"COMMANDO" (1985)

CORPORATION FILM FOX CENTURY TWENTIETH A85 With Association In PICTURES SILVER

1985 18, April

by

"COMMANDO"

•

plastic trash bags • dragging several ungainly He runs into the pantry,

Shit. LAWSON

bedroom slippers. throws his feet into his finally APPROACHES, as it Lawson listens to the noise

schedule ..• changed the Maybe they (yawning) WIFE

On Tuesday? LAWSON

men. garbage ..• the yawn) (stifling Unnn .•• sounds like .•. awake) (barely WIFE

What's that? LAWSON

WIFE. shakes his He worn. a little He's late 30's, a start. awakes with LAWSON As

moves along the street. on the back of the truck as it mouth hangs over his a kerchief man with A bored garbage and olive-grey. battered SEE the truck, we BACK and PULLS CAMERA The garbage truck. a ON the churning compactor of TIGHT

"COMMANDO"

Cont .

yet. You ain't seen nothin' FORRESTAL

CAMERA. THE INTO FORRESTAL grins

TO: CUT

coup de grace.

a moves close to administer Cooke our view just as

blocking CAMERA, THE TOWARD pierced and leaking, roll The garbage cans, spread-eagled. back, Lawson falls

7 SHOT LONG

and the cans. body the bullets raking across his down, Lawson And they cut • Don't worry .•. we won't. COOKE

armed • similarly leans out, driver, the DIAZ, of the garbage truck is kicked open and

cab the moment, same At the VIEW. INTO gun submachine

Ingram an pulls -- man behind the truck The -- COOKE

6 ANGLE REVERSE

me was afraid you'd miss I LAWSON

smiles. way towards it, stumbles his Lawson bottom of the driveway. The truck stops at the

minute! a wait a minute, Wait (shouting) LAWSON

driveway. down the and half-full metal cans, starts running two battered Lawson flings the green plastic bags into

long driveway. end of the SEE it at the can We CLOSER now. SOUND is The truck

TO: CUT

down the street. outside window and disappears CRASHES through the The car continues on, hood. the body across flinging his SLAMS into Forrestal, The car

room floor. ROARS across the display and hits the accelerator slams the car into forward, Diaz

9 ANGLE ANOTHER

Hey! FORRESTAL

a big display. down knocking the car into reverse, thrown has Forrestal has said this last because Diaz

-- Jesus Christ -- ... that's power ..• that's performance That's Hear that? Go ahead, start it up. FORRESTAL

Diaz starts the engine.

... problem a gonna have not room ..• you're head look at the And hot, it cracks, it's trouble. me ... you don't want leather, it's from But take it it's cloth. gonna say ... know what you're I right? Sure, get in ..• comfy, FORRESTAL

Diaz gets into the car.

we got ·it back. while ..• but a we lost it for We did .•• sure, Bullshit. Japanese invented that? You think the workmanship. American sound? Hear that (as trunk closes) FORRESTAL

hype. Forrestal continues the NOISES as noncommital makes and nods who it to Diaz, showing He's new Cadillac. a big closing the trunk of

now SHOW us that Forrestal is just TO ADJUSTS CAMERA

8 Cont.

snug • and clean lines ... energy efficient crisp, log cabin •.• with a B0's version of An SEE it: we Then

dew in the morning light. twinkling pine trees OVER snow-capped peaks, SKIMS CAMERA The

MUSIC. HEAR them we BEGIN .•. and along with TITLES MAIN

TO: CUT SMASH

"garbage man." the - Cooke It's face. the fiery lights splashing onto his the explosion, and watches on the dock shadows comes out of the A man

the air. sending debris high into a fireball, EXPLODES into the boat WHOOM, then from us, away The boat moves

13 SHOT FULL

he cruises out into the night. as The wind whips his hair from the other boats. away then pulls revs the throttle, Bennett starts his boat,

12 BOAT BENNETT'S

another boat and steps onto his boat. crosses over Bennett steps off the boat, Les nods.

Les. me, That's all for BENNETT

brow and shouts over the noise. wipes his then he hold, a net of fish into a worker wrestle BENNETT helps another well muscled, mid-thirties,

tuna fleet is in. The the. night. Dangling working lights illuminate

from behind. Matrix approaching indistinct figure a dull, reflects AXEHEAD THEE.

a faint creak while: responds with A GATED.

away. roll PEBBLES SOMEC.

startled. away, scampers A SQUIRRELB.

cracks. A TWIGA.

he reacts to little things: person .•. but see the other to seem Matrix doesn't turn or otherwise

18 PERSON APPROACHING AND MATRIX

INTERCUT:

on Matrix. slowly and cautiously advance begins to

and comes stealthily alongside the house shadow a as

INTERCUT:

awesome single swipes of an axe. SPLIT it with to and begins firewood up then picks saw, log and chain the

down He puts shed behind the cabin. a Matrix reaches

sense of calm. a and Joy, Joy. something else: and vitality .•• and raw power man of mid-thirties ... a He's in his MATRIX. ALEXANDER JOHN COLONEL This is

saw in his left hand. chain a and carrying a giant log on his right shoulder house balancing the from the mountains behind FIGURE descends a giant as

16 ANGLE ANOTHER

as they head back to the cabin. stream, crosses the piggyback ride over the bridge that a Jenny gives

26-B MATRIX

TO: DISSOLVE

him over. knocked he pretends she's and him on move a She tries shows Jenny karate moves.

26-A MATRIX

TO: DISSOLVE

licks their hands.then them,

from food takes the comes closer, The deerthe deer.

knapsack and hold it out for a from foodJenny take and Matrix and deer tentatively approachesA stream. a beautiful Jenny are trout fishing inMatrix and

from his face.

cream He wipes ice cone. nose with the him on the pokes

away with this twice before she jimmies ... he gets and some of her flavor spoon to steal He uses his dish.

a he has cone, a has from each other •.• she sit across

and daughter Father Matrix's Blazer is parked here.

surrender. I surrender, I MATRIX

down. puts her laughs, he and ribs .•• neck him back on his She tickles

down. me Dad ..• Dad ... put JENNY

he tickles her. laughs as She JENNY. daughter, sweeps up the intruder .•• his eleven-year-old Matrix

24 ANGLE NEW

I'm not going anywhere. MATRIX

You said you were through again. away go You said you wouldn't JENNY

30 SHOT TWO

landing. a off,for then veering towards the house ... coming Army markings, with U.S.

29 HELICOPTER - MATRIX'S P.o.v.

already heard ..• an approaching aircraft. SEE what Matrix's keen senses have can audience -- and the Now Jenny -- peers through the picture window. up to block the sun as he puts his hand He shushes her,

wrong? What's JENNY

cocks his head. face ... he stands, an odd look on his Suddenly Matrix gets

know. You don't want to JENNY

••. What's in this? him) brought sandwich Jenny (bites into ••. They were right ••. (slight smile) communists said it was subversive •.• the Germany, came to East roll and boy and rock a was I When MATRIX

magazines. some of Jenny's rock'n'roll Matrix leafs through view through the expansive picture window is breathtaking.

The Matrix sits at the table as Jenny serves lunch.

~ a heart: a cutout of Taped to the door is stops.

cabin~~ open the refrigerator in his Matrix goes to

them. around above the mountaintops billow high

clo~ds and Matrix begin to walk as Kirby back inside.

and Jenny grudgingly goes sharp look a Matrix gives her

Jose. No way, JENNY

Jenny. need to talk to your dad, I KIRBY

men. two comes out of the cabin toward the Jenny

squeezes Kirby's shoulder. He affectionately

me. You taught better be. I MATRIX

and shake hands. come together and Matrix and he He smiles

always. smooth ..• just like Silent and KIRBY

Kirby whirls to see Matrix standing behind him. Startled,

know. I (o. s.) MATRIX

It's Kirby. on out. come John, (calling out) KIRBY

Kirby approaches the cabin.

32 KIRBY

and watch the cabin. Kirby they fan out, from look a At and carry carbines. BDU's They wear JACKSON. and HARRIS him are young soldiers with two The

Army Class "C's." rugged He's wearing of the craft. SEE -- the pilot can we as and, energetic -- S0's, fit, He's in his early KIRBY is in the lead. FRANKLIN GENERAL

men get out. Three It lands.

31 COPTER THE

Promise. MATRIX

Promise? JENNY

30 Cont.

33- OUT

were. you good as But not as (pausing) good .•• Real KIRBY

good? any They MATRIX

soldiers over. two the looks Matrix

you. with stay Jackson and Barris will meantime, In the people. F~eral the into the city to coordinate with

X I'm going promise. will ... I You

X normal a going to make were We

you. gonna find They're (pausing) group. a terrorist Russians .•• or the the South Africans, Syrians, be the It could John. world,

X enemies all over the You've made

KIRBY

X Who's doing it?

identities ..• new them You gave (startled) MATRIX

your men. killing Someone's KIRBY

32 Cont.

9 4/22/85 - ·co~oo· - REVISED

them off. air currents might tip the downwind, You're coming. be an eye out, they'll Keep shed. from the my rifle I've got to get (whispering) MATRIX

make it. I'll (whispering) JACKSON

How bad you hit? (whispering) MATRIX

Silence. Then the firing stops.

SMACKING into the side of the cabin. rounds the body, AWAY at Harris' BLAST CONTINUES to• FIRING as the on the cabin floor them lie The three of

crawls through the door after Matrix . then ground, SPINS to the round in the shoulder, a CATCHES Jackson HITS the floor. and into the cabin DIVES through the door Matrix, still clutching Jenny,

SPLATTERING against the cabin. his blood chest, OPEN Harris' RIPS and windows SHATTERS the FIRING OF VOLLEY The BLASTS the cabin. gun fire before machine arms just up Jenny in his sweeps he BLUR, a In

-- then comes over Matrix's face, look An intense

She smiles.

bad. Then it can't be JENNY

what you mean. I'm not leaving you ..• if that's MATRIX

Is it bad? JENNY

comes out of the cabin. subdued, Jenny, away. and fly chopper lift off watches the

CAMERA. THE INTO STRAIGHT through the door garotte still around his neck, falls lifelessly Jackson,

OPENS the backdoor. RUSHES to the cabin and RACES out of the shed, He a clip in the rifle. home SLAMS and Matrix puts the pistol in his waistband

TO: CUT

A knife is attached to one of the boots.

bedroom. two boots enter her bed just as under the head back She pulls her bedroom door. approach her footsteps Suddenly, but sees nothing. bed to look, from under her and sticks her head out THUMP a hears

40 JENNY

CHOKE the struggling Jackson to death. neck and a garotte around his WHIP Two hands back to the floor. then edges sees nothing, window, Jackson peers out the

TO: CUT

them. and readies weapons out the Matrix pulls a Baretta JS pistol. and ammunition big banana clips oftwo H&K assault rifle, an Inside is and opens it. high-tech cabinet

a goes inside to unlocks it, He races to the shed,

backdoor. bedroom and Matrix goes out the Jenny goes into her right back. be Stay out of sight, I'll (whispering) MATRIX

bedroom. toward her low to the floor move Matrix and Jenny

did. I MATRIX coming? them You think I'll smell like he's crazy) (looks at Matrix Downwind?? (whispering) JACKSON

37 Cont.

Cont. \_

and broken. the distributor cap is disconnected Torn wires stick up,

He checks the engine. hood up. its BLAZER, RACES to the JUMPS out of the cabin and Matrix

TO: CUT ABRUPT

JERKED violently backward. and the chair are Diaz

BLASTS Diaz in the chest. and H&K Matrix levels the

Wrong. MATRIX

Right? you gotta cooperate. back, you want your kid ... and if DIAZ

from the house. away RACING two vehicles and sees window glances out the NOISE outside, a Matrix hears

you .•• business with some My people got you. up to she stays that way.is Whether Major. She's safe, DIAZ

from Diaz's face. The smile vanishes the trigger.

COCKS and forehead Matrix puts the rifle against Diaz's

in people's faces. you waving guns business with We can't talk man. Mellow out, DIAZ

a table. up on and puts his feet smiles Diaz

she? Where is MATRIX

Diaz. and points his rifle directly at forward Matrix steps

~ looking at Jenny's a chair, sitting in

men, Matrix's killeq who men one of the and sees Diaz, den He peers into the moves carefully through the cabin.

then H&K rifle held ready, silently enters, Matrix,

50 BLAZER THE

car almost spins out. each other ... the dark narrowly miss two vehicles The

down to the road •.. ahead of the black vehicle! almost But he's a terrible beating. Matrix is taking

48 BLAZER INT.

stone. a like dropping bounding off rocks, smashing through trees, out of control, down the mountainside, It barrels

47 BLAZER THE

and closer by this direct route. coming closer Blazer, SEE the we and UP, PANS CAMERA It takes another curve.

46 VEHICLE DARK

SMASHES the windshield. branch A low-hanging Matrix fights to control the wheel.

45 BLAZER INT.

45 degree slope. down the as it bounces wildly

The Blazer rolls over the edge.

as well. body and wraps the passenger belt around his reaches over on the driver's shoulder belt ... Snaps Matrix leaps in. downwards. ... and finally it begins to roll got into it he puts everything he's SCREAM, a neck stand out ••. with

on his it uphill ••• the effort is incredible ..• the veins

Matrix is pushing the Blazer is pointed the wrong way, Since downward. steep incline leads a shoulder where but towards the He steers it not towards the dirt road,

begins to push the car.

he frame, the other on the door wheel, one hand on the

Then, on the seat ••• then releases the brake. weapons Matrix slams the Blazer's hood .•• gets inside ... puts his

along the mountain roads. and sees the vehicles winding down the mountain looks He

Cont. 43

TO: CUT

backward to the ground . BLASTED Matrix is

FIRES at point-blank range. He

Dead ... BENNETT

Matrix. and points it at bulky pistol a up with Bennett reaches

you were -- thought I (stunned) MATRIX

saw die! we man the It's Bennett,

them. man standing in then up at the an attached knife,

two boots with he looks at WIDEN as suddenly eyes Matrix's

men still all over him. three

the up again, way forces his ·He him to the ground. wrestle

and they immediately on Matrix men are But three more

SHATTERS. jaw The man's man closing on him. on the face against the SLAMS the butt and grabs the dead man's rifle vertebrae, CRACKS the man's DOWN, HIM PULLS apple, Adam's the man's DRIVES his fist into stomach, him in the ELBOWS Matrix

54 MATRIX

him. to frisk man approaches The lead bleeding. cut, He stands up,

Matrix. surround armed soldiers start to A large group of

53 ANGLE WIDER

back at the destroyed Blazer. looks and He stops

from the intense fire. away Matrix crawling bloodied and injured a SEE and SEE movement we Then

pyre. funeral what looks like Matrix's ON this, HOLDS CAMERA The EXPLODES. then suddenly BURNING, The wrecked Blazer is

52 BLAZER WRECKED THE

down the road. rushing of this mishap, o.s.

51 VEHICLE OTHER THE

1.4

me . you helped to overthrow and kill the president to Val Verde Because you're going to return ARIUS

me? Why tell MATRIX

hand again. my It needs hand. an iron president with a needs It Major. like Val Verde, country a You don't understand ARIUS

tortured and killed. you remember the people I MATRIX

Major? me, Remember ARIUS

General Arius approaches Matrix. • Tranquilizers. BENNETT

up the bulky gun . sees Bennett holding a little and up sits head, Matrix groggily shakes his

lying in. room he is That light in on the ceiling of the small

LIGHT. BRIGHT same he looks at the slowly open as His eyes

a table. slab of a body is lying on Matrix's motionless

DAY

57 - BUILDING TRANSPORT TERMINAL PORT IN ROOM SMALL INT.

TO: CUT

it hurts our eyes.

BRIGHT so It is on water. as if the light were floating

almost CAMERA, SHIMMERS at the An intense white light

56 EFFECT SPECIAL

TO: CUT

army. small a It looks like etc. machine guns, mortars, and soldiers carrying bazookas,

jeeps large warehouse filled with tanks, a walk through

(in guerrila fatigues) ARIUS ERNESTO GENERAL Bennett and

I'm going to teach her. things many So pretty .•. There are ARIUS

Arius begins to finger her hair. Bennett wheels Jenny out of the closet over to Arius.

STOPPED. and he is are chained to the table and feet but his hands from the table, up LUNGES Matrix

and her eyes are wet with tears. from fear shaking She is a chair. gagged and tied tightly to She is

Jenny. and Matrix sees a closet a sliding door to Bennett opens

Bennett. nods to then Arius a beat, looks at Matrix for Arius

don't? I And if MATRIX

you. I tell do what you, you'll have I now that And you. us to and lead Kirby would get nervous so faked Bennett's death We to alot of trouble to find you. him •.• We've gone you will kill You can get close to Velasquez, Matrix) to' ( ARIUS

Major. me, You trained BENNETT

much. little too a He enjoyed the killing (glances at Bennett) MATRIX

cloud •.. a under we say, shall While Captain Bennett, left, (smile vanishes) 'Hero of the Revolution ••• ' smile) (ironic a you made he you; after all, But President Velasquez trusts ARIUS

me. was there with he do it -- you have Bennett Why don't BENNETT

Cont. 57

she's dead. them, from either one of a call don't get I If get off. you make sure you to stay with and Henriques will on the plane you get make sure Sully will (to Matrix) BENNETT

them. foldout seats facing HENRIQUES on and SULLY Bennett are in the rear seat,

and a tropical suit) (in Matrix Cooke is at the wheel.

and parks. LAX terminal up to an limo pulls A long, silver

TO: CUT

a lot more. expect If he's still alive, I'd KIRBY

•.• You think there's more? (pauses) just those bodies .•• No Sir, SOLDIER

Any sign of Matrix? KIRBY

One of the Soldiers approaches Kirby.

and inside the cabin. around Soldiers are searching

and Diaz. Harris the bodies of Jackson, looking at Kirby stands in front of the cabin General

TO: CUT

pieces. you in send her to ••. and I'll (pausing) anything else .•. You try you'll get her back. and Major, Velasquez, You kill ARIUS

Arius fingers the shirt collar around her neck.

move. can't but he man, crazy a FIGHTS at the chains like Matrix

57 Cont.l

last. you why I'll kill •.. That's (pausing) you •.. like I Sully, a nice guy, You're MATRIX

then up at Sully. down at the bill, looks Matrix

time with your daughter. more Matrix, it'll give everyone some beers in Val Verde, Have SULLY

in Matrix's breast pocket. $10.00 bill a then Sully stuffs and Matrix their tickets, Sully hands Henriques They approach the boarding gate.

63 GATE BOARDING

TO: CUT

• then they continue on. as the security guard watches, and Sully walk through the X-ray booths Matrix Henriques,

but he remains silent . them, two police officers that are right next to toward looks Matrix them pass through the terminal. The three of

terminal. and they enter the and Sully flank Matrix Henriques

Matrix watches the limo drive off. then Sully shuts the door and They eye each other,

be ready. I'll BENNETT

For you. Bennett •.• be back, I'll MATRIX

back at Bennett through the open door. Matrix looks

them. Sully follows Matrix out with him. and brings and Henriques opens the car door He motions

Cont. 60

them to Matrix. and hands compartment from the upper down them She takes

Sure. STEWARDESS

pillow? a blanket and have I Could MATRIX

Matrix turns to the Stewardess.

room window. back at him through the waiting and sees Sully looking right window Matrix looks out the

Sir. your seat belt, You must fasten STEWARDESS

him. The Stewardess approaches

around the plane. Matrix edgily looks

RUMBLE. to prepare for the takeoff as the plane's engines begin The Stewardesses CLOSE. door to the entrance tunnel A NOISE attracts Matrix's attention and he watches the

Henriques the aisle seat. and window seat Matrix takes the down the aisle, They walk be seated. They are the last passengers to

A and B. seven seats First class, STEWARDESS

and examines their tickets. them smiles at A STEWARDESS and Matrix enter the plane. Henriques

the boarding area. from Sully watches and Henriques board the plane as

X He 6:55. It reads a wall clock. up at Matrix looks

nail it shut. and I'll mouth again Open your HENRIQUES

gate. him toward the and moves arm Henriques takes Matrix's

,

Cont. 63

4/24/85 - "COMMANDO" - REVISED

down the aisle. Matrix starts

66 MATRIX

10:59:58 ... 10:59:59, down: starts counting Instantly, it on the watchface. 11:00:00 appears

a button. and presses digital watch down at his Matrix looks down the aisle. ~oves She

•. eleven hours land in Val Verde in exactly We STEWARDESS 2ND

How long is this flight? MATRIX

and turns to the Stewardess. luggage compartment door He closes the she smiles back. and He smiles at her

no problem. It's MATRIX

you with that? help I can Sir, STEWARDESS 2ND

comes by. STEWARDESS 2ND The overhead rack. body and puts it in the up the blanket covered picks

He and opens the overhead luggage rack. Matrix stands

looks body, Matrix throws the blanket over Henriques'

have noticed it. happened so quickly none of the other passengers It's

against Matrix. limp and he falls body goes his out of his mouth, blood trickles back in his head, eyes roll Henriques'

WHAP! temple. BLOW to Henriques' SUDDEN incredibly an DELIVERS Matrix as the Stewardess moves off,

soon As and pillow. Matrix begins to arrange the blanket

move. The plane is beginning to

64 Cont.

runway. approach the Sully watches plane

71 TERMINAL INT.

TO: CUT

runway. the toward The plane leaves the terminal area and turns

TO: CUT

69 COMPARTMENT LUGGAGE

The passengers sit unaware of anything unusual.

68 AREA PASSENGER

TO: CUT

and crawls inside. He opens the door SNAPS. suddenly lock then the the door starts to bend, PULLS, He

locked.

