"XXX" (2002)

STATS115pages46scenes

Scenes

location
  • INT 0
  • EXT 0
  • UNKNOWN 46
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  • UNKNOWN 46
1

OPEN

XXX

Written by

Rich Wilkes

Third Draft

FADE IN:

1

EXT. PRAGUE - NIGHT

On a hill above the city is an old CATHEDRAL. The night is spooky, with harsh shadows playing across the cobblestones and medieval walls.

A NERVOUS YOUNG HACKER makes his way down an alley.

There is a DOOR at the end of the alley. MUSIC can be faintly heard from inside.

2

EXT. ROOFTOP - NIGHT

High above the street an INTRUDER DRESSED ALL IN BLACK spies from the roof. He's watching with NIGHT VISION GOGGLES.

He pulls out a CROSSBOW and FIRES.

A BOLT flies, trailing CABLE.

THUNK! It sticks into the alley wall below.

3

EXT. THE ALLEY - NIGHT

As he passes by the ominous Cathedral, the Hacker spins, sure he's heard something.

But there's nothing there. He continues on.

Then the Intruder comes sliding down the ZIP-LINE from above.

WHAM! He kicks the Hacker into the wall, knocking him out.

The Intruder pulls off his mask, revealing the chiseled features of a dashing BRITISH SECRET AGENT. His name is

4 STERLING. 4

STERLING
I hate to drop in unexpectedly.

Sterling searches the Hacker and pulls a SMALL BLACK CASE from his coat. Inside the case is a DATA CHIP. Sterling tucks it away.

Sterling unzips his black jumpsuit, revealing a crisp TUXEDO underneath. He pulls out CAR KEYS. In a quick insert we see the "ASTON-MARTIN" LOGO.

As he strolls back out the alley, he HEARS something and flattens against the wall.

A BLACKED OUT SUV screeches to a stop, blocking his exit.

The SUV's HEADLIGHTS illuminate the slumped Hacker.

BAD GUYS get out to investigate, pulling out weapons.

Cornered, Sterling heads deeper into the alley, staying in the shadows. He gets to that DOOR the Hacker was heading towards.

As he PICKS THE LOCK Sterling can hear MUSIC from inside. He smooths his hair and prepares to "blend in" with the crowd.

5

INT. CONCERT HALL - NIGHT

Sterling comes through the door and his face falls. He's stepped into a loud METAL CONCERT.

We see a GO-GO DANCER in LATEX. Onstage is RAMMSTEIN, a bizarre German industrial-metal band.

The tattooed YOUNG CROWD slam dances and swings glo-stix over their heads. Some wear rubber BRAIN SKULLCAPS outfitted with fiber optic lights. It's a sea of SPIKED HAIR and BONDAGE OUTFITS.

Sterling squares his jaw and starts pushing through the crowd. With his tuxedo he sticks out like a penguin in a chicken coop.

ON THE BALCONY ABOVE THE CROWD stands a wild haired young GANGSTER with PIERCED BROWS. With him is a STREET-TOUGH GIRL with multi-colored hair. They look like a post-Apocalyptic Bonnie & Clyde. They are YORGI and PETRA.

Yorgi checks his watch. His delivery is late. Then his CELL PHONE rings. He's getting the news from outside.

He looks down, spots Sterling amidst the moshing crowd. With that look, that tux, there's no mistaking what he is.

They make EYE CONTACT and Sterling gives a little nod.

Yorgi calmly issues orders into his phone.

Immediately VIKTOR starts moving in Sterling's direction.

Viktor is huge, with a MOHAWK and a six-inch GOATEE.

Sterling sees him advancing and makes for the exit, pushing through the freaky crowd.

6

EXT. CONCERT HALL - NIGHT

Sterling's ASTON-MARTIN VANTAGE screeches away from the curb.

7

INT. ASTON-MARTIN - MOVING - NIGHT

Sterling is at the wheel of his spy car. He plugs the DATA CHIP into the dash and punches buttons. A computer screen says "DATA DOWNLOADING".

He sees a BLACKED-OUT SUV racing up behind him.

He accelerates and hits a SWITCH.

ARMORED PLATING slides up over the rear window.

8

EXT. COBBLESTONE STREET - NIGHT

The SUV is right behind him. Viktor rolls down the passenger window, readies his PISTOL.

The rear bumper of the spy car opens. SMOKE BOMBS drop out.

They explode in MASSIVE CLOUDS, obscuring the narrow, street.

Sterling skids around a corner.

The blinded bad guys drive straight into a STOREFRONT. Glass and merchandise flies as the SUV gets stuck.

The Aston-Martin rounds another corner and slides to a stop.

Blocking the road ahead are two more SUV's.

A MOTORCYCLE slides to a stop in front of them. The rider is ANDERS, a leather clad biker who looks half Viking.

Anders pulls out a SILENCED SUB-MACHINE GUN and starts BLASTING.

BULLETS SLAM into the Aston-Martin, cracking the bullet- proof glass, shattering headlights, and BLOWING OUT THE FRONT TIRES!

Sterling jams it into reverse and backs around the corner on the RIMS.

9

INT. ASTON-MARTIN - IDLING - NIGHT

Sterling notices an ERROR MESSAGE now flashing on his computer screen: "TRANSMISSION ERROR: - DATA PARTIALLY SENT".

Sterling looks around desperately. Somehow he's got to get this data out of here.

Straight ahead is the RIVER. Chugging up the river: a PARTY BARGE.

PARTYGOERS in formal attire dance to an orchestra. A SWIMMING POOL is in the middle of the deck for a perfect water landing.

STERLING
Time for a slow boat to China.

He hits a BUTTON.

10

EXT. COBBLESTONE STREET - NIGHT

The rear license plate folds down, revealing a ROCKET ENGINE.

Flames spew as he jams down the accelerator.

Sterling is pushed back into his seat by the G-forces.

SPARKS fly from the rims as he skips across the pavement at ever increasing speed.

Anders FIRES with his gun, but Sterling is getting away!

But then KIRILL steps around the corner. He's academic looking, a CHAIN SMOKING intellectual with COKE-BOTTLE GLASSES. He's also a highly proficient and cold-blooded SNIPER.

Kirill puts his lit cigarette behind his ear and unslings a SURFACE-TO-AIR MISSILE LAUNCHER from his shoulder.

The Aston-Martin reaches the riverbank and goes AIRBORNE. It ROCKETS through the air towards the party barge.

We see the car REFLECTED in Kirill's glasses as he AIMS.

On a little SCREEN we see the missile launcher HOME IN on the HEAT SOURCE of the jet engine.

The missile locks-in and FIRES...

HEATSEEKER P.O.V. - we see a GREEN CAR with all its hot spots GLOWING RED. Camera ROARS towards the flying car.

11

INT. ASTON-MARTIN - FLYING - NIGHT

Sterling sees the missile streaking at him.

STERLING
Oh bloody hell!
12

EXT. THE RIVER - NIGKT

WHOOMPH! The Aston-Martin EXPLODES in mid-air.

Partygoers shriek as the AXLE and FLAMING RIMS rain down on the deck.

Kirill takes the cigarette from his ear, PUFFS IT.

Finally, Sterling's flaming BOW TIE flutters down and lands on a LEAPING SALMON ICE-SCULPTURE above a tantalizing SEAFOOD BUFFET.

CUT TO:
13

EXT. WASHINGTON D.C.

A STRAFING SHOT over the city. We make a sudden left turn and SPEED OUT OF TOWN.

