"HOSTEL" (2005)

STATS95pages42scenes5,965words16%dialogue110characters

Words

  • dialogue94216%
  • action4,73579%
  • other2884.8%

Scenes

location
  • INT 28
  • EXT 7
  • UNKNOWN 7
time
  • DAY 14
  • NIGHT 9
  • UNKNOWN 19
3

INT.SATHROOM-NIGHT

Januareece)Zend,29905 et

INT, SURGICALROOM-DAY

We arein whatlockslikea hespitaimerousoranembalming reom. °Weseefragmentswecftheroom,--_sOWetmcannetoeim.exeact=}3r clacéwherewe are. Creditsrunover~insoSfollowing~eqimages1 : o

tteredwithblood.A cl rhose. We barelyseehi

izaf rubberglovedhandsscrubbloodoffa wailwith yy

S cleanbioodysur Sin avat cfwater, themoff, T sa ; iy cleaned,nor ed, andaret ipedary ardlaidout ona metal

Watered-downblood,vomit,andbleachrundownthedrainin

fromthe draintoa icone room.drippingweb.

inheavybootswalxina ec offandwe heara heavy alllightin theroom.

Startingonthesicn“‘Eostel,”(‘twhichfunctionsasourtitie card:wemoveaownto reve altheexterioxefayouthhostel andowntown&msterdan.»backpac nercheckstheaddressina s LDAexcitarent.

singer,astheywalk intoCown.nkon Bythorsingslixe ancpera

Let’shit acoffeehousefirst,then we'llget sneep

Hey,I thinktheAnneFrankhouse is nearnere. Youguyswannasee thak?

: =t. Paxtonlooksat amap,bBytheorlecks vis passingby.and Joshtakespicturesofthe

Okay,wea 0aiot d cc That’stheone$withth Cakes, They'resupposed sericuslyfuckedup.

WHAP: &handTERRESthemapout clFaxton’smanas,star tne auys.:ztA group of Musiim guys about their ags ck intethemon purpese.TheMuslimstarrow

The Muslimguysstopand Turn,readytofight,

Paxtonlooksatthegang ofguys. Theylook tough.

TheguyshovesPaxton. yther hasalreadygrabbedataxl.

h andPaxtoncuickiycerin tnecab 4iT7rotnjy3Qc4a -

¥ ffeehouse.Theysit ina hick cloud of smoke.dosh drinks tea.He hates the smoke.

No wondertheDutchwanethemout. Imean,I'mthe guywhopretests thewar,and atthevattackme.

‘coud Guys,I’m gonnawaitoutside,this smoxe’sKillingmeé.

(OfferingthepipetoJoshiNeo,Ko, Josh,you mist. ForIceland. I LT

JOSH,PRATON,EYTHCR (singingimunison) Sharingis caaaaaasaring.

Josnreluctantlysmokes.Itpburmshisthreat, intea ccugahingfir.

packed.He standsnexttoa girlwhosendsrext seems lixethey’vebeentalkingabLt.

e ene andwalksawav. dashwalks over ks withtwoDutchgirls. Thevare just is) rydrinks.

...andthisismy friendJosh.

JOS unzipsa fannypacxandpullsour somemoney. Thegirls

Wewillbe rightKe)back. i |aa)wet{i58)[4typinx%bet¥tnhxniwtPaxtonturnstodosh,pissed.

JOS: what?Theirmomey'!sSlargerthanmy wallec And2 can'tfitmy passocr:inmypockets.

FAXTOoN where'sGayther

oshsmudiyremoveshisphon= omhis fanny pack.Heshows ton apictureon hisprone Oo rhrhe3trythorfuckingagirlin4

pathreomstall,withtnfucti”rtiyMEMathoulttrowee

Eytneorfucksagirlinthe bathroomstall,while messagesoverhersnoua are7)baouti1Mapu.dFaisO-tTgLatams withhiscamera-phone.

4

INT.GISCC- NIGHT

A fewcutegirlsgecudrinksattnebar. Paxtonlocksto Josh Hetakes of£Josh’sfannypackandholdsic.

PAXTON
Right tnere,threehettiesjust begginngforsomeJewcock. This beog oyjthoutthepack.

coshsmiles,acceptingthechallence.Hestraicghtenshis shirtandwalksover totalkte thegiris. Cneof themturns andburs inteJosh,stillingherdrinkallover him.

ne {TRL

Watenwherethefuckvou‘’regoing!

_CTHERGIRL i Yougonnabuyher anotherPetdrink?

~e#

OTHERGIRL
inDutch) Buy hera drink.Now.
JOSH
- domn‘t...I’msorry,I...

& Dutchguystepsin andshovesJosn, Paxtonseesthisand comestoaJosh'sdefense,shovingtneguykack. =nseconds There'sa crewGonthem,pusnmingendshoving.3Afewofthe qgivissoiztatPaxtonardJosk.

NT.DISCO ~MIGHT

Eytmexstepsoutof thebathrcom,tuckinginRisshirt. He seesa largeDutchBOUNCERtossingTeshandPaxtoncutof the clubwnilethe crowdwhistlesandtauntsthem.

sal.DISCO- NIGH

TheEkeancerthrewsJcshandFaxconautofthe disce.Josh stilimoldsa glassinnis hand.

wOSH Geryourfuckinhandsoff me: I’m anAmerican,Thave rights:I'll fucxingsueyou!

PAXTON
Yourclubsucksass!
SOUNCER
Getthefucxont:

Jognwhipsnis glassontheground.

v OSH We'reyourindustry,asshole!You fuckwithus,you'reoutta business!Youshouldbekissingmy Americanass!

EYTROR
‘tethe bouncer Haveavleasantevening.

PAXTC’ fLothe linecfpatrons} There’snogixvlsinthere,it’sa fag-fest.Walltowallcock. (To aguy inline}Youneeda fanny packtogeetin,sorry,pal.

aytherdragsPaxtonandJoshaway.

iinme

The auysdrinkinsiihouette,thecitylitup behinethen. Theynow, likewolves,Grinkincbeerandsmokinghash.

PAATON
Yosni,thatwas fuckingclassic. Youwere gennathrowdownwith€2¢

EYTHC?# i thoughtyouwerea Jew,man,but YQypu crs, a CcsingIsraeli! inging!HavaNagila...

Josnand Paxtonjoinin,singingHavaNacila. YruUoOrR eebe va Na-Sneepur,HavaNa-Snmeepur...

PAXTON
Skay,enoughofthispullshic. Timeforsome fuckin’sne
5

EXT.REDADLIGHTDISTRICT-NIGH?

Treguys walkthroughtheRedLightdistrict,st nakedgirlswho stardinthewindowslikenerchandiseon dispiay. Theywaveto theguys,andgestureforthem tocome inside. Theguyslookprettyfuckedup.

JOSH
They'relikesoldfich.
SYTHOR
InIcelandweave sex with go_dfish.Itgetsso lonely.

A culevapaneseprostitutegesturestcthebovs.

Onno,40, no. I fuckCapanese gir:once,shebitemy dicklike« PiececfSushil Sevenstitches!tii}

iy

VAGPATOUTS
That'slikesfivestitchesperinch. ‘Pointsteanotherwindow) Ugh,7 hopebestiality’sleca_in Avsterdambecausethat ¢- Fuckin’heg.‘Spotting hocker:Chwy GodI weula acsclutelyeatlunchcffthavass.

yrinwindowbeckonstheguys over. Eythnor emiles,trying t herte shewthemerchandiseEy

plavfully#lipoineuphisshirc. Sheseductivelyshows4

littlenipplein return

KBctje:gersittthyi{ke?ivp)5iehatyacy.

Far]blowswoeoneback.~~myn)-

6

up higcameraphone. Shenedsro. Heputsit away.

ome,cosh,my gifttovou.

2‘fps+ oc

wag

JOS
Maybeit’sjustme, utwayinsto i oom and 0.whateveryou 3 ~tohexactlya EUrNnon,
PAXTON
wellwe don’thavemuchchoice. Andyou cottabangat leastanekot ee ae _ } Eurcchickwile we'reover here.

ue Aqreed,mutI skouldn’thavetopay

1Q.

EYTECR
ITampayinc. Tomeon.

EythordragsJosh insidepykisear.

7

INT.BROTHEL- NIGET

The Brothelis- smallapartmentbuilding,excepttherooms ave allforpros itutes.averyprostitutehasdecoratedthe outsideof theirdoor withtheirnameandsomesmallpicture cr drawing Someroomseven havea welcoremat.Jesh waits in thehallcutsidea doorwiththename MONIQUEwritten diagonallydewnthedocrin cutoutletterswithglitter.A -ew teddybearsdecoratethedoor.

Joshcan hearPaxtonandEythcrinsidetheroom, iaughing singine,andhavingsexwith thehooker.

BYTHORAND PAXTON(2.9.3

Joshwandersup anddownthehall. 7 There’san cpendoor. A nomelylookingprostitutelooxsupfromacrosswordpuzzle andsmilesat Josn. Hekeeoswalking.

oshnearsa noisecomingfrombehindthedoorof a girl nameaDOMIKiQUE.It soundsrough...

DOMTNIOUS(O.S5.3
No...no...n¢ip!Helpiit:

Josshear’sa SMACKr.0ise.ThenaPUNCH. Thegirl screams evenLOUDER. She'sinpain

JOSH
S@Y...aveyOuokay? Hello?

Jossturnstheaoor handleandcpensthedeer. ve seesthe girl,Dominique,facedownonthebed tieaup. A man stands atthe edeeofthe bed,ounchingher.We can’t seehis face, tusthishandbeatingherup.

JomiriqueleeksupatJosh,witha bleady nose,

VOoMINIQUE <LOSETHE FUCKopen YouWANTTO

Theman beatingDominiquewearsaleatherS&MTask.

SuddaanlyaYANDgrabsJoshonthe shoulder.

Jashturnsaround...ee

2=

PAXTON

PAXTC? Josh,youwannabe afuckin’ writer?How aboutsomelife experience.Eightthere.In tat roowm..

aycherwalksbetweenthecuysard opensthede0OadctQO

Toninicuea’sroom.

EYTHCR
Jpay! Ipay! Faxton,come,we etne show.

Eythorpu Paxtoninthe Gowinique’sroomanaclose door.Josh séestheprettyhecker’scooropen,downct

8

INT. PROSITUTE’SBEDROOM~NIGHT

doshhesitantlystepsinthedoorway. Helcoksnervous.

Tne hookerstandsatthesink,washingherself.Shewashes ser khighs,trenherhands,garegleswithmouthwash,spritzes perfume,andturnsto desh.He’s abit grossedout. She smiles,warmly.

HCORKER

cy3wmaa4itctés)0Heaiyfei]tyiFOyi13]sct(T>oramhm= in3,(D1)rtaitdbet1D1]aii@)[omi$4taie)0{30

EOCKER=a Yourfriandsarese funny.

JOSH

The hookerwalksacrosstheroomto openawindcw.

You canwashoverthere, 0ysink.

Sne takesoffher top,andturnsaroundto findJoshGONE.

They arxiveatthe hostel.The2streetisdarkandquiet. tn,ye my“ PASE TON Wherdo voumeanshe was‘fine?’ a ; . Bitchhad thebestfuckingtinsin

Tt wasfine. Itwas whatever.

JOSH
Curfew? Whatarewe, thirteen?
EYTHOR
mor afHosteisdoit. JTthougntit was 3AM, butwiththe* GifferencefromBerlin...{checks watch}yes,we arefucked.

AXTOKue YO. LET USTHE FUCK=N,WE'RE FREEZINGOURBALLSCIF.

SOSH
We paidto stayNere! Theycan’t lockus out,thigis suchbulisnic.
PAXTON
OPENTHE FUCKINGoyDOCKPLEASE. HE OPEN “THE FUCEING DOCR.oe)

A Gerrancuyscreamsatthemfrominsidejdethehostel.

GERMANVOTCE

He:1DiReQ7on163bo18hy%4baMartbi|it)tt.f)

ramtonrespondsONGERMAN.

t POYeacya teieWETMan c bee . s ..~- Open enefuckingdoorangwev’il \ oe,‘ oe7 ~ SALVOOneDUCKup. eneGERMAaystTaa f'L t Nonexofoous*can“ywopenit,:you’reTM-roo

PARTON
I telahimto letus in. Fucking khrautes.finGerman}OPENTHEDOOR YOO PUCKINGNAAT

ABOTTLESMASHESontne groundbehindPaxton,nearlykilling him. Tneguysjumpa fcot,andicokup behindthem.

SEVERAL
GETTHE FUCKOUTOF HERE!

ANOTHERBOTTLEKEARLYHITSTEEM. Theylookup at tne buildingacrosstnestreet,wherea letofangryneichbor yellactthemfromtheirwindows.

Suvs? Let’smove. New.

& VOICEcalisfroma windowafew flocrsupim theneste.

YOICR

Theguys lockur. A youngguy,abouttheirage, leansout thewindow. He pointstothefire escape.

VOICE Climb,quickly

Theguys lockat theZireescape. Paxtonclimbsupfirst, FollowedoyEythor,thenJosh. Theyavoidthe bottres gnashingneartheirfeet.

Treguys climbthroughthewindow,intoa smailroomwith severalbeds. Onecf thebedsis occupiedwithanAustralian coupleFUCKING Theyseer tobeoutof itcn drugs.

ALEX,the guywnelet themin,élightsacigarette.Hewears a darkblackjacket,ihassunken-eyes,voabitofscruff,anda charmingsmile. He’scdaiyskinny,withbadSAD Ne recognizehimas theabackpacker&whowaswalkineinthe soste. while tney wereleaving te go out fer the night.

(re:coupiehavingsex} Don’tmindthem,tneyare sofucke up theydon’tknowwhatplanetthey areon.

Paxton,Eythor,andJoshsettlein theroom,tryingtoact casualaboutthe couvleacresstherecomfuckinginpiain signt.

aRWae Thanks,Ere,

FaETM It’sno problem.Noueveryonewant to killAmericans.

