ ~ :?.g;g ' ' ' ' • "0• " " o,

- '

8~ ,,...:::•...",:.."•"~... "'""''..""0ej.1l0

"• .,0~..• • • .. •••~"~ 5 "lg-~"~ ,.

P,,,0•'Cl' ....r.u..c:,_,0..j'·"l:i "" ..

.. . - u 0 • r.. •"" ..." " ~"""

"1,:.......0......._,',,_,n.:".,,_,'""'• -,

- ..., . "• ••".....g;.., ., " 0•

" -;'!'" • ' _, . ~ 0 .. <>.....,f,""• .,

"e' ..00" 0•'" ~

' ' ..00

•• • l • 0•• 0•"'• 0 0 .. " 0 0

'• ' • • •"•••" l 0•"•"• • 0•'0 -

' '"..'0• ' ••' " • 0~

' d00 '

••, ."".,•",.••••""•••0."".,',. ..••"" "" §~

•• • •• '•• ... .-~'., • 0• 0••

• • ' . • " "

m-~5t:~" • ; ~~",;/,:lo•·· :;~~j•'r.....-•...•~'- 0 ••0.-.....,. ,. ~ ••.. 15" .,-,,

s "..0• I ' ~' l •0••! • " ..0B

' i"" - ••"",.a;,, ~~ _, "" -•• 8 " 0• • ''

' "rl""0 • •"• ' " ..00

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§£ ..• •••••••••••...s,•••• •,.,•••"0 ;J "

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' "..00 0s"•' ti ' " ..8"

' ti

' '"•'"•" •

' '

s "rl~ ~ "• fil' '""' •• ' ' " ,,0"0

'

" ••'" • •0•••••"• •• ••• • ,00••• .. • 0 0

- •• • •' ; •

i~~' "••" • -o•••1',. • •',• -•• • " 0" rl • •, •••' '

••• OC>-~ (1•~ Rev. S/6/63)

J:~-100

SLAPPING the1:rth1gru 1n t1me to the ...,,to.

JH-lOOG =Sl'.T,P~OIJINSAllllMAHYPOPPDfS

J:1-100

i'laryPoppinswatcheo ao l!ertan~ Peng-~1n•conclude the1:- perfo,.,.ance,dancingOil"!'OPSCENE.

BERT AND PENGtl!NS (s1ng1ng) No wonne:-that it'sJll,.::-y;c,atwelove!

JH-1001

a, ,he applauds.

J:~-100-lBE.~, PENGU:!NSAllll)IAPJ!'OPP!NS

Jll-100-

3e:'tarnlPengu.J.nscomeIN'!'{)SCENEtotalcetheir bows in front or J11,.nPoppino. Bert extend, hio cane toward the ta~le, fol"!llinga!:ridgeforthe pengul.no. One by one they leap onto the e!lD.e,

Be:'tgivao the penguins a gentle shove, a,,,dtheyl).opfrom the cane onto the table. Eo.chtakes a bow and departa, except the last penguin, !ffiostand•locld.n;shyly at Kan Poppino.

JR-lOOK CLOSE - P!Mt'!'POPPIRS/IJIDTHEPENGUDI J'll-100!

The pengU1n g1veo Man Popp1na a ld.oo,then tunio al>J"l)I'away a• she reacts with ~leooure, Bert'• C!lD.e00111esIll'rOS~, g1V1ng the p•ngU1n the l).ook"andPulling hillOUT,

The peuguins loolcon•• Eert hcwo gallantly and invttes llar,- ?cpptn• tc dance. He draw• her to her raat, and thay begin to waltz. The penguins dance !U'Oundthe wh1rling r1guros.

le:'tandMary Poppin.5waltz :oward the o,s. merry-go-round, who•• SOUND gro.,.,,otrone;erinthewaltz ti.lie.The pffl3W_na hound gaily !U'Oundthe reced.l.ngfigureo. The b.g. whirl• raate~, and the wh1rl1n,,;colorsbegin to talcethe shape of a !ller:")l'-go-round,

MATc::11DISSOLVX

65-D (lot Rev. 5/6/63)

Jl!-lOl TIIEMF.R.'t!f-GO-?IOU!!l)-DAY

The br1ghtly-pa!nted hor••• plunge tothe OIUS1oof a oalllope and bra•• enoem"le.

:LOSER -Gl!OUl'Sl!CT

JH-lC:

Mary ?oppln• and 3ert a,,e•eated on ~oodan horoeo '::>ehindJa...,ean~"!!ohael,,moa""wildlyexolted. ':.'ho horoe• bear a s;r!~r.g reoemblanoe to ~b.e!rrider•.

:..osEON MIC!!AEL

J11-10;

•• .oeexct;edly urges his s;eed fo:-wa.:-d.

fil= ~1dd)'Up! Come on, boy: )l'asteri_ ?aster:

J!!-104 CLOSE ON JANE

JH•lOl

,- 0!-.:Thls 19 such !tui! Imagine! Ot.rown private merry-go-round!

Jl!-105 CLOSE ON BERT

• •

"ho 19 r1d1ng hl• horses s1de-•addle.

(nonchalantly)= t'o vecy ru.ce. Ver-;nloe 1ndeed, (tu.......lnhl•saddle, so he 1• r1d1ng bacl<t<ard) I~ :,oudOD.'twant to go anr,,nere;

Jl!-106 CLOSE 0~MARY POPPINS

JH-lo6

as •h•r1deo demurely atop !>,or,teed.

J1!-l07 1'!ARYPOPPDl"S

JH-lC7

as she l&ans fr0111h&rhorse and call•to o.s, guar<l.

)!ARYPOPP!NS (calling) Oh, guard!

66-i 5/6/63)

THE GUAflD

• d=;,y, Oher~b1c l!ttle IIAN,ota.'>4ng1~.<he

ceoter by the

calliope, with a numbe:oof lever• beaid• ~-

I!&ltftohi• cap .

Re pull• back en ehe talleot lever --

~:..CSEON1!ARYPCPP:NS

JH-lOS )!_A.;;;'POPPINS Thank you.

Jll-110 A :.OCNGVIEW

Jll-ll~

W!th a ae:1.e•of ~rasr,!ngSOUNDS, the zalliope ond brAoa enoemble on the mer:-y-g<,-roundgrowslo<lder,arul1t p1oko up opee<i. Aa it •Pino faater ar,Qfaoter, Mary POPPillll' horae plu."geof:-<>mthewhirling platform onto the grouncl., ;ane'• horse q:Uokly follows •~lt, Ml.chael'•and Bert•• horseo both follow,

JH-lll THE OUAIID

JH-111

Tl'ley•reoff! (laol<ingafter them) It'• Mary Poppins lea<Un!J:bytwo length• -- Jane 1a aeoond --by a length •-Jllohaelthird --there goeo Bert on the""told• ••

J:i!-112 ALONG VIEW -11A!1YPOPPINS,T!l:5:C!!II.DRENANDBERT

JH-112

aa they bound away from the mercy-go-rouncl.,

JH-113 WIDE ANGLE - J1W1:Y?OPPI~S,THE Cl!ILllRJ::NANIIBERT

JR-113

as the horse• ga.J.lopacrooothe COUl'ltryoide.

JH-114 LONG VIEW - l BRiro.E

Mary P<,ppina•horoe come• ove~ the bridge, followed by Bert'• ,rndthe children•• horoeo.

•"11-115

,-d-115

'!ich.aelurs••hishoroe foNard, =d atorto movtng up.

)II= My horoe is the fasteoti

?:-o~.2162

66-? {l•• Rev. 5/6/6;\

(to h~•=horoe) 'Ow ahout it, Mate? You going to ••and ~or that?

B<:-~'•ho:-,ep:ur.ge• ~o:-wa:-ialong•ide1'!1chael'a,andtne cwo C.o:-se•:-acepao;;M<.:-yPoppins.

C~OSE ON MP.RYPOPP!NS

,r,1-:1;

l'IJlRYPCPPTifS Ber:;! i'!l.chael!Now,:-eally,Bert\ You•~ a• had •• the chlloren!

JH-ll!

Bert r,,igneln hl• nor••.

Sorry! Ho, hoy - 110! - (calling to !Ucha•l, who 1• ha'l':!.ngtrouble reigning 1n h.1•horse) 'ullh.1111in,1'!1cllael! (Bert lends 1'!1chael •=> \lhoa! You w'in! Eaoy now

JH-119 CiROUl'SHOT- MIL'lYPOPPINS,J'Allll,MICHAELANDBEIi'!'

JH-119

J•~• and Mary Popp1na,r1c!ingoedately !1de-hy-•ide, ar• re- joined by E<!:-tand1'!1chael,whonow have control or their ate•d•.

JIIAm'POPPINS That•a hetter! Arter all, we•r,,not on a racing couroe, ora...,,

JH-12Q

WtY POPPIHS Eve:,,yth1nginit• proper place, at t;b~p.-ope<".tj_me.

A l!UNTINOEORN sound• in the diotance, and Mary Poppina rea~ta l:now:!.ngl7.

66-(l (1st Rev. S/6/63)

L~NG V!EW - A POX l!lJNT J:1-12'-

which 1, in pro~••• A• the .ountt.nghornSOll!OS,hcmtsmen and hounds bound aorooo the countryside.

JH-122 MARY POPPINS, ,3Em'AIIPTl!E=itEll

s!t:ing atop the mer.-y-go-roundhoroes. Bert atndthe o~ldren look expeot,uitlyat Jl!aryPoppino. She start• o~~, :eading the way to the fox hunt.

MAl!TPOPPINS Now follow me, plea••i

Jl!-123 ·~~ll"-A/IGU:-MARYPOPPINS, EEi!"!'AHDTl!E:ClIIl.DREM Jll-123

•• they rid~ off in pursuit or the huntBmen.

A dtg:Ufied and elegatntlydr,,s,edhuntsman, ~undlng along atop his steed, !s sudci:enlyovertakenby MB....---yPoppinsstop her wooden horoe.

Jli-125 CLOSE ON lW'!YPOPPINS

aa or.epasses the huntean and nod1.

CLOSE ONHONTSMAII"AllDHIS HOJ!SZ JB-126

Neitherhoroe nor rider react11mmed1at•ly.

:E:r a -yea, qUlt• -- -·- (suddenlyreooto, astoniohed) ~?--

Jl!-127 I/IDEAlfGtE- IW!! POPPINS AHD Tl!lElJUNTSMAN

As Mary Popptn• goe• aatl1n1 1.mp•rturbabl:,-overa atream, the hunt=•• horse ponJ.co,lltl.sae1thejumpand both M.d•r anQ horse go oraslltng1n~o the stream.

JH-128 CLOSE ON l!UIITSMAN

Jl!-128

as he sticks lltshead up out of the water.

l111N"'.'SMAN I sayi

(CUriIDIOED)

Prod,2162

55-l! (lotRev, 5/6/63)

JH-128

J"d-12!

~.1ohael'•horoe oo,.ea•al.lingover the otreu. The mRrry-go. round pole puoheo :he huntoo,an••head under wat•r agsin. Uthe huntomon oomeo up ro:-the oeoond tllfl•

Have you -·-·

3ert'o hor,e comes IN':'OSCEN2,and the merry-go-r0und pole aga~n plunges the nuntoman under the water,

_,_

(oom:l.ngupfor the th.1.rdtime) Evah --- •

Jane's horoe oome, INTO SCENE, and onoe more the huntomar,is •u~me:-s•"-.

Jl!-:29 CLOSE ONHORSE J\NDKOIITSMA!I

Jl!-1~9

•1tt1ng •ide-by-oide in the m:l.dcl.leofthestreu, loolcing afterthe merry-go-round horoeo in wond•:-•

.. • .. .Nevah!

JH-130

Jl!-130

•• they leap ove:-a hayrack, aitt1ng in !'r0ntof a atone wall.

Jll-131 CLOSE ON Kl:CH.!J!L

Jl!-i3l

~= (ahcut:l.ngexo1tecUy) Y01oka! Ycioka!

J1!-l32

ao he co,oeaup ~eh1n<l.aportly hUD.tswoman,r1d.1ngoerenely atop her ot•ed.

Yoioka!

Jl!-133

ao the huntowcman'o hor,e reacts in terro:-to J!l.ohael'• f1erce-lo<>k1ngsteed.

d-134 '-Wu! ANOL&

Aa 1!1chaela.n~h.1.sher~•bound out of octtne,thtthunting ho:-oebolts, thro~ the otartil One:- to the gl'.Curul.

Hl!IITINOHORSJ; Jlorci!'ulheavens!

66-J (!st Rev, 5/6/63)

JH-135 C~OSE • HUNT1NG HORSE

Jll-1;

l!lllfTINOROIISE (cl1ng:!ngtobrMche~) E,;traor-;iina:cy!

~rt, riding taolcl;ard,r~olt."ll.ngagainotthemee-:cy-~o-round pole, ga:lop, past a second hunt°"""'.

(6off1ng-~.1•~at) What cheer, Q,.,.,,

CLOSE - SECOND ITTl!ITSMANAll!lHrsHORS%

Jl!-137

A1'they r•act in su..-;,rise,eaohlooeo111•IIIO<IOCle,

Jl!-13S

rld.1:i.goff,wavingto the startled huntomn.

JH-139 CLOSE - SECO!itll!UN'l'SMA/fAll!lHISHORSE

JB-139

Tl\ehoroe alto down lnctigr,.&ntly,Nfuoing:o go on.

JH-140 CLOSE ONl!UNTSl'IAN

,tillatop the ••ated boroe.

That•• the trouble--withhunting n0wada7s No standards\

J&ne OOlllltorlctingthrcug.~soeno,wavtngto the huntoman atop the seated horoe.

Ta ta-a --·

l!UNTINGHORSE (ol"'y:tngandstOJlll)tng '1l.•hooves) No - no - no • no - 00!

56-K (lot Rev, 5/6/63)

,eated a:op h1• hcroe, •urr<>undedby hlo pack ot hound,, Hor,e and hounds •111:eare "po1ntlng", >1hen,uddenly all react to ,ometh1ng o,s.

ClOSE -MAS'.:'EHOF!')!EHOUNDS

andhlo hor•e, asthey bo:h loo~ott andreact :owhat they aee.

M~S':'E!!.OFTE:!:HOUNDS V1ew Haloo' \'~"'l!aloo!

HZS i!ORSE Oh, yes --def1r.1tely-- V1ew l!aloo!

JH-14-'

of a FOX - wit!'.an1r1oh llrogue- ~lttlne;atop a atone wall, lOOIQng back a: them.

,~ (reoc:1ng) V1ew !{a.loo?

K/..S':'EROFTlli!:l!OUNDS

J11-_.;

aa he SOUNDS the call, and gallop• otf ln pursuit ot the to:,:.

JH-1"'6

reactir.gwith !ear to :he sound!. II•look& around deoperately and tal<eothe neareot avenue ot escape.

ro, Fa1th and begorra! It's th!Jl redcoats agal.n!

Jl!-147 CLOSE ONTl!E IIOUNllS

JH-147

as they race 1n hot purou::,

,,- (howling) Vil!'WHalloooooooi

J11-148

~• they bound over the stone wall, howling a.ndbellowing.

l!O!JNIJS Yowp! Yowp! Yowp:

66-L (1stRav. 5/6/63)

on - wu.-:-a-=•''' --

w~o !!asJo!ned tl!ee~ase -

~ally ~o, ~awrn=away:

~ll-151 Cr-.?SEONHOUNDS

JH-15:

g:'Owl!ngand panting lnhot pur,uit ot tl!e!ox,

HOlllf!lS Growf! Gn-rowf:

,n1-;;.52CLOSE ON FOX

JlI-151

as lie1001<sover h15 ohoulder at the pureulng hounds, to s@e tl!atthey are galnlng on htJO.

~, Saint• preoarva uo: Yolel<•l

Jl!-153

JH-153

CLOSE - A HOU!!D

Jl!-154

who JOake,a deope:-atelunge at the tox'o tall, just aa pull• tl!e!ox ~ £!.oeena.

The hound goes op:-awltng.

Jl!-155 BERT ANDTHE FOX

do,m on the back of tneimerry-go-roundho:-oe.

Up you go:

The oon:ruaedand terr:11'ledtoxoloaeo his eyea and nanga on to Bert tor dear lite.

2162 56-Jo! (lst l!ev.5/6/63)

,·a••-.•;•0

atop the morry-g,,-rourulhoraeao they 0011 •a•1!y over a nedge, followed "oy~he ,orambl1ng houndo.

JH-l~

il<!rta.ndthoto~ w1th the hourui,in olooe pur•u.1t,f~nd th•uelvoo bounding &long a race cow-so.

a~-.•..'--,oc~cs:c:CNFOX

JH-151

r1ding onthe back of~he mercy-go-round horoe. He 1s ·oeglnn1ngto en_:oyhi• obv!ouo advantage.

(thumping""thehoroe's :flank,experimentally) Wh1sst: ~Oul.dye look at that now? Tl• &n 1lig&nt merr;,-go-row,dhoroei

':"l!EHOtlNDS JB-151

•till in hot 1>w-a111t.

CLOSE ON Tl!EPOX

JH• .C

who!• jumping preou-!0ua1y on the back o! the l>orsa, challenging the hound~ -

(tauntingly) "" c•mon a.n•fight! Y' dirty omadhauno:

As one of the hounda JUJIIP•upto on&p at the !0.:<,thefox kickshim !nthe snout, and retMato to a •afer position.

(ld.olcl.ng""thedog) I kin l1ek the lot ot ye~ ••

JH-161

JH-161

whc hao taken a p<>!itionon the head of the merr,--go-roun~ h<>roe.

(to horse)= Faaterl me beauty: :'&SCtlng1n terror to something c.s.) A:••g.',!

66-1{ (l•e Rev. 5/6/63)

...-··,--~'~

or a pouruung pack ot srmt.t:(:IUSEHORSES '""'their iu=, hearing down on them from the oppo,tte <U=ot1on.

Jll-163

J:i-16

Ten!~1ed, the fox leap• onto Bert'• head and up the 1118:-,-Y- go-round pole. B•rt'• boater hao h•en ohoved down overhi• eyes, momentarily restr1ot!nghi• v1aton.

J""ri-164'Ct.OSEONFOX

c:1ng1ng desperately tothe top or the pole •

?.eoctingto the danger ahead, Ber.:trl.e•franttoally to rein up hia hor,e. Ao the hor,e comea to a acreechtn; halt, the pursuing hound, come crashing 1nto them fro,nbeht.nd. There ta a groW'tngTlfUl!IIEROFHOOVEs,aa th• steepleohaae h~r••s come poun<ll.ngINTOSCENE, aen<Ung the hounda off 1n all d1reot1ons. Ao,the dust olea:rs,we see Bert•• me:-ry-g<>- round hor•e aptnnJ.ngv1olimtly on 1ta pole.

;;}!-166 THE HOllllllS

Jll-161:

'·.. racing away, howling and belloW'1ngin terror.

HOUllllS Yipe! Yipe! Y1pei

CLOS::ON THE FOl;

Jl!-167

clutoh1ng the tOp of the ap1nn1ng pole.

Jll-168

Jl!-168

The te:-r1f1edfox dropo down beo1de B&rt, and e,;:teru!oh1• paw. Bert takea the pa~ and !hakes 1t.

G-bye --- lad=---

JH-169 CLOS!:ONTHl!;FOX

quickly shalc1nghand.aas he look•nervoumly about.

An' -- t-th-thanli;=ye---It'• a -- gr - gr - grand th-thin,g --ye•ve ~-don~ th1• d--clay--

~e quickly jumps to the ground.

---- -- ---------

l':rod.2162

56-0 (1st Rev. 5/6/63)

_Jll-lTO

r•:1 no~er forget=it --

JH-171

Jl!l.OhaelandJaneco~e ~oundi,,.,;Ilrl'OSCENE.

•= And Ka.17Poppino 10 wi.cning! (ohe points o.,,) t.ook,l!ert!

Bert looko Off in the di""'ot1onJone ha• 1rullcat•d.

Jil-172

Jll-'""2

The pounding paok of oteoplechaae!>er••••1noluclj,n,gllary Poppins near the lead,

Jl!-174 1/IllE!\ANIILE-STRAIOll'I'B.!.Cll:

Jl!-17~

facing the two leader• of the race, their facee ten••• thei:rmcunta ot:r!Uning. J!a.ryPopplnaappear• behinclthem on the mer.-y-g,:,-roW'l<!h<>roe,col'11ngupfast.Sbele""" fon,a:rd•lightly, ~ with her Ulllbttlla,tapoone of the leader• on the •houlder.

Oh, r:tdara--

,Jll-175 CLOSE ON IIAllYl'OPPDIS

€6-? (ls;;ib!v.5/6/63)

•• ho doffs his cap 00 Ma:-yPoppino.

JH-l77 GROIJ;'SHOT._MAi!YPOPPINS IJIDJOCrtEfS

JH-:77

c"hejoekioysdoff:heir capo andmove ••id•, •lloWingMary Po~pins toride :hrousr,,d!rec~lyhetween them.

MARY PO?PINS Thae,lcyou.

;oci:-,,1~ Not at e!l, 1'lull---

C~CSE CN JOCJ!:!:YS

JH-178

who otar,,unhel1ev1ogly •• M.!t.<7Popptnoforge,into the l•ad.

,_, Not at a---------

JH-179

of She fintoh, as Mary Poppino,1n She l•ad, !s ch••red <>n hy the crowd.

C"LOSEON MAl!YPOPPDIS

JH-l8o

ri~ng demurely at~p her merry-go-round horse.

JH-181 WIDE ANOU: - THE F!NISH LINE

JR-181

•• l'laryPoppinaho,,ndoacros, the f1nt•h line, well ahead of the other riders.

Cl.OSEON MAl!Y?OPPDIS

JH-182

pleeaod With herself•• oho rides toward the winner'• circle.

Jli-183 IN T!IESTEWARD'S BOX - GROUP SHOT

Two elegantly dresoed En&lish ~ntlemen -the RACDIQ STEWARllS,are dioouooing thsf11ll.ah.The ftrot steward lo gazing thrcugh tincculo.ro,wb..1.letheoecond oheelc3 '11sotcpwatch. ':'he~thergentle.man1n the !>oxlook on mutely.

SECOND STEWARll (look1C1gup~rem otcpwatch) Excellent t1me, gentlemen.

P:-oci.2162

::6-i;_ (lotRev. 5/6/5;)

JH-18~ Cl.CSEON SECCN!lSTewARD

SECOND STDiARD ~eel:ent form, al,o -- if I may ooy !O --

A":''":':;:E1/'!Nfil:R'SC!RC"..E

Ma:-yPoppin•, ~olding a Oouquet or flowe:-,,:o bel.ns ;,no~os,-aph.ed.':'c.er~isano.o.oounci<:<r.HOll!!'!Dm,wh.l.oh. oo,.e•~rom a group of pearlies standing noar'oy.

