"THUNDERBALL" (1965)

Sc:nenplaybytic:ha:dM&ib&lma:a4JolmKop!d.m

llaM4mt ~ oPiog!mlSt=:,bylfflZl!lcClar;r,

Jew&\lbittizgbaa:a4Ian!'lm.zig

~om, (shrugs) I'm not the only one with a license

Hie eyes go nonchalantly up towards heaven, equally non- chalantly they drop again.

She ahruge her ahouldera, looks down.

Down below, the eeffice has co:e to an end, and the WIDOW, followed b7 her ffO CHIL.'fflfEJTandtheirBORSE, ie going out.

As the grieving widow, HAD.AliE:BOI!rIER,isled out by the aurpliced PRIEST. She ie young, beautiful, a SJ11lphony of exquisite sorrow in a "trcilingblack dress which the Wind moulds oroun6 her lovely figure. Ber veil falls over her shoulders but does not 0be0U:reher face, which re- flects bravely-borne bereave:nent. Various dignitaries, the Wt.YOB.,the JODGE, the C~ of the local garrison, ate-pu-p one by one to pey their respects, silently kissing her hand. To each she· e:milesgraciously.

As :BOND and the attractive DEEOB'WOJ4AE'come out.

LA POitD Is there·anything else the Deuxieme :Bureaucan 60 for !!onsie\U":Bond?

Ee looks offacreen.

'!alld.ngtoward entrance !SiDU:lE:BOI!rt'.CR,D.IllON,and CBA.Oll.Jl'J:.:0.Rin:a.G.

MADAME :SOI!rn::Rwe.lksr-acefully to limouaine parked at entrance. !Olr.OandU POD.ft•:moveinto J. G. :BOil)watchee ae MADAME :SOI1'Iml,without waiting for D.IBOI or CBAtJPIEO'R to open door o! limousine, oiens it herself, geta in the 'baclt.::BRllONgets in, site es1ae her. !lieCBAU1FEOJ. aeate himself beh:.uidwheel. Limousine 4r1ve·e o:t:t• .........,,,,,

7. rn. LIJm OF CABS OtrTSIDEgRAm

C4ME:P.ATRACKS W:TE ~OM> as he walks quickly along cars.• BOLDS as he reaches his Thunderbird. Be gets ~n, ehe follows suit, a roa:- o:tthe hooter as he drives off in same direction t:.ken by limousine.

As iaDAJ·!E:llOITIER1slimousine turns into it and drives toward chatee.uin t.G., an imposing three-storey building with balconies outside windows. It stops at chateau steps, ____ fU'ty yards away. The Thunderbird stops at entn.nce, llOED ·--gets out of the car.

Looking between hedges.

10. gRA...."'EAU-FROM;BONJ?'SPOV. ,, l4ADAl!E'l30!TIERgetsout of car, goes up steps into house, accompanied by :BRDlOli. The children eeem to hn.vebeen lett behind in 'thecar.

~oad stairccae, lending up to gal.l.ery. MADAME :SOITIER we.llcspast ~LER to atnircase. CA'MEBAFOLLOWS her up staircase. ERllfOBremains at :tooto:t1taircaae as she continues up it.

K4D4ME EOI~ID reaches it, goee 'tm'ough door into corridor.

14 and 1s. m. cOPJtIDOR. 14lulAg1101:rm

W&lld.ng clans corridor, turning corner, ~owe.rd front of chatee.u. She comes to a door, opens it.

LoUia Quinze decor. Pire burn1J1&in fireplace. Doors to b~lcony cloaed. Mil>.Al.!E~OITIDenters, atcrta into room, atops abruptly. CAEER.AilGLE ilIDEHS1'0 DlCLtrDEa large chair behind which two legs protrude, and then :BOIDis grttillgup lazily.

BOE> (grnvely) I oeme to of:ter my canddences -

--·- ~- --

s. Revised 19 January 1965

16. CTD.

Be pulls bnck his c.:-m,aluga her on the chin with a terrific right. MADAME BOiiIER reels back, craahee into a cabinet filled with re.repieces of ~h1na/

~OID (reprovingly) ( You shouldn't heve opened that cu door for yourself, Colonel oitier!

BOITIER pulls back his lcnees,lciclts~OED in the stomach With both feet. BOD 1taggere back. BOITIER pulls a knife from a scabba:-d etrapped to the thigh, jumps to her feet, comes at BOID, lc:c.ifepoised.~OED lcnoclcsover a tall Grandfather•e clock between them. BOITIER throws the 1cnife. !Om> ducks it, pulls·his Walther out of shoulder-holster. 3e!ore he can leTel it, ~OITIER dives OTer the clock, tackles BOID just below the.'.blees,lcnocks him off his feet. The gun goes ap1nn1ng and at the same time, !!AD.il!E~OiiIER•aWig comee off, revo&l,.i.nga.man1a cropped hair.

~OITIER fi;hts his wey out of B0JlI)'egrasp, leavinS hau·· the dreea in BOm>•s h.D.nd,exposing the falsies he is wearing. ihey both din for the gun, crash.instogether, momentuily 1tnn11:1naeach other. ~ey stagger to th!ir feet, cleW'inSat each other.

ru.a tillle~OID finds the falaiee 1n his hand. 'BOITiml slips in with a judo hold, thron ~OD.toward the fire- place . With ~OND on his lw:14aand knee a, cn.wlinB away from the !ire, ~OI!IER picke up a poker and smashes it do1m across ~om,•1 back, bending the poker and l!:nocld.ng h1lllnat. ~OID groans . .A.1BOI!m lilts t~e poker to bN.1%1hilll,!OED rolls into hilll,l!:noclcah1lllof!hiafeet. Grimacing in pa.in,~OBD gets up and behind ~OI!IER, who tr1ea to rise.

~o~, still holding the falsies, whipe them around ~OI!IEi's throat, l1lte e gan-otte. BOI!IER tries des- •perately to reach behind h1llltothrow ~OID off. BOID tbrwlts his ama out, crashing ~OinI:i 1a head against the stone fireplace, stunning hilll.nan he alowly ti;htena the fAlaiea around his neck and strangles him.

CAMERA PAIS TO DOOllas n.mon appears in it, the wrn behind hilll.They charge in towud BOID who hurls BOIDEB's body at them, and th•n Z"UD.Iout onto balCOJl7. DntOll a.ndth~ mT1'LEB ge1>to their feet, start tt'wu4 balcony.

-I

Revised 19 JB.nuary1965

Struggling into the hcrness of a jet-pack. As they appear behind him, he ,ctivat.es pc.ck,takes off over balcony railing.

As 30ND jets ziwaythrough the air toward hedges.

19. rn. CEATEAT':.Wt.In GA~. MY

30ED soars way above the liene.issancemain entrance, far above Cellini's nymph and the danserous horns of the castle's scul;pturedand stetely stass.

MADEMOISELLE LA PORTE leaves the engine running, hurries out of the Thunderbird perked et the corner of the road, ,.,_ quickly throws open the huge luggo.ge compartment at the rear just o.s30El>comes down out of the air in a hissing rush of air frcrihis jets.

As he lands, she helps him step out of the herness, and wo.tches him o.sskilfully he folds up the mechanicAl con- traption. It ta..~eshiJ:1nolonger to do this than a golfer with c coll&psible trolley, or a secret agent in Istanbul would take With a foldine sniper's rifle.

301D llowell dressed mm should be With- out one.

He puts the mo.chinein~o the back of the car. At the same time, a. hundred yarda down the roae, the main gate of the chateau opens ~d ~ OR Foun MENcome running out. They carry guns. 30ltDhurries forward to get into the cu.

As the first o~ the mr begins firinc, 30ED guns the :iotor and the car jerk.aforward With a ecreech of rubber on cobblestones. As it disappears at speed we••••.

DISSOLVE:

KAiliTITiul:S (

I

Revised 19 Jcmuary 1965

Massive Second :Empire!uildillgs, the main offices of important buei!lessand banking concerns. A mornille:1n :mid-February. •

22. ~T. NO. 136

A car pulls u~ (note Ford, but something of the Ferr~ri- M&serat breed) right illfront of a big Ee-Parking sign.

A rOLIC:CW...Nhustles!ol"'WUd from the :middle of the street, from where he h&s been shepherding PEDESTiUANS across the street. He ruses M il!dignanthand. • •--

J'BDCH POLICE?-lil Vous plaisantez, Monsieur!

The MAJT getting out of the car turns round.

FREBCE POLICE!Wi (sud~enly apologetic) Ah pardon, Monsieur Largo .•.. :mille pardons.

A smile, a selute, and the next moment he has r~ised his white baton to club some uni'ortune.tewho is t'rJ'insto walk across ~go.instthe lights.

LAB.GOpulls his camel-hair coat acrose his ehoulde~s. Re is a powerful, middle-~ged man, a mDJlof elegance but also of authority, a man with friends 1n high places, but a man who does not need 1.heL. Be crosses the sidewalk towards the entra!lce of a buildi:lg on which stands a discreet bronze plsque. We read:

nA~TE IE'mRNA?IOHALE PotraL'ASSIS1'.AB~ DES GDS SilS E~

ldll1 SVOICE (coming over a.awe hold on plate) he Interntltional ~otherhood !or Assistance of Stateless Persons -

2;. INT. OUTER O!'FI~. M(JY. mm. XARLSKI'S '7!FE --------------------=:------. ..............iioiiii,;;;i,,......-- - HEN working ~t.deaks, some interviewing PEOPLE of varied nationslities. fhe usual accoutrements of a busy

• B, ~evised 19 Je.:ilua.ry1965

2,. CT?I,

organi1ation. J1an7metal filing cabinets. Seated at 4•ak in F.G. is a KA..~facing a fcreign-looldllg, neatl7 but poorly dressed middle-aged cou:plt, theEABT,~XIs.

ltll (oontinuing on cut) - is purel7 philanthropic. We are not interested·in politic1, cml7 1n your eocnomic and spiritual rehabi- litation. •

Be jumps to his·feet and bows defeNntiall7 as LilGO passes him.

Jill Bonjour, K=sieur Large.

LAllGOacknowledges him, c,ntinuea toward door 1n B,G. and ezits as J4AB'aite 4own agau,.. ilO~ hands him a memor- andum.

SECOBD MAJ' • Earlsld.-

•SEUOllDllABmoves out of scene aa 1DlSf atulliesmemo.

JWf I am delighte4 to in:or.m7ou we have been able to arranse for rtaaa with tho 3%-uilian co:naulate-

DS, !'4PI,S'tI (overjo7ed, tearful.17) hank 7ou, Honeieur -

In the backgrouncl we see l.lllGOpressing a button 1n the wall, then WD.iting.

JWf he :!z'otherhoodwill provide ff&D8- portat1o:i &!l4 aubaistence until 7ou are once a.gain aeU-eupportine -

L\ILSlCI We pa7 back - everyth:1.J:ig-

I Bevised 19 Januar., 1965 g.

1WI hat will not be necesaarJ. Our :tun4scome fro= certain private in41vi4uala who a:tia:-eoura1ma-

A light has come on above l.AliGO'shead, blink1ng slowly, ae a panelled door slides open. Be goes on 1n.

24. m, LlltGECO:RFERE!lCEliOOll.~LQZELD

CAERA OB HIS :BACXaa he sits down .inan armchair positioned at the head of fourteen others 1n two rows of seven facing each other. Low lucite tabl•e between cha.ire with neat stack.aof agenda, glasses, carafes, pens, etc. Sested in all but two of the chairs are ME!Iof m:l.%ed nationalities, competent-looking, well-dressed, ezecutive types. On the wall beyond the 1ast cbaira ie a map of the world. Be breaks off spfllak:tngasLABGO comes in.

Come 1n llmD.ber!l!bree.You do not need to apologise, I mow w:P,Yyou a.relate.

25. CLOSE SEQT. M.QFELl)

J'acenot visible 1:.aawhite au ~ump• up into his 1ap. Bis hand etrokGs it u he apeake.

(voice 4iatinc-tivet ••ishtl7 accente4J I waa ea1'i,nghow much we all at Spectre resret the death in the Istanbul affair, of Bu:mberSu ....

':"' Boaa ne bb, who wi.:.;.1be■a4l7

miaaed •••• bu~ in the •an-time we 11111 proceed with the uaual f~nan- cial Nports ••.• BWDber fen?

26. GBOUP. PEA1'URI?IGl'fUgER;p

Who riaes.

JroDD SI Assassination of Perringe, the French anti-matter specialist who went over to the Jlussi&m:. 3,000,000 francs .fromthe Special Department of the Quay D'Orsa7.

I

26. C'l'D.

Be sits down.

:BLOFELD'SVOICE Baber helve?

cua::AA P.\HSto Bm=t!D f'ffEI.n,n.iug.

ltTDEB.1'WEL'VE Ransom f~ Della ~lomberg, daughter or the J.rgenttneindustrialist - 1,000,000 pesoa.

E!,OFELD'SVOICE (aa C.ADRA.iilS ~o Bm.IBD SEvD) BWDber Seven? •

- lmDD.DvD (ns1%1.g) ~lackmail of the double agent, mate·.io1'ujiwa- unfortunately onl.7 400,000 7en, all the man had.

'!LOP:.:ll>'SVOICE JlWDber Hve?

C41«Tl3APilS to FIVE, riling.

lltJDD llvi Our oonau1tation fee :to~the Jritish train robbe:-:r- £250,000.

15LOJIELD'SVOICE . (ae l1JlmD FIVE sits 4own) Baber Eight?

OAMEBA PilS to innmER EIGH1',rising, and l'mIBD llID, eeate4 beside him.

JnJDD EIGB! Diatributicm of Be4 Chinese na.rcotice in·the l7nite4States - 2,300,000 dollar■ - (inclicating no beai4e him) - collecte4 b7 Dumbe~ ~ue BD4

- ... 11111.lf.

..

-

Revised 19 January 1965 11.

2'1. m:';7ANGLE. '.B!JOP!(I.D

CA.QR.A.SHOOTING FRO!iE.:B.lliD.HIM!L'OWABDEIG~ AD XDlE at bis right.

M.C!'ELD (sofil.y) l'womillion tm.-ee? OUr ezpecta- tione were considerably higher.

~oth EIG~ and Win look·uneasy.

lltJKBDE!GH!r (defensively) Competition from Latin America. })rices e.redown.

m,O!'ELI) I anticipated that fac~or, Bumber Eight . .Are y~u quite sure all moneys have been accounted ~or?

lm!BER EIGBT o the penny, llw:lberOne-

l!I,OJ'ELl) (silkily) On the contrary, I l2a:veaatie~ied J1179elfthat nearly 50O,QOO dollars has been 'Witllbe14-

lnJDEi EIGm' faces him, pale-faced, temie, while 5IllE appears at eue.

2B. CLOSE SHOT. HQFELD'S lLUD)

Leaving off atrokillg the CA!, mo·n..ng~o swi-tchbeneath tmble beaide him.

m.oFEIJ)'B-VOICE -·and 4eci4e4 cm the appropriate action.

B.Um throws nitch.

29 • GROtTP. nA'l'tmING EIGHT N!1?1mm

Ae 1'lJDER.nD 1a body, au4denly ga.lvaniae4 by ,,ooo volte, atiffe:ne. CAMERA ZOOllS :m cm Bl!!. Hie ~aoe contorts, hie eyes glare wildly, then 41=. Wisps o! atiolcerise about him.

I

Bensed 19 January 1965 12.

-,0. "1.0SE SHOT. :BLOFELD'S Ulm

Pu.!..11:glwitchback.

,1. CLOSE SHO~. ~ rn

Eis body almnpe !0:rward121 chair - CJ.?mU.:?ilS J.TIJ.YQUICII.Y tu ELOFELD, who re1w:ie1atrold.ng ca!.

32. NEW AE'~LE. GRot1P••DOM DRIED W,OFELD

CAME'RA&Toiding mmlt NIIE'S ~ODY.

~LOJIELD Sit down, lumber Eight. It was necessary to distract him. !here might have b&en an untidy 10ene. (ae EIGD aita down) Hmnber Hine l~st the money at pmbli.21&• Spectre ca:mot jeope.:i- dise our new pro~ect, the most important we have ever undertaken, by tolerating an unreliable asso- •' ciate.

Be tUffl.8to L.UlGO.

l!hiaiayour aa1igmnent Humber hree, oontmue.

,,, CLOSE S!OT. LAE®

Ignonn, ~ODY.

LDG:> Om- intention i1·t0 demand from -theBorth J.tlantic ~eaty powers, no h,mμed an4 eigh't7million dollars•••• a hundred -thouaand p01m4s. Sub-Operator I..1• 1n the aouth 0! England, m•k1ng neceeearr prepantions.·

34. En' SBBPJIJJil'S·-POLL SBM'. l)J.l'

L.UlGO'SVOICE eontinuing onr large red-brick Victori-~- buildini with a crenela,ed portico and glass-encloaed

-

aun-poreh. A drive cuts tt.:-ougha broe.dlawn where a fe.,.PilIEilTSstroll ebout or aun themselves ill rec)i111ng chairs.

3s. INT • SHRtraLilmS, swz;AT-:aoxROQ!!..Ian'SON. A!l'TI.ND.AlIT

A small cubicle. On top o~ it a aign: ImY ~. ·1.IPSOJr's head, sweating profusely, protrude!I :h-omthermostatically- 00?.1.trolledplasticbe%. Be is in his middle thirtiea, with slightly slanted eyes, de~i.nitely a Eurasian, perhaps In4onesian-Dutch. ,

il1'DDA.n (Cockney acc9llt) I'll put it up to 120 ~or the last ~ew 1U11utes,.air.

LIPSOli, eyea closed, Dods drowaily. CA.ME?..!CO!!ESllCI.CSE OB A~~'S RAliI)ashe aeta control at l20 and the CLOCX to ril:1.£1ntwo minutes.

36. m. MA.SSA.GEROOII

he A~ comea out ~rom SWeat-~0% room. C.AXI:RA!IOVES WI~ RD! HOLDS a.ahe reaches an4 wallatpast a maasap 4table. .TA.HEB!Olf.D,~aeedawn en 4tablew1th only a 4towel round his middle, is being vigorously maaae.ged by PAnICI.l FE.A.E.IliG,anathlet1c-locld.Dgbeauty 1n a thin, ahon- aleeved am.ock11':ithverylittle underneath it. Her flzpert manipulations evoke a aeries o~ 1nvoluntar.ygnmta tr=a him u ■ heworks en his apae. She at~~!~ picks up a pair of large mink gloves, the ~ur on the p , and resumes, thia time gently.

lle'Vised19 January 1965 14.

:BOID (looks round, grins) hat could be more easily ach1e"9d il you wore more clothes •••. Kiss? •••• 11:Las?

PilllCIA (isnoring him)

:amrn (-turningiooe·;·toCAMFJU) What is your ?WZ1e- mid when do you get oY!? .

She presses down severely. :BOIDgrimaces With pain and ,. lets out a grimt.

:BOBI> You did that cm purpose.

(imlocently) Bot at all - I'm atraid you're goi.n&to need the :tuJ.l1:rea'tmen~.

A!~, ca.r%"J'inglargete%'%7cloth robe, .pasaea table. CAMEBA PABS !iIJIInO SWEA.!-:BOXB.0011.

37. :en. §WEA:r-!OXltOOM, !.IPSO!'. A!BBI>Am

Bell cm clock rings. A!!Dl>il1'ahuta it of!, turns heat o!!, opens box nveai,~1 rDWa of lamps 1.n.ei~e,d1JPm1ng down. LIPSOB Btf!pS ou1 ilitorobe A!~ hold• ~"'orhim, momen1arily reveal.ill&a muacul.ar,lithe bod7.

38. DlT. MA.SSA@ ROOM. !O.'{l).PAD,ICIA

ContiliUing to maasage him as LIPSON, illthe robe, comes. out of eweat-box:room, taking a distinctive Piaget watch with two gold bmide out of a pocket.

I

Bevised 19 JanU&rY 1965

38. CTD.

• LIPSOR / (stoppin& beside Pil) I '11(sereyou dter my ehower• ht.

t PilllCIJ. I'll be ready. fhis 1• Jlr. ~on.4- Hr. Lipson.

:BOm> (holdi:1£out hand) . You're not taking her away ~rom me al.ready, are you?

,9. INSERT: fflIR RAEDS

~~

..lsthey shake. On I.IPSOll'9wristia a distinctive 2"r;,d tattoo - a zigzag crossed by 'twovertical etrokes.

~01lD1SVOICE She's onl:r~wat come a.to 11l11.1.fe...•

40. DTT. A! T~. ;som;,.I.IP§Olr. PATE.ICU

·..ls!.IPSO!!covers-tattooby atrappiDS on watch over it.

:BOD he cml.7 ~07 1n th:1.edrear:,place -

Be exits. ~OD looks after him u P.4.DJ:Cliresumes massage. ~en as ahe runa her band over a hea4f')'bruisedweal on his back •••••

PADit:I.l 1'mm1'loold.Dg bruise. • •.• a~all7

~CID

-- were ~ust the type tore. Widow.

I

40. OTD.

lSOBD (casuall,-) ?lotthis m1e. Be didn 1 tl.ilceme at all.

Be IIWin&s off the bench, lea.Tingher to work this one out for herself. She is still tr,-il:lgtodoso aa we••••

l>ISSOL'VE1'0:

41. INT;: K~'S UCEPTIP+l xooi:. MOQ!.f@EI •• AT l:mR DESK. D Y

Spe·aJt1nginto phm1e.

JIONE!l1iam! A zigzag line croaeed by no Ter- tical ones?

,,.-

:m "'••Smro:BLAEDSLO!EY. PROXE ~QOTH. i,qm,

- Lobb,-visible through glaaa door. Ee wears aporta clothes.

~RD Yee, I th1Dlt it•• a tong sign, "the~4 Ligb.tn.ingfrom Jlacao. Ask Ilecardsto verify it tor me~ 1'11.l ,-ou?

D:!$B.ctT1':BO!D.Al'iDKO.N.E!P.W!.

HOB.!=!!PENlfY 1fh71sthis ao im.portmrt,James?

lSOlm

-, It'• ~uet there's a very nice J'OUJli

part,-here who migb.tbe setting mixed up with somebody not nice at a.11.

JICD!.PD.ai (aweet].J') And th.11perty'ld be eo much safer mixed up with you. Son-J, darli.ng. You•re ott dut,-. l'ileit til.l 7cu get back.

BeTieed 19 January 1965

42. CTD.

:BOD ltone;ypenn:r,nerttime I eee 70u I'll turn you over =1 meel

IIOBE!.!'.cl..iffil On yoghurt and lemon juice? I ca.u hard.lywait·.

She blinks aa he ~.v.1.dentlyhangsup O'J1her.

43• Ilf.r. I,O:SJ3Y.'.BO,EP

Com.illgout of booth, looking O.S. CJEI:RA PilS TO LIPSON AXD PJ.nICI.A going out:fr=t door.

~e goes to window, looks out.

45. W&T BE sgs

LIPSON and PAD.ICIA getting 1.n'toaPaoel-Vega a:a.ddriVing of~.

l)ISSOLVE:

46• INT • smttmLAt"mS. cmm.rn. l5om>

Walking quietly past several doo~a. lie stops at one with a ca:r41:r1a ~etal holder neatl3' lettered: B. LIPSOli. ·Be

With a skeleton key.

47. Im'. LIPSOW'S lt00!!. :SQEP

Quietly cloei.ngdoor behind hil!t.A pleaea:a.tly.tu.rniahed ground noo:r room With hench door1 opening out on t'.b,e garden. :BOm>moves quickly to the desk, eoa:c.amagazines, etc., looke throu.ghcontents of llrawsrs, then croa,ea to the dresser • .A.Iheopens the top d:rawe:rhe hears a ~ain't eou:ndbehind him a.udglances into JD.irro:rabove4:reaae:r.

48. WlU!l'HE.S?;S lJ mPJ?OR

Door 'between the :roomhe ii 1:r1andthe one next to it is 1lowly open.ins. When it 11 partially opened he ca:a.aee

I

Rensed 19 January 1965 18.

s,s. CTD.

a eo~ewhat frightening t1gure - a KAH 1n a robe and blue- striped pyjamas, with his entire head awathed 1n bandages covering everytl:Lingbutthe eyes.

49. 1m7 APG!.E. :BO?rnP! P.G.

r.AME:BASBOOTING l?AS!lllll~OWilD !lABll J)OORWAl'. l30lm r~msin~ motionless as the door slowly closes. Be walks quickly out intc corridor.

WaJJd.ngaway from door of laIPSOE1s room. Be ents scene. Door of LirSON's room opens slightly. -~e llA.liDAGEDBJ' peers out into corridor, loold..n,i:_afterhim.

DISSOLVE:

Be wee.rsterry-cloth robe over his shorts as he approaches a door lettered: OS~Ol?AT:C:C 5.A.C~IONAlm ~SH~. Be sighs rea1ped.ly, goes in.

,.2. INT. !mAO'!ION ROO?:I.~om,

CAMERA .AliGlllWIDENSas he atop ■ short, ~o DJCiiUDE 1.ArnOll stanclin&1n b-ont cf a curtained alcove, consulting an %-ray :photograph &&Oinst an enlargi?lgecreen.

Bmm Jle?

She nods briefly,

:BOID I'd never have recogn.iaed lQ'B&U. l>o I look healthy?

lie puts an arm on i:lershoulder to peer to:t"'ll"U"d.She41a- engagea herael1'. She has had a lot ot :pract1.ceat this.

1AfllCU (grimly) cc healthy by far. -fake off your batl:lrobe,:please• •

liertaed 19 January 1965

52. CD.

:BOID (sad17) You never say that ae il 7ou meant it.

She colours slightl:y and turns away as 30D coml)liea. hen, e7am1ning the %-ra:rand poking at BOID 1Brib •••

PilllCli Lift :your a:rJD3pleaae.

Be does so, but onl.7 to 1et them.fall round and beh=Lnd he:-, and then aa he is pu111l:lghertowuda him their mouthes come together.

It is a longer kiss than she had imagined possible under these conditions, and it takes acme time a,nd·al.lher akill to disengage herseli.

.. P.A.DICIA (eenrel:r) :Behave7ouraeli, llr.~ond. I cm •~• there•• only one place to keep 7ou quiet. -

She beckons to him, pu.11.etheom"ta1na to an alcove one ei~o of the room..

In 4the alcove ia an o4d-look1ng surgical. couch in 1eather and gleiam1n;alum1n1~ With a aer1e11 of at:-apsattached to three upholstered eectiona. ~low the couch i.a an elec- tnc motor, from wh:Lch a power dnve of articulated rods reaches up to each of the cuahi,,ned a,ctiona and tem1natea in tension acrewe to wh:Lchthe rode are attached. In front of the raised portion ~or the patient's head, appro- x1J!latelylevel With hia face, ie e large DUL marked :1n lba-pressure up to 200. ~low the head.rest are grips for the patient'• hmlda.

...._

Rensed 19 January 1965

52. C!pD.

Cm> Bore like a wrack. You're su:-e :Ltwon•t ~l me apart?

PA.!RICIA Don't be s:Lll7. I'm onl7 atart- :Lng7ou at. 90;ounds. l'acedown, ple~se.

0ID a:Lghs, cli:J.bsreluctantl7 onto the oouch.

30II) (ae ahe adjusts straps uound him) ~ the •ar, who'a the man 1n the room nert to 7our 11:1.aterLipson?

She reaches for lever ccmtrol beside-big dial, depreasee :Lt. Jlotorbegil1a to wlwle. !he straps alt•rnately tighten ad relax. Be grabs ~or hand-gripe,~• cm to them.

53. INSERT: pm

Beedle at 90, holding there. !he nmbere abCTe 120 &re 1n red.

54. IN!. .u.co;v;. !Q!?D. P1&.n1cu

Straps tightening ad loosening. She looks aon at him, grim ~a:Lntl7.

PA.!R!Cli Pi.rat tiJteI've ~alt rea.117aa:te toda7. I'll look in and aee haw 7ou•re doing :Lnfifteen m.:inutee.

She 1tepa back, uawa ourte.:Lna,amilea, walka out of room. C.Alm..lJl0V2Sto WALL CLOClt,indicat:Lne 22 111inuteeafter ten.

IJISSOLVE:

.. ----- -··---- -- - ---··-

I

Reviaed 19 ,.ianu.ary1965 21.

-· '

55. wm cLocx

Jow reading 28 minutes a.1'terten. CAMERA JllGLl:WIDDS 1'0 INCLtTDEllOD C!l CCUCR, his e:,ea closed, the straps operating rh:,tbm1ca1ly. Re hears a sound outside curtains, turns h1s head toward the:i,opens hia e:,ea. Slowly a t~.mied, muscular u-m reaches through curta:1.natoward lever near d1al.

56. IllSERT: RL"m DE!'RESSDl'GDIAL

On the wrist is the distinctive Piaget watch covering the tattoo. ~e need1e cm the dial starta movini up. ~ hall.ddrawe back out of ahot.

57. nr?. .ALCOVE. llOND

lr.b.1neofmotor bui1ds, thP straps tightening and 1ocsen..1J:lg more rapidly and with increasing violence. llOBDatruggles desperately as hia back is racked by powerful wrenches. Re trieE to shout, but cen only manaee choked, intermitte~t gasps. •

58. mm: Dm

Beedle rises ~o 200, ata7S there.

29- Ir-. ALCOVE. llOND

Eia 1'eaturee contort agonized~ u the couch seems to go beserk.

59a. EFFEC!S SHOT. 'P.ll'RIQU.

~• 1'ace ii coming and going :ingreat ~erka and then suddenly the aound ceases.

~2b ■ m. J,I,COVE.:!O?rn. vn,ru

Her hand comes ~~Y 1'rom the antch, goea up nervousl:, to her mouth. • •

PilllCll :JqGod •..• my God•••• you cou.14•ve been kil1ed •..•.

- She helps him up. Be straightens himaeU' pa.inhll:,. !hen with an effort.

Bevised 19 January 1965 22.

-

59b. CTD.

llOID I :reellike I 1vegrown about aix inches.

PillICI.A (ve%7 upset) Can't thinlc how it could've happened

miracle I came back when I 41d•.. I'd left my watch behind.

She 1s wipin& the aweat off Ms body With a towel, ~or he is soaking wet.

~ID I'll bUJ'7ou another one tomol"row•... solid diamond.

She raiaoe the trace of.a amil.e,and we aee ti.ownervous she still is.

PilRICI.A You•re ae,j"eenough, all shops shut. ~t•a why there was nobody ebout "tohear :.rou....Bat'Qrda7'• a hall- day•••• a holiday.

- :S:eis cm Ma :f'eetbynow, -t:aldng'thetowel :tzoomherto rub bi.maeli'down, though tM ■ 1e e-ndentl.7 something of an effort. She hes crossed to a glaa ■door 1n the wall, opened it to reveal the tMclt blmlket o:f'steam be:.rond.

PillllCU You s:pendten minutes 1n the ateam room, 1t 'll r~lu ;,,·oupr~erl7.

]SOllI) {s011rl7) _ You thi..nlcIneed rel.Uing aner ti.t? Wait till I tell 70ur Doctor Wa1J2what I thinlcabout thia place o~ Ma, and th18 broken-down equipment••.•

PA!RICli (ni.ttly) You wouldn't tell h:JJD••••please

•••• I d lose 117,ob.

lleviaed19 January 1965

59b. CTD.

here 1a a silence. 5ow he is loolc:1.nsather more cheer- tully again, and now he is 11m.111n&.

:BOllD I auppoae 'III3'silencecouldhave a price.

She stares at him, and then suddenly ahe finds she u blush.in£,

Be node slowly, the grin on his :tacewideninl all the tilne.

: :BOID. (ao:ttl:,) Oh, 7es ! Oh, ;yeeJ

59c. m. S;EAK ROOM. DAY

Ste~ billows round the camera as it moves forward, and it is with d1~ficulty that we can ~ust make out a wo:ian•sbare :teetae she atamle on her tiptoes ntretching upwards. A ·few inches &Wts.yarethe man's feet and legs.

CAMEB4 PJJIS lJPW.dDS,put a thicker b&12k o~ eteam which conveniently covers up everything un~l from out of the mists emorge bare &:'mlland ahouldera and then the :racesas l)J.!llCli'amouth came ■away frcm his. fbey are both rather Nd in the :taceand coverod With perapi:-a~on, and now we hear her l•ugl:J1ngr

J)il!.ICIA Jlo,;you'rewrong •••• this illnot 'llhl{tImeant by the full t;:eatmint.

he steam rise ■higher and hiper meldns it aven more 4il:t1cultto see anything at all.

hi.a1a probably 3ust •• well.

DISSOI,VE!rO:

60. Ol§I~!l'EI>

►

I

Re-viae419 January 1965

61. Im. SHRU!LI.M>S. OOP.2IDOR. DOQi

I,e~srad: "~Gl.TIOJ.11. !OID, in terry-cloth robe, comea out.

:BO!m (callin& back through doorway) See 7ou later, Iffigator.

!ecloses door. OA!m:BA ldOVESWim mt J.LOlJGCOll.IDOBTO il'OnER·DOO.!l. EO!.DS TBERE as-he o:pe:s it and slances in.

62. m', MASSAGE ROOM

Empt)r. :BO!mcomes in, closes door behind him, croseea to 400.r or SWV..A.~-:BOIiOOU,opens.it. CJl!ERA ilG!.:mS~o SBOW LIPSON in neat-boz, the back or his head to :BOID.

63. Im. SWEA;-!OX..AQ.9:t!.LIPSO:N

As EOID enters, closing door beh:indhi:.

t

I.IPSO!' Get me out of here, AJ.:rred. I'm ewea~in& like a pig.

Don't argue with me. Ll.tme out.

CID (com~ng up -to-bozbeh:1n4 Lll'SOBi look1ng at needle

.. co:a.tro on dial) ..

lime7, llO's 'arlllymor• 'thana wan breeze - I'll put it up -to 200, ■ hall I?

lllS~T: !OM>'S 1QP

·- Operatins lcnobto raiec neo4le indicator to 200 4egNes, then ec'ttin£ the clock to r1J:t.iina halt h.o'IU'.

- ••

Revised 19 Jenuar: 1965

64. CTD.

JSO?mI sVOICE About a half hou:-0! that ahoul.d 40 7ou nicel7 -

3eni:idhim.

LIPSON 1s eyes widen aa he recognises JSOID'aToice. ~Ol!ID walks out. ....•

Ei6. INT. W.SSAGE ROO!:. :BOND

Crossi:zlgtoward door to coffidor, softly singing: •we 1re Bavillga Eeat Weve, a ~opical B•at WaTe". Be goes out into corridor.

Ei7. ~. COlmIDOR~ JSOHD

l::d.~ingscene down coff14or.

EiS. IM. SWEA.f-!O:IROOE. I.IPSm7

Sweat pours down his face ne he ~urns his head 4el!lperately tl7in1 to pt out o:rthe be%.