JOSH
”4. Cahnso2]meoneexptaintowewhythey havecurfews?

eenoeae“ It’scrazy,no? We areola enouch to travelalone,fuckocrostitute,tyal tay cut aztertonLard3der —« ‘ >. AM.Gottalov neaDutch,

Paxton.

fabs TasREWw Alexel. CailweAle:Fr»

PARTONTameryba +aSupAtex.aeThisMnFt-t+} is Gosh,and EyChor.Tee”Buta=we~a7~wae - cait himGerthoz

Hehas sexwithso many girlsthat wethinkhe's cvercompensating.

rdsuncomfortablyclosetothenakedscuple,

JOSE

EYTHOR
come,wehavea gangbana. I am nextin lineforsneenpur.

A Ee oowie@eniiretH'

EYTEOR
You navebeertc Tceland?

reyxjavik.Eot spr medelsworkingatM have verygoodtimein

- have beentosaneclub pecerlesomanytimes,youknow

Paxtorpacksabowl andoffersitto Alex.

PARTON
cartedinSerlin,whi is eWe pickedupthisdrifter,

Bytnor’sgota friendwithaflat in Zarcelona.He'sgonnahookus up withsomehetass senoritas.

xtalcanerafromhisbackpack.

fond

throughphotos. Theyareali fbeautifulnake te,os * ryt x. Andeachcther. s 2 hypnotized.~

EYTHCOR
Tnesearémagnificent.1 navemec mymatch.
PAXTON
Whothehell arethesegir.s?
ATWY
Youcanae asfar aSVxraine, Odessa.But thesescirisImeetat thisomehestelin Slovakia,just outsideBratislava.1nadaheard*a rumoraboutit,kunI didacr

thereareso hotyoucannerbelieve at. Andthev loveanyoneforeign-

youraccent,theyTuckyou.

PAXTON
Howlongwereyou there?

FnER 2 staytherealwreoscthreeweeks.I fucksomanygirls,they justkeep leaving,andI keepfuckingthenew onescomingin. Eventhegirlswho

maid,thegixlat thedesk,the girlfromthecafe Look.

Alexshowsthermerephotos. Theysuysare incredulous.

SAXTON

Well, it'spr giri whosebr troismafia.Isay ra myself,“A it’s4f out withyourballsat your dick.”

beautifulgivrlatclub and ncomeaskmahertodanceorbuy her advink,youknow. Thisgirl -ad bedyguards-2thoughtthey wereher friends!i wasso drunk. But therearescmany girls,and Sincethe warscfew quvs.They allwant toscotoAmerica,sothey do anything.¥ as} at omee.Theyfuckanyfo

We mustgotnere. Wemuszgo there mow!

CUTTO:

Varioussnotsof thetrainrollingthrouchthecountryside.

We hearAlexin voiceover,aswe seeimagesofthe train gettingfartherendfartherawayfromwesterncivilization.

Barcelona,Amsterdam,theiare citieswithsomanv tourists,Mroso manyAmericans.ButSlovakia?No onegoes there.Yougo tothis hestel,youwillhaveanycirl you Want. Youjusttakethem.

Joshsleepscnthe3pe mTtrein.Th emHemewakesbeootupand:realisesayDonorEVoRor’sQeerrod basag=areiaonhis*afshoulder.}%“4tdPaxtonRad~~takesteachoto.i

OSH
Aa@aaan!

EythorandFaxtonlaughatJosh, lockingatthephoto.

ep yourvikingballsin roitwosé6conas?Jesus.

BYTHCR
I shavemy balisforyou! Look!

ADLTCHBUSINESSNANmancfabout 45,baldinc,withabéard andglasses,enterstnecar,talkingloudlyona cellchone. Eythorguicxlyputshisballsaway.

Tnebusinessmanwears@suitandcarriesa travelbaqand mrilefcasé.FespeaksinDutch. ftisnet subtitled,bu izremhistoneofvoice‘s)weknowhe'stalkingtoachild.

BUSINESSMAN
(amTutch} Ya daddylovesyou Yes,Ixnow, iowillseeyou soon Yes,I iave you Daddylevesyou. Sve bre!

cenversation,andarestaringathim.

vin provenEngtia Iam sorry. Mv daughter.Shemiss her daddy.And daddymissher. sree PAXTOD No problem,it’snOoal.

sinéssmantakescutniswailet.He showstheguysa ofhis daughter.

SUSTNBESSMAN
Saskia.

th£2

Ene’s>*

Sythortakescutnis waliet pictureofa licetlegirl.

2YTHOR Bella.She issix.

eshandPaxton lookateachether,surprised.Efytforfasfu

BISINESSHAN
Verypretty.Whereis she?
SYTHOR
Skeis withher . ws schoo.tnisyear. teeyem cost

Yes,why?

Ofcourse.

e ”. * That€xpiainsnowvou’regoin couchwithyourfeminineside.

BUSINESSMAN
Youboysare American?I like

muchforbusinessimEurope,people shoulcappreciateAmericansmove.

DARTON
AMerican,(points American,ipoints ice_andic.
BUSINESSMAN
thegreen

)

_EYTEthsoe“Eee Ves,and Greenlérdisica.

We'recackpvacking.Nextstopis Sratislava.

PATTON
What?
BUSIBESSMAN
Siovakia. Youwilllikeit. Casinos. Girls.You canpay todo anything.A-my-thing.

The cusinessmantakesouthislunch,smiling.Heeatshis Sanavwichandhissaiadwithhis hands.tishands shakea £

ikeyou...

The businessmanwinksatJosh.Tne quyscrackup. Ee eats os ae Iore ©£24

No,mo, Ipret Yrtousemy hands. I bel-evepec ehaveLost their ithfood. They do not taiak‘this is something who gaveits lifeso[Iwouldnetga fungry.’I 2 tehavea cozmmectionwitnsomethingtratdied forme. Iappreciateitmore.

ATONnek at I’mveqetarian.

won75hee

BUSINESSMAN
ArdI am@ meateater. Tt ishuman Nature.
PAXTON
WellI’mhumanand it‘snormy nature.
USINESSMAN
{toJosh}

Thebusinessmanoutsnishardon Josh'sknee.

JOSH
‘freaxingcut: WHOA,DON'TTOUCH. Don'ttouchme.

The businessmangétsupandleavestnecar,deeply apolocetic

SUSINSSEMAN
I amsorry. Goodday

cnce neLeavesEytharandPaxtonbustoutlaughing. Jcsh doesnot. H¢wivesthe saladresiduecifhispants.

JOSE
Fuckin’freax.
PAXTON
{Laughingevennardaer) ZdwareSaladhards.

SAT. SLOVAKIATRAINSTATION-DAY

The trainstopsatthe station.It’sa dirtystationwith only afew trainscomingandgoing,andmaybeomestandfor a macks. A lotofcab driversandgypsycab petqda)Occoiffataingpassengersgettingoffthetrain.

off thetrain,quicklywalkingawayfromthe ssman.A towncardrivermeetsthebusinessman

waves totheboysbeforegettinginthe car.

iyARTON Josh,yousureyou don’twannaride withyourbuddy?

us atwe need,thatguy snowing wherewe'restaying.

Theguys locksutthe windowatthegrey, dark,industrial city Al. theyseeareburnedcut factoriesanddeadtowns.

Zt Lockslikethearea hada waraboutfiveyearsago and

nmasn'trecovered.Thecolorsaregrey,bleak,anddepressed

imockenthusiasm: wecan govisitsore factories.

Wedrive,iitt aaa ui Mounta.ns,it’sverynice,yousee, Here,inthis area,wemakeail 'gbet@witicforSlovakia.

Theycass by¥afactorywithasmoking~_chiwney.Fraxtonand

oanexchansea .oox.Tney’reboredalready.

t ”)al4

The roadschange[romindustriallandscapestogreyforests. Treypass byfarms..Theydriveupinto themountains.

Theysoor findthemselvesinavillage.A verycharming village,withhousesthatlooxhundredsofvearsold. Snow

coveredroofs.Aropenmarketwherepeoplebuyand sel.fead,

goods,andclothina.

aX?T.HOSTEL-DAY

-“onteiyfuHefede«3uj4TArtopsoursistel,whichlaskstorelige mH,Withan @ awningardmarblesteps.

cé. Rea nice. Thelabbyis ngsand nhifulfurniture.A <nEurepeangirissitin the n” dubbedintoSlovax.

Two DeautitulJapanesegirls,HANAandYUKI,20,passby. Kanaisa traditionalbeautywithiongblackhair,whileYuki ismoreTokyoPop,with spixeyhairdyedorange.The girs checxthemselvesoutinthemirrorasthey leave.They pass by Paxtonandatouchhisjacket,admiringit.

SURL pushesKanaouttnedoor,giggling Paxtenwatchesthem ge, smilingandvaisinghiseyebrowsinapprovalteEytheor.

EYTHOR
Theyare yours,Iam teescared.

e_fa cupof teafroma buffet,and DYECtyEasternEuropeangirltakes

EASTERNEUROPEANGIRL
Miurm...cocokle.

Eythorhonesin ona beaunifulgirlbehindthefrontdesk.

The partyhas arrived.Youare savedfrombore

(checkingreservations} LetTe guess...youmustbe‘The Kingof theSwing.’

EYTHOR
I am!
PAXTON
reservationunder‘The ~eE

(tothe deskgirl 3soxry. Eedoesn'tgetout of a}-incagemuch.

DESKGIRL
Icam seethat. Hereareyour MeyYS,vouleaveyourpassportswith the deskwhenyou arenere,¥ takethemwhenyouageoutand we held thekey. BKreakfestiss downgstaixsfromseventenine,i you Wartto goto townitis 29 minutewalk,or therearetaxis outside.

Theguyshand cvertheirpassports,andshehandsthemthre arcCe)ae

The roomsaresemi-private,sayou will navea

PAXTON
- *“ *ad ro" ~ Roommates,huh? That'saay.

cUT 70:

on!oaJWyoOin||nadwommORCOM=DAY

TheGuysopen thedecorandseetwoSTUNKINGEUROPEANgirlsin theirg-strings,changing.

JOSH
Whoa,Sorry...

to

BEAUTIFULGIRL
It’sckay.

Thegirlscontinuechanging,notevenfazed.

EYTRCR
Please-do netputcn yourclothes ommy account,TIamnot emfarrasseaq.<2willtakewineoff, Zee.

Bythnertakescffhisshirt.The girislaugh.

BEAUTIZULGIRL
Ifyouwant totakeyour off clothes,thencometothespa.

ThegirlsLeave. Theguyswatch themaa,frozen.

Shee. (likeShatner} Spar

LRT.HOSTELSFA -DAY

Tosh,BythorandFaxtonexitthe snewersandwaikacrossto Shesauna.Thereare aTew chaiselounges,awaterccoler,a Steamroom,anda sauna.A fewctnmerpackpacxerswalkthrough theSpa,raked.

Theysee theZurepeangirisnakedintheSauna. Joshsee

mH

thenin theglasswindowandfora secondtaegirls lackLI thered lightdistrictnookersintheirwindow. Theguys stepintethe sauna.JosnandPaxtonarewrappedintowels, Zytherlatsit allkaneout.

SYTHOR
Iam sonappyI shavemyballs.

Thegrouplacoghs.EythershowsJosh,again.

EYTHOR
What?You wanttosee? » have Tnesmoothestballsinallof Iceland.Look.
JO3H
Thanks,Eythor,wegotit

|ae{=

fr ee:JrqMfelo cIrifa oO3a gQ ayTT ry ia aS Mastdcro 4S Qtt. Oo a) he aa cELya4UDxti. & -veeW Go efay‘ ‘ Pad Axe — OgrasBeoaon a ft 7 efieF a4aae > ad pidit De |aaoynom ef ut HI£1,vee arc trt‘oF “im vs ra} [art ~ iywntisae 4byQO BagsOg«a.in:: pt Go aaroapf‘ola! "imOt 4 @ uy“4 mE arm' dn UFa yw B45a) bef SO cos pea a » oyG4HoS)Efe Kd oF omrsfang hy Senti mH teeme 2bE oyBeif 4 ra Ab,«"= @=v 74Utig gs sed a irf,x te ei, yyraa by Li Hf & imBy Vane« “ocrott wsma}a z ne TM vy fhwyth AHaMm fas)fal ane mi

EVETLANA

48 ae “sy“© ‘ee 1 oeetlan~m aminsdostre’haec“esGut,CClosing LO stare.But...she's7,aked.

So,1&a RaASoe

4Pes,heneyrbunn*bf Bs: “

aa 777

9

” NAD =

Saby, weagotothedisco rightnow

Sythozrjumpsup,dumcs anca°ssa naxe lauchs.The guysrat-t

omyyohor,JoshandPaxtonalldancelikecrazedanimalsata te ranQupq:ihcowitnthegizls.Thedancingismcresilivthan infofewooCF@1,andituysarereallyftcurcting1 c @ CyJapanesecoxis,tanaaadYusxi,arethere,toc,&area fhe]ewhotr"otnergixlsfromthehostel.

Svetlanaplacesatabcf Eon Eythor’stongue.Paxtontakes ene,too. Theysip somewaterandcontinuedancing.

tdwbwortAlvaputsatabonhertongueardsuddenlyleansinkis fyDOHyitpa fuandCoshkias,andtnen shegiveshima sitof 4eyDpcmerBythorputskS balqaJosn.

ISGa&Beau.mee

JOSH,FAXTON,BYTHOR (singinginunison) iiSCaaaaaaring.

Yala.Fromtne froncdesk. Vala.

Navalyapaintstothedancefloor,whereEythca)ryswingdances withiVala,whowerecognizeastheheautiful=girlwhochecked thenin atthe frontdesk.Eythnorcanreallvswingdance.

PAXTON
EYTHOR!
EYTROR
Itold you: Iam theKingof the Swing:
SVETLARA
Come,let’scc,we dansemore.

SvetlanépullsPaxtononthedancefloor TheyjoinVala and Eythor.Natalyasitsnext toJesh,smoking The smcke clearlyBothexrshin

JCSH
T’'liberightback.
NATALYSA
Does clidarettebotheryou?Iput AWAY...a
JOSH
Ne, it'scool, Sine,I just needtomake a)
10

EXT.DISOO- NIGHT

-oshstandsoutsidethediscs,coughingwiidly.Hepuffson anasthvainhaler,breathingintherightair.

