Undated screenplay

"DO THE RIGHT THING" (1989)

WRITTEN BYSpike Lee

STATS93pages118scenes15,403words51%dialogue share38characters

Dialogue share

  • dialogue7,18651%
  • action6,92549%
  • formatting, excluded1,292

Scenes

location
  • INT 0
  • EXT 0
  • UNKNOWN 118
time
  • UNKNOWN 118

OVERBLACK EDITORIAL

On the page

Heat, business ownership, policing, neighborhood pride, and disputes over representation intensify conflict on the block. Shared places force the characters to keep encountering one another.

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1

INT: WE-LOVE RADIO STATION STOREFRONT - DAY

p.1

TITLES - WHITE ON BLACK

PLACE Brooklyn, New York

CUT TO:

TIME Present

CUT TO:

WEATHER Hot as shit!

CUT TO:

EXTREME CLOSE UP

WE SEE only big white teeth and very Negroidal (big) lips.

MISTER SENOR LOVE DADDY
Waaaake up! Wake up! Wake up! Wake up! Up ya wake! Up ya Wake! Up ya wake!

CAMERA MOVES BACK SLOWLY TO REVEAL MISTER SENOR LOVE DADDY, a DJ, a radio personality behind a microphone.

MISTER SENOR LOVE DADDY (contd)
This is Mister Senor Love Daddy. Your voice of choice. The world's only twelve-hour strong man, here on WE-LOVE radio, 108 FM. The last on your dial, but the first in ya hearts, and that's the truth Ruth!

The CAMERA, which is STILL PULLING BACK, shows that Mister Senor Love Daddy is actually sitting in a storefront window. The control booth looks directly out into the street. This is WE-LOVE RADIO, a modest station with a loyal following, right in the heart of the neighborhood. The OPENING SHOT will be a TRICK SHOT -- the CAMERA PULLING BACK through the storefront window.

MISTER SENOR LOVE DADDY (contd)
Here I am. Am I here? Y'know it. It ya know. This is Mister Senor Love Daddy, doing the nasty to ya ears, ya ears to the nasty. I'se play only da platters dat matter, da matters dey platter and That's the truth, Ruth.

He hits the cart machine and we hear a station jingle.

VO
L-O-V-E RADIO.
MISTER SENOR LOVE DADDY
Doing da ying and yang da flip and flop da hippy and hoppy
(he yodels)
Yo da lay he hoo. I have today's forecast.
(he screams)
HOT!

He laughs like a madman.

2

INT: DA MAYOR'S BEDROOM - DAY

p.2

An old, grizzled man stirs in the bed, his sheets are soaked with sweat. He flings them off his wet body.

DA MAYOR
Damn, it's hot.
3

INT: JADE'S APARTMENT - DAY

p.2

CAMERA MOVES IN ON a young man sitting at the edge of a sofa bed.

CLOSE UP - HIS SMALL HANDS

WE SEE him counting his money. This isn't any ordinary counting of money, he's straightening out all the corners of the bills, arranges them so the bills -- actually the "dead presidents" -- are facing the same way. This is MOOKIE. Once he's finished with that task, counting his money, he sneaks into his sister's bedroom.

4

INT: JADE'S BEDROOM - DAY

p.2

CLOSE UP - JADE

JADE, Mookie's sister, is fast asleep. Mookie's fingers ENTER THE FRAME and start to play with her lips. Jade pushes his hands away. Mookie waits several beats and he continues. Jade wakes up -- mad.

JADE
Don't you have enough sense not to bother people when they're sleeping?
MOOKIE
Wake up!
JADE
Wake up? Saturday is the lone day I get to sleep late.
MOOKIE
It's gonna be hot today.
JADE
Good! Leave me alone when I'm sleeping. I'm gonna get a lock on my door, to keep ya ass outta here.
MOOKIE
Don't ya love ya brother Mookie anymore? I loves ya, Jade.
JADE
Do me a favor. Go to work.
MOOKIE
Later. Gotta get paid.

He plants a big fat juicy on his sister's forehead.

5

EXT: SAL'S FAMOUS PIZZERIA - DAY

p.3

A 1975 El Dorado pulls up in front of the neighborhood pizzeria -- Sal's Famous Pizzeria. From the car comes out the owner, SAL, a slightly overweight man in his early fifties, and his two sons, PINO, 22, and VITO, 20. It's time for them to go to work at Sal's Famous Pizzeria in the heart of Black Brooklyn. Sal's sits right on the corner of The Block. The Block being where this film on the hottest day of the summer takes place.

Pino kicks a beer can in his path into the gutter.

SAL
Pino, get a broom and sweep out front.
PINO
Vito, get a broom and sweep out front.
VITO
See, Pop. That's just what I was talkin' 'bout. Every single time you tell Pino to do something, he gives it to me.
PINO
He's nuts.
SAL
The both of youse, shaddup.
VITO
Tell Pino.
PINO
Get the broom.
VITO
I ain't getting shit.
SAL
Hey! Watch it.
PINO
I didn't want to come to work anyway. I hate this freakin' place.
SAL
Can you do better? C'here.

Pino now is silent. Sal walks over to him.

SAL (contd)
Can you do better?
(he pops Pino upside the head)
I didn't think so. This is a respectable business. Nuthin' wrong with it. Get dat broom.
PINO
Tell Vito.
VITO
Pop asked you.
SAL
I'm gonna kill somebody today.
6

EXT: MOOKIE'S BROWNSTONE - DAY

p.4

Mookie comes down his stoop and walks to work.

7

EXT: STREET - DAY

p.4

The Block is beginning to come to life. Those unlucky souls who have to work this Saturday drag themselves to it, and the kids are out on the street to play in the hot sun all day long.

8

EXT: MOTHER SISTER'S STOOP - DAY

p.5

Mookie stops to say hello to MOTHER SISTER. She leans out her out her window on the parlor floor. In the summertime, the only time when she's not perched in her window is when she's asleep.

MOTHER SISTER
Good morning, Mookie.
MOOKIE
Good morning to you.
MOTHER SISTER
Now, Mookie, don't work too hard today. The man said it's gonna be HOT as the devil. I don't want ya falling out from the heat. You hear me, son?
MOOKIE
I hear ya, Mother Sister. I hear you.
MOTHER SISTER
Good. I'll be watching ya, son. Mother Sister always watches.
9

INT: SAL'S PIZZERIA - DAY

p.5

Mookie enters the pizzeria and Pino is on him before the door closes.

PINO
Mookie, late again. How many times I gotta tell you?
MOOKIE
Hello, Sal. Hello, Vito.
SAL
How ya doin', Mookie?
VITO
Whaddup?
MOOKIE
Just coolin'.
PINO
You're still late.
SAL
Pino, relax, will ya.
PINO
Here, take the broom. The front needs sweeping.
MOOKIE
Wait a minute. Wait a minute. I just got here. You sweep. I betcha Sal asked you first anyhow.
VITO
That's right.
PINO
Shaddup, Vito.
MOOKIE
Fuck dat shit. I deliver pizzas. That's what I get paid for.
PINO
You get paid to do what we say.
MOOKIE
What we say. I didn't hear Sal say nuthin'.

Pino looks at his father. He wants to be backed up on this; all he gets is an amused look, and a smirk from Vito.

PINO
Who's working for who?

There's a knock on the door and Da Mayor enters.

SAL
Come on in, Mayor.
DA MAYOR
Good morning, gentlemens. It's gonna be a scorcher today, that's for sure. Need any work done around here?

Sal looks at Pino, who reluctantly gives Da Mayor the broom.

DA MAYOR (contd)
It will be the cleanest side-walk in Brooklyn. Clean as the Board of Health.

Da Mayor almost runs out of the pizzeria in his hurry; soon as he finishes he'll be able to get a bottle.

PINO
Pop, I don't believe this shit. We runnin' welfare or somethin'? Every day you give dat bum ...
MOOKIE
Da Mayor ain't no bum.
PINO
Give dat bum a dollar for sweeping our sidewalk. What do we pay Mookie for? He don't even work. I work harder than him and I'm your own son.
MOOKIE
Who don't work? Let's see you carry six large pies up six flights of stairs. No elevator either and shit.
SAL
Both of youse -- shaddup. This is a place of business.
VITO
Tell 'em, Pop.
PINO
Me and you are gonna have a talk.
VITO
Sez who?
PINO
Sez me.
SAL
Hey! What did I say.
MOOKIE
Who doesn't work? Don't start no shit, won't be no shit.
SAL
Mookie, no cursing in the store.
MOOKIE
Talk to your son.
10

EXT: SAL'S FAMOUS PIZZERIA - DAY

p.8

Da Mayor sweeps the sidewalk, happy as can be. As soon as he finishes he can get that money and get that bottle.

11

EXT: STOOP - DAY

p.8

A group of youths sit on a stoop waiting for someone. They are CEE, PUNCHY and the lone female, ELLA.

ELLA
What's keeping him?
PUNCHY
You call him then.

Ella stands up and yells.

ELLA
Yo, Ahmad!
PUNCHY
I coulda done dat.
ELLA
Yo, Ahmad!

She looks up into his window, then sits down.

ELLA (contd)
Punchy, if ya want to do some more screaming, be my guest. I'm too through.

The door swings open at the top of the stoop and AHMAD appears.

AHMAD
Who's yelling my name?
ELLA
Punchy told me to.
AHMAD
Don't listen to him, it will get ya in trouble.
ELLA
Heard that, Punchy.

Ahmad sits down with them.

AHMAD
Ella, you have a brain, use it.

In the BG, we hear the dum-dum-dum of a giant box. The sound gets louder as the box gets closer. The youths look down the block and see a tall young man coming towards them. He has a very distinct walk, it's more like a bop. This is RADIO RAHEEM. The size of his box is tremendous and one has to think how does he carry something that big around with him? It must weigh a ton, and it seems like the sidewalk shakes as the rap music blares out. The song we hear is the only one Radio Raheem plays.

MEDIUM SHOT - RADIO RAHEEM

Radio Raheem stops in front of the group, looks at them and turns down the volume. It's quiet again.

RADIO RAHEEM
Peace, y'all.
ELLA
Peace, Radio Raheem.
CEE
Peace.
PUNCHY
You the man, Radio Raheem.
AHMAD
It's your world.
CEE
In a big way.

Radio Raheem nods and turns up the volume. Way up.

AHMAD
My people. My people.
12

EXT: WE-LOVE STOREFRONT - DAY

p.9

Radio Raheem waves to Mister Senor Love Daddy as he walks by.

13

INT: WE-LOVE CONTROL BOOTH - DAY

p.9

Mister Senor Love Daddy gives Radio Raheem a clinched- fist salute.

14

EXT: FRUIT-N-VEG DELIGHT - DAY

p.9

Da Mayor walks into a newly opened fruit and vegetable deli stand that is owned by Koreans.

15

INT: FRUIT-N-VEG DELIGHT - DAY

p.10

Da Mayor is looking for his beer in the refrigerated cases, his ice-cold beer.

DA MAYOR
Where's the Bud? Where's the Bud?
KOREAN CLERK
No mo' Bud. You look what we have and buy.
DA MAYOR
No more Bud. What kind of joint is this? How come no mo' Bud? Doctor, this ain't Korea, China, or wherever you come from. Get some Budweiser in this mother-fucker.
KOREAN CLERK
You buy 'nother beer.
DA MAYOR
Alright. Alright. Y'know you're asking a lot to make a man change his beer, that's asking a lot, Doctor.
16

EXT: MOTHER SISTER'S STOOP - DAY

p.10

Da Mayor has his can of beer (not Budweiser) and the brown paper bag is twisted into a knot at the bottom. He stops and takes a long swill.

MOTHER SISTER
You ole drunk. What did I tell ya about drinking in front of my stoop? Move on, you're blocking my view.

Da Mayor lowers the can from his mouth and looks up at his heckler. It's obvious from the look on his face he's heard this before. Da Mayor contorts his face and stares at her.

MOTHER SISTER (contd)
You ugly enough. Don't stare at me.

Da Mayor changes his face into a more grotesque look.

MOTHER SISTER (contd)
The evil eye doesn't work on me.
DA MAYOR
Mother Sister, you've been talkn' 'bout me the last eighteen years. What have I ever done to you?
MOTHER SISTER
You're a drunk fool.
DA MAYOR
Besides that. Da Mayor don't bother nobody. Nobody don't bother Da Mayor, but you. Da Mayor just mind his business. I love everybody. I even love you.
MOTHER SISTER
Hold your tongue. You don't have that much love.
DA MAYOR
One day you'll be nice to me. We might be both dead and buried, but you'll be nice. At least civil.

