"THUNDERBALL" (1965)

Sc:nenplay by tic:ha:d M&ib&lm a:a4 Jolm Kop!d.m

llaM4 mt ~ oPiog!ml St=:, by lfflZl !lcClar;r,

Jew& \lbittizgba a:a4 Ian !'lm.zig

~om, (shrugs) I'm not the only one with a license

Hie eyes go nonchalantly up towards heaven, equally non- chalantly they drop again.

She ahruge her ahouldera, looks down.

Down below, the eeffice has co:e to an end, and the WIDOW, followed b7 her ffO CHIL.'fflfEJTand their BORSE,ie going out.

As the grieving widow, HAD.AliE:BOI!rIER,is led out by the aurpliced PRIEST. She ie young, beautiful, a SJ11lphony of exquisite sorrow in a "trciling black dress which the Wind moulds oroun6 her lovely figure. Ber veil falls over her shoulders but does not 0be0U:re her face, which re- flects bravely-borne bereave:nent. Various dignitaries, the Wt.YOB., the JODGE, the C~ of the local garrison, ate-p u-p one by one to pey their respects, silently kissing her hand. To each she· e:miles graciously.

As :BOND and the attractive DEEOB'WOJ4AE'come out.

LA POitD Is there·anything else the Deuxieme :Bureau can 60 for !!onsie\U" :Bond?

Ee looks offacreen.

'!alld.ng toward entrance !SiDU:lE :BOI!rt'.CR,D.IllON, and CBA.Oll.Jl'J:.:0.Rin :a.G.

MADAME :SOI!rn::Rwe.lks r-acefully to limouaine parked at entrance. !Olr.O and U POD.ft•:moveinto J. G. :BOil)watche e ae MADAME :SOI1'Iml, without waiting for D.IBOI or CBAtJPIEO'R to open door o! limousine, oiens it herself, geta in the 'baclt. ::BRllONgets in, site es1ae her. !lie CBAU1FEOJ. aeate himself beh:.uid wheel. Limousine 4r1ve·e o:t:t• .........,,,,,

7. rn. LIJm OF CABS OtrTSIDEgRAm

C4ME:P.ATRACKS W:TE ~OM> as he walks quickly along cars .• BOLDS as he reaches his Thunderbird. Be gets ~n, ehe follows suit, a roa:- o:t the hooter as he drives off in same direction t:.ken by limousine.

As iaDAJ·!E:llOITIER1s limousine turns into it and drives toward chatee.u in t.G., an imposing three-storey building with balconies outside windows. It stops at chateau steps, ____ fU'ty yards away. The Thunderbird stops at entn.nce, llOED ·--gets out of the car.

Looking between hedges.

10. gRA...."'EAU-FROM;BONJ?'S POV. ,, l4ADAl!E'l30!TIERgets out of car, goes up steps into house, accompanied by :BRDlOli. The children eeem to hn.ve been lett behind in 'the car.

~oad stairccae, lending up to gal.l.ery. MADAME :SOITIER we.llcs past ~LER to atnircase. CA'MEBAFOLLOWS her up staircase. ERllfOBremains at :toot o:t 1taircaae as she continues up it.

K4D4ME EOI~ID reaches it, goee 'tm'ough door into corridor.

14 and 1s. m. cOPJtIDOR. 14lulAg 1101:rm

W&lld.ng clans corridor, turning corner, ~owe.rd front of chatee.u. She comes to a door, opens it.

LoUia Quinze decor. Pire burn1J1&in fireplace. Doors to b~lcony cloaed. Mil>.Al.!E~OITID enters, atcrta into room, atops abruptly. CAEER.AilGLE ilIDEHS 1'0 DlCLtrDEa large chair behind which two legs protrude, and then :BOIDis grttillg up lazily.

BOE> (grnvely) I oeme to of:ter my canddences -

--·- ~- --

s. Revised 19 January 1965

16. CTD.

Be pulls bnck his c.:-m, aluga her on the chin with a terrific right. MADAME BOiiIER reels back, craahee into a cabinet filled with re.re pieces of ~h1na/

~OID (reprovingly) ( You shouldn't heve opened that cu door for yourself, Colonel oitier!

BOITIER pulls back his lcnees, lciclts ~OEDin the stomach With both feet. BOD 1taggere back. BOITIER pulls a knife from a scabba:-d etrapped to the thigh, jumps to her feet, comes at BOID, lc:c.ife poised. ~OEDlcnoclcs over a tall Grandfather•e clock between them. BOITIER throws the 1cnife. !Om> ducks it, pulls·his Walther out of shoulder-holster. 3e!ore he can leTel it, ~OITIER dives OTer the clock, tackles BOID just below the.'.blees, lcnocks him off his feet. The gun goes ap1nn1ng and at the same time, !!AD.il!E ~OiiIER•a Wig comee off, revo&l,.i.ng a .man1a cropped hair.

~OITIER fi;hts his wey out of B0JlI)'e grasp, leavinS hau·· the dreea in BOm>•s h.D.nd, exposing the falsies he is wearing. ihey both din for the gun, crash.ins together, momentuily 1tnn11:1naeach other. ~ey stagger to th!ir feet, cleW'inS at each other.

ru.a tillle ~OID finds the falaiee 1n his hand. 'BOITiml slips in with a judo hold, thron ~OD.toward the fire- place . With ~OND on his lw:14 a and knee a , cn.wlinB away from the !ire, ~OI!IER picke up a poker and smashes it do1m across ~om,•1 back, bending the poker and l!:nocld.ng h1lll nat. ~OID groans . .A.1 BOI!m lilts t~e poker to bN.1%1hilll, !OED rolls into hilll, l!:noclcah1lll of! hia feet. Grimacing in pa.in, ~OBD gets up and behind ~OI!IER, who tr1ea to rise.

~o~, still holding the falsies, whipe them around ~OI!IEi's throat, l1lte e gan-otte. BOI!IER tries des- • perately to reach behind h1lll to throw ~OID off. BOID tbrwlts his ama out, crashing ~OinI:i 1a head against the stone fireplace, stunning hilll. nan he alowly ti;htena the fAlaiea around his neck and strangles him.

CAMERA PAIS TO DOOllas n.mon appears in it, the wrn behind hilll. They charge in towud BOID who hurls BOIDEB's body at them, and th•n Z"UD.I out onto balCOJl7. DntOll a.nd th~ mT1'LEBge1>to their feet, start tt'wu4 balcony.

-I

Revised 19 JB.nuary 1965

Struggling into the hcrness of a jet-pack. As they appear behind him, he ,ctivat.es pc.ck, takes off over balcony railing.

As 30ND jets ziway through the air toward hedges.

19. rn. CEATEAT':. Wt.In GA~. MY

30ED soars way above the liene.issance main entrance, far above Cellini's nymph and the danserous horns of the castle's scul;ptured and stetely stass.

MADEMOISELLE LA PORTE leaves the engine running, hurries out of the Thunderbird perked et the corner of the road, ,.,_ quickly throws open the huge luggo.ge compartment at the rear just o.s 30El> comes down out of the air in a hissing rush of air frcri his jets.

As he lands, she helps him step out of the herness, and wo.tches him o.s skilfully he folds up the mechanicAl con- traption. It ta..~es hiJ:1 no longer to do this than a golfer with c coll&psible trolley, or a secret agent in Istanbul would take With a foldine sniper's rifle.

301D llo well dressed mm should be With- out one.

He puts the mo.chine in~o the back of the car. At the same time, a. hundred yarda down the roae, the main gate of the chateau opens ~d ~ OR Foun MENcome running out. They carry guns. 30ltD hurries forward to get into the cu.

As the first o~ the mr begins firinc, 30ED guns the :iotor and the car jerk.a forward With a ecreech of rubber on cobblestones. As it disappears at speed we••••.

DISSOLVE:

KAili TITiul:S (

I

Revised 19 Jcmuary 1965

Massive Second :Empire !uildillgs, the main offices of important buei!less and banking concerns. A mornille: 1n :mid-February. •

22. ~T. NO. 136

A car pulls u~ (note Ford, but something of the Ferr~ri- M&serat breed) right ill front of a big Ee-Parking sign.

A rOLIC:CW...Nhustles !ol"'WUd from the :middle of the street, from where he h&s been shepherding PEDESTiUANS across the street. He ruses M il!dignant hand. • • - -

J'BDCH POLICE?-lil Vous plaisantez, Monsieur!

The MAJT getting out of the car turns round.

FREBCE POLICE!Wi (sud~enly apologetic) Ah pardon, Monsieur Largo .•.. :mille pardons.

A smile, a selute, and the next moment he has r~ised his white baton to club some uni'ortune.te who is t'rJ'ins to walk across ~go.inst the lights.

LAB.GOpulls his camel-hair coat acrose his ehoulde~s. Re is a powerful, middle-~ged man, a mDJl of elegance but also of authority, a man with friends 1n high places, but a man who does not need 1.heL. Be crosses the sidewalk towards the entra!lce of a buildi:lg on which stands a discreet bronze plsque. We read:

nA~TE IE'mRNA?IOHALE Potra L'ASSIS1'.AB~ DES GDS SilS E~

ldll 1 S VOICE (coming over a.a we hold on plate) he Interntltional ~otherhood !or Assistance of Stateless Persons -

2;. INT. OUTER O!'FI~. M(JY. mm. XARLSKI'S '7!FE --------------------=:------. ..............iioiiii,;;;i,, ...... -- - HEN working ~t.deaks, some interviewing PEOPLE of varied nationslities. fhe usual accoutrements of a busy

• B, ~evised 19 Je.:ilua.ry 1965

2,. CT?I,

organi1ation. J1an7metal filing cabinets. Seated at 4•ak in F.G. is a KA..~facing a fcreign-looldllg, neatl7 but poorly dressed middle-aged cou:plt, the EABT,~XIs.

ltll (oontinuing on cut) - is purel7 philanthropic. We are not interested·in politic1, cml7 1n your eocnomic and spiritual rehabi- litation. •

Be jumps to his·feet and bows defeNntiall7 as LilGO passes him.

Jill Bonjour, K=sieur Large.

LAllGOacknowledges him, c,ntinuea toward door 1n B,G. and ezits as J4AB'aite 4own agau,.. ilO~ hands him a memor- andum.

SECOBD MAJ' • Earlsld. -

• SEUOllD llABmoves out of scene aa 1DlSf atullies memo.

JWf I am delighte4 to in:or.m 7ou we have been able to arranse for rtaaa with tho 3%-uilian co:naulate -

DS, !'4PI,S'tI (overjo7ed, tearful.17) hank 7ou, Honeieur -

In the backgrouncl we see l.lllGO pressing a button 1n the wall, then WD.iting.

JWf he :!z'otherhood will provide ff&D8- portat1o:i &!l4 aubaistence until 7ou are once a.gain aeU-eupportine -

L\ILSlCI We pa7 back - everyth:1.J:ig-

I Bevised 19 Januar., 1965 g.

1WI hat will not be necesaarJ. Our :tun4s come fro= certain private in41vi4uala who a:tia:-e our a1ma -

A light has come on above l.AliGO's head, blink1ng slowly, ae a panelled door slides open. Be goes on 1n.

24. m, LlltGE CO:RFERE!lCEliOOll. ~LQZELD

CAERA OB HIS :BACXaa he sits down .in an armchair positioned at the head of fourteen others 1n two rows of seven facing each other. Low lucite tabl•e between cha.ire with neat stack.a of agenda, glasses, carafes, pens, etc. Sested in all but two of the chairs are ME!Iof m:l.%ed nationalities, competent-looking, well-dressed, ezecutive types. On the wall beyond the 1ast cbaira ie a map of the world. Be breaks off spfllak:tng as LABGO comes in.

Come 1n llmD.ber!l!bree. You do not need to apologise, I mow w:P,Yyou a.re late.

25. CLOSE SEQT. M.QFELl)

J'ace not visible 1:.a a white au ~ump• up into his 1ap. Bis hand etrokGs it u he apeake.

(voice 4iatinc-tivet ••ishtl7 accente4J I waa ea1'i,ng how much we all at Spectre resret the death in the Istanbul affair, of Bu:mberSu ....

':"' Boaa ne bb, who wi.:.;.1be ■a4l7

miaaed •••• bu~ in the •an-time we 11111 proceed with the uaual f~nan- cial Nports ••.• BWDber fen?

26. GBOUP. PEA1'URI?IGl'fUgER;p

Who riaes.

JroDD SI Assassination of Perringe, the French anti-matter specialist who went over to the Jlussi&m:. 3,000,000 francs .from the Special Department of the Quay D'Orsa7.

I

26. C'l'D.

Be sits down.

:BLOFELD'SVOICE Baber helve?

cua::AA P.\HS to Bm=t!D f'ffEI.n, n.iug.

ltTDEB. 1'WEL'VE Ransom f~ Della ~lomberg, daughter or the J.rgenttne industrialist - 1,000,000 pesoa.

E!,OFELD'SVOICE (aa C.ADRA.iilS ~o Bm.IBD SEvD) BWDber Seven? •

- lmDD.DvD (ns1%1.g) ~lackmail of the double agent, mate·.io 1'ujiwa - unfortunately onl.7 400,000 7en, all the man had.

'!LOP:.:ll>'S VOICE JlWDber Hve?

C41«Tl3APilS to FIVE, riling.

lltJDD llvi Our oonau1tation fee :to~ the Jritish train robbe:-:r - £250,000.

15LOJIELD'SVOICE . (ae l1JlmD FIVE sits 4own) Baber Eight?

OAMEBA PilS to innmER EIGH1', rising, and l'mIBD llID, eeate4 beside him.

JnJDD EIGB! Diatributicm of Be4 Chinese na.rcotice in·the l7nite4 States - 2,300,000 dollar■ - (inclicating no beai4e him) - collecte4 b7 Dumbe~ ~ue BD4

- ... 11111.lf.

..

-

Revised 19 January 1965 11.

2'1. m:';7 ANGLE. '.B!JOP!(I.D

CA.QR.A.SHOOTING FRO!iE.:B.lliD.HIM !L'OWABDEIG~ AD XDlE at bis right.

M.C!'ELD (sofil.y) l'womillion tm.-ee? OUr ezpecta- tione were considerably higher.

~oth EIG~ and Win look·uneasy.

lltJKBD E!GH!r (defensively) Competition from Latin America. })rices e.re down.

m,O!'ELI) I anticipated that fac~or, Bumber Eight . .Are y~u quite sure all moneys have been accounted ~or?

lm!BER EIGBT o the penny, llw:lber One -

l!I,OJ'ELl) (silkily) On the contrary, I l2a:ve aatie~ied J1179elfthat nearly 50O,QOO dollars has been 'Witllbe14 -

lnJDEi EIGm' faces him, pale-faced, temie, while 5IllE appears at eue.

2B. CLOSE SHOT. HQFELD'S lLUD)

Leaving off atrokillg the CA!, mo·n..ng~o swi-tch beneath tmble beaide him.

m.oFEIJ)'B-VOICE -· and 4eci4e4 cm the appropriate action.

B.Um throws nitch.

29 • GROtTP. nA'l'tmING EIGHT N!1? 1mm

Ae 1'lJDER.nD 1a body, au4denly ga.lvaniae4 by ,,ooo volte, atiffe:ne. CAMERA ZOOllS :m cmBl!!. Hie ~aoe contorts, hie eyes glare wildly, then 41=. Wisps o! atiolce rise about him.

I

Bensed 19 January 1965 12.

-, 0. "1.0SE SHOT. :BLOFELD'S Ulm

Pu.!..11:g lwitch back.

,1. CLOSE SHO~. ~ rn

Eis body almnpe !0:rward 121chair - CJ.?mU.:?ilS J.TIJ.YQUICII.Y tu ELOFELD, who re1w:ie1 atrold.ng ca!.

32. NEW AE'~LE. GRot1P•• DOM DRIED W,OFELD

CAME'RA&Toiding mmlt NIIE'S ~ODY.

~LOJIELD Sit down, lumber Eight. It was necessary to distract him. !here might have b&en an untidy 10ene. (ae EIGD aita down) Hmnber Hine l~st the money at pmbli.21&• Spectre ca:mot jeope.:i- dise our new pro~ect, the most important we have ever undertaken, by tolerating an unreliable asso- •' ciate.

Be tUffl.8 to L.UlGO.

l!hia ia your aa1igmnent Humber hree, oontmue.

,,, CLOSE S!OT. LAE®

Ignonn, ~ODY.

LDG:> Om- intention i1·t0 demand from -the Borth J.tlantic ~eaty powers, no h,mμed an4 eigh't7 million dollars •••• a hundred -thouaand p01m4s. Sub-Operator I.. 1• 1n the aouth 0! England, m•k1ng neceeearr prepantions.·

34. En' SBBPJIJJil'S·- POLL SBM'. l)J.l'

L.UlGO'SVOICE eontinuing onr large red-brick Victori-~- buildini with a crenela,ed portico and glass-encloaed

-

aun-poreh. A drive cuts tt.:-ough a broe.d lawn where a fe.,. PilIEilTS stroll ebout or aun themselves ill rec)i111ng chairs.

3 s. INT • SHRtraLilmS, swz;AT-:aox ROQ!!.. Ian'S ON. A!l'TI.ND.AlIT

A small cubicle. On top o~ it a aign: ImY ~. ·1.IPSOJr's head, sweating profusely, protrude!I :h-om thermostatically- 00?.1.trolled plastic be%. Be is in his middle thirtiea, with slightly slanted eyes, de~i.nitely a Eurasian, perhaps In4onesian-Dutch. ,

il1'DDA.n (Cockney acc9llt) I'll put it up to 120 ~or the last ~ew 1U11utes,. air.

LIPSOli, eyea closed, Dods drowaily. CA.ME?..!CO!!ESll CI.CSE OB A~~'S RAliI) as he aeta control at l20 and the CLOCX to ril:1.£ 1n two minutes.

36. m. MA.SSA.GEROOII

he A~ comea out ~rom SWeat-~0% room. C.AXI:RA!IOVES WI~ RD! HOLDS a.a he reaches an4 wallat past a maasap 4table. .TA.HEB!Olf.D, ~aee dawn en 4table w1 th only a 4towel round his middle, is being vigorously maaae.ged by PAnICI.l FE.A.E.IliG,an athlet1c-locld.Dg beauty 1n a thin, ahon- aleeved am.ock11':ithvery little underneath it. Her flzpert manipulations evoke a aeries o~ 1nvoluntar.y gnmta tr=a him u ■ he works en his apae. She at~~!~ picks up a pair of large mink gloves, the ~ur on the p , and resumes, thia time gently.

lle'Vised 19 January 1965 14.

:BOID (looks round, grins) hat could be more easily ach1e"9d il you wore more clothes •••. Kiss? •••• 11:Las?

PilllCIA (isnoring him)

:amrn (-turning iooe·;·to CAMFJU) What is your ?WZ1e- mid when do you get oY!? .

She presses down severely. :BOIDgrimaces With pain and ,. lets out a grimt.

:BOBI> You did that cm purpose.

(imlocently) Bot at all - I'm atraid you're goi.n& to need the :tuJ.l 1:rea'tmen~.

A!~, ca.r%"J'inglarge te%'%7cloth robe, .pasaea table. CAMEBA PABS !iIJI InO SWEA.!-:BOXB.0011.

37. :en. §WEA:r-!OXltOOM, !.IPSO!'. A!BBI>Am

Bell cm clock rings. A!!Dl>il1' ahuta it of!, turns heat o!!, opens box nveai,~1 rDWa of lamps 1.n.ei~e, d1JPm1ng down. LIPSOB Btf!pS ou1 ilito robe A!~ hold• ~"'orhim, momen1arily reveal.ill& a muacul.ar, lithe bod7.

38. DlT. MA.SSA@ ROOM. !O.'{l). PAD,ICIA

ContiliUing to maasage him as LIPSON, ill the robe, comes. out of eweat-box: room, taking a distinctive Piaget watch with two gold bmide out of a pocket.

I

Bevised 19 JanU&rY 1965

38. CTD.

• LIPSOR / (stoppin& beside Pil) I '11 (sere you dter my ehower • ht.

t PilllCIJ. I'll be ready. fhis 1• Jlr. ~on.4 - Hr. Lipson.

:BOm> (holdi:1£ out hand) . You're not taking her away ~rom me al.ready, are you?

,9. INSERT: fflIR RAEDS

~~

..ls they shake. On I.IPSOll'9 wrist ia a distinctive 2"r;,d tattoo - a zigzag crossed by 'two vertical etrokes.

~01lD1 S VOICE She's onl:r ~wat come a.to 11l11.1.fe...•

40. DTT. A! T~. ;som;,.I.IP§Olr. PATE.ICU

·..ls !.IPSO!! covers -tattoo by atrappiDS on watch over it.

:BOD he cml.7 ~07 1n th:1.e drear:, place -

Be exits. ~OD looks after him u P.4.DJ:Cli resumes massage. ~en as ahe runa her band over a hea4f')' bruised weal on his back •••••

PADit:I.l 1'mm1'loold.Dg bruise. • •.• a ~all 7

~CID

-- were ~ust the type tore. Widow.

I

40. OTD.

lSOBD (casuall,-) ?lot this m1e. Be didn 1 t l.ilce me at all.

Be IIWin&s off the bench, lea.Ting her to work this one out for herself. She is still tr,-il:lg to do so aa we••••

l>ISSOL'VE1'0:

41. INT;: K~ 'S UCEPTIP+l xooi:. MOQ!.f@EI •• AT l:mR DESK. D Y

Spe·aJt1ng into phm1e.

JIONE!l1iam! A zigzag line croaeed by no Ter- tical ones?

,,.-

:m "'••Smro:BLAEDSLO!EY. PROXE ~QOTH. i,qm,

- Lobb,- visible through glaaa door. Ee wears aporta clothes.

~RD Yee, I th1Dlt it•• a tong sign, "the ~4 Ligb.tn.ing from Jlacao. Ask Ilecards to verify it tor me~ 1'11.l ,-ou?

D:!$B.ctT1' :BO!D.Al'iDKO.N.E!P.W! .

HOB.!=!!PENlfY 1fh71s this ao im.portmrt, James?

lSOlm

-, It'• ~uet there's a very nice J'OUJli

part,- here who migb.t be setting mixed up with somebody not nice at a.11.

JICD!.PD.ai ( awe et].J' ) And th.11 perty'ld be eo much safer mixed up with you. Son-J, darli.ng. You•re ott dut,-. l'ile it til.l 7cu get back.

BeTieed 19 January 1965

42. CTD.

:BOD ltone;ypenn:r, nert time I eee 70u I'll turn you over =1 meel

IIOBE!.!'.cl..iffil On yoghurt and lemon juice? I ca.u hard.ly wait·.

She blinks aa he ~.v.1.dently hangs up O'J1 her.

43 • Ilf.r. I,O:SJ3Y. '.BO,EP

Com.illgout of booth, looking O.S. CJEI:RA PilS TO LIPSON AXD PJ.nICI.A going out: fr=t door.

~e goes to window, looks out.

45. W&T BE sgs

LIPSON and PAD.ICIA getting 1.n'to a Paoel-Vega a:a.d driVing of~.

l)ISSOLVE:

46 • INT • smttmLAt"mS. cmm.rn. l5om>

Walking quietly past several doo~a. lie stops at one with a ca:r4 1:r1 a ~etal holder neatl3' lettered: B. LIPSOli. ·Be

With a skeleton key.

47. Im'. LIPSOW'S lt00!!. :SQEP

Quietly cloei.ng door behind hil!t. A pleaea:a.tly .tu.rniahed ground noo:r room With hench door1 opening out on t'.b,e garden. :BOm>moves quickly to the desk, eoa:c.a magazines, etc., looke throu.gh contents of llrawsrs, then croa,ea to the dresser • .A.I he opens the top d:rawe:r he hears a ~ain't eou:nd behind him a.ud glances into JD.irro:r above 4:reaae:r.

48. WlU!l' HE. S?;S lJ mPJ?OR

Door 'between the :room he ii 1:r1 and the one next to it is 1lowly open.ins. When it 11 partially opened he ca:a. aee

I

Rensed 19 January 1965 18.

s,s. CTD.

a eo~ewhat frightening t1gure - a KAH 1n a robe and blue- striped pyjamas, with his entire head awathed 1n bandages covering everytl:Ling but the eyes.

49. 1m7 APG!.E. :BO?rn P! P.G.

r.AME:BA SBOOTINGl?AS! lllll ~OWilD!lAB ll J)OORWAl'. l30lm r~msin~ motionless as the door slowly closes. Be walks quickly out intc corridor.

WaJJd.ng away from door of laIPSOE1s room. Be ents scene. Door of LirSON's room opens slightly. -~e llA.liDAGED BJ' peers out into corridor, loold..n,i:_after him.

DISSOLVE:

Be wee.rs terry-cloth robe over his shorts as he approaches a door lettered: OS~Ol?AT:C:C 5.A.C~IONAlm ~SH~. Be sighs rea1ped.ly, goes in.

,.2. INT. !mAO'!ION ROO?:I. ~om,

CAMERA .AliGlllWIDENS as he atop ■ short, ~o DJCiiUDE 1.ArnOll stanclin& 1n b-ont cf a curtained alcove, consulting an %-ray :photograph &&Oinst an enlargi?lg ecreen.

Bmm Jle?

She nods briefly,

:BOID I'd never have recogn.iaed lQ'B&U. l>o I look healthy?

lie puts an arm on i:ler shoulder to peer to:t"'ll"U"d. She 41a- engagea herael1'. She has had a lot ot :pract1.ce at this.

1AfllCU (grimly) cc healthy by far. -fake off your batl:lrobe, :please • •

liertaed 19 January 1965

52. CD.

:BOID (sad17) You never say that ae il 7ou meant it.

She colours slightl:y and turns away as 30D coml)liea. hen, e7am1ning the %-ra:r and poking at BOID 1B rib •••

PilllCli Lift :your a:rJD3pleaae.

Be does so, but onl.7 to 1et them. fall round and beh=Lnd he:-, and then aa he is pu111l:lg her towuda him their mouthes come together.

It is a longer kiss than she had imagined possible under these conditions, and it takes acme time a,nd· al.l her akill to disengage herseli.

.. P.A.DICIA (eenrel:r) :Behave 7ouraeli, llr. ~ond. I cm •~• there•• only one place to keep 7ou quiet. -

She beckons to him, pu.11.ethe om"ta1na to an alcove one ei~o of the room..

In 4the alcove ia an o4d-look1ng surgical. couch in 1eather and gleiam1n; alum1n1~ With a aer1e11 of at:-aps attached to three upholstered eectiona. ~low the couch i.a an elec- tnc motor, from wh:Lch a power dnve of articulated rods reaches up to each of the cuahi,,ned a,ctiona and tem1natea in tension acrewe to wh:Lchthe rode are attached. In front of the raised portion ~or the patient's head, appro- x1J!lately level With hia face, ie e large DUL marked :1n lba-pressure up to 200. ~low the head.rest are grips for the patient'• hmlda.

.... _

Rensed 19 January 1965

52. C!pD.

Cm> Bore like a wrack. You're su:-e :Lt won•t ~l me apart?

PA.!RICIA Don't be s:Lll7. I'm onl7 atart- :Lng7ou at . 90 ;ounds. l'ace down, ple~se.

0ID a:Lghs, cli:J.bs reluctantl7 onto the oouch.

30II) (ae ahe adjusts straps uound him) ~ the •ar, who' a the man 1n the room nert to 7our 11:1.aterLipson?

She reaches for lever ccmtrol beside-big dial, depreasee :Lt. Jlotor begil1a to wlwle. !he straps alt•rnately tighten ad relax. Be grabs ~or hand-gripe,~• cm to them.

53. INSERT: pm

Beedle at 90, holding there. !he nmbere abCTe 120 &re 1n red.

54. IN!. .u.co;v;. !Q!?D. P1&.n1cu

Straps tightening ad loosening. She looks aon at him, grim ~a:Lntl7.

PA.!R!Cli Pi.rat tiJte I've ~alt rea.117 aa:te toda7. I'll look in and aee haw 7ou•re doing :Lnfifteen m.:inutee.

She 1tepa back, uawa ourte.:Lna, amilea, walka out of room. C.Alm..lJl0V2Sto WALL CLOClt,indicat:Lne 22 111inuteeafter ten.

IJISSOLVE:

.. ----- -··---- -- - ---··-

I

Reviaed 19 ,.ianu.ary 1965 21.

-· '

55. wm cLocx

Jow reading 28 minutes a.1'ter ten. CAMERA JllGLl: WIDDS 1'0 INCLtTDEllOD C!l CCUCR, his e:,ea closed, the straps operating rh:,tbm1ca1ly. Re hears a sound outside curtains, turns h1s head toward the:i, opens hia e:,ea. Slowly a t~.mied, muscular u-m reaches through curta:1.na toward lever near d1al.

56. IllSERT: RL"m DE!'RESSDl'G DIAL

On the wrist is the distinctive Piaget watch covering the tattoo. ~e need1e cm the dial starta movini up. ~ hall.d drawe back out of ahot.

57. nr?. .ALCOVE. llOND

lr.b.1ne of motor bui1ds, thP straps tightening and 1ocsen..1J:lg more rapidly and with increasing violence. llOBDatruggles desperately as hia back is racked by powerful wrenches. Re trieE to shout, but cen only manaee choked, intermitte~t gasps. •

58. mm: Dm

Beedle rises ~o 200, ata7S there.

29- Ir-. ALCOVE. llOND

Eia 1'eaturee contort agonized~ u the couch seems to go beserk.

59a. EFFEC!S SHOT. 'P.ll'RIQU.

~• 1'ace ii coming and going :in great ~erka and then suddenly the aound ceases.

~2b ■ m. J,I,COVE. :!O?rn.vn,ru

Her hand comes ~~Y 1'rom the antch, goea up nervousl:, to her mouth. • •

PilllCll :Jq God•..• my God•••• you cou.14•ve been kil1ed •..•.

- She helps him up. Be straightens himaeU' pa.inhll:,. !hen with an effort.

Bevised 19 January 1965 22.

-

59b. CTD.

llOID I :reel like I 1ve grown about aix inches.

PillICI.A (ve%7 upset) Can't thinlc how it could've happened

miracle I came back when I 41d•.. I'd left my watch behind.

She 1s wipin& the aweat off Ms body With a towel, ~or he is soaking wet.

~ID I'll bUJ'7ou another one tomol"row•... solid diamond.

She raiaoe the trace of.a amil.e, and we aee ti.ownervous she still is.

PilRICI.A You•re ae,j"e enough, all shops shut. ~t•a why there was nobody ebout "to hear :.rou.... Bat'Qrda7 '• a hall- day •••• a holiday.

- :S:eis cm Ma :f'eet by now, -t:aldng 'the towel :tzoomher to rub bi.maeli' down, though tM ■ 1e e-ndentl.7 something of an effort. She hes crossed to a glaa ■ door 1n the wall, opened it to reveal the tMclt blmlket o:f' steam be:.rond.

PillllCU You s:pend ten minutes 1n the ateam room, 1 t 'll r~lu ;,,·oupr~erl7.

]SOllI) {s011rl7) _ You thi..nlc I need rel.Uing aner ti.t? Wait till I tell 70ur Doctor Wa1J2what I thinlc about thia place o~ Ma, and th18 broken-down equipment ••.•

PA!RICli (ni.ttly) You wouldn't tell h:JJD•••• please

•••• I d lose 117 ,ob.

lleviaed 19 January 1965

59b. CTD.

here 1a a silence. 5ow he is loolc:1.nsat her more cheer- tully again, and now he is 11m.111n&.

:BOllD I auppoae 'III3'silence could have a price.

She stares at him, and then suddenly ahe finds she u blush.in£,

Be node slowly, the grin on his :tace wideninl all the tilne.

: :BOID. (ao:ttl:,) Oh, 7es ! Oh, ;yee J

59c. m. S;EAK ROOM. DAY

Ste~ billows round the camera as it moves forward, and it is with d1~ficulty that we can ~ust make out a wo:ian•s bare :teet ae she atamle on her tiptoes ntretching upwards. A ·few inches &Wts.yare the man's feet and legs.

CAMEB4 PJJIS lJPW.dDS, put a thicker b&12k o~ eteam which conveniently covers up everything un~l from out of the mists emorge bare &:'mll and ahouldera and then the :races as l)J.!llCli'a mouth came ■ away frcm his. fbey are both rather Nd in the :tace and coverod With perapi:-a~on, and now we hear her l•ugl:J1ngr

J)il!.ICIA Jlo, ;you're wrong •••• this ill not 'llhl{t I meant by the full t;:eatmint.

he steam rise ■ higher and hiper meldns it aven more 4il:t1cult to see anything at all.

hi.a 1a probably 3ust •• well.

DISSOI,VE !rO:

60. Ol§I~!l'EI>

►

I

Re-viae4 19 January 1965

61. Im. SHRU!LI.M>S. OOP.2IDOR. DOQi

I,e~srad: "~Gl.TIOJ.11. !OID, in terry-cloth robe, comea out.

:BO!m (callin& back through doorway) See 7ou later, Iffigator.

!e closes door. OA!m:BA ldOVESWim mt J.LOlJGCOll.IDOB TO il'OnER·DOO.!l. EO!.DS TBERE as-he o:pe:s it and slances in.

62. m', MASSAGE ROOM

Empt)r. :BO!m comes in, closes door behind him, croseea to 400.r or SWV..A.~-:BOIiOOU, opens .it. CJl!ERA ilG!.:mS ~o SBOW LIPSON in neat-boz, the back or his head to :BOID.

63. Im. SWEA;-!OX..AQ.9:t!. LIPSO:N

As EOID enters, closing door beh:ind hi:.

t

I.IPSO!' Get me out of here, AJ.:rred. I'm ewea~in& like a pig.

JSOID

Cockney accent) 'J'ought J"CU wmite4 .it 'ot, ivmor.

Don't argue with me. Ll.t me out.

CID (com~ng up -to-boz beh:1n4 Lll'SOBi look1ng at needle

..

lime7, llO's 'arllly mor• 'than a wan breeze - I'll put it up -to 200, ■ hall I?

lllS~T: !OM>'S 1QP

·- Operatins lcnob to raiec neo4le indicator to 200 4egNes, then ec'ttin£ the clock to r1J:t.i in a halt h.o'IU'.

- ••

Revised 19 Jenuar: 1965

64. CTD.

JSO?mI s VOICE About a half hou:- 0! that ahoul.d 40 7ou nicel7 -

3eni:id him.

LIPSON 1s eyes widen aa he recognises JSOID'a Toice. ~Ol!ID walks out. ....•

Ei6. INT. W.SSAGE ROO!:. :BOND

Crossi:zlg toward door to coffidor, softly singing: •we 1re Bavillg a Eeat Weve, a ~opical B•at WaTe". Be goes out into corridor.

Ei7. ~. COlmIDOR~ JSOHD

l::d.~ing scene down coff14or.

EiS. IM. SWEA.f-!O:I ROOE. I.IPSm7

Sweat pours down his face ne he ~urns his head 4el!lperately tl7in1 to pt out o:r the be%.

I,IPSOll (7elling hoe.rsel7) Get me out of here, aomebo47l

Ei9. m. copIDOR

LIPSOJ''• cries 4ee::,17~ne41n the deserted oorr14or.