PEARl,IES (humming o.,.) ,,. ,, <Ciddlediddle diddle, '~ di<l.cile '~ didd:e diddle diddle, dicidle,, '~

JH-186 CLOSE ON GROUP O!','EA;!!.T"S

PEARl,IES (~um<Ung) '~ diddle diddle dicidla,'~ ciici<l.l•,, '~ di<l.dlediddledi<tdle,'~ di<tdle "'

OROIIPSHO'!'-BEK!'PJIIlTl!ECHILll!IEN

are sitting on a fence nearby, eating candied apple& as thoy lf8teh. Toe ,.er:-y-go-roundheroesa,-,,tethereoalcngoloe •hem.

Jl!-188 THE WINllER'SCIRCLE

JH-188

Ma:ryPoppln• 1• ourroundedby ne,,,.paperreporters,photographers, track oft1c1al,,'ouskers, singing pearlies and ha"penny hetton. l!o:-mer:-y-go-roundhorse •tands alongo1de her, a garland or flower• a?"<>undhl•ne~~.

PHOTOORAf'l!l!l! 'Old st1llnowi

T!>er,,1•an explo•ion and a cloudo~ ""'eke, aothe Photographer take• the Pict~. CAMERA MOVES IN a, lla:ryPoppins is surrounded by :he r•portera.

'Il!STREPO!lfiR Si:,,,does1tfe•l, Ma:ryPoppins, >drlnlng tl:erace?

SECOND l!EPOR'I'ER aa1n1ng f"11l"andfortune --

(CC!Nl'l.llUED)

?rod.2162

56-R (1stRev. 5/5/63)

·,_. -'E-18!

Tl!IallREPOl!TE!t Having 7ou:rpiotu:retaken for the newspaper --

FOURrH REPOIIT£R Besides having your extreme good looks, ~ I may say oo --

CI.as:;:ON)WU POPPINS

Jl!-189

On the eontra:,y- ~here'• • vecy good word\ AIIIrrtgllt,Bert!

CLOSE Oil&RT

J:El-190

'.!'ell'im<matit 1o! -

J"Jl"-191WIDER AlfGLE- JllARYPOPPINSANllREPOKl'E&

J:El-191

MAHI ?OPPtllS Sure you don't !!Und1

CJ.,OSEON3El!T

J"l!-192

(enJo:,-ing=tho oan<Ued opple) Not at all --

Jl!-193 GROUP SHOT -IOOfff'OPPINS AJIDPl!:.IJILIES

J:El-193

Ma:,yPoppino hao walked over to Join the pearl1••• wbo begin hUIIIUns.

JH-194 CLcSE ON 1IIARYPOPPil!S

11/oRYPO!'P!HS (oinging) Super-oal1-trag11-1ot1o-u-pt-ali--docioua Even though the ooWld or tt 1a something qu:l.t•atrootous I: you say it loud enough, you'll alwayo 00\ffldprecociouo

I ' i i

"'• • rl••

•'"• - ' rl•••"• i "-

F, rl"'0 ~• • ~ • ; • 0•••H• E • ~ '

i-Tl ~ • •• "• ~ ~•• •~"Hrl"":ff • •,•,. rl••'"rl rl rlrl• H ' ' '• '• ' 0• 0•,''

•,,"rl ~ • ~ ~ •" ! ' F,"·rl

'

• •" Hrl'"' i••'•" 0•0'•• rl! -

e~ :~ i~ • 0H•0rl••rl ' '

"0 ••"" url0••0• ~'u0 • ! ' " " rl

'

• • 0rlrl"•'H••• H••rl•;•••• 0 • • H • - I - •• ' • •'" "0, !

••'u0 •• ~ •- 0rl••H••

" rl0• u3•• 0•~ "• ! ' " •rl

'

• •'•0 •0•"rl! •"'•rl!'

•

~. ~- ••••~~ -~ 0H00rl•" • '

" ..0"0 •" 0• •0f •• ij ' , " •rl

'

•'•0 .,•I 'rl••rl• ••••

•

• i •• ij •-'" •• •

" ' e 0 ~ I • §

" • '

• •H•••••!, .,00••0""•••rlrli"•'•••••••'• "rl•H

• '• • ' •

• • 0 I

§ - ''."Hrli~~ ?§ ,•"" •• , •""0•'•• ' J• • rl• '

" • a " " • ~ i ' " e rl

' fiiit! ,,.i"""0..,0.,,.,.,,"'"'~>•..•:H.,CpH!l0..•••I•• ...Q ...... ~ 0-'C!,• ".Ii '•' • ..• H -'

66-'.!' (1stRev. ~/6/63)

JH-202 OROUP SHOT BERT, KA!!YPOPPDfS AND PEARLIES

J'!l-20:

(s:l.nging)""' The l>:!.ggest""r<lyouever '•ard Ar,dthis :I.!'ow:l.tgoes! Oh -•

Bert and Kary !>oppinsdance a.""-s1',.g•chor\la.

BEl!TAND KIIJr.{POPPIKS Supe:--cal:I.-::-agl.1-:1.st:1.c-e:,c-p:I.-al:!.-doc:l.ouo\

They reou..etheir plaeeo in front of pearl:!.•••whoJoin 1n song.

E.E:i!T,U;n"POP!>INSANDPEAALIES SUper-ea11-fragl.l-1•t:I.e-ex-pi•a11-docioua:

JH-203 Cl.OS:!':ON

~- -,- JH-203

watchinghapp:!.lyfrom their place onthe fence.

(hllllD:l.ng''"'-"'o.o.) ·~ diddle diddle diddle, 'umd:l.ddle"7

GROUP SHOT - P%ARLIES, KARY POPPINS Jl!-204

--

l!ertand "2rT Popp:!.nowatch,•• the pearl:l.eahumenthua:l.sst:I.CaJ.ly.

PEA!Jt.:tU, 'llllld:l.ddled:l.ddled:l.<l.dle,'Ulldiddle"7•

Jl!-205 CLOSE OilJo!ARYPOPPIHS

JH-205

Jlf-206 CLOSE ON BERT

(!lilgl.ngJ=aa.J.aam,ideeply) When Dukes and KaharaJaa paao The tl.meof day "1th me - (g:-::1.nal>!."'Oadly"" he dofta hi• hat) I oay me opec:l.alwordand then-•

P::-od.2162 ,-

-t>-U (lot Rev, 5/6/63)

J!l-207 ORCOP SHOT - EDi.TAND MARY POP?DIS

a, thepearlieo watch from ~.g.

_,

(oingtng; takes Ma=7 ?opp!no arm) They ••k 1aein to tea - Oh ---

:3e::-tandMaryPoppin• oing and dance a chorus.

:3E!':',M.ll!YPOPPINS&Ptlll'.!.IF;S (•1ng1ng) Super-cal1-~::-agil-1,tic-ex-pi-ali-doctouo Even tho<>gt,theoound of it io something quite atroctouo I~ you •ay !t :c~d enough you'll alway• oo""d precoctous

J'rl-208 BERT AND KP.HYPOPPINS

Jll-200

dancing wtth their ha~, ~tpped for-ward,concea.J.!ngtheir faceo. U they end the dance, they puoh the!:-hat• hack

5tRT A/IDMARY PO!'PDIS (o1,:ig1ng) iiluper-••11-fragtl-1sttc-e,c-pi-ali-dootoua!

JH-209 ~MOP SRO'I'-1'SARLIES_

JH-209

humllll.nganddancingenthuotastically.

PEAf!LIES 'U.,cliddled1ddlodiddle, 'umcllddle 1.:y '°"'diddlecliddlecliddle, 'umcllddle l.y

J'll-210 ClROOPSHO'l'-llAitfPOPPINSAll!)'l'HI!:Rtl'ORTZI\S

llAitfPOl'?IlfS (otngtng to n,po::-ters) So when tne cat has got ycu::-toni;ue Tl>ere•sno need for cllsmay-

J'll-211 CLCSE OlfmJ\Y POP?INS

J'll-211

l'!P..<rfPOPPINS (sin~ng) Just summon u;,tt".1•wordand tnen You've get a lot to oay - :SUtbetter u3e 1t oareruJ.ly :For1t eon ohange ycu::-life- (glance• c.•.;- •poKen) :Fore,:aaple--

JH-212 CLOSE OIiA !'F.ARLY

He 1• a •'""ll,tl.OU.d"""'·

C~OSE ONHIS GIJU.

She is"" eno=ou,, fc~doble-look!ng lummox •.She raises ner tam1>ou=-:1r.easor,eglar~satt!lepearl)'"1<itll.disapproval.

1'3:AllLY (singing o.s.) AAd new me girls me >lite!

J:1-214 CLOSE ON ~liEP=:.oJU.Y

J"!l-214

•• the tOlllbOurineeomeocrashing down on hi! head.

'!:ARLY (•poken; dazzedly) lovely thing ahe 1•, too -- (singing) She's --------------

--JH-215 c:r,os:;:OKTHEPl':ARLY'S1/Il'E

JB-215

m:ffi',1'!A1!YPOPPIIISAl!Dl'l':Afll.l:ES C•tngtng o.a.) Super-oalt-fragll-1st1o-ex-pt-al.1-doo1ouo!

JB-216

who is ahort and rat. He t• vigorouoly strtmmlingan tn,.triunent aa he aJ.ngs.

m:RT, Jl!A!!YPOPPIHSARDPEARLIES (si.nglngo . • • ) Super-oall-rragtl-1stlo-ex-pt-all.-doolouo!

JH-217 CLOSE OK JV.RYPOPPINS Al!DBa:RT

JH-217

_ m:RI'Al!Dl'!Al!YPOPPlliS (•1ngtng) Super-call.-fragtl-1at1o-ex-pi-all-<l.ooioua!

JH-218 WDE ANGLE - Gl!OUPSJrol'

JH-216

3FllT, MRI POPPINS AHD l'!i:A!ILIE3 (singlhg) Si..;,er-oalt-frag11-1st1o-u-p1-all-d.ooioua!

Over the laat of this, there ls a sud<l.enCLAPOF THilNDEI!.

""' ,

• • N••N ' e. - • • • • ~ ~ -e

• •

' -·

' "N• ~ ~ '

" •• ii'•'• " •'• • "•••'• •• !•"•

f.'• •• • "••'• • -

••0•••fi " ' N•

• " "• • I ~ ~ ' N•0 ' .

::~~•••,l~,••••"••.. "••

_, • " . • • ,,

••"'" .• . ' • g.

~ .

' NN ~' " ~ '

' NN•' s '

• • ' i ••••'.,•"••

•' " ••" "•• "'•"•' ' !• ,." "• f.

r m ~ ' •'" "• ' • • 0•••"• ~ ~ '

' • N"• • • ' - '

~-;•·a·-00••!i' ••... !E ' '• -· '' :.ll.'•• • ••

• , •'• ••• l ' ••"•

f.'• ••••• ••••" ••• ,,§

' N a '

' NN• i • ~ '

•• l, f.§••• ••• •• •••• ••

Il ~- ••. .,•••l,•••• • ,.

•• • , • 'g••• • • ' N • • ~ ,.~ '

s• N••' ~ • '

..•• •• •""'•••"""••••• ••.fl;'!••••~

• • " " t • •

~ •• ~

"• ~ e ij ; ' N

" '•• • • i ~ i • ' ' ••" • ' - ' •

•• ,.: ••,••,••ti •••"••,1

••" ,,.~t:: . '

1l ' .

....,,·• - . • • ~

i; ~•• .; • •' • ~ ' b w• '' - '' i1i ~,l ]i: • ••• " ! •'• ,'' ••' •• '

~; ;J " "•••••,.•,~5'.••••.,'••••

I~!;'••,l•" g;f•'"••;~ ,, •

'••• _,. .. ••. • , .

"'• , ., "' •

• fi• 0

66-I

?,-0<1. ?/6/63)

(l•t :lev.

JH-226

c~os~ ON=

111•SI'1nrtdans as the ,-a1nbeat•

~• he look• up. n•aV1l7 into hi• race.

I'm ohong1ng ""'toanothe,-bus1n•••· Thi• •ere1• l<>Vely'ot ohe9tnut weathar. JH-227

JH-227 ~- CLOSE - MARY POPPINS AND THE eHILDREli

She •e1zesthe children andhurrtes them off in the d!rect1on ofthe Banlt:!,'house.

~ POPPIMS Hurry along, oh1ldrenl Wa'll _t,a late for tea. -- Goodbye,Bart -- JH-226

J"ll-228 Ao Ma.ryPoppins &nd th• ch1ldren run down the street, tha ohil<!:'encalltheir goodbye!.

JANE AND ta:Cl!AE.L (shoutini;) ClOodbye,Bert -• Goodb"f*-•

(-tol'.1ng=themgo) CloOdby•--

E• tu:rn•up h1• co•t oollar, ,..-oockSh1s bot, and with a 11gllt-heartedlittle step, danca• through the d1•1ntei;rat1ng form• and colors of his sidewalk pictura•, and 1nto the park.

(o1nglng)= Ch.1.111chUl-1n-"7- Chim ohUl-1n-..,-- Cl-Jim,ohim, oner-oo

Ailthorain beats down, obocur1ng tileacme --

l'ADEour

?:,od.2162

(lst l'lev.

,•J.>3!N

331-A

Ilr.~!01'1T;t;:NURSDIY

~ tire glow• in the !i..epl&ce. On the hea:".h01'eJan,;,, and 1!1cha•~•sshoe•, d:-yingout fra,nthe daon th!'OUg!I Che rain. Over the r1reocreen &nd • n•&rC,-chair ar- several piece• of wet clothin,;. )la:-yPeppin•'umbrella •••n• a~~1nst the fireplace near the ocreen.

331.:;

331-B

Ma<','Poppln•~• tucl<l.ncJaneinto bed.

,_

(lool<l.nguplovingly) Ma:-yPcppina, you won't ever leave us, will you!

MED. c:LOSE- MARY POPPINS AND KICl!J.EL 331-C l\a:,-YPoppinaturnato Michael'• be<1,anda<1juatsthe blanket o.roundh!m.

~= Will you atay it we proll!iaetobe good?

)11chaelloob after h•r aa ohe goes OUT or scene.

331·

331-D

,- {a1tt1ng up in bed) Slitwhit,:shallwe evu• do rttnout you?

331·

331--.: )IE!).c:LOSE-MARY POPPI!iS aa she arttch••orr the light near th• door.

(lstRev.

;31-?

l!ICJ!AZL Sut, Mary P0pp1no, now long rlll tha: be?

~ P()PPINS (1n:e:::-:-u~t~ng) Silence, ple•••· It 10 t\.,lletogo to sleep.

331-11 331-ll

(exc1tedJ.y)-- Oh, we C0Ulc1n'tpo••1bly sleep! So~= lovely th!ng• have happened tod.oy!

331-J 331-J

331-Y. 11!:D.CLOSE- JANE 331-1

,_ ',lhy,whenwe jumped into Bert•• Chalk p1et=-e.••

331-L 331-:

~- And Ye rode the Hrr)'-go-r<>und- then all tr.enor••• Jumped orr -- 1 ,_

And we all went riding over the countrysideI

331-)! C'LCSEON MIC!!A:tL 331-

ao he re-live• ~he ride.

M:cru.Et [exe1todly) Tally-hooo~! -- Tohunga.! TChuna! Tohunga!

66-c:

'Tod.2162 (1st Rev. 5/15/63)

3~--l

IIED.C'.,OSE-Jlt/L~POPPDIS

•• she goes back tc her .,.nding,

~eall;,• 331-'

331-? CLOSE - JI.NE

,= Mar;,Poppins - dor.'tyou r•member? You won the norse raoe? 331-

l'ZD.C:.OSE- MARY POPPINS "":---~~

as one look• up ste:,nly.

l(Alr\'POPPINS (severely) A reapeetable per,on like ,n tn a norse raoe? Now d..:reyouausgeat such a thing? 331·

331-R

~= But I ,aw you do 1t! ,,,

331-3 l'!E!l.CLOSE-MARY POPPINS I;;;no:rnl.n6the,~atement,shegoea back to her men<ling,

331-T '''

~- It did nawen! ! saw 1tl

M.o1IYPOPPIJIS (0•••) Go to •leep, pleaae!

~= I don't ><antto go to slerp!

------

66-~! (lot Rev, 5/l.5/63)

331-\/ CLOS:.:ONJANE

~e're much too--exoited,)!a:ry Poppin•I 331-

331-V )ED. CLOSE:- MARY POPPINS

ID,H'/'POPPIN'S (earelesol7) ·;ee-y"ell. Suit youroelves.

331-

CLOSE ON MICRAEL

He defiantly oi~• 1:>a~kego.instthepillow, deter"1l..ned not to go to oleep.

331-

CLOSE ON !o\A-~.YPOPPINS. 331-X

o1tt1ng in the rocker, mending.

JIIARYPOPPIHS

SONO, (•lnginii;)

Stay awak• J)On'treat your hea<1-- 331•

331-Y CLOSE ON JAIIE who is finding it lnoreaoingly dlftleult to keep her eyes open.

IAAY?Ol'PINS (,1ng1n,g<>-•-) Don't 11• d0><nuponyou:-1:>ed•-

331-Z CLOSZ 011MICHAEL who h•• put hla head down on the pillow. Hi• eyes are 1:>eginnlngtoclose.

IWl'll'OPPill5 (aingJ..ng<>.•.) Wh:!.lethe1110onc1::'1fta1nth•old.a•--

331-AA CLOSE ON MAITIPOPPINS

MARY PCl'P:rNS (singing) Stay awake •• DOn't olose your eyes -

-------- ---- -- - --- -- ----

66-E'! (l•s:Rev.5/15/63)

331-~B C~SE ON J.o.NE

Her eyeo are c!osed and •he 1• sleeping so:,ndly.

1W!Y ?OPPINS (•lngl.ngo.•, ) '!'hcug.~theworld!s fast ••leep

031-C

He too 1• sour.C••leep.

331-DD :::.osE:CNPAR?.01"SHEAD1.IMBfil.ll.A

which 1• leaning against the fiNplaoe. The parrot'• ey•• are open, and he 1• :oold.ngover to where )lacy Poppins 1• •lttlng o.s.

Th• par:-ot's oyeot>eg:l.ntcclose. Heopens h.1•beak a.ndeodta •YAW.

Th• pa:Tot'a eyeo are closed. As he fall• asleep, hi• head droops to one aide,

}S~-n ::LOSE- MARI'POl'PINS

331-i':E

DISSOLVE

-------- ---- -- - --- -- ----

,, (:ot Rev. 5/15/53)

':'henex"morru.ng. Aheaut1f\l.lda7. ':'h••1gnal :lags are ~r.lppingo:-:l.oplyl.nth&springbreeze. lldml.ral aoom1, PIP3::lO!r.'OD~CXbyl!lnnaole,whostanQ, at a:"ention ••Adi=!ralBoom st:oi.:!eshisdomain,avidly sn!:~1ng~ne mo:r-,,.1,:i_gair.

ADMI:'lAL:SOOM Glo::-!ou,cay,)Ir•.e!nnaole: Olerious( No one oleeps t!\1o "'ornl.ng!Put i,o_adouhie ohars-e or pow<!er:

333 ,,,

reacting,

334 Am:I1\J\l000M ,,,

AllMIRALBOCtl Shake thing, up a hit, wl>at?

l '' ,,, -·

Re Jc:irously,ta:,-topuor.u,glargekegoof powder "I> co the eann0n mouth•

•

--------- ------- ----- -- ----

,,~_,,.,.-,= ~~~,~ ~oo" -~- __, ""'' u ••,.,.u..,., --::o--

o~ ~:~e=anJ<•' nouse. :,,.,-,.:ank•~•at :he s!'.iecoa:-'.ia:-:-ar.;~:1; the r:owe:-s as El:en CCOleo!N ~·!th some cf the ar<ea;;:ao:t~!:1..:s. o::1anis h'"""1ll-n;.:c:hekitchen o,s, .e H'.cA.'l!'t"s.::-!l:,- o1ngi::u,-!:1as:rc:1.;,;enet:-acir.sY01:e, A ro~l:1!a cn!:-:"~p!:1; :oucily OU'!'SIJEthew1nC.ow,

l!RS.BANKS A love:,.,::·,el;r:norn!r.~,2:ler:!

:;:·•"N Indee~ !: is, m~~-

1'11'.S•BA.'fKS 've :-~thera ~ull •c';edul•co<::ay. Did :,o•~putthe spoiled eggs 1::ito o,yca:,-ry-all?

AnC Zllen sees OUT, h""""1n5,a• M?'. Banko come• IN !Nm the hall, J!!l-o.Bani<•goesto him with • flower for lu• l>Utto<lllole

MRS. 3/.Jl:'.S ;:iowd1ot1ngu1ah@<lyou look tl"..1• moni.l.ng,G<,orge.

MRS• BANKS It'• Cook, singing.

MR. BAllXS Cook• Singing? Wna;:'•wror.g w!tllhe:-? L thoug.'>.tstena;:ad:hewo::-l<l!

?rod. 2162

...

Reall:r"

Ml\5.BJ!.NKS TaJ<e"i:llen,for !:,a,:ance.Sr.ena,n•c ~roJ<ena d!ah all mcrn!ng.

:-!?.5.BANKS Ar.O<:her:h1=ig. She an:0Cook a~"'ays :1ght li,ce cata and de;;•. But :oi:lay

)lro.3ar.J<spauaeo and locks o.•. ,:o.,ar1the~ant:-,1door. Mr. Banks follows her ga:e.

,,,

AT TP.:E?/INI':\YDOOR

wtu.cl'.1!o;,en1'16.11=-a.Er11~is graciously holdJ.:1.gthedoor open for Ellen.

MI\S•BRILL (!1ng1ng) Supereali rr~gil:!.at!c (spoken) Sure that tray !sn't too 'ea,rJfer you, :l.uo~o? '"i:re,let:ae'old the door for you.

EI-lEI' (ol:1111ngather) Thanka, ever ao.

339 Ml!.BANKS 339

reacting to <:Ill!J.npuzzlement -•

340 GROUP SHOT

Ellen, ><!ththe :ray, comes Ilf,h\ll!llll1ng.Sheputsa plat8 of egg, and 1<1ppe:'o1:,~::-or.torMr.Banko.

l!R.B/lNKS )Undly stop :iakl.ngtl'.ato:tenstvesound with your nose. And •hut:the i.,tndoi.,! ':'hatoird ~• g1v1ng me a headache.