I,IPSOll (7elling hoe.rsel7) Get me out of here, aomebo47l

Ei9. m. copIDOR

LIPSOJ''•cries 4ee::,17~ne41n the deserted oorr14or.

70. m. sw..;-1ox Booμ. 1,n,so:N

---- lie :race contorted, riTul.ets o:rwater rmm.1.Dg down it, aa it takts on an increasingl7 n441sh hue.

LIPSOll Help! Belp !

ReTised 19 Janua."'71965 25a.

-

70. C"!I'D.

Gru.dua.llyhis i:!loutanre reduced to inarticulate wheezes. he: his eyes cloee and l::.ismouthopens aa he gasps tor- _turedl.y ~or breath.

DISSOLVE:

70a. i:n. :BOSCO~ ilMS. nsn

A car with lt•.A.F.markings pulls up, a DJIJ..PORTmmm at the wheel. ilO~ FIG'OBEin 1.lllilor.c,thistimeen officer, sits in the back.

70b. nr.1'.TErnROEE :BOX. BOffla!'etmi

LIPSO!i, l"..18facestill red and flushed, i11watcb1ng at the glue doorway as the R.~.~- Ol"FICE gets out ot +.he cu. Be apes.ksinto ~he telephone.

71. O~!l"!ED

72. rr!. :BOSCO!:!J:.A!m. P~ZZI 'SROOI~. P.AI.lZZI•

COLO?:EL T'AlJJCC'·P.t.U.ZZIenclno&,are to be found wnbracing on tivan. R£ ia in his mddle -tb.1..-tiea,darklyh:mdaome w1th •-~trim mous-tac!le,an.da c~ Contillentalmcnner. 2zoept for -the-tum.cwllich he hae -toseed cm a che.1.r,he wee.rsth1t m:ilorm o~ an I-talian.A:1rForce Officer. FIOT'~ '£'ELLY,rec!-headed,ll-iah, 12.tthemorient reveal:1ngly deshe.bille, ~-•-the~ost beautiful aocompliehed yo'W:lgwi-tch since Horgan Le ~ey. !elephone rinp. She reaches out lazil.7.

l'IOB: Colonel Palazzi'• aocial ■ ecretar.,.

Be :alcea a ~ac~ a-ther, •• ahe gr:me, mock1ngl7.

She hlmga up, reachea out tor him, a:id ae -theembrace oontinuea we just hear his JIWllble.

t

ReTiaed l~ J&n\1&%71965

72. C~D. -....

Agai.%2there is an inteffUpticn from the telephon(;. Again ahe Naches out but has not time to answer before the voice at the ether end baa spoken .

.......

VOICE

-· ..... (filtered) ' Colonel Palazzi?

She hands him the receiver.

I'll come down pronto... . .~ 7ou.

He hm:igsup and at the same time pulls l'IOl!ULtowardshim akil:f'ull7.

..

(a ligh) IDta:-ruptiona•••• telephone calle • • •"'theator.7of 1lljli.fe.

She puahea him awa7.

?IOD. You'll be late at the J.1r kee .... 11114besides it'll give 7ou time to oool o~~.

You'll be here when I come back?

She node.

Jut I ma7 not be in the mood then.

JIIO!U. You WIIZltto bet?

PAL&Z~

Yo1:.lcnow7our Fzta.nco,eh?

Rertsea 19 Jan'UC.l71965

CTI>. -

(drily)1IOBAl' Imow me.

::Seforehe can kiss her age.in, the zer sound.a. Ee sighs, releuea her, gets up.

(call.ing) One lDOJDezit. (heem-uge) I told th.el=I'd be aown.

110:rl.Anses, helps him _into.hie 'tunic..

?IOlU. Bappy 1ana.1na.

Ee kisses her, piclcaup his navigation bag, el&ps hie.cap on his head.

(with a chuacteriatic geature) Ciaou!

Ee wnllcato the doer, opens it, b-ee.zes. Stand~ in 4oorway 1a h.iaaelf in identical u:nifom (ilGELO). l'J.LA.ZZI atares in a:c.zemezit,then turns t~ PIOia,. hia fin.Ser pointing towa:-4 his 4ouble.

he two quick, aziasoftly ploppi.Ag •o~4e, make him look even more a=aze4 as he elipa down on to the floor, the O:Di reachi!lsout to cAtch :b.1mmd brec.khi• tall.

1IOlU.unecren the silencer f:ramof:!the gun in her l:1a.D4, beckons the Oflml, and ta.lee ?alazzi, fcrwud. J..t·-.hesame time LI:SOE' also appeara in the 400.rwa.7.

Revised ~9 January 1965 26

l'IOJtA (1nterrupt1?l& aavagely) Shu~ the door ..•• \Ulleasyou're tr:yi.ngtosell ticksta.

With ml. almost frightened look at 1IOJiA,he ·comes 1n quickly, closes the door. She take ■the handbag he is cB.n71ng, drops down beside ilGEI,Owho is staunching the blood i'rcm the wounds w1 th a thick gauze -e..ress1?l&.

ilGl:LO he ~lo~r•s quite c1ean~

I--- FlO?a gives a quick pro~eeaional 1ook, raiaea the lids on the deacl man's ~ace. A ~•rk of the head to LIPSO:.

LIPSO!f Everyth:insas a.rrauge4.

J'IO?aand il<aELOg0 over to the table. hom out o~ the handbag she takes a i'lct plastic =7gen ccmtainer, attachecl to a :=ask, bane• it to .orno. Ee atu:t~• it inside his shirt• ..

J'IOlU. Your breatb1ng equipment -

PIOli.&.~endshim a a:ell metal cylinder.

:PIOllA- he pressurised gaa -

ilGELO put a eyl1nder 1n tunic pocket. I.IPSmr laleeling beside PAU.ZZI'S DODY, taltea o~~ h1a I.D. ta& and a wri■t watch, remove• nl1et ~rom tunic, hands them to J'IliU.. She at the same ti.mobaa taJ:enout of the hlmdbag a thick envelope. ilGELO looks at it, then ahaltea hia head.

ilGELO

-- Balf a million clollarsia not

enough.

I

72. C!'D.

ilGELO (ctd.) (es :PIOl'U.::-.ndLIPSO!lglmice nt ec.chother) ho ye~a o~ my life - ■ tu.dying the :tilm- your reports - - (touching hie :t~ce) ~• operctiona - voice lessons - Jlcke it c million. Or get ■ omone else. -----...____ I.IPSOI' here 1s no one else -

Bzactly. I :m PAlo.z11.

LIPSO!lstr:.1ghtens up, a pn 1n hi•~-

l'IOlIA (ahm-ply)

-

Put tlult awcy. Ar~elo 1s right! Be•a worth it. I'll il:11'omlumber One we•ve me.dee new arra.nsement- this 1s :mere]Jradown paJ1Ur.t.

ilGELO he ■ 1t::itea,1:henreachesout :tor1:he11011ey,then takes •

I

PALA.ZZI e n.e.TigntionbB.B•

aano (chn.racter1st1chiszz.1 geet\1N) Ciaou I Wish :me1uck.

JIIO?li he cap - :turthertack cm -the halld.-

an4 aa LIPSO!lpulla the bo~ ~way, QGXI,0 adjusts 1t, wnlka to the door, opeu 11:.

ilGELO (p~u.eingdel1ber~tely) he re ■ to:t'16111011ey•••••l:m.ve1t re:l4y.

- he door close ■behind him. LIPSO!l tGkee blue-atr1pe4 pyjmn3s out o~ hia bQ.8 encle roll of bandages. Be he.nda

26b.

it to :PION.A..!rhe:,11::::c.eeldownbesidethe:BODY.Ee ■ to.rte remo"V'1ngPALA.ZZI'aclothes ~e she begins bB.Ddaging his heo.d.

DISSOLVE ~O:

7~ - 77 OMITt'@

78. En'. :SOSCOMEEAIR l3ASE. E~~. lt!Ge

Security Cu with lm.IVD., SERG~, SEClIR.I!I!YOFFICE!B.1:1.d ilGELO etope nt barrier. lf.C.O.approo.ches frm lc1osk.

11.c.o. (to ilGELO) YC)UrI.D. cc.rds,plesae.

fhey show c.c.:-ds.1.c.o. checks faces with photos, ilGELO's last, nods, gestures to SDTE.Y who ra.ises b.c.nier. Ccr drives throue:h.

,.

1~• INT. l30SCO!!!EA'rn13.AS?.:BRIEFDTGltOOM. GltOUP

..A.IEc~' V'O'LCAN::SOIGERCB.E'i'all1n .flyingleit'as SEClllln' OF.FiaERend .A.NGl:LOenter. He 1.a al.soin..flyillg lc1to.zu!lCarl"ieshie:nnvip.tion bc.g.

DClllln' OlTICD. (to illlC~) Colmi.elP~lazzi, air•

("l:Jakj:r,gh'L'tlds) How are 7ou?

Well, tha:Cllc7ou,Oo•monnder.

illlcONl:uma (to CBD') hie 11 Colonel Pcl.azziof :IA.!0. (:nodeexchanged) He'll eccompl\TJ.1your:i.aenObserver. (to P.&L.A.ZZI) After :,ou•re on a.utoJD.2.tic,obenge

- .. eea.tewith the Co-~lot. ::Setier

v!~w from there. !hie i1 a :i-oa:ti:ne patrol to a ret'IU'Zlpoint-

-

Re'Tieed 19 Janusr, 1965

79. c~.

JD CetmAlmER (ctd.) (indic&tillg on taal)) ·-·here - ~ust south of Casablanca. You'll be :flyinga Vulcan, e.r.med ~:th •two tactical -wenpona, at a speed o:r750 miles per holU'end at an altitude o:r45,000 feet -

SECURI!l'YOFFICER and JD COM1£ADEB· we.tch-ilGELO:f'oll,!lw

••-t:a)rlDiO:f':f'•., ·

....

81. m: fflC.A.N

I

alcinio::. climbillg.

81&. In. \POND'S 1!JDROO~. UGRT ..

PilS 'OPto ehow PA~CIA 1,-in&on her taoe on the bed, a ·1heet ~overing the pla.eestha.t.should be COffNc!. She i.a praetice.lly PurriliB with pleaaure a.al903DgiTea •r a.. masea,;e. • • •

~OBJ) llel.£:eethe 'tensions, 7ou 1c:Low.

:PATBICU (si.gu) Bot mine -

here 1a a sudden nee o:raoun.4·u ·thebombere f:-omthe nearby air!i.eld came roe.ring OTerhed..

PADICI& Enoush to dr1Te 7ou ma.d•••••• (she £11gles) unless o:rcourse 1.t•a tha.t:m1nk glOTe.

1'0llI> fgetttns up) I'll ahu'tthe W'illdow.

I

Revised lS Jcnuar.y1965 264.

Sle.. CTD.

-

Be does ao, as ct the seme moment the Usht by the aide o! the bed suddenly soes out. ~OED is e.boutto close the curtains, hesitntes, then decides to 1et the moonlisht came in. Her voice comes out o:rthe darkness.

PA!RICLl Now about those tensions o:rmine••••

- - His dress~ .;own drops down on to 'the noor beaide the bed.

he rest is silence, u:cept !or the distm:t drone o~ aound as the bombers head ou~ into the nigh't. -. ~ DISSOLVE !O:

S2. OMITTE:0

·•·-'

..

V'ulcan in !li;ht.

84. IN'!'.VULCJJ. COcx:PIT. CDW

P~ snd CO-PII.01'on bigher l.evel"thm'l.lit.A.VIG.l..!L'Oli,DGDm:E:B, and 'fl:llLESSO~Oli;.

PIIm iltilneter 45, 000!eet. Check.

00-PIIaO!' (atudn,ng illstrument panel) 45,000 - air ■ peed750 -

JU.VIG.A!Oli (world.n&with calipers, etc.) Point o! reti.u'21·45minutes, ,o aecon4e -

--

84. CTD.

PILOO?

;. (pul11ng 1ever of automatic)

Set !rem manual to automnt1c.

3e unstraps himsel.f',rises, goes into·compartDent behind cockpit.

es, m. coM;A.~T?~ W:,111!.pcocuI;. A..~o

In seat ae CO-PILOO? comes in . ..

ANGELO rises, 1oes past CO-PILOT into oockpit.· CO-PILOT site down.

86. !E'l'.COCXP!T. ggw. DGELO

Bitting down in CO-PILOT's seat, .-trappinghil:lseJ.fintn •harness. PILOT nods to hil:l,turns away to atudy map strRpped to Lis knee. .L'IJ'GELOglaziceaarom:i.d,seesO~ CBEW \mMB]!FS enp-oseed 1J\tasks. CAMn:BACO!OS IT,CLOSE TO lintas he alipa p.a cyl.1nder out o! hi11pocket , palms • it.

87. INSERT: QX!GEF SQ.fPLfPile

Threaded hole for plug. AJ'GEI.019hand inaerte nozzle of 1aa cyl.1nder.

es. DT. COCDI1'. A!ft;EL0. ol'!Cmsur !,G .

instrlment panel. Lish~ goea on over .gauge and buzzer aounda u needle registers loss o! preaeure. cew ~s reach tor 1:1&11lca.ilGEL0awi!'tly takes :mule from in~ide hia tumc, pute ~t on as CBEW mm::sERSput on 1ihe1ra. Al.moatinatantly the fumes in OX7gen 1uppl7 'takeeffect.

B9. EW .\NGI.E. COC!:PIT. JJrGELO

Watch1ng as PILOT hel.f'-rieea,chold.ng,mid tries to reach radio switch above hia head. Be falla back oonvuleively.

----·-- ---·

89. CTD.

lllVIGATOR and E!iGL"i.E.:!Rclawdesperatelyat their masks, then slump grotesquely, their bodies racked by spasmodic ah.udders. fhe WIE!:LESS OPERJ..!ORelides out o! his eeat, 'IC"itl:u.ng.l!ishead-set !alls o!! as he collapses and dies. ABGELO tu.-ns,loolcsback toward compartment be!:d~~cockpit •

Mask on, toppling out oi eeat.

CR.t.-Waroundh.1:1moti·onless. Be looks at con:trols,moving automaticell,-.

Conti:nuini on set course.

93 •. M • VUI.CAN. COC!PIT. :.J'GPI,O

Ee checks instnl:ne:nts.

zi4. I?!§'AM: Pt,m;L

Altimeter re.;isters 45 000. CAIEIU MO'Vi:S!O LEVER, marked JU.ml1L-.lU!OI.iA.1'IO,leverpointing"to•.tutomatic". ilGELO'a hand pul.1.alever over to "!.tanual"•

95. In'. COQPI:r. ilGELO •·... PILM'1 body mlmiped in his e&at %le.rt'tohim. JJIG!LO pushes cOJ1trols!orward . .Planenoses down.

96. p;,:. yt7L9&:~

Starting descent.

97. m. coCP:PtW. JJ!rn

SOtrm> CF J.tTSBiliGAI!as he puta plane in eteep tiT~.

gs. EX!L'.VtTLc1~. !!oon;qm

Diving.

99 • nrT• OOQl'?IT. ..\NGELO

Bold~ Vulct.n1:1 dive, te%1Sel7watching al'ti:le'ter.

I

100. INSSRT: ilTDtETD

Beedle falling, pass11.lg20,000, cpntillui.ngto drop. •

101. En. V'O'LC.AN

realc:1ngthrough clouds, Sea Tj,aiblebelow.

)02. IN SSP.T: .UTntEDR - 10,000, continuing to ~op.

103. En. VULCJ.Jl

•liap1dly approacb1:cgaea.

......

Pul.11.ngout o~ dive.

105. En. VlJLCil

Lnellini o~f at 200 feet above surface .

106. In. COCXPIT. ilGELO

Still tense, look:1.n&out over waves. Be looks down. CLMEB-,APANS TO WIB~SS OPEBA!OR•S Dil>PHODS at ANGELO' s feet. au'fied voice mi.zed With ■ tat1c,~a1J1tly audible.

107. Dr?. !OKBEE COMUA.."'m.GE.OUP

Large subterranean chamber, htt.bofall-bambe:- operations. Mapa coverin& walls. In centre of chamber 1s a large ciroulu table With opaque screen 1ndicatiJI& Atlantic and Borthern hemisphere. KO"l'ingalowly acroae ac:-eenare emaJl lighted dots. ScmrICI.ABS wo:rld.ngbeh:1.n.dscreen. In front of the table a GROUP OF O!'i'ICE!S. In !.Ct.Wi.D'S world.ngat cipher deaka. 0~ !rEcm:ICI.OS a1:Wireless aeta and liada.rscreens• .A.IRVICE IWtSBA!il,~oins GROUP •

(add.ressillgC.O.) 17hat•sthe ~lap, Dawson? ..

Revised 19 January 1965

c.o.. 0/!EE., air - liato4trami.ng :f'lisht. »oscc:bo nashed us they lost it on radcr - we heven•t been able to pick it Ul" an~here .

w~s she loein: altitude when she went of~ tho arreen?

c.o. Yes, ei~. Rap~dly. ~e cm:l.'tacm:l. below 300 fe6t. She m:.yhave gone 00iln,

AIR VICE KARSEAIJ, Was ahe in -trouble?

c.o. :Rotaccording to their lo.at ache- - du.led report that cmne through - (indicct~ position in ~tla~tic on opaque acreen) - ho~ about here.

AD. VICE·IWlS1i6IJ. She'• armed, isn't she?

c.o. 1'w0atomic wecpcns •.•• KOS "t3'Pe.

here is e ei1enoe.

J.n TICE liWlSRAirL Get ever,rthing 31ouomi into the area. horcugh uarch. liotilythe Aclr:d.raJ.tJ' at once, top priority, abaolute ae- curitJ'- uk them tD cantact Waah1Dgt0t1.

1oe. :E:Xl'.votcJ~. n~

Fl;yi.nsove~ waves.

109, IWT. VU!iC.t.!1.COCKPIT. J.lmELO

Voice over earphones ve~ ~c.intlyo.s. !le1.acheclc:inG instruments wit~ f.ma.p on his lr:.p.

brta~d 19 Jmmar., 1965 31

110. IliSERT: lUP

couree marked southwest acroea Atlantic toward Eabmnaa, euclingnear Crooked Island, southeast of li.ewh'ovidence •

DISSOLVE:

111. 'En. Ol'EN~A. DISCO 'VOLAJIJD. llIGm ~--~....,;;;;;i,ii,,i,,------_,_;,;;-____,,_....,......,;:;....._~-----------

feet lollg.

112. CLOSE Sr.O!'.

DISCO 'VO!w~. ~R.\ Pt.E'S'DP'-'O,~S D' .ANDBOLDS OB JmIDCm DOTI PILO!'E:CtJSE. Stend:1.ngatthe ruling bee:l.dea stubby mast, raked ~t, ia ]D';ILIOI..11.llGO,inprofile,loold.?lg through a e:L:agle-tubemghtglass. .Ablack oilald.J:,,elicker conceale the black rubber m1de:rwater mit he ~• wearizl& benes.tbit.

Sotml>OP Vulcan epproecb1rig becomes wdible. lie1owere the glass. •

C~-i:m.iPOLLSll.1CX.,POI.LOWSbimae he cl.1.mbedmm 1adt!er alongside door to ~lot House. Standi!igbeside it 1s a worried-looking, ~wsr!-llke 1IIBZ11'!'1t.hpiJlce-nezg1asse ■cd a shock of u?ll'"\2lywhitehair,~D.. Lt.itGOgoespest ~ into Pilot Bouse.

113. Ilft..PIIm' BOU~. 0.ll"r:,P:.@S! O'P.?ICER.DGnt3?Jt :Q:d51hMAN. - I)oor on starboard nde a ■L,mGC comes in. ~ ilrterior 1ooka like ,m enormous airplane aockpit 1d.th.aquere glase ports fore, port, uaa sterboDrd. fileCAl'!f.!D'caFlh~ onICD 111tin front w1th the contro1• be"twem:l"them. ~re are in- struments one aheU in front of them belo'P.the porta, ed e aquere pa:ael1i.thindicrrtora abon ~ b e-tween tbem over <tJ:J.e ports.

"heDfi.IN!.J!liBiteinP nive1-cbe1~ one lo,,er1nel at a bank of instrum~nts nna puab-but"tcms on the port side. lie ~• elao the bdio l"onand wc11raeerpbcmes ana •-.:>icemk:e. here is snother 9"1ve1-chair 8"tthe bacl:. ~ gesture• ..... to..Jl?GI~.Jt-Phoflipl!switch.

114. VD'l,C.a:F.

'Plyinglow over wave ■•

r

-32.

.. . -.. ......... 11,. ]Jl_:1:.v~C~. COCKPIT. ABGnO

Peering ahead and below through port.

lJ.6. WlllT HE SEES ~OW

Underwater landing lights, shini~g up through water, marlc:ingla:ie.

118. ~, VOI.Cil -.··-..... Sound o! engines din1n1Ghing as it oomes down closer ~o surface.

119. nrT. VULC.,\.!1'.COCXPI!r,il'GELO

~acin& him.sell"ae plane ald.manves.

Look:1.ngo.s. Xtr1'ZEbeside him.

•121. En. Vtrl,Cil.UEGO 'S POV~ (!!O~)

As Vulcan pancakes down 01lam-race about a hundred yards away. It bounces ■ e?eral.titles. Jets of wa~er nuna; into air.

BaJlB1nggrimly to controls ae planl'crashes down age.ill, water rushing past ooclcpit port1. o.s. HISS from aub- -·-· mergi~ engines. ::BOl)IES1ncocl:pitthrown about ..

12,. nrr. Disco voL:Jrf?, PILQ! HQVS;. CPz,. LARGO

Be ~urns away :ti-omdoor, wallcatoward hatch e.trear, +.aHng of! slicker, goea aft through hatch •. .. •.. 124. nrl'. VULCil. ~OCIPI!I.'.ilfflQ

r•· Be pulls leve:r.

125. tnm:ERr.'AT?:RSBC!. VULCA..'1.(Morn)

Wheels come down.

,,.

•

Pn.lli.Jls&llotherlever.

127. 0.NDEKW.ti.rn~OT. VULCil:". (MOD!f!i).

Bomb bay doors 0pen1n&.

Pull.ilij;&D.otherlever. ...................___ 129. -m~[o-!!---RWL~s-goT,ym,c..me(MOD:::!.)

Batch opens. Water 110ursinto plane. It starts to aink.

130. I1r!. VUI,CA.:.17•COCKPIT. -'lJ'G3LO

WWW

Water fills cockpit trom tusel~ge.

131. UN:o;RWA@. s:eor. vmc1t.:r..(IQ!lEI,)

S1rldng. Wheels come to rest on hard coral.bottom, torty feet below •~tace •

...1...,2__•____i;:_XT____.__D__I__sc_o____v__o,..IJ..,":.!1.l!i

r.,UO:B-ABOLDSJIOR:..H~,. ~ SJ:?ntS:BELOWSODA.CE Alm CODS InO EOLD OB tm>ERWA'I'ii'RSHO!OFBOLL.

P.A.:CI.O'P01tll5.ffi..t.ti&.b:RA.!CRDAEJJO'i1:iLI.DL'S.•CPD.'LllGO, 1n black underwc.ter suit, mak, and rebreather, aWims cut ot hatch !Oi!AllDr.nmv. Ee 111identified b7 hie beard mid the patch visible thl'oughJil&ll~-11late.Beawims 11astCAI:GRA. • • ·

Operating cc.noP7-e=11losi0nmchamm.

134. DJE'ZWA~ SBOT; EXPLOSIO~

CB:l.OP7abDVe cocl:pitblown 0::.

135. UNDERfiA!rmtStio~. nrr. VOLOjJ!. coCR:PI;. ANGE!.O

Be triee to release him.ael.tfrom hie eatety hllrneaa, tinde it fouled 1211,jm:mied.

J.J6. mrD!:R1'ATn!s::roi..woo

S,r!mm1ngtoward Vulcan nth expert, ~ertul Btr:,kes.

1'37. UN1>ERWAT!m SF.OT. COCD'I1'. m.. ilGELO.

(

'17ingto erlr..ce.tehimself :fromhar::ltss•

~Je. U!rnEP.J'l'AmSHOT. vncg. ~G-1,

Reach:1.Jlgplane,paddling up t~ top o! cockpit.

1,9. Ol'tl.igvA!l'nSHOT.m. COQX;IT. AlfG&O

A.a LAliGOappears abon him and reache~ his hand down in a congratuJ.a.t.oryges-ture.AliGELOp-Ei~~s it. With his other hand LAli.GOslides e l:nife~ro~ ~~e~r hie belt. Be leans dow:i,cuts AllGELO's intDke tube. Water !ills

him drown, then sr.ms do'Wllintococitp1t, reaches under pilot's ae:it,finds •~ll met&l.bo::. Ee aw:1.msupWith - it, out of cockpit.

140. tmD;pRWl.!CRSHOT, VU!,CA.'i.Ult@..

Swimming away !rOJ:ltop of cockpit. ~ ~.G. c~ toward plane is a two-man wet eubmarine with shelves built on each aide. l'om-S'1DD4'.l:':RSaccompSZlJ't~esub,"twoonee.ch aide, with J..utr.IandVil.GASin front. J.L"i!!li.B1:all, slender, built 11ke a chmnpion sw:IJmDef';V.AllGil1esquat, almost Simian.

~Mnd tbj_sfirst GP.~ com.eaanothrr chanot, with OEE Mil aea.tedastride it, towing e ~-e C.\!iO"O'?IJ..GEDDT ailllulat1Dgcoral formations, aee.weed and shells. !he net ·1•already untolded and aix srnmERS, three 1n front e:nd three 1n back, help guide it• .:.LI,theSWII!?JIIl:RSwearbl:ick :t-ubberauits, rebreathers and laps attached 1:otheu belt!I, and :movewith milite.r.,r-ec1s1on. LARGO meets the two-man •ub beside plrmc, henda bax to UAI'beh1n4 ariver who ■ etait dO"m:lin.aidesub. .

141. 01,;pEg,:1.A!r;t;ltsao:r.SHOOTllG-AI~GDLLTo?PLA?r.E. GR@

LARGO le~da two-m~ eub to position beneath open doors where it stops. In :S.G.chuiot tOTling net aleo atops. LARGO and :POURtara, 1.ncludi:igJluiJ:1otidVilGAS_,swim up into bomb bay.

•

.....

I

· 35.

142. 1JEDERW'ATERSBOT. CBAB.IOT TOWD1G JET

Cbsriot noaes ov-el"pla?le.mm .release tow-lines, start ccverill.gplano with net.

143. tnrnEitWATE:tSRO__T_.__,.TW......,.o...-_YAN_____s_cra.....BE;;;;;;.;;;;L_OW___3_0_~_.--~t

LARGO and MEN br~ first bomb, about ten ~eet long, r ~haped lil:ea torpedo, out of the ba1, lower it onto one of the ahelves of the aub. !hey go back into bomb bay. The no MI:N,aeeted in sub, lean over and secure bomb to aheU with straps. LiltGOand 1m' lower second bomb out of bay onto other aheU. Second boab i~ strapped into place. LA.3.GOsignals tor sub to l"e'turntoboat. IJlIVEii stc.rtsmotor. Sub turns, m.ovee out .fromunder plane, accompanied by LAltGO,JAlffll,VilGAE, and no o~ srn.mr:RS.

144. IWT . :eoi~n cm-It!!Jrn.GRon. nGRT

S1!!811l.ighte~dote on opaque ecreen aupe~ted. O.&Jm.l POLLS MCX TO wrn il'GLE. Gll~ OJ'OPJ'ICERS aroimd m VICE JG.P.si:rt,LT,.IncreuedactiVi'tJ'in B.G.

onICl:Jl

Search pat~ols still ~eportiJ:1& ·negative, air -

Xeep them a:.1.rbol'218•.A.altAirIntelli- gence to tollow up all era.shreports, J.and, sea, anywhel"e'Within fiight range -

~ctiVitj continues.

145. Dl!DER~.L"'EP.SHOT.rn OFmsco

Of.BE!i SWDa?tmS,approach~ng open·hatch neu bow. 5:wo- mm eub m4 cmotJP so in through hatch.

1,. I.11!.Daco VOLAJ!~. SE@"! RO!.,D.Xtr;ZE. ?41SLOV. s Egm caw: _ s-w1:@

Standing on gratin& arounc!a ta?lk tilled to water11.lle. he place is dimly illmuinated by •haded overhead unit. JU.SLOV, m!rZZ•a assistant, st&?lds beeide him, a :,ou~htul

.......-·

146. CTD. - ~ counterpart. Around the bull:heads are recka holding w.derw:.terweapon.t, CO2 guns, spea.re.etc.; aleiShs, com- ,ressors, see-tows. Along one bulkhead is a row of shelves with undenrater auits, rebreathers, belt£, limps, etc, Bea.r it ax-econtainers, marked 0n'Gm!. 3eside the ~a?lkiD a small crane, ~he am alreaey extended over side. L.!RGO,J~"ml, Vil.GAS,two-man 11ub,0~ Si7Imt!RS, eur:race. Lil.GOcll:.bs up onto grF..ting,~alceso!! ~e.alc,handsEU'!~ metal box.

--.--

be !uses.

JAimI and VARGAS climb out o! tank, take o!! ma.aka. !he O!I·m::B.S7lll!MERSuns~rapbombs!ro:ishelves o! "two-mansub and help ?.mB on gr&.ti:gat crane secure bombs to crane lines. Chariot surinces with 0~ S1Tn:l!E!l!.

!Aliatnm~mT.'! !.:W"mton bullcheecl,turns l::nob.

147. UE'D~WATEH SROT. 3UI.L. PJ.:NE!,

Slidinl ahut •.•

~8. IF?. DISCO VOUJ:'T?. SECR:!:THO~. GR~

Activity o! movins bonbs !ro~ aub to grsting. Kll1at instrument panel works ei3l:!ler.Rold grad~ally 1llw:dna~ed by bright lisht.

LllGO {to XU'l!D, hcve:ring on grating neax-crane ) · You are pleuea. with you:-new to7B'i'

~zt

Sane new aafetj 4evice - a ••cret control - .

I.&J.GO What can -they have that the great

-

- '

lievi11ea19Jmrus:,-1965

148. CTD.

1.U'i'ZB (sighing), Life was 11n1chsimpler 1n 1ltf~araaw 1aborator,y-

IJJiGO Your abare will amoUJJtto how mmr., Nobel lTi.zee?

Be walks to wall.phone, picks it up.

149. In. msco v~. !m'D. SRO!. .!J'QBORLDre

150;:: IF.r. DISC<"'VCL.~F!'E.m(1 E:00§!. ~

OperetiJlBcontrols, etc. o.s. BO!R OPE WGIE'ES!~~I!IG.

151. 'En'. DI~CO VOL.~E'E

Ge_t-tiJl&UJJclerwey.C.'1E::Bl:.l»!.'15~"'!ERn.

l§fu; ~- . DISC.!'."~.

be~aco picka up speed.

153 - 157 nl!!!TD

158. ~- mt'LL m~ ISL.~. li!GE!l'•

Corel rock !onatione elong pert o~ a hoTe. c.~ P'E'S TO 'DISCO VOL."~, OD surface, Bt~ndiJlBoff ·ialF.md. ~ISCO Volante sterta to move. c;~-Cllc\:,C.l.LMrSD'r\vcy&nm ISL.~ It piclteup epeed.

"'DISSOL'V3'l'O:

159 - 160 Qm'mD

r

l

llevised19 J'mm8%'7 1965 ,e

.. ··-·-

lISCOVOL.m!E. OP.BNSE..\. llLY

he boat, cruiaing at 15 cote tbrougb open Ha.

LlulG~ente~s from ~ft hatch, now wearing beautifull-y- tailored sports clotl:esand scarf. Be holds a drink in one hand, a cigar in the other.

(banding L.\RGO headset mid mike} Paris, air. Bwaber Oziecm 1:he ■crambler -

I,.t,RGOsetsdowi2glees, puts cm headset, talks into mike.

LAliGC lfumberfhree speald.llg.l'haN !'wo completed. Cut. (l:Umding beck headset, "tunliDSto CJP.r.lll'}

_._,.._....-

Bake for Palmyra -

••I•••

SHOT. •mbftf,5. ti! -----~------ ...~.___........

LOF.GL~ es before, .-trold.llgC.!!'.C~ !JJG'.m~rm! !O DlC!~ 8'JvaB..".I•C7.l'~R~CTJBSwhowere present at con- ferences. CD :r]j.peoffradio.

.. m,QBI,!) -·...,t+ ---·.... Bumbor 'l'hreehes dcme well. lml~lte

his Sub-Operator L., who could h8ve aeriou&l.yilffolved us b7 hie 1mpul.-

......... m.vm:ieaset Sbrabla~as. Send a .. .

•••&Be thP.t we have no furthe%'use tor him -

164. SHRO&:.-.r.:;s. PA!l'EICI,:•

c~~ !'m\CXDTG?r'P !Jml !'~!ID C,\a. Ee nlka briskly, cerryllg suiteeae, P•i:tBICI•.J:mrr.ringbe111dehim.

I

f

,a.A

l6'.5J...EXT.SHRU:St,-"JTOS.llIGm'

Lll'P!'Shoel Vega drives up to the aide of Shrublan~a en~ parka. Re ewitches off the lights mi6 gets out of 'thacar. Ba looks up at the house.

163~- EXT. sa..:i:o:el..':.!mS.LnPE'sP.o.v .

PA?lscross the fecede of the houee.

*63C. INT. S.E!ROfil.:·..?OS.~01rn'S'Rt:'t"'M.~CJD•SP.O.V.

Bmrn is WEttcbing.Lil'3'through 'thenet curtains !ICrOBS "the wmaow of his room. Re lifts his wrist ~%Idloo:t:ae'this watch. ?letime is one o'clock.

163~. 'EX'!'.gp_qUEL'·~S. Lin'E

-16311!.EXT._______SHROBl.-~~.......,;___...,;;.,i,___L~'.................................S P.C'......V.

towords I.IPPE.

1€3P. INT. se:~CBL~~- P~·•S 'Rr,om. ~rm:>.

iC'!lrowr?tchestheft1Dbulnnceparkalongside the ~ Vega. ~ JJIEJL':JlC'.E!!KNgetoutofthe ambulance mid Nlk .cp1.clcl.jrom:dt o the back of the ambul.Ance. •

163G. 'EXT. SB.Rom•.~. ..-..~':BUL~CE.,~.liCB?'D'.

be doors of the ambulance are opened m:d cme of~ .A'!mliL!JfCE ~ clitiba1.J1totheback of the embul,-.nce. liestana to push the atre'tcb.eroutof the embulP.nce. P!L!ZZI'S llody lies on the atretchei-,covere~ with a blimket.