We shoot over to the BLUE RIDGE MOUNTAINS of VIRGINIA. In the middle of NOWHERE we dive towards a COMPLEX OF BLACK BUILDINGS.

14

INT. UNDERGROUND HEADQUARTERS - HALLWAY - NIGHT

Inside it's modern, cold and high tech. An elevator COUNTS DOWN to a deep basement level.

The doors open and a TALL MAN man with a PROSTHETIC LEG strides down the empty hall. AGENT GIBBONS is African- American, a battle-scarred WARRIOR. Even with a limp he looks sturdy, confident, deadly.

At the end of the hall is a METAL DOOR.

15

INT. ULTIMATE INFORMATION ROOM - NIGHT

Gibbons walks into the INFORMATION ROOM of the NATIONAL SECURITY AGENCY (NSA). There are WORLD MAPS, SATELLITE IMAGES on COMPUTER SCREENS, TECHIES monitoring everything.

If a nuclear war broke out, you could run the country from down here.

Gibbons takes an elevator up.

16

INT. SAM TANNICK'S OFFICE - NIGHT

The office is expensive yet devoid of personality, reflecting the shadowy nature of it's owner.

One wall is GLASS, looking down on the information room. SAM TANNICK, grizzled NSA chief, looks down at the activity below.

SAM TANNICK
Come.

Gibbons enters, stands by the desk.

GIBBONS
Evening, Sam.

Sam remains in shadow.

SAM TANNICK
What do you have?
GIBBONS
Not a whole helluva lot. His final transmission was mangled. About something or someone called "Ahab". Whatever it is, it cost him his life.
SAM TANNICK
He was the best there was. That makes three agents lost.
GIBBONS
They're ruthless and they have a lot of firepower. It's only a matter of time before they figure out how to deploy Silent Night. Then we're gonna have a catastrophe on our hands.
SAM TANNICK
Silent Night in the hands of a bunch of impertinent cowboys
GIBBONS
We're gonna have to step in, Sam. Those CIA boys couldn't find a clown in a field of cactus. Let me take care of it.
SAM TANNICK
How will you fix it?
GIBBONS
I'll go in with a team. But first I'm going to need some intel.
(MORE)
GIBBONS (CONT'D)
I'll have to put someone inside, someone new, someone they won't see coming. One of their own.
SAM TANNICK
So you'll dredge the bottom again. You've done that before. The results were... uneven.
GIBBONS
You wanna find out about rats, ask a rat. I've had my people put together a talent pool. I downloaded it to your desktop.

Gibbons snaps on the giant FLATSCREEN on Sam's desk. He starts cycling through PHOTO AFTER PHOTO of TOUGH LOOKING MEN.

GIBBONS (CONT’D)
The usual prospects. Convicts, contract killers, murde...
SAM TANNICK
The scum of the Earth.
GIBBONS
But programmable. And expendable.
SAM TANNICK
I've seen enough. Turn it off.

Gibbons clicks off the screen.

SAM TANNICK (CONT’D)
They're degenerates. There's not a man in there that would give a damn if the Chinese took over.
GIBBONS
That's exactly why we need them.

Sam sighs, stares out at the information room.

SAM TANNICK
Get these "scum", Mr. Gibbons, bring them in. Test them. Train them. Find your man.
CUT TO:
17

EXT. SKYSCRAPER - DOWNTOWN LA - NIGHT

The huge ARCO TOWER rises up towards a moonlit sky.

We see ACCOMPLICE #1 (TRAVIS PASTRANA) sneak up and take position behind a FOUNTAIN.

ACCOMPLICE #2 (CAREY HART) sneaks across a roof and takes position overlooking the fountain position of #1.

ACCOMPLICE #3 (DAVE MIRRA) takes up position in the second story window of a FLOPHOUSE HOTEL down the street.

A MESSENGER (BOB BURNQUIST) skates up to the front of the
skyscraper with a PACKAGE. He gets the attention of the SECURITY GUARD inside. The Security Guard unlocks the door and lets him in.

Just then a VAN pulls up and ACCOMPLICES #4 (SHAUN PALMER) and #5 (MAT HOFFMAN) hop out. They open up the back and a BICYCLE is rolled out of the back by a MAN IN A HOODED JACKET.

Jacket Man rolls the bike to the skyscraper and enters the lobby.

18

INT. SKYSCRAPER LOBBY - NIGHT

The Security Guard is checking his computer.

SECURITY GUARD
Crump... I'm sorry, no one by that name.

K The Guard glances up as Jacket Man gets into an ELEVATOR.

SECURITY GUARD (CONT’D)
Hey! You can't go up there!

The Security Guard rushes to intercept him. The Messenger kicks his skateboard out, TRIPPING UP the Security Guard.

The Messenger hauls ass out the door. The Security Guard pulls out his WALKIE-TALKIE.

SECURITY GUARD (CONT’D)
We've got an intruder in the express elevator!
19

INT. ELEVATOR - NIGHT

The button for "91 - ROOF ACCESS" is lit up. Jacket Man waits patiently.

20

INT. 91ST FLOOR - NIGHT

This fancy office is empty for the night. The STAIRWELL DOOR opens and a PLATOON of SECURITY GUARDS rushes in.

They take Up position in front of the elevator doors armed with BILLY CLUBS and TASERS.

DING! The elevator arrives and the door swings open. But there's NOBODY INSIDE.

One Guard steps forward and suddenly a bicycle SWINGS DOWN from the ceiling, TAGGING HIM IN THE FACE. He falls back, TASERING another Guard.

Jacket Man drops down onto his bike and pedals through the chaos before the Guards know what hit them. There's a CURVY PIECE OF ART in the room, some kind of modern art statue.

Jacket Man rides up the artwork like a ramp and does a TABLETOP AERIAL over a DIVIDER. He hits the ground pedalling, the Guards hot after him.

Jacket Man enters a HUGE OPEN ROOM with a FIELD OF CUBICLES in the middle. He bunny hops onto a desk and SLIDES TO A STOP. He tosses back his hood and we get a good look at him for the first time.

He is XANDER CAGE. He's got a shaved head, bizarre TATTOOS all over his body and multiple PIERCINGS. He's lean and heavily cut, even dangerous looking.

The Guards charge at him and he HOPS up onto the top of the CUBICLE WALL. This thing is maybe FOUR INCHES WIDE and FIVE FEET TALL.

He pedals across the top of the cubicle wall, the Guards scrambling after him.

Xander bunny hops over one guy's head onto the next set of cubicles and pedals hard. The Guards fall all over themselves trying to catch him.

At the other end Xander catches air and lands on a CONFERENCE TABLE. He does a WHEELIE across it's length with Guards closing in.

Xander springs up and does a TAIL WHIP, knocking them back with his rear wheel. He lands and pedals to the stairwell untouched.

21

EXT. THE ROOF - NIGHT

Xander bursts out of the stairwell to the top of the TALLEST BUILDING IN DOWNTOWN LA. He climbs on a RAISED PLATFORM.

From here he can drop down onto another level that is strewn with SATELLITE DISHES and MICROWAVE RELAYS.

Guards rush onto the roof and try to corral him.

Xander tears off his jacket, revealing a BACKPACK on his back and VIDEO CAMERA on his chest. He pulls out a ROAD FLARE and SPARKS IT. We see there are SOAKED RAGS tied to his SPOKES.

