"THUNDERBALL" (1965)

Walking toward entrance HADAME BOITIER, BRINON, and CHAUFFEUR in 3.6.

6. a J Co

MADANE BOITIER welks gracefully to limousine parked at eutrence. BOND and LA PORTE move into F.G. BOND watches as MADAME BOITIER, without waiting for ERINON or CHAUFFEUR to open door of limousine, opens it herself, gets in the back. HERINON gets in, site benite her. tne CHAUFFEUR seats himself behind wheel. IJimousine drives off.

Revised 19 January 1965 4,

7. ret. Lint OF CARS OUTSIDE CHAPEL

CAMERA TRACKS WITH BOND as he walks quickly along cara. HOLDS as he reaches his Thunderbird. He gets in, she follows suit, a roar of the hooter as he drivee off in same direction taken by limousine.

@. XT. ROAD. fF CE TO CHATEAU, BETWEEN REDGES

As KADAME BOITIER's limousine turns into it and drives

toward chateeu in B.G., an imposing three-storey building

with balconies outside windows. It stops at chateau steps,

_ fifty yards away. The Thunderbird stops at entrance, BOND “gets out of the car.

9. CLOSE SUOT. BOND Looking between hedges. .

10. TEAU FROM BOND'S POV.

MADAKE BOITIER gets out of car, goes up steps into house, accompanied by BRINON. The children seem to have been left behind in the car,

1lené 12. INT. CHATEAU. LARGE FOYER

Broad stairccse, lending up to gallery. MADAME BOITIER walks past SUTLER to staircase. CAMERA FOLLOWS her up staircase. ERINON remsins at foot of staircase as she continues up it.

13, ExT, G MADAME BOITIER reaches it, goes through door into corridor.

14 end 15. INT. CORRIDOR. MADANS BOTTIER

Walking clong corridor, turning corner, toward front of chateeu. She comes to ea door, opens it.

Louis Quinze decor. Fire burning in fireplece. Doors +o pelcony closed. MADALE BOITICR enters, stertsa into room, stops abruptly. CAMERA ARGLE WIDENS TO INCLUDE 2 large chair behind which two legs protrude, and then BOND is

getting up lazily.

Revised 19 January 1965 Je

16. CTD. te

He pulls back his arm, sluge her on the chin with a terrific right. MADAM® BOITIER reels back, crashes into a cabinet filled with rere pieces of chine,

BOITIER pulls back his kmees, kicks BOND in the stomach with both feet. BOND staggers beck. BOITIGR pulls a kmife from a scabbard strapped to the thigh, jumps to her feet, comes at BOND, kmife poised. BOND knocks over & tall Grandfather's clock between them. BOITIER throws the knife. BOND ducks it, pulls his Walther out of shoulder-holster. Before he can level it, BOITIER dives over the clock, tackles BOND just below the knees, knocks him off his feet. The gum goes spinning and at the same time, MADAME BOITISR's wig comes off, reveeling a men's cropped hair.

BOITIER fights his wey out of BOWD'se grasp, leaving halt’ the dress in BOND's hand, exposing the falsies he is wearing. They both dive for the gun, crashing together, momentarily stumming each other. They stagger te their feet, clewing at each other.

This time BOND finds the falsies in his hand. POITIER Slips in with a judo hold, throws BOND toward the fire- Place. With BOND on his hends end mmees, crewling awey from the fire, BOITIER picks up @ poker and smashes it down acroes BOND's back, bending the poker end mocking him flet. BOND groens. <As BOITIER lifts tke poker to prein him, BOND relis into him, knocks him off hie feet. Grimacing in pain, BOND gets up and behind BOITIER, who tries to rise.

BOND, still holding the falsies, whips them around BOITIER's throat, iike e garrotte. BOITIER tries des-

‘ perately to reach behind him to throw BOND off. BOND

thrusts his arms out, crashing BOITIER's head against the stone fireplace, stunning him. Then he slowly tightens the folsies around his neck and etrengles hin.

CAMERA PANS TO DOOR as BRINON appears in it, the BUTLER

behind him. They charge in toward BOND who huris

BOITEER's body at them, and then runa out onto balcony.

BRINON and the BUTLER get to their feet, start toward cony. ;

Revised 19 January 1965

Struggling into the herness of a jet-pack. As they appear behind him, he activates pock, takes off over balcony

railing.

As BOND jets away through the air toward hedges.

19, EXT. CHATEAT. MAIN GATS. Day

BOND soars way above the Renaissance main entrance, far above Cellini's nymph and the dangerous horns of the castle's sculvtured and stetely stags.

MADEMOISELLE LA PORTE leaves the engine rumning, hurries out of the Thunderbird perked at the corner of the road, quickly throws open the huge luggage compartment at the rear just as BOND comes down out of the air in a hissing rush of air from his jets.

fs he lands, she helps him step out of the herness, and watches hin as skilfully he folds up the mechanical cone traption. It takes him no longer to do this than a golfer with co collepsible trolley, or a secret agent in Istanbul would take with a folding sniper's rifle.

- BORD No well dreseed men should be with- out one.

He pute the machine into the back of the car. At the same time, o hundred yerds down the road, the main gate of the chateau opens and THREE OR FOUR MEN come rumning out. They carry guns. BOED hurries forward to get into the cer.

As the first of the MEN begins firing, BOND guns the notor and the car jerks forwerd with & sereech of rubber on cobblestones. As it disappears at speed we.....

DISSOLVE: MATN TITIES .

Revised 19 January 1965 Te

@l. EXT. PARIS BOULSVARD RAUSSMANN. DAY

Massive Second Empire Buildings, the main offices of important business and banking concerns. A morning in mid-February.

22, SFT, NO. 136

A car pulls u inet & Ford, but something of the Ferreri- Meserat breed ight in front of a big NoeParking sign.

A POLICEMAN hustles forward from the middle of the street, from where he hes been shepherding PEDESTRIANS across the strect. He raises an irdignent hand. —

The MAN getting out of the car turns round.

A smile, a selute, and the next moment he has reised his white baton to club some unfortunete who is trying to walk across egainst the lights.

LARGO pulls his camelehair coat acrose his shoulders. He is a powerful, middle-aged man, a man of elegance but also of authority, 8 man with friends in high pleces, but a man who does not need then. He crosses the sidewalk towards the entrance of a building on which stands a discreet bronze pleque. We read:

MEN working st .desks, some interviewing PEOPLE of varied nationslities. The usual eccoutrementa of ea busy

Revised 19 January 1965 6.

23. Crd.

organisation. Many metal filing cabinets. Seated at desk in F.G. i8 a MAN facing a foreign-looking, neatly but poorly dressed middle-aged coupe, the KARUSKIs.

‘Be jumps to his’ feet and bows deferentially as LARGO passes hin.

LARGO acknowledges him, continues toward door in B.G. and exits eas MAN site down again. ANOTHER hands him a memor- andumn.

I am delighted to inform you we have been able to errenge for visas with the Brezgilian Consulate -

In the becksround we see LARGO pressing a button in the Wall, then waiting.

KARLSKI | We pay back ~ everything -

Revised 19 January 1965 9.

A light has come on above LARGO's heed, blinking slowly, eas a panelled door slides open. He goes on in.

24, INT. LARGE CONFERENCE ROOM. BLOFELD

CAMERA ON HIS BACE as he sits down in an armchair positioned at the head of fourteen others in two rows of seven facing each other. low lucite tables between cheirs — with neat stacks of agende, glasses, carafes, pens, etc. Seated in all but two of the chairs are MEN of mized nationalities, competent-looking, well-dressed, executive typeea. On the wall beyond the last chairs ie a map of the world. He breaks off speaking as LARGO comes in.

25.__ CLOSET SHOT. BL

Face not visible es a white CAT jumpa up into his lap. His hand etrokes it as he speaks.

auightly accented) I wee saying how much we all at Spectre regret the death in the Istanbul affeir, of Number Siz.... Rosa ELebb, who wi.l be sadly missed.... but in the meantime we Will proceed with the usual finan—- eieal reporte.... Humber Ten?

26. GROUP. FEATURING NUMBER TER Who rises.

Revised 19 January 1965 <6

26. Crd.

EE

He sits down.

CAMERA PANS to NUMBER TWELVZ, rising.

Number Seven? . NUMBER SEVEN (rising) Blackmail of the double agent,

Matsuo Fujiwe - unfortumately only 400,000 yen, all the man had.

CAMERA PANS to FIVE, rising.

Our consultetion fee for the British train robbery — £250,000.

CAMERA PANS to NUMBER EIGHT, rising, and NUMBER NINE, seated beside hin.

him myself.

Revised 19 Jenusry 1965 . nD.

27. Foy ANGLE. BLOFE

CAMERA SHOOTING FROE FEXIND HIM TOWARD EIGHT AND NINE at his right.

Two million three? Our expecta- tions were considerably higher.

Both EIGHT end NINE look uneasy.

_ SUMBER FIGHT

(defensively ) Competition from Latin America. Prices ere down.

NUMBER BIGET faces hin, pale-faced, tense, while NINE appears at ease.

28. = Sy0T. 's

Leaving off stroking the — moving to switch beneath table beaide hin.

action. HAND throws switch. 29. GR P TIRING EG

As NUMBER NINE's body, suddenly celvanised by 3,000 volte, stiffens. CAMERA ZOOMS DV ON HIM. His face contorts, bis eyes glare wildly, then din. Wisps of snoke rise about hin.

Revised 19 January 1965 i2.

30.__vLOSE SHOP. BLOFELD'S HAND Pulling switeh back.

31. CLOSE SHO2. NUMBER NINE

His body slumps forward in chair = CAMERA PANS AWAY QUICKLY tu BLOFELD, who resumes etroking CAT.

2. NEW ANG _ ND_ BLOFELD CAMERA evoiding NUMEER NINE'S BODY. BLOFELD

Sit down, Number Eight. It wes necessary to distrect him. There might heave been an untidy soene. (ae EIGHT sits down) Number Nine ivet the money at @enbling. Spectre cannot jeoper~ dise our new project, the most important we hseve ever undertaken, by tolereting an unreliable assce ‘ ciete.

| Be turns to LARGO.

53. CLOSE SHOT. LARGO Ignoring BODY.

LARGO'S VOICE continuing over large red-brick Victori building with a crenelated portico and glass-enclosed

Revised 19 January 1965 13.

34, OND.

sun-poreh. <4 drive cuts through a broad lewn where a few PATIZENTS stroll ebout or sun themselves in reclining cheirs.

A stall cubicle. On top of it 2 aigm: DRY HEAT. ‘LIPSON's head, sweating profusely, protrudes from thermostaticaliy- — controlled plastic box. He is in his middle thirties, with slightly slanted eyes, definitely se Euresian, perhaps Infonesiesn-Dutch. . -

LIPSON, eyes closed, nods drowsily. CAMERA COMES IN CLOSE ON ATRMENDART'S HAND as he sets control at 120 and the CLOCE to ring in two minutes.

6. ._ MASSAGE ROOM

The ATTENDANT comes out from BSweat-Box room. CAMERA MOVES WITH HIM, HOLDS as he reaches and walks past & massage table. JAMES BOND, face down on table with only a towel round his middle, is being vigorously masseged by PATRICIA FEARING, an athletic-looking beeuty in a thin, short- Bleeved smock with very little undermeeth it. Her expert manipulations evoke a series of involuntary grunts fron him as she Works on his spine. She etope, picks up a pair of large mink gloves, the fur on the p » and resumes, this time gently.

Revised 19 January 1965 14.

6. CTD.

° PATRICIA (ignoring him) i'm afraid your time is almost up.

She presses down severely. BOND grimaces with pain and lete out a grunt.

ATTENDANT, carrying large terry cloth robe, .passes teble. CAMERA PANS ETM INTO SWEAT-BOX ROOM. ,

Bell on clock rings. ATTENDANT shuts it off, turns heat off, opens box revealing rows of lampe inside, d

down. LIPSON steps out into robe ATTENDANT holds sor hin, momentarily revealing a muscular, lithe body.

Continuing to massage him as LIPSON, in the rebe, comes.

out of sweat-box room, taking a distinctive Piaget watch with two gold bands out of a pocket.

Revised 19 Januery 1965 15.

8. CTD.

Fi LIPS ON (stopping beside PAT) T'l1 pes you after my shower, Pat.

You're not taking her awey fron me already, are you?

A ERs BANDS

As they shake. On LIPSON's wrist is e distinctive red tattoo - a zigzag crossed by two vertical strokes.

‘4s TIPSOF covers tattoo by strapping on wetch over it.

He exits. BOND looke after him as PATRICIA resumes massage. Then as she runs her hend over a heavy bruised weal on his BEKeowses

Revised 19 Januery 1965 16,

He swings off the bench, leeving her to work this one out for herself. She is still trying to do so as we....

_At EER

fle iNT

Speaking into phone.

Lobby visible through glass door. He wears aporte clothes.

INTERCUT BOND AND MONEYIENEY.

MCHEYPoRNY (sweetly) And this perty'ld be so much safer mixed up with you. Sorry, darling. You're off duty. Pile it till yeu get back.

Revised 19 January 1965 17.

Coming out of booth, looking 0.8. CAMKORA PANS TO LIPSON AND PATHICLA going out front door.

44, INT. LOSEY. BOND He goes to window, iooks out. : EE SEES

LIPS ON eané PATRICIA getting into a Facel-Vega and driving off.

DISSOLVE:

Walking quietly past several doors. He stops et one with @ card in & metal holder neatly lettered: NN. LIPSON. He , @lances up and down corrider, then lets himself into room with a skeleton key. .

eee On's Et.

Quietly closing door behind him. A pleasantly furnished ground floor room with French doore opening out on the garden. BOND moves quickly to the desk, scans magazines, etc., looks through contents of drawers, then crosses to the dresser. As he opens the top drawer he hears a faint sound behind him and glences into mirror above dresser.

48. WHAT Fe SEuS IN MIRROR

Doer between the room he is in and the one next to it is Slowly opening. When it is partially opened he can see

Revised 19 January 1965 18.

48. CTD.

& eonewhat frightening figure - a MAK in a robe and blue- striped pyjamas, with his entire head swathed in bandages covering everything but the eyss.

49. _ NEW AVGLE. BOND IP F.G.

CAMERA SHCOTING PAST HIM TOWARD MAN IN DOORWAY. BOND remains motioniess as the door slowly closes. He waiks quickly out inte corridor.

Walking away from door of LIPSON's room. He exits ecene. Door of LIPSON's room opens slightly. -The BANDAGED MAN peers out into corridor, looking after hin.

: DISSOLVE:

Sl. INT. SHRUBLANDS. AASEMENT CORRIDOR. BOND. DAY

He weers terry-cloth robe over his shorts as he arproaches e door lettered: OSTSOPATEIC TRACTION AND TUREISE BATH. ‘He sighs resignedly, goes in.

CAMERA ANGLE WIDENS as he stops short, to INCLUME PATRICIA standing in front of ea curtained alcove, consulting an x-ray photograph against an enlarging screen.

BOND

He? She nods briefly. _ BOND i'd never have recognised myself. Do I look healthy?

He puts an arn on ner shoulder to peer forward. She édis- engages heraelf. She has hed a lot of practice at this.

foo healthy by far. Take off your bathrobe, please,

Revised 19 January 1965 29.

2. OTD.

She colours slightly and turne away as BOND complies. Then, examining the Teray and poking at BOND's rib...

Be does so, but only to let them fail round and behind her, and then as he is pulling her towards him their mouthes come together,

It is a longer Eles than she had imegined poseible under these conditions, and it takes some time end all her ekill to disengage herself. PATRICIA (severely)

Behave yourself, Mr. Bond. I can

see there's only one place to keep

you quiet.

She beckons to him, pulls the curtains to an alcove one Bije of the room.

in the alcove is an odd-locking surgical couck in leather and gleaming aluminitm with a series of strape ettached to three upholstered sections. Below the couch is an elece tric motor, from which a power drive of articulated rode reaches up to each of the cushioned asetions end terminates in tension serews to which the rods are atteched. In front of the raised portion for the patient's head, eppro= ximately level with his face, is e large DIAL marked in ibs-pressure up to 200. Below the headrest are grips for the patient's hands.

' BOND What's that? PATRICIA

Motorised Traction Table = for etretching the spine.

Revised 19 January 1965 20.

52. CPD.

BOND sighs, climbs reluctantly onto the couch.

around hin)

By the way, who's the man in the

room next to your Mister Lipson?

She reaches for lever control beside big disl, de

esses it. Motor begins to whine. ‘The straps eltersately tighten end relax. He grabs for hand-grips, hancs on to then.

53. INSERT: DIAL

Heedie at 90, holding there. The numbers above 120 ere red.

4, INT, ALCOVS. BOND. PATRICTA

Strape tightening end loopening. She looks down et hin, grins feintly. ;

She eteps back, draws ourteins, smiles, walks out of room. — HOVZS TO WALL CLOCK, indicating 22 minutes efter en.

DISSGLVE:

Revised 19 January 1955 21.

55. WALL CLOCE

Now reading 28 minutes after ten. CAMERA ANGLE WIDENS

TO INCLUDE BOND ON COUCH, his eyee closed, the straps operating rhythmically. He hears a sound outside curtains, turns his head toward then, opens his eyes. Slowly a Sanried) yasculas erm reaches through curtains toward lever near dial. -

56. INSERT; HAND DEPRESSING DIAL

On the wrist is the distinctive Piaget watch covering the tattoo. The needle on the dial etarta moving up. ‘The hand draws beck out of ahot.

Whine of motor builds, the straps tightening and locsening more repidly and with increasing violence. BOND struggles desperately as hie back is racked by powerful wrenches.

He tries to shout, but can only manege choked, intermittent geespe. ‘

Needle rises +o 200, steys there. ont. COVE. BOND

Hia features contort agonizedly es the couch seems to go deserk.

592. EFFECTS SHOT. PAaTRicit

The face is coming ané going in great jerks and then suddenly the sound ceases.

b. : COVE. BOND. PATRICIA

Her hand comes awey from the switch, goes up nervously to her mouth. ‘ , ‘

She helps him up. He straightens himself painfully. Then with an effort.

Revised 19 January 1965 22,

59b. CTD. BORD I feel like I've grown about six inches. PATRICIA (very upset)

Can't think how it could've happened ecee and I can tell you it's a miracle I came back when I did... I'd left my watch behind.

She is wiping the eweat off his body with a towel, for he ie soaking wet.

| BOND I'll buy you another one tomorrow.... solid diamond.

She raises the trace of a senile, and we see how nervous she still is.

~ He is on his feet by now, taking the towel from her to rub himself down, though this is evidently something of an effort. She has crossed to a glass door in the wall, opened it to reveal the thick blanket of eteam beyond.

{sovrly) You think I need relaxing after that? Wait till I tell your Doctor Wain what I think about this place of his, and this proken-down equipment...

Revised 19 January 1965 23.

59d. CID.

There if a eilence. Now he is looking at her more cheer- fully again, end now he is smiling.

She stares at him, and then suddenly she finds she is blushing. .

He node slowly, the grin on his face widening all the time. : BOND. (softly) Oh, yes! Oh, yes!) C. . § ROOM.

Stean billows round the cemera as it moves forward, and it ise with difficulty that we can just make out a woman's bere feet as she stands on her tiptoes mtretching upwards. A

‘few inches awey are the man's feet and legs.

CAMERA PANS UPWAEDS, past a thicker bank of steam which conveniently covers up everything until from out of the mists emorge bare arms end shoulders end then the faces as PATRICLA's mouth comes away from his. They are both rather red in the face and covered with perspiration, and now we

hear her laughing.

what I meant by the ful} treatment.

The steam rises higher and higher making it mven more aifficuit to pee anything at aL ;

This is probably just as well.

60. OMITTED

st ee — =

Revised 19 January 1965 26.

Le*tered: "IRRIGATION". BOND, in terry-cloth robe, comes out. |

See you later, Irrigetor.

We closes door. CAMTRA MOVES WITH HIM ALONG CORRIDOR TO ANOTHER DOOR. HOLDS THERE as he opens it end glances in.

62. 55 ROOK

Empty. BOND comes in, closes door behind him, crosses to door of SWEAT~BOZ ROOM, opens it. CAMERA ANGLES TO SHOW LIPSGN in sweat—box, the beck of his head to BORD.

As BOND enters, closing door behind hin. :

_ BOHD .° (imitating Attendant's Coclmey accent) Pought you wanted it ‘ot, Guvnor.

LIPSOn Den't argue with me. It me out.

64. INSERT: BOND'S HAND

Opereting kmob to raise needle indicator to 200 degrees, then setting the clock to ring in ae half hour.

aon eee

Revised 19 Jenuary 1965 25.

64. OTD.

Behind hin.

BOND

dropping accent) 4nd if you catch fire - you can

always sue =

LIPSON's eyes widen as he recognises BORD's voice. SOND walks out. eo

Crossing toward door to corridor, softly singing: "We're

Heving e Heat Weve, a Tropical Heat Wave". He goes out into corridor.

Exiting scene down corridor.

Sweat pours down his face as he tums his head desperately trying to get out of the box.

- LIPSON (yelling hoersely) Get me out of here, somebody!

LIPSGN'a eories deeply muffled in the deserted corridor. Oo. » SwWeAteBOX ROOK. LIPsor

His face contorted, rivulets of weter rumning down it, es 4t takes on an increasingly reddish hue.

LIPSON

Help! Help!

Revised 19 January 1965 258.

70. CTD.

Gradually his shouts are reduced to inarticulete wheezes, Ther his eyes close and his month opens eas he gasps tor- _turedly for breath.

“DISSOLVE: 70a. ExT. BOSCOMBS ARMS. WIGHT & cer with R.A.F. markings pulls up, a UNIFORMED DRIVER eat the wheel. <ANOTESR FIGURES in uniforn, this time en officer, sits in the bsck. . 70d. INT. TELECHONE BOX. HOTSL PCYER LIPSON, his face still red and flushed, is watching at

the glass doorwey as the H.i.F. OFFICEL gets ont of the car. He speaks into the telepnoane.