70. m. sw..;-1ox Booμ. 1,n,so:N

---- lie :race contorted, riTul.ets o:r water rmm.1.Dgdown it, aa it takts on an increasingl7 n441sh hue.

LIPSOll Help! Belp !

ReTised 19 Janua."'7 1965 25a.

-

70. C"!I'D.

Gru.dua.lly his i:!louta nre reduced to inarticulate wheezes. he: his eyes cloee and l::.is mouth opens aa he gasps tor- _turedl.y ~or breath.

DISSOLVE:

70a. i:n. :BOSCO~ ilMS. nsn

A car with lt •.A.F. markings pulls up, a DJIJ..PORTmmm at the wheel. ilO~ FIG'OBE in 1.lllilor.c, this time en officer, sits in the back.

70b. nr.1'. TErnROEE :BOX. BOffla !'etmi

LIPSO!i, l"..18 face still red and flushed, i11 watcb1ng at the glue doorway as the R.~.~- Ol"FICE gets out ot +.he cu. Be apes.ks into ~he telephone.

71. O~!l"!ED

72. rr!. :BOSCO!:!J: .A!m. P~ZZI 'S ROOI~. P.AI.lZZI •

COLO?:EL T'AlJJCC'·P.t.U.ZZIencl no&, are to be found wnbracing on ti van. R£ ia in his mddle -tb.1..-tiea, darkly h:mdaome w1th •-~trim mous-tac!le, an.d a c~ Contillental mcnner. 2zoept for -the -tum.c wllich he hae -toseed cm a che.1.r, he wee.rs th1t m:ilorm o~ an I-talian .A:1r Force Officer. FIOT'~ '£'ELLY, rec!-headed, ll-iah, 12.t the morient reveal:1ngly deshe.bille, ~-• -the ~ost beautiful aocompliehed yo'W:lgwi-tch since Horgan Le ~ey. !elephone rinp. She reaches out lazil.7.

l'IOB: Colonel Palazzi'• aocial ■ ecretar.,.

Be :alcea a ~ac~ a-t her, •• ahe gr:me, mock1ngl7.

She hlmga up, reachea out tor him, a:id ae -the embrace oontinuea we just hear his JIWllble.

t

ReTiaed l~ J&n\1&%71965

72. C~D. -....

Agai.%2there is an inteffUpticn from the telephon(;. Again ahe Naches out but has not time to answer before the voice at the ether end baa spoken .

VOICE

-· ..... (filtered) ' Colonel Palazzi?

She hands him the receiver.

I'll come down pronto... . . ~ 7ou.

He hm:igs up and at the same time pulls l'IOl!UL towards him akil:f'ull7.

..

(a ligh) IDta:-ruptiona •••• telephone calle • • • "'the ator.7 of 1llj li.f e.

She puahea him awa7.

?IOD. You'll be late at the J.1r kee .... 11114besides it'll give 7ou time to oool o~~.

You'll be here when I come back?

She node.

Jut I ma7 not be in the mood then.

JIIO!U. You WIIZltto bet?

PAL&Z~

Yo1:.lcnow 7our Fzta.nco, eh?

Rertsea 19 Jan'UC.l71965

CTI>. -

(drily)1IOBA l' I mow me.

::Sefore he can kiss her age.in, the zer sound.a. Ee sighs, releuea her, gets up.

(call.ing) One lDOJDezit. (he em-uge) I told th.el= I'd be aown.

110:rl.A nses, helps him _into. hie 'tunic ..

?IOlU. Bappy 1ana.1na.

Ee kisses her, piclca up his navigation bag, el&ps hie.cap on his head.

(with a chuacteriatic geature) Ciaou!

Ee wnllca to the doer, opens it, b-ee.zes. Stand~ in 4oorway 1a h.iaaelf in identical u:nifom (ilGELO). l'J.LA.ZZI atares in a:c.zemezit, then turns t~ PIOia,. hia fin.Ser pointing towa:-4 his 4ouble.

he two quick, azia softly ploppi.Ag •o~4e, make him look even more a=aze4 as he elipa down on to the floor, the O:Di reachi!ls out to cAtch :b.1mmd brec.k hi• tall.

1IOlU.unecren the silencer f:ram of:! the gun in her l:1a.D4, beckons the Oflml, and ta.lee ?alazzi, fcrwud. J..t ·-.he same time LI:SOE' also appeara in the 400.rwa.7.

I.IPSOJ'

Bobo47 in the corridor ••. nobody aaw hi&••••

Revised ~9 January 1965 26

l'IOJtA (1nterrupt1?l& aavagely) Shu~ the door ..•• \Ulleas you're tr:yi.ng to sell ticksta.

With ml. almost frightened look at 1IOJiA, he ·comes 1n quickly, closes the door. She take ■ the handbag he is cB.n71ng, drops down beside ilGEI,O who is staunching the blood i'rcm the wounds w1 th a thick gauze -e..ress1?l&.

ilGl:LO he ~lo~r•s quite c1ean~

I -- - FlO?a gives a quick pro~eeaional 1ook, raiaea the lids on the deacl man's ~ace. A ~•rk of the head to LIPSO:.

LIPSO!f Everyth:ins as a.rrauge4.

J'IO?a and il<aELO g0 over to the table. hom out o~ the handbag she takes a i'lct plastic =7gen ccmtainer, attachecl to a :=ask, bane• it to .orno. Ee atu:t~• it inside his shirt • ..

J'IOlU. Your breatb1ng equipment -

PIOli.&.~ends him a a:ell metal cylinder.

:PIOllA- he pressurised gaa -

ilGELO put a eyl1nder 1n tunic pocket. I.IPSmr laleeling beside PAU.ZZI'S DODY,taltea o~~ h1a I.D. ta& and a wri■t watch, remove• nl1et ~rom tunic, hands them to J'I liU.. She at the same ti.mo baa taJ:en out of the hlmdbag a thick envelope. ilGELO looks at it, then ahaltea hia head.

ilGELO

-- Balf a million clollars ia not

enough.

I

72. C!'D.

ilGELO (ctd.) (es :PIOl'U.::-.ndLIPSO!lglmice nt ec.ch other) ho ye~a o~ my life - ■ tu.dying the :tilm - your reports - - (touching hie :t~ce) ~• operctiona - voice lessons - Jlcke it c million. Or get ■ omone else. -----...____ I.IPSOI' here 1s no one else -

Bzactly. I :m PAlo.z11.

LIPSO!l str:.1ghtens up, a pn 1n hi•~-

l'IOlIA (ahm-ply)

-

Put tlult awcy. Ar~elo 1s right! Be•a worth it. I'll il:11'om lumber One we•ve me.dee new arra.nsement - this 1s :mere]Jr a down paJ1Ur.t.

ilGELO he ■ 1 t::itea, 1:hen reaches out :tor 1:he 11011ey,then takes •

I

PALA.ZZI e n.e.Tigntion bB.B•

aano (chn.racter1st1c hiszz.1 geet\1N) Ciaou I Wish :me1uck.

JIIO?li he cap - :turther tack cm -the halld. -

an4 aa LIPSO!lpulla the bo~ ~way, QGXI,0 adjusts 1t, wnlka to the door, opeu 11:.

ilGELO (p~u.eing del1ber~tely) he re ■ t o:t '16111011ey••••• l:m.ve1t re:l4y.

- he door close ■ behind him. LIPSO!l tGkee blue-atr1pe4 pyjmn3s out o~ hia bQ.8 encl e roll of bandages. Be he.nda

26b.

it to :PION.A..!rhe:, 11::::c.eeldown beside the :BODY.Ee ■ to.rte remo"V'1ngPALA.ZZI'aclothes ~e she begins bB.Ddaging his heo.d.

DISSOLVE ~O:

7~ - 77 OMITt'@

78. En'. :SOSCOMEEAIR l3ASE. E~~. lt!Ge

Security Cu with lm.IVD., SERG~, SEClIR.I!I!YOFFICE! B.1:1.d ilGELO etope nt barrier. lf.C.O. approo.ches frm lc1osk.

11.c.o. (to ilGELO) YC)UrI.D. cc.rds, plesae.

fhey show c.c.:-ds. 1.c.o. checks faces with photos, ilGELO's last, nods, gestures to SDTE.Y who ra.ises b.c.nier. Ccr drives throue:h.

,.

1~• INT. l30SCO!!!E A'rn 13.AS?. :BRIEFDTGltOOM. GltOUP

..A.IEc~' V'O'LCAN::SOIGERCB.E'i' all 1n .flying lei t' as SEClllln' OF.FiaERend .A.NGl:LOenter. He 1.a al.so in. .flyillg lc1t o.zu!lCarl"ies hie :nnvip.tion bc.g.

DClllln' OlTICD. (to illl C~) Colmi.el P~lazzi, air •

( "l:Jakj :r,g h'L'tlds) How are 7ou?

Well, tha:Cllc 7ou, Oo•monnder.

illl cONl:uma (to CBD') hie 11 Colonel Pcl.azzi of :IA.!0. (:node exchanged) He'll eccompl\TJ.1you r:i.a en Observer. (to P.&L.A.ZZI) After :,ou•re on a.utoJD.2.tic,obenge

- .. eea.te with the Co-~lot. ::Setier

v!~w from there. !hie i1 a :i-oa:ti:ne patrol to a ret'IU'Zl point -

-

Re'Tieed 19 Janusr, 1965

79. c~.

JD CetmAlmER (ctd.) (indic&tillg on taal)) ·-·here - ~ust south of Casablanca. You'll be :flying a Vulcan, e.r.med ~:th •two tactical -wenpona, at a speed o:r 750 miles per holU' end at an altitude o:r 45,000 feet -

SECURI!l'YOFFICER and JD COM1£ADEB· we.tch -ilGELO :f'oll,!lw

• • -t:a)rl Di O:f':f'• ., ·

....

81. m: fflC.A.N

I

alcini o::. climbillg.

81&. In. \POND'S 1!JDROO~. UGRT ..

PilS 'OP to ehow PA~CIA 1,-in& on her taoe on the bed, a ·1heet ~overing the pla.ees tha.t. should be COffNc!. She i.a praetice.lly PurriliB with pleaaure a.a l903D giTea •r a .. masea,;e. • • •

~OBJ) llel.£:ee the 'tensions, 7ou 1c:Low.

:PATBICU (si.gu) Bot mine -

here 1a a sudden nee o:r aoun.4 ·u ·the bombere f:-om the nearby air!i.eld came roe.ring OTerhed..

PADICI& Enoush to dr1Te 7ou ma.d•••••• (she £11gles) unless o:r course 1.t•a tha.t :m1nk glOTe.

1'0llI> fgetttns up) I'll ahu't the W'illdow.

I

Revised lS Jcnuar.y 1965 264.

Sle.. CTD.

-

Be does ao, as ct the seme moment the Usht by the aide o! the bed suddenly soes out. ~OED is e.bout to close the curtains, hesitntes, then decides to 1et the moonlisht came in. Her voice comes out o:r the darkness.

PA!RICLl Now about those tensions o:r mine ••••

- - His dress~ .;own drops down on to 'the noor beaide the bed.

he rest is silence, u:cept !or the distm:t drone o~ aound as the bombers head ou~ into the nigh't. -. ~ DISSOLVE !O:

S2. OMITTE:0

·•·-'

..

V'ulcan in !li;ht.

84. IN'!'. VULCJJ. COcx:PIT. CDW

P~ snd CO-PII.01' on bigher l.evel "thm'l. lit.A.VI G.l..!L'Oli,DGDm:E:B, and 'fl:llLESS O~Oli;.

PIIm il tilneter 45, 000 !eet. Check.

00-PIIaO!' (atudn,ng illstrument panel) 45,000 - air ■ peed 750 -

JU.VIG.A!Oli (world.n& with calipers, etc.) Point o! reti.u'21·45 minutes, ,o aecon4e -

--

84. CTD.

PILOO?

;. (pul11ng 1ever of automatic)

Set !rem manual to automnt1c.

3e unstraps himsel.f', rises, goes into·compartDent behind cockpit.

es, m. coM;A.~T?~ W:,111!.pcocuI;. A..~o

In seat ae CO-PILOO? comes in . ..

ANGELO rises, 1oes past CO-PILOT into oockpit.· CO-PILOT site down.

86. !E'l'. COCXP!T. ggw. DGELO

Bitting down in CO-PILOT's seat, .-trapping hil:lseJ.f intn • harness. PILOT nods to hil:l, turns away to atudy map strRpped to Lis knee. .L'IJ'GELOglazicea arom:i.d, sees O~ CBEW \mMB]!FS enp-oseed 1J\ tasks. CAMn:BACO!OS IT, CLOSE TO lint as he alipa p.a cyl.1nder out o! hi11 pocket , palms • it.

87. INSERT: QX!GEF SQ.fPLf Pile

Threaded hole for plug. AJ'GEI.019 hand inaerte nozzle of 1aa cyl.1nder.

es. DT. COCDI1'. A!ft;EL0. ol'!Cmsur !,G .

instrlment panel. Lish~ goea on over .gauge and buzzer aounda u needle registers loss o! preaeure. cew ~s reach tor 1:1&11lca. ilGEL0 awi!'tly takes :mule from in~ide hia tumc, pute ~t on as CBEW mm::sERS put on 1ihe1ra. Al.moat inatantly the fumes in OX7gen 1uppl7 'take effect.

B9. EW .\NGI.E. COC!:PIT. JJrGELO

Watch1ng as PILOT hel.f'-rieea, chold.ng, mid tries to reach radio switch above hia head. Be falla back oonvuleively.

----·-- ---·

89. CTD.

lllVIGATOR and E!iGL"i.E.:!Rclaw desperately at their masks, then slump grotesquely, their bodies racked by spasmodic ah.udders. fhe WIE!:LESS OPERJ..!OR elides out o! his eeat, 'IC"itl:u.ng. l!is head-set !alls o!! as he collapses and dies. ABGELO tu.-ns, loolcs back toward compartment be!:d~~ cockpit •

Mask on, toppling out oi eeat.

CR.t.-Waround h.1:1 moti·onless. Be looks at con:trols, moving automaticell,-.

Conti:nuini on set course.

93 •. M • VUI.CAN. COC!PIT. :.J'GPI,O

Ee checks instnl:ne:nts.

zi4. I?!§'AM: Pt,m;L

Altimeter re.;isters 45 000. CAIEIU MO'Vi:S!O LEVER, marked JU.ml1L-.lU!OI.iA.1'IO,lever pointing "to •.tutomatic". ilGELO'a hand pul.1.a lever over to "!.tanual" •

95. In'. COQPI:r. ilGELO •· ... PILM'1 body mlmiped in his e&at %le.rt 'to him. JJIG!LO pushes cOJ1trols !orward . .Plane noses down.

96. p;,:. yt7L9&:~

Starting descent.

97. m. coCP:PtW. JJ!rn

SOtrm> CF J.tTSBiliGAI! as he puta plane in eteep tiT~.

gs. EX!L'. VtTLc1~. !!oon;qm

Diving.

99 • nrT • OOQl'?IT. ..\NGELO

Bold~ Vulct.n 1:1 dive, te%1Sel7 watching al'ti:le'ter.

I

100. INSSRT: ilTDtETD

Beedle falling, pass11.lg 20,000, cpntillui.ng to drop. •

101. En. V'O'LC.AN

realc:1ng through clouds, Sea Tj,aible below.

) 02. IN SSP.T: .UTntEDR - 10,000, continuing to ~op.

103. En. VULCJ.Jl

• liap1dly approacb1:cg aea.

......

Pul.11.ng out o~ dive.

105. En. VlJLCil

Lnellini o~f at 200 feet above surface .

106. In. COCXPIT. ilGELO

Still tense, look:1.n&out over waves. Be looks down. CLMEB-,APANS TO WIB~SS OPEBA!OR• S Dil>PHODS at ANGELO' s feet. au'fied voice mi.zed With ■ tat1c, ~a1J1tly audible.

107. Dr?. !OKBEE COMUA.."'m.GE.OUP

Large subterranean chamber, htt.b of all-bambe:- operations. Mapa coverin& walls. In centre of chamber 1s a large ciroulu table With opaque screen 1ndicatiJI& Atlantic and Borthern hemisphere. KO"l'ing alowly acroae ac:-een are emaJl lighted dots. ScmrICI.ABS wo:rld.ng beh:1.n.d screen. In front of the table a GROUP OF O!'i'ICE!S. In !.Ct. Wi.D'S world.ng at cipher deaka. 0~ !rEcm:ICI.OS a1: Wireless aeta and liada.r screens • .A.IRVICE IWtSBA!il, ~oins GROUP•

(add.ressillg C.O.) 17hat•s the ~lap, Dawson? ..

Revised 19 January 1965

c.o.. 0/!EE., air - liato 4trami.ng :f'lisht. »oscc:bo nashed us they lost it on radcr - we heven•t been able to pick it Ul" an~here .

w~s she loein: altitude when she went of~ tho arreen?

c.o. Yes, ei~. Rap~dly. ~e cm:l.'t acm:l. below 300 fe6t. She m:.y have gone 00iln,

AIR VICE KARSEAIJ, Was ahe in -trouble?

c.o. :Rot according to their lo.at ache- - du.led report that cmne through - (indicct~ position in ~tla~tic on opaque acreen) - ho~ about here.

AD. VICE· IWlS1i6IJ. She'• armed, isn't she?

c.o. 1'w0 atomic wecpcns •.•• KOS"t3'Pe.

here is e ei1enoe.

J.n TICE liWlSRAirL Get ever,rthing 31ou omi into the area. horcugh uarch. liotily the Aclr:d.raJ.tJ' at once, top priority, abaolute ae- curi tJ' - uk them tD can tact Waah1Dgt0t1.

1oe. :E:Xl'. votcJ~. n~

Fl;yi.ns ove~ waves.

109, IWT. VU!iC.t.!1. COCKPIT. J.lmELO

Voice over earphones ve~ ~c.intly o.s. !le 1.a checlc:inG instruments wit~ f. ma.p on his lr:.p.

brta~d 19 Jmmar., 1965 31

110. IliSERT: lUP

couree marked southwest acroea Atlantic toward Eabmnaa, eucling near Crooked Island, southeast of li.ew h'ovidence •

DISSOLVE:

111. 'En. Ol'EN ~A. DISCO 'VOLAJIJD. llIGm ~--~....,;;;;;i,ii,,i,,------_,_;,;;- __ __,,_....,......,;:;. .... _~-----------

feet lollg.

112. CLOSE Sr.O!'.

DISCO 'VO!w~. ~R.\ Pt.E'S 'DP '-'O, ~S D' .ANDBOLDS OB JmIDCm DOTI PILO!' E:CtJSE. Stend:1.ng at the ruling bee:l.de a stubby mast, raked ~t, ia ]D';ILIO I..11.llGO, in profile, loold.?lg through a e:L:agle-tube mghtglass. .A black oilald.J:,, elicker conceale the black rubber m1de:rwater mit he ~• wearizl& benes.tb it.

Sotml> OP Vulcan epproecb1rig becomes wdible. lie 1owere the glass. •

C~-i:m.i POLLS ll.1CX., POI.LOWSbim ae he cl.1.mbe dmm 1adt!er alongside door to ~lot House. Standi!ig beside it 1s a worried-looking, ~wsr!-llke 1IIBZ11'!'1t.hpiJlce-nez g1asse ■ cd a shock of u?ll'"\2ly white hair, ~D.. Lt.itGO goes pest ~ into Pilot Bouse.

113. Ilft.. PIIm' BOU~. 0.ll"r:,P:. @S! O'P.?ICER. DGnt3?Jt :Q:d51h MAN. - I)oor on starboard nde a ■ L,mGC comes in. ~ ilrterior 1ooka like ,m enormous airplane aockpi t 1d.th . aquere glase ports fore, port, uaa sterboDrd. file CAl'!f.!D' ca Flh~ onICD 111t in front w1th the contro1• be"twem:l "them. ~re are in- struments one aheU in front of them belo'P. the porta, ed e aquere pa:ael 1i. th indicrrtora abon ~ b e-tween tbem over <tJ:J.e ports.

"he Dfi.IN!.J!li Bite in P nive1-cbe1~ one lo,,er 1nel at a bank of instrum~nts nna puab-but"tcms on the port side. lie ~• elao the bdio l"on and wc11raeerpbcmes ana • -.:>ice mk:e. here is snot her 9"1 ve1-chair 8"t the bacl:. ~ gesture• ..... to ..Jl?GI~.Jt -Pho flipl! switch.

114. VD'l,C.a:F.

'Plying low over wave ■ •

r

- 32.

-.. ......... 11,. ]Jl_:1:. v~C~. COCKPIT. ABGnO

Peering ahead and below through port.

lJ.6. WlllT HE SEES ~OW

Underwater landing lights, shini~g up through water, marlc:ing la:ie.

118. ~, VOI.Cil -.··- ..... Sound o! engines din1n1Ghing as it oomes down closer ~o surface.

119. nrT. VULC.,\.!1'. COCXPI!r, il'GELO

~acin& him.sell" ae plane ald.ma nves.

Look:1.ngo.s. Xtr1'ZE beside him.

• 121. En. Vtrl,Cil. UEGO 'S POV~ (!!O~)

As Vulcan pancakes down 01l am-race about a hundred yards away. It bounces ■ e?eral. titles. Jets of wa~er nuna; into air.

BaJlB1ng grimly to controls ae planl' crashes down age.ill, water rushing past ooclcpit port1. o.s. HISS from aub- -·-· mergi~ engines. ::BOl)IES1n cocl:pit thrown about ..

12,. nrr. Disco voL:Jrf?, PILQ! HQVS;. CPz,. LARGO

Be ~urns away :ti-om door, wallca toward hatch e.t rear, +.aHng of! slicker, goea aft through hatch •. .. • .. 12 4. nrl'. VULCil. ~OCIPI!I.'. ilfflQ

r •· Be pulls leve:r.

125. tnm:ERr.'AT?:RSBC!. VULCA..'1. (Morn)

Wheels come down.

,,.

•

Pn.lli.Jls &llother lever.

127. 0.NDEKW.ti.rn~OT. VULCil:". (MOD!f!i) .

Bomb bay doors 0pen1n&.

Pull.ilij; &D.other lever . ........... ........___ 129. -m~[o-!!---RWL~s-goT, ym,c ..me (MOD:::!.)

Batch opens. Water 110urs into plane. It starts to aink.

130. I1r!. VUI,CA.:.17• COCKPIT. -'lJ'G3LO

131. UN:o;RWA@. s:eor. vmc1t.:r.. (IQ!lEI,)

S1rldng. Wheels come to rest on hard coral. bottom, torty feet below •~tace •

...1 ..., 2__•____i;:_XT____. __D__I __s c_o____v__o,..IJ..,":.!1.l!i

r.,UO:B-ABOLDS JIOR:.. H~,. ~ SJ:?ntS:BELOWSODA.CE Alm CODS InO EOLD OB tm>ERWA'I'ii'RSHO! OF BOLL.

P.A.:CI. O'P 01tll5.ffi..t.ti&.b:RA.!CR DAE JJO'i 1:iLI.DL'S.• CPD. 'LllGO, 1n black underwc.ter suit, mak, and rebreather, aWims cut ot hatch !Oi!AllDr.nmv. Ee 111 identified b7 hie beard mid the patch visible thl'ough Jil&ll~-11late. Be awims 11ast CAI:GRA. • • ·

Operating cc.noP7-e=11losi0n mchamm.

134. DJE'ZWA~ SBOT; EXPLOSIO~

CB:l.OP7abDVe cocl:pit blown 0::.

135. UNDERfiA!rmtStio~. nrr. VOLOjJ!. coCR:PI;. ANGE!.O

Be triee to release him.ael.t from hie eatety hllrneaa, tinde it fouled 1211,jm:mied.

J.J6. mrD!:R1'ATn! s::roi.. woo

S,r!mm1ngtoward Vulcan nth expert, ~ertul Btr:,kes.

1'37. UN1>ERWAT!m SF.OT. COCD'I1'. m.. ilGELO.

(

'17ing to erlr..ce.te himself :from har::ltss •

~Je. U!rnEP.J'l'Am SHOT. vncg. ~G-1,

Reach:1.Jlg plane, paddling up t~ top o! cockpit.

1,9. Ol'tl.igvA!l'n SHOT. m. COQX;IT. AlfG&O

A.a LAliGOappears abon him and reache~ his hand down in a congratuJ.a.t.ory ges-ture. AliGELOp-Ei~~s it. With his other hand LAli.GOslides e l:nife ~ro~ ~~e~r hie belt. Be leans dow:i, cuts AllGELO's intDke tube. Water !ills

him drown, then sr.ms do'Wllinto cocitp1t, reaches under pilot's ae:it, finds •~ll met&l. bo::. Ee aw:1.msup With - it, out of cockpit.

140. tmD;pRWl.!CR SHOT, VU!,CA.'i. Ult@..

Swimming away !rOJ:l top of cockpit. ~ ~.G. c~ toward plane is a two-man wet eubmarine with shelves built on each aide. l'om- S'1DD4'.l:':RSaccompSZlJ't~e sub, "two on ee.ch aide, with J..utr.I and Vil.GAS in front. J.L"i!!l i.B 1:all, slender, built 11ke a chmnpion sw:IJmDef';V.AllGil1e squat, almost Simian.

~Mnd tbj_s first GP.~ com.ea anothrr chanot, with OEE Mil aea.ted astride it, towing e ~-e C.\!iO"O'?IJ..GEDDT ailllulat1Dg coral formations, aee.weed and shells. !he net ·1• already untolded and aix srnmERS, three 1n front e:nd three 1n back, help guide it • .:.LI, the SWII!?JIIl:RSwear bl:ick :t-ubber auits, rebreathers and laps attached 1:o theu belt!I, and :movewith milite.r., r-ec1s1on. LARGO meets the two-man •ub beside plrmc, henda bax to UAI' beh1n4 ariver who ■ eta it dO"m:lin.aide sub. .

141. 01,;pEg,:1.A!r;t;ltsao:r. SHOOTllG -AI~G DLLT o? PLA?r.E. GR@

LARGO le~da two-m~ eub to position beneath open doors where it stops. In :S.G. chuiot tOTling net aleo atops. LARGO and :POURtara, 1.ncludi:ig JluiJ:1 otid VilGAS_, swim up into bomb bay.

•

.....

I

· 35.

142. 1JEDERW'ATERSBOT. CBAB.IOT TOWD1G JET

Cbsriot noaes ov-el"pla?le. mm .release tow-lines, start ccverill.g plano with net.

143. tnrnEitWATE:t SRO__T_.__,.TW......,.o...-_YAN_____s_cra.....BE;;;;;;.;;;;L_OW___3_0_~_.--~t

LARGO and MEN br~ first bomb, about ten ~eet long, r ~haped lil:e a torpedo, out of the ba1, lower it onto one of the ahelves of the aub. !hey go back into bomb bay. The no MI:N, aeeted in sub, lean over and secure bomb to aheU with straps. LiltGO and 1m' lower second bomb out of bay onto other aheU. Second boab i~ strapped into place. LA.3.GOsignals tor sub to l"e'turn to boat. IJlIVEii stc.rts motor. Sub turns, m.ovee out .from under plane, accompanied by LAltGO,JAlffll, VilGAE, and no o~ srn.mr:RS.

144. IWT . :eoi~n cm-It!!Jrn. GRon. nGRT

S1!!811l.ighte~ dote on opaque ecreen aupe~ted. O.&Jm.l POLLS MCX TO wrn il'GLE. Gll~ OJ' OPJ'ICERS aroimd m VICE JG.P.si:rt,LT,. Increued actiVi'tJ' in B.G.

onICl:Jl

Search pat~ols still ~eportiJ:1& ·negative, air -

Xeep them a:.1.rbol'218• .A.alt Air Intelli- gence to tollow up all era.sh reports, J.and, sea, anywhel"e 'Within fiight range -

~ctiVitj continues.

145. Dl!DER~.L"'EP.SHOT. rn OF msco

Of.BE!i SWDa?tmS,approach~ng open·hatch neu bow. 5:wo- mm eub m4 cmotJP so in through hatch.

1,. I.11!. Daco VOLAJ!~. SE@"! RO!.,D. Xtr;ZE. ?41SLOV. s Egm caw: _ s-w1:@

Standing on gratin& arounc! a ta?lk tilled to water11.lle. he place is dimly illmuinated by •haded overhead unit. JU.SLOV, m!rZZ•a assistant, st&?lds beeide him, a :,ou~htul

.......-·

146. CTD. - ~ counterpart. Around the bull:heads are recka holding w.derw:.ter weapon.t, CO2 guns, spea.re. etc.; aleiShs, com- ,ressors, see-tows. Along one bulkhead is a row of shelves with undenrater auits, rebreathers, belt£, limps, etc, Bea.r it ax-e containers, marked 0n'Gm!. 3eside the ~a?lk iD a small crane, ~he am alreaey extended over side. L.!RGO, J~"ml, Vil.GAS, two-man 11ub, 0~ Si7Imt!RS, eur:race. Lil.GO cll:.bs up onto grF ..ting, ~alces o!! ~e.alc,hands EU'!~ metal box.

--.--

be !uses.

JAimI and VARGAS climb out o! tank, take o!! ma.aka. !he O!I·m::B.S7lll!MERS uns~rap bombs !ro:i shelves o! "two-man sub and help ?.mB on gr&.ti:g at crane secure bombs to crane lines. Chariot surinces with 0~ S1Tn:l!E!l!.

!Ali at nm~mT.'! !.:W"mt on bullcheecl, turns l::nob.

147. UE'D~WATEH SROT. 3UI.L. PJ.:NE!,

Slidinl ahut •.•

~8. IF?. DISCO VOUJ:'T?. SECR:!:THO~. GR~

Activity o! movins bonbs !ro~ aub to grsting. Kll1 at instrument panel works ei3l:!ler. Rold grad~ally 1llw:dna~ed by bright lisht.

LllGO {to XU'l!D, hcve:ring on grating neax- crane ) · You are pleuea. with you:- new to7B'i'

~zt

Sane new aafetj 4evice - a ••cret control - .

I.&J.GO What can -they have that the great

-

- '

lievi11ea 19 Jmrus:,- 1965

148. CTD.

1.U'i'ZB ( sighing), Life was 11n1chsimpler 1n 1ltf ~araaw 1aborator,y -

IJJiGO Your abare will amoUJJt to how mmr., Nobel lTi.zee?

Be walks to wall. phone, picks it up.

149. In. msco v~. !m'D. SRO!. .!J'QBOR LDre

150;:: IF.r. DISC<"'VCL.~F!'E. m(1 E:00§!. ~

OperetiJlB controls, etc. o.s. BO!R OPE WGIE'ES!~~I!IG.

151. 'En'. DI~CO VOL.~E'E

Ge_t-tiJl&UJJclerwey. C.'1E::Bl:.l»!.'15 ~"'!ER n.

l§fu; ~- . DISC.!'."~.

be ~aco picka up speed.

153 - 157 nl!!!TD

158. ~- mt'LL m~ ISL.~. li!GE!l' •

Corel rock !onatione elong pert o~ a hoTe. c.~ P'E'S TO 'DISCO VOL."~, OD surface, Bt~ndiJlB off ·ialF.md. ~ISCO Volante sterta to move. c;~-Cllc\ :,C.l.LMrSD' r\vcy &nm ISL.~ It piclte up epeed.

"'DISSOL'V3 'l'O:

159 - 160 Qm'mD

r

l

llevised 19 J'mm8%'7 1965 ,e

.. ··- ·-

lISCOVOL.m!E. OP.BNSE..\. llLY

he boat, cruiaing at 15 cote tbrougb open Ha.

LlulG~ ente~s from ~ft hatch, now wearing beautifull-y- tailored sports clotl:es and scarf. Be holds a drink in one hand, a cigar in the other.

(banding L.\RGO headset mid mike} Paris, air. Bwaber Ozie cm 1:he ■crambler -

I,.t,RGO sets dowi2 glees, puts cm headset, talks into mike.

LAliGC lfumber fhree speald.llg. l'haN !'wo completed. Cut. (l:Umding beck headset, "tunliDS to CJP.r.lll'}

_._,.._ .... -

Bake for Palmyra -

• • I •• •

SHOT. •mbftf,5. ti! -----~------ ...~.___.. ......

LOF.GL~ es before, .-trold.llg C.!!'. C~ !JJG'.m ~rm! !O DlC!~ 8'JvaB..".I•C7.l'~R ~CTJBS who were present at con- ferences. CD :r]j.pe off radio.

.. m,QBI,!) -· ...,t + ---· .... Bumbor 'l'hree hes dcme well. lml~lte

his Sub-Operator L., who could h8ve aeriou&l.y ilffolved us b7 hie 1mpul.-

.. .

•••&Be thP.t we have no furthe%' use tor him -

164. SHRO&:.-.r.:;s. PA!l'EICI,:•

c~~ !'m\CXDTG?r'P !Jml !'~!ID C,\a. Ee nlka briskly, cerryllg sui tee ae, P •i:tBICI •. J:mrr.ring be 111de him.

P.ADICI.A

the very 1eeet.

I

f

,a.A

l6'.5J... EXT. SHRU:St,-"JTOS.llIGm'

Lll'P!'S hoel Vega drives up to the aide of Shrublan~a en~ parka. Re ewitches off the lights mi6 gets out of 'tha car. Ba looks up at the house.

163~- EXT. sa..:i:o:el ..':.!mS. LnPE' s P. o.v .

PA?l scross the fecede of the houee.

*63C. INT. S.E!ROfil.:·..?OS. ~01rn' S 'Rt:'t"'M.~CJD• S P.O. V.

Bmrn is WEttcbing. Lil'3 'through 'the net curtains !ICrOBS "the wmaow of his room. Re lifts his wrist ~%Idloo:t:a e't his watch. ?le time is one o'clock.

163~. 'EX'!'. gp_qUEL'·~S. Lin'E

-16311!. EXT._______ SHROBl.-~~.......,; ___ ...,;;.,i, ___ L~'................................. S P. C'......V.

towords I.IPPE.

1€3P. INT. se:~CBL~~- P~·•S 'Rr,om. ~rm:>.

iC'!lrowr?tches the ft1Dbulnnce park alongside the ~ Vega. ~ JJIEJL':JlC'.E !!KN get out of the ambulance mid Nlk .cp1.clcl.j rom:d t o the back of the ambul.Ance. •

163G. 'EXT. SB.Rom•.~. ..-..~':BUL~CE. ,~.liCB ?'D'.

be doors of the ambulance are opened m:d cme of~ .A'!mliL!JfCE ~ clitiba 1.J1to the back of the embul,-.nce. lie stana to push the atre'tcb.er out of the embulP.nce. P!L!ZZI' S llody lies on the atretchei-, covere~ with a blimket.

16,1". IF.". SHRC!!L:..~. ~CID• S R!'.'rM. ~

""'IU; turns from the window ua "11llka1tcroa11 -to pi.ck up his dre a1:1Dg gown. • .

PL!'iICli'S V~ICE

~,i..-, V~LXS ~cross to the bed.

38B

BOlfD You're .amppoeeclto be aaleep

P~!.BICll So ere 70U.