He LIGHTS THEM with the flare. Then he TOSSES THE FLARE off the building.

22

EXT. STREET LEVEL - NIGHT

The Accomplices see the flare drop. #'s 1, 2 & 3 pull CAMERAS OUT and start filming.

23

EXT. THE ROOF - NIGHT

Xander races around the roof like a trapped animal. He evades Security Guards, picking up speed.

With Guards right behind, he drops off the TOP PLATFORM and lands on a massive SATELLITE DISH.

Using the dish as a ramp, Xander LAUNCHES himself OFF THE TOP OF THE BUILDING. We're talking 90 some stories here.

He spins through the air, his bike on fire. He's doing end over end backflips. One... Two... Three... Four...

He's looping through space on his bike, a crazy man on a flaming bike against a backdrop of sleek skyscrapers and night lights.

The stunt is covered by the various Accomplices and Xander's own chest camera, in SUPER 8 and DIGITAL VIDEO, from four different angles.

Xander ditches the bike, kicking it away from him and plummets towards the ground.

At the last moment he throws out a "bucket" and his PARACHUTE OPENS.

24

EXT. STREET LEVEL - NIGHT

The bicycle comes flying down and SMASHES into the pavement.

It bounces a full TWO STORIES back up before coming to rest.

Xander glides down and makes his landing. Accomplices #4 and van. SIRENS APPROACH as the van makes it's escape.

As COP CARS screech up to the skyscraper, one of them RUNS OVER the smoking wreckage of the bike.

SLAM TO:

TITLE SEQUENCE - HARDCORE MUSIC plays as we see a flowing TAPESTRY OF FLORID TATTOOS. SILHOUETTED against this backdrop we see the OUTLINES of NUDE WOMEN riding BMX BIKES in a HALF- PIPE, BLADING ever obstacles, SKY SURFING and doing street SKATE TRICKS. It's a collision of outlandish imagery that tells you one thing: This ain't your daddy's spy movie.

DISSOLVE TO:
25

EXT. CITY STREETS - NIGHT

Xander, now on a MOTORCYCLE, zips through traffic. He's smiling, leaning it way over on the turns. He's got another BACKPACK on his back.

26

EXT. LOFT DISTRICT - DOWNTOWN - NIGHT

Xander drives his motorcycle into the garage of his building.

27

INT. XANDER'S LOFT APARTMENT - NIGHT

A FREIGHT ELEVATOR rises up, bringing Xander and his motorcycle into the loft.

There are EXTREME SPORTS ACTION POSTERS on the walls, MOTORCYCLE PARTS and BARBELLS on the floor, and everywhere there's EXTREME SPORTS EQUIPMENT of every description.

XANDER
Sky, you there? Start packin' cause we are out of here!

There's a NEATLY FOLDED FLAG hanging in a slightly crooked FRAME on the wall. Xander straightens it as he goes by.

He hears her in the sectioned off "bedroom" and heads back there.

XANDER (CONT’D)
Did I promise you a fat vacation or what? Get ready to get down in paradise.

He comes into the bedroom to find SKY, his long-suffering girlfriend. She's a wannabe artist type. She's got SUITCASES and BOXES scattered around and she's PACKING.

XANDER (CONT’D)
Hey, you don't need all this just to go on vacation. Unless this ain't for going on vacation...
SKY
I'm through, Xander.
XANDER
I can see that. Why?
SKY
You run around with maniacs jumping motorcycles in the desert, you break bones crashing wave runners and snowboarding off cliffs, all with no health insurance... It's insane, I can't take it anymore.
XANDER
I'm having fun, what's the problem?
SKY
You have all this talent, and you waste it. You won't take a single endorsement deal. Meanwhile those other guys have their own video games! But no, you've got too much "integrity" for that.
XANDER
I don't wanna go mersh, you know that. But hey, if this is about money...

He opens up the backpack, revealing WADS OF CASH.

XANDER (CONT’D)
I got an advance on the next bootleg. Let's get out of here, just you and me. We'll chill out in Bora Bora for a couple months.

She sorts through the money.

SKY
French Polynesia? This wouldn't last us a week in a cheap hotel. Do you know how expensive it is down there?
XANDER
Alright, so I'll get more.
SKY
It's not about the money, X! You never plan for anything. I can't live like that anymore, I need some stability.
XANDER
Well if you're bailing, I guess I'd better give you your surprise now.

He pulls off his shirt. Pierced through his nipple is a

28 DIAMOND ENGAGEMENT RING. 28

SKY
What...?
XANDER
I was gonna wait till the islands, but...
SKY
You're serious?
XANDER
Of course I'm serious. I bought it, didn't I?
SKY
(shakes her head)
This is so typical. I can't believe you. I've barely seen you for the last three weeks and now this? Are you out of your mind?
XANDER
I don't know. I thought this is what you wanted. You want stability, here it is.
SKY
You can't just propose to me out of nowhere. You think that's going to solve our problems? I'm sorry, X. It was a kick for a while, but it's over. You're just not going anywhere.
XANDER
You're not exactly "going anywhere" yourself.
SKY
You're wrong about that. I'm heading out that door right now.

She heads towards the front door.

Just then the door BLOWS IN.

CRASH! -- the windows SMASH IN too. Then the LIGHTS GO OUT as STORMTROOPERS in black body armor rush in, weapons drawn.

It's a blur of FLASHLIGHTS, PISTOLS and JACK BOOTS. It's scary as hell. A professional take-down.

They slam Xander against the wall.

Just like that it's quiet again. Sky hyperventilates, a gun in her face.

XANDER
She had nothing to do with the tower jump. She's nobody. I just met her last night. Tell them.
(with meaning)
I hardly know you.

The Stormtrooper looks at Sky. She nods. The Stormtroopers take their guns off her.

Sky grabs up here stuff. She looks back at Xander.

SKY
Keep the ring. It looks better on you anyways.

She heads out.

XANDER
God, I hate cops. What's the charges this time?

The Stormtrooper pulls out a DART GUN and SHOOTS Xander. He pulls a CHROME DART from his chest, examines it.

XANDER (CONT’D)
(groggy)
You... pussies...

Xander slides to the floor.

FADE TO BLACK.
29

INT. PAN'S DINER - DAY

A SIDEWAYS IMAGE: an out of focus COFFEE CREAMER.

Xander wakes up with his head on the counter of a DINER. He shakes out the cobwebs.

XANDER
What the hell?

WHIP PAN as a WAITRESS walks by. Xander blinks.

XANDER (CONT’D)
Hey. Where am I? How did I get here?
WAITRESS
I don't know, you wandered in ten minutes ago and put your head down. I told you we were closing.

Xander looks around, sees a TRUCKER chewing with his mouth open. A SALESMAN buried in his NEWSPAPER.

Xander gets up. Where the hell is he? He takes a step towards the door.

WAITRESS (CONT’D)
Want some coffee?
XANDER
Huh?

The Waitress pours him coffee. QUICK PUSH TO: her hands are shaking.

XANDER (CONT’D)
You alright?
WAITRESS
(smiles)
Fine, just fine. Come on and sit. I'll get you something to eat.
XANDER
Yeah, sure.

Xander sits. When he swigs his coffee, he notices something written on his napkin in shaky ballpoint: "S.O.S."

What the hell? He looks at the Trucker. The Trucker's staring at the waitress. QUICK PUSH TO: The Trucker has a BULGE underneath his vest...

then PUSH TO: The Salesman's eyes darting about suspiciously, newspaper pulled up to his nose. Something is going down...