Joshtuxnsaroundto¢¢€ aemailKid,maybe 92years standinginfrontofhim withkishandcut.He lock andscratchedup,lixea vat. Hesveakswith2 Sl accent.

young?

Anotherkid tucsatJoshfrom behindnim. Jeshiooksbehina nin. Suddenlyme'ssurroundedpyabouttendirty,mean lookingxids

Kao DOLLAR.

e¢kidmeansit. Thesekids looktough. AKid missingan eyePullsouta knife.

VOICH{0.5.) Hereyou gc.

Thekidsturnto seeTHEDUTCH BUSINESSMAN.He'sdressed morecasually,inablackt-shirtandleatherjacket. He throwsafew packsofgumto theleadkid,alongwitha few Slevakcrowns.Theleadkid takesthegum.The kidstares atCosh,thenwalksaway. The otherkidsfollow.

BUSINESSMAN
leasechildrenareverydangerous. YOumustbecareful,theywould i

2+ themost ct care,theywill attack anyone.You areckay?2.

WSs ¥eah,thanxs.

cyoshthinksfor=moment.

Key,ralemmebuy*vouanadrink.

aNT.OISCO- NIGHT

arwiththe Dutcna2usinessman.Paxtonand shto comeover. dGcshwavesthathe'sfine. mYrHnahwviandthewholetablewavesatthem.

fadoes

JOSH
I “ustwantedto saysorryabour @arlier. Theway© reacted. Coci?

S ul nispand ortheBusinessman'sxneeTora moment. en motices&@tattooofablaecdhounddedonthe sinessman’serm,nearthebicer.TheBusinessmanicoksJosh

BUSINESSMAN
wouldhavedonethe sametningat

Theyexchangeanunderstandingglance.‘Soshsipshisdrink. notrespondingomswayor thecther

BUSINESSMAN
It isnot easy. But,fromTy experience,¢noosingtohavea familywas therightchoiceforme. Now Ihavewy littlegiri,whe Mearnsmeretome thananytaingin the world.Bur yausnculddo whatever'svicahtforyou.

atthe businessran.Thenbackathis friends,who

NATALYA
‘tothebusinessman Fxcuseme, ifismy turnnow.

NatalyagrabsJeshandpullsnimup offthestoolas we-

MATCHCUT TO:
11

INT.HOSTELEEDRGOM-NIGHT

KatalyapullingJoshontsthebed. Theyarenaked. Paxton 18onhis bedwith Svetiana,EythoronnisbedwithVala. rigsoff eachotmer’sclsthesoff.Thesegirlsare aggressive.eprTVery~aagressive,sygenenooae

avthoyrjokinglyjumpsonterctJoshandNatalya,humping

EYTHOR

“3 coshlaughs. Evervonedoes.Vala pullsfythoercf

ValaleadsEytherout tnedoor.

‘singing? Spa,Spa,We goto Spa Being Girtywhilegettingciean..

Nataiyapinsdoshdownon tnesed andstraddleshim ke jookseverto Paxton,wheisin thesame position.Tnegirls havethe guyspinnedcown.,TheyFucxthem,hard.

awe.ROOM -NIGHT

Theroom isquiet. Everyonesleeps.Joshslipsout cfbed andgoes intsthebathroom.

12

INT.BATHROOM-NIGHT

Joshtakesa piss, He lookscutthewindow. Heseeswhat he thinxs is £yrnor jrivine away in @ gypsy cab with a few RUSELanguys.

Jos looxscloserout thewindow,unsureofwhathe‘sseeing. 2.@ littledrunk. SuddenlyaHANDcovershismouth hind. t'sNatalya.She lickshisneckand spinshin a

IND.HOSTELBEDROOM-MORNING

Josnwakesuv, alone.de looksoverat Paxton,whosleapsin bed,alone. In thebathroomJoshhearstheshowerrunning, alongwithtne soundscfNatalyaandSvetlanatalkine.

13

OOSHJOOKSCOVERATSYTHOR’SBED.IT'SEMPTY.AND STILT

ultade Nosionof Eythor

Gtfal

TTMFone?hd halosRO We areneve ®avirehere. JOSH or i — — Where'sEythor?

Paxtonhearssomething.He holdsup aFingerto silence dosh,smilingat thesoundsofthe cirlsin theshower.

They'reshoweringtogether.

JOSH
T thinsI sawhimger ina caplast
FAXICN
We pronaplyteckthatdeskgirl 2 fllseehim atbreakfast.

Ooks overatEythor’sempecybed.

uCéH He tookhisstuff.

14

INT. DCININGFCOM-DAY

Shout20 peopeIvyin"jan@—breakfastinadiningroom. fhe Loom 18Ss& hohortWe,eelwithlotsoffruit,yegurt,and muesli.

Josn andPaxton¢cantheroomfor Eythor:nosignof him.

Cash andPaxtontalktea gut39 yearsold,weha

1S motsubtitlea.

PAXTON

he we Supposea=a and-athiswirtkcut~44tionsubtitles?tg.7

The DeskClerktypesa namesintoacomputer.

DESKCLERK
Yes He checxoutthiswrerning.

cOSH Do youmeanhe teekhispassportte go out?

DESKCLERE
Wo,it sayne checkcut. This MOLnLng.
PAXTON
Wnerntnismorning?

Jack CLERK 2 donotknew theemacktime. I cariFindouttomorrowwhenperson whowas workingreturn.

Paxtondialsa numberonhis chone.He getsvoicemail.

PAMTON
fonhisphore) Eythorvouhome,it’sFaxton,call me. Avevou scililiwiththetchick? Theguy saidvoucheckedcut.
JOSH
CanI leavea motshere? Incase he comesback?

HOSTEL moantT.

A doorofthe hesczel Lockedshutfor fy(2 ks onhisceliohene : im Circles. i aa meSesinthebackofwos Paxtonleansin et athen.

rey uw

Fy VF 7la. ‘ Ad en, om1

EBsom“OR aoea niaia&hot

JCSH

oontVeTla-temaGivesFaxtenakiss, ‘ axirrvort

aftertrem TY

t sleeve.He She look Lissed..

WOur friend.

15

- A ~

tureon hesphone:it’sof Evthorand 1gre’samessaqdeunderthe

PAXTON
«oe~~2 wheohLa*

You~ aa lend.

AanaEeonmetemet.

la?an

oyott JOSH - a aeet whatdeesthatsay?

AANA

Manamods. She’svissed,itkeic’sPaxtorandJosn'sfauict.

PAXTON
Thatmaxesnofuckingsense,Eythe doesn’tlixeAsiangirls.(Ta Kana!Neooffense.Whendid she sendathis?

Eanadoesn’tcuiteunderstand,Paxtonpointstothephone.

PAXTON

Karnadetsit.Sne measyes. JoshconferswithFaxton.

Itelayou,he leiz. Thatwashim.

He’s fuckingaround.He'sgotta be. dHe’snere.

JOSH
{toRana) omewith us? We’rs

¥ S attheminJapanese.She sitsdownona bench

outsidethehostel.

JOSH
Guessthat’sano,
16

INT.TOWNCERTER- DAY

Theywalkthroughthemarxetintown. It lockscreepierthan itdid yesterday.Weseethenwalk bythroughhandmoving

VS,as iftheyarebeingwatched. Paxtontypestext

messacestoEythorastheywalk. <CoskLooksaround.

PAETON
r tei.youI sawa girlarown n Ilwaseight?
JOSH
Where?
PRATON
rakeMicnigan.It wasfuckedup. * + 7 aa Thislittlegirl,probablyfouror five. Wemadeeye contact.She wagcrvingforme tohelpher.

SOSH

PARTON
Iran tathelife busy taikingtokh veiled “there’in SheeZ ts a pTaUif tower. obab thought=was axing | ub. “na then a seco lateyallyou‘couldhearwasthis horribiescreaming.Ztwasth2 girl’smother. Herki@was dead.2
PAXTON
htmaresforvearsafter d wakeubeverynigh h motherscream. 2aotfelt onecibmcretosave aned mvsel=.

romcloseby, moving

JOSH
You didtherightthing. [eccould havebeen adoubledrewning.
PAXTON
£ Qian‘’tseeitthatwayatthe time. Thatpoorairlwas deadand Ma 5, wm“om,” ; mer mother'slifeiwasruineca

falm

UGSH
Whatmakesyou thinxofthisnew?

The one-eveaSlovakkidponsinfrontof them,startlingthe quys. Ina fewsecondstheyaresurroundedbya gangcf roughcoking kids,maybe© or 16vearsold.

The tiniestcfthepunchappreachestheguys.

TINYAID
Bubblegur.
PAXTON
Thispack’'sgottalastretill Budapest.

JOSh kereyouge.

Joshgives trekidal] Kisgum,43 wellassomefrom Paxtoan’s jacket. Thekidtakesit. Eenedsto nisfriendsandthe Ganomoves on.

JOSH
Thesekidsarefuckingdangerous. Trustme, (noticingsomething.} Rey,look.

ee EYTHOR,crwhatlockslikeEvthor,stepinto the ai Museum,farawayacrossthestreet.

Joshand Paxtonjogupthe stepscfa bmargemarblebuilding, witha bannershowingtheSlovakian= ,anda pictureof the Latestexhibition.Thisistheloc lartmuseum.

PAXTON
To’syourlucszyday,Josh;a MUSEUM.

tatO

TE’sinan old,marblebuilding,thatLockslikeit might navebeensomecrandpalace@= onepoint,buthas sincebeen convertedimteacaié,sterilemuseum.an elderlyquard sellsticsets Theybuy twe Theythemwalk acrossanempry toyerandwaitfor thesameold guardsellingtheticketeto wal over,ripcTheiztickets,andletthemin,

ant,MUSEUMWING- DAY

meonClaro,om- imoty,silentreem,Theomiysoundsare t oftheir iheetonthefleor.Theycox aroundfor Eythor.

{nd Evcthor.Eythor.

epwalking,movingthroughtnesilentwings, lpbures andbizarremodernartpieces.

AZTON
You KnowSvetianaandKatalya hookeaup lastnight.
JCSH
saz?
PAXTON
YOu werecutcala. triedtowake you. Theylet mewatch“-*

jen)ehindthemtheypassbyEYTEOR: standstimthecorner,staring”thewall.Theorange‘46§ wégreesNorth’jacxetsuddenlycatchesJosh'seve.Eythor we ks inteanotherroot.

don Eyther’sshoulder.Theguyturns Evtnor. He leckslikeoneof thosesnaday oo fad :

JRCAETMAN

COSH
Sorry i’msorry,<=thoughtyou weresomeone€ise, oer JACEETMAN yellIoamret.

TheJacketmar goespacxto lookingatthepainting. Faxion atudiesthejacket,wnichis averydistinctorange. it lockswornin, likeEvther’s.It hasthesamemarkings- a

‘£6DegreesNerth’logeand Icelandicwriting.

PARTON
Excuseme,where'dyoucetthar *acket?

TheJacketMan doesmotrespond. Hewalksto another peintine.

ALTON
Led” ‘d wnere’dayougetthe md ACERT. vy,I'mtalkingtayou!

Paxtonputshis armonthe guy. Theguywhipsaround,

knockingPaxton’sarmaway.

JACKETMAK
- getvournandsoffme.

No,you t@.imewheretne fuckyou gotthatjacket,asshole,andthen T‘illetgo ofyou.

ana

-~7%, ‘ ~ - feailing,inSicvaki Lene 2 oy ” ” r Cd 5 / Guard,getoverheres,

¥ guardscomeover,All threeof themstart th§ ax. Or Russian.Whoknows. Not Paxton.But raspoint theirsticksatPaxton,andhold themur

Jos:.eadsPaxtonaway. As theyleavetherocmJosh tyaainitMere) waesetManand thequardstalking.Then laughing.*ee

SaT.MUSEUM- DAY

Sin adesuiterymanner. They me ins,ail]theyseeare s andmiles.

Hey. Iogot@textfrom Byther.

CLOSEONTEESPHONE:It'sozapi

t “I gohome." Bythergdc

“Igonome?”

CLOSEUE:EYTEOR'SPACE,

INS. DIMLYLITROOM -DAY

We arein somexzindofboilerroornarcellar,butwecan’t veellytell.We justgee Evthor’sface.He staresanead, expressionless.Wehear aphomemake theNEWTEXTMESSAGE CHIMS. A hardstepsin frentofSytner,flippingopenthe chone.,

The phonereads“PAXTONCELL:Whereareyou??????Call us.” The handwalksout offramerevealingthatEythor’sheadis VEREDFROMTES RESTOF HISBODY. Hiscorpsehasbeen hackedup andmutilated,withnisheadseveredcleanoff.

The personwiththecellphonewalxsout a docrway,intoa cong,darkhalivway.& fs Knowwhereweare, butit iccoks lixe tnebasementofs croryocrcloseddownschool.At the ctherendef tnenall,im anotherdimivlitrecom#piestc a cheir,isYUKE, Kana’sfriend.YuxiSCREAMS© th1& mex lungsasthe manslowlywalkstowardsner,fuisappeearing downFtthemetrenalliway.

When themanfinallygets — shut. The sound reverb°er hreugh cthe ” dark,empty kali.

|

awl. HCSTELLOBEY-NIGHT

Paxtonand JoshsitwithKana,anxiouslywatchingt.v. Kana sendsthepicturecfEythorandKanato Paxtcn’sshone. Josh hearsEyther’svoicemailonhiscellphoneand mangs up.

hefina Maybenisbatterydied.

PAXTON
Karna,whenareyouleaving? When...fou...ga?
RANA
Ah, tcmorrow.Ig0
PAXTON
Wemay go,too. Youwant togqOoqF0 thetrainwithus? rain?

becintstoPaxtonandJosk,noddingwnyes.

fsa

tohRE RARA Yes.rToOmMerrow.,3pet ttn onTrtaLa@ain.ye.

iy,I justwannafindcur friera andget tnefuckottof

Okay...Wese

airlsget upandhead cutside.

PAXTOCK
Hold uo@ sec,we'llbe rightout.

cor pullsJoshclose. Ee’srissed.

Whak.

It’snot heiyfuckin’fauicZythor disappeareoaa,ay,SOStopactin Line it_is.