PD lrj,seee ber lightly and then straightens up again.

• 'P..":!rllICIA ~ere ere iJ"OUgo~

:!')IC) {casually). llowr. ere. Ju-rt thought I' d ge-t

•.

a bit o~ - aerciae.

P.!!ral~ ei ts up in betl.

'· . 'PM.mCI.A

You m.urt be ~ ok::1%Jg!

'C St'tm'D of tbe doore of tbe ambulence beag clceef.

.. . . .. . . . .

163G. ED'. SHlitBI,:~. !J~!."J'CB. JJ!BUii:J:O ,U.

m :.mro'I:~-1il'CI:l"!:.3 Ctlff3' tbe atretche%' aero ea to 11:le e1ae oft he ... hcuse, where Lii'P.S 1• •ai t1J3g•

1~ B. "En'. SH:!U.!ll-~. '!'.~ ~. LIPFE

E ~•-JTCE 1!E1'i!'Can"J' tbe stretcher 1%1.to'tbe ~ R!ld ~

mmts ~ get-e. Be WP11k11 quickly past the ,maw.a,_.,.. ~en an~ anloc~s the cJoor iJJto tbe house. Be pulls tha &mo open And the .A.Ml1CL-~.zie3l!Ell' C&ffJ' tbe stretcher 1%1.to'tba JmRse.

LIPPE ~ollcms 'lihe .\."BOL!Jt~ l':!m iJJto :tbe houn. plls the cJoor almt behiJ:JcJb111 encJ 10·ck1 'the cJoor. Be geeme• eJ.ong the com.c.'lor a:ac.'I'the .:..~··JI~ Ha move ~off.Brd. ~ slencea q, ickJJ rcnmcJ '.':c.'l then follo•• .tlMlm.

I

,ac

J.6lJ'~ m. ~$.1-~._ZU!OR copmrm. 19.NP, ~""Ji BLOCJ&..

Cl,OSE S30T OF BOND et::uid.:l.ng a1: 1:he 1:op 0£ 'the •tair ■ 1 listeui.Dg.

J6:,x, l:ln'. S:-iB.UBL"..'mS. comu::oo~, IJPPE. .t\MBULtJfC:!tJeN. at.SEMENT.

They etai t 1:o manocnrvre the stretcher rolmd the corner 0£ the oorri.dor. LXPPE looks over ld.e ahoul.dor and 11eo• BOND1 S shadow on 'the •taire.

l 6JL 1 l:NT • SH!UlpLti.NDSI OOR1UDOR. L:CPPE t S P. 0. 'V,

BOND'S shadow 1.a thrown a.cross 'the f'a.ci.ng wal.1. e.1: 'the 1:urn 1.n 'the •ta:Lrs.

16JM. PIT• SHRtmL~ms I ST:.DK:l.SE. B0'1D.

Loold.ng up 1:he 1tni.ra ae EOKI> wal.ka •lowly, carefu.lly down 'the •ta.:Lrs to the corri.dor. Pul.l. back wi"th him u ho val.ks '!orwurd aJ.ong the corridor.

16 :,)N. n'T • SBRtml.A!'."DSe COZU!>OR I BONDt S P 1 0 rY•

• MOnNG J'OaWAiU> aJ.ong tlle empty 01111rri.dor.

16:)0 1 D.'T. SBRUBU ....~5. C0Jm]])OR. 'BOND1

BORD reaches the turn a "tho corridor and etopa. Be moves 1'ontard cauti.oualy and. loob ILl•DB "the ai.de corri.dor.

16;JP, nrr. SBR't1Bt..i\M?>s. coR-q;rprm 7 BOND•s P.o, v,

Th• oorri.dor 1. ■ empty.· Th• pl.aa1:1.c curtcJ..na •Ul.l.. Tb• house i.a ■ ilent. - •' ·. 16 JQ1 'IJrl' t SRR'Olu..-?mS • COfil!JlV?'D.. 'BOND1

BOm> look• a.er••• At the otbor •1.d• 0£ "tho oorrUor ILDd the door ato one ot the room ■• Be ■ tep• aero ■ • and Pl,Ullie• 1.1: open. One 0£ the equ:l.pment room•• BOm:>■ tape uto the rvoa.

16 lR. Dn'. SHROBt.,-U."DS • EOUif¥P:7; ROOM. JO}'D1

~om, pull• a trolley Vi.th ~DWI pi.eco11 0£ eqld.pmant out 0£ 'tho room end 1.nto the corri.dor. Be plcc•• the trolley aero ■• the eDd. 0£ the aido corr1.4or, c£1'ect~Tely blocki.n.c 1.t. De pick• up pi.aces 01" •quipmont and acatter ■ 1:J:lemon the :tloor o:t 'the corridor behi.Dd hi:11.

CLOSE SHOT 0£ BOND aa b• tuni• M• bead, 1:1.•t•m.D«• Ba •tra.i.ghtena up DDd ••ves :f"orward tovcrda 'the end o'E 'the corridor. 3• cJ,.azicea •~ each do('r as ha pa.sees it. He put ■ a cl::Ul:l.r dovu .in front or the door out 01" a room cm ~he le-Et 0£ the corridor. Be reach•• the doo: o'E the TR.~CT~ON ROOM azad 1ooka a~ it.

16:,T. nrr. SHRUBLILNDS. ·BOND' s r. o.v,

The door is e1:l.ght1y open._ HO'ff FORWARDand push the door open •

body on 'the tract:l.on t&b1o.

16 :,u. nrr, smroBL:..NDs. :aoxp.

BOND pau••• :l.n the doonray a.nd ~hen wa.lka .inte 'the room and across to the tab1a.

...

16Jv, • '.INT. SHR"OBLlJlDS. Ll:Pn.

•

CLOSE SllOT O!' L:CFPE.

CLOSE SBOT OF OHB 01' 'l'm: ~CE M£N.

l6JX. :off. SHRUBL'LNDS. TR:.i.CT~ON ROOM: BOND.

LOOllllrv ACROSS 'the r~om at BOlm •• b• .1aana OTer "the body. CAMERA ANGIZ 1(.[I)ENS to 1.Dc1ude 'th• g1a•• ■ crean At 1;l:aa) and 01" the ~r~ct:l.oi maohine and th• ahadov o'E 'the o'thu .AHll[7J..ANCJ: Jita:. llOND reach•• re the b1~et oovar:Lnc ~he body.

16JY, XNT. SHRt115UJmS. !IOND9

BOND pul.1• back 'the b1anket lmd. 1o.u dOVD at PbJ-AZll'S 1'ace, covered With bnndag•••

16;3z, mr, SRRpBUJms. pmtn.AwcltMA.:R1

The JJGULANCE H.\1f brizll'• out a rr,o1ver and a •~l•ncer. B• b•~ to ■ orev the silencer ont• the muszl~ o~ 'the revolver.

-------

&.2:.;::;6....4.;__ m=~•......~=.__ ___•. $ .. _ao@,

BOND unwraps the bmidace• round the ~nee.

+NT. smt'UBLtJrnS'£,MBUL.';,NC;JiANI

•

TD JJSCL.•JCE MA.N t:Lchtena the a:L1encer and 1~~~• ~h• revo1ver iJ1 BOND'S d:Lrect:Lon.

164:s. nn-. SnRUBLt..NDS. BOND.

BOND c1ee":'e enough o~ the bandng-ea to••• the 1'ace under them. He 1ea.n ■ over the body to ••• more clear1y. CAMERA /JiGIJt WlDENS to :u,c1w!e the muzzle of' 'the c,m over J:a.iahead, !1Dcb1ng out between th• plaet.!.c curtai.n.e. Suddenl.y there :L• a ga ■ p, ·• era.ah mid a •ta.r:t1ed about.

164c. m, S3RUBt..~ms. EOND.

-

BONJlturn• and movee q~ckly acroaa to the door. Be pau•es a aoment :in th• doorway and then 1 ■ tepa out :U:lto sh• corr:Ldor.

164n. n"T. SHRUBL,;,-.ms. BOND'S P.p.y,

B&Uvay a.lone the co~dor, jumbled up ri'th 't!l8 tra11ey and the •c:attered p:Lec•• of' eq~pm1U1t, :La PJ..TRICZa.. 1'l.at o.a. her ba~ rith be~ 1egs ■ tra.d.d1ed.

l 64E. D::7. SHBVBf.eA:M>SI P/Jlt[g:;..' S P 10 1V.

LOOlCI:RG1JP AT BOlm as he val.u "toward.a hair. Ba •'tmld. ■ locld...ng down at her am ab&k•• hi.a head.

P.r..TR:rcp• s v9+c;

Dem' 1. .1u■ t •tlmd 'there J

l.64F. DT I SHR'OBL":i.lmS. ttOND. PA.TR;Cli. 1

BOJm crouchee down beai.de P..A.'ImCL\ aDd he1pa har ~o get up.

BORD pat• a hand ova- her mouth. Tho7 both 11.st;en 1.o the r.ound.a of movement• ups-ta:Lr ■ aDd when the 11.g-hte ■ -tart gai.Dg on, BOND catche& her bJ' the hand~ pul.1• her up onto her £••1.•

-- -------

l

:n7, mvnu+ND§. 101m •. P4mc;μ,

164q,.

BOND AND P.A.TRIC:IAetc.nd. in tbe cDrr~ar ~or a. _,..nt 1 4.ecidj,ng vhicb. way 'to go. P.:..TR:CI:t.Lpul.1a him cowm'd• 1:be •'ta.1.r•• :BOND ahllke• la• head am pl111•;aer ~o "tbe ■2.de corridor. Gr1.JUU.DC, tbo two r: alollC 'the co.rzr-:ll..l<O.ar.

164B. l:NT. smt~NDS

164I. ~xr. spUBLt...NDS,:som. p.n;c;.;., DAT.

C,Ua:RA TRAC?.:DlG W:CTBT.BEM TOWJ1DS CAL l!tt va1Jce bri.akl.y, ce.rrying •1atc1use, P.1\TP.IC:tAb.urr,-:1.Dg head.de Ida.

PJ;.TlgCXA

And you I ll wr1. -te - or ph-one .. at ~• ven 1eaat7

BOM> (crave1y-) Dey by 4.a.y. ~ % 'tz'aJ.y .. BGLl!) % hav• to 1ea::rve 'tll:l• way • •• a. nap oD. at ~• o:rt':l.oa.

What ld.Dd of wal'k c1o J"OII 4oe All71f1LJ1

19,m

% 'tr&T•1 ••• eo:"'I •~ l.:loemred 'tz-oub1e-abootar;.

CAMERA BOLDS a• they reach 1:ibe ear.

JOD: Th• end1rc m.U be •J 1gt,-t;1y 41.f'f'Cl'Z" ■nt;

165•171 OMljj@,

··-

...

llevieed 19 January 1965 • 40

171• m'D. -- Be puts bis suitcase 1n bftck, opeJ:Js door beside driver's ,eat. C"'.ME:a'; c~"'l-!ESll CLOSER.

ri?m Well - thmlks for the treetment - le~'s ••. Let's atay 1J1 touch -

P1i.!BIC:U ( softening) ~me, James - anytlb~re -

Be smiles, geta iJlto car, closes aoor.

iz2. m. c.'.'Jt.

Be backs 1 t out pest her. .She 11!"ffes. Be waves b fl ck, turl3 e, drives off. Sbe exits 11cene 1J1 opposite direction.

_173....,.___ E--I!r...•...• ___ ro........,.1...BY_:·,,_\Y! LIPS~ ..

l'/..'t':aICll visible wa1k:1.%Jgsway 1J1 ~. G. C='~l. P.:P.S Ln'S<"'N ~CIC[..Y Trn"T:.:u:PACEL-V!G.il, "Ff."!L::11!18 he gete in, starts aotor, c!ri Te a off after ~t.!J.J.

SHRt!BL"~ ~li/:~

"JO "ta.ma into highwey, driTee out of ace:e. Jl,!oel-Vep follows. •

175. En. EIG~~Y. J·~•s c..m

hoel-Vega beb:1.na.1t.

tine hand cm wbeel, he take• pm out of compertme=t.

BIGiffi"~Y....._._.., CURVE__.

iOJI';) rcnmde it, follot".'ec! by hcel-Vep.

, !7B. mr. C..\R. 1'~ (PllOC!qs)

Hearing hcel-Vege overtalc:1.ng him, loold.:g beck.

l 79. w~~T...:mt.]t:t!!

LIPSC"!JI'1J1 l'Bcel-Vep beb:1.na him, levelli:g pm, :tiriq.

,.

Jl.ev11ea 19 Jmm1111ry1965 41

~1e_~_.__ 1_N_t_.___ c_•.R.........._ ....~""N"".'. {nncnss)

Ullet emaebee wi:aa-shiela. ~-~ acceleretes, pulls away from Fa.eel-Vega. Several more ■hots from. o.s.

Roari.Dg up on Jaoel-Vega' s tail ia a mcrtoreycle. ?rhe CYCLIS! is slight, weerit1g bl~ck leather ~ecket, trou~crs, glovea, and helmet 11!1tb buil_t-1.n goggles. •

182. I!lSER'l'; !'EIGG'n

----.

elow nozzle of e n~me-tl:lrower between hmldle-bBrs. F.'TO!?CYCLIS~' S bil:ad pulls trigger. ·.--...

_.. ....: .......·· . ...... .: t:,. lot1g ~et-like burst- of fl.Ame 'licks out ~ 1D0torcyc1e and hits ~eel-Vega llB&r gee-t&llk.

164. ".en'. - .. .... . • ... Immediate ezploaion. It nerves, craahoe 1n Mtch. 12,tor- cycle roars by.

Screams -to stop. llCBD gete out. h ~.G. mot0%"cyclP-ai ► eppecra arom>d curve. C1l'.'m!. P !IJfS !,O 2.lCX, 1"Um1ng, tow8l"d burning FD.eel-Vega, Er.I.nB as he ■tops, ~rented ,,..

:· ·-,..,_. 186. ~. EIGJN.''Y~ 'BT-'

ec.lc:1Ds rapiBly cn.7.

187. :!J!J. Pr.CEL-'Vl:(g

1zp1oa1n1.

msscr,na

188. EX!. EIGlrri ..~Y. LIC!rMlCYCI3

'urniDg into m.ae roatl • •• t' • • - 189. 'EX!. Sr.E ll0/J'1

Uotorcycle alowa Bown as it approoches bril:k of' abanBcmed

l I

189. Ctd

q,uarr,y .At bril:lk, C'YC!.iIS~hD!'B ~ ove:r ~r:Lnlt.

100. .'•..t.:l'. 0Ull.'R'1!. S1-tOO'!'ITTtil'nr:"9 m~ ~ ---~..--~ ..-.........-------- -

1-iotoreyele ·'llt."lJ.ZUlP:t!Cffll int~ •ter i>n no::,:r Dr""liarr.w ella disappP.aring.

191. EE MOTO~CYCLIST •

Tm-nine awa~ !:-am brtiu:, str1.diu-: t~'&rd E~J.ti:.·~.!.?, "tD1;> nonn, parked in b:.!Shea. C.:-.!.tf'~"..~CL~ :~ C.J.n aa ~.C!CJ.~ -takes o!f hell:aet. CA.~'7-RACC'•i-"~I:T c1.,cr~,;:. czeteall:t- 't'!le nam1ng re~ b.ai:r of ~IOJ!A ~!. She ata-ta 'tRJ~ ~t: 1ea-ther jecket.

~--"?-- ~"....,"~-

1'ur.i.1.ng in !r~ eic.e r:,ad F!Oltl be~d. "'lfb.ee1. ~-l:ingly .. drerse et1.as thour-:h tu..-ned ot~t b!' Dal.e:iciap. . j •... mssaLT!:

-- ...

• w1. ...-:.••2:ni! You're late -

Du!D) Sor!"."'' 1:'.eo'D1e.,11 'the r-.·~. "'tba11 4219 - the~ resllT °bm'll ~• Q..

..

hey're ill the Co:,~en:nce ~ - at the·n0e1e o~~ice - ever:r Donbl,._O .Mn iu :'1••~•• laeen

BCl!!'l (:Uswata) • he :lftleks hfl-_.e tabrl 'On%': •

.......• .. ·

4:,

3rd ?!a...-ch 1965

C.!E·~i~ S~OOT!?G FF..O!I~11m1 1 ~! es he Iii t =i!c:mn Ul -the BeTenth cf nine a?i:lcb.airs arranr:;ad in a ae'llli-circle m .tr:mt o! a tablo. EIGS:l· ::.,i- in ciVilien cl:>thes !leated in tbo! cha.in,· thni:...· !aces 'D0t visible. l"acin': "them, behind "the table, are tee !1'.cr~~C:1~CrnJ'"'Am~,ll., &lld ..UI? l"':.~. Detw:ld "the table ic a lar;~ nap. On ~ 'mlll 18 a boar.d Vi th ~o·tor;;nrihs a! Vuloan crew. In ~rm:it o! ll. is a ta,:,e rneort!.ff.

II. (addressi~ DO!!!) am! aeA ·t er'. ~-:) • -!ow that we' re all here - 'the Primflt :am.ste'1'." h.es 1u1kel1 'the • Rome ~ecretar:"' ti, a -1!f\reas :v~u.

RC!'::J::~:'I~Alrt (indicat~.n~ recorder) Gentlonen, th1:t tane y')I, will uow hear was rffceiv~d nt 10 ~lmmini:; Stree.t 'ttd.a l!l::»rninrt -

Re nods -t.:, r. who turns it oD C~!';;~~!Aca.re 7!1' CI! '!!'l'll.COJ!H!!R.

lD'JO~ JJ' S • VOI ~ :;.v dee!' !':-ime ?-Tiniater - wo a't'ffl2.c weep~, !~00 n,mb'!?'B 456 ■':l,~ 45'7, r..i:1.eh were aboc~ l!.il'O !'11.l?ht 759, ·are now in the poseeesi~ o.t Specn-e. !."e •~ h')ld tbem until v.e r,ceiTe 1l1 e.:c!mnge :ioo,ooo, ooo. Si1m&l ~our acc,-,teuce a£ 0 1-.r 'ter!DB by crre-a.-:;ilv: ~~ lli~ Den -to • a-trike eevr.t "tit:1n at ■ix P.II. 'toear:-ow.

195. C1-0~ S1t0'1. j)Qi:.') -·

-

'Listcmins. In front ~! t-.im 1" a file, its aea1 u:ibrokem • and t=J£rl:ed: !'00! TO r. Ol1:·m:,, 0!!~:IL 0:.'..tI~IATU ~U:£!HO:l!Sl:D.

........

E.ertsea ,rc1 Uaroh 19~5

195. CTD.

LOP~' S Vt"iICE If ms nan ~-093 not strike seven til!lee, _Within sevm da~, a eit:'I" i.n ;:!n·.o,;l.an~ w1ll 'be ~.estroyed. .1 CO!""' c! tb.is recording bas be'Ul Bent to the ?resirl.ent o'!. 'the United ~tetes. (S?tctre awaits your re~l~.)

196_.__ G_P._.1...m........._ ......slf_.0<'......,!11......:r:r,___• r-~r_'.T?(!:__,;,,t_:_t:HD_·.;;;;;;;;,,:i_D_~_...._m_.r_,,_,_J__n_,_ro__o_.P:_'.l:a'e_!a-...O_s__

R. switches ~r recorder.

he ~me J:iniste:- an~ the ?:-esident have ecm1erred by tele,h.one an" F.l~ed, if the b-,ml'tiaare n~t recov!!~ed, ~~ent Will be 11111"0· :m,::.-ress amio1z:1ce??1e:cts"111 ·be l:lcde to aw1~ gmieral ~10. !be !rii:ae !!i.TJ1ster has auerl that 70ur ne'!1Br:t:ient tRke chnrge O'! the o~e~tion. (~O All J!!ltSilALL)

Sir J~tm •••

~m..~ (ris1n.;, ill~'.1cati.n."': at 1:1&p) 1.'hia o1rc1e reT}l'eaanta the n ~1l8 mn~• of "this t?Pe of au-cl"&t1:. '"::ztansiva soarc?i bas failed t-, locate evi~ence of a crash or a lJmr't1:DR, nor bnTe Intelligence obeolca of a1l urfielde lar:;e anour,h 'to ba,:idl.e a Vuloan.

EC!t:;: ~~ ( "to n. rteuaa) Oarr.r an. • I'll keep 7ou ill 'the u1cture ~rom ~0.10.

AIIl ti.\.:~!UJ1 ace :,mpani es ~DA~ ~rr·i:i:rn otrt of eoan e.

I

Be'V'ioec!3rd 7-.tarch 1955 45

}t. You ma"" now open 1:he :tcl.,,en b· frcmt of :!'0'.1, gan-tlemen. Code- name "~hunc1orball. n •

There is a aoi.m.·1 . ot 'teerin."'. ~:f ,aner an:~ nhnt"n~, end t t:Len, ll r,-oePS:,n

little -tn g~ an. Al.l 11181!:bel"S of th!! crw. b.ad t~p aecurt-ty clearauce. -Yo11'11 :t1ni! their photo'.'a't\ph~ •and. eer""ice recordll in the :t'llt1'.e'i's. '!~~ 'll ba wor!:iD/; m:th JJ~Ot C'I!., ':In.-: P.ll Alli'!d intellir:euce tm:l.ts. ~~t 's ell until JO'" f!sc1.'!BB .,.~ur 111~1Ti~.nlll aasi~ents ~::_th tle.

:ire rises.

Risi:lr;, startin.-; to m.-t. XL"!,bi;.~ atan mio blrro pla~ec. i!ltelli~oe or.:sr,te. If Tlt"it, :ts:eces ahon1d not be ehoi:rn

up agaiJl -the,-t he bad disca:-ded. C.A!!.1~.;!.\ :m CLOl:mCrJ ::;:mnv.u,'s fece.

199. ,,,.,.~..\~m'-'.'!:. - Be looks u,, 'tho~htfuJJ.-, 'tben abrupt1~ tmni~ melt, ec%'1.1'tmises ~:J,'• face atmill. .

nev1e ed 3rd March 1955

:'?J°~~0: e tela11hone ~iNcto%7". Hald :£~ a aeoond mil.y an~.. thmi mtch oe ~:t i'Rlle S~7D.TG"'1th tho no,a...-e,:i-t ~ the '!:>ook allin.~ 1 ~erked to a ll.."\lt b:, the chain Rt't,ic,t "to a:ifl~ look 1,t ~he ~eek o·~ nD!!D, nalld.~"; 11we- acroee tba m'n'a'!'lCe ball Df a ~ove:"??m'l?l"tbuil~ill~.

'Jatch DO!!!') W'lllk ecross a- eoall forecourt cn4 '1n at 'tbe ~ain e:ntnrnce n:! en u1 t:ra-scaz-t bloclc :,f nata

1'he 11ft d ~or ope,,c sil.ll?!tl:v- •and DOrn>ste!'!I cn:rt an "to "t'tle "t!!!.cl: ce:-pot o! -tho cor.:-i or Be r:ln.~cea ~t an"i rir.;ht 1 then moves ,:v,a~ ~o his left.

:BOT!D"ta1'B on tb.e doi:,r. PtJLr, ~C: ae he !",laces ·•"'11?1 le!'t and rir:'tlt • J30.'IDa hru.~• nti-"!, alr.ios t rel uc·tr.rti -.r, a11 ns !!1.a bend into hie coP.t pocket an ... brui.P,'9 :mt a a::,all 7 -rectei:.tt'.1lt.r pioce of cellu1oid Ee sli~s it iT.l betwefan 'tbe e-dp;e of -the do:,r e,i~ -thA c!o:,:- ~,m?:i, by the '7811! lo~ B• ,ra~lca 'tor a ti~ent e"C."!. -then pushes the door open 1te _....abm }'1.1~bead 11~.1:;tt-tlyam "te"'.)s 1mo th.e !lat.

199e. "l\'!'

:eo:r=>clases t!-i.e do:,r q\ue-t1~ bet-.ine. b:1.1:1au&' st~ !:>rnrd into tt!rt cm,tre of t1 1.e ,:-.ain ronui. J.JJ ho ~ hia ecruti.Jly of t 1\o r:,:,o, S~~I!fGwi•~t. -tt.ie a-,vr.?e:it o:r h1!t b.M:I~, centre on -th.e door 1nt:> tr .•~ bedrom, c"tch e 'Cl09'tmen't 't~-,1.'!$ th~ 'c:1nc,~ openin,~ a~~. ZOO:! foTWB·"d. ccrose 'the r:Nm •

l'IOI'l.A.18 T1Eltc1-.1:i~ Mf.1) t!-\l-o~"'h -the hill~ t>~t;. Sha oT>Cm5h~r 8'Mll ban· ·,a"; J.1:1d-tel:u out a ~,~ c'Otlpac"t.

- nerteed 3rd llareb. 191;5 47

- ..l..,.99.._F__•___ C,_.TJ2.:_

stick c~~1Jf1tlly e.nd. ;,?"es~ea· th~ enl'.1!.nth b.er thumb. A. telescopic kllti'e, ebl!-,ed like an ioe-pick,ahoota out of' the ~-1pstick, about ai•: inches in lenr,th. Ghe 111-te~ ecrnas the bocl: o.t tb.e doo:-, Mi.tin.~ !:,r :l01LT.) to wall: int:, -tne bedroom. •.

3Cl1!>walks' ncr~as the ro~a, towards the bedroo~ door Re· is nb~ut t, mte~ throu~b the nooffl'P.~, when. he ae9s a-~hoto- ~pb cm th" bnrea 1t in-th'! Cl'lffler -,.t t be rooo, ea~~t hi-ti eqnipc.ent, ncorda an-~~books Re ~1.~~~s &ft"."." !!""'1!1 tne bedr:iom.

199h.

FlOF.'..1.i.te?1Ses, listem.ng.

li91.

DnrTD alipe tee photo!~~ph int-;, b.1,.·~clcet ,e,,,_~.nlks ecross to door. He listens :!'or e nocent, opcm9 the do~r an,1 WF.:llcs ont, shutt1:1.t~ the t\oor.

~.u, an~ D~'ln! on a beach. '.'R:e~eL"'S ti'tmkB, sne bra end hil:ini, e beauti!ul ~e:rlt ~l 1n her nirtile twenties •

Il. 1• aittin..~ at his .aaslt. Lo~kul(; 't)P.St +.nc ~at~~raph, whicb. :eorr.rl1 ■ hol".i~ in hie 'bmld.

lL

Gro,~p Ca~ :f?ritcb.iard here will be '."'DnrAir ~orce liaieon.

ll. ges-:urea at Pritc!:U'.lrd, who 19 eittin~ 'Dert "to ~.

»CJl:t]) 7 rea~eC'ttull,r •ur"'~eat :,ou change ~ c.aaiczmcmt -to r"oaeoc, ail".

II. (acidly) Ia: then en,- other reucm - besi,.,_ea ~nr enth1.111ia11etor water .-.orta,

-r·---- ----

47a.

201. C1!D.

~erhepe - ~b.1.s...

i. studies the photo;:T':'1'~ s1lerttl:v.

-n. ~ell?

11mm It1 the fold.er y:,u '!P!Ve ue th.en wa~ " pictu-r.-e ct ~cat mm - Del"V'Sl I saw hiM l•~t ui~ht at s:,.ru":Jlanc:ts. He ns dear...

GBOUl' CJ..~.ili Oh, no - au- !!o:>tposei'llle. Be 'ffllfl eee11 bo!'!~·"'.1:11;an!!\ took ~ 1II the Vn.lcan - lm1t "':'.',it~tlt•

... (q_nietly) ill :f)onble-0 Jltttibers c:-e ~ ~rained- onr1. eroertenc ..A. ?f!!.ceJ"8 • U ~ouble-07 aa:v-s he Raw :r>e..-nJ.·..;.• a~ Shrublends - an,1 be ffllFJ deo.a_ ...

I:. looks At :eo:mbard.

hat ' s eou.u"il '!-:ir me t? 1m "tta~• enqui.ries.

G1"UY C.AP"~YJ! Ob, well - ~u, air. ()f c-,m"Be!

...

/ 201. Ctd.

( ~mm is both l!IUrprtsee. encl. r:reti..fiad

?!.· '!rho• a tho ~rl !

»a:m . :tlernl 'a aiator. •I !ou:nd a 001,ple ~ lottrt:-s - N1d another ~hoto~pl:i

:Borr.r.>st3rts to "take the le't'tc!"B o~t of hie pocket.

_.,

l!. Im, did :-onGet hold. ot 't~e?

Bm:i. r-•:vouknow where she ia?

~· She' a in nasaau.

n. You tt-.:1.nk eha •s worth 1l:rves't'1- ~'tin~

! looks dcr.:n at t'le -photo~ra:i,h a,.,1n, "thn 111>'to aee ~ 1a grtmiil:U..: ali ntly.

:80Im I wotu.~ •t have pu"t 1."t ;.ni'te 11ke "t~"t, air.

l'or once l!. lool:s as if be is blus~.

• I

Bevieed 3:-d :.rob J.965 48

DO!m So ta= eb.e•a_~he cm.1~1ead.

here is a ~nsct !.!. 811CD B"t his pipe. .\ sudden growl..

t. We•ve ~ot tour da?'B, :r>or-:b1e-07.

I r Don•~ spend ell ;rour til!le -

si ~"ti?lg :'!round.

:BOll!>grins, l!"tP.rta tor -th.e door.. •

:BmTD •. 'banl:: 7ou, sir.

t InT. u. , s rr·.-~I<'!T BOO?!. n0Jn:!Y.-::1tw!

B.As~il! t 11.rnui~ awe,, f'roc ~irt'!l:"00!!1 on wbich. eh-. bas been lie-ten~ aa :RCim eu"t"rs

lQi.T') Eevead.ro,;,~ a~in, ::on~

lM~ .'.;:tl':!frl:U1 (!ffleet17)

I a1ways llo w+'!erc °"012 re C0'1'1oo:rned, J.ove. (indica"t~ ~ho"t~ ill bia band) ?."a.vI J.ook7 ( 'ta'.'d.21(:pi c-ture)

"tbet hP~ an.,wthinrt to do m.th. 7~ur nqueet'!

Jl0m) (a1gba) If ev11r there U ved a man a ore mis,mderetood -

• llO.:.:JA!l-Jil!i!1 Janes, ~ou m:r be able to can the oU man - I lcnmr bftt-ter - -

--· .• -----

C~D. - ;~. 'S VOICE t cm iD't'"ro?l-1) So do I, ?tise MDne~emJ... - ~ I'll t'lllmlc yo,1 not to refer to ~ens the ol~ mnl

Th~ :SOTB~, he brushes her c heak "1th hi~ 'lips, eterts out.

?Z~ ~:.P.t:llnt

--- (ho'les ~ut· picture)

PDst! How else Will :-rou ner :r.oco~iee her?

He ~alee~ tbe nhotot;ntph rroc h~r, stares dt'1"!trlat it g:-avely.

nmr.o co,'!laJl't niss •.• ahe'e sot two· small aolee cm ~he 1rpper ~?d.gh.

-- --· -·--

"'

Itffised ·4 Jlarch 1965 50.

- •-.., I

204/221 oMI;m

222. mzDERg"ATER SRO!!'. ~ G.AimpS. DAY

Sm&.11~ish, waving sea-weed, etc.· Cora1 !ormat1ons 1n ~.G. Large ~~LE swims into scene. ~hina it, grasping the shell a.a 'though steering .it, ia a girl with anorr1 ad mask, wearilli bra and b1k1 n1 - D9Mnll QUE. • •. • _

223. "CT!tD.l!..-,::·r.4.TDSHOT. '!OID . . •

In trlmlcs a:2a anorlce1, 1oo~ toward_Doialii:QDEaud ~ iJ1 ~.G.

•

224. CLOSE SHO;. BQ!D'S FACE TRROU~ ~

Iaentif'ying him.

225. Jml?ERWA1'ERSHO!l'. DmmIQUE

And turtle With ~OED 1n ~.G. fh.e turtle alipe·a-.ay :[:remhe::-. CAMERA LOSES ~om>, FOLI,OWSDOXIE'!QlJE~o 30~~cr~ She picks up ■ tu:[ieh, gets entqled with aea-weed .. B01II>swims into scene, helps extricate he:r 1ovely body, geta en~ang1ed him- self. She h•1ps him, 'then ewim.S up toward •~ace. Be to1lows.

DOKDIQtJE and ~OllDsur:race between twc outbom-4 ac-te:rboa~a 11.DChoredSi% :[eet apart. PAm.A llOl!ER~S,a t&l.1 clark P.abamian girl, waits patiently 1.n one o:r them. In~.;. eboN is Tis;Lble seve:ra1 hlml!r•d ;feet away. BOD and. DOmnQllE ~ake of:[ maska. •

DO:ra:IIQOE (ha.DsiDBonto aide o;f her boat) Who are 70u1 •

~ond, Jamee 3ond - I g~t here ,1111't • -a1'ter you went 4cnm. I 1n been .a- lllir1nS 7our ~om.

DOMinQtJE Bave 7ou?

EOll> Kost girl.a ~ust padd1e around .. You s'l'l'im lilte a man.

•

50a. Re-need 4 March 1965

226. CTD.

::BOBD (grins) I've had more practice. D'you get out here .li'ten?

DOJlINIQtJE Whenever I'm bored - practically ever.r day -

What elee do you·do? And where?

:BO!ID hanks - I'll wear it ao you lcnowme next time -

She climbs into her boat. Ee helps boost her evn side,

:BOID ~ the way •... I!'.!!. right .•.• ~ couldn't mi.as.

DOJmllQCE (puzzled) I'm not with you.

:BOID You wi.11 be . .Another tillle.

She watches him curiously ae he swims to the other boat and climbs in.

227. E+;. n.A.C!. qu!ST

A muscu1ar tow-headed YOtmG HAE'1ookins thrcn::gh binoculars towal"d aea gardens.

228-. WAT BE SEES

he two motorboats. ::BOBDin one With P.ltJU, l>O!m'IQtJEill the other.

She is pu111ng up anchor of hers as P.lULl pulls up-anchor

I

50b.

229. cm.

1£ hia. Be. looks at ~A'OLA, pinche3 off gas tube near motor. Re gestu:-es for PAULA.to fa~e starting motor.

~om:, ell London I've found the girl .••• I•ve made contact.

She has been going through the motions of tr,-ing to start the motor.

Row•m I doing?

Great.

Be gets to his feet.

~JIil) (calli:rig to l>OElfIQtJE) Ou:-motor•a conked out. You're not headed 1m1Where near Coral Barbour, are you?

DmmllQtJE I waan•t - but I could -

~OID I'd appreciate the lit't. I•ve got

-~-- . '...

an illlportant appointment. (turning to PAOLA) .

.. - You don't mind waiting for the ■ er

Tice boat?

- ••

l>OMI!iIQt]E Come aboard, then -

BOB'Dsoee overside, eWima toward boat.

~--- -~- ----- - - ----- ·-- ...

ReV:lsed 4 March 1965 51.

2'30. EXT. m::..cs. QUIS!l'

Looking through binoculars.

231. QUIS!l''S ]OV. .

~Oil) gets into DO!!INIQUE'sboat. She £Ul18 it. 'BCBD11'6.V~S to PAULA as the boat drives off.