Da Mayor tips his beat-up hat to Mother Sister and takes a final swig of beer just for her.

17

INT: TINA'S APARTMENT - DAY

source 16Ap.11

An elderly Puerto Rican woman, CARMEN, is telling off her daughter TINA in Spanish. Tina, having heard enough, closes the door on her mother's ranting and raving.

ANGLE - TINA

Tina bends down and scoops her baby son HECTOR up from the bed and holds him for dear life to her breasts. She talks to her son while walking around the room.

TINA
Hector, I shouldn't be telling you this but you would find out sooner or later. Ya father ain't no real father. He's a bum, a two bit bum in a hundred dollar world. Your father is to the curb. You're smart.
TINA (contd)
I see that look on ya face. You're seying if he's such a bum why am I with him? Good question. Like I said before, you're no dummy. He talked his way into my panties, I thought being a mother would make me happy, make me whole. He's a mistake, but you are not.

Tina kisses her son. Tina is seventeen years old, another teenage parent.

18

EXT: STREET CORNER - DAY

source 17p.12

Every day on this corner, summer or winter, spring or fall, a small group of men meet. They have no steady employment, nothing they can speak of, they do, however, have the gift of gab. These men can talk, talk, and mo' talk and when a bottle is going round and they're feeling "nice," they get philosophical. Thsse men become the great thinkers of the world with solutions to all its ills; like drugs, the homeless and AIDS. They're called the Corner Men: SWEET DICK WILLIE, COCONUT SID and ML. All three are sitting in folding chairs up against a wall in the shade.

ML
The way I see it, if this hot weather continues, it will surely melt the polar caps and the whole wide world -- the parts that ain't water already -- will be flooded.
COCONUT SID
You a dumb-ass simple mother-fucker. Where did you read that?
ML
Don't worry about it. But when it happens and I'm in my boat and ya black ass is drowning, don't ask me to throw you a lifesaver either.
SWEET DICK WILLIE
Fool, you're thirty cents away from a quarter. How you gonna get a boat?
ML
Don't worry about it.
SWEET DICK WILLIE
You're raggedy as a roach. You eat the holes out of donuts.
ML
I'll be back on my feet. Soon enough.
SWEET DICK WILLIE
So when is all this ice suppose to melt?
19

INT: SAL'S FAMOUS PIZZERIA - DAY

source 18p.13

Customers are in Sal's; it's lunchtime and it's fairly busy. Sal puts a hot slice down on the counter in front of BUGGIN' OUT, A B-boy.

SAL
You paying now or on layaway?

Buggin' Out looks at the slice.

BUGGIN' OUT
How much?
SAL
You come in here at least three times a day. You a retart? A buck-fifty.
BUGGIN' OUT
Damn, Sal, put some more cheese on that motherfucker.
SAL
Extra cheese is two dollars. Y'know dat.
BUGGIN' OUT
Two dollars! Forget it.

Buggin' Out slams his money down on the counter, takes his slice and sits down.

ANGLE - TABLE

All around Buggin' Out, peering down from the WALL OF FAME, are signed, framed 8X10 glossies of famous Italian- Americans. WE SEE Joe DiMaggio, Rocky Marciano, Perry Como, Frank Sinatra, Luciano Pavarotti, Liza Minnelli, Governor Mario Cuomo, Al Pacino and, of course, how can we forget Sylvester Stallone as Rocky Balboa: THE ITALIAN STALLION, also RAMBO.

CLOSE UP - BUGGIN' OUT

He looks at the pictures hovering above him.

BUGGIN' OUT
Mookie.

CLOSE UP - MOOKIE

MOOKIE
What?

CLOSE UP - BUGGIN" OUT

BUGGIN' OUT
How come you ain't got no brothers up?

CLOSE UP - MOOKIE

MOOKIE
Ask Sal.

ANGLE - PIZZERIA

BUGGIN' OUT
Sal, how come you ain't got no brothers up on the wall here?
SAL
You want brothers up on the Wall of Fame, you open up your own business, then you can do what you wanna do. My pizzeria, Italian-Americans up on the wall.
VITO
Take it easy, Pop.
SAL
Don't start on me today.
BUGGIN' OUT
Sal, that might be fine, you own this, but rarely do I see any Italian-Americans eating in here. All I've ever seen is Black folks. So since we spend much money here, we do have some say.
SAL
You a troublemaker?

Pino walks over to Buggin' Out.

PINO
You making trouble.
BUGGIN' OUT
Put some brothers up on this Wall of Fame. We want Malcolm X, Angela Davis, Michael Jordan tomorrow.

Sal comes from behind the counter with his Louisville Slugger Mickey Mantle model baseball bat. Vito is by his side, but Mookie intercepts them, taking Buggin' Out with him.

SAL
Don't come back, either.
BUGGIN' OUT
Boycott Sal's. Boycott Sal's.
20

EXT: SAL'S PIZZERIA - DAY

source 19p.15
MOOKIE
Buggin' Out, I gotta work here.
BUGGIN' OUT
I'm cool. I'm cool.
MOOKIE
Come back in a week, it will be squashed.

They give each other five.

21

INT: SAL'S FAMOUS PIZZERIA - DAY

source 20p.15

Mookie enters.

SAL
Mookie, if your friends can't behave, they're not welcome.
MOOKIE
I got no say over people.
PINO
You talk to 'em.
MOOKIE
People are free to do what they wanna do.
SAL
I know, this is America, but I don't want no trouble.
22

EXT: STREET - DAY

source 21p.16

Mookie walks down the block with pizza box in hand when he sees Da Mayor sitting on his stoop.

DA MAYOR
Mookie.
MOOKIE
Gotta go.
DA MAYOR
C'here, Doctor.

Mookie turns around and goes back.

DA MAYOR (contd)
Doctor, this is Da Mayor talkin'.
MOOKIE
OK. OK.
DA MAYOR
Doctor, always try to do the right thing.
MOOKIE
That's it?
DA MAYOR
That's it.
MOOKIE
I got it.
23

INT: TENEMENT BUILDING - DAY

source 22p.16

Mookie is hiking up a flight of stairs.

ANGLE - STAIRCASE

He puts the pizza box down and takes a breather.

CLOSE UP - MOOKIE

Sweat drips off his face.

ANGLE - MOOKIE

He bends down to pick up the pizza box and tackles the last few flights.

CLOSE UP - DOORBELL

Mookie pushes the buzzer.

ANGLE - DOOR

A young Puerto Rican woman opens the door.

NILDA
I hope it's not cold.

Mookie hands her the pizza.

MOOKIE
No, it's not cold. Twelve dollars for the pie.

Nilda hands him a handful of singles. Mookie looks at the crumpled mess. Nilda attempts to close the door, but Mookie's foot says, "hell no."

MOOKIE (contd)
Hold it. Let me count this first.

First he straightens out the dollars, then counts the bills.

MOOKIE (contd)
You're short.
NILDA
I counted the twelve dollars myself.
MOOKIE
Twelve is right, but no tip.
NILDA
No tip.
MOOKIE
Look, lady. I carried your pizza up five flights of stairs and shit. The cheese didn't slide over to one side like it sometimes does with delivery people who don't care. I do care. May I get paid?

Nilda looks at him and sees right away he's not going anywhere.

NILDA
Wait here.
MOOKIE
I'll wait.

Nilda goes into the apartment and we hear her talking in Spanish to a male.

24

EXT: MOTHER SISTER'S STOOP - DAY

source 23p.18

Jade sits down next to Mother Sister on the stoop.

MOTHER SISTER
Jade, you're late.
JADE
I know, Mother Sister, but I'm here now. Where's the stuff?

Mother Sister hands her a bag that is at her side.

MOTHER SISTER
Seen your brother, just walked by.

Jade unwraps a head scarf from around Mother Sister's head and a full head of long black hair falls to her shoulders.

JADE
This might take some time.
MOTHER SISTER
I got nowhere to go. We haven't had a good sit down for a long while.

Jade begins to part, grease and comb out Mother Sister's hair.

MOTHER SISTER (contd)
Tender-headed runs in my family. You tender-headed?
JADE
Yeah, me too.
MOTHER SISTER
That's why I don't fool with it. Only let you touch it ... Ouch!
JADE
Sorry, comb got caught.
MOTHER SISTER
Be gentle, child. Mother Sister is an old woman.
JADE
How are you holding up in this weather?
MOTHER SISTER
I'll do.
JADE
I don't know why you still haven't bought an air conditioner?
MOTHER SISTER
Don't like 'em. A fan will do.

ANGLE - DA MAYOR

Da Mayor stands in front of the stoop, he's smiling for days.

DA MAYOR
I didn't know you had such beautiful hair.

ANGLE - STOOP

MOTHER SISTER
Fool, there's a lot in this world you don't know.

CLOSE UP - DA MAYOR

DA MAYOR
I'm not stopping. I'm on my way.

The Mayor tips his hat and heads up the block.

ANGLE - STOOP

JADE
You are too cruel to Da Mayor, it isn't right.
MOTHER SISTER
I'm not studying no Mayor. Besides, he reminds me of my least favorite peoples. My tenants and my ex-husband -- Goddamn-bless his soul.

They both laugh.

MOTHER SISTER
Number One; I got some jive, late rent paying trifling Negroes in this house. Every year I keep threatening to sell it.
JADE
And move to Long Island ...
MOTHER SISTER
And move to Long Island. Number Two; my ex-husband lost all my property, all my money in his scheme to build a black business empire. Needless to say what happened, this house is it, all I got. I'm too through with yar people.

CLOSE UP - JADE

JADE
Whew!

She looks up at the white-hot sun.

CLOSE UP - MOTHER SISTER

She does the same.

25

CLOSE UP - THE WHITE HOT SUN

source Xp.20

ANGLE - MOOKIE

Mookie bends down to tie his sneakers.

ANGLE - DOOR

Nilda reappears and holds out a lonely lone dollar for him. Mookie has her hold it out for awhile, then he takes it.

MOOKIE
Gracias mucho.

Nilda slams the door.

MOOKIE (contd)
A dollar! Cheap bastard! Your pizza is gonna be fucked next time.

HOT, HOTTER AND HOTTEST MONTAGE

Right now, folks, we're gonna suspend the narrative and show how people are coping with the oppressive heat.

26

source 24p.21

People are taking cold showers.

27

source 25p.21

Sticking faces in ice-cold, water-filled sinks.

28

source 26p.21

Heads stuck in refrigerators.

29

source 27p.21

A wife telling her husband, "Hell, no, I'm not cooking. It's too hot. The kitchen is closed."

30

source 28p.21

Men downing six-packs of ice-cold brew.

31

source 29p.21

Faces stuck directly in front of fans.

32

source 29Ap.21

A young kids cracks an egg on Sal's Cadillac. The moment the egg hits the car hood it starts to cook. The kids looks directly INTO THE CAMERA and smiles, then looks up to see Sal, mad as a motherfucker, chasing after him.

33

source 30p.21

And how can I forget the papers, the newspaper headlines: New York Post: "A SCORCHER" New York Daily News: "2 Hot 4 U?" New York Newsday: "OH BOY! BAKED APPLE" New York Times: "RECORD HEATWAVE HITS CITY"

34

EXT: STREET - DAY

source 31p.21

CLOSE UP - JOHNNY PUMP

POW! A powerful gush of water flies out RIGHT AT THE CAMERA.

Ahmad has just turned on the johnny pump and the white stream of water flies across the street.

This attracts all the people on the block. It's a chance to cool off and momentarily beat the killer heat.

ANGLE - CEE AND PUNCHY

They both scrape beer cans on the sidewalk.

ANGLE - ELLA

She stands with caution away from the fire hydrant. Ella does not want to get wet.

ANGLE - CEE AND PUNCHY

They're still scraping away.

ANGLE - STREET

Folks, young and old, begin to get in the water and play.

ANGLE - CEE AND PUNCHY

Both now have cans with the ends scraped away, and go to the johnny pump. Punchy bends down behind the hydrant and places the can over the water. The can now directs the water into giant streams.

ANGLE - ELLA

Ahmad sneaks up behind Ella and picks her up. She's kicking and screaming furiously.

ELLA
Ahmad! Put me down! Put me down. I can't get wet. I'm not playing.

Ahmad is not having it. He carries a kicking Ella into the middle of the street in direct line of fire.