16,1". IF.". SHRC!!L:..~. ~CID• S R!'.'rM.~

""'IU;turnsfromthe window ua "11llka1tcroa11-topi.ckuphis drea1:1Dggown. • .

PL!'iICli'S V~ICE

~,i..-,V~LXS~crossto the bed.

38B

BOlfD You're .amppoeeclto be aaleep

P~!.BICll So ere 70U.

PD lrj,seeeberlightly and then straightens up again.

•'P..":!rllICIA ~ere ere iJ"OUgo~

:!')IC) {casually). llowr.ere.Ju-rt thought I'd ge-t

•.

a bit o~ - aerciae.

P.!!ral~ eits up in betl.

'·. 'PM.mCI.A

You m.urtbe ~ok::1%Jg!

'C St'tm'Doftbe doore of tbe ambulence beag clceef.

... .... . . .

163G. ED'. SHlitBI,:~. !J~!."J'CB. JJ!BUii:J:O,U.

m :.mro'I:~-1il'CI:l"!:.3 Ctlff3'tbeatretche%'aeroeato11:lee1aeofthe ... hcuse, where Lii'P.S1••ait1J3g•

1~ B. "En'.SH:!U.!ll-~.'!'.~~.LIPFE

E ~•-JTCE 1!E1'i!'Can"J'tbestretcher1%1.to'tbe~ R!ld~

mmts ~ get-e. Be WP11k11quickly past the ,maw.a,_.,..~enan~ anloc~s the cJooriJJtotbe house. Be pulls tha &mo open And the .A.Ml1CL-~.zie3l!Ell'C&ffJ'tbestretcher1%1.to'tbaJmRse.

LIPPE ~ollcms 'lihe.\."BOL!Jt~l':!miJJto:tbehoun.plls the cJoor almt behiJ:JcJb111encJ10·ck1'thecJoor. Be geeme• eJ.ongthe com.c.'lora:ac.'I'the.:..~··JI~Hamove~off.Brd. ~ slencea q,ickJJ rcnmcJ'.':c.'lthenfollo••.tlMlm.

I

,ac

J.6lJ'~m. ~$.1-~._ZU!OR copmrm. 19.NP,~""Ji BLOCJ&..

Cl,OSES30T OF BOND et::uid.:l.nga1:1:he1:op0£'the•tair ■1listeui.Dg.

J6:,x, l:ln'.S:-iB.UBL"..'mS.comu::oo~,IJPPE..t\MBULtJfC:!tJeN.at.SEMENT.

They etait 1:omanocnrvre the stretcher rolmd the corner 0£ the oorri.dor. LXPPE looks over ld.eahoul.dor and 11eo•BOND 1 Sshadow on 'the•taire.

l6JL1 l:NT•SH!UlpLti.NDSIOOR1UDOR. L:CPPEtS P.0.'V,

BOND'S shadow 1.athrown a.cross'thef'a.ci.ngwal.1.e.1:'the1:urn1.n 'the •ta:Lrs.

16JM. PIT• SHRtmL~ms I ST:.DK:l.SE.B0'1D.

Loold.ng up 1:he1tni.ra ae EOKI>wal.ka •lowly, carefu.llydown 'the •ta.:Lrstothe corri.dor. Pul.l.backwi"th him u ho val.ks '!orwurd aJ.ong the corridor.

16 :,)N.n'T• SBRtml.A!'."DSeCOZU!>ORI BOND tS P10 rY•

• MOnNG J'OaWAiU>aJ.ongtlleempty 01111rri.dor.

16:)01 D.'T.SBRUBU ....~5.C0Jm]])OR. 'BOND1

BORD reaches the turn a "thocorridor and etopa. Be moves 1'ontard cauti.oualyand. loob ILl•DB"the ai.decorri.dor.

16;JP, nrr. SBR't1Bt..i\M?>s.coR-q;rprm7BOND•sP.o,v,

Th• oorri.dor 1. ■empty.·Th• pl.aa1:1.ccurtcJ..na•Ul.l..Tb• house i.a ■ ilent. -•'·. 16JQ 1 'IJrl'tSRR'Olu..-?mS•COfil!JlV?'D..'BOND1

BOm> look• a.er•••At the otbor •1.d•0£ "tho oorrUor ILDd the door ato one ot the room ■• Be ■ tep•aero ■ •and Pl,Ullie•1.1:open.One 0£ the equ:l.pmentroom•• BOm:>■ tapeuto the rvoa.

16lR. Dn'. SHROBt.,-U."DS •EOUif¥P:7;ROOM. JO}'D1

~om, pull• a trolley Vi.th~DWI pi.eco110£ eqld.pmant out 0£ 'tho room end 1.ntothe corri.dor. Be plcc•• the trolley aero ■• the eDd. 0£ the aido corr1.4or,c£1'ect~Tely blocki.n.c1.t. De pick• up pi.aces 01"•quipmont and acatter ■ 1:J:lemonthe:tloor o:t'thecorridor behi.Dd hi:11.

CLOSE SHOT 0£ BOND aa b• tuni• M• bead, 1:1.•t•m.D«• Ba •tra.i.ghtena up DDd ••ves :f"orwardtovcrda 'theend o'E'thecorridor. 3• cJ,.azicea•~ each do('ras ha pa.seesit. He put ■a cl::Ul:l.rdovu.infrontorthe door out 01" a room cm ~he le-Et 0£ the corridor. Be reach•• the doo: o'Ethe TR.~CT~ON ROOM azad1ooka a~ it.

16:,T. nrr. SHRUBLILNDS. ·BOND's r.o.v,

The door is e1:l.ght1yopen._ HO'ffFORWARD and push the door open •

body on 'thetract:l.ont&b1o.

16:,u. nrr, smroBL:..NDs. :aoxp.

BOND pau••• :l.nthe doonray a.nd~hen wa.lka.inte'the room and across to the tab1a.

...

16Jv,• '.INT.SHR"OBLlJlDS.Ll:Pn.

•

CLOSE SllOTO!'L:CFPE.

CLOSE SBOT OF OHB 01' 'l'm:~CE M£N.

l6JX. :off.SHRUBL'LNDS. TR:.i.CT~ONROOM: BOND.

LOOllllrvACROSS 'ther~om at BOlm •• b• .1aanaOTer "the body. CAMERA ANGIZ 1(.[I)ENS to1.Dc1ude'th•g1a••■ crean At 1;l:aa)and01"the~r~ct:l.oi maohine and th• ahadov o'E'theo'thu .AHll[7J..ANCJ:Jita:.llONDreach••re the b1~et oovar:Lnc~he body.

16JY, XNT. SHRt115UJmS. !IOND9

BOND pul.1• back 'theb1anket lmd.1o.u dOVD at PbJ-AZll'S 1'ace, covered With bnndag•••

16;3z, mr, SRRpBUJms. pmtn.AwcltMA.:R1

The JJGULANCE H.\1fbrizll'•outa rr,o1ver and a •~l•ncer. B• b•~ to ■ orev the silencer ont• the muszl~ o~ 'therevolver.

-------

&.2:.;::;6....4.;__m=~•......~=._____•.$.._ao@,

BOND unwraps the bmidace• round the ~nee.

+NT. smt'UBLtJrnS' £,MBUL.';,NC;JiANI

•

TD JJSCL.•JCE MA.Nt:Lchtena the a:L1encerand 1~~~• ~h• revo1ver iJ1BOND'S d:Lrect:Lon.

164:s. nn-. SnRUBLt..NDS. BOND.

BOND c1ee":'eenough o~ the bandng-eato••• the 1'aceunder them. He 1ea.n ■over the body to ••• more clear1y. CAMERA /JiGIJtWlDENS to :u,c1w!e the muzzle of''the c,m over J:a.iahead,!1Dcb1ngout between th• plaet.!.ccurtai.n.e.Suddenl.y there :L•a ga ■ p,·•era.ahmid a •ta.r:t1ed about.

164c. m, S3RUBt..~ms. EOND.

-

BONJlturn• and movee q~ckly acroaa to the door. Be pau•es a aoment :in th• doorway and then1 ■ tepaout :U:ltosh• corr:Ldor.

164n. n"T. SHRUBL,;,-.ms.BOND'S P.p.y,

B&Uvay a.lonethe co~dor, jumbled up ri'th 't!l8tra11eyand the •c:attered p:Lec••of'eq~pm1U1t, :LaPJ..TRICZa..1'l.ato.a.herba~ rith be~ 1egs ■ tra.d.d1ed.

l64E. D::7. SHBVBf.eA:M>SIP/Jlt[g:;..'SP101V.

LOOlCI:RG1JPAT BOlm as he val.u "toward.ahair.Ba •'tmld. ■locld...ngdown at her am ab&k•• hi.ahead.

P.r..TR:rcp•sv9+c;

Dem'1..1u■ t•tlmd 'thereJ

l.64F. DT I SHR'OBL":i.lmS.ttOND.PA.TR;Cli.1

BOJm crouchee down beai.deP..A.'ImCL\aDdhe1pa har ~o get up.

BORD pat• a hand ova- her mouth. Tho7 both 11.st;en1.othe r.ound.aof movement• ups-ta:Lr ■aDdwhen the 11.g-hte■ -tartgai.Dgon,BOND catche& her bJ'the hand~ pul.1•her up onto her £••1.•

-- -------

l

:n7, mvnu+ND§. 101m •. P4mc;μ,

164q,.

BOND AND P.A.TRIC:IAetc.nd.intbe cDrr~ar ~or a._,..nt1 4.ecidj,ng vhicb.way 'to go. P.:..TR:CI:t.Lpul.1ahimcowm'd•1:be•'ta.1.r••:BOND ahllke•la• head am pl111•;aer ~o "tbe■2.de corridor. Gr1.JUU.DC, tbo two r: alollC'theco.rzr-:ll..l<O.ar.

164B. l:NT. smt~NDS

CLOSE SHOT OF I..ZPPE.

DISSOL'Vlt

164I. ~xr. spUBLt...NDS,:som. p.n;c;.;., DAT.

C,Ua:RATRAC?.:DlGW:CTBT.BEMTOWJ1DS CAL l!ttva1Jcebri.akl.y,ce.rrying •1atc1use,P.1\TP.IC:tAb.urr,-:1.Dghead.deIda.

PJ;.TlgCXA

And youI llwr1.-te- or ph-one.. at ~• ven 1eaat7

BOM> (crave1y-) Dey by 4.a.y.~ % 'tz'aJ.y..BGLl!)% hav• to 1ea::rve 'tll:l•way•••a.nap oD. at ~• o:rt':l.oa.

..

What ld.Ddof wal'k c1oJ"OII4oe All71f1LJ1

19,m

% 'tr&T•1••• eo:"'I•~l.:loemred 'tz-oub1e-abootar;.

CAMERA BOLDS a• they reach 1:ibeear.

JOD: Th• end1rc m.U be •J1gt,-t;1y41.f'f'Cl'Z" ■nt;

165•171 OMljj@,

··-

...

llevieed19 January 1965 • 40

171• m'D. -- Beputs bis suitcase 1n bftck,opeJ:Jsdoor beside driver's ,eat. C"'.ME:a';c~"'l-!ESllCLOSER.

ri?m Well - thmlks for the treetment - le~'s••. Let's atay 1J1 touch -

P1i.!BIC:U (softening) ~me, James - anytlb~re -

Besmiles, geta iJltocar, closes aoor.

iz2. m. c.'.'Jt.

Bebacks 1 t out pest her. .She11!"ffes.Be waves bflck,turl3e, drives off. Sbe exits 11cene1J1opposite direction.

_173....,.___E--I!r...•...•___ro........,.1...BY_:·,,_\Y!LIPS~ ..

l'/..'t':aICllvisiblewa1k:1.%Jgsway1J1~.G.C='~l.P.:P.SLn'S<"'N ~CIC[..YTrn"T:.:u:PACEL-V!G.il,"Ff."!L::11!18hegetein,starts aotor,c!riTea off after ~t.!J.J.

SHRt!BL"~ ~li/:~

"JO"ta.ma into highwey, driTee out of ace:e. Jl,!oel-Vep follows. •

175. En. EIG~~Y. J·~•s c..m

hoel-Vega beb:1.na.1t.

tinehand cm wbeel, he take• pm out of compertme=t.

BIGiffi"~Y....._._..,CURVE__.

iOJI';)rcnmdeit,follot".'ec!byhcel-Vep.

, !7B. mr. C..\R. 1'~ (PllOC!qs)

Hearinghcel-Vege overtalc:1.nghim,loold.:gbeck.

l79. w~~T...:mt.]t:t!!

LIPSC"!JI'1J1l'Bcel-Vepbeb:1.nahim,levelli:gpm, :tiriq.

,.

Jl.ev11ea19Jmm1111ry1965 41

~1e_~_.__1_N_t_.___c_•.R.........._....~""N"".'.{nncnss)

Ullet emaebee wi:aa-shiela. ~-~ acceleretes, pulls away from Fa.eel-Vega. Several more ■hots from. o.s.

Roari.Dgup on Jaoel-Vega's tail ia a mcrtoreycle. ?rhe CYCLIS! is slight, weerit1gbl~ck leather ~ecket, trou~crs, glovea, and helmet 11!1tbbuil_t-1.ngoggles. •

182. I!lSER'l';!'EIGG'n

----.

elow nozzle of e n~me-tl:lrowerbetween hmldle-bBrs. F.'TO!?CYCLIS~'Sbil:adpullstrigger. ·.--...

_......: .......··. .......:t:,.lot1g~et-like burst-of fl.Ame'licksout ~ 1D0torcyc1e and hits ~eel-Vega llB&rgee-t&llk.

164. ".en'. - .. .....•... Immediate ezploaion. It nerves, craahoe 1n Mtch. 12,tor- cycle roars by.

Screams -to stop. llCBDgete out. h ~.G. mot0%"cyclP-ai ► eppecra arom>d curve. C1l'.'m!.P!IJfS!,O2.lCX,1"Um1ng, tow8l"dburning FD.eel-Vega,Er.I.nBashe ■tops, ~rented ,,..

:··-,..,_.186. ~. EIGJN.''Y~ 'BT-'

ec.lc:1DsrapiBlycn.7.

187. :!J!J. Pr.CEL-'Vl:(g

1zp1oa1n1.

msscr,na

188. EX!. EIGlrri..~Y.LIC!rMlCYCI3

'urniDginto m.ae roatl• ••t'• • - 189. 'EX!. Sr.E ll0/J'1

Uotorcycle alowa Bown as it approoches bril:kof'abanBcmed

l I

189. Ctd

q,uarr,y .At bril:lk,C'YC!.iIS~hD!'B~ ove:r~r:Lnlt.

100. .'•..t.:l'.0Ull.'R'1!.S1-tOO'!'ITTtil'nr:"9m~ ~ ---~..--~ ..-.........-------- -

1-iotoreyele·'llt."lJ.ZUlP:t!Cffllint~•teri>nno::,:rDr""liarr.wella disappP.aring.

191. EE MOTO~CYCLIST •

Tm-nine awa~ !:-ambrtiu:,str1.diu-:t~'&rd E~J.ti:.·~.!.?,"tD1;>nonn, parked in b:.!Shea. C.:-.!.tf'~"..~CL~:~C.J.naa~.C!CJ.~ -takes o!f hell:aet. CA.~'7-RACC'•i-"~I:Tc1.,cr~,;:.czeteall:t-'t'!le nam1ngre~ b.ai:rof~IOJ!A ~!. She ata-ta 'tRJ~ ~t: 1ea-therjecket.

~--"?-- ~"....,"~-

1'ur.i.1.ngin!r~ eic.er:,ad F!Oltlbe~d. "'lfb.ee1.~-l:ingly .. drerseet1.asthour-:htu..-nedot~tb!'Dal.e:iciap.. j •... mssaLT!:

-- ...

• w1. ...-:.••2:ni! You're late -

Du!D) Sor!"."''1:'.eo'D1e.,11'ther-.·~."'tba11 4219 - the~ resllT °bm'll~• Q..

..

hey're illthe Co:,~en:nce ~ - at the·n0e1eo~~ice - ever:r Donbl,._O.Mn iu :'1••~•• laeen

BCl!!'l(:Uswata)• he :lftlekshfl-_.etabrl'On%': •

.......•..·

4:,

3rd ?!a...-ch1965

C.!E·~i~S~OOT!?GFF..O!I~11m11~! es he Iiit=i!c:mnUl-the BeTenth cf nine a?i:lcb.airsarranr:;adinaae'llli-circlem.tr:mt o! a tablo. EIGS:l·::.,i-inciViliencl:>thes!leatedin tbo!cha.in,· thni:...·!aces'D0tvisible. l"acin':"them,behind "thetable, are tee !1'.cr~~C:1~CrnJ'"'Am~,ll.,&lld..UI?l"':.~.Detw:ld"thetable ic a lar;~ nap. On ~ 'mlll 18 a boar.dVith ~o·tor;;nrihsa! Vuloan crew. In ~rm:it o!ll. is a ta,:,erneort!.ff.

II. (addressi~ DO!!!)am! aeA ·ter'.~-:) • -!owthatwe' re all here - 'the Primflt:am.ste'1'."h.es1u1kel1'the• Rome ~ecretar:"'ti,a-1!f\reas:v~u.

RC!'::J::~:'I~Alrt (indicat~.n~recorder) Gentlonen, th1:ttaney')I,willuow hear was rffceiv~d nt 10 ~lmmini:;Stree.t'ttd.a l!l::»rninrt-

Re nods -t.:,r.whoturns it oD C~!';;~~!Aca.re7!1'CI!'!!'l'll.COJ!H!!R.

lD'JO~ JJ'S •VOI~ :;.vdee!'!':-ime?-Tiniater-wo a't'ffl2.c weep~, !~00 n,mb'!?'B456■':l,~45'7,r..i:1.eh were aboc~ l!.il'O!'11.l?ht759,·arenow in the poseeesi~ o.tSpecn-e. !."e•~ h')ldtbem until v.er,ceiTe 1l1e.:c!mnge :ioo,ooo, ooo. Si1m&l ~our acc,-,teuce a£ 0 1-.r'ter!DBbycrre-a.-:;ilv:~~lli~Den-to• a-trikeeevr.t "tit:1nat■ix P.II.'toear:-ow.

195. C1-0~ S1t0'1. j)Qi:.') -·

-

'Listcmins. In front ~! t-.im1"a file, its aea1 u:ibrokem• and t=J£rl:ed:!'00!TOr. Ol1:·m:,,0!!~:IL0:.'..tI~IATU~U:£!HO:l!Sl:D.

........

E.ertsea,rc1Uaroh 19~5

195. CTD.

LOP~' S Vt"iICE If ms nan ~-093not strike seven til!lee, _Withinsevm da~, a eit:'I"i.n;:!n·.o,;l.an~w1ll 'be~.estroyed. .1CO!""'c!tb.isrecording bas be'UlBent to the ?resirl.ento'!.'the United ~tetes. (S?tctre awaits your re~l~.)

196_.__G_P._.1...m........._......slf_.0<'......,!11......:r:r,___•r-~r_'.T?(!:__,;,,t_:_t:HD_·.;;;;;;;;,,:i_D_~_...._m_.r_,,_,_J__n_,_ro__o_.P:_'.l:a'e_!a-...O_s__

R. switches ~r recorder.

he ~me J:iniste:-an~ the ?:-esidenthave ecm1erred by tele,h.onean" F.l~ed, if the b-,ml'tiaaren~trecov!!~ed,~~ent Will be 11111"0·:m,::.-ressamio1z:1ce??1e:cts"111·bel:lcde to aw1~ gmieral ~10. !be !rii:ae!!i.TJ1ster has auerl that 70ur ne'!1Br:t:ienttRkechnrge O'!the o~e~tion. (~O All J!!ltSilALL)

Sir J~tm •••

~m..~ (ris1n.;,ill~'.1cati.n."':at1:1&p) 1.'hiao1rc1e reT}l'eaantathen ~1l8 mn~• of "thist?Pe of au-cl"&t1:. '"::ztansivasoarc?i bas failed t-,locate evi~ence of a crash or a lJmr't1:DR,norbnTe Intelligence obeolca of a1l urfielde lar:;e anour,h'toba,:idl.eaVuloan.

EC!t:;:~~ ( "ton. rteuaa) Oarr.r an. • I'll keep 7ou ill'theu1cture ~rom ~0.10.

AIIl ti.\.:~!UJ1ace:,mpanies~DA~~rr·i:i:rnotrtofeoan e.

I

Be'V'ioec!3rd7-.tarch1955 45

}t. You ma"" now open 1:he:tcl.,,enb· frcmt of :!'0'.1,gan-tlemen.Code- name "~hunc1orball.n•

There is a aoi.m.·1 .ot'teerin."'.~:f,aneran:~nhnt"n~,end tt:Len,llr,-oePS:,n

little -tng~ an. Al.l11181!:bel"S ofth!! crw. b.adt~p aecurt-ty clearauce. -Yo11'11:t1ni!their photo'.'a't\ph~•and.eer""icerecordllin the :t'llt1'.e'i's.'!~~'llbawor!:iD/; m:th JJ~Ot C'I!.,':In.-:P.llAlli'!d intellir:euce tm:l.ts. ~~t 'sell until JO'"f!sc1.'!BB.,.~ur111~1Ti~.nlll aasi~ents ~::_thtle.

:irerises.

Risi:lr;,startin.-;tom.-t. XL"!,bi;.~atanmio blrropla~ec. i!ltelli~oe or.:sr,te. If Tlt"it,:ts:ecesahon1dnotbeehoi:rn

up agaiJl-the,-thebad disca:-ded. C.A!!.1~.;!.\:mCLOl:mCrJ ::;:mnv.u,'sfece.

199. ,,,.,.~..\~m'-'.'!:. - Be looks u,,'tho~htfuJJ.-, 'tbenabrupt1~ tmni~ melt, ec%'1.1'tmises~:J,'• face atmill. .

nev1eed 3rd March 1955

:'?J°~~0:e tela11hone~iNcto%7". Hald :£~ a aeoond mil.yan~.. thmi mtch oe ~:ti'Rlle S~7D.TG"'1ththo no,a...-e,:i-t~the'!:>ook allin.~1 ~erked to a ll.."\ltb:,thechainRt't,ic,t"toa:ifl~look 1,t~he ~eek o·~nD!!D,nalld.~";11we-acroee tba m'n'a'!'lCeball Df a ~ove:"??m'l?l"tbuil~ill~.

'Jatch DO!!!')W'lllkecrossa-eoallforecourt cn4 '1nat 'tbe~ain e:ntnrncen:!en u1t:ra-scaz-tbloclc:,fnata

1'he 11ft d~or ope,,csil.ll?!tl:v-•andDOrn>ste!'!Icn:rtan"to"t'tle "t!!!.cl:ce:-poto!-thocor.:-ior Be r:ln.~cea~t an"i rir.;ht1 then moves ,:v,a~~ohis left.

:BOT!D"ta1'Bontb.edoi:,r.PtJLr,~C: ae he !",laces·•"'11?1le!'t and rir:'tlt•J30.'IDahru.~•nti-"!,alr.iostreluc·tr.rti-.r,a11ns!!1.a bend into hie coP.tpocket an ...brui.P,'9:mtaa::,all7-rectei:.tt'.1lt.r pioce of cellu1oid Ee sli~s it iT.lbetwefan'tbee-dp;eof-the do:,re,i~-thAc!o:,:-~,m?:i,bythe'7811!lo~ B• ,ra~lca'tora ti~ent e"C."!.-thenpushesthedoor open 1te_....abm}'1.1~bead 11~.1:;tt-tlyam"te"'.)s1moth.e!lat.

199e. "l\'!'

:eo:r=>clasest!-i.edo:,rq\ue-t1~bet-.ine.b:1.1:1au&'st~!:>rnrd into tt!rtcm,treof t11.e,:-.ainronui.J.JJho~ hia ecruti.Jly of t1\or:,:,o,S~~I!fGwi•~t.-tt.iea-,vr.?e:ito:rh1!tb.M:I~,centreon -th.edoor1nt:>tr.•~bedrom, c"tch e 'Cl09'tmen't't~-,1.'!$th~ 'c:1nc,~openin,~a~~.ZOO:!foTWB·"d.ccrose'ther:Nm•

l'IOI'l.A.18T1Eltc1-.1:i~Mf.1)t!-\l-o~"'h-thehill~t>~t;.Sha oT>Cm5h~r 8'Mll ban· ·,a";J.1:1d-tel:uouta~,~ c'Otlpac"t.

- nerteed 3rd llareb.191;5 47

- ..l..,.99.._F__•___C,_.TJ2.:_

stick c~~1Jf1tllye.nd.;,?"es~ea·th~enl'.1!.nthb.erthumb.A. telescopic kllti'e,ebl!-,edlikean ioe-pick,ahoota out of'the ~-1pstick, about ai•:inches in lenr,th. Ghe 111-te~ecrnasthe bocl: o.ttb.edoo:-,Mi.tin.~!:,r:l01LT.)towall:int:,-tnebedroom. •.

3Cl1!>walks'ncr~as the ro~a, towards the bedroo~ door Re· is nb~ut t, mte~ throu~b the nooffl'P.~,when.heae9s a-~hoto- ~pb cm th" bnrea1tin-th'!Cl'lffler-,.ttberooo,ea~~t hi-ti eqnipc.ent,ncorda an-~~books Re ~1.~~~s&ft"."."!!""'1!1tnebedr:iom.

199h.

FlOF.'..1.i.te?1Ses,listem.ng.

li91.

DnrTD alipe tee photo!~~ph int-;,b.1,.·~clcet,e,,,_~.nlksecross to door. He listens :!'orenocent, opcm9 the do~r an,1WF.:llcs ont, shutt1:1.t~thet\oor.

~.u, an~ D~'ln! on a beach. '.'R:e~eL"'Sti'tmkB,snebra end hil:ini,e beauti!ul ~e:rlt~l 1n her nirtiletwenties•

Il. 1• aittin..~athis .aaslt. Lo~kul(; 't)P.St+.nc~at~~raph, whicb. :eorr.rl1 ■hol".i~inhie'bmld.

lL

Gro,~pCa~ :f?ritcb.iardherewill be '."'DnrAir~orce liaieon.

ll. ges-:ureaat Pritc!:U'.lrd,who19eittin~ 'Dert"to~.

»CJl:t]) 7 rea~eC'ttull,r•ur"'~eat:,ouchange ~ c.aaiczmcmt -tor"oaeoc,ail".

II. (acidly) Ia:then en,- other reucm - besi,.,_ea~nr enth1.111ia11etor water .-.orta,

-r·---- ----

47a.

201. C1!D.

~erhepe - ~b.1.s...

i. studies the photo;:T':'1'~s1lerttl:v.

-n. ~ell?

11mm It1the fold.er y:,u'!P!Veueth.en wa~ " pictu-r.-ect~cat mm - Del"V'Sl I saw hiM l•~t ui~ht at s:,.ru":Jlanc:ts.Hens dear...

GBOUl'CJ..~.ili Oh, no - au- !!o:>tposei'llle.Be 'ffllfleee11bo!'!~·"'.1:11;an!!\took~1II the Vn.lcan - lm1t "':'.',it~tlt•

... (q_nietly) ill :f)onble-0Jltttibersc:-e~ ~rained- onr1.eroertenc..A.?f!!.ceJ"8• U ~ouble-07 aa:v-sheRaw :r>e..-nJ.·..;.• a~ Shrublends - an,1be ffllFJdeo.a_...

I:.looks At :eo:mbard.

hat 's eou.u"il'!-:irmet?1m"tta~• enqui.ries.

G1"UY C.AP"~YJ! Ob,well - ~u, air. ()fc-,m"Be!

...

I I

4'Tb

/ 201. Ctd.

( ~mm is both l!IUrprtsee.encl.r:reti..fiad

?!.· '!rho•atho ~rl !

»a:m . :tlernl'a aiator. •I !ou:nda 001,ple~ lottrt:-s-N1d another ~hoto~pl:i

:Borr.r.>st3rtsto"takethele't'tc!"Bo~tofhie pocket.

_.,

l!. Im, did :-onGet hold.ot 't~e?

....... Tb.i,reieen u.."'lco=tortableeilcnce•

Bm:i. r-•:vouknowwhere she ia?

~· She' a in nasaau.

n. You tt-.:1.nkeha•sworth1l:rves't'1- ~'tin~

! looks dcr.:natt'le -photo~ra:i,ha,.,1n,"thn111>'toaee~ 1a grtmiil:U..:alintly.

:80Im I wotu.~ •t have pu"t1."t;.ni'te 11ke "t~"t, air.

l'or once l!.lool:sas if be is blus~.

• I

Bevieed 3:-d:.rob J.965 48

DO!m So ta= eb.e•a_~he cm.1~1ead.

here is a ~nsct !.!.811CDB"this pipe. .\sudden growl..

t. We•ve ~ot tour da?'B,:r>or-:b1e-07.

I r Don•~ spend ell ;rourtil!le-

si~"ti?lg:'!round.

:BOll!>grins,l!"tP.rtator-th.edoor..•

:BmTD •. 'banl::7ou,sir.

t InT. u.,s rr·.-~I<'!TBOO?!. n0Jn:!Y.-::1tw!

B.As~il! t11.rnui~awe,,f'roc~irt'!l:"00!!1onwbich.eh-.basbeen lie-ten~ aa :RCimeu"t"rs

lQi.T') Eevead.ro,;,~ a~in, ::on~

lM~ .'.;:tl':!frl:U1 (!ffleet17)

I a1ways llow+'!erc°"012reC0'1'1oo:rned, J.ove. (indica"t~ ~ho"t~ill bia band) ?."a.vIJ.ook7 ('ta'.'d.21(:pic-ture)

"tbethP~ an.,wthinrttodo m.th.7~ur nqueet'!

Jl0m) (a1gba) If ev11rthere U ved a man aore mis,mderetood -

• llO.:.:JA!l-Jil!i!1 Janes, ~ou m:r be able to can the oU man - I lcnmrbftt-ter- -

--· .• -----

C~D. - ;~.'SVOICE tcm iD't'"ro?l-1) So do I, ?tiseMDne~emJ...- ~ I'll t'lllmlcyo,1nottorefer to ~ens the ol~ mnl

Th~ :SOTB~, he brushes her cheak "1th hi~ 'lips, eterts out.

?Z~ ~:.P.t:llnt

--- (ho'les~ut·picture)

PDst! How else Will :-rouner :r.oco~ieeher?

He ~alee~tbe nhotot;ntph rroc h~r, stares dt'1"!trlatitg:-avely.

nmr.o co,'!laJl'tniss•.•ahe'esot two· small aolee cm ~he 1rpper~?d.gh.

-- --· -·--

"'

Itffised·4 Jlarch1965 50. .... -•-..,I

204/221 oMI;m

222. mzDERg"ATER SRO!!'. ~ G.AimpS. DAY

Sm&.11~ish, waving sea-weed, etc.· Cora1 !ormat1ons 1n ~.G. Large ~~LE swims into scene. ~hina it, grasping the shell a.a'though steering .it, ia a girl with anorr1 ad mask, wearilli bra and b1k1n1 - D9MnllQUE. • •. •_

223. "CT!tD.l!..-,::·r.4.TDSHOT.'!OID . . •

In trlmlcs a:2aanorlce1, 1oo~ toward_Doialii:QDEaud ~ iJ1~.G.

•

224. CLOSE SHO;. BQ!D'S FACE TRROU~ ~

Iaentif'ying him.

225. Jml?ERWA1'ERSHO!l'. DmmIQUE

And turtle With ~OED 1n ~.G. fh.eturtle alipe·a-.ay :[:remhe::-. CAMERA LOSES ~om>, FOLI,OWS DOXIE'!QlJE~o 30~~cr~ She picks up ■ tu:[ieh, gets entqled with aea-weed .. B01II>swims into scene, helps extricate he:r1ovely body, geta en~ang1ed him- self. She h•1ps him, 'thenewim.Sup toward •~ace. Be to1lows.

DOKDIQtJE and ~OllDsur:race between twc outbom-4 ac-te:rboa~a 11.DChoredSi% :[eetapart. PAm.A llOl!ER~S,a t&l.1clark P.abamian girl, waits patiently 1.none o:rthem. In~.;. eboN is Tis;Lble seve:ra1hlml!r•d ;feetaway. BOD and.DOmnQllE ~ake of:[maska. •

DO:ra:IIQOE (ha.DsiDBonto aide o;f her boat) Who are 70u1 •

~ond, Jamee 3ond - I g~t here ,1111't •-a1'teryouwent 4cnm. I1n been .a- lllir1nS7our ~om.

DOMinQtJE Bave 7ou?

EOll> Kost girl.a ~ust padd1e around.. You s'l'l'imlilteaman.

•

50a. Re-need 4 March 1965

226. CTD.

::BOBD (grins) I've had more practice. D'you get out here .li'ten?

DOJlINIQtJE Whenever I'm bored - practically ever.r day -

What elee do you·do? And where?

:BO!ID hanks - I'll wear it ao you lcnowme next time -

She climbs into her boat. Ee helps boost her evn side,

:BOID ~ the way •... I!'.!!.right.•.• ~ couldn't mi.as.

DOJmllQCE (puzzled) I'm not with you.

:BOID You wi.11be . .Anothertillle.

She watches him curiously ae he swims to the other boat and climbs in.

227. E+;. n.A.C!. qu!ST

A muscu1ar tow-headed YOtmG HAE'1ookins thrcn::ghbinoculars towal"d aea gardens.

228-. WAT BE SEES

he two motorboats. ::BOBDinone With P.ltJU,l>O!m'IQtJEill the other.

She is pu111ng up anchor of hers as P.lULlpulls up-anchor

I

50b.

229. cm.

1£ hia. Be. looks at ~A'OLA, pinche3 off gas tube near motor. Re gestu:-esfor PAULA. to fa~e starting motor.

~om:, ell London I've found the girl .••• I•ve made contact.

She has been going through the motions of tr,-ing to start the motor.

Row•m I doing?

Great.

Be gets to his feet.

~JIil) (calli:rigtol>OElfIQtJE) Ou:-motor•a conked out. You're not headed 1m1Where near Coral Barbour, are you?

DmmllQtJE I waan•t - but I could -

~OID I'd appreciate the lit't. I•ve got

-~--.'...

an illlportantappointment. (turning to PAOLA) .

.. - You don't mind waiting for the ■ er

Tice boat?

- ••

l>OMI!iIQt]E Come aboard, then -

BOB'Dsoee overside, eWima toward boat.

~----~------- - -----·--...

ReV:lsed4 March 1965 51.

2'30. EXT. m::..cs. QUIS!l'

Looking through binoculars.

231. QUIS!l''S]OV. .

~Oil)gets into DO!!INIQUE'sboat. She £Ul18 it. 'BCBD11'6.V~S to PAULA as the boat drives off.