2~2. EX!!'. BOP' S !Ot,.1'. ~Am.A

Looking after DO}.!DrIQ'tm'sboat. M1ngled !~m1n,me am ia-ofessional reactions~

232a. EX!!'._ ™05. QUIST

QUIS!l'puts the binoculars aT!rByand stands up. Be ~ves out of frame, ZOOM into the b~rder of trees at the edge of ibe beach as a man 1n a white panama suit aud hat aDTes after QtTIS!r. • ,

23 3. EXT. TR.AVEI, SHO!l'. DO!!I:NIQUE' S :BOA!r

In :B.3. beach~ DOnliIQ'DE d.J:-iVing.

~Olm ~erribly nice of you.

DO:rmlIQOE I hope your girl friend th:lnks eo. You deliberately !euled up that motor.

:BOM> (grinning) I ehould head !or the lci.lla. ~eautiful - and clever!

l>Olmf!Qtm (wearily) Yes, I know. So many people tell me .•...

-· -·.,-·- - -•--· ... ·---

Revised 4 March 1965 Sla.

'=· CTD. 222·

:BOED People 7ou•re tr,ying to escape from? (gesturing over aid•e) Down there?

DOlliliIQtJE You ask a 1ot of questions.

:BOlm I,et of things I want to know.

DOHinQtJE miere do 7ou come ~rem?

:BO~ London.

---

~e hands stand at 6 o'clock. It strikes •...• tii:ree times. -~ XI. D?T. Pil.IS. SPEq_~ E:.Q. BLDF1!.!)'S OF!'Itra. :B!,O~

-- -

Lookins past the back of !LOFELD's chair ac2"'3&Btbe office at a radio. :BI~ :BD strikes the reuin1ng four atrokes.

m.OPI:LD hey have accepted our te%"Dm. lll!'orm lfumber bo 1n Baeaau.

I

52 •. ReVised 4 Karch 1965

2,6. ~T. CORAL !WGOUR. POO!i. '.BO?m. D0'..0:::IQtrn:. DAY

They are lU?lching at a table beside the pool. Swa.nky hotel in ~.G. Sea off in opposite direction.

lSOND (amiling, as they sip drinks)

appointment.

lSOID She won't ~ind me, will ■he? (indicating drink) oo bad it isn't conch chowder.

DO?.tL'lflQlJE You've been readin&: the wrong books, l!r. lScmd.

lSOID About conch chowder?

DOmBIQCE lSein&:an aphrodie1ac •.

lSOD (amilins) I.ju.et happen to like conch chow4er.

237. EX'l', QUIS!

SaU?lterini casuall7 past pool, glanc1n&: at lSOBDand DOltI?lIQUE in JS.G.

" ..i

s,.

Revised 4 U&.rch1965

•. BOND sees DOl:IE'IQ'O'Eloold.l:ag towards QUIS~ in. ».G.

llOBl> Friend or yours?

DOMinQtJE ( abrQ&gi.ne;) Re works :tor my - guardian.

QUIS~ moves out 0£ scene tewards hotel.

DOmE:rQlJE Re likes to k:n•w where I am.

:BOID I don't blame him.

DOXIWI~UE looks across the harbour. ..

%2. EXT. POOL. DO?m!IQU?i'S POV.

he DISCO VO~ ia entering the harbour.

- r•••"""!"~•--••-•--•-•

ReVised 4 l4arch 1965 53a.

])OXIliIQ'tJE stands ~-

DOJO:NIQUE You'll e:rcuae me.

• Oh, surely you don •t have to go?

DO!mlIQ'OE I'm afraid so. (gesturiJ:lc! towards the Disco Volante) N:y "guardian's" yacht.

:BOID Oh, 79s?

DO!OllIQOE He Will upect me• ..

:BOND Perhaps I can give you a 11.ft?

DOl!IlD:Q'OE

OED . Will ·1 see 70u ap.1%,.7

DO!!Il{IQ'tJE It'• a ama.11 ialmld.

,- • -- -- .. --

Re'Vised 4 Much 1965 54/58.

2,sa. CTD.

~Om> Have dinner With me tonight.

DOl!INIQUE

DOMINIQUE turns away.

~om, DOMilVO!

DOl4nrIQ'UE (abruptly) How do you knew "that? How do you know my friends call me Dom1no~

~OBD (blandly) What else would they cal.l you. Jlick,f?

~O~Q'UE looks at ~ODD for a moment.

DOMIXIQtJE Good bye, Jlr. ~ond. •

DOMINIQUE walks away. ~OID 1ooks at her.

, DISSOLVE:

1'

l Revised 4 March 1965 5 •

l

l I'· :rnT. CO~AI,:I.ARBOUR. !iOTEt. EE~T!ON HALL. llOND

ONDwalks across the recep~iozi hall to the POI?!rER's desk and collects his key.

X4• DlT. E'OTELCOiUUDOR. '!OWD - I,ooi::ins along the empty corridor. 210m,wallca past the camera to ~he door of lu.s roo~. Be glances at the door and then walks on past to the door of the next room.

X5. Im. EOTEL COlmIDO!t. :SO@

OED takes a second key out o! hie pocket and opens the door o! the room nert to l::.is.

X6. INT. PAutA'S ROOl!. !OND

OD walks acr~ss the room to the cennectin.g doo-r to the nert room. niere is a case open on the bed, a caae ~ull o! w~men's clothes. ~e cupboard nert to the cormectizl& door is open and !ull o! dresses.

X7. INT. ?AutA' S 3001-!1 iQ."'TI>

ORD steadies r.12sel! and then opens the door ~uietly. Be ,· steps into the doorwa~ end opens the· door into bie room.

2'39. D'T. :BOID' S llOO!•:. BOF.D

Cl,OSE S:i:IM of-:BOEIJ.

2,9a. m, :SQEP'S!tOO!.~, !OM>'S ;rov.

PJJT round the room.

239b. IITT. BOP.D'S ROOll. !O?!p

llOXDwe.lka into the -rooi:., crca:es to bis dreaslllg table and nicks open the cpnr of a book, which ia lyi.q on the dreeaillg table. •

239c. m. :SO?J!?'S EOO:!. :BOOX

turning and recordi:lg. :BOIDturns it to ~aat ~nnd and n1cks it on. !he reels turn !as.t in reverse and sound squeaks out from the speaker.

2 a. !NT. !!OE!I, s n on. 110

Om> aets the-~a,e recorder to play-back and picks up b:1e mall, black &~a~he case. fhe tape recorde~ p1ays back -the ound o! a doo:- O}icning !ollowed by 1t· clos1nc. :BONDopens

Revised 4 March 1965 59a •

...._ :z39d. CTD. - the attache case after the usual ritual and 'takeo ,,\\t a t silencer. Be hears the sound of e. cupb•ard do,r ;ti ldi.ng back. 30IiD walks across to the main cupboard and l.ooks 1\,1• the hair be p1aced across the opening. It is gone.

2; e. INT./ '.BOND'S ROOM. '.BOND

Oirn takes out his lia.l ther fr:,m his ahoul.4er ho1!:tt,r and :rues the ailenc r on to it. He hears the sound of a dl,,,.r. opening and, more stant, the sound of ■ hewer curtail:1.s bc 1tng draWl:. ODD glances at the door cf the bathroom.

239f. Dr.r. '.BOD'S POV. rbe door of the batm-oom is slightly open.

240. OMITTZD

~ta!iD takes a step towards the bathroam. hock on door from e1rridor. ~OND puts gun .in pocket of h1.e robe, c••m towe.rd door.

242. m. COP.llIDOP~. HAN IN WI~ PAT'~";; S'n'! J,rn, 1IAT

With distinctive band, now c1early identil1ec1 as Jo1J•!L!ZIJ:!TER. Door opens.

243. m. :BOND'S ROO?·!. :,om,. Ll:Im

As U:I!ER comes in.

l.ED!EB. ( effuai nly} Eow are 7cu, Double-•••·•

:Before he can finish, '.BOIDhi te h1.:m.t'D -the ~aw. ti~IT!:R slumps. ~on cetchea h1.:m., aits him down 1n • conv,i•Jient chair. :LEI!rEP..ahakee h1a head groggil.7 u ~OlJD p•Jll.o the Walther out of the waiet-band o:f' hie trousers ana z:;:,kea iowarde the batl:lroam door.

244. m. !AMOOl:i. !OID

loving cautiously, smi. levelled t"'ward.• cu....-=uns, ,,n he stops, reaches quickly 1n toward faucet, and tm::ia ~t. l~~adiate cascade of h•t water.

245 •• IN~. E.ATHROO!!. lμMI!TD QtJ!l~AIIra

Instinctively, Q't1!ST tries to get &IIBy !"?"OD h•t ·."11:·.1::-, ge1:s entansled with curtains, thrashes ar•und i:i them.

------- ·- --

I

~evised 4 ~ch 1965

- As Q"O'IS1'1s head a:ppeare'through curtains, :BO?mclubs him over the head With the butt of his ~alther. QOIST tumbles forward onto the bathro~ noor, drop:ping his gun, and lies still, unconscious. :BOBD;Jicka the gun up and walks -,ut of the bathroom.

- BOD crosses to FELIX, who is ~om.ins to.

:BOID Felix, I'm aorrjr - you were ~ust abo~t to aay 007. .. . -~ Bell o:r a way to trea_t the CIA.

- :BOm> ...-. . ill right then - a present .

• - • ... :SOD hands him QUIST 's gun.•-

•. :BOD ... "O'ne:zpec~edgueat.

BO!D waU:s across to the a.resaing table and B1D.tchee o~~ ~he tape recor~er and fiiclta back the cover o:r the book.

You have. to Jc1ll. him?

•

(grim11ng) Surel1 you mow me better than 'that .

247a. INT; 'BOm,•s lt001!. JOID

lO!IDm.lks acrosa to "the bathroom.

247b. INT. !.AT'.EROOU.IQID, OUIS!

mr.> picka up QUIS~ and cb-opa hi.a head under the cold tap o~ the bath. He turns on the tap am holds QUIS! ■ till as he •tniggles back to conaciouenesa. :!Om>pul1a QtTIS! upright •nd drags h1lil into the ma1n roo:m.

·--- 247c. INT. nOTEL ~9M. LEI~. :BOP.D. QV+S!

LEISR stands up ancl raisea the iUJl as BO!rnbrintia QOIST 1nto the room.

Revised 4 March 1965 6Oa.

lSOBD (to QUIS~) • You'Te seen everything you came to see, have you?

QUISTatues silently at lSO?lD.

]Som> • We•11 assume you have.

JORD pushes QUIS~ across to the door.

lSOID •- •·-'i-cu' d better get back to your friends and report. Tell them I'm at'~er big fish ..•.. little one ■ I throw back in the wcte:r.

ODD opens the do~r.

LEI~ What the hell!

lSOliD Don't forge~ your gun •

• the· empty gun to QtJIS~.

]SOE) In case you•ve forgotten - the name ~a ~ond - James lSond.

OED shuts the door in hie face.

247d. m?. BOT!:!.IOOM. LE!,:ER

CI.OSE SRO! o! Ll:I~.

~I!D What'• the game?

CADRA J.!JGI.::WIDDS aa lSO?lDwalks acrose to LZifBk.

lSOD Eow'• the chin?

LEI~ Who 1a he?

-

190:RD Could be a watchdog for a ~ea~cua boy-friend. •

•

i Revised 4 March 1965 61.

;

:L7d. CTD. -

DISSOLVE:

:Jative boats along wharf. Produce spread wt. ct:rSTO!.mRS he.ggling with V'El','"l)ORS.Liner visible across water. CAMEBA :!O~S WI1'H LEITER, EO!.D~ AT SHOr, lettered: PUDER 's. LEim. glances around, goes in.

Be has just bought a hat. !ie pu-ts it on. CAMERA FOLLOWS m-l along whar! activity.

250. m. PDrnER'S SHOP

BOND approaches, glances about, enters .

A SHIPI s CRAlmLiilt 'S SHOP. ill ■ orta o~ muine equipment. PnmER, a ra:ngy native with a bulle1i-head, ~s standi%li be- hind counter !acing LEI~ aa ~om, e:rtere.

~OD It's aln.ght, Pinder. :PeliX Leiter, CI.A.. Pinder' a our man down here •.

•

Revised 4 March 1965

::1. CTD. T5::JXand PIEDER shake hands.

Pn:DER rllls way, gel'itl.emen.

r:~ 1eads them to door at rear, opens i~ .

:ne1 so down stairs, open doo~ at bottoc.

25;. INT. STOREROOM

~tacked With merchandise. - PAULI.. is sitting by & Msh-pcm'ered radio.

('throush at£tic) :Big :Ben actually lid strike seven times at six p.m. thi~ evening.

?IRDJ:R, '.BOEDand LEITER wallt into the storeroom and PA.ULA. switches the set o~f •

• l'IIDEEl Message came U1. froc London to aay :Big Ben struck seven times.

:BOm> Stalling for ti.J:le, I suppose.

C4MEB.AilG~ WIIJE?ra to show Q, wearing ahorte :revve.ling hairy less, a. noppy nowered shirt, 11andals aud a straw hat, stand.ins ill imp:-ovieed 1ab area.

~OBI> Oh, no!

253c. (357) I1lT. S1'0ImROO:-!. :BO!lD. LEim. Q..

OD walks towards Q.

:BOE> When did y9u get here?

--- -·-·' •• ------

62a

:BOND Hs.jor :Boothroyd - Felix Leiter, CIA.

c-. ( as tbcy sl::eke hm:ls}

' Bow do you do? ' i

:BO?m

l

~st have you ~ot for :e, :r

I AstoD-?!sr-t ill with ,:,st~r 1d.13gs'? f [

o. l!bie is e s•1ger-cou~tEr 1-:ru :zy find useful - P.l'l:l uneb;.:uEL~e.

PU..':'D ( tnl:in~ th-9 .-eteh) lt1.gbt come iD r.~~:y.

rhe sweeP-hen~"· tr.k~s 'thf rr-.:io- activity c:1:~ :rt' s V!'Bt£l'?rocf.

Ecm:J. Sllock-proo! 1~0?

". hie ia ect:~t:-.ing I -,:-aut j0!l to use ,t th Sl)6Ciel cere.

i,mm. Everythit:. 6 )'Ou g1 ve me•••

Q. g1v~s hi: tile camera.

\ is •~met!ling·we've ju~t d~TF.lcp&Q.

-

:B~

l !fb,tt does :!.t at''? ~lec!t. 1'"..tr~'t

into flor:cs c:- 'Pl~y ;•God ~"""£ t;:t

I "-• .....-".,

•• 62aa. ''•

t :~. •

It ·tak1re :~~ photos i?J rapid

t si~eee:5i·c,n ··.\:_y-pre&sitig -th:1.s bution.

f!

I ff"'... ,I; ~-- i:!11•~!"C:m2£.ra 1e a ge1.g-er-comrte-r. ' I .!SO!i!.. I. ·'Tr:1:1c~n'lf ~-~P\-e:rocl.Pt! me. t

~..

,. .. ·4::-J.· "to '~" .,.!t ""'l:1ttle lese th~ ~ "'..~ :~!'::c-.~ ·:f?:,i:v-ci1oussell, !ou:bl.e-07. l _,I' l f t ..., t t

'

I ( ; i

I \ •t '

(

Revised 4 Barch 1955 62b

25;a. CTI:.

Q. picks up a short-be.rrell.e4 gun with revc>'l.Ti!lg dram.

Q. puts the gun down and ~iclts u~ a c.ipr-cue-sbaped object •

In the event an aqualmig or rebrea:thE: ie n•t il::mediately ave.1lab1e .•.•

Q.-opens the Gbject out ell s~ows it ~o bet ,nin~~ture breathing aence.

O?m e:ra&ines 1he breathing device. f

Be taps the "tubes an 'the a.1:r e711.nden.

lK)II) I 1ll %leed "to keep my head down.

Q. 4e:ionatrates the ccntro1a.

\ ... 48 !tml> and L:nmt examine the aqualung~- ~akes • cellopban~- wrappe4 torpeco-ahaped pill oui of a hG%.

t t'

···-··· '-·-· -·------·--- ---· •• ·----- ------

l +. ~evised 4 March 1965 j

' l,2,b. {359)• INSEF.T: PILL

I,Ugc, in Q. 1s hand.

2530. (360) :cT. STO~OO!!~ :SOlrn. Q. L1!:I'.rZR

30~ eyes ;iill.

ill,

a period o! between !our and six hours,.

253d~ (360a). nrr. ~OND

BOE> "dhat am I sup;iosed tc do with it?

Q. 'a VOICE Obviously .....

253e. (360b). nrx. Q. BOND

~.~S~~;ar~:~ up to the barrier which ia aet-up across the dr:LveM.7 up to the main house. QtTIS~wil:lds down the I vind:ow amd locks at the GUJuU), who nods. QUIS~ starts to -~ cll'ive i:p to t::.e house.

9.. rn. P J..I.:~i. l:.e G'tfA.B.Dste,,s back into his &1!18.llhut and :picl:8 up a tale~ha:l:e. receiver •

no. EXT. ~;.L!mL·1.. TEP.lt.'.CE

~,m:n;_ is situated on the ;ioint of a small peni:nsula.Runn:1ng along it is a seawall, wi~h a beach and boathouse to the le!t,

-- --------

I Revised 10 March 1965

no. c~D.

and a small cave, not presently visible; to the right. A FRZSH-~ATD POOLis ~rotected by a curved, slanting glass wind-break.· POOL:a:OUSE,left of pool. GtTESTBOUSEto the right. ~eyond the POOL is the KADJ HOUSE, a handsome, one- storey modern building. ~o the right, the aeawa.ll curves round a SAL~-WA~t.:~tPOC'L. Grounds dotted with -Palm n-ees, ta11 hedges, exotic tro~ical bushes, potted fruit n-ees. A HOUS~~OY carries a telephone acroaa to the terrace towards the SAL1'-WAfEP..POOL.

he BOUSDOY plugs the t·elep:b.one in ~- a table on the ten-ace. VARGAS ~icks up the receiver, listens !or a moment and puts the receiver down agai:l.. He walks towar~s the s..Am-WAmt POOL.

p.1. EXT. PAL?m.Jt.: LAI?.GO

on the far side o! the pool, LARGO.

n2. nT. PJ...I,L"PLJ.,.VARGAS. LARGO

VJltG.ASstands, waiting for LilGO to look u~. LARGO is watch- ing the sharks. Ee looks at VilGJ..S.

LAllGO Quist?

VARGAS nods.

lJJlGO :Bring him here.

V.ARG.A.Sturns and walks away.

n3. EX~. P,W·!!P.A. ;.QGO

CLOSE SHOO'o~ I.Ali.GO

n4. EX~. PAIJ!'rn.t... UltGO' S POV.

he SRAllS surge back and forwards across the pool.

LllGO Gently, ~ friends. Gent1y.

ns. En. PAIJmU.. ms~

QtTISf walks nervously &cross the terrace to LARGO. He sto~s some twe~ty feet away. LARGO beckons him forwards. VilGAS pushes hie shoulder.

jp

63a •

- ~evised 10 Karch 1965

n 6. EXT. PAU.n~. UP.BO -=--------=------------- LARGO walks forward to :aeet QUIS!. PAT·i'DA.&.EGLEWIDENS!O II:lCLtTDEQUIST.

LilGO What did ~ou find?

QUIS!I' Botb1ng.

LAllGO You saw lkmd?

QtJIS:I! Yea.

LilGO What happened?

QUIS~ doesn•t answer. LllGO hite him har4 in the face. ~he force c! the blow makes hi"!l ata&ger 'back and VilGAS catches him. QtTIS~tries to break my, but VAllGAS holds kilt.

· LARGO You let l:.1m pt the better of ygu.

LllGO walks past Qms~ and looks at VARGAS aa he draws level. LARGO nods slightly. V.llGAS pushes QtTIS! fon,ard.

n7. EXT. P.ll!!YllA. QVIS! , I

Qt)IS:l: (fra:~c)

hilD - at -the airport •

........' ...~-~ I ne. EX!'. P}..L!-!!RA~IS! 1 S POV.·

Ianng towards the e4&e C: the su.T-•A'l'M POOL.

QlJIB!I' t-S VOICE She i• a-n.ying.a~ ll1.8 hotei. She hall a J"Ocm next to hiJD.

ng. nT. PJ..L!!!RA. L&J!GO

LilGO We lcuow 0:- her.

_n_o__._____ztiiii. -~~-· _:?__m_r1f!Ra_..-· __• _9!1l.....J_!. VAilGAS

VARGAS movea QU::!, st~gling Ti.olently, ~owards the SJ.L~- 1~ POOL.

Eevised 10 March 1965 63b.

l ·:•" %21. EXT . P)..lll"'YR.A.. 9yI§ ':('S POV;

)loving forward, tiltina onr 'the edge 'to 1oa!c -at the aharlca.

x2·2. INT. PilLi:nA. Lil!Gt'. DOl.TIN!QtiE

LARGO meeta DOrnQUE 1n1-JJdng1ihr0ugb tile house~ towards the terrace. DOUINIQt1E :La wearing a h1k1n1., nth a towel slung over her ahou1der.

'LARGO Jly dear - how be&utilu1 you 1oolt.

J)OJmnQlJE Thank you.

LARGO takes hold o~ her B%"l:aa she wal.lcB put '!::1.m.

I>OMI:RIQtm I keep eys~J.1 amused. .. lilliGO So I belieTe.

can we 'talk l.a-wz-? I'm 110 bot - I wa.nt to Slliln.

Jlot ~ust a-t "the mo:ent, sq clear.

LAliGOputs en am round he:r Bhoul.dera. JKEIXIQm; -tries to abru.g ~ ot!.

l

LllGO I have a ~cb ~or 70u.

l>OXInQlJE 100ks et LARGO silen"tl.y, then tm-m.a and w&J.ks with hiJZlaway hor. ~he terraoe. I

DlSSOLV!::

I

t

I '; ti

Rertsed 10 March 1965 64.

254. 0MIT'!:?D - 255. EXT·. Nl..XSAU. LONG AH.Qt:, CAJ:~ ~~~NIQU!:. NIGHT

CAER1 ~00TinG FROM BOW OF LA.tmC3a~~~chins and going ·- . under DIDGi OVl:P.Cli/.,."lI':.c!Llea.ding to TJ.G0CN. lloats anch~d 1~ la.goon. Across it, ~nm- 1ead1ng up to

~56. rn·. L.6.G00!I'. ~~uNCE A! :LL'1DING-. :BOND

Going up steps. Be wears white jaclte~.

257. En... OU!'DOO!t'c;.i,z. 110:n'D

~al..kill£ past ta.bles around paved dance n~or, looking tor DOlil..11!0.COtn>LESon floor, dancing, &?ld aee.ted a.t tables. ~ey weer evening dress. ~ere is an OliC!IESTPJ..and GIRL SINGE!.. :Pestive-lcol.-ing lanterns. ill. ver7 posh. f 'SOND goes into Ca.:sil::o in 3. G.

,· Sl:mll roo~, beauti!ully apJ)ointed. 1,cnr. l.ar.g9 ble.ck lea~he:r cbaira, c:!~ee tables. ~om, crosses ~o ~00r o~ G;r\S~I~~ R0Oll, goes :f:l.

Bear 4cor. Be J..c·olts around.

JOr.D'S ?OV.

ChemDJ and n,ul.ette te.'tles. PT....A.'!EBS,~OOiEB.S behnd t?le?:l. C~....A EOI.DS Cfu-r cs:E:~·.1.-Y~~. !)(>9~:WO,~ a J.aw-ci:t go,r.i, wea..-1.Di e r.ne.ll dia::iond tiua, stancls "behi.,J.d LA2GO, ill wbite jacke'i. Ee h&e -the ehoe. CRO'Ol'Il:!irakes coimters to large a-tack be!a.re hi.--:.. V.A.RGA.Sunobtrusinly b grcu.p a-:anding behi.:14 pl.l:Jer•• n.tchiJl&.

-...261.. ........................... IS?. GAO?i-:t.t;.,ii,;iiiii,;;__,___,; _________i.00!1. C.h.~Hrn, -- _:.-,;;;;__.;;;. •s ~;,-,;..,. __ C.r\S:U..:!R.::;;;;;;;; ...... -oiiioiiio-- :SO!D)

Be ~ake1 mtes !rom wallet.

~OEI> ~ . (to CASHJ:1l9) ~1Te hu:4re4 pounB.e, please.

CASHJ:i:atal:es notes, gives h1!l coun"ters •. Be aauntera out 0-f scene. •

Eeviaed 10 March 1965

LAllGOtosses in counters.

1 run.

No one responds, evidently el~ctant to buck URG0 s

:BOED'S VOICE :sanco.

2 63. EEf-1ilG~. !1'1~ll:.- GROUl'. I!iCiiUDID'G-BON!>

Placing comiters on table. LAEGO merely glances et .hi:1. DOl!ISOgives no indication o! recogm.sing b1&.

IJ.RGOslaps eards out -o! shoe. :BOED glance■•~ his.

LilGO gives himsel! another card, loses. C30UPI£.R !li~e counters·to BO?m.

:BOID {casually, but wat~b,ng or IJ.RGO'a reacti.on.) Yea, I thought I saw a S~ectre -

(caught of! guard) What do 70u mean?

:BOD (lightly) • be spectre o! de!eat. Your 1uclc was due to tur.u.

Revised 10 March 1965 66.

oc 26'3. CTD.

We'll soon find out. ( to CXCFDE JEX) my objection to raising "the limit? Pive hundrad pounds?

(look::ing around) J4essielll'a?

ltur.::ur or assent, exce~t from ll.AB Id.th shoe ~o IJ.llG0 1 s right.

1W1 (riaiq) too rich for my blood -

:Bc»m :Bond, Jamee !ond -

lailGO . Oh, yes - Mr. :Bond.· One 0! JlG" associates spoke about JOU.

:BOD B~tl:liJl& bad I hope?

UllGO 1'iou1dyou like to take "the al..oe?

:BOBD If 7ou W1ah.

051) aita down 1n vaceted eeat. l>Cl!IIIOia n::nrbetwee?i ~ and. IJllGO. Ee tosses counters onto table.

SEVD.AL PL4Yw!S throw in counters, •.Avec•.

UllGO :B&Xlcoeole.

l Be tosses 1!1 countere. CitOUPn:alre'tur:la avec beta.

i' & Re-need 10 Much 1965

~ I 26,. CTil.

l

Your spectre againat mine.

LllGO (outwardly good-hm:ioured) You wish to ~ut the ertl an me, eh? We have ·a ~Y to deal w:Lth 'that where l come from -

He holds out his hand t0T1Ud :BOND,mek1ng e. fork with first end little fingers. On hie hand is s larae rin.£~ o~rved death's hetd with octii;°ue-iike tentec1ie.-- ---------------------- ....... -----._.- ----ia...~

1'0XD ~t m.g:t:.t hex me. 'Let's eee what it does to the.ca:-da.

Su -

Olm .. Seven -

C!OUP~ r&J:ee 1'0lTDcounters. ~'• ~ace darkens.

( OO'Yeri.1:1£1lJ)) I mist find a new ha. Suiw.

!!her pla1 api:l.

Jline.

l:urmm- uow:id t:.ble ea C!otTPID. z-uea ccn;citers to !Olm.

•

I

Revised 10 March 1965

263. CTD. -

CROU?llR (to BOI\11>) Your banco, ?:onsieur.

:BOED I think I'll pass. ~s sort of thing can't last. (to DO?.!ll!QUE) Mustn't press my luck.

LAllGO I must stay here and wait !or the shoe to come round again.· JUBt when I was going to "take ?lY niece for a dril1lc.

BOBl> I could Si,ve you a dril1lc.

DOI-D:!TIQOE If you've nothing better to do.

DOJmIQm: stands up.

Perhaps 1fl1 niece can clieccver your secret.

:BO:NI>tips CR0n:r.E:RE:ld CBEF:rmJEUX, pockets reaa.ini!lg counters, moves out of scene with DOMI!rOtowards door to lounge. C,l.T,n::RABOLDS on I.AEGO and VARGASctand!.ni behind hi~. L.U?GO's face is not pleuant.

Coming out fro~ loU?l&•• JrlA.I!ll DE escorts thm:i to table. BAR4!:!IAWGinL !llJ'!'CERin B.G. 4oug !ire Dance.

265. CT. ~.1.N...;,o.....,_,,,_n__I='?RE-:; m:

Waiting for :BOD 1 e order after he seats them.

:BOND »eluga caviar - Dom Perig0?1 155.

KA.IDE DE exits. :BOXDglances towards G771I,gruing her body with flaming torches.

i

Bevised 10 Karch 1965

• EOND Did he call you h:1s nieae'?

DO!ll:IIQUE Yes. It sound£ better 'than - ~hat would you aa,-? Jlistresa? Xept woman?

:soim I wouldn't sey all3"thing like 1the:t. Where did you meei hil:l?

DO?mIIQtJE In Capri. I was t!iere n'tb ..,. brother, P.ra.ncois. Strrmge - l £ound !lcilio attrac11ve - -the:z:L.

lK>!!D Does he live cm board 1::1.syacht?

...

DOi.lJ.!!IQm: • Bo, he has a house on the i.Bi&.?ld. Hust we talk about him. ~•~ mach rather dance.

~ey rise • CAK::r'"1 ~UCKS ~ Ot; ~o ~ p,-_c:m, ro1ir..cms

:SODI> Where ' a your brother now?

DOltllr.IQtm • In ~land. You would like hi:l. My ·,rouble ia I never meet qyo.:le like him.

BOII> Onl,- men like le.r&O - a.n.4 .,..e u.

l>OIIInQlm You •::-e not 11ke La.-go.

:BOID What mutes you say ihat?

Revised 10 March 1965 71.

C.At.fEP,,AGOES t'ITE TBZ?~, BOI.DS as the:, meet· LilGO and VARGJ..S.

~OE) Your m.ece is a delightfui dan~er.

Let me prove I a::i as good a loser as you are a wimler, ?:!r. :Scmd. Come to lunch tomorrow - a~ ~a. I have a house .••..

:BOID 1'harlJ: :,ou. uound noon?

LAltGOnode, takes DO!-!IE'01s e.m, 1eads her .m.y. VJJ!GAS follows. !O!m looks e.fter them. C.il!ER.l !'~'"S '!ZE11 !rO L.U1I>ING where LA.tl"NCHis waiting.

m EXT. LAI!DI!!'G. DOKm0. .LmGO. VJ.RG.AS

UBGO is still holding ~09~o•a arm as the~ ~e.ch •~eps •.

LAltGO You mus~ ~el~me what Mr. Jkma had to aa7.

DO:mlO Be talked abo'lrt 7ou a l1tt1e.

UllGO Cmly a li~tle?

Mm:!10 Be asked - wou1d we aleep a~d tonight.

DcraNo gets into the launch. 'IJ.!iGO and V4RC41Sf'ollow. OJ"~ starts hlmoh awa,-.

DISSOL'VJ:

271 - 2..il!. 0?..'ITTED

292. IN~. PITIDEP.ts STOllROCl!. :eoim. ~I~. :rnrnn. !T!G:tT -. LEI~ and !'IlmER are he1ping :eom,prepare ~ta the underwater reoonneissance of the Disco Vole:1te.

Revised 10 !:laroh 1965 70 •

~he way you hold me.

266,, !:IT. C!..SI~O. VARGAS -----ioiii,i;,- - - ----- VilG.ASis standing near the d0or, watching 'them.

l§l_. rn. OUTDOOR_~. !0£1). DOMIE'O.

Da:cing.

~Olm (after a mome1tt) Bow long will you be i:: Nassau,

I>OmllO A few more days .. We sail 'the 4ay ai'ter tomorrow.

~Om> (meeting her eyes) We h~ven't much time.

DOMillO (abrut,tly) Emilie nnta to leave.

ORD 1.coks O.S.

26S. LAllGO# !Jeri WI!'g VJJtG:~. ~0.."m'SPOV.

L~~ te>wz:ra.s them.

2.~9. ?n. ~O.Q.LC.:.l'!. ~Om>. DO?II?rO

~ODD Will you. sleep a board tonig!:t?

DOEllO doesn't ~swer and ~Olm tu%'ns his lied to look at her.

:OO!!IBO I hoped you would not 'be eo oln'ious.

~om, 11he:nyou do1t•t have much -time, 7ou have to be oln'ioua.

DOHillO Ve do not eleep a~oa:ra..

Revised 10 March 1965 1ia to so.

292. OD. -

lSOXD

Zero hour ia 0700 on the 25th.

:Pi.tty-five hours .from now.

Olm takes a swig from brandy bottle.

293. nrT. PASSAGEr-TAY

,·

Short; low-timbered tumiel. PimmR, :BONI>and LEI~ waJ.k down it, go out ·door &tend .

PINDER, :BOND,LI:I~ emerge from door. Rowboat tied up ,:,ut~ side it. In the boat :ore unden:ater equipment, aqualung, helmet, f~s, etc. Pu1DER and :BOimget in. I.EI~ steadies -the boat end then climbs in after the%!1. PDmEi pushes o.tf, rows With oars wrappea in burlap. :Boat :moves away 1.mder whar.t.

295. ;;;;. !HAR• PIJiDP...:..·LEizeR. :BOD

Rowboat co:ies out from imder wharf between two fishing smacks; CAMERA :POI.LOWSI~ as PimlD ~m-na alo:g line of other boats tied up at 'fl'harf.

DISSOLV!:

296. En'. RADotra. CA~~. m:G!i~

With Diaco Volente 1n !.G. Bo one visible ~n deck.

~7. En. P.OWBO/a.!!'.~om,. PmD

Approaching cats.mare, which acreens it .from J'B,C);~.

I

ReVised 10 l:Iarch 1965 81.

297. C1'D. -

LEllEa Don't stop to ;ick up any mer- . maids.

110:ED Rendezvous here -

Ee goes over side. ~~ rowa boat away froc catamaran.

298. En. SuRTACE. :Btmllll:S

Indicating lSO?rn's course.

299. 1JNDER~A1'ERSHOT. !Olm

SWimming. Be turns on lamp.

.. ;oo. EX1'. DISCO VOL:-..NTE

catamaran in E.G.

301. m:DERW.:..T~ SEOT. HU""...iliOF DISCO. 1;-="~ now

From BO?rn'S POV. 9S he approaches i~.

302. tnrnERTT.a\.T!raSH01'. :BO!rn

Moving alolle bow,.checkin 6 counter on wrist.

4111i,_oiiii,,1o,,303._ ___,...,;;;;;;;; INS:::R.T: ____ DLU,....,._

Bo radioactivity.

304. lJ?rnERlT.AT:EraSHOT. ?J:lmL l'O SEC:.U:TROIJt_.

llOEDapFroach.ini it. Be stops, ezaminea panel, runs lds hand along frame •

...,3...,05_.~__IN..,;T...,._r_IL___,,,O..T_B__9-~-- CLOSESHOT. l~! SCREE..,

l,ighting up as buzzer sounds. ·enscreen outline o! hull w1th red arrow !lashing, indicating location o~ panel. CAMERt. POLLS BACK. JJ...'IT!"l, i:i Engineer's sest, rouses, pushes button on panel. o.s. AIJ.!MSLI.S. llelow alarm screen is a 1arger one for underwater TV, not ye~ activated, and a remote control ur.it to operate ff camera 1n hul1.