~ Very good, o1r. (ahe 5oes to ·,tndo..-, ~ooko cut, anclCl.I.LS) c.;u:!.e<:!You'::-•gi·,1:1.•~t-.aM"a•~e::-

,_'

M.'!S.EIL//Jo;S I'.'llsor!')'you•r•no,:fee:!:1g"~'.~ this ,n,i::T.!ng,d••::-.

M.'l.:SA?':,(S I/nosaid I':o nc: ~ee:!ng we:.:-, n absoluto!y Cip-cop ,r.ape\

(1rritab!)'") I ju•~ don't understand what everyone's oo conro«nda,ily cheerru: ab-out!

Mr. Bar.ksturns at the somro or Jane and Michae: s1ng1ng, "Sup.,::-cal1frag1l!•,:1cexp1al1dee1ou•"O!'fSC'Em!as:he)'"com" <:ownotairo.

The)'",oarchdownth<>la•t re,.stairs o!nglng, ar:<IINTO the d!ning r<>cm.

3~" TIE DININ~ ROOM

as Jane and l!:ichaelcome IN. ':'heymarenC,.app!!yar-oundthe table, oillging. !'Ir.Banl<awatches them balefully --

MICHAEL /.NDJAJIZ (s1ng:!.ng) • Supereal1trag!::!.st!c- Exp1alidociou,i! Superca11rrag1:1otic. Expialidoeiouo !

As "1-.c!l.aelmarchispasthi• rootr.er,he~uts a bouquet or toorning!lower~ in f:cont or her ~late,

(apprecta~1vel":l'. Sweet! Thank you, :n:,'darling:

.. ..

)!r•. E.ri::;.~•-~ voices :: ~he sor.g.

,~ (slng!ng, ex:•pt l'!r.:Sar.Ks) Super:alif:cagl:ls,;1c- Supe::"caa.1rraglC!s:!c- ~p1all<!Gcious I

IIR.BAN1:S Stop! S:op! Stop:

,,~ Ooo<!:no::-ning,?a:her.Ma::-:,?opl)1'1S taught us tne most wonderf'Jl ·•o:-dt

M!Cl!AEl. (•1ng1ng) Supe reallfragiii•t1o- Rxp1al1doc1ous:

Mr!.31,,.>f!S 'lfnat->nea:"thare you :alld.ngabout? Superca11cal1frae;mm - ~hatever th~ infernal tning 1•!

,- It's something to say when you car,'t think 1<hat to say.

,- Supercal!~:ragili!tlcexplalidoc:Lous) (sm:1.ling) See how it "Orks?

MRS • BAlfi(S Wily,that'• wonderful)

JWE IJlD;l[[CJ!AEL (s:Lnsing) Supercalifragilisttc --

(COtfTINUED)

Prod. 2:02 ,,

(lot Rev, 6/2E/6;

•46-> - - MR. !lAlllrS Wloifred! Will yo" be good enou~ to explain tl'.iounseemly h\ll.labaloo?

)!RS.8ANKS (calmly) I don't think there'• anything to •:,:plain, do you• ::ou•reobvloualy out of aorta tt-.J.s o,orning,and the Oh1ldren came 1.nto ,nake yo" ~eel better i

l!R.!lA.!IKS (with a.-,effortto re,naincalm) I ahould l1k• to <nru<eonething clear, once and for all. I ,...notout of sorta. I OJI!ina perfectly equaSii",nood. I do not require being made to feel betteri

351 CLOSE

on the clock on the aidebou•d. A PINGING SOUND that heralds the approach of elght o'clock.

(<>.a.) Cle<>rge-you a.realways saying ;rou want a cheer!Ul and pleasant houaehol<!

352 IN TIIEDINING 1100!'1 3;,

353 MVIHSh ANGLE 353

Ellen an<!Mrs. Brtll come racl.ng0171'ofthe pantry, thl"'Ougl> the d1.n1ngroom and OU'!'into:he living roo,a. They are followed by l'!ro.Banks. Kr. 3an~, left alone, gets up from the hreald'a tahle. CAMn,. FOLLOWS :ilMto the arcl!way'oetween the ll'ltn,sroc,or and dining room. There is a Chair there.

(CONTDIUEO)

P:-od.2l62 ,,

(lo: Rev. 6/26/6:;;

353 CONTI?roED 3-,

-- l!R.BANKS I have no objection to anyone being pleasant or ~heerfu.l. But I do in•tst on prope:-decorum •·

MRS. il.o.NKS (o,s.) Pive • ~our • 1:hree

Ol'PSCENE,Ad!lliralBoom'• cannon goes OFP with a ohatter1ng ROAR. More than Tl.-IC'Etheusual SOON!l. The entire hou,e quiver• and shakes, There ts also the SOON!lof falling bric-a-brac and rurn!.ture.

The cha.t:,-1.nthearchway Jump• up and atrik!t! Mr, Blink•back ot :he lmeea. He aits do"tlabruptl:,. A vase on the pedestal behind him rock.! back and forth dan,e;er<>uslyoverhi• head. The piano come a ROLLING INTO SCENE, hellllOinghimin •omewhat. Eut in hi• !ndig:,ation, he continues without pause

,,,

354" 1'8S.BANXS

despe:-atelytrying to ateady the ?edestal near the doc:-.

Yea, dear --

_, MR. :SANKS 35S 3--

aet• hia coffee cup onto the piano, ani:lplunk,i. ~, irritably. It gives forth a d.15oordant 50UND. F.epuahea the piano OUT OF SCENE -

356 MRS. EANKS

as the piano rolla INTO s=, and she place• the vaae on 1t•• ,

?:-ed.2162 7~

(2nd Re•,.6/26/1'0'

357 IIR.EMIKS

aa ha M-•ea a::dwalks INTO SCEm: with )Ira.:3anlc!.

1!11.:3ANKS I auggeat ycu have t!Ua piano r,,;,aired. "When I ait down to an instrument, I want 1t 1..,tune!

Jl!!!S.BANK:l l!ut,George - you don't play •••

Mr. Ba.nka - 1n archway to the nall - t::rna...

l!R.E!ANKS Madam - tnat 1a enti~l;; be aide the p<>int:

Re anatohe• up hl,s\.:lllbrellaandbowlerand ,1...,,,OUTthefront do

DISSOLVE

358-362 OM!TTEtl

363-365 =• BAflKll'HOUSE - DAY

aa !'lar;;Popp1.natomeaOUT with l'!1chaeland Jane. Mar;;Poppizlll'_ has a ohOPJ>lni;;llat1nher hand. The eM.ldren a,,ebourvl!ne; happily i,r,:,undher111<!!pupptea.

IW!Y l'OPPDIS (con,oultingher llat) r..t.,.eee -- P1rat err, we must atop at the rlsllme~r•a fer s nite Dover aole and a pint cf prawna --

Mar;;Pcppins, ;;cu•=won'tever leave us, vill you?

MAftt POPPINS (oct heeding) Then the ptanc tuner's. -'J"terthat, to )!rs.Ccrry'a shop for acme i;:u,.gerbread--

/Uchael la walld.iigalong,one root:en the curb1':jand one toot 1n the gutter, playing "long leg, ,hort lag •

IUR'C l'OPPIIIS (oeverel;,-) 1'!1thael,stopstravaigln,g along behind!

{CONTINUDl)

Prod. 2162

(2nd Re7. 6/26/l~)

36:-:

'.366.LONO SHOT • Tl!EIRVIE\olOl"ADMIRAL BOOM'S HOUSE

The Admiral and his man, Binnacle, a.reotandiog 1n a small rowcoat su.opendedby rOpe9 P.ang1ng from overhead dav1to, 1'lountedon the :-oof. With a long handled bruah and a pail ofwater, Bl.nnaele19 9C:-Ubb1ng do"" the side ot the houoe, w>der Admiral lloom'ad1r~ct100.

(C'llllng""""'(io"°)=• Good day to you!

367 MAR'!POPPINS MD ClilLil!il':N

MARY POPl'IlfS Good day, Acmliral:soom.

,,,

(heartily)""""' •= Jl!:1chael!\ill.at:rlne&d7eneu.-..,,are we orr upoi,.today? Going to tight the Hottentot•? Dig tor buri•d treaaure?

,,,

369 CLOSE SHOT • MICHAEL

We1r<>gO:l.nll:tobuy"'=oometiob.!

370 ADMIRAL BOOX AHD BINNACLE IN Tl!El:!OA'r 370

V,n-ygood! Pr<>ceed at tlanld.ngopeed! """""""" (to Rinna~le) Let'a put our backs tnto it, lad! Jloroo8P1tand poliab •· that'• what'• wa,,.tedaroundhere!

,,,

371 U,Ul"llill

l'r<ld.2162

~r<lSSt~.e,cre~t, approaching the park ~a•••· :':leytOJrn et ;:.~eSOUIC Of 31>.RKINGo.s.

372..~rnv. v.:..:.11

of ~ndre•,-- lt:.Sa:ark's dog -- runr.ing d<lwnthe street toward ttem.

373 i'!M---Y:'OPPINS~10.'!"l!ECH!:.:JR~

i'!ICHAE.L It'• Andrew:

37~

Yap yap-yap! Yap-yap-yep-yap!

37': l'!A.'ITPCPPINS

!ARY PlJPPIIIS lot,o fa•t, ;,lea,e. I can't make out a 1<0:rdyou're saying.

,,- -'0

(,lower) ·-· Yap yap - yap -yap: Yap: Yap:

377 MA.'U POPPINS

'" MARY PlJPl'INS (1ncreduloualy) Ag~in?

378 ANDREW 37S

379 MICHA.:;LAND JAME ,,,

r~acting to all th.is

380 AIIDREW ;eo

Yep: Yap:--Yap-yap i

•< . '~--~

330-A l'AilY?C?P!NS

AARY ?O?P!)IS Ye•, of coc:rsei ':'hereisn't a o,o,nent ~o lose, !'ll go ot,-a!ghtaway, !.nd ~hank you .,...IlllUCh.

ANDfu.>I Yap - yap - yap:

CS1 A ~~°tJGE'..>.NGG -··

as /.n<:::'ewturnsar.dGCES. ':'heChildren are :ons,.,,.ed><!eh our1os1~:r.

,- ',lhatdid l:eoay?

,- What else did he say?

~~= (sl<ept1call;) I don't ~hink he satd an:,th!ng.

Ma<7 Poppins take• the chlldren by the hands ._.,,:1takesthe,. n t.~eilr!IECTIONf,;omwt,1ehAndrew came -

Ki>JlY POP?DIS The:ce'sbeen a change of Pl=•! Come along, please: Don't straggle!

':'heyhurry aeroso the street.

ilISSOL",E

P:o<>d,2162

- '/'/~,, - - --

10110SHOT - (MAT':'E)

A street e:x:teriornear!Incle A'-be:-:;',house.Macy Popp!ns approaches CAMERA "'1thJa...,eandllichael,

ar~iIOR - DOORWAY OF micu; ALEER'!"S HOUSE

Mary Poppins raps at cr.edoor "':!.ththeumbrella bondl•' Eert opens the door a,ndlook• Otr.'.His e:x:;,reosior.!• ser!o~•. •

,~, came over the mcm.,ntI 'eard.

,s, HALI.WAY!NTIDIIOI!

,s,

ao they all come Ill.

il!ARYPOfPIIIS How 1• he?

leveraeen 'U! ao 'badao th1•, and ""' that'• the truth.

?:-omOFFSCEIIEcomes a serieo of ga,pir.g,nigh-pitched SOU!!DS.

(inclloat1ng'""thschildren) 'Ow about them1 It's :ont,.gj.oua,you know.

,- Shall we get spots?

lla:ryPoppins motions for Ja...,,.andJlliohaeltootandbelu.nd her as ohe opens the hall door to the front ro<>lll,andgo,u ,,.

,a, IJNCU: ALaERT'S l'RCNTROOM 384

l'lary?oppins and tl",eothersstand at th" door, looking IJP.

MAR'!POPPIIIS (indignantly) llnc!eAlber-ai

(COIITIIIIJED)

-e

CI.ME:IA?!I.NSl;;>;cd!oclC.5e'::l~:.Z=T; flea"~"'- e:tor"l•!al7 up ne._,.:heeop cf tt.e:e!:!::-.;;;,!heti.1.g:1-μ!:cl::.edgasp~:,g SCOIIDSnave ocme f:-omr:!;:i.3utra:her :t:a:i!hcw:.:,ganyo!g::• of ~s::-eas, he "-"-s":;se:,gas;,1:,gw!~nlaugr,ter--

:aJ.ess-Ole•• ':!;!sc1.01i.Zstnat Mary ?opp!::io? .,_--,.··---.,__.,...-,- oee _1oua

DCWN ANGLE

1'!MYPOPFI)IS (,:er-n~,l Uncle AJ.~e::-t,youP=••d!

386 C:.OSE- ONCU: /.lJIEllT

frncw; ALBERT I - I know, my dea:,,t I :ried really I did! 311t I do ao enJoy laughing, you know? (start• to bnal< Ul') And.the toooientI otart -- :.: 1t'• all 'e]2_><1U:i!!_!

CLOSE - JANE AIIIli'IIC!!J.ll 387

'l'hey,tart to g!ggle.

,,, :sEJ!TAND MAR'(POPf'INS 38'

/1\Af!YPOP~!NS Jane! lUchael: DO,:'~you dare! You'll onl:,m.akeh1.mwor,,.! It'• reall7 qui:e oer1oua !

Yea - whateve:"=7oudo • keep a atrll.igl,tfaee! (t:-ying:o stttl• his own ,-1,tng la,.,gh.ter) The last :1..e-- the :ast ttme it took ~s ''"'da:;•tc get lU.ol down!

(:at P,ev.5/2/6'1

,,, "'" LONG Sl!CT

of the r00111.Jl!aryPopp1nB and the others looking trP aa Uncle JUbert bursts into song --

(atng:ing) """""""' I :ove to laugh Ha, ha, Ila,ha Loud.a,,dstr<>ng a.ndclear--.-

389-A CLOSE - :JNCU:Ar.=r

(ainging) """""""' I love to laugh --

(s1ng1ng o.s.) """""""" Elo, ho, ho, he ---

,,,

JllltryPOJ>ptnoandBer. in tllo!,g. llnelo Albert r10at1ng and bobbing above the111--

(01nging)"""-'"""" And it'• gett:!.n/J;"°"""e'<e:cy1ear:

,,, BER'!'ANDMARY POPPilfS

3s,

Mary Poppins turno !nd:ignantly to :S.,rt,whocan no lon;er oontatn h.10own amu.ae&ent.

J1W!Y POPPINS I 11111stSayyou'renot helpii,_gmatter,,!

393 vJUtt£D •

3S' C!.OSI!:ORll!ICLEALBER':'

, ..

(aioglng)="""" The 110,...Ilaugh, Ha, ha, Ila,ha -- The 1110n,I till w:ttllglee--

He bobs UP11ARDS -

eO (~otR~v. 5/2/E3)

395 JANE AND l'IICHAJU.

b\lbbl!ng wtth la<.gln:er

tl!l'CI.E~.LaERT (oingl.ngo.a.) And the mo,-ethe glee Hee, hee, bee, hee

UNcu: .<.Ll!ERT (olngj.ngo.o.) The more I'm a n,errterme!

w== '" It'a !tmbarraaatng! (alngi.ng) Tn!tIOONtI'll a llle"'1'1er!lie) Ha, ha, me, ho, ho!

398 EEllT AND !WI'!POPPINS

Bert onj.ckeringun<.lleeked,aa Mar,-Popp1na regarda him eoldl:r •

(•1np!>g) Some peo;,lelaugh Through their noaea SouncUng ao...thinglike thia - (im.tattng Bert) 3ll!)t!S.llptlSIIPt! ltidicu:to"al Tnat'a wh"-tit ta\

"'' gasping :1n.mirth ""'

t!MCLEALBZ!tT T::~! Tzz:zcz! Tz~:z:z!

,,,

,,,

MA:fcrPOPPINS (atnging) Some people laugh Throug.'l.their:eeth, Goodneaa oakea,

Prod. 2162

s, •,-3t.&V. 5/2/~• ' '

JIIAf\YPOPPINS(cont'd/ (S1ng1ngj i"iz:z:1.,gandhioz:tns Ll.ke onakeo! {<OimicklngClnc:e Albert) T:: I T:zz! Tz:z! (spoken) Not ae all attractive to :!!.wzy of thlnld.ng!

UNCLE I.LEER'!'

floating an<ibobbing and bu:-bl:l.ng--

Oh, ..,,-1

(singing}""" So.,..laught<:>0raot -- (a rai:,1<ilausJl) Some only blaot! (oingle laugh hlaot) Other• they tW1tter lilt: birdoi (b1l'<i-l1keyamm.r)

MARY POPPI!IS {to Bert) I believe you•re as Cad aa he is!

403-A

(oinging)""" Then there'• the l<ind Wot can 't man 11pthe1:-mind (a oerteo of 1.I1oonoluo1-.e laugha)

4o3-B UNCLE ALBEJ!.T

403-B

1lNCLE AI.BER'!' {a:tngtng) ',/henthing•strike me ao !'llnny I oan't lu<ieit inside And 'squeak' A.iitheaqueak~lers do -

(l•t ?.ev.5/2/~~)

62m' AND MARY :PCPPINS

"'" UNCLE AI.EERT (singing o.s.) I've got to lat go-·

-, (:onvulsed and joining !n •ong w1~h Uncle Albert) Wi:h a ho, no, ho, ho!

He rise• fr-om01,efloo:c, mov1r.g·or.o~ FRAME --

As Bert RISES fr<llllthefloor towar<llJncleAlber<: --

(singing)= ha, ha, ha, ha, ha, ha, too!

405-A

as Oncl• Alber<:greeto l-..1.mwo.rmJ.:r--

•06 MAAY POPPINS

reacting "1th disdain --

"'' Macy PoPJ)tn•in the t.g. loolc:1ngUPto Bert and Uncle Albe:.-t"'' perfor,oing an Lmprollll'tUdancestepao they !1ng --

BE!l'l'ANDUNCLEAL!!ERT (s1.ng1.ng) ~ love to laugh Ra, ha, ha, ha! Loud and strong and clear We love to laugh Ho, ho, hO, ho! So ever,-body can hear!

,os

burot:l.ngintolaUghter, and otar1:tngto HISE 011'1'OF "'' rn-.

Rev.

ANOT!!ER ANGLE

a• )!a.ryPopp!'1.a•e1:es~n•:::oy 1::,ea..'Utle•a:2<0er!~• ~o haul the!!!down--

MU" l'OP?::.'IS No,;,don'~70u two s:a:-t --

3!:r."ANDUNC'"..,:EALBERT (slng!.ng) And the mo:-ethe glee Hee, hee, t::ee,hee- The =ore we':-ea me:crterwe i

,,, JANE AND lllCHAE:L

Joi!llng,delii;htedl:,inwith Eert e.nd1J<lcleAl~er-;. Ag"-ln the:,rise our 0? FR.•,MIL

JANE AND M!CJ{AF.:I. (,ing!ng) Ila,ha, we, ho, hOi

IVlutRERAlfOLE

4i2

Mary Potplna re•!gned!:,w.atches Ja.,eand ll!chaelRISE A1it1GO011!'Ol'FRAM!:--

JANE AND Jl!ICl!An. ("1th Bert anr1Uncle Alb•rt o.a,) The IDC>rewe'rea merr!er wei

,,,

-~= Kary in the t.g., look;1ngIll'a,the chtld=n Jotn Bert and Uncle Albert -·

UNCLE All!Ell'I' Welcome, .,,-dear•i Do m.ake:,our•elvee coo,1'crtal>leI

,,, J11ARYPO?PIIIS ,,,

l!A.'<l!"POPPDfS I 1111,eoa:,,you're a aigll.t,~he lot of )'OU!

St:. 5/2/63)

Mary <'OPPl.:ls•-'"'-"t..;.,:ccl!:!r.gtc1<a:"<1tl:e'=>ubbl:l.r.g tOUl""90---

?cu ,a,o", apea:C..'lgct>!g.',t•, :hat rel!l:;.nda::eo:"'7:e-cth<1:-·-

C:XC""..l:.:.!.3£RT A "t>rotl:erS:a:, 1:c.~a,:!ntereot!ng!

-, Ye•, and.:,-oulc,.ok..-ot•'E'•• a !lice ouohy Job !n a watol: ~ao:o:ry-\

ll!fC""..E=T I• tr.atso• \.Ir.atCoe,he do?

You know wot -'adoeo? (lauglung •o he can h,U-dlyget the wo.-ds outi •E stands arou.'li:!tnth.!owatchraoto:ry- all day and make• faoeo !

IJncleAlbert sor,o,.oheow:l.thappreo:1.attvalaughter-·

A 11:!DE.ANGLE ,,,

Mary-!'oppi:,,ointhe r.g. ~oold.ngUP to S<!rt, !IncleAlbert, Jane anQ lltohael, t,owl1:,gandrolling ""-th laughter •-

4!7-A REVERSE OlfMARY POPPI!fS

417-A.

,,,

'''

Sp!t"-ld.ngctbehav:10112',I~ound.a - ho-rseohoetoday. You l<nowwhat that 11earui?

418-A UNCI.EAL6!RJ.'

418-A

I certainly dOl !t :11eansooiepoor horse is ><albng aro,:nQ in his otock:l.ngreet\

a, 5/2/63 1

'1.20 A LONGER 11.NGf..,E

Uncle Albert, Jane and :"'.icnaellaugh1"'con::-ollabl7,:9e:-t has turned all ~he way w'Sl'.DEDOIIN,an:!1• star,,1ngen :ne ceiling in helpless delight --

420-A CLOSE

~20-

on Mary Poppins, look:.ng UP --

IWlY POPPINS Most disgraceful thi..,g!'vee"er 9@en - or my n"-"'eisn'tMary Poppins!

A 'li!DEANGLE

on the celling foursome.

Spealcingof names,-! know a 111a.nwtth a wooden leg na'""<!Smith -•

IJliCLEAU1€Rl',JA/IEAllDKICllAEI. .,,

Reall7? What'o th« name of h19 other leg?

Ul gu:ffawwtl<ll7, bobbing UPWAJwS and bang!ng again~t th• oelling.

422-A MARY POPPINS

422-1

MARY POPP!IIS (!lrmJ.7) ll'owthen,Jane, Miohael! It la time tor tea! I w1ll not have my a.ohe<!1>le d.iaM1pted!