JOSH
I’m justannoyedhe‘dditchus-
PAATON
Eey, I’mpissedtoo,butyouknow what? We'renot inAmerica. Peop_emeetifeachotherandsplitto anothercountrywithoutsaying shit. It'skow theydoit over nere. Anidaswellas wemaythink we knowEvthor,wedon’treally know him.He couldnavegone somewherewiththatgirl. {MORE}

arrys

PAXTONfcent 'di uck,maybe he’sinIcelandforall wa know,he hasa daughter.So lez’s lockatour options:wecould a} Tuckthesegirlsone morenight and thenheadto Sarcelona,orb} mot fuexther,andthen headto Barcelonaanyway.

Jeshnods.

JOSE
Ohay Eytneracesn’tshowup,it’s nis problem.
PAXTON
Kana,you wanttccoma tothedisse WLEnust

Paxtonmimescuta disccesbesthe can. Shenedsno.

om Okay. Tomerrew,Imeetyou vicht

Kana nodsyesand goesbackto checkingherhairinthe w1rrer.

LOShnwritesanote:EYTHYOR,MEETUSATTHEaDisca. ~Gayvesthenctea thendeskclerk.It lewith the othernoteshe Zt throughouttheda

17

INT. DISCO-NIGHT

SwithSvetlana.She handshima drink.Hedowns giveshim adrink. He downsthewholethin

Josh'svisionbecomesblurry.Ee leoksdizzy.The music

beginsto drownout,allwe hearisblurredtalkinganda Seep heartbeat.Through thesmokeJoshsees:

BYTHOR.He'sin thecrowd,franticallywavinghisarmsia Slowmotion. Joshlookscloser. Eythorwaveshis.armsand mMOLtnscutNO! KO! GE?AWAY!GETAWAY:

JOsdH.

a3.

Natelyaputsherhandon Jogh’sshoulder,snappinghit.sack tntcreality.Eythor,cf course,ismotthere.

JOSE
ivellingoverthemusic: T’MSOLINGBACK.
WATEALYTSA
YCU BARECKAT?
JOSH
VREH, ©CUST,f° TIRED. ACTUALLY, iHAVEA ERBADACHE.
NATALYA
YOU WANTITGOWITTEYour

J2sk NO, I'LLSEEYOU BACKATTHEEROOM

NatalyakissesJosh eachcheek.

NATAIYA
GOOD BYE.

Negoes downstairs.Paxtonshrugs“whatthehell?”Jesh pointetahis watch,andgestureshe’llseehimlater. PaxtonShrugsaqgéin,confused,poutSvetlanacrabsnimand kissesnmi

‘BRT.DISCO- NIGET

goshsturblesscutsiége.Hehailsacapanddrivesoff

Ih7T.CAB~NIGHT

JoshlooksSick. Cucsidethelightsgetblurry.The drivezx watcnesJoshintherearview mirror.

EXT,HOSTEL-NIGHT

checab driverhelysJoshoutofthecar. Josh naystheguy andsrumblesinside.He doesnotlockwell. Rehirdthedesk hesees Vala,theDeskGirlwhohad sexwichEythor.

JOS4
rey. Vala

ieita)

Jesh. You denot lookwell...

JalacomesoutfromkhehindthedeskandhelpsJashup the

VALA
Were,.st mehelpyou.

Sheovensthedoor toJosn’sroomandlies himdew on apec.

OSH
Eytner...Doyou knowwhereEythor is?

Shhh...Youneed rest...

Joshliesdownandpassescut coleontne bedin hisclothes.

rway,watchinghim: fnthedarkness, ~ B) staringtTatJosh.

18

INT.DISCO- NIGHT

PaxtonSits@ta table rtrtyt0a8) speaktoeacnotherin wiowL oooh nH ny wora. Hefeelslikea dst4on>{iBHIgya)*aeoOHp.crio)i)wcmWmShhfoi=mortcroQO havea hsadacne.

PAXTON
‘drunk,feelingsick} 'sthebatnroom?
SVETLABA
Pastthe bar,inthe back.

a1»Qufeoiif t“+ JH_

KRATALYA
Yoakaredpill.

ay.

caeayRTT SVATLARA Vodraredpull. Panke.

(SD@axineF*German“|-= -_ ante, TITTTARTA VETUANA “ = ~gt om|Teyeeoe th,SHhorexenzeDeutenr n ry* PAXTON a.sa.

tsup andwaiksvastthe bar,wheretheanothercab

T]Beesa fewdoorsin a tinybacxnallway.

AVSTPALZIANGUY
Whea,pardcnme,mate.

on spinsbacktofacethe dcer,abusbeycomes ovtof xby thestairweli,rightnexttotheMen’sroom door. busboypassesbyPaxton,whosays“excuseme”again.

Faxtomthenmistakenlyslipsouttnewrongdocr.

19

INT. BACKSTAIRWELIT-LIGHT

3 &ll,and bythe sd.And locked.

Fucka duck. SEY.HEY.

Paxtonpoundscaycteeqora2)i+

20

INT.22SCO-NIGHT

Nekodycan hearPaxto+Vsosundingevertheloud,thumoin music inthedisco.

Fay _

P.O.V.#yomthepassenger,lookingoutthewindow. The florescentstreerlightsflyingby.

SCUHS:AN OLDVANDRIVING. TEINGSRATTLINGINTazBACH.

VY.oF acar drivingtarcughthe vyteyrBullsuptealeadingdock, 2 aS: amckingchinney.Thisis thesamechimneyw t ide fromtnetrainstation.

SCUND:POOTSTRESQUICELYMOVINGDOWNANECEOQEYHALLWAY.

& distantscream.Hand-heldPOYquicklypassingbyadoor, lightcomingthrouch.In theroomis asilnouetteof @ Wanswingingabaseballbatat someonesittingina chair, kt a them. Itall happensinaninstant.

SCURD:3&METALDCORSLAMMINGSHUT.

CUTTO BLACK.

21

INT. DIMLYLITROOM- TIMELESS

Tne reemslowlycomesintofocus,showntnroug someonewearing€@one-eyednood.w n harelyable tetakeinwhe

Thewalis arekrownand dirty We Lockdownand se@a palr of karefeetcuffedtogethercna girtytilefloor. ft’sthe

samefleor fromouropeningtitles.We scanarmindtheroom.

om ableinthe roomfilledwithinstruments. 3 ipEB,agrewdriver,ané@lectricdrill.aknife,awire, a cnainfrysawThereb4reRisoSeveral1maskskonnthetable:

meods,Surgicalmasks.

e arestillcthreughthehood’sPOV.He looksacrossthe
reomu 1 hesees:& figure...whichisactualiyhimselfin tnemirror. Thehocd hadoneeve ternout,whichis thePOV

Thedoor cpens.A SURGEONstepsintetheroom. The surgeon wearsblackrubberglcves,ablack apron,boots,anda surgicalmask.

Thesurgeonbullsthe hocdcfftecreveai:IT'SJOSHINTHE CRATER doshlocksup athim,absclutelypetrified.Weget a moreclearleck attheroon now. It'sansld medicalroom, witha drainon thefloor. Thexroomfromtheopening \eredicts.

UOSH
P.¢ase...wnc...«6hoareyou?

TheSurgeonwalxsoverto thetable. Hegoes overthe vVaricusinstruments.Westayonthetable.

JOSH

“hesurgeon'sblacsrukkedglovedhandpicksupa drill. We stayon theshotcf thetable.

JCSH 10.3%. Mygovernmentwor’tnegotiatewith Térroerists.Please,whatdoyou Want,doyeuwant money?= swear "mMagainstthewar,Ifuckinghate theU.S. 3Flease...

Wehear theDRILLREVVING, lowedbyJosn’sSCREAMSOF AGCNY. Westill iisavonthesweshotofthetable. The Grillinghappee?SoecodCsinrepeiB‘4tnes fferentpointsonCosh’s body. Hisscreamsrege3.der,-der,worehorrific.Eebegsand Pleatsformercy,”aonButsets

none. The moreJoshscreams,the

Torethe mandrills.

Bloodleakson thefiooxr,underthetable,untilchetite

Flooris completelyfilledwithBiocd.

The @riliingstops

Coshshakesand pants,screaming,crying.

We hearWETFOOTSTE2Swalkingacrosstheficor.The surgecn

guts thedrillback:ir isnowceveredin bleed,bone,and Crhlesh. Thesur on glideshisglovedhandoverthe Lustruments,Hemse~ingonalana,metalspixe.

wiefinallyseeJosh:hisbody iscoveredwithsymmetrically drilledheles. Heshakesard leaksblecd.Holesare inhis ches:,his shoulder,evenhisskull.He looksdazed.He has vemitedon himseif.Kepassesout.

The surgecnstandsoverJosh.The Surgeonholdsasmeiiing salt underJosh’snose,wakinghimup,butbarely.

Thewit ?th century Europe wouldleokforwnatthey calledthe‘Markof theDevil.’ Thiswas thespotof thebedywhere youdid netfeelpain,foryou were Possessedpythedevil. Every witchmadone, anditwas the church’sjobto fingit.

The SuresencixvciesaroundJosh.Heshowshimtnelong, metal soike.

SURGEON
“TtThey«yr,would%stick7yt beaperson=hundreds* ef timesuntiltheyeitherdiedor wentinta shockandcouldnolonger feelpain. Thentheywouldshow the courtthattheyhadindeed foundthis ‘Mark,’andthenburn chemas awitch.I imagineyoucan understandnowtheymusthavefelt.

TheSuxgeorslowlypushestnespikeintoJosh.Jesh SCREAMS.

c. NOOOOS? .OoOo ie7AAR RAHHHSEi...

URGES
p I seewe navenotfound itvet.Be

i4 th1G iQqewnthespike tbTS "SS51)acalDel.The irrmfoDAeoOQnmowiTwutcoePhrhHismack.4nliaP]TmTMayrHtt34,4smWeeausveeSINSESEARN. i Se..Oo:.».Of, ©iv,‘.4@ibwnmm>+: ne 3

TreSurgeonholdsthescalpelclosetoJosh'seyLandra)

BUSINESSMAN
I alwayswantedtcbe wesosiQC« But theboardswouldn Q hoafunnm45a: fan youquesswhy?

TheBusinessmanheldsupnishands. Thevareshaking.

bYaBe ow«43ot % Foot,rhore3 .®Dusiness. tuowmbt, “og“ieO 4SHeiQ+ oSipiscmmmae!1 (7?cen30rameoc3 be ty is z0 BS rnd money.What hind i isinoO ? A Surgeon,ne ts O, y essenceofJifeix ands. yruife.He touches mr.He nasa relationshipwithit.

meiDHin‘Sa7)iNctafFam |tiit”

faa7hoY0ibabya)Hi)bk2DrmwDGQaiD)screan,he'sftoo terrified. anaaanemenman na ar

SUS INESSMAN
Youwantto go? Is thatwhatyou Want?

Josh,shakingandbleeding,nodsyes. reer BUSINESSMAN ;

22

Ail’youhadtodo wasask,

‘ane

nt

uyha

ThePusinessmancroucnesdewnbehindJosh’slegs,asifto unlocktheankle16+acuffs,;butinsteadSLASHESJOSH'SACHILLES my onMENTONSaooy,WITSoelieTEEaSalSCALPEL.TTae

osshSCREAMSin ageny.

Cosh'scriesof painecnotf}throughecttheemptyhallway.

businessman,holdingthebloodyanklecuffs,opensthe

BUSINESSMAN
Youare freetode.

bdhebusinessmanthenwalksaway,toanadjacentroominthe UPv71}kofthetorturereom.WenearaTOTLETSEATcropdown rhllowedIbythesoundscfthebusinessmantakingapiss.

Josnstaresat theopendoor,15 feetinfront ofhim. He has @chanceto makeabreak forit.

Josh,aktempetstostandupandwalk,buthis heeissplitopen andne stumbles,failingonnisfaces.Heslithersaroundon theground likeafish cutofwater,soakedin hisownbleod.

©¢¢Cravlstowardsthedoor.Hegetsclaser Closer. Closer. Whenjustas hereachesthedeerthe businessman's feetstep rightinfrontof him. Heclesestnedoor.

deshrellsover onhisback.

JOSH
NOCGoc....piease...ulease...

The businessmankneelsdownneardosh,examiningtheintury.

BUSINESSMAN
Pernapsyourequiresurgery.I couldsewthatup foryou.

Whoever...1spayingyou,I'll dcubleit. Triple. (MORE)

oS.

COBH(cont'd)
Tentimes,please...-justolease stop...=havemoney, I'llpay..

Tnebusinessmanlaugnse

USINESSMAN
Pavingme? Nocne ispayingme.

Ys standskenindJosn,watchingchembothinthemirrer. Joshtenses,Knowingthisis theend

BUSINESSMAN
Infact,I am tneonepayingthem.

Theman nasan erectioninhisvants. He’slookingin the mirrer,watchinghimseltto=ztureJesh,andcettingcifonit. He crabsJTosh’skhair.Josh’seyesgowide.Theman stares

imteJosh’seyes,absorbingJosh'sfear.He raisesns arm 1m theair,peisedto sliceJosh’sthroat.Thebusinessman

Grarnaticallyswingsnisaxmaswe:

CurTC:

ItiT.STAIRWELL-DAY

A doorKICKINGOPEN,flecdingadarkstairwellwithliaht

fromthe street.

& workercarryingacaseof beerkicksPaxton,wholiesin the stairweil,asleep.Hewakesup,dissriented,dizzy

WORAERP, ‘32Slovak: Getupi Ger up! Move,getthe fuckup!

PAXTCN
Okey,chay,sorry,relaxdude. Takeitsasy...

Paxtengetsup andwaikscutinto theceld,wpa.?<dydaylight.

EAT.

PaxtonwBlixstnroughthe¢Oe, otallyhungoverand Q.Sorianted.Hesees thecuteide of thedisco,whichisnaw

street,Sreezing.

Lealabs

Paxtonturmsthecornerand seesthegang cfmeanlooking streetkidsbeating@guy up. Theguy ison thegroundana theykickhim inthe headanathrowrocksat him. Paxton ducksarounda cornerandavoiasthen.

23

EXT.HOSTED- DAY

PaxionarrivesattneHostel.

24

INT.HCSTEL- DAY

Theplacelooksa lshquieterthanit didearlier. Notmany peoolearearound,justa maidwhosets uptea andcaokies. Thevlacelocksclean andsterile,almostuntouched.