306. ~ER~li.TER Sn9.T. lJO?Jl)

Still examining panel. SPEAR FROli CO2 Gmt hita beside him, sticks into hull. EOm> turns, 1ooke o.s.

.. t

~evised 10 ?.tare~ 1965 82.

f

I i96. CTD.

C.al!.r!RAAl!GLE lfIDENS TO IE'OL"O'Ditr.RDERT7il::i Gt1.A.!.D,in :B.G., thrusting e.nother spear into barrel • .BOl'lDdives as GUARD :t:1.res asain. :BO.NDpulls out his knife, ci.rcles GUAllDwho also draws k:ni!e •.

LARGO and VARGAS hu.r.?"J'in.

UllGO urn ·the lights rm!

J.A.!Tlr:Ithrows m.tch.

'308 • '01!'DERT7.:..T::::aSE0~ • BO!!D• ~.A.'Se GU.:J:I..D

Bright unde::rws.ter lights es :BONDfeints 11'1th lcc.i!e, ~~e~ slashes up, ripping Gu.A?..D'ssuit.

309. !NT. ?r.μ(2T ;O't:SE

LARGO tu:rns on !V. CAXE:RACO::.tESIll O!l ff SC!?JC!:'.. Pic~e

till 1t picks ui, :SOl:r.o2.?!d GUARD,~ at ~-::0 With knife. ]ON:Dcatches his wrist with free h.E.~4. Gtfl!'.D bees .BOim who doubles up, dr~ppi:lg ~is lcni!e. GUilD stabs £t him again. BOXD twiste a.my. G't!.t..:RD!ollo178. :I..t13.GOpa:i.s to kee~ them on screen.

310. 'l"Pln'\i:!'0T:J'''-"'.., JJ~ ..... ,..._ "i""__ ~,__ CfU..... '"'u"'- • :B""""""-WJ.·Z.JeG'O'AED

·~ .......

:SON:Ddives, twists, comes up behi:r:.d Gt?.:r.!f.!>, 1:h:rCffl'9one an.. around his neck, cle.n'S at G':J~'2 !:18m: •ci:th. the other. GlIA."il) struggle! desperately. :aon:orips of! ~J)•s ~a.sk, drops it. GU.A...1UI1 s sn-uge:les g::-e.dua.ll:, cease. .13o::n:,nleaae.e hi.rl. .BODY sink.!: out of scene.

I _......., ____

?rJJOl' BOUS!:

GROO'Paround 11creen.

L:.1lGO Grenades!

IJ.:RGOhurries out, Ji.:rr:n behind hit:.. VJ.:.GJ..Se'tops at cheet, takes out bo: of grenades, follows 'them.

t I

Revised 10 ?riaroh 1965

.... . .

312. um>ERW.A.TE:tS:!lOT. l30!ID

At bottom, looking for kni!e. Re finds one, puts it in belt.

I Reaching rail, looking down. VARGAS points. ( 314. :CXT. SURF~CZ • :Btra:BI.!!~FRO?!THEIR POV.

Indic&tin& 130!::D'scours~ away :tro:il hu.11.

VJ.llGASjoins them, sees bubbles, pulls g:-ene.de ~in, dr~~s it over side.

il6. um>~'7AT:::R S30T. GREN..:\DE

Sinking, CAMI::P~-FOLLC'7INGI!r DOW.

___ ....__u_J.11...i.._...n....,...,.:··1,'!nr."!o1ll'!"'I,., A---:....:.1-~ ~ QVO""'-'•• .i. • :eom,

Grenade e:plodes ~bove hi:t, stunning him. Be drifts near 00ttom. Second grenade explodes near him.

318. :EXT. DISCO. DECK. GROUl' .., ---------------------- O!!SZRSPI;Cl'JmSjo ◄ ning IJ..B.GO,J.uml, VilG.lS. •

,~he launch!

He l".emaine at re il as JJJ.Ir.I , VLAG.AS, Oi'lmRS run out o:r scene. DOHiliO, in robe, appears behind IJJiGO.

LllGO (aharpl.7) Get back below!

~ewildered, ■he turns to obey.

319. 'tT!rnEP.~..\T::R S:iO;'. :SO?rn

Rem.Ting.

Revised 10 J.!arch 1965 84.

VJ.P.GAS,J/JmI, and SPECTRE go dow.:c.ladder, get into launch.

321. IDrnER'r7ATZRSHOT. :BOND

Swim!ning away from yacht.

'321a. ROWBOAT. FnrDER. U:ITER

LEI!r:cR Re's goin~ the wrong way!

32 2. EXT. SURFAC])·. 30'B:BI.ES

Revealing his progress.

32'3. EXT. :DISCO. LA.trnCE. JA....~I. V./JlG.AS. DRIVER

Leaving yacht, following.bubbles.

324. tmDERWAr~ SHO~. BOm>

Swimming desperately.

'325. EXT. TR.AVEL SHOT• LA'!mCR

Overtaki..~g bubbles.

:Bubbles approac~ it.

327. UNDERW.:..TERSHOT. :BOND

Exbaustedly swimming under catamaran between noats.

328. m. LAUNCH

Beading for space between noats.

Splintering metallic sound as 1aunch roars through between noats. C.AlmRACO?IESIN CLOSE!rO Slml'J..CE. BO!iD's t&llk floats u:p as though he had been hit by 1aunch. A moment later he surfaces, takes off mask, smashes it against aide of noat, hooks it onto tank, slips out of ~ess, slashes harness with knife.

330. !:Xl'. LATJNCR

Circling to come back through float~ of catamaran,

- ·----•--- ·•. - - -- -·· ···• -··---

----------

Revised 10 March 196 es.

\_ EX:T. :B.OYraO.r.T. 330a. 1'!1TJ.:!.a. PIM.'~

n1. p;T. CATJ1.Mf.ltA.•"'il'.!E1•~~~EN!'LO.la.t:_S. 1,om,

-

Sound o! launch retu:rning. Re takes deep br&a~h, submerses ~ust be!ore le.unch atarta ba.ck between noa~., this time slowly. JA..~I spots tangled gear, 1.ea:lS over aide, pulls it into launch. Launch continues Oil out .f::rom uu-der cateare.n.

33la. mtDE;?WATn ~OT.. :BOlrn

Lange e.lmost burstini as he holds brea1::.• '\be:i. surfaces.

3'32. En. C.i\.~~'«-"tt.L'1. EO?!D

C11llging to aide cf noet, gaspi?lg.

As launch starts away fr0m catama.-an to-;z.rds J)!sco V0la.nte.

Jiln (examining gear lmil! smashed maak) Pro:pe get him.

VilGAS Circle round.

CAM'E:?42.il!S I.A.traCB AWJ.Y.

334. ~ • ~'!!.Alf,l.;.J.F.• l!OfuP

'!OED nr.t.=r o,:t f!'om under noata, m;y ~ ~~t. C.t!!::!U. f0ll0WB him out .tram under catamL-a:. & ~ ton.:rc.s -the beach.

%2'3. rn'. ¥"~• 'BOND

Em:l> st..!:..eele.e as~re on lls lcneee Ul! ara.gs hi::sel! out o~ the wa~e~ cm.·to the beach.

X24. X!T. !Z:~ Cl!. JQlP

Gaspinr. :SO!l!:) slumps for a moment. mu! "thez:., Wi--;hthe 11012:'ld of the launch cL.-1ft1ng across the n:ter to l::1m., 301m ~uehea lwnseli' up on to :t.is bees 1U1dthan. l:.9 atmldi: ~p.

I>!SSOL~:

Jteneed 10 ?le.rem 1965

,24a. (-,gs). :CXT. RI~J.Y. !'Olm. n~

~ging wearily along, :!O!m hears the aomd d a car approaeh- in&• Be assumes hitch-hi.ker•a "t'hml.bappeal.:e BEADLTGH~S, p-owing brighter. SI.EI:[ SPOa!S c.z, 'top 1Q), elon down, stops beside him. DiIVER opens ca:- door ~o~ l1i:D. 'BOD gets in. •

'3J4b. (399). INT. Oil. IPri'• (PSOC!SS) (old p. 98)

Closing door.

:BOBD ~"8%3.ks. You ~ust abc,a.t 88'1!'4 my ll.f'e.

I • • CAMERA ilGLE WID:.:tJSio mCLtrDE JJUVS. lt ie FIO?l.A.DUY. She weus a chic cocktail dress. Ol1 her 'bend 111 a ~ing like LilGO'••

lSOD l!1' outboard oapsi.zed. I ha.a to swim ashore. Bow ~ a.re 70u .gc.1:ls?

nmu.. J'assau. m)Jm I am in luc~. ?Ds't-eaa D:f a z:ie9rab1e h1ke, I get ~o ri&e With 't"-• 1-est- loo~ 11=1 I •ve aeen on me ~lu.:d.

l'IO:RA.rams t?ie cu into gem-.

,34c. (399a). ::IT. l;TGEWe,Y ihe car leaps tornard, cnahea th:-ough ~ aea:rs ~Ii sweeps round the 00:r:le~. •

3,41!. {'99b) • P• Cil. J30?!!). !'IOTd. (n~SS')

~ODD ( caJ ,,,, 7) it' Dame'a ~on4. Jamea »=4.

:nan 71cma l:e1J.7.

She changes aown.

334e. {399c). ~. HIQ:Et'il .,. he car surges away 4own ·1;he rod.

3l4f. • ,, 99~). ::X!. HIG:r.!.A.Y •••

no ~-USS et anding a-: the •~•• of -t:be na! wet eh the car, w14e-eye4.

''4g. c,g9e). !!'!!'. Cl~. 30.'7J) • , Jut the ali 5~~est e%preae1m:aof 41s:::r&3'=. JMm:D'a face.

--·- ~---- --- -·-•--·. .. ··-

t

Revised 10 !!arch 1965 85c.

'-~- l '34h. (399!). ]:IT. EIG~~y ·t ·oi.:' SWIBG with the cu as it drives 't~ 1:he barrie2' leading t. uto l'LI.Jcr?.J.. '• ,34. 1. (~99v.)• In. CJ3 ._.JQED. (l'ltOCESS1

BOED sits !orward.

334j. (399h). =XT. :s.t~.RIER

- -

car drives !ast towards •1 t and th£, a't the lut mOJ:!ent, slid.eE ilito a right-an;le turn and aT1B7 down a sile :roa.e..

334k • ( '9·9.1 ) !:X~• !;.JtRIER

hes~~ GU.Am) stares after the ca:'.

33tL.. c,~$~}. mr. c.-...-rt._Dom>. :PimL°L~ !l'ROCI:ss)

;'34:c.. ( ~jf.:e) • ~-liIG::'t7J~?

... ~e c-a-=-drives very quickl1 tuoq?l a eall "V'illage . - \.:. ' ' , • -1 'I 'j t

'IOU is· ==centre.tin;, the "tip of !au 'tc:.,.-ue ~ust shewing 'be"tn e:i:ih~:!' l.i~e.

- i l:Aecu neepa ili~o the town an4 sllciu :r:,~ e corner.

I ;'340.. (3.~:.ok_~. l!...SS.ii.U

he cu 4r1Tes fast throusl:L the tu= lm4 .4..-j.Tes u;: to the

't Ccnl Barbo~ Hotel. • 3J4:9. C,·99p.•} 'm'!.:.:.._C.li.R. !OJ:D. Jlmt;i.. (!'nO~SS)

1l0Bi looks at !Om>.

1IO!!IL Vtll, this is r:r,ht1tel. •

..._

:BOED lli.ne too.

Revised 10 March 1965 85d ..

FIO?U. What a coincidence.

l501'm How convenient.

OJD opens "t!l.e. door. -~ • , FIO?:A ' t

Ur. ~ond - I hope I didn 1t :make you nervous?

i l

llOND

i

Well, you kncm - 1 1:t! suc!i a

l nervous passenger.

-I PIO:U I Some men don't like being

driv:._~n.

I I

l S=e m~n don't like being .........,. l ♦ taken for a ride .

l~ BOD slmts the doO':' of the car and walks across -to the ~ ho.tel.. ..•

t t DISSOLVE:

t CQ:r.FEitt,-r;~ EOOH.

~ i,, !he mz~·DJ" 1l1 the Co~erence Room are grouped uo~a e. • tape reccrder·.. some o! them standin&, the ifCt'~ SEC?.Zm/~'B"t 'l AE) AIJra;i:RF,♦iT,- Si t"ti:l&. ~ :.•

JI,OFEI.D 1S VO!CE

f •r•• a container will be Aropped 1 ot~ "the coaat of ltlJnlB 1!t 'the • :Herg,u..Arohipela.go •..•.

A .mlf re'!'e~ to the uact location cm the map u 1t is I J 4etaj,le4. "I ~ ~- •t BI,Oi':?LD'S VOIC!: l La~itude l~ degrees ~orth, Lc!!Si- 'I l tude 97 degrees east, at 07.00 . • hour8 !!arch 24th.

Bevised 10 March 1965 B6.

; ,1~t. (254) CT!>.

~re is a ahar,, inta.z:e of breath amone; 'the llE&' l.i.s1:ening.

BLOl·.cl~•s TCl'CE fhe container will hol! blue-~"te nawlese diamonds, between -t!:ree e.d

-l no lese than t.100,000.oc-o - ;,resc1: II

srket r,rice. .7i.fter we brre recoTJa"ed the conteiner end veriliei 421e .cc:.- tents, we nll i.n.f'11"11!.70u a:i • ~ QUeney of 7 mega.c7cles ••••

1"'.::ie HOD SECit..:!.-_"rrgle.nces at his a.ssurte::.t_, .rn:Nl~Cl!, v:ho is mak:ing uo~es, briekl7.

ELO!•,-'1,D•S l"OI·CE •••••where.the atomic weapc.ns l:18.1'be recovered.

~e VOICE ato~s a~d the reeorde~ apil::.s ml a~,en~1,. E. steps i'"o:-warda.nd swi"tches it or£.

l

liOtm ~CB"i'l' !, ,. Y

i Get on to De l!•ers a-t once.

lC:lliliIS:tcm Yea, s1.r.

he ROD Sl;C.:llfd,RY stands u,.

liOJm Sz!C$""T·~ Gentlemen - either wa ~ina 'tim3e bo:ba, or I'm very much L~ we ■hall have to pa7 their pr.1.ce.

!. I had a sisnaJ, this no -t•-• ...-.r - from Double-07 in Nassau.

• liO!!E s~~~ llhat'• he got to report?

•• 0Ae or tffl> t~a !!light 4 ..-t~.. a"t ~ - ~Y, tllnga seem "to :t,e hottin£ up.

XEli.NISfOJ!

lra~ P-:.GE 87 (15 P..ar. '65)

334t. ( 254) CT!-.

C"tr.I~Oli :)a. ~ere, sir. They're pre.tty

'~ pgeeir~&tic ~bout ~~kins up tbe con- ~ sign..~eDt of di~~ODd& iD ti.::le.. it ~ .. 1 ROM'::S!:CR"!T-1-'Ia .. .. ·,; • ~e E':!t.."lZS"::.:~2Y walks ecross end takes the phone. l

1!01~ S".;O:a,,!'.!.·l.X!'( ctd. )

t I' 11 speak to t'bem. t (int.o pho:c~) · ~

I e~ not esld.ng for eD opinicn. I

' am telling you ~ .-1; :mu!!t be do?ie. , • ~ ~OU UDderstP:'.!d? ~a i.!t ~t!:ir.g • • les~ then forty-iigbt hours . r 'i

.. . •. _x:2_.,,_4.._·......--=---1 •• :: •-.::r.i·~ - ·-.

- -· ...! ~- ..'-1---

.. •~ \ CLO-~ EEO"' O? A ~ STP..IP e e 1 t i F pulled oa't cf ~e, 1 eli:·-7!.ng -:--. ~ lier.ii d c ~ Pero e e 2:r. i.!t:f re-rc d ligb:t. zO'LL 3.:..C~ be 'ti:-:-~·-~ ?!.~-..:~=enc ?C:-:. iIN.J:S::a i e developing 'the ~l:m !'tri;. i irn"t~:cd ~y .?.O!DEDC ll:I!rER. r

:BOlD.

' Bere i't is. Sae? '!'he

underweter h~tch~

l ~:r:r;::?.. ;• Yea:,l see 1~. Sc? ,. i

:son.

{' na~•e tbe -r.ev the~ took the ' bo~b~ eboera: • t

I i '

:BO!r:• •md no oDt•e~~ them.

L ( to reul:!)

3rinf tbc d:-y p:-i.1:rte to "tlJ1:- !-~tr.:~. light? Cc~e ~~ Fol.1%

:rN:' .F!J;;r, B7a (15 -:er. I 65)

: . •~om:: I.f 1llo:v•ve en unt!fi~"tc:- !istch - tho r.bole ODcr£t1on ~a~ .:1~n:-ot~r. So~ tlu!~'s-more we•11 look for ~e 'Pl!:ne. Righ't'?

Over water. S·call ielend-s in l!.G. ... .

L3T."~R r.-t co::r~rols. :Bon""!~looki.?12 c,':':r ~ae ~ 'th glAescs. lie ehcikeP-"his t.u-e e::ic studies t:ep cm~e 1ep.

i l r Red cr!?:i,·~1:1r:ircle e1:1closint uee ~ 't~'1"' 25~ mlca rn,ius tror. 1.re::eau. l

..

I, I • •

'f • ,.• i ~ 'I'· I . : .. ;_ t {, 4' • t l' f,,

•' • ~ '· : I' • ~-

•.

••- - ------ ------ - '

Eevised 10 Much 1965 as.

LnTZR ~e Air Force combed e.?1 vea or 250 miles out fro: Bassau.

So - the le :~ to be 'that rar m.y. ,.La

~ ~.. 1 laEIDR 'r- ~ At I.east. ,i j llOliD 1 Another t~1~g - the midenater hatch :~ ;; ~ --n t!le Disco Volante. !I!he bombs could -~ have been take~ abocrd - s:i~~ed &T."By •••• ,. - :; L!:I~ ,'

( ill.terru.~~ing)

• ".. Bot by the Disco Volante. RarbOU%' :; /' Comrol says eho was out tha't 71 ◄ gl:rt:

- but o::.ly SU hOUl.'"£.

"' - " :eon

(:fed-up)

tlmt t:1ne. ,,, laEI!D ~out ninety m11ea 1a her J.im.t - ~or au hours - there and back.

:BOM>1ook8 dawn rt -the aea again.

346. E.:..T z:!· SZ!:5-

:Blue 1'2.ter, ialan~••

347. 'L'tT.. COCil !T. :BC:tm,. μIT!:!. {PROCESS)

~OED. Le.t 'a get back to ~&esau. 'l'e ,,.. spent enough time u~ heJ"e.

LI:Iflm il:l~ 1s so~ethin& we 4o~•t ha~ to waete.

DISSOLVE:

aev.ised 10 ltarch 1965

-'... i.•

l

Along the coes-t of Bew Providence.

EO...,D (lool:1.ng t~ougb. &laasez) ~ere's Largo 1s pla.oe.

LONG SHOT•____P...,.i:D____m:___..:~FRO~ ,,,.12 .A.n..~om,,S POV. ----....---

Disco Volante anc±ored off-shore a.s.~m.

:BOlm ~ :ext port of call.

IJJtGO 1i!ts e r1ne B!l.d c~l1a for a c:1a7 p1pa.n ~o be release~. He steadies and fires. ~ clay p!eeen sllatters .

U!lGO Of course they are wa"t·...,,_.,.~,g11S., my dear.

lie ca11.s for &!l.other clay pigeon. !ie a:1J::a ad. l:c:ts it.

What· el.se have -:.hey 'tc 4:>?

I.t.JtGO1ocks r.:nmd at FIO!U.. Ct,?a"ivF-A ;:G~ 12L -.,·;ffi '"'S FION,·.. s~s m, io saoo~.

~e7 can onl.7 hope ~ r!:211. ral:e • m:1.atake - bei'o::re the~ ~~e f,.•-JS 1>ut.

PION.A calls an4 ahocts. Sh~ cal.l.a aei,1.n anc.11!:m"Otsa.gain. EO"t'h"times ae shatters the ta:z-a;et.

]:.;..RDO ~t wea u:d'ort~~ - acree~ A m.•underst8.l!!ing.

L.\llGOcalls,~,. shoote. Re ahatte:rs -th~ 't~t.

·-- ·----

Rbvised 10 Mnrch 1965

FI0lU.. Are you sure ••••

IJJiGO calls and shoots. Se shatters the "target.

:PIOla You wou1d 11!:e l;CL;i deB4.

Yeo.

J'l0!Ua. lleeause he tries to make 1-:we to your woman'?

~cause he is 3ond - aztf sh.Du1d be r~lled.

J'l0RA When the tirle is right - he nll be ld.1led.

~IOXA oal1e and ahntters the target • ..

1 shall kill him.

l'I0JU. calls and ahat-ters the "target.

'LAltGOcradlea PlOT~'s ~aoe 1n one or !:.i.s bana~. She does l not move an~ !rom h1JD.. She does nc~ react at ell. I

URGO

f.

I think ;you £oract - 7 ~ound. 7ou. l made 70u.

i

Revised 10 March 1965

X26. Wlu1T E!: SEES

DOUINO sWiI:s briskly across the pool .

•FI Oli;..I s VOICE That woms~-s~ould not be here, Largo. It is de.ngerous.

%27. PJ..LMYP_,.__LARGQ.

Be calls a.~d fires. Calls again and fires again. Both ti~es he shatters the targets.

X28. LlulGO. FIONA -L

no:u There is no room ~or mistakes. Bo place ~or - personal indulgence.

LilGO When there are :zcistakes, my dear - then I will listen to you.

Be gestures her to shoot. FIO!U. calla and ~ires. Calls again and fires. Both times she .hits t~e target.

FIOB.l•• l.f' l5ond had died last night - aa a result o.f' your 11misundentend1ng 11 - his Government would la'tow ~or a certainty the bombs are here.

X29. P/JJ:.~. Li;l%GO

IJ.ltGO calls viciously and ~ires. Be hit• the target. ne- cal:J.s agai:, !ires and hits the target.

DISSOLT.:::

Revised .10 ?!arch 1965 92.

Ii.Q.~ EXT. ..,,1,..1,,J;\.i;-·' "l"<t,"l'!IOR""' ....WIDGEOI~

...-

he Widgeon taxis to a halt at the end of ~he .runway.

I'.Sl.. INT. COCD>IT. LI:IT!:n. :SOND

LEI!l!ER You're tak:,ng an awful chence, Jamee - going to Pal:c!iy:a.

:BORD Re's e::pecting me, isn't he?

X'.32 • EX;. A'.rn.PJm!_. VI!)GEON.

:BONDd.rope to the ground and starts to walk away 1'.rot1 the pla::rie. ~ ..

DISSOI.VZ:

~ . X3;. '.!:Y.T• '?.~n.rr:at...URGO . FI or.J... ·- ,__.,. .;.:;.ii..:::.....- ....... .:.:..;;._.::...:::;::..;.::-:...::..._.::=::.......;..-F.IO_li'A___,

i 'What do you illtend doing with the i =an Quist?

LA.RGOputs the rine away 1n a rack.

I UB.GO

Be has already been puniahect.

:PIOJU.. Be was acting on you:r orders!

I t

'LAllGO

I

:Ratura·ll1.

LAltGOtakes FIOF~•s gun.

J'IOR.:.i. Perhaps the wrong :manwae y.n::d.she d?

A telephone ringe iu the house an4 u:RGO waJ:!::8 awti.y !rom FIOr..A, still ca:r.rying ~he rifle .

..,. ,. ,., •..,. " ~.I. r I A.;J t• _ _.....,.. ., -•• FIOlJ/.,

FIOr~ tur=.s and looks at the pool .

Revised 10 Earch 1965

WF'J.T SEE SE!:S

-

DOJzIDJOli!ts herself out of the pool. She sees FIO!LJL e.nd looks at her, coldly.

J36. Pill!YP..::... :'!ON.It.

F!Oli stares back at DOl!INO.

L.A.BG01S VO!CZ Fiona, my dea.r.

l FIO!L:. turns.

X37. P.:..I.I!Y!tA. LARGO. FIONl .. I ~GO is et2.nding jus~ outside the house. FIO!li. wallcs across to him. I

t

right?

,,. ' 'l ;,

PIO!U..

f What are you talking about?

I URGO I Dond. Re is here • •,• t l&:JlGO auddeLl;; tllrOTts the ri.tle at FIOB'.~, ec catches 1 t neatly,

I

UitGO

l Be has accepted my invitatio~.

ne. PALL.~ i ' 301D gets o~t o: his car in f~o.nt of the houee. !le tUl'?ls &?l.d we.llts towar~s the :ma1~house, gle.nc1:ig at !'!O!U..1 21, which 1& i perlced among eeveral others . •

1-

hack rou.n:l the car. l

t CLOSE SBO!I' o! ~!m, 1oolcing at ~he car. NLL E.:..CKa:id watch ~ him walk awe:, towards the :me.in house. ... -

,

i

Bevised 10 March 1965 94.

'50a. ( 27 2) • D:T. ~I.MYPJi.. !O~m. HOUSE!OY

The BOUSDOY escorts BOND towards FF.3SH-'JA~ POOL, where DO?JINOis sri:r::ming lazily. J~?m'I, in tr.mks, is ini"la ting a rubber raft. V..:lRG.il.Sis Sunt!.ing him.eel! on a mattress 1n the B.G. DO!:INO sees BOND approeching and swims towards him.

O?rn (eto,~ing beside ~col) Bello there. •

35·ob. ( 273) • EXT. Pkllmt.'.. ·v.ARG.AS

VJJtGil sits up abruptly.

ON!)' S VOICE That pool looks particu1arly in- viting. •

VilGL.S lool:s at J..A.!rn'l.

I

350c. (27 4). EXT. PJ\.Ll.'Y!Uh VjJtGASPOV.

Looki?:.g ~aet ~Om>a..~d DO!=iINO,who is clinbing out o~ the pool, at J.la!OO, who ha.a stopped :pumping and is ste.ring at BOl"ll.

EO:tm I hope ,-ou'll ask ae to :Join ,-ou'1

DO?miO Later. I've had enough just now.

:SO:E:Dpicks up e large towel.

'

350d. (274a). EXT. ~.AU..'TIU... !O?TD. ~O".!I!JO

:eom>

Be •tarts to dry her.

u.RGO'S VC!~ Welcome to Pal.mJ"ra, Ur. ~one.

L/.llGO

IJ..B.GCreaches to shake hands With EOlTD. :e ia holding FIOr...A.1a rifie loosely in h:1e left hand •

•

·•

Revised 10 U&rch 1965 95.

;5oe. (27,.b). CTD.

:BO!iD {turung) My pleasure.

rbey ehake hands. I.Al?GOsqueezes hard. ~O!.:Dcove~s wince and gives ~ressure for pressure.

LillGO {smiling)

I

I like. a man with a strong grip.

~om> Yours is undeniably -·:torce~

IallGO (laugh111g) Xot like a spectre?

IJ~GC indicates the other m:N.

UllGO :!r. Jamli - and mr. Va-gas.

~OliD glances brienr at the !WO l!Eli.

I

30!ID Gent lemon.

35Cf. (27li-c). EXT. I'.AIZ.ff'Rl... J.Afflil

Re has still not recovered from the ahcclc of ~ 1 s e::rtrece.

IJJtGO'S VOlCE I thil2k you met l:lr. Varps ~ night.

350~. c21~a). rn. Pl~-i?R.:. v4;1w

Be ata?l.41 u~ slowly to hi.a :tu1l height.

,,oh. C27.!e ) • P=. P/.Llfflb. pOJP

~ODD Yea - I believe I 414.

~GO'S VCICE :am: Collins, J.f.r. 3on4?

Jo:RD glances humo,..,,ualy at hi.a geiger-co--:i't·e:- wa'tch.

~OED ••- ,. • t ... a\i.,..-.,t, +""•,t, •◄-• ,,.,-, Ae,r

Revised 10 March 1965

,so. i. (275). Il!S::RT :- DIJ..t OF W.ATCE

Registering no radioactivity.

350j. (276). EXT. POOt. GRO'!Jl>

Lt.!tGO Vargas does not dri.:u:. He does not smoke. Ee does not make love.

EOHD glances at Vl.ItGli.Sand finds hil:isel! being watched.

Vl.RG.A.!!merely grunts enigmatically.

Every man has his passion. ltlne is fishing. V.c.at is yours, Kr. :Sond?

EOI!) I'm not a passionate man.

luuriously on a recJ1n1ng chair.

om> I'd like that.

~GO 1 thought you might.

.. -·.........,.!Om> turns to speak to l>CL!IlfO,

DOl.!!?10

OJI> You'll excuse us?

:OO?miO Of course.

BeVised 10 March 19e5 9;.

3501'. (278). =xT. P/1.!Jmtl..

A ahot end a clay pigeon shatters .

Gril:l-faced, be fires again. c,;,:rm1 ~LE wi.cle~s to '1.:lclude BOND as LARGO tur:s to faee ~- BON!>ia h.D1d:i::Lga rifle w1th seeEins U:1ee.se.

U!iGO 'ffllat cou1d.be easier?

:SONI)

~OND turns~~ looks down the range.

~Om> {casual.ly)

:-. Perhaps you'll ca1l tor me? r ~Om> lilts the ri...ioie. LaGO waits a mo:ient L-~r =ON!> is ready e.nd then c~ll.s ver:1 quicklj, "!:nee 1n su:ce.e_~cn. ~OXD hits both ta.rgeta.

~on I aee what 7ou mean.

350n. (2BO). 1::~. ?AL:-!IP.!..JO~~ IJ..RGO

LaGO ste,e UJ) and calls. He 1'1ree and hits tile -te.:-get. B9 cal.1a a aec~d. ta9 and h:1.ta the target.

~OID I hope I haven't interrupted &nythiJle.

UllGO 'lh£t do you mesn?

:Som> I ~~ought perllapa you ll.ad anc~ vi.sitor?

LAlt(;O Jlc.

~OND calls u.d. !ires. B9 hitrJ the t&:"get. !h ee.lls ~d 1'ires an,: hi -:.11 th3 target. Be calla o;uee :mre tiJ:les, i"i?"es and eE.ch ti:e hit= the target.

-- ---- --··- ··--- .............-· - ·-·- ..-·

Revised 10 March 1965

350n. (280). CT!).

liO!ID I must have been mistaken.

-/ :20.0. (281). PA.LMYPJ.i.. ImND

30?!D turns !!lld holds out the nne. (

LAllGO'S VOICE We also ~ve a salt-water pool.

350n. (289). ~XT, SALT-~AT::R ?OOL

Looki~g down i.Dto the pool as the aharke·wurge back and orth acro~s it. I.IFT and look across the pool at LAB.GO Alm 301D.

BOliD

UllGO he notorious Golden Grotto eharks. he most savage - the most dangerous!

LARGO ail.ea at BOim.

LAltGO l!hey know it is time tor them to be fed.

»Olm Who's on ~he menu today?

::BOlmtu::is a:mwallcs away.

,s0c• {2,0) • ZIT. P!U!!ly\. !ORD

SWIJrGwitl! 3CED as he wnlka caretu1ly round the edge rd 1ihe ~-~ 1ATM POOL to 'the seawall.

BOE>

\ Ia tbs. t 7ourt1?

30m> poin"ts ar::ross the seawall to the Disco Volante, visible c!:t'-a-hare .•

Revised 10 Barch 1965

..... ,soo. (290). CTD•

BOND turns &lld looks across the Sil!-W.~ ?OOL et IJ~GO.

LARGO is standing on the opposite side 0~ the Sil~-7A~ POOL. ~e sharks surge round the pool· between the ~JO MEN:

BOG'S VOIC!! She's a beauty. How ~ast can she go?

IJ.1lGO Fi~teen bota. Perhaps you wou11! like to see over her?

350s. -· (290b). EXT. l>!LHYP...:'.. L.:JtGOIs POV.

Well, yes I would. Very much.

L.\RGO I shall arrange it.

DO?>.:lnO'SVOICE

350t" ( 290e) • EXT. p:.u!m:... u.RGO. DOL~O

J>O?lIROwalks up to l..mGO, at the edge 0~ 'the poo1.

J>OKiliO Lunch is ready.

L!JIGO 'l'hen'!c you, my dear.

I>OHINOglances :mome:ctarily, with cli.sgust, 1:4to the pool and then wall:a on towards l30ND. SVlliG with her.

Come a1ong 1 :Mr. Bond. ~e ~1sJ.: ·chowder smells delicious.

Revised 10 M~ch 1965 100.

3zO.u. (290d). ~x;r. PAL!'m',:AI LmGO

350\". (290e). uT. :?1'.LMYP..'...DOMINO. :BOND

Ll.!tGO• S VOICE Mr. :Bond would like to :1.rJlpect the ~isco Volante - ~ the 1.mide.

-

:LAE.GO'SVOI<m Perhaps you would 'take h:i..m?

DO?mro

'. - -· II- Of' course .

We can a1l meet at th& J•rnkenl)O l.e.1ier. You u"ill be my guest to- ug::i.t, M:r. :Bond?

li9X• (2,0~). P!J;rr:,J.. :B011D

~Olm Toufre very lcind.

PnLl, UCX as DO?alrO 1ec.ds :BONDf'orward.

.. lt will be my pleasure.

DCI!ISO rtops beside LA~GO.

LAltGO Go alon~, 1lIY dea.r - I '11 loi.D. ,-ou in & fow :minUte:ta. Hy :fr1cna are b:nnp-y too.

I I3cmD and DO~O m0"7e out of scene a1cmg aoa-::e11: Cii!~

opens, revealil::g great chunka of' bl00d: mea~. ge hurls chunks T!eiT-Zsly 1:1 amons sh!..rks, who fight !"or the:-•• Gradually ~;·1,;.c ;J;rO"IIDcallDer .

I.. '

Revised 10 llarch 1965 101.

-

!?heaharks tear the mea.t to •pieces.

DISSOLV'!::

~o launch stops be-side the DISCO VCLiLN~. 'oana :SOil> go aboard. i I

~e Cl.?~a.IN meets them as t:he7 come 0~ "to the dec't and ea.lutes.

~ Mr. Largo war!led zie to e%pect_y01..

The ~AII! in~ QE°t es th& t th9y shou'l.d walk ab£ac! of him.

SOliD Pl.e5&E· go !irs~. You CB:l tell me

t ~ whe to d-uck my hee.{l.

~'N As you W'is!l. Poll.ow me.

l • nie Cil'~a.IB turr..a &~J"• DOHI!l'O:fol.lows him 8Zl4 !k,~ _gl!illcee bri~ny at the :f~e o! hie watch.

!?hewa'tch indice.~es no ·:-s.4io ac1:1rtty.

LONG SHO? aero::s th• engine roo:i 100!:i.Dg at the Cll'!All' as he gestures at the uative tnn Me2els. ~ ~e plainly bored. BO:NDee£r.a to be lia~e?li.ng i.r.tently.

