EXT.SWEDEN-DAY
THE DRAGON TATTOO
Best Adapted Screenplay
Based on the book
originally published
AChristmascardvistaisspoiledbyablacklineof railroadtracksstitchedontothesnowylandscapelikea scarpointingnorthtoicydesolation.Aphonerings-
THE DRAGON TATTOO
Best Adapted Screenplay
Based on the book
originally published
AChristmascardvistaisspoiledbyablacklineof railroadtracksstitchedontothesnowylandscapelikea scarpointingnorthtoicydesolation.Aphonerings-
Anelderlymanwholivesaloneinthisrusticcabin- aretiredpoliceman-regardsthephone,bothexpecting anddreadingthecall.Hepicksupthereceiver.
MORELL
Whatkindisit?
VANGERO/S
I don’tknow.White.
MORELL
Andtheframe?
VANGERO/S
Dark.
MORELL
Postmark?
VANGERO/S
Sameaslasttime.
MORELL
No note.
VANGERO/S
No.
HenrikVanger-at82,evenolderthanMorell-listens tothesilencefromhisendofthelineinawood-paneled roomasbaronialasthepoliceman’swasspartan.
VANGER
I can’ttakeitanymore.
MORELL0O/S
I know.I’msorry,Henrik.
There’snothingmoretosay.Vangersetsthereceiver downandregardsadriedwhiteflowerina6”x11”frame restingonthebrownpaperitwaswrappedandmailedin. It’ssomehowominous,likethedarkstormcloudsthatnow burstoutside-
MikaelBlomkvist-40’s-regardsthegauntletof reportershe’1llhavetopasstogetoutofthebuilding. Ashe stridestowardthem,microphonesandcamerasswing inhisdirection.Withoutstopping-
BLOMKVIST
Whatisthis,themediaeventofthe year?
REPORTER1
Don’ttrytoplayitdown,Mikael,it won’twork.
BLOMKVIST
Don’ttrytoplayitup,thatwon’t either.
Feelingabitlikehe’sfleeingthesceneofacrime, whichinawayhe is,Blomkviststepsoutsideopeninghis umbrella.Acoupleofthereporterscomeoutafterhim-
REPORTER2
Willyouappeal?
BLOMKVIST
I'llappealtoyou,Viggo:Finda realstorytocover.
Hehurriesoffintherain.
NEWSCASTERV/O
FinancialjournalistMikaelBlomkvist wasfoundguiltytodayon16counts ofaggravatedlibelagainstfinancier Hans-ErikWennerstrom.
At atablewithapre-madesandwichandcupofcoffee, anda longcourtjudgement,Blomkvistwatcheshimself fleeingthereportersonthecafe’sTV.He’stheonly onetherewhowatchesit-nooneelseisinterested- whichonlymakesitworse.
TVNEWSCASTER
In anarticlepublishedearlier thisyear,Blomkvistclaimed Wennerstrom-founderandpresident of TheWennerstromGroup-usedState fundsintendedforindustrial developmentinPolandforanarms dealwiththeright-wingUstashein Croatia.
ThereportcutstoashotofWennerstromoutsidethe courthouseinanArmanisuit,surroundedbyhislegal team,confidentlyaddressingthereporters-
WENNERSTROMONTV
I havenothingagainstMr. Blomkvist.He’sagoodjournalist whoI don’tbelieveisguidedby
inaccurate,andinaccuraciescan’tgo unanswered.He-alljournalists- havetoacceptliketherestofus, actionshaveconsequences.
Donewithhissandwich,Blomkvistgoestothecounter.
BLOMKVIST
MarlboroRed...andalighter.
Hecomesouttampingthepack.Extractsacigarette.
lighterbutcan’tgetittofireinthewindandrain. Huncheshisbodyaroundit,coaxesittolife.
TVNEWSCASTERV/O
Blomkvistwasorderedtopay600 thousandSKEindamagesandallcourt costs,whichcouldbesignificantly more.
feeling.Heregardsthetrashbin.Fishesaroundit, findsthepack,putsitinhiscoatpocket.
HecomesthroughpastChristmasdecorationsandamostly- youngstaff.Theytrynottoregardhimasadead-man- walking,butaren’tentirelysuccessful.Heentersthe editor’soffice.
ERIKA
Whereyoubeen?
ErikaBergerisaboutBlomkvist’sage,and-likethe IKEAfurniture-sendsamixedmessage:afeministina mini-skirt.
BLOMKVIST
Walking.Thinking.
ERIKA
Smoking?
BLOMKVIST
Justone.
He sits,exhaustedanddepressed,inacheapPoangchair.
ERIKA
statementuntilwe’vereadthe judgmentinitsentirety.
BLOMKVIST
Ihave. Whoelse?
ERIKA
Everyonewho’severwantedtosee youhumiliated.
BLOMKVIST
You'vebeenonthephoneallday then.
ERIKA
I’masmuchtoblameforthisasyou.
BLOMKVIST
Youare?Youwroteit?
ERIKA
Ireadit. Iranit.
BLOMKVIST
Notthesame.
ERIKA
Ourcredibilityisn’tdead,Mikael.
BLOMKVIST
Mineis.
Theyregardeachotherinanothersilence.Then-
BLOMKVIST
I’mtired.I feellikeclimbing underaduvetandsleepingfora week.
ERIKA
Alone?
Hethinksaboutit...shakeshishead‘no.’
ERIKA
I alreadycalledGregerandtoldhim I wouldn’tbehometonight.
Amotorcycledivesdownadrivewaythatburrowsundera three-storybuilding.
DraganArmansky,40's,wholooksmorelikeabossofa NewJerseycrimefamilythanCEOofahigh-techsecurity firm,sitsbehindhisdesk,waitingwithanolderclient.
ARMANSKY
It’spossiblewecouldwaitforever.
FRODE
Youcalledher,Ithought.Youspoke to her.
ARMANSKY
I’mafraidthatdoesn’tmeanmuch.
FRODE
I don’tunderstand.
ARMANSKY
No oneherelikesher.Soit’s betterifsheworksathome.
FRODE
ButyoutoldherI wantedtomeet her.
ARMANSKY
ButI’vetoldhermanymoretimesI preferhernottomeetclients.
behindwecan’tseehim/herwell,butcanseewarylooks fromothersemergingfromandgettingintotheelevator.
FRODEV/O
Butyoulikeher.
ARMANSKYV/O
Verymuch.She’soneofthebest
fromherreport-
ThereportonArmansky’sdeskis200pageslong.
INSERT:Printedonitscover:MikaelBlomkvist,acase numberand,smaller,itsauthor,LisbethSalander.
FRODE
But.
ARMANSKY
I’mconcernedyouwon’tlikeher. She’sdifferent.
FRODE
Inwhatway.
ARMANSKY
Ineveryway.
Theblack-cladfigure-frombehindagain-stridespast coworkerswholookaway.
SECRETARY/ INTERCOM
Ms.Salander’shere.
Armanskybreathesadefeatedsigh,tapstheintercom buttontwicetosay‘okay,letherin.’
LisbethSalanderwalksin:Asmall,pale,anorexic- lookingwaifinherearly20’s.Shortblack-dyedhair- piercedeyelid-tattooofawasponherneck;probably severalmoreunderherblackleatherjacket-blackt- shirt,blackjeans,blackCaterpillarboots.
Frodeisonlymiddlinglysuccessfulinconcealinghis initialreactiontoher.Thisisn’tpunkfashion.This is someonesaying,Staythefuckawayfromme.
ARMANSKY
Lisbeth,Mr.DirchFrode.
FRODE
Howdoyoudo?
Shedoesn’tshakeFrode’shand,butdoesaddresshim:
SALANDER
Somethingwrongwiththereport?
FRODE
No. Itseemsquitethorough. There’sawealthofdatahere.But I’malsointerestedtoknowwhat’s notin it.
SALANDER
There’snothingnotinit.
FRODE
Youropinionofhimisn’t.
SALANDER
I’mnotpaidtogivemyopinion.
FRODE
So youdon’thaveone?
begshernottosayanythingunpleasant.Eventually-
SALANDER
He’sclean.Inmy opinion.
FRODE
He’s- excuseme?
SALANDER
He’shonest.He’swhohepresents himselftobe.In hisbusiness, that’sanasset.
FRODE
There’slessinhisassetcolumn afterhisconvictiontoday.
SALANDER
That’strue.Hemadeafoolof
thatway.
FrodelooksatArmansky.What’sthatsupposedtomean?
SALANDER
If hemadeupthestory,that’s outof character.Soisgivingup withoutafight.Peopledon’tdo thingsthatareoutofcharacter.
FRODE
Areyousayinghewassetup?
SALANDER
Thatwasn’tpartofmyassignment.
And,apparently,shehasnoopiniononiteither.
FRODE
You’requiterighthemadeafoolof
fooldidhemakeofhimself financially?
SALANDER
Thejudgementwilljustaboutempty hissavings.
ThisseemstopleaseFrodemorethananythingelsethat hasbeensaid,andSalanderseesit.
SALANDER
MayIgo?
FRODE
Yourreportislightinanother
youchosenottoinclude?
SALANDER
Nothingthatwarrantedinclusion.
FRODE
I’mnotsureifthatmeansyesorno.
ARMANSKY
IthinkwhatMs.Salandermeans,and Iagree,isthateveryonehasaright toa certainamountofprivacy,even whenthey’rebeinginvestigated.
FRODE
Notinthiscase.I havetoknow ifthere’sanythingabouthimImight findunsavory-evenifshedoesn’t.
Armansky’slooktoheratonceapologizesforFrode,and
morespinonitthananyotherpieceofrawdata-
SALANDER
He’shadalongsexualrelationship
marriage,butnothers.Herhusband
Blomkvist’s,sometimesathome.
Frodethinksaboutthat,perhapsimagininghowmuch simplerhisownlifewouldbewithsuchanarrangement.
FRODE
Youwererightnottoincludethat.
SALANDER
I know.
FRODE
Anythingelse?
SALANDER
No.
FRODE
Pleasethinkbeforeyousayno.
SALANDER
I did.
FRODE
I don’twanttobesurprisedby somethinglater.
Salanderoffersnothingmore.
FRODE
So. Nothingelse.Inthepersonal department.You’resure.
He likessandwiches.
Blomkvistisn’tsentimental,butdoeshaveafewframed snapshots:hisdaughter,hissister,andonewithErika- intheir20’s-inwhichhe’swearingablackleather jacket.
livingroomtofindhimtypingonhislaptop,ahalf- eatensandwichandglassofwaternexttoit.
ERIKA
UsuallywhenIwakeupinacold bed,it’sathome.
BLOMKVIST
Sorry.
ERIKA
Whatareyoudoing?
BLOMKVIST
Writingthepressrelease.
ERIKA
Saying-
BLOMKVIST
You’retakingoveraspublisher. You’resorryforanynuisance Wennerstromwascaused.Ican’tbe reachedforcomment.
ERIKA
You’regivingup.
BLOMKVIST
Justtakingafewstepsaside. Foryou.
ERIKA
Thismakesmesick.
OMIT: INT.BOOKSTORE-STOCKHOLM-DAY
Salandersitsaloneatatablewaitingforsomeonewith a coffeeandagifthaphazardlywrappedwithaChristmas bow,thepricetagstillonit,apaperbackbook-My60 MemorableGames,byBobbyFischer.Shenoticestheprice tagis stillonit.Peelsitoff.Dialsacallonher cell.Hangsupwhenitgoestovoicemail.
softlyinside,butnooneanswers.Shetriesthedoor. It’sunlocked.Thegiftinhand,shepushesitopen.
Shecomesintoanapartmentwhichlookslikeitcould belongtoaprofessor.Seesachesspieceonthefloor. Thenatrailofthemthatleadhertoanoverturnedchess tableand,nexttoit,abody.
Thegashontheoldman’sheadcouldhavebeencaused by afallintothecornerofthetable,orfromablowto it. Shequicklytriestodetermineifhe’sbreathing. Callsforanambulance.
It’sdoubtfulthere’sastrangerChristmasgathering
eggnogare:
Blomkvist;histeenagedaughterPernilla;hissister AnnikaandherItalianhusband;Erikaandherweirdly understandingartisthusbandGreger,whosearmisaround herwaist;afewotherfriends(andperhapslovers).
GREGER
neededyoursister.
BLOMKVIST
Sheoffered.
ANNIKA
He declined.
BLOMKVIST
As shehoped.
ANNIKA
Neveragoodideamixingfamilyand business.
BLOMKVIST
AndI stillwouldhavelost.
GREGOR
Didyouhave...anythingonhim.
BLOMKVIST
I hadalot. Itjustwasn’tany good.
ERIKA
It wasn’tevenaboutMikael.It wasWennerstromsendingamessageto thepressasa whole-andtheFSA: Don’taskquestions.
Blomkvist’sdaughterseemsconcernedforhim.
BLOMKVIST
I’mfine,Nilla.Youdon’thaveto worryaboutme.
PERNILLA
Mom’sworried.
BLOMKVIST
Aboutme?
PERNILLA
Aboutallthatmoney.
OutsidetheICU,Salandersitsonthefloorlikeadog whowon’tleavethespotitsmastertoldittowait.For thefirsttimesincewe’vemether,shelooksvulnerable.
upto hearhisreport-
DOCTOR
You’reMr.Palmgren’sdaughter?
SALANDER
Hisward.Hedoesn’thavea daughter.
Thedoctorisn’tsurethenifheshouldtalktoher.
SALANDER
Please.
Notallowedtogoinside,shepeersthroughglassat Palmgren,whoisunawareofher,orthenurseattending him,orevenhimself.Aspiderweboftubesemergefrom hisneckandwrists;oxygentubesfromhisnostrils.
DOCTORV/O
He’shadseverecerebral
fallitself,orastrokethatledto
stillhigh.I’mhopefulhe’1lregain consciousness,butthat’snot assured.Andit’spossible,ifhe does,therewillbeneurological damage.
OMIT: INT.METRO-MOVING-STOCKHOLM-NIGHT
They’rearoundthedinnertablenow,passingplatters around.Blomkvistnoticeshisdaughter’sheadisbowed in silentprayer.
BLOMKVIST
Nilla?Whatareyoudoing?
PERNILLA
Nothing.
BLOMKVIST
(pause) You’renotserious.
PERNILLA
I don’twanttotalkaboutitsince I knowyouwon’tapprove.
BLOMKVIST
Of -
(shedoesn’tsay)
Nilla.
PERNILLA
LightofLife.
BLOMKVIST
Lightof- what?
(shedoesn’trepeatit)
Whatisthat?
PERNILLA
Youthinkit’sallsenselessbutit isn’t.It’smorenaturaltobelieve in somethingthannotto.
Shebeginseating.Blomkviststaresather,feelinga littlesick.Acellphonerings.Noonecantell-as younevercan-whoseitis,andsoallpullthemout. It’sBlomkvist’s.
BLOMKVIST
Excuseme.
Lookingbackathisdaughterwithsomeconcern,hesteps awaytotakethecall.
BLOMKVIST
Hello.
FRODEO/S
Mr.Blomkvist?
BLOMKVIST
Yes.
FRODEO/S
Forgivemeforintrudingonyour Christmas.MynameisDirchFrode. I’man attorney.IrepresentHenrik Vanger.Perhapsyou’veheardof (him)-
BLOMKVIST
Of course.
FRODE0O/S
He’dliketospeaktoyouabouta privatematter.
BLOMKVIST
Youknow,you’recallingatan awkwardtime.
FRODEO/S
I’msorry.I’mabouttositdownto Christmasdinnermyself.
BLOMKVIST
That’snotwhatImean.
FRODEO/S
You’rereferringtoyourrecent legaltrouble.ThathasprovidedMr. Vangerwithsomeentertainment.
BLOMKVIST
Excuseme?
FRODEO/S
Hedoesn’tcareforWennerstrom either.
Frode,inhispolite,deliberateway,isreeling Blomkvistinlikeaperch.
BLOMKVIST
Havehimcallme.
FRODEO/S
He’dliketomeetinpersonifthat’s okay.Upnorth.Hedestad.
BLOMKVIST
No. sorry.
FRODE0/S
He’smuchtoooldtomakeatripto Stockholm,Mr.Blomkvist.Please. Ifyou’dbesokindastoconsider.
Blomkvistisn’tsurewhattodo,orsay.
FRODEO/S
Christmascard.
Salanderridesacrowdedundergroundtrain,butfeels evenmorecutofffromthepeoplearoundherthanusual; completelyalone.
Apassengertrain,barelyvisibleinaseveresnowstorm, makesitswaynorth.ThisisnoChristmascard.
Blomkviststaresoutatthebleak,northernlandscape.
BlomkivistdisembarkstofindFrode-whohecanonly assumeisFrode-beyondaveilofsnow,wavingtohim fromoutsideaMercedes.UnlikeBlomkvist,he’sdressed forthisGod-awfulweatherinafur-collaredtopcoat.
Frode’sMercedescomesacrossalongbridgelinkingthe oldindustrialtowntoarockyisland.
FRODE
FirsttimeinHedestad?
BLOMKVIST
Andlast,I’msure.
FRODE
It’slovelyinthespring.
BLOMKVIST
Yousaiditwaslovelyinwinter.
FRODE
Thisisunseasonable.
BLOMKVIST
I’1lbeon the4:30trainbackto Stockholm.
FRODE
Unlesswegetsnowedin...I’m joking.You’1llbehometonight,if that’swhatyouwish.
Thecarcomesupalong,bare-tree-lineddrive,leading toastatelymanor.AsFrodeandBlomkvistclimbout,a distantgunshotechoes,butneitherFrodenortheoldman whoappearsatthefrontdoorofthemanorpaysitany attention;justsomeonehunting.
VANGER
Welcome.Comeinside.It’swarm.
Itis warminside.Therearefiresinthefireplaces. AndVangerhimselfiswarminnature,yetspeaksquickly astheycomethroughthehouse-
VANGER
Thankyouforcomingwayouthere. Anna,takeMr.Blomkvist’s
freshenup?We’1lbehavingdinner later.Fornow,hotteaiswaiting. Unlessyou’dlikeadrinkinstead. Whatwouldyoulike?
FRODE
4:30trainbacktoStockholm.
VANGER
What?
BLOMKVIST
Ican’tstayfordinner.
Vangerlooksthoroughlydisappointed.Orhurt.
VANGER
Oh. IguessI’dbetterbequick then.Thankyou,Dirch.Mikael, thisway.
Teaserviceandpastriesonacoffeetableseparate BlomkvistfromVanger,whoseelderlyframeisindanger ofbeingswallowedupbyawing-backchair.
VANGER
Whatdoyouknowaboutme?
BLOMKVIST
Thatyouusedtorunoneofthe biggestindustrialfirmsinthe country.
VANGER
Usedto.That’scorrect.
Thereareframedblackandwhitephotographsonawall- factoriesandtrainsfiguringintoallofthem.
VANGER
My grandfatherforgedthetracks the4:30trainwilltakeyouhomeon- andmostoftheotherpre-state-owned raillines. Westitchedthis
andmilledthelumberthatbuilt modernSweden.
(pause)
Youknowwhatourmostprofitable productnowis?
(Blomkvistdoesn’t)
Fertilizer.
Blomkvistimagineshe’smeanttoofferawistfulshrug.
VANGER
I’mnotobsessedwiththedeclining healthofthecompany,butIamwith thesettlingofaccounts-andthe clockisticking.Ineedyourhelp.
BLOMKVIST
Doing.
VANGER
Officially,assistingmewithmy memoirs.Butwhatyou’dreallybe
you’ddothatbydoingwhatyoudoso well- thisrecentlegalmishapof yoursnotwithstanding.You'dbe investigatingthieves,misers, bullies,andmalcontents-themost detestablecollectionofpeople you'llevermeet...myfamily.
Sheexhumesanunwashedbowlfromasinkfulofdirty dishes,fillsitwithtapwaterwithoutrinsingit,dumps apacketoframennoodlesin,putsitinamicrowave.
ShetakesaCokecanfromananemically-stockedfridge toadeskinherso-calledlivingroom,aclutteroffull ashtrays,fastfoodwrappers,emptysodacans,paperwork, unwashedlaundry.
TheonlythingsofanyvaluehereareherMacBookand severalexternalharddrives.
NOTE:ChangesbelowareINSERTSonly:
thetopresultwhichtakeshertoFrode’sbioonVanger Industries’sitewithitsdistinctiveV.I.logo.
Hisofficialcompanyphotoaccompanieshisprofile:
UppsalaUniversityLawSchool...AssistantCounsel, VangerIndustries,1965-1972...HeadCounsel,1972- present.
Shetypesinanothersearch-Hans-ErikWennerstrom. ClicksonhisWikipediapage,whichshowsaphotoofhim alongsidehisbio.Sheskimsit-
Presidentoftheinvestmentfirm,Wennerstrom-gruppen... personalwealthof12billiondollars(80billionkronor) ---82-footyacht,villaontheislandofVarmdo...
Shedoesathirdsearch,types:
Wennerstrom+VangerIndustries-andhitsthe‘cached’ option-
Thereareonlyacoupleofresultsthatincludeboth terms.Shegoestooneofthem,abodyoftextofsome oldpagewiththecachedtermshighlightedinyellowand blue,andreads-
..-Hans-ErikWennerstrom,CPA,VangerIndustries AccountingDept.,1971-1972...
Hmmm.
Thechildrenofthe“thieves,misers,bulliesand incompetents”playonabeach.Ashutterblinksfreezing a 12-year-oldgirlinforegroundinblackandwhite-
VANGERV/O
ofmybrotherRichard.
ThesamephotographofHarrietinaphotoalbumVanger showsBlomkvist.
VANGER
Richard,whoImayaswellstart withtogetitoutoftheway,wasa Naziofthefirstorder-joiningthe NationalistSocialistFreedomLeague whenhewas17.
Apageinthealbumturnstorevealaphotoofayoung maninauniformwithaNazipin.
VANGER
Isn’titinterestinghowfascists alwaysstealthewordfreedom.
(Blomkvistcheckshiswatch)
The4:30. Yes.Okay.Anyway, RicharddiedamartyrtotheNazi causein1940-missedallthereal excitement-butnottheopportunity to regularlybeathiswifeMargareta andtheirson,Gottfried.
WeseephotosofGottfried,ahandsomeyoungman.
VANGER
Now,Gottfried-Harriet’sfather- waswhatpeopleusedtocallaGood- Time-Charlie.
BLOMKVIST
They’restillcalledthat.
VANGER
Arethey? Okay.
INSERT:CloseonaphotoofGottfried.
VANGER
He wasacharmer,aladiesman,a drunk.In otherwords,aborn salesman-whichiswhathedidfor thecompany-travelingaround, takingclientsouttodinnerandso on.
BLOMKVIST
Someonehastodoit.
VANGER
That’sright.Anyway,hediedin 1965. Drowned.Drunk.Hereonthe island.
Astudiophoto:Gottfriedwithhiswifeandtwochildren.
VANGER
HiswifeIsabella-whowaspretty muchuselessbeforeasaparent- becameevenmoresoafterhisdeath- whichiswhenIbeganlookingafter theirchildren-Martin-whoruns VangerIndustriesnowthatI’m retired-andHarriet.
A photoofamuchyoungerVangerand15-year-oldHarriet.
VANGER
Shewasbrightandcurious,a winningcombinationinanyperson.
BLOMKVIST
Andbeautiful.
Vangernodsasheregardsthephoto...
BLOMKVIST
Somethinghappenedtoher?
Vangernodsagain;issilentforseveralmoments...
VANGER
Someoneinthefamilymurdered Harrietandforthelastfortyyears hasbeentryingtodrivemeinsane.
OMIT: INT.SALANDER’SAPARTMENT-STOCKHOLM-DAY
The4:30trainleavesthestationwithoutBlomkvist.
Annagathersthecupsandleaveswiththeteatray.
VANGER
ItwasSeptember21st,1966.A Saturday.Harrietwas16.
ThreegenerationsofVangersdotthegrounds.
VANGERV/O
Mybrothers-alongwiththeir wives,childrenandgrandchildren- hadgatheredhereforourloathsome
wasalsothedaytheYachtClubheld itsAutumnparade.
Andwe seetheparade,and,amongthespectatorslining thetown’smainstreet,Harrietwithotherteenagegirls.
VANGERV/O
Harrietandacoupleofschool friendshadgoneintotowntowatch it. Shereturnedalittleaftertwo o'clock.
Aclockintheroomreads,2:10.Vangerandafewfamily memberssipafternooncocktails.Harrietappears.
VANGERV/O
if shecouldtalktome.Ihonestly don’trememberwhatIwasdoingthat I thoughtwasmoreimportant,butI toldhertogivemea fewminutes.
Sheleaves.Hereturnstotheothersintheroom.
VANGERV/O
Butin afewminutes,beforeIcould go upstairstotalktoher,something elseoccurred.