He hears a SLOWED DOWN VOICE and glances back at the Trucker, who's now fixing him with a DEATH STARE. Xander snaps from his reverie.

XANDER (CONT’D)
What?
TRUCKER
I said, you got a problem, boy?
XANDER
Problem? No, no problem. You go right ahead.
TRUCKER
With what? I said, go right on ahead with what?
XANDER
Whatever, dude.

The Trucker and the Salesman look at each other. Suddenly they jump up.

The Trucker pulls a PISTOL from his vest, the Salesman brandishes the SHOTGUN he had behind the paper. The Waitress cringes.

TRUCKER
Alright, nobody make a move!
(to Xander)
Shoulda walked away when you had the chance, dumb shit.
SALESMAN
Forget him, Buck, let's just do it.
TRUCKER
Shut up!
(in Xander's face)
You keep still or I'm gonna make damn sure you stop breathing today. Got that?

Xander stays strangely calm, his senses now fully focused.

XANDER
(shrugs)
Alright, "Buck", whatever you say.

The Waitress let's out a whimper.

TRUCKER
Keep your gotdam mouth shut and empty that register! Couldn't just let him leave, could ya! You know what I'm gonna do to ya for that? Huh? Do ya?!

She goes to open the register and knocks a tray of glasses on the floor. Xander springs into action.

He CHOPS down on the Trucker's arm and ELBOWS him in the face.

Xander twists the gun out of his hand and kicks his legs out from under him.

The Salesman pumps on his shotgun, but it seems to be jammed.

XANDER
Better shoot me quick.

The Salesman fights with his gun but can't get it to work. Xander advances on him.

XANDER (CONT’D)
Too late!

He unleashes with a series of rapid front kicks to the jaw.

The Salesman goes crashing through the kitchen doors.

Xander turns to the terrified Waitress.

XANDER (CONT’D)
Alright, bitch, what's going on?

She stares at him, unable to speak. He raises the gun.

XANDER (CONT’D)
Talk! What's the game? Who are you people?

The front door bell JINGLES. A guy with an impeccably tailored suit and a cane hobbles in. It's Gibbons. There a problem, Mr. Cage?

XANDER (CONT’D)
Who the hell are you?
GIBBONS
The name's Gibbons. You were saying?
XANDER
What is this place?
GIBBONS
Looks like a diner.
XANDER
Diner, huh? Let me tell you what the problem is. I wake up drugged to find what? You've got a "salesman" over here reading a three week old newspaper. He's pulling a 211 with a "trucker", who happens to be packing a cop issue H&K 9mm. I get tipped that something is going down when she passes me a note. How's that for twisted logic? How did she know there was trouble unless they pulled the guns before I "walked" in? And if that's true, why'd they stop and wait until I woke up to gaffle the money? Then I notice how beefy they both are. Hell, even the waitress is cut. All three of them look like they went through the same training program. Ergo they ain't strangers and this isn't what it seems. That's how I knew yo-yo wouldn't get a round off even if I gave him all day. Why?

He aims at the Waitress and FIRES! She's startled, but unhurt.

XANDER (CONT’D)
Cuz there's nothing but blanks in these guns. And no offense, but their performances were terrible.

Xander tosses the gun on the counter. Gibbons gives a sly smile.

GIBBONS
Not bad. Not bad at all. Have a seat.

Gibbons sits in a booth. Xander sits across from him. In the background the Waitress helps the Trucker and Salesman up.

GIBBONS (CONT’D)
Most guys we ran through this either took off or helped them rob the place. I expected you to do the same.
XANDER
That shows me already that you don't have a clue. What's it to you, anyway?
GIBBONS
Whether you thought this was for real or not, you jumped in and helped the waitress on instinct. That tells me something about your character.
XANDER
Good for you. Now why don't you stop wasting my time and tell me what you want. You didn't go through all this for my benefit.
GIBBONS
It's your lucky day. You just might get the chance to pay back our wonderful country for all the freedom you enjoy.
XANDER
A Fed, I shoulda known. Who else would have this kind of budget? Now you're gonna hit me with the sales pitch.
GIBBONS
Alright, Cage, you've got me. This is one of those moments. "Many are called, few are chosen", that kind of thing. Your government needs you. Are you up for the challenge?
XANDER
..If you're trolling around for narcs, man, have you got the wrong guy.
GIBBONS
Why is that?
XANDER
Look at me, dude, do I look like a fan of law enforcement?
(MORE)
XANDER (CONT'D)
Forget the tests, you shoulda just asked me. I woulda saved you a lot of trouble.
GIBBONS
Oh I don't know, I think the tests work pretty well. Sometimes they give me answers you wouldn't admit to in a million years.
XANDER
Are we done now? You've got nothing on me. So if you ain't booking me, I'm walking.
GIBBONS
You've got this wrong. You're not under arrest, you've been abducted. And until I say different, you belong to me.
XANDER
Is that a fact?
GIBBONS
Sure as gravity. I've had a feeling about you from the start, Cage. It's nausea.
XANDER
(smiles)
You know what I hate? Any scumbag with a clean shirt and a bad haircut can get one of those tin stars and suddenly they think they're God.
GIBBONS
(smiles)
You know what I hate? It's always the assholes that pass the tests.

There's a POP and Xander clutches his stomach. Gibbons tosses his DART GUN onto the table. Xander blinks at him.

He pulls another CHROME DART from his gut and examines it.

XANDER
You bastards love to see me sleep.

WHACK! He goes face down on the table.

CUT TO BLACK:

30

CLOSE ON - XANDER'S FACE

He comes to, blinking in low RED LIGHT. He's shocked to find that he's...

31

INT. AIRPLANE - TWILIGHT

Xander's on the floor of a military aircraft. TWO OTHER TOUGH GUYS are waking up next to him. One's a greaser named VIRG, the other is T.J., ex-Navy.

Xander notices as they each pull out CHROME DARTS. They sit up, looking at each other. Xander chuckles.

VIRG
What's so damn funny?
XANDER
Been to any good diners lately?

The three laugh, realizing they're all in the same boat.

32 T.J. 32

We must be the final "candidates".

They quiet down as they notice for the first time, THEY ARE NOT ALONE.

Sitting silently on benches facing them are SOLDIERS DRESSED IN BLACK. They wear BLACK MASKS over their faces. They are a nasty looking BLACK OPS TEAM.

XANDER
Nobody told me this was a costume party.

The Black Ops Team, just stares.

33 T.J. 33

I've worked with guys like this before. Black Ops. Serious government spooks.

Virg notices something STRAPPED TO HIS BODY. They all have them.

VIRG
Heads up, man. What's this thing on my back?
XANDER
A parachute. This does not argue well.

Then the red light switches to GREEN.

One of the Soldiers opens the JUMP DOOR. The rest of the team advances on Xander, Virg and T.J.

VIRG
This is bullshit! Hey!

They drag Virg to the door and THROW HIM OUT. T.J. goes next, kicking and fighting.

Then they turn on Xander.

XANDER
I get the picture.

Xander jumps out on his own.

We see him tumbling away from the airplane. Far below his chute BLOSSOMS OPEN.

34

EXT. A FIELD - TWILIGHT

We see three chutes coming down. The first two HIT HARD.

We ROCKET IN on the last chute as Xander lands like a pro.

The other guys run up to him. Then they hear SHOUTING in

35 SPANISH. 35

VIRG
Jee-zus, man! What the hell now? Another damn test?