It's HOLD. CARGO door marked a and moves to He turns

The place is moving faster! a port. looks out Matrix gets out of the elevator and plane. the elevator stops in the service area of the big

67-A DECK BELOW

and starts to descend. hits the controls squeezes in, Matrix moves to the service elevator,

by her. He pushes

I'm airsick .•. (covering mouth) MATRIX

-- you must during takeoff Sir, STEWARDESS 2ND

66 Cont.

swings Matrix beneath the airplane. The ground rushes

way. of the and pushes it out up he lifts it final grunt, a With

move! cowling starts to and the MIGHTILY STRAIN he continues to a beat, for

moves Nothing LIFTS with all his might. and equipment

gear retract the under the lip of hands digs his

He NOISE is deafening. The plane's landing gear.

immediately above the Matrix has reached the area

TO: CUT

The passengers sit unaware.

comes out. small corner of the blanket a open and body edges compartment holding Henriques' The luggage

TO: CUT

runway. down the The plane starts to taxi

TO: CUT

push between the bars. the Pinscher's teeth cage just as dog from the away hand Matrix jerks his CAMERA. INTO the right TEETH HIS FLASHES and SNARLS A doberman Pinscher

75 CAGE DOG

way and box out of the a he starts to push looking, Without crowded hold. through the Matrix crawls

TO: CUT

runway. down the The plane begins to roll

TO: CUT

clear the plane for takeoff. tower to talking with the control ~ilot INTERCUT the

72 TOWER CABIN/CONTROL PILOT'S INT.

and two-way radio up the microphone on the hang Arius

watches standing on the rear deck, Bennett, Pacific. speeding war boat in the a LATINO pilots A uniformed

TO: CUT

toward it. running looks at the terminal in the distance and begins He

85 MATRIX

10:52:52 left. -

and looks at his watch. comes out of the water Matrix

TO: CUT

\!.

83 OUT

It just took off. SULLY

on the phone. Sully is

82 lA~ DAY - TERMINAL INT.

TO: CUT

in the water. bobbing Matrix lies still, overhead. zooms The plane

impact. terrific SPLASHES into the shallow water with and the ground

above DOWN out of the plane twenty-five feet DROPS He

toward the moving ground! through the hole Matrix drops

runway. end of the the marshes at the clearing sky, ROARS into the and The plane takes off

to Vancouver ..•

X 7:40 my They just cancelled Cindy.

that funny ..• yes, Very Cindy. (pause) me! Lance, it's Hi, phone) into ( CINDY

stewardess in her late twenties. gorgeous a She's pay phone. a talking on CINDY, girl,

a stops as he sees walking through the terminal, Sully,

TO: CUT

by the rear of the terminal. a fire truck that drives back of jumps into the Matrix

TO: CUT

down your throat. Dad kick your balls my Watching (pausing) Yes ••. JENNY

happy? you make Is there anything else that would ARIUS

along her shoulder. He runs his fingers down right next to her. Arius sits

Yes ..• JENNY

you happy? that make Does soon. you he should be back with has just left for Val Verde; Your father ARIUS

long beat.

a looks at her for toward Jenny and moves He cabin.

comes in and Arius enters the some light The door opens,

from her eyes. the tears She wipes darkened cabin below. a Jenny is huddled in

87 DECK BELOW

4/24/85 - "COMMANDO" - REVISED

Cont.

you? could give I know what You (smiling) SULLY

other side of the car. on the REVEALS Sully facing her top the LOWERING of The

top. LOWERS the then she the lock, leaving the keys in the door, and opens She unlocks Sunbeam Alpine convertible. passenger side of her ragtop the and aporoaches the parking garage Cindy enters

the girl. follows Sully then begins to track Sully as down, Matrix slows walkway. downstairs a Cindy along following Sully is

Sully is! There and suddenly stops. up looks crowded terminal, through the Matrix races no Sully. but there is side,

the behind him and to ahead of Matrix, Passengers mill

looks desperately for Sully. He the terminal. now inside ground crewman's jacket, is a wearing Matrix,

90 DAY - TERlUNAL INT.

TO: CUT

follow her. to then begins and smiles go, Sully watches her by him. She pushes

... shithead Fuck off, CINDY

a date. Sounds like you need SULLY

her path suddenly blocked by Sully. and finds head off to bag, starts up her flight picks she turns, Then slow burn. a does and phone down the She slams

Lance? Lance? that? Who's Samantha? Lance. laid over, no, ... could we thought since I'm laid over I phone) (into CINDY •

and adjusts his tie. eyes up with his eats her dark glasses, Sully takes off his

89.Cont. X 25 4/29/89 - "COlfMANDO" - REVISED

•

Cont .

to get in the car. Cindy automatically starts

Get in. MATRIX

now at her feet. looks at the passenger seat open, mouth gaping Cindy,

feet. ground at Cindy's on the and places it YANKS it out the passenger seat, grabs the car, Matrix leans into

Cindy steps aside. shaking, Knees

Do it. MATRIX

arm from her waist. removes his Matrix

do that. to move have to I CINDY •

the side. Step to MATRIX

CINDY

you. I'm not going to hurt :MATRIX

I'm not moving. CINDY

sqatting behind her. unable to see Matrix arm, down at the giant looks She

move. Don't (whispers) MATRIX

from behind. arm encircles her waist a giant SUDDEN, a All of make sure he leaves. him to Cindy watches

and walks off. then turns back on, them puts coat pocket, sunglasses out of his his takes looks at her, He smile disappears. Sully's

herpes. Yeah, CINDY

Cont. 91 X 26. 4/29/85 - "COMMANDO" - REVISED

Cont. • something? me or Are you going to kill (pauses) but ... Don't get offended by this question, CINDY

ahead. up Porsche on following Sully's Cindy concentrates 10:32:00. It reads Matrix checks his watch. Sunbeam, In the

follow Sully. out of the garage and begins to Sunbeam LURCHES the a beat, After flow of traffic. the and enters garage out of the airoort Sully drives

TO: CUT

the car floor. back against SLAMMED Matrix is SQUEAL and the tires the clutch too fast, She pops

say that. knew you were going to I CINDY •

Follow him. MATRIX

Porsche Targa . them in his by Sully drives

the car. She starts

gonna make it. You're not MATRIX

students at seven-thirty. my and kung-fu lessons to judo, junitsu, I've got to give Karate, CINDY

go. you I'll let and you I tell do what Just MATRIX

passenger door. the where the passenger seat had been and closes on the floor Matrix sits in the driver's seat. and sits She crawls across where the passenger seat had been

He puts her car keys in her hand.•

your keys. You forgot MATRIX

91 Cont.l X

Cont.

and me. my daughter to kill Somebody wants MATRIX

about? you what this is all ask I Can CINDY

approaching. dusk is Outside the car, the wheel. Cindy is still at

TO: CUT

and Sully. themselves distance between a keeping Sunbeam, and Matrix continue in the Cindy

occasionally glancing into his rearview mirror. freeway, along the Sully drives approaches, dusk As

TO: CUT

through the red light. RUNS Sunbeam The

on the accelerator. DOWN PUSHES and on top of hers foot Matrix puts his

94-B SHOT CLOSE

the light. to stop for prepares she from the accelerator as Cindy eases her foot

to turn red. through as it starts goes He Blvd. Century medium speed along Porsche at Sully drives his

TO: CUT

Good. CINDY

No. MATRIX

Cont. 93 X

Cont.

Out. MATRIX

arm. and takes her from the ignition Cindy's keys grabs Matrix the elevator disappears, soon as As Cindy are sitting in her car watching Sully. and Matrix

99 CINDY AND MATRIX

the elevator. them in and joins dark glasses off takes his GIRLS, VALLEY PRETTY TWO stares at to the glass elevator, goes a briefcase, out carrying gets car, Sully parks his

him. two cars behind Sunbeam in Cindy pulls her Galleria. Porsche into the Sully drives his dusk approaches, As

too. you, to kill want I and only ten minutes known you for I've but know your daughter, don't I CINDY

Cont. 96 X

SHAKES her in desperation. her arm, Matrix, still holding know what to say. Cindy doesn't

ten hours left. She's got less than chance!

X my only you're me, Please help

desperate) (pleading, MATRIX

shock. Cindy looks back at Matrix in

he'll run. get too close, I follow him; if need you to I they'll kill her. lose him, I me or he sees If her! my only chance of finding he's My daughter's been kidnapped and anxious) (whispered,

X MATRIX

walking. SEE Sully we and the other side of the top level He motions to now nose to nose. him so they are toward PULLS her back GRABS her arm and immediately but Matrix quick step to get away, a She takes

Matrix immediately searches with his eyes for Sully. top level next to the wide-open vaulted space. from the elevator onto the Matrix and Cindy exit

· kids just hanging out. the hub of valley nightlife, lots of shoppers and

It's movie theatre. video parlor, restaurants, bars,

The top level is particularly active ••. the open area. decorative banners in hot colors decorate 0f Lots down the levels. banks of escalators run up and several tiered steps and to the glass elevator, In addition a three-story open vaulted area. of The Galleria interiors runs around the perimeter

The elevator returns and they get in.

... up me hold you let don't hurry, a If you're in CINDY

toward the elevator. moves her quickly He from her car. and they exit

they her_and slides next to Matrix She opens her door,

99 Cont.

toward Sully. and hesitantly begins walking she turns then look at the pleading Matrix, She continues to

Take it easy, all right. CINDY

X she rubs it gingerly. and go arm Matrix lets her

X okay. Okay,

ME! ! HELP HER! ! KILL

X THEY'LL UNDERSTAND!! YOU DON'T

desperate) (whispered, MATRIX

100 Cont.

\ BEEPING of his walkie-talkie. constant,. and ignoring the some valley girls is flirting with muscular black kid, a BIGGS, Another security guard,

104 LEVEL SECOND

you there? Biggs, CATES

and speaks into it. his belt from removes the walkie-talkie He Matrix's view. moves out of then Cates Matrix watching the bar, casually glances at doorway, moves into the Cates

look ... a Take an escaped mental fruitcake. or he's help my needs who either honestly way guy across the huge a There's CINDY

guard. and she stops the so Matrix can't see her corner a

around She moves room. the men's of coming out CATES,

young security guard, a then sees Cindy enters the bar,

103 BAR

forward. moves She hesitantly forward. her urging he nods, open space, Across the at Matrix.

back then looks hesitates, Cindy approaches the bar,

102 SPACE OPEN

bunch of passports. a table, then hands Sully, still under the its next to himself, from Sully until away and slides the briefcase table He reaches under the down at the table with him. sits and catches Sully's eye He continues into the bar,

a girl with purple hair. stares at

and enters the bar, joint like this, a out of place in

looking completely a leisure suit, MAN wearing A LATIN

a drink. and orders puts the briefcase next to his leg table, a He sits at he puts his dark glasses back on.

-- scene Sully can dig this dance and mingle about.

and sharp dudes PLAYS as valley gals Wave music New

101 BAR

the while watching Sully and Cindy. space, all open moves in the other direction around the Matrix

going. she keeps then She glances back tentatively at Matrix, following Sully. open space, Cindy walks around the

100 Cont.

Cont.

and Cindy are still out of Matrix's view. Cates

109 BAR

one gigantic motherfucker!! ... and is (pause) brown hair ... six-foot-two, Suspect is on the theater level! Emergency Attention all units! BIGGS

out his walkie-talkie. and pulls an alcove and he retreats into his eyes bulge he sees Matrix, STOPS abruptly as He following. girls the Biggs confidently walks along the top level,

108 SPACE OPEN

two valley girls approaching Matrix. and his and sees Biggs look outside a Cindy sneaks

of what's going on outside. unaware Sully is in conversation with the Latin man,

107 BAR

9:28:00. He looks at his watch. Matrix is getting anxious.

106 MATRIX

TO: CUT

some ass? me kick Wanna see (smiling to girls) right there. be puke breath, I'll down, Cool BIGGS

him alone. handle can I I don't think wacko. a may be who guy up here a There's CATES

zitface ... What it is, (irritated) BIGGS

up his walkie-talkie. he picks BEEPING, Tired of the • wowie. Maui I'm talkin' Mexican shit, no . .• This ain't BIGGS

104 Cont.

A phone booth.

headed. and then looks where's he's Matrix sees Sully running

them down. two of KNOCKING BLASTED backward into the other guards, Biggs is

right in the face. (Biggs) SMASHES the lead guard on him and advancing back to the guards turns him run, seeing Matrix,

the top level. and races out onto bumping off of Cindy, Sully runs,

114 LEVEL TOP

Jesus Christ ... SULLY

him! And Matrix is pointing right at sees Matrix. and suddenly commotion Sully looks out toward the

113 BAR

suddenly sees Sully approaching her. he bar and from the guards to point at Cindy in the Matrix turns

112 MATRIX

out.side. and glances commotion a he hears something to her, say about to is

he Just as doorway. Cindy at the toward moves Sully

111 BAR

now approaching him. Five security guards are turns around. noticing her glance behind him, Matrix,

him. right at helplessly looks then She glances behind him, her.can see he where doorway Cindy comes out into thetoward the bar. then looks up glances at his watch,anxiously ·Matrix

110 MATRIX

toward her. through the dancers moves He Cindy. notices up and finally looks Sully, still talking to the Latin,

wrong thing. done the wondering if she's biting her lip, waits, Cindy toward Matrix. from the bar and moves He exits

Miss. You'd better stay here, CATES

109 Cont.

him AWAY at the Latin, hitting FIRES The other Officer

down the escalator. backwards and tumbling him rolling KNOCKING the chest and one in BLASTING away at the Officers, SHOOTS The Latin

Freeze!! OFFICER

him. aim at Cindy drops to the ground as the Officers

see the Latin. drawn, escalator with their guns up the racing OFFICERS, POLICE Los Angeles Two real gun drawn. man dashes out of the bar with his The Latin

SCREAM. People all over the Galleria begin to

SMASHES it against the railing. and the wall from RIPS it BOOTH, PHONE ENTIRE THE UP PICKS Matrix

get another chance. He won't He misses. looming Matrix. at the steadily FIRES through the windowpane and gun Sully pulls out his

wet with sweat. face is Sully's

CLOSER. CLOSER and he sees Matrix getting CONTORT as to face starts His as he can. as fast Sully tries to dial

the booth! RACING right toward Matrix is In the b.g., quarter.

a phone booth and quickly drops in Sully gets in the

upward. RUSHES then stairway, a toward DROPS eight feet chasm, LEAPS across an open jumps over the railing, He

NO!!! MATRIX

SCREAMS. Matrix

TO: CUT

and points it at her face. gun a raises

He up as Bennett stands in front of her. Jenny looks

missing Matrix. FIRES, The gun away. aim KNOCKS the cop's Cindy

hanging onto the banner. JUMPS, Matrix

Don't!!! CINDY

cop. running right at the Cindy is

prepared to fire. and gun at Matrix aims his and cop kneels LAPD The

and tears loose the banner's end. onto the railing jumps spanning the ceiling, giant decorative banners

the one of looks at looks desperately around, Matrix

descen<l. starts to

It a glass elevator. and get into off the stairwell jump sees Sully running along the third level, Matrix,

him dead. BLASTS him and Sully RUSHES A security guard

bodies. on the huddled stepping down the stairwell, RACES He

It misses. shot at Matrix above. a BLASTS and around Sully turns

hug the floor. SCREAM and People continue to

below. and drops to the stairwell railing from the hangs window pane, broken a through other way but the bloodied Sully crawls out the to get at Sully, open the broken phone booth door Matrix tries to force

120 SULLY AND MATRIX

floor. CRASHES to the and through the drifting bills right falling over the third floor railing, The Latin drops

119 UP SHOOTING

He reaches too far. futilely at the money. reaches over the railing to grasp drifting in his head, and eyes stomach blood oozing out his The Latin,

118 LATIN

downward. and begin drifting come rushing out of the briefcase Thousands of bills

117 UP SHOOTING

WAIT! ! ! CINDY

stop him. up to her hands held the street, Cindy races out onto RIPS out onto Sepulveda. Matrix

toward her. RUNNING cop is Now the

down the block. She looks zoom by. him Cindy watches

wrong lane. swerves into the he horn as BLASTING his WILDLY out onto Sepulveda, SHOOTS Sully

on Sully's heels. Sunbeam, is right in Cindy's Matrix, arm and heads out onto Sepulveda. wooden parking the CRASHES through burns rubber, in his Corvette, Sully,

TO: CUT

desperately trying to figure out what to do. around She looks down the block points at her. A cop comes out onto Sepulveda. and door a Cindy races out of

TO: CUT

him. Matrix stumbles and chases Seconds behind him, his car. and dazedly begins to trot toward Sully crawls out open. and the doors The elevator reaches the parking garage

in the broken glass. men lying two the It descends silently, the elevator. and Sully are both lying bloodied and dazed in Matrix

and disappears. marked "Stairwell" door a moves quickly to she and toward her gun the He starts to bring him uncertainly. back at looks She Cindy. from the ground and looks at up comes cop The

GLASS into the elevator with Sully. THE THROUGH

RIGHT CRASHES and down to the lower level Matrix swings

,

120 Cont.

chasing me!! you and then they start killing from stop the cops like Tarzan ..• I from the ceiling swing and the wall from phone booth a you rip watch I

X CINDY

Sunbeam's engine to the limit to catch him. now and Matrix pushes the traffic is lighter The up Coldwater Canyon. SPEEDING comes Sully

all over the place ... killed and blood is spurting out shoot-out where people are getting a me into You get very kindly do. I which and your daughter, you help me to You beg my hair appointment. me miss make You me. then kidnap rip the seat out, my car, You steal

X (angry)

you?? Who in the hell are (angry)

X CINDY

ripped out the seat. Matrix where on the floor now sitting She's position. a sitting moves herself into stomach, on her Cindy,

down Sepulveda chasing Sully. SPEEDS Matrix

by. RACE dives into the car as it starts to floors it and Cindy Matrix puts the car back in gear,

toward it. She runs SKIDS out of control to the side. almost hitting her as the car Matrix hits the brakes,

125 Cont.

THEM! AT RIGHT COMES large truck a SUDDENLY and TIGHTLY cuts the corner Matrix curve, a around Sully's Corvette disappears

No ...

X MATRIX

on? going me what the hell's you tell Will

X CINDY

Matrix keeps pace.

along Mulholland. SLIDING around the curves FLOORS the Corvette, Sully

Matrix's headlights are getting closer. mirror. looks in the then Sully pulls onto Mulholland,

X 131-B P.O.V. MATRIX'S

think I'm dead. I CINDY

You okay? "MATRIX

effects of the crash. from the Matrix looks over at Cindy who's reeling

X 131-A NIGHT - SUNBEAM INT.

inside face of the cliff.

X CRASH into the SKID off the road and and Cindy Matrix

CRASHES into the inside face of the cliff. then couple times, a FLIPS SKIDS off the road, Sully's car

WHAM! of Sully's car. SMASHES it into the back floors the car and completely Matrix SPLINTERS. Sunbeam on the The windshield

BLAM!

a wild shot. fires Sully half glances back and car up close again. Matrix brings the swerve around another curve. They

BAH! Corvette. RAMS it against the back of Sully's and Sully, up behind bringing the car right REVS the engine, He

... I didn't MATRIX

license? driver.' s a you ever get How' d CINDY

She looks at Matrix. lowers her hands. then through, peeks now opens her fingers, She with her hands. down in her seat and covered her face Cindy has slid

and keeps going. by the truck, grazes just Sunbeam at the last moment, swerves the Matrix

130 Cont.

now. your life right important in Gravity is very MATRIX

180 degrees of twinkling lights. spread out below, Los Angeles Basin is The sharp drop. over the DANGLES Sully upside-down and arms He extends his

But take gravity .•. MATRIX

X Cindy's sight.

He has walked out of drop along Mulholland Drive. steep a SEE Matrix walk right up to the edge of We

132 ANGLE WIDE VERY

... now right it's not important in your life Sully, but Loyalty is touching, MATRIX

YOU!! FUCK SULLY

Sully. I can't hear you, MATRIX

down. Matrix continues to carry Sully upside

Matrix!! my car, That's CINDY

already beat-up car. leaving another dent in the fender, head against the BEATS Sully's and swings Sully by the heels He out. Sunbeam as Cindy is getting Matrix is approaching the

Fuck you •.. SULLY

Sully? Where is she, MATRIX

him. begins walking with He down. so that he's holding Sully upside hand, an ankle in each He picks Sully up, motel key. a and and finds his wallet Matrix empties Sully's pockets

gun up. hand and picks the kicks the gun out of Sully's Matrix approaches, car. Sully crawls dazedly out of the destroyed Gun in hand,

X 131-C NIGHT - MULHOLLAND EXT.

Sully? you last, promised to kill I when Remember MATRIX

but Matrix pulls it out of his reach.

X He tried to grab at the key, STARES at the key. he as time show in Sully's face for the first Fear starts to

know where. already I Because MATRIX

It's Sully's motel key.

his pocket and he dangles it in front of Sully. from something Matrix uses his right hand to take

Why not? SULLY

you won't. But MATRIX

to meet him. you where I'm supposed could take I knows. Cooke but know, I don't SULLY

a line. on a fish moving him like SHAKES Sully, He

she? Where is MATRIX

me to find your daughter. need

X You Matrix. me, You can't kill

(defiant) SULLY

my weak arm. This is (tapping it) Sully .•. you, have to warn I MATRIX

Uhhhh •.. SULLY

new weight. adjusts to the then a little, arm drops Matrix's left foot, a drops Sully's head arm. go with his right Matrix lets

face starts to redden it. his the blood rushing to Sully tries to thrash about as

132 Cont.

out of there. BLASTS RUBBER and LEAVES FLOORS the accelerator, He

him go. I ... let MATRIX

do with Sully? What'd you CINDY

Matrix looks at her.

a minute ... Wait CINDY

away. and puts the car in gear to drive the engine They get into Sully's beat-up car and Matrix starts

X 132-B NIGHT - CAR SULLY'S INT.

do .•. I Now MATRIX

to the ground right side up.SLAMS and it HARD against it INCREDIBLY PUSHES Heside. on its which is lying looks at Sully's car,Matrix

a car ••. Now you don't have CINDY

as Matrix approaches. shit, smashed to which is Sunbeam, looking at her Cindy is

132-A CINDY AND MATRIX

rocks below. CRASHES to the SCREAMING Sully and Sully a He drops

lied. I MATRIX

Matrix •.. Yes, SULLY

Hope flickers in Sully's eyes.