Jl. OSI TTED ‘

FIONA. ricerT ——S—“‘“SsSNSOSOSNSCtstsSsSSSS

i * 7

COLONEL FHLNCO' PATAZZI and FION., are to de found embracing on Givan. He is in his middle thirtiee, derkiy handsome with avtrimn moustache, and ea cherming Continental memmer. exoept for the tunic which he has tossed on a chair, he weers the uniform of an Italian Air Force Officer. FIOM: KELLY, reé-headed, Irish, et the moment revealingly deshebille, is the most beautiful accomplished young witch since Morgan Le Fey. Telephone ringe. She reaches out

iagzily. FIO.’ Oolonel Pelazzi's social secretary. He mekes a face at her, as she grins, mockingly.

She hangs up, reaches out for him, and se the embrace continues we just hear his mumble.

Revised 19 Jenuery 1965 25b.

72. CID. PALAZZTI

You don't think we could be more comfortable somewhere eles, where...

Agein there is an interruption from the telephone. Again

she reaches out but has not time to answer before the voice eat the other end has spoken.

VOICE (filtered) Colonel Palazzi? She hands him the receiver, PALAZZI

I'11 come down Prontoccecee Thank Jou. He han ai up and et the same time pulis FIONA towards hin ekiifuliy. PALAZZI ° (a eigh)

interruptions..-. telephone calle » ee the story of my life.

She pushes hin eway.

She nods.

Revised 19 January 1965 . 25e,.

FIONA

ari. I ymor ne. (@rdiy)

Before he can kiss her agein, the ger sounds. Se sighs, releases her, gets up.

(he shruge) I told them I'd be down.

FIONA rises, helps him into. his tunic.

He Eisses her, picks up his navigation bag, sleps his cap on his head.

One moment.

He waiks to the door, opens it, freezes. Standing in doorway is himself in identical uniform (ANGELO). PALAZ2I etares in anezenent, then turns towards FIONA, his finger - pointing towerd his double.

The two quick, and softly plopping sounds, make hin look even more anezed as he slipa down on to the floor, the OTHER reaching out to catch him and break his fall.

FIONA unscrews the silencer from off the gun in her hand, beckons the OTHER, and false Paiazei, forwerd. At ihe sane time LIPSON elao appears in the doorway.

Revised 29 January 1965 26,

interrupting wavagily) errup e

Shut the door.... woless sent trying to sell tickets.

With an almost frightened look et FIONA, he comes in quickly, closes the door. She tezes the handbag he is carrying, drops down beside ANGELO who is steunching the blood from the wounds with a thick gauze Gressing.

FiONA gives a quick profeseional look, raises the lids on the dead man's face. <A jerk of the head to LIPSOZ.

- FIONA You take over. Our ambpniance end doctor outside?

FIONA and APGrLO go over to the table. From out of the henadbeg she takes a flst plastic oxygen container, attached to a mask, hands it to ANGZLO. Ee etuffs it inside his shirt.

FIONA hands him a erell metel cylinder.

ANGELO puts cylinder in tunic pocket. LIPSON kmeeling beside PALAZZI'S BODY, takes off his 1.D. teg and a wriste weteh, removes wallet from tunic, hands them to FI iilé.

She at the same time has taxen out of the handbag a thick envelope. ANGELO looks at it, then shakes hie head.

Té<

Revised 19 January 1965

a

Te

LLPs on There is no one else =

LIPSON etroeightens up, @ gun in his hend.

Put that awey. Argelo is right! He's worth it. I'll inform Sumber One we've mode 2 new arrangement - this 1s merely a down paymert.

26a,

ANGELO hesitates, then reaches out for the money, then takes - PALAZZI'e nevigation bag.

gesture )

Ciacul Wish me luck.

and es LIPSON pulls the body away, ANGELO adjuste it, walks to the door, opens it.

The door closes behind hin.

pyjamas out of his bag and &@ roll of bandages.

LIPSON takes biueestriped

Revised 19 Semucry 1965 . 26d.

72+ OiD.

it to FIONA. They kmeel down beside the BODY. He starts removing PALAZZI's clothes es she begins bendaging his head.

73 = TT OMITTED . 78. fxr. DSOSCOMBE AIR BASE, ENTRANCE, NIGHT

Security Cer with DRIVER, SERGEANT, SECURITY OFFICER and ANGELO stops et barrier. W.C.0. approaches from Kiosk.

They show cards. N.C.0. cheeke faces with photos, ANGELO's last, nods, gestures to SENTRY whe raises berrier. Caer drives through.

AIR COMMANDER, VULCARF BOMBER CREW, all in flying kit, as SECURITY OFFICER end ANGELO enter. Ee is also in flying kit and carries his unvigetion bag.

. How are you?

After you're on autometic, change seats with the Co-Pilot. Better vacw from there. Thie is a routine patrol to a return point -

Revised 19 Janusry 1965 260,

BO. ExT. BOSCOMBSE, AIR-STRIP. VULCAN IN F.C.

SECURITY OFFICER and AIR COMMANDER wetch ANGELO follew CREV aboard through belly beta. Ovhes Vulcans in 3.6.

‘" taking off. . Taking off, climbing.

Sie. Int. |RoND'S BEDROOM. NIGHT

A minkegloved hand is rubbing gently om ® bare back. CAMEDA PANS UP to show PATRICIA lying on her face on the ded, @ ‘sheet eacovering the places thet. should a Soverens She is practically purring with pleasure es BOND gives her a. MASSEEC.

Mma. ease oo ae BORD Relexes the tensions, you mow.

Hot mine -

There is a sudden rise of sound es the bombers from the nearby eirfield come roaring overhead.

fgetting up) ge up Ifill shut the window.

Revised 15 Jenuary 1965 26d.

Ble. Crd.

He does so, es at the seme moment the light by the eide of the bed suddenly goes out. BOND is ebout to close the curtains, hesitates, then decides to let the moonlight come in. Her voice comes out of the darimeses,.

PATRICIa Fow ebout those tensions of mine....

His dressing gown drops down on to the floor beside the bed.

™e rest is silence, except for the distant drone of sound as the bombers head out into the nizht.

- = " DISSOLVE 70:

82. OMITTED

Vulean in flight.

84, INT. VULCAN. COCKPIT, CREW

PILOT end CO-PILOT on hicher level than NAVIGATOR, ENGIWEER, end WIRCLESS OPLRATOR.

C0—PILOT (atudying instrument panel) 45,000 = air speed 750 —

Point of return’ 45 minutes, 30 seconds =

64. CID.

CO-PILOT

; (oomplying ) Set on, George <

He unstrape himself, rises, goes into compartment behind cockpit.

In geat as CO-FILOT comes in. | CO-PILOT

We're on automatic =

ANGELO rises, goes past CO-FILOT inte cockpit. CO-PILOT sits down.

B86. INT. COCKPIT. CREW. ANGELO Sitting down in CO-FPILOT's seat, strapping himself into

‘Rearmess. PILOT nods to hin, turus ewey to study mep

strapped to Lis Imee. ANGELO glances around, sees OTHER CREW MEMEERS engroseed in tasks. CAMMRA COMIS IN CLOSE re HIM eas he slips gas cylinder out of his pocket, paims -

87. ERI: GENK

Threaded hole for plug. ANGELO's hand inserts nozzle of gss cylinder.

He surreptitiously turns kmob below PRESSURED GAUGE on instrument panel. Light goes on over gauge and buzzer sounds as needle registers loss of preseure. CREW MEMEERS reach for masks. ANGELO swiftly takes mask from invzide his tunic, puts it on as CREW HEMSERS put on theirs. &imost instantly tne fumes in oxygen supply take effect.

89. Wow aAnGius. CoOcePiz. ej

Watching es PILOT helferises, choking, and tries to reach vedio switch above his head. He falis back convulsively.

28,

NAVIGATOR and ENGINEER claw desperately at their masks, then slump grotesquely, their bodies recked by spasmodic shudders. The WIRELESS OPERATOR slides out of his seat, writhing. Eis headeset falls off as he collapses end dies. ANGELO turns, looks back toward compartment behin? cockpit.

Mask on, toppling out of seat. Ol. INT. COCKPIT. ANGELO

CREW around him motionless. He looks at controls, moving automatically.

2, E77, VULCAR IN FLIGE? Comtinuing on set course.

Ee checks instruments. 4. Woon: LANE Altimeter registers 45,000. CAMERA MOVES 20 LEVER, ANGELO's hand pulls lever over to "ianeal", ._ INT. COCKPIT. aNGELO :

PILOT's body slumped in his seat next to him. ANGELO pushes controls forward. Plane noses down.

96. xt. VULCAr Starting descent.

SOUND OF RUSHING AIR eas he puta plene in steep dive.

Diving.

Holding Vuleen in dive, tensely watching altimeter.

eS

Reedle falling, passing 20,000, continuing to drop.

Breaking through clouds. Sea visible below.

202. INSERT: ALTIMETER

10,000, continuing to drop.

‘ Rapidly approaching sea.

Pulling out of dive. °

Levelling off at 200 feet above surface.

Still tense, looking out over waves. He looks down. CLMERA PANS TO WIRELESS OPERATOR'S HEADPHONES at ANGELO's feet. Muffled voice mixed with static, faintly audible.

VOICE OBNZ - OBNR — Can you read me? Report position = we have lost you =-— etc. =

Large subterrenean chamber, bub of all. bomber operations. Mape covering walls. In centre of chamber is a large cirouler table with opague ecreen indicating Atlantic and Northern hemisphere. Moving slowly acrosa screen are emall lighted dots. TECHNICIANS working behind ecreen. In front of the table a GROUP OF OFFICERS. In B.C. WRENS working at cipher desks. OTESR TECHNICIANS at Wireless sete ana Rader screens. ATR VICE MARSHATL joine GROUP.

Reviseé 19 January 1965 30.

107. CID.

—

There is 2 silence. ATER VICE HsRSHALL Get everythins you oan into the area. Thorough search. Notify the Admiralty et once, top priority, absoiute se- curity - esk them to contact Washington. 108. JEx?. cLY. NICS? Flying over weves.

Yoice over earphones very fointiy 0.5. He is checking instruments with © map on his isp.

Revised 19 Jamary 1965 31 110. INSERT: MAP

Course marked southwest across Atlantic toward Bahamas, ending near Crooked Island, southeast of New Frovidence.

DISSOLVE: 1. les, OPEN SWA. DISCO VOLANTE. NiGHT

Anchored. The bost is e magnificent yacht of 90 tons, 104 feet long. .

ile. CLOSE SHOT. IBITTRING OF BOY

DISCO VOLANTE. CAVSRA PLNS UP TO, MOVES IN AND HOLDS OF BRIDGE ABOVE PILOT RCUSE. Stending at the reiling beside a stubby mect, raked aft, is EMILIO LARGO, in profile, looking throvgh a single-tube nightglass. & black oiiskin elicker conceals the black rubber underwater suit he is wearing beneath it.

SOUND OF Vulcan epproaching becomes eudible. He lowers the glass. ;

CARA FOLLS Bick, FOLLOWS him as he climbs dewn ladéer elongside door to Pilot House. Standing beside it is a worried-looking, dwarf-like man with pince-nez glasses and e shock of unruly white hair, EUTZS. LARGO goes pest Lin into Pilot House.

113. T CFPPICER. ZNGIMEER

Door on starboard glide as LAEGC cores in. The interior looks like an enormous airplene cockpit with .squere glase ports fore, port, and sterboore. The CAPRAIN and FIRS? OFFICER elt in front with the controls between then. Fhere are in- struments on @ shelf in front of them below the ports, and e @quere panel wth indicntors above and b etween them over the ports. ;

The ENGINGE=R elites in e svivel—chair on a lover level at a bank of instruments nnd pueb—buttons on the port side. He is also the Radio Mon and werre eerphones and s woice mike. There is another srivele-chair at thc tack. LiRGO gestures to SRGIRUGE who flipe sritch.

114. "xr, WOLCAr

Flying low over waves.

Peering ahead and below through port.

Underwater landing lights, shining up through weter, merking lane.

. Altering course Blightly, applying air brakes.

Sound of engines diminishing as it comes down closer to

surface.

119. IND. VULCAN. COCKP ANGE

Bracing himself as plane skims weves.

Looking 0.58. EDTIZE beside hin.

-121. Ext. VULCAN. LARGO'S POV. (MODEL)

As Vulcan pancakes down om surface about a hundred yards eweye alt pdounces several tines. Jete of water flung. into ° ;

lee. INT. WuCa. COCKPIT. AGELO Hanging griniy to controls as plane crashes down agein,

water rushing past cockpit ports. 0.8. HIES from sub- merging engines. BODIES in cockpit thrown about.

He turns eway from door, walks toward hetch et rear, taking off slicker, goes aft through hetch..

He pulls lever. ; 125. UNDERVATOR SECT. VULCAN. (MODEL)

Wheels come down.

Joe

Pulling another lever.

127. OUNDERVATIR SECT. VULCAN. (MODEL) Bomb bay doors opening.

Pulling enother lever.

129, UNDERWATER SHOT. VULCAN. (MODE)

Eetch opens. Water pours into plane. It starts to sink. 130. j%INT. VULCAN. COCKPIT. LNGELO

Weter fills coeczpit from fuselage.

Sinking. Wheels come to rest on hard coral bottom, forty feet below surface.

CAMERA HOLDS FOR 4 MOKENT, THEN SINES BELOW SURFACE AWD COMES INTO HOLD ON UNDERWATER SHOT OF HULL.

PANZL OF UNDERWATER HATCH NEAR BOW SLIDDS OFZN. ‘LARGO, in bleck underweter suit, mesk, and retreather, ewins

eut of hatch TOWARD CAMERA. He is identified by his beard end the patch visible through mask=-plete. He swins past CALERA.

133: IN. VULCAN. COCKEIT. ANG=L0 Operating conopy-ezplosion nechanisn.

234. UNDSZWATIN SHOT. EXPLOSION

Canopy above cockpit blown off.

135. UNDERWATGR SHOT. INT. VULCAN. COCKPIT. ANGELO

He triee to release himself from his safety harness, finds it fouled up, jammed.

136. UNDER TATE SHOT. LARGO

Swimming toward Vulcan with expert, pwrerful strokes. / 137. WATGR SHOT. COCKPIT. Poe 0

frying to extricete himself fron harness.

158. UNDERWATER SHOT. VULCAN. LARC? Reaching plane, paddling up to top of cockpit.

139. UNDERYATER SHOT. INT. COCKPIT. ANGELO

As LARGO appears above him and reache: his hand down in & congratulatory gesture. ANGELO grasps it, With his other hané LARGO slides e mife fron wader his belt. He lears down, cuts ANGELO's intoke tute. Weter fills — ANGELO's mesk. He struggles franticasly. LARGO wetches him érown, then swine down into cockpit, reaches under pilot's seat, finds emcll metel bor. Ze swims up with it, out of cockpit.

140. UNDERWATIR SHOT, VULCAN. LARco

Swimming away from top of cockpit. In 3.&. coming toward plane ig a two-man wet submarine with shelves built on each side. Four SWIMMERS accompany tke sub, two on eéch eige, with JAImI and VARGAS in front. JARI is tall, slender, built like a chempion ewimmer; VARGAS is squat, ainost Simian.

Behind this first GROUP comes anothrr chariot, with OFS MAN sented astride it, towing e huge C-OUFLAGED EET simulating coral formations, seeweed sand shells. The net ‘is alresdy unfolded and six SYUMERS, three in front end three in back, help guide it. ALL the SWOOIERS wear black rubber suits, rebreathers and lamps ottached to their belts, and move with militery precision. LARGO meete the twoemen sub beside planc, hends box toa MAN behind driver who sets it down inside sub.

242. ERVATSR SUCT. SHOOTING ALONG BELLY OF PLANE.

LARGO leeds two-man sub to position pansath open doors

where it stops. In 3.G. cherdot towing net also stops. LARGO and FOUR NEN, including JARHI ota VARGAS, swim up into bomb bay. ;

_

35-6

142. UNDERWATER SHOT. CHARIOT TOWING NET

Chariot noses over plane. MEN release tow~lines, start ecvering planc with net.

143. UNDERWATER SHOT, TWO-MAN SUB BELOW BOMB BAY

LARGO and MEN bring Zfiret bomb, ebout ten feet long, shaped like s torpedo, out of the bey, lower it onto one of the shelves of tne sub. They go back into bomb bay. The TWO HEN, seated in eub, lean over and secure bomb to shelf with straps. ILARGO and HGN lower second bomb out of bay onto other shelf. Second bonb is strapped into place. LARGO signals for sub to return to boat. DRIVER starts motor. Sub turns, movee out from under plane, eens by LARGO, JANKI, VARGAS , and TWO OTHER

Small lighteé dots on opaque screen augmented. CAMERA PULLS BACK TO WIDER ANGLE. GROUP OF OFFICERS around | 4£IR VICE MARSHALL. inereseed activity in 3.G.

4tR vICe WMARSEALL Keep them airborne, Ask Air Intelli- nee to follow up all crash reports, and, sea, anywhere within flight

range = Activity continues.

“145, UEDERTATER SHOT. EDL. OP DISCO

LARGO, VARGsS, JANNI, twoeman sub with bombs, and TWO OTHER SWIMMERS, approaching open hatch near bow. Two-= man eub and GROUP go in through hatch.

Standing on grating around a tank filled to waterline. The placc is dimly illuminated by shaded overhead unit. MASLOV, KUTZi£'s assistant, stands beside hin, a youthful —

246,__ OTD.

counterpart. «around the bulkhsads ere racks holding u.dervater weapons, CO2 guns, spears, etc.; sleizhs, conm- pressors, see-tows. slong one bulkhead is a row of srelves with uncerwater suits, rebreathers, belts, lamps, etce Near it are containers, marked OXYGzN. Beside the wank ip @ smell crane, the arm alreaéy extended over side. LARGO, JaxhI, VARGAS, twoeman eub, OTHER SWIMMERS, eurface. arty — ¢ up onto grating, takes off mesk,hands KUTZU metal box.

LARGO - ieee ™e fuses.

JakNI and VARGAS climbd out of tank, tate off masks. ‘The OTHER SWIMMERS unstrap bombs from shelves of twoenan sub and help MEN on greting et crane secure bombs to crane lines. Chariot surfaces with OTHER SWIMMERS,

MARK et IWSTRUMEVT FaNEL on bulkheec, turns Enob. 147. UEDSRYATER SEO?T. BULL. PANEL

Sliding shut.

148, IFT. DISCO VOLARTE. SECRET HOLD. GROUP Activity of moving bombs from sub to greeting. MAT at

inetrument penel works @immer. Hold gradually illumingted yy bright light.

What can they have that the great Ladislav Eutze cannot handle?

Revised 19 Januery 1965 37

148. CTD.

LIRGO

Your share will emount te how many Nobel Frizes?

He walks to well phone, picks it up. Lineo (into phone) Captain -up anchore

Comiug up. . =

DISCO VCLANTS. HOUST Cray Opereting controls, etc. 0.5. ROLE OF ENGINE STARTING.

Getting underway. CAMER’ PANS <PTER IT.

232 EIT ae ESCO VOLINTS. TR'VSL SHOT. FROM ABCY3

The Disco picks up speed. DISs LVS: 153 = 157 ocrmrrp 158, PXT. SMALL DESERTED ISLwND. NIGHT - Corel rock formations along pert of 6 hore. fMERA P'NS TO DISce VOLNTE, on surface, etanding off island. DIscn

Volante starts to move. CATER FCLLOWS Iv ‘wly Fecw ISLAND. It picks up speed.

259 = 160 OMITTED

Revised 19 January 1965 _ 38

fhe boat, cruising at 15 knots through open see.

LiRG® enters from aft batch, now wearing beantifully- tailored sports clotkes and scarf. He holds a drink in one hand, a cigar in the other.

LiRGO sets down glass, puts on headset, talks into mike.

Vile w * a dead, ey Eo a

+

BLOFELS as before, stroking Cit. CLMERA CNGIS VITENS TO INCIU'G SRVURT. OTETR SISCTESS who were present at con- ferences. CRE flips off radio.

ELOPELD ; Humbor Three hes done well. Unlike bie Sub-Cperetor L., whe could heve periouely involved us by his impul- siveness eat Shrublende. Sené a message thet we have no further use for him —

164. "XT. SHRURL‘YSS. (STNT. PATRTCT:. ‘DAY

C-MER* TRACKING FIT TER TOTARD CAR. He walks briskly, cerrying suitcase, P°TRICI’ hurrying beeide him.

LIPFE'S Facel Vega drives up to the side of Shrublands and perks. He switches off the lights and gets out of the car. He looks up at the house. | 1638. EXT. SHRUBIVIS. LIPPH'S P.O.V. PAN ecross the fecede of the house.

163C. SERUBL ‘NDS. BOND'S ROCM. BOND'S ?F.0.V.

BONT ie wetching LIPFS through the net curtains across the window of his room. He lifte his wrist end looks at his ratch. The time is one o'clock,

| LIFFE looks at his watch ‘end turme his head. 163E, EXT. SHHUBISNTS. LIPPR'S P.0,Y.

AN AY RUL‘NCE drives into the grounds end along the drive towsrds LIFYs.

1€3F, INT. SERUBL(F SERUBL(NS. BOWS ROOM. BOND. BONS wetches the ambulnnce park alongside the Fecel Yeza. THO AMEULANCE MEN get out of the anbulance end walk qgickiy rourd to the back of the ambulance.

The doors of the embulence are opened and one of the AMSULANCE

YER clitbse into the back of the ambulance. He sterts to push the stretcher out of the ambulence. PILAZZI'S body iies on the etretcher, covered with a blanket.

BW turns from the window ard walks scross to pick up bis Gressing gown.

BOR VWiLES acrose to the bed.

f

163F Contd.

P*TRICLA So ere you.

BOND F4sses her lightly and then streightens up again.

PATRICIA sits up in bed. -

fH SOUND of the doore of the ambulance being cisecc.

qr? AMEUL'SCE VEN carry the stretcher ecrogss to the eide of t he house, where LIT?S is waiting.

THT AUBUL"NCE MEN cerry the stretcher into the yerd and Lirias shuts the gete. He walks quickly peet the imbulence Men an¢ umiocks the door into the house. He pulie the door open and the AMBUL' NC? HEN carry the stretcher into the house.