ALOll'IJANGLZ

IJN17..EALB£RT Oh, please stay! Looi<! (1ndlcat1rigtable below) I have a SJ>l@ndidtea waiting :or ua\

1W1Y POPPINS So I aee. It'a 1"'doubted.lygetting cold,

?:,od,

(~st Rev. ~/2/E3J''

t!HC..EALllERT What a tragedy[ 'l'l!etel:i.tahle1• down the:,,e,and we're Ul'HERE! Mary l'opp1no, :an't you he!i,uo?

423-

423-

t!HCLEALEERT Well - I diolike to aok tl>eoet!-.1..'Clgs, but yo<leou.J.dmanageto get the tea table to -- (he pau,eo, loold.n,g DOIIHand 0.S., pleaoed) on ---

423-n THE TEAT=

1123-l

t;uive:-ooliglltly,and RISZS Ttl\iARll':'!IEC£I!.ING--

wcu = (0 •••) Splend.tdl Splendid: 'l'l!ankyou, ,q dearl

,,, UNCLE ALl!ER'l',JANEAND f!Il;J!AEl, ,,,

t!HCLEALBE!!T (to the Ch.lldren) Keep your feet batk! 111ndtl>ejUll

,,, A LONG .Alfllr.E ,,,

as the tea table comes Ul'and oettles itoelf tn the center or tileroursoma --

Qcod-Ohl I knew- 51,e'dbrtng 1t off!

,,, Jl!ARYPOPPilfS

''' lllARYPOPPINS Next th.J.n,g,Isuppoae you'll be w,u11,ingmeto pour out.

She RISES OUT 01!'FRAMEtowa:'<\the ceiling --

?::-od.2152

(1st lie•,.5/2/63)

A LONG ANGLE

l'IJ\P.YPOPPINS Ver:,well. Ir you'll :ust ,top behaving like a pack of laughing hyenas --

,,,

,,,

as ~""7 P<>μ,iina-"!SES:m:oSc::;:NEatthe end o: :ha tea tabla.

Yeo, please.

!ARYPOPPDIS Bo!rt?

-, No suga.- re::-ma,than!UI.

(aaMat,~. pou::-1"'5 milk into tho O'lPO) 'moo glad yo'1'1"9her<>. It wouldn't have been amr run wtthout you.

(the OWi.Veoottversaticnaliot) ""' Del1;.httulweather we•::-eha'nng re::-t!lia time or yaa.r,don't 701> ag,.-<,e? (Mary Poppins gives him a eccl glanoe and han<is h.1mM.o ellp)

,,,

,,,

(C01trl:OUED)

as (lot Rev. 5/2/63)

OONTINl:O

ONC""..EA!..BERT Spe!<kingor -~ea'Cher,youbow, a f:-:!.endof~:ie wen,:to tuy oome long

'!10"1<longdoyou want it!' And my ~rler..doaid, 'Oh, frc,mabout Septeml,e:- to Ma:-chl'

lauglluproarioua:y, and bob upwardo

SERT .,,

,,, A WIDE ANGLE .,,

All -wtth the e><cept1onof Mary P<>pp:!.n••laugh and bobble ahoc:t. ~e tea table tip,iand owaya precarl<>uoly ••

MARY POPP:illSAND UNCLE AU!ERT .,,

lJrmiovea,ohe hanclaa cup to llncleAlbi.rt ••

IIA.<[yPOPPINS Your ;;ea, Uncle Albert -·

~== Thank you, m::,-dear. I'm hav:l.ngsueh a g<>odtlle. I "1ah you OOUld .rr- otay up hen w:!.thmealwayo.

MICl!.&.n. (llappily) We'll Jolly well have to! There's no wa7 to get do,m!

TIIRU 0M1ITED 479-B

l-79.cUNCLE ALBERT

~== Well, to be honest, there is a wa:,- to get do,m. But rrankl:,-,-rden•t like to aientionit. You have to think of something sad •·

P:rod.2162

,, (lat Rev. 5/2/63)

"79-D MARY POPPINS

Then, do i;et on with 1t, Pl&aoei

479-F

starting to Dl!OPlleh1ndthe tea ta\lle,a• their race• g:-ow oomber --

o= Oh - that ts oa<l!

The POO:t'cat!

,a,

Y•• - the man said, 'I'm ver-:,oo=,- ""'"""' a\loue:rour cat. I'd like to replace it.t '',/ell,'•aidthe W<>IIIAn,'that'•allHgllt Wl.thme. l!uthow are :rouat catching llice?'

Bert and Uncle Al\lert_,__whohavebegun to DROP \lehindthe tea table, •ud.<lenl:rBOll\!PWARDS,asthey burat into roars or laughter.

480-A Ji\NEAND l'IIC'liAEL

shoot 01'again ""-

1.80-B Jt!AR1:POPPINS

480-B

regard• thie d!sapprovingl.7 --

480-C IJIICLE~

i.ao-c

You see? I do""'try-to=\lesad. ~, •"-how, eve:t')'thingtu:mao"t h1larioua i

48o-D BER!'

'Old on! I know-something sad. A real •ean-wrtn.ger, 1~ 1a, Conc,rning m• ~ouain, 'go went o"t 'witing w1th a gt.n one day. •:;;nevercame bael<.

T?leystart to SINK again •-

80..'1"!' \/edon't really knew. Near as we ean make cut, "omething 'e dloag:-eedw1t1> ~ '1m! -

They .;u.i'fawandshootIJl'asa!n --

JIW!Y POPPINS ,,, "'' glaneins at her lapel watol> --

MARY PCPPill"S That'• qu.1teeno"gh ct that! It'a ,a, ,, ~~! - -

,,,

m<= ,- .oJiDMICHAEL ,,,

""""·

~. that'• Oad!"'""That's=:!!!!.aad!

Thsy all begin to slowly ll!l()Pbehlcdthetea table --

493-A cr.osE

on IJncleAlb"l"t, aa h1a head llROPS011?OP FRAME ••

Th.at•athe saddest thlng I ever heard!

A LONllANllLE ''' llaryPoppins1~ already down, waiting, aa Bel"t,llnele Albert, Ju.e and M!.ehae1llltSCENDIll'l'OSCENErrcmabove. They go uncere110n1cualyto the rlccr, all ending in s:ttt1ngpoa:ttiona.

!ARY POPPINS (oal.mJ.y) along, Children! Spit-apot!

,,, -

on the seated group --

~ -~ (tearru11y) Must :roureally go?

P:cod, 2162

(lo~ Rev. 5/2/6''''

•ee

Oli'CLElu,fil:RT (oobbing) People come to see 1!18• and we have lovely t!Jne. Then they all have to ,.•

AT 'l'l!E:COOR

Ma:-yPoppins, Jone and ~ee!ael ~ause to lool<hacl<••

Don't "0rry\ "'"=l,,le'lltebacl<soon:

,- Thank ycu\ We've had a lovely tiloe\

MARY POPPil!S De l<eep on eye on Uncle Albert, will you, Bert?

BERT AlfDt!NCLY.AIBERT ''' Be:-tputo an arm around the dlsconoolate Uncle Albert •• ""

I'll o1t witn """'1"'awti1J,e. (tc Uncle Albert) I •ave a cheery little otory, I'v• saved ror Juot ouci,an ooeaoton. Would you like to •ear 1t?

llNCU Al.B!RT (oobbing) I'd ba oo gratef'ul.

4B8•A TWO SHOT PAVORDl'Gl!EltT 11aa.•

11:1.ghto.About.,.."""granddadc2y,itts. 'Ad a nightmare. Scar,,d '1.!lloomuch, 'e el>....ed.'1•pillowto h1ta\ Next morntng, I aal<ed 11.!ll•owlierelt. 'Not bad,' •e •BY• • 'justa 11ttl• do,m 1n the -""'Uthl' - - -

488•B t'WOSHOT • FAVORING UNCU ALBERT 468.B

Uncle Albert br!talc!intor,-eahtears,

?rod. 2162

,, (2nd olev,5/'-4/63)

"" (,Joyouely) - I alway, oay the.-e'•nothing l!ke a good ,Joka.

UNCU I\LBE!IT (oobb1ng) Y•• - and :hat'• nos:h1ng:1ke a good Joke.

DISSOL7E

E:XT;:llIOR-ADIURALBOClM'S ROOFDECK - DAY

~•k on Che:,-ryTreeLane. ~dnliralBoom 1• ,tandlng nut "'' eo hi• cannon, w1th arm uptlung, eyes on IU.swatch, r-esdy to g1ve the o1gnal to "FI:RE:". illnnaclastands next to the cannon, ready with the gunner•• match.

AD!llRALBOOM Pirel

illnnacl• appl1e• the match to the touch-hola. Th117br•c• the...,elveotor the explooicn. There 1• a S1Zzling ancl grumbl:lng SOUND from the cannon, but no explosion. They turn to look queat1on1ngly at tt.

Mra. Ba.nka,Ellen ar,dllrs.Brill are all ready, val'icusly holi!ln.gthebric-a-brac and bracing the china cloaat. The explos1cn of the cannon tall• tc eventl.late. Puzzled, the1r heads turn towsrd the di?'ect!oncf Admiral Boom'• o,a. rooftop.

ON THE ADMIRAL'S ROOP ,,, "'' He is gazing irritably towar<Ithe cannon, trom wh.1ch the • 111Utte,:01nganda1zzl1ngSOUND ot1ll comes.

i;oeato the !IIO•ff:hofthecannon and peors 1nto the "'' sizzlingbarrel. = the cannon oomeo the SOUND or a sr-.int,a small apologetto teloh and a spume or 'olaoksmoke.

?:-<,d.2162

,- (l!tRev. 5/14/ I

B1nnacle pi,llahack and turns to Ad..'lll.ralBoom,salutlng. :3in.'lacle's!'ace1sblackened by tile•••=*•.

:3DINACLE Sir! w1,11to report wl!atappear• to be a wet powd.er•it~ationl

ADMIRAL ilOCM (cre•c~allen) Pity\ St1l~ - tl!ereare days when th.ins•don•t <:_t.:.ltealwa:,ogo':3oom', aren't ~hee-e?

Blnnaele ;,iekaup a amall kes of powder.

:3DINACI.E I'll take this lot down to the galley, air. !lave1t dried out in a Jiffy.

Admtral Boo,.salute• mecl!anJ.callyas Binnacle OOES OU'!'. :eoom.look• over the parapet, =acts. ,,,

,,

or !II:'.Eanka,walking Slowly past, Oent in !hought. ,,,

pi,zzled.,consults his watcl!. Leans over the Bide to bellow --

"""" ~~ Late tonight, aren't )l'OY,Banko? aay -- Bank•!

I<!ll.BANKS ,,

continue• ><alkin,;,w=-appedinmeditation, ,,,

ADM!ll.,\LBOOM (ca1·:1r.,;aft~r him)

:2aru<aI

(ls~ ~•v.

,,, THE FRONT WALK

aa 1'11-,Bangapproaches hi! own frc,ntdoor, un.~eedl.ng Ad!lliralBoon,.

499-504 DffERIOR - :SJUIK.S'F!!.OIF.!i.!.Lr.

aa Ulen, holding a vase mider one a:,n,OPENS the door for Mr, Bar.ks. :1ehands her hl• bowler and gloves, as he ataggera under an ONSLAUQHT \>:;Jane and )'ichael,who raoe INTO SCENE:. They are wearing tneir n..l.ght:hir.gs.

,_

Father, "'"'reso glad ycu•re he111e! We've been waiting for you!

MICHA..'<"L Want to near a joke?

,- We had the 1110stwonderful afternoon with l!aryPoppins I

,_

Fl.rat"" went to tlr:cleAlbert's and we floated in the a.1r- !

~= I know a 111anwttha woo<len leg named S!llth--

,_

And we had tileo,ostbeautlftlJ.tea part:;! -- And --

Just a moment, please --

?:-od,2:62

(ls~~•"- 5/14/f ' ""

499-:;04CON':'::Nt/U)

)!!CHA.EL (,tubbo:mly) Tl",ere'sthis wooden leg nrun,,d Smith, Md :here was another chap --

JA.'!E T.ie:-ewesat - the :oe of us bobOin;:around Che ceiling ai::-yasyou please!

J,!ICHAEL T.leoe:ond chap say,, 'W)l.at'•tile name of 111sother leg?'

MR. B.o.NKS StopI Stopi Sto:;,l

,- Mary Po:pp!ns,ays lf we are g<:>0d, •he'll"take uo there agaln wt,en -- (Jane's speech trails off as ohe sees her father's ex;,ression)

505 M!l..:SAIIKS

looking o .s.to --

500 MARY POPPINS

Callnlydescending tl".eota!rs,

507 MIL BANKS

?:ood. 2l62

a, (l•t i!e•,.6/13/$3)

;05 A ',/IDERANOU:

,,a -- M.'.JIYPOPPillS A• you wion.

Subdued, the Child:-en go !IPthe ata!:os. )!ary?oppina goes ~nto the froritroom, followed by Mr. :Cariko,><hocaref:.ll)' :loses the dou])le door leading to the hall.

MR. Bi\N1tS (as he Clo•e• the door,) i'<lppins- I ve"'fmuch ::-eg:oet>rnatI must say to ,-ou --

CLOSE

as Mary ?oppina and 1'!r.Bank• come IN. /'!rs.Banksis Juot replacing some 01'the Cr!c-a-Orac !n her arms.

I should love to stay, hut I must dress for a rally !n :!empstead

(firmly) ldni~, it is my wish you Oe preaent.

MR. l!llITTtS (turn!ng) Now then, Poppina, I must c,:,nte,,,_I'm disappointed in you.

':ll AT Tl'lEKITCHEN DOOR

Ellen and Mr-s.Brill, heads together, are listening tnrougn the door, ajar

(CCNTL'WED)

~ (lst Rev. 5/14/i:""

CON'!'lN';JED

SIie's for .1tnow.'""'I''te'eaM.tile Master do tl!!sspeeol!before.

MRS• E.'l~ I'll te !Or."'{tosee her i!;o.SIie wasn't a ':>adsort for all her o:range way• --

5l2-528'IN THE LIVINIJROOM

MR. E!JI.NKS In :ig.'ltotwhat na• happened --

MRS. llJI.NKS George - are you certain :,ou\<no" wl!atyou're doing?

SONG: (a.1nging) -

A !lr1t.1shbankis run nth preoia1on A British horoereqUirea nothing leoa Tradition, diSOipllne and rules Muat be the tools Without them - Disorder! ChaoaJ Moru d1s1ntegrat1on! In •hort, you have a ghastly messl

(CO!IT!/fUE!l)

;12-;:

MA~Y POPPINS 5upe,.cal!f,-ag!~1st!ce,:pia.11::!ocious•

IR.3Al/KS or course. Than.-::,-ou. (Singing) And popping :l,..-:,ug.~p!c:u,.eo Eave little use, f.ilfillno hao!c need They•-,•,:otto learn the honest truth Jespite the1,.7outh They must learn -

IR.EANK.S :i:J:actly!

IR.EANKS Quite right, ?oppins:

l!/.EYPCPP!NS (sir.g!ng) ',/henga:lng at a graph That shows tC,eproflt• ~p Their liCOle c~p of ~Cy Should over~low -

Pree1sely'

M"-~Y~CP~INS (sin;;lng: ~:•• t!me tc,e7learned co wal~ In your fo~cateps

Witb.~ri::!e.

P:-~d. Zl€2

MR. ilANKS Absolu:ely correc;;!

)!JlRYPOPPINS (aingJ..ns) To,co:-:eow ~us: a.syou suggesc ?:-eSS€d ar.dc:-eased Jane llldMl.ohael-~J..11~"atyo•or side!

)!ILEANK.S SplendL:l! You•ve n1: :r.enail directly on Che -- (pause) At n,ystc!e' "lll::ereare""gotng?

JIIAJ!YPOPPINS '!'otheban~, of course. ~actly as you proposed.

Ill!.BAN!r;.S (blanl<ly) I -- ;,r<>pased?

lla1"7Poppins goes Ol11'.

Jl!R.BANXS Goad nigh.t, Pappina.

MRS. BANlCS Goad night.

l'!:,,.Banksturr.ssomewhatdaaedly to his wife --

'IRS.BANKS I: certainly so,.,ndedthat "SY, dear.

He Cl\ucl<lesin sel~-satJ..ofactton.

c?'od.2162

"O {1st ~""· 6/26/63;·-

~29-533 =• ITTll!SERY

Jane and Michael run to u,e door "" l!!ary?oppins cccoes!N and clutch at her --

,_

(tear!'Ulll') lie.Mary P0pp1n~i Noi liewon't let you goi

)!ARY?CPPDIS Go• Go? llha1:on earth are )'OUtalk1!lg about,,...

-~= Didn't you get ,acl<ed•

MA1G"POPPINS Sacl<ed? Certainly not! I am rtev<tr oacl<ed!

,_ (rell.ev<td) Oh, Mary f'oppinoi

- ""

(CO!f!'!NUED)

:~o

CCN':'INun

,- (wid~-eyed) An outt:1,;•.:.11:hFacner?

-!!CHAEL I don'c believe it!

,- He'• never taken U! :or an outing ·oefore.

l'IICHAEI. He'• neve::-ta:a:en:.isanywhere,

MARY POPPINS

,_

Mary Poppir.•, you muat have put the ld~a in his head aom@how.

i'IARYPOPPINS (o~ssly) Impertinence! 'I/hata rude thing to oay I I never put things in people's heads!

She ha• herded the ohildren to their bedo --

,_ Where 1• he talcl...,g'-'•? • 1'!AAYPOPPINS To t,.,e:3anlc.

,- (excitedly) In the City? Oh, M:l.ohael- ima~tne~ The City: We •hall see all the O!ght•~ Fathire an point them out to U!I

MARY PCPP!NS Perhaps you can show your father a thing or t-'O.

'!ARYPOPP:li"S Be :ha: as 1t o,a:,.Si.::sometl..i:teo,a ;>eroon we love - :hrou5h no !"ault of t:1•o"n - :an't see past the end of ~1s ,;ooe.

,- T!oenwe "''-'•:helpI

,_ 3:ow,Mar:,Popplr.o? Howl

F:-omher dreos1ng table nea,:,theCC>Mecting door to the nursery, Mary Peppin• tl.astakenorr a Victorian-style pap@r- ·~eight. A s,nallheavy crystal ball conta1n1ne; a replica of St. P~'-'l'acathedral. Ao the Children look •·

,- (0.5.) Yes?

535-536 MARY POPPINS AND = CHlLDI\EN 535-53

ao Mary ?oppir.ssits on Jane•• bed

SONO: i'W!YPOPPINS - (S:1..."lging)

Earl:,each day To the steps of St. ~aul' • The l!t::leold bird lady comeo ~n he:-own apectal ,..ay T" the people she :all• - •Come buy Jr!'/hag,full o~ orumho'

MARY ?OP?!NS (cont'd) (singing) Come ~eed ~he li:t:e b!rds Show them you care

':hei!"youngor.esa,-ehur.gry T!lei!"nestsare so.bore All !t takes !a t..ippence "'°""':;ou--

,,,

on the peperweignt, A st.owe,-or••·h!teparticles,

suggeseir:g

b!rds, flutte!"s 00\ffland~OUT tr.e:oepliea or St.

Paul's, l.tomersed

n the liq:uid "!thin the glass paperweight.

DISSOLVE

GD!~ CLOSE on the E.i!"dW<>inan.The~igeono Are poking Around her long sl<.1rtson the ground. ':'heyarein her pooketo, on l'.e:-shoulde:-s,andin the a!r a.b01.:ther.

CAME!!A rs MOVING BACK to ::-eveal11aorescopeor th@ cathedral. PANNING UP',IARD,lt:cevea:, tne dmne and large flock• Of pigeons fl:;ingabout 1t.

AARY i'OPP!NS (s1ng1ng o.s.) All around the oa:h,.dral The Sa1nts an<!Apootleo Look down a• sne ~@ndo l-.erwares Althougr.;cu ca.'1.'tseeit Yau know :he; a!"es:n.tl1ng- Each ti.mesomeone shows that he eareo... Though -~":-~o:odsa:ceslmple and few Listen, C:!.sten.sne'scalllng to l'"" l""@d the oi::-ds,c\1ppencea'bag. Tuppence, :upvenoe, tuppence a bag.

(CO!frINIJJID)

Prod. 2162

10~ (lot Rev . 5/27/63) ,

,,s

-- INSTRID!!':NTALMl!SlCastilel>i.rdswheel an:Ct=n overJ-:ead- ::'l!ELIGH!'heginsto CKANGE. DUSK falls onto :.,eseene. r'CI•bir,;isflutterdown ar<>ll.IldtheBirdWoman, stlll poldng around her skirts, snuggling into her pockets, s!t:!ng on :,erhat.

DISSOLVE

on the glass papervei;;t,t.

540 MARY POPPINS

(stnging) Though her words are simple and few Llaten, listen, she's eall1ng to you

,,,

ae 'laryPopplns tueks the covers closer about Jane and Jl!iohael,who are asteeJl.

'IARYl'OPPilfS (singing) Feed the bi:-ds,tuppence a bag l.'\l.ppenoe,tuppence Tuppence a bag.

DISSOLVE

EX'?.DOME ST. PAOL•S CATHEDRAL - DAY ,,,

CIJIERAHOLDS ON the dome for a moment, then slowly pans DOWN to a olty stt'1'etnearby. OOT of the paose:-sby eme:-ge• Jl!r,Banks,followed b")rJane and M1o.'1.ael,holdinghando. OVER SCENE we hear the EELLS of St. l'aul's.

GROOI' SHOI' ,,,

CAJIIERAMOVESWl'.t'l!I'll,.3anks,Janeand)U.octaelaathey wall<down th<tstre"et, appr<>aontnga corner.

"11. BJ\NKS Re01e01berthat a bank 1• a quiet and deeor<>= place. '!'hebestbel-.avtour ts requ1red.

~~- I thought tt wao your bank.

Pro<!.2162

:cu (1st !le7,5/27/6;

They ha'Tereached the co=er, Mr. Bank• otart,

around !t,

"hen 5uddenl:;Jane reacts to SOOlethtngo.!.

l'liohael!C-,ok!·=

The t.,,0c~l:lren pause to look o.s.

or the BIRD WOMAN. Seated on tl\e steps in front or St.

Paul'•,

she 1• surrounded 'o:,wal;cJ.ng,flying,fluttering blrda.

~.

proffers baga or breadcrUlilbatothe pas,ersby --

JAl'<'.E,MICHAEL

~- - ·- MICHA..."!. It'a her!

~- (turn.tn,s;puzzled) 'oho? ·- It'!WhO?

THEIR VIEW

or the Bir<!Woman, a• a paaaer'o:,stop, to buy a bag or crumbs.

(o.a.)·= Just where Mar:,P<,ppins aUd she'd be!