FaxtonSlideshispassportovertothe DeskClerk.

DESK CLERE
237...Mid youcheckaut?
PATON
hor yet,mo.

This isyourbag?

Thedeskclerkhas Paxton’spackbehindthedesk.

PAXTON
Yeah.
DESKCLERE
The maidbroughtithere. Youare creckedcat.
PAXTON
Whe checkedmeoutaw)

morning, I canfingcuz themorning LOMOLTOW

PAXTON
deenShere a noteforme oranything?

inay

PAXTON
feah,wedefinitelyneeditfor
PRRTON
Hey.:eywasWo.there~NereaulJapanesePpe-.€8&cir!Cra walting1for=meintheLobby?Dy)rd

ShamnGingmimthekey) Hereyouare.Sorsy forthe confusion.

25

INT.HOSTELROOWK-DAY

Theroom isclean,spot-ess.Ready foranewguest. Josh's stuffis gone,too.FaxtonLooksarourdtheroom,in the closet,underthe bed,for asten ofsomething.Anyching. HeGoesn’tfindone.

26

INT.HOSTELLOBBY- DAY

Paxtonpacesnervouslyinthelobby. He’sfreshlyshowered. He talksonnisphone.

PAXTON
we +of Josh,callmescon asyouget this. ifuckingpassedourin a Stairweii,pofomedpenI’mattheAosrel.

CutsideheseesSvetianagettinginteagypsycab.

utn

Paxtonyuns cuttside,tryingtocatcnSvetlana.

But shedrivesaway=¥inthecab. 59vufont as thecar drivesby,but givesoo

PAXTCN
fomRos cellphone: Hey, Svetiana,it’sPax,IFthinki just gawyouin a taxi.Haveyou seen theguys’ Ceilimeortext.

Paxtonsits dewnonthe derchcutsidethehostel. Sestudies the twophotosof Sythor:thecleseup,and theoneFana sent fromhervhoneof EythorwithYuki. Faxtonstudiestheproto closer,more carefully.Inthebackarcundofthe picturehe sees asmokestack

27

EXT. MUSEUM-DAY

Paxtonstandsonthestepscf thelocalartwuseum,where he was theday beforewithScsh.Helooksaround,staringat tne skyline,checkingthephotoonhisphcne.

inaliy,he findsit,the smcekastacsx.Infrontofa mountain. Thesameone inthe viccureofEytherwithYuki. om wsa ” * looksabout33-460milesawav.

WHAM! A @ifferentgangofstreetkidsthugsZNOCKPaxtonand take niswhene. Theykicxhim @few times.He coversupnis head. Tnay rundewnthe streetarQadisappearin219different directions.

Paxtonreachesupandgransoneby theankle,takinghim down. It’stheoneeyed kid.IntheDlinkof aneye, Paxton ison topof thekid,choking1.Aim.

LITTLEFUCKER.

Thekidlooksup atPaxton,terrified.Allthe etherkid ave scattered.Paxtonsudden-yrealizeswhathe’sdoinga packsOff,lettingthekidgo. The kidrunsaway,coughing, holdinghisneck.

FAXTON
Jesus...
28

INT.FOLICESTATION-JAY

ThepolicestationLookslinesomethingcutofa timewarp. Clurisredwithpaperwory,telephones,oldcomputers.Faxton talkswitha eergean waafilesa report ikdoesneon200k

police wear green ani forme, are cveerly paid, and canbest bs describedas“rugged”or“shaggy.*

POLICEOFFICER
Inn'sproblem,thereisnotmuchwe can dowithchildren. Wecannot puc theminvorison,therearetoo many £Oputin juvenilehone.
FAXTON
You couldexterminatetrem,Like rats.
POLICECESICER
Thishas keenproposed.

The PoliceOfficerhandsPaxtonacepyof areport.

FOLITCECPPricrErR Waitat hestslforyourfriends. Treywill lookferyouczhereno Matterswhat

PAXTON
~ knew,burit’sjust...my friend Jeshis thesada quy whowouldn't cheekoutwithoutso muchés leavinganote “Hetsthe sponsibleone.
POLICEOFFICER
Yas,bur maybeheworriadhis belongingsgetstolen,sohetake themwhenhe coout. Samecneo misplacei=he aleavenote. It is notuncemnmenr.

Is thereanythincsiseIcando?

2 nreemntet

5a.

POLICEGFFICER
Thereis notningrightCnow,We havens“waa215picture,“eyenowiBOmgweseeeohim,4or~ reis picked methkin

AyOytrOovaavangwalksout. Anotherpoliceofficercomes tb 4a tothe officerinSlovak,Theyare cleariy 7D alkingaboutthecase,glancingatthe repert,andthenat nqgogtaxton.Paxtonwavesgccdbyeandleaves.

Faxtonwalkstnroughthemarket,lookingforJosh.

Thewnoletown looxsscarierrow.Peopledo notsmile. They loonat kimlikehe’s ancutsider.

up andseesNATALYAwalkoutof abuildina, ion,walkinglikeazombie.

mnwaiksdownthe dirty,garbagefilledalley.Arounda er hesees &few scarylookingquyshuddledinacircle,

smoxing.They stareathim, He seesomeof themhasa

22 inhis arm. Paxtonbacksaway.quickly.

EAT.BUILDING-DAY

Paxtorwalksaroundtothe cthersideofthepub. He enters.

Paxtonwalksin. Theplaceis open,buttherearen’ttco Manypecplethereyet,as it’sonlyabout5:¢0.

Paxtonhearstalking.He seesNatalyasittingatatable withSvetlana,arda fewofthe cabdrivers.Theystop

SVET LANA
Paxton.Come,havedrink.

woap

SaxtonSitsdawnmextto them. Natalyaaimestdcesn’ realizehe’sthere.Sre Lookscutof it. Bothgirlsdo. Theytalkto aacnotherin Kussian.

FADae) Hi. HiNatalya.

Natalyalooksovarathim andslowlysmiles. Sne‘sfuckedup ondrugs. MestLikelyheroin. “owe MATALYA selleoMr.American.

PAXTON

Whichene? Thereweresomany. callyouback,But&@childanswer

PAXTON
Haveyouseancosn?

NatalyaandSvfetiana starttalkingRussian.

PARTON
Inenglishpease.
NATALYA
He iswith yourfriend.The King oftheSwing
PAZTON
Bytnor?
SVET LANA
Wy youleavelastnight+5)
PARTON
id younot listenmymessages?I ot lcckedina stairwell,Iwas In ioickorsomething,Ipassedout.

Thegixlsleok ateachcther,a bitsuspect.Theytalkpeiz Russianandiaugh.

PRATCN
What?

CAR DRIVaR Shesayyou meatanothergirl.

PAXTOE
NO,2 Swear,Igot -
SVETLANSA
It’sckhay. an: ”
(‘(osirgfo”patience}“tet wherearemv friends?

Thegirisare abit takenabackbyhis tone...

NESTEmadteeYELe Tneaxtshaw.

PAXTON
Youreanthemuseum?
NATALYA
ho no nono ne. Notthemuseum. Theywemttoa, howyou sey,art shew.

S¥STLANA

NATALYA
Exhibit. Forartist.

where?

“hegiristalkto tnedriverinRussian. Paxtonistotally cineless.

NATALYA
It is tar.But theycomeback -ater,maybeseven,eighto’clock.
PAXTON
That doesn’tmakeanysense.What is thisartexhibic?
SVETLANA
Why. What iswrong?

ay

Theydidn’tleavea note.orcall,

Theytelius toteil you.

HATALYA
Yes,buttheirphone,the batrery @ieand theydonat havethe,how yougay, fortheelectxricity-
PAATORN
; .
(lasingratience} Converter.Cxayésfine,whare’s trasshew,I wantteae,

Havea drink. eycome backmaybe twohours. Sitdown,relax.

PAXTON
No,I don’twanta drink.I want tosee gomeart. Now. Canyou takemethere?

Natalyataikstothe scarredcakdriver.Henods. Theyget “Ep.Svetlanadoesnotmove,toedruggedout.

PAXTON
You'renetcoming?
SVETLANA
Imaveseen thisshew.
29

INT.TOWNCAR ~-LAY

PaxtonandNatalyarideinthe ScarredCabDriver’sTownCar, farcutsidecftown,throughthefactories.

NATALYA
YOu wartgum?
PAXTON
Ro.

Katalyagoesthroughherpurse,lecxingforgum. Paxton catenesa glimpsecfaridiculouswadcf casninher bag,ana somecigarettas.

Natalyatalkste the scarreddriverinRussian.Hehancsher a shoppingbagfilledwithgum. Snetakesa pieceandhands trebag backto nim.

NatalyastaresatPaxton,popping@pleceof gumin ner mouch,shakingherheaddisapprovingiy.

NATALYA
Tocpad foryou.
PAXTON
Sowhat isthisclaceanyway,is tnisLikea ruseum?
NATALYA
No. Ir is,howyousay, exhibition space
PAXTON
Studics.
NATALYA
Da. Studies.For artists.

Natalyatalkstothe driverinRussian.

SCARREDDRIVER
Likeforart student,youknow?
FAKTON
WhereinItalyareyou from?

Natalyastaresathim,tnenstaresout thewindowagain.

NATALYA
An. We arehere.

EAT.ABANDONEDFACTORY-DAY

Tne cardrivesthroughthegatesofan oldfactery.Paxton

looksup andseessmoxecomingfromthechimmey. We

recognizethisastheexactsame arrival~.O.V.thatJoshsaw

for justa flash,butnowitis inthegrey, laceafterncon

daylight

aytat

Faxtonrecognizesitas cheChirneyhesaw inEytheor’sphotc.

ca ca ext tothreesothertown cays,parkednéar aloadingdocxentrance.He leavesthecar ramming,andgets outandwalksover tca smallcircleof drivers,dressedinSlackitimousinedriversuitswithdriver hats. Tne scarreddriver-ichtsaciaarette.Theotner driversglanceovertheirshoulderat PaxtonandNatalye.

All tnedriversleave theircarsrunningwiththeneaton- Qutsideit's quiteceld.

Kata_yagacuscutofthe carandwalksto theentrance. She standsthere,waitingforhim. Paxtonhoversby thecar.

Youave cominginsideorwhat?

A WELDORESSEDJAPANGS®SMANwearingsurglassesexitsthe factery.A town cardrivercpensthedoorfor him.The vapanesemansmilesandmods stFaxtonashe passes.

PAXTOM
Hi. key,how isit?

The GapanesewanpointstothefacteryandgivesPaxtonthe cnmuTksup.

JAPANESEMAN
{brosenEnglish; Veryqood.

& driveropensthedoorfor theJapaneseman,whositsin tne pack. Paxtonwatchesthemgo. He thenfollowsNatalya inside,

30

INT.FACTORY- DAY

The haliwayislitwitha stringofrepaircrewlights hangingfroma long,rubberline.

e ageasecurityguardsitsata desk,readinga aper.He’s dressedinadarx bluesuit.He locksup at

PAATON
Howmuchis it?

It'sokay Poryou,fres.

Hewavesthem in. Natalvasmilesatthequard.Down thehall theyseeLight comingfrom&room.

NATALYA
There.
PAATCN
That’stheshow.
NATALYA
Yes.

Nataiyastartslaughing.Hestops, Isthis somepractical 1cke?

PAXNTON
What?
NATALYA
Nothing.Youare soserious. MisterseriousAmerican

Paxtoncantinuesdowntnehail,fedupwith herbullshit. Saaon aaeevazcheshimgo.

31

INT.HALLWAY-DAY

Paxtonwalksclosertowardstheshaftoflightspillingontc trefloor. He getsnearertothedecor.Closer. Cioser.

SOUKD:A lownumgrowslouderardlouder,likea small

soundisoverwhe_mingPaxtenopensthedoarandsees...

-..Somewaint.On tnewall. It'sred. Splatteredred. Paxtonrealizesthatit’snotpaintonthe wallsandfloor. it’sbiced. Helocksup andseesa Josh,orwhat'sleft of him,laidout ona Ssiab,hisbodyslashedandsewnup.

TheDutchBusinessmanstandsoverJesh’scpentorso,sewing upcxgansin somekindcfstrangesurgicalexperiment. SurgicalclampsstickupalloverCosk'scorpse.

TheDutchBusinessmanlocksupand seesPaxton.Neitherone ofthem arequitesureif they’reactuallyseeingwnatthey see. Thebusinessmancockshishead,curious.

Taxtonbacksoutinte thedimlyiithaliwav.

alya standsthere,Laughing.Louder.Crazier. More

maniacally,unrcilnerlaughterfillstheentirehaliway

Heshartsstumblingtcwardsher...

PAXTON
You...you whore...voufucxing where: You FUCKINGBITCH!!!!
NATALYA
(laughing: Iget alow cfmoneyfor you. That makes yousvbicch27

Tecomencomeoutof theaarknessinthe nallwayandCO% PAXTON’SEEADWITHA SACK.We hearNatalya‘slaughechoes Fadesin thedistanceas S aq Paxtondownthehal-.

Westay teinrealtimewithPaxtonastheguardsdraghimdown the hailway, beating hnim into submission.

PARTON
GETTHESUCHOFF ME! G OFFME! NO,NO, Nooococe

We neareverythingPaxtonmears.Ashepassesby a roomhe hearstherevvingcf achainsaw, andsomeonescreaming. Ctherpeoplearebeingtorturedhereaswell.

We seea flashP.O.¥.ofjusthis feetdraggingalonga corridor,creccasionaiiywharhecanseewhenhe locksup.-

CESCUREDFLASHESOF

~ Fee dradacingdawnstairs

- Aman witha k,Pointingabloodyknife at

someoneina ¢ cdoor.Someonescreams.

oiny

-& furnaceroomwithpecrplieloadingbodypartsinto4fire.

-The flecrchangingtoa tilefloor,whentheybringPaxton inte€@roomandset himcn achair

af)Creamsechoinvariousroomsaswerovethroughthefactory.

Theninthe pitchblack,wehear themencuf= Paxton’shands andfeet. Theyhit him« fewmoretimas. Thefeet tnen siompcutof theroom,slamthe door,andturnout tie lights.