2~2. EX!!'.BOP' S !Ot,.1'.~Am.A

Looking after DO}.!DrIQ'tm'sboat. M1ngled !~m1n,me am ia-ofessional reactions~

232a. EX!!'._™05. QUIST

QUIS!l'putsthe binoculars aT!rByand stands up. Be ~ves out of frame, ZOOM into the b~rder of trees at the edge of ibe beach as a man 1n a white panama suit aud hat aDTes after QtTIS!r. • ,

In :B.3.beach~ DOnliIQ'DE d.J:-iVing.

~Olm ~erribly nice of you.

DO:rmlIQOE I hope your girl friend th:lnks eo. You deliberately !euled up that motor.

:BOM> (grinning) I ehould head !or the lci.lla. ~eautiful - and clever!

l>Olmf!Qtm (wearily) Yes, I know. So many people tell me .•...

-· -·.,-·- --•--·...·---

Revised 4 March 1965 Sla.

'=· CTD. 222·

:BOED People 7ou•re tr,ying to escape from? (gesturing over aid•e) Down there?

DOlliliIQtJE You ask a 1ot of questions.

:BOlm I,et of things I want to know.

DOHinQtJE miere do 7ou come ~rem?

:BO~ London.

---

~e hands stand at 6 o'clock. It strikes•...• tii:reetimes. -~ XI. D?T. Pil.IS. SPEq_~ E:.Q. BLDF1!.!)'SOF!'Itra.:B!,O~

-- -

Lookins past the back of !LOFELD's chair ac2"'3&Btbe office at a radio. :BI~:BD strikes the reuin1ng four atrokes.

m.OPI:LD hey have accepted our te%"Dm. lll!'ormlfumberbo 1n Baeaau.

I

52 •. ReVised 4 Karch 1965

2,6. ~T. CORAL !WGOUR. POO!i. '.BO?m.D0'..0:::IQtrn:.DAY

They are lU?lching at a table beside the pool. Swa.nkyhotel in ~.G. Sea off in opposite direction.

lSOND (amiling, as they sip drinks)

appointment.

lSOID She won't ~ind me, will ■he? (indicating drink) oo bad it isn't conch chowder.

DO?.tL'lflQlJE You've been readin&: the wrong books, l!r.lScmd.

lSOID About conch chowder?

DOmBIQCE lSein&:an aphrodie1ac •.

lSOD (amilins) I.ju.ethappen to like conch chow4er.

237. EX'l', QUIS!

SaU?lterinicasuall7 past pool, glanc1n&:at lSOBDand DOltI?lIQUEin JS.G.

" ..i

s,.

Revised 4 U&.rch1965

•. BOND sees DOl:IE'IQ'O'Eloold.l:agtowardsQUIS~in.».G.

llOBl> Friend or yours?

DOMinQtJE (abrQ&gi.ne;) Re works :tor my - guardian.

QUIS~ moves out 0£ scene tewards hotel.

DOmE:rQlJE Re likes to k:n•wwhere I am.

:BOID I don't blame him.

DOXIWI~UE looks across the harbour. ..

%2. EXT. POOL. DO?m!IQU?i'S POV.

he DISCO VO~ ia entering the harbour.

- r•••"""!"~•--••-•--•-•

ReVised 4 l4arch1965 53a.

])OXIliIQ'tJEstands~-

DOJO:NIQUE You'll e:rcuae me.

• Oh, surely you don•t have to go?

DO!mlIQ'OE I'm afraid so. (gesturiJ:lc!towards the Disco Volante) N:y"guardian's" yacht.

:BOID Oh, 79s?

DO!OllIQOE He Will upect me• ..

:BOND Perhaps I can give you a 11.ft?

DOl!IlD:Q'OE

OED . Will ·1see 70u ap.1%,.7

DO!!Il{IQ'tJE It'• a ama.11ialmld.

,- • ----.. --

Re'Vised 4 Much 1965 54/58.

2,sa. CTD.

~Om> Have dinner With me tonight.

DOl!INIQUE

DOMINIQUE turns away.

~om, DOMilVO!

DOl4nrIQ'UE (abruptly) How do you knew "that? How do you know my friends call me Dom1no~

~OBD (blandly) What else would they cal.lyou. Jlick,f?

~O~Q'UE looks at ~ODD for a moment.

DOMIXIQtJE Good bye, Jlr.~ond. •

DOMINIQUE walks away. ~OID 1ooks at her.

, DISSOLVE:

1'

l Revised 4 March 1965 5 •

l

l I'· :rnT. CO~AI,:I.ARBOUR. !iOTEt. EE~T!ON HALL. llOND

ONDwalks across the recep~iozi hall to the POI?!rER'sdesk andcollects his key.

X4• DlT. E'OTELCOiUUDOR. '!OWD - I,ooi::insalongthe empty corridor. 210m,wallca past the camera to ~he door of lu.s roo~. Be glances at the door and then walks on past to the door of the next room.

X5. Im. EOTEL COlmIDO!t. :SO@

OED takes a second key out o! hie pocket and opens the door o! the room nert to l::.is.

X6. INT. PAutA'S ROOl!. !OND

OD walks acr~ss the room to the cennectin.g doo-rto the nert room. niere is a case open on the bed, a caae ~ull o! w~men's clothes. ~e cupboard nert to the cormectizl& door is open and !ull o! dresses.

X7. INT. ?AutA'S 3001-!1 iQ."'TI>

ORD steadies r.12sel! and then opens the door ~uietly. Be ,· steps into the doorwa~ end opens the· door into bie room.

2'39. D'T. :BOID'SllOO!•:.BOF.D

Cl,OSE S:i:IMof-:BOEIJ.

2,9a. m, :SQEP'S!tOO!.~,!OM>'S ;rov.

PJJTround the room.

239b. IITT. BOP.D'SROOll. !O?!p

llOXDwe.lka into the -rooi:.,crca:esto bis dreaslllg table and nicks open the cpnr of a book, which ia lyi.q on the dreeaillg table. •

239c. m. :SO?J!?'SEOO:!.:BOOX

turning and recordi:lg. :BOIDturns it to ~aat ~nnd and n1cks it on. !he reels turn !as.t in reverse and sound squeaks out from the speaker.

2 a. !NT. !!OE!I,sn on. 110

Om> aets the-~a,e recorder to play-back and picks up b:1e mall, black &~a~he case. fhe tape recorde~ p1ays back -the ound o! a doo:-O}icning !ollowed by 1t·clos1nc. :BONDopens

Revised 4 March 1965 59a•

...._ :z39d. CTD. - the attache case after the usual ritual and 'takeo ,,\\ta t silencer. Be hears the sound of e. cupb•ard do,r ;tildi.ngback. 30IiDwalks across to the main cupboard and l.ooks 1\,1•thehair be p1aced across the opening. It is gone.

2; e. INT./ '.BOND'SROOM. '.BOND

Oirntakes out his lia.ltherfr:,mhis ahoul.4erho1!:tt,rand :rues the ailenc r on to it. He hears the sound of a dl,,,.r.opening and, more stant, the sound of ■ hewer curtail:1.sbc 1tngdraWl:. ODD glances at the door cf the bathroom.

239f. Dr.r. '.BOD'S POV. rbedoor of the batm-oom is slightly open.

240. OMITTZD

~ta!iDtakes a step towards the bathroam. hock on door from e1rridor. ~OND puts gun .inpocket of h1.erobe, c••m towe.rd door.

242. m. COP.llIDOP~.HAN IN WI~ PAT'~";;S'n'!J,rn,1IAT

With distinctive band, now c1early identil1ec1as Jo1J•!L!ZIJ:!TER. Door opens.

243. m. :BOND'SROO?·!. :,om,. Ll:Im

As U:I!ER comes in.

l.ED!EB. (effuainly} Eow are 7cu, Double-•••·•

:Before he can finish, '.BOIDhiteh1.:m.t'D-the~aw. ti~IT!:R slumps. ~on cetchea h1.:m.,aitshim down 1n • conv,i•Jient chair. :LEI!rEP..ahakeeh1ahead groggil.7 u ~OlJD p•Jll.othe Walther out of the waiet-band o:f'hie trousers ana z:;:,kea iowarde the batl:lroamdoor.

244. m. !AMOOl:i. !OID

loving cautiously, smi.levelled t"'ward.•cu....-=uns,,,nhestops, reaches quickly 1n toward faucet, and tm::ia~t. l~~adiate cascade of h•t water.

245 •• IN~. E.ATHROO!!. lμMI!TD QtJ!l~AIIra

Instinctively, Q't1!STtries to get &IIBy!"?"ODh•t ·."11:·.1::-,ge1:s entansled with curtains, thrashes ar•und i:i them.

------- ·- --

I

~evised 4 ~ch 1965

- As Q"O'IS1'1sheada:ppeare'through curtains, :BO?m clubs him over the head With the butt of his ~alther. QOIST tumbles forward onto the bathro~ noor, drop:pinghis gun, and lies still, unconscious. :BOBD;Jicka the gun up and walks -,ut of the bathroom.

-BOD crosses to FELIX, who is ~om.insto.

:BOID Felix, I'm aorrjr- you were ~ust abo~t to aay 007. .. . -~ Bell o:ra way to trea_tthe CIA.

- :BOm> ...-.. ill right then - a present .

• - •... :SOD hands him QUIST 'sgun. •-

•. :BOD ... "O'ne:zpec~edgueat.

BO!D waU:s across to the a.resaing table and B1D.tchee o~~ ~he tape recor~er and fiicltaback the cover o:rthe book.

You have.to Jc1ll.him?

•

(grim11ng) Surel1 you mow me better than 'that.

247a. INT; 'BOm,•slt001!. JOID

lO!IDm.lks acrosa to "thebathroom.

247b. INT. !.AT'.EROOU.IQID, OUIS!

mr.>picka up QUIS~ and cb-opa hi.ahead under the cold tap o~ the bath. He turns on the tap am holds QUIS! ■ till as he •tniggles back to conaciouenesa. :!Om>pul1a QtTIS! upright •nd drags h1lilinto the ma1n roo:m.

·--- 247c. INT. nOTEL ~9M. LEI~. :BOP.D. QV+S!

LEISR stands up anclraisea the iUJl as BO!rnbrintia QOIST 1nto the room.

Revised 4 March 1965 6Oa.

lSOBD (to QUIS~) • You'Te seen everything you came to see, have you?

QUISTatues silently at lSO?lD.

]Som> •We•11 assume you have.

JORD pushes QUIS~ across to the door.

lSOID •-•·-'i-cu'dbetterget back to your friends and report. Tell them I'm at'~erbig fish..•.. little one ■I throw back in the wcte:r.

ODD opens the do~r.

LEI~ What the hell!

lSOliD Don't forge~ your gun•

•the·empty gun to QtJIS~.

]SOE) In case you•ve forgotten - the name ~a ~ond - James lSond.

OED shuts the door in hie face.

247d. m?. BOT!:!.IOOM. LE!,:ER

CI.OSESRO! o! Ll:I~.

~I!D What'• the game?

CADRA J.!JGI.::WIDDSaa lSO?lDwalks acrose to LZifBk.

lSOD Eow'• the chin?

LEI~ Who 1a he?

-

190:RD Could be a watchdog for a ~ea~cua boy-friend. •

•

i Revised 4 March 1965 61.

;

:L7d. CTD. -

DISSOLVE:

:Jativeboats along wharf. Produce spread wt. ct:rSTO!.mRS he.gglingwith V'El','"l)ORS.Linervisibleacross water. CAMEBA :!O~S WI1'HLEITER, EO!.D~AT SHOr, lettered: PUDER 's. LEim. glances around, goes in.

Behas just bought a hat. !iepu-tsit on. CAMERA FOLLOWS m-l along whar! activity.

250. m. PDrnER'S SHOP

BOND approaches, glances about, enters .

A SHIP Is CRAlmLiilt'SSHOP. ill ■orta o~ muine equipment. PnmER, a ra:ngynative with a bulle1i-head, ~s standi%li be- hind counter !acing LEI~ aa ~om, e:rtere.

~OD It's aln.ght, Pinder. :PeliXLeiter, CI.A..Pinder' a our man down here•.

•

Revised 4 March 1965

::1. CTD. T5::JXand PIEDER shake hands.

Pn:DER rlllsway, gel'itl.emen.

r:~ 1eads them to door at rear, opens i~ .

:ne1so down stairs, open doo~ at bottoc.

25;. INT. STOREROOM

~tacked With merchandise. - PAULI..issitting by & Msh-pcm'ered radio.

('throushat£tic) :Big:Benactually lid strike seven times at six p.m. thi~ evening.

?IRDJ:R,'.BOEDand LEITER wallt into the storeroom and PA.ULA. switches the set o~f•

• l'IIDEEl Message came U1.froc London to aay :BigBen struck seven times.

:BOm> Stalling for ti.J:le,Isuppose.

C4MEB.AilG~ WIIJE?ratoshow Q, wearing ahorte :revve.ling hairy less, a.noppy nowered shirt, 11andals aud a straw hat, stand.insill imp:-ovieed1ab area.

~OBI> Oh, no!

253c. (357) I1lT. S1'0ImROO:-!.:BO!lD.LEim. Q..

OD walks towards Q.

:BOE> When did y9u get here?

--- -·-·'•• ------

62a

:BOND Hs.jor:Boothroyd- Felix Leiter, CIA.

c-. (as tbcy sl::ekehm:ls}

' Bow do you do? ' i

:BO?m

l

~st have you ~ot for :e, :r

I AstoD-?!sr-tillwith,:,st~r1d.13gs'? f [

o. l!bieis e s•1ger-cou~tEr 1-:ru:zy find useful - P.l'l:luneb;.:uEL~e.

PU..':'D (tnl:in~th-9.-eteh) lt1.gbtcome iD r.~~:y.

rhe sweeP-hen~"·tr.k~s'thfrr-.:io- activity c:1:~ :rt'sV!'Bt£l'?rocf.

Ecm:J. Sllock-proo! 1~0?

". hie ia ect:~t:-.ingI-,:-autj0!lto use ,t th Sl)6Cielcere.

i,mm. Everythit:.6)'Oug1ve me•••

Q. g1v~s hi: tile camera.

\ is •~met!ling·we'veju~t d~TF.lcp&Q.

-

:B~

l !fb,ttdoes :!.tat''?~lec!t. 1'"..tr~'t

into flor:csc:-'Pl~y ;•God~"""£t;:t

I "-•.....-".,

•• 62aa. ''•

t :~.•

It ·tak1re:~~ photos i?Jrapid

t si~eee:5i·c,n··.\:_y-pre&sitig-th:1.sbution.

f!

I ff"'... ,I; ~-- i:!11•~!"C:m2£.ra1eage1.g-er-comrte-r. ' I .!SO!i!.. I. ·'Tr:1:1c~n'lf~-~P\-e:rocl.Pt!me. t

~..

,. .. ·4::-J.·"to'~".,.!t""'l:1ttleleseth~~ "'..~ :~!'::c-.~·:f?:,i:v-ci1oussell,!ou:bl.e-07. l _,I' l f t ..., t t

'

I ( ; i

I \ •t '

(

Revised 4 Barch 1955 62b

25;a. CTI:.

Q.picks up a short-be.rrell.e4gun with revc>'l.Ti!lgdram.

Q.puts the gun down and ~icltsu~ a c.ipr-cue-sbaped object•

In the event an aqualmig or rebrea:thE: ie n•t il::mediatelyave.1lab1e.•.•

Q.-opens the Gbject out ell s~ows it ~o bet ,nin~~ture breathing aence.

O?m e:ra&ines1he breathing device. f

Be taps the "tubesan 'thea.1:re711.nden.

lK)II) I1ll %leed"to keep my head down.

Q. 4e:ionatratesthe ccntro1a.

\... 48 !tml>and L:nmt examine the aqualung~- ~akes • cellopban~- wrappe4 torpeco-ahaped pill oui of a hG%.

t t'

···-···'-·-·-·------·--- ---· •• ·----- ------

l +. ~evised 4 March 1965 j

' l,2,b. {359)• INSEF.T: PILL

I,Ugc, in Q. 1shand.

2530. (360) :cT. STO~OO!!~ :SOlrn.Q. L1!:I'.rZR

30~ eyes ;iill.

ill,

a period o! between !our and six hours,.

253d~ (360a). nrr. ~OND

BOE> "dhat am I sup;iosed tc do with it?

Q.'a VOICE Obviously.....

253e. (360b). nrx. Q. BOND

~.~S~~;ar~:~ up to the barrier which ia aet-up across the dr:LveM.7 up to the main house. QtTIS~wil:ldsdown the I vind:owamd locks at the GUJuU), who nods. QUIS~ starts to -~cll'ivei:pto t::.ehouse.

9.. rn. P J..I.:~i. l:.eG'tfA.B.Dste,,sbackintohis &1!18.llhutand :picl:8upa tale~ha:l:e.receiver•

no. EXT. ~;.L!mL·1..TEP.lt.'.CE

~,m:n;_ is situated on the ;ioint of a small peni:nsula.Runn:1ng along it is a seawall, wi~h a beach and boathouse to the le!t,

-- --------

I Revised 10 March 1965

no. c~D.

and a small cave, not presently visible; to the right. A FRZSH-~ATD POOLis ~rotected by a curved, slanting glass wind-break.· POOL:a:OUSE,left of pool. GtTESTBOUSEto the right. ~eyond the POOL is the KADJ HOUSE, a handsome, one- storey modern building. ~o the right, the aeawa.ll curves round a SAL~-WA~t.:~tPOC'L.Grounds dotted with -Palmn-ees, ta11 hedges, exotic tro~ical bushes, potted fruit n-ees. A HOUS~~OY carries a telephone acroaa to the terrace towards the SAL1'-WAfEP..POOL.

he BOUSDOY plugs the t·elep:b.onein~- a table on the ten-ace. VARGAS ~icks up the receiver, listens !or a moment and puts the receiver down agai:l..He walks towar~s the s..Am-WAmt POOL.

p.1. EXT. PAL?m.Jt.: LAI?.GO

on the far side o! the pool, LARGO.

n2. nT. PJ...I,L"PLJ.,.VARGAS.LARGO

VJltG.ASstands, waiting for LilGO to look u~. LARGO is watch- ing the sharks. Ee looks at VilGJ..S.

LAllGO Quist?

VARGAS nods.

lJJlGO :Bring him here.

V.ARG.A.Sturnsand walks away.

n3. EX~. P,W·!!P.A. ;.QGO

CLOSE SHOO'o~ I.Ali.GO

n4. EX~. PAIJ!'rn.t...UltGO'S POV.

he SRAllS surge back and forwards across the pool.

LllGO Gently, ~ friends. Gent1y.

ns. En. PAIJmU.. ms~

QtTISf walks nervously &cross the terrace to LARGO. He sto~s some twe~ty feet away. LARGO beckons him forwards. VilGAS pushes hie shoulder.

jp

63a•

- ~evised 10 Karch 1965

n 6. EXT. PAU.n~. UP.BO -=--------=------------- LARGO walks forward to :aeet QUIS!. PAT·i'DA.&.EGLEWIDENS!O II:lCLtTDEQUIST.

LilGO What did ~ou find?

QUIS!I' Botb1ng.

LAllGO You saw lkmd?

QtJIS:I! Yea.

LilGO What happened?

QUIS~ doesn•t answer. LllGO hite him har4 in the face. ~he force c! the blow makes hi"!lata&ger 'backand VilGAS catches him. QtTIS~tries to break my, but VAllGAS holds kilt.

· LARGO You let l:.1mpt the better of ygu.

LllGO walks past Qms~ and looks at VARGAS aa he draws level. LARGO nods slightly. V.llGAS pushes QtTIS! fon,ard.

n7. EXT. P.ll!!YllA.QVIS! , I

Qt)IS:l: (fra:~c)

..,.... Be was wi"th a woma.n- she me"t

hilD- at -the airport•

........' ...~-~ I ne. EX!'. P}..L!-!!RA~IS! 1S POV.·

Ianng towards the e4&e C: the su.T-•A'l'M POOL.

QlJIB!I't-SVOICE She i• a-n.ying.a~ ll1.8hotei. She halla J"Ocm next to hiJD.

ng. nT. PJ..L!!!RA.L&J!GO

LilGO We lcuow0:- her.

_n_o__._____ztiiii.-~~-·_:?__m_r1f!Ra_..-·__• _9!1l.....J_!.VAilGAS

VARGAS movea QU::!, st~gling Ti.olently, ~owards the SJ.L~- 1~ POOL.

Eevised 10 March 1965 63b.

l ·:•" %21. EXT . P)..lll"'YR.A..9yI§':('SPOV;

)lovingforward, tiltina onr 'theedge 'to1oa!c -atthe aharlca.

x2·2. INT. PilLi:nA. Lil!Gt'. DOl.TIN!QtiE

LARGO meeta DOrnQUE 1n1-JJdng1ihr0ugbtilehouse~ towards the terrace. DOUINIQt1E :Lawearing a h1k1n1., nth a towel slung over her ahou1der.

'LARGO Jly dear - how be&utilu1 you 1oolt.

J)OJmnQlJE Thank you.

LARGO takes hold o~ her B%"l:aa she wal.lcBput '!::1.m.

I>OMI:RIQtm I keep eys~J.1 amused. .. lilliGO So I belieTe.

can we 'talkl.a-wz-? I'm 110bot - I wa.ntto Slliln.

Jlot~ust a-t"the mo:ent, sq clear.

LAliGOputs en am round he:r Bhoul.dera. JKEIXIQm; -tries to abru.g~ ot!.

l

LllGO I have a ~cb ~or 70u.

l>OXInQlJE100ks et LARGO silen"tl.y,then tm-m.aand w&J.kswith hiJZlawayhor. ~he terraoe. I

DlSSOLV!::

I

t

I '; ti

Rertsed 10 March 1965 64.

254. 0MIT'!:?D - 255. EXT·. Nl..XSAU.LONG AH.Qt:, CAJ:~~~~NIQU!:. NIGHT

CAER1 ~00TinG FROM BOW OF LA.tmC3 a~~~chins and going ·-. under DIDGi OVl:P.Cli/.,."lI':.c!Llea.dingtoTJ.G0CN.lloats anch~d 1~ la.goon. Across it, ~nm- 1ead1ng up to

~56. rn·. L.6.G00!I'.~~uNCEA! :LL'1DING-.:BOND

Going up steps. Be wears white jaclte~.

257. En... OU!'DOO!t'c;.i,z.110:n'D

~al..kill£pastta.blesaround paved dance n~or, looking tor DOlil..11!0.COtn>LESonfloor,dancing, &?ldaee.ted a.ttables. ~ey weer evening dress. ~ere is an OliC!IESTPJ..andGIRL SINGE!.. :Pestive-lcol.-inglanterns. ill.ver7 posh. f'SOND goes into Ca.:sil::oin3.G.

,· Sl:mllroo~, beauti!ully apJ)ointed. 1,cnr.l.ar.g9ble.cklea~he:r cbaira, c:!~ee tables. ~om, crosses ~o ~00r o~ G;r\S~I~~ R0Oll,goes :f:l.

Bear 4cor. Be J..c·oltsaround.

JOr.D'S?OV.

ChemDJ and n,ul.ette te.'tles. PT....A.'!EBS,~OOiEB.Sbehndt?le?:l. C~....AEOI.DS Cfu-rcs:E:~·.1.-Y~~.!)(>9~:WO,~ a J.aw-ci:tgo,r.i, wea..-1.Dier.ne.lldia::iondtiua, stancls"behi.,J.dLA2GO,illwbite jacke'i. Ee h&e -theehoe. CRO'Ol'Il:!irakescoimtersto large a-tackbe!a.re hi.--:..V.A.RGA.Sunobtrusinlyb grcu.pa-:anding behi.:14pl.l:Jer••n.tchiJl&.

-...261.............................IS?.GAO?i-:t.t;.,ii,;iiiii,;;__,___,;_________i.00!1.C.h.~Hrn,--_:.-,;;;;__.;;;.•s~;,-,;..,.__C.r\S:U..:!R.::;;;;;;;;......-oiiioiiio--:SO!D)

Be ~ake1 mtes !rom wallet.

~OEI> ~ . (to CASHJ:1l9) ~1Te hu:4re4 pounB.e, please.

CASHJ:i:atal:esnotes, gives h1!lcoun"ters•. Be aauntera out 0-fscene. •

Eeviaed 10 March 1965

LAllGOtosses in counters.

1 run.

No one responds, evidently el~ctant to buck URG0 s

:BOED'S VOICE :sanco.

263. EEf-1ilG~. !1'1~ll:.-GROUl'.I!iCiiUDID'G-BON!>

Placing comiters on table. LAEGO merely glances et .hi:1. DOl!ISOgives no indication o! recogm.sing b1&.

IJ.RGOslaps eards out -o!shoe. :BOED glance■•~ his.

LilGO gives himsel! another card, loses. C30UPI£.R !li~e counters·to BO?m.

:BOID {casually, but wat~b,ng or IJ.RGO'a reacti.on.) Yea, I thought I saw a S~ectre -

(caught of! guard) What do 70u mean?

:BOD (lightly) • be spectre o! de!eat. Your 1uclc was due to tur.u.

Revised 10 March 1965 66.

oc 26'3. CTD.

We'll soon find out. (to CXCF DE JEX) my objection to raising "the limit? Pive hundrad pounds?

(look::ingaround) J4essielll'a?

ltur.::urorassent, exce~t from ll.ABId.thshoe ~o IJ.llG0 1 sright.

1W1 (riaiq) too rich for my blood -

:Bc»m :Bond, Jamee !ond -

lailGO . Oh, yes - Mr. :Bond.· One 0! JlG" associates spoke about JOU.

:BOD B~tl:liJl&badI hope?

UllGO 1'iou1dyou like to take "theal..oe?

:BOBD If 7ou W1ah.

051) aita down 1n vaceted eeat. l>Cl!IIIOian::nrbetwee?i~ and.IJllGO. Ee tosses counters onto table.

SEVD.AL PL4Yw!S throw in counters, •.Avec•.

UllGO :B&Xlcoeole.

l Be tosses 1!1countere. CitOUPn:alre'tur:laavecbeta.

i' & Re-need 10 Much 1965

~ I 26,. CTil.

l

Your spectre againat mine.

LllGO (outwardly good-hm:ioured) You wish to ~ut the ertl an me, eh? We have ·a~Y to deal w:Lth'that where l come from -

He holds out his hand t0T1Ud :BOND, mek1ng e. fork with first end little fingers. On hie hand is s larae rin.£~ o~rved death's hetd with octii;°ue-iiketentec1ie.-- ----------------------.......-----._.-----ia...~

1'0XD ~t m.g:t:.thexme. 'Let'seee what it does to the.ca:-da.

Su -

Olm .. Seven -

C!OUP~ r&J:ee 1'0lTDcounters. ~'• ~ace darkens.

(OO'Yeri.1:1£1lJ)) I mist find a new ha. Suiw.

!!herpla1api:l.

Jline.

l:urmm-uow:id t:.bleea C!otTPID. z-uea ccn;citersto !Olm.

•

I

Revised 10 March 1965

263. CTD. -

CROU?llR (to BOI\11>) Your banco, ?:onsieur.

:BOED I think I'll pass. ~s sort of thing can't last. (toDO?.!ll!QUE) Mustn't press my luck.

LAllGO I must stay here and wait !or the shoe to come round again.· JUBt when I was going to "take ?lYniece for a dril1lc.

BOBl> I could Si,veyou a dril1lc.

DOI-D:!TIQOE If you've nothing better to do.

DOJmIQm: stands up.

Perhaps 1fl1niece can clieccver your secret.

:BO:NI>tipsCR0n:r.E:RE:ldCBEF:rm JEUX, pockets reaa.ini!lg counters, moves out of scene with DOMI!rOtowards door to lounge. C,l.T,n::RABOLDSonI.AEGOand VARGAS ctand!.ni behind hi~. L.U?GO's face is not pleuant.

Coming out fro~ loU?l&•• JrlA.I!llDEescorts thm:i to table. BAR4!:!IAWGinL !llJ'!'CERinB.G.4oug !ire Dance.

265. CT. ~.1.N...;,o.....,_,,,_n__I='?RE-:;m:

Waiting for :BOD 1 eorder after he seats them.

:BOND »eluga caviar - Dom Perig0?1 155.

KA.IDE DE exits. :BOXDglances towards G771I,gruing her body with flaming torches.

i

Bevised 10 Karch 1965

• EOND Did he call you h:1snieae'?

DO!ll:IIQUE Yes. It sound£ better 'than - ~hat would you aa,-? Jlistresa? Xept woman?

:soim I wouldn't sey all3"thinglike 1the:t. Where did you meei hil:l?

DO?mIIQtJE In Capri. I was t!ieren'tb ..,. brother, P.ra.ncois. Strrmge - l £ound !lcilio attrac11ve - -the:z:L.

lK>!!D Does he live cm board 1::1.syacht?

...

DOi.lJ.!!IQm:• Bo, he has a house on the i.Bi&.?ld. Hust we talk about him. ~•~ mach rather dance.

~ey rise • CAK::r'"1~UCKS ~ Ot;~o ~ p,-_c:m,ro1ir..cms

:SODI> Where 'ayour brother now?

DOltllr.IQtm• In ~land. You would like hi:l. My ·,rouble ia I never meet qyo.:le like him.

BOII> Onl,-men like le.r&O- a.n.4.,..eu.

l>OIIInQlm You •::-enot11ke La.-go.

:BOID What mutes you say ihat?

Revised 10 March 1965 71.

C.At.fEP,,AGOESt'ITETBZ?~,BOI.DSasthe:,meet·LilGO and VARGJ..S.

~OE) Your m.ece is a delightfui dan~er.

Let me prove I a::iasgood a loser as you are awimler, ?:!r.:Scmd. Come to lunch tomorrow - a~ ~a. I have a house .••..

:BOID 1'harlJ::,ou.uound noon?

LAltGOnode, takes DO!-!IE'01se.m,1eads her .m.y. VJJ!GAS follows. !O!m looks e.fterthem. C.il!ER.l!'~'"S'!ZE11!rOL.U1I>ING where LA.tl"NCHiswaiting.

m EXT. LAI!DI!!'G.DOKm0. .LmGO. VJ.RG.AS

UBGO is still holding ~09~o•a arm as the~ ~e.ch •~eps •.

LAltGO You mus~ ~el~me what Mr. Jkma had to aa7.

DO:mlO Be talked abo'lrt7ou a l1tt1e.

UllGO Cmly a li~tle?

Mm:!10 Be asked - wou1d we aleep a~d tonight.

DcraNo gets into the launch. 'IJ.!iGOandV4RC41Sf'ollow. OJ"~ starts hlmoh awa,-.

DISSOL'VJ:

271 - 2..il!.0?..'ITTED

292. IN~. PITIDEP.tsSTOllROCl!. :eoim. ~I~. :rnrnn. !T!G:tT -. LEI~ and !'IlmER are he1ping :eom,prepare ~ta the underwater reoonneissance of the Disco Vole:1te.

Revised 10 !:laroh1965 70 •

~he way you hold me.

266,, !:IT. C!..SI~O.VARGAS -----ioiii,i;,--- ----- VilG.ASis standing near the d0or, watching 'them.

l§l_. rn. OUTDOOR_~. !0£1). DOMIE'O.

Da:cing.

~Olm (after a mome1tt) Bow long will you be i::Nassau,

I>OmllO A few more days.. We sail 'the 4ay ai'tertomorrow.

~Om> (meeting her eyes) We h~ven't much time.

DOMillO (abrut,tly) Emilie nnta to leave.

ORD 1.coks O.S.

26S. LAllGO# !JeriWI!'gVJJtG:~. ~0.."m'SPOV.

L~~ te>wz:ra.sthem.

2.~9. ?n. ~O.Q.LC.:.l'!. ~Om>. DO?II?rO

~ODD Will you. sleep aboard tonig!:t?

DOEllO doesn't ~swer and ~Olm tu%'nshis lied to look at her.

:OO!!IBO I hoped you would not 'beeo oln'ious.

~om, 11he:nyou do1t•thave much -time, 7ou have to be oln'ioua.

DOHillO Ve do not eleep a~oa:ra..

Revised 10 March 1965 1ia to so.

292. OD. -

lSOXD

Zero hour ia 0700 on the 25th.

:Pi.tty-fivehours .fromnow.

Olm takes a swig from brandy bottle.

293. nrT. PASSAGEr-TAY

,·

Short; low-timbered tumiel. PimmR, :BONI>and LEI~ waJ.k down it, go out ·door&tend .

PINDER, :BOND, LI:I~ emerge from door. Rowboat tied up ,:,ut~ side it. In the boat :ore unden:ater equipment, aqualung, helmet, f~s, etc. Pu1DER and :BOimget in. I.EI~ steadies -the boat end then climbs in after the%!1.PDmEi pushes o.tf, rows With oars wrappea in burlap. :Boat:moves away 1.mderwhar.t.

295. ;;;;. !HAR• PIJiDP...:..·LEizeR.:BOD

Rowboat co:ies out from imder wharf between two fishing smacks; CAMERA :POI.LOWSI~ as PimlD ~m-na alo:g line of other boats tied up at 'fl'harf.

DISSOLV!:

296. En'. RADotra. CA~~. m:G!i~

With Diaco Volente 1n !.G. Bo one visible ~n deck.

~7. En. P.OWBO/a.!!'.~om,.PmD

Approaching cats.mare, which acreens it .from J'B,C);~.

I

ReVised 10 l:Iarch1965 81.

297. C1'D. -

LEllEa Don't stop to ;ick up any mer- . maids.

110:ED Rendezvous here -

Ee goes over side. ~~ rowa boat away froc catamaran.

298. En. SuRTACE. :Btmllll:S

Indicating lSO?rn'scourse.

299. 1JNDER~A1'ERSHOT. !Olm

SWimming. Be turns on lamp.

.. ;oo. EX1'. DISCO VOL:-..NTE

catamaran in E.G.

301. m:DERW.:..T~SEOT. HU""...iliOFDISCO.1;-="~now

From BO?rn'S POV. 9S he approaches i~.

302. tnrnERTT.a\.T!raSH01'.:BO!rn

Moving alolle bow,.checkin 6 counter on wrist.

4111i,_oiiii,,1o,,303.____,...,;;;;;;;;INS:::R.T:____DLU,....,._

Bo radioactivity.

304. lJ?rnERlT.AT:EraSHOT.?J:lmLl'OSEC:.U:TROIJt_.

llOEDapFroach.ini it. Be stops, ezaminea panel, runs lds hand along frame•

...,3...,05_.~__IN..,;T...,._r_IL___,,,O..T_B__9-~--CLOSESHOT.l~!SCREE..,

l,ightingup as buzzer sounds. ·enscreen outline o! hull w1th red arrow !lashing, indicating location o~ panel. CAMERt. POLLS BACK. JJ...'IT!"l,i:iEngineer'ssest,rouses,pushes button on panel. o.s. AIJ.!MSLI.S. llelow alarm screen is a 1arger one for underwater TV, not ye~ activated, and a remote control ur.itto operate ff camera 1n hul1.