132 Cont.l

X 136-A NIGHT - CAR SULLY'S EXT.

TO: CUT

from the cold. and begins to shiver on the floor a sitting position a wall, slides to Jenny moves against

Jenny into darkness. plunging room go out, the lights in the Suddenly,

CLOSES the door. then steps out into the hallway and He gazes at her,

backward. few hesitant steps a She takes Jenny. down at and up then looks door again, LOCKS the Arius

the windows boarded over. furnishings, room that has been stripped of all a They enter

136 ROOM

and unlocks the door. door a Arius stops her in front of

rooms. several lavishly decorated passing marble passageway, a down and Jenny walk Arius

soldiers. room to join several side a Bennett goes into mansion, an expensively furnished them into A second guard admits

they approach the estate. Bennett and Jenny as searchlight, outlining Arius, bright a. on turn.s anc. approaching He sees figures a large estate. A guard patrols the perimeter wall of

down the dock. quickly from the boat and walk Bennett and Jenny exit Arius,

secure the boat's lines. fatigues) (in guerrilla and several Latinos dock a next to boat settles Arius' rocky shore. a Waves crash against

Is her mother CINDY

photo. the Cindy looks at

know what I'm doing. I get to her before they only chance she has is if The did it. I her even if knew they'd kill I No. MATRIX

job? do the you · Did CINDY

they'll kill her. soon, don't get to her I If job. a do me to to force Some people are using her MATRIX

Matrix nods.

kidnapped? was Is she the one that CINDY

X 136-D SHOT TWO

a color photo of Jenny. It's

X 136-C PHOTO - INSERT

plastic photo insert. clear a wallet, photo tucked into a Cindy looks at

It's about her. MATRIX

opens it and hands it to Cindy. Matrix reaches into his pocket, pulls out his wallet,

what it's about. me you tell why won't Then CINDY

in this. you involved got I I'm sorry MATRIX

X 136-B NIGHT - CAR INT.

toward the motel. window looks out the Matrix

X 138 NIGHT - CAR INT.

and parks. motel a parking lot in front of a Matrix drives the car into

X 137 NIGHT - LOT PARKING MOTEL EXT.

now is Jenny. me to All that matters with. my life is over That part of MATRIX

away. then looks He looks over at Cindy,

know about. I didn't sometimes wish I Things know about. you don't want to Things MATRIX

do? you What did CINDY

Or something. MATRIX

something? Army or mean like in the You CINDY

on special assignment. was I MATRIX

you always travelling? Why were CINDY

me. been kidnapped because of now she's And in Pakistan. was I she had the measles, When was in Angola. I to grade school, When she went was in Lebanon. I But on her third birthday (pausing) raise her. home intending to came I so • when it happened, was in Laos I She died when Jenny was born. MATRIX

136-D Cont.

Cont. •

It's empty. looks inside. then moves to the closet and the bed, He looks under nothing in the suitcase. Matrix finds

Cindy checks out the bureau drawers. and searches through it. Matrix goes to the suitcase

the bureau drawers are ajar. food containers lay open and and fast Beer cans on one of the beds. Sully's suitcase is spilled open

room. They look around the the chain. and locks closes the door joins Matrix inside, okay, sees it's room, Cindy nervously peeks her head into the

No one's there.

room. BURSTS into the gun out in front, Matrix,

OPENS the door. QUICKLY

then key into the door lock, EASES Sully's motel slowly

gun drawn, back as Matrix, few feet a Cindy stays

The drapes are closed. rooms. and cautiously approach one of the motel They quietly

X 140 NIGHT - ROOM MOTEL EXT.

move toward the motel. beat, then they a He looks at her for and joins him. She closes the door

you get her back. Helping CINDY

you doing? What're MATRIX

too. Cindy getting out of the car, he notices He stops as move across the parking lot. to closes the door and starts Matrix gets out of the car,

X 139-A NIGHT - CAR EXT.

WATCH. we 04:59:59 as It changes to 05:00 remains.

X 139 WATCH - INSERT

•

Cont .

himself aginst the wall close to the door. and Matrix flattens up to the door and Cindy edge Matrix

some cleavage. show hair and unbuttons her blouse to musses up her Cindy tears the covers off the bed,

shower. moves into the bathroom and turns on the Matrix

him in •.• Let It's Cooke. urgent) (whispers, • MATRIX

Then Matrix quietly moves to her .

141 Cont.

a chest of drawers. into

CRASH a table andBREAK They room. around the wrestle

ceiling as they FIRES into the gun The BLAM! BLAM!

STRUGGLE for the gun. them two of the by the wrist and hand gun He grabs Matrix's down.

go but doesn't back against the wall, Cooke crashes

brawny Cooke's head. gun against the SLAMS the Matrix

WHAM! doorway. cautiously enters the Cooke

bathroom. from the echo SOUNDS continue to shower The

food containers. suitcase and fast bed, rumpled room at the looks into the Cooke to attack.

ready Matrix tenses, from the door. away moves Cindy

Move out of the way. COOKE

the door. opens and Cindy unlocks the chain

Open the door. COOKE

see Cindy. oniy can Matrixfire. ready to gun, holding_his is of the door the inside edge Matrix, at through the door at her.back looks Cooke

Room service ... CINDY

She smiles. so her breasts push at her blouse. crack toward the then slouches down, and up him looks Cindy

you? Who're COOKE •

shower . a beat to the running Cooke listens

shower. the in He's CINDY

Where's Sully? (alert) COOKE

through the crack at her. looks outside, standing, Cooke, locking the door. still is chain

so the crack a she opens the door and nods to Cindy He

Cont. 141

comes out of his chest. and back and the leg goes into his sharp table leg

broken, on the Cooke has fallen then stops cold. Cooke, toward back through the broken door, starts Matrix races

143 ROOM ORIGINAL

to the floor. and falls through the broken door backward Cooke goes jaw and Cooke in the BLASTS He

asshole .•• Fuck you, MATRIX

him. looks at Matrix

from Cooke's face. The blood drains bun. more bullets in the No CLICK. He pulls the trigger.

asshole. Fuck you, COOKE

then smiles. the trigger, •

back pulls gun right at Matrix's face, Cooke points the

can reach it. picks it up before Matrix Cooke of Matrix's hand.coming out gun the floor, onto theSLAM and the wall come off Cooke Matrix and

on the other side of the bed. to safety on the floor SCRAf/i.BLE and they couple young above the SHATTERING the mirror FIRES, gun The BLAM!

the wall. SLAM against and bed bounce off their Cooke and Matrix shock as up in A twenty-year-old couple in bed look

142 ROOM ADJOINING

room. DOOR into the adjoining THE THROUGH RIGHT CRASH them two of and the him toward the wall pushes the ground, Cooke off Matrix lifts SURGE of power, sudden a With

at Matrix. ... then almost points right CLOSER ..• CLOSER barrel gets

The FORCES the gun toward Matrix's face. slowly Cooke

cover. making her duck for lamp near Cindy, SHATTERING the FIRES again, The gun BLAM! Cindy moves to help Matrix.

141 Cont.1

Nothing. and looks inside. compartment He opens the glove Nothing. Cadillac. Matrix looks desperately around the inside of the

door. and opens the Cadillac's He uses the door keyempty.

It's and looks into the trunk. races over to herMatrix

She opens the trunk! a Cadillac. races to Cindy The door won't open. Ford. a Matrix races to

It won't open. Honda. a Cindy goes to the trunk of It won't open. Pontiac.

a Matrix tries the car door key into They split up.

Try the trunks. (urgent) MATRIX

key off the chain and hands it to Cindy. a then he breaks Matrix looks at the six cars parked there, parking lot. go out to the room and from the and Cindy exit Matrix

Come on! MATRIX

Matrix leaps to his feet. They're car keys. key chain. a on two keys He pulls out

floor. then tosses both objects to the examines the lighter, package of cigarettes, a a lighter and He brings out Matrix tosses it to the floor. containing only cash.

a wallet There's emptying Cooke's pockets. Matrix starts

coming out of his chest. the stake

body, down at his she looks as swallows and approaches

Cindy He's dead. and still. go cold Cooke's eyes

Cooke ..• Cooke!! MATRIX

Cooke looks blankly back at him.

Cooke? Where is she, MATRIX

down to the barely alive Cooke. bends Matrix

143 Cont.

go. Let's MATRIX

and pockets the invoice. Matrix closes the car door

plane there. a keeping be must Arius Redondo Street. around a lot of warehouses There's MATRIX

gets his fuel. my instructor Coastal is where my pilot's license. I'm getting CINDY

You sure? MATRIX

aircraft. No, usually smaller, private CINDY •

the airlines? -- who For MATRIX

supplies planes. depot that fuel a Coastal is CINDY

you? any sense to Make MATRIX

looks at it. comes out of the car with the invoice and Cindy Matrix

90733." San Pedro, California, Redonda St., 50 90802" to "Patria Enterprises, California, Beach, Long 110 Hermosa St., "Coastal Fuel, from an invoice It's

He pulls the paper out and looks at it. • the pocket along the inside of the car door. from piece of paper protruding a edge of He sees the then suddenly stops . come out of the car, He starts to

145 Cont.

156 CORRIDOR

the door. then starts walking toward He pauses,more then it was. and sees the door is open the chartsfrom up Vega looks

155 ROOM

its hinge. on CREAKS As the door moves, it room. rest of the Matrix pushes open the door slightly to see into the

154 CORRIDOR

a table. some charts on looking at is Vega, A soldier,

153 MATRIX'S P.o.v.

door ajar. a a corridor and sees goes into shadows, the low through moves from the jeeps, away Matrix crawls

152 MATRIX

away. move then the feet Matrix, above jeep crate onto the

a the soldier unloads front of Matrix, in walk right

A soldier's feet from the trucks to the jeeps. crates wooden and metal containers move weapons, The soldiers

151 MATRIX'S P.o.v.

room. survey the then pauses to jeep, a He goes under room. along the warehouse floor in the darkened Matrix crawls

Cindy replaces the grille. and then he crawls through the warehouse's outside wall, from mesh grille wire ground level, a removes Matrix

room. spread around the darkened are etc. mortars, machine guns, bazookas, jeeps, tanks, Trucks, earlier. and Bennett had walked through warehouse that Arius same Thirty guerilla soldiers are working in the

VHF radio . a room and there is around the situated There are copies of weather reports amphibious plane. a civilian and photos of several military planes There are and the walls. on the tables are aerial charts

There room. room is designed as the aircraft control The

room. look around the they begin to

then a beat, Cindy in desperation for looks at Matrix

they are. She's wherever here. and Bennett aren't Arius MATRIX

shakes his head. Matrix

What about your daughter? CINDY

no plane. but there's saw all the equipment, I • MATRIX

They begin to whisper . and Cindy enters. opens it He moves to the door leading outside the warehouse,

then closes the door. inside, dead Vega a closet, _drops the opens apple, Adam'p his SMASHES room, Vega toward the back of the Matrix pulls

corridor. by the door outside in the CONVERSATION pass right and FOOTSTEPS the soon as the door closes, As

his right. then carefully closes the door with arm, with his left Vega choke hold around a puts room, MOVES into the then quickly stomach, SLAMS his fist into Vega's Matrix

159 ROOM

the door forward. and pushes Matrix desperately grabs the door handle

158 CORRIDOR •

from the inside of the door . away two feet Vega is

157 ROOM

on the wall. the aircraft then back at the photos of Cindy looks at the chart,

there. Something's going on out MATRIX

Cindy. shows the chart to then looks at the island, Matrix

167 CINDY AND MATRIX

Los Angeles. 200 miles west of island small a now intersecting right over three circles

the a third circle, pen as it finishes CLOSEUP of the

166 CHART

second circle. a Matrix uses the compass to draw

165 MATRIX

by it.right then continue the door,reach FOOTSTEPS Thedoor. toward the Cindy looks and freezes. drawingstops Matrix approach the door.CONVERSATION and FOOTSTEPS

164 CINDY AND MATRIX

a circle. draws and onto one of the three dots compass legs then puts the point of one of the compass, Matrix sets the width of the legs of the drafting

163 CHART

Cindy is studying the photos of the aircraft.

162 CINDY

coasted chart of Southern California.

a to the three sets of coordinates onto corresponds

which He puts three dots, and pen. compass a drafting then picks up He studies the coordinates,

161 MATRIX

drawn under the coordinates. A "Scale line" is 7565-5474. 8142-5938; 8734-5245; They read, a chart. penciled onto the side of map coordinates a set of military Matrix notes

160 COORDINATES

out to the island? How long's it take to fly MATRIX

San Pedro. That's thirty-two, Pacific Pier. pump station was refueled at It CINDY

Matrix. then looks up at Cindy glances at the invoice,

got. saw everything they've I But it's not here. MATRIX

and back. fly that plane to the island what it would take to is • gallons fifty two hundred and amphibian is Type four fuel CINDY

They continue to whisper.

by outside.

go FOOTSTEPS and Cindy glance at each other as Matrix

169 SHOT TWO

4 aircraft fuel." Type "250 gallons of She sees,

and she studies it. shows it to her pocket, his Matrix takes it out of

me see that invoice. Let CINDY

amphibian. and looks at the photo of the comes over Matrix

using it to fly there. Maybe they're amphibian. an One of these plane's CINDY

167 Cont.

Shopping. MATRIX

we going? Where are CINDY

She looks bewilderedly at him.

Not yet. MATRIX

we going to the plane? Are CINDY

and approach Sully's car. the warehouse from away and Cindy move (carrying the chart) Matrix

TO: CUT

closing the door. room, and leaves the then turns a beat, around for He looks

Vega? ROBERTO

from Roberto. inches behind the door, hiding and Cindy are flat against the wall, Matrix

room! He goes into the

172 ROOM

door handle. He turns the

comes back right toward Matrix's door. He

Momento ••. ROBERTO

then Roberto stops. room Matrix is in, They pass the down the corridor. come and Juan, ROBERTO Two soldiers,

171 CORRIDOR

down. and counting 02:56:15 The watch reads

Matrix looks at his watch.

two hours. About CINDY

169 Cont.

the aisles. working and starts Safeway) (like in shopping cart a He takes

APART under the roller. CRACKS AND BUCKLES and the steel grille INWARD SHATTERS GLASS and the CRASHES into the front of the store The steamroller

SEE IT. we and then NOISE RUMBLING a We hear the steel grille. camera is in the store shooting out through The

TO: CUT

• o.s. around another building until the car is backwards RACES the car and JERKS the car into reverse Matrix

you get in? How do CINDY

windows. no heavy concrete wall with a There's and drive to the rear of the store. signs, etc.), warning flashing (steamroller, caterpillar, forklift, some street construction equipment They pass

a thick steel grille. with It is heavily barricaded Equipment" store. and Survival "Guns a by the front of Cindy slowly drive and Matrix

TO: CUT

him. at Cindy glances over HARD. Matrix is driving, his face

street.

a SPEEDING along and Cindy are in Sully's car Matrix

AWESOME sight. an It's

imaginable. weapon loaded with every kind of illegal is room This

178 ROOM HIDDEN

CLANG. store alarm continues to The room. a cart into the Matrix pushes room. hidden a revealing equipment slides to the side, innocuous sporting wall containing a him, Behind

and presses it. the hidden button suddenly feels He

on ... come Come on, MATRIX

something. 1-ooking for along the underside hands moving his and starts feverishly moves to the counter Matrix

cart outside. Cindy quickly rolls the the aisle into the debris. down and it rolls crazily shove a He gives the cart

combat knives. and black survival boots, camouflage sweater, a vest, an assault-extraction survival fatigue pants, O.D. He grabs down the aisle. moves and shopping cart takes another aisle, ne~t moves to the Matrix

quickly rolls it out of the store. and Cindy takes the cart the front of the store. among the debris at a rolling crash coming to cart the down the aisle, SHOVES it and He takes the cart

too. them in, tosses and paddle and compressed rubber raft and a deflated then grabs them into the cart, and tosses flippers and mask snorkel, a he grabs Along the first aisle,

177 Cont.

are sitting. FRED, and DARYL him, that arrested cops two that leads to the front seat where the "window'' mesh wire up against the small, his face wagon, paddy the back of standing in the Matrix is

through the night. wagon drives The police paddy

TO: CUT

Trapped!

the trigger. COCKS He shotgun also pointed at Matrix's head. his with end of the other aisle COP is at the SECOND A flee.• toward the other direction to Matrix quickly looks

FREEZE!! COP

COCKS the trigger. He head. right at Matrix's shotgun pointed from behind the aisle with his out comes A COP SUDDENLY and by the counter Matrix passes

181 STORE

room. leaves the and satisfied is anything, sees if he's missing room, Matrix reenters the hidden

180 ROOM HIDDEN

away. the cart She wheels

Get the car. MATRIX

way to Cindy. by itself the rest of the rolls so it then carefully pushes it the aisle with it, down moves room, the cart out of the hidden He wheels

179 STORE

something. think she wants to give us I DARYL

over at Fred. Daryl looks

the car waving to Daryl. standing next to She is remains stationary at the light. car qer

right rearview mirror. the outside, looks into and Daryl ahead wagon pulls The

the light. wagon through the and Fred drives green The light turns

bad ... not Hooker, DARYL

Daryl glances over at Fred. •

them • winks at and Cindy smiles cops glance over at her. two The

the wagon. up next to and drives the car FRAME THE ENTERS Cindy To the side, red light. a up to wagon pulls paddy The

HOPELESSLY at his watch. LOOKS Matrix

187 MATRIX

and counting. 02:23:02 The watch reads

looks at his watch. and paddy wagon wall, leans exhaustedly against the up, Matrix gives

185 WAGON OF BACK

•• smiles. who's driving, Fred, eyes. and rolls his Daryl looks over at Fred

184 COPS

TO: CUT

High School . CINDY

do that? you learn to Where'd MATRIX

the night. speeding off into and Matrix are Cindy

wagon. the of dazed but unhurt are trying to get out and Fred, Daryl

AWAY. RACES she and back Matrix dives in the in the car, up SCREECHES Cindy wagon, from the Matrix dazedly exits

wagon. the and bottom of back a giant hole along the

SEE we and smoke clears the and stops, slows wagon The

• road. along the SKIDS and CRASHES to its side wagon the and UPWARDS KNOCKED wagon is back of the the

and EXPLODES wagon back of the road underneath the The

BOOM!! back tires of the wagon. at the and fires the launcher pointed correctly now has Cindy

reacts. listening to the continuing explosion, Matrix,

194 MATRIX

rearview mirror. Daryl is staring incredulously into the

Uh-oh ... CINDY

stop kiosk. bus a DESTROYS COMPLETELY and the launcher SHOOTS out of the rear of A rocket

BOOM!! She pulls the trigger.

paddy wagon. on her shoulder pointed at the rocket launcher LAW now wlth the SHOWS her Cindy SHOT of A CLOSE

the door handle. and tries room moves to the door of her darkened Jenny

201 ROOM

each other. and Bennett look at Arius

her back. never going to get he's knows wonder if he ·I ARIUS

he'll get his daughter back. he thinks long as him as we tell do anything He'll BENNETT

any problems? give us You think he's going to (pausing) lands. he soon as know as me Let ARIUS

two hours. Just over BENNETT

Bennett glances at his watch.

Verde? Val in soon does Matrix arrive How ARIUS

200 BENNETT AND ARIUS FAVORING

country. showing where the guerrillas will enter the areas drawn at different arrows The border of the country has

Val Verde. map of a They are looking at by ten guerrillas. room surrounded and Bennett are in the living Arius

estate. Arius' patrol the perimeter wall of GUARDS Two heavily armed

Cont .

and Matrix parked near it. REVEAL Cindy TO BACK PULL

we then Goose seaplane, Grauman beat-up an old, ON TIGHT

TO: CUT

stares straight ahead. and then he turns watches as the police disappear, He and glances at Matrix. Cindy exhales her breath

AWAY behind them. FADE and them, SPEED right past then the police continue to watch, them as they CLOSER to CLOSER and The police car gets

Cindy glances at Matrix; he's watching the police car.

205 CINDY AND MATRIX

them. RACING directly toward and begins ahead,• turns onto the street up FLASHING, A police car, light

204 THEIR P.O.V .

a street along the water. on begins driving and sharp left a takes through the light, She drives

Don't stop. MATRIX

red light. a Cindy approaches Matrix in the passenger seat. Cindy is at the wheel,

San Pedro. in Cindy and Matrix are in the car driving near the water

TO: CUT

and begins to shiver. down on the floor She sits back

move. They don't window and pulls at the boards over it. a She moves to

It's tightly locked.