X45. IN§WT! !fl.TCP. FA'=E

he watch 1n.d.icataa no radio aetiv1t7.

Revised 10 March 1965

X47. INT. DISCO VOLd..&~TE. C/a.Pfi..I~. !Otm. DOJ-!IliO

he CAPTAI!iand EOD are standing in the :ra.41o room. DOMI!?O is standing in the doorway.

Mm> Whet do you cerr,y? ~he usual Jlarconi short and long waves, I suppose? Can I have a 1oclt? Radio has always faaci.zm:ted me.

CAP!A.Ili I'm sorry, -sir. Perhaps another time. At the ~oment I have to keep the operator listening 1.n ~o llet. reports.

EOBI> Ah. 'Jell, then - another t"il!le.

I EOIμ) glances briefiy at hia watch.

X4B. INSERT: WATC"f!?ACE i i· he watch 1ndioates no r!:dio actin~ . •

I '!he ~iilli. :S·:>!Dand DOl!IiO are &tan~ cm 'the afte:--deck of the DISCO VClaA.iT.::,beside a lit-tie "two-sea~er am:phibiar. cra:tt.

~...:..·~· 0.1.7.rAll

~e be.11.e ■ t problem is mpo...-t;an't with these ships. "lhen the l>owa came up the fuel ah.1.f"ta~orward.

I --- --~-•·---· IDOlm glances down at hia watch.

-r DOKilfO

(sharply) I'm afraid we're keeping Jfr. :Bond from something important •

··~ ---·•

ll0ID (calDJ.y) 11'0. Please - so on.

~Olm- smiles a:iiably ft l>O)!DO.

C.ll".rilli (emba.rre.sae4) Well - er - we have bie J.nte~ taus to correct - theae 'thiDga.

-·-- - ....._ ....,..._~.- -

ReVised 10 March 1965

BOE> Well, thank 7ou, captain.

X5O. EXT. D! Sco voy;·rl'3. Dmmro

DOM!NO leL"lS on the rai.1 t.nd loolca across "th!! water.

CAn.l.Ili 'S VDiCE Bot at all, sir. It's bee~ a pleasure.

DOJ!INO glances round as BOND walks across ~h!! deck to her.

DOlmiO I don't believe yo~ ~ara a word he said.

BOE]) On the contrary.

DOJaBO You never sto,ped 1ooJdng a~ 7ov:r watch.

BO!D> I'm a clock watcher.

DOMilfO I thinlc you 1ve got a date!

DISSOLVE:

xs1. DT. :?A"?:::i,\•s Roo1;. PAmJ,

PAt1LA is sitting :ill a chair by the windo,: 0:f' the room, 1mokil:g a ciS2rette. nie door adjoi~ "the next room i~ open. P.crLA looks up when ab!! heua a ke.7 pua:t:.e4 into the 1ock of the nert roo~•o uoor. ~• ahe standa up, she glances at be:- watch a:c :f'rowns slightly. She 'S'&.1l::sacromc to t:Ce 4oor and pulls it wide.

I

Revised 10 :March 1965

_X..,5_,2....__1_!4_'.I_·._H_O...,TJ:.....=~..:-.. :BONJPS ROOM. !'IOU

FIONA is standing in the docrwa.7 of IiO!!D's roc,c.. sT1:ig1ns the ke7 easily in her hand.

FIO?IA. Hullo.

rAULt.. _Oh. Er - hullo.

Pl01l.A Obvi ousl7; !tr. ~ond has & hjr, opiIU.on o!.l.imselr.

PAULA.hears a lmock oil the door of her room. ..

l'A.UI.l Excuse me.

P~'O'I.A~u1ls the comiecting door shut um wallca quickly across to the :lo:.:- of her roo1:1. She ope9 !:t 8.?l: V.SG..;.s ste:pa ir.lto the coorway. PAUL,\opens her mou'th 'to speak e.::.d he clamps a larbe hand across her llpa ad c1ue;s the ne~h round her mouth cruell7. lie half-carri.ea lier :1.nto the :-oo:: an4 kiclcS 'the door ahut behind him.

FIOBA 1 S Tm:B Quietl7.

X53. In. HOTEL. ~AtTLA'S ROO!~~. !'IO!U.

FIO!U. ia s'tandillg in the aoon,a:, o:r 30E>'a r:,c=. • She ges- tures to JAll1II, whc is standing behind he. Ee 17B.lkS quickl7 put and assists VARGAS aa PA.lr...:. beg'~s to E'tr..i;slt: nolen'tl7.

%54. nrT . BO~ . P}.tJIJ~'S R00! ~. r t,.'t:9'.a;.J..V.lnGl.S . J Jt:~::!l,

Plt.tJLA bi tea hard i:lto VilGAS' s hand L.'lc!.name.t:irily, ht? ~..~!= g~ of he:- face. PA.tJI.Aope:is h&r mouth to •=-.._u-,,bu't J,\~.••.:. hits her ha.rd before ehe can.

PIOl!A. ni1es.

\. ..

D'7 P ..•..GB lCU

:Pl"~~ scilee. She "Pnlks r.croee to the wri:t~~ 'table P.Dd picks up en envElope. She l.oolce round"• abc beflre the S""tJ'X':,of ~llother elcp.

I.

I I-.',.UL/..alucpe i:c V!JiG.~S' S grip. ~JU.CT..~ ... D"".cLU~ Pl;•J'.:·.. ee she 'll!'P-lke scroee 'to I.!uL,~. She puma~ the photogrrphs -towarde :?..:.m:..:.•a ~ace.

JII~.! ~ell me -ebou~ theee.

r..UL.\ lif'ta her l:le11a111nc!l.ooka ailezl'tl.J Pt r.;:,r:i

l'!r'JJ.\ You 1l'ill tell 1:e. !low - m~ybo l~~er - bu~ 1ou 111.ll tell me.

... . . ~-

......

Revised 10 Karch 1965

~6. EXT. WJ..SSAU. J'UNXANOO. Ev@DG

be JtmX.ilTOOprocession .in full f'lood down the ms1n atreet.

%57. En'. :NASS.AU.J'CT!TLUlOO. SEWil'GLE

In amongst the OROwm llning the streets watc,..,T'!I "the pro- cees1o.i.

X5B. EIT. RASSAU. J'UliLL"i00. Eyp'ING. ~ D·Gll:

Swirlin& with the proceuion down 'the centn cf 'the street.

%59. m. NASSJ..L,_ Jm1D_'f100. QW ANGLE

In amo:z:i.gstthe CROWDS11ning the atreets·'ft.~:lnng the procession. Through the ·procecs1on, across ~Le s~reet, D0ML.,0 and !OD are sitting on a balcony, 1Q.ckiq down at the procession. ZOOU in towards them ..

rGo. EXT. BALCONY. };()lil). DO!mT0

D0!m0 1s sitting forward, lookin& down at ~e p~ocession. O!m is sitting back, looklll.g •~rried.

O!Q I think :mRybe we've been atood up.

DO?mfO If you look at 70-ur watch ~ust oace aiain, Hr. Bond ....

DOKillO turns her head and looks ~ve:r he:r auul.:tler at !Om>.

DOMmO •••• I shall scream so loudly,~ enti:re proceaaion will come to a standstill!.

30m> Largo did aa;r he'd meet ua here, 41dn't he1

DmmJO le will be here. I>o not wa:rry.

DOJ!INOtun.s away again and looks down into the street. O!D looks at his watch.

Revised 10 March 1965

X61. EXT. :ElA!iCONY.DOMINO

:ElONil.'S VOICE Surely not!

:ElONDleans forward, lookin& over her shoulder.

X62. :CXT. :ElALCCNY.BOND'S POV.

Looking down into the street. I..EI!r'EB.is standing on the corner o! the pavement, loolc:lng up at the balcony. ZOOM down quickly towards his amious face.

DOUINO laughs.

X63. EXT. J3.ALCONY.DOI!INO

DOJ.iiliOturns to look over her shoulder.

DOKIBd (laughing) Your nprevious engagementn?

X64. EXT. B.Al.,COUY.DOJ..'INO'S 10V.

he balcony is empty end :SOID ha.a gone.

:X65. INT. STAil?CASE. ~Olrn-

Looking up a !light 01' stairs as :son awings bimseU round the turn 01' the bamlisters am hurtles down.

__I6....,6....,._I=?l1';,;;;;,;;,,.__D__.=....cauol!..Jili,;;;.;LI...... _:s__o....im.....__ ;;;;;;LE__I;;.;;;:t..·ER_..

~OND walks quickly across the crowded hall to meet UIDR. ZOOM in towards them.

X67. INT. lJECEPTIQBHAI..L. ~om,. LEim

LEI!Ei (urgently) 1aula' a eone.

.. '

Gc:ce?

LJ<.:Ir;R She's checkee out ~1 the hotel.

I:l~ ":'you kno.,. V;there sbe 1 P'? . ?eule.?

:BOJr:" No, I do:c't. l think I know 11:'here tc look.

13!.JE_;welkE pest I.::IT".ra, heading for the door.zooner:,ay from the ~"::"l ~-

:ao:r.:-:is getting dreesed '!or tis ~ortie P.€E~rt T 'I.:~.:. II!~ ..El? is bel;ing llm. :--n~ ~ li ·1r··•s :SOF..:-t!l~ :i.nieti;re breatbi:cg ep;,etretue, wt~ch ~O!!:" quickly o!:eclre P::d elips be.ck into i~~ ossa.

:El.N.Ali Mle GOTernor's :2ot Tery bsppy,

but we ll heve our po~er-failure ee you re~uested •••••

Pl!' IR : •• all ever the 1El~nd.

i:l:t:r.:• I do:2•t £1Vt e dnm obout 'the islena, .•inder, get tbe lights out in tb?.t house. Tbet's al.l!

1C7/ ..

":'" ·'":!"-, -- ..........

G~=e ir. ~~~;reet. C~~r! picc~s ca?"Ted en~ peir.~£~ see fi~1~es. 1:-;.....c ....e'T"l-'."'t:~•·-~r. :c-!l !~c.......-~-.~n.t~ _...ilet"'-s r.~ c.,.._o~c~ :-cr=:r!-:.e, 1·ieb.o~e -••!;, .. • .i:•- "-' ._.'•:-• \. : l -, • ':' t c ol~'t:.:n s, 1::~i:b.~! r.s eeF.-bc:-ee e, rool:Et E!e r:.e~-:a.e, Pl?.~~ e.s l'.)f.!'.!t7Ji:i t.

' i I

PIN.~3 ( rh i speril:l£')

I You'll hev~ ju~t ebout three

ci::ute e.

I f I

OU7.

r

L:.liGC

t

(to Jamn) ~ee l'!lPt ia wr01:g.

I J:1~7! g~cs cut crickly. :o~e~t~rily, re~~~ee.

L."ltGO F-7.~p thE t.

•t i I I I "\"~i:: r,.,. ...~- ·~"- .. -- ---··

ReVised 10 »arch 1965 lOB.

•

LARGO tur?tS an.a:wellcs back into the house.

rn.. EXT. P.ft.D.:."nμ.. BON!>

BOE) crouohe-s ill the bushes at the edge~ -the 4T1ve. lie stands UJ:i to move f'orwnrd and oom.es f'aoe to .:race with a SPEC~.

T"'l'~ ~ ~ • T;I'·~ •, A f &. • ~ ..:. • • ~ri::9::": ! sncm

OXD drops and ~e.tches the SPECTRE ·i.n a 'leg c.!:re. 1!:-e Sl'ECf:eE. ore.shes dmm on to. h:1.s back. :BOJlD1ea~ ac-oss h1.1:L, lifts hi: head and hi ts hiJ:l hard :1.n tl:le .face. i .. rz,• 1:%'1'.~il~-A.. -::lQm) srncTRE

-- :3C:i.LJ'S :f"illgen ":.:lCl&sp-~e • SPECmE' S we:ist belt &n,d 't::ro-:1s ~ him .over on t.o his :face. •

t. X7-'. ;zp. P4!f!Y?.J. 1 !Olm. SPECTBE

BOID loops 'the belt an.d alipa it round ~he s:?~Lwww:::.~,.thr~a~. Be ties the end rO'U%Ldhis wrists, whieh he i,ul.ls ~a up behind h:1.s baek,. 1.i!'ts h:1m b7 the allould.ers a.nil r,0ll:s him i.nto ~he bmrbea.

~arm maves ~c.ie:id a.cross to the main house.

X,6. :p;n.

~OllD stands b.1 the ope front door 2%14 11.stem. Ee ate~s into the door.tq"1 ~ust in time to see a door ai:art to open. Quiclcl.7, he s~e-:;:s·baclc out of' sight. VllGAS crosses the. main hall, lo.o,i:1:ng :for LARGO.

X77. nT. ~- :!ORD

~OllDhears the door shut ana atepa roml4 1?1.to ~ hou.ae.

BOND moves er-~•~·:;"-C~sa the hall and opens t!:.e 13:oor VARG:/,Sca.me t:-.;..=.:ta.Sh,.

t

Revised 10 March 1965 109.

I

E0D :moves silently down a staircase int~ the underground roo.u. Be croasee to the· .ol)en door of the cml.7 room shor,- 1.%18light.

_I

xeo. In.

XUTZE is a tti!:g =::. the floor in f:-ont 0£ P.i.lJI.A:,who is slum,ed in the c2::.r:.i:. XtnZE is erring. He hes.rs ~om, ::o·."c towarl!s hi!l an.c.-t-i:rns, looki:lg up aa MBD •b:i:ts him. ;:u:z::: tu.rm and sl'lm:"~- 30ED ~oves quickly to Pil!Ll. 7 :pauses· and then S"traighte=s ~~. He atand& for a momen't, 1oold.ng do-.·:n at her body. 2l:!en, quickly, he turns and naves t~a.rds ~he door.

XSl. !NT. s~c;.s::. IJ.RG0. VA.';{GA.S

La~0 and Vil~ tu.r:1 'the corner 0£ :the ■ tab-9, burr.ti~ d.own. __,.

VAltGJ.S Ehe h&.c! aome l)oison. A cal)sul.e - :In her :mouth.

'he no C?l 2::: • ., 1:rto the room.

XSL. INT. u::;,r.;=.ommROOM. ffiZE

~ZE lying ~ ~-...-6 noor &lumped. !he AUD SJR:\:J !:~?",:~-•;;!.

,s1 - ,10 m===

:,-•"!"·~·

371. EY.T. I •• ir: • ,t;;,e•

t !LOCDLIGR?S, ..~-:egically placed, go cw.

'

f Revised 10 March 1965 110.

371a. =n. ~OATHOUS:. DOli!D

Beach in ~.G. brightly 11t by ~loodlight. ~Om> ■ tarts dash:1ng towards foliage in D.G.

372. OUITTEJ)

373. E:':T. :SiftCH. TRACKING SHOT. BO?lD

Rwming towards foliags. BUitST of o.s. gunfir~. BOED throws himself' forward Ei..ndrolls into.the foliage. BOED pulls out his Walther and fires into the approaching GROUl'•

~3.74.....,.____E_XT_._~---J-Am.....,....,._GR_....O_Ul.~'-•___LARGO. VlaRGAS

LARGO and VilGAS have joined the GRotir. !WO S?ECTRZS fe.11 as ~OE!) fires again.

,ll.5_ - 376 . OMITTE!l

:,11. m. noP.T o'J :soArnous::::. !om;>

Cross~ in front. C.Al!ElU.!'ANSED! ArfA.Y!OWilD SE.A~.u.L.

_'3...,78...............ll ....T......,_..,B....0.A...,.TH_.;cOTJS.!_. 'LAltGO. V.Al?GAS.

Comin& round boathouse to front, they see ~OND in B.G. on seawall; they fire at hil:i. Ee fires back, runs along the seawall away from them. fhey follow.

:579• EXT· SE4~AL;. Wm>

BOND stops as he seea Gecond GROtrPOF SPEC~ coming tcmard him. Ee exchanges shots with them, emptiea Valther, jU1:1ps off wall, runs towards p21rl trees and bushes around openi!lg in T.Lndbroalt around FllS3-~A1'"~ ?OOL. Beside opening are steps leediq down to HOUSING ~or pool heating apparatus, etc. LABGO, VARGAS and SP~C~S climb d01m from wall and follow him, !'iri.?l&.

380. En'. POOL. ~OED

BOND runs alongside t~e r.all. Ee stops abruptly as he sees Xtr.I'ZEstanding with mo S?E~S outside the ma~n house. ~Y SPECm suddenly a:;o,pears behind h:1m from arom:.c. the suesthouse and jumps hi:. 301u> struggles to break awe.:;-, tumbles into pool With S:?:!C1'EE.. they wrestle ,bot:.t in the pool.

j '

Revised 10 Karch 1965 l.ll .

opening towards the pocl. LAliGO stops, goes dor.2 .ilrto HOUSIMG.

,s2. EXT. l'OOL.. BO?rn. SE!:CTRE

Fighting in the po-ol. ~Olm ~rees arm, draws kni:f"• stabs SPECTRE, who bleeds from wounc.a as he con~inuea ~~lu'.g W1":;h 101m. VilGAS and SPEC~ :-each pool •

'384. EXT. :?Oat. ACED. SRCT!t!.:..,_VARGAS. o~s

Four tri8.!liU,lar sheets of metal come out ~m. a~tu cf pool near the ~o,.

Metal sheets closing above them. ~01:I) stabs SrB'v"'&S~zaiL, desperately creaks away from him. Shee~a close, a ~Dot s.::.d a !:Lal! above n;ter •

Pulling ano-the:- awitch .

Panel 1n side o~ poo1 opening behil,.d t!lea. ~J' ~ ill.rough opening iniG tunnel.

388. Ul!DZP."7~· Sm:l!. :tOR!:·:!1,

Sharks s11'1mn1ng tllrouSh 1~.

·.389. EXT. ?..,:?S'H-~A~ Pao;. g,r.D

leaching u;, towards poill~ 0£ !'our -tria.~ar pco1 covers, trying i G -gry the:n open w1th Jcm.!a. 3CIJ'l o~ dead Spectre floais nenr h1a.

390. iN!t'. HcrJ'Sl:!G. L.\EGO

•

-· - -- . -· .._. ·-···· ---- ·•9•·---- -

,.

~ .. ~ Rertsed 10 Me.rch 1965 112.

I .,91., UEIEirnA~.2 S!iOT. ~SE-WAmt POO!i. :BOIC> ... 3ehind hill pB.llel slides open and sharks swim ~c ,Pool..

,392. ;an. PoOI.. io~.- srncTRE. sH.nq;s

/

1'he ~hark_s are attaclting the bleeding corpse. J;OJlD _pu11.s ( out -=he minie.'t'.Jre breathing apparatu-s and opeu "'i~- .ae grips 'i.t betwem: his teeth. ~he sharks surge rmmd 'tb.e corpse, threehi:ls the bloodstained we.ter. Boe p'Q.Sbeson the noae clip and dives :!or the tunnel.

393; ONpERWA'P-E S::IO_!_. :BOlrD

Sharks around the DEAD S:ECTRE in B.G. BOND aees the cpen panel, glances briefiy over his shoulder ana tben pwsh~s :u:rto the tunnel .

Sl"i mm:Sng towarcls the se.l t-wate:r pool.

,'395. 'EXT. H~WG. LA!!GO

UliGO comes up 'the steps and starts r.aJ)dng tc,r,-2"ds "t:b.e opening in the windbreak. 1n !i.G. V.1ut~S a:id SP~:Zm:S B'tanding a:-ound the at111 covered peo1.

.. --- _396. w~..!:!£!11).~, SHOT. S.A.!,T-W.L~O_O!.. !)L~

BOm:>81i11AS 1.n :rem. twmel through panel ope,1?15;, l.o:,ks be.ck :t.nto 'the 't'Umltrl and aWims hastily 'tc the a:1.cie•

'BCiD sm-ta.ccs, acr&llb1e~ desperately out o~ th9 po-~ just u the sharks surface behind and below hi:11. Re ~al.J.s, gasping, cm to h1.a- Jcneea.

:BOBD <to sharks) ScrrJ', lOTes - you'll have to ord:er aomethins else -.I'm ott!

... BOID gets u:p. C4m::BAPANS i1Il! J.WAYDOK !l!!E POCl, ~0-,~S trees and bushes behind the er.do:! the min bmae 1n B.G•

",....•....

Rev1sed 10 Mnrch 1965 U'3.

I j I85 • ?XT. HlGEWlhY. !TIGP.f. PprnER

Plllll:3 is wai t-1..ng 1.--i the car, 'ff'hich ~ par]r:e4 ~~ the road out o:r sight o:r cnyone pass1n& cm the roa1i. "Be hears a noise 1:l. the undergrowth close to ll:1a and ~oclcs -the autO!mtic r_'f"J..e he is carrying. He l:l!'ts it and aims 'to- wards t~e sound o:r the nois(). !he noise s1:::»pe ~ -there 1S a quiet whistle. PINDI:a lowers the ri-~e ew;,::irn pushes throu~, the undergrowth to the cm-.

:!86. EXT. P.!GE11'Al'. l'IrtD!!!R. 'SO?rn. (PB.OCES§)

Soaking wet and exhausted !>Om>climbs into 1:t:e cm- ~ I alum:ps ..

]30E) he hotel.

I PnmER drops the ril'le on to "the ..back seat am s1:a...--ts the e~gine ..

I • J>ISSOLVE: • i %97. !::IT. CC!..!.!.E..\:'~OUP.HO~ .. • !q~

PI'E'.'P'EB's car dr1 ve a up to the hotel and S'tc,pa.

•

I XBS. (llll) . m!'. l >OEDbaU-ope::a the car 4oor.

l>OlltD fe U !'e liz -to stay "f.'1th "t!le g2..2"l.. I'll :!1.nd them.

Pl.&D.:::a

i' light. t

]3()E)

( fell him - Paula 1a lea.4.

Y.89. EXT. Cc-P..6.!iF.;pQtm HOTEL. ~

I l30lJD gets ~'t o~ "the car, ahute the d.oar •-6 W9ll:B across to the hc"R:l.

I !Om>

BOE) walk= :;,s.~ the :e.mera to the door:'!'~ rom:, glances at .i-t ae he -.llcs pe.at am.d o:i to 'the 4o::r c-r -the nert :-oom. i j

'i !01: k'~:ia the second key out o:r his pt,el:et 1mG •Ol)ens the

Revised 10 Karch 1965

%91. O'XD.

door of the nerl room.

,98 - 411 OMIT~

~OliD walks into the room and shuts the door. He stops by t the door, ste.rtled, and looks round the room.

P.A.Nround the roo:n which is obviously occupied and occul)ied by a woman.

412b. I~T- PAUT-4i1S ROOM. BOND

-

CLOSE SliOT of ~Om> as he registers the SOtr!D o~ the SHOWER.

412c. INT. PAUl&A'S ROOM. !Om>

~OED nalks across to the door of the bathroom, hesitate~ or a mo~ent, and then opens the door.

I 412d. ll'T. THE :BkTHROO!-l.. FIONA

FIOEA is in sho~er and her naked body can just be seen through the shower curtain.

412e. Il!T. ~TBROOH. ~O?!J)

~OED knows it cmmot be PAUlJ., but.this is her 2"00Z and he feels a chill, wet~! the woman•s body 'tbrough the shower curtains.

;12f. !!}'l'. EATE:ROOM.. F!O?JA

FIONA turns the shower off.

FIO!lA'S VOICE

- . Who's ·there? • - FIO?U. pulls back enough of the shower curtaiml t0 1ook out. She sees ~Olm.

FIO!LA. Oh.

Ll2r:. In. BATHROO!i. BON!l ,. :BOil)

Bullo.

...., 'i

Revised 10 Berch 1965 115.

:PIOltA (calmly) L-.en't you in the wrong room, Er. Bond?

l!OP.D1S VOICE

t ! don't lcnow. .\J::l I?

l 4i2 .1. !J.TH30~.. :?IO'n'A f

• :PlOKA

J till you pass ~e the ba~brobe?

BO:ND1S VOICI:: I:.r I must.

CAMERA J...lTG~ ;~• ~ ..ros ~o nrcLm:iE !OND ae he takes a t:melli.:ig bath:"obe off a hook a:i.d walks across to the sh~er. ?!Or~ takes the bath...-ob:e.

412a. m. u~oo!:.

C BOm> nJ.ks to t!le co::mectinc door and opens :l:t. Ee ope~s ' ,! the door into !1!.s D'l:ll room.

:PIO?lA Whe-re are 7ou going?

Olm looks rou:4 at FionA.

412L nrT. ?~!..'S ROOM. ?IO~..A

71O?:A 1a ete.."lo1ng 1n the bathroom doo:"'l\'ay, 1Fi"th 'the: be.tbr~be l casua1ly drapet round her, without lettin& it coneeal very convincingly. I

l!O:ND1 S VOICE

I

JIIO:IA I thi?!k you've been avoiding me,

I Jlr. Band. ~ .. C~..A AP.GI.i~S ~O Ill'CI,'Cm: 30:!m as he walls across to her . I

i~

•

•

_\ ·•

I Be'Vised 10 Harch 1965 116.

t

412I,. CTD.

30ND If I'd had any idea you were ~t next door .....

30E> It was mea.:it. Yes.

FIONA puts a hand on l:.1s arm. She feels h:f.a shirt ll damp and runs he::- btmd up on to his shoulder.

PUSH IN TO'iAlU>SF!OliA'S FACE, looking up at BOil).

30!m'S VOICE Perhaps I should.

:PICH.A (huskily) We don't want you to catch coia.

J!heback of ~OC 1 e hea.d crosses CAMERA and obscures PIORA's !'ace.

lSOliD We certainly don't.

412m. IF.I'. PA.W-4.s_:a.QQIL:!Om>. 1IOHA

CLOSE SHO~ 01 FIONA'S UGS as the ba~obe ~a1l.a on to the noor. P.ill rtta the legs as they wall:, wJ:th l:10im's legs, towards tho bed, paasing BOiiD1s ah1rt which r.s.s been dropped 0ll to the ~loor.

30Rl>1S VOICE On the contra_...,-.

MSSOI.V2:

:; •

_.

Revised 10 March 1965 117.

413. mT. ~OND'S ROO~

~he room is empty. -~e connecting doors are open and some light shows through the doorway. !OND walks quietly into the doorwayL pulling the towelling bathrobe round bie shoulders. He wulk.s across to his dressing ~able and reaches for the book~tapc recorder.

OND looks round quickly, without touching the book.

413a. INT. BOND'S ROOl1•. PIO!iA

FIORA is standing in the doorway of her room, wearing a semi-transparent pale green nightgown .

.. •' ONI>1 S VOICE Host becomins.

FIOllA I o:nly wear it on special oc.casioni: .. n • \.· ..

41,b.. INT. :SONI)IS !,CO!!. FIONA. BOND

~om> walks across to ··FIOli.

~ ~CID Wonder.f'ul - the way -this ia happeJl.1n&, isn't it?

~Om> I'm very :tend of games4

~ey embrace.

l'IOHA (laughiJl&) You've made a terrible mess o:r my hair.

FIORA turns away :.nd walks back into her room.

Revised 10 March 1965

...4 ....l.,,3_c__. _I __N..,.T......_ ...P__~ULA.... _ '.§....lOQll~J'..lO ...N__·/..,__. ___B__O__,Nl>_,

BOBD stands 1n the doorway, watchillg her as ahe sits at her dressing table and picks up a brush.

FIONA glances round at BO!D.

FIOli One o:f us?

.. BOND If it's meant to be a secret, darling - you shouldn't wear the same ring as Largo. Should you? •

FIO.N.Aputs the brush down casually and reaches for her compact and lipstick.

413d. In. PAULA'S ROON. l'IOBA

It's a ring l lilce to wear.

FIO.N.Awatches 1n the mirror as BOID walks towards her.

413•• ml'. PAULA'S ROOl:&. FlPNA. l!O?rn

BOD takes ho1d of FIONA'a shoulders and turns her.

FIORA: Something you la1ow.ao z:ruch about .

•

Revised 10 Karch 1965 119,

412e. CTD.

FIOHA presses the botto~ of the lipstick and the b1ade shoots out, the tip just touching the ak:1.n o~ EOHD1s throat.

::eom>sta.rts to move.

FIOH.1pushes a second lclile forward. against the pit of ::SOR!)'s sto:nach.

PIO!U. . I•m aure you have a proper aenae o~ VILl.ues, Jemes~

::SONllg1ancee ~own at the second kn:!.!e Tith d.1.fficulty.

:BOID

.. Oh, yes • ' ..i ~ In. P~'O'!J':.• S P.00:;!. 'V.AltG}_S ii -- - i: .. VARGAS wall:s cr.l't o'! ~m, •s room 1.n'to PAU"'-la.'• room. Be is

" i: is carrying an autom.tic pistol. Be taltee hold o~ l30!m, .. looping c L~ round his neck and pulls hill baclcwards c!:!- ••· bala.noe. l'IC~ stands up 11'1th the two blade a :tollo;r(..ng I BOil) closely.

I "QI"\~-'-·;.·,.,..,J

-

i.. J.llE! wallca :t~ri ca..~ a cos'tmle like the one he a..._d f. V.Jw.GASarc vea-ir.g. VAnGA.S ~age EO...~ in'to ue room, spins

L him round a:.c t::ro\':'s him ~orward. on to the ~loor •

FIOlU. Get dressed, Hr. Eond•

•-· I

EOE> (1oold.ng up )

~ •· You didn't an.ewer my question. .. Fiona • ' , i f,. 1IONA 6 ~ould we employ an amateu:• lik• ~

that stupid girl!

r

Revised 10 March 1965

413g. C1'D.

JJJml throws the costumo on to the noor be.nae~-

:BOND You don't expect me -:.o wear that, surely?

lSOli.D Al: I checking out o~ the hD"tE1 -too?

FIO?I.A lo, darlin& - you're ~ust cJ.cct:- ing out.

150D picks u;, the costume.

4-lTo. ~. !\O:tIPS ROO_?:_•._F;;.;:lQl!A I

J'IO!lA (triumphantl7) Poor James! All th.is r.mt lie rather a shock. I mean, tu girls you've m&de 1:we to iJ:.

I the past ••••

..~.,.,,.,....

413.1. D'T. 11~ ....... wm I JAD"I pulla 150:DDen to h:ia ~eet.

PION.l'S VOICE

I !hey 1ve been only too glad ta

4o any-thir.g :!or you. ht~ time ••••

VilGAS is rt~41ng well clear of the oo·a::-:es.cOTe:-irJ.g JSODDW1th the gm:..

\ 41'3'k, !~. :BC?m_:S!?00::.. ?IONA. :B~

JSORDlooks at he:- cal.J:lly.

lSOlil> }I.at nightdress really is men

Revieed 19 14arch 1965

j t )

I i:92; m. :!oTn co;aR+DOR. z:roirA. 31-=zr. T.EG.l;s.. :smm

lKllD follows VllGJ.S into the corridor and J.Alml :tollcnn BOm>, shutting the door ot 'the. ho'tel room ~n,nd t.ha. A· Eom. WAI!'ER, pushing a 'trolley with s:i elaborate meal tor no an-anged on 1~ meets and pa.asea PIOKA.,Jlaril:lg cm 'to- wards Vil.GASand :BOJID.

X93. nrr. HOTEL con~. :eom,

Well, now- is that 'the l!Mtel.:r ordered. (stopping the -trolley) You haven't wasted any 'time, ha.ve 7011?

X94. '!WT. Eti.!!.::!LCOP.RIDOR.., GROm>

Come cm!

~OD I'll ~ust. check :you've~ ttver.rtll:1.ng. :

I l 'BORD picl:s up a cover e.nd inspects 'the :ma:meoa:rs-e on the l pl.ate. FIOJU. wal.ks ~a.cl: 1.m.paticJl.'t~. ~• 'IU.i.~ ·s't~-ts to 1 pro'test.

j ~OD

Splendid. Yea. Bow - mm.~•• "tl::::.117

%95. 'f~;'.!:.!:lLCOP2D0n.. ~mm.1!.L~

Sor27, air - this 1a en m'der ~--•• JSO?m (interrupt""...q) Did I order Steals: ~~a.rat 7 don''t rm:ember, ••••

l'IOHA1S 'VCJ::3

l . (quietl.7")

j Come a1oq, l!r. JSon4. f I ~lm

Perha~s you ordered •••••

' 1 'BOil>'• hand elides under 'the sma11 •~irit a~ove on the \ l 'trolley,

•

Revised 19 J4arch 1965 J.22.

%96. INT. HO~L 00?..~IDO!f.. ~OND.. l'!Ql!A

l'IO::zl 111 atandins close ta the. troll.8J" ·m:th ~ handbag haU -open and her hand inside 1t. !he l:Llm4lla£is pointed directly at ~CD's chest.

:PIOJU. We have no ti.Jlle(·o 111U9tep1aJ'i,Dg atup1d sames.

~om, scoops up the spirit st ve aud al.a.ma~~ eidewB.ys into J.Almlta face. :ae -=brows -the trolle:r ba.CDU"Cs at VARGJ~- ..., .

X97. DT. !!Ofirr, COP.P..ID~. :BOND,!'IONA

l'IOliA steps back quickly, "try1.ng ~o eveid irul.!J 9 kt ho cr&~hes into her and they both !al.l to the n::or, ~o:;m rollini; clear L"ld :-U:n"'1ng on alo:ig the eorri.cl.a:-.

J:98. nrr. ROTE!..CC~Il)Qg. FIONA

P.olling on to her stomach and pus~ up rm ta he:r k:lee1:, r FIO?a. levels the gun at :BCl:Dand fuea.

l:99 • ~ • :iOTEL ..QQ_E;tiroR. !O!l>

~ORD st1.miblea and :alls, catches hol! ~ a tab1e a.tld pulls

eteirs and ~s over the, droppi.Dg oa:t o~ lligh-;.

;l-QO. ;tm. 'ROTn S~AμteJ.m::. !on>

Looking up at ~OliD u he L""Op ■ several :fee-t a "to the s-:a1rs, llmda £.r.'l:wardl:7 and rolls do"lll1 1:0 'the 18.?'c·•~s belor..

no1. :arr. Bom s!AIBC ..e>E. 150Jm

»O?m, croi1cb1ng on 'the lan41!1g, ~c'ts Me ~oc't e:i! g,:i.Jaaces slightly '\'i1tb the pa.in of the glenrons bull at ":ound.. Be pushes lwaself u:, a.rad~ on dc,,m "the •~'&I. •

12:,.

t

no:,;. Er.. !il S!?RE.!::T• m;GG

he, .JTfflka?>o"is 1D: fu.11 awing, aurging along 'the a'treet.

nD¢·.. EXT. 31.Y ~T. ~Olm

~O?m·fiih"ts ~,. way, through the process1onF ~S 1;0 the fa: aide 0! 'the street.

no;.. rn. l\A.l'. S~T t 'FIONA. J.Alm'I. !f§aS

PIClfA pO'ilr:~ m:, a.lo~ 'the procession to ~- ::"i.gh't and

oppo'ld.te· di.rec t:1on.