306. ~ER~li.TER Sn9.T. lJO?Jl)

Still examining panel. SPEAR FROliCO2 Gmt hita beside him, sticks into hull. EOm> turns, 1ooke o.s.

.. t

~evised 10 ?.tare~1965 82.

f

I i96. CTD.

C.al!.r!RAAl!GLElfIDENSTOIE'OL"O'Ditr.RDERT7il::iGt1.A.!.D,in:B.G., thrusting e.nother spear into barrel • .BOl'lDdivesas GUARD :t:1.resasain.:BO.NDpulls out his knife, ci.rcles GUAllDwho also draws k:ni!e•.

LARGO and VARGAS hu.r.?"J'in.

UllGO urn ·the lights rm!

J.A.!Tlr:Ithrowsm.tch.

'308 •'01!'DERT7.:..T::::aSE0~•BO!!D•~ .A.'SeGU.:J:I..D

Bright unde::rws.terlightses :BOND feints 11'1thlcc.i!e,~~e~ slashes up, ripping Gu.A?..D'ssuit.

309. !NT. ?r.μ(2T;O't:SE

LARGO tu:rnson !V. CAXE:RACO::.tESIllO!lffSC!?JC!:'..Pic~e

till 1t picks ui, :SOl:r.o2.?!dGUARD,~ at ~-::0 With knife. ]ON:Dcatches his wrist with free h.E.~4. Gtfl!'.Dbees .BOimwho doubles up, dr~ppi:lg ~is lcni!e. GUilD stabs £t him again. BOXD twiste a.my. G't!.t..:RD!ollo178.:I..t13.GOpa:i.stokee~them on screen.

310. 'l"Pln'\i:!'0T:J'''-"'..,JJ~.....,..._"i""__~,__CfU.....'"'u"'-•:B""""""-WJ.·Z.JeG'O'AED

·~ .......

:SON:Ddives,twists, comes up behi:r:.dGt?.:r.!f.!>,1:h:rCffl'9onean.. around his neck, cle.n'SatG':J~'2 !:18m:•ci:th.theother. GlIA."il) struggle! desperately. :aon:orips of! ~J)•s ~a.sk, drops it. GU.A...1UI1ssn-uge:lesg::-e.dua.ll:,cease..13o::n:,nleaae.ehi.rl..BODY sink.!:outof scene.

I _.......,____

?rJJOl'BOUS!:

GROO'Paround 11creen.

L:.1lGO Grenades!

IJ.:RGOhurriesout, Ji.:rr:nbehindhit:..VJ.:.GJ..Se'topsatcheet, takes out bo: of grenades, follows 'them.

t I

Revised 10 ?riaroh1965

......

312. um>ERW.A.TE:tS:!lOT.l30!ID

At bottom, looking for kni!e. Re finds one, puts it in belt.

I Reaching rail, looking down. VARGAS points. ( 314. :CXT. SURF~CZ• :Btra:BI.!!~FRO?!THEIRPOV.

Indic&tin& 130!::D'scours~away :tro:ilhu.11.

VJ.llGASjoinsthem, sees bubbles, pulls g:-ene.de~in, dr~~s it over side.

il6. um>~'7AT:::RS30T. GREN..:\DE

Sinking, CAMI::P~-FOLLC'7INGI!rDOW.

___....__u_J.11...i.._...n....,...,.:··1,'!nr."!o1ll'!"'I,.,A---:....:.1-~~QVO""'-'••.i.•:eom,

Grenade e:plodes ~bove hi:t, stunning him. Be drifts near 00ttom. Second grenade explodes near him.

318. :EXT. DISCO. DECK. GROUl' .., ---------------------- O!!SZRSPI;Cl'JmSjo ◄ ningIJ..B.GO,J.uml,VilG.lS. •

,~he launch!

He l".emaineat reil as JJJ.Ir.I,VLAG.AS,Oi'lmRSrun out o:r scene. DOHiliO, in robe, appears behind IJJiGO.

LllGO (aharpl.7) Get back below!

~ewildered, ■he turns to obey.

319. 'tT!rnEP.~..\T::RS:iO;'.:SO?rn

Rem.Ting.

Revised 10 J.!arch1965 84.

VJ.P.GAS,J/JmI, and SPECTRE go dow.:c.ladder,get into launch.

321. IDrnER'r7ATZRSHOT. :BOND

Swim!ning away from yacht.

'321a. ROWBOAT. FnrDER. U:ITER

LEI!r:cR Re's goin~ the wrong way!

Revealing his progress.

32'3. EXT. :DISCO. LA.trnCE. JA....~I.V./JlG.AS.DRIVER

Leaving yacht, following.bubbles.

324. tmDERWAr~ SHO~. BOm>

Swimming desperately.

'325. EXT. TR.AVELSHOT • LA'!mCR

Overtaki..~gbubbles.

:Bubbles approac~ it.

327. UNDERW.:..TERSHOT. :BOND

Exbaustedly swimming under catamaran between noats.

328. m. LAUNCH

Beading for space between noats.

Splintering metallic sound as 1aunch roars through between noats. C.AlmRACO?IESIN CLOSE!rO Slml'J..CE. BO!iD'st&llk floats u:p as though he had been hit by 1aunch. A moment later he surfaces, takes off mask, smashes it against aide of noat, hooks it onto tank, slips out of ~ess, slashes harness with knife.

330. !:Xl'. LATJNCR

Circling to come back through float~ of catamaran,

- ·----•--- ·•.- - -- -·· ···•-··---

----------

Revised 10 March 196 es.

\_ EX:T. :B.OYraO.r.T. 330a. 1'!1TJ.:!.a.PIM.'~

n1. p;T. CATJ1.Mf.ltA.•"'il'.!E1•~~~EN!'LO.la.t:_S.1,om,

-

Sound o! launch retu:rning. Re takes deep br&a~h, submerses ~ust be!ore le.unchatarta ba.ckbetween noa~., this time slowly. JA..~Ispots tangled gear, 1.ea:lSover aide, pulls it into launch. Launch continues Oilout .f::romuu-dercateare.n.

33la. mtDE;?WATn ~OT.. :BOlrn

Lange e.lmostburstini as he holds brea1::.•'\be:i.surfaces.

3'32. En. C.i\.~~'«-"tt.L'1.EO?!D

C11llgingto aide cf noet, gaspi?lg.

As launch starts away fr0m catama.-an to-;z.rdsJ)!scoV0la.nte.

Jiln (examining gear lmil! smashed maak) Pro:pe get him.

VilGAS Circle round.

CAM'E:?42.il!SI.A.traCBAWJ.Y.

334. ~ • ~'!!.Alf,l.;.J.F.•l!OfuP

'!OEDnr.t.=ro,:tf!'omunder noata, m;y ~ ~~t. C.t!!::!U. f0ll0WB him out .tram under catamL-a:. & ~ ton.:rc.s-the beach.

%2'3. rn'. ¥"~• 'BOND

Em:l>st..!:..eele.eas~reonlls lcneee Ul! ara.gs hi::sel!out o~ the wa~e~ cm.·tothe beach.

X24. X!T. !Z:~Cl!. JQlP

Gaspinr. :SO!l!:)slumpsfora moment. mu! "thez:.,Wi--;hthe11012:'ld of the launch cL.-1ft1ngacross the n:ter to l::1m.,301m~uehea lwnseli'up on to :t.isbees 1U1d than. l:.9atmldi:~p.

I>!SSOL~:

Jteneed 10 ?le.rem1965

,24a. (-,gs). :CXT. RI~J.Y. !'Olm. n~

~ging wearily along, :!O!m hears the aomd d a car approaeh- in&• Be assumes hitch-hi.ker•a "t'hml.bappeal.:eBEADLTGH~S, p-owing brighter. SI.EI:[SPOa!S c.z, 'top 1Q),elon down, stops beside him. DiIVER opens ca:-door ~o~ l1i:D. 'BOD gets in. •

'3J4b. (399). INT. Oil. IPri'• (PSOC!SS) (old p.98)

Closing door.

:BOBD ~"8%3.ks.You ~ust abc,a.t88'1!'4myll.f'e.

I • • CAMERA ilGLE WID:.:tJSiomCLtrDE JJUVS. lt ie FIO?l.A.DUY. She weus a chic cocktail dress. Ol1her 'bend111a ~ing like LilGO'••

lSOD l!1'outboard oapsi.zed. I ha.ato swim ashore. Bow ~ a.re70u .gc.1:ls?

nmu.. J'assau. m)Jm I am in luc~. ?Ds't-eaaD:fa z:ie9rab1e h1ke, I get ~o ri&e With 't"-•1-est- loo~ 11=1 I•ve aeen on me ~lu.:d.

l'IO:RA.ramst?iecu into gem-.

,34c. (399a). ::IT. l;TGEWe,Y ihe car leaps tornard, cnahea th:-ough ~ aea:rs ~Ii sweeps round the 00:r:le~. •

3,41!. {'99b)• P• Cil. J30?!!).!'IOTd. (n~SS')

~ODD (caJ,,,,7) it'Dame'a ~on4. Jamea »=4.

:nan 71cma l:e1J.7.

She changes aown.

334e. {399c). ~. HIQ:Et'il .,. he car surges away 4own·1;herod.

3l4f. •,,99~). ::X!. HIG:r.!.A.Y •••

no ~-USS etanding a-:the •~•• of -t:bena! weteh the car, w14e-eye4.

''4g. c,g9e). !!'!!'.Cl~. 30.'7J) • , Jut the ali 5~~este%preae1m:a of 41s:::r&3'=.JMm:D'aface.

--·-~---- ----·-•--·...··-

t

Revised 10 !!arch1965 85c.

'-~- l '34h. (399!). ]:IT. EIG~~y ·t ·oi.:' SWIBG with the cu as it drives 't~ 1:hebarrie2' leading t. uto l'LI.Jcr?.J.. '• ,34. 1. (~99v.)• In. CJ3 ._.JQED. (l'ltOCESS1

BOED sits !orward.

334j. (399h). =XT. :s.t~.RIER

- -

car drives !ast towards •1t and th£, a'tthe lut mOJ:!ent,slid.eE ilitoa right-an;le turn and aT1B7 down a sile :roa.e..

334k• ('9·9.1) !:X~• !;.JtRIER

hes~~ GU.Am) stares after the ca:'.

33tL.. c,~$~}. mr. c.-...-rt._Dom>.:PimL°L~!l'ROCI:ss)

;'34:c..(~jf.:e)•~-liIG::'t7J~?

... ~e c-a-=-drivesvery quickl1 tuoq?l a eall "V'illage. -\.:. ' ' , • -1 'I 'j t

'IOU is·==centre.tin;, the "tip of !au 'tc:.,.-ue~ustshewing 'be"tne:i:ih~:!'l.i~e.

- i l:Aecu neepa ili~othe town an4 sllciu :r:,~ e corner.

I ;'340..(3.~:.ok_~. l!...SS.ii.U

he cu 4r1Tes fast throusl:Lthe tu= lm4 .4..-j.Tesu;:tothe

't Ccnl Barbo~ Hotel. • 3J4:9. C,·99p.•} 'm'!.:.:.._C.li.R.!OJ:D.Jlmt;i..(!'nO~SS)

1l0Bi looks at !Om>.

1IO!!IL Vtll, this is r:r,ht1tel.•

..._

:BOED lli.netoo.

Revised 10 March 1965 85d ..

FIO?U. What a coincidence.

l501'm How convenient.

OJD opens "t!l.e. door. -~ • , FIO?:A ' t

Ur. ~ond - I hope I didn 1t :makeyou nervous?

i l

llOND

i

Well, you kncm - 1 1:t!suc!ia

l nervous passenger.

-I PIO:U I Some men don't like being

driv:._~n.

I I

l S=e m~n don't like being .........,.l ♦ taken for a ride .

l~ BOD slmts the doO':'ofthe car and walks across -tothe ~ ho.tel.. ..•

t t DISSOLVE:

t CQ:r.FEitt,-r;~EOOH.

~ i,, !hemz~·DJ" 1l1the Co~erence Room are grouped uo~a e. • tape reccrder·..some o! them standin&, the ifCt'~SEC?.Zm/~'B"t 'l AE) AIJra;i:RF,♦iT,-Sit"ti:l&. ~ :.•

JI,OFEI.D1SVO!CE

f •r•• a container will be Aropped 1 ot~ "the coaat of ltlJnlB1!t'the • :Herg,u..Arohipela.go•..•.

A.mlf re'!'e~to the uact location cm the map u 1t is I J 4etaj,le4. "I ~ ~- •t BI,Oi':?LD'SVOIC!: l La~itude l~ degrees ~orth, Lc!!Si- 'I l tude 97 degrees east, at 07.00 . • hour8 !!arch24th.

Bevised 10 March 1965 B6.

; ,1~t. (254) CT!>.

~re is a ahar,,inta.z:eof breath amone; 'thellE&'l.i.s1:ening.

BLOl·.cl~•sTCl'CE fhe container will hol! blue-~"te nawlese diamonds, between -t!:reee.d

-l no lese than t.100,000.oc-o- ;,resc1: II

srket r,rice. .7i.fterwebrre recoTJa"ed the conteiner end veriliei 421e.cc:.- tents, we nll i.n.f'11"11!.70ua:i•~ QUeney of 7 mega.c7cles••••

1"'.::ieHODSECit..:!.-_"rrgle.ncesathisa.ssurte::.t_,.rn:Nl~Cl!,v:ho is mak:ing uo~es, briekl7.

ELO!•,-'1,D•Sl"OI·CE •••••where.the atomic weapc.ns l:18.1'be recovered.

~e VOICE ato~s a~d the reeorde~ apil::.smla~,en~1,. E. steps i'"o:-warda.ndswi"tchesit or£.

l

liOtm~CB"i'l'!,,.Y

i Get on to De l!•ersa-t once.

lC:lliliIS:tcm Yea, s1.r.

he ROD Sl;C.:llfd,RYstandsu,.

liOJmSz!C$""T·~ Gentlemen - either wa ~ina 'tim3e bo:ba, or I'm very much L~ we ■hall have to pa7 their pr.1.ce.

!. I had a sisnaJ,this no -t•-•...-.r- from Double-07 in Nassau.

• liO!!Es~~~ llhat'•he got to report?

•• 0Ae or tffl>t~a !!light4..-t~..a"t ~ - ~Y, tllnga seem "to:t,e hottin£ up.

XEli.NISfOJ!

lra~ P-:.GE 87 (15 P..ar.'65)

334t. (254) CT!-.

C"tr.I~Oli :)a.~ere, sir. They're pre.tty

'~ pgeeir~&tic ~bout ~~kins up tbe con- ~ sign..~eDtof di~~ODd& iD ti.::le.. it ~ .. 1 ROM'::S!:CR"!T-1-'Ia .. .. ·,; • ~e E':!t.."lZS"::.:~2Ywalksecrossendtakes the phone. l

1!01~S".;O:a,,!'.!.·l.X!'(ctd.)

t I' 11 speak to t'bem. t (int.opho:c~)· ~

I e~ not esld.ngfor eD opinicn. I

' am telling you ~ .-1;:mu!!tbedo?ie. , • ~ ~OU UDderstP:'.!d? ~a i.!t~t!:ir.g • • les~ then forty-iigbt hours. r 'i

.. . •. _x:2_.,,_4.._·......--=---1••::• -.::r.i·~ - ·-.

- -·...! ~-..'-1---

.. •~ \ CLO-~ EEO"'O? A ~ STP..IPee1t iF pulled oa't cf ~e, 1eli:·-7!.ng -:--. ~ lier.iidc~ Peroe e2:r.i.!t:fre-rcdligb:t.zO'LL3.:..C~be'ti:-:-~·-~ ?!.~-..:~=enc?C:-:.iIN.J:S::aiedeveloping'the~l:m !'tri;. i irn"t~:cd~y.?.O!DEDC ll:I!rER. r

:BOlD.

' Bere i'tis. Sae? '!'he

underweter h~tch~

l ~:r:r;::?.. ;• Yea:,l see 1~. Sc? ,. i

:son.

{' na~•e tbe -r.evthe~took the ' bo~b~ eboera: • t

I i '

:BO!r:• •md no oDt•e~~ them.

L (to reul:!)

3rinf tbc d:-yp:-i.1:rteto"tlJ1:-!-~tr.:~. light? Cc~e ~~ Fol.1%

:rN:'.F!J;;r, B7a (15 -:er.I65)

: . •~om:: I.f 1llo:v•veenunt!fi~"tc:-!istch- tho r.boleODcr£t1on ~a~ .:1~n:-ot~r. So~ tlu!~'s-more we•11 look for ~e 'Pl!:ne. Righ't'?

Over water. S·call ielend-sin l!.G. ....

L3T."~Rr.-tco::r~rols. :Bon""!~looki.?12c,':':r~ae~'thglAescs. lie ehcikeP-"hist.u-ee::icstudiest:ep cm ~e 1ep.

i l r Red cr!?:i,·~1:1r:irclee1:1closintuee~'t~'1"'25~mlca rn,ius tror.1.re::eau. l

..

I, I • •

'f • ,.• i ~ 'I'· I .:.. ;_ t {, 4' • t l' f,,

•' • ~ '· : I' • ~-

•.

••-- ------ ------ - '

Eevised 10 Much 1965 as.

LnTZR ~e Air Force combed e.?1vea or 250 miles out fro: Bassau.

So - the le :~ to be 'thatrar m.y. ,.La

~ ~.. 1 laEIDR 'r- ~ At I.east. ,i j llOliD 1 Another t~1~g - the midenater hatch :~ ;; ~ --n t!leDisco Volante. !I!hebombscould -~ have been take~ abocrd - s:i~~ed &T."By•••• ,. - :; L!:I~ ,'

(ill.terru.~~ing)

• ".. Bot by the Disco Volante. RarbOU%' :; /' Comrol says eho was out tha't71 ◄gl:rt:

- but o::.lySU hOUl.'"£.

"' - " :eon

(:fed-up)

tlmt t:1ne. ,,, laEI!D ~out ninety m11ea 1a her J.im.t- ~or au hours - there and back.

:BOM>1ook8 dawn rt -theaea again.

346. E.:..Tz:!·SZ!:5-

:Blue1'2.ter,ialan~••

347. 'L'tT..COCil!T. :BC:tm,.μIT!:!. {PROCESS)

~OED. Le.t'a get back to ~&esau. 'l'e,,.. spent enough time u~ heJ"e.

LI:Iflm il:l~1s so~ethin& we 4o~•t ha~ to waete.

DISSOLVE:

aev.ised 10 ltarch1965

-'... i.•

l

Along the coes-tof Bew Providence.

EO...,D (lool:1.ngt~ougb. &laasez) ~ere's Largo 1spla.oe.

LONG SHOT •____P...,.i:D____m:___..:~FRO~,,,.12.A.n..~om,,SPOV. ----....---

Disco Volante anc±ored off-shore a.s.~m.

:BOlm ~ :ext port of call.

IJJtGO1i!ts e r1ne B!l.dc~l1afor a c:1a7p1pa.n ~o be release~. He steadies and fires. ~ clay p!eeen sllatters.

U!lGO Of course they are wa"t·...,,_.,.~,g11S., my dear.

lieca11.sfor &!l.otherclay pigeon. !iea:1J::aad.l:c:tsit.

What· el.sehave -:.hey'tc4:>?

I.t.JtGO1ocksr.:nmdat FIO!U.. Ct,?a"ivF-A;:G~12L-.,·;ffi'"'SFION,·.. s~s m, io saoo~.

~e7 can onl.7hope ~ r!:211.ral:e• m:1.atake- bei'o::rethe~ ~~e f,.•-JS1>ut.

PION.Acalls an4 ahocts. Sh~ cal.l.aaei,1.nanc.11!:m"Otsa.gain. EO"t'h"timesae shatters the ta:z-a;et.

]:.;..RDO ~t wea u:d'ort~~ - acree~ A m.•underst8.l!!ing.

L.\llGOcalls,~,. shoote. Re ahatte:rs -th~'t~t.

·-- ·----

Rbvised 10 Mnrch 1965

X25. CTD.

110Ll Wea it?

FI0lU.. Are you sure••••

IJJiGO calls and shoots. Se shatters the "target.

:PIOla You wou1d 11!:el;CL;ideB4.

Yeo.

J'l0!Ua. lleeausehe tries to make 1-:we to your woman'?

~cause he is 3ond - aztf sh.Du1d be r~lled.

J'l0RA When the tirleis right - he nll be ld.1led.

~IOXA oal1e and ahntters the target • ..

1 shall kill him.

l'I0JU.calls and ahat-ters the "target.

'LAltGOcradlea PlOT~'s ~aoe 1n one or !:.i.sbana~. She does l not move an~ !rom h1JD.. She does nc~ react at ell. I

URGO

f.

I think ;you£oract - 7 ~ound.7ou. l made 70u.

i

Revised 10 March 1965

X25. CTD.

There is a splash from the pocl behind Ll.lP..GOandFIO:r:~.~GO glanees round.

X26. Wlu1TE!:SEES

DOUINO sWiI:sbriskly across the pool .

•FIOli;..I s VOICE That woms~-s~ould not be here, Largo. It is de.ngerous.

%27. PJ..LMYP_,.__LARGQ.

Be calls a.~dfires. Calls again and fires again. Both ti~es he shatters the targets.

X28. LlulGO. FIONA -L

no:u There is no room ~or mistakes. Bo place ~or - personal indulgence.

LilGO When there are :zcistakes,my dear - then I will listen to you.

Be gestures her to shoot. FIO!U. calla and ~ires. Calls again and fires. Both times she .hits t~e target.

FIOB.l•• l.f'l5ondhad died last night - aa a result o.f'your11misundentend1ng 11 - his Government would la'tow~or a certainty the bombs are here.

X29. P/JJ:.~. Li;l%GO

IJ.ltGOcalls viciously and ~ires. Be hit• the target. ne- cal:J.sagai:, !ires and hits the target.

DISSOLT.:::

Revised .10?!arch1965 92.

Ii.Q.~EXT. ..,,1,..1,,J;\.i;-·'"l"<t,"l'!IOR""'....WIDGEOI~

...-

he Widgeon taxis to a halt at the end of ~he .runway.

I'.Sl..INT. COCD>IT. LI:IT!:n. :SOND

LEI!l!ER You're tak:,ng an awful chence, Jamee - going to Pal:c!iy:a.

:BORD Re's e::pecting me, isn't he?

X'.32•EX;. A'.rn.PJm!_.VI!)GEON.

:BONDd.rope to the ground and starts to walk away 1'.rot1the pla::rie. ~..

DISSOI.VZ:

~ .X3;. '.!:Y.T•'?.~n.rr:at...URGO.FIor.J... ·- ,__.,..;.:;.ii..:::.....-........:.:..;;._.::...:::;::..;.::-:...::..._.::=::.......;..-F.IO_li'A___,

i 'Whatdo you illtenddoing with the i =an Quist?

LA.RGOputs the rine away 1n a rack.

I UB.GO

Be has already been puniahect.

:PIOJU.. Be was acting on you:rorders!

I t

'LAllGO

I

:Ratura·ll1.

LAltGOtakes FIOF~•s gun.

J'IOR.:.i. Perhaps the wrong :manwae y.n::d.shed?

A telephone ringe iu the house an4 u:RGO waJ:!::8awti.y!rom FIOr..A,still ca:r.rying~he rifle.

..,.,.,.,•..,."~.I.r I A.;Jt•__.....,...,-••FIOlJ/.,

FIOr~ tur=.s and looks at the pool .

Revised 10 Earch 1965

WF'J.TSEESE!:S

-

DOJzIDJOli!ts herself out of the pool. She sees FIO!LJLe.nd looks at her, coldly.

J36. Pill!YP..::...:'!ON.It.

F!Oli stares back at DOl!INO.

L.A.BG01SVO!CZ Fiona, my dea.r.

l FIO!L:.turns.

X37. P.:..I.I!Y!tA.LARGO.FIONl.. I ~GO is et2.nding jus~ outside the house. FIO!li.wallcsacross to him. I

t

right?

,,. ' 'l ;,

PIO!U..

f What are you talking about?

I URGO I Dond. Re is here • •,• t l&:JlGOauddeLl;;tllrOTtstheri.tleat FIOB'.~,ec catches 1t neatly,

I

UitGO

l Be has accepted my invitatio~.

ne. PALL.~ i ' 301D gets o~t o: his car in f~o.nt of the houee. !letUl'?ls&?l.d we.lltstowar~sthe :ma1~house, gle.nc1:igat !'!O!U..1 21,which1& i perlcedamong eeveral others. •

1-

hack rou.n:lthe car. l

t CLOSE SBO!I'o!~!m, 1oolcingat ~he car. NLL E.:..CKa:idwatch ~ him walk awe:,towards the :me.inhouse. ... -

,

i

Bevised 10 March 1965 94.

'50a. (272) • D:T. ~I.MYPJi.. !O~m. HOUSE!OY

The BOUSDOY escorts BOND towards FF.3SH-'JA~ POOL, where DO?JINOis sri:r::minglazily. J~?m'I,in tr.mks, is ini"lating a rubber raft. V..:lRG.il.SisSunt!.inghim.eel!onamattress1n the B.G. DO!:INO sees BOND approeching and swims towards him.

O?rn (eto,~ing beside ~col) Bello there. •

35·ob. (273) • EXT. Pkllmt.'..·v.ARG.AS

VJJtGilsits up abruptly.

ON!)'S VOICE That pool looks particu1arly in- viting. •

VilGL.Slool:sat J..A.!rn'l.

I

350c. (274). EXT. PJ\.Ll.'Y!UhVjJtGASPOV.

Looki?:.g~aet~Om> a..~dDO!=iINO,whois clinbing out o~ the pool, at J.la!OO,who ha.astopped :pumping and is ste.ring at BOl"ll.

EO:tm I hope ,-ou'llask ae to :Join,-ou'1

DO?miO Later. I've had enough just now.

:SO:E:Dpicksup e large towel.

'

350d. (274a). EXT. ~.AU..'TIU...!O?TD.~O".!I!JO

:eom>

Be •tarts to dry her.

u.RGO'S VC!~ Welcome to Pal.mJ"ra,Ur. ~one.

L/.llGO

IJ..B.GCreachesto shake hands With EOlTD. :e ia holding FIOr...A.1arifieloosely in h:1e left hand•

•

·•

Revised 10 U&rch 1965 95.

;5oe. (27,.b). CTD.

:BO!iD {turung) My pleasure.

rbeyehake hands. I.Al?GOsqueezes hard. ~O!.:Dcove~swince and gives ~ressure for pressure.

LillGO {smiling)

I

I like.a man with a strong grip.

~om> Yours is undeniably -·:torce~

IallGO (laugh111g) Xot like a spectre?

IJ~GC indicates the other m:N.

UllGO :!r.Jamli - and mr. Va-gas.

~OliD glances brienr at the !WO l!Eli.

I

30!ID Gentlemon.

35Cf. (27li-c).EXT. I'.AIZ.ff'Rl...J.Afflil

Re has still not recovered from the ahcclc of ~ 1s e::rtrece.

IJJtGO'SVOlCE I thil2kyou met l:lr.Varps ~ night.

350~. c21~a). rn. Pl~-i?R.:. v4;1w

Be ata?l.41u~ slowly to hi.a :tu1lheight.

,,oh. C27.!e)• P=. P/.Llfflb. pOJP

~ODD Yea - I believe I 414.

~GO'S VCICE :am:Collins, J.f.r.3on4?

Jo:RD glances humo,..,,ualyathi.ageiger-co--:i't·e:-wa'tch.

~OED ••- ,.•t...a\i.,..-.,t,+""•,t,•◄-•,,.,-,Ae,r

Revised 10 March 1965

,so.i. (275). Il!S::RT:-DIJ..tOFW.ATCE

Registering no radioactivity.

350j. (276). EXT. POOt. GRO'!Jl>

Lt.!tGO Vargas does not dri.:u:. He does not smoke. Ee does not make love.

EOHD glances at Vl.ItGli.Sandfindshil:isel!beingwatched.

Vl.RG.A.!!merelygruntsenigmatically.

Every man has his passion. ltlne is fishing. V.c.atis yours, Kr. :Sond?

EOI!) I'm not a passionate man.

luuriously on a recJ1n1ng chair.

om> I'd like that.

~GO 1 thought you might.

..-·.........,.!Om>turnsto speak to l>CL!IlfO,

DOl.!!?10

OJI> You'll excuse us?

:OO?miO Of course.

BeVised 10 March 19e5 9;.

3501'. (278). =xT. P/1.!Jmtl..

A ahot end a clay pigeon shatters .

Gril:l-faced,be fires again. c,;,:rm1~LE wi.cle~sto '1.:lclude BOND as LARGO tur:s to faee ~- BON!>ia h.D1d:i::Lgarifle w1th seeEins U:1ee.se.

U!iGO 'ffllatcou1d.beeasier?

:SONI)

~OND turns~~ looks down the range.

~Om> {casual.ly)

:-. Perhaps you'll ca1l tor me? r ~Om> lilts the ri...ioie.LaGOwaits a mo:ient L-~r =ON!> is ready e.ndthen c~ll.sver:1quicklj, "!:nee1n su:ce.e_~cn. ~OXD hits both ta.rgeta.

~on I aee what 7ou mean.

350n. (2BO). 1::~. ?AL:-!IP.!..JO~~ IJ..RGO

LaGO ste,e UJ) and calls. He 1'1reeand hits tile-te.:-get.B9 cal.1aa aec~d. ta9 and h:1.tathe target.

~OID I hope I haven't interrupted &nythiJle.

UllGO 'lh£tdo you mesn?

:Som> I ~~ought perllapa you ll.adanc~ vi.sitor?

LAlt(;O Jlc.

~OND calls u.d.!ires. B9 hitrJ the t&:"get. !h ee.lls ~d 1'iresan,:hi -:.11th3target. Be calla o;uee :mre tiJ:les,i"i?"es and eE.ch ti:e hit= the target.

-- ------··-··---.............-·-·-·-..-·

Revised 10 March 1965

350n. (280). CT!).

liO!ID I must have been mistaken.

-/ :20.0. (281). PA.LMYPJ.i..ImND

30?!Dturns !!lldholdsout the nne. (

LAllGO'SVOICE We also ~ve a salt-water pool.

350n. (289). ~XT, SALT-~AT::R ?OOL

Looki~g down i.Dtothe pool as the aharke·wurge back and orth acro~s it. I.IFTand look across the pool at LAB.GO Alm 301D.

BOliD

UllGO he notorious Golden Grotto eharks. he most savage - the most dangerous!

LARGO ail.ea at BOim.

LAltGO l!heyknow it is time tor them to be fed.

»Olm Who's on ~he menu today?

::BOlmtu::isa:m wallcsaway.

,s0c• {2,0)• ZIT. P!U!!ly\. !ORD

SWIJrGwitl! 3CED as he wnlka caretu1ly round the edge rd 1ihe~-~ 1ATM POOL to 'the seawall.

BOE>

\ Ia tbs.t7ourt1?

30m> poin"ts ar::rosstheseawall to the Disco Volante, visible c!:t'-a-hare.•

Revised 10 Barch 1965

..... ,soo. (290). CTD•

BOND turns &lld looks across the Sil!-W.~ ?OOL et IJ~GO.

LARGO is standing on the opposite side 0~ the Sil~-7A~ POOL. ~e sharks surge round the pool· between the ~JO MEN:

BOG'S VOIC!! She's a beauty. How ~ast can she go?

IJ.1lGO Fi~teen bota. Perhaps you wou11! like to see over her?

350s. -·(290b). EXT. l>!LHYP...:'..L.:JtGOIsPOV.

Well, yes I would. Very much.

L.\RGO I shall arrange it.

DO?>.:lnO'SVOICE

350t" (290e)• EXT. p:.u!m:... u.RGO. DOL~O

J>O?lIROwalksup to l..mGO, at the edge 0~ 'the poo1.

J>OKiliO Lunch is ready.

L!JIGO 'l'hen'!cyou,mydear.

I>OHINOglances :mome:ctarily,with cli.sgust,1:4tothe pool and then wall:aon towards l30ND. SVlliGwith her.

Come a1ong 1:Mr. Bond. ~e ~1sJ.: ·chowder smells delicious.

Revised 10 M~ch 1965 100.

3zO.u. (290d). ~x;r. PAL!'m',:AILmGO

350\". (290e). uT. :?1'.LMYP..'...DOMINO.:BOND

Ll.!tGO•SVOICE Mr. :Bondwould like to :1.rJlpect the ~isco Volante - ~ the 1.mide.

-

:LAE.GO'SVOI<m Perhaps you would 'takeh:i..m?

DO?mro

'.--·II- Of'course .

We can a1l meet at th& J•rnkenl)O l.e.1ier.You u"illbe my guest to- ug::i.t,M:r.:Bond?

li9X• (2,0~). P!J;rr:,J..:B011D

~Olm Toufre very lcind.

PnLl, UCX as DO?alrO 1ec.ds:BONDf'orward.

.. lt will be my pleasure.

DCI!ISO rtops beside LA~GO.

LAltGO Go alon~, 1lIYdea.r- I'11 loi.D.,-ou in & fow :minUte:ta.Hy :fr1cna are b:nnp-y too.

I I3cmD and DO~O m0"7e out of scene a1cmg aoa-::e11: Cii!~

opens, revealil::ggreat chunka of'bl00d: mea~. ge hurls chunks T!eiT-Zsly1:1 amons sh!..rks,who fight !"or the:-•• Gradually ~;·1,;.c;J;rO"IIDcallDer.

I.. '

Revised 10 llarch1965 101.

-

!?heaharks tear the mea.t to•pieces.

DISSOLV'!::

~o launch stops be-side the DISCO VCLiLN~. 'oana :SOil>go aboard. i I

~e Cl.?~a.INmeetsthem as t:he7come 0~ "tothe dec't and ea.lutes.

~ Mr. Largo war!ledzieto e%pect_y01..

The ~AII! in~ QE°tes th&t th9y shou'l.dwalk ab£ac! of him.

SOliD Pl.e5&E·go !irs~. You CB:ltell me

t ~ whe to d-uckmy hee.{l.

~'N As you W'is!l. Poll.owme .

l • nie Cil'~a.IBturr..a&~J"• DOHI!l'O:fol.lowshim8Zl4!k,~ _gl!illcee bri~ny at the :f~e o! hie watch.

!?hewa'tchindice.~esno ·:-s.4ioac1:1rtty.

LONG SHO? aero::sth• engine roo:i 100!:i.Dgatthe Cll'!All'as he gestures at the uative tnn Me2els. ~ ~e plainly bored. BO:NDee£r.ato be lia~e?li.ngi.r.tently.

X45. IN§WT! !fl.TCP.FA'=E

he watch 1n.d.icataano radio aetiv1t7.