Cont. 201

Start paddling. MATRIX

canoe with wings. a plane ... it's a This isn't CINDY

wrong? What's MATRIX

Matrix gets in the passenger seat. controls as and stares at the the pilot's seat in Cindy sits

bags inside. begins to load the duffel and Matrix the door of the plane O?ens from him, She takes the key ring approaches her. equipment, bags of two duffel carrying the plane as Matrix, is waiting at the inflatable raft at her feet, Cindy,

TO: CUT

the wall. a ring of keys off of Matrix takes With his left hand,

FRAME to the floor. OF OUT backward him SLAMS and neck forearm around the man's his Matrix circles The guard tilts his chair backward,

is standing right behind him. Matrix and forth; TILTING his chair back The guard is

208 MATRIX AND GUARD

back is to Matrix. The guard's around. and looks shack Matrix silently enters the

backwards. pushes his chair to tilt and he casually edge of the desk His feet are on the

manual. aircraft an shack reading the small in GUARD is A guerrilla

TO: CUT

shack nearby. lighted a at Matrix looks San Pedro. in a deserted pier They are at

206 Cont.

the BLASTING into his chest, 4 bullets The guard gets

BOOM! BOOM BOOM BOOM BOOM BOOM FIRES it. and gun submachine Matrix lifts his

and Cindy. Matrix SMASH into the cockpit near Bullets BLAM! BLAM!

the plane. BLAST holes into the side of Bullets ELAM! ELAM!

• a pistol. FIRES with He the plane. jeep toward RACING his GUARD is A second guerrilla

plane. move the REVS the engines and starts to Cindy

Works every time ... MATRIX

UP! STARTS The engine

hand onto the control panel. SLAMS his He

shit! you piece of Come on, MATRIX

and dies again. COUGHS then It starts to turn over, She tries the engine again.

and dies. COUGHS It She tries the other engine. OVER. TURN an engine starts to and some controls She plays with

210 Cont.

War III. World KIRBY

you expecting? What are DRIVER

area. and marine channel in the aviation them monitor every police, Have Call the Federal Building. KIRBY

Kirby nods.

Matrix? DRIVER

sedan. government a by DRIVER waiting NONCOM a and approaches from the police away moves Kirby General

store. smashed front of the and the look at the steamroller Police officers Equipment Store. and Survival Guns the surround the front of Police. cars with flashing lights

TO: CUT

way! They're on their window. the look out then turns to a little bit, swallows Matrix

Sort of. .. CINDY

know what you're doing? You MATRIX

over at Cindy. glances shaken for the first time, looking Matrix,

on the boats! on the seaplane just clear the masts pontoons The

Cindy pulls the seaplane up. them, CRASH into Just before they moored in the water. group of boats a CLOSER ..• CLOSER •.• CLOSER to get They amphibian across the water. RACING the Cindy is

-= ".... •r

TO: CL'T

a restricted area. is This Range. Gunnery Naval Miguel San the over You are flying 'Mcrgenthal.' Cutter Guard Coast the This is OFFICER INTERCEPT

scanner. radar

a at OPERATOF, a radar shoulder of the o,·er looking is

rr.ike) lip and headset (with OFFICER INTERCE?T R.~DAR A

NIGP.T - CUTTER GUA?: COAST INT.

TC·: CUT

aircraft. unide:.ti:ied Atter.tion, VOICE RADIO

CRACKLES. rac.:c the s::DOENLY

Ma~rix. at locks She

pirr.. like just be to was alcng all wanted what I've really ouess l (pausino) myself. plane to fly the wanted I and drinks. fooc got tired of serving I while, a But after stewardess. a became I why That's pilot. an Air force was father My CINDY

pilot's license? a you decide to get Why'd MJ..TRIX

e:.9ines. of the DRONE the is S01.."?,D c:1ly The faces. their ont: spilling so!tly panel control

the fro~ the light cc~krit, the in are Matrix and Cindy

' ..

Co~t.

d:.sappears! it sudden, a of All radar screen. the on blip the watching Operator area~d Officer Intercept The

NIGHT - CUTTER GUhRD CC~ST I:~:.

the water. above just barely :!yini is it until sky the of out do~n comes seaplane 7te

22E

do~nward. seaplane the dives ::~jy

1'.ATRIX

us. ca!'7'.ouflage might e:fect seas high the the water, enough tc close get we if but ra~ar, marine ~o: CINDY

radar? the under you get Can MATRIX

the plague. like LAX avoid it of out flights The time. the area all this of cut shit the shoot Thev CINDY

below. down Guard cutter cruising Ccast a sees He

~indo~. th~ of out :ooks ~a:rix

Ack~0~led?e. la~d. tc forced be ~ill ~·ou course change net de you I! • ) S ( C • OFFICEF J~TERC£rT

: t

TC: Ct:T

smiles. She

deck ... a cassette ~ith IX ?-'~.TR

deck? a cassette ~ith CINDY

and ties it. lee her around gauze the wraps expertly Ee

over dress~n9 bandag~ the puts a~d cut her ~ipes ~atrix

car crash. The CIKDY

gauze. and bandages out and pulls bags his duffel o! one into reaches He

that? get you ~hen'd l'J,TRIX

bleed. tc looking cut is starting nasty A grimace. to caused her what looks at and hand her moves leans over, Matrix

grimaces. and it fec,Js knee, her of back to the do,,:-; reaches She 1,,ater. the above just seaplane tho to pilot continues Cindy

• •

n, tJ) If) ,.; ,,3 '-3 () 1-1 c~ ~f' n ru

ct tJ:1 ct trJ l·h :1.., 'V t,1 tr >-'l '.:>:1 ,1 ·n ::,· (l) :·1 fll ,., (l (ti ro H u :·r 0 1.) :s,:: 0 o m

() :.1 rt :.J t:J n• m 0 0 (11 0 '.l1 0 :, ~--' ~t• ()

(l) :1 !Tl :.1 0 •-• ., • ~ :j ::, ,, 0 7,,' :1 f\J ~ 1 !•I :-: n,•< :x, 'J :1 ro ' l

t--' HJ :, ft) fl) tr m D, H, ,o ~--~ •,: :,: u

"' ro r+ \{) I·-' rt 0 Ul ;,,;"" r; tJ OJ OJ ·- ,: ::, rt t--'· ct '"t- rt '.:>:1 .,, ,. t1· OJ rt ,n ft '.'J' - ,. (l) rt" (.) 0 () ro ro 0 :1 fn

() ,._. m 11 :x, (), C: Ill

'1 ::r m OJ ·~ r'" r,, r+ l--1 ttl tn ,+ d rt :·, '11 )-•• :-: •.,.•n 1-1 "·

,n '1ro "'r 1 :1 ,,, ' ff) {l, :-,,· ~-

;:_1 1---' I-'· :·r : ,· fl, ,: m ,... ,,, ,., ro r't 1Q ~ ::r- m n f'+

'J '.I" n

tn O, rt :.1 : j •r:, r ., tn r+ 'r1 m o >J m : , '"

'" ~< ,_ .. ,,, tr tr

in ro rn r I, ... •1 m :r rn '1 ~·- PJ

fJ 1-'· :.1 Ul 'TJ•~ u (_) ·r~

I-' ff) Ill H '.7, ft :r: 0 rt- ro (l ::,-· n, rt ro tn '°fn () r ; r-t 'TJ ~ ,o ~ rt- f)) '1 I·•· 1---' rt ,, ,o ,.; r·'f '"": l-'. :'l' •: :.,· :-l' tn {.: './, ...,. ,:: :r • P1 :::1' ;,,,;- •-•· ,,,, - u, t-•• t) l'1 <t> 'J (l, m rt In 0 (1) (1) {l) It c:, :1 ·o °' n, u, IU '1 in ::, !•1 {U >J t--1 n, :1 r> ,,, •n () t·•· >J rt·~ tr '" (V G) (), {/l <" P1 ~1 ,,,, .,, () c; ._.,. () I\) rt () ·~, t, ... r:~ ~-.1 •--· n, {fl '" n r-t· 1() ,,,, ;,;· ,n {/} ,,1 :-1 1: ;:_1 O, '.,, ., ,., '"' ,, {), μ,() (.i :, m '" '"p, er >~ ~(I "1 , ... n, ,o (1) ,,, (~ ,... '.fl n, ft :s: ft ">": •<:

,_. ,,, ,, :1 '-' : r • l ( l,

:J ID 0 •: '" It f'f '·' 1 ,o ;,;- 11 ID In (1) ,, 0 , ... r.n (tl >·] H· t I ,,,, u, ,, 0 rt () :.1· t. ~- :1 rt (/) :.JJ () '"rt It'\ ,.; 0, rt r• :1 tr :r., 0, :::1 7. ::r "] tJ' r ri p, . In ,,, Ill rt () (tl, •,: m ro tTl () ,_, ,_, tu ' , ,,, (JJ (11 t-t rn tr1 ::, t,:I ,,: ~-,· I n, "1 ,, ,l () ,o t11 •.,. f"T1 n, I·-• (l, -,...... 1 ,a ,t O 'J) ·~ I t l'1 0 ,., t ), :r ct ''.. •: '.7, r' d Y. r I fl' It, Q 0 :r o ,., ,~ :;.,:: ., ;,;· ·-o (tl m •1 0 rt tr :'l' '.7, tr '.7, .. ,,, L~ 11 trJ '< C l•l (;") Ul l 1l n, ;r, '1 <n '1 '1 0 :r

rl :, , .. '1 (', s:

rt O •J rt ~:1 O t·J ,, •·· ,, ►'. rt (V •'I p, rt 1-1 G) '1 ► ··! tJ' u, ,.; tr '1 0, ro rt- (tl ,-: tJ:1 ~ lh ,,, n, (V () :J tr :1 •-· ID { l, '1 () •1 M 0 :,, n, (tl {/l ,, () :, 1-1 ,o (' ,,, (), ,_,_ :,· ;..-.· ,, () :1 ~ .., :1 H Ill ,n :-o ID (;) .. , :r rt rt (

l I :1: ,, "ft :-,· rt (II() 0 'J" - '" ,n ,: '.J

rt t ' \n ' .I rn (J I'· I' ') >: ~T I ' I' :r; '.l :' ,n n, ro :r, •<'. u ,.; :r " '1'"

0 :.r '" H, 0 (1) 0, O, 0 ,, (1) ,,, n, tu

tr :,:,,,, '1 ::1 ~ tn ft} ftl 7,' '1 ::r ::r C n, .,, '" {U ft 0, (tl m tn O, I' 0 tn • 1 () '1 •< '. m l'1 c: ::r C :J rt :,

n ,, :-r" •r-i ::r '1 ,n

- ,, ' l ,, ,,

rt (1) 0 tn ct '1 () ::r 0 OJ

'"'(1) :1 ffi '1 (1) u, ,~ ,! I·' :.1 '.,'" ..,

tJ IV N ,,, ,,, ,,,

'" ,,,

t J '>

d::,ck. a and reside~ce a shows Island Arius' o~ map The

hi~. of front i~ map a at locks ~at=ix

23S

down. counting an~ OC:25:2C

~atch. at his do~~ looks Ma~rix

23€ P.O.\'. THE:R

cock;:::.. in

daybreak. o! touch tte at just water over the low Goose flies Grauman Tne

TC: CL'T

SHA7TERS. and t,;o in CAACKS stand lar..;: the the,. stand, lar:ip the with fryin9 STRAINS, She boa:-d. the

in hole the en!arge to trying window, thE at is Jenny

sr..iles. he 'T!',e~.

k:-:ife. his !eelin9 hi~self, by a:1 roo~ the 1~ sits Be~~ett

the lea\·es a~~ ~r gets Gue~rilla a fer Ec~~ctt a: u~Ea£il~· loc-ks

rubber raft. is the seaplane, the to attached water, Bobbing in the Island. of Arius'

of: mile quarter a ab::;u: anchored is Goose Graur.,an The

TO: CUT

further. even co~partment luggage the of out edged has bod1· Hen~igues arc~~~ w~ap?et

the blanket show tc UPWARr: TILTS it and Henriques,

and ~atrix o: seats err,?tY two the O!\ Cl.OSES CA.~~ER.?c. The

min~tes. 20 ab8ut in do~~ touc~ shculd we and Verde Val tc descent final our begun we've ... speaker) (c\·er

seats. their 1~ co~f:rtabl~- si:ti~q passengErs the !lig~~, i~ is Verde Val tc DC-10 The

TC: CUT

sto;. a to coasts seaFlane

speed. the reduces she then ~ater, the skims sea;:-lane as the FIR.".LY contrcls the holds Cindy

horizon. the over peek to begins sun the as surface, ocear-: the skirn.."":"'.ins pontoons its down, touches slowly and lowers sea~lane The

ii:-,::• 11 I y.•c as is=:a~ei aE a~~ut is 7his

••

•• •

0 fll f) H tr :r. tn ::t r,, :.;,; r-, tn I 1 ;r; ,n t-1 :.:s ..... ..,. r~ m :·; ru ~...; n, X :r ,; l1l t 1 (), ::, ,~ O ct rt l1l t,' (11 0 ' J ' 1 ' I tr' U1 n, u1 'O •1 tT O,

tn ~ ~< " " ([) ([) (,") !.1 tl, :-! ~ G> "Ill •1 ()

(), ( 10 n, ?! (f) ll1 ,__ ..., .,..,., o, () ~ ,,. '•J 5• " rn f'1 t-t, t1 rt C'.! ::-r fl) 'IC :r o, •,;: () .,. ID >h rt 0 1"'10 t-•· 1n 0 " ~-r ~' tn :'<' I '(1 ~ rn rt :::,· rt rt Ill .,,, .n in en m ::: " ''" G) - ,,: '\ .. _. :T !fl fl.I C tJ 0 •l •: t,:I ::r: rt 0 0 :r. c: n, (,) '1 ',. r: :,, 0 G) rJ :::,· rt O, !--•· ro 0 :-r 0 () I' 0 0 i-t ~- 0 :1 n 'r1 t: (.} u :r , ; ,~ 0 ,: <n :"1 f) •; ('. fr' ,,. :'i "' t ~I\) C · :..-:' 0 :r.· ,1 0 !l, '":J 11) 'h '-'. - Ii t.i l _, 0 '.1 (fl :"f I ' rt ff) n• ;"7' :, 'h ,~ ,: rt {'J,l< r:

,_, :::, 11) ,,_ ....... ,n

~1 Pl r:~ :·r 0 t,j <n tr '" ,_, U1 :J

11) ,.., r: 0, :-,- ,_,.,, 11) tr :::, (l, I••·

cl U1 - ,.., " 11) 11) ,, tr 0 I 0 I 0 {!) ro ~ u, () rn :::, 0 < I··• tn 'tJ rt :•: '{) () t1' u, n, Ill rt 0 1-1 .() r• 11> Cl 11) ,, ' o, ::1· 0 '1 rt n, 0' .. .J H :"J o, ro 'l rn :r U1 I-' 11, m , r-t r: ,.o 1-, 11) ;,;• (fl ~ J ,, [1, ~- ~· . " ;,,:- I\) I\) rt 11) (l, ro rn ~ C: :-r 0 B. :-, ', 0 ~ "' ,: ::, 0 ,.., ::, ::, ::1 ..,

~- " Cl, •-+,

11) ,: rt 11) O• rn en 0, 0 r; 0 I\)" 0, 1·1 {H ,, 11) 0 ,:: CL G) 0

'1 '1 ,. "'0 rt .,.

•1 •,; o, ,o n '1 l ✓ •;,, n, . ,ff1 ;r.·--: .,,(") ... ,.? 0 n "" :.r r11 :.1 H f j !1 ~ :1 :1 •. ~ !1' H 0 ~r: ,, H:r ~I~ - '-, ', : ,. () . , ll• ll, :,• I 1 (l, ::t I I -...~ 'I (1) ' 1 tT ~.1 1/l 11) :·r tJ" ,_, '.fl 0 ,o ;11 tn ~lJ ,, () t" J '.ti n, :r· X ,1 () 1< '": I :1 H ,n ,: H ''1< I'· ~-t r+ ( J, '._f • l ·(l'" '{) ,_, I J, ,l) ~..-:rt I-• ;:.,-: ,r, f1I .... >n In 0 0 :r :--: 11) < Cl, '"N (1) m rn rn 11) 0 11) 0 I , ::, ,; tn fl> "• ,,_ :1 ,_, (1) I\) "rt {fl I " 0 ::r ~-· '" ~1 11) (), ,_(} rn '-'. rt rt :-r Ill rt -. ro ' -,, ~:1· () ,.,, ft ~:r- r: ._, In :,· - ,.,

:1

r!l '" rt n "' rt ,n '" :r· ,, n ,. () rn :,· :.1 p, ,__, on '" "n• '" rt i!"' : t' 'h () n, •1

rt ,, I: tr: 1Q

:1' t,!" In Ill I• () rn •i-:1 rt rt > h n, H, I 1 ~J,1 0 ,. ro

,, 0 tr

(J ,: r1 n, ,.., ~ ";,,:· p,

'-'.

t-'·H l1l I\) :, tl "n, ... 1{) tr1 tr ::, fll '...~ m .,-t 11 to Ill () rn ,+

....., .... , n,

"'VI ,, c~ "' .-,,

'"

• •

01 ~T! (11 : ,. ;r! tfl :i~ In tn ,.., C'l n, :r• :l" :t,. UI ·u :,-. n 0 .,. !_-i' r+ tn :.-: !'I "'( t/l n :

;~ ~ ,. l, ...... :J· ;,-· (!l

:.1 CT) HJ flJ Ill :,· (I\ ,I• (11 1-• :,· l :tt :1 ,,o, t' : 1 {11 :..; fl) I" : 1 { ( l, fl) :J '•' ,_; 0 trf 1-11 0 t>O :,,, :1::.: () ,. Ojf1,._•rt 'I 111 •-·' f' ' ,__, 0 ., /1) ., o, O, Ul rt (n hl ;:-, :1 i:: :1-; 't ..ll> ;t, •-J c1 () r+ tll (/) n, ► 1 rt) (J(i!(\I

1q 1-·• :,:~ p ;1 (n 7' {fl tll 1,1 I-'· tn '1 1- .• ,-~- :,.. :1 ,

·n o r: \Q 1--· ,n •-· r: 0 :-r. ;~ ,,, c ru ...... t: p, .,, :( n,u ~·u \J U1 f'1 flf '1 ., r: O, :-: rn 1;) rt rn C I"· rt n, rt !_1 ,I :-1 O, omu ' t•I C ;_t• 'l I :1 • n 0 0 rt tr ,o :r: I -' : l m en m ro rr rn <! ~1 l * I h <·: ~-1 0 tlJ :;,: 0 0 ::r tr O, 0 0 "' •,'. () • - (I) • .... , 1"4 .,. t'l ~·tJ rt) (1l :rJ rt •1 1 '1 f'. In U 1'1 H '" n .. 0 ....... '1.1 ,,. t•I ,, l'l n, 0) ,-1 () ~ tu 1-· (1l '1 n, :J t•J :.r· ....,, m r I-'I ti ,_T,rt i':'.7' :,- •;:,,, •,; :,,, ,1 1;) • r-t O rt {J) '.'fl 'i <Q ,,,... ,,.., .iT- ' ;1 '1 '1 :1 : 1· :r: I·• 7 rt :,, rt< m M l.t1 I ~ •---:i '11 rt) '1 rt) •n I "' r C •-· (1) !< •·· ' I ..... n ....... ~1 rt) 0 u {fl fU :J' 0 X )"-•~ :,_1 :J 0, (U H, ._ l ffi {n I t1 o n, tn ..,.,l f..•l trf rn rn H ::-,· OJ 1'-+i .. r:: t1 :·r'" 0 :-r! r :1 rt r1- '.d '°,1 n 0 (,) 0 ,, t'1 : 1 rt : 1· ~Tl c: X I• I··• r+ :,, r1 r+ rt· 0 (.l I I I' I·',-; : r· ~ , 0 n tn rt 1-• :t• ~'::! p. •r, () rn :J " ;,: '1 :r 'r 1--1 , t CJ ::r· rt {11 1 '..~ tn I rn 111 () .. /;j (lo fT> () n, ·-~ fl> :~ 1 r l ' . " ,,, rt :~ C! •ti ,.. m ~r- 7. 0 ::,· 0 r1 1-{ 1--.. ~ H 0 0, :.1 :,

;,._· tn- fl) ::1· ··,1 {O ,,; (fl r:: ..., () rt ,:: rn ,

:::.t· trJ Nfn :-:, en ft) U rt H <n C: /1) ..., ,.. tQ :.r: ,, ,Q rt) tl) ft ;t, m tT; :::, ::r ..--: 0 ru r) ,

t:r 0 ·~

{/) I-'· t'l 0 H, ttJ r:: <! (), ';": '1 t-< r,, '.J:1 H, OJ ft> ro (-f- rr: ' 0, (11 :j in r' :.1 OJ (II :,, ::, /[) ,., . OJ H rt) 111 tn rt tr, C μ. r:: rt (I) 0 ::, :,,: {/) tn ·o tJ:j 0 t'l ,, '1 '1 ::r '1 0 i.. rt t• In rt 1-t, ~ tr 0 O tn fn f() 0 t:J (11 rt O c: 't:1 0 -". {/) n, rt ro -".

r: 0 ::, ~Tj n, ro (f, n, ~ ::r n, tr, ,

·~ rt cl 0 0 ,, tr rt) 0 n, rt 7-· ...... OJ .._. t-• (t) . rt ,,; rt 0, t] 0 OJ rt /1) 0- :, ·~ ~ 'J 0 :-,· :1 rn 0, H 1--' :r H rt (I) ,,, ,o '1 (1l Ci, n, :T Cl) ,. rll M ~· (1l ~· p, rt o, <n 0 in 0, OJ rt , tr 1-'· . 0 :r 11 -;t:1 rn :r~ 0 0 n, (n 0 rt C: () rt : T" n, r' ::., t:I tr, ~ I' : 1· ,, '11 :r. OJ ;,;• OJ Ht ~t' () C ,o :,, (1l (~ n, . () .... rt) (1l I) :, '"1 •+i ... .. H

ro n• •.