Acaranda fueltruck,bothgoingtoofast,collideon
carandspewinggasoline.
VANGERV/O
Theaccidenthadnothingtodowith Harriet-andeverything.
Vangerandtheothersreacttothenoiseofthecrash. Outthelargewindowtheycanseethebridgeandmanyof thoseonthegroundstrottingdowntogetacloserlook.
VANGERV/O
It waschaosaseveryonedroppedwhat theyweredoing.
Peopleandvehiclesconvergeonbothsidesofthebridge.
VANGERV/O
Police,anambulance,firebrigade, reporter,photographerandonlookers quicklyarrivedfromtown,asthose of usontheisland-thefamily- hurriedtothebridgefromourside.
Thetruckdriverhasmanagedtoclimboutofhiscab,but theothermotorististrapped.
VANGERV/O
Thedriverofthecar-aMr. Aronsson-waspinnedandseverely
pryhimoutwithourhands-since metaltoolscouldspark.
A localnewspaperphotographerandanotherman,snap picturesasVangerandotherstrywithoutsuccesstopry theinjureddriverfromhiscar.Asthechaosensues-
VANGERV/O
Abouttwentyminutesafterthecrash,
herselfsawher.
AnnaglancestoHarrietasshecomesin,thenbackout
reads2:35,stepsoutside,walkstowardthewoods...
Asthe sunsets,Vangerandtheothersonthebridgemake
comingfromthetownsidetakesoffhisjackettohelp.
VANGERV/O
WefinallygotpoorAronssonoutof hiscarandofftothehospital,and thoseofusonoursidedriftedback tothehouse.
Thefamilyhasassembledatalongdiningtable.
VANGERV/O
Thesunwasdown,theexcitement over,wesatdowntodinner.That’s whenInoticedHarrietwasn’tthere.
Vangerconsidersanemptychairaseveryoneelse, includingtheyoungmanfromthebridge,hisjacket drapedonhischair,passesplattersoffoodaround.
VANGERV/O
Andshewasn’ttherethenext
fortyyears.
OMIT: INT.VANGERMANOR-NIGHT
Vangerhasthesamelookofconcernonhisfacenowashe leadsBlomkvistupsomestairs.
VANGER
Whatwasshegoingtotellme?Why didn’tImaketimeforher?Why didn’tIlisten?
BLOMKVIST
Shecouldn’thaverunaway?
VANGER
Notwithoutbeingseen.
Thecrewscontinuetheirworkunderlights.
VANGER
Firemenstayedonthebridgeall
no oneswamacross,ortookarow boat. Allofthemwerestilltiedup on thissideSunday.Believeme,we checked.
BLOMKVIST
Shecouldn’thavefallenanddrowned?
VANGER
Thecurrentsaren’tstronghere. Anythingthatfallsintothewater turnsupnearby.Likeherfather. Hisbodydidn’tdriftmorethanten meterswhenhedrownedtheyear before.
Vanger’spausesatalandingtosteadyhimselfandhis laboredbreathing.
VANGER
No. Someonekilledher,Mr.
thatday. Someonecloseenoughto knowwhatsheusedtogivemeeach yearonmy birthday.
Heunlocksthedooroftheatticandpushesitopento revealaclusterofninedustyframeddriedflowersona wall.
VANGER
Thesewerefromher.
And,onanotherwall,fortysimilarly-framedflowers-
VANGER
These,fromherkiller.
Blomkvistregardstheforty...
BLOMKVIST
Whoknowsaboutthese?
VANGER
Me,thepolice,themurderer... andnowyou.
It’srainingasanelegantly-dressedwomanslowsbefore a luxuriousapartmentbuilding.Salanderapproachesfrom theotherdirection.Passing,shenotesthefournumber tonesthewomankeysinthecodelock.
Thedoorbuzzesopenandthewomandisappearsinside. Salanderdoublesbackandkeysthesamefournumbertones intheMiltonSecuritylock.
anunlockedservicedoorandtakesstairstoabasement machineroom.Examinestanglesofphonelines,meters, Wi-Firouters.Photographsthemwithadigitalcamera.
doorbuzzes,andamaninasuitonthesidewalkpushes itopen,seesher,holdsitwideenoughforhertopass.
Themanisa driver/bodyguard.Hecontinuestoholdthe doorforhisemployerwhonowemergesfromthebackofan idlingcarandcrossestoitintherain...Wennerstrom.
Therainhereisicierandmorepunishing.
VANGERV/O
Whenthepoliceinvestigationpetered out,Ikeptatit-
They’reeatingdinnernowinthediningroom.
VANGER
- studyingtheirreportsand interviews,alltheinformationthere was,andit’salot. I’vespenthalf my lifeexaminingtheeventsofa Singleday.
Andforallthat,he’snoclosertothetruth.
BLOMKVIST
I understandyourfrustration. Butwhatyou’reaskingmetodois a wasteofmoney.
VANGER
We haven’tdiscussedyourfee.
BLOMKVIST
We don’tneedto.Ican’tfind somethingyouhaven’tbeenableto in fortyyears.
VANGER
Youdon’tknowthat.Youhavea verykeeninvestigativemind.
Blomkvistwonderswhyheeveragreedtocomehereas Vangerrefillshiswineglass.
VANGER
Here’swhatIpropose:Youcome stayontheisland.I haveanice littlecottagebythewateryoucan use. YoustudythematerialIgive you. YoufindsomethingI’vemissed - oryoudon’t.
BLOMKVIST
Youwantmeto setasidemylife andcareerforsomethingthat’sa completewasteoftime.
VANGER
Thinkofitas awelldeserved
peopleyouwanttoavoidrightnow.
(nothingfromBlomkvist)
As forcompensation,I’1lpayyou twiceyoursalaryforasmanymonths as ittakes.I’11quadrupleitif yousolvethemystery.
BLOMKVIST
Mr.(Vanger)-
VANGER
I’mnotdone.I’11throwinone morething-eventhoughyou’rea terriblenegotiator.It’swhatyou wantmorethananythingelseandit can’tbeboughtatanyprice.I’11 giveittoyou...Hans-Erik Wennerstrom.
HepushestowardBlomkvistaplate:thecarcassofthe fresh-killedandcookedduckthey’vebeeneating.Itand thementionofWennerstrom’snameclouds,atleastfora moment,Blomkvist’smemoryofthetrainhemissed.
VANGER
Hebeganhiscareerworkingforme. AndI’vefolloweditwithinterest, shallwesay,eversince.Youwere rightabouthim.Youjustcouldn’t proveit.
Salanderclimbsaflightofstairsinabuildingthat couldn’tbemoredifferentthanWennerstrom’s.Knocks on adoor,waits,listenstosomedead-boltsunlocking.
Itopens,butremainsimpassablebyafigureweighing
intotheshadowsofhisdarkapartment.
PLAGUE
Wouldyouliketosit?Icould possiblyclearaplaceifnecessary.
It’shardtoimaginehowheoranyonemightaccomplish that.Theplaceislikea junkyard.Eventheunmadebed iscoveredwithstuff.
SALANDER
Didyoumakeit?
PLAGUE
Haveyousomethingforme?
Shetakessomecashfromapocket,handsittohim.He countsitandisunimpressedwithitstotal.
PLAGUE
I’monwelfare;Idon’tadminister it. Thisisn’tenough.
SALANDER
I hadtopaythreemonthsbackrent andeata littlebit.It’sallI haverightnow.
PLAGUE
I findthatsopoignant.
Somuchsothathedoesnothingmorethanlookather. Shereachestotakethemoneyback,buthepocketsitand movesacrossthedarkroomtoaworktablewherehigh-end
herasmallhomemadeelectronicbox,whichsheturnsover inherhands.
Whileit’sclearboththesepeoplearedeficientin behaviorthatgovernspolitesociety,it’shardtotell whichlacksitmore.
PLAGUE
No ‘thankyou?’
Erika,firsttoarrivethismorning,orsoshethinks, comesthroughtheemptyofficeswithaWayne’sCoffeeto- gocup-butBlomkvistisalreadythere,packingsupplies fromhisdesk,booksfromhisshelf.Asecondsuitcase, presumablyfullofclothes,sitsonthefloor.
ERIKAV/O
Youcan’tbeserious-
Hezipsthesuitcasewiththesuppliesinitclosedand gatherstherest.
ERIKA
We’reinourworstcrisiseverand you’rewritingamemoir?
BLOMKVIST
Youfiredme;Ineedsomethingtodo.
ERIKA
Youfiredyou;Ineedyouhere,not
is goingtolooklike.
BLOMKVIST
LikeI’vebeengutted.LikeI’m runningaway.Iam.
Theycrossthroughthebuilding,hewithhiscases,she withhercoffeecup.
BLOMKVIST
Wennerstromwantstoseemewaving awhiteflag,notaredone.Andthe moreitlookslikethere’saproblem betweenyouandme,themoreit’1l satisfyhim.
ERIKA
won’tbesatisfieduntilheshutsus down,andyou’releavingmetofight himalone.
Hekissesherbutgetsbacknomorethanhewouldfroma statue-andstepsoutside.
BLOMKVIST
It’sfourhoursbytrain.It’snot theNorthPole.
twosuitcases.Thistime,Frodeisn’ttheretomeethim. He struggleswithhisluggagethroughthesnowtoataxi stand.
As ataxipassesagasstationbythebridge,Blomkvist regardstheMiddleEasterndriver’seyeswhichregardhim intherearviewmirror.
BLOMKVIST
Thinkthissnow’sgoingtoletup anytimesoon?
HUSSEIN
ThisistheNorthPole.
hecan seeVanger’smanorandcoupleotherhouses.The taxidrivesoffanddisappearsintothesnow.
callitcozy. Intruthit’sjusttinyandfreezingcold.
Blomkvistunpacks.Putsclothesinawardrobe,setsout books,notepads,pens,CD’s,aCDplayer,hislaptopand a smallprinter.
receptionbars.Hearsafaint,plaintivecryandtraces ittoa window,beyondwhich,onthesilloutside,stands acatpeeringin.Heopensthedoor,andthecatheads straightforthekitchenette.Thenlooksathim.
BLOMKVIST
What. Milk?
Heopenstheoldfridge.Nomilk.Nothing.
Hecomesoutintofallingsnowholdinghiscellphone outinfrontofhimlikeadowserdivininggroundwater. Movesaroundtryingtogetasignal.Can't.
Hepurchasesmilk,butter,aloafofslicedbread,some packagedlunchmeatsandafewcansofcatfood.
Hewalksalongthestreetthroughwind-whippingsnow, cradlingthegrocerybag,celloutinfrontofhimagain. Anyofthelocalscouldtellhimhecoulddothisforever —-therearenocelltowersanywherearoundhere.
Grocerybagathisfeet,hedialsacallwithfingershe cannolongerfeelonthegasstationpayphonebythe endofthebridge.ItgoestoErika’svoicemail.
BLOMKVIST
It’sme. I’mhere.It’sfucking coldandI’mona payphone.Ifyou triedtocall,thereceptionsucks, andif youtriedtoemail,there's noneofthateither,so-so- I’m here- and-I can’tevenspeakit’s so fuckingcold.
Hehangsup,openthesamepackofcigarettesfrom
thewindandsnow,hurriesofftowardthebridge.
Asthecatlapsatmilkonaplate,Blomkvisttriesto getafiregoingusingpagesrippedfromabook.It’sa strugglehe’sgoingtolose;he’snoBoyScout.
Salanderappearsandkeysinthefourlocktones.
Inthemachineroomagain,shepullsonecableawayfrom theothersandwirestoittoPlague’selectronicbox.
Thebellinthechurchtowerclangs-
Butit’saknockthatdrawsBlomkvistawake.Having forgottenwhereheis,heregardsthecatsleepingwith him,thentheroom,andgroans.Hepadstothedoorin
onhisdoorstepwithahandcartloadedwithfileboxes.
NILSSON
I’mGunner.Thecaretaker.
AsGunnerexpertlybuildsafireinthefireplacefor him,Blomkvistworksatunpackingtheboxes-documents, fatpolicereports,notebooks,folders,photoalbums.
NILSSON
You’reanauthor.
BLOMKVIST
I’mwritingabiographyofMr. Vanger,yes.
Nilssonnods,butisn’tsurehebelievesit.Maybehe tooka lookinsidetheboxesbeforehebroughtthemdown.
NILSSON
Isawyouon television.
BLOMKVIST
That’sunfortunate.
NILSSON
Bitoftrouble,Iguess.
Blomkvistnodsandhopesthat’senoughtoputanendto thesubject.Itisn’t.
NILSSON
Nojailtime,though.That’sgood. Costyoualotofmoneythough,yeah?
dustshimselfoff,satisfiedwiththefirehe’smade.
NILSSON
There.
VangerhasventuredoutsidetoshowBlomkvistaround
greyskies,weatherforwhichBlomkvist,unliketheold man,isinadequatelydressed.
VANGER
Theislandisownedbymyfamily. Yourclosestneighborismybrother Harald,anotherNaziifyoucan believe.Twointhefamily.He’s detestabletoputitnicely,but you’1lprobablyneverseehim.He’s a recluse.
BLOMKVIST
He wastherethatday?
VANGER
Indeedhewas.
Vanger’slooktoBlomkvistadds,‘soconsiderhima suspect.’Heindicatesanotherhouseonthegrounds-
VANGER
That’shisdaughterCecilia’shouse. Theydon’tspeak.
BLOMKVIST
Doesanyonespeaktoanyoneonthis island?
VANGER
Actually,Isabella-Harriet’smother - wholivesthere-
(points)
- shespeakstoHarald-whichisone of reasonsIdon’tspeaktoher.
(points)
Cecilia’sbrotherBirgerlivesthere.
BLOMKVIST
Whodoesn’thespeakto?
VANGER
You,probably.Notthatyou’dwant himto. Hecanbe asunpleasantas Harald.
BLOMKVIST
I’mquicklylosingtrackwho’swho.
VANGER
Oh,howyou’1llwishwereitalways so. Soonyou’1llknowusallonlytoo well-withmyapologies. (points) OutthereismynephewMartin’s house;Harriet’sbrother.
It’samodernhouse-lotsofglass-outonthepoint.
BLOMKVIST
Whospeakstohim?
VANGER
Ispeaktohim. Herunsthecompany now,asIthinkItoldyou.
Blomkvistabit,butnotVanger.
VANGER
Someoneshootingtheirdinner. Gunnerprobably.Thecaretaker.
BLOMKVIST
Ijustmethim.
VANGER
Hewas19whenHarrietdisappeared.
Oldenough,Blomkvistgathers,tobeconsidereda suspect.Vangerpointsoff-
VANGER
Helivesoverthere.
Shiveringinthecold,Blomkvistturns.
BLOMKVIST
Andyoulivehere.
VANGER
Sorry?
BLOMKVIST
Yourhouse.
Fora moment,Vangerisn’tsurewhatBlomkvistmeans. Thenheis,andispleasedbyit.
VANGER
Yes,you’reright.Themanwho hiresthedetectiveshouldalwaysbe keptonthesuspectslist.
OMIT-—INT.COTTAGE-DAY
Anursetakesatrayaway,leavingSalanderalonewith Palmgren,separatedbythechesstabletheywon’tplaying agameon. Shewipeshismouthwithhersleeve.
SALANDER
I gotacallfromsocialwelfare. I’vebeenassignedanewguardian.
It’sunlikelyheunderstandswhatshehassaid.It’s unlikelyheevenknowsshe’sthere.
Tackedtoawall,amapoftheislandonwhichBlomkvist haswrittenthenamesofthelivingVangerfamilymembers andstaffintheapproximatelocationsoftheirhouses.
Nexttoit-3x5cardsandphotos-aVangerfamilytree-
istheword,‘deceased.’
ofanotewhenthecallfromVangercamein:“Officer Morellinformedbytelephoneofsituation,10:19p.m.”
GustafMorellstandsatthebowofapatrolboatslowly motoringpastthebridgewherethefirebrigadeworksto pumpthegasolinefromtheoverturnedtruck.
INTERCUT:Blomkvistreads,“Morellonsite,Hedeby Island,11:42p.m.”
Morell,feelinglikehe’senteredanAgathaChristie lockedroommystery,regardstheextendedVangerclan sittinginthelivingroomlookingsuitablyworried.
MORELL
I’dliketoseethegirl’sroom.
VANGER
It’sdownthehall.
MORELL
Ithoughtthiswasyourhouse.
VANGER
Itis. Sheliveswithme.
MORELL
Areherparentsalive?
VANGER
Hermotheris.
VangerpointsIsabellaout.Slender,overdressedand smokingaSobranie,sheimmediatelystrikesMorellasa womanaSvenomousassheisbeautiful.
VANGER
Thisway.
MorellfollowsVangerdownahall-
INTERCUT:Blomkvistreads,“Approx.12:05,inspected missinggirl'sbedroom.Found-“
A purseonthedeskinHarriet’sroom.Morellcarefully removesthecontents:Comb,pocketmirror,handkerchief, walletcontainingafewkronor,herID,andheraddress book.He leafsthroughthis.
Iwanttospeaktoeveryonehere. That’1ltakeallnightsoyoumight wantsomeonetoputsomecoffeeon.
YOUNGERVANGER
Whataboutthesearch?
MORELL
Firstthinginthemorning.
YOUNGERVANGER
No. Weshoulddoitnow.Shecould behurtoutthere.
Vangeriseitheragoodactororhasnothingtohide.
VANGER
Please.Ibegyou.
INTERCUT:Blomkvistreads,“authorizedourpatrolboat andtwovolunteercrafttobegin12:20a.m.-G.Morell.”
ThepolicepatrolboatandtwoPeterssonsmotoraround theisland,spotlightingtheshoreandrockycliffs.
Theweirdtableauxofcharacters,awaitingtheir interviewswithMorell.Atthemoment,he’sacrossthe roomwithHaraldVanger,takingnotes,drinkingcoffee.
INTERCUT:Blomkvistreads,“Patrol014andOrienteering Clubvolunteersassembled,6:40a.m.”
OMIT:INT.VANGERMANOR-NIGHT-1966
OMIT:EXT.HEDEBYISLAND-NIGHT-1966
Searchpartiescrisscrosstheisland,wadethrough ditches,checkoldbarns,shineflashlightsupchimneys. Woodsmenwithbloodhoundscombthroughwoods.
MORELLV/O
We searchedfordays...
EXT/INT.TRAIN-MOVING-LAKESILJAN-PRESENTDAY
Atrainbisectsthelandscape.Blomkvistlooksout.
MORELLV/O
Eventually,muchtohisdismay-and mine—-IhadtotalktoHenrikabout callingitoff-
Asthesearchcontinues,Morell,lookinglikehehasn’t slept-whichhehasn’t-peersdownarockyclifftothe water.Somehowheknowsthey’renevergoingtofindher.
MORELLV/O
ThefactthatI neverfoundabody didn’tsurpriseme.Youcan’tdig up anentireisland.
OMIT:EXT.CABIN-LAKESILJAN-ESTABLISHING
Thesameface-fortyyearsolder-themanwhospoketo Vangeronthephoneaboutthedriedflowers-nowspeaks withBlomkvistashescrapesoutthebowlofhispipe.
MORELL
ButIalsocouldn’tfindamotive. Wasitspontaneous?Wasitplanned? Didsheknowsomethingsomeonewished shedidn’t?Wasitaboutbusiness?
BLOMKVIST
Business?Shewassixteen.
MORELL
couldeasilyimagineherrunningthe businesssomeday,whichwouldmean someoneelsewouldn’t.
BLOMKVIST
Shewaswithsomefriendsthatday. Ata parade.Youmusthavetalkedto them.
MORELL
Shetoldthemshewasn’tfeeling
saidshekeptsecretsfromthem,too. ThemainthingIlearnedtalkingto themforhoursisthatteenagegirls arecomplicated.
BLOMKVIST
Ihaveone.
MORELL
Soyouknow. (Blomkvistdoesindeed) DidyoubringthelastgiftHenrik received?
BLOMKVIST
It’sattheNationalForensicLab.
MORELL
Icantellyouwhattheirreport willsaynow:It’saflowercommon
prints.NoDNA.
He lightsthepipe.Blomkvistwatchesthetobaccoglow.
BLOMKVIST
Iwantedtoaskyouaboutthis.
Heproducesanoldaddressbookfromhisjacketpocket. Ofcourse,Morellhasseenitbefore,andhandlesit delicately.Thedecadeshavedriedoutitspages.
MORELL
ShereceivedthisfromHenrikthe
timesthanIcansay. Iknowevery pageofit.
BLOMKVIST
It’sthelastpageI’mcuriousabout.
MORELL
As wasI.
BLOMKVIST
Theonlynamesnotalphabetized.
Morellnodsthatheknowsthatonlytoowellasheturns tothatlastpage.Onit,inneathandwriting:
Magda32016Sara32109R.J.30114R.L.32027Mari32018
MORELL
They’relocalHedestadphonenumbers. Thefirstbelongedtoawomannamed Margot,whosemotherwasMagda,who claimedshedidn’tknowHarriet.The fourth,R.L.,belongedtoRosemarie Larsson,anelderlywomanwhodieda
wereunconnectedinanywaythatI couldfind.
Hehandstheaddressbookback.It,andeverythingelse aboutthecase,clearlytroublehimstill.
BLOMKVIST
I’veremindedyouofthingsyou'd ratherforget.I’msorry.
MORELL
I can’tforgetit.It’smyRebecka Case.
Blomkvistisn’tsurewhatthatmeans.
MORELL
Everypolicemanhasatleastone
returningtoone-takingoutthe
youngmen,wehadtolaugh.
BLOMKVIST
Wasthisalsoamissinggirlcase?
MORELL
No,that’snotwhyImentionit. TheRebeckaCaseissomethingthat happenedbeforeHarrietwasborn. I’mtalkingaboutthesoulofa
neversolveit,andcouldneverlet itgo.
AndneithercanpoorMorellwithhisHarrietcase.
Anunexcitingsocialwelfarebuilding.
As amanbehindadeskreviewsathickfile,Salander reviewshim:About50;spendsmoneyonsuits,thinking thatmightdisguisehispublicservantstatus;nowedding ring;typicalcreep,asfarasshe’sconcerned.
BJURMAN
How’sMr.Palmgrendoing?Iwas toldhehadastrokeofsomekind. (nothingfromSalander) Terrible.
It is,butshecantellhecouldn’tcareless.Heleafs throughherfile-
BJURMAN
Whatexactlydoyoudoatthis securitycompany?
SALANDER
Makecoffeeandsortmail.
BJURMAN
Butnotfull-time.Notevenpart-
alongwithoutcoffeeormailinJuly andAugust?
Nothingfromher.
BJURMAN
Howmuchdoyouearnthere?
SALANDER
Enough.
BJURMAN
Howmuchisyourrent?
SALANDER
I paymyrent.
BJURMAN
When’sthelasttimeyouwerelate?
SALANDER
Never.
BJURMAN
Do youthinkthatringinyoureyelid makesyouattractive?
Salander,who’shadtosufferinsufferableofficialsall herlife,doesn’tdignifythequestionwithananswer.
BJURMAN
Here’stheproblem.Therea discrepancybetweentheobligationof Mr.Palmgren’sguardianshipandthe Managementofyourfinances.
SALANDER
It isn’tadiscrepancyoraproblem. It wascleartohimIcouldmanagemy ownfinances.
BJURMAN
Butthat’snotcleartome.
SALANDER
I’mnota child.
BJURMAN
No. You’renot.
(looksathertoolong)
Butyouwere. Andbetweenthenand now-
(indicatingthefiles)
- twoyearsinthelockedwardat St.Stephens,forviolentaggression- failuretoadapttofourfosterhomes andsevenschools-arrestedtwice forintoxication,twicefornarcotics use,andmostrecentlyforassault: a bottlesmashedintoaman’sface.
thinkingyou’veimproved,butlooking at this-
(thefile)
- nottomentionhowyou’relooking at menow-I canseeyouhaven’t. So theGood-Old-Mr-Palmgren-Daysare over. Startingnow,you’1llbegiven a monthlyallowance.You’1lprovide me withreceiptsforyourexpenses.
(MORE)
BJURMAN(CONT'D)
Ifthenumbersdon’tbalance,I’1l havetoassumethedifferenceis goingtodrugs.
SALANDER
I’vebeenonmyownsinceIwas twelve.
BJURMAN
No. You’vebeenapersistentburden totheStatesinceyouweretwelve.
Shewon’tlookathimanymore-notthatthere’s anythingevenremotelyinterestingtoseeifshedid.
BJURMAN(CONT’D)
Ms.Salander?Pleaselookatme. Becausethisisimportant.
Shedoes...ina waythatsays,I’dliketokillyou.
BJURMAN
Thisbehavioryou’redisplaying rightnowiselaboratelydocumented here- (inthefile) -so itwouldcomeasashocktono oneifI choseanalternativetothe lenientarrangementIjustoutlined. Isthatwhatyou’resayingwithyour Silence?You'dprefer institutionalization?