Revised 10 March 1965

X47. INT. DISCO VOLd..&~TE.C/a.Pfi..I~.!Otm. DOJ-!IliO

he CAPTAI!iand EOD are standing in the :ra.41oroom. DOMI!?O is standing in the doorway.

Mm> Whet do you cerr,y? ~he usual Jlarconi short and long waves, I suppose? Can I have a 1oclt? Radio has always faaci.zm:tedme.

CAP!A.Ili I'm sorry, -sir. Perhaps another time. At the ~oment I have to keep the operator listening 1.n~o llet. reports.

EOBI> Ah. 'Jell, then - another t"il!le.

I EOIμ) glances briefiy at hia watch.

X4B. INSERT: WATC"f!?ACE i i· he watch 1ndioates no r!:dioactin~ . •

I '!he~iilli. :S·:>!DandDOl!IiOare &tan~ cm 'the afte:--deck of the DISCO VClaA.iT.::,besidealit-tie "two-sea~er am:phibiar. cra:tt.

~...:..·~· 0.1.7.rAll

~e be.11.e ■ tproblemismpo...-t;an't with these ships. "lhen the l>owa came up the fuel ah.1.f"ta~orward.

I --- --~-•·---·I DOlm glances down at hia watch.

-r DOKilfO

(sharply) I'm afraid we're keeping Jfr.:Bond from something important •

··~---·•

ll0ID (calDJ.y) 11'0. Please - so on.

~Olm-smiles a:iiably ft l>O)!DO.

C.ll".rilli (emba.rre.sae4) Well - er - we have bie J.nte~ taus to correct - theae 'thiDga.

-·-- - ....._....,..._~.--

ReVised 10 March 1965

X49. CTD.

DO!:IINOturns away from the men.

BOE> Well, thank 7ou, captain.

X5O. EXT. D!Sco voy;·rl'3. Dmmro

DOM!NO leL"lSon the rai.1 t.ndloolcaacross "th!!water.

CAn.l.Ili'SVDiCE Bot at all, sir. It's bee~ a pleasure. ...

DOJ!INO glances round as BOND walks across ~h!!deck to her.

DOlmiO I don't believe yo~ ~ara a word he said.

BOE]) On the contrary.

DOJaBO You never sto,ped 1ooJdng a~ 7ov:r watch.

BO!D> I'm a clock watcher.

DOMilfO I thinlcyou 1ve got a date!

DISSOLVE:

xs1. DT. :?A"?:::i,\•sRoo1;.PAmJ,

PAt1LA is sitting :illa chair by the windo,: 0:f'the room, 1mokil:g a ciS2rette. nie door adjoi~ "thenext room i~ open. P.crLAlooks up when ab!!heua a ke.7pua:t:.e4intothe 1ock of the nert roo~•o uoor. ~• ahe standa up, she glances at be:-watch a:c :f'rownsslightly. She 'S'&.1l::sacromctot:Ce 4oor and pulls it wide.

I

Revised 10 :March 1965

_X..,5_,2....__1_!4_'.I_·._H_O...,TJ:.....=~..:-..:BONJPSROOM.!'IOU

FIONA is standing in the docrwa.7 of IiO!!D'sroc,c..sT1:ig1ns the ke7 easily in her hand.

FIO?IA. Hullo.

rAULt.. _Oh. Er - hullo.

Pl01l.A Obviousl7; !tr.~ond has & hjr, opiIU.ono!.l.imselr.

PAULA.hears a lmock oilthe door of her room. ..

l'A.UI.l Excuse me.

P~'O'I.A~u1lsthe comiecting door shut um wallca quickly across to the :lo:.:-ofherroo1:1. She ope9 !:t 8.?l:V.SG..;.s ste:pair.ltothe coorway. PAUL,\ opens her mou'th 'tospeak e.::.d he clamps a larbe hand across her llpa ad c1ue;s the ne~h round her mouth cruell7. liehalf-carri.ea lier :1.ntothe:-oo:: an4 kiclcS'the door ahut behind him.

FIOBA 1S Tm:B Quietl7.

X53. In. HOTEL. ~AtTLA'SROO!~~. !'IO!U.

FIO!U.ia s'tandillgin the aoon,a:, o:r30E>'a r:,c=.• Sheges- tures to JAll1II,whc is standing behind he. Ee 17B.lkS quickl7 put and assists VARGAS aa PA.lr...:.beg'~stoE'tr..i;slt: nolen'tl7.

%54. nrT . BO~ . P}.tJIJ~'SR00!~.rt,.'t:9'.a;.J..V.lnGl.S.JJt:~::!l,

Plt.tJLAbiteahard i:ltoVilGAS' s hand L.'lc!.name.t:irily,ht?~..~!= g~ of he:-face. PA.tJI.Aope:ish&rmouth to •=-.._u-,,bu'tJ,\~.••.:. hits her ha.rd before ehe can.

PIOl!A.ni1es.

\. ..

D'7 P ..•..GB lCU

:Pl"~~ scilee. She "Pnlksr.croeeto the wri:t~~ 'tableP.Dd picks up en envElope. She l.oolceround"• abc beflrethe S""tJ'X':,of~llotherelcp.

I.

I I-.',.UL/..alucpei:cV!JiG.~S'Sgrip.~JU.CT..~ ...D"".cLU~ Pl;•J'.:·..eeshe'll!'P-lkescroee'toI.!uL,~.Shepuma~the photogrrphs -towarde:?..:.m:..:.•a~ace.

JII~.! ~ell me -ebou~theee.

r..UL.\lif'taher l:le11a111nc!l.ookaailezl'tl.JPtr.;:,r:i

l'!r'JJ.\ You 1l'illtell1:e. !low- m~ybo l~~er - bu~ 1ou 111.lltellme.

.....~-

......

Revised 10 Karch 1965

~6. EXT. WJ..SSAU.J'UNXANOO. Ev@DG

be JtmX.ilTOOprocession .in full f'looddown the ms1n atreet.

%57. En'. :NASS.AU.J'CT!TLUlOO.SEW il'GLE

In amongst the OROwm llning the streets watc,..,T'!I"thepro- cees1o.i.

X5B. EIT. RASSAU. J'UliLL"i00.Eyp'ING. ~ D·Gll:

Swirlin& with the proceuion down 'the centn cf 'thestreet.

%59. m. NASSJ..L,_Jm1D_'f100.QW ANGLE

In amo:z:i.gsttheCROWDS 11ning the atreets·'ft.~:lnngthe procession. Through the ·procecs1on, across ~Le s~reet, D0ML.,0 and !OD are sitting on a balcony, 1Q.ckiq down at the procession. ZOOU in towards them ..

rGo. EXT. BALCONY. };()lil).DO!mT0

D0!m0 1s sitting forward, lookin& down at ~e p~ocession. O!m is sitting back, looklll.g•~rried.

O!Q I think :mRybe we've been atood up.

DO?mfO If you look at 70-urwatch ~ust oace aiain, Hr. Bond ....

DOKillO turns her head and looks ~ve:rhe:r auul.:tlerat !Om>.

DOMmO •••• I shall scream so loudly,~ enti:reproceaaion will come to a standstill!.

30m> Largo did aa;r he'd meet ua here, 41dn't he1

DmmJO le will be here. I>onot wa:rry.

DOJ!INOtun.s away again and looks down into the street. O!D looks at his watch.

Revised 10 March 1965

X61. EXT. :ElA!iCONY.DOMINO

:ElONil.'SVOICE Surely not!

:ElONDleans forward, lookin& over her shoulder.

X62. :CXT. :ElALCCNY.BOND'S POV.

Looking down into the street. I..EI!r'EB.isstandingonthe corner o! the pavement, loolc:lngup atthe balcony. ZOOM down quickly towards his amious face.

DOUINO laughs.

X63. EXT. J3.ALCONY.DOI!INO

DOJ.iiliOturnsto look over her shoulder.

DOKIBd (laughing) Your nprevious engagementn?

X64. EXT. B.Al.,COUY.DOJ..'INO'S 10V.

he balcony is empty end :SOID ha.agone.

:X65. INT. STAil?CASE. ~Olrn-

Looking up a !light 01'stairs as :son awings bimseU round the turn 01'the bamlisters am hurtles down.

__I6....,6....,._I=?l1';,;;;;,;;,,.__D__.=....cauol!..Jili,;;;.;LI......_:s__o....im.....__;;;;;;LE__I;;.;;;:t..·ER_..

~OND walks quickly across the crowded hall to meet UIDR. ZOOM in towards them.

X67. INT. lJECEPTIQBHAI..L. ~om,. LEim

LEI!Ei (urgently) 1aula'a eone.

.. '

Gc:ce?

LJ<.:Ir;R She's checkee out ~1 the hotel.

I:l~ ":'youkno.,.V;theresbe1P'? .?eule.?

:BOJr:" No, I do:c't. l think I know 11:'heretclook.

13!.JE_;welkEpestI.::IT".ra,headingforthedoor. zoon er:,ay from the ~"::"l~-

:ao:r.:-:isgettingdreesed'!ortis ~ortie P.€E~rt T 'I.:~.:. II!~..El?isbel;ingllm. :--n~~ li·1r··•s:SOF..:-t!l~:i.nieti;re breatbi:cgep;,etretue,wt~ch ~O!!:"quicklyo!:eclreP::delips be.ckinto i~~ ossa.

:El.N.Ali MleGOTernor's :2otTery bsppy,

but we ll heve our po~er-failure ee you re~uested•••••

Pl!'IR :•• all ever the 1El~nd.

i:l:t:r.:• I do:2•t £1Vt e dnm obout 'the islena, .•inder,get tbe lights out in tb?.thouse. Tbet's al.l!

1C7/..

":'"·'":!"-, --..........

G~=e ir.~~~;reet. C~~r! picc~s ca?"Teden~ peir.~£~ see fi~1~es. 1:-;.....c....e'T"l-'."'t:~•·-~r.:c-!l!~c.......-~-.~n.t~_...ilet"'-sr.~c.,.._o~c~:-cr=:r!-:.e,1·ieb.o~e -••!;,..•.i:•-"-'._.'•:-•\.:l-, • ':'tcol~'t:.:ns,1::~i:b.~!r.seeF.-bc:-eee,rool:EtE!er:.e~-:a.e,Pl?.~~e.s l'.)f.!'.!t7Ji:it.

' i I

PIN.~3 (rhisperil:l£')

I You'll hev~ ju~t ebout three

ci::utee.

I f I

OU7.

r

L:.liGC

t

(to Jamn) ~ee l'!lPtiawr01:g.

I J:1~7!g~cs cut crickly. :o~e~t~rily, re~~~ee.

L."ltGO F-7.~pthEt.

•t i I I I "\"~i::r,.,....~- ·~"-..-- ---··

ReVised 10 »arch 1965 lOB.

•

JADI

fbe trcm:t doer o:pe!lsand JADI runD out. 1.nto the doornay.

LARGO tur?tSan.a:wellcsback into the house.

rn.. EXT. P.ft.D.:."nμ..BON!>

BOE) crouohe-sillthe bushes at the edge~ -the4T1ve. lie stands UJ:itomove f'orwnrd and oom.esf'aoe to .:racewith a SPEC~.

T"'l'~ ~ ~•T;I'·~•, A f&.• ~ ..:.••~ri::9::":! sncm

OXD drops and ~e.tches the SPECTRE ·i.na 'legc.!:re. 1!:-e Sl'ECf:eE.ore.shesdmm on to.h:1.sback. :BOJlD1ea~ ac-oss h1.1:L,liftshi:head and hits hiJ:lhard :1.ntl:le.face. i .. rz,• 1:%'1'.~il~-A.. -::lQm)srncTRE

-- :3C:i.LJ'S:f"illgen":.:lCl&sp-~e•SPECmE'Swe:istbelt&n,d't::ro-:1s ~ him .overon t.ohis :face. •

t. X7-'. ;zp. P4!f!Y?.J.1!Olm. SPECTBE

BOID loops 'thebelt an.d alipa it round ~he s:?~Lwww:::.~,.thr~a~. Be ties the end rO'U%Ldhis wrists, whieh he i,ul.ls~a up behind h:1.sbaek,.1.i!'tsh:1mb7the allould.ersa.nilr,0ll:shim i.nto~he bmrbea.

~arm maves ~c.ie:ida.cross to the main house.

X,6. :p;n.

~OllDstands b.1the ope front door 2%14 11.stem. Ee ate~s into the door.tq"1 ~ust in time to see a door ai:art to open. Quiclcl.7,hes~e-:;:s·baclcoutof'sight. VllGAS crosses the. main hall, lo.o,i:1:ng:forLARGO.

X77. nT. ~- :!ORD

~OllDhears the door shut ana atepa roml4 1?1.to~ hou.ae.

BOND moves er-~•~·:;"-C~sa the hall and opens t!:.e13:oor VARG:/,Sca.met:-.;..=.:ta.Sh,.

t

Revised 10 March 1965 109.

I

E0D :movessilently down a staircase int~ the underground roo.u. Be croasee to the·.ol)endoor of the cml.7 room shor,- 1.%18light.

_I

xeo. In.

XUTZE is a tti!:g =::.thefloor in f:-ont0£ P.i.lJI.A:,whois slum,ed in the c2::.r:.i:.XtnZEis erring. He hes.rs ~om, ::o·."c towarl!shi!lan.c.-t-i:rns,looki:lgupaa MBD •b:i:tshim. ;:u:z::: tu.rm and sl'lm:"~- 30ED ~oves quickly to Pil!Ll.7:pauses·and then S"traighte=s ~~. He atand& for a momen't,1oold.ng do-.·:n at her body. 2l:!en,quickly, he turns and naves t~a.rds ~he door.

XSl. !NT. s~c;.s::. IJ.RG0. VA.';{GA.S

La~0 and Vil~ tu.r:1'thecorner 0£ :the■ tab-9, burr.ti~ d.own. __,.

XB2.

'LAltGOandV:t'=';;sorosathe 2"oom, head:1.ng~or "theroom.

VAltGJ.S Ehe h&.c!aomel)oison. A cal)sul.e- :Inher :mouth.

'heno C?l 2:::•.,1:rtothe room.

XSL. INT. u::;,r.;=.ommROOM. ffiZE

~ZE lying ~ ~-...-6noor&lumped. !he AUD SJR:\:J!:~?",:~-•;;!.

,s1 - ,10 m===

:,-•"!"·~·

371. EY.T. I••ir:•,t;;,e•

t !LOCDLIGR?S, ..~-:egically placed, go cw.

'

f Revised 10 March 1965 110.

371a. =n. ~OATHOUS:. DOli!D

Beach in ~.G. brightly 11t by ~loodlight. ~Om> ■ tarts dash:1ngtowards foliage in D.G.

372. OUITTEJ)

373. E:':T. :SiftCH.TRACKING SHOT. BO?lD

Rwming towards foliags. BUitST of o.s. gunfir~. BOED throws himself' forward Ei..ndrollsinto.the foliage. BOED pulls out his Walther and fires into the approaching GROUl'•

~3.74.....,.____E_XT_._~---J-Am.....,....,._GR_....O_Ul.~'-•___LARGO.VlaRGAS

LARGO and VilGAS have joined the GRotir. !WO S?ECTRZS fe.11 as ~OE!)fires again.

,ll.5_-376. OMITTE!l

:,11. m. noP.T o'J:soArnous::::.!om;>

Cross~ in front. C.Al!ElU.!'ANSED!ArfA.Y!OWilD SE.A~.u.L.

_'3...,78...............ll....T......,_..,B....0.A...,.TH_.;cOTJS.!_.'LAltGO.V.Al?GAS.

Comin& round boathouse to front, they see ~OND in B.G. on seawall; they fire at hil:i. Ee fires back, runs along the seawall away from them. fhey follow.

:579• EXT· SE4~AL;. Wm>

BOND stops as he seea Gecond GROtrPOF SPEC~ coming tcmard him. Ee exchanges shots with them, emptiea Valther, jU1:1ps off wall, runs towards p21rl trees and bushes around openi!lg in T.Lndbroaltaround FllS3-~A1'"~ ?OOL. Beside opening are steps leediq down to HOUSING ~or pool heating apparatus, etc. LABGO, VARGAS and SP~C~S climb d01m from wall and follow him, !'iri.?l&.

380. En'. POOL. ~OED

BOND runs alongside t~e r.all. Ee stops abruptly as he sees Xtr.I'ZEstandingwith mo S?E~S outside the ma~n house. ~Y SPECm suddenly a:;o,pearsbehindh:1m from arom:.c.the suesthouse and jumps hi:. 301u>struggles to break awe.:;-, tumbles into pool With S:?:!C1'EE..theywrestle ,bot:.tin the pool.

j '

Revised 10 Karch 1965 l.ll .

opening towards the pocl. LAliGO stops, goes dor.2.ilrto HOUSIMG.

,s2. EXT. l'OOL.. BO?rn. SE!:CTRE

Fighting in the po-ol. ~Olm ~rees arm, draws kni:f"•stabs SPECTRE, who bleeds from wounc.a as he con~inuea ~~lu'.g W1":;h101m. VilGAS and SPEC~ :-eachpool •

'384. EXT. :?Oat. ACED. SRCT!t!.:..,_VARGAS. o~s

Four tri8.!liU,larsheetsof metal come out ~m. a~tu cf pool near the ~o,.

Metal sheets closing above them. ~01:I)stabs SrB'v"'&S~zaiL, desperately creaks away from him. Shee~a close, a ~Dot s.::.d a !:Lal!above n;ter•

Pulling ano-the:-awitch.

Panel 1n side o~ poo1 opening behil,.dt!lea. ~J' ~ ill.roughopening iniG tunnel.

388. Ul!DZP."7~· Sm:l!. :tOR!:·:!1,

Sharks s11'1mn1ngtllrouSh1~.

·.389. EXT. ?..,:?S'H-~A~Pao;. g,r.D

leachingu;,towards poill~0£ !'our-tria.~ar pco1 covers, trying iG -gry the:nopen w1th Jcm.!a. 3CIJ'lo~ dead Spectre floais nenr h1a.

390. iN!t'.HcrJ'Sl:!G.L.\EGO

•

-·--- .-·.._. ·-····---- ·•9•·-----

,.

~ .. ~ Rertsed 10 Me.rch 1965 112.

I .,91.,UEIEirnA~.2 S!iOT. ~SE-WAmt POO!i. :BOIC> ... 3ehind hill pB.llelslidesopen and sharks swim ~c ,Pool..

,392. ;an. PoOI.. io~.- srncTRE. sH.nq;s

/

1'he~hark_s are attacltingthe bleeding corpse. J;OJlD_pu11.s ( out -=heminie.'t'.Jrebreathingapparatu-sand opeu "'i~- .ae grips 'i.tbetwem: his teeth. ~he sharks surge rmmd 'tb.e corpse, threehi:lsthe bloodstained we.ter. Boe p'Q.Sbeson the noae clip and dives :!orthe tunnel.

393; ONpERWA'P-E S::IO_!_.:BOlrD

Sharks around the DEAD S:ECTRE in B.G. BOND aees the cpen panel, glances briefiy over his shoulder ana tben pwsh~s :u:rtothe tunnel.

Sl"imm:Sngtowarclsthe se.lt-wate:rpool.

,'395.'EXT. H~WG. LA!!GO

UliGO comes up 'thesteps and starts r.aJ)dngtc,r,-2"ds"t:b.e opening in the windbreak. 1n !i.G.V.1ut~Sa:id SP~:Zm:S B'tanding a:-oundthe at111 covered peo1.

.. --- _396. w~..!:!£!11).~,SHOT.S.A.!,T-W.L~O_O!..!)L~

BOm:>81i11AS1.n:rem.twmel through panel ope,1?15;,l.o:,ksbe.ck :t.nto'the't'UmltrlandaWimshastily 'tcthe a:1.cie•

'BCiD sm-ta.ccs,acr&llb1e~ desperately out o~ th9 po-~ just u the sharks surface behind and below hi:11. Re ~al.J.s, gasping, cm to h1.a-Jcneea.

:BOBD <to sharks) ScrrJ',lOTes - you'll have to ord:eraomethins else -.I'm ott!

... BOID gets u:p. C4m::BAPANS i1Il!J.WAYDOK !l!!EPOCl,~0-,~S trees and bushes behind the er.do:!the min bmae 1n B.G•

",....•....

Rev1sed 10 Mnrch 1965 U'3.

I j I85• ?XT. HlGEWlhY. !TIGP.f.PprnER

Plllll:3iswait-1..ng1.--ithecar,'ff'hich~par]r:e4~~ the road out o:rsight o:rcnyone pass1n& cm the roa1i. "Be hears a noise 1:l.theundergrowth close to ll:1aand ~oclcs -the autO!mtic r_'f"J..eheiscarrying. He l:l!'tsitand aims 'to- wards t~e sound o:r the nois(). !he noise s1:::»pe~ -there 1S a quiet whistle. PINDI:alowers the ri-~e ew;,::irn pushes throu~, the undergrowth to the cm-.

:!86. EXT. P.!GE11'Al'.l'IrtD!!!R.'SO?rn.(PB.OCES§)

Soaking wet and exhausted !>Om>climbs into 1:t:ecm- ~ I alum:ps..

]30E) he hotel.

I PnmER drops the ril'leon to "the..backseat am s1:a...--tsthe e~gine..

I • J>ISSOLVE: • i %97. !::IT.CC!..!.!.E..\:'~OUP.HO~..•!q~

PI'E'.'P'EB'scardr1veaupto the hotel and S'tc,pa.

•

I XBS. (llll). m!'. l >OEDbaU-ope::a the car 4oor.

l>OlltD feU !'eliz-tostay "f.'1th"t!leg2..2"l.. I'll :!1.ndthem.

Pl.&D.:::a

i' light. t

]3()E)

( fell him - Paula 1a lea.4.

Y.89. EXT. Cc-P..6.!iF.;pQtmHOTEL.~

I l30lJDgets ~'t o~ "thecar, ahute the d.oar •-6 W9ll:B across to the hc"R:l.

I !Om>

BOE) walk= :;,s.~the:e.mera to the door:'!'~ rom:, glances at .i-taehe -.llcspe.atam.d o:ito 'the4o::r c-r-thenert :-oom. i j

'i !01: k'~:iathe second key out o:rhis pt,el:et1mG •Ol)ensthe

Revised 10 Karch 1965

%91. O'XD.

door of the nerl room.

,98 - 411 OMIT~

~OliD walks into the room and shuts the door. He stops by t the door, ste.rtled, and looks round the room.

P.A.Nround the roo:nwhich is obviously occupied and occul)ied by a woman.

412b. I~T- PAUT-4i1SROOM. BOND

-

CLOSE SliOTof ~Om> as he registers the SOtr!Do~ the SHOWER.

412c. INT. PAUl&A'S ROOM. !Om>

~OED nalks across to the door of the bathroom, hesitate~ or a mo~ent, and then opens the door.

I 412d. ll'T. THE :BkTHROO!-l..FIONA

FIOEA is in sho~er and her naked body can just be seen through the shower curtain.

412e. Il!T. ~TBROOH. ~O?!J)

~OED knows it cmmot be PAUlJ.,but.this is her 2"00Z and he feels a chill, wet~! the woman•s body 'tbrough the shower curtains.

;12f. !!}'l'.EATE:ROOM..F!O?JA

FIONA turns the shower off.

FIO!lA'S VOICE

- . Who's ·there? • - FIO?U. pulls back enough of the shower curtaiml t0 1ook out. She sees ~Olm.

FIO!LA. Oh.

Ll2r:. In. BATHROO!i. BON!l ,. :BOil)

Bullo.

...., 'i

Revised 10 Berch 1965 115.

:PIOltA (calmly) L-.en'tyou in the wrong room, Er. Bond?

l!OP.D1SVOICE

t ! don't lcnow. .\J::lI?

l 4i2 .1. !J.TH30~.. :?IO'n'A f

• :PlOKA

J till you pass ~e the ba~brobe?

BO:ND1SVOICI:: I:.rImust.

CAMERA J...lTG~;~•~..ros~onrcLm:iE!ONDaehe takes a t:melli.:ig bath:"obe off a hook a:i.dwalks across to the sh~er. ?!Or~ takes the bath...-ob:e.

412a. m. u~oo!:.

C BOm> nJ.ks to t!leco::mectinc door and opens :l:t.Ee ope~s ' ,! the door into !1!.sD'l:llroom.

:PIO?lA Whe-reare 7ou going?

Olm looks rou:4 at FionA.

412L nrT. ?~!..'S ROOM. ?IO~..A

71O?:A 1a ete.."lo1ng1nthe bathroom doo:"'l\'ay,1Fi"th'the:be.tbr~be l casua1ly drapet round her, without lettin& it coneeal very convincingly. I

l!O:ND1 SVOICE

I

JIIO:IA I thi?!k you've been avoiding me,

I Jlr.Band. ~ .. C~..A AP.GI.i~S ~O Ill'CI,'Cm:30:!mashewalls across to her . I

i~

•

•

_\ ·•

I Be'Vised 10 Harch 1965 116.

t

412I,. CTD.

30ND If I'd had any idea you were ~t next door .....

30E> It was mea.:it. Yes.

FIONA puts a hand on l:.1sarm. She feels h:f.ashirtll damp and runs he::-btmd up on to his shoulder.

PUSH IN TO'iAlU>SF!OliA'SFACE, looking up at BOil).

30!m'S VOICE Perhaps I should.

:PICH.A (huskily) We don't want you to catch coia.

J!heback of ~OC 1 ehea.d crosses CAMERA and obscures PIORA's !'ace.

lSOliD We certainly don't.

412m. IF.I'.PA.W-4.s_:a.QQIL:!Om>. 1IOHA

CLOSE SHO~ 01 FIONA'S UGS as the ba~obe ~a1l.a on to the noor. P.illrtta the legs as they wall:,wJ:thl:10im's legs, towards tho bed, paasing BOiiD1s ah1rt which r.s.sbeen dropped 0llto the ~loor.

30Rl>1S VOICE On the contra_...,-.

MSSOI.V2:

:; •

_.

Revised 10 March 1965 117.

413. mT. ~OND'S ROO~

~he room is empty. -~e connecting doors are open and some light shows through the doorway. !OND walks quietly into the doorwayL pulling the towelling bathrobe round bie shoulders. He wulk.sacross to his dressing ~able and reaches for the book~tapc recorder.

OND looks round quickly, without touching the book.

413a. INT. BOND'S ROOl1•.PIO!iA

FIORA is standing in the doorway of her room, wearing a semi-transparent pale green nightgown .

..•' ONI>1 SVOICE Host becomins.

FIOllA I o:nlywear it on special oc.casioni:.. n•\.·..

41,b.. INT. :SONI)IS!,CO!!.FIONA. BOND

~om> walks across to··FIOli.

~ ~CID Wonder.f'ul- the way -thisia happeJl.1n&,isn't it?

~Om> I'm very :tend of games4

~ey embrace.

l'IOHA (laughiJl&) You've made a terrible mess o:rmy hair.

FIORA turns away :.ndwalks back into her room.

Revised 10 March 1965

...4....l.,,3_c__._I__N..,.T......_...P__~ULA...._'.§....lOQll~J'..lO...N__·/..,__.___B__O__,Nl>_,

BOBD stands 1n the doorway, watchillg her as ahe sits at her dressing table and picks up a brush.

FIONA glances round at BO!D.

FIOli One o:fus?

.. BOND If it's meant to be a secret, darling - you shouldn't wear the same ring as Largo. Should you? •

FIO.N.Aputsthe brush down casually and reaches for her compact and lipstick.

413d. In. PAULA'S ROON. l'IOBA

It's a ring l lilceto wear.

FIO.N.Awatches 1n the mirror as BOID walks towards her.

413•• ml'. PAULA'S ROOl:&.FlPNA. l!O?rn

BOD takes ho1d of FIONA'a shoulders and turns her.

FIORA: Something you la1ow.aoz:ruchabout .

•

Revised 10 Karch 1965 119,

412e. CTD.

FIOHA presses the botto~ of the lipstick and the b1ade shoots out, the tip just touching the ak:1.no~ EOHD1s throat.

::eom>sta.rtstomove.

FIOH.1pushes a second lclileforward. against the pit of ::SOR!)'ssto:nach.

PIO!U. . I•m aure you have a proper aenae o~ VILl.ues,Jemes~

::SONllg1ancee~own at the second kn:!.!eTith d.1.fficulty.

:BOID

.. Oh, yes• ' ..i ~ In. P~'O'!J':.•SP.00:;!.'V.AltG}_S ii -- - i: .. VARGAS wall:s cr.l'to'!~m,•sroom 1.n'toPAU"'-la.'•room.Beis

" i: is carrying an autom.tic pistol. Be talteehold o~ l30!m, .. looping c L~ round his neck and pulls hill baclcwardsc!:!- ••· bala.noe. l'IC~ stands up 11'1ththe two blade a :tollo;r(..ng I BOil)closely.

I "QI"\~-'-·;.·,.,..,J

-

i.. J.llE!wallca :t~ri ca..~ a cos'tmlelike the one he a..._d f. V.Jw.GASarcvea-ir.g. VAnGA.S ~age EO...~in'toue room, spins .., L him round a:.c t::ro\':'shim~orward.onto the ~loor•

FIOlU. Get dressed, Hr. Eond•

•-· I

EOE> (1oold.ngup)

~ •· You didn't an.ewer my question. .. Fiona• ' , i f,. 1IONA 6 ~ould we employ an amateu:• lik• ~

that stupid girl!

r

Revised 10 March 1965

413g. C1'D.

JJJml throws the costumo on to the noor be.nae~-

:BOND You don't expect me -:.owear that, surely?

lSOli.D Al:I checking out o~ the hD"tE1 -too?

FIO?I.A lo, darlin& - you're ~ust cJ.cct:- ing out.

150D picks u;,the costume.

4-lTo. ~. !\O:tIPSROO_?:_•._F;;.;:lQl!A I

J'IO!lA (triumphantl7) Poor James! All th.is r.mt lie rather a shock. I mean, tu girls you've m&de 1:we to iJ:.

I the past••••

..~.,.,,.,....

413.1. D'T. 11~.......wm I JAD"I pulla 150:DDen to h:ia~eet.

PION.l'S VOICE

I !hey 1ve been only too glad ta

4o any-thir.g:!oryou. ht~ time ••••

VilGAS is rt~41ng well clear of the oo·a::-:es.cOTe:-irJ.g JSODDW1th the gm:..

\ 41'3'k,!~. :BC?m_:S!?00::..?IONA. :B~

JSORDlooks at he:- cal.J:lly.

lSOlil> }I.atnightdress really is men

Revieed 19 14arch 1965

j t )

I i:92; m. :!oTn co;aR+DOR. z:roirA. 31-=zr. T.EG.l;s..:smm

lKllD follows VllGJ.S into the corridor and J.Alml:tollcnn BOm>, shutting the door ot 'the.ho'telroom ~n,nd t.ha. A· Eom. WAI!'ER,pushing a 'trolleywith s:ielaborate meal tor no an-anged on 1~ meets and pa.aseaPIOKA., Jlaril:lgcm'to- wards Vil.GASand :BOJID.

X93. nrr. HOTEL con~. :eom,

Well, now- is that 'the l!Mtel.:r ordered. (stopping the -trolley) You haven't wasted any 'time,ha.ve 7011?

X94. '!WT. Eti.!!.::!LCOP.RIDOR..,GROm>

Come cm!

~OD I'll ~ust.check :you've~ ttver.rtll:1.ng.:

I l 'BORD picl:sup a cover e.ndinspects 'the:ma:meoa:rs-eon the l pl.ate. FIOJU.wal.ks ~a.cl:1.m.paticJl.'t~.~•'IU.i.~·s't~-tsto 1 pro'test.

j ~OD

Splendid. Yea. Bow - mm.~•• "tl::::.117

%95. 'f~;'.!:.!:lLCOP2D0n..~mm.1!.L~

Sor27, air - this 1a en m'der ~--•• JSO?m (interrupt""...q) Did I order Steals:~~a.rat 7 don''trm:ember, ••••

l'IOHA1S 'VCJ::3

l . (quietl.7")

j Come a1oq, l!r.JSon4. f I ~lm

Perha~s you ordered •••••

' 1 'BOil>'•handelides under 'the sma11 •~irit a~ove on the \ l 'trolley,

•

Revised 19 J4arch 1965 J.22.

%96. INT. HO~L 00?..~IDO!f..~OND..l'!Ql!A

l'IO::zl111atandinsclose ta the.troll.8J"·m:th~ handbag haU -open and her hand inside 1t. !he l:Llm4lla£ispointed directly at ~CD's chest.

:PIOJU. We have no ti.Jlle(·o111U9tep1aJ'i,Dg atup1d sames.

~om, scoops up the spirit st ve aud al.a.ma~~ eidewB.ys into J.Almlta face. :ae-=brows-the trolle:rba.CDU"Cs at VARGJ~- ...,.

X97. DT. !!Ofirr,COP.P..ID~.:BOND,!'IONA

l'IOliAsteps back quickly, "try1.ng~oeveid irul.!J9ktho cr&~hes into her and they both !al.lto the n::or, ~o:;m rollini; clear L"ld:-U:n"'1ngonalo:igthe eorri.cl.a:-.

J:98. nrr. ROTE!..CC~Il)Qg. FIONA

P.olling on to her stomach and pus~ up rm ta he:rk:lee1:, r FIO?a. levels the gun at :BCl:Dandfuea.

l:99• ~ • :iOTEL..QQ_E;tiroR.!O!l>

~ORD st1.mibleaand:alls, catches hol! ~ a tab1e a.tldpulls

eteirs and ~s over the, droppi.Dg oa:to~ lligh-;.

;l-QO. ;tm. 'ROTn S~AμteJ.m::. !on>

Looking up at ~OliDu he L""Op ■several :fee-ta "to the s-:a1rs, llmda £.r.'l:wardl:7androllsdo"lll11:0'the18.?'c·•~sbelor..

no1. :arr. Bom s!AIBC ..e>E.150Jm

»O?m, croi1cb1ngon 'thelan41!1g,~c'ts Me ~oc't e:i! g,:i.Jaacesslightly'\'i1tbthepa.inof the glenrons bull at ":ound.. Be pushes lwaself u:, a.rad~ on dc,,m"the•~'&I. •

..

12:,.

t

no:,;. Er.. !il S!?RE.!::T•m;GG

he,.JTfflka?>o"is1D:fu.11awing, aurging along 'thea'treet.

nD¢·.. EXT. 31.Y~T. ~Olm

~O?m·fiih"ts ~,. way,through the process1onF ~S 1;0 the fa: aide 0! 'thestreet.

no;.. rn. l\A.l'.S~T t 'FIONA. J.Alm'I.!f§aS

PIClfApO'ilr:~m:, a.lo~ 'the procession to ~- ::"i.gh'tand

oppo'ld.te·di.rect:1on.