::-: <n n, I ti fll rn ,,, "'I• •. :1 (I, rt- m Ill tn ,q fO ,., '(I ~j ,: ,t ,, f0 I ' !), ,. ~,:: '-; 11 ,., :..1 in " (" f1- 11 "' ,., •1 r• t l, N o, 0 }-'· ,n•··· n, rt tr n, :r r, :.1 f1 '" °' 1--' 'I ,..,0 0 ,Q ''~-•. l_{l r:: :1 <n :·r· •.-; 0 n, •!J ~· n• t>1 n, (1) n, :1 O, ,,. (11 1·t rt In 'fl <n

~, ()

"' :1 o, '-~ m N•fl <n 0 O, tn ► 1 It, :,1 , ), ,n ,n tr m '-". o, :r tr, - rt o, u '':1 0 ~· (J : ,· :t ,- .., :.,. It, f1" '' "' ~· /1) 1"'= "' () /1) ,~ ,n ....... rt- (ti rt ; ,· fl rt m ~:-; <: .•: IU IJ ~ : ,· n, ,,.J /1) Ul rt n, n, n, ::r I"', t,J m n, m H () t1 '' rt rt 0 ~--t, (1) rt 111 '1 r::

,, ,., : ;· ",., ,U o, :,

H r: m I rt< ID rt) :J '1 (n" n, (,) I-'· 0 <n :1 n. n, C ,.,, rt n, t-< ,t 0 ,~ t • •c, ::1 (T) OJ ,n ,.,. ,.

n, {/) " ' "

:t' rt) :1 ••-• :r" <n m 'fi (I, :, 11, 'l'J ::., l~ ) • ,. (' i i .. ; 01 ti :1J ,: (l, :.1 (), :r-, r+ ,.,, ,, ,, ,, (l ff) () n t•I m :·1· 0 ()" ,, m ,: ·~n, :1 ::r ~r:

,,." ~· rn

:.1 :r. () (1l rt rt (f) 111 n, I -' IT :, ,, ,, • ,. ' 1'I .,, '.\1 ,, '(J '"

,: " ,r, '" N tJ (f) ,., "' ' .

loade6. It's fully the che::ks opens his Hispar.ic the For~,the Ir.siC.e

25&

minutes. ter. approxi~ately i~ arrive ~ill Califo:r::ia, An9eles, Los f:-o:-:-: ninety-seve~ Flight A~tentio~. Spanish) (1n LOUDS?El-.KEE

For~. the inside sits HIS?h~IC ~H:~: h term~na:. t~e of front in o~~ parked F=~d '62

a aga~~st lea~ing are (~o~s~-looking) E:SPh~ICS 7~:

hot, Verde, Val • e:.rport T::-,E

rr•,....

clir..t. tc t-e;ins a::::

h~=k grapp!:n9 a UF thro~s cliff, a toward moves ~s~=:>:

counting. and 00:l~:07

watch. at his do~~ glances ~at~ix tc see. waited have we man the now 1s He

s~culde~ left his i~tc

back tr.e tc ba;:

•• •

u tJ' :?! 0 ;p t•I '11 f.,tr•O 1--• :t" H ;-t• t--J rt ;-1 :1 () {D .,. :r: .,, ,n ,.,

:tt ... , f\1 1: :..~ ti ft) ",. (Jl I- ' I-• '~ ,·.:1· "' q :,· n w fl' ru •-' ~; :r H tn ct ( t 1fl 'I 1.-; ;, 'I {II Ill •~ 1 • 'I ,1, 'I I' <fl :, 1n . I ct 'I ~1 ~- ,

n, ' 1 .,,

< •1 ,: I• :·1 11 :J 1-• C r-+ U r: :,1 :r1 l"ll f-' • •· 0 rll ::1 ~-~ () :1 In t" II)" tr :1 rt fn r:; {H H ,. t•·" ' I 11 11 (.) 1()-.. l1) •l) :,,: '. rn rfl X '.tl ;t" I• t>, :r I t'1 I t '. :W'. ( ' I h I 1 'tJ In ,. .,, '' :,: :1 fT11}1i•t1) .

I' '' :n

o, rt {n ~1· ' • ~- fll r: u ~< (n I I ' I' }- ' () : f o, IJ, (/) lfl I '":, I_,. ~- • 1 t rn o, 0 I'. ' ' "'ti 'r_:'I U, 1 0

:•: '·, f\' L

~ :--r '"... ~ In 1-• <n'" ,.. ,t () r.n ,n ;' •1 I) 0 0 m n, '1:1 0 n ::-, fH fT) ,.; rt ; 1 I ., I·' . ,_, tli !(} 1--·. :1 rn n, ,_, t .. · •n

i: t '

1• :, :1 tn '" :,· 11} o, rt IH :,1 (11 {)I ,.. :-:1 0 n 't ') · 11, n, rt : ,· ...... , .,, t J ,, t•1 \ J . ,n 11- 1Q tiJ ;1 n,

m :• '1 I

Ill '-• I• (tl l • II• :1• \) I' r" (), l•I ,n (J I-' !~ r-+ 1() ,-: I) "',., QI l~ 11 Jll :,,, (/l ,.,: ,.., !T. ~j 'l ,n ,: '.JOW(n 0 "'(' j ~ l(l ct :.J ' 1 :r (), () <i> (Q :1• I II• n, n, :_j r( -.. n, :1 .

,, Cl

1--~ OJ M tn t•l o, 11 () , I ! ' t1 rn n, 't 1 > rt ,.,. t) '(1 ,, rt- ni ;,: l, ~1 :·, n, ,

t, I··' (t} ts 3,0 '"

er ::, Gl () n, r ; ('t ~: '.n ro "' Ill o, nt rt o, t-1 n rt rn t11 I) 1() m m - r : ~,-: I ~- I 1, rt 1 r,

,,, ·~ ,, 1 1n O O O•

:r d ffl ;•: ,u 1 1 11 ft :-: l t '1 ~ :r ff) ,., ,. -,,, n, : ,· f fl fll I• u (tl t ··' fh •.I fn t• HI 1n rt 0 r' :.1 :r, t}, ► ·h l1J rt :r-J '' tn ct o m ,1 ::.1 '....-: ,," ,n" :T' c~ In t' 0 :1 ,_.,_~:r' 0 •< .-::: r• ffi ~,' (T} Ill ~, ,, C 'i ffi H ("t 0 tr ~i rr, 01 O, m ·u "1J (l C' I-'· Ul 0 ...,_, !n OJ ,, rt ,o..., ,: '

In C:

(Q 10 ~ n, Pl I-' 0 0., !fl :.T' "1 ['. n, 1--• , ;:_,· C t-1 :J < •1 Ill 0 Ht rt ID I, 01 O :·.1 rt 0, (J, : rt Ill 0 rt t•1 (), ~ ;:,;-' ,_.,_ fl) t ..... tQ ;J •1 11) , ,, '1 t-1 :1 '.tf l1J In ~J I-' r.·> :r (J, r-t tr 01 rn ,: ::i:· t-1 Ill r, 0 ,, 10 m r_) m 1 ..-; r.: C :., r o, ....,. tr I!• t•t ...--: 01 11, <O 'U ;c: ., r·t n, r ♦ ( ~J I-• (ll - m ,n 1 t I~ :l' I> 11 rt ~';,..- n, :, I·',, n, .,_. :-1• 0, I 1 m {flu •✓~ Pl fl, pi ,_,_ ruumtr ' ' :-~ . : 1 (,) :.:1 :1 ., 0 ( I-'· . ::, I), ' cJ' Ill"' O l1J 0, tn ~-h (fl C ~---' :, (fl 0, :, ::r cl fl) ~· () 'TJ f-'· .. rt 0 c, rl :t~ 'i : 1 ~· I• '.1 :-: () r () >: ,., ,: 1•: "' () ·~ '" IT)°',. :·1 fl• ~1 rt Cl> rt' I, : ,,. :x I ' ,-; n. flt ft rt 1..--: :, ::f' ,n e rt :.1 (l) I' I• l1J rt rt rt •n

'i rt <t1

::r n$ rn ~, (!J n, :..1· :-,- J..J rt (,) ~· rt : r t ftl '0 rt O,'O lh tT (T\ ,.,. X '"1 r~ n, t1 :r l' , ►·• ~1 o, u 11> 0 •• I • f_: trJ •-· (tJ ,, n, ,. '.1 'tl 11) :<:; 11 1-1 (T) , __ , l--' ~ 0 ~ '"1 n, (J, , n, ll\ <D I) o, 0 ,, O• 0 :r.· ~Jj O () C (t1 •• :, . rt n, rt ~-; ,: !fl H ti :J' •!l 10 :1 • Pl Ill {J ~-·- .. !\J :r ( n tn ::1 >tJ I- ',, 1 ffl n . n Ill ('), t·• Hi tlJ 0 n. ~1 I 1 i.-,:'' () . : f' r; ,: IT', '" Ill 1-1:i,;1r+~ rt '.1 tr t'! rfl ~- ! 'I m ._, 1n :r ·~

,n 'f

rt 11) tn r• •n < "' 11) <n I • ,. l••l , I

'I n, ()

I ' '"l'I rt• . f ••--: r r, '' '' ,., SJ "-' IV IV IV ) )

CT>

'"' .,, ,,,"' I J r, ( " "' "'·-· "'

forehead. ~is tc u~ tla~ket t~e He~=iques, ap~roaches ste~ardess a as ~ate~ They

pla:-.e. err,ptJ~ the up cleaning st.e;..·ardesses t.!"',e arount lock and DC-10 the e~ter His;a~ics t~o The

slu~?E~ ~s b~~ co~?artne~t, luggage tte lon;e= nc is b~i~· Henriq~es ctangE, scr1;t

p~ane. the to~a~d ~ove t~e~ c:te~, ea=~ at ne~~cusly glance Hispanics t~s T~e ~a~rix. ~~ ter~i~a:. ~~e entere~ tave passengers DC-10 f~nal :~e

~i~. ~it~ a_o~~ ~~se strin~ a r~~~:n~ o!~, cra~ls the~ dy~a~:te, 8f st~=~ a leaves Matr:x see, tc s~errillas t~e for lQ~ :==

nest. oft~~ ~a!ls sa~dba9 t~e o! b=ttc~ 8~t5:=~ t!"'.e along cra,..,·lin~ ~:E, ..FR.J- TEE E~·~:-E?,S Mc.tr.:.): r.es:.. a~:iaircraft an ffian~ing are G[E?~I~LAS a=mej ~~ree

26E

so~e~here. Matrix locate to trvi~~ nerv2~sly ~:ndo~, seaplane t~e out looks Cind~-

TO: Ct:T

ter:-:-,inal. tr.e· er;ter.1n~ ;,csse:19ers t!°':E \•:c.tcr.:..ns ar.x:o:.:.s2y 9ate, the by ~·ait H1s;-•a:-.ics t;,.:: .c.r::-

2EE

nee;:. ~is t2 ~~j~- ~a~'s :.~£

\.<.·,::\· t~E: 1 .. c L,t:.:lyL,·...;::.::-:-. t:·.c fro'.""" :::-.1:t: t.:·.l :: ...:- :-:.::::·.:;,:

• •

•

'

tJ1 ~1 rt :r: tJ1 H c, H :r: :,: r,1 Ci trt :r. :-r i-, '-1 H ►· J rn O> :r. [1) :s ,. ..... !Tf fH ;,,: [1) a, .., . :-r ' ::rm w '·' ro •·' ....., :.r r .. : J •-· ;, fl) fD '1 (II ' t 'I :1 :1 ,n in <l' • 1 [1) {fl {}, fO :' t•I :1 :1 '(J rt ,: :1 •o :.1 '·. •· ' '1 m Ill tr ,: [1) C1 '.II 0 ,. '< fl) ,: ► Tim •r, rt n, :r. tr •n : J' f_; I- ' ft- :,, .. '1 0 X r;i - I I ,, n, : 1 ; r :,, ,; '1 fl) 0 ' f o, rt .,-1 rt :,; ff) 1'1 rn (J, :, (J, rt ~rj 0 :o o <n O :n 0 'i rt Ill H ,:,, I {f} ...... )' [1) ~J H ft'1 ►1 \"":. tn '11 0 '(1 f; ,n f-1 :T' rt ,.,, m C: :r: m ._.,. I ,, :1 rt p, (fl ::<' n, If) o a, :,r •n ,, (n .n I--'

:,, '" 0

' .. rn ;TL - It J--• I•'. (} {ll (1) ..1 ~, . Ill • C'. f1) ,., fl fl) (fl C) '1 i..-: :1 (}, H ,

't1 '

f1) fl) ti) t•J Cl I l :,· t'· 'n ~ '(1 n, z t-< o, H1 f1)f/1 "':~ 'fl rn a, m rn :r: ,, .. ::, t ' "' I, ;r G l H :, (1) ~ ,-: , I ,, ', , 1---• '" 0 rn ,n )' () 0 tr ln , .. ft, i-] '" •1 .. , ........ )• r., H <

~1 i: ::, f1) H () ,-,. r: rt- <

tr rt :-. 1: :..-i t ,, ,, (1) o, n, ,. ,n .,, 0 () ' J H Pl 0 n, m ;,, ;:,- rt :._1 Gl bi ,: . I n, ;:,- rt • I rt X c: 0 f1) O, 0, :;:: t ... f\f (fl : 0, o· ;:,- I O rt 'i () - M •1 ,, (

:u 0

fl) H f1) :-,. I "' . ,: rt :i, 0 (f) 0, ,, r

<

n rt rt ;J ;:,- 'i 0 M ' Ill ,i,"' n 0 0 0 t:J :r fl) .... ~?.: 0, ;:,- C ~ fl) 0 :,:J 0 ;,, a, 01 C 0 fl) fl) n () ,, :,, .. J)J ,-,: ::, r, .

,~ tr (n I o, 'i

0 t-t, ► i H 0 :·1 Cl, ,~ H {1, .. " ,, u C) ,, 0 H () ,n ,, t:1 '' 0 (J, u .. a, < :,, Q ,..,. :,, ;,: 0 r• '.1 () '.11 C, ;, ,. ~tJ 0 {l, ( ,,: I' :-:,: :r

'"• I

0 I 1 () ::., H 0 •I ,-,: rt fTI ,., c:: :r "' ,., ,o r. ;:--;~

tr t7 (J ~

rt ...... 0 () rn ,n fl) H 0 tr

(n ,, :1'

Ul C ,u :r:1 C rt,~ :o rt fl) 0 n, ...,.~ rt ;:,- n, u 'U rn !J, 0 ,, ::, M rtl ;J M 0 ,-,. ;1 ~j r.-- 0 ;,;- If) () (), t1 t1' f-'- i--< ,..., 1-t, rt, rn ;,;'(1) -

rt, ::, ►-' r.,.

rt, n'" '1 :1 tO •o rt () ct L-4 :r () ::1 f-'· ~)· (J Ill f1) '. •'. rt, rt () rt, ~1 I - ' n, ;l '.1 I• rt () ~· ,.,

• fl •'

: 1 : ' : ' rt In ·n n, (), 0,1..,; 0, ,~

,n rt •-·

- '" t1 JJ· n, :l ·n,, m ': rt n, rt ::, r-t 'CJ

: 1 0 ..,, fl) ;:,-

fl) •1 ,: :,1 C fl) 0 (n 0 n tr n n, 'fl n >h , 1n o C: r: r; I( 1-t, • C H, I fl) '1 • I ;, • I !J, '4 10 :~: () :T 1 q •· 1 "'1 er: cJ I•

'' '" - ..,

", I "', I "'. I I ,. L > ,. ' ..

'''"""

• ••

•

:-,· 0 H I h •--~ I.Tl () rt lT1 in ~ -l (,) (H f-1 :,, J--] n, ,..., . :?: .,. 0 •·· .,

r:, ,: I-~ : 1· :,_, ~u :rm 'l 'l ~,- f": I' :,· ~~ ::r r : •: ~1 fl) ~l ~ C) (' ,t· ;' i () H) '.ti f,, <Tl I" IJ n, :,, 'I m fl/ rt- <,- '1 'II I\ 1'" l , ff! . I .,, () '< '" :,~ :,, ( >

'() '.O H '< 0 .,t-1 1·1

• ,. I , 11' :r1 :1: rt Ii (fl (.) n, :,. t,' Pl (' .,,

" ' ( '' )

,n f), n 'J HU <1 1 (: '' :1 H I: r·t- :~ :..-: '1 :• : rt ro 0 ri, Ii'" '..-~ $: :.-: ~-, •·1 ft ::, '" ::,· 0 ·(} ..

7: ,_,, :n

r) :v 1-r1 •1 {D c1 rn rt f\l :o 0 () ;,;· (1) tr N I ~1 0 '.11 •~ OJ t-,i ~,'r' rt U :-; n, :n (!) ,, 01 f( tn H-1 H :n () rt If) fj r,: 1--' :t, >i (/1 .... ' :>: r 1 r CJ l,1 ;,;· 0 M t-•· 0 '1 •ry :1 ::, :i. ,. ("1" t..J ltl (I) xio :~ ~1 ~" n,,o 0 0 <1 M 0 ' I :-r' o m ';t1 a, rt 'tJ C >1 X ~-- ,n r::--1 ,,

,_, r'

:1 f. ' t'l ;·.1• t·• HJ n, rt (I> ·~,. 'tJ ." <n rt '.:1 I l'X fll () t-i : 1 : r' t'I tc' r:: 0 :- :::T''< .,, U 0, !), rJ) '" (II 'll ~ (1:

Q - ti l • 1(1 1'1 " 'l'" tJ ,~ p, :- (/1 :t'-" 0 •·1 f/} () n, <O ::, l''. ,_, n, 0 rt r (1) n 0' n, ....,, r: If) {D rt ~ () X r< ·~ tr: '.1 , ,_,

C ''l n, in : T' rt

Tl 0 ' ::, (/1 In •1 r• 0 I-'· 0 h• Q fl, If> 'U 0, :-, rt 0 c1 (/1 ::...1 r:: :r (cj 0 r (/J ' If) !), , ___ , .... rt ...,, :..-: rt (/1 0 :· :, .. ,. ~ .,, :::r rt r' 0 tI1 p, ::, '" 0,:

t· (!) I-'· 0

:, (!) I-' t(l r+ 0 0 0 in ::, :., "f-'· l(m '1

:.r u tr ;,c·

:, ,o rt m ,.,,

,~ ,., t•1 C: 0 ()'"

(!) :::r If) :, 0 C, ;·1 rt (/) If> rt If) 11> ;,;- ..., rt n ,, fl> - (!) '' ,,, : 1 - rt I·-'· Pl 0 :r t-1 0, C (/1 /,r Q(Q r-t- t t ,~ a, - '<:

~ lO In ::, '0

(/1 '.,; (1) (1) :r rt l)J ,: H ,, >i ...,, rt ,,"'"

:r ,1 :,

'," :--: :1 n :1 fT) ,_, ,._. G) p,'

,. :, ,+ •r

(!> :1 rt '" If)

[}, :,· C:

'I :.1' tr ,0 - 0, m m m <J :.. ' ,, :1

rt n, "....,. tn C

in :1- tr l1) ,.,. () :r: ., lJ1 ,, rn n :,{

m ~ ()

,_,0 r: 't '11 t-J <-: : 1 ,n rt I, '" '--:M ,. ,: '.1 r: o 0 ',. (/1 rn •') m n ,. 0 fll :1 Ill () :,

,.. 0 :,:,

:J r: ::, C '1 r: rt ,: 0 ...,. rn

'" ' 1 0 0 H tc' rt •+ n, n ,., :, n n ,, ,·, ·~! .. ,: tc' "

Ill rt 7": (/)

'" : l' ' '' - l

() n n ' . ': '" r;

N N 'I N 'I N ' I N N tJ ro rn en .,, ., ., t,,) ,., • I

'' ' 1 '., '(• ' 1 I u ( ') (.! "' "'

her. chases and belo~ ground to the JU~?S Be~~ett

inside. DISAPPEh.RS an:: door baser.,ent a to SCF.h.~'..3LES sl":e Tr.en near her. DO\\-:; CRASHING co!".\e boards t!-.e as

s:de the tc moves ~indo~, the belo~ ground the on Je~ny,

2EE

·•.....y.·:.ndo· tl-.e o: o:..:t it k~:)cJ':ing and rest of it t!"'.-.e SHJ..':':ERIK~ boarC, b:--oke:: tt-.e i:-.tc foot his A.SEES...SY he :ury, e Ir-.

~and. a~~ nose his over all is Blood hand. his re~oves he the~ face, his clutct:ng backward stu~bles Be~ne::

2E:

belo~. ground the c~ HARD la~ds cf: falls le~qe, the on grif her loses ~e~~l- ·•

har~ a delivers sce~es, ope~ing the i~ ~atri>: fro~ lear~et s~e one to identica: tove karate a i~ Je~n)·,

out. loo~ to through head his sticks

an~ board the in tole kid-size the ap~Yoaches 5e~~e~~

,,1ndo·,;. the

in hole the next to right building the of outside the on ledge floor second a on standing is scared, Jenny,

284 DAY - ESThTE EX7.

to it. rc:s:-.es He ~indo~. the over board the in hole a to dart eyes His

roo~. the aro~na lo~ks He

•

•

• cont

gates. the studies Matrix quickly Drive). 5500 Palos Verde These gates are at NOTE: (PRODUCTION

estate. lead to the a pair of large gates that runs in front of Matrix

292 TRUCK AND MATRIX

underway. gets truck quickly the transport truck and a into the back of climb Guerrillas Twelve

291 TRUCK TRANSPORT

EXPLODES. jeep Boom! the jeep. grenade suddenly lands in the back of the Matrix's as jeep in the away The Guerrillas start to pull

290 JEEP

and begins to count. grenade a on pin a pulls lying hidden nearby, Matrix,

289 MATRIX

action~ to get to the jeep a into jump GUERRILLAS Three

TO: CUT

the seaplane along the coast closer to the battle. moving and hits the the throttle, mike Cindy lowers the

west. minutes 4 119 degrees north; nine minutes degrees 38 Code red at

... General Frederick Kirby priority message for Emergency eight. four, four, Xray, whiskey, is Coast Guard, this (urgent) CINDY

mike. her radio up picks distance,I in the smoke and the fireballs watching Cindy,

•

• •

,..... ~ .,. () ,,. ~l~ .,. ,, ,. '. :i-~ ,1 ;t< ,.3 :1: {H ff) (;) t:J ,.. m :<:: :?: :?: •'l tr?: l' •➔ :•: ll• n• ~r-': r.:: ·o : I ,,, m X f}I !J~::r : 1 ll• :·r c, I\/ :,· r, :,· (11 01 I·• :r t•

,. (1) "(1) rt (11 ,, .r ~ ' '.