LIFF2 follows the AMBUL’RCD MEE into the house, pulle the door shut behind bia end locke the door. He gestures elonge the corridor and the SMBUL‘HCS MEX move forrerd. LiIfFr= glences @ickly round end then follows then.

38¢

CLOSE SHOT OF BOND standing at the top of the stairs, listening,

163K, INT, SHRUBLANDS, COMRTDOR, LIPPE. AMBULANCE MEN, BASEMENT,

They start to manccuvre the stretcher round the corner of the corrider. LIPPE looks over his shoulder and seos POND'S shadow on

the stairs,

163L, INT, SHRUBLANDS, CORRIDOR. LIPPE'S P.0.V.

BOND'S shadow is thrown ocross the facing wall et the turn in the stairs.

Looking up the stzirs os BOND walks slowly, cerefully down the stairs to the corridor. Full back with him as hoe welks forward eBlong the corridor.

MOVING FORWARD along the empty cerridor.

1630, INT. SHRUBLANDS. CORRIDOR. BOND,

BOND reaches the turn in the corridor and stops. He moves forwerd cautiously and locks aleng the side corridor.

163P,.__INT. SHRUBLANDS. CORRTDOR. BOND'S P.O,V,

The corridor is empty. The plastic curtcine still. The house is silent.

6 NI. SHRUBLANDS. CO R. BOND

BOND looke neress ct the other side of tho cerridor end the door into one of the rooms, He stepa across and pushes it open. One of the equipment rooms, BOND steps irto the room.

BOND pulls a trolley with various piecos of equipment out of tho Toom ond inte the corridor. He places the trolley acrose the end of the side corridor, effectively blocking it. He picks up picces of equipmont and scatters them on tne floor of the corridor behind

38D.

16 LNDS fe) 0

CLOSE SHOT of BOND eas he turns his head, listening. He strnightens up and meves forward towerdsa the end of the corridor. de glances a: each doer es he passes it. He puts ae chair down in front of the door out of o room on the left of the corrider. He reaches the doo: ef the TRACTION ROOM and looks at it,

263T, INT. SHRUSLANDS. BOND'S F.0.V,

The door is slightly open. MOVE FORWARD and push the door open, Aeross the room, half in shadow, BOND sees the shape of PaLAZZI'S

body on the traction table.

BOND pauses in the doorway and then walks inte the room and across to the table.

1630, INT, SHRUBLANDS. LIPPE. |

CLOSE SUST OF LIFPE.

163¥. INT. SHRUBLANDS, 4MBUL.NCE MAN,

CLOSE SHOT OF ONE OF ‘THE AMBULANCE MEN,

263X._ INT. SHRUSLANDS. TRiCTION ROOM. BOND,

LOOEING across the rom at BOND as he leans ower the body. CAMERA ANGLE WIDENS to include the glass screen at the end of the tractio: machine and the shadow of the other AMBULANCE Mak. BOND reaches f:

the blanket oovering the body.

163Y, INT. SHRUBLANDS. BOND

BOND pulls back the blanket and loekse down et PALAZZI'S face, covered with bandages,

632, INT LAKDS ULANCE MAN

The AMBULANCE MAN brings out a revolver and a silencer, He begins to screw the silencer onte the muzziv of the revolver,

i

38E,

BOND unwraps the bandages round the face,

164h. INT, SHRUBLANDS, LMBULANCE MAN,

THE AMBUL'.NCE MAN tightens the silencer and liafte the revolver in BOND'S direction,

BOND cleevs enough of the bandages to see the face under them. He leans over the body to see mere clearly. CAMERA ANGLE WIDENS to include the muzzle of the gun over his head, inching out between thi plastic curtains. Suddenly there is a gasp, a eresh and e startled shout,

164¢ SHRUBLANDS. _BO

BOND turns and moves quickly zoross to the door. He pauses a moment in the doorway and then, steps out into the corridor.

164n,__ INT, SHRUBLANDS, FOND'S P,O.V,

Helfway elong the sorridor, jumbled up with the trolley and the scattered pieces of equipment, is PATRICI“, flat om her back with her legs straddled.

1645 . wD Pi n'S P.0,¥.

LOCKING UP iT BOND as he walks towards hor. He stands iooking down at her and shekes his head.

BOND crouches down beside PATRICIA and helps her to get up.

hovements upsteirs and when the lights stert going on, BOND catches her by the hand and pulls her up onto her feet.

_

SPIRE TY nT

6 a . pr P

BOND AND PATRICIA stand in the cprridor for a moment, deciding which way to g6. P..TRICIA pulls him towards the steirs. BOND ahakes tis head and pulls jaer auto the side corridor. Grinning,

the twe m= along the co Ors

CLOSE SHOT OF LIPPE.

DISSOLVE

CAMERA TRACKING WITH THEN TOWARDS CAR. He walks briskly, carrying suitcase, PATRICIA hurrying beaide hin.

”

PitR a

What xind of work ao sou do, anyway?

CAMERA HOLDS as they reach the cer, NOTE: The ending wild be slightly different. 1652172 OMITTED,

Revised 19 Jamary 1965 40 } 17h CTD.

Be pute hie suitcase in back, opexzs door beside driver's peat. CAMER’ COMES IN CLOSER,

BND

Well = thanks for the treatment - let's... Let's stay in touch -

Be backs it out pest her. She weves. ‘He waves back, turns, (drives off. She exite scene in opposite direction.

173. Bar, DOORWIY. LIPS oN MTRICLS visible walking away in B.G. CAMURA Pits LIPs(y

| QUICKLY TLR PACEL-VEGL, HA SDIS as he geta in, starts wtor, drives off after BON.

174, EXD. EIGET{Y. SERUBL'NDS ENTRANCE

BS turns into highway, drives out of scexe. Fecel-Vege follows.

175. Bxt. FIGE=AY, B's CAR Pacel-Vege behind it.

Coe hend on wheel, he takes gun out of compertment.

BOW rounds it, followed by Facel-Vega.

Rearing Facel-Vega overtaking him, looking beck.

179.__WEA? EE STS

| LIPSCH in Fecel-Vegn behind him, levelling gun, firing.

Revised 19 Jamary 1965 42 180. IPT. CR, BIND. _ (PROCESS)

Zullet smashes wind-ehield., SWNT accelerates, pulls away from Fecel-Vega. Several more shots from C.&.,

181, =2xX?. HIGHUAY. P*CSL-VEGA BEHIN: BOWS Clz

Roaring up on Facel-Vega's tail is a motorcycle. The CYCLIST is slight, wearing black leather jecket, trouscrs, glovee, and helmet with built-in goggles.

182. _ INSERT: TRIGGER

Below nozzle of 5 fleme-throver between handle=-bars. MOTORCYCLIS®?'S hand pulls trigger.

& long jet-like burst of flame licks cut from motorcycle and hite Yecel~Vega near ges-tank.

Immediste explosion. It swervee, crashes in ditch Wotor- eyele roars by.

Bereems te stop. ECND gets out. In B.G. motorcycle dia- Bppeara around curve. CAMERS PWNS BND BACK, running, toward burning Fsacel-Vege, ECLOS as he stops, confronted by flames, enguifing it, trapping LIPS"N in wreckage.

186, EXT, BIGHT’Y. BUT

Backing rapidly oway. Exploding.

DISSCLVB:

ey

Turning into side road.

Yotorcycle slows down as it approaches brin¥ of abandoned

3 us : a Seng een SUNS NU Se

RVISN Srd March, 3965 42 .

189. Ctd

querry At brink, CYCLIST hones off Unto-ewcle roes over brink.

Motoreyele “lunging down into water on flceor oaf-uerr” end disappearing. i

191. Ex wororexcList °

Turnines away from brink, stridin= twrard BOLET™, top dom, parked in bushes. CHUA NOL™S AP Cit as DOPONCICLIST takes . off helmet. CARA Coit. I” CHOSE, vevealin=~ the flaming ret hair of TIOMA X™LLY. She sta-te taking off leather jecket.

-

° UISSOLVZ:

Turning in from elée road FIOHL behind wheel, strilcingl dressed as thouch tusned ont br Ralenciaga. ind y

193. ITT, i's, OIPPor Row. rere AT DR3k as BOD enters hurriedly

You're late —

They're in the Conference Moon — at the: Hone Of%ice — everr Donhle=0 man in “rrove's been rushed in = 0a reel panic.

The Dalels havo teken = »

as

3rd March 1965 45 194, I COME MTN 200. ROU Tome, ON. ATR MARSHAL, ©

CARMA STOOTICG FROM DDIM MIN es he sits foun in the seventh of nine ermochairs arranged in a semiecircle in front of a table. HEIGHT int in civilten clothes seated in the chairs,’ thet. faces not visible. Tacin’: them, behind the table, are tre TOT SHCKO™ARY, iL, end AIN MATSEAL. TDehind the table

ds a large nap. On a well is a board with shotorrarhs of Vuloan crew. In front of H. is a tane rocordéer,

* i. (addressing BOT and peated LT) . Tow thet we're all here ~ the Prine fiinister hes anked the ° Home Secretary to a*Aress vou,

(indteratine recorder) Gentlenen, the tave you willl now hear was received at 10 Yownine Street tis usrnint — fle nods to i. who turns it on CANAnA COS IF ae OOM.

BOYD'S: VOICE oy dear Prine Minister — tro atomic weapons, 1°95 nimbere 456 ant 457, whieh were abcerd’ ATO Flicht 759, are now in the possession of Spectre. “Ve shall hold them until we receive in asckhance 2100 ,000, 000. Signel your aecesztence of ovr terms by crrangin: for Bir Pen to ~- etrike seven tines at aix P.0. tororror.

295. C7030 SHOP. ROT

Listening. In front of hin in a file, ite ecal unbroken ° ené mezrked: OT TO BE: OVITM UITLL ONSICIAMLY AWETIORIS&D.

SER

as

Revised 3rd March 1965

195. __ OTD.

BLOFFLO'§ VOICE if Big Ten does not strike seven times, within seven davs, a city in “nvland will be destroyed. 4 conv of this recording has bean sent to the Presiient of the ° United Stetes. (Spectre awaits your reply.)

256. GRIT. SHOOTING ERO TEHIND BOM AWD DOTRIROs uM, switches off recordor, HOE TMNSTARY

The Prime Jtinister an* the "resident heve conferred by telenhone and arreed, if the bombs are not recovaved, pavnent will be mace. Ho ‘ress aymouncenents will be mede to avoid general zanic. The Prine inister hap asxed that your Denarsment take charge of the oneration,

(TO ATR TMARBTUIL)

* 7

Sir John...

Arn HARTA (rising, in*ticatiny at tap) : This circle represents the fling ranze of thie trpe of aircraft. “xtensive soarch has feiled to locate evidence of a crash or

EQ Sack ™Lizy

( to M%. rising) Carry on. © I'll Keep you in the nicture from 30.10.

ATR TLANSHAT; secompanies TOL SECITARY out of scene.

Revised 3rd March 1955 , 45

196, CBD.

3U You ney now open the folders in: front of vou, gentlemen. Code~ neane "Thimcerball."

There is a som’ of tearine of naner an” shuffling, end then, EK goes on

Ti. ABs You cen sse, we hav. very. little to go om. All werbers of the crew had top security clearence, ‘You'll finé their photovraphs and eervice records in the folders. Yor'll be wortsing With Mito, CLA am” ell allied intellirence twmits. fkaet's all wmmtil yor ¢iserss vouwr intividnal assiemments with ne.

He rises. 297. ET EIT, BOD. | MOTO TIT

Rising, startin; to exit, AL bi; stars who heve plaved intelligence agents. If not, faces shovwld not be sham

198, 3030. CLOS@ mor, ROM)

As he noes thr ugh the photogrepha, Snademir he vicks one up agein thet he hed discarded. CATA I CLOSE a IehkvVilL‘'s fece.

199. Tr? [ers BOT)

He looks un? thougktfull-, then ebruptir turning back, serutinises TGERVAl.'s face again.

é

Revised 3rd March 195 1998, OT. NUM MOS. BOI) a

PAG: of ea telephone 4irectory. Hold for a second omiy an” then wetch as it falls S\'IIG with the novesent of the book Zaliin~, jerked to a halt br the chain attacksé te an@ look tt she heck oO” BOND, maUanz awe” across the estrencs = Fa a Fovernpent butisine.

199, Tm, DLOCK OF *yuatt. Rom, My

Jatch BOF? welk ecross ea.snall forecourt and in at the nain entrance of en ultraesnmart block of flats

19¢e, INT. CORTON CF TT.OCK oF ues, ME, DAY

The lift door opens silertiv and DOM steos out om to the thick carpet of the cormi of $e wlnances left an“ rirsht, then moves ewar to bis left. ~

199¢, OO, DTNAT'S FIAT, OROMD. Day

BOM tans on the door. PUL, SACK as he rilsmces again lett end rizht, BOND eshruzs en’, alnost reluctestiv, slins his hend inte bie cost pocket an brings srt e smell, rectarmulir piece of celluloid Ee eglivs it in between the etige of the

' door and the Coor jamb, by the vele lock He vorks for a

uonent en* then pushes the door open Re shakes ris head slightly and stens into the flat.

BOT closes the door qiietly befiné kin an’ stese forward

tO thea centre of the natin room. As he Seine his scrutiny of the moon, STITG with the novenent of bie hand, centre on the “oor 4nto the Dedroon, catch e novenent t=rorm the binge openins and 20M! forwad ecrose the rear.

FIA de wate-ine BOT 5 tonne the hinve owerin«. She opens her small ben’ ‘a; and tekes out @ ~ocder eonpact.

ae ee —

Revised 3ré March 1965 | 47 199, CTD.

attached to the compact is a lipstick. FIOM holds the lin stick carefully end presses tho ent vith her thumb, A tclescopic knife, ahaved like an ioe-pick,shoota out of the --ipstick, about sis inches in length. She atens ecross the back of the door, waitinz for BOND to walk into the bedroon.

199g. DWANTS BT", POM, DAY

BOD walks ncross the roon, towards the bedroon door He:

is about to sten thronch the doorwav, when he sess a. vhoto- eraph on the brrean in-the cnmer 1 the roou, encarst hi-fi eqripnent, recorda an* books He tucns awar from the bedroom.

199h,. DEVWAL'S Frm, STAM.

FIORA tenses, listening.

BUD slips the photortaph ints his pocket an? welks ecross to door. Ne listens for a nonent, opens the door and welks out, shutting the door,

200, ITSmt: PROTOS LAE

DavViL anf DYINI'US on @ beach, He sears trimks, she bra end Nikini, e deautifnul Sark sirl in her middle twenties.

Hts VOICE ‘I assioma: you to Station ¢, Canada.

20h. I. FB oe, BoD

lL. is sitting at his “esk. Looking mst the photograph, which BOI) is hol*ing in bis band.

iL, Gronp Cantein Pritchard here will be vour dir Force liaison. .

i. gestures at Pritchard, who is sitting next to ACT,

BOrD T resvectfully aucgzest vou change ar assifmment to Taeear, sir.

u. (acidly) Ie there any other reason - besiAes rour enthusiaen for water sorts?

Revised 3rd Marck 1965 4 Ta.

201. OTD.

DOND eits forgari end offern tL the phototraph, tT takes it

“BOND -

. studles the photosranhk silently. Fe locks up abruptly.

die

looks at BOD

“H Fell?

GROUP CA™RALT . Oh, no — air Not possible. He WAS seen bony“ing and took off in the Voican = last nitht.

¥. (quietly) All Double—-O0 numbers ere hiphly trained onf exverience? officers: If Double-07 save ke saw Dervel = at Bhrvblenés — an! he was dend...

hard.

That's enousth tor me to initiate enquiriss.

Oh, well — ves, sir. Of c-arse!

Revised 3rd Herch 1965 am 202. Ctd. POND is both surprised and ratified. rn Tho's the girl? BOM -

Nerval's sister. -I found a conple of letters = and another vhotocraph

a

BO) starts to take the letters ovt of his pocket.

it.

Cow did yor get hold of this? There in en unconmfortatle silence.

, wu Eon, ™ vou Know where she is?

She's in Tinesau.

You think ehe's worth investi- gating?

Ho looks down at the photocraph azain, then up to sce BOD is grinning sli btily.

For once 3!. looks as if hs le blushing.

re

Revised 3rd Merch 1965 48 202. CTD.

Bon So far she's the only lead.

There is a neuse . exeks at his pipe. A sudden growl.

Mh met We've got four dars, Dorble-07. Don't spend all rour time - sitting nround.,

BOND grins, starte for the door. °

203. ITT, t's RCITION ROM, NOmemry

Hastilvy surning eawavt fron iuterest on which she has been Listening as ROM entars

BOW? Eaevestropping again, Lonevoenny?

(sweetly) 2 elwavs do where you're conocrned, ove, (indicating photo in his hand) May I lock? (taking picture) Suashin- figure. TI don't supnose that he’ anvthinz to do with your request?

Bom

(sighs) If ever there lived a wan nore misunderstood —

Janes, you may be able to con the olf man ~ I mow batter —

oo 49 Reviraed 3>d Maren 15965

203. CTD. :

72'S VOrCcS So do I, "M18 Hones an tergon)

I'll thank yor not to refer to me as the ol) nen!

ped BOTH grin, he brushes her cheek with his lips, sterts out.

" SOT SEIT Y (holés out pleture) Pest! How else will vou ever recomnise her? He takes the Dhotograph fron her, stares dom at it gravely. 203a. LIST: Tr TIamORnAeA .

BOND'S VOICE over.

Conldn't niss... she's fot two: small noles on the ipper thigh.

Revised 4 March 1965 . 50.

204/221 OMIPTED

222. UNDERWATER SHOT. SEA GARDENS.

Small fish, waving sea-weed, etc. Coral formations in B.6G. . Targe TURTLE swims into scene. Behind it, grasping the shell ea though steering it, is a girl with snork 1 and mask,

wearing bra and bikini - DOMINIQUE. —

223. UNDSRVATER SHOT. BOND

in a and snorkel, looking toward DOKINIQUE and TURTLE in e €

s:

224, SE SHOT. BOND'S PACE THROUGE MASE Identifying hin. ee 225, WATER SHOT. DONINIOUE

And turtle with BOND in B.G. The turtle slips away from her. CAMERA LOSES BOND, FOLLOWS DOXINIQUE TO BOTTOM. She picks up starfish, gets entankled with sea-weed. BOND swims into scene, helps extricate her lovely body, gets entangled hin- ee: She helps him, then swims up toward surface. He ollows.

DOMINIQUE and BOND surface between two outboard moterboats anchored six feet apart. PAULA ROBERTS, a tall derk Bahamian girl, waits patiently in one of them. In B.G&, ashore is

vee ere several hundred feet away. BOND and DOMINIQUE take

her beat)

Who are you?

BOND

Bond, James Bond - I gat here just after you went down. I've been ad

miring your forn.

Ra do vou.

226. OTD.

50a. Revised 4 March 1965

You don't waste time, do you? (giving him starfish)

For effort -

She climbs into her boat. He helps boost her ever aide,

She watches him curiously as he swims to the other bost and climbs in.

22 . _BuACH. st

4 muscular tow-headed YOUNG MAN looking through binoculers toward sea gardens.

228. WHAT HE SEES

The two motorboats. BOND in one with PAULA, DOMINIQUE in the other.

229. txt. BOND'S BOAT. DOMINTIOUS'S IN B.C.

She is pulling up anchor of hers as PAULA pulis up anchor

i?

Revised 4 Merch 1965 50>.

229. OTD.

ef his. He looks st PAULA, pinches off gas tube near motor. He gestures for PADLA to fake starting motor.

the gir, ~

She has been going through the motions of trydag to start the motor. ;

How'm I doing? BOND Great.

He gets to his feet,

to PAULA) . You don't mind waiting for the ser- vice boat? PAULA Not at all -

BOND goes overside, swims toward boat.

en ta ys a EL PTE ATI AD hte» inieork tia LE BM OR tg rH

Revised 4 March 1965 51.

Looking through binoculars.

231. QUIST'S POY.

BOND gets into DOMINIQUE's boat. She guns it. BOD weaves to PAULA as the boat drives off. .

252. =SXT. BOND'S BOAT. PAULA

Looking after DOMINIQUZ's boat. Mingled feminine and professional reactions.

2328. xT. BEACH. DIS?

QUIST puts the binoculars avay and stands up. He moves out of frame, ZOOM into the barder of trees at the ease of tke pe a5 @ man in e white panama suit and hat moves after

In B.G. beach: DOMINIQUE driving.

~

233.__CTD.

Revised 4 March 1965 5la.

° BOND : Let of things I want to know.

234, EXT, LONDON. BIG BEN. EVENING

The hands stand at 6 otclock. It strikes..... three times. xl. int. PLRIS. SPECTRE E.0. BLOFELD'S OFFICE. BIOFSLD Looking past the back of BLOFELD's cheir scross the office

at ea radio.

BIG BEN strikes the remaining four strokes.

Revised 4 March 1965 o2e.

235. _ OMITTED 236. 2x7. CORAL HARSOUR. POOL. BOND. DOMINIQUE. DAY

They are lunchine eat ea table beside the pool. Swanky hotel in 5.G. Sea off in opposite direction.

Sauntering casually past pool, glancing et BOND and DOMINIQUE in B.G.

ee Sn

Revised 4 March 1965

BOND sees DOLINIQUE locking towards QUIST in B.G.

QUIST moves out of scene tewards hotel.

DOMINIQUE looks across the harbour.

X2._ EXT. POOL. DOMINIOUD'S POY. Te DISCO VOLANTS is entering the harbour.

a oe —

a meee Ne a nee tee eee = eee me

Revised 4 March 1965 53a.

DONIEIQUE stands up.

. BOND Oh, surely you don't have to go? ;

the Disco Yolante ) My "“guerdian's" yacht,

it's a small island.

Revised 4 March 1965 54/58.

2388. CID. BORD Have dinner with me tonight. DOMINIQUE Now DOMINIQUE turns away. BOND DOMINO! DOMINIQUE (abruptly )

How do you mew that? How do you kmow my friends call me Domino?

DOMINIQUE looks at BOND for a moment.

' DOMINIQUE Goodbye, Mr. Bond. —

DOMINIQUE walks away. BOND looks at her. DISSOLVE:

qronta nen eePC RRND EE OO OE 7.5: |

Revised 4 March 1965 59.