Salanderstepsintotheelevator,hitsthedownbutton. Asthedoorsclose-
Martin’shousedidn’tlooksofaraway,buttheroad Blomkvisthastoclimbtoreachit,andthefacthe,like allwriters,isoutofshape,taxeshim.Acardrivenby an attractivewomaninher30’spullsalongsidehim.
LIV
Mikael? (hemanagesanod) We’regoingtothesameplace. Hopin.
Martin,wearinganapron,opensthedoortofindbothhis dinnerguestsontheporch.
LIV
I foundhimatdeath’sdoorhalfway up thehill.
BLOMKVIST
I’mafraidI’mabitoutofshape.
MARTIN
No,it’sa climbforanyone.I should’vewarnedyou.Comeonin.
BlomkvistputsabottleofaquavitinMartin’shand.
TheplaceisfarcryfromVanger’smanor.It’smodern. Martin,LivandBlomkvistworkonthedinnerMartinhas prepared.Softjazzmusicissuesfromsomewhere.
LIV
I usedtoworkinthecompany’s petrochemicaldivisioninGoteborg. Whenitwassold,Iwentwithit.
MARTIN
A darkday.
LIV
I liveinHongKongnow,butcome backtoStockholmforfamilyevents, andwhenI do,Idriveuptospenda coupledayswithMartin.
MARTIN
Shecomesforthemoosesteak.
BLOMKVIST
Is thatwhatthisis?
Theyallglanceawaytoasound:Asoft,strange,
inBlomkvist’sglassandgetsup.
MARTIN
Something’sopen.Youlikethisone, or wouldyouliketotrysomething else?
BLOMKVIST
Thatone’sgood.
Martinheadsofftothekitchen.BlomkvistandLiv, leftwitheachother,seemunsurewhattotalkabout.
LIV
I sawyouonSkyNewsawhileago.
BLOMKVIST
Thatwasadarkday.
LIV
Sorrytoremindyouofit.
BLOMKVIST
It’sokay.Thereareworsethings thanlibel-thoughIcan’t immediatelythinkofoneinmy business.
LIV
You’rewritingabooknow,Martin said.
BLOMKVIST
Henrik’sbiography.
LIV
IloveHenrik.He’sfascinating. Martin,too.Togetherthey’rethe OldSwedenandtheNew.
BLOMKVIST
Theyare.
LIV
YouknowaboutHarriet,right?
Blomkvistdoesn’tsay.Thesoundofthewindstops.
LIV
Youdon’t?
BLOMKVIST
Ido.
Martinemergesfromthecellarwithabottleofwinein handandreturnswithittothediningroom.
LIVO/S
Thefamilydoesn’tliketotalkabout it,butitcan’tjustbesweptunder therug.
MARTIN
Whatcan’t.
LIV
Harriet.
Martindoesn’tcomment.Justnods.Silence.Then-
BLOMKVIST
Maybewecouldtalkaboutthat later.
MARTIN
We cantalkaboutitnow.
(BlomkvistglancestoLiv)
Livknowseverythingaboutmycrazy family.Whichiswhyshe’llnever Marryme.
LIV
That’sonereason.
Sheholdsupherlefthand.Aweddingringisonit. Thecoupleseemsverycomfortablewitheachother,not unlikeBlomkvistandErika.
MARTIN
Don’tputthatinyourbook.
that. Notjustthefamily,butthe company.
BLOMKVIST
Howso.
MARTIN
We’renotNordeaorEricsson,but we’restillthelargestfamily-owned
height,wehad40,000employees.We haveabouthalfthatnow,andthat downwardslide-anyonecantellyou- beganaftermysister’sdeath.It brokeHenrik’sentrepreneurial spirit,andhisheart.
AndMartin’s,too,clearly.Blomkvistdarestoask,as innocentlyaspossible-
BLOMKVIST
Youwereherethatday?
MARTIN
Everyonewashere,thoughIdidn’t getin untilaftertheaccidenton thebridge.The4:30train.
BLOMKVIST
I knowitwell.
44,
MARTIN
Itwasa terribleday.Andthedays after-searchingandnotfindingher -—wereevenworse.
Livsetsherhandatopherboyfriend’s.
MARTIN
Thisevent,Mikael,hastobea bigpartofyourbook.
Blomkvistpromiseshimwithanodthatitwill.
As Salandermoveswithacrowdtowardthedoorsofa subwaycar,someonebehindherroughlyyanksthestrapof hermessengerbagfromhershoulder-
Shegiveschase,pushespastpeople,catchesupwiththe junkie,grappleswithhim.Heslugsher.Shegoesdown, butdoesn’tgiveup.Catchesupwithhimonthe escalator,throwshimbackdownit.Thebagslamsonto themetalstairs,too,butatleastshehasitnow.
Shedoesn’trun.Shewaitsatthetopandwatchesthe
wiselydecidestoletitgo,hopstothedown-escalator anddisappearsintotheundergroundstation.
Blomkvistsiftsthroughaboxcontainingsomeof Harriet’spersonalbelongings:schoolpapers,textbooks, a Bible,theaddressbook,herwalletandID...
A knockonthedoor.Heputstheboxinaclosetontop ofothers,kicksitclosed,opensthefrontdoortofind a notunattractivewomaninher50’sonhisporch.
CECILIA
Hi. IthoughtI’dcomeoverandsay hello.I’mCecilia.
CeciliaregardsBlomkvist’sVangerfamilytreeonthe wall.Whereverheonlyhasanoldphoto,there’saPost- Itnextto itthatreads:RecentPhoto?
INSERTofCecilia’sphoto,takenwhenshewasateenager, anda Post-Itwithhernameonit.
CECILIA
We’realluncomfortablewiththe ideaofachronicleofourfamily.
BLOMKVIST
It’snotaboutthefamily.It’s aboutHenrikandthecompany.
CECILIA
LikeI said.
BLOMKVIST
It’snotmyintentiontopresenta maliciousportraitofanyone.
CECILIA
Unliketheonethatlandedyouin court.
BLOMKVIST
Unlikethatone.Correct.
CECILIA
So,whatyou’resayingis,you’re notreallyheretolookintowhat happenedtoHarriet.
Silence.Then—-
BLOMKVIST
I can’tignoresuchadramaticevent, butno,that’snotbyanymeansmy focus.
CECILIA
So allthoseboxesGunnercarted downhere-whicharewhere?-inthe closetnow?-weren’tHenrik’s privateinvestigation.
(Blomkvistcan’tthinkfast enoughtorespond)
I wondersometimeswho’scrazier-my Nazifatherormyobsesseduncle.
INSERTofthephotoofYoungHaraldinhisNaziuniform onthewall.
BLOMKVIST
Sincewe’retalkingaboutit,since youbroughtitup,whatwasHarriet like?
CECILIA
I’msureHenrikhastoldyou.
BLOMKVIST
He wasmyagethen,andsocouldn’t knowwhatwasreallygoingonwitha teenageranymorethanIcanwithmy owndaughter.Youwereherage.
CECILIA
Actually,mysisterAnitawascloser toherinage.
INSERTofthephotoonthewallofAnita,takenwhenshe wasabout17yearsold.
CECILIA
SheknewHarrietbetterthananyone-
shouldtalktoher.
BLOMKVIST
I’dloveto,whereisshe.
CECILIA
IfI hadtoguess-London.
BLOMKVIST
Youdon’tknowwhereyourownsister lives?
CECILIA
Ihaven’tseenherinyears.We neverreallygotalong.
BLOMKVIST
I’mgettingusedtothatcomment.
CECILIA
That’sthewayitiswhenyou’re alwaysafterthesameboys.
BLOMKVIST
Peoplegenerallygetoverthatsort ofthingatacertainpoint.
CECILIA
Oh,I’mlongoverit,andwon’t everhavetoworryaboutitagain. Shehatesthisplaceevenmorethan Ido. Sheleft,movedtoLondonand thatwasit.Youcouldn’tpayherto sendaChristmascard,muchless visit.
BLOMKVIST
I’1lltrytotrackherdownforyou.
CECILIA
Don’tbother.
BLOMKVIST
Formyselfthen.
He smiles.Shestudieshim.Maybehe’snotsobad.
CECILIA
If youdo,andtrytalkingtoher aboutus,don’tbesurprisedifshe tellsyoutofuckoff.
Atechtriestogetbeyondthedreadedblinking”?”on thelaptop’scrackedscreen.
TECH
Youbackedup?
SALANDER
Harddrivesathome,yeah.
TECH
That’sgood.Thisone’sdead.
Salanderagainstthestorewindow,cellphonetoherear.
SECRETARYV/O
I’msorry,he’sbookedallday.
SALANDER
It’lltakefiveminutes.It’s important.
SECRETARYV/O
Hold,please.
alwaysdo.Thesecretarycomesbackon.
SECRETARYV/O
Seveno’clock.
Salandercomespastajanitorwaxingalong,otherwise emptycorridor.Atthefarend,sheopenshernew guardian’sofficedoor.
AsBjurmanreviewsaMcJesusinvoice,Salanderwaits. Thethickatmosphereremindsherofalltheothersshe hassatinwithschoolprincipals,shrinksandcops.
BJURMAN
HaveyoueverhadanSTD?
(nothingfromher)
When’sthelasttimeyouweretested forHIV?
(MORE)
BJURMAN(CONT'D)
(nothing) Howmanypartnershaveyouhadinthe lastmonth? (nothing) Howmanyweremen?
Thatlastoneseemstoamusehim;noneamuseher.
BJURMAN
I’mrequiredtoaskyouthesethings. It’samatterofhealth.
SALANDER
Writedownanythingyouwant.
McJesusinvoiceagain.
BJURMAN
Whydoyouneedsuchanexpensive computer?
SALANDER
Forwork.
BJURMAN
Makingcoffeeandsortingmail.
SALANDER
Ishouldn’tevenhavetoask.I shouldhavecontrolofmymoneylike before.
BJURMAN
canbesociableandgetalongwith people.Canyoudothat? (nothingfromher) Shallwestartwithme? (pause) Shallwestartnow?
Ashe comesaroundthedesk,sheeyesasharpletter openerstickingoutabovesomepensinacoffeemuga childhaspaintedwiththeword,‘daddy.’
BJURMAN
Ifyou’renicetome,I’1lbeniceto you.That’shownormalpeopleare.
He standsinfrontofher,hiscrotchathereyelevel.
BJURMAN
You’vedonethisbefore.Youknow whattodo.
(MORE)
Do youwantthiscomputerornot?
Hetakesherhandandplacesitonthecrotchofhis trousers.
BJURMAN
Youfeelthat?That’sgaberdine. Unzipthem.
(shedoes)
And ...
(shetugsathisunderwear)
And ...
(shedoesn’tmove;hesmiles)
I likethereticence.Iprefera whorewhopretendssheisn’t.It’s almostconvincing.
Hegrabsherhairandroughlypullsherheadtowardhim.
SalandereatssometoothpasteinBjurman’sprivate bathroom.Whenshereturnstotheoffice,shefindshim calmlywritingacheck.
BJURMAN
Hereyougo. Aspromised.
Heholdsitouttoher,butwhenshereachesforit, pullsitbackalittle.
BJURMAN
I knowyou’renotthinkingabout
yourcomputergames.
Shetakesthecheckandleaves.
plotting.Thedragontattoovisibleonherbareback.
Blomkvist,whodoesn’tcareforflying,pourstwomini- bottlesofvodkaintoaplasticcup.
HespraysBinacainhismouth.Then,carefultolook bothways,crossesthestreettoaninvestmentbank.
reads,AnitaVanger.
BLOMKVIST
Excuseme.I’msureIshouldhave madeanappointment.
ANITA
It’sfine.Please.Haveaseat.
TheaccentisallBritish.She’sbeenheremuchlonger
offershishand-
BLOMKVIST
I’mMikael.
ANITA
Mikael.Howdoyoudo.
Ashe sits,sheregardshimalittlemorecarefully...
ANITA
You’relookingforinvestment counseling,Mikael?
BLOMKVIST
Iwouldifhadanymoneytoinvest.
ANITA
Excuseme?
BLOMKVIST
I’mwritingabiographyofyour uncleHenrik.That’swhyI’mhere.
predicted,butitdoesn’tcome.
Theysittogetheratalittletableonthesidewalk.
ANITA
HowisHenrik?
BLOMKVIST
Good.Engaging.Ilikehim.
Shedoes,too.
ANITA
I haven’tseenhiminover30years. Or mysister.Oranyoneelseinmy family.
BLOMKVIST
MostofwhatI’mwritingabout predatesthat,soyourrecollections arevalid.
ANITA
I wouldn’tknowwheretostart,if thatwasa question.
BLOMKVIST
I cannarrowit.I’vegottenupto the1960s.To theeventthataltered everythinginHenrik’slife.
ANITA
Harriet.
(henods)
EverythingIknewaboutthatItold to -whateverhisnamewas-that policeman-whenithappened.
BLOMKVIST
Morell.
ANITA
My recollectionsthenwerealot betterthantheyarenow.
BLOMKVIST
I’mnotspeakingofthecrimeitself. I’mtryingtogetaclearersenseof whatHarrietwaslike.Particularly, towardtheend.
ANITA
father.Atleastherswasn’taNazi likemine.
BLOMKVIST
Washe abusive?
ANITA
Mine?
BLOMKVIST
Hers.
ANITA
Ineversawitmyself,butyoucould
she’dbewithdrawn.Thenextshe’d beputtingonmakeupandwearingthe tightestsweatershehadtoschool. Thenextshe’dbestudyingaBible likeanun- noVangerwasever religious-canyouimagine? Obviously,shewasveryunhappy.
BLOMKVIST
Sheneverconfidedinyouwhatabout, specifically?
ANITA
thatfamily.Henrik’stheonly decentpersoninit.
BLOMKVIST
Whatdoyouthinkhappenedtoher?
ANITA
Everyoneknowswhat.
BLOMKVIST
Butyouhaveno...thoughtsabout why,orwho.
ANITA
AllIknowisI alwaysfeltsorry forher.Evenmorethanformyself. Igotoutof therewhenIwas18and
thesamebutdidn’tmakeitto18.
Salander,onaparkbench,debateswithherselfifshe
scrollsto“NB”andhitssend.Itconnects.
SALANDER
Mr.Bjurman,please.It’sLisbeth Salander. (thecallisputthrough) --.-I’mfine.I’msorryImissed
-..no,nothingtobeconcernedabout ---Ineedanotheradvanceonmy
tonight?...Idon’tneedapen, what’stheaddress?
EXT/INT.HEDEBYISLAND—TAXI-MOVING-DUSK
Thetaxithatfirstbroughthimheretotheisland, crossesthebridge.Again,BlomkvistregardstheMiddle Easterndriver,whoregardshimintherearviewmirror.
Outsidethebuilding’sentrancewithabackpackslung overhershoulder,Salanderpressesanapartmentbutton. Asshewaits,shenotesthere’snosecuritycamera.
BJURMANO/S
Yes?
SALANDER
It’sme.
Thedoorbuzzes.Shepushesitopen.
Shemovesalongahallwaywithbothpurposeanddread. Knocksonhisdoor...Itopens,revealinghiminarobe.
BJURMAN
Comeonin.
Shetakesinthelayoutquickly:livingroom,dining area,kitchen,shorthallwaytoacloseddoor.
BJURMAN
Likeit?
SALANDER
It’snice.
BJURMAN
It’shome.
(pause)
So,whatdoyouneedmoneyforthis time? GrandTheftAuto5?
SALANDER
Food.
Hesmiles.Stepstowardher.Liftsherchin.
BJURMAN
Howareyou? Beenthinkingabout lasttime?Decidedyouwantedtosee me again?
SALANDER
Ijustwantmymoney.
BJURMAN
Well,let’sseeifIcanhelpyouout withthat.
Hewalkstothehallway.Shedoesn’t.Heholdsout hishand. Shefinallyjoinshim.Astheystepintothe bedroom,heroughlypusheshertowardthebed.
SALANDER
Wait.
Sheputsherbackpackandleatherjacketonachair. Sitsontheedgeofthebed. Hestandsoverher.She knowswhatshe’ssupposedtodo,butseemsunableto.
BJURMAN
Isthereaproblem?
SALANDER
Ijustwanttoknow,amIgoingto havetodothiseverytimeIneed moneytoeat?
BJURMAN
It’ssocutewhenyoudothatsurly
Shereachesouttoitandbeforeshecanreact,there’s a handcuffaroundthewrist.Hequicklycuffstheother tohisownwrist.Thisisbad. Shetriestogetout. Hegetsherina strangleholdandchokesherinto unconsciousness.
Shecomesto,onherstomach,seesherwristscuffedto theheadboardposts,heranklessecuredtothefootposts withsilkties,andscissorsslicingherjeansoff.She startstoscreamandhestuffshermouthwithher underwear.
BJURMAN
Please.Ihaveneighbors.
He lightsacouplecandles.SwitchesonsomeNewAge music.
BJURMAN
Whatwe’regoingtodonowisteach youthevalueofmoney.
Hewatchesherstruggle.Butshe’snotgoinganywhere. Hetearsopenacondompackagewithhisteeth.
BJURMAN
I forget-didIaskyoubeforeif youlikedanalsex?
Hecramsapillowunderherstomachandclimbsontop ofher.Shekeepsfightingbutthere’snotmuchshecan dohandcuffed.Eventually,sheretreatstoanotherplace insideherself.She’shadtogoherebeforeinherlife; it’stheonlyplacetogoinsuchsituations.
ThecatturnsitsheadtoasoundBlomkvistcan’thear. HehasHarriet’sboxofbelongingsoutagainandlooksat
Vanger.Heopensitatrandom.Hebrews:
HARRIETV/O
Faithistheassuranceofthings hopedfor,theevidenceofthingsnot seen. Throughfaithweunderstand thattheworldwascreatedbythe wordofGod- andthatwhatisseen wasnotmadeofthingsthatare visible...
Hesetsitdown.Rubshiseyes.Everything-his daughter,hislife,thiscabin,thewordofGod-is depressing.
Dawnlightoutsidethelivingroomwindow.
Bjurman,athisdiningtablewithaglassoforange juice,writingoutacheck.
Inthebedroom,Salanderslipsonherleatherjacket, shouldersherbackpack,hobblesouttothelivingroom.
BJURMAN
I’1lldriveyouhome.
SALANDER
I cangethomeonmyown.
BJURMAN
Areyousure?
It’sbizarre:hismannerseemstobeoneofgenuine
thedoorforherlikeaperfectgentleman.
BJURMAN
So,nextSaturday,here?
Shenods.Leaves.Thedoorcloses.
A lonefigurehobblesthroughtheemptystreets.
Shesetsacheckdown.Onthememolinehe’sneatly written,“forfood.”Shetakesabottleofwaterfrom thefridgeanddrinks.
Showerwaterhitsthedragontattooonhershoulder
waterreachesthedrainithasturnedred.
Comingthroughtreeswithabagofgroceries,Blomkvist seesaBMWparkedoutsidehiscottage.
Blomkvisttapsonthecar’sfogged-updriver’swindow. A handinsidewipesatit,revealingErika.Shelowers ita crack.
ERIKA
Isitanywarmerinside?
BLOMKVIST
No.
Ashe triestogetsomelogsinthefireplacegoing, usingmorepagestornfromoneofhisbooks,Erikawraps herselfinablanket.Thecat,whohasnotroublewith thecold,napsonthepaperworkonthedesk.
BLOMKVIST
WhathaveImissedbesidesyou?
ERIKA
Thesteadyexodusoftwo-thirdsof ouradvertisers.
BLOMKVIST
Seriously?
ERIKA
Isthathardtobelieve?Sittingup hereinLapplandwithyourcat?
BLOMKVIST
I’mnot. I’mworking.
ERIKA
I cansee.
WhatshecanseeistheVangerresearchcoveringthe wallsandtablesurfaces,andthatthethreadsofthe familytreeleadtoaphotographofVangeratthetop.
BLOMKVIST
Wouldyouliketomeethim?
ERIKA
Maybeinaboutanhour.Ifyou’re interested.
Heis.
VangerandMartinallbutignoreBlomkvistastheychat withErikaoverdinner.Theyseemcharmedbyher.
VANGER
I apologizeifyou’rehaving financialproblemsatthemagazine in Mikael’sabsence.
ERIKA
We’1llworkthroughthem.
VANGER
Areyousure?
ErikalooksatBlomkvist,buthehasn’ttalkedtothem aboutthis.
MARTIN
Howlongdoyouthinkyoucanhang on? Sixmonthsorso?
ERIKA
Thatsoundsaboutright.
Youknow,Iusedtobe inthe
dailiesbackinthe50’s.
MARTIN
We stillownone.TheCourier,here in town.
VANGER
Iletmy nephewBirgerrunitsince hecan’trunanythingelse.
Erikanodspolitely.
MARTIN
Sowhatdoyousaytotakingona partner?
ERIKA
We'veneverconsidereditbefore. Wevalueourindependence.
MARTIN
Yourindependenceisdependanton advertisers-ifwe’rebeinghonest. Howevermuchyouthinkthatis,you’d retain.Wedon’tcareaboutcontent.
Blomkvistsuddenlyfeelslikesomeonecominglatetoa party.
BLOMKVIST
Excuseme.DidImisssomething?
VANGER
We’retalkingaboutaninvestmentin themagazine.
BLOMKVIST
that?
MARTIN
Notforthereturn,that’sforsure.
VANGER
(toErika) IfeelbadthatI’vetakeMikael awayfromyouattheworstpossible time.Thisistherightthingtodo. Themoralthing.That’sonereason.
ERIKA
And.
VANGER
Theenemiesofmyfriendsaremy
asyouhatewhathe’sdonetoyou.
Silence.
VANGER
Sowhatdoyousay?
Erikahalf-shrugstosayshe’1llconsiderit.
VANGER
Is thatamaybe?
Shenods.
VANGER
Wonderful!Morewine,Anna.
BlomkvistlooksatErika,butsheglancesawaytoVanger.
VANGER
I thinkMikaelisadaptingwellto rusticlife,bytheway.
ERIKA
Haveyouseenhimtrytomakeafire?
VANGER
Putthelogsonend,likethis.
Hemakesateepeeshapewithhishands,likepraying.
Erikalightsateepeeoflogsinthefireplace.
BLOMKVIST
Howlonghaveyoubeendiscussing thiswiththem?
ERIKA
I haven’tbeen.Theyaskedmeto comeupyesterday.
BLOMKVIST
Whydidn’tyoutellme?
ERIKA
WhywouldI. Youliveinthewoods.
BLOMKVIST
So Ideservetobetreatedlikean idiot?
ERIKA
I wantedtohearwhattheyhadto say. Youwould’vesaidnobefore theycould.
BLOMKVIST
I’msayingitnow.It’snota good idea.
ERIKA
Youheardmetellthemwecould hangonforsixmonths.Iwaslying. Withouttheirmoneywe’llbeoutof businessinthree.
BLOMKVIST
Youdon’tknowthisfamily.They’re crazy.
ERIKA
We'renotmarryingintoit.
BLOMKVIST
Weareifwe dothis.It’sexactly whatwe’redoing.
ERIKA
Youwanttosayno? lLet’ssayno. Insteadof50percentofsomething, let’sown100percentofnothing.
Thelogscrackleasflamesclimbthem.Shegetsup, comespasthim,unbuttoninghershirtasshedisappears intothebedroom.Hestaresatthefire.
ERIKAO/S
Mikael?
BLOMKVIST
What.
ERIKAO/S
I’mleavingthisGod-forsakenisland inthemorning.
BLOMKVIST
So?
ERIKA
Soareyoucomingtobedornot.
Salanderregardsaselectionofforearmtattoos:barbed wire,Celticbands,stringsofleavesandflowers.
TATTOOARTIST
Youthinkingonearmorboth?
SALANDER
these.Justaplainband,like handcuffs.
TATTOOARTIST
It’ssensitivethere.Particularly theankles.It’sgonnahurt.
Thatdoesn’tbotherherintheleast.Sherollsupher sleevesandwatcheshimreadythetattoogun.
SALANDER
Howmuchdooneof thosecost?
TELEVISIONIMAGE:
graphictothesideofhimisthedistinctiveV.I.logo ofVangerIndustries.
ANNOUNCER
PetrochemicalmanufacturerVanger Industrieshasacquiredacontrolling interestinMillenniummagazinewhich accordingtoanalystshasbeenin financialtroublesincelastDecember whenitscofounderMikaelBlomkvist wasfoundguiltyoflibelagainst Hans-ErikWennerstrom-
AnewscrewhascrammeditselfinsideErika’soffice, whereareporterinterviewsher-
ERIKA
We madeaseriousmistakelastyear, andwe regretit.Butwe’removing forward,andthisisthefirststep.