<.: rt •·] m ,: H •11 ' l n, rt '1 :r.' :-:: rt •n ft ~... - u ,, ~-, •1 :; ' ' ~-, rr !--' I 1 n () (Tl , .. j ,: '1 '1 ,, {'I "" I 1 (1' t I :·1 ·< :n {) t-' ,., I 1 I I '1 (l I I I I () 111 t J n, I' ,, ,. rt I' ,.. I• \II t·I ,..,. ft n, ;...: p, X t .... ,,, X ,, :..: ~ 01 X :r X ~ r: :..-: "I 1 r " "'1 '1 '1 '1 fl) 1--' :-J . tn ~-•· C: ~1· m ,,. C: •,: C: C: C: •n I 1--• m ,,. Ill :,· :·1 '1 n fl) rt rt )" n ,_., () 't1 () p, :' n •Q •·< I-' ., ~..... ,, 0, ·~ () n• '; (1) ,o () :w-;· ,, ~ •: In () ;,: '; ~-: c, p1 0 m '1 •11 Ill I·-' 1--' Cl 0 rt ()J I~ ,. "',, '1 • " trt1 ,, ,. ( t ;..-: 0 :1 rt I -' I ~ t n I' I, u'' :,,: I' In ~ n ,o •n (· 1n n, o, I' () ~T '1 In ,.,t ' () :1' () fr-J ,: In •n In {fl ::r · 1 7r rt t{ 0, ;t I, r: ;l rn ~•;• "' ,, ,, (1) ,."' {l, :,, tJ' (ll .-:: :1 o ru t•I'" ! t ~ 1 tll n• l< rt (/l :T (;) rt ,, •n ,, tr \! 01 tr '" Ill ~· :;; ·--~ :r: :1: t-1' :r () m t'I :·r ,: ('1 (. ,1 () :J m in m • 'l () "' r·: I J u tr 11 I;) n, () :1· '"". ~-.;• o :r :r ,.. , 1-·• "-'": It) 0 (;") ~., r; (!• 0 n ,, , ___ J ,, r.,

'" 1'1 "

o, ,: ,,. {Tl 11, (,') (C tel ,.• ,o C: t:-< 0 H '1 p, () f) :, :•

"' ,,, ,, ,n " "

: 1 rt ; 1 I• : 1 fl! d 1t 0 0 n 7. ,() ,: <n :, ( J, 'fl {), 0 t-1 n, ,., () (l, Ill .,. : 1· rt ::r IJl 7" (,) () .. , r,, '1'. ,; r; ... •-J m () "' I) :tn' t1 :,,;· : 1 'l f) :1· () "1 0, ~1 rt 0 ri, 't1 1•1 rt rt r•"' <A, n,,o :1 ., .~ H t1 : 1 ::_r "' ....... μ. rl "' :r :?.: rt :J' ::< t'1 r1 rt (I, •·t rt- ::,JO, "' o, f··' fI) 'fl ~1 rt n, f) r1J .... n, •--~- m 0 0 :u 0 111 ~1 rt :1 f) 1-•· (: ::T' •C •: 0, V. ~-' :·.1 ;,;· r1 IJl rt ,n tr ~T• 0, 0 (1) :·1 f} !Tl '1 IJl tn r. Q) :J' :J 'n ~ :r ,: < rn ;,,:· (I :r. ,:, f-'· f-'· ;; n C: n, /-'· r1J ,•., C: r'· •1 ,~ a, 1---• r: H rt ,, l~ '. .1 ••i n, t~1 r J a, "' "' ''. '0 '.! :J ::1 :·1 r• () '"11 - (IJ It '.7.'. 1'<1 ::J' :-.r- 0 t•) () \Q ,.. I 1 () <n :a: ,-: : l' t·11 r< ..., in [/) ;,:r·f) ()·~ r I rt a, :-:,· :.:1 '; 7.' :,· rt r: !T! : 1 t:J M H '1 t•I r1J ,: ~- l ~ :T'rt r-'•10 () ... ,, ,._.._ (,) ;r-, I l f) ,.,, 0, t~

rn ,, '" '! !--• 1'1 \.11 ~r ., rt l~ 0 rt ,.., ';') r• 11 o, .... t ~ fl1 ;": '" '"tn rt (/l ::< (I 0 '1 :r n, 1-1 11 ,1 t'l 0 11 rt :,; rt c:: (J II) 11 - (1) f) : 1' ",., rt ~-1 1-'· C: :--: 0 :J' •l :r ::r ► l r• () n, 11 n :1 ,, :• '11 :< tu m :r. ,., ,,. [11 ; T' ,, ?' :;· () ID 7-"' I' :r '-] '" t<1 tn n ~"1' J. r,, 7-. '': 1 () - I-'· Cl (I, '1 ~ti rt • 1, ~. I< m In rt :1 "',., (fl (< H ,, tn

"' ,, IJl r,, •-•

r • I·-'· rt In rt H IJl r, <,) C: n :1· rt '" rt om '1 m 0 :,; >;· <,) n ::,1 0 , l' J

, . ,,, ~T' ~o

:.J' :1 :1 r.: - .. I ·I rt, ;,;' r,1 r: (") c: r,, Tl f) I• ~1 t1 .... ,., n1 C "I ~•: n '. ".. n, (l, ,-: r,

"' I' . n, ,: n,

"I 1 "· I( • 1 I t, I 1 : T' I~" fll ,, ,., 1:'" It, ..,

:1· •n :.1 ,m__ , '''.'1 ''~ ,, :r I) ,.. "' ,, :r (1, n, ''. "'

1v ,., tJ ,o >(<

' "

•

..,. () 1n :·1· ;r. •:.-: ~ t1 t}1 I.] (,) •-:1 ~t1 H r+ :::: r.,.- rt- :"= : ~::r rt :r. ',: ·~ rt- tr Ill '.1 t'1 :r. - I• :·r fTl ~I~ () ,: ~I • I, {I• ~! j () ,: ~!: :,· . '. :;: '·) :r (.) ~ ,· { , :, :..-: O• 'tJ : 1· (', ('< (): ,1 u, H (), 1--] : 1 ,, I·' • I :,, l __ ) u rt, ,: ({l ,, ('' ,(/ ,: r•

' I " ,; • l :u '"

r+ I-' :,1 I• n, 1-• !T1 k> ;r1 "' ~r! '•1 O,C f1) n 0 '1 '. o, " ":, n, ~' () I I n m I I (;') I I r,) (/) f1) n·· 1n ''(~ ,n r: • 1 ,." 0 H H ►-· t.) ,, :• ' 0 0 X ,n : 1 >·~ () :..-: {) rt :--: I; - r·; 0 (,. •1 tx ;t• n. r·; :, ( J, >~ ::r :,;' I·> :,;· - •'. tn In :, ' "1 f1) ~.,_ m I--' '"( l, ~Jj n () •n ,+ . - I hi•·: ., <) Ill (ll Ill lfl m '" '.Jl ~--: :.1 ~1. H t.-• 1--3 ': ,+ n- Ill'" ,, ' '1 In 11, 'r1 t· J t'I t-1. tO i..-: :-: () r:·: s~ H :, rt '' :·r !") lr 'r1 () r: .,, r i1 fl) I() () ,::, 0, :.r .... ] (') •n { l, !Tl :1 .,, '' In (') fl• r• o, o, "· l< .,<n '1 <n "' tJ' ,, • l - , ' • :T· () I: () '" '() o, :r• In :.,.. : 1 i--• n, (l, n ':,n C• :r I• d I ' o, ,, ,, n, n, n •r1 t't :;~ (1 r) {II <n

,, ,, < ' ( 'I

,.. :, < :r I_, .- m r, '" :.1 ·n 'fl <1> 0 ~ '11[) r• Cl, m tn r: t--t,,n " (H ,., r :1 '" Ill •t ' l in ' J r+ "'r·• '' D I--' ,_,. () (1 ~:I 1- • rn u :.T n In : 1· '' :, rt o, 1--, ru ,,, ~- 0," t'1 ,, ,. :f'rt ,_,_ " ::: '1 ', m 'ti !\1 k] J1) μ. () t•J r+ I-• ~r , '1 .,, In :a: ,,'" rt '1 0, In :,, f1) r: o, l,l ,~ 1 0 0 ,, ,() r: '1 : ,, •. ,. 0 t() ...,. ~ I rn '" ''t !-• " ,.,. "1 c.: n, rn r: t·J n, H-, H1 (fl n, '.i - 't - rn ,-, . ~J "'cc C ul :j • ,. '"ti :.-: ,~ (';1 ,fl tJ 0 :1 r: M :1 :·r o, rt rt '"'1 o, '1 f1) rt- ~, )• :,1 I!) u : 1 n, () ', n, n, ,, •1 () ::.rm n- rt ••: :,;· n •fl :r

•

rt Ill M 0 r: I) f1) X •1 :r ::J "'rt !!) Ul m ~T <1> f), :~ "' r: :-1 >h ,, 0, o, :-,-· • ,. •·1 I ,. •rj 0 m <1> () '.-1 :1 <1> e• "' ,: r+ OJ ,- ' Ill ,, :, 0, μ Ill f1) :1 : '0, r t' 0 " ,_. f1) :.-1 11) ,o <1> 0 :-1 <n 0 (l, rn n, n- () tJ r+ ~ •fl '" n," () r-t- rt ~ ,... ,

:-,• '.1 ,,

rt :·r rt H d 0, ::r o, () (), ' f1) f1) ,,, ..,, n, o, :.1· f1) o, ,, ,,,,., ,

' '" ,__ , " ,: '.:J

,n n <,) "'i tr r·t fT) f1) o, ,+ :, ,, fl o, - '

'i "' ,, '1 <n

n, f1) o, n :-: :, m 0, n, ,, o I j ,, n μ " ,. : 1 <n ::i: tr "r: f1) 0 ::.,-- f1) ,, n, :1 ,,

"• '",. r' m <1> m" n. •r1 r:i "

C) r: :1 n, n,m f1) .., :·1 , In :, ''1 tl, :·,' r' ,, () o,

,,, ,, •t

't f1) j), r:1 •n ,: rt ,, n, (11 t':' r ,., ",, ''

~1' ::,· •···· :1 ,__, :i 'll ,r,

, ....... t 1 :1· n, ,, t'! I~~ 1U ,__. .... ,. •·•' t ::J r+ f ,_, ., . ' '1 0 "rt> 0' '.J' μ.'" t1'' ,-~

,,, n Jl• ,: r: m :·1 ! : ; 1

,_. I n, It M\1[) :-:: I A I() , h ru n, ''I ' ::,· f1) : r tH '"

,, t·•i n :, ,, () ''(f) ,, ".

"Ill '" { /) 1-'0 '1 :, ft ( ) I 1 0, <1> ', r • ,., ~

,_.,. X , :, " r: ,n " :,

w c., t.~, f I ,,, Iv CJ C, n ,, ,,, '0 .., ,,, . " ,.,,

'., "'m l

• ••

•

:,· tn ~:0 •;,,.. t'1•··' fH t---4 t~ in n n fJ n 01N •r, :.,: Hi fn :;: r• tp (IJ tr, 1-1 r • ) ' • ~ ,_, . 1·t (1)I h f)J () 1 I· '.1 :r, I' {) rl n,.. ~t I {)l ()! ('cl :r (II :T c.: r ♦ t ·• : T' :r 1n 'fl I :--: n ;r• . ' 1t1 ,_.., 'JI l) .. 'I () :1.1 '..,~ ,l, () '1 :,· :1'I I_, (J I I f 1 (' a, tr, Ci .

' ) 1rt r+ .-..

() :·1rt 11 x· rt n, (,1 en I~- n1 : 1 t,.l 1 l-• n •1 ,- C tf1 tTI ~- (l:r· J-•· ,,, :,· I•/ (1),.; "':r: /•) I·' I 1 (llf fl • •· rn : 1 () I·• (,) (1) :1·•-•1 :-,· f'\ t ' t ' I ::: o, :-: t•! (TJ I-·' :r ·- (), ... ,,t'1 X tl, ( l :,: r_; f' ('.)I • t ~ :r • :: • r:· ,.,, ,, ,1 , __ , •-~ !fl rf) ,n p, {/) n, tt1 (1) 0 () rt tn o, rt • n1tn :1·~ (1) ,~ {Tl tn 1·1 :,-, •1 ..,, ':l ••-l ~---•Q 0 i··-' rt tJ1 fi, I -' J-1 t J ~-J n ,.♦ ;i •··· •1 '< 0, in10 (1) :,~ tll :_1·1n en (1) tt1 (1 0 (ti ,: OJ c:: ''0, o, r-t- t:~ ._... •--' t~l t·t •

tJj J--1~· : 1 rt rt :..r •r1 •; fn 11 n :,, :i I-• t f .

rt n, •J •1 u, rn t'1 m l-'· ....-: 'T1 ::-;::r11• t•f th rt :-: c:: :1 t'l :s (l) I'1'1 ,n r.n ~-r n m :, ((I .... ~~- o, , tH Cl.. (1) c:: rt tr t•t •r1 :-:, :..~., fll lO n, (ti 'fl ~ ·- :J ti' ~~- rn ,._,mm I •-· m ni Y, m ,, r• ,-,m r• rt o ,n ": ' {!) rti •O 1., t.1 t.i r [), 1--• 11 In 1-] ru rt- t·t :-r rn 0::1· () ,o 0 tr rt ~. •n O ,, - r> ~< ro m :1· d I ] tn~· (1) t--• n n, rt 1-'· ~· tI1 C) ~: ~..,. , 0, •·· tJ rn ...,,,_, •·• '< •., . :-1:,. :1·1 (l, 'J rn (1) 'I t•) ::r o.__,:1n :-.r ~ t ~ C: tr1 ,-; IJ1 tO ((I r1 rn I-] fll t1 tT 11) 1-i-'• r: o, 7/ m ,_,, r+ :r, rn I 4 ti k r ·~ !n •-•· n 0 --"': :1 0 O, fll fH :.1 :·1i11 1--'· rn :J ·o rt ::r :~ t-'( ), I 1 I'( r

$: fll ! t- 'ti (II (I! d ., (), r,, 111 :1· rt rn (), (), f

ni rt r• ,,, , ' '1 () ,,m • - ► 1 t 1 :.1·•1 {H In r, Ill •-• 0'l (11 It\ (1) fl'! <) 0 () •· •·1 '- (), <flO• I { (I) IJ1 ;:, r• '.·l l..-: : 1 (1) 1/l n :--.1 ,,, t'rl ,_, 0 ' ,,,, >: m (), ,1 l•I rn (1) (1) I rt (1) . '1 o, I 1, r't 0, t1'1 f-' ~ J :-1 : f tl, OJ ,,, (/! () :, OJ rt ..... o r~ OJ ,. ~

'1 rt 0 '1

,n rt :.1· •1 :,Cl rt r+ \--' ::rtl o, • t1 0 (), () :1 ~ ;_t--.1 in () n r• : p, :.1· OJ n1 0 n 0 01 )" ,,,, '( I C :, ~ :.T" ( rt 1/l () '" ,,,, :,· n, :1 (1) ,o 0 ~1 :1 ,_, 0, ,_, . rt '"1-+, ,---t- (",

n, -~ ,,,. ,_, ·- tl .

rn r~ (l, LI, ffi :-: t!} (), ::r :, H ,: ,_, 0,C (1) ,o r+ )

c:: 1/l 1/l ,-: r+ (;

0, ft' () f1 1n H 7. r1 O• :.1 () tn :1 :;i: t...1 ::r : ,: () () 1f fl () : 1· : f ,. /lJ n, t·• <+ n) f) ''r.i r I t1 {O!J ,, H m C), ..... 11 I) ~-, r, r+ rt r• I• •

0 '" ,,

th:,• in :,;· ' I !fl •-• n, ~: .< •1 r· .. : T' (tl () rn () ::, ... t•I 1---' Ill m :1 ·- t:t1 ..,l ,,,, 'i r-1 1-• rt· •h 0 n :--: ::r t. ::r: X rt [)I I~ ,o C n c, ::,· :.1 ,, m rt rt ;i:• r: :-r ,, t tr r. 'rJ t·t :.r.· n1 ,n rt :J' :-r !11 .;.: t,J ..,, m μC)t:nt n, : 1 :r (Tl ~-1 '" () (), (1) m m ·- H r: t·• : ,o rt rri n, :, :r ~ !.,T ,_,. o, ;u tr n, ri .. ' · 1; 0 •.-: ((I tH tr 1/l {/) p, tn '1 M •; :-.1 ~ r: .. n, ,, ,: {O 0 (II 1-·• ... ' fP rt- :1 t··· :-1': () ff) r:: 1 t rt n, 1·t r-: •.. , , __ , n, •n m 1n :r., fTi 0, ,,·~ ,, '1 C: m r·t :-r n ro o In ,.~ ( ), •t~ , .. ~ r, rn ~1 rt : r ~i i .• ) n, 1-1 ·~ 0 fl! (i) ((I '< f1.l .. 1 tJ1 O, ::r () l--• :r, '"0 H; o, • :,;· '< P• (fl t-, m ..., ~., (t, , ::·r o rt ,o "•,; :,, ~ .... f(I C) f

',, '1 p, '1 ::r,,,, ()

m t··...,::r (1) rt '" 0 :·, rn ::1 0 rt Ul ~n •~ rn • r: , n, o, rn ;-:-:r' 0, !! 0, () ::r 1-] ,. (') . ,_, ':l n 11 m o rt n t·t-i r) ff) m 0 0, '1 rt :1 tr r: 0 :, ,: ::-r r; H, 1,: 0 f)tJ1•11 () 10 n, 'I 0 :1 •·l p, 0 '1 ., .. s.: f·• I• I fl 't '" 0 a, ~ • 1-• I :,o;;• •➔ •-1 (I, m '1 ,, .-~- '

,··1 " . "

n '.ll

,, ' l-' w ,., n ,·' n r.

,,, ,.