~OD rta:~les ~ 'the pavement, reaches ~ azaa.8"J.,p:rts 11:1.llmeU&ei-&.i~•rtthe aidf o! a house and res~ ~:;r:r a :cEF-nt.

r n07. ~. ~ smT. J.AmT!. 'DP.n;ER

~.no~-~~ s::~le ri'th 'the procession, p:t►◄ ng t~cush the 8%Ci~ed, s:.o~, denein& CROWJ).

nae.. rn. :!J.'! S~T. FIOf.A. VARGAS

VA2GAS ~llan l'IO&. -:!.rough the orowc.s.

%?09.. ~- U!' S:g_g§T. :BQ!'l) -·- EOD ~• b:i:eell my ~ the wall &:l.d•mt., p 0:l t!-.!'O";l~!l th• e10da. rJ.S ?iQmi 'to 4th• 4trail o! blooe. s:p:rts he :.~~vcs cm.'the pavrn't.

rro.

IOU lrt'ops 7"..:.de:=17, look:1.ng down at 't!le ~t. ~he ea:tcbe411TA'=)-~ bj' the arm..

·-..... !:za ~ ~ 1,1.ao4 e:,ate cm the paTmen't. -:>;.; m an,\ lci:)l: &t .JtOD a:.a!:a mcves my 1.nto the crori.

4 ..... - .·.1

Revised 19 M~rch 196S 124,.

Xll.2.. EXT. BAY STnEET .. FIONA

'?be tr~il or bl0od spots on the pa.ve.m.e:~. PA!i 11P and look :tr.to PIOf.A's race na she tcllowa the trail. ot ~lood throu~h the crowds.

nl;. EXT. BAY STTt'E~T. BOl:D

smm, tiri~ viaibl:, puehea forward thro~ ~he crowd and 5tops at the entr~nce to the Jm.IP JlJ?fP cum. Be glances aver hls shoulder brie-r11 and goes il:lto the club,.

J"OMPJ'WP Cttm.

'l!he JOM? JUMP CLtrBis very noia1 .ind rn1l. tc cve:-rlowir.g vith couples d&ncing, listening to the bamc1 :mewatching the d.Rncers, e~tillg and driz:iklng.--.BOlm mo..-es qu.11:kly ttrou;h th.am to the door or the Gentlemen•• Cloakroc:m.

%115'. r.rr. SOKP J'uMP CLtra. A'i"'T''l':"'t""-A't'l""- .~J.·,U •·-

BOND wo.lks into the cloaltroom:, c:rosaes to a c!m.u- und slumps il:lto it. BC?:D pu.ll• orf hia shoe and pulls c!01m hl• •~k. Re look~ at bi! _r leg and the 1'lesh wou:id in the ao!'t part or Ma c~l1'.

--·---·-- l2itn.

n1s. ~----!A...,.Y_.S___T!!:...._~_.._T_•._F..,!....,O,....N..,A....._V._ll.=G=A...S

The 'blood trsil along tho pavet1.ent. Lof\k1ng bet:voen 'tbeir le·gs at the :pa.vement and the d.:rops of blood l.eding to tho JtD!P J'Dl.O?CL'D':B•

Xll.7. P"l'• J1J1l? JO'MPOI.'O'!.:SQ~

ODce more immaculate :Bo.NDwalks out or the aJ..cakromn and ac'l"Oaeto tbe ba.r. :S:eorders a drink and. tums to 'look at th-8 DA.E'CERS.

:BO?iD'....-.- S........... Pr:JV•

Look:1.ngacroes t~e noor, ZOOK qu.ic:t:b" :!.:::I. at v~. WHIP PJJf to a close-up ot JA?mI, who gla::ricee to J::r.:1s r.l.cht.

rn,9. '!'IOI!A

:f'IOJ'A 1JJ ste:n.11..i::ceat the edge o:r the 4&zloe ·nca:r, -m.'tchine :BOG.

Xl20. D'T. ~ Jtn!!> CLU'l3. =Olm

:&OlVl) turns to 'the GI:e.Lsitting at the bu nez:t t~ h:1.=..

/' J301D

What a eplendid i~ea!

Gllll, ( s'tartled.) 'l'hat 41d you 1e.r'I

Jtor.maU1 I wouldn't acoept ac 1xrr.1.tat1on ••••• (he1pin& -the GI!Ia oU the ba:r e'tool) ••••• .from a atraziger.

:BOE'D lla:t - u 1t•11ou!

lt1.fm starts to 4an...""'8 with -the GIIO:.,ub.o f!hrop s:~! ta) luw-a J:,.ia 1ea4.

mVISED 19th K.UI.CH, 1965 124b

i .

D,21. J'm~ Jm-!P CL~. GR~

Fl OBA. V.!JtGAS, J .~ ud the ~ watch from 'tbe r.1ge ot the dance floor ee ~O!lD and the GIBL a:!nce tosetber.

Xl.22. In. ~:p J'tn.!!' CL~. !O?rn. GIEL

:SO!ro M cou.rae. Imi't e~er,-cne?

PION! Jls7"i cut in? -

1'ICll'J. aats ua \-&tween ~Olm and tbe GIBL. ~e GinL ~torts to -prote~t, looks 2t FIOl'l.l tor e moment, tha ah..-uga ~,: tu.r.ns awey..

n23.

GinL

In. ~fJ!!lJ. • ?10111..

:BO!iD (blandly)

I ~you cot:e bere often?

I :BOD 1:u'es hola o-r !'!CL\ end m.alceaher dece •

(harllbly) Yoa ca't escept, Mr. Band.

~on ,. 1 clon•-t wt1n1i to escape. Strange •• _I. :1.t may aeet:-:- I'm gettiDg quite ~=d ar 7ou.

:BOBDbolds bar 't1gbtl7, one arm round h~r wa1st •~ ~-~ other holti11g hff b'ee hend, Illich 1• claapiq her 1,-,.~bflB.

'hey pea v.2:: :s. •bo ba3 a he?ld half illaicJe hie co!.-:, '!'heJ"pass JJJIE! c~ tben, the l:1RIV.U•

, 'IOIA 'lbJ" acm• -t 7ou come wt th ua, quietl~

:son, I like dancing.

t

1 BVISEI> 19th Pebruar:f',. 19Ei5 l24c • p2+. cm. l J'IO!JA tries to !reak ~ee.

n24a. T!'RGAS.

V.tvlGAS.masked bJ'J..umI pulla out a abort speer~

30lm .looks par.. J!O?a at VllG.AS .. 3!DI.

n24c. GB.'ClJP

'!he DL...'lfCDS~ round BO!rn and FIONA as -the 4!mce reaches ite r-Jime:r • ... , D.2443.. :atm!). FIO!r..l

:BO!I,-and JIIOD ere Iefl strugsling 1:a a clee:1!' 1:5.=e ~o= VL.:?.GJ~s.

n24,e.. cmotTP

~ l5JllBi b.--e.us 1=:to a :t:-antic 1010 •

l V .:.P.G!.Sfins.. t ' ..... . 'I I ~2f!. ~. I

'Bmi'D'tiznl.s PICS! £JS she takes the short ape!lr u 't!!e 1::nek. Sbe 1a 'tt::-09r~ !a:'we.rd eg1t:1!1st :BO?r.>a:id he at1:1s~!9& her . I . • n2~. em: - TPck T~ 'tu pe:::etc:- o! ·the floor 'behi:u! 't!=e :.:~E :dN e3 they di Si)el H !stc· the· ~d.. ~e dance conee "t 0 an c~d end ~ aipports 7.:otr.;. nay ac::-oea the noo:- -tonrda the terraeo.

n2~1 J10:D

llCiiD si t1 l'I~ cm·a c-bei:' at the e11trer1ce to "tt.e "te%Ttitce.

JSO!Tl)- r ihi.ak 701.1 miould 111t thi • cme out.

L C~ gci:ag ottt cm to the te:rre"'.e stop tmi!I l.co'k at ?IO?U.

• Revised 19 March 1!65

l.24d.

r '- 124.1. CTD.

:&ORD walks out on to the terrace.

n2 4 j • EX~ . Jm.!P JCn~ CL;tm. 130?-I!>

EOliD walks quickly ·along the terrace, J.il:pblg au&~-:ly and vam.ehea_ in the CB.OD.

~hey uo lock4.!lg down at _the procession ill 'til.v s-tr:~~ beneath the balcony.

BOnD 1S VOIC:: So sorry to be late.

--. I 'LtllGOlooks rownd, startled.

• • .

EcmD walks alon& the balcony toward&· ~.l?GO and !.:"'., -,IQUE.

LAltGO'8 VOICE I thou&b,t perhaps you weren •t rn=•e ..

BODI> I got·hold up - ratbe:- l~"'9r 'th~ I expected.

11.DE!!lto include IaAltGO and DOJ.,.IIBIQ'UEas ~mla) 't-.G!: =.erhe, and k1s11es 1t.

..., ' last •

Revised 19 March 1965

n2; •• EXT. NASSAU

~e Junkenoo procession surges wildl7 alcm. -::he Ei.gh Street.

i 'DISSOLVE:

I • ....c.1__4___-_4_,_;__. ___o__m...i~ •

t ~e armoured. ca.r is standing in an alley beci!.e 11. bar.red door. In :S.G. another car with KE:tcil3T0ll~ IlllV!Ca.

motorcycle ESCORT stands by. Door opens and Emll' O~ G1J'.AlUiS carry ou't HETAL conAIER. GUAB.DS put it a ar.:t-~d cu, lock rear door~. Motorcycle ESC0B.!rmoves~ tD .!'l.ul: of armoured cs.r, accompe.ny it out of ece:ne. C~ beb.ind it ollows.

:435. EXT. ~ADDINGTON AIR !ASE. D!':WfC::

J.r.noured cu w1th l:SCORT drives th:rougl:, 1'olloe&! ~1' l59C-v:id cu. ,

AIR VICE w.RS~AT, at maj:I. :m~AL coxu::m on ~a~,1.e, ~Am>S beside it. Victor CREW in flying suits.

AIR VICE ~ (at map) You'11 leave here at 0600 ho.zrs - (indicating) and 1and at Aden to Tefue1. You.

Revised 10 March 1965

,§)6. CTD.

AIR VICE IWtSRAL (ctd.) will then ~roceed to the Mergu:l

precisely at this position.

CutEF! CO?.!ESrn CLOSE ON KAP as point cf in41cator stops &t Latitude 13 degrees Borth, Longitude 97 degrees Ee.st.

_!36a. ( 512) • m. CO~.E?lCE ROO?!. !!. ltO!!E SECRETJ.3Y

M. 1 s VOICE I hate tc give 1n to them.

PUI.L 'BACKFROM!l'EE JU~ ON !Bi WALL Ol' TD COIFEP..ENCEEOO?l past K. and the HOME SE~~.Ali'!, who are looking at 'the ■ ue point on the cap as the AIR VICE KAESBAL I!DICA~.

x . .., Paying the blood money ! 1,e~ them beat us.

•• {quietly) llo, air.

BOJdE S3C!Xft&l1I Yam- man - Double-07- I 'thouglrt he n.s cm to aomethiq?

x. Yea, sir - I thought so ~oo.

BO!!E Dt:Br.r.aY l'alse e.l.anl?

L hes1~ates a m=elrt before replying.

BOD SI:;Cll'l,m' Obriou·sly he has a highl.7 dnc1o~d ■ erdle of - shall we •&7• "4rama"?

Revised 10 krch 1965

4 36a. ( 512). C'l'!l.

•• Ii" Double-07 thought ha was cm. to something •• •.•

B:OJ!E SECRETilY It's a groat pity he di.dn 1t 1l'Pl::iP certa.1n before starti.?J,g to ab.od the odds.

~he 11cm: SE~~Y l..ooks at h:ls watch.

_ B:Olim SE~ JIJyway, it's too late :n.ow. Ye sheJ1 l:lave to pay up - and 1oak as happy as ve can - llhan' 1; we !

• .:U§_b. ( -'16). An!J.l, SHCT. EXT. 'ff&Jt'!O~. ~,;_-y

:mflig~t OTer wate~. trn,nbabited isl.an4s in ~ce.

~'36c. {,A171- m. BnICOP!E;R. :eom:. μz:::=. (:?P..O~SS) I ll:ITER .n~. ~Olm look1:ig dcm::a.t.brau.gh gls•sPa.

I UI!Ell

Even U we f"C..ndthe p1!!%Le••••••

20BD (grimly) We 'll .:f'1n4 1t.

DI!Eil We 're "t;oola.ta now.

DI!ER Why net? Wl:.en you're as good as rlead.

436~. (41!\ BO;l)'S 70v.

In the 112ter be.lo,.. !BAEE SBJJiXS above a patch of eee.weea. on coral bot"t'om.

't 'BOID

Feliz - take her 4mm.

t •

i

Revised 10 March 1965 l.28.

I

436e. (419) INT. HELICOP1'ER. '.BOND. LEin:R. {:PROC'.ESS)

l50llD I want a closer look .•..••.

LEnmi Closer look at what?

I I

l50!1D Don't know, old love.

150:NDsits back and glences round at LElf.i;at.

l50!1D Sharks - and some seaweed.

Plenty of that!

·-· BOm>

fake ~e~ down, will you? 'Let'a have a look.

··-· 1' --· 436£. (l.22). :EX~. HELICOP1'ER

Losing altitude.

436g. ((.23). I'!TT. COCQIT. BO'M!>. 'LEITER. (PROCESS)

~OE> look:1.?J&down through glaaaea.

~HD SomethiJls distinctly odd about that.

What?

~CID ~e rest o~ the bottom•a all coral - just ••..•

436h. {424). EO:N'D'S~OV.

A• the helicopter approaches the aurface. Onl.7 -two F~a--a visible non. ~ corner of the net has been torn 1ooae. lfiJlS on top of Vulc1m visib1e.

t 129.

,36.1. C,25J. ~XT. HELICOP;!:a •

knki.ng, turning back, landing on the surface, sharks sur- facing around it. ~OED screu:ibles out on to neat With glass-bottomed bucket.

4 ;6 :1. ( 4 2 6 )..:..,_Cl&§..EP.SHOT. HELI COPT~. BO:&.!!. mT::R

At w~.ndow. Sb2.rks 1n F. G.

Mm> . Shoo~_.0n,_0£_..:those ab.arks, PeJ.12:. Give· them i~ething else to 1:h:lnk • about.

LEI~ gets ~..m., !ires. Sharks dive. A momert 1a-:er crippled one ~faces, thrashing. He moves er:s::ically out of scene. other two sh&.rks :surface a:id foll.~ ~4:r;. lJOl"!; looks doWll through glass-bottom buo~et •

:BOID :Big camou:f'laged tarpaulin. 'I'm going down!

He takes off shirt and trouse:rs. He is wee.ri.n.g -tnmJi:s beneath them. L!;lT£R bands hi~ underwater ha.1-Dess. bel~, lam~, aqualung, !!n£, etc.

:BOND (putting on gear) l don't know how long it'll tal::e or the other 'two to finish him o!f, but they'll be back -

LEI!E!l I'll watch 'em. ?ry to keep 1'%-c:m ~tine too ~uch. .

:BONDputs en helmet, attaches intake tube, a4.jmits air- supply valve, goes down over side of float. ~B"I!ER, one eye peeled for the e~arks, looks do'l'l!l.throueJ!:, ma.te~.

il_6i:,_ ( ,27) ~~-:I;.T!:Jl SHOT. 3O?1D

Sw1mming down 'to net-covered plane. Be goes m:a.u co.r:ier ~om loose by shark. •

4 36L. ( (.28) • ~~'l.,\T~ S::O~. ~ONI>

Approaching o,,n bo:b bay hatch, looking in.- ~ FOUO~S ED! :ro !:LI.! r•,:,c::. Be goes up through it.

Xensed 10 March 1965

I 130. J •

~, 61:l.. ( 1..2~) • ~~ OR UN!II;B.WJ..TER SEOT. '!ET. rncAN. 30Nl)

IUile fuselage, he switches on lamp, 11lu:z.1.neting eerie repu1.s1.ve scene. Small oetopi evC!rywhere, ~cs glowing l1lce ru.bi.es, ti~s of tentacles weaving. ~Q?:J slips kni!e fl"OmundeT belt, moves through oetopi who re.coil be:fore him.

A3"6n. (430). TAm: OR UNDERWATER SHOT: ·co~!r

om) enters con::pa.-tment behind and below, el.llt'bs ui, into it. Be 1ooks around a't ~ODIES OJ' CimW, 1D0TU t0 'Pi1ot I s seat and ..UGEL01s body. He e~am,nea cut i.J::l.'1:ake tube, re- moves A:gelo's mask.

A;56.o. (t.n l. CLOS3 SROT. il'g?L0 1 S PACE ·- Like Dena.1 1s. {Pal.a.:zi)

4 3~-. (.:.3 2' • ~.!r!: OR Ulm:E:R'TA~mtSRO!. !Cg)

Be nmoves W!:.tch ~ one of AlfGE"",O•awrists, :t.D. -tag i'rm tl:&.e ot,.,_,~r, then swims ~ t.brough open1nig abcve him. I r t 436c. ~ I Sh::rks e.-pproae!::1.ng. L.,.,:~ watcl::1.ng "thet&. lWtrD S'lll':f'e.ces nea l)lsne. m~ :f'il'ea over his head at sl:2::rks9 T~ey i i din. rn bawl.a .l:.1:l.self on to noe.t. Lr:f s-:;;,helps him into

43&. I!'?. ~~- ;B®- LEI~

L!lrn helpe 3Q::D cu't o~ the diving equipmex::t.

:BOD

I ( fiU:PillB)

I.t 1 a 'the plane.

I.EI!ml

:&Om> Jfo.

LEI!ER Oh, greatl Bow 1rha't do.111t 4:,'f

l901I> J'iDd aomoone to tell 'Q8 whe..-e

1 the7've gone • '--- I LEin:B I Oh, sure!

P.evised 10 March 1965

OED 'he7 can't be far away.

Olm ( If they're not on the Disco Volante now, they socm will be.

LEI!t'ER talk to l,argo. Ask him, wb7

'

don't you?

lJOWD pulls De-r-nJ.'• watch from the belt or ~.-11. srmr:i!1£ l tra:n.i:s ,

Olm

I~

mo, I don't think 1 111 ~o ~m.t.

t I don't think I'll have to. r 1

,:• j .

; £,~ - 4,n., 7...L.!:1.:!.D f i 'i S1d:zci~. S"~ we&n bra, b1k1 n1, ma.mk, aqt-....-,-~, :f'i!"~~.

She eesea 30C· app: cs.chins, wearin, tru.~ ... ~ e• "':1ls.:- gear . ~ ie· c:u-r-..ss =r:u!a:vm~ 1tcemera", goatu.-...s :f'm- he:- "t-~ -;,ose. h ""ta.latr' E&J., .,...~• toward her. Coral le!.;'-3 bt·hind tb.e: u lm na=..e• her.. Be sets "camera 11 down a: 1e:..z!., :ou-e.shia i arms a~ her. She respo~ds. CA.HERABOES "it'IZ3. ~~!i u the,' 4:1!~., ~cir4,a;, out cf aceno b•h1!3d 1~a.Ee•

44:). %1.!!. !i:1~~r V~GAS

s-:~ =-~ 1alm tro~a, lookin.S throup ~..:lta=i..'lus out towa.r! Sea ~-ens •

•

On Bm'f"a·ce. h'o. Ats of bubblea, gn.duall-7 1t-u-S1JlE i:to one•

• ',

I Revised 10 ld::.rcl.. 1965

••

In F.G. Clong trees look-1.ng out toward r-.-!~ C&XEP,SEOOT- IE'G :PR0L: Bi:;;:m ~ as ?1OliD and DOLcrHO su:-t'ace. V..&RGAS turns, ~oves bacl: PAST C4f..17:RA.

446. EX_t_.___S_L_1P_:P_.__ B__0~D0!il'E'0

Waist-high in water as they take o~f mask.a. ~ •camera" hangs at llis belt. She smiles up at h1.:r..

t fulh -

I She laug:t:.s, puts her ans around his ~eek. !!lfl7 l:is!. i:nie~ • they break, h~r :race is no longer hl'.ppy. ~ ~ abr..1ptly away, slipa out ot aqualung, start& tcwara beach, carr.tillg it. Ee slillp c~f aqua.lung, follows he:r.

I 447. En. SA.CE. ~ormro. :Bom> ,~ -- .. Cetc~g u~ with ~er. The sur~ eddies a:-cUM. t~•~ f~~~ ' '_,} near ou-eboa.r-. Be p ..'ts hia hand en '!l~r ~a ~--5 h~:r -:o .... , him ques~ionillgl7 • • l ,• DOi'miO

(celmJ~) .

•• ; • I tb..iu pe:rheps I am 1?1 l.oYe ' nth 7ou, James. •• l ~Olm 4cem:.•t s.nswer a:id doea!l 1t 1rt0p her a ahe -:u...-::ise.~~Y age.in. .as a?:e pu'ta her foot to the erolmd· a= ,g!.~es a sr.2.?"r t exclce.tiQ!'.I E??d droys the cqu~lu..~. 30Nli ~parts her as ' ahe ez3mi?le~ her foot. t

DO!!IJIO

I Sea-egg spine a. I I I 3OliD 41·0:;:s lls aqual,ms beside hen. •

..

3Olm he7 1ra poisonous.

I DO"',mtO •

Oh, 70s.

i J 3OND picks her Uy and cu:-ies !le:r f'urthe:r up ee ~r..:·~h.

I I iI

Revised 10 Buch 1965

-\ l

;, .... l 44B... EXT. ~.CE. DOl!INO. 'Bop;D

f B~ lsy.e her down beside outboard, detaches "ce:::iere.fl 'from bel..1:a:nd kneels at her !eet.

lSOND urn over.

DCJCJl0 obeys. Re picke up her !oot, holds back the "toes, puts·• bis lip~ to the 1"leehy part, sucks hard, ttte:rdnes foot, shahe:s his head.

I'll have 1:o hurt you. lteady?

Beal! t7!1 u::, DOt4.lllOnods. Ee sillks his teeth iil'ti> -flesh 8%ound barb.

449 •. • CLOSE SF.07. :DOMINO

~

1t:trl& her lips, tears wellil:li; up 1n her eyes.

450., En. ~.u.M~S. VARGAS

Wat"ch1Ebthem, s1owly moVing closer.

; Re ;,:a:nce-s a:t ~. She clcaee her eyes. j-

150BD

t J'int "tilne l 1ve eaten a woman.

~e7 'taate rather good.

j

Re·lae2ld.a dotr.1 again, eucks hard, lil'ts his h.eai. 9 picl:t out sp:ble 1ri:th .b.:1.8!1.ngers. She rolls over and ld:ts up.

~ l:oo:tB aer:tousl7 a~ her, but doean•~ speak.

DOHili0 (laughing) Except perhap£ 1Jt1 brother - ~n we were children.

'-· 1'0t.Di0 leans 1"orwL--d and inspects her 1"0ot.

Revised 10 :li&rch 1965

........ .

,; CTD.

::ao:rm Domino - I have to tell 7ou •..•

DO?m'O

I a:ci sorry, Jamee - ! 414 not mean to embe.r:rf.l.Ssyou. Speald.:r:ag of love. I .know•••••

:SOit.I> (1:nterru.pti:l8) I he.veto hu.rt you o.gai:n - end worse.

DOMilJC {lightly) You are going away? •so eC%"!7, 141 4ee.:r - but it is all over!"

:BOND l have to tell :,cu about yoUl'

brother.

DOEliO {abru.p't:l:,) What - about him?

I :B0!l'.:>pulls his jacket out o:f the 'boat e.m loob 1l'l one of the pockets ~er ~erve.l•s weteh. D-~:tIIl'Owatches allen~ly. :BO1iDtakos o,,:;.tthe watch e.:r:u!han41!1it to DOnI:1O.

She looks at the watc.t. n.nd then looke a.e;a1:lat :acm:D.

DOlmlO

I

Yes.

DOJ:Jlro Wbat b.eppenecl?

' I

Revised 10 March 1965

l 45;-_ CTD.

·(quietly) When we were child.re~ I reme~ber •.• ,

:aom, I need your help.

DO:tamlO He f'rightene·d me - Francois - he pretended he was dead.

~om, Damino!

~mm grlpa DO!:!IlIO r=ughly by 'the ams.

~OND Lieten to me. I am on oath to tell no one about this.

DOl!INO o:r co'Ul"SE:! ~l:2t'a why you maa.e lave 'to me.

~OJ'D I have to trust you •.. ~.

~OliD I thought et !irst you were part a! the conspiracy.

DOKI!TO Sew, 7ou b1aemeil me with the 4.ea'th of my brother.

~om, Yam- b?"Other was kil1ed bJ I,arp_ - or cm lu.e orciers.

DO?mlO I hate 7ou!

~OD I cme to tell you that - and th-en - eeei.ni you - knowing it was now - or p&rhapa never - yea - I made lov• to 70~.

B.ev:1.sed10 J:arch 1965 l'.56.

I

451. CTD.

DC>JiDO l hate you.

llOJlD I didn •1; want "to tell ~u, Damino... I didn't ~t "to hurt you . .Bu.t something - more mportant -

t something •••••

:SOEDs'tops !or a moment and ~en, gent:Ly. "takes hcl.d o:! one of her hands.

4 52. ...E-t....:!......--~-~-" ~.- ....:._S_.__ v:_m;:::;i;;;;;G~.•_,

' t

'

BOND is sitti=; With his back tcr=ard 'the pal: 1:re·u. i J :BOJID

bat mich we bov - bu"t there's 1tmacthi:lg we a.on.•'t mow - aanet,. "! ~£ • =.a-; lc:low! When the bcmbs -=re 'taken cm boc.rai tbe Diaco Vol.ause.

m..-nro Jlc,;, can 70u ~ 'that?

MID

i

You're gc~ "to -tell ua.

lJOKillO ( t[Cd.e"t:Ly)

MID It won't be -~7 and~~ c~ be d~oua. I

l>OKllO !hat ea he cl:> 'to me, he ba~I~ --~~t.!:1 don.?

i •

aevised 10 l!arch 1965

• :so:rm 'Iau'll help?

])Ol[IBO Yes.

~Om> :!resa this w:t-ton. If' 7ou. l:teE: a·clicking eo"t:.Ud- tl.s bc::lbs --~ cm.board.

,. 30E> Go up on decl:. ~e 'D"..a=t'\::.a

f 1

'being wa'tche~. ?ou :.1. be at;"ot"tC.:l

i leld •••. J

DOJmlO (suddel:y)

l>O?!I!l0 1S 'VO~CE

t Ba mat uve 1'0ll0Ve4 ae.

'

I

]IOlfl) (lou.dl;r) Yem must hnve hea.rd. tha.'t am bdan!

4;5• Z!'!' • rn.~ • l!OI:!l. DO!.'!Nt\. VJ..?..~

VAP.W is :trmed:!a~e~ beMnd ~OD ritl:. ~ 1:1:U.et~o po!.11:d. ' 3am) roa.ahes int.o 'the boe.t.

I • I

Revised lO March l965 l'38 •

•."'\ ~ ; CT:D. ~55. J l !Olm

Oh., :,es - £!.nd there's the one about the ab~ent:minded strip- teaser .•••••

:ao:rmpicks u-p a short CO2 gun, spear in the barre1, "turns smartl:, and CO"ft'!"S "ill.GAS over !>OMiliO18 ehoulder.

You'll die laughing, Vargas - aen :,ou get the point.

~ :tu-es. ~ Bj)eEr 'buries itself 1n VlaliGA.S' che9t. Re re-els back, clll'tching et it With bo~h hsn~s. C!l\i'EBA~oszs EJ:ai u; ~Olm ATn ~O!:!IlJO p.z3 co_ldly e.t the bcd7 O. S.

/ D0KIN0

Very soon - and he s=ia - n!k, 1r0t be late". lie we.s :lost i:.sist~1:.

'BOEI> I'll take cue o! Varga.a.

I>OtmO ~•• - understa:id - I ec 401.li&"tlda '!.ar !ra.11co111.

D0Hm0 mt - when I enid - ate - I ~•t :cean••••

OD ~c - 70".2 were right. You ticm. •t lcnc:tt7• ••••••

DO?mlO X ao JtOt lm~a 7ou.

.. l!CED 1c1.ssu her •

..

--- ---· -~~ - ·--·-.

I

B.evised 10 .March 1965

I '

t t2~- CTD.

DOEll'O

I

(auddecl.7) Jcmes - do not send i:1eba::!t to hi;m. Please! I am i"ri.gl:rte:iea..

I ~ND holds her, but he doesn't apeelt. l>O!!lliO rt~ps aw£.y ro.c. hiril. I

·DO!!llo I'm sorry. Yes, I'll go - bu~ promse me. You w:111 lcil1 L&rio

I

or ~e? Wliatever bappens •

here's ve~ litt1e ~i:e.

DOEl'O ( qu:1.o-t;ly) . ... Yes.

~O!D picks up her clo~hes ou-t; o: 'the boat.

' D02m'I0

One thing -1tmay r.~t bG ~orta:"t •.••

l 1 BOJiD

l

DO?mt>

i

A sc.c-.J.l building - o: "the cl.ilf'. Largo tcld me one clay - UTt;::" to go :neu it. ~ - 1:mi.ue "there was only B 1"J.i~t o1" ~pa.

I l!O'BI>

You 1ooked?

l)OIU];O Jl&tun.lly ! Be ea.id. I e,.cu1d no"t.

BOE> ft.ere did they leacl?

l>OimiD ~ - 1.:to the c11.:ft - an.a.ct ~he bottom •••..

l

I

1 Eeviaed 10 :March 1965

...4..,5B..............E...X..T....._,...Ci!AN?;;;;;;;;;;;;;;;_,;;·!i,L.....,.E...N=TR.t.--rnCE• !,ONG SHOT

Entrance be-tween oddly-constructed cement aeBW&lls.

(BOTE: Paradise Island location, •submarine pe11Sw.)

DOMmO'S VOICE Perha.ps it is important, a:t'ter all. fl\.ere is an e:trence fro= the sea ....• ..--.

BOlIDswings boat towards entrance o~ chamlol~•noses it be-tween coral rocks near it, climbs out, ::iodrj boe:t -to rock. Cte?ffiA•FOLLOWSHIM TOW.A..~S~CJ::.

~_o_._E_nN____. ___E__?:TRAN____;;;,;;;;,;;,c_E_·.___ BiililQ...G...

Reach:ing the entrance, BOID climbs up~ -to -the -to]) o:i the • wall.

..

BOND moves cautiously along the -to~ o~ 'the wal.1. He stops suddenly, net-tens down and looks o.s.

t

Steps lead do,m ~ro: bridge -to lan~g be1ow :!:t. J..Llutl e.nd several other Sl'EC~S come down a-tepe to 1a.u~, carrying underwater suits, gear, •~c. They stack i-t cm 1andins, pull canv:1a over it, start back up a'tepa.

463. EZT. TOP OF 1'.AIJ.,1 'BOND

Lyi.ng prone watching the landing. !'he ~oot~s die away and BOJiDpushes himali up to bis lcneeE. Be take2 -the radio-active pill out o~ his pocket, 1oolcs a't ~t ~or a moment doubtfully and then swallows~~- Be n1J2.1Shis·legs off the wall and drops to the landing. Ee v.;..11a back the canvas cover and pulls one of the.SPE09E au:11:s ~ree.

l>iSSOLVE:

464. EX'!'. !JJTI)!NGBELOWBRIDGE

LAB.GO,we&ri~ undernater suit and gee~, drops 'Ofi the ,- l landing ~-to ~he channel. Jill\TI follO'B'e h1:i ed. one by one the other SrEC!'lmS ~ollow them. As 1:he 1ast SPECTEE approaches the edge of the 1andi?li 1 lK)?m 'in SPE~

I

Rertsed 10 narch 196$

- ,.

£64: CTD.

\IZlderwat-er suit, drops do\':!!. <mto hll1 bm abcwe ~ ·1:c:oclts him' unccmseiaus w1th karate blow. Be pul.l.s aa Sl'ECSE's remi-eather, l:laak, belt, !in.a, etc.

I

4e5:.,_0:.ID!RWJ..rn SHOT. CK-L-.mEt. Lt·~~. J}~

L.llllGO leads 1:he F• atr,mg oa.1: .....,,ra ldl2. u 'll!.&.

4"66•· UN.L.1'!:?.~ATEr-tSHOT. ~on

BOBD·catehee up be!lind the 1cs-: SPR'v"..!:-..::..

LAllGO·,J..umI, ~s 1nelulillg ]K)lD) h-1n&'n& ~ 'the ree:, snm aat.

~6s. rn. msco voL.\NT?:..D":'!JI?lO

1'h.e boe"'t pull.JI l:P a.longside 1:~ MSCO VO~ m::4 :::>01.tTNO ~-es awa..-d. •

469. - 472. Q;ITT~

LA.RGC·•

~~ tO"P.!!rl panel to aecre-t !a.ol.~. It 81-:.-~-s CJ:)!!: .. Yghts: cf"~ ~cle. LARGO raid ~e o:-.-- M, :C..:--..:.!.~ ~O!·::,, 8\Yia· 'tl:lrough tat:.:.. Panel ■l.iaea a!:nrt.

j

J'.A:a;.:o~J.L~ ~ SE.E!!..'.t.e::::s,t;OG eW:fll.~e '1ll "tm:ik.,ban-Be two- man Rb-. et.i;~-..... S..r.zC:?raS in lmden:n"":er eu.i'ta -~~ on grat1 '\"I; .. WO ~ ~0-l;S, e:pty. kight llS'l:,ta 'tunleu ~ C:."-~'R.A.!lf I CLOG O!r :BO~ climb:!.:c,; out o:t' 't&lik a...~er C)'t'Br-?5.. 'Ee lilie.72 t beh:md tha, :e eIJi:g :nask averted.

t fZS. !Iir!. b-BC.?...!:!Tm. rmr;w

JOE> ill 1.;. LilGO 'talcoe o~r mlc a•:i goes "tD J!;,cme.

(1n"'o p?!~c) C&p-ta.1.n•••• weigh ench.c-:--. (hanga u~ - turna 1:o JA!OC[) ~er we pick~ 1:'he bc:2~,

~ we tll take e-.•asive action ~o

---·-~--·· ··- ----· --·

Revised 10 ?darch 1965 142 .

••

frJ6. INT. C:WSE SEOT. :BO!D

1!hrcugh mask we see he. has heard. lD. E.G •. LIZGO e:d.ts. OTB:ERSl'ECTEES take off masks, gear, e-tc. :SCD sl.ips between stack of equipment and bulkhead.

477.. lll. l>1,S£.O

he msco vo~E gets underwny.

4 78. 01.lf!T~D ---- .......---

O~OR.receives message and turn.a ta I..En.D.

OPERA.!C!t he Disco Volan:to I s leo..-r..Jag, air •

•

• LEIB! ilhere is Double-07?

I '11!:• ":?rT. DISCO. ~CP.ET :{C,.J). !Cl~ ' :BOE) ae"ttles 4own among the crates.

;.so.. EXT. ~ W• msco. nm

:lak::ng 1'Uteen knots.