Yi. It. CORAL HARBOUR. HOTEL. RECEPTION HALL. SOND

20ND walks across the reception hell to the PORTER's desk and cOllects his key,

Th. . ROTEL CORRIDOR. BOND

Jooking slong the empty corridor. HON) walks past the eamere to the door of his room. He glances at the door and then walks on past to the door of the next room.

X5. INT. BOTEL CORRIDOR. 30

BOND takes a second key out of his pocket and opens the door of the room next to his. ;

X6. INT. PAULA'S ROOM. BOND

BOND walks acress the room to the cennecting door to the nezt room. There is & case open on the bed, a case full of wemen's clothes. The cupboard next to the commecting door is opez

and full of dresses.

Xv. INT. PAULA'S RCO, BOND

BOND steafies himself and then opens the door quietly. He . steps into the doorway and opens the door into his Troon.

CLOSE SHOT of- BOND.

FAN round the room.

239b. Tim. BOND'S ROO. u

BORD walke into the room, eresses to his dressing table and flicks open the cever of a book, which is lying on the dressing table.

239¢. ._ 3OHD'S BOO. 0

Inside the book is a minieture tepe recerder. The reeis are turning end recording. BOND turns it to fast rewind and flicks it on. The reels turn fast in reverse end sound squeaks out from the speaker.

OND sets the. tane recorder to play=-back ané picks up his mall, black ettache case. ‘The tape recorder plays tack the ound of a door opening followed by it closing. SOND opens

Revised 4 March 1965 50e.

+ne attache cease after the usual rituel and takes out a silencer. He hears the sound of a cupbeard dowr sliding back, SOND walks across to the main cupboard and looks ror the hair he placed across the opening. It is gone.

myr./ BORD'S ROOM. BOND

BOND takes/ out his Walther from his ahoulder holstvr and fires the Bilencpr on to it. He hears the sound of a dour opening and, more distant, the sound of shewer curtains belig drawn. BOND glances at the door of the bathroon.

239f. INT. BORD'S POV. The door of the bathroom is slightly open.

240. OMITTED

BOND takes a step towards the bathroem. Enock on duor from

cerridor. BOND puts gun in pocket of his robe, fet: tewerd door.

With distinctive band, now clearly identified as FELIZ LETTER. Door opens.

ds LEITER comes in.

w

Before he cen finish, BOND hite him on the jaw. Litre Blumpe. BOND cetchesa him, sits him down in @ conv: ient chair. ZEITER shakes his heed groggily eas BOND pyiis the Walther out of the waiet-ban¢é of hie trousers and cures towards the bathroom door.

Moving cautiously, cum levelled towards curtains, u: he stops, reaches quickly in toward faucet, and turns it. Il:x=sdiate cascade of het water.

instinctively, QUiST tries to get away fron het wersr, gets entangled with curtains, threshes areund in then.

Revised 4 March 1965

Ah

As QUIST's head appears through curtains, BOND clude hin over the head with the butt of his Walther. QUIST timbles forward onto the bathroom floor, dropping his gun, and lies still, unconscious. BOND picks’ the gun up and walks sut

of the bathroon.

247. wT, nD'S ROOM. BOND - BOND crosses to FELIX, who is coming to.

| LETTER Hell of a way to treat the CLA.

fs BOND “eA + ALD right then - & present.

BOND hands hin QUIST's gui.

” goND Unexpected guest.

7. _

BOND walxs across to the dressing table and switches off the tape recorder and flicks back the cover of the book.

+ SOND 8

(grinning) Surely you know me better than thet. 247a. INT: BOND'S ROOM. BORD SOND walks across to the bathroon. 247d. NT. Odi. T SOND picks up QUIST and drops his head under the cold tap of the bath. He turns on the tap ani holds QUIST still as he

Struggles back to consciousness. SOND pulls QUIST upright 5nd arege hin into the main room

247. mM, HOTEL BOOM. LeITR. BOND. UIST

LEITER stands up and raises the gun as BOD brings QUIST into the room.

Revised 4 March 1965 60a.

AUIST stares silently at BOND.

BOND pushes QUIST across to the door.

-”

, BOND takes the gun from LEITER, takes out the clip and kends ‘ the exipty gun to QUIST.

| BOND opens the door.

BOND shuts the door in his face. 2474. Ir. BOTs, ROOM.

CLOSE SHOT of ISITE. . LITER

What's the game? CAMSRA ANGLS VIDENS as BOND walks across to LEITSR.

Camara

dene

~~

Revised 4 March 1565 61.

DISSOLVE:

248, EXT. PRINCE GEORGE'S WHARF. DAY

vative boats along wherf. Produce spread out. CUSTOMERS heggling with VENDORS. Liner visible across water. CAMERA M0VSS WITH LEITER, HOLDS AT SEOF, lettered: PINDER's. LEITZR glances around, goes in.

249. 3X7. STRAW MARKET. BOND ~

PIRUER, ar hind counter

He has just bought a het. He puts it on. CAMERA FOLLOWS Hiv along wharf activity.

250. Ex. PINDER'S SHOP

BOND approaches, glances about, enters.

A SHIP'S CHANDLIE'S SHOP. All sorte of merine equipment.

native with a bullet—head, is standing be- acing LEITER as BOND enters.

ee aah i cleanin nal

Revised 4 March 1965 62.

sil. CTD. rouIX and PINDER shake hands.

f°NDER Leads them to door at rear, opens it.

752, INT. STATRCASE. PINDER. BOND. LETTER rey gO down stairs, open door at botton.

253, INT. STOREROOM

Stacked with merchandise. - PAULA is sitting by & high-powered radio.

SINDER, BOND and LEITER walk into the storeroom and PAULL svitehes the set off.

; BORD Staliing for time, I suppose.

CAMERA ANGLS WIDENS to show Q, wearing shorte reveeling heiry legs, e floppy flowered shirt, sandals and a straw hat,

standing in improvised lab area.

253e. (357) INT. STORTROO™. BOND walks towards Q.

Peay te ee PS Cater Pyaar fee = Ay > Lanes

pk gE tent SB P pepe a AS A SP aay, oF tate, @ oe

Ee pagina

REVISED ISTE MARTE, 16E5 62a

7 = = 2ex%5 OR. : BOND Major Boothroyd - Felix Leiter, CIA. C. (as they steke bends) Eow do you do? BOND What have you got for me? Ss Aston-Martin with water wings? C. I find this business ef equipping you in the 2f1e15, om the mum, 2s it were, moet irregular, Doutie-07. f picske <p a “wrist-wetch." Oo | oo

f. The sweep—hent trkes the rréice activity coms it's weiesproct.

<y @ camera.

" BOD. Shockeproof too? Qe Of courae! a

This is eorething I vant you to use vith epeciel cere.

Is treeted mith equel contecct. Yes, I mov. But this caccre...

G givcs hin the cemere.

is something we've just develcocd,

What does it act Explede. burct

into flomcs cr piev “God Seve tie faacmnanl

~

, , Smt les pap CERRO a age RD Ret phoma HO ry Ee oy: er eer

ae eee ne

Swe

oes! oD WIVISED USTH MARCHE, 1965 6222.

it ‘tekee ei.zh*t photos in rerpid susceesion ‘by pressing thie button.

2a. Bt a

Wor -- thie rOPTERS ie a geiger—courter.

‘Feu eculée Seve fooled ne.

f Ser to dee Tittle lese then your weve frtvaleus self, Loubie-07.

BCH tukas “:c weaese esid “inspeete it.

o Ge.d wnsercrvor it registers radio- Sewmity (en She Light =s>tre = on

Leree Toe, or the ususl elicks.

Revised 4 Harch 1955 62b

zt

ca

e53e. Cr. Q. picks up a short—berrelled gun with revolving dru. Q.- Sub-aqua repeating gun. It fires explosive megnesium tracer-tierts. Q. puts the gun down and picks up e cigmr-case-sheped object. Q.

In the event an aqualung o> retreathe= is net immediately aveilabdle.ecae

Q. opens the object out end shows it to be @ miniature breathing device.

periods, of course - peraape two rinctes at a time.

7 BOND examines the breathing device. Q. +t cleses to a convenient pecket sire. Kow! Q. leads the wey to & table, where the egusiare is leic out. Q. Om the aqualung itself. Ferwerd= firing rockets. He taps the tubes on the air cylinders. BOND . I'ld need to keep my head down.

Qe It would be advisatle —- yea. The controls ere set at the weist <- hand controls.

.

Q. demonstrates the centrols. Q. Trig provides en ink screen tc the rear to cover your retreet.

as BORD and LEITER exemine the aquelung o. takes a celiophane- wrapped torpego-shaped pili out of a hoz.

Called Dears

~

bl ett wh

Revised 4 March 1965 62¢,

2535. oe _insnht: PI Lergt, in Q.'s hand.

a. Finally, Double-07 - @ recently developed, harmless radioactive

Ira. STOPRTROOI.

30ND eyes pill.

BOND. 0, LeTtcr

2532. 60e). Int. BOND

You -

(slight pause) swallow it. . _ DISSOLVE:

x8. ter. PALS

QUIST’s car arrives up to the berrier which is set-up across the driveway up to the main house. QUIST winds down the

| Window and looks at the GUARD, who nods. QUIST starts to

drive up to the house. x DAT. PATIYEA

Tke GUAED sterns back inte his small hut and picke up a telephone receiver,

X20. bat. PALTV. TERRA

PALNYRA is situated on the point of a emall peninsule. Running @long it is a seawall, with a beach and boathouse to the left,

Revised 10 Merch 1965 63.

10. _O7D.

and & small cave, not presently visible, to the right. A FROSH-WATER POOL is protected by a curved, slanting glass wind-break. POOLZCUSE, left of pool. GUESTHOUSES to the right. Beyond the POOL is the MAIN HOUSE, a handsome, one- storey modern building. To the right, the seawall curves round a SALT-YATin POCL. Grounds dotted with palm trees, tall hedges, exotic tropical bushes, potted fruit trees.

& HOUSESBOY carries a telephone across to the terrace towards the SALT-WATER POOL.

Te HOUSEBOY plugs the telephone in by ae tebdle om the terrace.

VARGAS picks up the receiver, listens for a moment end putes

the receiver down again. He walks towards the SALT-WATER POOL.

On the far side of the pool, LARGO.

X12. EXT. PALMYRA. VARGAS. LARGO

VARGAS stands, waiting for LaRGO to look up. LARGO is wetch- ing the sharks. Ee looks at VARGAS.

VARGAS nods.

VARGAS turns and walks away.

X23. EXT. PALUYPA. GO

CLOSE SHOT of LARGO

X14. EXT. PATiTYRA. LARGO'S POV.

The SHARKS surge back and forwards across the pool.

M15, EXT. PALMYRA. OQUIST

QUIST walks nervously ecross the terrece to LARGO. He stops fome twenty feet away. LARGO beckone him forwards. VARGAS pushes his shoulder,

here at

owe oF 4

1 oat Da

Revised 10 March 1965 638.

X16. EXT, PAUNIRA. LARRO

LARGO walks forwerd to meet QUIST. CAMERA ANGLE WIDENS TO INCLUDE QUIST.

LARGO

Wheat happened? QUIST doesn't answer. LARGO hite him hard in the face. The force cf the blow makes iia stagger beck and VARGAS catches him, QUIST tries to break awey, but VARGAS holés hin.

- LARGO You let Sim get the better of you.

LARGO walks past QUIST and looks at VARGAS as he draws level. LARGO nods slightly. VARGAS pushes QUIST forward.

X17. §EXT, PALMYHA. st Quist (frantic) Be was with a women ~ she net him = at the airport. X18. EXT. PALYYRA, QUIST'S POV. Noving towards the edse of the SLUT-WATEER POOL. QUIST*S VOICE

She is steying. at his hotel. She hes @ rocm next to hin.

X19. ExT. PALIYRA. LARGO LARSO We kmow of her. X20. 2X3. PALNTRa. OUIST. VARGAS

V&RGAS moves QUIZT, struggling violently, towards the Sili- WATER POOL. ’ ’

+

Revised 10 March 1965 63d.

X21. EXT. PatsyRa. QUiST"S POV. Moving forward, tilting over the edge to look at the sharks.

X22. INT. PATHYRA. TLAPGO. DOMINIQUE

LARGO meets DOMINIQUE walking through the house, towards the terrace. DOMINIQUE is wearing a bikini, with a towel slung over her ehoulder.

LARGO takes hold of her erm as she welks pest tin.

LARGO pute én arm round her shoulders. IDC2CSIQUE tries to shrug his DOMINIQUE

{irritebly) I want to sin.

DOMINIQUE looks et LARGO silently, then turns end welks wit him away from the terrace.

DISSOLVE:

Revised 10 Merch 1965 64,

254. OMITTED

255. XT. NASSAU. LONG SHOT. CATS RMARTINIOUS. NIGHT

CaMERA SHOOTING FROM BOY OF LAUNCH avpreaching and going under BRIDGs OVIR CHANNEL leading to LAGOCH. Boats enchored in legoon. Across it, LASDING leading up to OUTDOGR CAFS end CASINO beyond "4.

Going up steps. He weers white jacket.

Walking past tables sround peved dance floor, looking for . DOWING. COUPLES on floor, dancing, end sented at tables. They weer evening cress. There is en ORCHESTRA and GIRL SINGER, Festive-looking janterns. 4il very posh. / 50ND goes into Casino in 3.6. ;

258. Irt. CAsInd. LOUNGE. BORD

Snall room, beautifully eppointed. Low, large black leather chairs, cstZee tables. BOND croases to oor of GaiELING ROOK, goes ia.

259. Ie. GAMELING ROOM. SOND BESTS CASEIN 'S DEST Rear door. He looks arcund.

Chemmy and roulette tebles. PLATERS, OTLOORERS beh é then. CAMERA EOLTS OF JY TASLS. DOLENO, in a low-cut gown, wearing e@ smell dienona tiers, stands behind LARGO, in white jacket. Es hee the shoe. CROUPIER rakes counters to large stecr before hic. VARGAS unobtrusively in group standing behind pleyers, watching.

CASHIER'S DEST. CASHIZR. 3OnD

He takes motes fron wellet.

CASHIc2 takes notes, gives kin counters. He seunters out of scene. —

Revised 10 March 1965

LARGO tosses in counters.

No one responds, evidently reluctant to buck LARGO's run.

Piecing counters on table. LARGO ARGO merely glances et hin. DOMINO gives no indication of recognising hin.

LARGO slaps cards out of shoe. BOND glances at his.

Bight.

“LARGO wives himself another card, loses. C3OUPrI=cR flips

counters ° to BOND.

(caushe Soft guard } Wheat do you mean?

page bay ee ta

Revised 10 March 1965 66.

263. CTD.

(to CHEF DE Jzvx) Any objection to raising the limit? Five hundred pounds?

CHEF De JEUX (looking around) Messieure?

Murmur of assent, except from MAN with shoe to LARGO's right.

BORD sits dorn in vaceted sest. DOIN is now between hi=z and LARGO. Ee tosses counters onto table.

CaOUPIER Un beanco of five hundred pomdéds.

SEVERAL PLéYies throw in counters, *Avec*.

He tosses ix counters. CROUPIER returns evec betes.

Revised 10 March 1965 . 67.

263. 7D.

. LARGO (outwardly good-humoured ) You wish to put the evil on me, eh? We have a way to deal with that where I come from =

He holds out his hand towerd BOND, making e fork with first end little fingers. On his hend is = lerze ring, @ carved deethts hesd with octupuse_ike tentecies.

They pley. “ LARGO Six - " ; BORD Le Seven <- . CROUPIce rekes BOND counters. ILazsO's face derkens. LAEGO (covering up)

ne must find a new hex. Suive. They pley again. LARGO (turning ap carés) Eight -

Kurmur sround table as CROUPIER rakes counters to BOND.

mre

Revised 10 March 1965 68.

263. orp.

LARGO

Your system seems unbeatable,

Mr. ‘Bond. CROUPTIZR

. (to BOXD)

Your ‘Banco, Monsieur.

BOHD

I think I'll pass. This sort of thing can't last.

- (to DOMINIQUE) Mustn't presse my luck.

‘DOMINIQUE stands up.

BOND tips CROUPIER end CHEF DE JEUX, pockets renaining counters, moves out of scene with DOMINO towards door to jounge. CAMERA HOLDS on LARGO and VARGAS etanding behind him, LAanGO's face is not plesaant.

264, EXT. OUTDOOR CAPs. SOND. DONO

Coming out from lounge. HAITRE DE escorts thexn to table. BAHAMTAN GIRL DANCER in B.G. doing Pire Dance.

Waiting for BOND‘'e order after he seats then.

MATTRE DE exits. BOND glances towards GinL grecing her body) with flaming torches.

7 265. CTD.

They rise.

Revised 10 March 1965 69,

ra

CAMERA TRUCKS TESM OW TO DANCS FICGoR, FOLLOWS

- }. GLOSZEY es they dance.

; 30nD Where's your brother now?

DOMINIQUE * In Duglané. You would lfke hix. My trouble is I never meet anyone

REO

a a eee,

*r

Revised 10 March 1965 Tie

269. CID. CAMERA GOES WITH THEM, HOLDS as they meet’ LARGO and VARGAS.

BOND | Your niece is a delightful dancer.

LARGO nods, takes DONINO's ern, leads her away. VARGAS

follows. BOND looks after them. CAMERA PANS TEEM TO LANDING where LAUNCH is waiting.

LARGO is still holding DOMZHO'ts arm as they reach steps..

had to say. DOTA He talked about you a little. : LARGO Only a little? DORN He asked ~ would we sleep aboard tonight. LARGO

Then we ahall.

DOLINO gets inte the lammeh. LARGO and VabssS follow. BOATMAN starts Launch eway.

DISSOLVE:

271 = 291. _ OWITTED

LEITER end PINDER are helping BOND prepere for the underwaver reconneissance of the Disco Volente.

Revised 10 March 1965 70.

266. TXT. CASINO, VARGAS VAEGAS is standing near the door, watching then.

Dareing. .

How long will you be iz Nessau?

Lootizs towards them.

269. Sir. OUTDOOR Car. BOND. DOMINO

BOND

When you don't have much time, you have to be obvious.

Revised 10 Merch 1965 La to 80.

292. CTD.

: LEITIR Fifty-five hours from now.

BOND takes a swig from brandy bottle.

Short; low-tinmbered tunnel. PINDER, BOND and LEITER walk down it, go out door et end.

PINDER, BOND, LITER emerge from door. Rowboat tied up cute eide it. In the boat more underwater equipment, aqualung, helmet, fins, etc. PINDER and BOND get in. MTLEITER steadies

‘the boat end then climbs in after them. PIVDER pushes off, rows with oars wrapped in burlap. Boat moves away under wharf.

Rowboat comes out from under wharf between two fishing smacks; CAMERA FOLLOWS IT as FIEDER turns along line of other boats tied up at wharf.

DISSOLVE:

With Disco Volente in 5.G. No one visible on deck.

Approaching catemaren, which screens it from yacht.

“T

Revised 10 March 1965 81. 297. CrD. LZITER Don't stop to pick up any mer- maids. BOND

Rendezvous here - Be goes over side. JPINDGH rows boat away fron catamaran. 298. FEXT, SURPACE. BUEBLES indicating BORD's course. 299. UNDERTVATER SHOT. BOND Swimming. He turns on lemp.

Catamaran in 5.6. 201. UNDERT.ATON SHOT. HOLL OF DISCO. ask PROV From BOND'S POV. as he epproaches it.

302. UNDERUATOR SECT. BOND Moving along bow, checking counter on wrist.

303. .INS=RT: DIAL No radioactivity. 304. UNDERVATIR SHOT. sNeL TO SECRET HOLD.

BOND approaching it. He stops, examines panel, runs his hand along frame.

305. IN?. PILOT HOUSD. CLOSE SHOT. ALARN SCREEN

Lighting up es buzzer sounds. On screen outline of hull with red arrow flashing, indicating location of panel. CAMERA PULLS BACK. Jalil, in Engineer's sest, rouses, pushes Dutton on panel. 0O.S. ALARH BELLIS. Below alarm screen is

a larger one for underwater TV, not yet activated, and a remote control unit to operate TV camera in hull.

306. UNDERWATER SECT. BOND

™

Still examining panel. SPEAR FROU C02 GUN hita beside hin, sticks into hull. EOND turns, looks 0.S.

DOM ee gach IR ETE A mp PDS aS AS fa ew

Revised 10 March 1965 &2.

06. CTD.

CAMERA ANGLE WIDENS TO INCLUDE UNDERVATIR GULRD, in B.G., thrusting another spear into barrel. BOND dives as GUARD fires agein. BOND pulls out his knife, circles GUARD who also drawe knife.

LARGO and VARGAS hurry in.

JANKI throws switeh. 308. UNDEARTAToR SHOT. SOND. UNDERVATEP GUARD

Bright underweter iights es BOND feints with knife, then sleshes up, ripping GUARD's suit.

Oo. Nt. Pinot Sovse

LARGO turns on TV. CANERA COMES IN O8 TY SCREZD. Picture fades in. LARGO turns kmob of remcte control to pan picture till it picks up SOND and GUARD, stwikizg et BOND with knife. BOND catches his wrist with free hand. GUARD imees BOND who doubles up, drepping his knife. GUARD staba et him ecain. BOND twists awey. GUARD follows. ZARGO pens to keep then on screen.

SOND dives, twiste, comes up dehind GUAED, throws one arz around his neck, clewe at GUakD'e mask with the other. GdARD struggles deeperateiy. BOND rips off GUimD's mask, drops it. GUARD's struggles sreaually cease. BOND releases hin. BODY sinks out of scene.

Zi. INT. 2TLOT BCUSE GROUP around screen. LarGo Grenades!

LARGO hurries out, JANNI behind hie. VEGAS stops at chest, takes out box of grenades, follows then.

Revised 10 Mareh 1965 83,

312. UNDERWATER SHOT. BOND

At bottom, looking for kmife. He finds one, puts it in belt. 213. Ezt. DISCO. DECK, LARGO. Jani

Reaching rail, looking down. VARGAS points.

Indicating BOFD'’s course awey fron hull.