36 T.J. 36

We should head for those trees.

XANDER
Don't look at me, brother. It's every man for himself.

They wrestle out of their chutes and push past each other as they TAKE OFF IN DIFFERENT DIRECTIONS.

Xander runs low down a culvert. There's SHOUTING all around.

He flattens down and crawls up over the rise. What he sees stuns him.

XANDER (CONT’D)
You gotta be kidding me.

We crane up to reveal A FIELD OF POT PLANTS. There's a COCAINE PROCESSING PLANT along the field's edge. The whole place looks exactly like a Central American DRUG FARM.

NARCO TERRORISTS run around with AK-47's.

Xander sneaks past EQUIPMENT covered in CAMOUFLAGE NETTING.

A squad of Narcos runs by and Xander makes his move.

He rounds another pile of equipment and comes right into the HEADLIGHTS of a truck.

Narcos hop out and charge forward.

Xander raises his hands.

XANDER (CONT’D)
You boys are too good for me. Guess I failed this one, huh?

They grab him and haul him away.

37

INT. TORTURE ROOM - NIGHT

We see a RUSTY MEAT HOOK. A CHAIN is wrapped around it.

Attached to the chain, his arms over his head, is Xander.

He's in the middle of a bleak looking room. There are BLOODSTAINS on the wooden walls, the floor strewn with filthy HAY.

Behind him against the wall Xander sees T.J. and Virg both

38 HOG-TIED. 38

XANDER
So much for "every man for himself". Nice to see you again, fellas.

39 T.J. 39

They really went all out on this one. This is a pretty gnarly setup.

VIRG
Check the table in the corner.

There's a BLOOD STAINED TOWEL COVERING a TABLE near the door.

XANDER
This oughta be good.

Then they hear talking outside and the door is UNLOCKED.

A very nasty looking Marco comes in. By his look he's the

40 LEADER. 40

XANDER
This must be el jefe. How's it goin' jefe? Some weather we're havin'.

Narco Guards bring in one of their PARACHUTES and toss it on the floor. They exit, closing the door behind them.

Jefe goes to the table throws back the towel. Beneath it are HIDEOUS, BLOOD ENCRUSTED TORTURE DEVICES: a HACK SAW, a BOLT CUTTERS, KNIVES, CHISELS, a BLOW TORCH.

XANDER (CONT’D)
What's on the menu tonight? The old blowtorch-to-the-family jewels routine, I'll bet. Hey, you want roasted nuts, let's break out the Planters.

T.J. and Virg both crack up. Jefe gives them a withering look.

JEFE
Do you know what we do with people come round here? You know what we do with people come in our business?

Jefe passes his hand over the various tools. He finally settles on a crude MACHETE. He walks amongst them brandishing it.

JEFE (CONT’D)
We cut the Achilles tendon. Your feet flop around like a marionette. You ain't walkin' nowhere no more. Sound good, tough guy? Or maybe instead you wanna tell me something.

He stops in front of Xander.

JEFE (CONT’D)
Whatchu doing here?
XANDER
Oh, I don't know. It was an accident.
JEFE
That's some accident, hombre. You accidentally fall out of a plane in the middle of the night and land up in my back yard.

He BACKHANDS Xander across the face.

JEFE (CONT’D)
We seen this kind of parachutes before, you know. U.S. Army. You got some friends here, jump out with you guys?
XANDER
We're anti-social. We don't have any friends.

Jefe SLAPS him again.

JEFE
No friends, huh? That's funny, I don't know no U.S. Army that comes without no friends. That's cuz U.S. Army is pussies. They always come with the five hundred guys and the helicopters and the see-in-the-dark glasses. So don't you tell me you all alone out here, my friend. You bullshitting the wrong guy.

Xander looks over at T.J. and Virg.

XANDER
Who's writing this dude's dialogue?
VIRG
He's a pretty good actor, though.

41 T.J. 41

Makes the diner look like a sixth grade play. He's even got them crazy eyes.

JEFE
You ain't begun to see crazy yet, amigo.
XANDER
We're on to the game, ese. You got the fake blood splattered all over the walls, you got your torture tools... It's all very cute. But come on, let's quit while you're ahead. I'm only trying to save you a beatin'.
JEFE
You saving me? You talking pretty tough for a guy got himself chained to the ceiling.
XANDER
(shrugs)
Alright. You wanna eat through a tube, be my guest.
JEFE
Now you're gonna make me enjoy this, funny guy. Now I'm gonna take the whole foot off. Whatchu think of that?

A low THUMPING is heard outside. It's the sound of approaching HELICOPTERS, lots of them.

Then the night ERUPTS in GUNFIRE. It sounds like a full scale assault outside.

JEFE (CONT’D)
What's that, eh? I thought you didn't have no friends!

Jefe goes into a fury. He SWINGS his machete at Xander's legs.

Xander JUMPS UP, grabbing on to the chain above, and KICKS Jefe in the chest.

Jefe falls back and Xander climbs up to the roof BEAM.

He grabs onto the beam with his legs and UNHOOKS his chain from the meat hook.

He drops down, six feet of chain still hanging from his cuffed wrists, and Jefe comes charging at him.

Xander dodges a few wild swings.

He grabs Jefe's PANT CUFF and dumps him on his ass.

Jefe scrambles to his feet, drawing his PISTOL.

Xander swings his chain and WHIPS the gun out of Jefe's hand.

With another swing he WRAPS the chain around Jefe's neck and pulls it taught.

XANDER
Keys. You got 'em?

Jefe nods, choking, and reaches into his pocket.

XANDER (CONT’D)
Hand 'em to me.

Instead Jefe hurls them out the window.

XANDER (CONT’D)
I hope you're getting paid extra for this.

Xander jerks the chain, slamming Jefe head first into the wall. Jefe drops, knocked out.

Outside it sounds like a full scale FIREFIGHT. Xander gets the machete and CUTS the ropes holding T.J. and Virg.

Then a HAIL OF BULLETS sprays through the room.

All three guys hit the deck but T.J. gets shot. He clutches his side, BLOOD all over his hands.

42 T.J. 42

I'm hit! I'm hit!

VIRG
They're shooting for real! This is all real.

Xander knows this is true.

XANDER
Aw shit.

He checks out T.J.'s wound.

XANDER (CONT’D)
Help me with this guy.
VIRG
It's like you said, every man for himself.

Virg bolts for the door.

XANDER
That only works if you're a man!
43

EXT. DRUG FARM - NIGHT

Narcos are shouting, running to and fro.

TRACER ROUNDS cut through the air. They are trying to repel an UNSEEN ASSAULT FORCE.

Overhead SIX MILITARY HELICOPTERS buzz the compound like Apocalypse Now, their NIGHT SUNS lighting up the place.

Xander comes out of the torture building holding T.J. in a fireman's carry. His hands are still CUFFED, the length of chain dragging.

Xander crouches behind some equipment, putting T.J. on the ground.

XANDER
You alright?

44 T.J. 44

I used to be a SEAL, it's not the first time I've been shot. Thanks, man.

XANDER
Keep your head down, I'll be right back. I'm gonna steal us some wheels.

Xander moves on, finds cover under the camouflage netting.

He can see Narcos shooting into the trees at the UNSEEN ENEMY.

Looking the other way, he spots Virg running back his way.

He's been corralled by one of the Helicopters.

He's zigzagging, trying to stay out of the beam of it's Night Sun.