+a1 - ,e9. <¥nm

499, Z. m ~-'.°;• PI~OT HOUSF.. L.t:~S~. C!:l!.i:'

LAllGO Ocmvereion.

ESGll.EEa opcn.tes ·sw1-tches on Convera1on panel..

~- rn. nsco. <MQDELl

S:D.Dkeber.ina it, a.a tl:.e ca.coon-11ke false auperst:-uct~re

it.

I

Revised 10 ?.t:lrch 1965

I l

... I

I i,22. nF-. D!S CQ, ;!!tOT P.OUSE.. ~GO.. GP.01.!P '

LABGO

I B7drofoil speed.

c.A.Pli.I?l'operate.s cor..trols.

Picking up s~eed, beco=1ng foil-borne.

4 94 - 4 95. O'Jl!l'TE!l

~, __.. mac: H ..... rfi ; .!.:,!U .J..r'-•~~ .i.

-~.

t Puzzled, aware of.Disco's increased speed aa bu1kheade creak, etc.

497. Dif. ?Iml;;m 'S. ST<m,EROOM. LEITER'. 0:'Z='..AT-GR

l LEI:l'l\!Rlooks at his watch.

1 LEI!rEB ' Did we get a signal to say the gi.rl. I

went on board the Disco?

OPDllmt Yes, air.

l ~e OP~CB ra!ers to lla notes.

OPEli.llOll' S1 gnsl received et ......

Li:!DB Ok27, olaly! If she went on boari. 'then Then the hell is Double-07!

i

mssoLTI:::

~rinpng 'U]) rear again as GilOUP, crrrJ'i,ng web"bi:g, -tools, I etc. ]):-eced~ '90-~.ll SUB !'O'!.l~ Elf?iU.:tfCEfO TJI'!a-:r.r:l.ti.~:::RCAV3. 1'hey reach I::a!T DOORin entrance. J.tJiEI and .:!IC:.i.·:...l!H turn large iron wr_:..~l beside entrance. Door li:ta. ~~Cti? mr.m,e ( throu.h entrs~'e. no-r.:.ua Stra ■ tops outside. t • I •

Rensed 10 J!arch 1965

: •.

I

t S'lll'irn,1 :ns along it behind GilO,U,. 0~ use l.a:mpe.

501 • ON!)Z{?rA.T!:RSHOT• tmD2Rt:1AT!R CAVE. G:aou:?

LiltGO and JJ.mfI lead GROUPinto cave, 301m bebi:ria them. WtGO L~ JA.mn light magnesiim :f'la...--es, revee11n.! bOl:lbs faetened 10 st.anchions in rocky side~ cave. lC!:ii'With tools sTa..-=de~ach..ine;the: from stanehimm •

Pla0'1ng bCIElbSon webbing. In F. G. ~ED, ft. t. cb 5tl&1 C.AilE::U1. P.lNS ~o L.A.B.GO.CJJJiERAilGL:;: WIDENSas he n1:s 'to ~OND, gestures for him ~o help. :BONDturns ~ace _any ~rem elare of magnesium t0reh.

hrough mask we see his eyes %laffow, i1:d1ca~ he hQa recogn:isec 30D. C.AJamitA..lL"tGLEWim:m'S TO llicumE aOU? !l~· ,,... 3. G. mcv-f~ with bom'ba on webbing toward. ~1. 'U.?.GO s""1:it to GkOLi.=-on other side of webbing ~ ~~~- He • gras!)S T""'IOSPZC'l?.ES 'by the arm, turns the= "t=-a:i! ::Olm, J clr2.ws lrJ.s lcnile. i GROUP w1tt bombs ent 1:Lto tunnel, leavi::.g lee~Gt) e::id T':."(') SP2C~S ta.o~ !OED, between him a::id er...'t. 30:::D dn.r;:: his lc!ii!e. URG-0 g9a~es for KAlt beside biz ~o atta.cl: ~D'.'m. S:i'EO'DE ni::a t"'18.rd l:l.1.n. ~OID strikes at h1:m T.i.'tll !::i.s k:cile, elude• comitr.-tm-ust. UllGO ·gea~e• f: O~ XAN with .hie to fol;l.ow ~ into tuzmel.

C.'ffiA CCZES II CLOSER cm ~Om> Am> SP!.,1.,4™1 c.1.:-cl!.:ng each other·. (!+Jfi?R,1 PO!.LO~ ACfIOli ea !OBD Em:.01rUC41£ Sl>!:CTI\I toward hook C,eniJ u1 ~om stanchion. Be ki.c:b 0-.2-t at him with both fen, im';)e.les him on it, m.DTee 1-n, 11tabe him. Sl'ECDE banes limply on hook as 04m:BA QDlcm' .PUS 30:ND A'7AY towara tmmel.

IJ.llGO an4 J.,urn tu.-ning iron wheel 'to oloae cloor 'to entrance. 0~ stnppin& bo~bs to shelves of BUb.

505. UJtJ.!:?.7.:\.£! SHOT. lSOfil)

Sw:imr112lgdea:;,e.n.tely th:roug:b. tunnel towa...-a aom-,closing. Be reaches i~t tne, to push it up.

t

Xevised 10 Karch 1965

's

I 506. UN,P.E.#~.A.rn!SHO~. LAllGO. J.ABn. GROUP '

i :Pollmring TWO-WliS~ with bombs on ahel.f a1m7 from entrance.

507. U?rn?g~Affi SHOT. :BOND

S·till t?')"ing t.o open d00r. He lives up, ~s, n'ilDs back I 'to'lt'Vd caTe.

508~ UNDL!.Etfil!R SHO'!'.CA~. !Om>

Sw:f:mn1ng back ill to CCTe. C1".M:rat...A.VOIJaSaead SP~CTB:::. EOEI> swims about, ~a=inins sides of cave wi:th lazap ~or possible way out. Be looks up.

509. mm~~ ~OT. pom,•s Pov.

Sta~s visible· a.bove him through watv.

510 • fflER";"..t~ S•OT • !om>

Be ni:ms up.

511.. ~. CA.VJ::·. :!OM) I' S~aaing =mer dome-like ~oof o~ cave 'Wi"tl:l.b1c,w-hole we opening. Dime lillel! with jagged conl.. lie fiashes le~ up t01na'ds the opening, eight or rd.ne ~ee1i above his heae.. • ~~ID takes oU hie mask, realises he ~a hopeJ.esely -trapped.

21.2 - 516. om:~m

517. EX!. DISCO

J.s the Dia·co piclcr "6'"P ■ peed it become• :t~l-l>cmle.

518. r.rT. !JC!m!fO's .....e...~i.ioiii,I!liiiiillil,. _.DO......,;M_!.liiiiiioa,O

~e cmn-geiger-cc:mter 1a cl1ck11'S louil7. DOC!ltO switches the £eiger-ecuntcr off and atans a~ 1~ for a mimrte. She pica up !. head-scarf, biota 1:t -m:tae:rher chin and cam.e-e -the geiger-counter to -the aocr ~ her cebi:l..

519. ~.. DI!-~. CORRIDOR. DO;m:Q

DomJO ftlks oi:t of her cabin aza.dmeets I1&n.,.

L/JlS-0 Sta7 in 7cur cabin.

I i DOLlll(O

l'o. lt 's eturry in there. I am:t a b~ath of air •

I •

ReVised 10 March 1965

LmGO (coldly) M7 doar - did 7ou not heBZ" me•.••

:tAltGO et ops epeal.-ing when he sees the camera b. ·I>CmI!'O, s lland.

IailGO Did you? •

Let me see.

I

No .

• l 'URGO reti::hes !:>r the camera. DOUIBO pu.11.s ~t 1:sect: a:c. be-tween them they dr~p the ca::era, wh:ich t.1~• ~ nocr and sterts cli eking Vi olentl7. DOM!liO illme~ .c:·cr:lc!l.e!J 4;,r-. to pie!: i-: up. LilGO catches her l:Z:.1r an4 .itc21.s !t c-.?:r~lly. DO?.~:r;ogasps w1th pain and •~ghtema a:>- ~ throws her backws.rds acrcas her cabu.

f.!.9a• CII)~ !El)T. I.ARGO

ta.GO crouch&s down and ~icks up the camera, a't:ill ~1i~king.

• J!r. :Bend gP.ve you thie little toy, I imagine?

1 I.AllGO lookll up art DOHilfO, who doeau •-t an&'ftr. 11',Hn,:;, ·i L.G.GOsmashes tu ca:iora on the floor and 1"t ab.a.re.

LAltGO (quietly) Vargas is dead?

I U3:GO etands up. •

\ t i ..

Revised 10 Karch 1965

,219b. IWT. DOI:IIN01S CilllT. DOMINO

I>OMINO looks frantically for a way out of the cabin.

LilG0 1S VOICE no, my dear - there ~s no escape - for you - nor for James !ond. Like him - 70u lmve been a little too clever, and now....•

...5...,19....,c....___l....,11:......" •-..;;;CL......OS__E_SROT. LAllGO

L&BGO •••• you are ~augbt.

519d. IWT. CLOSE SHOT. Dom:n:O

~escinated, terrified, ~OHnro ~its as LARGO moves towards her.

n2e. INT. CAVE. ~OED

l :BOl'lDstruggles with his harness, trJ'i,ng to hook it over a piece of coral to give h1m support and to enab1e Mm to rest, Ha fails and splashes down into the water and goes I UD.der. Choking, he surfaces again and puahee his harness

moment and listens. !here :is nothing to hear.

220 - 521. O!!I!~

i22. nr.t'. l)ISCO VOLtJITE. ~GO'S CilI!f .. I.QGO. DOMINO

DOMINO is strapped to bmllt. LAliGO, his composure comp1etely repined, ia lighting a cigar.

L&BGO You have given m.e much p1easm-e, my dear - in ret\lrn - because 7ou have been altogether ~oo cleTe~ - I am forced to cause you great pain.

Be picka up a bowl of ice cubes and 'ftllcs &cftll:8 to the blmk. Be holds out the cigar. I

LlllGO ~s for heat.

i

f Be puts the bowl of ice cubes on the edge~ ~he bunk.

l

'

j , I t I Revised 10 March 1965

~ ~ ... ~ t j 222. C!rn.

~2~. CLOS: C:'!:!'O~LARGO. CJJ.!ER..\Omnrs~~

--=-4 • -• .;.l

Masking DOMll'O as he rips off her blouse am! th:-oweit aside.

22~-l22s. In. CORRIDO'E.. raTZE

XUTZE hesitates momentc.rily-, when he heua liOHJ:NOscree, and then knocks on the door o! IJ..RGO'a cabin. ~ door is opened 'Violently by- LARGO.

XUTZE tries to see into the cabin,· past LI.EGO. r

I.Al'tGO Ah, .7ee.

W?GO steps aside and leta XU!ZE see J>C~O st:-ap~ed to the bunk.

LaGO steps ~o ~e doorway and 1oob 2t DQf1,Nn.

526. IP.? .

lcudor and l.ight-wave across screen 1l1cre3a~y irrezu,lu.

..._.. .,.

RADIO o~xtm•E YOICE I 't".'i!ik we•r.e on to ao::,.e~hir~, s:Lr.

~TD I.et• s go down then - take a look.

Revised 10 March 1965 149.

;27. INT. CAV'Zi. :BOND

~ON!> is sagging on the harness. Failltly, the whine o~ the h-elicopter 1s rotor blades. He looks up. Somu! of ~1ane l0uder. BOND slips out of the harness and s1l'i%lsunder the hole. He ~lashes lam~ up tbro1.1&hthe ~ole, D02"9e code: ~Y.

528.· INT. HZL!COPT?::P.. COCXl'IZ'. I.EI~. PnD!

l nie PILOT smngs the helicopter round and LEllD 1ooks ove~ the side.

529. !~ITE!?.'S POV.

Isl&?ld in diste!l.ce. Lig1:J.tnashing out of hol.e.

LElTER'S VOia li.~1. Y .D. • •••• ll.\n.AY ! Get dOll:l e.s close a.s you can.

r.c:c1ns ill very low, hovering over holo.

?,l. INT. c:.:rn. 130lrn ·-

:acnrnnashes l~~ ap.1.n.

532. In. BElICO?T!l~. COCXPI1'. I.Eimt. .!'.:..LOT -----------------·------

LEI~ In tbat hole dow:i there.

'LEI!ER can you winch him out?

, ..,,. ~~. ISL.J='ll!!l- P.EI.!COPS

be heliecptcr manoeuvres until it is directly over tho hole enc. thcr.. }:\egins to umrind the Winch.

Revised 10 March 1965

ma. nrT. CAvt. 'BO@

:BOND ie paddling 1n the wnter, lookillg up tl:roup. 1:he hole.

53,b. :BOND'S?OV.

Lo·oking directly up at the helicopter, Winch 1i.ne and cradle as it co~es down towards the hole.

:amm' s VOICE (quietly) Steady as she goes.

llc. INT. l!EI,ICCPT~. COCUIT. ll:!'r::R. :PILOT

_m__a_.___E....X!_·._J_SLA.....,.m>...-.._ _p~ICOPTEP.

!!hePILOT threads the winch line into the ho1e.

s,·-;e. I?rT. Cli.~. BO~

1501!!>grabs the cradle :md scra:bles into it. On-ee be is secure, he puJ.la on the winch.

I1'll!"l'IBLICOP;En. COCKPIT. 2!TZR. ?'!im

s::vr. ·-.

PllO~

- Bere we go. Wish him luck.

~2~- :rlfT. CAV!:. :BOND I :BO!D 1a lifted clear of the wa~er on up towaria 'tlle hde. lie holda his ams a cove his heod to protect 1:1!ff3·•1.!'. I:ven ao, ·the winch lilie shifts as he is being pu.l!.e~ ou1: and he l crashes asunst the hole, first his head and his wide b:mg ageinst the coral encrusted rock.

,m-. II!T. ~ICOPTD. CQCRIT. tEI~. r;;::Im'

5'l2. EXT. IS!.J....'m. En!COPT2

l ~ appe~re out of the hole and is winched u~ ~o the ~ ~'!.icopter.

Revi&ed 10 Uarch 1965

i

54) - 545., G:'!!TT;'~ l 546. llT. ~ICOl'T~. .£.0,g::PIT. ~OBD. ?::!iL"'!:?... !'11,C'r

~eside open .=atch ~s EOEJ) is pulled into 'the p1&ne. He

•

co-llepses besi.de winch. !bey unstrap him. I z4 7. rn. !!U.."D. ~!COPTER

he helico:ptr. J.ifis and turns awe.y at speed.

548. Ir.!. m:Licor-ren. COCKI>IT. ~C?rn. '!-JI:P

EOm> (e:hausted, dazed mm bleeding) :hey're going :for Miami. !he bo~bs are on board the Diaco. Get the radio man on to Orl&I!dc l;ench -- then nash 11Q". Tell. h:1:i t-o stand by at the Jirl)ort.

548~- rn. !T#~- mICOPTJ:.~

~lling : !: ~eed. •

A thirty--ewo :!oot CUS!!IO!'CRQf, ""1th ope?I ei,cl."]d1i and jet-

engjne mounte4 on pls:c.o-like tail assembl.7. -Q" and ltllll'l'EN+r~ ~: beside 1t. ?O~I~ guarc1~g roped o!! ana. In ~-•· :2sam: PL,UJE lands. ~OJD), vn....-1.ng tr.mks and lee.th.er ~ket, ~~ UI~ jump out cf' llel.i:cop'ter, rl.n to CUSHIOB'~~r.

550. r..r:-., CUS!D:OJITC:--~3T..!,Q". »om>. rn~

"'Q• helJ:S them. to climb abo~d.

•Q" . ill the gear ~ou reque ■ tad, Di:Nbl.e-07.

I;EI!En behild the wheel starta the er~e. CGSHIO?rCaAP! ·1uts o!! tte grou=.d, ekims o!! alo:-.g i't.

~ 55Ca. Z1.'.':. c:'SgIONC!tA.z,;

,_.,,. Slri';mi:nr- aer..,ss terrain towards the water. i t -

',l i

Revised 10 J.1a.rch1965 152.

5:21• EXT. DISCO VOLANTE

Feil-borne, travelli~..g ~t speed.

Skim:ir.ir..g over the surface of the water, going n-~n faster t!lan the Diec0.

DI.SSOLV:E:

552 • :E:XT• ?Jl.t..?~!. P..\NOlU.liIC SRO~

C.JJlER,l...SHOO~ING:rROIIOFP-SHOll.

224• EXT. DISCO VOLA...."r?E

The Disoo Volante is standing off-shore, "1th ~~e toils down, rocking pe~o£fully on the '!'Bter.

5'55/226. O?-!!T~!D _,. 2 ~7. J..?!t!.1\1 SHOT. SECOTINGDomT l'RO!: ~

Visible ttrough the water, approaohi:tli; hull cf eu'Cken ehip is av she.:;,e, formed by sirteen S!'EC~.:a:33.lea bJ' 'LA.RGCe.::d • JA.:.'1l."'I..J::e.ch man is pulled by a Bulow electric s~e-tow, on wt:ich CO2 g-.ms have been mounted.

'fbe 1'\fO-:t:::~.Uwet submarine carries 0?1& of the lm:!noe 0:1 e ahel.1'. c:.!:!EP.;.FO:LLOJ'SV TOWARD~. !!El!' ~ BEi sub. noses !crn:n 1.?lto hull •. Suddenly, in P.G.• .AQUJ.'.P~

chutes and drop iJ:lto water. C.AXEa.A2il'S 'D'PP..i.S~O!'BZRS noe:'tin& do1'1.tJ.'tow2:rd surface to AQUJ.P.AB.i..plane over:b.e&d,

558. AEP.liL SHOT. A9l!APJ)l't.fi.,l'l.Jl..r.'E. ~ ~CX

he· 1ast AQtJA.t~JU.S;jump.

559. '!)!500. XU!Z'E

I rtr'l'z:E ia asts.ring towards 'the AQ'O'AP.AE.ASee 'theJ" hi 't water 1.?l~ ..G. :se hears 'the sound of the app:roacb.i:zg cu.s::no:m:1u~PT and tu:n:1s to l.oolt at it.

I 560. En. r",.,~ ;:,_•:.1oi-r~ -· \.l.,_.ti.tt.h;;..;;;;;;,,-··~"'...i. ..... ----~;;;;;;;;;.:...-::,,._l'l'l'l':"'O. • .L;..,;;;;;;;....n..... _...;,.iioiiiioiiiii~c,f.____.... J O"C?SB:IOlroR.U'Tskids 'tc e. stop on su:r!'&.Cf:1 n-ea:r .&Q'Ol.:'A..'1..'1S eu bme:rging• :SO:r.Dn ov.1we~ trunks , aq,1:e.l::.:.ng,!'~.::is, bcl t ,

I

l t

~ev:1.sed 10 krch 1965

i 153. , t

~OllD Don't go away.

f • LEITmt '

You want I should c01:1ewith you?

I

~BD You mind the store.

3O:ND puts on mask a:nd dropa over the aide. i 561. U'EDERWA~ SHOT. 'BOED

Sm m1 ng ~ter AQUA.PARAS.

562. mrnEP.-::-rLTERSHOT. 'BO~~OMOF rn

Several SP!:CTr,u1;l.mN, LARGO and JAlml, re1ee.sing bomb ~rm:,. s~elf' o! rrl~WJl ~ ~d lay-'...ng it on bottom.

563 • 'UNDEP.!.'An:RSn OT. BULL

A.QtlA.:?.:Ju..Sreach 1 t, ensage E~C!BES.

•,.

AQtJAP.Ali.A.Sand EI~C~S fighting, exchan;ing shots from CO2 g,ms, then closing with lcnives. Casualties o:a.bot~ sides.

569. m:DERWATE!i SliOT. !Om>

Reaching hull, !iring repeating gun at S~E~m about to lc:111 J..QU..U'.A!lAwith kr.i!e. He Bwimll tb-01.i&h :e.gced hole in hull.

570. tmD:cR19ATERS3:0T. IN.],_!D!:B'lJ'T...i!..:00~ I!! P. G.

General melee arou.'"l.dW~HAN SD Bl'ld bomb~ JSOm>picks off Sl-EC1'IU:Swith repeating gun. AQUA?1.la5 grapp11.n€ with re- ma.inins SPzC1Til:E. . SE'Vml.ALSP~~BE.S :n:illl frmrtica1ly away fro:n hilll. !ODIES no~ting. Equipment littenDg bottom o! hull.

Bevised 10 llarcb 1965

r J' . i 571. m:DEP.u..\TER SEOT. iLROm :soge

r.IO•t11Jl SUDill E.G. JlJm'I knU'iJls AQ'OAPJJLL EOII> appeus, shoots JAIDTI, 19ovee past struggling HEli to 'boz:ib. Be drops repe:ting gun, stc.rte t~ .!use out of bcmih. IdillGO swims into scene, e.im8 CO2 gun ~t :BOim.

I·

'Fuse in bis~:.!.. Spenr trom LAit 1s CO2 gm:a.hits %use, knocks hiJ:1 backws.rd. Be ch-ope f e. Ch:tm~ ilGI::: 1'IDirn'S as Lt.JtGO co::ies at bit:1 wi tb kn.if e. BOID pi e2 Ui> gun., . IJ~GO grapples with h1l:I before he can fire. ~~o tesre of'! :s01rn1 s :ciasl:, breaks a_t1tiyfrctl h:119, sWims aft.y. :eo?m holds brenth, looks. around, sees S?EC~ DOD! .noating besi.de bitl, takes off SPECTRE'• mask, puts ~t ~~. 1n E.G. SE'Vm1.is.I,J..Q'D'ilil.:.S g?'OUJI around bo1:1c. S?EC~ swi m:,1ng eway, so~e surfacing.

_j c;71. u•• a:, !En~~~!'Tr, ~.. rc· s;roT-• • 5 ~-

Pi.eking up gu.~, firing after LJ.RGOno goee- ~!rD""w.gh bole it hull. ::sotmlooks around, sees another ae,._1iM1., ge~s- •it, follows LA!?.GO.

575. nT .. S1ml'AC3. C'OSR!O~C!".L!'T. m;:;m

In :a.G. AQ'0.:2.llt.AS end SPEC~S a~acL~. Sm:e SPEC~ surrent\er, o~s continuins :tight. I.Zlir::B ara.s gun, a hoots e.t Sl'ECnES, hi ts !t't/0, OTP7:R5 surrend.u :.so .AQ'O.L'"'.'tFiUe:=.

':-76. 'TJWm:R~A~-;_SEOT. •-'---------- ~GO swim tl:rough.

577. Im-. nscc. S!:CL""1 ROLD

:r...uu;.osur.fac:-es 1n t:ml:, climbs out, r.ms to ~ pan£l.

..,_.......,..._..,...;;.;;;;;;..;;578. 'O'Dllr~!i?AT!:?.............,;-----:::iCT. BOirn

Lpproachins !)Snel. It cloaea be~ore he resebetJ it. CltVi·'nA FOLLOt'S HI?i t!.long bull to .foil.

579. :rr.T. ~!S00. AT :P~

:BOID surfnces, etuts taking o!f unde~tez- eecr.

f Revieed 10 March 1965

r- ~l t ◄• ·;

Standing by, CAl'lJ~N looking tuousn p~ 't~ o.s. action around CUSHIOl1CliAFT. Ul!C0 en'ters. I

LlllGO ( BhO'"J'tin&)

' Weigh anchor.

l 58l. EXT. IlISCO. F0!L. ~Om>

f' i l30:NDclbbs up the foil to aeck, drar~t- a b:ll'e 1':r-~ his belt, starting towards Pilot Roust!. Disco gets underway.

582. m. !iISCO. DECR, :BO!lD

14ovins: along superstructure 'toward M1ot Bca:se e.s l>ieco picks up speed a..~d he&ds out ~o aea.

58,. EXT. FUI.L lT,i',W ·SROT. T,ISCO

Decomine !oil-borne, con'tinuiq to increaae s;,,ee!. { J 564. !n. DISCO. LARGO ts cg;;~. m;mn

i D0MilJ0 is still e'tn.pped to t!le b\Clt cid :le eti.11 str,;.g.gl1:1g. t ihe key turns it:. the lock :and. she goe11 rigid. !!'!Le d~cr ·opens mld ~ZE scurries in. Se start& uns~ra~~U1£ her.

Elr.l'ZE (desperate) llelp me • Pler.se - you lmlS"t hel.p me. Be has gone 11Bd. Lock - l am hel~i...ng you - p1ee.ea - spealc tc them or- me - tell t!..em. I"t was no't ~ :re.ult.

D0l!Ili0 strus,1es ~to a e1t'ti.D£ positton.

nr.I'D I ~d only whet I w-...atoli 'to 4o. Vhe.t I had 'to cio•

D0ml0 sets arr the bed. i

l ElJ'l'ZE

Be would heve killed :me.

I

mmo

• l!he:t"'e ia he? i

'i

' 156. ' f'

1" ...' 585. DT;t'1 :P!I.OT HOtTS!:!'~GO. ~ ~ ~ 1 i LARG0 s back to hatch. lSOrrDappeua br..:md -111:L,1c:llle , poiaed. As ho steps into Pilot House ~o stab IJJiG-0, FIRS~ OFFICER beside the CJ.P.r-AIRsees h1J: anal a1t-:outs. LARGO ' turns 2nd grapples with BORD. I ~ I FIRS~ OFFICER takes gun out of' cor:para:ea:t beslde ~ and comet tows.res :BONDand LARGO. :BcmD'breaka h-ee ~rom LaliGO i ae the FIRST OFFICl:Rtekea ail:l. XIE> l.a\Ulc:hes bimseli' full-

length at the FIRS~ OFFICER. ~he ahot goe11 <ff"er hie heed, I smashing a pane of' class. !O!m roll.a o::!! ti:.a FIES! OFFICER ; f as the E?1GI?r<:r:F.a=ashes a wrench dcn:n at BOl'.!>•s back. :Ale 4 impetus cf the blow carries the wre.nch aown, :ames~ 1.llto ' ' the FIRS~ OY.F!CEB.•s chest. LAllGO-"U:wsa~0r.12le .g,m at the se.m.emoment as ~0.u'"Danc,. the !'ii'O C5' coJ J 3ue 'ml "the :'loor.

lSOJrngots the gun and scrambles on -to l::i.8 ~••~• %:le l ENGI!raZR kicks out at :B0ND1a face. BOD ~ps the g1:ll as he catches the ZSG] NEf:H'• :root anc,. ~cm bi: heed1ong across the Pilot House. :Ale ENGI?ral:a cu~rma J.Jrto the C.AP~Ain and the ~O l!E:B crash beck ap.1.1:1:st 1nile aide of the Pilot House.

IJJiGO acr2.::2bles across the noor, :re~ ~= ~!le gun, ~OED kicks the gun &.way across the ;loo:-. ~ wheel is spi"lning.

Veering err&tically, but sti111neree.a~ speed.

5 ~. InT. !'I!,OT EOUS,_E....._~........,OM>........,.___u;m'...._....,...,.•...,.._!;ff......,~..:.\:;;;:..;;i-~_~';.:;;"'-... _• _o_:;,;-.,;."?•.ll,:;;;;;;,;;!R._,

:BOl'.Demc,.LA:RGOuc?lange aotie har4 pa:nches •&8 ~be ENG-I?,..:tm lai.mches hi:u:eli' against EOED1 s back. ~OD IS't!nga th.e DGirn. and throws hilD at URGO, turm. t:1.i ~~de t=.e CAP!luE' CO?U.."'lg e.t hi:1. :BOD chops 'the ~.-Di C.011'.rl w1 th ~~.. a ks.rate blow to 'the 2ieck. t ..I :, see. ~- !J!SCO

~a,r"cm:pletely out of control. r ' 589. Ir.T. P!LOT ROUSE. f.

?!heEr.Gll!E.CRpicks up the wrench and tu.,.-.om, tc ~a::~ EO~. t IJ.lrGO searches for the gun, the EP.G!E~ 1e¾~c~es hiruacl.! &t iso1m, smashing C,.own et h:is heai. ~ ~~e, eat~hes ' -- 1· 't-he am and swings the Z:.;G!l ► ::,'w on 1DK!e .ti .. 09'll ~petus. ~ : 'Be ere.shes fcrward asnu.ast E:na.shed g'le.s11·r=-t- ..

~

i ~ 1 589. Q;I). I• I Cll\!raA. loHs lnl:l. Hoarae ■ cream o.s. rnr;o ~a ~OBI> ~aoe each other motionless ~or a moment. ur-0 't'l::rclrs a heevy p1mah at !OND~a stomach. ~el" excbauge en:er&1 p:nches. l LARGO crasbca dOWJl and finds tbe ~ne:h. 300D mane ~orward ~ e-tw:lbl.es crver the !'IRS! OFFIC!:n.. I 1 LA.BGO'e first \\low v.1.th the wrench nes 91.'l:e :ae ·~ ~al.ls on to his knee-s. The ~o GE' wres-tie ~er 1.u wrem:!l. :rh~y f ' :fe.11. on to the cont-:-ol.s between CAP~ m,.a .PllS~ O!'FICER i seats 1 ja:c1ng the:.

1' 589a.. !)ISC'O

Completel.1 o~t o! control •

LARGO sees the £tm. behind ~OD and llakea 11. J.:ut l!ffert. Be creshee both hen~e locked together~ cm2GID's neck a.r~ :BO!rn!all.a he&vily on to his Jcnees. T,t?;n ~e !or i the gu..--i, p:1.~l:111 t 1%P, turns an4 r.Li.eea ~~. t.0 J)D.1.1:r; 1 t at ' ; l,(mL.

~ • 590a. rn. n;.pT EO'l!SZ. ffi Alm;!.

I LL~ ~l'i,znpmmt r-th the gun atead7. E--1::le:J.7,. he receive!: a "t'remcn.dou blow ill the back which 'tmza ~« bcilly !or- I warli &?i:i J:'1..'""l&hil:1 to -tbe wall. ~or a ....n:,.e1:j, ~ body is risid, with~ ahc.f't o! the spear·of' a CO2 2t:1rk1ng ou~

I CleMi,u PABS m DOca.. l>OllllO 1a ■ tand:iJIE ~. bol4ing ·1:he gi,m. J

I 590'b• ffl • ?!:,Q!? 'EOtJSE. fL'J A,:GL;

l iOD pulls himel!' up an4 ■tumbles ~o"f1&.N21-tbe coor. l 591. EY.!J'. !'!SCP· !ilct • XO'IZE J 1 i.D:tZJ:!is rts:-.JJ!:!g outside ~e Pilot Roese e..a ltOEl end I:O!!!RO come out. =-!'".,!,, can hardl.J' keep their ~'t c.6 1:'linS des- I l pe.n:tel.y to tu :rz:!1.

»mm

I (sa,sp~)

T!le conn-ol panel's ~n.m.e4 ! ,. ~•ll

- 1

i

ievieed lO Ha.re• 1965 158.

51. CD.

!.'bey pull themselves up. DOHIBO climbs over the .rail. 1 ·helped by !Olm, and dropB over the ai4e.

:BOD (to l:C'1'Z!:) Come on!

xmzn Where can I go?

:sen looks et him for a moment, then cli:m.bs o,rer 'tbe :rail.

:BOID Ask a sill7 question!

Dc:mnin the heart o'! the ehip there 1a a .firE"t, :c1.zlor e:rplcrsion. BOND drops over the side.

592. rn. w:..~. 110m

1.9..:::.ta.C'i.ng. DOMINOvisible 'bt:7ond h1.m 1n ,,a:t:er m E.. G. ' l

292r IiXT• !.!ISOO• mer.: . 1.!l'TZE

C%'Ulli:agfrom :"'ail to hatch i?l euperstru.cture.

Dazed , -re"Vi'Vir.i.g , S"te.r-:1.?!g t O l!l'Wim t O"&"&ril>01Dlr:) iJ:l. :S• G• f

I

I KO~ZE stagter..::o.g aoroee grating, peat two leea ca~a, ont 1 em:;,"tJ', the otLer closed. Ee picl:.8 up 'G«'9fj:DeeUD11tcrch from :r:e.ci"el.or.g la,lk""e&ci., igni tee it, l\1:rches t~ aoor 'to t c01!lpartm.,entbe~ eeo~et hold, o~ene it. I I. ~~6.. nrT. ?O::!r STOI'i.AGZAnEJ. ,.

xmD·' 1 tore! illum1nctins .te:l.ks ae he ataggen 1.tl. Ee J 'QXUlcff.\'18 l.E.rge cc.p on tu.le, thrusts torch 4c:,,::::. into tank. f 5 91,. 'Er!. ~sco. I

••ExJ)lod:i?le&J:.!5.;.1.ant names and .shattered ~ck"le. • 'I

; A.e !cm:D•reo.o:":-r.!her. They hold each ott.:.:- a!: ~'SY ,rater. .. Di.:ac:cin :a.G. !lore ex_ploaioLs amid great pe.l.l a~ c:ozt and fi.o:11"'w,.

·. ' "' •

Bevised 10 Uareh 1~5

•. 159. ,.. J

:,g. EXT. ~O!m. DO!:rnvo

i:hnustedly keepillg afioat. SOtmD OP CDS5.I~ .w'PBOACB- ING. !hey -turn t 01r&rd it. CA?fii:I?4 ilGl.E ~ !lO ll!CL'1J:DE LEit~ I! CUSHIONC2.AF-i'coming to1'£.l"d 'thma. It cc:nemdown on si.1%':!'ace, skids to a stop beside them. lie 't!:lrows -them a line. ~OED gets it, holds DOHmO With other ·m. C#XEF.A CO?ll!:SIX Cl,OSE om!rmi.

:BOD (gr1Jm1ne) ft'e should hc:ve brought our aqu.al1.mgs - •

As he ld.ssee her ane I.EI~ pulls the: -t~ ~OBCRJ.l'1', st7z:E:RISPOS2 • ~ .a,m - ~uT IfO! Q~ - •

DD 1"I~ Su'PZ!tD!POSD OVER - .,

600. .,1.l:AIJ..LS'SOT. VlC!!'OR

• Fli'i,n£ over n.ter. It drops ~e...-e.chuteatte:he! 't:, con- 'tE:iner. Pe...-achll~e :noa.ts down cs Victor ~es out o'! eoene. ~ :!eet above r..u-!ace pua.cl:ute rei.un cm:4tailler. It

h.i~s. -the snri'ace, .si.Jlks.

l 601. rnza-:.!~ s::oT~ co:P.~l:.Im

r.D:!f"f::U.POI.!,Otr!l1G- I! DOWN. CAVEBA l!Dlal'S u 1~ ntt1e11 en J ' bo't-tcr-, ..U.C,._'ll:..u1' in :S. G. i ./ 02. !:PT. A.!Z!"'~!!AT.PT.!WO Sl'E~ i ... i J.."'t'd.ndOT., co::t;c.ne~ Visib1e out21411. ~ turn to each oifi:icr, ~u~il.!i a.:.l: 1~e i,rmfha. !bey operaw ems :nachinery. I

'I Claw-like ~..e:si o?:.B re11ch out, cJ.aae on cmi'taine:-. :!%- I -te?2ti.ona ra't~. b::r~npng conta:tner alone,-s~a~. I1' ZI:rLcm-::.~, oblitera":'inig soene. I

I j

t