315. =XT. DECK. LARGO. JARNI

VARGAS joins then, sees bubbles, pulls an Fin, drops it over side.

316. UNDERWATER SHOT. GRENADE Sinking, CAHERA FOLLOVING IT DOWN.

gite UUDERTATER SzOo. BOND

Grenade explodes ebove hin, stunning him. He drifts near. pottom. Second grenade explodes neer hin.

3L8. EXT. DISCO. DECK. GROUP OTRaR SPSCTRES Joining LskGC, JANI, VARGAS.

. LARGO ,lLhe launch!

He remeine at reii as JASNI, VARGAS, OTHERS mm out of scene. DOHINO, in robe, appeers behind LARGO.

Get beck below!

Bewildered, she turns to obey. 219. UNDERTAG IR SHS BOND

Reviving.

‘a

Revised 10 March 1965 84.

VARGAS, JANNI, and SPECTRE go down ladder, get into launch.

Jel. UNDERWATER SHOT. BOND

Swimming away from yackt. Zele. ROWSOAT. FINDER. LETTER

Revesling his progress.

Leaving yacht, following bubbles. _

324. UNDERWATER SHOT. BOND

Swimming desperetely.

Overtaking bubbles.

Bubbles approaching it.

Bel. UNDERYVATER SHOT. BOND

Exhaustedly swimming under catameran between floats.

328. sar. LAUNCH

Heading for space between floata.

Splintering metallic sound es launch roesre through between floats. CAMERA CONES IN CLOSE TO SURFACE. 3BOND's tank floats up as though he had been hit by launch. <A moment leter he surfaces, takes off mask, smashes it against side of float, hooks it onto tank, slips out of harness, slashes barness with imife,.

QO. =2FT. LAUNCH Circling to come back through floats of catamaran.

Se ele

Revised 10 March 19€&35 85.

3308. Exc. BOVSOLAT. LEITOR. PINTER

dode ExT, CATAMARAN. BETWIEN FLOATS. "BOND

Sound of launch returning. He takes deep breath, submerges just before launch starts back between floets, thie time Slowly. dARNI spots tangled gear, leans over side, pulls it into launch. Launch continues on owt from under ceatamsaren.

3318. UNnoenvatze SHOT. BoNd Lungs élmost bursting as he holds breeth, then surfaces. 332. 22T. CATAMARAN, BOND . Clinging to side of float, gasping. 333. EX". LAUNOR. VARGAS. JAMNT. DRIVER As leunch starts awey from catamaran teoserds Disco Volante. JANET (examining geer ené emashed mask) Frope got hin.

CAMERA TAMS LAUICH AWLY.

BOND swims ent from under floats, ewey Seo yeeht. Ciitrt follows him out from under cetamarea. He swims towerés che beach,

m23. Ee. BRACE. BOND

BOnD struggles eshore on kis kmeee an® drags himself out of the weser on to the beach. ,

ied, scr, Frice.

Gaspins, BOND slumps for a moment end then, with the sount of the leunch drifting acrose the water to kim, BOND pushes himself up on to bis kmees and then, ke stende up.

DISSOLVE:

Ee ee. Pe ee ee a Se a 2 I ET Re

Revised 10 Merch 1965 85>

298). Ost. BIGHaAY. BOND. KIGHT frudging wearily along, BOND hears the sound of a car approache- ings Ee assumes hitch-hikxer's thumb appeal. HEADLIGHTS,

growing brighter. SLELK SPORTS ema top ep, slows down, stops Fepide hin. DRIVER opens car door for him. SOND gets in. .

3354p. (399). INT. CAR. BOTD. (PROCESS) (ola p.98) Closing door.

CAMERA ANGLE WIDENS TO IECLULE TRIVER. Yt ie FIONA KELLY. She wears @ chic cocktail dress. Om her band is a ring like LARGO 's. —

My outboerd capsized. JI ned to swin ashore. How far are you going?

FIONA rams the cer into gear.

4c, OGa). iXT. FIGEVAY

The car leaps forward, crashes through the gears and sweeps round the corner.

334d. (390d), INP. CAR. BOND. Fzore. (zecczss) BORD (calms) My name's Bond. Jaeres Bond. PIOKA. Fiona Eelly. She changes down. aw 4e, ec), =r, HIGEuay . The car surges eway down the roed. 4f, a). kt. CEIGHTAY "

TWO EAHANLANS standing at the site of the road wetch the cer, wide-eyed, ,

4g. (30%e). Che Just the slightest expression of dismay on B0rD's face.

‘

|

:

iH

i

Fr porate Mele WOK -

Revised 10 March 1565 85c.

an. 3992 EXT. BIGEV.AY

SWING with the car as it drives towerds the berrier leading into PALHYRA.

334. 4. (399e). INT. Can. BOND. (PROCESS) BOED sits forward.

Car drives fast towards it and ther, at the last moment, slides into a righteangle turn and avay down a side road.

34k. (399.4) cin. SaRRIER The SYDCTS= GUAED stares after tke car.

334L. (3994). INT. CAR. BOD. FIO... (PROCESS)

334m. (365%), S77. HIGauAY

The cam érives very quickly throtgh 8 smell villzge. 334n___(399L). 220. HIGHLY

i group of startled BAEANIiN Paces.

334.0. (399m), IN. CAR.

_ car. PIORA, ———

FIONA is concentrating, the tip of her tongue just shewing between her lites. .

->r5-e (395n}. SPT. SSAU

The car sweeps invo the town anéd slidas saad, @ corner.

The car 4rives fest through the turn end Zrives up to the Coral Harbour Hotel.

4x. (3990, mT, CAR. FIORA looks et SOND.

BOND

Hine too.

a ee eee

aagtes a Ste eh

await,

et reir ee er ee Ae i el oe ee baleg cepts F- -

Revised 10 Mareh 1965 85a.

fr. (3990). OTD.

BOND opens the door.

Some men don't like being taken for a ride.

F348. (3993), Et. CORAL BARBOUR HOTEL. SCRD

' BORD shuts the @oor of the car and walks across to the hetel.

DISSOLVE: CONFERENCE ROOW. HOME

part AE

Tre many HEN in the Conference Room are grouped srsuné ae tepe recorder, some of them standing, the EG: SECKETLRY AND ATEUIRSzaL sitting.

BLOFELD'S VOrIos eres B CONtainer will be dropped off the coast of Burne in the Mergui Archipelego. s+.

& MAN refers to the exact locetion on the mep es it is detailed.

pee@ vee

qs Mite.

Revised 10 Harch 1965 a6.

There is & sherp intake of breath amons the MEN listening.

The HOME SECREREY slences at his essistent, EFONNISTON, rbo is making notes, oriskly.

BLOFSELD’S VOICE eeoee WhOTe the atomic weapens mey be recovered.

The VOICS stones and the recorder spirs on Biiently. E. steps forward and switches it off.

HOw SECRETLEY Get on to De Eeers at once.

Eanyiston Yea, sir.

The HOME SECHETARY etends us.

M. I had a signal this morning, sir = from Double-07 in Nagsau.

’ HOME SUCRETLAT What's he got to report?

M. Qne or two things might imterest us = anyway, things seem to be sting up. KEaNISTOE Sir. .

Pet oe Le ae

wa Liha,

eee a

Se Coca Se a, Pa ll ae el a

cr. tre

Pe Ye ee Sb pore,

534+. (254) oTr.

RE. PF=GE 67 {15 Mer. '€5)

' HOM SECRET i2zv Yes - hat is it?

De. Beere, sir. They're pretty peeeinistic about msking up the con signment of diemonds in tine.

fre they!

fre HTME SICH PARRY walks ecross end takes the phone.

(inte phone) - I ean not esking for en opiricn. I an telling you thet met be done. Yo You understend? find in ecnethings iese then forty-cight houre.

325 - 339. OMTTTED

CLOS= S20? OF 4 MOLE STRIP es it te puiled ont of éev elering itequid ars ecrose sx infra-red light. FULL Si0a tetrc-

FIN M2 ané BCX.

Fetar ods |

sitzze is developing the fiir stri;.

cy BORD end LEITER.

TeITA2. Yeah, i see 27. Se?

Ber:

ond no one-gf°™ then.

(to Feule) Bring the dry printe to thse hata. Bight? Ceme cn Felix

LEITER

Tr ane?

, . ogingene a tan Aree epee ao hea : mae. townie) be oat net tt ‘a italien REPS PQS - apr :

Ne off erate pes AF,

lene .

we DE ye eee Ate Se Ee et . . a :

WS. FLEE 87a (25 Ber. '65) X 2ée co,

BON? If ther’ve en untdereete= hetech — the phole opcretion sas ummjerroter.

So = thet's shore we'll isok for the 'plsne. Right?

340. SSRI“T. STE, E_ FeLicorT2 IF P PLIGHT. Ber

Over watcr. Srall ielends in 2.6.

itiv=h et comtrols. BON: looking ever site “ith glsescs. Ee shakes his heet ené studies rep on bis lep.

Red ereyon carele enclosing eree ti tain 250 miles radius from Neseasu. Séi7. vee o* wove bt « “TRIER. > ne {sRNwTKS

Looking over the side rgrin.

leer bluc-grecn water surrounding lusk tropicel isi

Saullo Rae bat cad nn bpd a PS aR AOE AE RN lM pe aT ae oe

er oes cee

Peo Se COL ey

0 ee «see eos

Revised 1O Merch 1965 BS

BOND

So = the ane has to be that far LEITEIR

it Least. BORD

Another thing ~ the underwater hatch “mn the Disco Volante. ‘The bombs could have been taken aboerd = shipped eray....

; BOND (fed—up ) find she couldn't maxe 500 niles in thet time,

TBout ninety miles is her linit - for siz hours - there and back. BOND looks down et the sea agein.

346. Wait £3 sacs

Biue weter, islands.

BOED .

Let's get back to Hessen. We've spent enough time up here.

DISSOLVE:

Revised 10 March 1965 85.

348, AUPILL SS0T. HELICOPTER. IN FLITGST. lv diong the cogst of New Providence. BOND (looking through glasses) There's Lergo's place. 350. uxt, DONG SHOT. BiUNviu, FROE Tae ATE. BOND'S POV. Diseo Volante anckored off-shore aseiz.

Dewlicenes DiRGO. FICKA

LARGO lifts e rifle and cells for a clay pigeon to be Teleaseé, He steadies and fires. The clay nigern shatters.

; LL2co0 Of course they are watching us, my dear. ‘Be calls for exother cley pigeon. He sins em? kits it. LARGO

What’ else have they to do?

LARGO locks round at FIONA. CsleeR. ANGIO “5S FIONA STarS Ur TO SHOOT. "

; LLEGS They can only hope we etal) make e mistake = before theiz tine raus out.

FIONA calls ené shocts. She calls eazein ani shoots again. Both times ene shatters the target.

LARGO calls ené shoots. He shatters the terset.

pot

i aiit

ppeeyaetenyy Trilha OA Se OR ea fee: san pd ae Oe PAE A, ale el ADO Spm eeitla

See

Revised 10 March 1965 90.

LiRGO calls amd shoots. Ue shatters the target.

Because he tries to make ilove to your women?

PICEA oalls and shatters the target.

. FIOWS ° i shall Eill hiz.

PIOHA calls and shatters the target. | LAEGO Sometimes, my GeBPeccee

LARGO cradles PIOEA'ts face im one of Fis hands. She does not move away from him. She Goes net react at ell.

LzRGO

I think you forget - I oun you. I made you.

Revised 10 Merch 1965 gi.

X25. CTD.

There is a splash from the pocl behind LARGO and FIONA. ‘LARGO glances round.

X26. Wait So SEES DOMINO swins briskly across the pool. ‘FIONA'S VOICE Thst women.should not be here, Largo. It is dengerous.

27. PALMYR:. LARGO

He calls and fires. Calls agein and fires again. Both tines he shatters the tergets.

X28. PALMYPA. LARGO. FIONA

LiRGO When there are mistakes, my dear — then I will Listen to you.

He gestures her to shoot. FIONA calla and fires. Calls again end fires. Both times she hits the target.

FIOM © if Bond had died last night — as a result of your "misunderstanding" - his Government would imow for a certainty the bombs are here.

X29. P/UNYRA. ERGO

LiRGO calls viciously end fires. He hits the target. de. calls agaix, fires and hits the target.

DISSOLVS:

ogo algo pel RY a ety Shan Pee BE DLE Bb 5 RAPE ARI AE Rage ae te Tl ihe segue. cain DS ORS FA ee, ache ena ED CIE TO Madea iter, = 00

Revised 10 March 1965 92,

Te Widgeon taxis to a halt at the end of the runway. X31. INT. COCZPIT. LETTIN. SOND

LEITER

You're taking en awful chence,

James = going to Palmyra.

BOED — He's expecting me, isn't he?

X32, EXT. AIRPORT. WIDGEOR

pd drops to the ground and starts to walk ewey fren the P ane.

DISSOLVE: Delia. LARGO. FIOM FIONA What do you intend doing with the man Quist? LARGO puts the rifle away in a rack. LARGO He has already been punished. FIOHA He was acting on your orders? LARGO Naturally. LaRGO takes FIORA's gun. FIONA

Perhaps the wrong men was purished?

& telephone rings in the house and LikGO walts away fron FIONA, still carrying the rifle.

23h. Pyle skis Vins FIOW,

FIONA turns and looks at the peol.

I te

a

root

aber re et ee eee ee ee ee or

Revised 10 March 1965 93

X35. Welt SHo SEES

DOHINO lifts herseif out of the pool. She sees FIONA end loozs at her, coldly.

ps 6. Patri... FIONA PIONA stares back at DOMINIO.

FIOM. turns. Xoie Part, LirGO, FION,

LarRGO is standing just outside the house. FIOWA walks across to bin. .

LARGO

Tell me, my dear — is the time right?

. FIONA Whet are you talking ebdout?

LARGO suddenly throws the rifle at FIONA, whe catches it neetly.

BORD gets out of his car in front of the house. He turns ené welks towerds the maiz house, glencing et FIONAé's, which is perked among several others.

X39. ge PALER. BOND'S POY. Track round the car.

X40. EXT. PAUSYE:. BOD

CLOSE SHOT ef BOND, looking at the car. PULL BACK and wetch hin welk awey towards the mein house. :

ere:

Revised 10 March 1965 94.

350a. (272). =XT. PALHYR/. BOND. HOUSEBOY

The HOUSEBOY escorts BOND towards FRESH-7ATER POOL, where DOMWINO is swimming lazily. JANI, in trunks, is inflating @ rubber reft. VarGiS is sunning himeel? on a mattress in the B.G. DOHNINO sees BOND approeching and swims towards

VARGAS sits up abruptly.

Looking past BOND and DOLINO, who is climbing out of the pool, at JANNI, who has stopped pumping and is stering at BOND.

BORD picks up 2 large towel. 350d. (2748). ExT. EAL BORD. DCSINO BORD

Allow me. Be starts to dry her.

LARGO'S VoIss Welcome to Palmyra, Mr. Boné.

350e, (274b), ExT. PAtnryn.. Lio

LARGC reaches to sheke hends with BOND. Ze is holding FIOKA'ts rifle loosely in his left hand.

a a

Revised 10 Harch 1965 | 95.

Oe. 274d). CTD.

BOND

My pleasure. (

They shake hands. LARGO squeezes hard. BOD covers wince and gcsives pressure for pressure.

roe! ) ughing

Not like a spectre? LiPGC indicates the other HEN.

BORD glances briefly at the TWO MEN.

He has still not recovered from the shock of BOID‘'s entrance. LARGO'S VOICE | I think you met ir. Varges las* night. 350r. (2728). SXT. PATIYR.. VARGAS He stands up slowly to his full height. 250n. (27e). EXT. PAIMYR:. BOND

LAnGO'S VCICE Bur Collins, Hr. Bond?

BORD glances humorously at his geiger-counter watch. BORD

Tan dete esthaunét ¢hat $4608 af Av

Revised 10 Merch 1965 96.

350.1. (275), INSERT: DIAL OF WATCH Registering no radioactivity.

350i. (276). EXT. POOL. GROUP ALL but VARGAS take drinks.

LArGoO Verges does not drink. He does not smoke. He does not make love.

BOND glances at VARGAS and finds himself being watched.

VARGAS merely grunts enigmetically.

is fishing. Whet is yours, Mr. Bond?

BOND looks directly at DOMINO, who hes stretched herself luxuriously on @ reclining chair.

I thought you might. BOND turns to speak to DCHINO. 350k. (277). Eye. PALTyR.. DOMINO

~ DOHINO

Of course.

OER AAS

Revised 19 Merch 1965 97.

A shot and a clay pigeon shatters. 350m. (279). 2ST. PALMYRA. LARGO

Grim-faced, he fires agnin. CLMESL ANSLE widens to include BOND as LARGO turns to fece him. BOND is holding a rifle with seeming unease.

Perhaps you'll call fer me? BOND lifte the rifle. LARGO waits a soment efter BOND is

. ready end then calis very quickly, twice in successicz.

BOND hits both targets.

350n. (280). ExT. PATIP.. BOrD. LtRco

LaRGO steps up end calls. He fires ant hitea the terset. He calla & second time and hits the target.

BOND calls ard fires. He hits the target. He calls and fires ané hics the target. He calls three mere tines, fires end eech tice hits the target.

* pee!

Revised 10 March 1965 98.

350n. (280). CTD.

BOMD turns end holds out the rifle.

On. 260). zs. SALT-7ATon FOOL

Looking down into the pool as the sharks wurge back end

forth across it. LIFT and look across the pool at LARGO AND BORD.

EARGO

The notorious Golden Grotto sharks. The most savage — the most dangerous!

LARGO smiles at BORD.

BORD

Who's on the nenu today? BOND turns and walks away.

SWING with BOD es he wolks carefully round the edge of the SALT-"aTin POOL to the seawall.

BOND points across the seawall to the Disco Volante, visible off-shore.

RE rey STE

Revised 10 Herch 1965 96,

Oo. 290). CTD.

BOND turns and looks across the SALT-VWATSR POOL et LARGO. BOND'S POY.

LARGO is standing on the opposite side of the SaLT-WAaTSRn POOL. The sharks surge round the pool between the TWO MEN.

; BOND'S VOICE She 's & beauty. How fast can she go?

350s. (290b). EXT. DPALHYR'. LikGO'S Pov.

; BOND Well, yes I would. Very much.

LizGo I shall arrenge it.

DONINO'S VOICE

Emilio. Ot. 290¢). =iT. PALIY.. LARGO. DOMITO DOMINO walks up to LARGO, at the edge of tke pool.

DOMINO glances momentarily, with @isgust, isto the pool and then walks on towerds BOND. SWiWG with ner.

: . ' DOMINO . Come aiong, Mr. Bond. The fish ‘chowder smells delicious.

Reviseé 10 March 1965 100.

0.2. 290d). cXT. PALMYRA. TLAnco

ikGO'S VOICE Mr. Bond would like to inspect the Disco Volante —- from the inside.

DOMINO glances up at BOND.

We can all meet at the dunkenoo leter. You will be my guest to- © uigot, Mr. Bond?

PULL BACK as DOLTMNO leads BOND forwara.

DOMINO stops beside LakGo.

LARGO

Go along, my dear = T'il join you in = few minutes. My friends ere mmgry toc. "

BORD and DOUT™O move sut of scene along searwell. Cala ANGLE WISEMS TO INCLUDD LARGS VICKGE BASEET ewhich Larco opens, reveeling greet chunks of bleedy meat. Ue hurls chunks ywiecicusly in among sherks, wko fight Jor then. Gradually Lizst stows calmer.

.'pie pop

—y

Revised 10 March 1965 101.

FLUTE. SALT-VATER POOL

The sharks tear the meat to pieces. DISSOLV=: X41. EXT. DISSO VOLANTN. LATCH

Tne launch stops beside the DISCO VOLANTS. DOM and BOND go aboard.

X42. UXT. DISSO VOLARTU. Deck

The CAPTAIN meets them as they come on to the deck end salutes. . :

The CAPTAIF indisetes that they should walk ahead of hin.

CAPTiTN Ais you wish. Follow nme.

The CAPTAIN turns ersy. DONT follows him and SOND glances priefly at the Zase of his watch.

X53. INSERT: Walch FACE

The watch indicstes no radio activity.

LONG SHOT ecrosa ths engine reem looking at the CAPTAIN as he gestures et the messive trin diesels. 4s piainly pored. BOND seems to be listening intently.

X45. INSERT: WATCH FACS

The watch indicetes no radio activity. X46. INT. DISsSO TOLANTS. DOMINO is looking puzcled, even slightly annoyeé.

wi a

TR ——

a. ——ae- oP

Revieed 10 Merch 1965

X47, INT. DISCO VOLANTS. CAPTAIN. BOND. DOMINO

Tre CAPTAIN and BOND are standing in the radio room. DONINO is standing in the doorvwey.

BORD glances briefly at his wateh.

X48. INSERT: WATCE FACE Tse watch indicates no reaio activizy.

. The CAPTAIN, BOFD and DOMINO ere standing on the eafter-deck

of the DISCO YCLANTS, beside a little twoeseater amphitian craft.

BOED glances down at his watch.

I'm afreid we're Keeping wr. Bond from something importent.

BORD. smiles emiably gt DOMINO.

(embarressed ) Well = er — we have big intersl tans to correct = these things.

aon eT

Revised 10 March 1965 103

X49, CTD, DOHINO turns away from the men.

X50, EXT. DISCO VOLANIS. DO! DOMINO leans on the rail end looks across the water.

DOMINO glances round as BOND walks across the deck to her.

DISSOLVE:

X51. O77. PATEA'S ROOM. PAULA

PAULA is sitting in e chair ty the window of the roon, smoking 2 cigperette. The door adjoining the next room is open, PAULA looks up when she heers e key pusted into the lock of the next room's door. Ae she satands up, she glances at her watch ané frowns slightly. She walks across to the door and puils it wide. .

PAULA

Revised 10 March 1965 ies.

X52. INT. HOTEL. BOND'S ROOM. FIONA

FIONA is standing in the doorway of BORD’s roon, sringins the Key easily in her hand.

PAULL " Oh. Er - bullo.

FIONA

Obviously, Mr. Bond hes a hich opinion of himself.