ITIS NOWPITCHBLA

Allwe canhearis Paxtern’sbreathing,andhiscriesfor

32

INT.HALLWAY-RIGET

Nehearfaint echoesofhisscreamsdownthe hall. Nobody

FADEOUT.

pa

e heodis pulledoffPaxton’shead,blindinghimwith lorescent lights.He looksup,panicked,terrified.A man inthe savesuraqi.caloutfittheDutchBusinessmanworestands rerHim. Faxtonlooksata GUARD,whowearsa darkblue t, haidingarifle.

Paxtonlooxsaxhausted,likehehasbéenup allnight.

“hequardspéasxsinaheavy,broken,EasternEuropeanaccent.

GUARD
Talk.

Paxtonlooksup,confused.He hesitates.

Tnesuardpoxeshim withthetipof therifle. er es re, TALK. SPEAK.

surgeonlooksatthe quard.TheseguardpokesFaxton

American.

The Guarastartstoleave. TheSur¢eongrabssome toals.

PAXTCN
WAIT. NO...I’m nadian. I'm Canadian,Iswear,

~ne GuardshowstheSurqéonPaxton'spassport.

GUSED
American.

Tne Surgeonlooksatthepassport,thenatPaxton,and back Bo Chepasspertagain.The Surgeonnodstothe guard,who TucensPaxteon’spassportinhisjacketpocketandleavesthe TOOT,.

PAXTCN
Whatthe fuckisthis? Please, WHATTHE PUCKISTHIS?!?
SURGECN
finGerman}

Theman takes3 S surgicalmask.Wehave neverseenthis guybefcre. He liscksvery,verynmexvous,Hesweatsand shakesexactlythesaneway Joshdidwiththe hookerin Amsterdam.The Surgeon siaescheshisbreath,calmsdown,and cuts the surgical mask back on.

PAXTON
Just...justletmego, Iwon’t telianyway,pleasejuscletmegeo.

Treman Lockf3)a7uiwoHH.@rfiyayofinstruments.Hismandsshake. He picksupa knife.He turnste Paxton.Paxtonseas himselfinthe mirr avossfrom him,handcuffedandfoot- cuffedto thechair.1%:& Gt7what’sgoingtohappen.

FAXTON
No, don’t,den’t,wait-

Themanputs theknifeto Paxton’sthreat.Faxtonshakes.

Themanpressesthe bladeintoPaxton’sthreat,cuttinghim4 Littieonthe surface.PaxtonSCREAMSINSAIN.The man recoils,veryscared.

SloadrunsdownFPaxton’sshcuiderlikeafaucet.It 1SA fastdrip,notan arterialspray.

PAATOR
rilease,stopit,step, please...aaaan...mo...

Theman comesbacktowardsPaxtenhoidingthexnife.He studiesPaxten,searchingforanotherspottocuthim. The mainvaisestheknifeto Paxton’sinroatagain.

PAXTON
lease,youdon’tnave todo this. Tkrowyou don’twamttogo this.

Snahh. i taiking4

Faxtonspeaksquietly,inGerman.It isthe firstandcnly timewe seesubtitles.

PARTON

TfTHvouareskillitme,it;wiliFTruinoweyouzP“ - . fife. 8verycimeyoucioseyour aye rouwillsse fTwii4b : a ; inyvournigntmareseverynight. toe - 2g Yourwholeiife,Iwiii ruinit. Youwiilneverget ridofme -

TheSurgeonTHROWSdownthekrifeimtc Paxton'’sfoot, Stabbinghistoe. Heangrilyripsoffhis surgeon’smask.anda throwsiton thegroundindisgustas hestormsour thedoor.

SURGEON

Tonsyancomesback half&Mizutelaterwiththe guard,who bherbal? anda rollcfelectricaltape.The quard 1Paxton’smouthardwrapsthe tapearound , ni‘a“4Paxtonbreathesshort,quickbreatns out ofhis nose.whichisdrippingwithsnotand sweat.

Paxtonscreamsunderthe tape,buthiscriesare muffled. The quardleaves.

The GermanSurceonwalksovertokistakle,examininghis instruments.ke picksupa gun,anddoes afew poses,acting our blastingcifPaxton’snead.He grabsaserratedhunting knifeamd slowlymimesoutdecapitatingPaxton.TheGerman is workingcutkowhe wantstoxiii Him.

The Germantriesouta fawpowerteoi.s,includingapower drilland ciruclarpowersaw.The wanfinallysettlesonhis weaponof choice:thechainsaw. It'san oldsaw,and the surdeoncan’tquiteseento getit started.Ee putsdewnthe Saw, cpensthedecor,andcalisfortnequard. Paxtonwaits, staringat tnesaw,and bacxatthe door.

nuzeLatertheguardcomesin. He patientlyshowst mam howtc starttaupthechainsaw,andhowcorevit. ?%axton watchesail ofthis,horrified,incredulous.Hecan’t bélievethis isnappening.TheGermanSurgeontnanksthe cuard -and giveshim@ vip.Theguardieaves,pleased.

The GermanturnstePaxtonrevsthe chainsawtolife. He bringsthe whirringbladeclosetoPaxton’seye.The blade Spins iinchesfromPaxton'’sface,filiingtheroomwith4 violent,reverberatingECAR.

Suddenly,PaxcomCOUGHSWILDLY.Eisayyesawellwhwithtears. He startsVOMITINGCUTHISNOSE. Hisbcdyspasmsas nr vomits insidehismouchandthenproceedscatochokeonhisown vramit.Paxton’sevesbuigeoutofbisheadas hisbody jerks anidspasms.

TheGerman,panicked,putsdewnthechainsaw. Paxtoncoughs andpukesas themanfrancicallygrabsascalpel.He does metwantPaxtonto die-not likethis. TheGermancutsthe surgicaltapeoffPaxton’smouth,slicingPaxtorn’smoutha Little,

PaxtonEXPLODESamourkfulofrieodandpuke,andieans rward,gagging. Therubberballgaglandscnthe agroundin aoudadiaofbleedandbile. TheGermanpatsPaxtonen the c elpinghimcoughupthelast ofnlsvouke.

saada

TheGermanwalksacrossLneroom,hidinghis eyas,totally disgusted.Helets Paxtoncatchhisbreath.As scanas Paxtonhasrecovered...

...danke..,danke...danke...

-theogranREVSUPTEECHAINSAWagain.He holdsitnich aA“|mtaarisnead,andwindingupthesawmecharaqesatPaxton, firct3cioseshiseyes,wincing,asthemanrunsfaster, PHORIGOjuaaitBRfaster,untilhe-

SLIPSONTHE RUBBERBALLGAG,SLIDESONTHEBLOGDAND VCMIT, AND FALLSBACKWARDS,SEVERING7SLEGIN HALFWITHTHE CHAIN

Tne sawstaysalive,revvingaroundtherecomlikePacMan, eatingur theflicortiles.theGermanis stillalive,andhe screamsinagony,ashisbioo@sprayseverywhere,allover the room,andall overPaxton.

AT. EALLWAY-DAY

The horrificscreamsofdeathandtheroarof thesaw echo thrcughthe hallway.Theguardsitsat a deskinthe hallway,watchesapornon a clamshellDYDplayer.He’snot even fazedbythe soundscomingfromtheroam.

-8T. INDUSTRIALROOM~DAY

she chainsawis acrossthereom,stillalive,jammedagainst tne legof atable. PaxtonandtheGermansee ‘it.Theylook at eachotherancat oncestartcrawlinotheirwaytowards it.

Jsingall hisstrength,Paxtonlurchesthechairforwardinch by inch,whiletheGerman,cvicklylosingcomscicusness, cYawisforwardonhis stomach.Thetwo cripplesraceagainst @acn otheruntilPaxtonreachesthebladefirst.

Paxtoncarefullyraiseshisbareeet overthewhirringblade and successfullySLICESthefeetcutisapart.TheGexman crawlsct

closertohim, andPaxtonholdstheguybackwith his

2eg. The GarmangrabsZaxton’slegandYANKSthechairout fromunder him.

Paxtonfalisback- CVERTHEBLADE- LANDINGONHIS HANDSC? S.~THERSIDSOFTHESPINNINGBLADE.Tneblade snagsthechain angmickshis sxin,slashinghisarm,butmot severinghis hana. Thewan hasa largeknifeinhishand andswingsit at Paxton,

awWD.:FALEWAYaTTa-DALYmy

~eesoundaf theraaritnqchainsawfinallystcps.Theguard looksupfromhis DvD ~ r Hehearsa voicecallinghim fromtheroomin Germar.

& guard,abil irritatedthistime,pausesnispornoand gets up,siovlyamblingdowrthehail.

33

INT."“NDUSTRIALROOM-DAY

The guardopensthedoorand seesabloody messycorpse, sittingin thechair.

GUARD
2a.

Fron benindthedoorpasctorSWINGSTHEREVYINGCHAINSAW, severingtneguard’s headcleanof.

The guard'sheadrollsacrossthereom.dis boaylieson the ground,Fillinganyremainingdirtywhicetilesonthefloor ith deepredbleed

Paxlornstandsthere,breathingheavily.Hewearsthe surgeon'sapron,gloves,andbects.Hepants,coughing,and puxesa little.His eyeswellurwith tears.He shakes. He crouchesdowr,lookingaroundattheroomat whathe’sdone.

Paxtonrollstheguardoverand grabshisbassporcoutof the quazd’svecket.He lccksinthe hallway.

Anctnerguardwalksdownthestaixsat theendof themall.

Paxtonlooxsat thevaricustoolsonthe table:scalvel, Knite,gun,chainsaw. “Setakesthegunand putsit innis pocket. Hetriesto putomthe surgeson’smask,burtne strapsarebrokenandic willnot stayon. Hesees afew otheroptionsonche takle:aslackheod,a burlapsack. Ana thersomethingcurious:adareredredieval-lookingRam's headmésxmade outof skull,Horns,andpapermache.

Paxton,wearingtheram'sheadmask,apronandgloves,walks outcf theroom,hcldinga Sninymachete.HehearsTWO YOICEScomingdownthestairsRIGHTBEHINDHIM.

PaxtonDICKSinto4 door.

ENT.DARKSTCRACERCOM- DAY

Wecan heartheguards’foctstepsgettingcloserandcloser coLhe door. Paxtonrervousiyhelasthemachete,pcisedte Strike.He leeksaroundandseesall xindsofweapons hangingFromthewail:5saws,,guns,FKnives,anythingyoucan findin ahardwarestorethatwouldkillsomeone.

nacksup, slowly,slewly,untilhebumesintoaPILE OFA
rE SODIESON ADOLLY. axtonseesthemutilatedremainsof nisfriendsJoshandEythoron thetopcf thepile. He covershismouthtohoid inhisvomit.

Hheguardsarerightcursidetheroom,talkingandlaughing. “hehandleturns. Theyare ~ltalkingtoeachother. One £them cpensthedeor.This guardwearsawhiteapron like abutcher,alongwithwhitebutcher’sparts.He standsin Bedocrway,talkingtoaguard,a cigarettehangingoutof hismouth.

Thebutche lks intotheroom. We followhiminside-but {

Thesutcherstepsaroundtotheothersideof thedollyand wheelsitoutof theroom. Astne bediesgcbywe see PAXTON hidingunderthebodiesofJoshand Zythor.

down thehallway. He keepshis eyesclosedbut weeks.Fromhehislow,omovingECVwe see:

& blocdsnatteredroom. Godknowswhatwenton in here Suddenlya HOSESFRAYjetsacrossthedoorway,ontothe wall. Paxtonsees cleanersprayingdownthewallswith an n ” Tne dollycontinuesdowntnehall,pasca fewguardsin blue swho escortmandressedintha butcher’soutfitdownthe hawt. The doliygoesintoan elevator.

The slevarorgoesdowna leveltoa sub-basemert.It’sa ~argefreigntelavator.We canonlysee whatPaxtonsees- the lightsoniliuminatincthefloor,thebutcher’sfeet,his hard withtheburningcigaretterightnearPaxton’sface.

Tae €levatorSTOISandthedecorsOPEN.Theman startsto whee.the doliywhenanARM RIGHTUNDERPAXTONfailsout, cammingin thewheel. Paxtoncloseshiseyes.

~ne butchersquatsdewnbyPaxton’shead...butdoesn’tnotice arnytningwrong.qHearabschearmandstuffsitback under Paxton.Thearm belongstewnatremainsofYURI,the Javanese LY. he man pushesthedollyandthebedyshufflesso ion isTOTALLYOBSCURED.

34

INT.OBSCUREDDARKROOM ~DAY

adecanbarelyseeanythingthroughthepileof bodies,butwe are movinginto2rocm. We hearthesoundsof aBURNINGGAS

The butcheropensupthefurnacedoor.We seePaxton’seye - it's fuckinghotinthere, He’sstartingtcsweat. His clothesareturninga Llitttebrown.

The butchergrabsJoshandlieshim#acedown ona table. Jesh’sSeadis justabovewherePaxton’seyelevelis,sa Paxtoncan seethelifelessexpressiononJosh'scorpse.

~~]

Thebutchernicksup a largemeatcleaverandpeginstoHACK CSF SOSH'’SLEG.

ThebutcherythenthrowsJosh'srlegintc:thesnsmallcpeningsantofne the furnace.It'sobvicuslytocsmallte throwabody in,sc themam mastdo itpieceby ptece.

The butcherhacksabitmare intoJash,choppingJoshinte smallerpieces.Josh'sdead eyesstareatFaxtenthe who.e rime.

Paxtonliesthere,burning,swearFLng,waitingtobenext.

s withCosh,andthen picksuoEythor. $sontop ofthepile ofbkedies,coveredinwhe s

The butcherstartstohackthroughEythor,butishaving 37] bLt ostrouble.He picksup aCIRCULAKPORERSAWand turns *t on,easilysawingEythcrapart.More bloodspiatterson Paxton.

Themaz thenputsdown thecircularpowersawandleavesthe reom. Paxtonwaitstherefora second,andthen

toolson thetapie.Ee rhenhearsthebutchercomingbackend ficpsback down,playingcead.