You do see her,·=don'tyou, l'ather?'

(CON'l'DroED)

(lst Rev. 5/~7/€3)~

Jl!R.BANKS Of course I ,ee her~ Do :,ou,:):inkI can•t aee paat the end or "'1nose?

(looking~-o.o.) Oh, liaten, J-ather. She•• saying 1:1

548 T!!EL'l7L,.--W-T:I!::EI:!D'.fO~

El:RD110"-'N Feed the birds! !'uppenc&a bag! P,,edthe htrdsi

MEll.CLOSE - JANE, MICl!A.ELANDJl!R•BANKS

111!..BANKS (puzzled) I/hatelse -.ouldshe say? --

,- 7leaoe, Father, u7 we feed the htrdo?

Whatever for?

CLOS;;:-JAME A.NDl!IC!!AEL 549-A

look:!.ngupplei>dinglyat their rather.

~~- I've got tuppence from my mcney ho:t.

,- Juat th.1•once, pleaoe.

549-B

MR. llANKS 1/aateyour money oo a lot of ragamuffin bird•? CertatnlY not!

549-C

,- But Mary Popptna s2yo

549-D Ct,OSE- MR. BANKS 549-0

MR, lllOOCS I am not intereated in what Mary Poμptna say•. Nordo r wiah to keep hearing her name for the :-,,storthe day. Now, come along!.

P~od. 2162

1~- 5/TT/63,

c:.os:;:CNMICJ!AEL

:~•· o,ytuppence,~-Fathe~.

He starts toward the bird woman.

549-F

•• he "alks to1<ard:he Eird Woman l.nb.g.

i'!R.BAMKS (c-.,.J l!l.ehaelI

J!1ehaelturns t~ look at hi• father.

MR. llAN"ttS I><111not perm;Ltyou to th:-owyour money away.

550-B

•till looking back at hi• rather, trying to dectde.

551 WIDE ANGLE - i'!R.8AMKS,JANE AND )IICl!AEI,

,,,

Mr. 5M>ka otarc, down the •treet, aa Michael come• INTO SCENE to join Ja.ne. She take• h1• hand, end the children start down the atreet behind their father. llichaellookS back O<iott'Jllytowardthe Bird Woman, o.o.

:e,= WO!l!AN (o.s.) Feed thebirds --

''' 552 the Eird Woman, aa •he look• arter the~ 1.mpaoo1v~ly.

:3IRilWOMAN Fe~d the bird• --

DISSOLVE

Prod. 2152

'-- (ls,;Rov. --

-- 5/29/63) A-553 CLOSE ON PLAQUE

whioh is on the ped1men: hl.g.'>ahovethe:olumr.so: Che hank. CAJ,!E!!AHOLDSonthe Plaque "'hi:hreads, "T'!:SDAIIE:$, TCl!ES,MOU5LEY, GRUBBS l'IDELI'l'YFDUCIAi!Y3Af!Kr.TD."

D!SSCLV".:

: 1s a 111asoivo,oent,.,r1es-old•truoturoof<!&oor.mtand PNPri&ty. Jllr.Saruc•andthe ohildren deooend th& steps leading :o the huge doors, "h1oh are flanked hy stately columns. A doorman stand• ready to adJn1ttho111toohe hanlt.

553-

•• the doorman opens the door for II![-.3anl<!andthe ohl.ldron,usher!ng the111intothe MaL~ Hall.

LONG SHcPr - !NrF;RIORTl!,:;"1An/HALL

,,.

SHOCII'INODOWNon tho counting and d,.awinghall "h•n tiletellers' oagea e:,-e.Th.eat1110spheN!tohual!•d. II![-.Ba.nlcaandtileol!ildrenwalktowaN!oaaaera,paot the teller's oage•.

as they""lk down the~ aiole. Janeand lliohael look ahout the111!nwide-eyed ""'nder••they paoa the teller~• oa;ea. Both tellero and client• speak in tones olightl:, ahcve,"owhl.oper.Meoaengero gob:, on noiooleso feat. The inteMor of a cathe~ral could not he 1110reaolei:,n.

;_, ·- WIDE ANGLE - THE LOIIBY ,,,

Ao they reach the end of the hall, they c011eupon the lobby of the •~•cut1ve wing into which the directors' otftoao and the hoard :-oomopen. i'!r.llanl<sandtile Ch:11<1renstandwai,;!ngao the l!eoars.~AWES, T02'1ES, MOUSLEY and GRUBBS approach ~hem. _,,.-- l'!ED.CLOSE- crROUPSIIOT

;;6

ao Dawes, Tome,, l>!ou,:e:randGrubbawal~ toward Jllr.Bank• and the oll.il<lren.

i'!II.DA\IES,JR. Hullo, Sanko. What•• all thio ahout?

'!'heBanker,,stzr.dlook:1ngdownat :he oluldr..n.

(CONTI.TIED)

?rod. 2162

;ca 5~9/63'.

CONTINllED

MR, BANKS These~re o,ychildren, )Ir,Dawes.

JI!!!.DAW"'...S,J11. So I asslll!led.But><nyare they C.er<!?

556-A

to IlfCLU!IEthehacks of ~he ha,nkero.

556-B

556-B

The1r face• ohow the1r appro~al, a• they contL~u• to look down at the ch1ldren.

MR. OAWES,JR. Oh capltall Capital! l.ndhov much money do you have, young man?

556-C CLOSE ON JANE ANO MICl!An,

~= (cloo1ng hls tiot protec:lvely on the tuppence) Tuppence, hut I ""nt it co teed th" l>!rds.

i.11.DAWES,SR. (o.a.) Tupp.,nce!

556-D

Sl!oarINGACROSS the lobby to the far door thr<>ughWh1Ch MR. DAWES, SR. ha• juot einer~ed. He 10 a frag1le, atooped man or ninety-odd yearo, and •• he m.aktl•h.1awayacrooa the lohby toward the i;roup,he leans heavily on a gold-headed cane.

MR. OA'IIES,SR, Tuppence! T!l.at1•Pr<!~loelyhow I ,tarted...

556-E CLOSE -MR. llAlllt3A1IDTI!Ec:"HILDIIEll

MR. BAlllt5 (le..,,lngoverandWl>lapertng to the children) The elder Jllr.o.a.....,s,Chai:ro,anofthe!loar<I. A giant in the -..orldoffinance.

P:-ocl.2162

1~9 (lst~e•,, 5/~9/63)

536-F CI.CSEON MICHAEL

••6-'•••

(perplexedly)~- A glant?

557 HIS VU'W

of~. Dawe,, Sr. a9 he totter, acros, the 1obOJ towa~ the group, C.:.ME!IAMO= "1th h1.ma• he moveo into ,cene onclstando d:l.reotlyinf:-ontof fll1ohael. -

JI!!!.DAliES,JR. These~ !lank•'•o~.J.ldttn,Father. They want ~o open "" aooount.

MR. llAliES,SR. I know, bey - I know!

I.athe Ole!inantotter,paot h1• oon,he rap• the Jr. Daw••' anltlea"1thhi• oane.

MIi,DAWES, JR. Ot oouroe. So:-ry,Fatha:-.

MIi.llAliES,SR. (9tancl1nginfront ot lflohaelanclextencling h19 hand) So you have tu~enoe, May I be per111:tttedtoseelt?

557-A

557-A

as he looks up tear!'ull.yatMr. Dawes, Sr.

(olutehing~-thetuppence 1n h1• ft,t) I neeclit to feeclthe bll"da.

557-ll 1!EVE1iSEl.!fGLE-MR.DAliES,SR.

557-B

ao he peer,,down 1i:itothebOY'• face.

i'!R.DAliES,SR. Jl'1ddlest1cks!:P,,edthebirds and what haveyou got• Fat 1>1:-do!But -if you 1nve,tyo= llOney "1oelytn thebank - (oing:ing) Sare and.oouru! Scon that tuppenc9 Safely invested in the bank ~1li eompo=d ....

Prod. 2162

(l•t!\ev. 5/29/63,

557-C CLOSE ON M:!Cl!J\EL

557_,

pulling back as !Ir.Dawes, Sr. leano over h:1.lO-

MR. !lAWES,SR. (sl.ngj.r.g) And you'll ach1~ve that oenso of con~ueot As your affl:2•ncee;-q,ands-•

057-:

1.UT<>undedbythe other banker• 1n b.g.

IIR.DAIIES,SR. (o1ng1ng) In the han<i•of the <1.1,-.,ctor• Who invest a• Pr<>pr1etydemands.

fepauses, out of br,,atl>andexhausted.

557-E CLOSE ON 1'1R.i:!ANK.S

557-E

~- ,., ,. alr? •=

557-F CLOS!!:ONMR. DAIIES,,,.

557 -I'

DAWES, ,,. ~- Carry on.

557-G =~ m= - ,,.

~- •= -M. DAWES, 557-0

in r.g., "1th Daweo, J"r.,~ •• Mousley and Grubba 111b.g. They all face the Chlld.~n, ao !Ir.Bank!,tM.es to l111Pre•• l!l.cba&lWlth·the·tmportanceof sa"'1nghla tuppence.

MR. DA'olES,SR. (spoken) The •h1pa! Tell h1.mabout the •hips:

AA. BAJOO! (ain&tn!!;) Fleets of ocean g::,eyhounda!

1!!1.DA'olES,SR. (opoken) l!cre!Tall him mere!

P~d. 2162

11: 5/29/63)

557-ff CLOSE Cl/lllC!!A..""I.

ao he looks ~p at the group.

MIL :SANKS (singing o,s,) MaJestic, oelf-uort1•1ng oanalsi

557-• C:::.05E011It'\,DAWES,SE.

557-.r

MR. DA'WES,SR. How it fire• the1mag1nat1on!

557-K CLOSE 011l'!R,BANKS

557-K l'IR•EAl/KS (,1n.;1ns) Plantation• or rlpenJ.r-3teal All rro,o-

557-L GROOP Sl!OT

557-L

Mr-,Banko and !tr.~•~eo, Sr. tn :!'.g,"1ththe other bankee-•in b,g.

MR. EANK.S5,Tll3:D!i!EC'l'ORS (o1ng1ng) Tuppence - Prt>dently,th:r1:!'t1ly,:!'ruga1:y Inveat1td1n the --

MR. DAWS, 3R. To be spect:!'ic--

MR.BANK.S5,THE DIRECTORS (singing) Inthe Dsveo, TOl!les,Jl!Ousley,Grubba- Fidelity, l'1duolary E!anlc!

,,,

Jone and ll!j_chaelatand1n:!'.g.watching•• i'!r.Dawes,Sr. pound• on the !loor·w:1th_h1scane, keeping t1.meto the muslc,as Mr-.B""ka and the <U.rectoramarch past him.

CLOSE OH Jl!R.DAWES,SR.

558--',

as he p0W1da his c&ne on the flooe-, '!'heOhildr~nwatch f:-<>,ob.g.asthey huddle together rear~uJ.ly.

(lot ~e·,.5/29/63)

•·•-~'-'-a

SSB-:

Dawe,, Jr., '.!'oa,e,,i'!oualeyandG:,uh~•••they!llarol\ past ca.a,ere.

··9 -- CI.OSE- l!R.DA"oES,SR. -- •••

-~"

as he leans over anG exoends h.!•ha.~d:o 1'!:ichae!!or the tuppence.

)!11.DPW:ES,SR. Ve:-ywell, ,zy-Ccy--

559-• CLOSE ON MICJ!A"""

509-J

)UCJ!A.El. Nol I want !t to feed the Oirds!

559-E c:tOSEOff)!II.DAWES,SR.

559-B

ashe looka up angr!ly an~ shouts -

l!R.DAWES, SR. (shouting)

559-C CLOSE CN MR. BANKS

559-C

Ml!.BAAKS (nervouolyJ 11'-- (leaAfng o,·er!Uchael) low,1!1chael,when you ~epooio ts,ppence hank account -- '" ,

559-D P.E"IERSE-CLOSE ON MICHAEL

559-D

559-E CLOSE OH l!R.BANlC.'I

559-E

l!R.l!ANKl!- (,tngtng) That it hloom.stnto ctt<Ut or a genero~s a.eiount-- Se.mi-annually.

Mr. Daweo, Sr. and oh~ other hanlceramove !n Cl.OSER,

(COIITilflJEO)

c:mT!NUED

(s1ng1n;,;)= And you'll ac!"Jiovet:Jatsenseo~ otaturo Ao your influence er,,ands

559-:i'

as llr,Dawes, Sr. leans over h1:n.

(oing!ng=o.,.J To Chat l".~gnflnanc1alstrata That estal>lished:red1t now cootm.and,:

S59-G

5S9·C

of Mr. ~awes, Sr. who start• advancing towar-<1tnem.

MR. DAWES, SR. (singing) First :.ndSecond Trust Deeds (spoken ao he lean, towar-<1tneChildren) Thtnlcof the fo"clooures:

559-1!

559-H

as they look up perplexedly at Mr. O..weo,Sr. Ao he l•=• clooer and clooer, their expreoo1ons change to tear.

MR. DAWES, SR, EOndo: Chattel•i Div1dern1,: (l~an• clooer} Shares i

Durin~ the •hove, Jl!r.Eank• and the other director, ElfTEI! Fl!A!l!E:.ndheginadv:.neingonthe children, who hack away fearfully,

059-J '!'HEDIRECTORS -JAIIEAND [l((C!iAEL'SP.0.V.

559-J

lead l>yDaweo, Sr., the group continues to advance.

Debtor oaleo!

Opportun.1t1e•~-!

DAWES, JR. All manner of private enter;,ri~ei

•"•• • rl•• "

•••••• ..rl••••, :;-;'"•~

"'"'•• i ••• •0 ; • I "''"'0. ' ' '

•'•..'• •••

e 0 ~ ...••- ... • •• •..•

0 0i ..,,••~rl ·• ' •' • ,,. ....

" m ...•.- •• ..•rlrl••..•..

0 ! ' ... - ' ••• ... 0• ;"

'"•0 ~ ""• ~0

••••,..,••••',,••••.•i• ••'0 '• '• "•••rl'•• s •• ••

'

.. • " ,'

00a ~.J{l~••• ' ' • •.....00..,.'•••-·~i!.'l;~•'""...."•.. 5.., ••,, 0.. • .,:. = rl- • • ..-·

~ 0 • ~ 0~ I •0 ~ •" ~ -• • 0• ~ 0- ' ' ' '

·• •• • '

Ii o:i..,..~zo•"' • ...li,.......'i~:iit:':::!,i••..,0 •rl - 1;\.... .fl..Orl..,,:.i•".-· • rl• , ".. ,, 'S ,5 5 .., :

""•" • ....••"•• • ••'..•'• • ~ • •..•"••

~ rl " I ! • ' ••• '"•rl

'

1i••• 00, 'ii~• j ..•.."..0•••••.. ••'"• •'•,,....•

rl..•

~!i" il •"'' ·• •• ii :1''.. • " ' rl•

,,, (1st ?.e•,,.0/<9/6.:)

Re 1a being propped up by !ti•oon an<!Mr. Banko, \olho su;,porthim ~n either Sid•. He lean, over :he Cltildren ~•nacing:y.

Mil,DAI/ES,SI!. '"hen f•llthe banks of England ""ng 1 ,nd~alls:

561-a

M!!,BANKS (o.,.) You oee, /Uchael, all ror the lack of --

Mil.BA!IKS& DIRECTORS (ainging) Tuppence, Pottent::.Y,cautiously,truotingly

'%1-D WIDER ANGLE - Ill!.BANKSAND DiilECTORll

to include i'!r.Dawe,,Sr. le...U.ngoverthe cltlldrenin t.g.

Ill!.BAlllrllANtlD.!R!:C'!'Ol!S (o1ng1ng) Inveoted 1n the - 'l'ol>espec;itic

';61-E C"..OSBCNM!l.DAI/ES,sa.

';ol-E

He rubs!ti• chin thoughtfully aa he look• down at lll.chael.

IIR.l!AlllrllANDDIRECTORS (oinging o.o.) In the Dawes, Tomeo --

561-11' CI.OSEON l!J:CJIAEI.

H• pulls back 1n floarand lli•finger, loooen on the tuppence.

MR. BANIG AND :JIIU!C'!'ORS (oinging-o.o.) Mouoley, a~bb• --

of the tuppence in !tichael'•hand,

Ill!.B~ AA0 (singing o,,.J _F1dellty, F1ducta:ry-•

P:-od.~162

"~••• (1st Rev. 5/29/6;

561-!! CLOSE 011MR. OAWES, SR.

IIR,E!ANK.9I,DIP..!:CTOP.S (81ng:tngo.a,)

Mt-.Da,,,es,S::-.snatchesthe tuppence out of Michael's hand. Hts eyes glltt@r ashe look, at er.et'-'ppenc@.

MR. DAWltS,Sil. (tol!ichael) •••lee~ i-- '!:oourJo:,f•Jlfallll.l:,of investoro I

561-,

~rn= (reae!\ingout for the tuppence; ang:-ily) Give it 'oack! Give me back !Ill'"money!

WIDE ANGLE - GROUP SHOT

Mr. Daweo, Sr. aru!Michael otruggle over the tuppence.

MR• .SANKS (ahocked) Michael! Behave :,our,elf!

,- Fleaoe i;tveit back!

(deterlllined)~- I want >q 111<>ney!Giveit back:

Ill'!'.l!AIIIHAU,-A,....,-Jii'P',CAGE

Two '.iOMEHstan<U.ngata telle::-••cage::-eaettothe tunioll in th• lobby. The atar-:1edteller look::Io.,. in dls'oeliet.

PIRST WOJlAN (look:l.ngo.a.) Thera'a somat!\ingwrong. The l>anlc"°"-'t gtve aomeone their o,oney!

SECO!lllWOl!AN Well, I'111go1.ngtoget "'1ne

(COll'l'IITTIEI))

l..,. (l•til••1.3;2915,r

CCll'T!!ltJED

':he••ecnd wo""'nr.abs the lapelo or tho dc:mhfour:dedteller.

SECONll\,'Cl'W! Come along, young ma.n. Every penny from my accounti

~ GENT:.ZMANollent reaots to Che woman•• ~o1ce, •• it CARR!~ OV-::.R,andpoundsIL1.•f1•ton the counter, demanding h1o ~Oney from =other startl~d tell•r.

•AA Give me :ir,'money--allot iti

:N'!'!!EMAIN!iAU.-1/lDE ANGLE

Small tlurr1esof panic mount throughoutthe room, The customersall race to the counter•SH0111'INGtor theirmcney.

SHOOTING OUT toward the onruoh1ng mobs. Ao the SHOUTING

"'

IKCRllASES,cleric•beg:l.ntoOl!llllthe>lielcetaohut.

~Na SHOT - DO\illANGLE

of the Ma.inHall, ao the panic spreads, '.:'heentirepl~ce 1a !n :.nupr<>ar.

The NOISE inoide the bani<opreada the panic to tbe outside, and paaaeroby •torm up the front &tepo, trying to gain entrance to the O=lt. ,,, WIDE ANGLE - MO!!OI"CUSTOMERS

trying to !Oree their way Chr-oughthe dooro leading into "' the illa1.nllall. ,,, MEil.SHOT - CLERKII

"'

570 IIEll.CI.OSE- ELDERLY C'..ERI!:

•• he pushes shuta sat~. "'

WlDER ANGLE ''' An ~lderly cleric,ataggeM.ng under a :JIOuntainoussnacko! "' l•dgera, collide• with anothor eler~ who rushes into SCP:HE carrying baso of 0Ull1on. Ao they collide, 0Ull1on a.ndledgers ';Oflying.

l•a (:ot Re,,,5/29/63i-

''' 572 or the pan:lcotr!cken :oob ••a guard fo:-ceohi• ""-Y:h:-oug.~ the con!uston :o aler::tl>ema.nag<oment,

573 !!ED.CLOSE - GC"ARDANtlMR, DAI/ES,~.

as the guard whiapers to Dawes, Jr., who reacts in ,".O"""or. He leans over and whlspera :o hi! father, Imo replies angrily -

DAl/'O...S,SR. I= on the ~ank' F1d<llest1cks,boy! Hasn't been a :-unen thls can;,~or t,..c, hundred year,I

574 ',lr.JERANGLE- GROUP SllOl'

llichaeltakeo tlu• opportunity tc retrieve hi• tuppence, ''" He reache• over and ,natches the CUppence from !Ir.Daweo, Sr. Jone and 111chaeltu:-n and :-un,as the banker, react in anger and surpr1,e.

IIR.DAWES, SR, (shakir.ghl• c,._.,e) Stop that young :-uffian!

IIR.:!!AIIKS Clul<!ren! Come back here at once! De you hear a,ei

'''

aa they run through the lllillingcr<>wdstnthe Main Hall.

576 ,,,

p~hing their w:,ythrough the moO.

WIDER ANGLE - Tl!EMAIN DOORS '" ''' as the guards t,-ytc ohut the door• againot the DOC out,tde.

,,a

PU'5h!ngthrough the orowds. "'

,,a A GllA!!D

wl>o1• pu:rsui.'l!!:anear.dl'liohael.tr_-oug.~thella;lllingthrong."'

UllAllll (•hcut!ng) Stop those chileren!

~ro<l.2162

..; (lst Rev. 5/29/6~j

:ounningthrough the crow<!,followed b7the !,'~an!.~e; :~nall; aocape by crawl:Uigi,nderthe leg• ofthe custonero.

aa Jane end l!l.chaeloqueezethrough the 1111.llingC:'OWd outaide, and ,-,..,downtheatepa of the hank.

as he tries to follow the children tnroug.~the doors, pushing againot tha ot:n::ggl1ngcuotomero.

,,- (ohouti",!:} Stop tnooe chil<::ren!

The dooro sla,nillnio face. A City of L-on<!onPOUCEM.o.H outsi<letne ba.nkblows hi• WHISTLE. ,,, EXT, STREET - 1/lllEANGLE ,,,

Jane and Michael pltmmet <!ownthe otreet. Prom the distance eomoa tha somm o: apolice ll'!!ISTLE. ,,,

running down the atNOet. As they tu..-naco=•r they run directl7 into a POLICEMAN, who hurri@o OJl'l"1nanswerto the police whistle. 11\e-c~J.l<::rendaohoffinthe cppoaite direct1on,

,,, LONG SHOT

,a,

Jana an<!Jlllchael•~- running '!'OWARDC.oJo!E!U,dO>malong narrow otreet. A• they co111einCLOSE, CAME:RAHOLDSon their terror:l.zedfaceo.