~OD rta:~les ~ 'thepavement, reaches ~ azaa.8"J.,p:rts 11:1.llmeU&ei-&.i~•rttheaidfo!a house and res~ ~:;r:ra:cEF-nt.

r n07. ~. ~ smT. J.AmT!. 'DP.n;ER

~.no~-~~ s::~le ri'th'the procession, p:t►◄ ng t~cush the 8%Ci~ed, s:.o~, denein& CROWJ).

nae.. rn. :!J.'!S~T. FIOf.A. VARGAS

VA2GAS ~llan l'IO&.-:!.roughthe orowc.s.

%?09.. ~- U!' S:g_g§T. :BQ!'l) -·- EOD ~• b:i:eellmy ~ the wall &:l.d•mt.,p0:l t!-.!'O";l~!l th• e10da. rJ.S?iQmi'to4th• 4trailo! blooe. s:p:rtshe :.~~vcs cm.'thepavrn't.

rro.

IOU lrt'ops7"..:.de:=17,look:1.ngdownat't!le~t. ~he ea:tcbe411TA'=)-~bj'thearm..

·-..... !:za~ ~ 1,1.ao4e:,atecm the paTmen't. -:>;.;m an,\lci:)l: &t .JtOD a:.a!:amcvesmy 1.nto the crori.

4..... -.·.1

Revised 19 M~rch 196S 124,.

Xll.2.. EXT. BAY STnEET .. FIONA

'?be tr~il or bl0od spots on the pa.ve.m.e:~.PA!i11Pand look :tr.toPIOf.A'srace na she tcllowa the trail.ot ~lood throu~h the crowds.

nl;. EXT. BAY STTt'E~T. BOl:D

smm, tiri~ viaibl:, puehea forward thro~ ~he crowd and 5tops at the entr~nce to the Jm.IP JlJ?fPcum. Be glances aver hls shoulder brie-r11and goes il:ltotheclub,.

J"OMPJ'WP Cttm.

'l!heJOM? JUMP CLtrBis very noia1 .indrn1l.tc cve:-rlowir.g vith couples d&ncing, listening to the bamc1:me watching the d.Rncers,e~tillgand driz:iklng.--.BOlmmo..-esqu.11:klyttrou;h th.amto the door or the Gentlemen•• Cloakroc:m.

%115'. r.rr. SOKP J'uMPCLtra. A'i"'T''l':"'t""-A't'l""-.~J.·,U•·-

BOND wo.lksinto the cloaltroom:,c:rosaesto a c!m.u- und slumps il:ltoit. BC?:D pu.ll•orf hia shoe and pulls c!01mhl• •~k. Re look~ at bi! _r leg and the 1'leshwou:idin the ao!'tpart or Ma c~l1'.

--·---·-- l2itn.

n1s. ~----!A...,.Y_.S___T!!:...._~_.._T_•._F..,!....,O,....N..,A....._V._ll.=G=A...S

The 'bloodtrsil along tho pavet1.ent. Lof\k1ngbet:voen 'tbeir le·gsat the :pa.vementand the d.:ropsofblood l.eding to tho JtD!PJ'Dl.O?CL'D':B•

Xll.7. P"l'• J1J1l?JO'MPOI.'O'!.:SQ~

ODce more immaculate :Bo.NDwalks out or the aJ..cakromnand ac'l"Oaetotbe ba.r. :S:eorders a drink and.tums to 'lookat th-8DA.E'CERS.

:BO?iD'....-.-S...........Pr:JV•

Look:1.ngacroes t~e noor, ZOOK qu.ic:t:b":!.:::I.atv~. WHIP PJJfto a close-up ot JA?mI, who gla::riceetoJ::r.:1sr.l.cht.

rn,9. '!'IOI!A

:f'IOJ'A1JJste:n.11..i::ceattheedgeo:rthe4&zloe·nca:r,-m.'tchine :BOG.

Xl20. D'T. ~ Jtn!!>CLU'l3.=Olm

:&OlVl)turnsto 'theGI:e.Lsitting at the bu nez:t t~ h:1.=..

/' J301D

What a eplendid i~ea!

Gllll, (s'tartled.) 'l'hat41dyou 1e.r'I

Jtor.maU1 I wouldn't acoept ac 1xrr.1.tat1on••••• (he1pin& -theGI!IaoU the ba:r e'tool) ••••• .from a atraziger.

:BOE'D lla:t- u 1t•11ou!

lt1.fmstarts to 4an...""'8with-theGIIO:.,ub.of!hrops:~!ta)luw-a J:,.ia1ea4.

mVISED 19th K.UI.CH,1965 124b

i .

D,21. J'm~ Jm-!PCL~. GR~

FlOBA. V.!JtGAS,J.~ ud the ~ watch from 'tber.1geot the dance floor ee ~O!lDand the GIBL a:!nce tosetber.

Xl.22. In. ~:p J'tn.!!'CL~.!O?rn. GIEL

:SO!ro M cou.rae. Imi't e~er,-cne?

PION! Jls7"icut in? -

1'ICll'J.aatsua\-&tween~Olmand tbe GIBL. ~e GinL ~torts to -prote~t,looks 2t FIOl'l.ltoremoment, tha ah..-uga~,:tu.r.ns awey..

n23.

GinL

In. ~fJ!!lJ.•?10111..

:BO!iD (blandly)

I ~you cot:ebere often?

I :BOD 1:u'eshola o-r!'!CL\ endm.alceaher dece •

(harllbly) Yoa ca't escept, Mr. Band.

~on ,. 1 clon•-twt1n1itoescape. Strange •• _I. :1.tmay aeet:-:-I'mgettiDg quite ~=d ar 7ou.

:BOBDbolds bar 't1gbtl7, one arm round h~r wa1st •~ ~-~ other holti11ghff b'ee hend, Illich1• claapiq her 1,-,.~bflB.

'heypea v.2:::s.•bo ba3 a he?ldhalf illaicJehie co!.-:, '!'heJ"passJJJIE!c~ tben, the l:1RIV.U•

, 'IOIA 'lbJ"acm•-t7ou come wtth ua, quietl~

:son, I like dancing.

t

1 BVISEI> 19th Pebruar:f',.19Ei5 l24c • p2+. cm. l J'IO!JAtriesto !reak ~ee.

n24a. T!'RGAS.

V.tvlGAS.maskedbJ'J..umIpulla out a abort speer~

30lm .looks par..J!O?a at VllG.AS.. 3!DI.

n24c. GB.'ClJP

'!heDL...'lfCDS~ round BO!rnand FIONA as -the4!mce reaches ite r-Jime:r• ..., D.2443.. :atm!). FIO!r..l

:BO!I,-andJIIODere Iefl strugsling 1:a a clee:1!'1:5.=e~o=VL.:?.GJ~s.

n24,e.. cmotTP

~ l5JllBi b.--e.us1=:toa:t:-antic1010•

l V .:.P.G!.Sfins.. t '...... 'I I ~2f!. ~. I

'Bmi'D'tiznl.sPICS!£JSshetakes the short ape!lru 't!!e1::nek. Sbe 1a 'tt::-09r~!a:'we.rdeg1t:1!1st:BO?r.>a:idheat1:1s~!9&her. I . • n2~. em: - TPck T~ 'tu pe:::etc:-o! ·thefloor 'behi:u!'t!=e:.:~E:dN e3 they diSi)elH !stc·the·~d.. ~e dance conee "t 0 an c~d end ~ aipports 7.:otr.;.nayac::-oeathenoo:- -tonrda the terraeo.

n2~1 J10:D

llCiiDsit1l'I~ cm·a c-bei:'atthe e11trer1ceto "tt.e"te%Ttitce.

JSO!Tl)- r ihi.ak701.1miould 111tthi• cme out.

L C~ gci:agotttcm to the te:rre"'.estoptmi!Il.co'kat?IO?U.

• Revised 19 March 1!65

l.24d.

r '- 124.1. CTD.

:&ORD walks out on to the terrace.

n2 4j• EX~. Jm.!P JCn~ CL;tm. 130?-I!>

EOliD walks quickly ·along the terrace, J.il:pblgau&~-:lyand vam.ehea_ in the CB.OD.

~hey uo lock4.!lgdown at _theprocession ill'til.vs-tr:~~ beneath the balcony.

BOnD 1SVOIC:: So sorry to be late.

--. I 'LtllGOlooks rownd, startled.

• •.

EcmD walks alon& the balcony toward&· ~.l?GOand !.:"'.,-,IQUE.

LAltGO'8 VOICE I thou&b,t perhaps you weren•t rn=•e ..

BODI> I got·hold up - ratbe:- l~"'9r 'th~ I expected.

11.DE!!ltoinclude IaAltGOandDOJ.,.IIBIQ'UEas~mla)'t-.G!:=.erhe, and k1s11es1t.

...,' last •

Revised 19 March 1965

n2; •• EXT. NASSAU

~e Junkenoo procession surges wildl7 alcm. -::heEi.ghStreet.

i 'DISSOLVE:

I • ....c.1__4___-_4_,_;__.___o__m...i~ •

t ~e armoured. ca.ris standing in an alley beci!.e 11.bar.red door. In :S.G. another car with KE:tcil3T0ll~ IlllV!Ca.

motorcycle ESCORT stands by. Door opens and Emll' O~ G1J'.AlUiS carry ou'tHETAL conAIER. GUAB.DS put it a ar.:t-~d cu, lock rear door~. Motorcycle ESC0B.!rmoves~ tD .!'l.ul:of armoured cs.r, accompe.nyit out of ece:ne. C~ beb.ind it ollows.

:435. EXT. ~ADDINGTON AIR !ASE. D!':WfC::

J.r.nouredcu w1 th l:SCORTdrives th:rougl:,1'olloe&!~1'l59C-v:id cu. ,

AIR VICE w.RS~AT, at maj:I.:m~AL coxu::m on ~a~,1.e,~Am>S beside it. Victor CREW in flying suits.

AIR VICE ~ (atmap) You'11 leave here at 0600 ho.zrs- (indicating) and 1and at Aden to Tefue1. You.

Revised 10 March 1965

,§)6. CTD.

AIR VICE IWtSRAL (ctd.) will then ~roceed to the Mergu:l

precisely at this position.

CutEF! CO?.!ESrn CLOSE ON KAP as point cf in41cator stops &t Latitude 13 degrees Borth, Longitude 97 degrees Ee.st.

_!36a. ( 512) •m. CO~.E?lCE ROO?!. !!. ltO!!ESECRETJ.3Y

M. 1sVOICE I hate tc give 1n to them.

PUI.L'BACKFROM !l'EEJU~ ON !Bi WALL Ol'TD COIFEP..ENCEEOO?l past K. and the HOME SE~~.Ali'!,who are looking at 'the ■ ue point on the cap as the AIR VICE KAESBAL I!DICA~.

x ..., Paying the blood money ! 1,e~ them beat us.

•• {quietly) llo, air.

BOJdE S3C!Xft&l1I Yam- man - Double-07- I 'thouglrt he n.s cm to aomethiq?

x. Yea, sir - I thought so ~oo.

BO!!E Dt:Br.r.aY l'alse e.l.anl?

L hes1~ates a m=elrt before replying.

BOD SI:;Cll'l,m' Obriou·sly he has a highl.7dnc1o~d ■ erdleof - shall we •&7• "4rama"?

Revised 10 krch 1965

436a. (512). C'l'!l.

•• Ii"Double-07 thought ha was cm. to something •••.•

B:OJ!ESECRETilY It's a groat pity he di.dn1t 1l'Pl::iP certa.1n before starti.?J,gtoab.od the odds.

~he11cm: SE~~Y l..ooksat h:lswatch.

_ B:OlimSE~ JIJyway, it's too late :n.ow. Ye sheJ1 l:laveto pay up - and 1oak as happy as ve can - llhan'1;we!

• .:U§_b.(-'16). An!J.l, SHCT. EXT. 'ff&Jt'!O~. ~,;_-y

:mflig~t OTer wate~. trn,nbabited isl.an4s in ~ce.

~'36c. {,A171- m. BnICOP!E;R. :eom:. μz:::=. (:?P..O~SS) I ll:ITER .n~. ~Olm look1:ig dcm::a.t.brau.ghgls•sPa.

I UI!Ell

Even U we f"C..ndthep1!!%Le••••••

20BD (grimly) We 'll.:f'1n41t.

DI!Eil We 're"t;oola.tanow.

DI!ER Why net? Wl:.enyou'reas good as rlead.

436~. (41!\ BO;l)'S70v.

In the 112terbe.lo,..!BAEESBJJiXSabove a patch of eee.weea. on coral bot"t'om.

't 'BOID

Feliz - take her 4mm.

t •

i

Revised 10 March 1965 l.28.

I

436e. (419) INT. HELICOP1'ER. '.BOND. LEin:R. {:PROC'.ESS)

l50llD I want a closer look .•..••.

LEnmi Closer look at what?

I I

l50!1D Don't know, old love.

150:NDsits back and glences round at LElf.i;at.

l50!1D Sharks - and some seaweed.

Plenty of that!

·-· BOm>

fake ~e~ down, will you? 'Let'a have a look.

··-· 1'--· 436£. (l.22). :EX~. HELICOP1'ER

Losing altitude.

436g. ((.23). I'!TT. COCQIT. BO'M!>. 'LEITER. (PROCESS)

~OE> look:1.?J&downthrough glaaaea.

~HD SomethiJls distinctly odd about that.

What?

~CID ~e rest o~ the bottom•a all coral - just••..•

436h. {424). EO:N'D'S~OV.

A• the helicopter approaches the aurface. Onl.7 -twoF~a--a visible non. ~ corner of the net has been torn 1ooae. lfiJlSon top of Vulc1m visib1e.

J

Revised 10 March 1965.

t 129.

,36.1. C,25J. ~XT. HELICOP;!:a •

knki.ng, turning back, landing on the surface, sharks sur- facing around it. ~OED screu:iblesout on to neat With glass-bottomed bucket.

4;6:1. (426 )..:..,_Cl&§..EP.SHOT.HELICOPT~.BO:&.!!.mT::R

At w~.ndow. Sb2.rks1n F.G.

Mm> . Shoo~_.0n,_0£_..:thoseab.arks,PeJ.12:. Give·them i~ething else to 1:h:lnk • about.

LEI~ gets ~..m.,!ires. Sharks dive. A momert 1a-:er crippled one ~faces, thrashing. He moves er:s::ically out of scene. other two sh&.rks :surfacea:idfoll.~ ~4:r;.lJOl"!; looks doWll through glass-bottom buo~et•

:BOID :Bigcamou:f'lagedtarpaulin. 'I'm going down!

He takes off shirt and trouse:rs. He is wee.ri.n.g-tnmJi:s beneath them. L!;lT£Rbands hi~ underwater ha.1-Dess.bel~, lam~, aqualung, !!n£, etc.

:BOND (putting on gear) l don't know how long it'll tal::e or the other 'two to finish him o!f, but they'll be back -

LEI!E!l I'll watch 'em. ?ry to keep 1'%-c:m ~tine too ~uch. .

:BONDputs en helmet, attaches intake tube, a4.jmits air- supply valve, goes down over side of float. ~B"I!ER,one eye peeled for the e~arks, looks do'l'l!l.throueJ!:,ma.te~.

il_6i:,_(,27) ~~-:I;.T!:JlSHOT. 3O?1D

Sw1mming down 'tonet-covered plane. Be goes m:a.u co.r:ier ~om loose by shark. •

436L. ((.28)• ~~'l.,\T~ S::O~. ~ONI>

Approaching o,,n bo:b bay hatch, looking in.- ~ FOUO~S ED! :ro!:LI.!r•,:,c::.Be goes up through it.

Xensed 10 March 1965

I 130. J •

~,61:l..(1..2~)•~~ OR UN!II;B.WJ..TERSEOT.'!ET. rncAN. 30Nl)

IUile fuselage, he switches on lamp, 11lu:z.1.netingeerie repu1.s1.vescene. Small oetopi evC!rywhere, ~cs glowing l1lceru.bi.es,ti~s of tentacles weaving. ~Q?:J slips kni!e fl"OmundeT belt, moves through oetopi who re.coil be:forehim.

A3"6n. (430). TAm: OR UNDERWATER SHOT: ·co~!r

om) enters con::pa.-tmentbehindand below, el.llt'bsui,into it. Be 1ooks around a't~ODIES OJ'CimW, 1D0TU t0 'Pi1otI s seat and ..UGEL01sbody. He e~am,nea cut i.J::l.'1:aketube,re- moves A:gelo's mask.

A;56.o. (t.nl. CLOS3 SROT. il'g?L01 SPACE ·- Like Dena.11s. {Pal.a.:zi)

43~-. (.:.32'•~.!r!:ORUlm:E:R'TA~mtSRO!. !Cg)

Be nmoves W!:.tch~ one of AlfGE"",O•awrists,:t.D.-tag i'rm tl:&.eot,.,_,~r,thenswims~t.broughopen1nig abcve him. I r t 436c. ~ I Sh::rks e.-pproae!::1.ng.L.,.,:~watcl::1.ng"thet&.lWtrDS'lll':f'e.ces nea l)lsne. m~ :f'il'eaoverhis head at sl:2::rks9T~ey i i din. rn bawl.a.l:.1:l.selfontonoe.t. Lr:fs-:;;,helpshim into

43&. I!'?. ~~- ;B®- LEI~

L!lrn helpe 3Q::Dcu't o~ the diving equipmex::t.

:BOD

I (fiU:PillB)

I.t1 a'theplane.

I.EI!ml

:&Om> Jfo.

LEI!ER Oh, greatl Bow 1rha'tdo.111t4:,'f

l901I> J'iDd aomoone to tell 'Q8 whe..-e

1 the7've gone• '--- I LEin:B I Oh, sure!

P.evised10 March 1965

OED 'he7can't be far away.

Olm ( If they're not on the Disco Volante now, they socm will be.

LEI!t'ER talk to l,argo. Ask him, wb7

'

don't you?

lJOWD pulls De-r-nJ.'•watch from the belt or ~.-11.srmr:i!1£ l tra:n.i:s,

Olm

I~

mo, I don't think 1 111~o ~m.t.

t I don't think I'll have to. r 1

,:• j .

; £,~ - 4,n., 7...L.!:1.:!.D f i 'i S1d:zci~. S"~ we&n bra, b1k1n1, ma.mk,aqt-....-,-~,:f'i!"~~.

She eesea30C· app:cs.chins, wearin, tru.~ ...~e•"':1ls.:-gear. ~ ie· c:u-r-..ss=r:u!a:vm~1tcemera",goatu.-...s:f'm-he:-"t-~-;,ose. h ""ta.latr'E&J.,.,...~•towardher. Coral le!.;'-3bt·hindtb.e: u lm na=..e• her.. Be sets "camera 11down a: 1e:..z!.,:ou-e.shia i arms a~ her. She respo~ds. CA.HERABOES "it'IZ3.~~!i u the,' 4:1!~.,~cir4,a;, out cf aceno b•h1!3d 1~a.Ee•

44:). %1.!!.!i:1~~r V~GAS

s-:~ =-~ 1alm tro~a, lookin.Sthroup ~..:lta=i..'lusout towa.r! Sea ~-ens •

•

On Bm'f"a·ce.h'o.Ats of bubblea, gn.duall-7 1t-u-S1JlEi:to one•

• ',

I Revised 10 ld::.rcl..1965

••

In F.G. Clong trees look-1.ngout toward r-.-!~ C&XEP, SEOOT- IE'G:PR0L:Bi:;;:m~ as ?1OliDand DOLcrHOsu:-t'ace. V..&RGAS turns, ~oves bacl:PAST C4f..17:RA.

446. EX_t_.___S_L_1P_:P_.__B__0~D0!il'E'0

Waist-high in water as they take o~f mask.a. ~ •camera" hangs at llisbelt. She smiles up at h1.:r..

t fulh -

I She laug:t:.s,putsher ans around his ~eek. !!lfl7l:is!.i:nie~ • they break, h~r :raceis no longer hl'.ppy. ~ ~ abr..1ptly away, slipa out ot aqualung, start& tcwara beach, carr.tillg it. Ee slillp c~f aqua.lung, follows he:r.

I 447. En. SA.CE. ~ormro. :Bom> ,~ -- .. Cetc~g u~ with ~er. The sur~ eddies a:-cUM. t~•~ f~~~ ' '_,} near ou-eboa.r-.Be p..'tshia hand en '!l~r~a ~--5 h~:r -:o .... , him ques~ionillgl7• • l ,• DOi'miO

(celmJ~) .

•• ; • Itb..iupe:rheps I am 1?1l.oYe ' nth 7ou, James. •• l ~Olm 4cem:.•t s.nswera:id doea!l1t1rt0pher a ahe -:u...-::ise.~~Y age.in. .as a?:epu'taher foot to the erolmd· a= ,g!.~esa sr.2.?"r t exclce.tiQ!'.IE??ddroysthe cqu~lu..~. 30Nli ~parts her as ' ahe ez3mi?le~ her foot. t

DO!!IJIO

I Sea-egg spinea. I I I 3OliD41·0:;:sllsaqual,ms beside hen. •

..

3Olm he7 1ra poisonous.

I DO"',mtO •

Oh, 70s.

i J 3OND picks her Uy and cu:-ies !le:rf'urthe:rupee ~r..:·~h.

I I iI

Revised 10 Buch 1965

-\ l

;, .... l 44B...EXT. ~.CE. DOl!INO. 'Bop;D

f B~ lsy.eher down beside outboard, detaches "ce:::iere.fl'from bel..1:a:ndkneelsat her !eet.

lSOND urn over.

DCJCJl0obeys. Re picke up her !oot, holds back the "toes, puts·•bis lip~ to the 1"leehypart, sucks hard, ttte:rdnesfoot, shahe:shis head.

I'll have 1:ohurt you. lteady?

Beal!t7!1u::, DOt4.lllOnods.Ee sillkshis teeth iil'ti>-flesh 8%ound barb.

449 •.•CLOSE SF.07. :DOMINO

~

1t:trl&her lips, tears wellil:li;up1n her eyes.

450., En. ~.u.M~S. VARGAS

Wat"ch1Ebthem, s1owly moVing closer.

; Re ;,:a:nce-sa:t~. She clcaee her eyes. j-

150BD

t J'int "tilnel1ve eaten a woman.

~e7 'taaterather good.

j

Re·lae2ld.adotr.1again,euckshard, lil'tshis h.eai.9picl:tout sp:ble1ri:th.b.:1.8!1.ngers.Sherolls over and ld:tsup.

~ l:oo:tBaer:tousl7a~ her, but doean•~ speak.

DOHili0 (laughing) Except perhap£ 1Jt1brother- ~n we were children.

'-· 1'0t.Di0leans 1"orwL--dandinspects her 1"0ot.

Revised 10 :li&rch1965

.........

,; CTD.

::ao:rm Domino - I have to tell 7ou •..•

DO?m'O

I a:cisorry, Jamee - ! 414 not mean to embe.r:rf.l.Ssyou.Speald.:r:ag of love. I .know•••••

:SOit.I> (1:nterru.pti:l8) I he.veto hu.rt you o.gai:n- end worse.

DOMilJC {lightly) You are going away? •so eC%"!7, 1414ee.:r-but it is all over!"

:BOND l have to tell :,cuabout yoUl'

brother.

DOEliO {abru.p't:l:,) What - about him?

I :B0!l'.:>pullshisjacket out o:fthe 'boat e.m loob 1l'lone of the pockets ~er ~erve.l•s weteh. D-~:tIIl'Owatchesallen~ly. :BO1iDtakos o,,:;.tthewatche.:r:u!han41!1ittoDOnI:1O.

She looks at the watc.t.n.ndthen looke a.e;a1:lat:acm:D.

DOlmlO

I

Yes.

DOJ:Jlro Wbat b.eppenecl?

' I

Revised 10 March 1965

l 45;-_ CTD.

·(quietly) When we were child.re~I reme~ber •.•,

:aom, I need your help.

DO:tamlO He f'rightene·dme - Francois - he pretended he was dead.

~om, Damino!

~mm grlpa DO!:!IlIOr=ughlyby 'theams.

~OND Lieten to me. I am on oath to tell no one about this.

DOl!INO o:rco'Ul"SE:!~l:2t'awhy you maa.e lave 'tome.

~OJ'D I have to trust you•..~.

~OliD I thought et !irst you were part a! the conspiracy.

DOKI!TO Sew, 7ou b1aemeil me with the 4.ea'thofmy brother.

~om, Yam- b?"Other was kil1ed bJ I,arp_ - or cm lu.e orciers.

DO?mlO I hate 7ou!

~OD I cme to tell you that - and th-en- eeei.ni you - knowing it was now - or p&rhapa never - yea - I made lov• to 70~.

B.ev:1.sed10J:arch1965 l'.56.

I

451. CTD.

DC>JiDO l hate you.

llOJlD I didn •1;want "totell ~u, Damino... I didn't ~t "tohurt you . .Bu.t something - more mportant -

t something •••••

:SOEDs'tops!or a moment and ~en, gent:Ly. "takeshcl.d o:! one of her hands.

452. ...E-t....:!......--~-~-"~.-....:._S_.__v:_m;:::;i;;;;;G~.•_,

' t

'

BOND is sitti=; With his back tcr=ard 'thepal: 1:re·u. i J :BOJID

bat mich we bov - bu"tthere's 1tmacthi:lgwe a.on.•'tmow - aanet,."!~£ • =.a-; lc:low!When the bcmbs -=re 'taken cm boc.raitbeDiaco Vol.ause.

m..-nro Jlc,;,can70u ~ 'that?

MID

i

You're gc~ "to-tell ua.

lJOKillO (t[Cd.e"t:Ly)

MID It won't be -~7 and~~ c~ be d~oua. I

l>OKllO !hat ea he cl:>'tome, he ba~I~ --~~t.!:1 don.?

i •

aevised 10 l!arch 1965

•:so:rm 'Iau'llhelp?

])Ol[IBO Yes.

~Om> :!resathis w:t-ton. If'7ou. l:teE: a·clicking eo"t:.Ud-tl.sbc::lbs--~ cm.board.

,. 30E> Go up on decl:. ~e 'D"..a=t'\::.a

f 1

'beingwa'tche~. ?ou :.1.be at;"ot"tC.:l

i leld•••. J

DOJmlO (suddel:y)

l>O?!I!l01S'VO~CE

t Ba mat uve 1'0ll0Ve4ae.

'

I

]IOlfl) (lou.dl;r) Yem must hnve hea.rd.tha.'tam bdan!

4;5• Z!'!'•rn.~ • l!OI:!l.DO!.'!Nt\.VJ..?..~

VAP.W is :trmed:!a~e~beMnd ~OD ritl:.~ 1:1:U.et~opo!.11:d. ' 3am) roa.ahesint.o'theboe.t.

I •I

Revised lO March l965 l'38•

•."'\~ ; CT:D. ~55. J l !Olm

Oh.,:,es- £!.ndthere's the one about the ab~ent:minded strip- teaser.•••••

:ao:rmpicks u-pa short CO2 gun, spear in the barre1, "turns smartl:, and CO"ft'!"S"ill.GASover!>OMiliO18ehoulder.

You'll die laughing, Vargas - aen :,ouget the point.

~ :tu-es. ~ Bj)eEr'buries itself 1n VlaliGA.S'che9t. Re re-elsback, clll'tchingetit With bo~h hsn~s. C!l\i'EBA~oszs EJ:aiu;~Olm ATn ~O!:!IlJOp.z3co_ldlye.tthe bcd7 O. S.

/ D0KIN0

Very soon - and he s=ia - n!k, 1r0tbe late". liewe.s:losti:.sist~1:.

'BOEI> I'll take cue o! Varga.a.

I>OtmO ~•• - understa:id - I ec 401.li&"tlda '!.ar!ra.11co111.

D0Hm0 mt - when I enid - ate - I ~•t :cean••••

OD ~c - 70".2were right. You ticm.•t lcnc:tt7•••••••

DO?mlO X ao JtOtlm~a 7ou.

.. l!CED1c1.ssu her•

..

--- ---·-~~-·--·-.

I

B.evised10 .March 1965

I '

t t2~- CTD.

DOEll'O

I

(auddecl.7) Jcmes - do not send i:1eba::!ttohi;m. Please! I am i"ri.gl:rte:iea..

I ~ND holds her, but he doesn't apeelt. l>O!!lliOrt~psaw£.y ro.c.hiril. I

·DO!!llo I'm sorry. Yes, I'll go - bu~ promse me. You w:111lcil1L&rio

I

or ~e? Wliatever bappens •

here's ve~ litt1e ~i:e.

DOEl'O (qu:1.o-t;ly). ... Yes.

~O!D picks up her clo~hes ou-t;o:'theboat.

' D02m'I0

One thing -1tmay r.~tbG ~orta:"t •.••

l 1 BOJiD

l

DO?mt>

i

A sc.c-.J.lbuilding-o: "the cl.ilf'. Largo tcld me one clay- UTt;::"to go :neu it. ~ - 1:mi.ue "there was only B 1"J.i~t o1"~pa.

I l!O'BI>

You 1ooked?

l)OIU];O Jl&tun.lly! Be ea.id.Ie,.cu1d no"t.

BOE> ft.eredid they leacl?

l>OimiD ~ - 1.:to the c11.:ft-an.a.ct ~he bottom •••..

l

I

1 Eeviaed 10 :March 1965

...4..,5B..............E...X..T....._,...Ci!AN?;;;;;;;;;;;;;;;_,;;·!i,L.....,.E...N=TR.t.--rnCE•!,ONGSHOT

Entrance be-tween oddly-constructed cement aeBW&lls.

(BOTE: Paradise Island location, •submarine pe11Sw.)

DOMmO'S VOICE Perha.psit is important, a:t'ter all. fl\.ereis an e:trence fro= the sea....• ..--.

BOlIDswings boat towards entrance o~ chamlol~•noses it be-tweencoral rocks near it, climbs out, ::iodrjboe:t-to rock. Cte?ffiA•FOLLOWSHIM TOW.A..~S~CJ::.

~_o_._E_nN____.___E__?:TRAN____;;;,;;;;,;;,c_E_·.___BiililQ...G...

Reach:ingthe entrance, BOID climbs up~ -to -the-to])o:ithe • wall.

..

BOND moves cautiously along the -to~o~ 'thewal.1. He stops suddenly, net-tens down and looks o.s.

t

Steps lead do,m ~ro: bridge -tolan~g be1ow :!:t.J..Llutle.nd several other Sl'EC~S come down a-tepeto 1a.u~, carrying underwater suits, gear, •~c. They stack i-t cm 1andins, pull canv:1a over it, start back up a'tepa.

463. EZT. TOP OF 1'.AIJ.,1'BOND

Lyi.ngprone watching the landing. !'he~oot~s die away and BOJiDpushes himali up to bis lcneeE. Be take2 -the radio-active pill out o~ his pocket, 1oolcs a't~t ~or a moment doubtfully and then swallows~~- Be n1J2.1Shis·legs off the wall and drops to the landing. Ee v.;..11abackthe canvas cover and pulls one of the.SPE09E au:11:s~ree.

l>iSSOLVE:

464. EX'!'. !JJTI)!NGBELOWBRIDGE

LAB.GO,we&ri~ undernater suit and gee~, drops 'Ofithe ,- l landing ~-to ~he channel. Jill\TIfollO'B'eh1:ied.one by one the other SrEC!'lmS~ollow them. As 1:he 1ast SPECTEE approaches the edge of the 1andi?li1lK)?m 'inSPE~

I

Rertsed 10 narch 196$

- ,.

£64: CTD.

\IZlderwat-ersuit,drops do\':!!.<mtohll1bm abcwe ~ ·1:c:oclts him'unccmseiaus w1th karate blow. Be pul.l.saa Sl'ECSE's remi-eather, l:laak,belt,!in.a, etc.

I

4e5:.,_0:.ID!RWJ..rnSHOT.CK-L-.mEt. Lt·~~. J}~

L.llllGOleads1:heF• atr,mg oa.1:.....,,raldl2.u'll!.&.

4"66•·UN.L.1'!:?.~ATEr-tSHOT.~on

BOBD·catehee up be!lindthe 1cs-:SPR'v"..!:-..::..

LAllGO·,J..umI,~s 1nelulillg ]K)lD)h-1n&'n& ~ 'theree:, snm aat.

~6s. rn. msco voL.\NT?:..D":'!JI?lO

1'h.eboe"'tpull.JIl:Pa.longside1:~MSCO VO~ m::4:::>01.tTNO ~-es awa..-d. •

469.- 472. Q;ITT~

LA.RGC·•

~~ tO"P.!!rlpaneltoaecre-t !a.ol.~.It 81-:.-~-sCJ:)!!:.. Yghts: cf"~~cle. LARGO raid ~e o:-.--M, :C..:--..:.!.~~O!·::,, 8\Yia·'tl:lroughtat:.:..Panel■l.iaeaa!:nrt.

j

J'.A:a;.:o~J.L~~SE.E!!..'.t.e::::s,t;OGeW:fll.~e'1ll"tm:ik.,ban-Betwo- man Rb-. et.i;~-.....S..r.zC:?raSinlmden:n"":ereu.i'ta-~~ongrat1'\"I;.. WO ~ ~0-l;S,e:pty. kight llS'l:,ta'tunleu~ C:."-~'R.A.!lf I CLOG O!r:BO~ climb:!.:c,;outo:t''t&lika...~erC)'t'Br-?5..'Eelilie.72 t beh:md tha, :eeIJi:g:nask averted.

t fZS. !Iir!.b-BC.?...!:!Tm.rmr;w

JOE> ill 1.;. LilGO 'talcoeo~r mlc a•:i goes "tDJ!;,cme.

(1n"'op?!~c) C&p-ta.1.n••••weighench.c-:--. (hanga u~ - turna 1:o JA!OC[) ~er we pick~ 1:'hebc:2~,

~ wetll take e-.•asiveaction ~o

---·-~--····-----·--·

Revised 10 ?darch1965 142 .

••

frJ6. INT. C:WSE SEOT. :BO!D

1!hrcughmask we see he.has heard. lD.E.G•.LIZGO e:d.ts. OTB:ERSl'ECTEES take off masks, gear, e-tc. :SCD sl.ips between stack of equipment and bulkhead.

477.. lll. l>1,S£.O

he msco vo~E gets underwny.

478. 01.lf!T~D ---- .......---

O~OR.receives message and turn.ata I..En.D.

OPERA.!C!t he Disco Volan:toI sleo..-r..Jag,air•

•

• LEIB! ilhereis Double-07?

I '11!:• ":?rT. DISCO. ~CP.ET :{C,.J).!Cl~ ' :BOE)ae"ttles 4own among the crates.

;.so..EXT. ~ W• msco. nm

:lak::ng1'Uteen knots.

+a1 - ,e9. <¥nm

499, Z. m ~-'.°;•PI~OTHOUSF.. L.t:~S~. C!:l!.i:'

LAllGO Ocmvereion.

ESGll.EEa opcn.tes ·sw1-tcheson Convera1on panel..