AHMAD
Yo!
ELLA
No!

They both are hit with a blast of water and are soaked to the bone. Ella starts to punch Ahmad who she chases after.

ANGLE - STREET

We hear the familiar rap music of Radio Raheem's box.

CLOSE - RADIO RAHEEM

Radio Raheem is too cool. By the way he's dressed, it could be fall, not the hottest day of the year. But you could never tell it from him. He's too cool.

CLOSE - RADIO RAHEEM

Raheem looks at Cee, he wants to get by and he doesn't want to get wet either. And if his box gets wet, somebody is gonna die. Cee knows this too.

ANGLE - JOHNNY PUMP

Cee stands in front of the hydrant, blocking the water so Radio Raheem can pass.

ANGLE - RADIO RAHEEM

He slowly bops across the street as all eyes watch. When he's clear, Cee moves and the water gushes out again as folks play.

ANGLE - STREET

We hear a car horn blowing. People move out of the way as the vehicle speeds through the spray.

ANGLE - WHITE CONVERTIBLE

An older man, CHARLIE, stops his white convertible and blows his horn.

CHARLIE
I'm not playing. There's gonna be trouble if you fuck around.

CLOSE - CEE AND PUNCHY

PUNCHY
Go 'head. You got it. You got it.

CLOSE - CHARLIE

CHARLIE
This is an expensive car.

CLOSE - CEE

CEE
You won't get wet.

ANGLE - HYDRANT

Both Punchy and Cee sit in front of the hydrant once again, blocking the water.

ANGLE - WHITE CONVERTIBLE

The car cautiously eases forward. Charlie doesn't trust Cee and Punchy at all.

CLOSE - CHARLIE

MAN
I'm warning you.

CLOSE - CEE AND PUNCHY

PUNCHY
C'mon.
CEE
Hurry up. We ain't got all day.

ANGLE - STREET

The people all move to the car, for they know what is about to happen.

ANGLE - HYDRANT

Cee and Punchy leap off the hydrant, unleashing a jet blast that flies directly into Charlie's car. The whole block is dying.

ANGLE - STREET

Charlie pulls his flooded car over to the curb, jumps out and runs to get hold of Cee and Punchy. Of course, he's slow, as both turn into track stars and make like Carl Lewis.

ANGLE - CHARLIE

Charlie, a wet mess, tries to buy some sympathy from the folks; none is to be bought.

CHARLIE
I'm fucking soaked. If I ever catch those fucks they'll be sorry. Cocksucking sonabitches!

The ranting continues, and people laugh at him.

CHARLIE (contd)
You people make me sick.

A cop car screeches to a halt in front of the man. Two officers, LONG and PONTE, get out.

CHARLIE (contd)
Officers, I want an arrest made. Now.
OFFICER PONTE
What happened?
CHARLIE
Two black kids soaked me and my car. It's fucking ruined.
OFFICER LONG
Where are they?
CHARLIE
Where are they? What kind of fucking asshole question is that? They ran the fuck away.
OFFICER PONTE
Do you wish to file a compalint?
CHARLIE
A complaint. I want those fucks locked under the jail.

Officer Long goes into his car and gets a wrench.

ANGLE - JOHNNY PUMP

Officer Long turns off the hydrant, then puts the cap back on.

OFFICER PONTE
This hydrant better not come back on or there's gonna be hell to pay.
CHARLIE
What about my car? I want justice.

Officer Long sides up to Da Mayor who's been looking on.

OFFICER LONG
You know anything about this?

Da Mayor is quiet.

CHARLIE
He knows. He's a witness. They all know. He saw the whole thing.

Officer Ponte goes to Da Mayor's other side.

OFFICER LONG
Who were the punks?
DA MAYOR
Those who'll tell don't know. Those who know won't tell.
OFFICER PONTE
A wise guy.

Mookie emerges from the crowd and leads Da Mayor away from the interrogation.

MOOKIE
Let's go, Mayor.
OFFICER LONG
Keep this hydrant off. You want to swim, go to Coney Island.
CHARLIE
He's leaving? What about me?
OFFICER PONTE
I suggest you get in your car quick, before these people start to strip it clean.

The man looks at the crowd of Blacks and Puerto Ricans around him and he considers what he just heard.

OFFICER LONG
Let's go break it up. Go back to your jobs.
OFFICER PONTE
What jobs?

Both cops laugh.

ANGLE - STREET

Charlie drives away, fuming.

35

EXT: ROOFTOP - DAY

source 32p.26

Cee and Punchy look down from a roof on all the havoc and confusion they've started. Both laugh.

36

INT: SAL'S FAMOUS PIZZERIA - DAY

source 33p.26

Mookie enters.

SAL
Mookie, what took you so long? I got a business to run.
MOOKIE
Run it then.
SAL
Here, this goes to the radio station.

He gives Mookie a bag full of food.

VITO
Pop, I'm gonna go with Mookie.
SAL
Good, make sure he don't jerk around.
PINO
Yeah, hurry back, it's getting crowded.
37

EXT: STREET - DAY

source 34p.27

Vito and Mookie walk down the block.

VITO
Mister Senor Love Daddy is cool.
MOOKIE
Ya like him, huh?
VITO
Yeah.
MOOKIE
Y'know, Vito, I know Pino is ya brother and shit, but the next time he hits ya, the next time he touches ya, you should "house him." Kick his ass.
VITO
I don't know.
MOOKIE
If you don't make a stand, he's gonna be beating ya like a egg for the rest of your life.
VITO
That's what you think?
MOOKIE
That's what I think.
VITO
I don't like to fight.
MOOKIE
Do it this one time and he'll never touch you again.
38

EXT: WE-LOVE RADIO - DAY

source 35p.28

Mookie and Vito wave at Mister Senor Love Daddy through the storefront window and he buzzes them in.

39

OMITTED

source 36p.28
40

INT: CONTROL BOOTH - DAY

source 37p.28

Mookie and Vito very quietly walk in, the man is on the air.

MISTER SENOR LOVE DADDY
Peoples, my stomach's been grumbling but help has arrived. My main man Mookie has saved the day, straight from Sal's Famous Pizzeria, down the block. Come up to mike, Mookie.

Mookie goes to the mike.

MISTER SENOR LOVE DADDY (contd)
C'mon, don't be shy. Mmm, smells good. This is ya Love Daddy talkin' to ya, starvin' like Marvin. Say something, Mookie.
MOOKIE
Mister Senor Love Daddy, I'd like to dedicate the next record to my heart, Tina.
MISTER SENOR LOVE DADDY
Alright. Let me play this record while I go to work on my chicken parmigiana hero with extra cheese and extra sauce.

He hits the cart machine ...

VO
I just looove you so much Mister Senor Love Daddy. WE-LOVE RADIO, 108 FM.
41

.. then cues up the record.

p.28
MISTER SENOR LOVE DADDY
Here ya are.
(he hands Mookie a twenty-dollar bill)
Keep the change.
MOOKIE
That's right on time. This is my friend -- Vito. His pops is Sal.
MISTER SENOR LOVE DADDY
Tell ya father he makes the best heroes in Brooklyn.
VITO
I'll do that.
MOOKIE
We're outta here.
MISTER SENOR LOVE DADDY
Thanks for stopping by. WE LOVE Radio, 108 FM.
42

EXT: STREET - DAY

source 38p.29

On a stoop, a group of Puerto Ricans sit talking, drinking "cervesa frio" and playing dominoes. One of their cars sits in front of the stoop from which salsa music blasts.

ANGLE - RADIO RAHEEM

As usual we hear the rap music of Radio Raheem, but underneath the salsa music. Radio Raheem does not like to be bested; the salsa music from the parked car is giving him competition, this is no good. Radio Raheem stands in front of the stoop and raises his decibel level.

ANGLE - STOOP

The Puerto Rican men look at him, then begin to yell at him in Spanish. There is a standoff, the rap and salsa clashing in a deafening roar. One of the men, STEVIE, gets off the stoop and goes to the car.

ANGLE - CAR

Steve turns the car radio off.

CLOSE - RADIO RAHEEM

Radio Raheem smiles, nods, turns his box to a reasonable listening level and bops down the block. Radio Raheem still the loudest. Radio Raheem still the king.

STEVIE
You got it, bro.

ANGLE - STOOP

The men curse in Spanish and shake their heads in bewilderment and Stevie turns the salsa back on.

43

EXT: STREET - DAY

source 39p.30

Vito and Mookie see Buggin' Out on their way back to Sal's.

MOOKIE
You the man.
BUGGIN' OUT
You the man.
MOOKIE
No, you the man.
BUGGIN' OUT
No. I'm just a struggling Black man trying to keep my dick hard in a cruel and harsh world.

Buggin' Out gives Mookie five and a menacing look at Vito.

MOOKIE
Vito is down.
44

EXT: STREET - DAY

source 40p.30

Buggin' Out is walking down the block when CLIFTON, a Yuppie, accidentally bumps into him, stepping on his new sneakers.

CLOSE - BUGGIN' OUT

He looks at his sneakers.

CLOSE - SNEAKERS

There is a big black smudge on his new white unlaced Air Jordans.

ANGLE - BUGGIN' OUT

He runs down the block after Clifton.

BUGGIN' OUT
Yo!

Clifton turns around.

BUGGIN' OUT (contd)
Yo!
CLIFTON
Yes.
BUGGIN' OUT
You almost knocked me down. The word is "excuse me."
CLIFTON
Excuse me. I'm very sorry.
BUGGIN' OUT
Not only did you knock me down, you stepped on my new white Air Jordans that I just bought and that's all you can say, "excuse me."

This commotion has attracted a crowd, including Ahmad, Cee, Punchy and Ella.

BUGGIN' OUT (contd)
I'll fuck you up quick two times.

HERE WE GO!

BUGGIN' OUT (contd)
Who told you to step on my sneakers? Who told you to walk on my side of the block? Who told you to be in my neighbor-hood?
CLIFTON
I own a brownstone on this block.
BUGGIN' OUT
Who told you to buy a brown-stone on my block, in my neighborhood on my side of the street?

The crowd likes that one and they laugh and egg him on.

BUGGIN' OUT (contd)
What do you want to live in a Black neighborhood for? Motherfuck Gentrification.
CLIFTON
I'm under the assumption that this is a free country and one can live where he pleases.
BUGGIN' OUT
A free country?

AWWW SHIT! Why did he get Buggin' started.

BUGGIN' OUT (contd)
I should fuck you up just for that stupid shit alone.

Buggin' Out looks down at his marred Air Jordans. The crowd, smelling blood, wants to see some.

AHMAD
Your Jordans are dogged.
CEE
You might as well throw 'em out.
PUNCHY
They looked good before he messed them up.
ELLA
You use to be so fine.
AHMAD
How much did you pay for them?
CEE
A hundred bucks.
AHMAD
A hundred bucks!
BUGGIN' OUT
You're lucky the Black man has a loving heart. Next time you see me coming, cross the street quick.
AHMAD
He's dissing you.
BUGGIN' OUT
Damn, my brand new Jordans. You should buy me another pair.
CLIFTON
I'm gonna leave now.
BUGGIN' OUT
If I wasn't a righteous Black man you'd be in serious trouble. SERIOUS.

The crowd gives their approval.

BUGGIN' OUT (contd)
Move back to Connecticut.
45

INT: SAL'S FAMOUS PIZZERIA - DAY

source 41p.33

Mookie and Vito enter the shop.

SAL
I should have Vito go with you all the time.
PINO
Yeah, no more 90-minute deliveries around the corner.
MOOKIE
Pino, I work hard like every-body in here.
VITO
He's right.
PINO
C'here.
(Pino smacks his brother)
Don't get too friendly with da Mook.
SAL
That's gonna be the last time you hit Vito.
MOOKIE
Smack him back.
PIANO
What?
MOOKIE
Remember what I said.

Vito stands frozen in front of his brother.

PINO
Are you gonna listen to this Mook? Listen to him tell you to smack me? Your only brother?

Vito walks away and Mookie is disgusted.

PINO (contd)
I didn't think so.
46

EXT: STREET - DAY

source 42p.34

Officers Ponte and Long drive down the block and at the corner they stop, glare at "The Corner Men."

CLOSE - OFFICER PONTE

CLOSE - SWEET DICK WILLIE

CLOSE - OFFICER LONG

CLOSE - COCONUT SID

ANGLE - POLICE CAR

OFFICER PONTE
What a waste.