REPORTER2
Youwouldn’tsaythefirststepwas yoursackingofMr.Blomkvist?
ERIKA
That’sinaccurate.Readtheoriginal pressrelease,Viggo.Ididn’tfire him. He’sonsabbatical.
REPORTER2
Where.
ERIKA
I’mnotsure,tobehonestwithyou.
He’sathisdesk,thecatinhislap,reviewingthe albumofphotostakenonthedayHarrietdisappeared.
They’rearrangedchronologically,andVangerhasnoted theapproximatetimeofdayofeach.
Thefirstseveralweretakenonthemanorgrounds,by
glancesouttoseeatelevisionnewsvandrivingtoward Vanger’smanor-
A crewissetupintheyardbythewater,interviewing
cheerfulyellowshirt.Birgerunhappilylookson.
MARTIN
Millenniumisanexcellentmagazine. Wealsothinkit’sundervaluedright now,whichisgoodbusinessforus.
REPORTER3
Isanymagazinereallyundervalued
tomorrow?
VANGER
There’sanotherreason.Idon’tlike bullies.
REPORTER3
AreyoureferringtoMr.Wennerstrom?
VANGER
I’mreferringtoanyonewhotries tosuetheirenemiesintosubmission.
itagain,he’1llfindhimselffighting acompanythatcanaffordtofight back.
REPORTER3
You’reenjoyingthis.
VANGER
Alreadyit’sthemostfunI’vehadin years.
As aclerkringsuptheitemsSalanderisbuying- brightyellowducttapeandaplasticprotectivemask- shewatchesashotonaTVhereofWennerstrombeing interviewedoutsidehisoffices-
WENNERSTROMONTV
I’vealwaysadmiredHenrikVanger. He’sa titan-andagentleman.But he’salsoquiteoldnow-whichmay explainhowhecouldbetakeninby a convictedliar.
Salanderherreceipt.
Herhardwarestorepurchases,alongwithsomefreshDVD- R's,acoupleofplasticbottlesofink,andMcDonald’s KidsMealwrappers,sitbyherlaptop.
She’snottypingonitskeyboard,butcharactersare appearingnonethelessassomeonesomewhereelse,writes anemail:
TheFromboxreads:hwennerstrom<HEW@WG.com>
TheToboxreads:1jansson<LDJ@SkLaw.com
TheSubjectboxreads:Vanger/Blomkvist
AndtheMessage,whichisbeingtyped:
Cansomebodypleaseexplaintomewhatthefuckisgoing onwiththesetwoassholes-
onablurryoneofthefirecrew,thefocusinadvertently onthebackground-Vanger’smanor.
Whatcaughthisattentionisafigureinoneofthe
themanorandseesthatit’sHarriet’sbedroom.
Buthe’snotsureifit’sHarriet.Thefigureistoo softtoidentify-evenwithamagnifyingglass-butis wearingalight-coloreddressandhaslighthair.
Heglancestothefamilytreeonthewall-theteenage Vangergirls’photos-
ThreeINSERTS:Harriet...Cecelia...Anita...
Theyallhavelighthair,and,frankly,alllookalike.
saidbeforewasthelastpicturetakenofHarrietalive. It’snotreallyofher.
It’sawideshotoftheparadeitself-butshecanbe seeninthebackgroundacrossthestreetwithher friends,watchingafloat-atopwhichsomewomenin haremoutfitsdance-passby.
He slipsitfromitscorner-fastenersandturnsitover. There’saHedestadCouriercopyrightprintedontheback. Heturnsitoveragainandlooksatthephotoitself.
Guidedbythephoto,hewalksalongthetown’smain streettotheapproximateplacefromwhichitwastaken- outsideahaberdasherywindow-butit’sstillnotright.
Thephotowasshotfromahigherthanstreetlevelangle. He lookstoasecondstorywindowabovethestore.Then crossesthestreettowhereHarrietwasstandingwhenthe picturewastaken.Looksbackatthehaberdasherywhere, now,theownerpeersoutathim.
Onthepayphoneoutsidethegasstation-
BLOMKVIST
Iwanttolookatwhatthepaper hasinitsarchiveontheparade.
VANGERV/O
thealbum.
BLOMKVIST
Idon’tthinkso.
VANGERV/O
Why.
BLOMKVIST
Becausenophotographeratany newspaperintheworldtakesjusttwo photosofanything-especiallyafter havingtoclimbaflightofstairs.
VANGERV/O
Thebridgeaccidenthappenedduring theparade.Herushedover.
BLOMKVIST
Maybe.
Silence.Then-
VANGERV/O
Mikael,whathaveyoufound?
BLOMKVIST
photographers.They’rethemost insecurepeopleonearth.Ifit’s outof focus,ortheydon’tlike theframing,theyburyit.
Blomkvistfollowsthepaper’syoungishphotoeditorup narrowstairstoanattic.
PHOTOEDITOR
ThecurrentarchiveisonCD’s, naturally.Theolderstuff,still
youinterestedin?
BLOMKVIST
September,1966.
her,butshechoosesnottocomment.
ShepullsfourthickbindersoffashelffromSeptember 1966alone,provingBlomkvist’spointaboutphotographers -andpilesthemupnexttoalight-boxandscanner.
BLOMKVIST
Thankyou.
Hewaitsforhertoleave.Sheseemsreluctantto...
PHOTOEDITOR
Is thisaboutHarrietVanger?
BLOMKVIST
You’retooyoungtoknowaboutthat.
PHOTOEDITOR
Everyoneheregrowsupknowingabout her. It’showwe’retaughtabout strangers.
littlesurprisedtoseeherathisdoorstep.
BJURMAN
My dearLisbeth,howareyou?
SALANDER
rent.
Shelookslikeaschoolgirlwithherlittlebackpackover hershoulder.Howdidheevergetsolucky?
BJURMAN
Comeonin.
pocket.
BJURMAN
Sincewe’restillfiguringoutwhat youlike,Iwentshoppingforsome newtoys.
SALANDER
Me,too.
BJURMAN
You,too?Whatdidyoubuy?
ShepullsaTaserfromherpocketandjamsitunderhis chin,firingoff75,000volts-
Setdownontheruggedlandscapeunderanalmostmoonless nightsky,thecottagelooksvulnerable.
Thecat,curleduponachair,jerksitsheadupata soundneitherwenorBlomkvistcanhear,andstays absolutelystill,listening.
BlomkvistscrollsthroughtheCouriernegativeshehas convertedintopositivesandhasloadedintoPhotoshop.
day. Severalatstreetlevel-amarchingband,floats, childrenwithballoons,someinbetterfocusthanothers.
Hereachesthefirstofthehigher-angleshotsfromthe floorabovethehaberdashery,scansthecrowdliningthe street.Harrietisn’tinit.
Butinthenextsheappearsattheedgeoftheframe withherschoolfriends.Inthenext,she’sfurtherinto frame.Andthenext,standinginthesamespothestood earliertoday.
OMIT- INT.BJURMAN’SAPARTMENT-LATER-—NIGHT
Blomkvistselectsall18ofthehigh-angleparade photographs,transfersthemtoaniPhotofile,and reopensthemasa‘slideshow.’
Thefirstfew,accompaniedbythedefaultmusic,Minuet inG,dissolveattwo-secondintervals.Toolong.Too distractingwiththemusic.Andtoowide.
Headjuststhesizefunction-closeronHarrietgets ridofthedissolveeffectandmusicandreducesthetime- intervaltomakethetransitionsasquickaspossible.
Hehits‘play’againandwatchesashortjerky‘silent film’-akindofelectronicflip—-book:
herheadslightlytowardit.Hereyeswideninfear.
herconfused.Andthenshe’sgone.
BlomkvistbacksuptotheframeofHarrietlookingoff withfearinhereyes,andforthefirsttimebelieves withoutadoubtwhatVangerhasbelievedfor40years:
followedherandkilledher.Thecatwatcheshim.
Bjurmanslowlycomesto.
SALANDER
Good. You’realive.
Ittakeshimamomenttorealizeit’strue.Anotherto realizeitmightbebetterifhewasn’tsincehe’snaked onthefloor,face-up,wristsandanklesbound.Hetries tocryoutandrealizeshe’salsogagged.
Sheemergesfromtheshadows,standsoverhim,andhe seesthathereyesareringedinblackmascaralikesome
stepsoutofhisfieldofview,andhishandsstruggle againsttherestraints.
SALANDER
Recognizethis?
Hecraneshisnecktoseeshe’sbyherbackpackthat’s restingonachair.
SALANDER
Ihadit withmelasttime.Iset ithere.Remember? (hedoesn’t) Seethissnap?It’snotasnap. It’sawide-anglemicro-lens.
ShetakesaDVD-Rfromthebackpack,putsitinhis player,flipshisplasmaTVonwitharemote.Shegotit all- whathedidtoher-therape- inHD.
SALANDER
Thisshowsyousodomizingamentally impairedgirl.Ifit’severseen outsidethisroom,who'llbe institutionalizedthen?
He startstowhimper.
SALANDER
Here’swhat’sgoingtohappen. Payattention.
Hecan’t.Hecan’tevenlookather.Hislifeisover.He weepsintothegag.
SALANDER
Lookatme.
Hewon’t. Shestridestoherbackpack.Takesouta largedildo.Getsonherknees,andworksitintohis ass. Shecanonlygetitabouthalfwayup.Shehasto standupandkickittherestofthewaywithherboot. Hehowlsintothegag.
SALANDER
DoI haveyourattentionnow?
Shedoesindeed.Hevigorouslynodshishead,now,and aftereverythingshesays-
SALANDER
Whenyoucanwalkagain,whichI admitcouldbeawhile,we’regoing tomybank. You’1lltellthemIalone
that,you’llnevercontactmeagain. Eachmonthyou’1lwriteareportofa meetingwewon’thave.You’ll describehowwellI’mdoing,how sociableI’mbecoming.Thenyou’1ll negotiatewiththecourttohavemy declarationofincompetencelifted. Ifyoufail,thisvideowillspread acrosstheInternetlikeavirus. (hestaresinhorror)
(MORE)
SALANDER(CONT'D)
If somethinghappenstome-if I gethitbya car-ifyouhitme witha car-samething,ituploads automatically.
himthatshehasthem.
SALANDER
I’mtakingthesewithme.I’1l be checkingonyou.IfIever findanyoneinherewithyou, whethershecameofherownfree willornot-
HiseyesdarttotheTVashenodsthatheunderstands.
SALANDER
No. Notthevideo.
intheeye.
SALANDER
I willkillyou.
Andheknowsshemeansit.
SALANDER
Do youdoubtanythingI’vesaid?
(heshakeshisheadno)
Do youdoubtwhat’sinthereports aboutme? Whatdotheysaywhen yousumthemup?TheysayI’m insane.
(heshakeshisheadno)
No,it okay.Youcannodbecause it’strue.I aminsane.
Shegetsupoffhim,rummagesthroughherbackpackagain.
SALANDER
I knowit’1llbehardforyoutoabide by myrules.Especiallynomoresex. I’mgoingtomakeiteasierforyou.
thinghe’llseeisapairofscissorsinherhand,butit isn’t.It’ssomethingelsehedoesn’trecognize.She straddleshimagain.Hesquirmsunderherweight.
SALANDER
Liestill.I’veneverdonethis before.
He seesthatthethinginherhandissomekindof surgicaldevice,ashinystripped-downgunwithasharp pointandaplasticinkbottlewherethebulletswould go.
SALANDER
Therewillbesomeblood.
He strugglestotwisthisbodyaway,butit’suseless. Shedigsthetattooinggun’sneedleintohischestand
ofbloodspatterherplasticmask...
glassofwaterinthekitchen,wipesherprintsfromit.
ShecrossestothebedroomwhereBjurman’stoyshave
herbackpack.Looksathim.He’sunconscious.Shesets handcuffkeynexttoadarkstainonhisstomach.
We stayonthekeyassheleavestheroom.Hearingthe frontdooropenandclose,weriseuptoseehisentire
letters,fromhisnipplestohisgroin,is:
IAM ARAPISTPIG
OMIT:EXT.HEDESTAD-DAWN
OMIT: INT.COTTAGE-DAWN
Returningfromawalkandasmoke,Blomkvistsees- sittingoutsidethecottage,pettinghiscat-Harriet. Ofcourseitcan’tbeher,butitisateenagegirlwho resemblestheoldpicturesofher.Seeinghim,she waves.It’shisdaughter.
PERNILLA
Hi.
BLOMKVIST
Hi. Whatareyoudoinghere?
PERNILLA
Onmywayto Skelleftea.Icanonly stayacouplehours.
He arrivesandgivesherahug.
BLOMKVIST
What’sinSkelleftea?
PERNILLA
LightofLifeBibleCamp.
Blomkvisttriestohidehisdismay.
He’smadethemsomecoffee,and,ofcourse,sandwiches. Patientlywaitsforhertofinishhersilentprayer,and smilesbravely.
PERNILLA
They’renotdangerous.
BLOMKVIST
It’sfine,Nilla.Whateveryou wanttodo isfine.Everybodyneeds something.
PERNILLA
Justsolongasit’snotGod.
BLOMKVIST
I didn’tsaythat.
Astheyeatinsilence,Blomkvistcan’thelpbutthink aboutHarrietandwhatVangersaidaboutnotgivingher hisattentionwhensheneededit.
BLOMKVIST
I’mnotaroundenoughtoknow everythingthat’sgoingonwithyou, andI apologizeforthat.ButI’d neverwantyoutonottellme something,evenifyouthinkImight notwanttohearit.
That’swhatI’mdoing.
Theafternoontrainisboarding.It’snotcrowded.
BLOMKVIST
It shouldhavebeenmevisitingyou. I’msorry.
PERNILLA
It’sokay.Everything’sgood.
Henodsbutdoesn’tbelieveitanymorethanshebelieves he’sokaywithBibleCamp.Sheclimbsaboard.Waves.
PERNILLA
Bye.
BLOMKVIST
Bye.
Thetrainbeginstomove.
PERNILLA
Don’tgotoohardontheCatholics.
BLOMKVIST
What?
PERNILLA
Thearticleyou’rewriting.
BLOMKVIST
Whatareyoutalking(about)-
PERNILLA
TheBiblequotesonyourdesk.
BLOMKVIST
What?
Thetrainclearstheplatform.Hewatchesafterit. Whatwasshetalkingabout?Heglancesabsentlytothe taxistand.Husseinpointstohistaxi.Ride?
Blomkvistcomesin,goesstraighttohisdesk,sifts throughthepaperworkonit,thenseestheXeroxofthe lastpageofHarriet’saddressbook-theunknownphone numbers-hetapedtothelamp-
Magda32016Sara32109R.J.30114R.L.32027Mari32018
Itcouldbea coincidencethey’reBiblenames- Magdalene,Sarah,Mary-ormaybenot.Hedigsthrough Harriet’spersonalthingsforherBible.
Sinceallthenumbersequencesbeginwith‘3,’hegoes tothethirdchapter-Leviticus-noticesthatitsfirst facingpageisfaintlydog-eared-findsR.J’sverse- 1:14-on it:
HARRIETV/O
Ifa doveisthesinner’soffering, thepriestshallwringoffitshead, cleaveitswings,andburnitupon thealtar.
Pinchingacigaretteinashakinghand,Blomkvistpokes
beep.“Retry?”appearsonthecellscreen.
Backacrossthebridgebythegasstation,hemakesthe callonthepayphone.
BLOMKVIST
DetectiveMorell,it’sMikael Blomkvist.
MORELLO/S
Howareyou? NotstillinHedestadI hopeforyoursake.
BLOMKVIST
TheRebeckaCaseyoumentioned. Whatwasherlastnameifyourecall.
MORELL0O/S
Of courseIdo,butwhatwouldit havetodo withanything?
BLOMKVIST
Nothingprobably.
AsBlomkvistglancestothelastpageinHarriet’s addressbook,toR.J.30114-
MORELLO/S
Jacobsson.RebeckaJacobsson.
BLOMKVIST
Howwasshekilled?
MORELL0/S
Decapitated.Armscutoff.Burned.
past,headedforthebridge.
MORELL0/S
Butthishappenedinthe1940's-
BLOMKVIST
Hangona second.
Hewatchestheambulancespeedacrossthebridge.
BLOMKVIST
I’mgoingtocallyouback.
MORELL0O/S
Whathaveyou(found)-
Blomkvisthangsupandtakesoffatatrottowardthe bridge-
Hereachesthemanorjustastheambulanceisleaving
undone.
BLOMKVIST
What’shappened?
MARTIN
rubbingathisarm.Thencollapsed.
BLOMKVIST
Ishe (conscious)-
MARTIN
Ican’ttalk,Mikael,Ihaveto(go)-
BLOMKVIST
Go.
Martinpullsouttofollowtheambulancetothehospital. Blomkvistwatchesafterthem.
ThecatnapswhileBlomkvistlooksuptheotherLeviticus quotesfromHarriet’slistinherdog-earedBible-
HARRIETV/O
Thedaughterofanypriestwho profanesherselfbyplayingthe harlot,profanesherfather,and shallbeburnedwithfire-
HARRIETV/O
Awomanwhoisa mediumorsorcerer shallbeputtodeathbystoning-
There’saknock.HetucksthelistintheBible,sets asideandanswersthedoor.Frodecomesin.
FRODE
hedoesnow,wehavetosee.He’sin ICU.CanI haveoneofthose?
Hepointstothetable.
BLOMKVIST
A sandwich?
FRODE
A Scotch.
Blomkvistpourshimone,andanotherforhimself.
BLOMKVIST
I don’twanttobeindelicate.But HenrikpromisedmesomethingwhenI agreedtodothis.
FRODE
Wennerstrom.
I needtoknowwhathehasonhim. Now. Incase.
FRODE
In casehedies?Thatisindelicate.
BLOMKVIST
AndI apologize.
FRODE
I don’tknowwhathehasonhim,if you’reaskingme.Andhecan’ttell youin theconditionhe’sin.So... is thatitthen?
Silence.Blomkvistdrinks.Eventually-
BLOMKVIST
We alsoneverdiscussedwhoI'd reporttoifsomethinghappenedto him.
FRODE
You’dreporttome,butdoesit matter?Webothknownothing’sgoing to comeofthis.
BLOMKVIST
I’mnotso sure.
FrodelooksatBlomkvistalittlemoreintently.
FRODE
Whatdoyoumean?
BLOMKVIST
Imayhavefoundsomething.
FRODE
(pause) You’rejoking. (Blomkvistisn’t) Whatdidyoufind?
Nowit’sBlomkvistwhostudiesFrode.He’snotsurehe wantstotellhim.Andevenlesssothelongerhelooks.
BLOMKVIST
ThelasttimeIreportedsomething beforeIwassureofit,itcostme mysavings.
Frodestudieshimagain-wonderingperhapsifBlomkvist suspectshim.
BLOMKVIST
Ineeda researchassistant.Canyou authorizethat?
FRODE
Yes.Do youhaveone?
BLOMKVIST
Icanfindone.
FRODE
Iknowa goodone.Shedidthe backgroundcheckonyou.
BLOMKVIST
The.
FRODE
Doyouthinkwe’dhireanyonefor somethinglikethiswithoutdoing one?
Blomkvist’sbraintriestoquicklyinventoryhislife, pausingatitsdarkerrecesses.Frodenods.
FRODE
Yes,itwasquitethorough.
BLOMKVIST
Iwanttoreadit.
FRODE
ThatIcouldn’tauthorize.
Blomkvistisn’tsurehowtoplaythis.Thenheis. Setshisnapkindown,getsupandbeginstakingthings downfromthewall.Frodewatches.Thensighs.
OnlyafewlightsonintheMiltonSecuritybuilding.
Itisn’toftenasubjectofaninvestigationshowsupin hisoffice,butisalwaysawkwardwhenonedoes.
BLOMKVIST
yourreportwithme.
(itrestsonhislap)
Theinvestigator’snameisonit, butI canfindnorecordofher,and I’mprettygoodatthatsortof thing.
ARMANSKY
Woulditreallymatterwhathername 1s?
BLOMKVIST
It wouldifIwantedtospeaktoher, whichIdo.
ARMANSKY
Againstpolicy.
BLOMKVIST
Yousure?
ARMANSKY
understand.
BLOMKVIST
Letme giveyouanamethen.
Hejots“AnnikaGiannini”ononeofArmansky’sPost-Its.
BLOMKVIST
My sister.She’salawyer.
(gesturestothereport)
There’sinformationinherethat couldonlyhavecomefromoneplace. I thinkyouknowwhatImean.
Silence.Armanskytriesnottolooksick.Then-
ARMANSKY
Thereasonyoucanfindnorecordof herisbecauseherrecordshavebeen sealed.She’sawardoftheState.
BLOMKVIST
Whatdoesthathavetodowith anything.
ARMANSKY
She’shadaroughlife.Canwenot makeitrougheronher?
Blomkvistjustsitsthere,thepictureofcalm...
at atabledrinking,Salanderseemscomfortablewiththe noiseandherdatelessstatus,butdoesn’tavoidaglance fromanAsiangirlatthebar,anddoesn’ttellhertogo awaywhenshecomesoverandmotionstotheemptychair.
Salanderandthegirlfromtheclub,asleepinbed, entwinedlikesnakes.
Salanderwakes,disentanglesherself,andispaddingto thebathroomwhenthere’saknockonherdoor.
someoneknocksonitagain.Shecrossestoit,wrapping herselfinablanket.
SALANDER
Whoisit?
BLOMKVISTO/S
MikaelBlomkvist.
Hermindraces,asBlomkvist’sdidtothenewssomeone
itenoughtoseehim.He smiles,butit’sdisconcerting. She’snotsureit’saharmlessone.
BLOMKVIST
MayIcomein?
SALANDER
ActuallyI’mnotreallyup(yet)-
BLOMKVIST
That’sokay.
satchelwithhim.Takesintheplace,includingthegirl inthebedroom,inaglanceasheheadsforthekitchen.
BLOMKVIST
I assumedyouwouldn’thavehad breakfastyetsoIbroughtsomebagel
coffee?
SALANDER
Hey. Hey-
(hestops;looksback)
Whodo youthinkyouare?
BLOMKVIST
I’mtheguyyouknowbetterthanmy closestfriendsdo.
Heopenscabinetslookingforthecoffee.Shestares.
BLOMKVIST
We havealottotalkabout,sowhy don’tyoutakeashower,putonsome clothesandgetridofyour girlfriend.
Blomkvist,plungingaFrenchpress,watchesasthe girlfriendletsherselfout.Inthebedroom,Salander finishesgettingdressed,sticksherTaserintheback pocketofherjeansandcomesouttofindatablesetting that’smoreformalthanshe,oranyonewholivesalone, isusedto.
BLOMKVIST
You’reawake.Good.Breakfastis ready.
Hepoursher,andthenhimself,coffee.
BLOMKVIST
I guessIalarmedyoushowinguplike this.
SALANDER
If youtouchme,I’1lmorethanalarm you.
BLOMKVIST
Thatwon’tbenecessary.
tooneofthebagels-
BLOMKVIST
Yourreportonmewasquitedetailed butformenotveryentertaining.
A copyofitsitsnexttohisplate.
SALANDER
Itwasn’tmeanttobe.
BLOMKVIST
WhenIwriteaboutpeople,Itryto entertainthereader.
SALANDER
Wennerstromwasn’tentertained.
Blomkvistletsitgo.
BLOMKVIST
YourbossArmanskytellsmeyou onlyworkonthingsthatinterest you.I guessIshouldbeflattered. Healsosaysyou’retheonehegoes toforjobsthatare,‘sensitive’is thewordheused.I’1luse ‘illegal,’sincethatwhatitwas whenyouhackedintomycomputer. (theystudyeachother) I’mnotgoingtodoanythingabout that.I couldbutIwon’t.WhatI’m
itentertainsyou,maybeyou’1l decidetohelpmeresearchit further.Ifitdoesn’t,I’1llwash thedishesandleave...Areyou goingtoeventouchyourfood?
SALANDER
Whatkindofresearch?
BLOMKVIST
Lisbeth-mayIcallyouLisbeth?I wantyoutohelpmecatchakillerof women.
He’sarrangedsomeofhisresearchonthefloor,and watchesSalanderkneelingbeforeit,hereyespassing overphotographsoftheVangerclan,theaccidentonthe bridge,XeroxesoftheLeviticuslistandverses.
BLOMKVIST
I’veidentifiedR.J.Hername’s RebeckaJacobsson.
(MORE)
BLOMKVIST (CONT'D)
I havenoideawhotheothersare- or howthey’reconnectedtothedeath of a16yearoldgirl-buttheyhave to be.
Hiseyessettleonherblue-black“handcuffs”ashers settleonacopyofanoldHedestadCourierfrontpage: thearticleaboutthegrislymurderofRebeckaJacobsson.