' ' "

•

• •

tr I-·' tn tl1trl m Ci H rt !11 'P f' :-z-~ rn :-: rn•1 n, =~ ;,: f'I ;r, :--: : l' : 1 ~t: r+ :.-.: 1/, 7; tf1 rt I' ' ,: o m m l1 ft f!) ~:,; :-1· {T) Ill If} rn : 1; \ll (' ~r, ~ \)I {il r: n, (T) rn rn (1) (U Pl :. ": t I n r• : ct {) {'f) :j...... () ;1 ,. I([I lh I.) ft ( '1n n, ,-t rt rt (,) rt {), :-: : 1 rt ~: u ;r-

~,i;-· tn ::,;,t-1 : 1 0 u (D OJ ~< Hi ~i (fl ~__, :.1· I ·I ,_, t 71~-•. "'"'' (i (1i , .... (') n, ....... :,., 7: ·- (1' , ::.1 In t'1 .. ., '1 n, ,tH tO tr1 II} 'i (Tl ✓, '••Q C'l Y. X : 1 t; >: r+ fO {fl >-: 1/, I;) :-r. > ,, ,, (fl .... •··'n, (Tl (D I• 01 C: •1 ~ r) {fl c, 1/, c, •1 :t1 o- - (....f :.1 0, fn u, :.t ft {I) tu Cl r : ,,:I-~ (l) l,.J, o, .... ~- ,-: () cl 1·· 1;) :,: r., n n, 0 "1 '1 l'l (II :·1· w (J, {.: • 1 rn{J, I'( r, r:: •.,~ tn : 1 f)J "'/IJ () f) 1'1 w :-r r : 1 r·t n 1) 0 rt .,. •~ I< ft) f I {)Jn, :1 !O () ,__, : 1 r: ,: ,,, :-T' rt C)r ,

'1

: 1 '. '1' I 1() I 1 Fi "' n• '{ ·~, (1•:i I' •r! , ~ r) n• o, '' t.T' ~· 11 111 I • I~ {: :.1 , ~-: n, .... m:11..-: ~": ::: r., 1-1: :--r 11 I ' I~ ,.,, , rn :1 :, ., 1 : 1 fT! rt rt IO I -, i-• ,., .

w r.: p1 I• I-•· ;r-, ct r:,., ~n fl t-'( •~1 10 n, :--'. 1 1 1fl C

'" •-•· ' I !H () I,.-; r: •1 01 .,. ,, '1 rn :1 rt· m t-• rt I·-' ;---: If} (1\ r: OJ OJ tr ' () ,...,. rt,n I t-~ f'{ r1 •-• l•f '<- : t rt (ii :·.1 0 flJ rf- :., ~; ,:: ~r ~ fJJ tJ1 ~-• {ll 1 0 ..,_.. :T t,-•· t-1 If\,.,. 01 (() rt l•irt ::'l'rtl/1(11 ........ ~-'· (l, 0, {lJ •-1 f} t. : t (1) ~i ,t X l-'· HI ::1 n ,_,. ft/ (l mm () ,_, )h ,.. '.tl ;:-;· ,, •"·"' tJ ,__, •-• rt :_, 0 (.) ):1 rt1 !{) t--J· J' O, ::r r: '1 n, H 5'. rn o, $'.: ~ rt (-: ~'. trf ,__, ,, 10 rt 1--'' 'n rt :T'TT O μ. rt 1--' C: 'f1 J-tt 1/. n, .. -J ' • C ~-' lQ t·" p, rt C tll trj ::l" m n, •: ::, ::r :, '"tj •1 t-·'( I{) () •(J I ,, >i ff) ct> O, r+ ;J tO (Tl t"( (n (J, / ~l.-! :--·r '" :i.• g ::r rt '1 0 0 ::r '.J If) () r rt> r: :, ,: ,n ....,. rt> 0 "! !n :-r ?f fl I (), ,-.-1 fl) () ,_, r.·o ,: () () ,, ,,. ;11 m ro ru '1 morn rt OJ I j n, rn :1 •! 1Q :1 11" d •r1 n 0 ::r fH rt t-1 n r+ ._,, ·1 :-t )t 0 {t)1Q tf' n, m Ii I·'· 0 :T ::1 t f, n, ,-, m 1< 01 0 ~T ;-:r :, i(J f f , - m n, :,· .._, () :1 1: rn n 0 :J (1) :J c:: ro m ft •• :.Y: fl) In !n IJ) I'· () :.- r: ,n n1 n,{) 'i ·~ 0, '1 CH 1 0 {) In () : 1 0 r m 'O ;1 :.: f.• :..t '1 '.1 m on, t-1 r: ;"T' {'. n, c ,f 111 m 1n n, ti n, ,,, (fl ft O rn c 1°· 0 f..J tJ. a, 0 rt rt r .. ,-+. ~

1.. , r:. n, ~., '"

·r, ro f) n, 11 - 0 rt> () f"t ft :..1 r: :"1' :..1' :r ( : 1 rt, n, ::,- ,: ~:r {\J < ru r'l ::,'f H/ •.Q ,_, ::, (ti ,, r·+i r\ r '"ru rt rt- fl) rt (Tl {O {ll ,. '1'"r I' 't1 (1\~t-1'1.1 r,, n, r+ t-1 :1 : 11\ 0 ,, { J1 ~,· l)I l) t1 'I n•m n, ~s: rt o, ,_. n, I'( (lJ ~ n 0 , rt ,: 0 m (l, n, •r1 rt - rn rn rt ..... tu .._. tQ ...... fJ.J :-r '.1 ~ [ ~ lll ,: 1+ Ill ft rn ~-,. rt r·t rt :--: 0 ril ;1 d rt, {.r I n, (t ,-~ : ,. I•· r1 :.r ~-: ;, !!' n tJl •11 HJ :1.t:t 1""1 fn t-r /- t : :1 ... :,;· d t1 (H fl1 ,,, .. t • ~ • •r 1 n ,n n - I~ If ,; •-·· 11 ,. {}, ·~ "' " n, ll, ;r r11 :1 :1, '.;II In I 11 r' n 'f1 , 1· 4 • 0 0 1 II> •1 tl' ",-:I h >t1 rn ~-4 :,· o, ~-• Ot ,. ,: ,. :.-: r ~ '0 ~..-: ,-t ''(1J ,-t I• (l) !l1 1-1 :..--: 01 rt !JI t; lh : 1 I 1 ., ,, :·r n : J' !..: l{l Ii fl) (, ') :J :, r+ 0, ,. m I' ,,. m '"'" (i, ~ ( :1 ! I r+ : 1 rt ,, m. : 1 tn n.111 ,,. :3::, '"(1) rt :·"!' .. <11 rn r! 0 : 1 tn (' rt, :c,- (\) ::r '1 m rn :c,- r-t 1- i .t ,, In 'i l-f1;,: rn rr1 ,_, rt- () '::" n, rt 0, !1 ,...

,,m'" ::r :n ~

() ~· :-1 :-.- :-r,...-: t·' 01 n• '1 0 0 tn tr :T ,-, t • ( m rt l1l n :, ' , t rt t11Ill r+ :~ :1 c:: 'O \Q '~-: I+, (", '() , 1-·' 1-,, "' ft· () t.,.. t1 r, :, (), {H (tl {fl 01 U1 n, CJ ,-, r I-' 01 ... n 10 'h l•i , · rt ,.., ffi rt m rn ,. N rt C'. () r:, . o, :.1 r: (.'. Y. :r fl! t1 '.T (1) ~.,. :1 :-r'" C ., Ii CJ, H :, 0, I-•· t, l1J rt n :1 r , •,

"' :.-: {II r-+ rt r '. t t-·1 " t• ,n fll '. t I ( ' :-1 r: ►' (), , :• -

l•> <,' I·-• I• "'•· .J wr·, ',I t, 1 rn ·" I

•

1--1 tO t--4 M (T) :1, r+ tJt --~ ~r: n Lt r' IJJ •·l t' ~r: {n :..T C.--' L, :1~ tll IJl (/) rt '-• rn (l) n, .. n C'I ;_j X :J' (11 1)1 ft1 'l1 (fl ~:r (1• '.T (l):,, L; ro t"<J ['1 f+ C: '1 (Tl • l ,{J :1 /?> ~ ,,, . , r_, n m >·] :r '" (l) :1 f/1 I~ ~I' : l fl• : ) :1 '"'i (h :r '.'.1 .,✓, "' 7. () 0, C: :., C: 'J,,,

:, ,, () : 1 . , 1--~ ( l, :, :1 ,,

I 11 1/J ,.. . 111 :T :-1 tn '. I ', ," :r 11 {n "' :r :1:1,: n, ,.- () : 1' \,~ I•!" 0 t•J fl! {ti ;~.. 1-,: ,t' 'r1 I ft)t ➔•.' In tJ' n, 11 f"' ~ ' '(l) fH {t) ... 0 • J lO :._ 1 (,J 'I (, C: (l) M 0 r1 - ,, •,1 !n ,n () rt ffl ~ 1 rt ,n (Tl '"rn p, 1.l) ;1 ,n ;,c· H (l) I-' ,; t1 fiJ ( I (I, ,, ~-1 .., Iii 0, 0 n, - n, C' rr ,n - '--'. r.• :J ~"';• If '1 - .., ,_, (/) (I) p, 0 0 (I) tT ::J" !l, ft} r11 '1 ::0 r+ fl) ~· () JlJ n, ,, tn rt ro ,: ,n tn ,, (I) 0 ::r n, 0 (T ;,;· 0 r., 0 fl! •l •n - μ ,.._ '.J Ii i'I ,_, rt :::t rt- (fl C~ ;.J' tO ::r rt rt :-_1 ("~ ~- 'i 'ti 0 ~J· rn 0

rr, n, to :1 :-J 0 ,, rr, tr :1 n

0 ,n n, t:1 rr, n• - '"•1 ::i: '<1 :·J ,, r• l·•·U r• '1 :, 'i r> ~r fl, c.; 0 -- 0 C '" () I,. (), (l) ;, .--: ,, .,, 0 0t ' (I) (fl :~,· :.1 r-t t11 rr, :-,· •-• 0, ,, ,,, fl) {\"1 ,,() 1 f 1 ,. "<n •i rn 1 •- 0 rt (l, n, '1 t:1 '' r: u ( t' ;r,- tr rn ::r t·--1 :'1 1/) rt- :-; t1) '1 1'. :T 0 •1 '.:1 rn rt tn ...,. •·..-:!~· •1 cl p, I-'-~ () ::r 1..{l rt n, o, (D (I) r+ 0 0 :, I-'· :1 (D "1 () 0 r+ '1 (T (Tl C) ,~ ,(} IJ1 '1 ::r "' ln ~1 (" 011() Pl :r:-1 < 0 rn M (l) :--r OJ ,. [!I :n (T (l) 0 0 c.., r, (Tl rt l:1 f1J t·1 .. rt m (T rt rt ,,. t'i rt ~ 'TJ ,1 r, ,;

.. ,1,

o, :,· 1-rl ,: rt 1- .1 n, '1 I-•· "m :1 :r..,, 0 C tn (Tl : 1 '{) f;I - '" o, ~:-r t,1 --: rt '•1 rn •➔ :1 r• :, :, r·, t- ctln ''(t) OJ ~~,• ft) ~t1 H1 OJ :, ~-,- ,. ;1: ::1 T,' () tn 1..-: ;, ;., ,, ,_., {n "~..,. n) '. ., ro n, z.:: .. {fl () H flt '" c; n, ,: '11 {O o, () () rt) --: '. o, '.;~ ~";' :..1 O• 0, I' ~ ~ t,1 rn ;:.:, :1 1..-; th r l •··l n, o, : 1 ,,1 m ,n :; ,+ ri,1,< (l) : 1 ,.,. :, ;'r, Ii" q ''rn () 'i ,, ,." (0 (), n d o, '--'. ; ' n t'1 rt rn n• r:, r+ rt •·1 ,, n, '1 :::r C: .., •1 IJ1 ,n I~ [:

',. " ,.,

;-,· 0 <n "'"1 ,: rr, •1 Ot 0 ro 'fl :1 (I) (T I·-• ::r ,, ;,, '' {'H '1 (D 'i 0 ; l rn ;1 :1 ::r 0 m (ll r.-.1 o, l< '1 ::J Ot ,.. (Tl tn ,. :-1 ,n ::r HJ (D ,+ :., () fl) "' f.; (I, - ,~ m '1 ·- () ("J, ..'

,_, r+

I-' ;,;- ,n ,.... n, 0 rt I-'· 1-'· (J IU ,. 0 rn () '1 ,o

() n, "'n•j•r•

;.:l r+ :,· () :J r+ tn (I) m tf () rr, ?;' I), :r.· ; 1 IJ1 :, ,. C) ~ in :.-1· '1 tn --'. - (l) rt ,, (I) ''; l () ,1 "' o, rt- : l (D ,. 1·• rn 0 ::1 (l) ,o Ill o• r+ ::, •1 (1 ., :, ... '-'. rt Ii () '" ln (Tl tn μ o rt (Tl 01 n rt ,: '" (J) rt o, q :, 03: ,n '1 ~'f' rn rt r,, ,,

n, ., '" rt ,_, I • rt 0 '" - ::r

rt '"rt n• r• IJ, ::r t1) :- ~y ''f ,, :,': () (I) "'• 1 c (l) ._,. ,,, '" n {I, rt '1 ,o '1 :-: r:: ::1· n, ,, o, ()

•-1 ,, ( '

(,J ,,, l,J C,J

'_, ,,

m•··' ' CT•

• '"

i

• •

:,:; ~.,, ~t1· {,') 1-f:-r :1• rn Ut :,! '°i 0,n, r11 :.1~' ~:r of .. t· 1 0 f': 11 N : 1•~ : r 1(1 ••, : ,· :1 :,~ (1) ~I; :1 I' tt, (JI "

t-1 {,) , ,':I• () t'( n, rn n1 rt rt r+ ►,: ,,

H .._,, rt() 1-1t··I ftl l)rn n HO "' •·l '-1 en C ,;;:.;· 01 rtt~ ;;, n•;-, tn 'T1- 0,.. : 1 fl) 1-·'· 0 t; ~'lf 0 fn ('t '1 .. ,

:< ,,

1-] tn ......If• :·1'rn r~''(~ ~, t~ In 111 ~1(1l (1l ro"' 1--1 ct- :1' I,.

rt :,rn '",_, ,0 +i rt Y. () r0 :_..-: rt r, :,,: (,)

t· :,,: '. 1 {TlN tllt·,. I ·1 u tlJ t·• r. 't t"l1 ~ rt ..... 0In :i:~ 0 o rt tr"'(II ;:T' {/} r·I (fl t ti ~, 0 - ::r th [.'. o, ~ :,J tJn 0 (t H t:1 0 0 (\ ~1 H (\' 0 ( t- I-'. (1) c., c: "' (fl f"'J ._._, H: p,

p, •,. (/l p, (/l t··• () ,: '.<I o, (j t") ·~~ ~;

iv (11 m() .. () ';."": o:;:: ~": rt H, • .,,. ' 1< n, () 'fl .rt ~--,,~ ..- tll n, n n !..T' .....,. rn ,-, :, "'1 t-1 o n·r1 ( I, :1 ::,· o, t.r1; J tl1 • 1• 'TJ!,~'" '""t'( tJH :, I-·• '"•U V. 01~11,~1 tu t; ,, :,: ,_.., rn m u n, 5; u S::O••·iTI(/) (_) r,1 "' " 0 {fl 0 0 () r• ::r - 1 '. 1: ~nm 0 ~- . i-., rr ,., fl! ~ ,: rt 0 rt n 0 I'· 1 ::-:I U: J :,J :u ''! ft fl' ::,-- H1 ::,-' :~t,J :--: rt (.1 (l) 1-·lrt tn 0 rt ., t:1 u "1 r'. r;, n, "'n •··· ~f-' (!):-: {/) :r C μ. r: rt 1·1 0 H t--- • r~· : ,· 'n t'i ru •·•·rt rr1 tr.I ' t'"'· 0, :"1~ f'0 ttJ lJJ fl 10 t·•:, :r :, :,- r~ I () n r1 f:l :1· Xi..--: (f) ft- (), OJ :· 1' r.: ,..!rt n, ..,., r+ m ,o ~j <'I •,•n ooo "' 0 ,_..., f.--f -· ,,, 0 n, P1 t-·~ p, 01-"1 0 0 :1 n n, ,o t:1 r ♦ ,,, )-'- ,::; ..,, - )-' ~11 :r, ~-' n, tn 0 'T1 :;,,: tJ1 0 ••·Of--• 0 rt· ;1 tn tr' rt :--: : 1 Cmtti<~ ,, H :1 t--·t, fl) :-.1 ,,: () rt : 1 (1) ru ,_J J,_~ '.°t"m n, tl1 lJ1 ~f•fi Ii H:,- './, t-t, ff! rt ,, :,: :r n, r., t; :'j tr ~-~1--' ,J. 0r1 0 ff} I' 0 0(1) (;) q 0 {lt (IJ .. ;:1 ,,.o::io :::r •""1 :.-1 ~1 ~r, '"0 rt ,, ,n ,., ",Q ~~ 11) n, i:·;,: :,: (1) ,n th rt 11) () rt "' " () r+ • , 0, fl) n rn ,.., ::,- ~0 :r ., :::r "'•-~- I-' () n, ("

..;i ·- ,-; rt ,_,.,_ O (1l

::, :r r· n tJ1 r:: fl' -,o ::, :.-: r: ::1 •i

"1 O, •··· t1 0 o o m •1 H ::J 1: tr1 :.~ 0 '1 ,: H rt lj ,t 0 μ rt rn (1) l' 01 () :;,;: (H f-' 0n• ,.., r+ f)t 1..-: :,, t:1 :J " "' HH :, Ir! ,t r: .- r1· 1 1 m ';"'., . ,: f\l C .... :l' i,: Pl :-1 ,Q I,. rn 11 I··' :T { l, t-t1 ..:, n, 0 •r1 ,, n, rn •~ n, ~< ,, p, G·1 l''Ir.: :1 (1) rl ,n () ( J, :.-: (/l ~j 11) 0 Y. >-] r+ :-:;,;::J 'll'" ' o, (1) () :r ,, n, -: " :J' C :::r m o,11) 0 ~1 '1 0 ._,. 1-'· ::, r1 'd r1 11) tJ1(/1 m Nffi:Yr1 :,,: :1 r, 0, r:: ,n :--t rt 0,0 Cl :r lj ~ rt I>- 0 ,; rt (/1 ::, n, ,; () μ.,; n, (/l (f) r:: ,.,.' () :>.: :J n

l--•· n •. ...., Xrt () OJ n, :.r'" rt~1' rt

rt rt ~j 0 rt (f) 0 •-: :, :r rt C :::r C·],; f-' .. .J n,() 0 :,;- tt n, () (?, :r (ti (tirt) 1()m rn ,: n, n, m o, 0 μ. t; rt t; ,. m n, : ,· o, μ. I·• H ti:,: ,1 :.J ,., :::r 0, ,(l () tr m '1 !:Y •-: (ti fl' nr ,n X (1) (: /l) 0 r:: J-,A.n, rtn, ,_,_ I j 11 ~r :S-:,t'" "' 0- ~ 1 : 1 •r J

... ,. :1 ,, '<

f-> O, It :.J' 'Tl "' () In OJ ::,- tn (ti it ro ,~ (1) IT> f-' H '" f, rt 1-'· t--4 () ,_, p, (;) :-,

..... ,:;:,, 01 fn rt:,,: ~·1 ~ .. .,

(1) n• '" - ,.,,. '.Tl 0 rt "'" !J .. 'H '., rt : 1' :,: ~r, ,: "( () '"'t ,n ,, :..": " f }, HJ (JI n, " rn :• r, /l) "' ,, :·1• (, I "' ,, rt "' : i: ',, :1 tlJ ,, ,. n, ' '1 ,. ,t :.-: :, ,. ft fT1 - 01 Y. :r I~ ,n "•

w w N N ,~ 0

•

• •

m .,_J 1\1 .,. ,,. .,. :..r 01 :,tt1 .,. .,. ·.• .,. ► ,, tn 1--' rt :;;i;: :r"•1 :11 p.~ ........ n .. r+ >: :,.. :t-. :~ , . ru ~·r n, ~1!-•. ill :_:J' 0:.J 1)1" ~l ~ t··'~I~~, I; ,,,;... ; pi 01 t~ n, ;~f' μ. 'i '1 p, .. ' () {'. o., t-...J (1) Vlo rt 1--J m ft fO rt rt•1 ft rt H ,t fl:l :-1 ..,,. ,, ,.. •· 1 t.r m rt ~'"'- '" ' 1 ''t ' ♦ i,< t1 L (), 1-h t•Irt t 1 ~H {)J 'i '.Tl 0 I'{ Ii I"{ n , < D, C: C: 'i ;r, '.) ti o t-'· rn,., ~ ,.. H 'T-1 ,..., I, I-·' :.1 ,.,I., .,_.,. ~,.~ ,,. 1; O tn <n ,, , .. rt I :11 ' . 1--'· rt Xm O 0 Cl m X X ·u !-: :"". 01 t\J X!:'1 XX X ._.,, 1: .. X >< :, :r :j :., I-'·0 1/) :v, < (1) . !fl rt ,n ::> •(} f:, rt ro 1--'· tn0 '.j (1) ;,JCl> [fl r+ t-'· ()t J 'tJ n, 0 ?; ~ ,..

n, "' .,

:.r '"f UlI t1 rt n!:J' • f 'i Cl> I) 0 :L-1 ~ G- >-3 r. 0 t'. n .... ,.(l! ~ ... fll C) t•l(1) rt o, ,, ' >: ,,1--1 n lj ~r t·• ~ ::_,;: rt t•r ~ff (,, tr .. " n m tr mrt, 1--'· fll n, rn tf In (tJ ~T' Hlt•1 t'l !J <!> l' flJ tnt•1 • ~ 1/) tti;:,1m~r~T :·J ~itfl I~ fl) 0 IP {ii In rn 5". r.n n, r+ i...,. '" rn :r• f'1 r • fl, :-r I'·fl) ff) p,(1) '" :.r' :t.., •r 1 : 1::u 1\1 rt t-1 0, rt :n ,,. :., ...... :.1n,m I·' l•i r'. () (),00 0 '" cl r+ ..... fT) C) tr H rr <D O ~1 CJ,,a ... :,rt ::1 ..,,,, :.1 1() i..:::(fl C 0, Lt ::,- ;t, X n, r: tn t.'. 0, Hl (l,p, ::r n, C C r+ t'I r+ 0 0 (1) 'i r+ r+ () rn •rt i.-- <fl {lJ,, '1 f--'· fl) In :-:t !fl Ul >: μ. tn :-:,- ::,- ;.-;· 'J ..., m rt ru 0, r.: tn {lJ .. ,.Cl ...... ; .:I 0 rt C: r+ fl) m . f ") (') ::,-(ti .......:,, ,[) 0 O, :,, O, fJ 'i In μ. r+ r-+. '" :.,ro :r Cl>: I <t 01n ~T' () ,: n,7! rr, rt ,, ... .~ :·T 0, tr /1) 0, μ. •n m ,, - u :.r 't"1 ,a ._. 0 ' C' : t' ff)

,.~ 0 "

(l) lO P,tO (), ..,. t'I m ,a C n ( ' rt p, u1 m 10 !1 () p,.,,. ,.,. μ. tn ,, .. , 1/1' 0 "' !1J '"~ ,: 11 (1) :r::, Cl (t1 rt l·h ::-1 C m '1 ::> (1) :•:' ro n, n, {lJ 1[) n, n 0, I N In - {lJ cl , ,: (tl(TlfU1t ::,- ,, (1) ,., :1 ,,

'1 ,,

'.'1 !i tr'"m 'i {.}, I-•· 'T1u :1 0, ;u tl, ,n n, () 0 n, n1 : 1· rn r::r-, p, '11 (1) :t• •n <! I rt ,·; : 1 CJ :,"' lh m r I - () ?: I• f,• ::,- rt Illrt r1 '·'·~ •,: ,,

~r •--· t1 :J

m >-l :r (II n, '.ri :,, J-J tfl '",, ,n :> I ,. ~j :, •·· m ,, :.:.r tn rt> 'r1 m •1 rtfl)f••::Jo,o 0, ",,, r+ ,, '",.

< tr I' :t•

~ •1 X o~ ;,,-;' I-' th ::r :,· re ({) 1....-: X •1 () ff\ rt Cl> tJ n m In fJ ,,.