ANGLE - CORNER

Sweet Dick, ML and Coconut Sid stare right back at the cops.

ANGLE - POLICE CAR

It drives off.

ANGLE - CORNER

COCONUT SID
As I was saying before we were so rudely interrupted by the finest.
ML
What was you saying?

Coconut Sid blanks.

SWEET DICK WILLIE
Motherfucker wasn't saying shit.
ML
Look at that.
COCONUT SID
Look at what?

ML points across the street to the Korean fruit and vegetable stand.

ML
It's a fucking shame.
SWEET DICK WILLIE
What is?
ML
Sweet Dick Willie.
SWEET DICK WILLIE
That's my name.
ML
Do I have to spell it out?
COCONUT SID
Make it plain.
ML
OK, but listen up. I'm gonna break it down.
SWEET DICK WILLIE
Let it be broke.
ML
Can ya dig it?
SWEET DICK WILLIE
It's dug.

CLOSE - ML

ML
Look at those Korean mother-fuckers across the street. I betcha they haven't been a year off da motherfucking boat before they opened up their own place.

CLOSE - COCONUT SID

COCONUT SID
It's been about a year.

CLOSE - ML

ML
A motherfucking year off the motherfucking boat and got a good business in our neighbor-hood occupying a building that had been boarded up for longer than I care to remember and I've been here a long time.

CLOSE - SWEET DICK WILLIE

SWEET DICK WILLIE
It has been a long time.

CLOSE - COCONUT SID

COCONUT SID
How long?

CLOSE - ML

ML
Too long! Too long. Now for the life of me, I haven't been able to figger this out. Either dem Koreans are geniuses or we Blacks are dumb.

This is truly a stupefying question and all three are silent. What is the answer?

COCONUT SID
It's gotta be cuz we're Black. No other explanation, nobody don't want the Black man to be about shit.
SWEET DICK WILLIE
Old excuse.
ML
I'll be one happy fool to see us have our own business right here. Yes, sir. I'd be the first in line to spend the little money I got.

Sweet Dick Willie gets up from his folding chair.

SWEET DICK WILLIE
It's Miller Time. Let me go give these Koreans s'more business.
ML
It's a motherfucking shame.
COCONUT SID
Ain't that a bitch.
47

EXT: STOOP - DAY

source 43p.36

Da Mayor sits on his stoop and a kid, EDDIE, runs by.

DA MAYOR
Sonny! Sonny!

Eddie stops.

DA MAYOR (contd)
Doctor, what's your name?
EDDIE
Eddie Lovell.
DA MAYOR
How old are you?
EDDIE
Ten.
DA MAYOR
What makes Sammy run?
EDDIE
My name is Eddie.
DA MAYOR
What makes Sammy run?
EDDIE
I said my name is Eddie Lovell.
DA MAYOR
Relax, Eddie, I want you to go to the corner store. How much will it cost me?
EDDIE
How would I know how much it's gonna cost if I don't know what I'm buying?
DA MAYOR
Eddie, you're too smart for your own britches. Listen to me. How much do you want to run to the store for Da Mayor?
EDDIE
Fifty cents.
DA MAYOR
You got a deal.

He gives Eddie some money.

DA MAYOR
Git me a quart of beer, Budweiser, say it's for your father, if they bother you.

Eddie runs down the block just as Ahmad, Cee, Punchy and Ella pass him.

AHMAD
Who told him he was Da Mayor of this block?
CEE
He's self appointed.
ELLA
Leave him alone.
PUNCHY
Shut up.
DA MAYOR
Go on now. Leave me be.
AHMAD
You walk up and down this block like you own it.
CEE
Da Mayor.
PUNCHY
You're old.
AHMAD
A old drunk bum.

Da Mayor stands up from his seat cushion on the stoop.

AHMAD (contd)
What do you have to say?
DA MAYOR
What do you know 'bout me? Y'all can't even pee straight. What do you know? Until you have stood in the doorway and heard the hunger of your five children unable to do a damn thing about it, you don't know shit. You don't know my pain, you don't know me. Don't call me a bum, don't call me a drunk, you don't know me, and it's disrespectful. I know your parents raised you better.

The teenagers look at Da Mayor.

ELLA
He told you off.

Da Mayor sits back down on his seat cushion on his stoop.

48

INT: SAL'S FAMOUS PIZZERIA - DAY

source 44p.39

ANGLE - PAY PHONE ON WALL

Mookie is on the phone.

MOOKIE
I know I haven't seen you in four days. I'm a working man.
TINA (VO)
I work too, but I still make time.
MOOKIE
Tina, what do you want me to do?
TINA (VO)
I want you to spend some time with me. I want you to try and make this relationship work. If not, I'd rather not be bothered.
MOOKIE
Alright. Alright. I'll be over there sometime today.
TINA (VO)
When?
MOOKIE
Before I get off work.
TINA (VO)
Bring some ice cream, I'm burning up ... Do you love me?
MOOKIE
Do I love you?

CLOSE - SAL

SAL
Mookie, get offa da phone.

CLOSE - MOOKIE

MOOKIE
Be off in a second. Tina, I dedicated a record on Mister Senor Love Daddy's show to you.
TINA (VO)
Big deal.

CLOSE - SAL

SAL
Mookie! How is anybody gonna call in?

CLOSE - MOOKIE

MOOKIE
Big deal? If that's not LOVE, I don't know what is.

CLOSE - PINO

PINO
You deaf or what?

CLOSE - MOOKIE

MOOKIE
Gotta go. See ya soon.
(he hangs up)
Everybody happy now?

The phone rings right away and Pino picks it up.

ANGLE - PINO

PINO
Sal's Famous Pizzeria, yeah, two large pizzas, pepperoni and anchovies, hold on ... See, Pop, Mookie fucking talking on the phone and people are trying to call in orders. He's making us lose business.

CLOSE - SAL

SAL
Mookie, you're fucking up.
PINO
Twenty minutes.
(he hangs up the phone)
How come you niggers are so stupid?

CLOSE - MOOKIE

MOOKIE
If ya see a nigger here, kick his ass.

CLOSE - PINO

PINO
Fuck you and stay off the phone.

CLOSE - VITO

VITO
Forget it, Mookie.

ANGLE - PIZZERIA

MOOKIE
Who's your favorite basketball player?
PINO
Magic Johnson.
MOOKIE
And not Larry Bird? Who's your favorite movie star?
PINO
Eddie Murphy.

Mookie is smiling now.

MOOKIE
Last question: Who's your favorite rock star?

Pino doesn't answer, because he sees the trap he's alreay fallen into.

MOOKIE (contd)
Barry Manilow?

Mookie and Vito laugh.

MOOKIE (contd)
Pino, no joke. C'mon, answer.
VITO
It's Prince. He's a Prince freak.
PINO
Shut up. The Boss! Bruuucce!!!!
MOOKIE
Sounds funny to me. As much as you say nigger this and nigger that, all your favorite people are "niggers."
PINO
It's different. Magic, Eddie, Prince are not niggers, I mean, are not Black. I mean, they're Black but not really Black. They're more than Black. It's different.

With each additional word Pino is hanging himself even further.

MOOKIE
Pino, I think secretly that you wish you were Black. That's what I think. Vito, what do you say?
PINO
Y'know, I've been listening and reading 'bout Farakhan, ya didn't know that, did you?
MOOKIE
I didn't know you could read.
PINO
Fuck you. Anyway, Minister Farakhan always talks about the "so-called day" when the Black man will rise. "We will one day rule the earth as we did in our glorious past." You really believe that shit?
MOOKIE
It's evita-ble.
PINO
Keep dreaming.
MOOKIE
Fuck you, fuck pizza, and fuck Frank Sinatra, too.
PINO
Well, fuck you too and fuck Michael Jackson.
CUT TO:

RACIAL SLUR MONTAGE

The following will be a QUICK-CUTTING MONTAGE of racist slurs, with different ethnic groups pointing the finger at each other. Each person looks directly INTO THE CAMERA.

49

CLOSE - MOOKIE

source 45p.43
MOOKIE
Dago, wop, garlic-breath, guinea pizza-slinging, spaghetti-bending, Vic Damone, Perry Como, Luciano Pavarotti, Sole Mio non-singing motherfucker.
CUT TO:
50

CLOSE - PINO

source 46p.43
PINO
You gold-teeth, gold-chain-wearing, fried-chicken-and-biscuit-eatin' monkey, ape, baboon, big thigh, fast-running, high-jumping, spear-chucking, three hundred sixty degree basketball dunking spade moulan yan.
CUT TO:
51

CLOSE - STEVIE

source 47p.43
STEVIE
You slant-eyed, me-no-speak American, own every fruit and vegetable stand in New York, Reverend Moon, Summer Olympics '88, Korean kick-boxing bastard.
CUT TO:
52

CLOSE - OFFICER LONG

source 48p.44
OFFICER LONG
Goya bean eating, fifteen in a car, thirty in an apartment, pointed shoes, red-wearing, Menudo, meda meda Puerto Rican cocksucker.
CUT TO:
53

CLOSE - KOREAN CLERK

source 49p.44
KOREAN CLERK
It's cheap, I got a good price for you, Mayor Koch, "How I'm doing," chocolate egg-cream-drinking, bagel and lox B'Nai B'rith asshole.
CUT TO:
54

INT: WE-LOVE RADIO STATION CONTROL ROOM - DAY

source 50p.44

CLOSE - MISTER SENOR LOVE DADDY

MISTER SENOR LOVE DADDY
Yo! Hold up! Time out! Time out! Y'all take a chill. Ya need to cool that shit out ... and that's the truth Ruth.
CUT TO:
55

CLOSE - WHITE HOT SUN

source Xp.44
56

INT: SAL'S FAMOUS PIZZERIA - DAY

source 51p.44

Mookie picks up his two pizza pies for delivery.

MOOKIE
Sal, can you do me a favor?
SAL
Depends.
MOOKIE
Can you pay me now?
SAL
Can't do.
MOOKIE
Sal, just this once, do me that solid.
SAL
You know you don't get paid till we close tonight. We're still open.
MOOKIE
I would like to get paid now.
SAL
Tonight, when we close.

Mookie leaves.

57

EXT: STREET - DAY

source 52p.45

Mookie walks down the block. The streets are filled with kids playing. WE SEE stoop ball, double dutch, hand games, bike riding, skateboarding, etc.

ANGLE - MOOKIE

Radio Raheem approaches Mookie.

MOOKIE
Whaddup. Money?
RADIO RAHEEM
I was going to buy a slice.
MOOKIE
I'll be back after I make this delivery.
RADIO RAHEEM
On the rebound.

Mookie stares at the gold "brass knuckles" rings Radio Raheem wears on each hand. Spelled out across the rings are the words "LOVE" and the right hand and "HATE" on the left hand.

MOOKIE
That's the dope.
RADIO RAHEEM
I just copped them. Let me tell you the story of Right-Hand-Left-Hand -- the tale of Good and Evil.
MOOKIE
I'm listening.
RADIO RAHEEM
HATE!

He thrusts up his left hand.

RADIO RAHEEM
It was with this hand that Brother Cain iced his brother. LOVE!

He thrusts up his right hand.

RADIO RAHEEM
See these fingers, they lead straight to the soul of man. The right hand. The hand of LOVE!

Mookie is buggin'.

RADIO RAHEEM
The story of Life is this ...

He locks his fingers and writhes, cracking the joints.

RADIO RAHEEM (contd)
STATIC! One hand is always fighting the other. Left Hand Hate is kicking much ass and it looks like Right Hand Love is finished. Hold up. Stop the presses! Love is coming back, yes, it's Love. Love has won. Left Hand Hate KO'ed by Love.

Mookie doesn't know what to say, so he doesn't say anything.

RADIO RAHEEM (contd)
Brother Mookie, if I love you I love you but if I hate you ...
MOOKIE
I understand.
RADIO RAHEEM
I love you, my brother.
MOOKIE
I love you black.
58

INT: SAL'S PIZZERIA - DAY

source 53p.46

Radio Raheem enters Sal's with music blaring.

RADIO RAHEEM
Two slices.
SAL
No service till you turn dat shit off.
RADIO RAHEEM
Two slices.
PINO
Turn it off.
SAL
Mister Radio Raheem, I can't even hear myself think. You are disturbing me and you are disturbing my customers.

Sal grabs his Mickey Mantle bat from underneath the counter. Everyone, Sal, Vito, Pino, Radio Raheem and the customers are poised for something to jump off, STATIC.