BLOMKVIST
We needtosomehowfigureoutwho theyare,whathappenedtothem,what theLeviticusverseshavetodowith (anything)-
Shegetsup,goestoherdesk,beginsjottingsomething down,ignoringhim.
BLOMKVIST
Whatareyoudoing?
SALANDER
talkingifyouwant.
Blomkvist,slightlytakenaback,picksuptheLeviticus Xeroxfromthefloor.
BLOMKVIST
Wouldyoulikethis?
SALANDER
Gotit.
That’swhatshe’sjottingdown,frommemory:thenames, initialsandLeviticusnumbers.Shewakesherlaptop-
Hussein’staxibringsBlomkvistacrosstotheisland.
EXT/INT.COTTAGE-NIGHT
Hegetsoutwithhissatchel.Whistlesforthecat-
BLOMKVIST
I’mhome.
Hepicksupthebowloffoodheleftontheporch, unlocksthedoor,goesinside,andseesthecatnapping onhisdesk.Hestaresatit. Thenatthedoorhejust camethrough.Thenthewindows:allshut.
Nothinghasbeendisturbedasfarashecantell,but someonehasbeeninhere.
OMIT- 143A-161A
A windowonSalander’slaptopshowsamapofSweden dividedintoits21counties:Stockholm,Vasterbotten, Uppsala,etc.
ShestartswithSkane.Hacks*howeveronedoesthat* intoitspolicedepartment’scrimedatabase(orvarious countynewspapers’databases).
Shefillsintheyearfieldwith-1947-1966-and continuestotypesquickly.Whenweseewhatthatis, she’sinthemiddleoftypingthisfilterslist-
Homicide Female Rape Decapitation Dismemberment Fire Altar Priest Prostitute Unsolved Mari Magda Sara R.L.
Thesearchproducesascreenshowingmatchestosomeof thefilterwords-therestofthecasesynopsesgreyed out. Butalso,withallofthem,there’sthismessage:
FullPoliceReportNotDigitized
BlomkvistwatchesaHedestadlocksmithinstalladead- boltonhisfrontdoor.
Salandercomesoutofherapartmentbuildingontoan
mustbeabout3am.
Shetiesaduffelbagdown,climbsontothemotorcycle, kick-startsit,racesoffintothenight.
Salander’sHondaracespastapastoralagricultural landscape.
AnoldpolicedetectiveconsidersSalander’sdriver's license,herMiltonSecurityID,andalettersignedby thegiantsecurityfirm'sCEO,DraganArmansky.
No one’saskedmeaboutMagdainover 40 years.Noonehereevenremembers her.
Hewaitsforhertosaysomething,butshedoesn’tseem tounderstandconversationaldynamics,soit’suptohim.
Whywouldayoungladylikeyouwant to knowaboutsuchabrutalkilling.
SALANDER
It interestsme.
Doesit.
Shenods.He’snotsurewhichhefindsstranger-her
indicatethetattooonhers.
What’sthat.Awasp?
SALANDER
A friendofminecallsmethat.
So youtattooitonyourneck?
He’dbehorrifiedifoneofhisgrandchildrendidthat, butshejustshrugslikeit’snobigdeal.
Who’sthisfriend?
SALANDER
My trainer.
Aerobics?
SALANDER
Boxing.
Hardforhimtopicture.But,uponreflection-
Ihavea feelingyou’reprettygood atthat,eventhoughyouweigh-what -ninetypounds? (nothingfromher) Floatlikeabutterfly...
SALANDER
What?
(smiles) Comewithme,Muhammad.
Theoldmanrummagesthroughanoldfilecabinet.
Herhusbandwasourfirstsuspect- thehusbandisalwaysthefirst suspect,andusuallythelast-but
neighbor.Thenavagrant-
Hepullsathick,yellowedfolderoutandsitswithit andherata table.
Onceyougettostrangers,it’sonly amatteroftimebeforeyougetto gypsies,andyouknowyou’renever goingtosolveit.
Andthattroubleshimstill,thatheneversolvedit.
SALANDER
Howexactlywasshekilled?
Miss-I’msorry-
SALANDER
Salander.
MissSalander,ifyoudon’tmindmy asking,when’sthelasttimeyouate?
SALANDER
I haveahighmetabolism.Ican’t putonweight.
That’snotwhyIask. Iaskbecause it’sbettertolookatwhatI’mabout to showyouonanemptystomach.
Hepushesthefolderacrossthetabletoher...
OMIT-161E-1611
Blomkvistcomesintofind-likeMorelldid40years ago-a strangetableauxofsuspects-twoofwhomhe’s onlyyetseeninphotographsonhiscottagewall-
Birger,Cecilia,Frode,Martin,Gunnar,Anna,and, lookinglikeanagingoverdressedvampire,Isabella, smokingacigarette.
Howis he?
FrodetakesBlomkvistaside.
FRODE
He needssurgeryandthere’snoDNR. So it’suptothefamilytodecideto resuscitateornot,andthey’renot goodatdecisions.
Heglancesovertothem.Isabella’sstaringback.
FRODE
How’ditgowithMs.Salander?
BLOMKVIST
Shesaidyes.
Isabellagetsuptocomeover-
CanI seeHenrik?
FRODE
He wasasleepwhenIlastlookedin. We cancheck.
ISABELLA
No,youcan’tcheck.Youcan instructhimtopackhisthingsand leave.
MARTIN
Mother-
ISABELLA
Don’tusethattonewithme. (toBlomkvist) Thisfamily’shadenoughtragedy withoutyoudredgingitallupagain.
FRODE
Actually,Isabella,Mr.Blomkvist worksforHenrik.
ISABELLA
Andwhodoyouworkfor,Dirch? Remindmewhopaysyoursalary?
BIRGER
Weshouldputthistoavote.
MARTIN
Don’tbeanidiot,Birger.
BIRGER
It’safamilydecisionlikeany other.Cecilia?
CECILIA
What.
BIRGER
AmI right?
CECILIA
Youaresoseldomrightabout anything,it’shardformetosay yes.But (yes)-
MARTIN
No. WeshoulddowhatHenrikwants, andweknowwhathewants.
ISABELLA
Henrik-isintherefightingfor hislife.This- (pointstoBlomkvistlike he’sanobject) -is thelastthingheneeds.
A nursechoosesthis-theabsoluteworsttime-to approachIsabella.
NURSE0O/S
Excuseme,Mrs.Vanger,youcan’t smokeinhere.
Isabellagivesthenursealooksohardit’salmost frightening-calmlyflicksanashonthefloor-waits forthenursetoleave-andlooksbackatBlomkvist.
ISABELLA
Go backtoStockholm.Whenwewanta falsechronicleofthefamilywritten by alibelist,weknowwhotocall.
AsFrodeguessed,Henrikisasleep,wireduptomonitors, anddoesn’tstirasBlomkvistlooksinonhim.
Salander’smotorcycleparkedoutside.
Asyoungtravelerswithhugebackpackstrytosleep aroundher,SalanderreadstoherselffromaBibleby flashlight.Leviticus4:32-
HARRIET/PERNILLA
If aman’sofferingisalamb,it shallbea femalewithoutblemish.He shalllayhishanduponit’shead ..--Slaughterit...emptyit’sblood on thebaseofthealtar...andhe shallbeforgiven.
Anotherpolicestation.
Det.Isakssonisonthephone-
Forgetwhatshelookslike,Ivouch forher-
AnotheroldpolicedetectivehasSalander’scredentials andaphoneinhand-
DET.ISAKSSONO/S
She’ssmart.Andshe’sseriousabout this.
TheoldUddevalladetectiveregardsSalanderwaitingat thecounter.Intothephone-
UDDEVALLYDETECTIVE
(convincedbutjustbarely) Allright.Thanks.
Hehangsup. ToSalander-
UDDEVALLADETECTIVE
Thisway,Miss.
Heescortshertothefileroom.
OMIT-EXT.POLICESTATION-FARSTAESTABLISHING
JustlikeIsaksson,theUddevalladetectivepullsopen anoldcabinetdrawer,findsaparticularancientfolder in itandhandsittoSalander.Shebeginsflipping throughthereportsandcrimephotosinsideit,butwe don’tseethem.
SALANDER
CanImakecopies?
UDDEVALLADETECTIVE
Icanmakethemforyouifour machine’sbeenrepaired.
SALANDER
That’sokay.
Shebeginsphotographingthereportsandcrimescene pictureswithhercameraasthedetectivewatchesher, notwithoutsomekindofstrangesenseofadmiration.
OMIT: INT.COTTAGE-EVENING
BlomkvistconsidersBirger’sphotoonhiswall:Brother ofCecilia,sonofHaraldtheNazi,21-years-oldwhenhis cousinHarrietdisappeared...
BlomkvistandMartindrinkSkane.Martin’snormally breezydemeanorseemstohavesufferedfromhismother’s publicdisplays.Embarrassedbythemandher,he’smore seriousnow.
MARTIN
Myfamilyisimpossible.It’swhy thecompanyissuchamess.
(MORE)
MARTIN(CONT'D)
Pleaseacceptmyapologyformy mother’sbehavior.
BLOMKVIST
It’sallright.
MARTIN
It’snotallright,she’sunbearable. Butit hasnothingtodowithyou. It’sbetweenherandHenrik...She
drinking-herstateofmind-itall gotso badHenriktookmeandmy sisterawayfromher,leavingher aloneinouroldhouseontheother Sideoftheislandlikeshewas excommunicated.She’sneverforgiven him.
Andheseemsaslostnowashemusthavebeenthen.
MARTIN
Youhavetostayandkeepworking. You’reHenrik’slastchanceatsome
forhimonewayof theother,and I’lltrytokeepmymotheraway. But,please,doitasquicklyasyou can.
BLOMKVIST
I’1ll(try)-
appears,roarsup,parks.Salanderclimbsoffitand
her.
BLOMKVIST
Lisbeth,thisisMartinVanger.
MARTIN
Howdo youdo.
SALANDER
Fine.
Shecomespastthemwithoutanotherword.Martincan’t
herasshedisappearsintothecottage.It’shardto believe,buthehastoask:
MARTIN
Girlfriend?
BLOMKVIST
Assistant.
alreadyunpackingherthings-laptop,charger,changeof clothes.What’sshedoing,movingin?
BLOMKVIST
Anytroublefindingtheplace?
SALANDER
Everyoneintownknowswhoandwhere youare.
BLOMKVIST
That’scomforting.Areyouhungry? Wantasandwich?
SALANDER
No.
Busysettingupherlaptoponhisdesk,startingitup, sittingdownatit,she’sallbutignoringhim.
BLOMKVIST
Iusedtohavea motorcycle.WhenI was19.
SALANDER
Iknow.
Shehandshimherowndog-earedBibleandacopyofthe listofnamesandinitialshegaveher-
SALANDER
ThefivecasesfromHarriet’s list.Andfivemoreshemissed- threeI’msureabout.
Fivemore?Blomkviststaresatherbutshe’sturnedback toher laptop,bringinguppolicereportsandcrimescene photos.
SALANDER
Rebeckawasthefirst,likeyou thought...M.H.,isMariHolmberg -a prostituteinKalmar-murdered in1954.Leviticusverse20,line
“Ifa manlieswithawomanhaving hersickness,hehasmadenakedher fountainandshehasuncoveredthe fountainofherblood.”
Blomkvistdoesn’tseeaconnection.
SALANDER
Shewasrapedandstabbed,butthe causeofdeathwassuffocationwitha Sanitarynapkin.R.L.RakelLunde, 1957-
Salanderbringsupmorecrimephotos-
SALANDER
Cleaningwomanandpart-timepalm reader,tiedupwithaclothesline, gagged,raped,headcrushedwitha rock. Leviticus20:27.
BLOMKVIST
“A womanwhoisamediumorsorcerer shallbeputtodeathbystoning.”
She’slitacigaretteandbringsupthenextphotos-
BLOMKVIST
I onlysmokeoutside.
SaraWitt,1964.Daughterofa pastor.Tiedtoherbed,raped, charredinthefirethatburned downherhouse.Leviticus-
BLOMKVIST
21:9.“Thedaughterofanypriest whoprofanesherselfbyplayingthe harlot,profanesherfatherand shallbeburnedwith(fire)-
MagdaLovisaSjoberg,1960-
Severalphotosofadeadwomananddeadcow-
SALANDER
Foundina barn,stabbedandraped withfarmtools.Acowin thenext stallwithitsthroatslit,itsblood splashedonher,hersonit.
BLOMKVIST
Leviticus20:16-“Ifawomanlies withanybeast,youshallkillthe womanandthebeast,theirbloodis upon(them)-
SALANDER
(againonhislastword) LeaPersson,1962-
A photoofaprettygirlinridingjodhpurs,pettinga horse,andseveralmoreofherdeadnakedbodyonawet cementfloorsurroundedbytropicalfish.
SALANDER
Foundbyhersisterintheirpet shop-raped,beaten.Thekiller uncagedtheanimals,smashedthe
insideher.Leviticus26:21/22.
BeforeBlomkvistcanfindtheverse,she’sontothenext ones.Morephotosofmurderedgirls-
SALANDER
EvaGustavsson,1960.Arunaway. Raped,strangled,aburntpigeon
Andersson,1967,astudent.Raped, stabbed,decapitated-
BLOMKVIST
Okay-
SALANDER
I’mnotdone-
BLOMKVIST
It’sallright,we’relookingfora serialmurderer...Butwhatdoesit havetodowitha 16-year-oldgirl onanisland?
Salander,asweknow,isnotpaidtogiveheropinion. She’sahunter/gatherer,notananalyst.ButBlomkvist asked,soshegivesit-
SALANDER
Shewaslookingforhim,too.
OMIT- INT.COTTAGE-NIGHT
Thesilencetheyjustlefthasfollowedthemouthere. Theisland,morethanever,feelshauntedasBlomkvist looksoff,smoking.
BLOMKVIST
Rape. Torture.Fire.Animals. Religion.AnythingI’mmissing?
SALANDER
Thenames.They’reallBiblical. Thefirstwoman,thewhore,the VirginMary-Sara,Rakel-allfrom theOldTestament.
BLOMKVIST
Whichmeansthey’reJewishnames.
HeglancesofftoHarald’sdarkhouse.
BLOMKVIST
If there’sonethingtheVangershave morethantheirshareof,it’sNazis. There’soneofthem.
TheNazi’sshadowyformcrossesbehindtheshades...
Hepokesatembersinthefireplacetotrycoaxsome flames.
BLOMKVIST
I canseewhyArmanskyvaluesyouso highly.Yourworkisverygood.
SALANDER
It interestsme.
Hetakesablanketfromthebackofachair.
BLOMKVIST
I’lltakethecouch.Youcanhave thebed.
SALANDER
I cansleeponacouch.
BLOMKVIST
So canI.
Shetakestheblanketfromhimandsitswithitonthe couch.Hewatchesheramoment.
BLOMKVIST
Okay. (headsofftothebedroom) Goodnight.
SALANDER
Night.
Sheswitchesoffthelamp.Then,inamoment,inthe dark-
SALANDER
Harriet’snameisn’t.
BLOMKVIST
Isn’twhat.
SALANDER
Jewish.
SalanderbrowsesthroughaniPhotoalbumofold photographsofBlomkvistandthemotorcyclehementioned. In someofthem,Erikaiswithhim.Inallofthem,he’s wearingaleatherjacketnotunlikeSalander’s.
BLOMKVISTO/S
Whatareyoudoing?
He’sjustwokenupinatangleofblanketsonthecouch to seeherathislaptop.Sheclosesthealbum,leaving onthe screenwhatshewaslookingatbefore:hisiMovie oftheparadeandsomeannotatedpolicefiles.
SALANDER
Goingoveryournotes.
BLOMKVIST
They’reencrypted.
Shegiveshimadon’t-be-a-childlook.
SALANDER
Havesomecoffee.
BLOMKVIST
Iwill. Andthenwe’llhaveatalk aboutwhat’syoursandwhat’smine.
Blomkvistdragshimselfup,pourshimselfsomecoffee, addssomemilk.
SALANDER
It’samazingwhatyoufiguredout fromtheparadephotos.
BLOMKVIST
Thankyou.
SALANDER
Toobadyoudon’thavehers.
BLOMKVIST
Whose.
Shedoesn’tsay.Hecomesover.SheplaystheiMovie,
toayoungcouplestandingamongthepeoplebehindher. ThewomanhasanInstamaticcamerainherhand.
SALANDER
Her.
Sheadvancestothenextframe:Thewomanhasraised thecameratohereye.
Andthenext:Harrietturningherheadinforeground whileinthebackgroundtheflashcubeatopthewoman’s Instamaticflaresslightly.
Blomkvistisstunned,byboththefacthedidn’tnotice itbefore,andwhatitmeans:Thoughthewomanistaking asnapshotoftheparade,shecouldhaveinadvertently includedinitwhatever-whoever-Harrietsawatthat momentacrossthestreet.
BLOMKVIST
Excuseme.
Hetakesoverhislaptopfromher,findsthelater Courierphotoshedidn’tincludeinhisiMovie,after Harriethasleft.
Inone,thecoupleismovingofftheotherway.In another,they’regettinginaparkedcartoleave.
plateispartlyvisible,buttoosmallforhimtomake outevenbysquinting.
BLOMKVIST
Canyoureadthat?
SALANDER
A, C,Three-therestisblocked.
He focusesonadecalonthecar’sbackwindow.The lettersareevensmallandblurrier,butshethinksshe canmakeout-
SALANDER
N,something,R,S,J-
BLOMKVIST
Norsjo.
SALANDER
Thensomething,K,something,R,I, F,something,I-
BLOMKVIST
Carpentry. (pointsbelowtheletters) Isthataphonenumber?
SALANDER
Toosmalltoread.
Hegetsup. Headsforthefrontdoortosmokehis Cigaretteoutside-
BLOMKVIST(ADR)
I’mgoingtohavetogotoNorsjo.
Heopensthedoortoleaveandseesontheporch-
Thecharredcorpseofthecat.Itslegs-sawnoffand arrangedintheshapeofaswastika-lieinthemiddle of adarkcircleofblood.
He seemstoostartledtomove,butwhenSalandersees it,sheimmediatelygetshercameraandbeginsframing close-upsofthecatparts,anditsheadrestingatop theseatofhermotorcycle.
BlomkviststaresoffatHarald’shouse...
OMIT:EXT.COTTAGE-MORNING
OMIT: INT.FRODE’SHOUSE-DAY
AsFrodescrollsthroughthephotosofthedismembered caton Salander’scamera,horrifiedbythem,sheregards at atableacrosstheroom:Birger,IsabellaandGunner.
BLOMKVIST
Iwouldn’tthinkHaraldwouldsign hisnamelikethis,wouldyou?
FRODE
I can’tsayIknowhowhethinks.He might.
BLOMKVIST
Hasanyonespokentohimaboutme sinceI’vebeenhere?
FRODE
MaybeIsabella.Nooneelse.
BLOMKVIST
Couldshedosomethinglikethis?
Frodeglancesofftoher.She’sstaringatSalander. AndturnstoBirger.
ISABELLA
Who’sthiscreaturenow?
Frodetakesonemorelookatthephotosbefore-
FRODE
I’mcallingthisoff.
BLOMKVIST
No. You’reauthorizingmetorent a Car.
BlomkvistandSalandercomingdownacorridorontheir wayout.
BLOMKVIST
I’msorryifthatwasuncomfortable.
SALANDER
Theydon’tbotherme.
BLOMKVIST
I’msurethey’renotusedtopeople wholooklikeyou.
SALANDER
Theydon’tlikeyoueither.
Acaranda motorcyclesplitapartataninterchange- theVolvotothenorth,Salander’sHondatothesouth.
SalanderpullsherHondaintoanundergroundgarage.
Noone sayshellotoher-norshetothem-asshe stridesthroughtheplacetothetechroom.
INSERT:Casessnappedopenrevealingsophisticated surveillanceequipment-severalcameras,mounts,hand monitor,cables.
TECHCLERK
Ican’tgiveyouanyofthis stuffwithoutauthorizationfrom Mr.Armansky.
SALANDER
Socallhim.
Theclerkpicksupaphone,butthensetsitbackdown. Picksupthelistagain.
TECHCLERK
Nexttime,I'dpreferyoufillout theproperpaperwork.
A Volvospeedsalongaruralhighway,farfromHedestad andtheVangers.
Onthepassengerseat-
INSERT:thecarrentalagreement-aprintofthe paradephotoofthecouplegettingintothecarhewas lookingatwithSalanderonhislaptop-andahand- writtennotethatreads-
NORS JO SNICKERIFABRIK
EXT/INT.HIGHWAY/VOLVO—-DAY
A POVthroughthewindshieldofahighwaysignalertshim theNorsjoexitiscomingup.
a stopoutsideitsonlyhardwarestore.
An ancientplacewithnarrowaislescrammedwithstuff.
CLERK1
CanIhelpyou?
Theclerk-forwhatBlomkvistneeds-istooyoung.
BLOMKVIST
I’mwaitingfortheoldergentleman, thanks.
Hegesturestoaclerkinhis60’shelpingacustomer.
Theolderclerklooksattheparadephotoofthecouple.
BLOMKVIST
Thecarpentryshopisgone.Idon’t knowifhe workedthereornot.Ifhe did,maybeheusedtobuyhardware here.
CLERK2
I don’trecognizehim.Sorry.
BLOMKVIST
I hadtostartsomewhere.Thanks.
Ashegathersupthephotostoleave-
CLERK2
I’mno detective,butIthinkI would’vestartedattheretirement home.
Blomkvistlooksup.Notabadidea.
Salanderchecksa‘mirror’ofBjurman’scomputeronher
himtowrite.
Agroupofelderlymenandwomeninarecroompass Blomkvist’sphotosaround.Oneoldmanoffers-
FORSMAN
ThisisBrannlund’skid.Hewasa contractor,thefather.
BLOMKVIST
Brannlund.
FORSMAN
Assar.
Blomkvistwritesthenamedown.
BLOMKVIST
Youwouldn’thappentoknowwhereI couldfindhim,theson?
FORSMAN
Nexttohisfatheratthecemetery. Hewaskilledinanaccidentonajob
alive- (thewomaninthepicture) Hiswidow.
Sheis stillalive,andsittingacrossfromBlomkvistin herlivingroomashetakesouthisphotos-
BLOMKVIST
In1966,youwereinHedestadwith yourhusband.
He showsheroneofthephotos.
MILDRED
Oh,mygoodness,thereweare.Who tookthis?
BLOMKVIST
Photographeratthelocalpaper.
Shesmilesatthepicture;itbringsbackgoodmemories.
BLOMKVIST
Youweretakingpictures,too.Which I’dverymuchliketoseeifbysome miracleyoustillhavethem.
MILDRED
Itwouldn’tbeamiracle.Wewereon ourhoneymoon.Butwhy?
to. IndicatesHarrietinthephoto-
BLOMKVIST
Thisgirlwaskilledthatday,soon afterseeingsomethingacrossthe streetthatfrightenedher.
MILDRED
Howawful.
Blomkvistnods;Mildredtakesacloserlookatthephoto.
MILDRED
Shedoeslookterrified.
Mildredgetsupwithpurpose,goesintoanotherroom, returnswithaphotoalbum.Leafspastweddingphotos, tohoneymoonphotosandstopsontheonlyoneshetook oftheparade.ShehandsthealbumtoBlomkvist.
Thesnapshotshowsthefloatwiththeharemgirlsin foreground,and-inthebackground,acrossthestreet- severaloutoffocusfigures-
BLOMKVIST
WouldyoumindifImadea copyof this?
Establish.
Hegetsintheelevatorwithoutreallylookingatthe figurealreadyinit.
BJURMAN
Ground,please.
startsdown.
SALANDER
How’syoursexlife?
Bjurman,terrified,backsintoacorner.Shepressesa buttonandtheelevatorjerkstoastopbetweenfloors.
SALANDER
I didn’tcaremuchforyourlast report.
(whichshehasinhand)
It feltperfunctory,likeyourheart wasn’tinit. Let’sseealittle moreenthusiasmformyrecoveryin nextmonth’s.
BJURMAN
I under(stand)-
SALANDER
Don’tspeak.Idon’twanttohear yourvoice.Justnod.
Henods.
SALANDER
Startlookingforashrinkyoucan bribetoswearunderoathhecanfind absolutelynothingwrongwithme.
Henods. Shegetstheelevatorgoingagainandsteps
rapedher.
SALANDER
Andstopvisitingtattooremoval websitesorI’lldoitagain-right here.
openandshestepsout,leavinghiminthere,lookingtoo frightenedtomove.Thedoorsclose.
HavingreturnedandscannedMildred’ssnapshotinto Photoshop,Blomkvistbetterdefinesonhislaptopits backgroundandthepeopleinframeacrossthestreet fromwhereHarrietwasstanding:
INSERT:Couples,kids,aclown.
INSERT:Thewatchrepairshopclockthatreads,2:00.