PAULA hears & knock on the door of her roorm

. PAULA pulls the connecting door skut en® walks quickly across to the Socr of her roon. She ovens it ana VincGad steps into the coorway. PAULA opens her mouth to speaz and he clamps 8 large hand across her lips end clarzs the flesh round her mouth cruelly. Ee haifecarries her into the roox and kicks the door shut behind yin.

FIONA is standing in the doorway of BCKI's rees. She ges- tures to JANHI, whe is standing behind her. Ee velks quickly past and assists VARGAS as PAUTA begins to esrugele violently.

go of her face. PAULA opens her mouth to sereen, but Jai: hits her hard before she can.

X55. TET. SOPSL. PAULA'S ROCH. FIOTA PIONA smiles.

DISSOLVS:

-* + “

——ii!-

Fi“ emilee. She wnlkEs across to the writing tatle end

picks up 9m exvelope,. She looke round as she beers the SUB: of snother elep.

FIN? No. deit.

34U0L". eslurpe in V4RG..S'S grip. zULL BACK @° INCIO FT FI°H!. ae she walks scross to 220L’. She pushes the photogrrphs towards 7.U0LA's face.

TULA lifte her hend and looks etlently et Fi. FIR You will tell re. Xow = meybe later — but you will teli me.

TH? T° WKES store at each other. FI-W- laughs

“ISS“LYE:

£

Revised 10 March 1965 105.

The JUNKANOO procession in full flood down the main street.

In amongst the CROWDS lining the streets watching the pro- cessica.

X08. st. SSAT. JUNKANOO. G. TRY ANGIS Swirling with the proceasion down the centre of the street.

x59. Fert. NASSAU. JUNEANOO. NEW ANGLES

In amongst the CROWDS lining the streets watching the procession. Through the procersion, acrose the street, DOMINO and BOND ere sitting on a baicony, Iscking down at the procession. ZOOL] in towards them. .

E60. ExT. BALCONY. BOND. DOMINO

DOMINO is sitting forward, leeking down at the procession. BOND is sitting back, looking worried,

DOMINO turns her head and looks over her shouiser st SOND.

etandstill!

DOING

He will be here. Do not worry.

DOMINO turns away agein end looks down int £6 BORD looks at his watch. @ the Stree

Revised 10 Merch 1965 106

X61. EXT. BALCONY. DOMINO

BOND leans forward, looking over her shoulder.

X62. CxT. BALCONY. BOND'S POV.

Looking down into the street. LEITER is standing on the corner of the pavement, looking up at the balcony. Z00H down quickly towards his anxious face.

DOMINO laughs. X63. EXT. BALCONY. DOMINO DOWINO turns to look over her shoulder.

DOMINO

| (laughing) Your "previous engagement"?

X64. EXT. BALCONY. DOMINO'S POV. The balcony is empty end BOND hae gone.

X65. INT. STAIRCASE. BOND

Looking up a fiight of stairs as BOND swings himself round . the turn of the banmisters and hurtiles down.

X66. INT, RECEPTION Rall, BOND. LETTER

BOND walks quickly acrose the crowded hall to meet LEITER. ZOOM in towards then.

X67. INT. RECEPTION BALL. BOND. LETTER

Dn eT

sh eh: dete

EOVISS" 15TH MARCH '65 107

X67. CTD,

Bore No, I don't. I think I know where tc look.

BOES welke past LOITER, heading for the éoor. ZOOM evay from the i°7 ISN. SISCcLV7:

351 - 355 CMInTED 356, 17%. PISTGR'S. Bors. PIBTSR

BONS is getting dreesec for bis sortie prein met TLR... FIF SR is helping hin. TIN-SR BES BOSL the nee breathing epperetue, which SORT quickly cheeke end elits beck into ite case.

Fin eR ‘ The Governor's not very hsppr, but we'll heve our power-failure es you reguested.....

PIT ER hands BON a nose~-clip.

Bos I don't give e demm ebout the island, cinder, get the lights out in thet house. Thet*e all:

_

aD hae

we eS Be

To. F°GS (LS wR té€5) 17.2.

Gave im Erocress. Cnes ‘2 picces cerved end pein*tec see Lisures. ings repriseniec Fs Kepitwme, “ueems mes eromned ~mercrizs, *ishops se Colpkins, imishits ns sefehorses, rooke eg men Aas, pevns es penfuinr.

QR! IVGts Bol to TIER M6Ls. LRGS ¢ JlIZTL pleying

in tns 3.3. DMIs pleying at pirno.

mes e. HoOGH we Fanon’ S Sm BON” Fao

Bin. ds stenting bcside the cer, looking et his ratch.

(chispering) zou 11 heve Just ebout three

55 €4) II. “RVING ReCr. ER *T> T’SGO mevee chess piece, plerses vith hirsclf. LISEt§s e2 1 BG

(to Janni) Sage what is wrote.

b_(

Vet

wn

o-Fol goce cut crickly. UCMINIOVE, who stopped playins momentarily, resumes.

L°RGO BtSD thet

neo. UT. zit. OE

Zuehing forceré thro' tke Fushes towards the derk houre.

eee er

Revised 10 March 1965 108.

The front door ovens and JANNI runs out. LARGO follows hin into the doorway.

LARGO turns and welks back intoe the house. -« OSXT. PAL TRL, OND BOKD crouches in the bushes at the edge of the drive. He

stands up to move forward end comes face to face with a SPECTRE. ;

X72. EXT. ParvRa, BOND. SPECTRE BOND drops and catches the SPECTRE in a leg dive. The

SFECTRE. crashes down om to his back. BORD leape across hin, lifts hie head and hits him hard in the face.

T, DATMTRA. BOND. _SPUCTRE

BCND's fingers uaclasp the SPECTRE's weist belt end throws him over on to Ris face.

BOND loops the belt enki slips it round the SPSm=z's threet. Be ties the end round his wrists, which he pulls xsrs up behind his back, lifts his by the shoulders and rolis hin inte the bushes.

rv Oo « ?P~ ie be SOND . BORD moves foryverd ecross to the main house. 6. *, PitNPFSA,. ROW

BOND stands by the open front door end listenm. He sters into the doorway, just in time to see e@ door etart to open. Quickly, he steps back out of sight. VARGAS crosses the mein hell, looking for LARGO.

Xil.e Sat, Feutvcus,. SOND BOND hears the door shut and steps round inte the house. 278. IR?, STE. CED

BOND moves triuzkiy scrcss the hall and opene the door VARGAS came trstagk.

~~

Revised 10 March 1965 109.

X79, INT, Pam. BOND

BORD moves silertly down e staircase into the underground rooms. He crosses to the open door of the only room shote ing light.

x20. INT.

if

SES SROUND ROOM. KUTZE. PAULA

KUTZE is sittizs on the floor in front of PaTLA, who is

BElumped injthe esnzir. EUVEIZE is erying. He heers BOND move

towards hin ané turns, looking up as BOND hits him. KUTZE tuzms and sluors. SOND moves quickly to Fatla, pauses: end

then straightetse ur. He stands for a moment, looking down

a. her body. Zten, quickly, he turns and moves tovards <ne oor.

ze

StAT2C.Sa. LARGO. VARGAS

BPARSO and VikGSS turn the corner of the steire, hurrying omn. =

LARGO

She's dead.

LazGO and VAzesS cross the room, heading for the rooz.

Ld eo oe

The THO L8 Iersy isto the oan.

x84, INT. UWrrSz20UnD ROOM, XuTZE

XUTZE lying ce tie floor slumped. The ALARH SIRE! scree 357 = 370 OSS

71. o HAI: HOUSE IF 3.6.

FLOCDLIGHTS, zstretesicelly placed, go on.

EAT.

See

Revised 10 March 1965 110.

371s. okt. BOATHOUSE. BOND

Beach in B.G. brightly lit by floodlight. BOND starts @ashing towards foliage in 3b.G.

372. OMITTED

Running towards foliage. BURST of 0.S. gunfire. BOND throws himself forward and rolls into.the foliage. BOFD pulls out his Walther and fires into the approaching GROUP.

LARGO and VARGAS have joined the GROUT. TWO SPECTRES fell es BOND fires again.

375 = 376. OMITTED

Crossing in front. CAMERA PANS HIM AWAY TOWARD SEAYALL.

378. ixt. BOATHOUSE. LARGO. VARGAS. SPeECTRES

Comi round boathouse to front, they see BOND in 3.G. on seawall; they fire at hin. He fires back, runs along tne seawall away from them. They follow.

° ExT. BAT, a

BOND stops as he sees second GROUP OF SPECTRES coming toward him. He exchanges shots with them, empties Walther, junps off wall, runs towards palm trees and bushes eround opening in windbreak eround FRESH-VATUR POOL. Beside opening are steps leading down to HOUSING for pool heating apperatus, etc. LARGO, VARGAS and SFECTRES climb down from well and follow hin, firing.

80. »- FOOL. BO

BOND runs éelongside the reall. He stops abruptly es he sees KUTZE standing with TWO SPECTRES outside the mein house. BURLY SPECTRE suddenly aspears behing him from arouré the guesthouse and jumps hi=. BOND strugzles to break evey, — into pool with SSSCTRE. They wrestle about in the poole

Revised 10 March 2965 ali.

They reach the opering. VARGAS and OTHERS go through eee eee towerds the pocl. LARGO stops, goes down into USING,

382. Uxt. FOOL. BOND, SPECTRE Fighting in the pool. BOND frees erm, draws kmife, stebds

SPECIRE, who bleeds from wounds as he continues uwrestiing sh BOND. VARGAS and SPECTRES reach pool.

At switchboard. He pulls switch. 384. TXT. POOL. BORD. SPSOTRY. VARGAS. O™E=rs

Four triangular sheets of metal come out from sides of pool near the son.

385, EYT. POOL. BOND. SPECTRE

Metal sheets closing above them. BOMD stabs SPECTEE e-teir., desperately treaxs away from him. Sheeta close, a foct and a half above water.

86. Inr. OC 2 G

Pulling another switch. 87. UWDEevsATe:: SHO?.

Panel in side of pool opening behind them. They swiz through opening into tunnel.

88. UNDERTAT-> SEO?. TUNTEDL Sharks swimming through it.

Reaching up towarde point of four triengular peel covers,

trying to pry them open with knife. S0DY of dead Spectre floats near hin.

390. Nt.

Operating switch. °

So

+ ow eS |

ee ee ee

we

Revised 10 Merch 1965 112.

391. UNDERVATS SHOT. FRESE-WATER POOL. BOND Sekind hin panel Slides open and sharks swim into pool.

fhe charks are attecking the bleeding corpse. HEOGND pulls out the minieture breathing apparatus and opens i+. He grips it betweer his tecth. The sharks surge rownd the corpse, threshing the blocdstained weter. BOHD pushes on the nose clip and dives for the tunnel.

WANES SHOT. BOND

Sharks around the DEAD STECTRE in 5.G. BOND. sees the open

panel, glances briefly over his shoulder and then pushes +76 the tunnel.

Swimming towards the selt-water pool.

a5, « HVUSING. LARGO iARGO comes up the steps and starts walking towerds th

epening in the windbreaz. In 3.G. VARGAS and SPscrecs standing arowuné the still covered peol.

396. UNDERTATTS SHOT. SALT-FATER POOL.

BOND swims in from tunnel through penel cpening, isoks beck into the tunnel and swims hastily to the side.

SOT. bate SALI RWATIE POCu

BOED surfaces, scrambles desperetcly out of the Fool just as the sharks surface behind and telow him. He falic, gasping, on to his mmees.

DEN!

BOND gets up. CAMCRA PANS HI! AWAY FROM TEE POCL TOYARTS trees and bushes behind the erd of the mein house in E.G.

TESSGLV= !

i ards PUL se Gh tees |

ca RAEI

Styne sake pi OR

Revised 16 Mareh 1965 113.

285. S22. FIGEVAY. NIGET. PT

PINDER is weiting in the car, which is parked off the road out of sight of enyone passing on the road. Be hears a noise in the undergrowth close to him ant cocks the automatic rifle he is carrying. He lifts it and sims to- wards the sound of the noise. The noise stops ena there is a quiet whistle. PINDER lowers the rifle exi BOND pushes through the undergrowth to the cer.

F86. S07. FITGEWAY. PINDER. BOND. (PROCESS)

Soaking wet and exhausted BOND climbs into the car and slumps.

PINDER érops the rifle on to the back seat and starts the exgine.

DISSOLVE: x87. 2. CCEAT SIRS0UR HOTS... NIGES PIEDER's car drives up to the hotel and stops. xe8. (1134). JET. AR. PINDER. Bor. "seocess)

BOED Ralf-cpems the car door.

PINDER

X80. EXT, CCRAT EsPROUR HOTEL. Bor)

BOWD gets ent of the car, shuts the door ex walre across to the hotel.

IoC. IT. POT COSSIDOR. BOND

BOND walks past the samera to the door cf Lie room, glances at it as he weiks pest and on to the docr ef the next rooz.

XL. I2. ETF oD ZOTD pulls the second key out of bis pocket and opens the

corn

Revised 10 March 1965 114

x91. CTD.

door of the next room. 398 = 411 OuiTTeD

BOND walks into the room and shuts the door. He stops by the door, stertled, and looks round the roon.

Size. TNT. FAULA'S ROU. - BOND'S Pov.

PAN round the room which is obviously occupied and occupied by a wom2n.

412t. INT. PAULA'S ROOM. BOND CLOSE SHOT of BOND as he regieters the SOUND of the SHOWER. 412c. INT. PAULA'S ROOM. BOND

BOND walks across to the door of the bathroom, hesitates for a moment, and then opens the door.

412d. IFT. THE BATHROOM. FIONA

FIONA is in shower and her naked body can just be seen through the shower curtain.

412e, TW. BATHROOM, BOND

BOND kmows it cannot be PAULA, but this is her room and he feels a chill, wetching the woman's body through the shower curtains.

FIONA tuxns the shower off.

a

FIONA'tS VOICE Who's there?

FIONA pulls beck enough of the shower curtains to look

out. She sees BOND. FIONA Oh. { 412c. %$INT. BATHROCH. BOND BOND

Bulio.

+h

milan] dy 00

«2p @re Fe ree dame

Revised 10 Merch 1965 115.

4.2h., INT. BieezO0OH. FIONA

Tt don't kmow. An I? 412,41. PATEROCE. FIOWA

~ FIONA Will you pase me the bathrobe? BOND'S VOICE

if I must. CAMERA ANGLE WiOSNS TO INCLUDE EOND as he takes a towelling bathrobe off a Hooxe and walks across to the shower. FIOEA takes the bathrobe. 4123. ONT. BAPe200".. BOND BORD welkse out of the batnroon. 412k. %NT. PATLA'S ROOM. Bom

BOND walks to the comnecting door and opens it. Ee ovens the door into his ovm room.

BOND looks round at FIONA. 412n. jOINT. PESTS ROOM. FIONA

FIOEA is stending in the bethroom doorway, with the bethrobe casually draped round her, without letting it conceal very convincingly.

_ BOND'S VOICE Jowhere.

CANEPA ANGLE AIDENS FO INCLUDE SOND as he walks across to her.

Revised 10 March 1965 116.

412L. CTD.

FIONA pute a band on his arm. She feels hts shirt is damp and rums her hand up on to his shoulder.

PUSH IN TOWARDS FIOKA'S FACE, Looking up et BOND.

The back of BChi's head crosses CAMERA and obscures FIONA's face.

CLOSE SHOT OF FIONA'S LaGS es the bathrobe falis ox to

the floor. PAN cite the legs as they walk, with SOLD 's legs, towards the bed, passing BOND's shirt which res been drepped on to the floor.

BOND'S VOICE — On the contrary.

DISSOLVE:

ee

Revised 10 Merch 1965 = 117.

The room is empty. - The connecting doors are open and some light shows through the doorway. BOND walks quietly into the doorway, pullizg the towelling bathrobe round his shoulders. He walks across to his dressing table and reaches for the book-tape recorder.

anything. BOND looks round quickly, without touching the book.

13a. INT. BOND'S ROOM. . FIONA

FIONA is standing in the doorway of her room, wearing # semi-transparent pale green nightgown.

413b. INT. BOND'S ROOM. FIONA. BOND BOND walks ecross to FIONA.

They embrace. FIONA (laughing) You've made a terrible mess of my hair.

FIONA turns away and walks back into her roon.

pm amie antet- slain, atm tnbeteataendaemlinaiinatt

Revised 10 March 1965 118.

4l3c. INT. PAULA'S ROOM. FIONA. BOND

BOND stands in the doorway, watching her as ahe sits at her dressing table and picks up a brush.

Is the girl one of you? FIONA glances round at BOND.

. BORD If it's méant to be a secret, Gerling = you shouldn't wear the same ring as Largo. Should you?

FIONA puts the brush down casuelly and reaches for her compact and lipstick. ;

413d. INT. PAULA'S ROOH. FIONA

FIONA watches in the mirror as BOND walks towards her. BOND Vanity is such @ dangerous eneny, don't you think?

BOND takea hold of FIONA's shoulders and turns her.

Re el ed

iy

-

Pe Le eae

Revised 10 March 1965 316.

413e. CTD.

FIONA presses the bottom of the lipstick and the blede shoots out, the tip just touching the skin of BOND's throat.

Vargas.

BORD sterts to move.

FIONA pushes a second knife forward ageinst the pit of BOND's stomach.

BORD glances ¢éown at the second knife with difficulty.

VARGLS walks out ef BOND's room into PAULA's room. Ee is wearing a JonkEencu costume, with the hood thrown back. Ee is carrying sm asutometic pistol. He takes hold of 30u0D, looping ean ars round his neck end pulis him beckwarde cif-

bDalence. FIChA stands up with the two bledes following BOND closely.

Al3c. INT, SORD'S ROOM. JANNI. FIOWA. VARGAS. 2307p

JANET walks forward casrying a costume like the one he and VARGAS are veering. VARGAS drags BOSD into the reon, spins him round ené terews him forverd on to the floor.

Would we employ an amateur lire that stupid girl!

- ele

~~

|

aie aie ee

Revised 10 March 1965 120.

413g. CTL. J4ANNI throws the costume on to the floor beside BOM.

FIONA ; No, darling - you're just clock- ing out.

BOND picks wp the costume. 413n. Ie. BOND'S ROOM. FIONA

413.4. Int, BOND'S ROOM. JAIMI. JAKNI pulls BOND on to his feet.

ROCM. PIONA. BOPD. VaRsas. JAC

VARGAS is standing well clear of the OTHERS, covering BOND with tze gur.

413k. IN™. BCND'S NOON. FIONA, BOSD BOND looks at her calniy.

‘ee

Le

TER et A ee

fica oa at, peal Caf fe emi nian hte iano NO eal

Revised +9 March 1965

BORD follows VARGAS into the corridor and JANDI foliors BOND, shutting the door of the. hotel room bekind them. A: HOTEL WAITER, pushing a trolley with en elaborate meal for two arranged on lt meete end passeea FIONA, aia on to- warde VARGAS end BOND.

X93. INT. HOTEL CORRIDOR. BOND

; BOND Well, now —- is that the meel I

ordered. .

(stopping the trollicy) Zou haven't wasted any time, heve you

X94. INT, HOTZ CORRIDOR. GROUP

ll VARGAS Come oan!

BOND picks up a cover end inspects the main course on the plate. FIONA walxs beck impatiently. The Wie s tarts to Protest. ;

BOND , Splendid. Yes. Now = what's this?

Sorrmy, sir «- this is an arder ‘foresee.

FIONA'S VOIse

(quietly) Come aiong, Mr. Bond.

BORD's hand slides under the smell spirit atove on the trolley. .

ambals Ciel. p.

Revised 419 March 1965 122.

X06. INT. HOTEL CORRIDOR. BOND. FIONA

FIONA is standing close to the.trolley with her handbag half open and her hand inside it, The handbag is pointed Girectly at BOND's chest.

FIORA

We have no time to waste plering stupid ganes.

BOND scoops up the spirit steve and slams it sideweys into JANNI's face. He throws the trolley backwerés at VARGAS: and leaps forwerd directly at FIONA.

X97. INT. HOTEL CORRIDOP. BOND. ?YONA

FIONA steps back quickly, trying to eveid 3OR>, but he ereches into her and they both fall to the fisor, sciD rolling clear and rumming on elong the eorridor.

X98. INT. HOTEL CORRIDOR. FIONA

Rolling on to her stomach ené pushing up on to her meer, FIOHA levels the gun at BOCFD and fires.

X99. Int. HOTEL CORRIPOR. FORD | BOND stumbles and 2alls, catches hol? of e teble and pulls

_fimself up. He lutses et she bemnisters et the t27 of the

eteirs and swings over ther, dropping out of sight. 100. HOTEL STAIRCASE.

Looking up at BOSD eas he dreps several feet om to the stairs, lends ewkwerdiy and rolls down to the lenéing belor.

X101. INT. SOTHL STAIRCASE. BOND

BOND, crouching on the lending, inspects iis foot end ; grimaces slightly with the pain of the glencimg bulict wound. He pushes hinseif up and runs on down the steicw.

oo

ma96.

Revised 19 March 19595 123

TLO3. FY™, Bay StTEEcr : re Junkanoo is in full sewing, surging along the street. YtO¢é, EXT. Say STRORT, BOND.

BOED fights his. way through the procession, ereszing to the far side of the street.

EY?. Bay STREDT FIONA. JANI. FIONA potrve ewey alone the procession to tke trigut and SZAGNL Burries off. ZFIUNA and VARGAS more ecey in the opposite direction.

BOND stuukles elong the pavement, reaches out and supports himself asecisst tne aide of a Louse and rests =<at a moment.

2107. Xn. BEY STREET. JANNI. DRIVER

The Two EIN sirugele with the procession, pushing threush the excited, shouting, dancing CROWD.

]

X08, EY, Bay STSro7, FIOZA. VARGAS VAEGLS follows FISE: <nrough the crowds. Yoo. It. RAT sg . 3

BOED pushes Eimcelf eway from the well and welts on throush the crowis. PAN DUUS to the treil of blood spate he icsves on the peveceet.