CLOSE - RADIO RAHEEM

He smiles and turns off the beat.

RADIO RAHEEM
Two slices, extra cheese.

CLOSE - SAL

Sal puts Mickey Mantle back into its place.

SAL
When you come in Sal's Famous Pizzeria, no music. No rap, no music. Capice? Understand? ... This is a place of business. Extra cheese is two dollars.
59

INT: TENEMENT HALLWAY - DAY

source 54p.47

Mookie hands the pizzas over and takes the money and counts it.

MOOKIE
Thanks.
60

EXT: STREET - DAY

source 55p.47

Mookie walks, says hello to the people he knows.

61

EXT: STOOP - DAY

source 56p.47

Mookie runs up stoop.

62

INT: MOOKIE'S APARTMENT - DAY

source 57p.48

We hear a key in the door, the lock turns and Mookie enters.

MOOKIE
Jade.
JADE (OS)
I'm in here.
63

INT: JADE'S BEDROOM - DAY

source 58p.48

Jade sits in a chair directly in front of an air conditioner going full blast.

JADE
How come you're not at Sal's.
MOOKIE
I'm working.
JADE
Is this another one of your patented two-hour lunches?
MOOKIE
I just come home to take a quick shower.
JADE
Sal's gonna be mad.
MOOKIE
Later for Sal. Y'know, sometimes I think you're more concerned with him than me.
JADE
I think no such a thing. Sal pays you, you should work.
MOOKIE
Slavery days are over. My name ain't Kunte Kinte. Sis, I don't want to argue, stop pressing me.
JADE
I just don't want you to lose the one job you've been able to keep, that's all. I'm carrying you as it is.
MOOKIE
Don't worry 'bout me. I always get paid.
JADE
Yeah, then ya should take better care of your responsibilities.
MOOKIE
What responsibilities?
JADE
I didn't stutter. Take care of your responsibilities. Y'know exactly what I'm talking about.
64

INT: SHOWER - DAY

source 59p.49

Mookie turns on the shower and screams; the water is ice cold.

65

EXT: MOTHER SISTER'S STOOP - DAY

source 60p.49

Mother Sister sits in her window looking out at the block.

66

EXT: DA MAYOR'S STOOP - DAY

source 61p.49

Da Mayor has fallen asleep sitting on his stoop. His hands loosely hold a brown paper bag that is tightly twisted around a beer can.

67

EXT: CORNER - DAY

source 62p.49

Sweet Dick, ML and Coconut Sid each hold an umbrella for protection from the hot and harsh rays.

68

EXT: FIRE ESCAPE - DAY

source 63p.49

Ahmad, Punchy, Cee and Ella sit on a fire escape, trying to keep still, trying to find a cool spot in the shade. No one says a word.

69

INT: SAL'S FAMOUS PIZZERIA - DAY

source 64p.49

Sal takes a seat at one of the tables.

SAL
I'm beat.

Pino sits down next to his father.

PINO
Pop, I think we should sell this place, get outta here while we're still ahead ... and alive.
SAL
Since when did you know what's best for us?
PINO
Couldn't we sell this and open up a new one in our own neigh-borhood?
SAL
Too many pizzerias already there.
PINO
Then we could try something else.
SAL
We don't know nuthin' else.
PINO
I'm sick of niggers, it's a bad neighborhood. I don't like being around them, they're animals.
VITO
Some are OK.
PINO
My friends laugh at me all the time, laugh right in my face, tell me go feed the Moulies.
SAL
Do your friends put money in your pocket? Pay your rent? Food on ya plate?

Pino is quiet.

SAL (contd)
I didn't think so.
PINO
Pop, what else can I say? I don't wanna be here, they don't want us here. We should stay in our own neighborhood, stay in Bensonhurst.
SAL
So what if this is a Black neighborhood, so what if we're a minority. I've never had no trouble with dese people, don't want none either, so don't start none. This is America. Sal's Famous Pizzeria is here for good. You think you know it all, well, you don't. I'm your father, you better remember that.
70

INT: BATHROOM - DAY

source 65p.51

Mookie pulls the shower curtain back and steps out.

71

INT: MOOKIE'S ROOM - DAY

source 66p.51

Mookie sits on his bed, still wet.

ANGLE - JADE

JADE
Hurry up and get dressed.
MOOKIE
I'm coming.
JADE
I'm going with you.
72

EXT: WE-LOVE RADIO - DAY

source 67p.51

Buggin' Out waves at Mister Senor Love Daddy as he walks by the storefront.

73

INT: SAL'S FAMOUS PIZZERIA - DAY

source 68p.51

Buggin' Out sticks his head in and yells:

BUGGIN' OUT
Sal, we're gonna boycott ya fat ass.

Before Sal and his two sons can answer, Buggin' Out is gone.

74

EXT: STREET - DAY

source 69p.51

Buggin' Out has one foot up on a fire hydrant and tries to clean his soiled Air Jordan.

ANGLE - JADE AND MOOKIE

Jade and Mookie walk up to Buggin' Out.

BUGGIN' OUT
It's so nice to see a family hanging out together.
MOOKIE
We're not hanging out. I'm being escorted back to work.
JADE
That's not even true. I just want a slice.
BUGGIN' OUT
Jade, you don't know this, but I'm organizing a boycott of Sal's Famous Pizzeria.
JADE
What did he do this time?
BUGGIN' OUT
Y'know all those pictures he has hanging on the Wall of Fame.
JADE
So!
BUGGIN' OUT
Have you noticed something about them?
JADE
No.
MOOKIE
(interjects)
Yo, I'm gone.
JADE
I'll see ya there.
BUGGIN' OUT
Peace.

Mookie leaves.

BUGGIN' OUT (contd)
Every single one of those pictures is somebody Italian.
JADE
And?
BUGGIN' OUT
And I, we want some Black people up.
JADE
Did you ask Sal?
BUGGIN' OUT
Yeah, I asked him. I don't want nobody in there, nobody spending good money in Sal's. He should get no no' money from the community till he puts some Black faces up on that mother-fucking wall.

Jade looks at Buggin' Out like "are you serious?"

JADE
Buggin' Out, I don't mean to be disrespectful, but you can really direct your energies in a more useful way.
BUGGIN' OUT
So, in other words, you are not down.
JADE
I'm down, but for a worthwhile cause.
BUGGIN' OUT
Jade, I still love you.
JADE
I still love you too.
75

INT: SAL'S FAMOUS PIZZERIA - DAY

p.53
SAL
Mookie, you are pushing it. You're really pushing it. I'm not paying you good money to fucking jerk me around.

Mookie has nothing to say.

SAL (contd)
You're gonna be in the street with the rest of your homeboys.
PINO
'Bout time, Pop.

ANGLE - DOOR

Jade enters, and Sal looks up. He stops blasting Mookie and a very noticeable change comes over him.

SAL
Jade, we've been wondering when ya would pay us a visit.
JADE
Hi, Sal, Pino, Vito.
VITO
What's happening, Jade?
JADE
Nuthin' really. How are you treating my brother?
SAL
The Mook? Great. Mookie's a good kid.
PINO
Pop, stop lying.
SAL
Shaddup! Jade, what can I fix you?
JADE
What's good?
SAL
Everything, but for you I'm gonna make up something special. Take a seat. There, that's a clean table.

Sal moves behind the counter and goes to work. Pino and Mookie look at each other in agreement, neither likes what he has seen. This happens to Sal every time Jade is in Sal's Famous Pizzeria.

ANGLE - TABLE

Vito sits down with Jade.

JADE
You still letting Pino push you around?
VITO
Who told you that? He doesn't push me, who told you, Mookie tell you that? I hold my own.
JADE
Forget about it, Vito. Forget I even brought it up.
VITO
Pino picks on me, but I don't let him push me around. Mookie tell you that?
JADE
Alright already.
76

EXT: ROOFTOP - DUSK

source 71p.55

The once white-hot sun is now turning into a golden orange glaze as it begins to set. Ahmad, Cee, Punchy and Ella dance on the roof around a box that is tuned into WE-LOVE. Each one is trying to come up with some new moves, a new dance and a name for it.

77

EXT: STREET - DUS,

source 72p.55

Radio Raheem is walking down the block and there is something wrong, something is not quite right. AHA! His music is not loud, the rap song begins to drag and finally stops all together.

CLOSE - RADIO RAHEEM

He looks at his box and presses the battery level indicator.

CLOSE - BATTERY LEVEL INDICATOR

The needle doesn't move. His batteries have had it.

78

INT: FRUIT-N-VEG DELIGHT - DUSK

source 73p.55

CLOSE - RADIO RAHEEM

RADIO RAHEEM
Twenty "D" Duracells.

CLOSE - KOREAN CLERK

KOREAN CLERK
Twenty "C" Duracells.

CLOSE - RADIO RAHEEM

RADIO RAHEEM
D, not C.

CLOSE - KOREAN CLERK

KOREAN CLERK
C Duracell.

CLOSE - RADIO RAHEEM

RADIO RAHEEM
D! D! D! You dumb motherfucker. Learn how to speak English first. D.

Radio Raheem points to the D batteries behind the counter.

CLOSE - KOREAN CLERK

KOREAN CLERK
How many you say?

CLOSE - RADIO RAHEEM

RADIO RAHEEM
Twenty! Motherfucker! Twenty!

CLOSE - KOREAN CLERK

KOREAN CLERK
Motherfucker you.

Radio Raheem has to laugh at that one.

RADIO RAHEEM
Motherfucker you. You're alright. You're alright. Just gimme my twenty Duracells, please.
79

EXT: FRUIT-N-VEG DELIGHT - DUSK

source 74p.56

Da Mayor is looking at a bunch of cut flowers when Radio Raheem comes out with batteries in hand, finally.

80

EXT: MOTHER SISTER'S STOOP - DUSK

source 75p.56

ANGLE - WINDOW

Mother Sister is sitting in her window as usual.

ANGLE - STOOP

Da Mayor walks up the stoop with a bunch of fresh-cut flowers in a discarded wine bottle for a vase.

ANGLE - DA MAYOR

Da Mayor holds them out for Mother Sister, who does not acknowledge him at all.

DA MAYOR
I'd thought you might like these ... I guess not.

Da Mayor takes a seat on the stoop and puts the flowers to his face.

DA MAYOR (contd)
Ain't nuthin' like the smell of fresh flowers. Don't you agree, Miss Mother Sister?

Mother Sister does not answer. He puts the flowers down.

DA MAYOR (contd)
Summertime, all ya can smell is the garbage. Stink overpowers everything, especially soft sweet smells like flowers.

He looks up at Mother Sister who immediately turns away.

DA MAYOR (contd)
If you don't mind, I'm gonna set right here, catch a breeze or two, then be on my way.

Da Mayor looks up at the setting sun.

DA MAYOR (contd)
Thank the Lord, the sun is going down, it's hot as blazes. Yes Jesus.
81

CLOSE - SUN

source Xp.57

The sun is an orange and purple glaze.

82

EXT: STREET - DUSK

source 76p.57

Radio Raheem is back in action. He's alive, he's bad and he got his twenty "D" Duracell batteries, his box is kicking.

ANGLE - CORNER

Radio Raheem bops by Coconut Sid, ML and Sweet Dick Willie.

CLOSE - COCONUT SID, ML and SWEET DICK WILLIE

All three shake their heads in bewilderment as Radio Raheem goes by.

ML
What can you say?
COCONUT SID
I don't know how he does it.

Sweet Dick Willie gets up from his chair and goes to the corner, zips down his pants and urinates.

SWEET DICK WILLIE
ML?
ML
What?
SWEET DICK WILLIE
ML, hold this for me.

Sweet Dick Willie and Coconut Sid laugh.

ML
That's OK. At least my moms didn't name me Sweet Dick Willie.

Sweet Dick Willie zips up his pants and returns to his seat.

SWEET DICK WILLIE
Why you gotta talk 'bout my moms?
ML
Nobody talkin' 'bout ya moms.
SWEET DICK WILLIE
I didn't say nobody, I said you.
ML
Sweet Dick, I didn't mean it like that.
SWEET DICK WILLIE
Yes you did.
COCONUT SID
Squash it.
ML
I just wanted to know who named ya Sweet Dick Willie?
SWEET DICK WILLIE
It's just a name.
COCONUT SID
And what does ML stand for?
ML
ML stands for ML. That's it.
SWEET DICK WILLIE
Naw, that's some stupid shit. Now you know how I got that name.
ML
Negroes kill me, always holdin' onto, talkin' 'bout their dicks.
COCONUT SID
I don't know 'bout you, but it's too hot to fuck.
SWEET DICK WILLIE
Never too hot, never too cold for fucking.
83

EXT: STREET - DUSK

source 77p.59

An old Puerto Rican man rings a bell as he pushes his cart on wheels. On the side of it is hand-lettered, HELADO DE COCO, and a big block of ice rests on top surrounded by different colored bottles of flavors.