~- rn. nsco. <MQDELl

S:D.Dkeber.inait, a.atl:.eca.coon-11kefalse auperst:-uct~re

it.

I

Revised 10 ?.t:lrch1965

I l

... I

I i,22. nF-. D!SCQ, ;!!tOTP.OUSE.. ~GO.. GP.01.!P '

LABGO

I B7drofoil speed.

c.A.Pli.I?l'operate.scor..trols.

Picking up s~eed, beco=1ng foil-borne.

494 - 4 95. O'Jl!l'TE!l

~,__..mac:H.....rfi ; .!.:,!U.J..r'-•~~.i.

-~.

t Puzzled, aware of.Disco's increased speed aa bu1kheade creak, etc.

497. Dif. ?Iml;;m'S. ST<m,EROOM. LEITER'. 0:'Z='..AT-GR

l LEI:l'l\!Rlooksathis watch.

1 LEI!rEB ' Did we get a signal to say the gi.rl. I

went on board the Disco?

OPDllmt Yes, air.

l ~e OP~CB ra!ers to lla notes.

OPEli.llOll' S1gnsl received et......

Li:!DB Ok27, olaly! If she went on boari. 'thenThen the hell is Double-07!

i

mssoLTI:::

~rinpng 'U])rearagain as GilOUP,crrrJ'i,ngweb"bi:g, -tools, I etc. ]):-eced~'90-~.llSUB !'O'!.l~Elf?iU.:tfCEfOTJI'!a-:r.r:l.ti.~:::RCAV3. 1'hey reach I::a!TDOOR in entrance. J.tJiEIand.:!IC:.i.·:...l!Hturn large iron wr_:..~lbesideentrance. Door li:ta. ~~Cti? mr.m,e ( throu.h entrs~'e. no-r.:.uaStra■ tops outside. t • I •

Rensed 10 J!arch1965

: •.

I

t S'lll'irn,1:nsalongitbehindGilO,U,.0~ use l.a:mpe.

501• ON!)Z{?rA.T!:RSHOT•tmD2Rt:1AT!RCAVE. G:aou:?

LiltGOand JJ.mfI lead GROUP into cave, 301m bebi:riathem. WtGO L~ JA.mn light magnesiim :f'la...--es,revee11n.!bOl:lbs faetened 10 st.anchions in rocky side~ cave. lC!:ii'With tools sTa..-=de~ach..ine;the:fromstanehimm •

Pla0'1ngbCIElbSonwebbing. In F.G. ~ED, ft.t.cb5tl&1C.AilE::U1. P.lNS~o L.A.B.GO. CJJJiERAilGL:;:WIDENSas he n1:s 'to~OND, gestures for him ~o help. :BONDturns ~ace _any ~rem elare of magnesium t0reh.

hrough mask we see his eyes %laffow, i1:d1ca~ he hQa recogn:isec30D. C.AJamitA..lL"tGLEWim:m'STOllicumEaOU? !l~· ,,... 3.G. mcv-f~ with bom'baon webbing toward.~1. 'U.?.GO s""1:ittoGkOLi.=-onother side of webbing ~ ~~~- He • gras!)ST""'IOSPZC'l?.ES'bythearm,turns the= "t=-a:i!::Olm, J clr2.wslrJ.slcnile. i GROUP w1tt bombs ent 1:Ltotunnel, leavi::.glee~Gt)e::idT':."(') SP2C~S ta.o~ !OED, between him a::ider...'t.30:::Ddn.r;::his lc!ii!e.URG-0 g9a~es for KAltbeside biz ~o atta.cl:~D'.'m. S:i'EO'DEni::at"'18.rdl:l.1.n.~OIDstrikes at h1:mT.i.'tll!::i.s k:cile,elude• comitr.-tm-ust. UllGO ·gea~e• f: O~ XAN with .hieto fol;l.ow~ into tuzmel.

C.'ffiACCZES II CLOSER cm ~Om> Am> SP!.,1.,4™1c.1.:-cl!.:ngeach other·. (!+Jfi?R,1PO!.LO~ACfIOliea!OBD Em:.01rUC41£Sl>!:CTI\I toward hook C,eniJu1 ~om stanchion. Be ki.c:b 0-.2-tathim with both fen, im';)e.leshimon it, m.DTee 1-n,11tabe him. Sl'ECDE banes limply on hook as 04m:BA QDlcm' .PUS 30:ND A'7AYtowara tmmel.

IJ.llGOan4J.,urntu.-ning iron wheel 'tooloae cloor 'toentrance. 0~ stnppin& bo~bs to shelves of BUb.

505. UJtJ.!:?.7.:\.£!SHOT.lSOfil)

Sw:imr112lgdea:;,e.n.telyth:roug:b.tunneltowa...-aaom-,closing. Be reaches i~t tne, to push it up.

t

Xevised 10 Karch 1965

's

I 506. UN,P.E.#~.A.rn!SHO~.LAllGO.J.ABn. GROUP '

i :PollmringTWO-Wli S~ with bombs on ahel.fa1m7 from entrance.

507. U?rn?g~AffiSHOT. :BOND

S·tillt?')"ingt.oopen d00r. He lives up, ~s, n'ilDs back I 'to'lt'VdcaTe.

508~ UNDL!.Etfil!RSHO'!'.CA~. !Om>

Sw:f:mn1ngbackillto CCTe. C1".M:rat...A.VOIJaSaeadSP~CTB:::.EOEI> swims about, ~a=inins sides of cave wi:th lazap~or possible way out. Be looks up.

509. mm~~ ~OT. pom,•s Pov.

Sta~s visible·a.bovehim through watv.

510 • fflER";"..t~S•OT• !om>

Be ni:ms up.

511.. ~. CA.VJ::·.:!OM) I' S~aaing =mer dome-like ~oof o~ cave 'Wi"tl:l.b1c,w-holewe opening. Dime lillel!with jagged conl.. liefiashes le~ up t01na'dsthe opening, eight or rd.ne ~ee1iabove his heae.. • ~~ID takes oU hie mask, realises he ~a hopeJ.esely -trapped.

21.2- 516. om:~m

517. EX!. DISCO

J.s the Dia·copiclcr"6'"P■ peeditbecome• :t~l-l>cmle.

518. r.rT. !JC!m!fO's.....e...~i.ioiii,I!liiiiillil,._.DO......,;M_!.liiiiiioa,O

~e cmn-geiger-cc:mter 1a cl1ck11'S louil7. DOC!ltO switches the £eiger-ecuntcr off and atans a~ 1~ for a mimrte. She pica up !.head-scarf, biota 1:t-m:tae:rherchin and cam.e-e -thegeiger-counter to -the aocr ~ her cebi:l..

519. ~.. DI!-~. CORRIDOR. DO;m:Q

DomJO ftlks oi:tof her cabin aza.dmeets I1&n.,.

L/JlS-0 Sta7 in 7cur cabin.

I i DOLlll(O

l'o. lt 's eturry in there. I am:t a b~ath of air•

I •

ReVised 10 March 1965

LmGO (coldly) M7 doar - did 7ou not heBZ" me•.••

:tAltGOetops epeal.-ingwhen he sees the camera b. ·I>CmI!'O,s lland.

IailGO Did you? •

Let me see.

I

No .

• l 'URGO reti::hes!:>rthe camera. DOUIBO pu.11.s~t1:sect:a:c. be-tweenthem they dr~p the ca::era,wh:ich t.1~•~ nocr and sterts clieking Violentl7. DOM!liO illme~ .c:·cr:lc!l.e!J 4;,r-.topie!:i-:up. LilGO catches her l:Z:.1ran4.itc21.s!t c-.?:r~lly.DO?.~:r;ogaspsw1thpain and •~ghtema a:>- ~ throws her backws.rds acrcas her cabu.

f.!.9a•CII)~ !El)T. I.ARGO

ta.GO crouch&s down and ~icks up the camera, a't:ill~1i~king.

• J!r.:Bend gP.veyou thie little toy, I imagine?

1 I.AllGOlookllup artDOHilfO, who doeau •-tan&'ftr. 11',Hn,:;, ·i L.G.GOsmashes tu ca:ioraon the floor and 1"tab.a.re.

LAltGO (quietly) Vargas is dead?

I U3:GO etands up. •

\ t i ..

Revised 10 Karch 1965

,219b. IWT. DOI:IIN01SCilllT. DOMINO

I>OMINO looks frantically for a way out of the cabin.

LilG01S VOICE no, my dear - there ~s no escape - for you - nor for James !ond. Like him - 70u lmve been a little too clever, and now....•

...5...,19....,c....___l....,11:......"•-..;;;CL......OS__E_SROT.LAllGO

L&BGO •••• you are ~augbt.

519d. IWT. CLOSE SHOT. Dom:n:O

~escinated, terrified, ~OHnro ~its as LARGO moves towards her.

n2e. INT. CAVE. ~OED

l :BOl'lDstruggleswith his harness, trJ'i,ngto hook it over a piece of coral to give h1m support and to enab1e Mm to rest, Ha fails and splashes down into the water and goes I UD.der. Choking, he surfaces again and puahee his harness

moment and listens. !here :isnothing to hear.

220 - 521. O!!I!~

i22. nr.t'. l)ISCOVOLtJITE. ~GO'S CilI!f.. I.QGO. DOMINO

DOMINO is strapped to bmllt. LAliGO,his composure comp1etely repined, ia lighting a cigar.

L&BGO You have given m.emuch p1easm-e, my dear - in ret\lrn- because 7ou have been altogether ~oo cleTe~ - I am forced to cause you great pain.

Be picka up a bowl of ice cubes and 'ftllcs&cftll:8to the blmk. Be holds out the cigar. I

LlllGO ~s for heat.

i

f Be puts the bowl of ice cubes on the edge~ ~he bunk.

l

'

j , I t I Revised 10 March 1965

~ ~ ... ~ t j 222. C!rn.

~2~. CLOS: C:'!:!'O~LARGO. CJJ.!ER..\Omnrs~~

--=-4• -•.;.l

Masking DOMll'O as he rips off her blouse am! th:-oweit aside.

22~-l22s. In. CORRIDO'E..raTZE

XUTZE hesitates momentc.rily-,when he heua liOHJ:NOscree, and then knocks on the door o! IJ..RGO'acabin. ~ door is opened 'Violently by-LARGO.

XUTZE tries to see into the cabin,·past LI.EGO. r

I.Al'tGO Ah, .7ee.

W?GO steps aside and leta XU!ZE see J>C~O st:-ap~edto the bunk.

LaGO steps ~o ~e doorway and 1oob 2t DQf1,Nn.

526. IP.?.

lcudor and l.ight-waveacross screen 1l1cre3a~y irrezu,lu.

..._...,.

RADIO o~xtm•E YOICE I 't".'i!ikwe•r.eontoao::,.e~hir~,s:Lr.

~TD I.et•sgo down then - take a look.

Revised 10 March 1965 149.

;27. INT. CAV'Zi. :BOND

~ON!> is sagging on the harness. Failltly, the whine o~ the h-elicopter1s rotor blades. He looks up. Somu! of ~1ane l0uder. BOND slips out of the harness and s1l'i%lsunderthe hole. He ~lashes lam~ up tbro1.1&hthe ~ole, D02"9ecode: ~Y.

528.· INT. HZL!COPT?::P..COCXl'IZ'.I.EI~. PnD!

l nie PILOT smngs the helicopter round and LEllD 1ooks ove~ the side.

529. !~ITE!?.'SPOV.

Isl&?ldin diste!l.ce. Lig1:J.tnashing out of hol.e.

LElTER'S VOia li.~1.Y.D.• ••••ll.\n.AY! Get dOll:le.s close a.syou can.

r.c:c1nsillverylow, hovering over holo.

?,l. INT. c:.:rn. 130lrn ·-

:acnrnnashes l~~ ap.1.n.

532. In. BElICO?T!l~. COCXPI1'. I.Eimt. .!'.:..LOT -----------------·------

LEI~ In tbat hole dow:i there.

'LEI!ER can you winch him out?

,..,,.~~. ISL.J='ll!!l-P.EI.!COPS

be heliecptcr manoeuvres until it is directly over tho hole enc.thcr..}:\eginstoumrind the Winch.

Revised 10 March 1965

ma. nrT. CAvt. 'BO@

:BOND ie paddling 1n the wnter, lookillg up tl:roup.1:he hole.

53,b. :BOND'S?OV.

Lo·oking directly up at the helicopter, Winch 1i.ne and cradle as it co~es down towards the hole.

:amm' s VOICE (quietly) Steady as she goes.

llc. INT. l!EI,ICCPT~. COCUIT. ll:!'r::R.:PILOT

_m__a_.___E....X!_·._J_SLA.....,.m>...-..__p~ICOPTEP.

!!hePILOTthreads the winch line into the ho1e.

s,·-;e.I?rT. Cli.~. BO~

1501!!>grabsthe cradle :md scra:bles into it. On-eebe is secure, he puJ.la on the winch.

I1'll!"l'IBLICOP;En.COCKPIT. 2!TZR. ?'!im

s::vr. ·-.

PllO~

- Bere we go. Wish him luck.

~2~- :rlfT.CAV!:. :BOND I :BO!D 1a lifted clear of the wa~er on up towaria 'tllehde. lie holda his ams acove his heod to protect 1:1!ff3·•1.!'.I:ven ao, ·thewinch lilie shifts as he is being pu.l!.e~ou1:and he l crashes asunst the hole, first his head and his wide b:mg ageinst the coral encrusted rock.

,m-. II!T. ~ICOPTD. CQCRIT. tEI~. r;;::Im'

5'l2. EXT. IS!.J....'m.En!COPT2

l ~ appe~re out of the hole and is winched u~ ~o the ~ ~'!.icopter.

Revi&ed 10 Uarch 1965

i

54) - 545., G:'!!TT;'~ l 546. llT. ~ICOl'T~. .£.0,g::PIT.~OBD. ?::!iL"'!:?...!'11,C'r

~eside open .=atch ~s EOEJ)is pulled into 'thep1&ne. He

•

co-llepsesbesi.de winch. !bey unstrap him. I z47. rn. !!U.."D. ~!COPTER

he helico:ptr. J.ifisand turns awe.yat speed.

548. Ir.!. m:Licor-ren. COCKI>IT. ~C?rn. '!-JI:P

EOm> (e:hausted, dazed mm bleeding) :hey're going :forMiami. !he bo~bs are on board the Diaco. Get the radio man on to Orl&I!dc l;ench-- then nash 11Q". Tell.h:1:i t-o stand by at the Jirl)ort.

548~- rn. !T#~- mICOPTJ:.~

~lling :!:~eed. •

A thirty--ewo :!ootCUS!!IO!'CRQf, ""1thope?Iei,cl."]d1iandjet-

engjne mounte4 on pls:c.o-liketail assembl.7. -Q"and ltllll'l'EN+r~~: beside 1t. ?O~I~ guarc1~g roped o!! ana. In ~-•· :2sam: PL,UJElands. ~OJD),vn....-1.ngtr.mks and lee.th.er~ket, ~~ UI~ jump out cf'llel.i:cop'ter,rl.n to CUSHIOB'~~r.

550. r..r:-.,CUS!D:OJITC:--~3T..!,Q".»om>.rn~

"'Q•helJ:Sthem. to climb abo~d.

•Q" . ill the gear ~ou reque ■ tad,Di:Nbl.e-07.

I;EI!Enbehild the wheel starta the er~e. CGSHIO?rCaAP! ·1uts o!! tte grou=.d,ekims o!! alo:-.gi't.

~ 55Ca. Z1.'.':.c:'SgIONC!tA.z,;

,_.,,. Slri';mi:nr-aer..,ssterraintowardsthe water. i t -

',l i

Revised 10 J.1a.rch1965 152.

5:21• EXT. DISCO VOLANTE

Feil-borne, travelli~..g~t speed.

Skim:ir.ir..goverthesurface of the water, going n-~n faster t!lan the Diec0.

DI.SSOLV:E:

552 • :E:XT•?Jl.t..?~!.P..\NOlU.liICSRO~

C.JJlER,l...SHOO~ING:rROIIOFP-SHOll.

224• EXT. DISCO VOLA...."r?E

The Disoo Volante is standing off-shore, "1th ~~e toils down, rocking pe~o£fully on the '!'Bter.

5'55/226. O?-!!T~!D _,. 2 ~7. J..?!t!.1\1SHOT.SECOTINGDomT l'RO!:~

Visible ttrough the water, approaohi:tli;hullcf eu'Cken ehip is av she.:;,e,formedby sirteen S!'EC~.:a:33.leabJ''LA.RGCe.::d• JA.:.'1l."'I..J::e.chmanispulledbyaBulowelectric s~e-tow, on wt:ich CO2 g-.mshave been mounted.

'fbe 1'\fO-:t:::~.Uwetsubmarinecarries0?1&ofthe lm:!noe0:1e ahel.1'. c:.!:!EP.;.FO:LLOJ'SVTOWARD~. !!El!'~ BEi sub. noses !crn:n1.?ltohull•.Suddenly, in P.G.• .AQUJ.'.P~

chutes and drop iJ:ltowater. C.AXEa.A2il'S'D'PP..i.S~O!'BZRS noe:'tin& do1'1.tJ.'tow2:rdsurfacetoAQUJ.P.AB.i..planeover:b.e&d,

558. AEP.liLSHOT. A9l!APJ)l't.fi.,l'l.Jl..r.'E.~~CX

he· 1ast AQtJA.t~JU.S;jump.

559. '!)!500. XU!Z'E

I rtr'l'z:Eiaasts.ringtowards'theAQ'O'AP.AE.ASee'theJ"hi'twater 1.?l~..G. :sehears 'the sound of the app:roacb.i:zgcu.s::no:m:1u~PT and tu:n:1stol.ooltat it.

I 560. En. r",.,~;:,_•:.1oi-r~-·\.l.,_.ti.tt.h;;..;;;;;;,,-··~"'...i......----~;;;;;;;;;.:...-::,,._l'l'l'l':"'O.•.L;..,;;;;;;;....n....._...;,.iioiiiioiiiii~c,f.____.... J O"C?SB:IOlroR.U'Tskids'tce.stopon su:r!'&.Cf:1n-ea:r.&Q'Ol.:'A..'1..'1S eu bme:rging• :SO:r.Dnov.1we~ trunks , aq,1:e.l::.:.ng,!'~.::is,bclt ,

I

l t

~ev:1.sed10 krch 1965

i 153. , t

I 560. CTD.

etc. and carries underwater repeating gm.

~OllD Don't go away.

f • LEITmt '

You want I should c01:1ewith you?

I

~BD You mind the store.

3O:ND puts on mask a:nd dropa over the aide. i 561. U'EDERWA~ SHOT. 'BOED

Sm m1 ng ~ter AQUA.PARAS.

562. mrnEP.-::-rLTERSHOT.'BO~~OMOFrn

Several SP!:CTr,u1;l.mN,LARGOandJAlml, re1ee.singbomb ~rm:,. s~elf' o! rrl~WJl ~ ~d lay-'...ngitonbottom.

563 • 'UNDEP.!.'An:RSnOT.BULL

A.QtlA.:?.:Ju..Sreach1t,ensageE~C!BES.

•,.

AQtJAP.Ali.A.SandEI~C~S fighting, exchan;ing shots from CO2 g,ms, then closing with lcnives. Casualties o:a.bot~ sides.

569. m:DERWATE!i SliOT. !Om>

Reaching hull, !iring repeating gun at S~E~m about to lc:111J..QU..U'.A!lAwithkr.i!e.HeBwimlltb-01.i&h:e.gcedhole in hull.

570. tmD:cR19ATERS3:0T. IN.],_!D!:B'lJ'T...i!..:00~I!!P.G.

General melee arou.'"l.dW~HAN SD Bl'ldbomb~ JSOm>picks off Sl-EC1'IU:Swithrepeating gun. AQUA?1.la5 grapp11.n€with re- ma.inins SPzC1Til:E..SE'Vml.ALSP~~BE.S :n:illlfrmrtica1lyaway fro:nhilll. !ODIES no~ting. Equipment littenDg bottom o! hull.

Bevised 10 llarcb1965

r J' . i 571. m:DEP.u..\TERSEOT. iLROm :soge

r.IO•t11JlSUDillE.G. JlJm'I knU'iJlsAQ'OAPJJLL EOII>appeus, shoots JAIDTI,19oveepast struggling HEli to 'boz:ib.Be drops repe:ting gun, stc.rtet~ .!useout of bcmih. IdillGO swims into scene, e.im8 CO2 gun ~t :BOim.

I·

'Fuse in bis~:.!.. Spenr trom LAit 1sCO2 gm:a.hits%use, knocks hiJ:1backws.rd.Be ch-opef e. Ch:tm~ ilGI:::1'IDirn'S as Lt.JtGOco::iesatbit:1witb kn.ife. BOID pie2 Ui>gun., . IJ~GO grapples with h1l:Ibefore he can fire. ~~o tesre of'!:s01rn1s:ciasl:,breaksa_t1tiyfrctlh:119,sWimsaft.y. :eo?m holds brenth, looks.around, sees S?EC~ DOD! .noating besi.de bitl,takes off SPECTRE'• mask, puts ~t ~~. 1n E.G. SE'Vm1.is.I,J..Q'D'ilil.:.Sg?'OUJIaroundbo1:1c.S?EC~swim:,1ng eway, so~e surfacing.

URGO ..

Be grasps ser-tow cm bottom o! hu11, a-tnrta~or hole in h~ll. _j c;71. u••a:,!En~~~!'Tr,~..rc·s;roT-•• 5 ~-

Pi.eking up gu.~,firing after LJ.RGOno goee-~!rD""w.ghbole it hull. ::sotmlooksaround, sees another ae,._1iM1.,ge~s- •it,follows LA!?.GO.

575. nT .. S1ml'AC3. C'OSR!O~C!".L!'T.m;:;m

In :a.G. AQ'0.:2.llt.ASendSPEC~S a~acL~. Sm:e SPEC~ surrent\er, o~s continuins :tight. I.Zlir::Bara.sgun, ahoots e.tSl'ECnES, hi ts !t't/0,OTP7:R5surrend.u:.so.AQ'O.L'"'.'tFiUe:=.

':-76. 'TJWm:R~A~-;_SEOT. •-'---------- ~GO swim tl:rough.

577. Im-. nscc. S!:CL""1ROLD

:r...uu;.osur.fac:-es1nt:ml:,climbsout,r.ms to ~ pan£l.

..,_.......,..._..,...;;.;;;;;;..;;578.'O'Dllr~!i?AT!:?.............,;-----:::iCT.BOirn

Lpproachins !)Snel. It cloaea be~ore he resebetJ it. CltVi·'nA FOLLOt'S HI?it!.longbull to .foil.

579. :rr.T.~!S00. AT :P~

:BOID surfnces, etuts taking o!f unde~tez- eecr.

f Revieed 10 March 1965

r- ~l t ◄• ·;

Standing by, CAl'lJ~Nlooking tuousn p~ 't~ o.s. action around CUSHIOl1CliAFT.Ul!C0 en'ters. I

LlllGO (BhO'"J'tin&)

' Weigh anchor.

l 58l. EXT. IlISCO. F0!L. ~Om>

f' i l30:NDclbbs up the foil to aeck, drar~t- a b:ll'e 1':r-~his belt, starting towards Pilot Roust!. Disco gets underway.

582. m. !iISCO. DECR, :BO!lD

14ovins:alongsuperstructure 'toward M1ot Bca:se e.sl>ieco picks up speed a..~dhe&ds out ~o aea.

58,. EXT. FUI.L lT,i',W·SROT. T,ISCO

Decomine !oil-borne, con'tinuiq to increaae s;,,ee!. { J 564. !n. DISCO. LARGO tscg;;~. m;mn

i D0MilJ0is still e'tn.ppedto t!le b\Cltcid :le eti.11str,;.g.gl1:1g. t ihe key turns it:.thelock :and.she goe11rigid. !!'!Led~cr ·opens mld ~ZE scurries in. Se start& uns~ra~~U1£ her.

Elr.l'ZE (desperate) llelp me• Pler.se- you lmlS"thel.p me. Be has gone 11Bd. Lock - l am hel~i...ngyou- p1ee.ea - spealc tc them or- me - tell t!..em. I"twas no't ~ :re.ult.

D0l!Ili0strus,1es ~to a e1t'ti.D£positton.

nr.I'D I ~d only whet I w-...atoli'to4o. Vhe.t I had 'tocio•

D0ml0 sets arr the bed. i

l ElJ'l'ZE

Be would heve killed :me.

I

mmo

• l!he:t"'eiahe? i

'i

' 156. ' f'

1" ...' 585. DT;t'1:P!I.OTHOtTS!:!'~GO. ~ ~ ~ 1 i LARG0 s back to hatch. lSOrrDappeua br..:md-111:L,1c:llle , poiaed. As ho steps into Pilot House ~o stab IJJiG-0,FIRS~ OFFICER beside the CJ.P.r-AIRseesh1J:anala1t-:outs.LARGO ' turns 2nd grapples with BORD. I ~ I FIRS~ OFFICER takes gun out of'cor:para:ea:tbeslde ~ and comet tows.res :BONDand LARGO. :BcmD'breaka h-ee ~rom LaliGO i ae the FIRST OFFICl:Rtekea ail:l.XIE> l.a\Ulc:hesbimseli'full-

length at the FIRS~ OFFICER. ~he ahot goe11<ff"erhie heed, I smashing a pane of'class. !O!m roll.ao::!!ti:.aFIES!OFFICER ; f as the E?1GI?r<:r:F.a=ashesawrench dcn:nat BOl'.!>•sback. :Ale 4 impetus cf the blow carries the wre.nchaown, :ames~ 1.llto ' ' the FIRS~ OY.F!CEB.•schest. LAllGO-"U:wsa~0r.12le .g,mat the se.m.emoment as ~0.u'"Danc,.the!'ii'OC5'coJJ3ue'ml"the:'loor.

lSOJrngotsthe gun and scrambles on -tol::i.8~••~• %:le l ENGI!raZRkicks out at :B0ND1a face. BOD ~ps the g1:llas he catches the ZSG]NEf:H'•:root anc,.~cm bi: heed1ong across the Pilot House. :Ale ENGI?ral:acu~rma J.Jrtothe C.AP~Ainand the ~O l!E:Bcrash beck ap.1.1:1:st1nileaideofthe Pilot House.

IJJiGOacr2.::2blesacrossthe noor, :re~ ~= ~!legun, ~OED kicks the gun &.wayacross the ;loo:-. ~ wheel is spi"lning.

Veering err&tically, but sti111neree.a~ speed.

5~. InT. !'I!,OTEOUS,_E....._~........,OM>........,.___u;m'...._....,...,.•...,.._!;ff......,~..:.\:;;;:..;;i-~_~';.:;;"'-..._•_o_:;,;-.,;."?•.ll,:;;;;;;,;;!R._,

:BOl'.Demc,.LA:RGOuc?langeaotiehar4 pa:nches•&8 ~be ENG-I?,..:tm lai.mcheshi:u:eli'against EOED 1 sback. ~OD IS't!ngath.e DGirn. and throws hilDat URGO, turm. t:1.i~~de t=.e CAP!luE'CO?U.."'lge.thi:1.:BOD chops 'the~.-Di C.011'.rlw1th ~~.. a ks.rateblow to 'the2ieck. t ..I :, see. ~- !J!SCO

~a,r"cm:pletely out of control. r ' 589. Ir.T. P!LOT ROUSE. f.

?!heEr.Gll!E.CRpicksupthe wrench and tu.,.-.om,tc~a::~EO~. t IJ.lrGOsearches for the gun, the EP.G!E~ 1e¾~c~es hiruacl.! &t iso1m,smashing C,.owneth:is heai. ~ ~~e, eat~hes ' -- 1· 't-heam and swings the Z:.;G!l► ::,'won1DK!e.ti..09'll~petus. ~ : 'Beere.shesfcrward asnu.astE:na.shedg'le.s11·r=-t- ..

J.

J.cvisedl.OHarch 19e5

~

i ~ 1 589. Q;I). I• I Cll\!raA.loHslnl:l. Hoarae ■ cream o.s. rnr;o ~a ~OBI>~aoe each other motionless ~or a moment. ur-0 't'l::rclrsaheevy p1mah at !OND~a stomach. ~el" excbauge en:er&1 p:nches. l LARGO crasbca dOWJland finds tbe ~ne:h. 300D mane ~orward ~ e-tw:lbl.escrverthe!'IRS!OFFIC!:n.. I 1 LA.BGO'efirst \\lowv.1.ththewrench nes 91.'l:e:ae·~ ~al.ls on to his knee-s. The ~o GE' wres-tie ~er 1.u wrem:!l. :rh~y f ' :fe.11.onto the cont-:-ol.sbetweenCAP~ m,.a.PllS~ O!'FICER i seats1 ja:c1ng the:.

1' 589a.. !)ISC'O

Completel.1 o~t o! control•

LARGO sees the £tm.behind ~OD and llakea11.J.:utl!ffert. Be creshee both hen~e locked together~ cm2GID's neck a.r~:BO!rn!all.ahe&vily on to his Jcnees. T,t?;n ~e !or i the gu..--i,p:1.~l:111t1%P,turnsan4r.Li.eea~~.t.0J)D.1.1:r;1tat ' ; l,(mL.

~ • 590a. rn. n;.pT EO'l!SZ.ffi Alm;!.

I LL~ ~l'i,znpmmt r-th the gun atead7. E--1::le:J.7,.hereceive!: a "t'remcn.doublow illthe back which 'tmza ~« bcilly !or- I warli&?i:iJ:'1..'""l&hil:1to-tbewall.~ora....n:,.e1:j,~bodyis risid, with~ ahc.f'to!the spear·of'a CO2 2t:1rk1ng ou~

I CleMi,uPABS m DOca.. l>OllllO1a ■ tand:iJIE~. bol4ing ·1:hegi,m. J

I 590'b• ffl • ?!:,Q!?'EOtJSE.fL'JA,:GL;

l iOD pulls himel!' up an4 ■tumbles ~o"f1&.N21-tbecoor. l 591. EY.!J'.!'!SCP· !ilct• XO'IZE J 1 i.D:tZJ:!isrts:-.JJ!:!goutside~ePilot Roese e..altOElend I:O!!!RO come out. =-!'".,!,,canhardl.J'keeptheir~'t c.6 1:'linSdes- I l pe.n:tel.yto tu :rz:!1.

»mm

I (sa,sp~)

T!leconn-ol panel's ~n.m.e4!,.~•ll

J

breaz a~!

- 1

i

ievieed lO Ha.re• 1965 158.

51. CD.

!.'beypullthemselves up. DOHIBO climbs over the .rail.1 ·helped by !Olm, and dropB over the ai4e.

:BOD (to l:C'1'Z!:) Come on!

xmzn Where can I go?

:sen looks et him for a moment, then cli:m.bso,rer'tbe:rail.

:BOID Ask a sill7 question!

Dc:mnin the heart o'!the ehip there 1a a .firE"t,:c1.zlor e:rplcrsion. BOND drops over the side.

592. rn. w:..~. 110m

1.9..:::.ta.C'i.ng.DOMINOvisible'bt:7ondh1.m1n,,a:t:ermE..G. ' l

292r IiXT• !.!ISOO•mer.:. 1.!l'TZE

C%'Ulli:agfrom :"'ailtohatch i?leuperstru.cture.

Dazed ,-re"Vi'Vir.i.g,S"te.r-:1.?!gtOl!l'WimtO"&"&ril>01Dlr:)iJ:l.:S•G• f

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I KO~ZE stagter..::o.gaoroeegrating, peat two leea ca~a, ont 1 em:;,"tJ',theotLerclosed. Ee picl:.8up'G«'9fj:DeeUD11tcrchfrom :r:e.ci"el.or.gla,lk""e&ci.,igniteeit,l\1:rchest~ aoor 'to t c01!lpartm.,entbe~ eeo~et hold, o~ene it. I I. ~~6.. nrT. ?O::!rSTOI'i.AGZAnEJ. ,.

xmD·' 1 tore! illum1nctins .te:l.ksaehe ataggen 1.tl.Ee J 'QXUlcff.\'18l.E.rgecc.pontu.le,thruststorch 4c:,,::::.intotank. f 591,. 'Er!. ~sco. I

••ExJ)lod:i?le&J:.!5.;.1.antnamesand.shattered~ck"le. • 'I

; A.e!cm:D•reo.o:":-r.!her.Theyhold each ott.:.:-a!:~'SY,rater. .. Di.:ac:cin:a.G. !loreex_ploaioLs amid great pe.l.la~c:ozt and fi.o:11"'w,.

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Bevised 10 Uareh 1~5

•. 159. ,.. J

:,g. EXT. ~O!m. DO!:rnvo

i:hnustedly keepillg afioat. SOtmD OP CDS5.I~ .w'PBOACB- ING. !hey -turnt01r&rd it. CA?fii:I?4ilGl.E~ !lOll!CL'1J:DE LEit~ I! CUSHIONC2.AF-i'comingto1'£.l"d'thma. It cc:nemdown on si.1%':!'ace,skidstoa stop beside them. lie 't!:lrows-thema line. ~OED gets it, holds DOHmO With other ·m. C#XEF.A CO?ll!:SIXCl,OSEom !rmi.

:BOD (gr1Jm1ne) ft'eshould hc:vebrought our aqu.al1.mgs- •

As he ld.sseeher ane I.EI~ pulls the: -t~ ~OBCRJ.l'1', st7z:E:RISPOS2•~ .a,m - ~uT IfO! Q~ - •

DD 1"I~ Su'PZ!tD!POSD OVER - .,

600. .,1.l:AIJ..LS'SOT.VlC!!'OR

• Fli'i,n£overn.ter. It drops ~e...-e.chuteatte:he!'t:,con- 'tE:iner. Pe...-achll~e:noa.tsdowncs Victor ~es out o'! eoene. ~ :!eetabove r..u-!acepua.cl:uterei.un cm:4tailler. It

h.i~s.-thesnri'ace,.si.Jlks.

l 601. rnza-:.!~ s::oT~ co:P.~l:.Im

r.D:!f"f::U.POI.!,Otr!l1G-I!DOWN.CAVEBAl!Dlal'Su1~ntt1e11 en J ' bo't-tcr-,..U.C,._'ll:..u1'in:S.G. i ./ 02. !:PT. A.!Z!"'~!!AT.PT.!WOSl'E~ i ... i J.."'t'd.ndOT.,co::t;c.ne~Visib1eout21411.~ turn to each oifi:icr,~u~il.!ia.:.l:1~ei,rmfha. !bey operaw ems :nachinery. I

'I Claw-like ~..e:sio?:.Bre11chout, cJ.aaeon cmi'taine:-. :!%- I -te?2ti.onara't~. b::r~npng conta:tner alone,-s~a~. I1' ZI:rLcm-::.~, oblitera":'inigsoene. I

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