Slo. EXT. Say SURES, FIONA

FIOWA stops aridexiy, looking down at the pevement. Suc catches TAEGsS by the arn.

he trail of blood exots on the pavament. 225 UP ani 205k et BOED as * moves eway into the crowd.

Ce eae at

Spiienhteiienn Mpa iri,

Revised 19 Merch 1965 22h.

X12, EXT, BAY STREET, FIONA

The treil of blood spots on the pavemest. PAN UP and look into PIONAts face as she follows the treil of bicod throuch the crowds.

BOND, tiring visibly, puehes forward throuzh the crowd end stops at the entrance to the JUMP JUMP CLUB. He glances over his shoulder briefly and goes into the elub.

Xou,. INT. JUMP JUMP clo. BOND.

The JUMP JUMP CLUE is very noisy and fell te overflowing with couples dancing, listening te the tamd and watching the dencers, eeting end drinking.—.BOND moves quickly throuzh them to the door of the Gentlemen's Cloakroon.

It. JOMP JUMP CLUB. CLOAEROG&: POND. ATREMDAT.

BOND walks into the cloakroom, crosses to « cheir end slumps BOND pulia off his shoe and pulls dow bis sock. He looks at hi: leg and the flesh wound in the soft part of Bis calf.

Revised 19 March 1965 - 124.

-

Zil6. ExT. BAY STREET. FIONA. VARGAS

TT ) — a ee

The blood trail along the pavement. JIecoking between their

legs at the pavement and the drops of blood leeding to tho Jute JUMP CLUB.

Xii7. INT. Jus JUMP CLUB. BOND

Onee more immaculate BOND walks out of the Gloatkroem and

acrose to the bar. He orders a drink and turms to leok at tie DANCERS.

T1I8, BOND'S POY.

Looking acroes the floor, ZOOM quickty in et WARGLS. WHIP PAN to @ close=-ap of JANNI, who glances to kis right.

FLORA is stazding at the edge of the dence floor, wztohing ORD.

Xl20. INT. FMP JUMP CLUS. BOrD BOND turns to sche GIRL sitting et the bar nert to bin.

- SOND Hormally I wouldn't accept ax invitation.«see (helping the GIRL off the par stool) eoooe fFOmM a Stranger.

BOND starts to danse with the GIRL, who ehrugs s::i folluws,

ee le

ie, ok Oe.

ae HEVISED 19th MARCH, 1965 124b M12l. INT. JUMP SUMP CIDE. GRCUP

FIONA, VARGAS, JANI and the DRIVGR watch from the odge of the dance flcor es BOND and the GIRL dance together.

mic2. INT. SUYP SUM CLUB. BOND. GIED

GIRL

You're med. D' you know that? BOND

Of course. Isn't everyone? FIORS

Msy I cut in?

FIONS cuts in between BOND and the GIRL. Mhe GIEL eterts to protert, looks et FIONA for 8 moment, then ehrugs ert turns awey.

123. I, Grex

. You should've told me your wife was hte,

BOHD takes hold of FICK’ and makes her dance. FICKs struggles against bin.

_ FIONA (harshly) You cen't escept, Mr. Bond.

BORD bolds her tightly, one arm round her waist ars “ie other holiing her free hend, which is clasping her :..,,jpag. They pees Vi2G.3, who bes a hend half inside bis ca:., They pase J&0zI end then, the uRIVER.

BON? I iike dancing.

—_

; REVISED 19th February, 1965 1240 i 3124, _OmD. FIONA tries to Ereak free. Their hands grip reund the handbag.

Wiese. VARGAS.

VARGAS masked by JANNI pulls out a short speer gun. wi24b- _ BOND

BORD Iooks past. FIONA eat VARGAS .. JANNI.

M24c. GROUP

The DiNCESES surge round BOND end FIONA as the dence reaches its climez.

m2sd. BOND. FIONA

BOHD and FIORE ere left struggling in a clear bine from VizcsAs. M2ke, _ GEOUP | | fhe DEUMMER breeks into a frantic solo.

| mer. yapess “

VaRG.S fires.

30RD turns FICS. end she tskes the short speer fn the back. She is throm: Zorwerd sgainst BOND and he stesties her.

freck round the pextmeter of the fioor behind the TEESE °EN aa

they disperse futc the crord. The dance comez t o an end and BED supports ZION. avey acroes the floor towards the terrace.

Yizsi BoCsD

BCsD site FICS. os a cheir at the entrance to the terrace.

ae

Revised 19 March 1365 1244

124i. CTD.

X124j. Exc, Jue Jue Chlus. SOND

BORD walks quickly along the terrace, limping sligt=ly and venishes in the CROWD. y

DISETLV =:

yie5. EXT. HOTEL BALCONY. LARGO. DOTS

They ere locking down at the procession in the strezt beneath the balcony.

BOND'S VOrCa So sorry to be late.

LARGO looks round, startled. . 2126. Ext. BOTEL SALCONY. BORD

BOND walks slong the balcony towards LARCO and TIS TIQUE.

WIUEN to include LARGO and DOMTNIQUE es BOM teves her hanét and yisses it,

Revised 19 March 1965 135.

The armoured car is standing in an alley beside e berred Goor. In 3B.%,. another car with KSONTSTON ans DFivee.

Kotoreycle ESCORT stands by. Door opens and GROOr OF GUARDS carry out METAL CONTAINER. GUARDS put it im ermomed cer, lock reer doors. Motorcycle ZSCORT moves up to fier of

ollows.

a aha ele - ghee —

435. FADDINGTON ATR BASE, ENTRANCE Arnoured cer with eben Grives through, followed ty second oar.

ATR TICE MARSHAL et map. ETAL CONTADIER on “Gatle, GCARDS beside it. Victor CHEW in flying suits.

ATR VICE MaRSE27 (at map) You'll leave here at 0600 hours —- (indicating) and land eat Aden to refuel. You .

a ra , a a

a

Revised 10 Merch 1965 126.

436. CTD.

CAMERA COMES IN CLOSE ON MAP as point of indicator stops at Latitude 13 degrees North, Longitude 97 degrees Eest.

4368, 12}. INT. CONFERENCE ROOM. WN. OME SECRETARY

" M.'s VOICE I hate to give in to then.

PULL BACK FROM THe MAP ON THE WALL OF THE CONFERENCE ROOM past M. and the HOME SECRETARY, who ere looking st the same point on the map as the Arm VICE MARSHAL INDICATED.

¥. - Paying the blood money! Le them beat us. ving HOHE SECRETARY re you beve an elternative suggres- on?

¥. (quietly) No, siz.

a HOME SSCREPAPRY Your men - Double-07. I thought he wes on to something?

x, Yes, sir = I thought so too.

KE hesitates a momert before replying.

u. Afraid #0, sir.

Rage ee

Revised 10 Merch 1965

£36e. (532). OTD.

M. If Double-07 thought he was on to Bomething....

Mhe HOME SECRETARY looks at hie watck.

. HOME SECEETARY Anyway, it's too late now. We shall have to pey up = and lock as heppy es we can —- ghan't we!

"436d. (416). ARRIAL SHOT. EXT. COPT=E:.

In flight over water, Uninhebdited islands in dtstence. 436c, (4173. INT. HELICOPTER. BOM. E2Foz. (>Rocmss) LEITER fliyine.- BCHD looking down through glesses.

(eo) WetIl Find “to

4362, 413) BOmD's ov.

in the weter below THREE SHARKS above @ patch of seaweed on corel totton.

é

Se ial

Revised 10 March 1965 128.

436e. (41 INT. HSLICOPTER, BOND, LETTER. (PROCESS)

BOND site back and glences round at LEITIA.

- BOND Sharks - and some seaweed.

BOND

Take her down, will you? Let's heave a look.

4362. (£22), EXT. HeLIcoPprer Losing altitude. :

6a. (423), INT. CO T, BOND, LEITER. (FROCESS) BOND looking down through glasses.

Something di tinetiy && ebout ome stinc 0€& abou that. y

436n. (624). BORD'S POV.

As the helicopter eppreacshes the surface. Only two eha=ce visible nov. <A corner of the net has been torn loose.

Wing on top of Vulcan visible.

Revised 10 March 1965 129,

436.4. (425). 2x2. HELICOPTER

Banking, turning back, landing on the surface, sharks sur- facing around it. BOND scrambles out on to Float with glass—-bottomed bucket.

4364. (426). CLOSER SHOT. LICOPTER. BOKP. LETTER

At window. Sheris in F.G.

BORD , Shoot one of those sharks, Felix. Give them Something else to think .

about.

LEITER gets gun, fires. Sharks dive. <A momext later crippled one surfeces, thrashing. He moves erratically cut of speene. Other two shsrks surfece and follow Hit. SBOXD looks down through glass=-bottom bucket.

going down!

He takes off shirt and trousers. He is weering trumics beneath then. LSITER hends him underwater hermess, deli, lamp, aqualung, fine, etc.

BOND puts en helmet, attaches intake tube, adtduets eir- supply valve, goes down over side of float. TITER, one eye peeled for the sharks, looks dow througk water. A36K. (427) URDStTATOR SHOT. BOND

Swimming down to net-covered plane. He goes under corner torn loose by share. "

SHTERTATER SZOT. BOND

Approaching open bond bay hatch, looking in.. CLBERA FOLLOTS TH ITO BELLY E.tCz. He goes up through it. a

ly

Pe

Soap. geet, oy

ye

Revised 10 Hareh 1965 130

436m~ (429). a7 OR UNDERWATER SHOT. INT. VULCAN. BOND

Inside fuselage, he switches on lamp, illumineting eerie repulsive scene. Small octopi everywhere, eres glowing like rubies, tips of tentacles weaving. ECED slips mife from under belt, moves through cetopi who recoil before hin.

436n. (430). ANE OR UNDERVATER SHOT. COCZPIT

BOND enters compartment behind and below, climbs up into it. He looks around at BODIES OF CREW, moves to pilot's seat end ANGELO's body. He examines cut intake tube, re- moves Angelo’s mask.

+ ee

Like Dervel's. (Palezzi) 4360. (£32). SAT OR TROERTATIR SHOT.

He removes watch from one of ANGELO's wrists, I.D. tag from the other, then swims up through opening abcve hin.

436c. (433). SURFACE. WELICOMPER Shorks epproecking. LOITER wetching then. BORD surfeces neer plane. LSITs=2 fires over his head et skerks. They

Give. BORD hauls Linself on to floet. JETI=2 Lbelps hin into . PLANE.

436r. Tat. COCETIT. BOND. LeIToR LEITER helpe 300 out of the diving equipmert.

(gasping)

Gasp

It*tea the plane. LEITER

are the bombs there?

BOND

Ho. LEITER

Oh, great! How what do.we dof BOND

Find someone to tell use where theytve gone.

nine dn a Ee i

ee ee ean

piagll.

whee de

ilipitaneras ae S| Se

Peyiseda 10 March 1965 131.

436re Cte . BOND They can't be far away. LEITER Too far! / BOND If they're not on the Disco oars now, they soon will - LEITER Talk to Largo. Ask him, why doen't you?

BOND pulls hervelts wetch from the belt of bis swimcings trunks.

BOND

Wo, I don't think I'll do thet. I don't think I'll heave to.

£37 = 40. CRTTTED

Swimmins. Sse wears bra, bikini, mask, equel=wms, fins.

She sces SOfl. appresching, wearing trumes ees eforiier gear. Be carrizs underwater "camera", gcetures for ber to pose. Be ™takes“ srazn, amg toward her. Coral ieSso benind ther es be reachcs ner. He sets "camera" down om actte, puts his erms arcand her, She responds. CAMERA HOVSS @ite Tan

es they drifts, embracing, out of scene behind iedce.

Se Eee eC. — VAnNGAS

Stending exeng palo trees, looking through binoeuiers ont toward Ses Goriens. .

On surface. Two sets of bubbles » graduelly merging into GHEE»

SLOW DISSOLVe:

vas.

aS abe SF a © ee Bee vee Qn ay,

ol Fe a o-oo

Revised 10 Merch 1965 132.

445, ENT. BEACH. VARGAS

In F.G. anong trees looking out toward garf, CAKERS SHOOT- ING FRO BERD Sl as NOND end DOMINO surface. VARGAS turns, moves beck FAST CAKERA.

446, EXT. SURF. BOND. DONTWO

Waist-high in weter as they take off masks. The "camera" hangs at his belt. She smiles up et hin.

BOND

- (grinning) I hope we didn't frighten the fish -

She laugks, puts her erms around his neck. They Kiss. ‘When they break, ker face is no longer heppy. She turns abruptly awey, Slips out of aqualung, starts toward beach, carrying it. Ee slinge off aqueluns, follows her.

Catching up with her. The surt eddies eroumt their feet near ouvbdoaré. He puts his hand on her erm, tam=s her to him ques*tioningly. .

-I think perheps I am in Love with you, James.

BOND doesn't enswer end doesn't stop her as ets cueas ancy agein. as she puta her foot to the ground whe gives & sharp

exclametion ezé drops the ecqualumg. BOND supports her as she examines her foot.

BOND drops Eis agualung beside hers.

BOND picks her up and cerries her further up the terch.

fe pk htt,

Revised 10 Merch 1965 133

He laye her down beside outboard, detaches "camera" fron belt and kmeels at her feet.

DOMINO obeys. He picks up her foot, holds back the tocs, pute: bis lips to the fleshy part, sucks hard, exemines foot, shakes his head. ;

. BOND I'll have to hurt you. Ready?

Head om ern, DOMINO nods. Ke sinks his teeth into flesh around barh.

449. - CLOSE SEOT, DOMINO .

Biting her lips, tears welling up in her eyes.

450.. Ext. Dit" TRESS. VARGAS

Watching them, Blowly moving closer.

£51... Exr. =EarCS. BOD. DOMINO

Re slances at her. She closes her eyes. First time I've eeten a women. They taste rather good.

He bends down again, sucks hard, lifts his heaa&, picks out spine with his fingers. She rolls over and sits up.

BOND looks seriously at her, but asoesn't speak.

DOEIEO leens forwerd and inspects her foot.

t

fa eee.

£51. Cid.

Revised 10 Merch 19€5 134.

BOND ‘ Domino = I have to tell you.ece

You are going away? "So serry, my deer = but it is all over!"

What - about him?

BORD pulls his jacket out of the boat end looks in one of the pockets for Dervel's wateh. DOMINO watches ailentiy. BOND takes out the watch and hands it to DOHIEO.

. She looks at the watch and then loots again at BORD.

‘BORD Yes.

BOND

It's a long story = a bed one - end it involves your friend Lergo.

aie at de Ti

1 r .

eB + ret ea. PARAL Daren gp ar

Revised 10 Mereh 1965 1356

BOND grips DOUTEO roughly by the arms.

I hate you!

DOMINO — You want me to help you!

BOND

I thought et first you were part of the conspiracy.

DOMINO

wo?

a

ewe

TOM tentes

Revised 10 Karch 1965 136,

BOHD stops for a moment ané then, gently, takes hoid of one of her hands.

peonle will Gie = and very soo2 - if you won't help me.

Roving eveeltLiis torerds then, drawing atiietic. £53. =x7, Poach. Son BORD is sittics with his back toward the pain tress.

I see. -

a

Biligft dea 4

ee eT in

Revised 10 March 1965 137.

" BOND You'll help?

BOD hende tmee ceomere to DOIN.

. DOMINO Waosat ahell I do?

BOND ; . Go up on deck, The Disen is

being watches. You'll be rposved Embeser

DOMINO'S VOICE: He mast have followed me.

VAERGLS 1s im “Ee srees dGireetiy behind Bast. Guy a fov yards of sand tctween ther.

VARGAS is immeciately behind 3505D with Ets etiletzs poised. BORD reachss into the boet.

i iether Witty on

sieaah Se rile tee

ee Bale ae

+ Sed tl ial

Revised 10 March 1965 138,

BOND picks up ea short CO2 gun, spear in the barrel, turns smartiy and covers VARGAS over DOMTNO's shoulder.

. BOND You'll die laughing, Vergas = when you get the point.

BOND fires, The epear buries itself in VARGAS' chest. He reels teck, clutching et it with both hands. CANERA LOszx5 Eiy 43: SOND 255 SOMTHO gaze coldly et the bedy O.5.

BOND — When does he expect you back?

. DOMINO eames — understand - J em doing this for Francois.

DOMINO

ZI &> mot hata you. BOnD kisses ter.

-- oe

dnyapareatepstntaition

es Peed

_ we

; Revised 10 March 1965

455. CTD. DONINO (auddexiy)

demes — do not send me bask to hin. Please! I am frightened.

BOND holds her, but he doesn't speak. DOHTHO steps awey fron hin.

“DOMINO I'm sorry. Yes, I'il go = but promise me. You will kill Largo for me? Whatever happens.

_ BORD Hurry. There's very little tine. DOMINO (quistly). Yes. °

BOND Picks up her clothes out of the boat.

DONTHO

a scell buildings - on ths cliff.

largo told me one @ay =~ never to

go near it. Funny —- inside there was only e fligtt of stens.

656/457... OID

ime bee Bk 7

se mere it etc nad ee pp

Revised 10 March 1965 140.

Entrance between oddly-constructed cement seawells. (NOTE: Paradise Island location, “submarine pens", )

bead sal

459. OUTBOARD. BOND 7

BOND ewings boat towards entrance of channel L,enoses it petween coral rocks near it, climbs out, aos boat to rock. CAMERA’ POLLOWS HIM nOFARDS INTRANCE

460. Z2xT. ENTRANCE. 5B .

oT ie the entrance, BOND clinbs up on to the top of the well. : .

BOND moves cautiously along the toy of the wall. He etors suddenly, flettens down and looks 0.S. .

Stepa lead down from bridge to landimg below it. JANWI end several other SPECTRES come down eteps to Janaing, carrying underwater euits, gear, etc. They stack it oan landing, pull canvas over it, start back up steps.

Lying prone watching the landing. The footsteps fie away and BORD pushes himself up to his kmeee. Ue takes the radio-active pill out of his pocket, looks at it for ea moment doubtfully and then swallows it. He ewings his: legs off the wall and drops to the lending. He pulls sack the eanvas cover and puile one of the. SPECTRE suits free.

DISSOLVE:

464. EX?. LATING BELOW BRIDGE

LARGO, weerizg underwater suit and gerr, drops off the landing izto the channel. JANNI follows him end one by one the other SrECTHES follow them. As the last SPECTEE approaches the edge of the lending, BOND in SPECT&s

ie” te

Braap. ay ren, peep

ihe eater ie lank

alate

ee

Revised 10 HMarech 1965 141

464. CTD,

ynderwater suit, drops down onto his from eabowe and mocks him unconscious with kerate blow. He pulls on SYECTSE's rebreather, mask, belt, fins, ete.

AGS. UNDERWATER SHOT. CHANEL. LRSo. Jaret

LARGO leads the OTHERS, strung out bering hie in 2.5.

466. UNDSRYATER SHOT. BOND

BOND catches up Sehind the lest SPEC.

467, UNDERVATIN SHOT. CHANNEL ENTeArS

LARGO, JAREI, OTEEES including BOMD tringing uy the reer, stim out.

468. Err. Disco VOLANTS. pond

The boet pulls up alongside the DISCO VOLANTD end DOMINS goes apoerd.

469 — A72. OatrTaD .

Svriamii=r towerd panel to secrets boi’. It et2Zes open. iidghbts eff imeide. LARGO end the Crisis, Mratiy sow, ewin through bets+. Fanel slides shut.

474, INS. OTSCo. SECRET goTD

LARGO, JANNI. SPECTRES, BOND eurface in tank, beside two-

man sub. Ofo= SrZCTEES in undercntver suits atend on gretizns. TWO TAD EOXES, expty. Erisht listts turmmeé om. CAMERA ID CLOSS ON s0nS, climbing out of tank atter OTEEPS. Ee stere behind them, meeping mask everted.

BOED in F.G. LARGO takes off mersk e=S goes to phone.

after we piek up the bombs, we'll take evasive action to

Eevised 10 Warch 1965 142.

LARGO (ecté.}

confuse radar at Bimini and Grand

Baheme. We should stand off

Mieri as scheduled. Through mask we see he hes heard. in B.G 12260 erits. OTEER SPECTRES take off masks, gear, etc. BOND slips between stack of equipment end buikhead.

The DISCO VOLANTE gets underway. 478. _OMTTTED 479. te Pe OPERATOR. receives meesage and turns to LETPEE.

* LDLEITER Where is Double-07?

BOND settles down among the crates. £80. UXT. Oper SEA. DISCO, NICE . Melking fifteen mots.

Sl = £29. my go}

ILOT HOUSE. Unvco. Cre

ENGINEER operetes switches on Conversion panel. 451. DsT. 2FSCO. (MODEL)

Smoke behind it, es the cacoon-like fsise superstructure. i$ detecheé and the hydrofoil proper pulls away from under

Revised 10 March 1965

£92. rm. DISCS. FILOT POUSE. L&nco. Group LARGC Hydrofoil speed. CAPTAIN operates coxtrols.

Picking up speed, becoming fcil-borne. 494 = £95. SUTTTED £96. INT, DISCO, SECPET HOLD. SOND BEHIND SSACE=UD Oe eR | — Puzzled, aware ‘of Digeo's increased speed as bulkheads ereak, etc. £97. IN2. PInDcR's. SZTOREROOM, LETTER. OPE 2ATOR LEITER looks et his wetch. LEITER Did we get a signal to say the firi went on board the Disco? OPERATOR Yes, sir. The OPERATOR refers to kis notes. — ; OPERATOR © Signal receiveé Btecaes LETTER Orey, okey! iIf she went on board, then where the hell is Double~-07? DSSOLve:

408, EyT. DIsco. Wisse On surface, foils down, standing off ISLAND. 499. UNMDEtTAsun SHOT. LAinGO, JaAWNI. Of8ar SFECTRES. SORD

Sringing up reer again as GROUP, cperrying webbing, tools, ete. precede THO-KiN SUB TOWARD ENTRANCE TO UiQGlTATER CAVE. They reach I=Sl DOOR in entrance. JANNI and SHDTEER turn large iron 2:21 beside entrance. Door lifts. Shi swins through entreace. TYO-iAN SUB stops outside.

viewed tata ae

aul

Revised 10 March 1965 14é

S500. UNDERWATER SHOT. TUNNEL. SOND Swimming along it behind GROUP. OTHERS use lamps.