Xander darts out and GRABS him, pulling him under the camouflage netting.

VIRG
They're all over the place! What the hell's going on?
XANDER
Looks like we're in the middle of the drug war.

The Helicopter lights up the camouflage netting.

They're pinned down.

XANDER (CONT’D)
Alright Mr. free-for-all, you go that way, I'm gonna go this way. They can't follow us both.

They squat down in runners stances, the helicopter kicking up DUST all around them.

XANDER (CONT’D)
Go!

They jet off in opposite directions.

Xander books, running for all he's worth. His cuffed hands and the dangling chain make it difficult.

He's heading straight into the FIELD OF POT PLANTS.

Suddenly the massive SPOTLIGHT picks him out.

XANDER (CONT’D)
Shit!

The CHOPPER swoops down after him.

Its big GATLING GUNS turn, aiming right at him.

BRAAAAAAAAPPP! The guns cut loose, tearing up the ground right behind him.

Xander sprints, the chopper after him like Cary Grant in "North By Northwest", except instead of corn fields, Xander's running through a field of HUGE MARIJUANA PLANTS.

Xander hits the deck and the chopper soars over him.

Xander cuts over a couple rows and hunkers down amongst the plants.

All around him it's a chaos of Helicopters and GUNFIRE.

Two choppers attack the factory building, BLASTING it with their guns. Narcos run terrified.

Xander notices a FAT PURPLE BUD on the plant right in front of him. He SNAPS IT OFF.

XANDER (CONT’D)
I'm gonna need to hit the trees after a night like this.

He tucks it-into his shirt and takes off through the POT FOREST.

Xander finally spots a vehicle. It's a TRUCK LADEN WITH BAILS OF COCAINE. He heads for it.

Then the SPOTLIGHT finds him again and the Chopper swings around. The gatling guns RIP the plants to pieces all around him.

Xander hauls ass, heading for the truck.

Bullets chew up the dirt all around him.

As the helicopter passes overhead, it's guns RAKE THE TRUCK.

There is a FLASH as the GAS TANK goes up.

WHOOOOPPHH! A SUPERNOVA OF FIRE AND HIGH-GRADE COKE erupts into the night air.

Xander dives into a DRAINAGE DITCH. He tumbles down into FILTHY WATER.

A powdery cloud washes over him, dusting the trees white.

Near him is a big DRAINPIPE leeching sewage. Xander crawls inside.

The Chopper makes another pass overhead.

The big spotlight plays over the area, then moves on.

Xander gives a sigh of relief. He crawls out of the drainpipe.

JEEPS race by on the road right above him as MILITARY MEN flood the compound. There's no going back.

Xander turns and makes his way along the tree line.

The chopper and gunfire are in the distance now. Things are quieter here and he starts to relax. Bad idea.

As he goes by, one of the TREES moves.

He takes a few more steps and the grass he just walked on EXPLODES UPWARDS. ARMS reach out, tackling Xander from behind.

Another TEAM of BLACK OPS SOLDIERS bursts from the weeds, the bushes, all perfectly camouflaged like the landscape.

They fall on him like a curtain.

XANDER'S P.O.V. - Soldiers hold him down while a BLACK HOOD is pulled over his head.

FADE TO BLACK.
45

INT. AIRPLANE HANGER - DAY

As the MASSIVE HANGER DOORS CLOSE we can see CHOPPERS taking off and landing. MEXICAN SOLDIERS load Jefe and his Narcos onto a FEDERALE BUS. Virg resists and is BEATEN. T.J. can be seen being loaded into an AMBULANCE.

The hanger doors slide shut with a THUD.

We see Xander's HANDS as the CHAINS are cut away.

Xander sits in a chair with the BLACK HOOD still over his head. He blinks when the hood is torn off. A Black Ops Soldier smirks as he walks away.

Xander looks around, sees the Black Ops Team unpacking some STRANGE GEAR. Two of them are dumping bottles of a CLEAR LIQUID into a RUSTY CLAWFOOT BATHTUB.

XANDER
Nice of you to draw me a bath. Is it Saturday already?

The Black Ops guys grin knowingly.

On the other side, Xander sees a FLIGHT CREW readying a GULFSTREAM for travel. Gibbons steps up from behind him.

GIBBONS
Congratulations, you've just graduated at the head of your class.
XANDER
You're a cold piece of work. You almost got three people killed out there.
GIBBONS
Good thing you were there to save the day. Come walk with me.

Xander gets up and Gibbons leads him on a stroll around the

GIBBONS (CONT’D)
You've really got me confused, Cage. On the one hand you showed leadership, courage under fire, a willingness to protect men you hardly knew... and on the other you have an arrest record that pegs you as near sociopathic. Help me out here. I'm not following your evolution.
XANDER
You want the cheap backstory? The runaway mom, the suicide dad and the foster homes? Gimme a break. You're not interested in my past, you're interested in my future as some kind of spy.
GIBBONS
You're perceptive too. I forgot to add that to the list of surprises. I'm with the National Security Agency. And unlikely as it may sound, I need your help.
XANDER
I'm not interested. I've already got a job.
GIBBONS
You're an adrenaline junkie with one foot in the penitentiary. You risk your ass building a daredevil myth that means nothing and you're not getting any younger.
XANDER
I plan on getting a lot older. And playing spy games sounds like a quick way to get yourself dead.
GIBBONS
That's too bad. I thought a guy like you would appreciate the challenge.

As they walk by the Black Ops guys, Xander sees they're getting busy. One spreads out a plastic DROPCLOTH. Another plugs in a BONE SAW.

XANDER
What's this? You're gonna try to scare me now?

Gibbons grabs a CHICKEN LEG from a guy eating lunch.

GIBBONS
Do you know the reason why I try to recruit guys like you? There's no risk.

He tosses it into the tub. Instantly it starts to SIZZLE and BUBBLE. The tub is full of ACID.

GIBBONS (CONT’D)
There's nobody back home who's gonna ask questions if you just... disappear for a while.

In seconds the entire leg has been consumed, leaving only a oily cloud of residue.

Gibbons eyes him coldly, nailing the point home.

XANDER
Now I'm the one who's nauseous. So what's the deal? What do you need me for?
GIBBONS
There's some folks I want to keep tabs on. Dirty, tattooed, uncivilized. Your kind of people.
XANDER
What do I get out of it?
GIBBONS
If you find out what I want to know, and if I'm able to successfully use that information, you get to go back to your degenerate little life. If not, you take a bath.
XANDER
You're one sick bastard. A sadist with a badge looking to rope me in to a suicide mission. I think no matter which way I go I'm likely to wind up face down on a sheet of plastic. So here's my answer: kiss my ass, Hop-along.

Gibbons kicks the back of Xander's leg and dumps him on his ass. Gibbons was so quick, Xander never saw it coming.

The Black Ops guys clap and cheer, always interested in a fight.

XANDER (CONT’D)
Not bad for a gimp.
GIBBONS
What's with that "X" on the back of your head? Does that mean you're "extreme"? I've got some news for you, Mr. X, you're a three time loser. So maybe you should tattoo another couple of X's on your head.

Xander gets up.

XANDER
I'll take that under advisement. Maybe I can be like you and lose a leg for the old Stars and Bars. I bet the flag's a great comfort every time you need help climbing stairs.

Gibbons lunges and grabs Xander's throat in the vice-like grip of his thumb and middle finger.