The butcherreturnswithélargeironshovel,whichheuses to stoxethebodyparvsin thefurnace,

-~hebutcnerthencarvestpupthe lastofEytherand throws him intothefurnace.. XeturnsaroundtoarabPaxtonbut “nsteadseasa SLEDGEHAMMERBELTKIMINTHE FACE.

he manfallsdown,unconscious.Bloodrunsdownhisnead, ontonis whiteapron. Paxtonwipesthebloodcffof his Saceé,grabsaméatcleaver,andleaves.

35

INT.HALLWAY- DAY

Paxtonstepsints hallway.Whereverhegoeshe ieaves bicsedyfootprints, leeksaroundfor thestairsbut doesn’tseeit. Suddenlvmehearsthe BLEVATORCOMINS.

alyefreezes.There’snowheretomove.TheelevatorGocrs Ooabiene.«

aqT.SUBVATOR-DAY

ro xs atthe buttons,decidingwhichtopush.

SuddenivtheelevatorstartsSOINGUP.

Supbasement4...3...2...

Paxtonclutchesthemeatcleavertighter.

2HEALEVATCRSTOPS. THE20ORSOPEN.

®GUARD -in ablue suit- helaingamachinegunis amoutto stepinwnen someonecallshim. Heiooksaway,momentarily distracced. Hehasmot yetlookedinsidetheelevator.

Paxtonsquishesasfarto thesideas necan,hidinghis face.

Inthe ha_lwaywenearHORRIBLESCREAMSOFDEATH. Thequard doesn’tever.flinch,it’slikehedoesn’tnoticeit.Paxton peeksupfcr asecondard ccanseearoomwitCa lighton down thenall. He faintlyhearsthecriesofsomeoneheqgingfor mercyina forelionlanguace,followedbymorescreams.

Theguardstilltalkste someonewhoPaxtoncan’tseé. PAXTONTauticusiypushestheDGORCLOSzPatt ororeee he chinksisthe doorclosebutton,sinceit’swrittenin Slevak.

Thegocrsstartto close.Just astheyare abouttoshutthe GQuavaturnsandSEESPAXTON.

Paxtonhideshisfaceas theelevatcrgoesup. Itstops on the@ndfleor.

evaterdoorsopen.PaxtonseesTHC GUARDSstanding

thisflecr,unliketheothers,looksmuchcleanerandnicer andwascrobablyusedfercorporateofficesatonepoint.

Paxtonquietiyslipscutcftheelevatorandintothe first doorwaynes¢es.

]mam

202two guards,wearingdarkbluesuits, wa astPaxton'’s room. Theysee thebloodyfoctprintsleadinguptothe closeddecor.

Theykeep walkingby. Wefellowthebloodyfootprintstoa

Paxtonstandsbeninadtnedoor,waitingforthequardspass. Orcethey'regonehe looksaroundtheroom. I:r’saverynice roow,filledwithnotelbathroomamenities.There‘sa4 bathroomwa0 a shower,asink,anda ictof towels.There‘s evena cofte twithfresaprewedcoffea,tea,and cookies. it ookslikehe’s ina fancycnotelroom.There’s averclassicalmusicplayingona C.D.player.

Paxtonsees@ greybusinesssuitlaidouton thebed. A jacket.hat,scarfandglovesare onthecoat rack.

Paxtonlocksat thewindow.A fewwell dressedcuardswal by thecarscutside.Withthemis aPOLICECAR. The offic whe tookdownFPaxton'sreportstandswitnthem,joxingar and sharingacigarette.

The Griversleavetheizxcarsrunning,withtheheaton. Sutsiaeit’spainfullycola.

FAXTON
J@SUS...

xXtoOonLooksaraundtneroomang222sthebathroomandthe eanclotheslaidsuton thebed.

-NT. SUBBASSMENTEALLWAY-DAY

4 secondguardwalksdownthehallnear theroomin the basementwherePaxtonwastortured.He seestheemoty securityguard'schair,andwalksovertothetorturethe zoom. The doorisclosed.HehearstheWEIRRSRRof thechain gaw coringfrominside.

The manlooksthreughthedirty,opaquewindew,but it’s coveredwithblood.

7he guardthermwalxsaway.

36

INT. CAANGINGR2O0M-DAY

Faxtoris nowcleanedup -netshowered,butciean enough, and wearingthesuit,whichpresumabiybelongedtethe German. héputs onthe hat,gloves,andscarf,hiding race completely.dethenfindssomethinginthe jacket.

& wadof cash. Anda businesscard: wort.eilleAUNCINGaayceaOeULTTNALSspwe ofbeOCIaw.aa.FOFopteeulcimarcean OeAig.”teaPOTa

AnmrssoS

DAR TON
What[reasthe~ON heli...

3ehindhim,A MANIN A SURGEON’SOUTFITAPPEARStNSILHOUSTTS PROMANCTHERDOORWAY.HE SLOWLYweeaAPPRCACHESPAXTONFROM BEATINGey‘ PEs

PFaxtenturnsaroundandse#stneman,startled.

CLIENT
Eowdo Ilook? Likea butcher,er aAsurgeonorsomesnit,right?

Theclientis AMERICAN.Theman looksathimsel=in a mirror. He'sprokablyabout40yearsold.

CLIENT
=feelkinda funnywearin’allthis shit,butI guessyouneedit,buh?

TnéCiienmtseesFaxten’sbloodycletnesonthefloor.

+a]8) Le

Paxtonturmsto leave.The AmericangrabsPaxton’sarm.

Paxtonlooksarhit, snoecked.

TRS AMERICAN
Howwasit?

TeaAMERICAN wellGoddamnfor thismoneyit‘d betterbe.What'syouqo for,a ~acal?=urcorean?

THsAMERLCAN Bigspender!vey tolametheygot somethinasvec linedup,but it’sgonnarun “5g’s. But T brougntmorejuodreaincaseIwann deanotnerlap. Sutit’sa real rush,huh?

PaXLOTJuststaresatt+IH.“AiyOoenfou-is)

TREAMERICAN
xkeenall overthe“worldandlemme tel.ya,Passy’spussy.Every Stvinclub,wnorehouse,it‘sall thesameshit,youxnowthat. Hell Ibangeda cirithisweek can’t rememberthecolorofner rmtitsse Butthisisgomrabe somethiagyouee neverforget,vigcht?

ac)AXTAEH {German} Never.

Tnequy rei.suphis ¢“oveandshowsPaxtona tattooofa blooagkeundinteundersideofhis forearm.Ir’sthe same oneJoshsaw an theDutchBusinessman

rereTESoFAMERICA.LenTEA, Prettycool,huh? Sowhere’ayou qderyours?Lemmesee.

FSXTO?

TheAwericanstartstetus atPaxcon‘’ssleeve.

THEAMERICAN
Comeon,man,we’reall inthe club, lemmes22yours,

Tne GuardsKNOCKonthe door.

THEAMERICA
{totheguards! Justa minutepal. ,toPaxten.:Hey,=Iknowthis is Kindapersonal,but...now’dyoudo it? Did youdo Ztrealslow cr rightaway? It’slike,FE4aJrtrt‘6; feel it,youknow? den’ want itto beovertoo quick.
FAXTON
(Germanaccent} Make itcuick.
THEAMERTCAN
Yeah. All richt.ALLRIGHT! Thanks,buddy. Begood.

whe Americanleaves.Paxtonhearshimin thehallway.

THeAMERICAN(V¥.0.} ALL RIGHT!LET’‘SDOTHiS! ¥ COMEON, MOTHERFUCKER!WHO'SGONNA TAKEMz ON,MOTHERFUCKER!

Paxtonlistensto themanyellingashe disappearsdownthe haliway.Oncethey’regone,mtheslipsoutthedoor.

37

INT.SUSBASEMENTHALLWAY-OAY

TaesecondGuarastandsnearthe roomwhereFaxtonescaped from,bythe guard’sdesk.The parnfilmplayson the cClamshel_DVDplayerThe firstguardisnowheretcbe seen. thesecondcuardflicsthe PVDplayershut

SECONDGUARD
Yuri. YURI.

Tnesecondguardwalksdowr.=thenall,towardsPaxton’sroom. Heopensthe doarto find-THE FIRSTGUARD,decapitated, a@l.onawiththedeadGerman.ThedeadGerranhasthechain Sawin hishands,makingitlook likehekilledthequard.

Thesecondguardisnet fooled,andknowssomethingwent WYONG

{inteawalkie) We havea probien SomeoneKilled Yuri Where’stneclient?

Cc the Russianguardssrcke,nidinginthe shadows.ThePoliceOfficerdrivesaway. Heseasa towncar with thekeysinside. A Russianguerdcallstnetowncar Griversover totaikto them. Paxtonseeshischance. There'sa towncar outfront,running.Thekeys areim the angine.

Paxtonstepsoutintotheoper air.The guardsareprobably 49 feetaway. if theyAelookeduptheywouldcleariyseehim.

12wnensuddenlyke—“,oahearsaSCREAM,Only thistimeit’sa GIRL SCREAMING. :

Faxctorfreezes.Thescreamsgetlouder,endmorehorrific.

Paxtontakesanothersteptowardsthecar -whenhe hears“ne Girl screamAGAIN.we haveheardthisvoicebefore...

Faxtoxrlooksatthecar,thenbackatthe factory.‘Thenat cmecar. ertured,hefinaliyturnsendgoesbackinside.

|

THT. HALLWAY~-DAY

Paxton*cliowsthescreamste& roomwnerehe sees-

THE AMERICANCLIERT,tarturingKANA Herwholefacehas been burnedwith &blowtorch. Oneeyehangsout. The guylooks up a= Paxton,anncyed.

AMERICAN
Hey auy,getyour cwnfucxin’roeon, i paidfor this.

raxtom closesthedoor.

AMER TCAN
Hey,vou fuckin’deafor-

BLAM! FaxtonSEOOTSTHEAMERICANINTHEHEADat pointblank range. The deafeningsoundreverberatesinthesmallroom.

Karnacries,shaking,ixtotalshock. Paxtonshoorsthe mandcurisfree.

The American’sbodyMOVES.Faxtenfiresagain. Thegun is empty.The ménshakeson theground,slowlydying-

Paxtonputs hisccataroundthescantilyciad,bloody,burned mee eeemastn

PARTON
Kana...ohGod...Kana...

Her eyestiilhangs cutcfits socket.2axconhelpspush it back in. Theeye fallsoutagain,hangingbysome cerzdons. KaraSCREAMSWILDLY.

PaxtongrabsascalpelandCLTSTHE EY FREE.

EAT.RALLWAY-DAY

A securityquardhearsthegirlscreaminafromtheoutside. He talkswithsome ctherguards.Theycontinuewaikingdown thehall,morepurposefullytristime.

Theguardsetancaroundsmoning. inthebackground,benind them,farin thedistance,PaxtonleadsKanaintea carand drivesaway. Theguardsturnéround,caughtstoguard.

~4T.CAR -DAY

Faxtenfloorsit,speedingoutof thefactorygatesandonto thenighway. Thesmokestackbillowsinthebackarcundwith the burningbodies.

BAT.BROAD-DAY

Paxtondrivesthescar,fast Tnere’sprettymuchonevYoad. Kana,insnock,coversher facewithnerhands,shakino.

PAXTON
We'regcingtoget thefuckcutof here.Ckay?Okay?

Kanaloonsup athim,in totalshock.ShestartsSCREAMING.

BAX TONaalaeest Shhh.Shh...Shh...

TnegirlSCREAMSmoreard triestoopenthe door.

NO,BOCN’T,PLSASE,Kana,please.

Tnegirl screamslouder,withnerfaceinherhands. TM Nextto thegirl,on em(B87)ow,heseestheshoppingkagfull ofbubbiegum:they’roabeJwT.17a)mcarredcabdriver’scar.

Paxtonlocksupin therearview mirror:thecthercaris in sient.

He Floorsit.

38

EXT.ROAD -DA‘

Paxtonpassesa signwithKilometermarkersforthetown Tnere’samarkersavingthe trainstationis25 kilometers farrtner,butFaxtonmus:drivethroughthevillagetoget there.

39

EXT.TOWNCENTER -DAY

Paxtondrivesupthe samestretchhedid whenhefirst arrivedinthe village.He triestolay low.

Kana,meanwhile,haspassedout. Paxtonslideshexbodya Sitlower,sc peorlecan'tseekerin thewindow.

Hecan’t speedtocfast,buthe drivespasttaxidrivers,wh lookat histown car,abit Suspicicus.

Paxtonstopsat alight. A croupofkidscrossin frentof him. WalkingrightbehindthemisNATALYA. Shewaiks right infront ofPaxton‘’scarili}

Paxconlocksdown,tryingtohidehis eyes. Natalyaturns andwavesto someone.SYETLAKAcatchesupto her,alongwith ALEX- THEGUY THEYMETIN AMSTERDAM.

SuddenlytheOTHERTOWNCAR approachesfromkehindintne rearview. He looksinfrontof him- NATALYA,SVEZSLANAAND ALEXwalk,whenNatalyaCDROFSHERPHONE.She pendsdownto cickit up.

Paxtonlooksinthe rearview. Theothercar isgetting Closer.

hatealyapopsupandPaxtorRUNSTHEREDLIGHT,CROSSINGOVER a UANE,anddrivesintoan alley.She cusseshimoutas he drivesaway,motrealizingwhoitis she’syellingat.

BAT.BACHALLEY -DAY

in themiddleofthe alleyPaxtonseesTHEGANGOF 10YEAR CLD¥IDS sightir.themiddleoftheread. Hestops hiscar. Theywalx towardsthehim,heldingpipes,bottles,and

PaxtorlooksatKana:she'sunconscious.Thetinyleadkid, whoaCoshgavehisgun Lo,approachesthewindew,staringat FaNToOn.

Faxtonlooksaround,ferWD (Bagpon,anything.Onthefloor}&8)

40

TOAD

sees:theisheapingmaataameemiDOywit|,bubsoun.

41

EXT.TOWNCENTER~ DAY

The towncar trailingFamtor.turnsintethealley.Asthe carapproaches,thesecurityguardinthetowncarsee tne one 1inthemiddlecftheroad,

The tewncar stops,honkina.Thekidasdon'tmove.

DRIVER
‘ 7 ~ =* LinSlovak; Ove+ MoveayFt.=~2ey,LF*move.

