On TV, that's correct. It's two weeks old, intelligence just caught Lie
The Long Kiss Goodnight (1996)
SILVER-HAIRED MAN
A screenplay character in The Long Kiss Goodnight (1996).
- lines
- 5
- words
- 131
- scenes
- 1
- dialogue
- 1.6%
- avg words / line
- 26
- shortest / longest
- 10 / 81
Sample dialogue
The primary threat is the woman. Her specialty is counterassassination, a horseshit turn of phrase which implies the other fellow shot first, but in point of fact she's a takeout artist of the first order. Nearly disposed of our friend the Beard down in Cuba a few years back. Specializes in long rifles, accurate to a mile and a half. Presumed dead; now, after eight years, back in the field, agenda unknown. She knows enough to hurt us. I'm frightened. Understand?
scene 42, source scene 43 — INT. SITUATION BRIEFING ROOM - SAME TIMEI'm afraid rooting out double agents may have to wait.
scene 42, source scene 43 — INT. SITUATION BRIEFING ROOM - SAME TIMEFor Chapter, yes. I was a friend of her father's, you see, and... I took her in.
scene 42, source scene 43 — INT. SITUATION BRIEFING ROOM - SAME TIMEIf I may, sir, Colonel Baltimore hasn't had classified access since
scene 42, source scene 43 — INT. SITUATION BRIEFING ROOM - SAME TIMEOn TV, that's correct. It's two weeks old, intelligence just caught Lie
scene 42, source scene 43 — INT. SITUATION BRIEFING ROOM - SAME TIME
Bookends
The primary threat is the woman. Her specialty is counterassassination, a horseshit turn of phrase which implies the other fellow shot first, but in point of fact she's a takeout artist of the first order. Nearly disposed of our friend the Beard down in Cuba a few years back. Specializes in long rifles, accurate to a mile and a half. Presumed dead; now, after eight years, back in the field, agenda unknown. She knows enough to hurt us. I'm frightened. Understand?