GIBBONS
One twitch and my finger and thumb will meet inside your esophagus. Believe me, Mr. X, I've put foot to ass for my country on many occasions and I don't feel the urge to stop just yet. So think carefully before you tell me: Is "kiss my ass, Hop- along" your final answer?

The fingers are so powerful that Xander is paralysed. He looks over, sees the bone saw start revving.

XANDER
(choking)
No.

Gibbons releases his grip.

GIBBONS
I thought you might see it my way.

Then Xander starts walking away.

GIBBONS (CONT’D)
Where you going, X? I said where you going?

The Black Ops guys grab weapons, ready to stop him.

XANDER
You tell me.

Xander climbs up the steps of the Gulfstream.

XANDER (CONT’D)
There better be a movie on this Goddam flight.
46

INT. GULFSTREAM - DAY

Xander sits with Gibbons in big leather chairs. They are surrounded by NSA AGENTS in suits.

A NERDY AGENT snaps an ANKLET around Xander's ankle.

XANDER
How about a pedicure as long as you're down there. What's this? Lo- Jack?
GIBBONS
Wherever you go on the planet, I'll find you. There's no quitting. If you try to take it off, a ring of needles will inject enough curare into your bloodstream to kill you before you hit the ground. Is all that clear?
XANDER
Yeah, I spy or I die.
47

INT. EMPTY FIRST CLASS LOUNGE - SUNSET

Orange light floods this beautiful airline lounge. There's a fully stocked bar, a snack table, all unused. That's because it's been sealed off for NSA use. (NOTE: perfect product placement opportunity for an AIRLINE).

Xander, Gibbons and his Men are all silhouetted against the smoked glass windows.

The Nerdy Agent hands Xander a Palm Pilot sized ELECTRONIC DEVICE.

NERDY AGENT
This is your communicator. You'll identify yourself by a call sign. From here on out you're Bulldog Omega
XANDER
You must stay up late to come up with shit like that.
GIBBONS
I expect you to call in regularly with progress reports.
XANDER
Fine, but I'm not gonna be no Bulldog Omega 5.

Gibbons checks his watch. They get up and start walking.

48

INT. AIRPORT TERMINAL - SUNSET

The phalanx of Agents surrounds Xander and Gibbons as they walk to the gate. The Nerdy Agent hurries to catch up.

AGENT
Uh... Call signs derive from the parameters of the mission.
GIBBONS
If he doesn't like it, we can make an exception just this once. We'll call him "Triple X".

They walk past the gate, down the jet-way, the Agents FLASH BADGES to the GATE WORKERS.

XANDER
Up yours.
GIBBONS
Crude and defiant as always, Triple X. It fits so well because you're obscene.

Xander is the last one to board the plane.

XANDER
Is that all?
GIBBONS
Just remember, I'll be watching.

As the door closes, he looks back at Gibbons and his phalanx of Agents.

XANDER
I've got something for you to chew on. Next time you send someone to save the world, make sure they like the planet the way it is.

The jet's door CLOSES.

49

INT. COMMERCIAL JET - NIGHT

Xander is in the last row against the bulkhead. He's got a personal DVD player and headphones and he's reviewing his mission. The high-tech screen shows photos, maps, cool graphics.

The KID sitting across the aisle leans over for a look.

KID
What game is that?
XANDER
Slick graphics, huh? See these dudes? They're called "Anarchy 99", they're the bad guy bosses.
KID
Do they have any special powers? The bosses always have special powers.
XANDER
You wanna check it out? Come here.

The kid moves to the seat next to Xander.

Onscreen see photos of the FIVE BAD GUYS from the opening sequence. We DIVE IN to the computer as Xander describes them.

For each of the baddies, we'll see 3-D PHOTOS and VIDEO CLIPS, all enhanced with COMPUTER GRAPHICS and POP-UP MENUS.

XANDER (CONT’D)
First we've got Anders, the psycho looking biker. In charge of transportation and smuggling. Controls every trucking union in Eastern Europe. Don't look too clean, either.

We see ANDERS, the wild-eyed and unclean Swedish biker, against a backdrop of MOTORCYCLES and MUSCLE CARS.

XANDER (CONT’D)
Next we got a Siberian redneck, Viktor. Into snowmobiles and snowboarding. So naturally, he covers prostitution and the drug trade.
KID
Naturally.

We see Viktor, with the goatee and belly, doing some hairy snowboarding.

KID (CONT’D)
This guy's kinda dorky lookin'.
XANDER
Kirill, the sniper. Looks like a bookworm, but he had 72 confirmed kills in Chechnya, they called him the "Finger of God". Assassination and weapons.

We see Kirill in UNIFORM with his well used SNIPER RIFLE.

KID
Who's the hottie?

He indicates Petra, the tough gangster chick. With her LEATHER and TATTOOS she looks like she could mop up the floor with Lara Croft.

XANDER
You like her, huh? Petra. She runs their finances, money laundering, computers. Joined the gang after spending some time as the girlfriend of this dude, Yorgi Azar Zimin. Capo of Anarchy 99.

Finally we see YORGI, the unlikely looking Mafiya Don. We see CRIME SCENE PHOTOS that illustrate his exploits.

XANDER (CONT’D)
Yorgi masterminded the take-over of three Red Mafiya clans. Cops called it "blood week". He combined all of their global enterprises into one huge crime syndicate: Anarchy 99.
KID
(skeptically)
"Anarchy" 99"?
XANDER
What are you gonna do? They're Euro- trash.
KID
What weapons do you have?

Xander clicks on "INVENTORY". He scrolls through a staggering array of WEAPONS and VEHICLES.

XANDER
Just about anything I want, it looks like. This is gonna be tough, though. There's no way to save this game. I gotta get it right the first time through.
KID
What do you get if you finish?
XANDER
Nothing, really. My guy is just doing it to stay alive.
KID
Oh. I bet by the end he gets something out of it.
XANDER
Like what?
KID
He gets to be the hero.

The Kid's mom calls him back to his seat. Xander looks at the kid, then gets back to his research.

DISSOLVE TO:
50

EXT. PRAGUE - DAY

We CRANE UP from the COBBLESTONE STREET as a BEAT-UP CAR races by. We rise up, revealing PRAGUE in all it's glory.

51

INT. BEAT-UP CAR - MOVING

Xander sits in the back, wedged between TWO IDENTICAL LOOKING TOUGH GUYS. If you were to call Central Casting and ask for a couple of cold war spy types, this is what they'd send.

They're both 6' 4", have sloppily cut hair, square jaws, wrinkled overcoats.

XANDER
This is bullshit, man, I wanna see some ID.

The two tough guys flash their COP ID's. Xander studies them. "IVAN PEDGRAG" and "IVAN PODROV".

XANDER (CONT’D)
You're both named Ivan? That's gotta be confusing on Valentine's Day. So where we headed? Fellas, I said where we headed?
(beat)
Yeah, whatever.

He looks out the window, sees a GRAND HOTEL. They drive right on by.

52

EXT. DIRTY APARTMENT BUILDING - DAY

It's a crumbling old dump in a nasty part of town. Xander shakes his head.

XANDER
James Bond never had to put up with this shit.

Ivan 1 pulls Xander's gear bag from the trunk and throws it on the sidewalk.

Xander picks it up and carries it into the building.

53

INT. DIRTY APARTMENT - DAY

Dumpy furniture, roaches, cracked windows. Xander is ushered in. There's another GUY in a UGLY SUIT waiting. He is

54 DETECTIVE MILAN SLOVO. 54

SLOVO
Sit down.
XANDER
I've been on a plane for twelve hours, I think I'll stand.