501. UNDERvATEOR SHOT. UNDERWATER CAVE. GECNIP

LARGO and JLNNI lead GROUP into cave, BOND behind then. LARGO and JANI light magnesium flares, reveelins bonbds feetcnes to stanchions in rocky side of save. iin with to0Ls Start aevacoing them from stanchions.

502. UNDERWATER SHOT. SPEOTRES

Plecing bombs on webbing. In F.G. BOND, wetckins. CARA PANS TO LARGO. CAMERA ANGLE WIDENS as he agims to BOND, gestures for him to help. BOND turms fece eawey from glare of magnesium torch.

ove WOER Warton SHOT, CLOSE ON G9

Through mask we see his eyes narrow, indicatizs he hes recognised BOND. CAMERA ANGLE YWIDINS TO INCLODE GROUr IN B.G. moving with tombs on webbing toward sumnel. GanGo swins to GROG> on other side of webbing freer Sa. Fe grasps TYO SPSCIRES by the arm, turns them toward BOND, drews his knife.

GROUP with bembs exit into tunnel, leaving LE2G0 end TV SP2CTRES fecing BOND, between him and exit. SBODD drev: his kmife. LsnGO gestures for MAN beside hier to etteck Sov. SrECTRE swizs toward hin. BOND strikes at him with tis knife, eludes coumter-thrust. LARGO gestures for OTHER MAN with hin to follow Hiz into tunnel.

CAMERA CORES IN CLOSER OF BOND AND SPOCTRE, ciscitng each other. CéFEskA POLLOYS ACTION as BOND ramoereree SPLCTRE toward hook dengling from stanchion. He kicks out eat hin with both fect, impales him on it, moves in, stats hin. SPECTRE hengs limply on hook as CAMERA QUICELY FLi05 BOND ATJLY toward tumel.

LARGO and JANEI turning iron wheel to close door to entrance. OTHERS strapping bombs to shelves of sub.

505. UNDERUASTR SEOT. BORD

Swimning desperately throush tunnel toward door, closing. He reaches it, tries to push it up.

et Ce ee | i

Revised 10 March 1965 : 145,

506. UNDERWATOR SHOT. LARGO. JANNI. GROUP Following TWO-MAN SUB with bombs on shelf awey from entrance.

OT. UNDErwATiR SHOT. CRD

Still trying to open door. He gives up, turns, swims back toward cave.

SOS. UNUERVATER SHOT. CAVE. BOND Swimming back into cave. CAMERA AVOIDS dead SPICTRS. BOND swims about, examining sides of cave with lemp for possibile Way cut. He looks up. 09. UNDERVAT=R SHOP, BOND'S POV. Stars visible above him through water. 10. DERFaAcos SHOT, SOND Ee swims up. a Sil. iss. Cava. BOND Surfacing wider dome-like roof of cave with olow-nhole type opening. Dome lined with jagged coral. He fleshee leap up towards the opening, eight or nine feet evove his head. SOD takes off his mesik, realises he is hopelessly trapped. 12 —~- 535, ont 517. _ Ex. DIsce As the Disco picks up speed it becomes foti-bame. 18. tare DOMINO'S CABIN. DOMTHO The cemera-geiger-coumter is clicking icowily. DOcIno avitches the geiger-ceounter off and atares et it for e

minute. She picks up 2 head-scarf, mots it wider her chi an@ carries the geiger-counter to the door of her cebdin.

DOMINO welks owt of her cabin and meets LLeso.

qitademenet ANTS Sr.

Revised 10 March 1965 146

ARGO stops spealing when he sees the camera 42 DOMINO's

No.

TGARGO renches for the camera. DOMINO pulls it back anc between then they drop the casera, which hite tee Floor end sterts clicking violently. DOMINO immediately crouches Gown to pack it up. LARGO catches her Esir and peltis 1% coreliy. OMcind> gaspe with pain and straightens a>.

LissO throws her backwards across her cébdin.

S292. CLOSE SHo?. LARGO LARGO crouches down and nicks up the camera, st2ain clicking.

‘LARGO Mr. Bond geve you this little

toy, I imegine?

LARGO looks up at DOHINO, who doesn't answer. Suiderty, LARGO smashes the cancre on the floor and it skecters.

LAxGO etands up.

~ seme

Revised 10 March 1965

519d. INT. DOHINO'S CARIN. DOMINO

DOMINO looks frantically for a way out of the cabin.

DARGOtS VOICE No, my dear = there is no escape - for you — nor for James Bond. . Like him - you have been ea little too clever, and noWeeces

51i9c, INT. CLOSE SHOT. LARGO " LARGO eooe YOU Bre caught. 19a. INT. CLOSE SHOT. DOMINO

peecemmvedi terrified, DOMINO waits as LARGC moves towards er.

X128, IT. CAVE. BOND

BOND struggles with his harness, trying to hook it over a piece of coral to give him support and to enable him to

rest. He fails and splashes down into the weter and goes under. Choking, he surfaces again and pushes his harneas

up, this time successfully, over the rock. He rests for e

moment and listens. There is nothing to hear.

520 - 521. OMITTED 522, INT. DISCO VOLANTE. DLARGO'S CABIN. LARGO.

| DOMINO is strapped to bunk. LARGO, his composure completely

regained, is lighting e cigar.

He picks up a bowl of ice cubes and walks acroes to the bunk. Se holds out the ciger.

He puts the bowl of ice cubes on the edge of the bunk.

oe opine Home SR ew

iat | J

ey

oneness

ite tail

Revised 10 Narch 1965 148,

22. CTD.

523. CLOS= SHOZ. LARGO. CANSRA ON SIS Sacer

Masking DOMINO as he rips off her biouse en2 throws it

aside.

p24/525. 87. CORRIDOR. EUIZE

KUTZE hesitates momenterily, when he heers DOMLYO screarz, and then knocks on the door of LARGO's cetin. The door is

- opened violently by LARGO.

(nershiy) rs Whet do you want?

KUTZE tries to see into the cabin, past LAaRse. . XUTZE

I em about to arm the bombs. Yor eaid you wanted to be told.

A private matter, ny friené — between the young women = and myself.

LakGO steps imts the doorway and looks et DOA. LARGO .

Do not live in hope, my deer — there is no one to rescue you

An electronis bus from special receiver graadueiiy becomes louder and lisnt-weve across sereen increaping.y irrezuler.

Peer we

ales,

2 pn

a ea a

OP PR oath, FO ie

Revised 10 March 1965 149.

52t. INa. CAVE. BOND

BOND is ségging on the harness. Faintiy, the whine of the helicopter's rotor blades. He looks up. Sound of plane iouder. BOND siips out of the harness and swims under the hole. He flashes lemp up through the hole, morse code: MZVDAY. :

The PILOT swings the helicopter round and LEPOEE ipoks over the side.

529. IEITER'S Pov. Islend in distance. Light fleshing out of hole. LEITER'S VOICE

close as you cén.

Coming in very low, hovering over hole.

BORD flashes lemp again.

“LEITER Can you winch him out?

PILOT

I can try.

The helicepter menoeuvres until it is directly over ths) hole exd therm tegins to umwird the winch.

sam tae

+n APP Ped

Revised 10 Merch 1965

Soa. INT. CAVE. BOND BOND is paddling in the weter, looking up through the hole. 533b. BOND'S POV.

Looking directly up at the helicopter, winch line and cradle as it comes down towards the hole.

BOND'S VOICE» (quietly) Steady as she goes.

533c. INT. HELICOPTER. COCKPIT, LEITIR. PILOT LEITER

Steady.

Ge SXT. ISLAND. HELICOPTER The PILOT threads the winch line into the hole. Svze. INT. CAVE. BOND

BORD grebds the cradle and scrambles into it. Cmce he is secure, he pulls on the winch. ;

BOED is lifted clear of the water on up towards tie hde. He holds his arms atove his head to protect Etwsel<. TEven go, the winch line shifts as he is being pulled out and he erashcs aseinst the hole, first his heac and his side bang ageinst the coral encrusted rock.

5355h. IT. SSLICOPTER. COCKPIT. LEITSR. ¥FOLoT

574/541. OMT?TIED £2. EX?. ISLAND. FELICOPTIR

SS=D appe2re out of the hole and is winched up to the belicopter.

Mae ap

thief —_

Revised 10 March 1965 151.

543 = 545. OMITTED 546, INT. HELICOPTER. COCKPIT. SOND. FEITer. PILOT

Beside open “etch as BOND is pulled into the piene. He collepses beside winch. They unstrap hin.

B47. EXT. selina. HELICOPIER

The helicopter lifts and turns awey et speed. 48, Ir", FELICOPTER. COCKPIT. BOND. ZEITER

bleeding) They*re going for Miemi. The pombs ere on board the Discs. Get the radio man on to Orlando Beach = then flash "Q". Tell His to stand by at the Airport.

5248e. EXr. JSuAND._ HELICOPTER Sravelling :% speed. °

DISSOLVE:

™eSGAT. ATRPORT, EVERGLADES suis

A thirty-two foot CUSHIONCRAFT, with open eocknit and jetv- engine motnted om plane-like tail assembly. “€" and MAINTENANCE CHDy beside it. POLICE guarding roped o<f area. In 5.6. KRZSCUS FPLAWE lands. SOED, waering trunks ené leather jacket, ané LEITER jump out cf helicorter, run to CUSHIONCshsrT. ;

550. Piz. CUSHIONCHATT. "QO", BOND. CerTeR

QO" helps them to climb sboard. ugn

411 the gear you requested, Double—O7.

ETTEN behin’ the wheel starts the engine. CUSHIONCRArT lifts off the sround, ekims off along it.

550ea. =r. CoSqISNCiAzt

Skiminc across terrain toverds the weter.

ak adie bole

we

Revised 10 March 1965 152.

- Sixt. DISCO VOLANTE Foil-borne, travelling et speed.

Skimzinge over the surface of the water, going even faster than the Disco.

DISSOLV2: 553, FxT, MIsNI. PANORAMIC SHOT

CAMERA SHOOTING rROU OFF-SHORE.

The Diseo Volante is standing off-shore, with ite foils down, rocking peecefully on the water.

555/556. _OMTTTE

557. Arnal SHOT. SHOOTING DOWN PRO ABOVE

Visible through the water, approaching | hull of sunken ehip is a V sheve, formed by sixteen STECT » 200 Dy LARnce and

JdANNI. Each man is pulled by a Bulow electric sea-tov, on which CO2 guns have been mounted.

The THO-KAN wet submarine carries one of the bombs om e shelf. CAMERa FOLLOVS V TOWARD HULL, TESS DESCENDS és sub. noses dorm into bull. Suddenly, "42 F.G., AQUAPLRAS float down into scene, reieese themselves from their vara- crutes and drop into water. CAMERA P4adS UP PaST OTHERS floeting down towerd surface to AQUAPARA Plane overhecd,.

558. AsPiAL SHOT. AQUAPARA PLANE, JCMP BARCE

“The lest ACUAPARAS jump.

553. =r. pist0. Det. KUrZe

KUTZe is stering towards the AQUAPARAS es they hit water in B.G. Be hears the sound of the epprosaching CUSSIONCRAFT and turns to look at it.

CUSSIONCRaFT skids tc e stop on surface, near £902TAiS submerging. BOFD now wears trunks, aquelang, Zins, belt,

Waar adie Es he win 0, -«

Revised 10 Merch 1965 153. 560. Crp. etc. and carries underwater repeating mn. . BOND Don't go away. LEITER You want I should come with you? BOND

You mind the store. BOND puts on mask and drops over the side. 561. UNDERWATER SHOT. BOND | Swimming after AQUAPARAS.

562. UNDERTLTER SHOT. BOTTOM OF HULL

Several SPOCTRE MEN, LARGO and JANNI, releesing bomb from ehelf of TWO-lAN SUB and laying it om bottor. .

563. UNDERWATER SHOT. HULL

AQUAPARLS reach it, engage SFOCTRES, 566 thro! 566, INDIVIDUAL UNDERWATIR SECTS. IN AND AROUND

ie ee

AQUAPARAS and SIECTRES fighting, exchansing shots from C02 guns, then closing with knives. Casualties om botk sides.

569. UNDERWATER SHOT. BOND

Reaching hull, firing repeating gun et SPECTEO about to xt AQUAPARA with Imife. He swims through jegged hole in hull.

570. UNDERWATER SHOT. INSIDE BULL. BOND Ti F.G.

General melee around TVO-MAN SUB and bomb. BOWD picks off SFECTRES with repecting gun. AQUAPARAS greppling with re-

meining SPICTHES. . SEVERAL SPECTRES swim frantically away from him. BODIES flosting. Equipment littering bottom of ull.

eth. Ree he Ble On

Sn ret ella Bee (oreo nO Mal Bt a

‘ “29th andy. dram Dnsetel aD Ag 0 |

‘At, follows Linco.

Revised 10 March 1965 154

57l. UNDERVATER SHOT. AROTHD BOMR

TWO-MAN SUL in E.G. JasNNI knifing AQUATARL. BOND eppears, shoots JANNI, moves past struggling HEN to bomb. He drops repecting gun, sterte taking fuse out of bom. LARGO swims into scene, aims C02 gun et BOND.

i,

5T2. CLOSE SHOT. BOND

Fuse in his hend, Spear from LARGO's CO2 gum bits Tuse, kmocks him backwsrd. He drops fuse. CAMERE ANGI: WIDENS BS LARGO cones at hin with kmife. BOED pick® up gun, . LARGO grepples with hin before he can fire. ASSO tears off BOND's mask, breaks awey from hin, swims awey;. BOND holds breath, looks around, sees SPECTRE BODY Moating beside hin, takes off SPECTRE's mask, puts ft on. In 8.G. SEViRinL AQUAPARAS group around bomb. SPECTEES swinming eway, sone surfacing.

573. UNDERVATER SHOT. LARGO -

He | grasps seh-tow an bottom of hull, stortea for bole in nil. a .

574. UNDENTATS> SHOT, BOM IN

Picking up gun, firing after LARGO who goes through hols in hull. SOND looks eround, sees another seb-tov, ge7s

75. Uat.. SURFACES. CUSHIONCRAPT. LETT

In 3.G. AQUsDARAS end SPECTRES surfacing. Same SPECTRIS surrender, OTSENS continuing fight. ICITOR @rers gun, shoots et SPECPRES, hits TWO, OZBGRS surrender to £00A7TAniS. S7€. UNDERVATES SHOT. PAWEL TO SECRET BOIS

LARGO swims through. —

577. _IKT. ZISCC. SECRET FOLD

LigG0 surfaces in tank, clinmtvs out, mms to sell panel. Avproaching venel. It closes before he reacbes it. CAMCAA

POLLOWS BL elong hull to foil.

579. xr. S00. AT POLL BOND surfaces, sterts teking off underwster geer.

-_~

oe a dita pet Dee oe nas -

Ad aC ts oot ie ea

Revised 10 March 1965 155

80, - DIsto. PILOT HOUcs.

Standing by, CAPTAIN looxing through port tewar2 0.S. action around CUSHIONCRAFT., LARGO enters.

BOND climbs up the foil to deck, drawins a mife from his belt, starting towards Pilot House. Disco gets underwey.

B2. - _wls0O. DECK, BORD

Moving G@long superstructure toward Pilot House es Disco picks up speed and heads out to see.

DOMINO is still strepped to the bumk emi is still struggling. The key turns in the lock an@2 she goes rigid. The dacr ‘opens and KUTZE securries in. He sterts uustraepriag ber.

DOMINO strugeles into a eitting position.

DOMINO gets off the bed.

oes ee AN ao ee ne ee

sateen ee

2 4 aeape Ae eh at a ace, eR Ae Re OS rte

Revised 10 March 2965

LARGO's back to hatch. BOND appears tehind Bin, imife poised. As he steps into Pilot Houpe to etab LARGO, FIRST OFFICER beside the CAPTAIN sees hin anf shouts. LikGo turns end grapples with BOND.

FIRST OFFICER takes gun out of compartment beside him and comes towards BOND and LARGO. SOND breaks free from LARGO as the FIRST OFFICER tekes ain. BOED Launches himself fulle length at the FIRST OFFICER. The shot goes over his head, amashing @ pane of gless. BOND rolls orf the FIRST OFFICER es the INGINZER smashes a wrench dorm at BOKD's back. The impetus of the blow carries the wrench down, smashing into the FIRST OFFICER's chest. LARGO Gives—for the gum eat the seme moment es BOND and the TWO HGH eollide wm the floor.

BOND gets the gun end scrambles on to Eis feet. The

ENGINSSR kicks out at BOND's face. EBOXED drops the gun as

he catches the SNGINEERR'’s foot and throws His heediong

across the Pilot House. The ENGIBE@a senzmone into the

Seg feree and the T70 HEN crash beck against the side ot the ot House. .

tag

LARGO serembles across the floor, reaching fcr the gun. BOED kicks the gun sway across the fioer. The wheel is

epinning,

586. ENT. D2S79. TRAVEL SEOT Veering erretically, but still inereesing speed.

BOMD end LARGO exchenre some hard punches as she ENGINSE ieunches hineslf against BOED's back. BOXD srings the ENGINEER and throws him at LARGO, turns exnfii Timds the CAPTAIN coming et hin. BOND chops the CAPTAIN down with a kerate blow to the neck.

Now completely out of control.

589. Ft. FrLOT HOUSE. BOND.

The ENGINEER picks up the wrench ené turers to fesse BOD.

WHGO searches for the gun, the EXNGIKE= leumehes hinscif et BOND, smashing down et his head. EORD pivete, catches she arm and swings the £°GINEER on under His own inpetus. He erashes ferwerd against emeshed giass srt.

_

Se ee ee ee ee)

ee ae

ie ee eet ee dl

ee ee

pe ti al il

Revised 10 March 1565 157.

589. 07D.

CEMETA loses Him. Hoarse scream 0.5. LARsO ent BOND face each other motionless for a moment. LikGO throws a heevy ponch at BOND‘s stomach. They exchenge severel penches. LARGO crashes down ond finds the wrench, SORD movee forwerd enc stumbles over the FLAST OFFICER.

LARGO's first blow with the wrench goes wite es BOND fells on to his ees. The T7O MEN wrestle fer tke wrench. They fell. on to tke controls between CAPTAIN end FIRST OFFICER

setts, jamming then.

589e. DISco Completely out of control.

LARGO sees the gum behind BOND end mekes a 2sst effort.

He creshes both hangs locked together aown on SGED's neck

erd BCND falis hesvily on to his Knees. Zi2GD james fs

eo picks it up, turns and raises it, to point it eat eked

5902. I. PILOT FOUSE.

LARGO triumphant with the gun steady. Emisexiy, he receives & tremendsus blow in the back which ties =5m tedily for- ward and pine him to the wall. For & somert bis tbody is rigid, with sche sheft of the spear of eae CO2 sticking out

.of his back. Fhen he sags and his body herzre mm the ereer.

CAMERA PANS TO DOCR. DOMINO is standing there, Bolding

‘the gum.

EOQUSE. sry A

BOW pulls hiseel? up and stumbles sowarés the docr. e Py. Pesco, TCE. KUTZ

EUTZE is standing outside the Pilot Houre es BOND and TON come out. Tasy cen herdly keep their feet 2nd cling des— peretely to tze rail. BOND (gasping) The control panel's jnmmed!. Shell treax apert!

ee ee

a? “ype asker chem

hs

~~ aae

tye ue, ree fella ++ ee ee ee eee Gee Cir ie Byes

Revised 10 Marco” 1965 156.

1. CTD. They pull themselves up. DOMINO climbs over the rai,

“helped by BORD, and drops over the aide.

BOND looks at him for e moment, then climbs over the rail.

Town in the heart of the ship there is « first, minor explosion. BOND drops over the side.

592, ExT. Warten. SOND

Surfacing. DCMINO visible beyond him in water in E.¢.

¥ tT. DISCO. DUCr. FUTZE Crawling from rail to hatch in superstructure.

Dezed, reviving, starving to swin toward DOMINO in 5.G. 5065. Irie Doses Came FOL

KUITZE stegzering Gcrces greting, past two lead cases, one empty, the otLer closed. He picks up magnesinn terch fron rack elong tulkhecdé, ignites it, lurches towerd door to compartment remin®g secret hold, epenes it.

506, IFv. FU=L STORAGE AREA

KUTZ='s torch illumineting tenks as he staggers in. He unscretrs lerge cep on tark, thrusts toerch acer into tank,

SOT. Ere. ESCO.

Exploding arid giant flemea and shattered wreckage.

Ae BOND reacnse her. They hold each othir as they wetch Biseo in 3.G. Wore explosions amid great pelt of exoxze and fisuse,

ama: "1

i fee ote Oe cle «0d edhe ee, Gee ee Oe whe

Revised 10 March 1955 159

£99. EXT. BOND. DOMINO

Pxnoaustediy keeping afloat. SOUND OF CUSSIONCRAFT éPPROACH- ING. They turn toward it. CAMERA 2LNGI= FIDGRS PO TECLUDE LEITcCR IH CUSHIONCRAFT coming towerd them. Zt comes down on surface, skids to 2 stop beside ther. Ee throws them s line. BORD gets it, holds DOMINO with cther arm. CAMERA COMES IN CLOSE ON TEEM.

We should heve brought our aguslungs -—

&s he kelsses her ané LEITER pulls thez towerd CISSIONCRAFT, SUPERIMPOSS "TEE EXD - BUT NOT QUITE - *

EED TITLES SUSrRTPOSED OVER = . 600- AERIAL SHOT. VICTOR

Flying over water. It drops perechute atvteshe’ to con-

tceiner. Pereclute floats down es Victor Miies owt of scene. Trtrty feet shove surface perechute relseses comteiner. It 7s. the surface, sinks.

CAMERA FOLLOVING IT DOWN. CAMERA HOLDS ees Tt settles cn votten, LICHINLDT in 5.6.

a

at windor, comteiner visible outeide. S2ZCZEES turn to each other, jutils=<iy shake bends. They operete cranes machinery.

603. SX. saleuhuT

Claw-like extensions reach out, close on conteine>r. Ex- tentions ratrecst, proanging coutainer alongsiée. IT SXrLOLes, obliterating scene.