ANGLE - CART

A group of kids eagerly wait for the ices. The man scrapes the block of ice, puts the shavings in a paper cup and drowns it with syrup.

ANGLE - DA MAYOR

Da Mayor is walking down the street.

ANGLE - MISTER SOFTEE TRUCK

We hear the familiar tune from the Mister Softee truck as it comes down the street.

ANGLE - EDDIE LOVELL

Eddie, the young kid who earlier ran an errand for Da Mayor, looks up from the sidewalk where he's playing and runs out into the street in pursuit of Mister Softee.

EDDIE
Ice cream. Ice cream.

Eddie is running in pursuit of the truck, unaware of the oncoming speeding car in the opposite direction.

ANGLE - DA MAYOR

Da Mayor sees the speeding car bearing down on Eddie.

ANGLE - STREET

Da Mayor runs across the street and knocks Eddie down, out of the way of the car. Both are thrown, just being hit by the reckless driver.

CLOSE - EDDIE AND DA MAYOR

Eddie is crying as Da Mayor picks him up.

DA MAYOR
Doctor, you know better to run out in the street ... Stop crying, son.

ANGLE - STREET

A crowd gathers.

DA MAYOR
Doctor, there's nothing to cry about. You're OK.

A woman in her twenties, LOUISE, Eddie's mother, breaks through the crowd and hugs her baby.

LOUISE
What's wrong?
EDDIE
Mayor knocked me down.
LOUISE
You should be ashamed of your-self.
DA MAYOR
Ma'am, the boy is just scared to death. What actually happened is that I was minding my business when I saw your son about to be run over. I ran into the street to save him and I had to knock him down to keep the both of us from getting hit.

The crowd agrees "that's the way it happened," and Louise stands up.

LOUISE
Eddie, is that the truth?

Eddie is quiet.

LOUISE (contd)
Eddie, you hear me talkin' to you?

Eddie is still mum.

LOUISE (contd)
I'm talkin' to you, boy.
DA MAYOR
Miss, the boy is fine.

WHAP! Louise hits him on da butt. Eddie starts to dance as his mother hits hard; she's heavy-handed.

LOUISE
What did I tell you 'bout lying?

WHOP!

LOUISE (contd)
What did I tell you 'bout playing in the street?

WHAP!

EDDIE
Mommy! Mommy! I'm sorry. I'm sorry.

WHOP!

LOUISE
Get upstairs now.

Eddie runs away.

LOUISE (contd)
And when your father comes home, he's gonna wear ya little narrow behind out too.
DA MAYOR
You didn't have to hit your son, he's scared to death as it was.
LOUISE
I appreciate ya helping my Eddie. I truly do, but I'll have nobody
LOUISE (contd)
question how I raise him, not even his Daddy.
DA MAYOR
You're right.

Louise goes away, probably to give her son another "whooping." Da Mayor tips his hat to her.

84

INT: SAL'S FAMOUS PIZZERIA - DUSK

source 78p.62

Sal sits at a table talking to Jade as she finishes her "special" slice.

JADE
Sal, that was delicious.
SAL
Anytime.

Vito, Pino and Mookie look on, watching Sal have the time of his life.

JADE
Thanks.

Jade gets up and Mookie helps her.

MOOKIE
I'll see you out.
JADE
See ya around.
SAL
Don't wait too long to come back.
85

EXT: SAL'S FAMOUS PIZZERIA - DUSK

source 79p.62

Mookie takes Jade by the hand and pulls her out of view from Sal.

ANGLE - MOOKIE AND JADE

MOOKIE
Jade, I don't want you coming in here no mo'.
JADE
Stop tripping.
MOOKIE
No, you're tripping. Don't come in Sal's. Alright, read my lips.
JADE
What are you so worked up about?
MOOKIE
Over Sal, the way he talks and the way he looks at you.
JADE
He's just being nice.
MOOKIE
Nice!
JADE
He's completely innocent.
MOOKIE
Innocent!
JADE
I didn't stutter. You heard me.
MOOKIE
You should see the way he looks at you. All Sal wants to do is hide da salami.
JADE
You are too crude.
MOOKIE
I might be, but you're not welcome here.
JADE
Stop trying to play big brother. I'm a grown woman. You gotta lotta nerve. Mookie, you can hardly pay your rent and you're gonna tell me what to do. Come off it.
MOOKIE
One has nuthin' to do with the other.
JADE
Oh, it doesn't, huh! You got your little 250 dollars a week plus tips ...
MOOKIE
I'm getting paid ...
JADE
... peanuts.
MOOKIE
Pretty soon I'll be making a move.
JADE
I truly hope so. I'm tired of supporting a grown man.
86

INT: CONTROL BOOTH - DUSK

source 80p.64

CLOSE - MISTER SENOR LOVE DADDY

MISTER SENOR LOVE DADDY
As the evening slowly falls upon us living here in Brooklyn, New York, this is ya Love Daddy rappin' to you. Right now we're gonna open up the Love Lines. Hello, you're on Love Daddy's Love Line. No names, please. Let's keep it anonymous.
FEMALE VOICE #1 (VO)
Hi, Mister Senor Love Daddy. I'd kiss your feet every morning, that's how much I love you.
MISTER SENOR LOVE DADDY
How nice of you.
FEMALE VOICE #2 (VO)
I think you have the sexiest voice in the world. All you have to do is talk.
MISTER SENOR LOVE DADDY
Love Line, you're on.
FEMALE VOICE #3 (VO)
You give me fever.
(she moans)
MISTER SENOR LOVE DADDY
She's feeling it.
FEMALE VOICE #4 (VO)
Love Daddy, I'd work in Mickey D's 24, 7 and 365 just to call you my own. Give you all my money, honey.
MISTER SENOR LOVE DADDY
That was the last call for tonight on Mister Senor Love Daddy's Love Line. I love you. You I love.
87

EXT: MOTHER SISTER'S STOOP - NIGHT

source 81p.65

Da Mayor is walking by Mother Sister in her window when she calls him.

CLOSE - MOTHER SISTER

MOTHER SISTER
Mister Mayor, I saw what you did.

ANGLE - DA MAYOR

Da Mayor stops and looks at her. A smile comes to his face; after eighteen years has he finally broken down her defenses?

CLOSE - MOTHER SISTER

MOTHER SISTER
That was a foolish act, but it was brave. That chile owes you his life.

CLOSE - DA MAYOR

DA MAYOR
I wasn't trying to be a hero. I saw what was about to happen and I reacted, didn't even think. If I did, I might not have done it in second thought. Da Mayor is an old man, haven't run that fast in years. I went from first to home on a bunt single, scored the winning run, the bottom of the ninth, two out, August 1, 1939, Snow Hill, Alabama.
(he is warming up now)
Maybe I should be heroic more often.

CLOSE - MOTHER SISTER

MOTHER SISTER
Maybe you shouldn't. Don't get happy. This changes nothing
MOTHER SISTER (contd)
between you and me. You did a good thing and Mother Sister wanted to thank you for it.

ANGLE - STOOP

DA MAYOR
I thank you.
MOTHER SISTER
You're welcome.

Da Mayor tips his hat.

88

INT: SAL'S FAMOUS PIZZERIA - NIGHT

source 82p.66

Mookie enters.

MOOKIE
Sal, I don't care if you fire me this exact minute, leave my sister alone.
SAL
Mookie, I don't know what you're talking about, plus I don't want to hear it.
MOOKIE
Sal, just do me a favor, leave Jade alone.
SAL
Here, you gotta delivery.

Mookie takes the pie and looks at the address.

MOOKIE
Is this the right name and address?
SAL
Yeah, do you know 'em?
MOOKIE
No, just checking.
89

INT: HALLWAY - NIGHT

source 83p.66

Mookie rings the bell and a "fine" Puerto Rican sister answers the door.

MOOKIE
Delivery from Sal's Famous Pizzeria.
TINA
What took you so long? Is it hot?
MOOKIE
Hot. Hot.
TINA
Come in then.
90

INT: TINA'S APARTMENT - NIGHT

source 84p.67

Tina watches Mookie watch her. When she's through watch- ing, she takes the pizza from his hands and puts it on the floor. Mookie grabs her and starts to kiss. Tina is Mookie's woman, the one he's been on the phone with earlier. We've heard the voice and now SEE the person.

MOOKIE
Tina, you are too slick.
TINA
How else was I going to get you here. I haven't seen you in a week.
MOOKIE
I've been working hard, getting paid.
TINA
Where's the ice cream? The Haagen-Dazs butter pecan?
MOOKIE
Shit! I forgot.
TINA
Your memory is really getting bad.
MOOKIE
I just forgot.
TINA
And I really wanted some ice cream too.
MOOKIE
I can run out and get it.
TINA
No! No! You won't come back either.
MOOKIE
I can't be staying long anyway.
TINA
How long then?
MOOKIE
Long enough for us to do the nasty.
TINA
That's out. No! It's too hot! You think I'm gonna let you get some, put on your clothes, then run outta here and never see you again in who knows when?
MOOKIE
A quickie is good every once in a blue moon.
TINA
You a blue-moon fool.
MOOKIE
Then we'll do something else.
TINA
What else?
MOOKIE
Trust me.
TINA
Trust you? Because of trusting you we have a son. Remember your son?
MOOKIE
Trust me.

Mookie pushes Tina back into her bedroom.

91

INT: TINA'S BEDROOM - NIGHT

source 85p.68

Mookie sits Tina down on her futon bed, turns off the lights and turns on WE-LOVE RADIO as Mister Senor Love Daddy serenades them with slow jams.

MOOKIE
I'm gonna take off ya clothes.
TINA
Mookie, I told you already it's too fucking hot to make love.
MOOKIE
Why you gotta curse?
TINA
I'm sorry, but no rawness is jumping off tonight.
MOOKIE
No rawness.

He laughs his sinister laugh.

ANGLE - MOOKIE AND TINA

Mookie unsnaps her bra, then pulls her panties off. Tina is naked as a jaybird.

MOOKIE
Tina, you're sweating.
TINA
Of course I'm sweating. I'm burning up. It's hot, horon, only a hundred degrees in here.
MOOKIE
Lie down, please.

He gets up.

92

INT: TINA'S KITCHEN

source 86p.69

Mookie walks into the kitchen and sees CARMEN, Tina's grandmother, fixing some food on the stove.

MOOKIE
Hello, Mrs. Rampolla.

Carmen stares at him, it's a look that would definitely stop traffic, she mutters some Spanish and goes into her bedroom, slamming the door behind her.

ANGLE - MOOKIE

He opens the refrigerator and takes out all the trays of ice.

93

INT: TINA'S BEDROOM - NIGHT

source 87p.70

Mookie sits down on the bed with a bowl filled with ice cubes.

CLOSE - TINA'S FOREHEAD

Mookie rubs an ice cube on her forehead.

TINA
It's cold.
MOOKIE
It's 'pose to be cold.
TINA
Later for you.
MOOKIE
Meda. Meda.
TINA
What?
MOOKIE
Tina, you don't have a forehead, you got a eight head.

CLOSE - TINA'S NECK

Mookie rubs an ice cube on her neck.

CLOSE - TINA'S LIPS

Mookie rubs an ice cube on her full moist lips, then puts it in her mouth.

MISTER SENOR LOVE DADDY (VO)
Yes, children, this is the Cool Out Corner. We're slowing it down for all the lovers in the house. I'll be giving you all the help you need, musically, that is.

CLOSE - TINA'S THIGHS

He rubs an ice cube up and down her thighs.

MOOKIE (VO)
Thank God for thighs.

CLOSE - TINA'S BUTTOCKS

He rubs an ice cube on her round, firm buttocks.

MOOKIE (VO)
Thank God for buttocks.

CLOSE - TINA'S BREAST

He rubs an ice cube on her breast.

MOOKIE (VO)
Thank God for the right nipple ... Thank God for the left nipple ...

Both Tina and Mookie are dying. Mookie now has an ice cube on the left and right nipples and WE SEE before our very own eyes both get swollen, red and erect.