Ivan 1 shoves him into a chair.

SLOVO
My name is Slovo, Czech secret police.
(MORE)
SLOVO (CONT'D)
When you are here you are under my jurisdiction, you take my orders, you do what I say. If you become any kind of an inconvenience, I'll shoot you.
XANDER
Here we go again.
SLOVO
You're here because your government is putting pressure on my government. This is an internal affair, a Czech affair, that you are interfering with. I will warn you once: Don't shit in my lawn. Get whatever information your government seeks and get our.
XANDER
First of all, you should kill whoever sold you that suit. Two, I don't wanna be here either, so just step off. Three, if you had the authority to shoot me you would've done it by now, so just ease up on the machismo, bitch. Now that we've got that sorted out, I'm gonna get some rest.

Xander lays down on the bed. Slovo stares, burning with hatred. He heads to the door.

SLOVO
Be ready in three hours.

Slovo exits. Ivans 1 & 2 stay, staring at Xander.

55

EXT. HALF-PIPE DISCO - NIGHT

A fancy, flashy disco with an extreme sports theme. A big bouncer in a leather coat works the door. This is a highclass, expensive joint but it still looks seedy and dangerous.

Xander and Slovo walk up to the place. Xander's wearing a Tshirt that says "RON JEREMY: AMERICAN LEGEND" complete with a photo of the Hedgehog.

56

INT. HALF-PIPE DISCO - NIGHT

A STRIPPER that looks like a runway model SLIDES across the stage on SKATEBOARD KNEE-PADS while PATRONS cheer. The disco is a combination STRIP-CLUB and CONCERT VENUE.

All the STRIPPERS are outfitted in HELMETS, ELBOW PADS, G- STRINGS and BELLY SHIRTS.

There's a WARPED TOUR BAND playing on a STAGE. On either side of the stage are two MINI-HALF PIPES that the GIRLS are cutting back and forth on.

WEALTHY BUSINESSMEN sit in plush booths getting table dances while the dance floor is packed with sexily dressed YOUNG HIPSTERS.

Xander gets a beer from a BUXOM COCKTAIL WAITRESS on IN-LINE SKATES.

XANDER
Nice hops.
SLOVO
The corner. Anarchy 99.

Slovo points them out in the far corner. They're surrounded by straight faced BODYGUARDS.

What ANARCHY 99 is doing in their booth with the STRIPPERS looks like Led Zeppelin on tour. Booze, broads, good times... These guys are living like rock stars.

They're all here: Anders the biker, Viktor, Kirill. In the middle sit Yorgi and Petra. Petra's wearing an "I AM EVIL" Tshirt.

SLOVO (CONT’D)
See the one with the funny colored hair? Crazy bitch stabbed one of my men in the knee-cap. There they are, American. The low-rent millionaire criminals. And you thought only your country had white trash. American?

He looks around but Xander is gone. He heads for the exit, pushing his way through the crowd. But then he spots him, not by the door but deeper in the club.

SLOVO (CONT’D)
Oh no!

He sees Xander walk right up to the Anarchy 99 booth and start talking to them.

SLOVO (CONT’D)
Jesus Christ!

Slovo can't hear a thing, but they're obviously interested in what he has to say. Next thing he knows Xander is pointing at him and waving him over.

SLOVO (CONT’D)
(horrified)
What the hell...?

Slovo makes his way through the crowd to the booth. Yorgi looks him up and down.

XANDER
That's the guy.
YORGI
This pizda? Never seen him before.
XANDER
(to Slovo)
Who you workin' for? What do you do for a living, dickhead?
SLOVO
Uh... I am... I work in insurance.

Xander grabs Slovo and starts searching him.

SLOVO (CONT’D)
(panicked whisper)
What the hell are you doing?

He slams Slovo up against the wall and pulls out Slovo's police badge.

XANDER
Look what we have here. Czech 5-0 on the mack.

The Bodyguards pull out guns and Slovo rushes for the emergency exit in a panic. In seconds he's out and gone.

YORGI
Cops. Like a plague. No matter how many you pay there's always another with his hand out. How did you pick him out?
XANDER
He flashed his badge to half the bar when he bought his drink.
YORGI
I appreciate you bringing this to our attention.
(MORE)
YORGI (CONT'D)
Whatever you want, the rest of the night, consider it on the house.

Yorgi waves over some strippers.

XANDER
Thanks, but I'm here on business. I heard you're the G around here. I'm looking for some cars, expensive ones. A lot of them.
YORGI
Sorry, man, don't know what you're talking about.
XANDER
I'm talking about the sports cars that disappear off the docks in Genoa and wind up here. If you don't know about 'em, who does?

Yorgi nods and the Bodyguards step in front of Xander.

XANDER (CONT’D)
I guess I heard wrong.

Xander turns to leave.

That's when Anders notices the "X" tattoo on the back of Xander's head. He gets excited and alerts Yorgi.

YORGI
Xander Cage!

Xander turns. Suddenly their whole demeanor changes. All five guys get up, awed, and push the Bodyguards out of the way.

ANDERS
The X man! We seen your bootleg videos!
VIKTOR
You sick! You sick crazy on a board, on a bike! Everything!
YORGI
This is insane, man. Xander Cage in Prague. Come on, sit. Sit with us.

Yorgi signals for more drinks.

YORGI (CONT’D)
I remember that one where you jump the motorcycle over the freeway at rush hour.
XANDER
When else are you gonna do it?
VIKTOR
You almost died on that one.
XANDER
Cops arrested me while I was still in surgery. Did two months.
YORGI
We seen all your shit! So you want cars? We get whatever cars you need. What are you looking for?
XANDER
Ferrari's, Lamborghini's... high end pasta rockets. Ten to start.
ANDERS
Ten! No problem! We do that no problem!

Petra elbows Anders.

PETRA
Ten is hardly worth the effort. We're talking a lousy million five U.S.
XANDER
I have Japanese buyers who are looking to move a fleet, if you have the quality of merchandise they're after. And it's a mil two, max.

Petra glances at Yorgi who nods.

PETRA
Do you know what a wire transfer is?
XANDER
Is she for real? Honey, maybe you should quiet down and let the grownups have a conversation.
PETRA
My goodness, a word with four syllables. I should get some ice before your brain gets too hot.
XANDER
Sure. Just chisel some off your heart.
PETRA
(smiles)
So cute. He shows up for a battle of wits with a mental butter knife.

Xander looks to Yorgi.

YORGI
(laughing)
Don't look at me, X, she handles all the details.
XANDER
It'll work faster if I have an account number.

Petra scrawls numbers on a cocktail napkin.

PETRA
You'll have forty-eight hours to complete the transfer. Don't waste our time.

Xander snatches the napkin.

XANDER
Wouldn't dream of it. I'm even gonna throw in a few extra bucks to send you to charm school.

Petra glares at him.

YORGI
Alright, now that business is finished, we party! Bitches, come! We have a drink and toast the deal!

Yorgi claps and a flock of strippers descends on the booth.

Anarchy 99 lifts their glasses. Xander joins in the toast.

XANDER
I believe I can hang with you fellas for a while.
57

INT. UNDERGROUND HEADQUARTERS - HALLWAY - MORNING

We see the FEET of AGENT POLK sprinting down the hallway.

58

INT. ULTIMATE INFORMATION ROOM - MORNING