,ea

as J!llleandJl!ichaelrundO>m ~he street, an<!around.a corner.,

,,,

on the Children a,·thay turn the col'tlerand:1ru1themoelve• in a dead en<!. An ev1l-loolc1ngol<lCROKE, comes INTO SCENE. Jane and Michael turn !lrul<lod)le!earftlll7palitherpan:>g·han<l•, The police 1'1HISTUSOUNDS ag.-ino.s,

Come withme, 11'1dearo. ~ranny'll 'ida7ou safe and oound.

aea I/Ill!!AlfGU.-JAHi!AlfilJl!XC!!AEL

:-win:lngacrossa t>r:l.dge,apann!ngther:1.ver.They run down the stepa ami OFF into the d.iotance,

P:ood,2162

:20 (lot!\e•r.5/29/63"

:e9

•• they run past a hu1ld1n.g,and a:oeconfron:ed hy a v1o1ouo,snarling dog.

,,, WIDER I.NG!.E-JANE AND l!ICH/1£L

as they turn and run back down Che ot:o!!cet.A•tt",eyround a o~:-nerthey come to a sudden halt and look up 1n terror at a otr~nge I\P~J\llI"!'ION.~eappartt1on'•~aoe 1• smudged black, and pecul!ar hru•h-l1ke form• protrude from 1: tn every direction.

591 i!: 592 591 I<

,,,

593- JANE, l!ICHAEI,.>JU)APPARI"!'ICN ,,, 593-

,o,

Jane ocre!llllo,aothecreatu.-..oetzeoboth of theo,. l'l!.chael•trugglaoter<>c1ouoly.

Terr<>r-,tr1cken,the child.-enonly f!g.~tthe harder.

Jana and mchael caaoa the1r •trugglea to look wcnder1n&].yat their captor --

,- ~! rt•• you:

(~owing)= :rnthe :leah and at 7our ser71ce.

(look1ngn-Bertover With tnte.-..at) You're r11thy.

Per.•apoa smudge='ee-eand ther,,, (holdlng up a ~r>.>!h) It oo 'appena t""-ttoday I'm a Cnl=l@y aweep.

(CONIIIIVUJ)

:2: 5/29/E3)

ea;- CONTD{UE:ll aca 59~-

Soo ,- {Curot!ng into tear, and ~alling againot =) Ch, Se:-,:•we're sc fr11,htened'.

New, don't take=on. Bet"O'lllook after you. like I wa, your own father. !!ow- 'oo'o atter you!

Pother 1,.

(ota:,,tled)= What? ,_

(iuaerably) Jtatherbrought us to ,ee hla bank. I don't kru>wwhat we did, but tt 1111.ist have Ileen,omethlng <lreadtul. He waa turioua "1th us.

~= (indignant) He set the pol!oe afteruo i And the "rll!1"-o,,devecythlng!

,_ Jlltol>aeldon't exaggerate!

few,now, tnere-must be """"'"'1stake, Your Dad's a very fine gentleman. •~ lovea you. ,_

I don't tl1u!ltso. You ohould have oeen hia race.

m= He doesn't like= at all.

Bltrtan<ithe ohildr,,nsit down on same stepa. He puta a COm:!'Orting= a.r<>UZldthe·children.

fow- tl,atdon't-seem very likely, does it?

{CONTnmED)

:22 (lot Rev. 5/29/63

093- CCNT!NtJED- < ;ce

gg ,_ (an1rrt..,g) It•a t:::-~a.

You know - begging ;our pa:'<!on-the one ,rr:,•eartgo••out to 1• your :athe:-. (th• ch.11:irenlOOlt at 1111111npuz•lement) :'hera '•la, in that cold.,'eae-tl•••banlc day atte:-day. ''!!mme<1inone7er-yo1<ieby mound• or cold 'eartlesa:oone;. u tha lady in th@ •cc •aid, 'I 'ateto see

,_ Father? In a cage?

They mak1>cage•-1.nall shape• am! •1zes, :,cula!ow. Eank-ohaped, oome ot •em, w:1thcarpet• am! all.

,_ :SUtFather'• not 1.ntrouble, We 4rai

{aortly)= Sure or that, are you? (Jane and "1cllaelcon- sider thio trulught!Ully) LOolcat lt thio lfay, !ou•va got you,- mcther to looicafter you. /Uld""l7" P<>ppln•. An<!Conatabla Jonea. And me. 'Oo loolt!Iartaryour father? Tell~• thati (Jana am! 1'!1chael looicaheeplah) If a<>m&thingterrible •appena, wet doea 'edo! :!'endsfor •tm:oelf,•e<l.oeoi'Oo <l.0<10'et1tlla~out it? NO one. D<>eon't bla~ hia trouble• at '°""· Ju~t puanea on at •10Job, uncompla1n1ng. Alone.Silent

l'ather••not ver:,~-silent.

,- (emotionally) lieot1ll, yoQ littl~ ~eaot. Oh, Bert -- do you think Father need• help?

(CONT!l!UED)

593- COll'l'INUE:D-3 608 593-

,,,

'~ l<no"!? It'•""'noto,y;,lacetooay. (rioing} I on:y observe, a father can alway• <!o wtr a 1>1tor 'el;,. Co,neon, !'ll ••e you •o:oe.

l!etake• the ch.ild::-en'::.ythehan<Iandlea<!o:r.emu;,the •tep,.

DISSOLVE

Late afternoon on CherryTree Lana. Bert !o coming throus-~ •he Park gateo 1<1t!>.7anean<!Jllioha.el.APASSE:P.EYo:opoto shake han<I,w~th 3ert. Jane arulJllichaelare!ntere,ted by th1s.

(o1ng1ng) ""' Cht.n1ch1.m-1n-ey Cht.n1ch.11n-1n-ey Cht.nl,chl.mcher-e• A oweep 1• ao lucky A,iluck,"can be --

Chi.mchi.::,-J.n-ey Chu Ch.1.cn-in-ey Ch1.mcr.;1,.cher-oo (he otopo to ,hake h~s) GoO<lluck wtll r-ubott ',/henIohakeo 'ando wtth you! (as he continues on his way) Or l>low01ea l<.1sa--

Jl!Ell.CWSE

,,o

• or abeautiful LAL)'!1na paoo1nghanoc,,. She pauaea to blO>I:!!ertakl.•a.

(,ingj.~.g)= that'• :uoq, too!

Prod. 2162

(1stRev. 5/29/531

as they stroll :owa:rdCAME:i!A.

&~ (singing) Now~$ the ladder of life 'asbeen str..ing You toaythink a sweop's on tne botto=o•t rur.g l'hou~hI spendo me time !n the a,ne• and smoke In tt.1• 'oleworld ther-e',no 'app!e:-bloke:

i,estopo :o shale~hand• With anotner PASS:;:.=.then cont!nue, ~n do,,mtilest:-eetw:l.ththoch!lci:-en.

(oing1ng) - Chim chim-1n-ey Ch.1.mch1!11-1n-e:r Chim ch1.mchor-ee A oweep 1• ao lucky Ao lucky can be!

He heott&teo a "'°mentto !hakR hand! with ot1ll another FASSE:REY

Ch!m Ch:1m-1n-ey - Chl.:mchim-ln-ey Chim chlOIche:,,-,,o Good l~ckw:tll rub off When l shake•hand• wtf you:

BERT, JANEAm) MICIIAEL (singing) Chim ch:1m-1n-ey Chim ch1m-1n-ey Chim oh.1.mCher-•• A ,weep !• ao lucky Ao lucky can be!

,,,

,,,

as they walk up the path to the llank•'houaa.

BERT, JANE AND ll!lCl!AEL (sing;l.ng) Ch.1mchim-tn-ey Ch.1mCh!m-1n-ey Chim ch.1.mch~r-oo Good luck W1ll rub orf When I !hakes 'ando wif you!

Jan,,:-eachaoup and I\ING.sehedcor~ell.

122-~ (lot Re7, 5/29/1:3)

NT, i!ANKS'l'RONTHAU

Ell:-

Ellen 1•helptng l'lrs,Benk:Ip:!.nononeof )>erCan.".ers.

/!IRS,:sAllltS See who it is, Ellen,and sei-,dth@lil away. I'-"'C::-eadfUllyla:e.

~15 =. FRONT DOOR - BA,'l"t:S'HCUSE

3~T Well, I'll ~e getting on now --

,_ Oh, Bert, p~ease stay 't!l ~oor Feth&r "°""'"ho111e.He'll feel so oruehCetter if you shake hand• with h1111!

MEll.CLOSE - ELLEN

•• she oper.o~he fr<>ntdoor, then t=• to 111:'s.Banks,1nb.g.

"TIFN It's the Ohilc!ren,""""•

ml. CLOSE - BERT AllllC'ltILllRE:M

e,,

as they stand looting at Mrs, Banks,

,_ They 'aven't exactly been running away, lil!Jll!.They•ave'ada bit ct a ~right, :hough -- need so,oeoneto look atter •e:n!

e,s Jl!ED.CLOSE- MRS• BANKS AND nLlm

e,s

MRS. BAN!rS ~, ct course! Mary Popp:tnowill look after - no, it's ~er day cut. (tunur.g t0 Ellen) lnl~n, I W<>nderif

(r1=1y) Sorry, lllUm- ! 'aven':done me braooeo --

BE.'ITAm>•·- (;!!!.,DP.EN

The eh1l<!r•nlook up at E!ertw~otfu:ly.

llllS.:BANKS (o.,.) W1ll you ask 1'!ro.9r11l'

620 CLOSE CN TII==i,{

EJI"'.N wouli!n'toet foot ~n :hat l<~tchen ~or an 'undr~<i1"-id. This 'ere i• 9al<1ngJay, a.-,.dyouknowhow Cook 10I

,,, CtcSE ON IIRS.91'.NKS ,,,

l!R.'l.BANKS (turni.ngto Bert) You•ve been oo 1<1:>.<i~hou,:1001<1ng after the oh1ldren •·

CLOSE ON E£JIT ,,,

,= Yeo, ""1111.ButI•v• getto he m0v1ns along • theLord Mayor has th1o ,topped up Oh1.:nl.ey

,,, C"LOSEON l!R.'l.9A.'IKS ,,,

olRS•BANlC.S The ohilllney!or 0<>11rse1How claver of you to know! The Drawing Room oh1mney 1• 1n gha,tly 00nd.1tt0n! SmDl<e• inoeasontly!

3EIIT,1'!R.S.EA.NKSANDTl1ECHIT.llREN ,,, ''" The oh.1ldrengiggle h.appily.

• 1!113.BAND Thank you, oo oruoh!

~· -

a, 3!!:-tam:ltheOh.ildrenotand lo01<1nsat her.

IRS•BANK3 Beoideo, it w:tllaJllusetheOhildren •·

GclOUPSl!OT

i'l:'s.3ankswalkspas: Se?"aand tllecllildren.

':'het..ord~ayor••""'go1:,g:obete:erlble P"' out --

)1!!5.3/JIKS Tha.~kyo" so mucni I do appr~e!ata it

,,,

as she turns to look back at the~ as she cont!nuos dcwn the w~lk.

,,,

standing on the fr<>ntdoorstep. The childrenlook up at Ser'C,•• he perplexedly ,tond• ocrateh1n;:hi•~ead.

i'!RS.BANKS {0 •••) Eye bye, "'1darlings --

,,,

,,,

aa she waves back to the children.

1'!R3.3ANKS Sae :rouat teat

DISSOLVE

5eM: lo i>utt1ngdown hia brushea, •• Jane and Michael drape •heeta over the furniture.

(s1n~g)- choose""' Or1$tleo "1f pr1de Yeo, I do A br<>omfor the ,haft An<!a brw,n for the flue.

The cnlldren Join lUm tn front or the fir,iplac,, They crouch ~own and peer into the Olaei<enedflue.

,- Err! I ~houlWl't lli<eto go up~her,,

?rod. 2162

••• ( ls~Re•,.,·;•o;{:i~-_,

3:::J!T,JAlfEANDl>!IC!!AEL-:,OWNSHOT

Ao 3ert and the Oh:!.ldr~nloo):up·1ntothe blazl<:ened:l\.le, C=A Shoots DOl/lien tctelrUJ)t'1rned:aoeo.

(tald.e,g=~J)oneo: r.1•bruohes) There! You see lrnw_>r.«>ng~eople'canbe7 That there 1• wet you m:l.~htcallthe doot"l<aycoa p:aoe o: enonantment. (•ln;,:1ng) Up where :ne •mo~e lo al~ hllle~ed "'ldO"l'led Twut pave,nenoand ota<'o ls the oh:!.mney,weepworia (putting an extension on the handle of the hruah) When there•, 'ardly no day Nor 'ardly no nlght There'• tlll.r.go'al:1nshadow And 'alfi<ay!n light Or,the :r-oortcpso:Lendon Coe - ! What a Sight!

631-A CLOSE ONJAN£

,- (loold.r.gup) Oh, I Wl!h we OOUldgo UJ)there!

631-3 CT.,OSEOMMICHA.!:r.

63l·B

~~ (enthuo1e,ttoally) So do·l! I~ oh1:nneyal

631-C CLOSE ON BERT

631-C

~~ filghtly,c. A oh.1.ml.ey'•awondrouo th:!.ng.It's b<.:l.1ttallupther,:,<>n the roof. ·.nenthe wtnd J.oJuot r1ght • lt 'blo""aorooo oho top - and,lt <!roars the omoke ~!~t up tbe flue!

,,, DOWN SHOT - l!ICHAEL,~A/IEAND BERT

Bert gl'tesl'!lohaelc,oeC.an<lleoftheb:r-ash,"luohhe has "'4:ten<le<Iupthe!l~e.

,= 'Ere - !•el t~e ;,ullon the en~ of th:!.oll'"••h?Likeyou got a whale on th• er.cl.cfCheline, don't lt?

(COIIT!!IUED}

Ml.Chaelhold! onto the )>andlaor the hl"~•h. ~ and :ane 'Oum a• they hear --

MARY PCP?INS ( 0 •"• ) Michael! Ee ca,-eful!

'!!EIRV::'.E'..-)!II.RYPOPPINS 633

stan<!ihgin the hall, taking of~ C'.erglove,. Sr,e~• wea::-ingi'.ee-hatan~ca:-ry1ngherun,hrella,havlng juae 0011101'>.

MA/!YPCPPINS One never 1<n0wawhat inayhappen c-ouru:i a tireplaee.

,,.

by the fireplace. B&rtand Jane an looking at Mary Poppins o.o. when oui!d.enlytheyhear a 'WHOOSH!" from the oh.1.au,ey, 'l'leyturntooee 111:h••l,ot1ll holding the end of the b.-uah, a• he fl1es t1Pthe chianey our llPSIG!!T,

,,, CI.CSECN MAHl'POPPINS ,,,

•• aha look• ctt toward fireplace,

Bother!

,,, ,,,

a• Ml.chaelcomts flying OUT of the Cl-.lmney,otillholding onto the hruah, and otarto downward towal'd.ther~oftop.

,,, ,,, CLoSER - Tl!Ei'IOOFl'OP

next to the cl>l.ozn,ey-,asJl!l,c!;ael'•feetCOi-!!!:rNTOPRAME, as he landB gently on the r-oor. He atando look:1..ngupat the ehiJllne-:,inawe.

,,, ,,,

Jan@ leans into the fireplaoe an~ p@era ~p ~r:e,,Ml.C~ael.

,_ M1chae1! JU.ohael!

Eert tU..-nstolook at Mary Popplru!,o.s.

'l'lat•aewlcward,I,oustaay! -

12~,, (l,t Rev. 5/29/53.

IIED.CLOSE -a.:RT A.NDi'IAJ!l'POPJ>rHS ,,,

-- '!ARYPO:PPINS I'!l :hank you to otop putting ideas in their h"ada.

Th"re 1a a ,.,oond''"1100SH'.",andJ""!flies U? the ohlm,,oy, OU'!'0.PSCENE.

i1!ED.CLOSE- BEHl'AND MAf!YPOPP!NS

Therttg,:,,,.th"otherone

Shall I go aftor 'em? -

'"'

,_ ll-don'tbe frightened, lJ!ichael--

The Child.rmturn arouru!auddenly,reacting to a third "Wl!OOSH'."

642-A CLOSE ON JANE AND IIICl!AEL

642-A

'!'heirfacea,,_..,.blackened,andtha1rclothes are coverttd with aoot. '!'heylook1IJ)inawe to aee --

642-B !!Al!YPOPl'llfS

•~ •hooting OUT or :he chilm:tey.She is holdi.ngher clooed umb~lla straight up in th" air. Ao ol:eCai.insto d"oceridto tl:erooftop, the umhrttllaOp•n• autOIIL!l.t1cally.

642-C Erl'.J!OOl"l'OP-JA!fl!:A.NDMIC!!AEL

542-C

loold.J:1g upin,wnder,aa llaryPoppi..:1,ocomealll'l'OFR.AMS, teet first, for a gentle landing beside the childi'en. She holds out oometlu.ngto the c.'>ildren.

JW!Y P01FilfS Kindlt ptlt1our hats ..,dcoats on at once.

'• ,,"•0 0 • -• '• ' ~ •""-•>

...'"b ~ 0"•0 " I

17"0b

" • •

• " ,,""' i; ••

:e••·•,, ~ £ ~ ij a

I 0•,,

'g "•e ,g s [ ' "' ••• • ""' ~ • • " • '

••"" ' ~ •0, ' I

~ •"• ·' ..,~-!t.., ;',.~ ". '", .§ •~ - ".,•• .. B.,. g ••~"'g, ~.,.lj ••••""il"~'":.,iii!•... - •• :i::••"""

• l •- • • :~...~ij..."Oi'"..

t1 • ",

~ ,·•.,••.. ''',g,, ••••,,••••••""•••.••.l• ••!i:t.

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g .. H§ " I ' 'i • ~•••;: ;5

' 1ib I e s ij i

b

0' - "'I• ·-,~

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;!. •• i ••0 ; " g f " ! ' ,, :t g:••••••ls ~i

~ - !I.. • • '""~ ,..,g~g,,••••"~:.,:i:i•••,.•• 82" ,:5'j..-~,,.~:::-~..:

•" " !;Ja . • "'8:]0;::

'\;! 1i

~ ii " •• !,' i; • •• ..,8~,. ,, ,. • :: ,,""~ .,,-•• ii " " •• a;

,i".::i.-1!*i,.g~.g-"'"••.....'....•:"·

g • ..•••-- ~ • " '•~ "• :i:;'~~i·-

f ~ ; - g § • I 1i

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'

- Ii -·

122-1 (!st Rev. 5/29/63'.

CO/l'l'INTJED

642-l

Rlght-o, Mary=Popp1na?

,- (lootir-sup at Mary Popp1na pleadingly) Oh, p!esae, l'!a::-yPoppina!

642-L CLOSE ON J11A11YPOPPU!S

•• ohe takeo out a small co:iq>ac~andbegl..nstopowder her race.

IAl!'!POPPillS Very wall. It we m=t, ,..,:mnt.

,., E:tT.ROoi'l'OP- )IJ;l)E!I1,Ji'GL:E ,.,

l!aryPopp1na 1111•• up Bert and the Ch1ldran in a o1ngl• tile.

·/IIAl!IPOPPINS Ahe:mi••.•::::t;,ed1t1on!•..Atten-ahunl (Bert and the <>1111~-en come :o o.tt•ntlon) L<iftturn: ~•Y turn az,di'\ar;'Popp1110 heado the group) quick m.a:rchl

Lead by Mar:;J>opplno,the grou;:,ma.rcheaTHROUGHSCENE.

ao !!aryPoppins leAd! the group l'ltROUGHandOtrror SCENE.

/IIAl!IPOPPINS l'ra1l•••armo!

She extend• her umbrella, and the g::-oup1.mltateoherlead by extending their bruoheo.

643-B

•• Mary Poppiruileado the.macro,o the rooftop ""d down the oteap •lope of the ro<>t.

1'IIlEANGLE- UlNG SHOT 643-C

•• the group march"• de>wnthe steep •lope or tha root, otepp!ng err it• edge onto a flat adJo11Ung rcor oovered

Pr<><:!.2!62

,UMary Fcppino c00,e9!NTO SCEm':,lea<:.J.r.g:hegrou,:dewn anarrow aisle past the ch1:nneys.

643--'.:ctCSE ON JAlfE

643-F A /l!CVIN(lSl!C":'

of the cnanyehi=eys, bele~:,g forth !IIIOke.

'!E'.1£RlraSHOT

Sl!OC'l'INGDOWNana:-,,ow"-l5lebet~eenthe tall chl.llltleys, a, l!aryPoppino COMES :NTo SCENE, leading the group tow~ camera.

MED. CLOSE - !!::CHAE!.

643-H

aa he stop, to investigate one ot the ehilllneyP1P••· As he peers into it, a sudden cloud ot soot sbooto fortll into h:1•face.

ctOSllOilBERT ''' '" loolc:1ngdownat Ktchael.

,= (laughing) It'• just nice, Olean soot, "!l.~hael!

,,, llROUPSHOT ,,,

Mary Peppin.,,the chllli,-en&ndBert all .iolnhando a:1d. dance along the edge ofthe roof. ,Uthey a•cend.a oloping pe!Ut,they <Usappear into a cloud of heavy •1110ke.

645-A THE ROOFTOPS

sticking out of th• ""'°kecloud. Mary Poppins, Bert the ehlldren allddenlycom,,out or th& !1110keelolldas as01t1:1dthepeakedroof.

TOP OF THE ROOF

GROUP SHOT

IIIAry~Pino, Bert and the ch11C'en al1de on their heels down theoth..,oide of t:,eolopplng root, and otep o7er to an adjoining peaked roor.

'-<i-:ii {1•~ ~ev. 5/29/6C)

6117 WDE ANGLE

as the i;=-oupwalk!s1ngle :1:e along the leng':hor the ?eaked roof :owan the •ds•. A• sho:-tway or: !n the ~.g. stands a tower-l:-,.gCh<U'Chsteeple.As they teeter along the ••eep peak, 3ert YODELS.

CLOSER - BERT, :ii/I.RYPOPPI~SANDTEE c"!l:I.DREN

The r.o~;,stand• ':leforethree •mok:!ngoh!=•Y•, and look ;.;patthe tower1:,.gsteepleo.s.

A!lfar ao we go,=right?

MRY POPP!NS (;,o,d.,o_gattheomoke from the nearest ehi11111ey "1th her umhrella) )!ctat all

647-a CLOSE - MIC'!IAELANDJANE 647-!

watching Mary ?opp1n• 1n wide-eyed wonder.