TINA (VO)
Feels good.
MOOKIE (VO)
Yes, yes, Lord. Isn't this better than Haagen-Dazs butter pecan ice cream.

CLOSE - TINA'S MOUTH

Mookie kisses her.

MOOKIE
I'll be back tonight.
94

INT: SAL'S FAMOUS PIZZERIA - NIGHT

source 88p.71

Officers Ponte and Long are awaiting their orders.

SAL
It's almost ready.
OFFICER LONG
What time you closing tonight?
SAL
Ten.

Sal goes over to the oven, takes out their food and wraps it up.

SAL (contd)
Here you go.
OFFICER PONTE
What do we owe you?
SAL
Nine-fifty.
OFFICER PONTE
Here.
SAL
Thanks. Enjoy.
OFFICER LONG
Vito, Pino, see ya later.

The officers leave just as Mookie enters.

MOOKIE
Sal, if you want me to deliver any faster, get me a jet rocket or something, cuz I can't run with pizzas, all the cheese ends up on one side and shit.
SAL
I didn't say nuthin'. You must have a guilty conscience. What are you guilty of?
MOOKIE
I'm not guilty of nuthin'.
SAL
You must be guilty of something or you would have never come in saying the things you said.
MOOKIE
C'mon, Sal.
SAL
Where we goin'?

While Sal laughs at his corny joke, Pino pulls Vito into the back.

95

INT: STOREROOM - NIGHT

source 89p.72
PINO
Vito, I want you to listen to me. I'm your brother. I may smack you around once in awhile, boss you around, but I'm still your brother.
VITO
I know this.
PINO
I love you.
VITO
I'm listening.
PINO
Good. I want you to listen.
VITO
Jesus Christ on the cross, I said I'm listening.
PINO
Good. Vito, you trust that Mook too much. So does Pop.
VITO
Mookie's OK.
PINO
You listening to me?
VITO
Stop busting my balls. I said I'm listening ten fucking times already.
PINO
Mookie is not to be trusted. No moulan yan can be trusted. The first time you turn your back, boom, a knife right here.
(Pino gestures)
In the back.
VITO
How do you know this?
PINO
I know.
VITO
You really think so?
PINC
I know so. He, them, they're not to be trusted.
VITO
So what do you want me to do?
PINO
Be on guard. Mookie has Pop conned already, so we have to look out for him.
VITO
I like Mookie a lot.
PINO
And that's exactly what I'm talkin' 'bout.
SAL (OS)
Vito! Pino! Let's go.
PINO
Be right there, Pop. Listen to what I said.
VITO
You don't listen to me, never have. Just run your big fucking mouth always playing big brother. You don't listen, but Mookie does.
96

HOT CITY NIGHT MONTAGE

source 90p.74

THE BLOCK. WE'VE SEEN it at daytime, but now WE SEE it at night. Even though the white-hot sun is gone, none- theless the heat is still stifling. And in a peculiar, funny sort of way, it's worse. You expect it to be hot during the light of day when the sun is beating down on the cement and tar, but at night it should be considerably cooler; well, not tonight, it's hot. All the residents of The Block: The Corner Men, Mother Sister, Da Mayor, Jade, etc., all the people WE'VE SEEN throughout the day are now coping with the nighttime heat, plus it's humid as shit. Everyone is outside, sitting on stoops, on cars and you know the kids are playing, running up and down the block. Now it's the hottest night of the year.

97

EXT: STREET - NIGHT

source 91p.74

Buggin' Out sits down on a car next to Radio Raheem; as usual, his box is blasting.

BUGGIN' OUT
How you be?
RADIO RAHEEM
I be. I'm living large.
BUGGIN' OUT
Is that the only tape you got?
RADIO RAHEEM
You don't like Public Enemy. It's the dope shit.
BUGGIN' OUT
I like 'em, but you don't play anything else.
RADIO RAHEEM
I don't like anything else.
BUGGIN' OUT
Check this out. Y'know Sal's.
RADIO RAHEEM
Yeah, I know dat motherfucker.
BUGGIN' OUT
I'm trying to organize a boycott of Sal's pizza joint. Ya see what I'm saying?
RADIO RAHEEM
I almost had to yoke him this afternoon. Tell me, tell me, Radio Raheem to turn my music down. Didn't even say please. Who the fuck he think he is? Don Corleone and shit.
BUGGIN' OUT
He makes all his money off us Black people and I don't see nuthin' but Italians all up in there, Sylvester Stallone and motherfuckers. Ya see what I'm saying, homeboy?
RADIO RAHEEM
Talk to me.
BUGGIN' OUT
We shouldn't buy a single slice, spend a single penny in that motherfucker till some people of color are put up in there.
RADIO RAHEEM
That's what I'm talkin' 'bout. That's what I'm talkin' 'bout.
BUGGIN' OUT
You got my back.
RADIO RAHEEM
Ya back is got.
BUGGIN' OUT
My brother.
RADIO RAHEEM
My brother.
98

INT: SAL'S PIZZERIA - NIGHT

source 92p.76

Vito, Pino and Mookie are cleaning up.

MOOKIE
Sal, it's almost quitting time so please start counting my pay. I gotta get paid.

Sal is looking into the cash register.

SAL
We did good business today. We got a good thing going. Nothing like a family in business working together. One day the both of you will take over ... and Mookie, there will always be a place for you at Sal's Famous Pizzeria. Y'know, it should be Sal's and Sons Famous Pizzeria.

ANGLE - VITO, PINO AND MOOKIE

All three look at each other. The horror is on their faces, with the prospect of working, slaving in Sal's and Sons Famous Pizzeria, trapped for the rest of their lives. Is this their future? It's a frightening thought.

ANGLE - DOOR

Ahmad, Cee, Punchy and Ella enter.

SAL
We're about to close.
AHMAD
Just four slices, regular slices. Please. To go!
SAL
OK, but that's it. It's been a long day.

Mookie goes over to the table where Ahmad, Cee, Punchy and Ella sit.

MOOKIE
Look, I want you to get your slices, then outta here. No playing around.
AHMAD
You got it.
MOOKIE
Good. No joke. We all wanna go home.

OH NO! We hear the dum-dum-dum of Radio Raheem's box. As everyone turns their heads to the door, Buggin' Out and Radio Raheem are inside already. We have never heard the rap music as loud as it is now. You have to scream to be heard and that's what they do.

SAL
What did I tell ya 'bout dat noise?
BUGGIN' OUT
What did I tell ya 'bout dem pictures.
SAL
What da fuck! Are you deaf?
BUGGIN' OUT
No, are you? We want some Black people up on the Wall of Fame.
SAL
Turn that JUNGLE MUSIC off. We ain't in Africa.

Ahmad, Cee, Punchy and Ella start to dance while Mookie takes a seat, the impartial observer that he is.

BUGGIN' OUT
Why it gotta be about jungle music and Africa?
SAL
It's about turning that shit off and getting the fuck outta my pizzeria.
PINO
Radio Raheem.
RADIO RAHEEM
Fuck you.
SAL
What ever happened to nice music with words you can understand?
RADIO RAHEEM
This is music. My music.
VITO
We're closed.
BUGGIN' OUT
You're closed alright, till you get some Black people up on that wall.

Sal grabs his Mickey Mantle bat from underneath the counter and brings it down on Radio Raheem's box, again and again and again. The music stops.

CLOSE - RADIO RAHEEM'S BOX.

Radio Raheem's pride and joy is smashed to smithereens. It's going to the junkyard quick.

ANGLE - PIZZERIA

There is an eerie quiet as everyone is frozen, surprised by the suddenness of Sal's action, the swings of his Mickey Mantle bat. All look at Radio Raheem and realize what is about to happen.

ANGLE - RADIO RAHEEM

Radio Raheem screams, he goes crazy.

RADIO RAHEEM
My music!

Radio Raheem picks Sal up from behind the counter and starts to choke his ass. Radio Raheem's prized possession -- his box, the only thing he owned of value -- his box, the one thing that gave him any sense of worth -- his box, has been smashed to bits. (Radio Raheem, like the large majority of Black youth, is the victim of materialism and a misplaced sense of values.) Now he doesn't give a fuck anymore. He's gonna make Sal pay with his life.

Vito and Pino jump on Radio Raheem who only tightens his grip around Sal's neck. Buggin' Out tries to help his friend. Mookie just stands and watches as Ahmad, Cee, Punchy and Ella cheerlead.

99

EXT: SAL'S FAMOUS PIZZERIA - NIGHT

source 93p.79

The tangled mass of choking, biting, kicking, screaming confusion flies through the door of Sal's out onto the sidewalk.

CLOSE - EDDIE

The kid yells:

EDDIE
Fight! Fight!
CUT TO:

CLOSE - DA MAYOR

He looks up.

CUT TO:

CLOSE - MOTHER SISTER

She looks up.

CUT TO:

CLOSE - SWEET DICK WILLIE

He also looks up.

ANGLE - STREET

The people on The Block run to Sal's Famous Pizzeria to see the STATIC.

ANGLE - SAL'S FAMOUS PIZZERIA

Radio Raheem, Buggin' Out, Sal, Vito and Pino are still entangled, rolling around on the sidewalk, but now before an entertained crowd of onlookers:

ANGLE - DA MAYOR

DA MAYOR
Break it up. This is crazy.

The fight continues. Da Mayor is smart enough not to get in the middle of this war, when we hear sirens, somebody has called DA COPS.

ANGLE - STREET

The cop cars come right through the crowd, almost running over some people. The cops get out with nightsticks and guns drawn. WE RECOGNIZE two of the faces, Officers Long and Ponte. Anytime there is a skirmish between a Black man and a White man, you can bet the house on who the cops are gonna go for. You know the deal! Buggin' Out is pulled off first, then Vito and Pino, but Radio Raheem is a crazed man. It takes all six cops to pull him off Sal who is red as a beet from being choked.

ANGLE - COPS

Handcuffs are put on Buggin' Out as he watches the other put a choke hold on Radio Raheem to restrain him.

ANGLE - RADIO RAHEEM

He's still struggling, then he just stops, his body goes limp and he falls to the sidewalk like a fifty-pound bag of Idaho potatoes.

ANGLE - STREET

Officers Long and Ponte kick him.

OFFICER LONG
Get up! Get up!

Radio Raheem just lies there like a bump on a log.

ANGLE - CROWD

The crowd stares at Radio Raheem's still body. He's unconscious or dead.

CLOSE - OFFICER LONG

OFFICER LONG
Quit faking.

ANGLE - STREET

The officers all look at each other. They know, they know exactly what they've done. The infamous Michael Stewart choke hold.

OFFICER PONTE
Let's get him outta here.

The officers pick up Radio Raheem's limp body and throw him into the back seat. Buggin' Out is pushed into another car. The cop cars speed off; in their haste to beat it, they have left a crowd. It's at this point the crowd becomes an angry mob.

ANGLE MOB

The mob looks at ...

ANGLE - MOB POV

Sal still on the sidewalk, being helped to his feet by Vito and Pino who are in bad shape themselves.

ANGLE - MOB

The mood/tone of the mob is getting ugly. Once again they have seen one of their own killed before their eyes at the hands of the cops. We hear the murmurs of the folks go through the crowd.

VOICES OF MOB
THEY KILLED HIM THEY KILLED RADIO RAHEEM IT'S MURDER DID IT AGAIN JUST LIKE THEY DID MICHAEL STEWART MURDER ELEANOR BUMPURS MURDER IT'S NOT SAFE NOT EVEN IN OUR OWN NEIGHBORHOOD IT'S NOT SAFE NEVER WAS NEVER WILL BE

The cops, in their haste to get Radio Raheem out of there, have left an angry mob of Black folks with a defenseless Sal, Vito and Pino.

The mob looks at them.

VOICES OF MOB (contd)
WON'T STAND FOR IT THE LAST TIME FUCKIN' COPS THE LAST TIME IT'S PLAIN AS DAY DIDN'T HAVE TO KILL THE BOY

HIGH ANGLE

Mookie looks at the crowd and notices he's on the wrong side. He leaves Sal and his two sons.

ANGLE - STREET

Da Mayor walks in front of the crowd.

DA MAYOR
Good people, let's all go home. Somebody's gonna get hurt.
CROWD (OS)
Yeah, you!
DA MAYOR
If we don't stop this now, we'll all regret it. Sal and his two boys had nothing to do with what the police did.
CROWD (OS)
Get out of the way, old man. You a Tom anyway.
DA MAYOR
Let 'em be.