,, ::

I.,< 0 :r I I (.) rn o, r: o, ~j .... I h(1) ,: < n, rn U n, s; •n ,. (1} tn Hi o, ,, 1•1 'i ,,. ::r~ r l (1) r+ 1() rt ( ,. a," m(1) tn ~ ,. OJ ,,, '',. :• ru m ~;· m :r "' fl> '~ Ill n, Ill >1 ,,, '.~ ,... , rt mrn tr :, '< '<1 ,o In :1 fl) rl 'lJ ~m p, 0 !\.I tQ...... C :r n, fl) N '" ): tlt :, 'I I-'· :, HM I\> l--'·t-r'1 ,,·~ m f)I {JI ti m :J [l, rt n, >i μ. fl) ,, ~ ... ~ n,ct ~1 -10 In rt 0 ,, (). ID :,· 0 "' ~Tr+ ,,, flJ ::1(l) c-: rn '"'n, o, ,, C: :., 't rn ~1 0 'i ,, n, n, <:: fl) :1 : 1 ,r,

:T

"·

l,J 1.,., 1.,., w \..) t·,) t' fd ,.J ''Ir, J' ,,, ' ' '"

shot at. he hedge the a-: pointed gun Arius cautiously rises,

sou~ds. dying are They

... ht ..Vh!" ) S. ( C. M.:..TRIX

rnurri..blinqs. sorr;E= hear-s he g::c:.1:-,:::. the tchitsel~ lowers quickly the~ mcve~e~t, the a-:gu~ submachine FIRES his Arius rises,

333 F.O.V. ARii.:S"

hedge. a c~ tc~ the ave= feers hrius

hi~. aro~n6 cra~ls ~atrix then earlier, Garde~ Rose in the killed J:atrix that thrower, flame the with Guerrilla dead the to comes ur He Ari~s. toward hedge, a fcllo~ing cra~ling, Matrix is

331 MATRIX

mouse. and cat Matrix are like and He Matrix. toward hedge, the following crawls, then and side the to crawling He starts him. near hedge the through BLAST bullets watches the Arius

330 ARitS

BOOM! BOOM BOOM BOOM Arius. saw he where he~se the at ha~dgu~ automatic the FIRES and ur rises then side, the tc crawls He him. near heCge the thro·..:g:-. BLAST b...:.llets th€' \o."atches ~at:rix

• :1C. l be!-. Matrix sa~ he hed;c the at g~~ sub~actl~E his of E~h5: s~:•rt a c:ves a~= hcd;c ~:s a~=~c r:Ees Arius

• ••

•

rt m t, {/)C-1 rt r"t t-~ CiH ltitr:,!.,. 0 :., :-,:~"h tr :t,_ ....:J1•1 tr ~· ,, It~ 0 ~ fJ ;r ~,-,l'1 :1·1,1 :_..,.- 11 o m ~J t,.-J o, '.:'1 tH <Tlo ro •Ti :-.rSr,:1 n p, {/) ,,,, " ;.., m m z CTlr-~0!1• l Pl ro ,+ ........ :Jc......,t-•rnHO, r i p, 'cl .,,, :,:,: ·:1 !"~ • 1 ~1 m r1 :,1i...-: P, n:j O :,,r:

"' ;.-.-

IT> l"'Ion V. o, I·< Pi X - i;~ ([) Oi I-'·H '1 rt ~ :-: ~f/) t.T.! •-• l'I ·o o 0 1--··.. tntl1 •-•· X:...-:tn O o,01 • t"l t-'t. :-.1 () t.t·1::1 ~1 (1)rn t1 •.,. ~~, r1 :::, - ,_.,. c; :,;; '11 !l'J () (J iii t/1 (t} () :1 !ll!/) :1· '() X rt ......,:jrtrt~,., '";fl""' ,1 tT1rn 1n : t.,, nfll()!/1t'1 11 ... (I) ' <n :.r ~-r t'l ,, ► 1

ft t: £ti·~ 0 X ,-,. n, ro ~ r11 01

•··•; t.'t ~11 rtrt , ... r1 trf,i ~: •n ':1' :-r d- <n:1 :1 (_) !"T'

0 ,,

,i1 lJm !,· () ..... tr, (lJ ni r.-': O, () ::r .......0, c.: ~.,ni ~:, 1,1 11 t/1<: :1 o n, m;i H 1--• r; :c ro o t·f-,1Q r+ n rt fl, 0 m r: : 1 'I , __, ,n rn : 1 :i::•r_, fH : 1 ff)rn ti 0 M l-'- r: m tl1 m ~.1 ·(n p_, ,n , t In t _,CJ •.. J •·-J r-1 :.,:t1 ,q fl) l-' (ft 1'.~1:1 fl\ IJ:t '-':0~-'tn:t' •t1 ... 'i >-]m ::r :er ~1 ~....-: f'tp,0(l,~ (), OJ c; '"'-' fl1 Q Iih {"'I T>M n ,,. ::::1 rt rt ,.,. - :t :,J ,. cl I-' ..,

,

Ul :,1rt rt :; m rt () ~ ::r cl n, Z 0 QP,ClC:: •.• (!J rt {/)...... !f rt I-'· 1-' :er0 fl\ tn t/1 ~ U1 ( ,_,, 0 rn CJ: om Pl rt~fl) ....1'1 Ot (1) ,: n, >". 1-' 0 <() 0>--1 : j :J rt1-t) :-, o, .,___. roH-i rt t--1s: :.1 ..... OJ.... , ('j : 1 ~1! o, V I-' 0rt•n:,1 tn 1-n 01 1 1 n n,(lJ lQ :1 111 1,1 0 0 ,! u () rt ru ~l' n. ..,, t, ,, 0 :Y th"' fllro rt() Hi() t-., '.1 n. rtm tr rt

:_,· " I'<')

m "1 'i m rt :,;,;: o t--n :1 IT) ::,-Ii ()::r ,• :J 'Ttrt ,: •1 rt(/) 11) 11 t f\ ,() C t;C)

rt r,, "' tr <1'

~- P> (1) rt 0:, ::r rt rtC f·; •~ 3 ;;; ro •< 0 (1) 0 rt rt (1) ::r :t rn 1/l ~r;; ,,. ,: r1'fJ t:1 ::r ::r 0 - o, m ::r n 1-1 rt u, - t (U :; n> :er 3 ~ rn fl\ ..._.H, rt ,-,. m :>J ,., ::r (H ::J 11 m o "':1•-.-: 0 o ::rm \o m t'T1 ,q r"1 ~rt l.-: {), ,. n, .. ~ !:r ~o rt C .,_,_ ~1 ·r

~,- :, - ,':'

o ~r p, fl) O, f) ~ ::r ~ tn ... rt ..7: ; • rt 'i m m m 0 fn 0 r. n ru rt 1 __ , 'fl

() (J

m :1· rt "' 0 Ul r: fn 01 0 Ul tn r: (H •~'. ::r~ (h p, () 11t--ti t 1 (0 :.1 • .,, C. rt(lJ '1 ,. m o '1 0 '1 n, rt :.1 rt t--1(t} or:, w ~- 1-' rt Ii Pl0 () 0 r+ (fl :I! '.,. # I•,<') Cl,~ 0 {fl 'i :, !j 11 "',~ mr1 .,

,., ;1 'ti m

rt 0 n, {t) :1 ,, n Pl r1 ~-• r+ )';' rt (l, t,· rt r,, - fl\ ::r 1'. 0 'i c. :r 0 (1) 0 () ...... (f) :J'" 11 rt rt> n, C rn "' ,, n, 11 o :rm

tr n tn ~ rt :_'I

,n () ~., rt 0 ~J' :Y 1/'I ::r rt 0 7.• ::1 m ~Y n, f1) ::r ,.., /J) ~ ~,. ff) {l, rt (fl 1..-; {), ......'i U, n m 0 n rn 0~ ,() C' ._.,. rt •1r~ ::r '.1 ()) r, •l :1 !:r' !ll1- ·1 n, r•

flt l{l :, 01 , .•

0 (/

l,J '., ,., ,,., ,., ,., ,., ,., t ., ·" m ,_, ,.., ' ' "'

THROAT!! FUCKING HER CUT OR I'LL OUT GET (to Matrix) BENNETT

Adam's apple. sharp stiletto against her the tip of the PRESSES He even more. exposing her throat her head back, and pulls hair Bennett grabs Jenny's move. Matrix doesn't

HERE!! OF OUT GET (crazed, to Matrix) BENNETT

DAD!! (screams) JENNY

in Bennett's grip. STRUGGLES Jenny gun. then lowers his Matrix hesitates,

SHOOT!! MATRIX, AHEAD, GO (maniacal) BENNETT

shielding himself. and face, Jenny close against his chest Bennett pulls

handgun right at Bennett. Matrix points his

AGAINST her throat. PRESSED has the switchblade holding Jenny, Bennett,

him. facing what's looks at He COLD. STOPS then He enters the kitchen,

344 KITCHEN

room. He cautiously edges along the dining

343 ROOM DINING

and front hall. dead bodies lying around the courtyard the looking at room, moves silently through the garden He

342 ROOM GARDEN

the estate. Matrix enters hand, automatic handgun in his the With

352 P.O.V. MATRIX'S

time. for the first RUN STRUGGLE to and he begins to wound is bleeding badly Matrix's

351 MATRIX ON CLOSE

the dock. jeep toward the RACES Bennett Up ahead in the distance,

350 JEEP

sand dunes. and RUNS over grassy knolls and the road leaves up transport truck, blown passes the shell of the up earlier, blew he through the gates RACES Matrix •

shot in Palos Verdes.) on are to be from here secens The NOTE: (PRODUCTION

TO: CUT

them. into the parking area after RACES Matrix

jeep. away in the sees Bennett driving Jenny and parking area RACES outside into the front Matrix

RACES into the front hall. and he jeep starting outside a SOUNDS of Matrix hears

347 DAY - ROOM DINING lNT.

-- be used.) The rear parking area could also (NOTE: parking area. jeep parked in the front a toward front of the estate RACES out of the towel, a like and shoulders neck Jenny draped over his with Bennett,

than before. and wetter spotch is larger The red wound. down to his hand then puts his a wall, leans against room, back into the dining comes Matrix ,

345 ROOM DlNlNG

ahead . up looks at Bennett's boat a,nd the ladder Matrix holds onto FASTER, GO As the seaplane starts to

362 MATRIX

RACES after Bennett's boat. and throttle the BLASTS Cindy with Matrix hanging onto the ladder,

361 SEAPLANE

ladder. a Matrix grabs onto and dock she passes the slows the seaplane as Cindy

360 DOCK

dock! RACING her seaplane toward the Cindy is

359 SEAPLANE

and he looks to the side. NOISE a he hears Suddenly,

358 MATRIX FAVORING WIDER

Bennett's got her ... Matrix has lost her.

357 MATRIX ON CLOSE

away with Jenny. RACE Matrix watches the boat

356 MATRIX'S P.o.v.

dock. end of the ... just as Matrix reaches the

355 DOCK

away ... RACES the boat and BLASTS the engines then from the dock, away Bennett edges the war boat

354 BOAT WAR

end of the dock. toward the RACES Matrix

They start! Bennett desperately tries the engines again.

foot of the dock. onto the RACES Matrix

then stop. The engines start to kick over,

engines. Bennett tries to start the as dock the Matrix nears

353 DOCK

and bouncing of the boat, the bouncing of the seaplane,

but the gun through the sight, aim the Matrix tries to

371 P.O.V. MATRIX'S

toward the boat. aims it and from his holster gun his He pulls he reaches the very end. along the wing until crawling He continues by Matrix. WHISTLE The bullets

ELAM! ELAM! on the wing. WILDLY at MatrixFIRES and bounces seaplane as the boat toward the turnsBennett one hand, Trying to steer with

from the boat. YARDS FIFTEEN The seaplane closes to about

bouncing. FIRMLY to try to lessen the plane's GRIPS the controls then she on the wing, Cindy glances out toward Matrix

him. WHIPPING at wind the CRAWLS along the wing of the plane, He

from him. away the propellers only about five feet from the ladder onto the wing of the plane, He climbs

gap on the boat. the seaplane closing the he watches SLAP against Matrix as The wind and spray

366 MATRIX

SKIPPING over the water. SKIMMING and The seaplane is

seaplane starts to slowly overtake the boat. She watches as the FASTER. PUSHES the throttle Cindy

seaplane. (. the ahead of YARDS FORTY about Bennett's boat is

363 P.O.V. MATRIX'S

on top of Bennett!! DIVES off the wing right into the boat directly Matrix

head. from Matrix's inches RIP through the wing Bullet holes

BLAM! BLAM! hoping to hit Matrix. bottom of it, FIRES into the and above the underside of the wing Bennett sees directly over the boat. is on is Matrix Cindy has positioned the seaplane so that the wing

ahead of the boat. seaplane and edges the a bit, Cindy doesn't flinch

EXPLODES into the cockpit near Cindy's head. and window SHATTERS the cockpit The third bullet

window. BLASTS into just underneath the cockpit side bullet second a and BLASTS into the seaplane body A buttet

BLAM! BLAM! BLAM! he tries to steer the bouncing boat. WILDLY as FIRES he Starting to panic, him. even with almost Cindy in the cockpit and sees Bennett looks to the side

EVEN with Bennett's boat. PULL The seaplane starts to

FASTER. even PUSHES the throttle Cindy

gu~. lowers his Matrix

372 MATRIX

down onto the floor near Jenny. him KNOCKING SMASHES Bennett's face with his fist, Matrix

BEACH! THE HIT TO ABOUT JUST The boat is

gun on the floor of the boat. He drops the

AAAHHP.! BENNETT

the gun. hand that holds TWISTS Bennett's wrist SAVAGELY Matrix

BEACH! ROCKY APPROACHING RAPIDLY THE AT DIRECTLY RACE The burning boat continues to

from the beach. away right, SWERVES the seaplane to the Cindy At the last minute,

up ahead. LOOMING beach TOWARD the increasingly RIGHT SPEED and burning boat as both the seaplane watches in the seaplane, Cindy,

RANGE." GUNNERY GUARD COAST U.S. - "DANGER A large sign on the beach reads

beach. a deserted rocky CRAZILY toward bouncing The boat is

forth. WILDLY back and unattended, shifts The steering wheel,

toward the front of the boat for cover. DIVES Jenny

FLAMES. boat erupts in and the rear of the EXPLOSION small a There's WHOOM!

boat. tank at the stern of the BLASTS into the fuel A shot

BLAM! the gun. and they wrestle for gun hand Matrix grabs Bennett's

Cont. 380

the boat. on the other side of gun, isholding his Matrix, boat. on one side of the Jenny, is his knife against Bennett,

away. sand not too far up

kicking EXPLODE, Some more artillery shells BOOM! BOOM!

from its holster. handgun automatic then draws his down on the sand, crouches and Matrix runs to the opposite side of the boat,

hiding behind the front outside hull of the boat. and hustles her out of the boat, Jenny Bennett grabs

EXPLODE on the beach. Artillery shells BOOM! BOOM! BOOM! BOOM! and incoming rounds SOUNDS of the • He hearssand. on the Matrix groggily gathers himself

TO: CUT

The guns begin to fire their salvos.

Commence target practice .•• CAPTAIN

looks toward the ship's large guns. Coast Guard patrol ship a A CAPTAIN on the bridge of

TO: CUT

spongy patch of sand. a SLAMS into and through the air FLIES OUT of the boat, THROWN standing, is Matrix,

into the inside wall of the boat.

SLAM and THROWN across the floor Bennett and Jenny are

BEACH! THE INTO SLAMS and BOAT narrowly misses the rocks BURNING The

,384 Cont.

Matrix!! gun away, Throw the (screams) BENNETT

nearby. EXPLODE More shells Bennett's eyes fill with hate.

chicken-shit. yellow a you're still Bennett, thought, I Just what MATRIX

said. Matrix considers what The stern of the boat continues to burn as Bennett

me. that knife into chance to twist a you give Bennett and I'll go, Let her MATRIX

Bennett's crazed mind returns to the present.

TO: BACK CUT

face. SMASHES his rifle butt into Bennett's and Matrix rises

Val Verde field. a running scared across KILLING three young children gun, submachine FIRES his then maniacally around, wildly looks up, Bennett gets EXPLODES near their heads. a mortar shell dirt as and Matrix have their faces pressed to the Bennett

391 FLASHBACK QUICK

TO: CUT ABRUPT

FLASH of the explosion. AND SMOKE SOUND, to the REACTING disorientedly him shows A CLOSEUP of Bennett

EXPLODES near Bennett and Jenny. An artillery shell

you ••. and me. It's just between Bennett. This doesn't involve her, (shouting) MATRIX

389 Cont.

NOW! Stop that shelling \ (into mike) KIRBY

SOUNDS of the explosions. HEAR the They behind them. Army helicopter another along the coast of the island, They are flying a radio mike. speaks into him, next to copter as General Kirby, sitting a A lieutenant pilots

TO: CUT

nearby. up sand and kick EXPLODE Two more shells BOOM! BOOM!

other. jabs at each FEINTING They circle each other again,

him. on bloody cut a causing SLASHES Bennett, and jab,

This time Matrix parries the Bennett jabs again.

bloody cut. a • causing SLASHES Matrix, and Bennett jabs with his knife

396 BENNETT AND MATRIX

Jenny watches the fight in horror.

395 JENNY

so is she. ••• and BENNETT

toward Matrix. the knife He feints

You're dead ••• BENNETT

Matrix and Bennett begin to circle each other.

394 BENNETT AND MATRIX

sand in front of the boat. meets Bennett on the Matrix takes his knife out of his wrist sheath and

393 MATRIX

edge of the water. sand along the violently pushes Jenny into the wet Bennett down the beach. away gun Matrix tosses the

Cont. 392

401 MATRIX ON CLOSE

plunge it into Matrix's back. preparing to arm, back with his Bennett pulls the knife

smiles. and Bennett unprotected back He looks at Matrix's wide,

the blade of his knife. feeling casually from behind, Bennett slowly approaches Matrix

the boat. and drops to one knee against the front outside hull of few steps a STUMBLES then a beat, STAGGERS for Matrix

Matrix's side. then he pulls his knife out of a beat, glassy eyes for looks at Matrix's Bennett lets Matrix's wrist go, then he drops his knife. go glassy, Matrix's eyes

AAAHHH! MATRIX

side. own knife into Matrix's SINKS his then the wrist, Bennett immediately grabs Matrix's knife hand around

stumbles badly. blinded, Matrix,

SAND in Matrix's eyes. THROWS quickly Bennett up quickly to finish Bennett. jumps Matrix

sand. the HARD to him FLIPS Bennett over Bennett with him and pulling backward to the ground, Suddenly Matrix falls

400 BENNETT AND MATRIX

and hesitates to pick it up. beach near her notices Matrix's gun on the watching the fight, Jenny,

399 JENNY

eyes. other• s staring death into each They are locked hand in hand,

grabs Matrix's wrist. and Bennett STABS at Bennett Matrix hand, With his free and Matrix grabs his wrist. STABS at Matrix Bennets

Matrix looks at her.

just couldn't. I couldn't, I wanted to shoot ••• but I JENNY

gun. was holding his him she shows She

She's crying. and he holds her close. arms his Jenny rushes into from the flames, away Matrix limps

403 JENNY AND MATRIX

leaving Bennett lost in the fireball. FLAMES, into EXPLODES boat whole the fiery back of the boat and the EXPLOSION in larger Suddenly there is another, BOOM!

a bulletin board. on note a thumbtack holds a there like

neck holding Bennett's STICKS into the hull, The knife

into the hull of the boat. DRIVES the knife Matrix then Still holding the knife,

other side. comes out the and neck through Bennett's knife goes so hard the DRIVES his knife into Bennett's throat He

asshole ..• YOU, Fuck MATRIX

moves close to Bennett. Matrix

FLOODS his eyes. Fear but he can't. the boat hull,

from Bennett tries desperately to get his knife unstuck

No ••• head) (shaking his MATRIX

toward Bennett. Matrix turns

STUCK in the hull of the boat. GETS him and misses The knife LIGHTNING to the side. LIKE Matrix moves

down toward Matrix's back. PLUNGES the knife He

asshole ••• Fuck you, BENNETT

402 BENNETT A..~D MATRIX

No ••• MATRIX

more? two need Don't you What about your identities .•. KIRBY

him from outside the chopper. Cindy watch and Kirby

joins him inside. The corpsmen carry Matrix into the copter and Jenny

was the last one •.. This MATRIX

Kirby. up at then them, two of Matrix looks at the him. Matrix notices as Cindy joins Jenny standing next to

me again. join up with you if you want to place for a saved John •.. I've known, ever ... You're the best I've estate saw what's left of Arius' just I KIRBY

walks alongside. They start to carry him as Jennyhim onto it. ease and gently the stretcher to Matrixco_rpsmen bring The

a stretcher get out of the other. corpsmen with medical two and Kirby gets out of one two copters land. The

to still his bleeding. and tries down, his head in Jenny's lap, Matrix lies

405 BEACH EXT.

and Cindy bringing her seaplane to the beach. from the air approaching Army helicopters two He sees

404 P.O.V. MATRIX'S

boat into the ocean. and tosses it past the burning from her gun He takes the

you couldn't. I'm glad something? know You MATRIX

Cont. 403

the beach and flies out over the ocean. good-bye as the chopper rises high above Kirby waves •

and smiles . up three fingers Matrix holds

toward Kirby. back then he looks arm around her, Matrix puts his

as it lifts off. JUMPS in the door and RUNS to the chopper Cindy suddenly

The chopper starts to liftoff.

Cindy are looking at each other. and Matrix

preparing to liftoff. The chopper wings have started and the chopper is

enough ... Two might not be MATRIX

Matrix looks at Cindy.

not? Why (confused) KIRBY

405 Cont.