INSERT:Afigurestandingslightlyapartfromtheother people.
It’stooblurrytomakeouthisfaceorage,buthehas lightbrownhair,darkslacks,andadarkblazerwith somekindofpatchonthepocket.
Salanderblastsontothehighwayheadednorth.
INTCOTTAGE-AFTERNOON
BlomkvistregardsIsabella’stwophotosonthewall.
Inone she’sastunningyoungwoman.Intheother,the oldwreckshe’sbecome.
HeglancestoherhusbandGottfried’sphoto.Wherea secondmorecurrentphotoofhimshouldgoisaCourier articleabouthisdrowningin1965.That’swhenIsabella changed-andthisiswhereithappened-inthisold houseoutonthepoint.
Heuntacksthearticle-
Theboathousehasn’tfaredwell.Neitherhasthedock Blomkvisthastowalkontoreachit.Heglancesinside- noboat,justdarkwaterslappingagainstthepilings- looksbacktotheshoreatthelong-uninhabitedcabin.
Noelectricitybutenoughlightspillsthroughtheopen doorforhimtoseetheneglected,shadowyinterior:
Bedswithbare,orno,mattresses.Sticksoffurniture.
otherdebrisleftbyintrepidHedestadteenagers.
It’screepy,evenifyouweren’taloneinit,knowing whatyouknow.
Hekneelstolookatsomeofthebooks.MickeySpillane, abirdguidebook,somethingcalledTheEvilEmpireabout theUSSR,achildren’sbook.Heopensthislastoneand sees“Harriet”scrawledinaveryyoungchild’shand.
Havingclimbedthecliffabovethecabin,hefinds
restattheruinsofafort.
Apieceofthestonewallnexttohisheadsuddenly erupts.Asfragmentstearintohisscalp,hehearsthe delayedcrackandechooftherifleshot-
butcan’tfeelawoundunderit.Toucheshisfaceand findsthebloodiscomingfromhisforehead.
Hecanseenoone,andisalmostrelievedsinceifhe coulditwouldmeantheywerewalkingtowardhim,which wouldmeanhewouldsoonbeshotdead,pointblank.
him-therockycliffhejustclimbed.Aheadofhim-a clearingleadingtowoods.Reallyonlyonechoice-
thicketandstingingnettlesthattearathisarmsand
elbowsandtoeslikeaninfantryman.
Safeforthemoment,hefigures,hiddeninthewoods,he looksatthesunlowinthesky,anddecidestowait.
Salander,returnedfromStockholm,movesaroundthe cottage-insideandout-installingtheequipmentshe broughtfromMiltonSecurity:
Motiondetectors-securitycameras-softwarethat bisectsaPCscreenintoquadrantsshowingnight-vision viewsofeachcornerofthecottage.
OMIT:EXT. HEDEBYISLAND-EVENING
A figureappearsonaquadrantofSalander’ssurveillance PC. Comespastthemotorcycleandnearlyreachesthe porchbeforeshehears-
BLOMKVISTO/S
It’sme.
Sheopensthedoortoseehimcoveredinblood,pressing a tornpieceofhisshirttohisbleedinghead-and almostgasps.
BLOMKVIST
It’sthatbad?
Sheturnsthebathtub’shotwatertap-
BLOMKVIST
Isitstillbleeding? (touchesthewound) It’sstillbleeding...whyisit stillbleeding...
Shepullsalengthofdentalflossfromitscase-
BLOMKVIST(ADR)
Isthatdentalfloss?
SALANDER
Yes.
Splitsitintwothinnerlengthswithherchewedfinger nails-
Feedsoneofthelengthsofflossthroughtheeyeofa needle-
BLOMKVIST
Whatisthat- (hecanseeit’saneedle) Isthatnecessary?
SALANDER
Yes.
BLOMKVIST
We can’tjusttapeit?
SALANDER
No.
Sheperchesontheedgeofthetubwherehesits-still inhispants-half-submergedintepidwater-bottleof vodkainhishand.
BLOMKVIST
Didyousterilizethat?
SALANDER
No.
BLOMKVIST
Youdidn’t?
goesinthewater.Handsthebottlebacktohim.
SALANDER
Drinksomemore.
facewiththeneedleandfloss-
BLOMKVIST
Careful,it’smyeye.
SALANDER
Don’tmove.
Ittakesallhe’sgotnottomove,andeventhatisn’t enoughasshefirststickstheneedlethroughtheflesh. Hepullsawaywithagroan.
ofvodkatosteelhimself.
Shepierceshimasecondtime,drawstheflossthrough theskin.Andafterthatitdoesn’tseemtobesobad.
Assheworks,hiseyesglancetoherswithamixtureof dreadandgratitude,buthersarefocusedonthework. Hersthenbrieflyglancetohis,butnowhisaredown.
Hecomesoutofthebathroominhissoakingwetpantsand collapsesonthebed.Sheworkstopullhispantsoff.
BLOMKVIST
WhatamIdoinghere...whydidI evercomeuphere...
Hetouchesthewoundandlooksathisfingers-
BLOMKVIST
It’stoodarktosee...diditstop bleeding...Ithinkmaybeithas itstillfuckinghurts...
Sheregardsthesurveillancemonitor,thenight-vision viewsofthecottage.Shecan’tbelieveitbutshefeels vigilantmoreforhissakethanherown.
Shegoestoa windowandlooksout.Seesherown
bootsoff.
Shecomesintothebedroominhert-shirtandunderwear. He’sstillmutteringwithoutlookingather.
BLOMKVIST
Itwasn’tanaccident... Somebodywasshootingatme... It’sinsane...thesepeopleare insane...
SALANDER
Noone’sshootingatyounow.
Shepullshert-shirtoverhisstitched-uphead, cocooningitagainstherbreasts.Silence.Then-
BLOMKVIST
I’mprettysurethisisn’tagood idea.
SALANDER
Why.
Heextractshisheadfromthecocoonandlooksather.
BLOMKVIST
ApartfromthefactthatI’mold,we worktogether.
SALANDER
Youworkwithwhat’s-her-name. That’sworkedoutforyou.
Henods. That’strue.Then-
BLOMKVIST
I havesomestandardsofbehavior, believeitornot.
SALANDER
Youneedtostoptalking.
Sheclimbsontopofhim.
Afterwards.Sheopenshisdwindlingpackofcigarettes. Lightsone.Glancesovertohimlyingnexttoher.He’s notlookingatthesmokebutratherthestartlingtattoos onherbarelegsandarms.Eventually-
SALANDER
Youwantmeto openawindow?
adrag.Handsitback.
thetable.SitswithSalander.Listenstothatawkward, butnotaltogetherunpleasantsilenceyoualwayshearin thissituationthenextmorning.Shebreaksit-
SALANDER
I likeworkingwithyou.
BLOMKVIST
I likeworkingwithyou,too.
OMIT-INT.HOSPITALCAFETERIA-DAY
Establish.
FrodeandMartinstareatBlomkvist’sunprofessionally suturedheadwound;Salandernearhimlikeanemaciated bodyguard.
FRODE
Peoplehuntontheisland,Mikael. Gunner’soutthereshootingsomething
couldhavebeenastrayshot.
MARTIN
shoothim,he’dhaveshothim.
FRODE
Wegetpoachers.They’renotalways suchgreatshots.
MARTIN
Orhe’sright,Dirch.Whatifheis? Thishastostop.
FroderegardsBlomkvist.
FRODE
Doyouwanttostop?
BLOMKVIST
Ihavepolicereports,photos, Henrik’snotes,myownnotes,and Lisbeth’sresearch.WhatIdon’t haveareVangerIndustriesrecords. That’swhatIwant.
FRODE
Why?
Blomkvistdoesn’tsay.Only-
BLOMKVIST
Willyouauthorizeit?
FRODE
IcouldbutwhyonearthwouldI?
BLOMKVIST
BecauseI’masking.
FRODE
Theprivatecorporaterecords. (Blomkvistnods) Howfarback?
BLOMKVIST
Alltheway.
FrodeexchangesalookwithMartin.
BLOMKVIST
HenriksaidIhaveaccessto
need.
FRODE
That’snotwhathemeant.
BLOMKVIST
Let’saskhim.
FRODE
He’snotwellenoughtoask.
BLOMKVIST
I'dbe happytosignanondisclosure statement,ifthathelpsyou.
FRODE
Excuseusamoment.
FrodeandMartinstepawaytoconferinprivate.
MARTIN
I thinkHenrikwouldsayyes.
FRODE
That’swhyhehasme. Toprotect himfromhimself.Thisisinsane.
MARTIN
Whatdowe havetohide?
FRODE
Overthecourseof120yearsof doingbusiness?Plenty.
MARTIN
If heneedsthistodohisjob,he shouldhavepermission.
Thisgoesagainsteveryprivileged,confidentialbone inthelawyer’sbody.HecanonlystareatBlomkvistand Salanderacrosstheroom,wonderingwhyhehiredeither oneofthem.
BlomkvistandSalanderwalkdowntheroadfromMartin’s house.
SALANDER
WhatamI lookingfor?
BLOMKVIST
Anyconnectionsbetweenthe company’sholdingsandthetowns wherethewomenwerekilled...and everythingaboutFrode.
VangerIndustries’corporatearchivesarekeptinthe oldestbuildinginthetown’swarehousedistrict.The rumbleofSalander’smotorcycleannouncesherarrival.
Likesomeonevisitingarelativetheyneverliked, Blomkvistreviewsyetagainthephotosfrom‘thatday’- scrollingthroughthebridgeaccidentshots-
He stops.Oneofthefigureshassomethinginhishand hehadn’tnoticedbefore.Itandthefigurearesomewhat
sharpensthecontrasttorevealthatthegunisinfacta Hasselblad-typecamera.Looksattheman’sface-then athiswallofVangerfamilyphotos-unhappytoseeit matchesHarald...
Carbon-copiedororiginaldocumentsfromthe50’sand 60’ssurroundSalanderlikethewateraroundtheisland:
Financialanalyses,annualreports,internalmemoranda, tradeunionagreements,brittlenewsclippings,corporate staffphotographs,oneofwhichshe’sregardingnow:A muchyoungerFrode,posingagainstawalloflawbooks.
ThephotoofHaraldinhisNaziuniformonthewall.
BLOMKVISTV/O
Yourfatherwastakingpictures thatdaynoonehasseen.
CecilialooksattheblurredbridgephotoofHaraldwith thecamerainhishand.ThenatBlomkvist,coolly.
BLOMKVIST
I’dliketoifI could.
CECILIA
Soaskhim.
BLOMKVIST
Iwaswonderingifyoucoulddothat.
CECILIA
Idon’tspeaktohim,asyouknow.
BLOMKVIST
Youcouldn’tmakeanexceptioninmy case.
withwomen,butdoesn’tseemtohavemuchaffectonher.
CECILIA
Areyouafraidtobeinthesame roomwithhim?I’mnotsayingyou shouldn’tbe.
BLOMKVIST
Youwon’thelpme?
CECILIA
Sorry.
Salandergetsupandcrossestoananteroomwherean unhappyolderwoman-thearchivemanager-seemstobe doingnothingbutwaitingforthestrangegirltoleave.
LINDGREN
Areyoufinished?
SALANDER
No. I needtoknowwhereallthe factories,officesandprojectswere from1949to1966.
LINDGREN
Youalreadyhaveeverything.
SALANDER
I don’t.Nothingonsubsidiary corporations,partnerships,or suppliers.
LINDGREN
Thenyou’1llhavetodowithout.
SALANDER
whateverIneed,andIneedthis.
LINDGREN
He saidyouhaveaccesstothis floor.
SALANDER
Callhim.
Thewomanstaresatherforalongmoment,thenpicksup thephone.
Shelf.Salanderdoesn’thelpheroffthestoolandthe womanlooksatherevenmoreunhappilythanbefore.
Theblinds,asusual,closed.Coupleoflampsthrow shadowsonthewallswhichdisplayhuntingandmilitary trophies-wildgameheads,sabersandvintagefirearms- someofHarald’sdearerphotographs-somephotographsin dustyframes.
Blomkvist,aloneintheroom,looksatthem:Swedish Nazileaderinthe1930's.
HARALD
SvenOlofLindholm.
The92-year-oldcomesintotheroomfromthekitchen,
youngermaninthephoto,alsoinaNaziuniform,that Blomkvistislookingat.
HARALD
Me.
waitsformoreofaresponse.Finally-
BLOMKVIST
Handsome.
HARALD
(tapsanother) BirgerFurugard.Me. (andanother) PerEngdahl. (andanother) Me.
Blomkvist’seyesshifttoabolt-actionMauserinfantry rifledisplayedonashelf...
HARALD
Butyourinterestisinmymore candidphotographicwork.
Spreadoutonthedesk:Amapof Swedenshowingthe factorysitesandotherVangerholdings-andoneshe
appearatthesamelocationsonboth.
On ahandwrittenlistofthevictims,sheputsacheck nexttoRebeckaJacobsson,1949,Hedestad-movesonto MariHolmberg,1954,Kalmar-beginssiftingthroughthe mountainofVangerIndustriesclippingsfromthatyear-
AbonyNazipouringteainashadowyroomwithyouis bad,buttherabbit-printteacozyonlymakesitworse.
Blomkvisttriestoignorehimsettlingbackinhisworn leatherchairwithhischippedcup,andsiftsthroughan oldshoeboxofunsortedphotographs:
AholidayatLakeComo,early1950’sjudgingfromthe cars;aVangerfamilygatheringlongago;somemenposing byaslainwildboardanglingfromarope.
over,pullsoneout.
HARALD
Blom...kvist...
(lightsthecigarette)
Withan ‘o’-ora ‘u.’
BLOMKVIST
‘oo.’
HARALD
An ‘o.’Blom-kvist.
Haralddoesn’tsayit,buthisnodmeans,‘notJewish then.Good’Blomkvistreturnstothephotos,glancing upoccasionallytothesmokecurlinguppastHarald’s faceasheexaminesthejournalistatwork.
HARALD
I’mnota recluse.Idon’tclose my doortoanyone.Theyjustdon’t visit.
BLOMKVIST
Perhapsifyouredecorated.
HARALD
a thin,shinyveneer.LikeanIkea table.
(Blomkvistshrugs)
I’mthemosthonestofallofthem.
BLOMKVIST
Thefamily.
HARALD
Sweden.
photographofthebridgeaccident,and,underit,afew more.Hetakesthemoutandanglesthemtowardalamp.
HARALD
Twopointeight.
BLOMKVIST
Pardonme?
HARALD
TheZeissTessaronmyHasselblad. Excellentlens.
Blomkvisttriestonodappreciatively,butthebridge photosdon’ttellhimanythinghedoesn’talreadyknow.
He findsseveralmorethatappeartobeahunting expedition-menandbloodhounds-butthenseesMorell inone,morepolicemen,andastrickenHenrikinboots andraincoat,andrealizesthisisthesearchparty.Off tothe side,ayoungman,headturnedhalfaway,wearing a darkblazerwithagoldpatch,whichthat2.8Zeiss lensmakesclearisaprepschoolinsignia.Alion.
HARALD
Landscape?Somenicelandscapes there.
BLOMKVIST
No,it’s-I can’ttellwhoitis fromthisangle.
HetakesthephotoovertotheNaziwhoonlyhasto glanceatitamomenttorecognizehislatenephew’sson:
HARALD
That’sGottfried’sboy.
BLOMKVIST
Martin?
Haraldnods,handsitback,smokes.It’snotunusual Martinwouldhavejoinedthesearchparty-itwouldbe unusualifhehadn’t-it’shissisterthat’smissing- butthisblazerhe’swearingtroublesBlomkvist-
HARALD
Handsomebutuselessyoungman, Martin.Likehisfather.
Thearchivemanagershouldersherpurse,locksher anteroom,andapproachesSalander.
LINDGREN
We’reclosing.
Nowherenearfinished.
LINDGREN
I’mnotstayinglate.
SALANDER
I am. AndIneedaccesstoallthe rooms,includinganythatarelocked.
(nothingfromthewoman)
CallFrode.
AsHenriknapsandMartinclearshisdinnertray,Frode listenstothecallerontheroomphone-
LINDGRENV/O
Shewantstolookateverything.I don’tlikeherandIdon’ttrusther. There’ssomethingwrongwithher.
FRODE
Hangona second-
(toMartin)
I’mgoingtoletyoudecide.It’s Ms.Lindgrenagain.
Yes,Ingrid,what’stheproblem?
LINDGRENV/O
Thisgirlwantsasetofkeysnow. To myroomaswell.It’soutrageous.
MARTIN
It’sfine.Justtellhertomake suretoleavethekeyswithsecurity whenshe’sdone.
Havingfoundnothingofinterestinthe1954files, Salandermovesontothe1957killingofRakelLunde.
desk.
LINDGREN
thekeyswiththeguard.
readsayellowedclippingfromaLandskronanewspaper:
It’saboutVangerIndustrieshiringalocalcontractor, CarlenConstruction,tobuildaplant.GottfriedVanger- heretosignthecontract.
articlewaspublishedonedayafterthepaperprintedthe storyofthediscoveryofRakel’sbatterednakedbody.
Salanderflipsthroughthehandwrittennotesshemade duringhertalkwiththeretireddetectiveinLandskrona- andfindsthatpart-timepalmreaderRakel’smainjobwas as acleaningwomanforCarlenConstruction.
Thedetectiveinterviewedherco-workers,butnoonefrom VangerIndustries,includingthatfirm’srepresentative intownfora fewdays,GottfriedVanger.
GottfriedVanger...whichonewasheagain?Salander bringsuponherlaptopphotographsshetookofthewall ofthecottage:theVangerfamilytree.
GottfriedVanger,SonofMargareta&RichardtheNazi HusbandofcrazyIsabella,FatherofMartinandHarriet
Of alltheVangers-atleastbackin1950whenHarriet
goodlooks.
SheputsachecknexttoRakel’snameandreturnstoMari Holmbergandthe1954Vangerfiles.
BlomkvistflipsthroughoneofMorell’sreportsstating everyone’swhereaboutsonthedayHarriet’sdisappeared.
INSERT:AcrossfromMartinVanger’snameitreads: “Arrivedon4:30train.”
HebringsupthePhotoshop-enhancedBrannlundparade photoonhislaptop-
INSERT:Thefigurewiththeblazerandpocketpatch standingnearthewatchrepairclock,whichreads:2:00.
AndthephotoHaraldlethimtakewithhimof ‘Gottfried’suselessboy’-
INSERT:YoungMartinwiththesearchparty,theemblem clearlyvisibleonhisblazerpccket.
He shufflesthroughcopiesofarticlesinSalander’s victims’files.Looksatthelastone,LenaAndersson, 1967.Thephotoisa schoolwalletphoto-
INSERT:She’swearingasweaterwiththesameUppsala PrepSchoollionemblemasMartin.
HelooksatMildred’sparadephotoofthefigurestanding nearthewatchrepairclock.Itreads,2:00.
AndthephotoHaraldlethimtakewithhimof ‘Gottfried’suselessboy’withthesearchparty.Init andtheparadephoto,he’swearingthesameblazer.
HeshufflesthroughcopiesofarticlesinSalander’s victims’files.Looksatthelastone,LenaAndersson, 1967.Thephotoisaschoolwalletphoto-inasweater withthesameUppsalaPrepSchoollionemblemasMartin.
Knowingwhatshe’slookingfornow,Salanderfindsit fairlyquickly:AclippingaboutatimbercompanyVanger IndustriesboughtinKalmarandaninterviewinitslocal paperwithGottfried,twodaysafterMari’smurder.
Shejumpsto1960-MagdaLovisaSjoberg-Karlstad-and anarticleinitslocalpaper-thistimewithaphotoof Gottfried-aboutauniondisputeatitsfactorythere.
Blomkvistcomesoutwithhiscellphone,triestomakea
thataskshimifhewantsto‘retry.’Hedoesn’t.
Instead,underthedarkeningsky,helooksofftothe point.Martin’shouseissmallinthedistance,buthe canseethere’snocarinthedrivewayandnolightson. Hestaresatitforalongtime...
Salanderpullsa1962Uddevallapaperfromthefiles. Samedaythistime,thesamepageofthenewspaper:Lea Persson’shorrificmurderandanstoryquotingGottfried aboutanexpansionprojecttothetown’sharbor.
SheregardsGottfried’snewsprintphoto:Hisfacelooks morethan8yearsolderthantheoneinKalmarbutthat’s whatdrinkingtoexcess,andmurderperhaps,doestoyou.
BlomkvistlaystheLenaAnderssonarticle-andthe photographofthefigureattheparade-atoptherestof thejunkonthedesk-andquicklyscrollsthroughphotos onhislaptop,leavingonthescreenforSalandertosee whenshereturns:Martin’srecentVangerIndustriesPR portrait...
lookattheproblemsheleaves:thevictimslist-now with“Gottfried”jotteddownnexttoallbutonename:
1967-LenaAndersson-Uppsala
Nexttoit,thenewspaperarticleaboutthemurdered girl,withaschoolphoto.And,nexttothat,thereason there’sno“Gottfried”notation:hisobituaryina HedestadCourierclipping:1965.
We listentothefadingechoofSalander’sfootsteps-
As annoyingastheolderwomanwas,itwaslesscreepy
now,wanderingthroughitlookingforvendingmachines.
machinefinishes.Theplaceagainplungesintosilence. Shestartsbackwithhersnackdownahallway-
Tryingtolooklikehe’sjustoutforastroll, BlomkvistwalkspastMartin’sdarkhouse,thenturns around,walksupthefrontpathtotheporchandmakesa showofknockingonthedoor,justincaseanyoneonthe islandcanseehim,whichisdoubtfulinthisdarkness.
if leaving,butthenveersoffthepathandwalksaround tothe sideofthehouse.
Hepeersthroughafloor-to-ceilingwindow,butcan’t
anotherwindow.Triesthebackdoor.Unlocked.
Hecan’tseea lotinthedark,butdoesn’tdareswitch on anylights.Hecrossesthroughthekitchen,butwe staybehindtoregardaclosedbasementdoor...
Wepickhimupagainashecomesintothelivingroom, followhimtoawallofglass.It’spitchblackoutside.
We followhimdownahallway-butstopatabedroom doorwayasifthisisasfaraswecaretogo. Westay
hebeginsrummagingaroundtherecessesofacloset-
Apairofheadlightscomesacrossthebridge.
lightsoutthere.Headsofftothehallagain.
ThecarparksfiftyyardsfromBlomkvist’scottage.The headlightsblinkoff.Someoneclimbsout.
photographs.Hebeginslookingaround.
Theheadlightscomeuptheroadleadingtothepoint.
rifles.Threeofthem-andanemptyspaceforafourth one.
Thetreesoutsidethestudywindowflarewithlight.A momentlater,Blomkvisthearsasoundoftiresongravel.
Martinisback,andBlomkvistisinhishouse.
Martinwillenterthroughthefrontdoorbecausewe’re goingtotrytogetoutthebackone-
Blomkvisttripsoversomethinginthedarkandwegodown withhim.Thenupagain-throughthekitchen-pastthe basementdoor-grabsaknifefromadrawer-shovesit inabackpocket-hurriesoutthereardoor-
Blomkvisttriestosteadyhisbreathingasheslinks aroundthesideofthehouse.Ashepassesawindow,it lightsup-andweagainhitthegroundwithhim.
Hehurriesacrosstheyard,tripsoversomethinginthe dark-asprinkler?-andgoesdownagainintowetmuck.
Hegetsupandstartsdowntheroadasifreturningfrom aleisurelyeveningwalk-whichwouldbemoreconvincing withoutthelimp-notdaringtolookbackashegoes.
MARTINO/S
Hello?Mikael?
hisporchandwalkstowardhiscar.
MARTIN
Youreveningstroll?
BLOMKVIST
Hi. Howareyou?
Martinpullsagolfbagfromhistrunkandshouldersit.
MARTIN
Istoppedatthehospitalonmyway
something.
BLOMKVIST
What.
MARTIN
Comeonin,I’1llmakeyouadrink.
Naturally,thisisthelastthingBlomkvistwantstodo,
backtoMartin’shouse,tryingnottolimp.
Finishedwithhercandybarandcoffee,Salanderopens the1967files,looksthroughtheclippingsforanything ofnoteinUppsala,whereLenawaskilled.
Shefindsnonewsoffactoriesopeningtherethatyear, butshedoescomeacrossaPRnewsletteraboutawinter retreatforfiftyemployeesandtheirfamilies.
There’saphotoofHenrikpresentingsomeonewithaBest
fortwentyguestsandVangerfamilymembers:
ThecamerahascapturedHenrikpresidingattheheadof thetable,puttingonabraveface,raisingachampagne flute-aseveryoneelsedoesthesame-exceptforthe youngmanatthefarrightforeground.