ANGLE - STREET

Mookie picks up a garbage can and dumps it out into the street. He walks through the crowd, up to Da Mayor, Sal, Vito and Pino.

CLOSE - MOOKIE

He screams.

MOOKIE
HATE!!!!

SLOW MOTION

Mookie hurls the garbage can through the plate-glass window of Sal's Famous Pizzeria. That's it. All hell breaks loose. The dam has been unplugged, broke. The rage of a people has been unleashed, a fury. A lone garbage can thrown through the air has spurred a tidal wave of frustration.

ANGLE - STREET

Da Mayor pushes Sal, Vito and Pino out of the way as the mob storms into Sal's Famous Pizzeria.

100

INT: SAL'S FAMOUS PIZZERIA - NIGHT

source 94p.82

The people rush into Sal's Famous Pizzeria, tearing it up.

CLOSE - CASH REGISTER

The cash register is opened. WE SEE only coins, Sal has the paper.

101

EXT: DA MAYOR'S STOOP - NIGHT

source 95p.83

Da Mayor leads Sal, Vito and Pino back to his stoop where they watch in horror.

SAL
There it goes. Why?
DA MAYOR
You was there. First White folks they saw. You was there.
PINO
Fuckin' niggers.
102

INT: SAL'S FAMOUS PIZZERIA - NIGHT

source 96p.83

Someone lights a match. WHOOOOSH!

103

EXT: SAL'S FAMOUS PIZZERIA - NIGHT

source 97p.83

Sal's Famous Pizzeria is going up in flames and now it's a carnival.

MOTHER SISTER
Burn it down. Burn it down.

One might have thought that the elders, who through the years have been broken down, whipped, their spirits crushed, beat into submission, would be docile, strictly onlookers. That's not true except for Da Mayor. The rest of the elders are right up in it with the young people.

104

INT: SAL'S FAMOUS PIZZERIA - NIGHT

source 98p.83

CLOSE - PHOTOS ON WALL OF FAME

The photos of famous Italian-Americans are burning.

105

EXT: FRUIT-N-VEG DELIGHT - NIGHT

source 99p.83

The mob now moves across the street in front of the Korean fruit and vegetable stand. Sweet Dick Willie, Coconut Sid and ML stand at the head of the mob.

ML
It's your turn.

CLOSE - KOREAN CLERK

He's scared to death, as the mob is poised to tear his place up too. The clerk wildly swings a broom to hold them off.

KOREAN CLERK
Me no White. Me no White. Me Black. Me Black. Me Black.

CLOSE - ML

ML
Me Black. Me Black.

The mob starts to laugh; they feel for him.

ANGLE - MOB

SWEET DICK WILLIE
Korea man is OK. Let's leave him alone.
ML
Him no White. Him no White.
COCONUT SID
Him Black. Him Black.
106

EXT: DA MAYOR'S STOOP - NIGHT

source 100p.84

Sal, Vito, and Pino look on as Sal's Famous Pizzeria goes up in smoke.

DISSOLVE TO:

CLOSE - VITO

DISSOLVE TO:

CLOSE - PINO

DISSOLVE TO:

CLOSE - SAL

107

EXT: STREET - NIGHT

source 101p.84

ANGLE - STREET

Jade is running through the mob, looking for her brother.

JADE
Mookie! Mookie!

ANGLE - MOOKIE

Mookie is running around with the rest of the mob.

ANGLE - STREET

The wail of fire trucks and police sirens is now added to the night.

108

EXT: SAL'S FAMOUS PIZZERIA - NIGHT

source 102p.85

The mob moves back to in front of Sal's as the fire trucks and police, in full riot gear, pull up in the street behind them.

POLICE LOUDSPEAKER (VO)
Good people. Please disperse. Please disperse.

The firemen rush to hook up their hoses, the police force themselves between the crowd and the burning Sal's Famous Pizzeria.

POLICE LOUDSPEAKER (VO contd)
Please disperse! Please disperse!

The mob doesn't listen, they will not be moved. The mob will not be moved until they see Sal's Famous Pizzeria burn to the ground.

ANGLE - SAL'S FAMOUS PIZZERIA

The firemen douse the pizzeria, trying desperately to stop the fire from spreading into the adjoining buildings.

POLICE LOUDSPEAKER (VO)
Good people, we're giving you one more warning. Please go back home.

CLOSE - MOOKIE

MOOKIE
This is our home.

CLOSE - MOTHER SISTER

MOTHER SISTER
This is our neighborhood.

ANGLE - MOB

It will take force to move this mass of people.

POLICE LOUDSPEAKER (VO)
You've had your warning!

POW!

The hoses are turned on the mob.

WE SEE Mookie, Mother Sister, Sweet Dick Willie, ML, Coconut Sid, Jade, Ahmad, Cee, Punchy and Ella, etc., go down before the powerful blast of the fire hoses.

Now we've come full circle. We're back to Montgomery or Birmingham, Alabama. The only thing missing is Sheriff Bull Connor and the German shepherds.

It would take force to move them and that's exactly what the mob got. People are trying to hold onto each other, cars, railings, anything to keep from being swept away.

109

EXT: DA MAYOR'S STOOP - NIGHT

source 103p.86

Da Mayor, Sal, Vito and Pino watch in disbelief. It's unbelievable what is happening before their eyes.

CUT TO:
110

THE STREET - NIGHT

source 104p.86

THEIR POV

People are screaming, kids and women are not being spared from the brute force of the fire hose either.

111

EXT: WE-LOVE STOREFRONT - NIGHT

source 105p.86

WE SEE the reflection of the fire in the storefront window as Mister Senor Love Daddy looks on.

112

EXT: STREET - NIGHT

source 106p.86

ANGLE - JADE AND MOTHER SISTER

Jade and Mother Sister try to hold onto a street lamp as a gush of water hits them; their grip loosens, the water is too powerful and they slide away down the block and Da Mayor runs after them.

113

INT: SAL'S FAMOUS PIZZERIA - NIGHT

source 107p.86

CLOSE - PHOTOS

Some burnt photos on the floor.

CLOSE - MICKEY MANTLE BAT

The Mickey Mantle bat burns.

CLOSE - RADIO RAHEEM'S BOX

Radio Raheem's box has melted into a black mass of goo.

CLOSER - RADIO RAHEEM'S BOX

As WE MOVE IN TIGHTER ON the melted box, we begin to hear the rap song that we've heard throughout. All other sound drops out as the rap song gets louder and louder until it gets deafening, then we

CUT TO BLACK.

THE MORNING AFTER

FADE IN:
114

EXT: THE STREET - TO INT: RADIO STATION STOREFRONT

source 108p.87

The CAMERA, FROM HIGH ABOVE, CRANES DOWN ON The Block. The sidewalk is deserted, broken glass is everywhere and it looks exactly as how one expects it to look, the morning after an uprising.

The CAMERA NOW MOVES IN ON the WE-LOVE storefront where Mister Senor Love Daddy is in his familiar place behind the mike.

MISTER SENOR LOVE DADDY
My people. My people. What can I say? Say what I can I saw it but I didn't believe it. I didn't believe it what I saw. Are we gonna live together? Together are we gonna live? This is ya Mister Senor Love Daddy here on WE-LOVE RADIO, 108 FM on your dial, and that's the truth Ruth.

CLOSE - MISTER SENOR LOVE DADDY

MISTER SENOR LOVE DADDY
Today's weather.
(he yells)
HOT!

CLOSER - MISTER SENOR LOVE DADDY

He screams:

MISTER SENOR LOVE DADDY
WAKE UP!
CUT TO:
115

INT: TINA'S BEDROOM - DAY

source 109p.87

Mookie jumps out of her bed; Tina sleeps by his side and their son Hector is between them.

MISTER SENOR LOVE DADDY (VO)
WAKE UP!
MOOKIE
Fuck! My money!
TINA
Where are you going?
MOOKIE
To get my money.
TINA
Mookie, you must think I'm stupid or something. You're gonna run outta here and I won't see your black ass for another week.
MOOKIE
Tina, it's not like that.

Mookie is putting on his clothes.

TINA
You don't care about me and you definitely don't care 'bout your son.
MOOKIE
Tina, I'll be right back.
TINA
Be a Man.
MOOKIE
I am a Man.
TINA
Act like one then. Be a Man.
MOOKIE
Later.
TINA
You're to the curb. You better step off. Get a life.

Mookie leaves.

116

MOTHER SISTER'S BEDROOM - DAY

source 109Ap.88

Da Mayor wakes up in Mother Sister's big brass bed (she was born in it), at first he has no idea where he's at, then sees Mother Sister sitting down across the room smiling at him.

MOTHER SISTER
Good morning.
DA MAYOR
Is it a good morning?
MOTHER SISTER
Yes indeed. You almost got yourself killed last night.
DA MAYOR
I've done that before.

Da Mayor gets up out of her big brass bed.

DA MAYOR (contd)
Where did you sleep?
MOTHER SISTER
I didn't.
DA MAYOR
I hope the block is still standing.
MOTHER SISTER
We're still standing.

Da Mayor and Mother Sister both look out the parlor window to see THE BLOCK and Mookie.

117

EXT: SAL'S FAMOUS PIZZERIA - DAY

source 110p.89

Mookie walks up to Sal's Famous Pizzeria as it still smoulders in the morning light. Sal emerges from the wreckage; he looks like he might have slept there.

SAL
Whatdafuck do you want?
MOOKIE
I wants my money. I wants to get paid.

Sal looks at Mookie in disbelief.

SAL
Mookie, I always liked you, not the smartest kid, but you're honest. Don't make me dislike you.
MOOKIE
Sal, I want my money.
SAL
Don't even ask about your money. Your money wouldn't even pay for that window you smashed.
MOOKIE
Motherfuck a window, Radio Raheem is dead.
SAL
You're right, a kid is dead but Mook, this isn't the time.
MOOKIE
Fuck dat. The time is fuckin' now. Y'know I'm sorry 'bout Sal's Famous Pizzeria, but I gotta live too. I gotta get paid.
SAL
We both do.
MOOKIE
We all know you're gonna get over with the insurance money anyway! Ya know da deal.
SAL
Do we now?
MOOKIE
Quit bullshitting.
SAL
You don't know shit about shit.
MOOKIE
I know I wants to get my money.

Sal has had it.

SAL
How much? How much do I owe you?
MOOKIE
My salary. Two-fifty.

Sal pulls out a wad and quickly peels off hundred dollar bills.

SAL
One, two, three, four, five.

Sal throws the "C" notes at Mookie, they hit him in the chest and fall to the sidewalk.

SAL (contd)
Are you happy now? That's five fucking hundred dollars. You just got paid. Mookie, you are a rich man, now ya life is set, you'll never have another worry, a care in the world. Mookie, ya wealthy, a fuckin' Rockefeller.

Mookie is stunned by Sal's outburst. He picks up the bills.

SAL (contd)
Ya just got paid, so leave me the fuck alone.
MOOKIE
You only pay me two-fifty a week.
(he throws two "C" notes back at him)
I owe you fifty bucks.
SAL
Keep it.
MOOKIE
You keep it.
SAL
Christmas came early.

Both look at the two one-hundred bills on the sidewalk and refuse to pick them up. It's a stalemate.

MOOKIE
This is the hottest Christmas I've known.

Mookie counts his money.

SAL
It's suppose to be even hotter today.
MOOKIE
You gonna open up another Sal's Famous Pizzeria?
SAL
No. What are you gonna do?
MOOKIE
Make dat money. Get paid.
SAL
Yeah! ... I'm goin' to the beach for the first day in fifteen years. Gonna take the day off and go to the beach.
MOOKIE
I can dig it. It's gonna be HOT as a motherfucker.
SAL
Mookie?
MOOKIE
Gotta go.
SAL
C'here, Doctor.

Mookie turns around and goes back.

SAL
Doctor, this is Sal talkin'.
MOOKIE
OK. OK.
SAL
Doctor, always try to do the right thing.
MOOKIE
That's it?
SAL
That's it.

Mookie thinks about it, looks at the two "C" notes still smiling up at him. He quickly scoops them up.

MOOKIE
I got it.
118

EXT: STREET - DAY

source 111p.92

HIGH ANGLE

As Mookie turns and walks away, Sal goes back into Sal's Famous Pizzeria to salvage what is salvageable, and The Block begins to awake from its slumber, ready to deal once again with the heat of the hottest day of the year.

FADE OUT.

ROLL CREDITS.