Zeokup athim, andaon’tmove.

Tneotherthuggetsout ofthe driver'sseat,wavingagun.

42

(inSlovas} Movenlche—Fuck”out-ofaCre}.wav.-Now.*,

irorooonenly,cau]&BEREICHsmashesontothebacxwindshield,startling

pescksSaiidownfromthesky. The guysturnaroundandFIRE &ta Duilding,wherekidsthrowSricasatthemfromthe YOCrrToan.

Beforetheguysknowwhatto dobricksraindownon then, hitkingbothcfthemin thehead. Thequysfallto the ground.

Thegangof kidsinthe streetallgrabbricksandrocksand throwthematthe gangster e thugslieon theground, unconscious.

Thecangof kidspeatthethucstc deatnwithbricks. The “umpupand downonthe towncar,victecriousiysmashingit.

Thetinyleadkid watchesfromthesidelines,blowingbupble gam. A friendrunsuptothe tinyleader,holdingabloody wick,andthetinyleaderhandshima pieceofgum. The friendcepsitin hismouthandrunsbackto thefigne.

Paxtondrivesas fastashe canalonga twolane,dirty highway HeS228 8signfor thetrainstation,butbefore it,a roadblock. Policecarsnavenlockedoff thercad, checkingpassportsofeverydriverwhopassesthroughtothe trainstation.

Paxtonslowsdewn. Kanastaresdownat thefloorin shock.

PAXTON
Hey. hey,we'realmostthere. Almestthere,

Snestartste cryand slinksdownintheseat.

We'regommadothis. Shh...

Paxtonslowsdown. Heis thenextcar inlineto be checked.

Theposiceofficerscheckthepassportofthedriver infront ofFaxton. Thepoliceshewthe passperttoaTHESCARREDCAB DERIVES,whostandswitht

Thedriverleansout thewindow,gesturingthathe’s irritatedthathe’sgoingtomi8shis train.His twokids, mayse§ and10,sit inthe carwithhim.The scarredcab driverstartstawingattheguy. Theyget intoit alittle.

abdrivergrabetheguy byhis shirt,roughing he guyholdsup hisarmsinnocently,apologizing. Axtonwatches,horrified.

The cepsleethequyge, andmovethecar along. The tuxsns7OFaxton,andwalkstowardshiscar.

icecificergestureshimtonoveforwardwithhis cuub. CarsstartHOKKINGATPAXTON.The cardoesn’tmove.

POLICEOFFICER
finSlovaki Move. Move! Comeon,move!

Tnepelicecfficerwalksovertothewindowand wespin aroundtorevealthat...

PAXTONANDTHEKANA AREGONE Trepolicemanlooksup,and seesnotningbuttheweeds anda lone,Longlineof cars.

EX’.“WOODS-DAY

FraxtcnandFanesuntnroughthewoods,comingupto afence oythe trainstation.Theycrawlthreugna holeinthe fence andappreachthestation.

oXT.TRAINSTATION - TAY

PoliceandRussianmafiaareeverywhere,oneveryplatform, watchingtheentrancetoeverytrain.

FASTON
Skit.

hana.GOxXSaround,terrified.Shefollowscloselybenind Paxton,clingingtonim.

Paxtonseesatrainget e@adyayteleave,buttherearetoo manymafiaguysandpoliceof?ficerswatching.

FaxtenandKamaGurkbacx,nearan office.

ckingforanopenine. The lascaughthereye:

Iv7’SHERREFLECTICN,intheglass.Thisisthefirsttime sxe'sseenherselfburnedandmutilated.Shestopsdeadin hertracksandstarescloserQatherreflectioninherror. Hexburnedskin. Hsrmissingeye. Heroncebeautifulface Tutilatedbeyondrepair.

KanawalxspastPaxton,outontocheplatformlikea zombie, intheopen.

PAXTON
Kanal Karna,they’1likillyou!

wwheiooksbacxatPaxtonandpointstoancutboundcrain Waitingtsgo. Anincomingtrainapproachesthestation. réoplestandup,gettingreadytoboardit.

PAATON
Stop,pleasetil

ButKanakeepswalking.

a|

axtonleoksat thedepartingtrain,andthepelicemenanda mafia guysquardingit.When helooksbackat theplarform RANA25SGONE.

he incomingtreinthundersintotnestation.raxtonhearsa crowdGASE InEGRROR,ASHANA RUNSANDTHROWSHERSELFIN FRONTCFTHs INCOMINGTRAIN

The wnclestaticnscreams.Bloodsplatterseverywhere, Causinga massivediversicn.EVERYONErunsovertosee what happened,eventheRussianmafiaquys. Paxtonusesthis opportunitytorun ONTO THE DEBARTINGTRAIN.

aNT. TRAIN+DAY

Paxtonhidesin thebathroom,lockingthedoor. Outsidehe can hearpeoplescreeningand¢crying,andyellingtoeach ether inCzechandRussian

He staysin therecomuntilthetrainstartstomove. Hesits there,holdingnimselfuc,crying,shaking.Aftera few minuteshe cpenstnedoor

Paxtonlookssutside:it’sjustiandscepespeedingpy.He looksaroundthe traincar;nomafiacuysor policeofficers appearto beanywhere.

Paxtonsitsdown if.aseatinan opencar,whichholdsabout 3u-40basSergers.He closeshiseyes,hidirghisface innis hat andscarf.

Sudden-yhehearsa voice. Intheaisiehe seesa hand, talkingte amanwith thefoodcarcz.

VOICE Nothankyou, prefextouse my nands.

Faxtoncan’tpe~ seveit.Heknowsthat voice,it’s the Dutchbusinessman.

Paxtongetsup. He walxsdowntneaisle,approachingthe seat...

and tzrereheis.The onewhokilledJosh,andprobably Sythor,sittingthere,eating lunch withhes hands.The DutcnBusinessman.

VARICUSIMAGESFLASH

BS.

hebusinessmanonthetrain,tellingtheguys“Youcan pay todo anything.A-ny-thine."

CENom,.7 7 ~ cr ~ cackingoisme“isemom - ThebusinessmanstandinacverJosh’scorrse, 3ok ary . . = neaslike& curilcusaod

heHuntingbusinesscardwiththe$25,000Amr.cizciea.

Thebusinessmanlocksupfromais food,feelinglike someone's watching him...butPaxton isgone

TNT.EATEROOM- DAY

Paxtoncatcheshisbreethin thebathroom.He can’tbelieve thisguy'shere. Paxton&pullsthescalpelfromhispocket dputs it|upshisReesieéve.eleerrs

SMT.TRAINSTATIONIN CENTRALEUROPE-DAY

The trainstepsata majormetrepol SETSEs Themansters offthetrai

Ya stayin Paxton’sPOVasthemanwaiks throughthecrowd. Paxtongetsthe scalpelready.He'sgoingto stabtheman, rightthere,in frentcfeveryone.Paxton’spossessed.

NMhenfromthecrowdhenearsa voice.

LITTLEGIRL
Daaday!
BUSINESSMAN
Saskia!

The businessmanisgreetedbyanaderablelittlegirl,who runs overtehim andgiveshima bighug. She’sthe little Girlwhosepicturehe smowedtothecuys. Sheleoks adorable,ina littlepeacoatamdyellowscarf. The Dutch businessmanpicksherupand=wirls heraround,smotnexing her tmkisses. Henandshera teddybear,muchto her dalign

& LimeDrivermeetsthemandtakestheirbags. They talkin Duten. Theman gesturesthatheneedstousethe pathroom.

Paxtonwatches,shocked.Thegirlhuegingherfathermakes eye contactwithPaxton.Heturnsaway,hidinghis eyes.

Paxtonmillsaround,tryingtoactlikehe’s goingsomewhere orlootingfersomeone,whilenevertakinghiseyesoff the businessman.

Thedriverwalkstowardstheparkedlimewiththe bags,as theDutchbusinessmanandhis daughterheadforthe Pathreoms.Faxtonfollowsthem,butnottec close.

Thelittlegirlneedstc usethebatnmroom,whichisadjacent Lothe men’sroom._Thefathertriestogo inwith her,but shepusheshimaw sayingshe’sa biggirl,and shecan go pyherself.seef_a

Thebusinessmankissesthegirlandwatcheshergo intothe bathroom,teddybearinhand.Thebusinessmanthengoesinte chemen’sroom.

Welingerback,itmPaxton’sP.O.¥V.,asthemangoesintothe Hen’sroom. WeFollowhimthroyuchthedocrway,intethe pathrcoom,pastthesink,te@itneof stalls,untilweare Standingrightcutsidethestallwherehesits.

Westayom thedocr fora iococorngdbear.

ovr.STALL- DAY

TheDutchbusinessmansitsonthetcilet. Uelooksup at the rv. AnysecondweFee. thisthingcculdkickopen. at

"esee thefootstepsofsomeon®gertingintothestallnex rohim. We don’tseewho itis. We custseethe shoes.

TheTrutchbusinessmantakeshiscellphoneoutofhispocket. H@diaisa rumber,butaccidentallydropshisphone.It bouncesonthefleerand slidesintothestailnextto him.

BUSZNESSMAN

i’mSOrry,excuseme...

Alter+,aaaloosoccengbeat,aDlack,glovedhandsiidesthe phoneback.

BUSINESSMAN
finDutchi

ac.

IMT.SATHRZOOM-DAY

TreDurcnpusinessmanexitsthestallamomentlater,and washeshis handsattne sink.

We seethe otherstaiidooropen. A vaircfblackshoes, exacilythesamecnesthatPaxtontookfrom thechangines room,exitthestall. We staywithtnefeet,Low tethe grour as theyslowlywalktowardsthesink,approachingthe businessman

imthemirror,we seea closeupcf theLusinessman.The backgroundslowlyracksintetoFocusto revealthatright Dehindhim is-

ANOTHERBUSINESSMAN.Someonewe'venevermet,wholeans into The Sinknextto theDutchbusinessman,towashhishands. They nodhellote eackother

Tre Dutchbusinessmandrieshisnandsoratoweland exits.

BZT. SATEROOM-DAY

The Dutchbusinessmanstandsbytheentrancetothewomen’s room,waitingforhis daugnter.

The cocrcpensanda wWorTenexits.

The Dusinessmanwaitsforhalfaminutelonger.Nothing happens.

A Olderwomanexits,drascaingWoLhersuitcasewithher,

BUSIKESSMAN
finDutch: Excuseme,didyou geea iitti Giriin there?

The olderwomanshrugsandkeerswalking.

WOMAN
finDutch} iam sorry,no.

~he businessmancpensthedoor,andcallsin.

He stepsinside,asa prettywomanexits.

BUSINESSMAN
‘inDutch} me

PRETTYWOMAN

BUSINESSMAN
finDutch}

TheSusinessmanstepsinside,abitembarrassed,

INIT.WOMEN’SBATERCOM-DAY

Ho one’sinthere. keslowlywalksdownthe stalis,lightly rusnringthedceorscpen.

BUSTNESSMAN

ae opensanctherone.And another.Ardanother. Noone’s cn there.Hefinallycomestothelast stall,andpushesthe dooronento fina-

HERTEDDYBEAR. Sittingontop ofthetoilet.

STATIONINCENTRALEUROPE-~DAY

TheBatchBusinessmanlooksaround,panicked.

BUSINESSMAN
SASKIA! SASKTAILFEII!SASKIA!}

H€gradspeop_eand triestodescribeher.They haven’tseen her. Keiooksaroundat thetrains2eaving.Thetaxis takingoff. - *- Sislimcdriverwaitsforhim. She's-ot withhimeither.

9hh

Themanscreamsferhis daughter,panicking.Hegrabsa policeofficer,ramblingabouthismissinegirl,gesturin andpointingwildly.

BAT.ATRPORT~2AY

Botaxi-puiisurby thecurh. ‘esee twofeetget cut. A glovednandtossesablocdyyellowscarfintothe ‘rasn, followedbytheplackgloves. Wemoveup andsee Paxucn cntctheairportterminal.

43

INT.TRAINSTATIONINCENTRALEUROPE-DAY

Thepolicesearchalloverfor thegirl.Copsare everywhere. % The2uctchpusinessman clutesing=Be ootpeufagiythwo

B few detectivescan’tseemtofindthewordsto consoie-hinm.

DISSOLVETO**

44

INT.TRAINSTATIONIB.CENTRALEURCTRYA.-NIGHT

Thebusinessmansitsinth sameposition,:withtheteddy bearinhis hands.His driverurges¢numteleave.He‘5 Stiaicrying,inshock. Hewon’tgo home.The policestill interviewpeople.

DISSCLVEtfOrad

ERT.TRAINSTATICNINCENTRALEUROPE~NIGHT

Thebusinessmansitsaloneintheenptytrainstation,fHrdthe Saméposition,cryingodwiththestuffedanimal.

HiNT.beAIRFLANE-NIGET

Paxton‘sitsonaplane,towardstneback.A stewardess offershinabeverage.

STEWARBESS
(withDutchac ; Wouldvou lixeadrink,sir?

Water,Diease. Thankvou.

toa)aSs!fusaajutaoaSl|ctir’iDxii?iDryAETastesAElp.

STEWARDESS

Not really.

Paxtoncloseshis eyes,tryingtcgetsomesleep. A figure SCUSSTSSNeXtpestnim, gettingtoherseat. We can’tsee tne person,she’sjust@blur efclothing

Sorry,I trymotte wakeyou.

PAXTON
It’sokay. We navea longfitghz. Flentyof timeforsleep. carl GIRL Sir?

Paxtonopensnis eyesandnextte himsees-

THE BUSINESSMAN’SDAUGHTER,WITAHERTHROATSLITFROMEARTO EAR, SMILINGATHIM. SHESMILESWITHALLHER TEETHSHOWING AND HEREYESWIDEOPEN.

PAATONSCREAMS.

Tne Scewardessshakeshim.Hewakasup. He wasdreaming. He looksnextto himandseesa man,whehe haswoker up. In fact,he haswokenup a lozofpeopleon theplane,aliof whem stareathim,aggravated.

STEVARDESS
v2)pe.baadv8)ix?Areyouokay?
PAXTON
Yean...sorry.I'mfine...

S4.

a@oyeeeoehingDuk.

Cateieead CUT TOSr