He lookssullen.Butwhatteenagerwouldn’tatanevent asboringasthis.Salanderwouldlookevenmoresullen. Shechecksthecaptionandreads:
--.farright,MartinVanger(19),currentlystudyingin Uppsala.
Uppsala.SameplaceasLena-thoughit’swhatyoung Martiniswearingthatstrikesher:anUppsalaprivate schoolblazerwithaliononitspocket-thesameason LenaAndersson’ssweaterinthephotoofherinthe articleabouthermurder.
It’snotaseeriewiththelightson-exceptforthe factthere’sakillerinit.Martinsetsthegolfclubs downandbeginsemptyingagrocerybaginthekitchen.
MARTIN
Whathappenedtoyou?
BLOMKVIST
When.
MARTIN
Now.
Blomkvist’sclothes.Thefreshmudstains.
BLOMKVIST
I fellinthedark.
MARTIN
Youdon’thaveaflashlight?I’11l giveyouone.
BLOMKVIST
I justwasn’tbeingcareful.
Martinsmiles,butBlomkvistisn’tsurewhathesaid
foraflashlight.Theknifeblock-withonemissing- isrightthere.
MARTIN
How’stheinvestigation?
BLOMKVIST
Nothingnewtoreport.
Blomkvistnoticesadropofbloodfromhispantlegon thestonefloorandcoversitupwithhisshoe.Martin, notseemingtonotice,findsamini-Magliteinthe drawer.
MARTIN
DirchsaysMs.Salanderisclever. Maybeshe’1lturnsomethingup.
BLOMKVIST
Maybe.
MartinhandsBlomkvistthemini-Maglite.
BLOMKVIST
Thanks.
Salanderscrollsthroughlaptopphotostotheoneatthe paradetakenbytheBrannlundwomanonherhoneymoon;the peopleacrossthestreetandtheblurryfigurewearing theblazerwiththe“pocketsquare”...
SALANDER
Hello,Martin.
MartinpoursScotch.HandsonetoBlomkvist.
BLOMKVIST
Whatdidhesay?
MARTIN
What?
BLOMKVIST
YousaidHenrikaskedyoutoaskme something.
MARTIN
Ijustdid.
BLOMKVIST
What?
MARTIN
Howtheinvestigation’sgoing.That washisquestion.
BLOMKVIST
Oh.
Blomkvist’seyesonlydarttoariflebagleaningagainst thewallnexttoaboxof shells,butMartinfollows them.
MARTIN
Youhunt?Weshouldgohunting togethersometime.
BLOMKVIST
Sure.
Theydrink.Listentoasilence.
MARTIN
Nothingatall?
(Blomkvistdoesn’tknow whathemeans)
New. Toreport.
BLOMKVIST
No.
MartinregardsBlomkvistinanothersilence.Then-
MARTIN
I canseeyou’reanxious.
BLOMKVIST
No.
MARTIN
To gethome.Afteryourwalk.
BLOMKVIST
I supposeIam.
MARTIN
To havedinner.Withyour girlfriend.
BLOMKVIST
My assistant.Yes.
MARTIN
We’llhavebetterluckwithagun.
BLOMKVIST
sorry?
MARTIN
Whenwego hunting.
Martinpullsopenabardrawerandtakesfromita handgun.
MARTIN
A gun.Ratherthanaknife.
Hegivesalittlegesturewithittothehandleofthe knifeprotrudingfromabackpocketofBlomkvist’sjeans. Therearefreshdropsofbloodonthefloornexttohis shoes.
MARTIN
Youjustcouldn’tstayaway,could you.
Blomkvistdoesn’tknowwhattosay.Martin’sdemeanor, eveninthissituation,remainscordial.
MARTIN
yourdrink.Leavetheknife.
Blomkvist’shopeofgettingoutofhereunscathedis
pocketandsetsitonasidetable.
Salanderstridespastthenappingnightwatchmanwithout leavingthekeysorbotheringtotellhimshe’sdone.
Crossingtheemptyparkinglot,shetriesBlomkviston hercell.Getshisvoicemail.Kick-startsherbike.
Martin“leads”Blomkvistfrombehindbacktothekitchen, switchingofflightsastheygo.
MARTIN
Youknowwhat’sharderthan shootingsomeone?Justmissing
upatthecabin.
BLOMKVIST
Itdidn’twork.I’mhere.
MARTIN
Mikael,itdidwork.You'rehere.
Theycomethroughapantry,attheendofwhichisa door.
MARTIN
Openit.
theydescendMartinflicksaswitchandbarefluorescent tubesflickerontoreveal:Afurnace.Washer.Dryer. Olddiscardedfurniture.Andanotherdoor.Asteelone.
Astheyapproachit,Martinpressesalittleremoteand thelockonthesteeldoorclicks.
MARTIN
Pushitopen.
AsBlomkviststepsacrossthethreshold-
MARTIN
Switchisontheleft.
Blomkvistflipsitandarowofoverheadfluorescent tubesflickerson-oneaftertheother-revealinga subterraneantorturechamber:
Metaleyeletsboltedtotheconcretewallsandceiling andfloor-tablewithleatherstraps-bedwithleather straps-steel-meshcage-workbenchwithhandsawsand othertools-
Blomkvisttakesitinwithoneglanceandimmediately turnstotrytosmashtheglassinhishandintoMartin’s face-whichiscoverednowwithaplasticoxygenmaskhe holdstoit.GasplumesdownonBlomkvistfromabove; theglasscomesoutofhishand,shatteringonthecement floor-
TheHonda’ssingleheadlightshuddersasSalandercomes acrossthebridgeontotheisland.
Blomkvistcomestoonthefloor,handcuffedtoachain
avideocameraonatripod,focusingit-ashelffullof Betamaxtapes-andaTVmonitoronwhichhisownimage thenappears.
Note:thesteeldoorifwewerecloseenoughtoitto notice-whichwearen't-isnotlocked.It’snoteven completelyshut.
Satisfiedwiththeframingoftheshotofhisguest, Martintakesaseatonacomfortablearmchairupholstered inclearplastic.Itsqueaks.
almostsighs.
MARTIN
Whydidn’tyoujustgohome.
BLOMKVIST
I assumeyoumeantheopportunity forthathaspassed.
Martinsmiles,appreciating,perhaps,Blomkvist’s“easy” Mannerinthisdirecircumstance.
MARTIN
How’dyoudoit? Whatdidyoufind?
Blomkvistdoesn’tsay.Martinlookslikehehasallthe timeintheworldtowait,anddoes.Then-
MARTIN
Wecantalkorwecanjustgeton withit.It’sreallyuptoyou.
NothingfromBlomkvist.Martinshrugs‘okay,’getsup, goestohisworkbenchandtakesaplasticshowercurtain fromit. Ashe’slayingitontheflooraroundhis victim,Blomkvistchangeshismind-
BLOMKVIST
Ifoundapicturenoonehadseen before.
MARTIN
Of.
BLOMKVIST
You.In yourUppsalaprepschool blazer.
Martindoesn’tseethesignificance,butispleased Blomkvisthasdecidedto“participate.”Herewardshimby suspendinghisshowercurtainworktoreturntothe chair.It squeaksagain.
MARTIN
Whatdoesthatsay?
BLOMKVIST
Thatyouliedaboutwhereyouwere thatday.Orratherwhen.
MARTIN
DidI? IfI did,sowhat.People lieallthetime.
BLOMKVIST
ItalsosaidthatLenaAnderssonwas aschoolmate.
MARTIN
Lena... (hehastothinkbackto rememberher) Lenawasalongtimeago. (pause) Where’sthispicturenow?Withall theotherjunkonyourdesk?
BLOMKVIST
Aprintis. Digitalcopiesareona securephotosite.
MARTIN
That’salie...Howmuchdoesthe girlknow?
Blomkvistisn’tsurehowtoplaythatquestion...
MARTIN
Let’shopeit’sasmuchasyou. That’1lmakeitmorefun.Whereis she?
BLOMKVIST
morning.
MARTIN
Andthat’salie. She’ssittingin ourofficeslookingatmoreoldcrap. Ourarchivesmanagercalledme-very perturbedwiththisgirl.Lisbeth. I likethatname.Lisbeth.When LisbethleavesI’1lgetacallfrom security,soIcanbeatyourcottage to greetherwhenshearrives-
HeholdsupthekeyshetookfromBlomkvist’spocketwhen hewasoutcold.
MARTIN
I can’tthankyouenoughforbringing herto me.
AsSalandergetsthedooropenwithherkeyandcomesin-
SALANDER
Mikael-?
He’sclearlynothere.Shegoestothecloset.Takes outthesurveillancePC.Putsitonthedesk-nextto Blomkvist’slaptopwhichisnowdisplaying-notthe photoofMartinheleftforher-buttheAppledefault “lightspider”screensaver.
AsSalanderbeginsrewindingthecapturedsurveillance imagesbackwardsathighspeedtogettoearlierinthe day-
Martinreframesthevideocameratoincludepartof himselfintheshot,sitsagainandcrosseshisleglike thisisatalkshow.
MARTIN
Sowhatwouldyouliketoknow?
Therearesomanythings,butalsonopoint,soBlomkvist saysnothing.
MARTIN
You’rethejournalist,askme something.
NothingfromBlomkvist.WhichisokaywithMartin;he candothisalone-
MARTIN
WhatdoIdo withmyguests?Isthat thequestion?Well,before-Ido whatwe’redoing.Relax,havea drink,converse.Ilikethatparta lot-havingachatwhenyouboth knowoneofyouisgoingtodie. After-Isimplygetridofthem. Outtosea- (pointsoff) -unlikemyfatherleavingthem scatteredallovertheplacelike trophies.That’snotsmartifyou askme. That’sjustgarishandloud. Buthewasa garishandloudman. Frankly,hegotwhathedeserved.
NothingfromBlomkvist,butheiswonderingnowwhat happenedtoGottfriedifthedrowningwasn’taccidental.
MARTIN
Youcan’tbeasloppytechnicianlike that. Youcan’tdrinktoexcess likehedid.Thistakesdiscipline. It’sascienceofathousanddetails.
cleanup.I’msureIdon’thaveto tellyouyou’regoingtomakequitea mess.
NothingfromBlomkvist,butMartinnods.
(“Howdoyoudothisandstillfunctioninnormal society?”)
MARTIN
That’stheinterestingthing. BecausemostofthetimeIamjust
biggersecret.It’swonderfulreally -standingtherewaitingforatrain- orona streetcorneraspeoplebrush pastme.YouknowwhatImean;
(MORE)
MARTIN(CONT'D)
youcameuphere. Itmadeyoufeel- special.Didn’tit?
Blomkvistdoesn’tsay.Martinisalittlethrownby Blomkvist’snextunspokencomment-
("Yes,butmysecretsaren'trapeandmurder”)
MARTIN
No. I’mnota rapist.OfcourseI do thattoo-andatonetimeitwas enough-but-
(gathershisthoughtsto explainit)
A rapist,Mikael,getsoffon domination.Ineed...
(discardsafewotherwords before:)
- destruction.
Martingetsupandsetsaboutthebusinessof immobilizingBlomkvistfurtherwithablock-and-tackle contraptionofchainsandstraps.
MARTIN
CanI askyousomething?Whydon’t peopletrusttheirinstincts?They sensesomething’swrong-someone’s walkingtooclosebehindthem-yet theydon’tcrossthestreet.You knewsomethingwaswrong-youeven knewwhatitwas- butyoucameback intothehouse.DidI forceyou? DidI grabyouanddragyouin?I justofferedyouadrink.
(pause)
You’dneverthinkthefearof offendingcouldbestrongerthanthe fearofpain- butyouknowwhat?It is. Theyalwayscomewillingly.
Itamazeshim.Italwaysamazeshim.Hekeepsworking.
MARTIN
Andthenthey’rehere.Theyknow it’soverlikeyoudo-andstill somehowthinktheyhaveachance. “MaybeifIsaytherightthing-if I’mpolite-orI cryandbeg-maybe T’1lsurvive.”
(regardsBlomkvist)
Andthenthemomentcomeswhenthey realize...no,allhopeisgone.
(MORE)
MARTIN(CONT'D)
Andwhenthathappens-whenIsee thehopedrainingfromtheirface likeitisfromyoursrightnow- (whisperslikeit’sjust betweenthem) -well,Ifeelmyselfgettinghard justwatchingit.
Silence...
MARTIN
Saysomething.
BLOMKVIST
Youareasickfuck.
MARTIN
-..Isthisanintervieworan editorial?
Blomkvist,ofcourse,doesn’tanswer,orcomment,yet Martinconsiderswhatthejournalisthasn’tsaid...
("Martin,civilizedpeopledon’tdowhatyoudo.”)
MARTIN
You’reright,thisbehavioris
we’renotcompletelydifferent.We
justrequiresmoretowels.
MartinregardsBlomkvistinasilence.Then-
MARTIN
Anythingelseyouwanttoknow? (pause) Yousure? (pause) Allright.Whateveryousay.
Heyanksachainthatfeedsthroughthepulleysthatlift Blomkvistupontohisfeet-
Salanderwatchesthesurveillanceimages,forward-
Blomkvistleavingthecottageandpropertyonfoot. Blomkvistreturningtothecottage,goingbackinside. Blomkvistcomingoutandattemptingacallonhiscell. Blomkvistgoingbackinsidethecottage. Blomkvistcomingoutagainandleavingtheproperty. Blomkvistnotcomingback. Nothingbuttheskydarkeningtonight.Then-
Headlightscomingthroughframe. Afigureappearingonfootatthefrontgate. Thefigurejuststandingthere,lookingatthecottage. Thefigureapproachingit,and,asit’stryingthelocked frontdoor,themotiondetectionlightsnappingonand illuminatingMartin. Martinmovingtotheside,lookinginakitchenwindow, comingaroundfrontagain,walkingtothegate,turning around,lookingback,thenwalkingoutofframe.
Blomkvisthangsfromtheblock-and-tacklerig,leather straparoundhisnecknow,fedthroughaceilingeyelet. Withabigsewingscissors,Martincutsthroughand removesBlomkvist’spantsandunderwear-
MARTIN
It mightamuseyoutoknowthat whileyouwereoverherehaving dinnerwithmeandLiv-who,bythe way,findsmeveryconventional- Irinawasdownhereinthecage. Who’sIrina,youask?AgirlImet in Belarus.Justanothergirl.
them?
Hereturnstohisworkbenchtolayoutvarioustools nexttohisgunandadeskphone.
BLOMKVIST
Yoursisterwasn’tjustanothergirl.
Martincomesbackquicklyandyanksastrapthatcinches thenoosetighteraroundBlomkvist’sneckasitliftshim ontohistiptoes.
MARTIN
Whathappenedtoher.
BLOMKVIST
You’rechokingme-
MARTIN
Youfoundher?
BLOMKVIST
Youkilledher.
Martinjuststaresathimconfused.Then-
MARTIN
Youuselessfuckindetective.
He letsgoofthestrapandBlomkvist’sfeetcomeback downtothefloor.AsMartinreturnstohisworkbench, Blomkvistisnotonlyscaredtodeath,butconfusednow. DidMartinnotkillher?
ThenMartinisbackinfrontofhimwitharollof cellophane,pullsonthestrapagainuntilBlomkvistis balancingonhistiptoes,andtiesitoff.
MARTIN
Tootighttotalk?
It is.Blomkvistcanutternosoundbutagag.
MARTIN
Good.I’mtiredoftalkingtoyou.
HewrapsBlomkvist’sheadincellophane,completely cuttingoffhisabilitytobreathe,andcalmlywatches himstruggle....
MARTIN
Wouldyoulikemetodosomething aboutthat?
Blomkvistdesperatelynodsashe’sabouttosuffocate. Martinwatchesanotherseveralmoments...thenpokesa fingerthroughthecellophaneintoBlomkvist’sgasping mouth.
MARTIN
See?I’mnota monster.
He framesawideshotofhisnakedprey.Turnsonsome
lookpresentableintheshot.Thensmilespleasantly-
MARTIN
Youknow,I’veneverhadamanin here.I’venevertouchedamanasa matteroffact.Exceptmyfather,of course.Butthatwasmyduty. Harriet’s,too.
ThecirculationtoBlomkvist’sheadisbeingcutoffby
concretewalltotrytorelievesomeoftheweightonthe noose,butcan’tgetagrip.Martinwatchesthestruggle calmly,andjustascalmlyoffers:
MARTIN
It’stime.Idon’twanttobelate formydatewithourgirlfriend.
Heputsonaplasticrainponcho.Apainter’smask.
knife.StepsuptoBlomkvist.Looksathiseyes. Bringshisownheadclosetohisvictim's-
MARTIN
Goodbye,Mikael.
Hepullsthestrap,liftingBlomkvist’stoesoffthe floor,closingoffhisairagain...andisabouttogut himlikeawildboar...whenhehearsasoundlikesome kindofanimalbehindhim...
Heturnsandseesher-comingathimfromoutofthe shadowsbythesteeldoor-
Hedartsforthegunheleftontheworkbench-
Salanderjustasquicklyswingsa5-iron-his5-iron- likeabaseballbat.Itsmetal-wedgedendarcsthrough thegloomandslamsintothesideofhishead,sending himtumblingtothefloor.
Hestrugglesuptohisknees,andsheswingstheclub again,splittingfleshandcrushingboneashecrumples thefloor.
Shetakesthegunfromthebenchandshovesitinher
keyandhurriesovertoBlomkvistwhoonlywitnessedpart ofthespectaclebeforelosingconsciousness-
Shesawsthroughtheleatherstraparoundhisneck.
floor,bloodrushestohishead,bringinghimbackto lifejustenoughtoseewhatshecan’tbehindher-
Martin,bloodstreamingfromthegashinhishead, gettingtohisfeet.Buthe’snotcomingatthem;he’s tryingtogetout-
Blomkvisttriestosayhernametogethertolook.
atBlomkvist,stillhandcuffedonthefloor,and,likea childaskingaparentforpermission-
SALANDER
MayI killhim?
Nothinginhislifewouldallowhimtoagreetosucha thing-untilnow.Nowit’sasifheryearsofviolence anddegradationhavebeenpassedtohim.
Henods.
fromherbackpocket,checkstheclip,flicksoffthe safety,andturnstoleave-
BLOMKVIST
Hehasmoregunsintheden-
SALANDER
Iknow.
Shecomesupthebasementstairs,leadingwithhergun.
tothe livingroom,anddownthehalltothestudy.She easesaroundthedoorway-theroomisempty-looksto theguncase- seesthereareonlytworiflestherenow.
Martin’scarrecedingfastdowntheroadascloudsburst.
hillintheraintowhereshelefthermotorcycle,jumps on andkick-startsit.
Sheroarsontothebridge,chasingthetaillights. Gunsthebiketofullthrottle.Comesalongsidehim. He swervestotrytocrushheragainsttherailing- butshehitsthebrakes,avoidingtheimpact-
Sheacceleratesagainandcomesupontheotherside ofthecar. Heswervesagainather,butthistimethe bikepullsaheadofhim.Nowhe’schasingher-
theyraceoffit,hegoesinforthekill,butsheveers hardtooneside,leavinghimheadedstraightforthegas stationBlomkvistmakeshispayphonecallsfrom-and thetankertruckparkedthere-
Martinhitsthebrakes-hydroplanesintothetruck-and its,orhisowntank,orboth,explode-
car. Theraindoesnothingtodampenit.Shecould probablybraveittopullMartinout-butdoesn’t.
Asthe flamesburnhisclothes,hemanagestogethis handsontheriflehetookfromtheden,turnsitsbarrel tohisbloodyhead-butbeforehecanpullthetrigger, shehurriesover,yanksitfromhisgraspandstandsback again.It’smuchmorecathartictowatchhimburn...
chair,hiscoatwrappedaroundhim.Thehuntingknifein
barelymanagetospeak-
BLOMKVIST
Whereishe?
SALANDER
Dead.
ReminiscentofthelastphotographstakenontheHedeby Islandbridgefortyyearsago,policeandfiremenfinish upatthecrashsite.AwinchdragsMartin’scharred blackwreckofacarontoatowtruck.
Blomkvistisasleepinthebedroomwithwhatlookslike anecktattoo-theblackandbluemarkleftbyMartin’s noosethatnearlystrangledhimtodeath.Hedoesn’t heartheknockatthefrontdoor,nor-
SALANDERO/S
It’sopen.
thepictureofcalm,drinkingacupofblackcoffee.
FRODE
Where’sMikael?
SALANDER
Asleep.Coffee?There’snomilk.
Frodeabsentlyshakeshisheadno.
FRODE
I havesomeveryupsettingnews. Martinwaskilledinacaraccident lastnight.
SALANDER
Sad.
Frodeisn’tsureheheardright.RegardsSalander sippinghercoffee.
FRODE
What?
SALANDER
Isaidit’ssad.
FRODE
(pause) Whatdoyouknowaboutthis?
Shedoesn’tsayanymore.Frodegetsupandstarts towardthebedroom-
FRODE
Ihavetotalkto (Mikael)-
SALANDER
Lethimsleep.
It’snotarequest;it’sacommand.
FrodeisashenasheleafsthroughabinderSalander broughtfromMartin’schamberofhorrorslatelastnight:
A scrapbookofmurder.Adeathbook.Photosofwomen coweringinhiscage,tiedtothebed,deadonthetable- alongwithsouvenirsofpaintedfingernailsandlocksof hair- allcarefullytapedintothe‘album.’Theolder photographsarePolaroids;theneweronesdigitalprints.
Withlittletonodiscernibleemotion,Salanderwatches Frodewinceasheturnsthepages.
Frodecan’ttakeitanymore.Closesthebookbefore reachingtheend.Justsitsthere.
FRODE
Whatarewegoingtodo?
SALANDER
We’regoinghome,Mikaelandme. Idon’tknowwhatyou’regoingtodo.
FRODE
I’mgoingtothepolice.
SALANDER
Showthemthevideoswhileyou’reat it.
FRODE
The-
Salanderpointstoastackofvideotapes.
SALANDER
Wouldyouliketoseethem?
FRODE
No.
Blomkvisthalf-wakestofindSalanderlyingnexttohim, fully-clothed,watchinghim.Issheactuallythere,or partofadream?Helooksathera longmoment,then triesouthisvoice-
BLOMKVIST
Howis itsomeonewho's23isaward of thestate?
SALANDER
I’mmentallyincompetentandcan’t managedailylife.
Hesmiles,thinkingit’sjoke.Itisn’t,herealizes.
BLOMKVIST
Sincewhenhavetheysaidthat.
SALANDER
SinceIwastwelve.
BLOMKVIST
Somethinghappenedwhenyouwere twelve?
Shedoesn’tsay.Juststudieshim...
BLOMKVIST
It’sallright,youdon’thaveto tellmeanything-
SALANDER
I triedtokillmyfather.Iburned himalive.Gotabout80percentof him.
Oh.
Silence.Then-
SALANDER
We needmilk.
OMIT-—EXT.COTTAGE-LATER-DAY
Shepoursmilkinhercoffeefromthecartonshejust
themup:
Oneshowsayounggirlabout14,nakedfromthewaistup,
heronher stomachonabed,completelynaked,face turnedtothephotographer,frightened.
BLOMKVIST
Harriet?
SALANDER
Ithinkso.
Blomkvistcan’tlookatthephotoslong.Setsthem down. Something’stroublinghim-
BLOMKVIST
Martindidn’tdenykillinganyone. ButwhenImentionedHarriet,hewas confused.Hewasangry-atme-for notbeingabletotellhimwhat happenedtoher. (pause) Hedidn’tkillher.Andhisfather wasdeadtheyearbefore. (pause) Whatifshedidsomehowgetaway? Couldshehavedonethat?Couldshe havedoneitalone?
Hegoesupto hiswallofsuspects.
BLOMKVIST
Isshe’salive,there’sonlyone personinthisfamilywhowouldknow wheresheis.
HetakesthephotoofAnitadownfromthewall.
Henriksitsinoneofthechairs.Blomkvistinanother. Salanderpreferstostand.Eventually-
VANGER
PoorMartin.
Clearly,hehasn’tbeenshownthedeathbook,orbeen toldthetaleofBlomkvist’snightinMartin’sdungeon.
BLOMKVIST
I havetogoawayforacouple days. WhenIcomeback,Ihopeto haveananswerforyou.
Blomkvistamoment.ThenSalander...
VANGER
Wouldtheyoungladymindgivingus a momentofprivacy.
BLOMKVIST
She’smypartner,Henrik.Sheshould stay.
Atiny,tiny,tinysmilefindsitswaytoherfaceatthe mentionoftheword‘partner.’
VANGER
Whathaveyoufound?
BLOMKVIST
I’mnotsure.
VANGER
Don’ttreatmelikeachild.Tell me.
BLOMKVIST
I can’t.Idon’tknow.I needa week.
Vangerstudieshim.Then-
VANGER
I’vewaitedfortyyears.Icanwait anotherweek.