6lr.7-C

The smoke f:-omthe chi:oneyhas taken the form of steps, and )!aryPopp1no lead• the grou;,up them.

lllA!!l!POPPINS (reaching :or )tlcha•l'• hand) Co..ealong, lll.ohael

6lr.7-D CLOSE OH MAR! POPPINS 647-D

647-E 11!:DEAH0LE• CLOSE ON SMOKE STATIIWA'I" 6lr.7-E

as lt!.ehael•tepscaut1oualy onto the SIIIOkesta..trway,and follovo Mary Poppin• up and OUT Of SCDra. Jane COl!ESnt'l'O Sc:E!IE,following!!:l.ehael.Theyeach cllng to the handle ct the chi"1neybruoh in front or them, forming a cha.in.

1'\A!IYPOPPINS (0•••) Do keep a stead)tl!ne,please.

LOll"GSEm' -WIDE ANGLE 64;

cf the sroup as they wall<tIJlthe•111oke•t~lrwey,nearlng- the topof the ohureh·oteeple.

li<-N (l•t Rev. 5/29/63)

6!<7-G

1'1aryPopp1no,BeM: ond the ehildnm ateo on:o • small platfo:-o,atth• top o~ the oteeple.

ME:D.C~CSE - GRCIJl'SHO'!'

Jl!aryPopplno,Bert and :he <hll:1:-enotandlool<:.~gou: over ~he 01:y.

Wot did I :ell=you? '!"her•'•she whol• world at your !e•t.

,., THEIR VIEW - THE Cr.."!"

'rtelastrays or oun •hlne :hrous-~the m!•t, l>at~.!ng rooftopo and steeple• 1n a golden h•z•. ;,.,,theoun~1,appearo l>eyondthe horizon, a few lights 1n the elt:,-beg;l.ntocomeon,

(0•••)= And who ever gets to oee lt, Out the l>irds,the stars and the eh:umieysweep?

,., ,.,

,- What • lovely ounoetI

CLOSE - NJ!Y POPPINS AND EERT 649-A

MAR'!POPPDfS W• muot all come 1n out of th• night air. Follow me, pleaoa,

649-B

~ry Poppins stepa off the platform onto a eloud or smoke. Bert and.the children follow, "-lld~h~cloud l>eg:l.r.atodeoeend.

LONG SHO'l'-WIDE ANGLE 649-C

or Bert, Mary Poppins and the ch1ldren atOp th~ o!llCkeclou~, a• 1t gentl:;br1ngs them down from th• church steeple 1n b.g. We oeethe eloUd1• part or a long column of smoke, streamng from ·oneof th• ehimn~• ~el"".

649-D CLOSE SIIO'l'-l!ERTANDMAR'! PCPPDIS 649-D

MARY POPPINSI<EE!!T (a1.ng1ng) Chim eh1m-1n-,- Cr.:l.m.eh1m-1n--:r Chi.mch1m eheree

-------- ---- -- - --- -- ----

P::-od.2162

(:st Re•,.

JANE Alm M'.ICHAEI. (looking down; singing} When you'r<>with a owe~p -

of th" rooftop h@low, to 1nolud" the oC.1.mn•yandcol=, of smoke. CAMEl\A)!CVES!N AND !lCWN,followin6 the smo,<e column ao 1t c:,olone•hack !nto the chi=ley,

S.07\T,Jl!AII!PO??!NS&C-.ITI.DR:":N (singing o.s.) YOU'r• !n glad company - No><_her~1• there

~- cr.osE -GROUP SHC'l' 649-G

BERT, i'WtYPOPPINS & =r.DREN (a1ng1ng) A more 'appier er"" •

WIDE ANGLE CJ!D!NEYON ROOFTOP 61&9-H

CA1!E!\AHOLDSon the chimney ao the smokepours hack into it.

BERT, MAICTPOPPINS & C'dllDRllN (oi~ng o.o.) Than the,ovct s1D.g• -

illaryPopp1na,Hert and the children deaoend into trae feet first, atop the diaappea:-ingooluom of so,oka. A• they ,tep fr<>mit onto th• ohl.,oneye~ge-

BERT, !!All'!POPPINS&CHII.DRE!I (singing) Ch:1.nlohi.mCheree-

The:;step onto the rooftop"" th" last puffs of =ok• DISAPPEAR liownth,i,ehulrley.

l!ERT,MAl!l:POPPINS&:ClULDRU (s1ng;l.ng) Ch1JIIcheroo

MJUttPOPPINS AND BERT (s1n,g1ng) Than theo,..ct•l.ngs- Ch:1m= oheree Ch:1mcheroo (Be:,-tlook,o.,.; listens, then ohouts) Cherooi Cheroo! Cheroo! (!!aryf'<lp;1n9~eacto "1th dl.sapproval)

Prcd. 2162

12; ('-•t~ev,3/29/63)

6~0- Eo;

Suddenly, fro,na doeon cC.1m:>eyo,anUMber ot S•,,Ps explode in black purrs or amcke, They are ~r•oaed like ~•rt, begrillled,grinnJ.nganddancing ~iercel;, Acrobatic leapo, olldes, towering, deat~-d•!yir.g

':'l'.eyhavea"1ldCockney Song and ::lance--

SCNG, SWEEPS - (•1:o.ging)

lick :;ow,4leeo ~P, step !n ti""'! rickyour knee, up, ,tep !n tim•! Nevor need a reaoon, nevor need a r~e ICickyow, knees up, atop 1n ti""'!

U.nk your elbows, atop 1n time! Link your elbows, o,;epin t11cei Never need a reason, never need a rhyme U..-,Jcyo=•lbowa, step in t1...1

Spin about, and step in ttme! Spin about, and step in ti.ale! Never need •reaaon, never need a rhy,n,, Sptn about, and stepln t!lae!

ilou..,_dthe<:h:!.mney,otop!nt!mo! Jump the eh:I.Jllney,ot@p1ntl~e! Never need~ rea,on, nev~r ~e~d a ~hym• Round the <:hlm:u,y,stepin tlMe!

Atll!iral:'!OoJOis;:eer!n,;c.~ro•agh1-.!s~l•••a::!!•Cola:..::ene,;, wh!rling <:ervishes on t.~er,eig~bor!:,groo:sops. 3J.r.r.aclear.: 3a::-naclearescand!n5 nearby, wi:h tt'.eg•.:,1ner's:r.a:cnat:l",er•~C:.;

IJ:Jl!IRJU.3001'! Stand fas:, gentle:ne::;We'r• bei,ig "t:acked by Hot:en:ots I

BINNACLE ~~"DEA?.NAC:2 ',-•·,~o•'••) \ •G-•"·'"'

1.1,M!Ro..LBOOM Cheeky devils i ~!·:etheo;the ·•orJ<sI

3l~AC""..E (delJ.g~:ed) 2veryth1r.g,sir?

ADMIRAL EOQJI! 2vecy scrapI Teach the beggar• a lesson! Lively, r.owi

Binnacle tilts the canner,baci<, Barnacle sta""s shoveli::;1n 13(:.alflares, Ve:-yli~ts, fuaeo and po,.,der.

665-669 CN"THE BANKS' ROOF

665-6,

EER'!'ANDSWEEPS (singing) Flap like a Cic-:iie,oteptn :1me! Flap like a Cird.ie,step in ttmei Never need. a reaoon, never need a rhy:oe ?lap like a Oir<!ie,•te;,in ti,oe!

There 1s a trl!'lllendocis?.OARfro,no.o.,i<ndthealr is rent by talls cf fire, clots of spa:-ks "-'Idexplodingcoloro, iosuing from Adlniral Eoom's cannon. :Ser: seizes Jane and leap& DOWN the cni"1ney. Mot.' SWEEl'grabs l'l:ichaelandF'Qr.;:.OWS--

670-67<; IN'l'E:!IOR-LIVING ROC-M

67C-67

as :he sweeps come o~rst!r.gOUT cf t~e f!replace and eontinue dancing gaily arocind:ne room. T><O of them stand on either si~e of the fir,,place:o catc.~:,\aryPeppin• as she plops IN th:roug:,a cloud of soot. Ever:,one,lnelud!ng Che C/1.1.ldren,isdancing.

--------- --- - ---

670-67? CONTI~U:S:D

(•1::ging)=

" Hop on '"'or.efoot,otep!n ~ime: Never need a rea,on, neve::-need ilopon one ~oot, otep in ti:oe!

ll!Cl'IAEL W!.;g~e)"OU::"~ars

''-' (s1r.g1ng) ',liggle7ou.rears, step in t1MeI Wlge;leyour earo, step in ti.me\ Never need a reaoon, never need a rhy:ce, Wiggle 7our ears, step ln tlllle!

Mr•. Brill and Ellen come IN'!'Othe::-com.Cook J.etoout a SCREAM, as they are grabbed and 0:r-ol.€htintothedancing circle.

JIIRS.B.'!ILL (Sc::-eui:)

(singing)= Scream!I Step in tU,e! ISorea.111!Steptn time! Never need a reason, never need a rh:,me (Sc:-ea.'Jl!)Stepintl.mel

6eo IN TEE FRONT HALL

1-tr'o.Bankshas Juot come IN. She 1• standing, 1<lththe "VOTES l'OR WOIIE:M"ribbon ac:,,osoherfront, loolting tnto the living "°""'·

l'IRS.6A/!KS Ellen - when you have a momee,t? forgot my pamphlets.

A couple of che sweeps come up, Cow gallantly, and draw her INTO tilel!vt:ig roco,and the "-a:ice.

MRS. BAlfXS Thank you. Bui:really, I don't ~111nl<--

682 IN THE LIVING ROOM ,a,

as they <l.anceherga:l.lyar<:mnd~lieroom --

(s~ging)= Votes for womerr, Ste~ 1'1t1me! Vote• for WOJ11en,s:ep 1n time: Ne-,e:,e,eeda:,ea,on, never :,eeda rhyme! Vo:es for •.-omen,Step !n time:

:-oa.•- • '

1:23 A':THE l'RONTDOCH

It 1a open. Mr. Sank• !o com.tnsIN slcoCy, watci'.ln~,an lncredulauo expre•alon on hi• !'ace.

looka o.•. and aeeollr, 3anka.

'IRS.BR:c!.L (cer.-l.!'lea) r:'• the ,nao:e:-:

(s1e,ging)= r:•s the rnaste:-,step tn time! It's the D1aater, ocep in time! Never need a reaoon, never need a rhy,ne It•s the :naster, step in time!

685-689 AT THE DOOR

665-60

Mr. Bar.ks, te!ll{lorarllyparaly~edby tl,esig.'1.t,finallyloosens a bellow or rage.

l'!R.SANKS What's all th.:ts•

(Singing)= \lhat••all this, otep !n tl.me! What'• all this, ate;,!n t.1.<De!

The oweeps graO Mr. Banks, dance him, atruggllnr,vair,l;r,ar<>undthe room. He wrenches h.imsel!'loose. They dance pa,t hi:o,out the open front door, pausing only to ohake ha,1ds "1th "-1.mv1gor<>usl:,- as they GO --

SWEEl'S Good luck, guv•nor! Good luck! Good lUClt!

They all dofr i:heir capo going out, •ach revealing the s:ar.Cwhite forehead atop the smudged raceo.

690 u;:EruoR - sm

ao the dancing o><eepe;,our out or the Banlta'house, Still dancing, they go the.1rrOlliclting way down :he a:r-eet AWAY f:,omCAMERA. Pausing her-eand there :o setze an outraged ?OLICEMAN or a otar:led P.I.SSERE'{and"h.1rlthen,ar-oundand around. They 00 CUT 01'SC-cl!E, son,e:urru.ngaround tne core,er-,some!n:o the Parlt.

91-695 !NT. THE LIVINQ ROOK

Mr. 5anlta,shattered, d1oheveled, his hands and coat cover-,,dw1:h soot, 1• standing in the !!U.ddleof the room, l<>oltingaround. Cook and nlen ha•,efle<I.

(1st ;iev.

,_ Oh, Pather :•inoo glad you got home in :1mei

l!R.BANKS (da~edly) What" T1:ne for what•

,- Every sln,;le one ot those aweepo ohOOK YOUl'hand i Yo"'re g<>1ngto he the

Mrs. Banks takes thl• onportun1ty to go OUT - covertly ro0t0v1ng the "V~..S FOR W01€1f" :-:1.t.bonaoohedoes.

MR. !IANICS Just a mo..ent,Popp1nol Poppln•l What la the meaning of thla outrag~?

l'!I\RYPOPPINS (coolly) I beg your par<lon?

Yea?

l'!AfcrPOPPINS I never explain an)":M.ng!

~-~ But --

l'lARYP<lPPINS C=e along, ehild=n. Sp!t-apot i

M.~

(CONTIN1JED)

'

Mar-JP~ppi_ns and :he :h1ld:-er.goOU':'.Tele pnone ~:NGS i.o the :~all. Mr. Eanks goeo to 1: an<Oli~Cs the rece1·1e:-.

596 !Ir.'.?AWES'Ol'!'!CE

ae the bank. Dawes, JC".1o on the phone, tall<ing :o Mr, Ban,:s, llr.Daweo, Sr. 10 at his •ide, prompting him,

MR. DAWES, JR. (coldly) We shall expect you precisely at nine o'clock, Bank,,

IIR. DAWES, SR. Without ra11:

MR. DAWES, JR. Without rail! (pai.oe) Yea, ,Banks,I'm af:-~1dit's extremely serious.

MR. DA'-'ES,SR. We :-egr-et.:titseouroeof action. After all, you've been lnth us a good m=:r years. J\.s""":,o"r father before you --

Jll'.R,DAWES,JR. (repeating it) We regret this couroe of action. After all -

l1ste.ung "1th a sinking Cleare.

•MR. BANKS Yes, $1r. Sl.r- does thlsmean that I - 1<ell, you "ouldn't be needing me anymore! (pause) Yeo - yes, 1'!:'.!).,:~es,I'llbethereat nine c'oloclC.

Mr. Eanleo hangs up the phone. Stands ,l_ll.l.etlya"'oment.

698 AT THE LANDING

on the second ~loor. Jane and Ill.chaelare loold.ngdown thrm;gllthe banisters at :ne1r father.

Jllr.l!ankscainess'.owl:,I:;T~:hel!v:!.ngroco,,s:!.os:iown.".ea7:!.:7. l!ert:!.swrapp1:1.guphl• pale• and Crist'.es. etr.l!ar.l<ssee,is u,,a,.areorhis ?resence.

SCNQ: JIil!.BANKS - (Singing)

A man has dre"-llls Of wall<!.ngwlth gta.nts '::<>carvehls ~icne :1the edl~!ee or tt.,,e le~ore;;he O!Ortarof h:l.o:eal Has a cha.-iceco ccngeal ~l'.eoup!S dashed ~:,-mo,1:!.Sl:!.p•I The ~'.ame :!.ssnuffeda-bornlng. :>e••brought to rac,:a:'ldru!nin hls prt:n@! (spoken) ~e prize 1• snatched froinhls ,;ra,p!

3ERT (sy:mpathetlcally) Life'• a rWllgo, guv'nor. ':'!!.at••the truth

II!!.BANKS (olowly rising from h:!.s chair, the light dawning an h.1m) You mow what I thlnl<? It's that woman, Mary Poppins! P::-amthe moment she steppe!:\ into thio hcuse, things hegan to happen to

so, Mary Poppins?

II!!.BANKS Yeo, or coursel {singing) JI!)'worll:\wascalin!Well orl:\ered! Exemplary! '!'!>.encamethiowoman W1th chaos tn '>erwake! Anl:\now,my l!i'e'•ambition• go With one tell l>low It's quite a h1oter plll to tal<et (opoken) It's th.at?o~pins woo,an! 1tl -- I l<now ::1e•,e.---1personyouaiean. Mary Poppino 1s the one that slngs -- (singlng) A spoonr·~lor sugar That lo all !: :a><:eS It cl:angesbread and water Into tea anl:\cakes!

(CON'l'INOED)

)ffl.:SANKS Youse,.• That's ex,rntly..-nae!mean! Ch11ngi::igl>readandwater in:o tea an~ cake, ~ndeed! No wor,dereve:-:,thlng's coo,1:1.gu..,•tru..,garcundhero!

(s1.ng1r.g)= A spoon!"\!lof sugar Goe, a long, lor,gway 'Ave your,elf an •ealchy 'elpin' E·,eryday! (spoken) Ar'.'ealth:,'el~in' o: ::,-ouJ:le,ifyou ask me!

Mll. :SANKS (indignantly) You know ><hat !he did? I reall~e it riow! She tricked me into taking Jane and "'1chaelon an outing! That'• now all the trouble started!

Tricked you into :ak:J.ngthe child~n on - o.nouting? Outrageou,! A i,an"1:h all the 1mportlintthings yo<l •ave to do? Shameful! (a1ng1ng) You're a man or '1g.'1position Esteemed by your peers And when your 11:tle tyke• Az'ecryin' You •aven't time to dry their tears And see the111gratef\illittlerace, Smilin' u;,at you Because their dad, '" alway• knows Just wot to do. (aa !tr-,Bankostart, to protest, Bert otops him) I know, lluv'nor- You've got ~o gri.nd,grtnd, grind At that grindstone '!'houghthild'ood alips U.lte aand tnroug.',aa1eve An<ia.J.ltoo aeon, :hey•ve up and groom And then they've flown And it's toe late tor you to give -

Juot ~hat opoon!"\11ersugar To 'elpthe medicine go dOWI\ The medio!ne ;,e~own-com Med.icinego down Juat a spoonful or augar 'Elpo the cned.ioinege doom In a !!IOatde_llghtfulway\

?:-od.2162 ....'.

:3ERT(oon~'d) (opoken) That's like all 1:hatother arg:;,-- ba:-gy l'!aryPopptns!Salway• :al,cin' about --

:3<!rtha•gatharad '-'Ph.13t.hingsandgee, ;o the hall. :ietur,,a--

,_ Well, good day, !1r. Sorry to 'ave tr-<>ul>ledyou.

He goeo Otl'l'.

711 JIIR,BANKS 711

Moved Cy Bert'• oor.g,Mr. Banks s:l.tsquiet.ly:!.nhl.aoha!r. After a moment, he looks up and off to --

71~ JANI!:ANDMICl!AEI. 712

standing ln the doorway of the hall.

713 MR• BAHXS ,,,

Jane and l'll.ohaelcomeslowly INTO the room,

,- lle'raoorry about the tuppence...

MR. :SANKS Yeo?

,- .....didn't)<nowit.would cause you so muon trouble, ,_ ~- It's all right, How oc:mldyou know,

715 ON T!!ESTAL"'l.S ,,,

Jl!aryPoppins listening quietly.

7:6 IN THE F:I.ONT:I.QOM

:ane take• he:-~a:he:-'shand and placeo ,.

...

,- You can have the tuppence,

M!'.3anko s:ar-eodo,m••,

TlT CLOSE

-·'_,-

on the tuppen:e 1n :'1.lshand.

718 !S T!S ROOM

,- "ill that make everythlctgall r!ght?

Ml!.E!ANKS Yea, Thank you. Oood n!ght,

The c!u.ldrengo OUT. M:-.Banks looks at the tuppence :-est!ngin tl>epalm of 1>1• hand.

OISSot·n

719 A STREET Q'tSRIOR - NIGHT

A lonely, darkened street in the City. Mr. :S...nk!lsDlalc1ng''' his way to the :S...nk,

720 ANOTHER Sl'l\D'l'EXTERIOR-NIGHT ,,o

appr-oaohing the Bank, The area is deaer1:ed. He •lowly walk• the s:epo,

721 AT Tl!EDOOR

'''

A gri.!o-facedcustodian admits h!m to the interior of the establi!hment.

722 THE DOOR

'''

or the Eoard RoOlll. M:-.E!ankopauses at the door a mQment to pluc1<up heart, opena the door and goea :n;,

723 !l!R.BANKS'VI.:.W

72:l

or M:-.:iawes,Sr-. and the E<:lardorD:1:-ectorsseated at a maaaive table :l.nthe meeting room, One by one, the heads at tha table turn toward him, ohafto or light glinting orr their glasses and p1nce-ne%, piercing the dark Edwar<lian fμoom or :hs room. The races ar-estern and 1n,;:raotable.

Prod. 2162

(los::l.ev.6/26/63)

---- 72"--72 walk! slowly, bravely, toward the io,plaeableface,. He o:ancts hefore tl,e,n.:ry!ngto gather h1s composure,

l!R.SANKS O<,odev:en!ng,gentlemen.

T!l.ert'isSilence for a moment. Mr. Dawes, Sr. pokes his son >1l.thtMe cane.

MR. DAWES, SR. (lQon! Oet on >11thit!

MR. DAWES, JR. Yeo, father, (addre,eing Mr. Ea.nks) n the year 1773, an official of this bank unw:tsaly loaned o.large swo of money to finance a shlpm,,ntor tea to the Alnerican Colonie!. Do you i<n<>w what happened?

MR. DAll'es,JR. Prect,ely[ Tileloan was defaulted, panic enaued witlllntlleoe>1alls - and there was a run on tilebank --

JIii!.DA\IES,SR. l"rO&tllat time to now, oir - ther,, llaa never been a run on tlu.ahank - until this morning! A run caused by tlle i:lisgracefulconduct ct your son! Do you deny it?

Mr. Ban',casquo.re•hi• slloulderaaga.tnotthe t1.L.'7orMr. Dawes, Sr ..

~-= • I do not, ,tr. I allallOe glad to assume the reoponsthillty for my son.

Mr. Daweo, Sr. OQUinto at llim,momentarily surprised at tlu.o gl!.nt of courag" - tl!enpoi<@! Dawes, Jr. with Iliaeane.

Prod. 2162 .. ·,

(1st Re7. 6/26;6j°)

724-7 DA,IES,SR. Well • what are you waiting for? G<>on!

Mr. Dawe•, J:-., hie race grim and ex;,reso1on.less,come• a:-ound to Mr. aank.5and collfroatohim. Amid a deathly silence. he takes the roae from Mr. Banks' lapel and ohredo it, the petals dropping to the ~loor, lietakes the tightly furled "'°brella f:-omMr. Eanks' hand. uncoeo the ~11~, and begins to shake it ou~.

728 MR, )!OUS!...,.7"ANDi'l!l.QRUEES ,,,

at the table. Mr. )!ouole:;rflinches.

MR. !'!OUSLEY (hoaroely) II<):Not that:

729 MR. B"-NKS AND MR. DAWS, JR. ,,,

1'1r-.Da.,eo,Jr.take• the umbrella and w:ttha aw:1rt,cold movement of the handle, pulls it inside out, the ribs g01!1J! awry in every direction. He hands the umbrella back to llr.Banks, takes the bowler from h1• hand.

730 MR. TC!o!ES

,,o

at the table, averting hl• eyea.

731 MR. DAWES, JR. ,,,

holds the bowler at arm's length, and with "'10ther swift movement, punches a hole through it. He handa the battered headpiece 'oack to Mr. Banks. Dawes, Jr. turns "'1d:-esumeshis place at the table,

732 !ffl.DAWES,SR. ,,,

)Ill..DAWES,Sll. Have you any~htng to say, Banks?

733 MR. :9ANKS

MR. B.o.NKS ''' Well, sir. \/hen there's nothing to azy, all you can aay 1s --

Standj.ng. Sha.l<enbcttunbowed,he has found aometh1ng 1n hia pocket. SUrpr1aed, he looks down to Jane and l'llchael'stuppence, restino; 1.nthe palm of r.J.shand.

73h. Wl'llf!ED

,'rod.2lE2

(lat Rev. 6/26/6§''i

r

---'~;-1•-

- l!R.DAWES, SR,

Confou.'ldit,3anl<s,I said, do )'OU have anyth1n" to oay?

'Ir,3anlcsbeg1na to sn1cl<er, The melllller•ofthe Boaril.,ai;!,aa~, loo!<a: each other 1n wonder.

)!!I.BANKS J11atone wo:'d,•ir.

)!!I.OA'<IES, SR, Yes?

~-= Supereal1frag111st1oexp1al1doc1oue.

1!R,DA.WES,SR. '<lhat?

MR. BANlell Supercal1frag1list1cexptal1doc1oua! (chortling) Jl!aryPoppins1<aon~t! Extrao:'dinary! It ~ make you feel better!

!R,DA'<IES, SR, What a= you talking about, ;can? T!iere'• no such WOr<ll

' l!R,l!ANK.S (roaru,g with laughter) No • no, Mr. Dawea! It is a word! A perfectly good wOr<l! Actually, you l<r,.ow what the=•• no such thing ••? lfith all due =•pect, oir - it turns out, there's no such thing "" You!

MR. DAI/ES,SR. llopertlnence, sir!

~-= (leaning 1n cont1deil.ttally) Speakin._or :)..mp"rt1nence,sir,would you lll<eto hear amarvelous Joke? A real sna-pp.,r?

JIIR,DAWS, SR. (bl!IIlkl.y) Jake? Snapper?

\fell,sir - thaae two perfectly marvelous young people n8111e<IJaneand Mlchael -t one another on the street. Jane sa:;sto M1ohael: 'I !<nowa man with a >r<>odenleg named Smith.' A.n<lM!.Chaelsay,, 'Really? What's the name or h1• ·other leg?' (he laugha upro,.r1ousl;,)

P::-ad.2162

''6 (1st Rev. 6/~6;6§)

73.,-7 MR. DAWES! s,. (as1ae to !us son Re's !!"Onelll.adICallthe ,:ua::-dI (pauses aa ha sees ~- Banks aomng t°"ard b.J.m) Banks! Stop! Don't aco,enear me!

MR. :9ANKS Supercal1fra~il1sti :e.s;p1al1doo1ous! I'm 1'eeltrui,betterall the time!

JIIR.DA\iES,JR. (trying to tbr<>whJ..• body aeroao his ratn&r) Don't you dare strike ll1Yfather, Banks!

fingers, and.thrusto the tuppence into hJ..sl>and.

~-~ There's the tuppence, Mr. Dawea! The e,:pialidoc1ous tuppence! OUard it welll Goodbye!

1'IR.DAWES,SR. Where are you going•

JIIR.DAWES, SR. Poppins?

Mr. >lank.,cocks the battered bowler on tus head, twtrls the des@crated wnbr,.lla Jauntily, an<iheads for the door.

He <c<>eaOUT. Tl>"Ystare after !um.

MR. DAWES, JR. (to ~ualey) lladas a Mare!!hare! (turns to !us rather) Fatl>er-- ?

,, -·..

JolR.DA'BS,SR, (f:-ownlng) ;.nood!'1 leg named Sm:1th1

on tl",etu;;pence!:,h!s gna:-ledhand.

J,LAilC~ ~..N(1:,E

~eaturing i'II'.Dawes,Sr, wi:h n1s son and the others ',overing eppr,,hens1·,elyallouthim. Mr. Jawe,, Sr. sn1cke:,s - then l:eginsto ceckle 1n e high, re~dy vo1ce.

Jll!t.DAWES,J'R. Father? Fatl:"r - wnat 1$ 1t?

1'111.DAWES,Sil. (gasping witl"lmirth) A wood -- wooden leg nruoedSmith! (and he &ur~ 1n;;o-d:-y,- heaving peals or laughter)

'nd as .~elaughs, 1'tr,Dawes, Sr. l:>egins:o'FLOATUP\,'AP.IJS. They tr"/to seize and ho).dhim in ht, oha1:-.

MR. DAW"'..S,J'R, :l'ather!Stop tt ! Come down:

Mr. Dowes, Sr. bul>bleswith uncontrollable leughter and ~lm<l7 wafts upwards. The paI"tner,try to Cring h:!.m:IO,m.CAMERA SLOWLY MOVES EACII:.

DISSOLn

'!'henextmorning. Cl.OSZon th" weather vane ato9 Ad.!niralBoom'• l\ouae. Toe 1"1nd.,wM.ch )laobeen blow!ns stead.J.l)'from:heE~ST, falte?'s. The vane bobbles almle•sl)' for a D10ment,then turns, and otead.iea, ao a fre•h breez~ C0"1e! 1.."Ifromthew:E:S'!'--

750 CLOSE

~n ."C.:o.l.-alBoom,squintingUPat it.

Alll'IIRAL:3001'1 llind.'scome around, lad.: Blowing dead-on f.-omthe weotI

751 rJ;T.MARY PO:P~INS' i!.OOM ,,,

Jane and lliohael forlornl)'wa~cl\Mary Pop;,1ns pack her t~lngs.

(CCN1'INU,D)

----------

':cod. 2l62 .,,

(l•t Re•,. E/S/63;·

Jl!IC}!AEL (bitterly) She doean't care ;,hathacppens to ua!

~os:::011 JANE ANllMICBAZL

,,~ sr.e only pro-"lisedtostay until the wind changed. Isn't that oo, Mary Poppins?

753 a!DER ANGLE -MAAY POPPIIISAND THE CHILDREN

She conttnueo putting her persanal effects into the ca~etbag without lOold.ngat the children.

75' CLOSE ON JANE AND MICHAE.t

75'

aa they pick up tileII.atatand.

~ra= JllaryPopp!na, don't you love ua?

,55 CLOSE 011MARY POPPINS

She pauaea tor a IIIOJllent,lookingatthe unhappy ch1ldren, There ta a fleeting 1110.,.,ntoftenderness1n which ,..,see ll<>wmuch ahe doea love Jane and Michael, Then J.t 15 g::,ne.

WIDE ANGLE - MARY POPPINS ANil CIIILDREII'

She puta the hatstand 1nt<>her carpetbag. Aa She pushes it d<>wn,it pushes !!E.ahal.rbrush, WIUOh she catches,

75, INT, FRONT !!ALLWAY

Constable Jones is at the telephone, speaking and occasionally referring to IUe notebook,

_, POLlC:ECONSTABLE JONES

That's ,-1ght,sir. Georg11w, J'.anka, Hur,,ber17, Cherry Tree Lane. I ot,ould say about six feet one, air --

Prod. 2162

13~ (lat Rev. 6/;/6;)

,,,

,,,

ANGLE ",1J:DEN5a.aCA!'!E:;!Al'ULLSBACKto1nclud•Mr!.1!a.n1t:,

extremely dl.stra.ught,a.aat>ecrease• to wt>ere:S:llenand Mr•. :qrtll a.r•Standing.

CAMERA 'ffll!!'!:rs.P-a.-,ks,a.ast>ejotnsEllenandMl'•.artll, 'oothof whom a:-ewringing tt>e!l't>andsand ""'-kingsound1ct <Uatl'e!S.

EIJE!l (darkly) wouldn't 'ul'tto •ave tt>amdr•g tt>e river. There'• a nice bit theN by Soutt>warkB:r1<1p that'• popular "1th J~ersl

:S:llenaubatd•• aa Mrs. Brill, wtth a warning 11:lancaat tr-a.Banks, ~aba Ellen •harply :t.ntharib•.

,,, ctOS:E ON COIIS'l'ABI,EJON&9

CONSTAB.LB JON:Ell '" (1ttll en phon•l 'Z 1,.,,..to •av•ba•n I rtn•, 1t1bla gm,.tl1111an,,tr.llot>anle:y-panlq,it you lcno,,,whatIuan, air.

l'1'0lnth•ctinotton ot th• c,llar, c.a. 00111eath•SOOIIDor Jllr.Sank1 atn;ing luat1ly 1n a r1uooua, op•rattc t11h10n •

... """' (Sins!na:o.I . ) i'<lr• apoOllf"-lersugar • 'a! La! La! La! La! La!

COHSTAm.1 JOIIES (en phcna) Regular hal>ttaaa rar aa anyone knows ••

(l,t :lev.6/5/63)'"'

:.c.~.CLOSE 7,CC,

'--

,"!:'s.Banks,Ellen and M:-s. l'!r!llalllcclctoward o.•. cellar with startled exi:reaa1ona.

/.IR•Sii.lfltS (•ing!.ngo.s,) Fol-fol-la! La! La: Lal Fa-la La, la, la! La, la:

CLOSE CN POLICE COHSTABtE JONES ,,o

COHSTI.BLE JON""~ (to Mro. l\~nlca) Mrs. l',anlcs,cculdwehave a little lesa noise on the premtsea? I can't malceout what the inspector is saying.

THE CELLAR OOOR ,,,

There 1s the aound of FOOTS'l'EPSonthe st&J.rs,and Mr. l\anks' o.a. atnging. The cellar doot'ts slightly •Jar.

(singing•=o,s.) La! La! F•l•la-la!

MED. CLOSE THflEE SHOT

Mrs. llankanacts happily to the o.s. sounds.

• MRS, BRILL (hapPily) It•e '1m.

(terrified)= •=eth1ng that sounda 11ka 'im!

,,, Jl!EJ.CLOSE- CELLAR DOOR ,,,

ltl-.BankaAPPEARS in the doo,,,.ay.ll"ot1aa...,_dgotd,rumpled and d~ohev&led. Ke 1• still wearing the bowler with the broken, rtapptng crown. ,11thone hand, he 1a conceal1ns ao,oethingbeh!nd h1a back.

JIii!.BANKS (•1ngtng) La La-fol, la, la, la, la:

Prod. 2l62 141

(1st Rev. 6/5/6,

76"- ME!l.C:.OSE 76"-

:-tr9.Banks,Ellen an<! Cooltr10act"#1thsu:-;,r1seat hi• app10aro.nce.

1'1RS.BANKS (leorge!

She rushes to :>1:n,throwing Mer arms around ~1• neck. He still r.oldstne oryster:!.ousob;ec:bel,1:,dh:l.5"oack.They ~••.

MRS. B~.N"<CS (~mot!onally) Ch, (l;orge -you didn't J""'-Pinto tl":e;:,t,er:Ho><very sensible!

76:, CI.CSE C)ICOIISTAEI.EJOI/ES

COIIS'!'ABL,:JOI/ES (on the phone) It'• all rtght, air. '£'• Jw,t been found. No, alive, sir. Cr so I presume. •:,;•,ldostngl'!ro.Bank:!.

-;66 CLOSE -MR.. llNDMRS. BANKS

1'!RS.BJl.)IKS happened at the Bank!

767 llIDERANGLE

Mr. Banks has put the ol>Jacthe has been holding down ruisr the cellar door. He picks up hi• w:tfeand Whirls her around merrtl7.

MR. BAN!\'.S {breaking into sQng again) Lai La: La! -- I've been oacke<!,_ my dear! Diocharged! Flung into the street! Pa! La! Lal Ls!

768 C<,CSECl/EU.EN AND l(I\S.!!RILL

,.,.. . ,- - ...v.S/•/6""'"'

MR .I.NDMR5 . EANK.3 76g -·

)!R.BANKS J~st a :nomen:, my :!ear. •bere are cha C'11L::lren° (looks o.s. to nurse=-:,;call~) "·ane'.M!ohael! (t=n• ;;oesbacl<; to cellar door)

;-o INT. MARY POPPINS' ROOM ,,,

Macy Poppir.s1• f1n~sh!ng he:,,packing. '!."heCh!ldrenturn ar,d look off t<>the SOUND or P-1--.Banks'calll....-ig.

i'IR.BANKS (o.s.) ~! lliohael!

MlCl!J\.EL \/ho'sthat?

MR. BllNKS (o.s.) Jane: l'll.cl\aell

It ls l'atner--! -

Sr.eeurns a..,drunsCUT. M1chael atands hasit=tly a moment, loold.ngup at Kary Poppins.

You =n•t .:o~ "'"""' l'IAAYPOPPINS (f1.o.1sh1ngh•r pack:l.ng) Run along, Michael! Spit-opot!

Jane and Michael race down the stairs. The:;~top on :he lanc!tngto look down at s:heirratner. _,

(l!t Rev,

7(~

of )!r.and :-1::"s.E.a:,kslee;;~:,,;uptowa?'dthe~andin!,.M?'. E.a:,'.~s!Sr.o;_d!~•!!:heobJectCehlnd.hlo00.0k.!lebrl.ngo lt fo:""'ard,•'-~wly.It 1a tne chlldren•• lc!.:e-or,cebattered a:,d·:rcken,:,owrestored to 1:s fcr,nerglory.

l-1:C!!.'.EL (:mbe ~!ev!ng/ rte:oended.!t!

?tr.and l!r!.Bank• watoh ao the oh!ldren come boundin!, d.owr.theotairo to><ard.them.

CLOSE ON J.>.NE~.NDl!!Cl!AEL

"'

l'..l.ohaeltake•thel<!teand inopecta it. Jane 1001<0 up at her ~ather.

,,~ It's wonderful! now did you manage it?

r..PERANOU - OROUP SHOT

l'EAT'JR!NGJllr.Bank•,aahe begin• to aing.

)!R• aJl/lltS (s!ng:l.ng) ·,;1thtuppence for pape.-and ot.-ing• You can have your mm set or wing• -

C:.OSEON JANE AND lllC!'_l\EI. m

"atcn!ng happily.·

(singing c.•.) Wlth your feet on the g?"Ound You're a btrcl 1n flight --

cr,03:;::ON.~.BANKS rrs

l'II!..BA!lKS (s:n~ng) With your f1ot holding tight c To tne strtn.o;of your lute --

Prod. 2162 140.

'.lst!!ev.6/;/6:3)

TT8 CLOSE ON JANE AND MJ:CHAn.

(Jumping up and down, excitedly) Oh ;,lease, may we fl:rit?

Plea,e?

780 MED. ctCSE -GROlll'SHOT

)Ir.Bank• takes the cni:dren >;,yth"hand, ao llrs.Banl<s 1001<,on witl1pleasure.

l!R.BANKS (,!nging) Let•• go fly the 1<1te Up to the hJ.gnest height

,a, "1IDERANGLE

Mr. Banks lead• the ohJ.ldrentowar<lthe front door. lira.Banks turns, goea to the hall elo,et.

,,, ,,, MED. CLOSE - MRS. B.I.NKS

who ha• taken,out her "VOl'ES POR \/OMEN"banner. She turn• to the group

l!RS.BANlG A Pr<>P<tr1<1teneeds a proper tat!, don't you thJ.nlc?

Mr. Banks and the children bring the ld.teto her, and ohe ra,ten• the banner onto tne kite.

,,, CLOSE ON CONSTABLE JO!r,,,S

'~.,, (l!t Rev. 6/5/63)

as ~. and Mrs. 3ar.k:,andthe Cll!ldren come ou~ of the house,

(•1ng1'1g)= Let'$ go ~ly a l<lte Up ~o the hl.,;;hestheight

:::er.WINDOW MAR:! POPPINS' !'.Ctlll

l'la:"JPo~pins,"earingher hat and coat, :ooks :iol<'t1at the depar~1ng group.

(singing= o.s.) Let's go fly a kite And send it soaring -

,s, £El\VIEW DOWN SHOT

of Mr. and Mrs. Banks holding the children'• hands •• '" they walk down Cherry TM!e Lane.

(singing)= Up I Through the atmosphera - Up! \lhe:-etheair is clear:

CLOSE ON MARY POPP!/fS

,e,

as ahe watches them with aatiafaction.

(•inging=o.s.) Oh - let's go! Ply a l<lte!

,es E;XT.STRn'l'

,ss

near the Park gates. aart is at hi• usual spot, aelling ltites. l'!ets ou:rroundedb:;a small group.

(s1.ng1ng)- As :;ouwatch it fl:;ing up there ;Ul at once :;ou'?"elighter than air -

88-A CLOSE ON BERT

788-A

_, (singing)

- Yau can dance on the breeze Over •ouses and s:rees With your fist 'oli11ngti,;;ht To the string of your kite!

?:-od..2162

l-6 (1st Rev. 6/5/63)

--,'. )UC'lUEL .uroJANE - E:XT, P~..P.X

":'l30'.

near gate!I. ltlchael!a holdtng the ball o:rtw1ne, am! is ~ett1ng out the atr1ng. In b.g. o,ecan aee !laveral other kite flyers, colorfullv dott1ng the area.

(calling~"'"'toh1• father)

MR. BANKS

as he holds the l<ioe1n the alr, and prepare• to launch 1t.

(s:1.nglng=o.s.) Let's go fly a kite

as they excitedly tug on the atrlng as the klte goeo Up. '''

(singing=o.a.) Up to the h1ghest height!

E:XT.PARK AREIL - 'JI!)EANGLE ,,,

Tllesky above the Parltis dotted "1th oolorfUJ., soaring k1tes. In f.g. Jane !Indi'liohael'sl<ltebeg1ns to drift upward, jointng the others,

(aing1ng= o.a.) Let'• go fly a l<ite ~.ndsend 1t soar1ng -

793 MEil. CLOSE MR. AND MRS. EANXS

'''

Mrs. Bania looltsat her husband proudly, ae he watches Jane ond i'lichaelo.$,

(singing=o.a.) Through tileatmoaphera ! llherethe a.1r 1a clear! "" let's go fly a kite! ''""-

Mr. Bank:O puto titsarm around tits wife. They both 1001< OFF', as they he,u,-

MR. DAWES, JR. (o.s.) "-h,tllereyou are Banlta!

-------

Prod. 2l62

l~7 (lot l\ev.6/5/63)

THEIR VllW ''" of the bankl.ng p&rtners, Daweo, Jr., Tomes, l!ousleyand Grubbs - Who are all :!.nholiday11100d,happily all Clingtng to !d.testrings, l'!r'.Dawes,Sr,1• not.present.

IIR.:!AWES,JR, Want to cong,-atulateyou! Capital 1:>itofl!u,oor- that. A wooden leg nued Sioith or Jones -- .,hateverit wao. Father died laughing!

,,, CLOSE ON HR. I.ND!'!RS,BANKS ,,,

reacting sadly,

,,, CLOSE ON DAWES, JR.

DAWES, JR. '" Nonoenae: Nothing to be aorcy about: Never aaw Father so 1-.i.PPJ" in his life: Lert uswith an. ope~g for a new partner! Congrattuationa, again:

CLOSE ON MR, AND MRS• BAJIICS ''' Mrs. Banks !d.soesher l>t:<abandonthe ohee1<. '"

HR. BAl'!X!3 Oh - thank :rou,air!

,,, E::cTERIOI\-BA!ttl!'HOUSE ,,,

.._,.MaryPoppina eo,oesOUT or the house and looks off to • ,,, THE !'Jilli:-!!ERP.o.v. ,,,

or the area 1n tr<:>ntorthe Park gates. She see• the eclcrt'ul.areact ld.tetlyere,

CLOSE ON n!£ BIINXS' !'AMILY .,,

1n a hap:P:Jgroup.

&n MED. CLOSE - MARY POPPIN:l .,,

and the parrot-head umb~lla.

:'<><...~-~' ' i:Ol CONTINUED

MARY PCPP!NS (coolly) Oui:e true.-

PM..'!.OT-l!EA!l Look at then,. ':'heythink more of the!r tether than they do of you:

80!-A CLOSER - l'W!YPOPPIYS

ar.dthe patTot-head.

'!ARYPOPPINS That'• a• 1t should be, don't you th1nk"

801-B CI.OSE ON MARY POPPINS 8ol-8

MAl!YPOPPINS Practically pe:-fect people never permit ,ent:Lmentto muddle their thlnld.ng--

801-c CLOSE ON PARROT-HE:,qJ 801-cr

ao, CLOSE ON 1UllYPOPPINS .,,

J1!AR1POPPINS Really?

802-A WillEllANIJLE

802-A PARROT-l!EAil Yes, nall;r: I know what these children mean to YO'-',andif )'"QU • th1nk I'm going tc,keep •till any 1on;ier -- Glurggh!

JllaryPoppinsha• reached out and l'ulled the drawstrtn.e; around the parrot-head's neck taut, effectively cutting off his speech.

1W!Y POPPINS That w:tll 'oequite enough of that, thank you!

Prod. 2162

••••• (l!t l!ev.6/5/63)

•• Eo3 Er.'.l'RONT DOOR - BANKS' HOUSE

Mary Pop;,tna turns the umbrella over and opens it. As she does a gust of "ind come• in and loft• her into the atr.

so,

She rtses graoet'"-11:;rfromthedoorotep, and drifts upward toward the Park a,:,ea.

ctOSE SHOT - ANMn1

806., IIEil.CLOSE

atht• plaoe nesr t1'.ePark gateo. He looks up to see -

HIS VL::.-W 807

- or l!ary Peppin,, Clinging to her wm1,=lla, rising among the colorfUJ. array of kites 1n th" sk.y.

CLOSE Offm:RT 808

,..ii (aoftl:;r)

-

a·,:_, Goodbye, ~ Poppins. Don't atay l;r~: away too long!

i;.:•'1!dheblows her a kiao••,

809 }_\hosE ON l'!Aln~PPilfS .,,

¾4• she looks back and •Jntleaslightly.

s,o -'·'"----'<=LI.,,-~. 'e<>-c; ,,, -- it·o:rl!aryPoppins dr1t'.:ing,tu=tng slowly, this way and ~-!::'at,AWAY fr<:>.mCAME!!A. -.::;..-. au~..,,-,~I.OHO SHor ,,, ;;,_·.:.r.o1~ of Xs.cy Poppins, outlined in the rays of :he morning sun. U she war.:apaat St. ?aul'• Cathedral, a cloud of birda RISE toprovide her escoI"cth.-ougi,.theLondon sky.

Ao end title oomes OV£R ocene -

P"-DEOOT

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