BlomkvistandSalanderreadmagazinesinapairofcoach seats.Acrosstheaisle-occupyingtwoseats-isone 300-lb.sleepingfigure:Plague.
Theydrinkpintsinanunpopular,almost-emptypub.A Curesongplays.
BLOMKVIST
I alwayslikedthissong.
(nothingfromherorPlague)
Youdon’t?
SALANDER
Idon’tlikeclassicalmusic.
A strange-lookingyoungmancomesin,regardsthestrange- lookingtrioatthetable,comesover.Tothefatman-
TRINITY
Plague?
PLAGUE
Trinity.
SALANDER
Wasp.
Blomkviststartstoofferhishandbeforerealizingno oneelsehasorwill.
BLOMKVIST
-.-Mikael.
withhumaninteraction.TheyalllookatBlomkvist,but he isn’tsurewhy.
SALANDER
Themoney.
Blomkvisttakesanenvelopefromhisjacket,handsitto Trinity.Hebeginscountingit-
Aloneinthebackofaparkedvanamidstelectronic componentshedoesn’tunderstand,Blomkvistanxiously staresoutatintedwindowatadarkrowhouse.
Headlightsflaredownthestreet.Anapproachingcar. Hehopesitpasses,butitinsteadpullsuptothegarage - waitsforthedoortogoup-pullsin.
BLOMKVIST
Fuckme.
HewatchesAnitaVangergetoutofthecar-thegarage doorcomedown-lightgooninsidethehouse-thendark figureshurryingalongthesideofthehouse:Trinity, Salander,andfinallyPlague.Theyclimbintothevan withtheirtools,firewires,alaptop.Nonespeaksas
justwatches.Finally,tohim-
SALANDER
It’syourturn.
Blomkvistknocksonthedoor.Anitapullsitopen.
BLOMKVIST
It’sme. Sorrytobotheryou.
Shedoesn’tinvitehimin,butdoesn’tshutthedoorin hisfaceeither.
ANITA
Whatdoyouwant?
BLOMKVIST
No one’scalledyou?
ANITA
About.
BLOMKVIST
Yourcousin.
Shehastwo,butdoesn’taskwhich-
BLOMKVIST
Martin.
ANITA
Whatabouthim?
BLOMKVIST
He diedlastThursday.Acar accident.I’msorry.
(nothingfromher)
There’sgoingtobeamemorialin Hedestad.Iknowyouhaven’tbeen backthereinalongtime,but-
ANITA
I’mnotinterestedinanymemorial.
BLOMKVIST
I understand.
ANITA
Whatdoyouunderstand?
BLOMKVIST
Thatyoudon’treallycareforanyof yourrelatives.Still,Ithoughtyou shouldknow.
ANITA
NowI know.
Andnow,sheclosesthedoor.
OMIT: INT.ANITA’SHOUSE-LONDON-NIGHT
Blomkvistreturnstothevan.Climbsin.
SALANDER
How’ditgo?
BLOMKVIST
Okay.I think.
He sitsandwatchesthemmonitorthephoneandcomputer tapstheyinstalledearlier.Oneofthelaptops,without anyonetouchingit,blinksontoaGooglescreen.
TRINITY
She’son.
A screennameandpasswordcharactersonaGmailpage typethemselves.Theyexpecthertogoto“Compose,”but sheopensoneofthemessages-spam-deletesit-marks a couplemoreandbanishesthemaswell.
TheonlynewthingleftintheinboxisaneBayalert. Clickingittakeshertoanauctionforatriple-strand faux-pearlJackieOnecklace:49pounds.Thecursor clickstheBuy-It-Nowbutton.
Asthe screenswitchestoAnita’sPaypalaccount, BlomkvistandSalanderexchangeaconfusedglance.
OMIT: INT.HOTEL-—LONDON-NIGHT
Salander’slaptopismonitoringAnita’scomputer,her hard-linephoneandcell.
Blomkvistemergesfromthebathroom,restsahandon Salander’sshouldertopeeroveritatthescreen:In oneofthewindows,cardsaredealingthemselves.
BLOMKVIST
She’splayingsolitaire? (Salandernods) Andshestillhasn’tcalledanyone.
SALANDER
No.
BLOMKVIST
Dowehavehercell,too?
Salanderpointstooneofthewindowsonthescreen. Hishandcomesoffhershoulder.
BLOMKVIST
I wassoshe’dleadustoher.
SALANDER
Putyourhandbackonmyshoulder.
Hedoes.Theywatchthesolitairegametogether...
SALANDER
There’sonlyonereasonshe wouldn’tcallHarriet.Shecan’t becauseHarrietisindeeddead.
It’sstrangeperhaps,buthedoessomeofhisbest thinkingduringsex-
BLOMKVIST
I wasjustthinking.Whatif-
SALANDER
Tenmoreseconds.
That’sfair.Shefinishes.Theyliethere.Then-
SALANDER
Okay,what.
BLOMKVIST
I wasjustthinking,therecouldbe oneotherpossibility.
OMIT:INT.HOTELROOM-LONDON-NIGHT
BlomkvisttapsonAnita’sopenofficedoor.
BLOMKVIST
MayI?
ANITA
Whatisit now.
Hecomesinandsits.
BLOMKVIST
I wanttoshowyousomething.
Hetugshisshirtcollarlowenoughtorevealtheblack andblue“tattoo”aroundhisneck.Anitaistakenaback bythesight.It’shardtoimaginehowanyonewouldend upwithamarklikethat.
BLOMKVIST
Beforehedied,yourbrotherhungme fromahook...Harriet.
Theysittogetheronaparkbench.
BLOMKVIST
AnitamarriedinStockholmin1967. It’srecordedintheSwedishGeneral Register.Butthefamilyneverknew, didthey. (sheconfirmsthatwitha shakeofherhead) I’mguessingshethencamehereona passportinhermarriedname,andyou followedonhermaidennamepassport.
HARRIET
Actually,itwastheotherway
totravelwithSpencermyself.
BLOMKVIST
Whatdidhethinkaboutthat?
HARRIET
Nothing.Onlythathelovedher. Shesaid,Ifyouloveme,you’1lldo thisandnotaskwhy.Heneverdid.
BLOMKVIST
Theybothdiedtwentyyearsago.
HARRIET
Acaraccident.Youfoundthat,too.
Blomkvistnods,reachesforsomethinginhisjacket pocket-changeshismind-changesitagainandpullsit out.
BLOMKVIST
Isthisyou?
HehandsherthelessgraphicofthetwoPolaroids SalanderfoundinMartin’sbasement-theyounggirl, faceturnedhalf-awayfromthecamera...
HARRIET
Iwas14 thefirsttimeherapedme.
BLOMKVIST
Martin.
HARRIET
No,my father.Hetookthispicture. Martindidn’tstartuntilhedied.
Blomkvistcan’thidehishorrorevenafterallhe’sseen.
BLOMKVIST
Whydidn’tyoutellsomeone?
HARRIET
I did.My mother.
Blomkviststares.Finally-
BLOMKVIST
Henrikwouldhavedonesomething.
HARRIET
Wouldhe? Idon’tknow.Ialmost toldhim. ButIwasafraidbecause of whatIdid.
(pause)
Youstilldon’tunderstand?
Hedoesn’t.Shestudieshim,andperhapsseesinhim whatSalanderdidlongago-thathecanbetrusted.
HARRIET
A yearafterthefirsttime- aftermanytimesduringthatyear- my fathergotdrunkerthanusualone nightandstartedbraggingabout womenhe’dkilled.Hequotedfrom theBibleashetoreoffmyclothes. He wrappedabeltaroundmyneck.He wantedtokillme.
Harrietmakesitoutofthecabinintornclothing,
canheardinsiderantingsomethingfromtheBible.
HARRIETV/O
I madeitoutofthehouseanddown to thedock.Hecamestaggering afterme-
Gottfriedemergesfromthecabinandstumblesdownthe hillinpursuitofhisalmost-nakeddaughter.
HARRIETV/O
I couldneverfighthimoffina smallroom,butIwasstrongenough outin theopentodealwithanold drunk.
Ashe comesontothedock,shewaitsforthemoment,and
stunsandsendshimtopplingoffthedockintothewater.
He surfaces,reachesforthedockplanks.Ashetakes holdofthemtoclawhimselffromthewater,shebrings thesharpedgeoftheoardown,buryingitinhishead likeanaxe.
He staresupher,uncomprehending.Hisfingersslide
sightbeneaththewater.
HARRIETV/O
WhenitwasfinallyoverIlooked up,andMartinwasstandingthere-
Sheseesherbrotherupbythecabinlookingdownather.
HARRIETV/O
Withalittlesmile.
HARRIET
Hedraggedmebacktothecabin... AllI’daccomplishedwassubstitute onerapistforanother.
YoungHarrietandherschoolfriendswalkalongthe town’smainstreetpastcrowdsliningit,andwerealize we'reseeingwhatwe’veonlyseeninstillphotographs.
HARRIETV/O
Acouplemonthslater,Henriksent
thoughtmaybe-maybe-thenightmare wasover.Untilthatday.
Thefloatwiththeharemgirlscomespast,andwewatch thesmileonyoungHarriet’sfacechangetofearasshe noticessomethingofftotheleft.
HARRIETV/O
Therehewas-acrossthestreet- lookingatmewiththatsamelittle smileonhisface.
A clearshotofyoungMartininhisUppsalablazer, standingbythecorner,smilingather.
HARRIETV/O
Itwasn’tover.
BLOMKVIST
How’dyougetaway?Anita?
Anita,framedinthebedroomwindow-likeinthe photograph-looksoutattheactivityonthebridge. Behindher,Harrietpacksafewitemsofclothing.
ANITA
Don’ttakeanything.
Harrietputstheclothesback.Picksupherpurse.
ANITA
Leavethat,too.
Thedinnerthatnight.VangernoticingHarriet’sempty chair.AndAnitasayingnothing,takingabiteoffood.
thebridge.
AnitaclimbsintohercaroutsideherfatherHarald’s house.Drivesdowntheroadtowardthebridge.
ANITA
Stayabsolutelystill.
TheblanketcoveringHarrietonthebackseatfloorboard movesslightly,thenisstill.
Apolicemanontheislandsideofthebridgewavesthe
roadtowardthehighway-
HARRIETV/O
Shesavedme.
Silence.ThenshegesturestoBlomkvist’sneck.
HARRIET
Howdidyougetaway?
BLOMKVIST
Someonesavedme,too.
Hegesturesofftothethin,strangegirlsittingon
doessomethingshehasn’tdonesincetheymet:smile.
Blomkvist,SalanderandFrodewaitinVanger’sstudy.A teaservicetraysitsthereuntouchedlikethefirsttime
roomwithVangerinit.There’safileonhislap.
BLOMKVIST
Howareyoufeeling?
VANGER
I’mfine.Thankyou,Anna.
anythingelse-
VANGER
Imadeyoua promise.Whetheryou foundoutanythingornot.
Heholdsoutthefile.Blomkvisttakesitandsees:
INSERT:Wennerstorm’snametypedonit,andafairly recentphotoofhimclippedtoit.
VANGER
Now.Whatdoyouhavetotellme.
A carpullsupthedrive.Parks.Thebackdooropens.
towardthefrontdoor-
Vangerpropelshiswheelchairdownthemainhall,but stopswhenheseesHarrietcominginthefrontdoorwith Anna.He stares,tryingtoreconcilehowshelooksnow comparedtowhenhelastsawher,ormaybetoconvince himselfshe’sreallyalive.Sheseeshim...
HARRIET
Hi,Henrik.
onhishunchedshakingshoulders.Frode,Blomkvistand Salanderwatch.Oneofthemisn’tparticularlymoved.
OMIT- INT.VANGERMANOR-DAY
AsFrodeleafsthroughthefilethatBlomkvisthas alreadyread-
FRODE
---Idon’tevenremember Wennerstromworkinghere,muchless beingfired...
BLOMKVIST
themoneyheembezzled.
FRODE
I don’tthinkI’mseeingthepoint.
BLOMKVIST
Yes,youare.
It happenedinthe1970’s...
Salanderwatchesthetwomenfromacrosstheroom...
I swearIdidn’tknowthiswaswhat Henrikhadonhim.IfIhad,I never wouldhavelethimbringyouuphere. Buthe wasn’ttryingtodeceiveyou.
BLOMKVIST
Comeon,heknowsyoucan’ttry somebodyforthis35yearslater.I likeHenrik,butheknowsthat.
Frodedisagrees-
FRODE
A man’sreputationusedtomean something-hestillbelievesthat. I’msurehethoughtyoucoulddestroy Wennerstromwiththisinthecourtof publicopinion.
BLOMKVIST
The“courtofpublicopinion,”Dirch, makescelebritiesoutofgirlswho
Wennerstrom’scarcassonaplate. Thisisn’teventheplate.Ican’tdo anythingwiththis.
FRODE
Ofcourseyou’reright... (pause) I’msorry.
BlomkvistandSalandersitoutbythewater,sharing
hisshoulder,whichstrikeshimasthemosttenderof gestures,comingfromher.
SALANDER
Fuckthesepeople...
BLOMKVIST
Yeah...
SALANDER
Harrietmostofall.
BLOMKVIST
Excuseme?
SALANDER
Ifshe’ddoneanythingbutrun, Martinwouldn’thavebeenableto killallthosewomen.
BLOMKVIST
Shehadnoideahewasdoingit.
SALANDER
Sheshouldhavekilledherfatherand him.
BLOMKVIST
That’swhatyouwould’vedone.Not everyone’syou.
She’snotsureshelikesthecomment.Decidesshe doesn’t.Takesherarmawayfromhisshoulder.
BLOMKVIST
Thatwasmeanttobeacompliment. Putyourarmbackonmyshoulder.
Shedoesn’t.Sohedrapeshisonhers.Then-
SALANDER
WhathappenedwithWennerstrom. Howdidhegetyou?
BLOMKVIST
I wasstupid.Igotsomethingfrom an anonymoussource,whoI’msurenow workedforhim.Itwasfake. Which he easilyprovedincourt.
Notagoodday,that.Then-
SALANDER
YouwereemphaticthatthewayI lookedintoyourlifewasillegaland
aboutWennerstrom?
Heregardsher,uncertainwhatshemeans...
SALANDER
I startedinvestigatinghimonmy own. Thenyoushowedupandhired me. I haven’thadachancetolook at itall-youandHarriet-fucking- Vangerhavekeptmebusy...butI mayhavesomething.
On Wennerstrom.
Shenods.Thenrestsherheadonhisshoulder.
OMIT:EXT.TRAINSTATION-HEDESTAD-DUSK
Anewfamilytreeonawallhere,morecomplicatedthan theVanger’s:TheWennerstromGroup,madeupofdozens ofcompaniesincitiesworldwide.AsErikalooksatit-
BLOMKVIST
Wennerstrom’sSwedishassetsare genuine,butthey’retheonlythings thatare. Therestisfunneled throughcompaniesinGibraltar, Colombia,andMacao.Thesecompanies producenoproductsandprovideno services.They’reshells.They laundermoneyfromarmsanddrug sales,andcrimesyndicatesin Russia.Andthatmoney-which accountsforallbut5-percentofhis holdings-endsupinaccountsinthe CaymanIslands.It’sacompletely illegal,criminalempire.
ERIKA
Howdo youknowthis?
BLOMKVIST
Thistimeyoudon’twanttoknow.
ERIKA
ThistimeIdowanttoknow.
BLOMKVIST
Ihaveaccesstohiscomputer,and hisaccountants’andlawyers’.
Sheisn’thappytohearthatexplanation.
ERIKA
Andhowdoyouhavethat?
BLOMKVIST
Icouldhavegottenitfromasource insidethecompany.
ERIKA
Butyoudidn’t.
BLOMKVIST
Butthat’swhatyou’llsay.
ERIKA
Butwhatwillyousaytome?
BLOMKVIST
Thatdependsonifyoureallywantto know.
ERIKA
Ido. Whogaveyouaccess?
Whatlookslike16-year-oldtattooedrunawaylets
paperbag,takesouttwobagelsandwiches,thesamekind Blomkvistbroughtwhenhebargedintoherapartment.
As sheputssomewateronforcoffee,Erikalooksat Blomkvist.Henods.Yeah.Her.
TVNEWS:
ANNOUNCER
JournalistMikaelBlomkvist-who thistimelastyearwasconvictedof libelinaStockholmcourtroom- doesn’tseemtohavelearnedfrom thatexperience.Ormaybehehas-
ThereportcontinuesonaTVinBlomkvist’sbedroom-
ANNOUNCER
In thecurrentissueofMillennium magazine,henowchargesthesame companythatsuccessfullysuedhim- TheWennerstromGroup-ofcriminal activitiesonaglobalscale- backingitupwithinternalfinancial reports,bankrecordsandemails- annotationsalmostaslongasthe articleitself.
Thecoverofthemagazinefeaturesaheadshotof Wennerstrom,and,rareforthemagazine,atabloid-style title:GANGLAND.Salanderleafsthroughthearticleas Blomkvistbrusheshisteethinthebathroom.
BLOMKVIST
He’11callitapersonalvendetta butit won’twork.FIcan’tignore bankingandsecuritiesfraudlike this. Thepolicecan’tignorethe organizedcrimestuff.They’1lboth havetoinvestigate.
SALANDER
Then.
BLOMKVIST
We’1llbebackincourt,butthis timeit’1llcosthim.That’sprobably it,though.Theseguysneverto prison.
Salandernods,butit’snotreallyinagreement.Or maybeitis.Inanycase,she’snotasenthusedabout allthisasheis.
BLOMKVIST
What’swrong.
SALANDER
It’sembarrassing.
BLOMKVIST
What.
SALANDER
I needtoborrowsomemoney.
Blomkvistgrinsandreachesforhiswallet.
SALANDER
50,000.
Hisgrinstaysstitchedtohisfaceamoment,then unravels.Heputshiswalletaway.
SALANDER
Ihavea chancetomakean investment.It’sasmart,safe investment.
BLOMKVIST
Idon’tknowthatIhavethatmuch.
SALANDER
Youdo. I’msorrythatIknowthat. Youhave65thousandinyourtwo accounts.
He’snolongershockedordismayedbyherknowingmore abouthispersonalaffairsthanhedoes.
SALANDER
You'llgetthemoneyback.I promise.
Severalpagestornfrompagesoffashionmagazines: Models-allofthemblonde-theirbeautifulfaces- designerclothes-accessories-make-uptips.
Applyingmakeuptothewasptattooonherneckandthe “handcuffs”onherwrists,Salanderpaysnoattentionto theTV showingWennerstromunderanumbrella,interviewed outsidethebuildingthatbearshisname-
WENNERSTROM
Theseallegations-likethelast onesfromthisso-calledjournalist- areasridiculousastheyareuntrue-
EXT/INT.CLOTHINGSTORE-STOCKHOLM-DAY
Salanderpurchaseswithcashexpensivedesignerclothes shenormallywouldn’tbecaughtdeadin.
WENNERSTROM
I’1lbeseeingMr.Blomkvistincourt again.I’mlookingforwardtoit.
EXT/INT.LUGGAGESHOP-STOCKHOLM-DAY
Hereshe’sbuyingahigh-endcarry-onvaliseand portfoliobriefcase.
REPORTER
Whatabouthisdocumentation?
WENNERSTROM
Fabricated.Allofit.
EXT/INT.WIGSHOP-STOCKHOLM-DAY
Goodwigscostmoney-liketheshoulder-lengthblonde oneatopablackLuciteheadSalanderispurchasing.
ANNOUNCER
TheSecuritiesFraudOfficeisn’t
of that.
EXT/INT.SHOP-STOCKHOLM-DAY
Aplacethatcaterstotransvestiteswho,amongother things,requireasSalanderdoes,latexbreasts.
FSAOFFICIAL
If evenafractionofwhatMr. Blomkvistisallegingprovestobe true,notonlywilltherebea securitiesinvestigation,butan organizedcrimeinquiryaswell.
EXT/INT.SALANDER’SAPARTMENT-DAY
Wearingthewigandadesigneroutfitshetakesherown passportphotoagainstawall.ShelookslikeErika.
REPORTER
Mr.Blomkvistnamesnosources.
FSAOFFICIAL
Andwe can’tforcehimto.Butwe canlookforthem.
REPORTER
Beginningwhere?
FSAOFFICIAL
BeginningwiththoseclosesttoMr.
innercircleofacorporationlike thiscouldhaveaccesstothiskind of information.
Notwearingthewignow,sheinspectsapassportPlague hasacquiredforherfeaturingthecrownofNorway,and somecreditcards.
OnhisTV,a packoflawyersstandwhereWennerstromwas standingbefore-outsidetheGroup’scorporateoffices- under,asusual,umbrellas-
LAWYER
Mr.Wennerstromisn’tavailablefor commenttoday,butashislegal counsel,I’dbehappytoansweryour questions.
REPORTER
Whereishe?
LAWYER
Athome,Iimagine.
REPORTER
Heisn’t.Hasheleftthecountry?
LAWYER
Idon’tthinkso.
A planetouchesdownonaZurichAirportrunway.
A customsofficial,satisfiedwith“IreneNesser’s” Norwegianpassport-nottomentionherblondehairand bustline-stampsapage.
Bellmenoutsidethe5-StarZimmerstahlHotelattendto theluggageofwealthyguestsemergingfromnicecars.
As adeskclerkphotocopiesMs.Nesser’spassport,she neitherhidesfromnorplaystothesecuritycamera.
Salanderemergesfromthebathroomwithoutthewigon. Crossesthroughthesuiteinherunderwear.Oddly-or perhapsnot-she’salsowearingapairofwhitegloves. Sheopensthebalcony’sdoorstoletinsomeair.On theTV:
ANNOUNCER
Withhisfailuretoappearbeforea SecurityExchangeCommissionpanel,a warranthasbeenissuedforThe WennerstromGroupCEO.
Animmigrationofficialappearsbeforethenewscameras-
IMMIGRATIONOFFICIAL
I canconfirmthatheleftSwedenon a privatejetthatlandedinParis lastweek,butwhetherhe’sstill there,wedon’tknow.Hecouldbe anywherebynow.
Shesipsatherroomservicecoffee.
“TreneNesser”entersBankHausenGeneralunderwatchful securitycameras.
Securitycamerasinsidewatchherandabankeratadesk inanareareservedfordiscreettransactions.
SALANDER
I haveanumberofaccountsatBank of Kroenfeld,CaymanIslands.Iwant to transferthosefundsandconvert themtobonds.
Asshewritesanaccountnumberonaslipofpaperfrom memory,HerrWagnernotices-assheintends-thepen she’susing-fromthevenerableZimmerstalHotel.
WAGNER
Naturally,youhavetheclearing codes.
SALANDER
Naturally.
WAGNER
Howmanyaccountswillyoube transferring?
SALANDER
Thirty.
Heglancesathiswatch,perhapsthinkingaboutlunch. Hisfaux-politeness-evenhisappearance-remindsher ofBjurman.
WAGNER
Thiswilltakesometime.
SALANDER
Forwhichyou’llreceivea4-percent commission.
WAGNER
Iwill.
SALANDER
Thenitwon’tbeawasteofit.
SheoffershimtheZimmerstalpen.
WAGNER
Thankyou,Ihaveone.
listofaccountnumbersandclearingcodes-
As shesortsthroughastackofbonds,theTVshowsa reporterinacolorfultownsquare.
REPORTER
ASwedishtouristvacationingherein Barbadossaysheknowswherefugitive financierHans-ErikWennerstromis: HereinthisCaribbeanisland’s capital,Bridgetown.Policereleased thisphotograph,takenyesterdayby thetourist,JensAssur-
A snapshotofWennerstrom,orsomeonewholookslikehim- tropicalshirt,hatandsunglasses-climbingintoacar.
REPORTER
-andsaytheybelieveitisthe disgracedbillionaire.
Sittingwithadifferentbankmanagernowassecurity cameraskeepsilentwatch,sheopensherportfolioand turnsitsohecan seeitscontents.Heglancesupwith a politesmilethat’ssupposedtomaskhissurprise.
HASSELMAN
Howmanyofthesewouldyouliketo convertfordeposit?
SALANDER
Allfifty.Intofiveaccounts.
HeworksouttheconversiontoCHFandhandsherthe calculator:A“2”followedbymoredigitsthanwecan count.
SALANDER
Thatlookscorrect.
TheremnantsofaMcDonald’skidsmealonthedeskwith thewigandwhitegloves.Shebypassesthehotel’s internetservice,uplinksherMacBookthroughhercell.
Fiveaccounts-theonesshejustestablishedatBank
fundsintooneaccountatBankKroenfeld,CaymanIslands, belongingtoaGibraltarcompany.
Irenecutsupcreditcards,flushesthemdownatoilet.
Dropsthescissorsinatrashbinonherwaytosecurity.
IrenedisembarkswiththeotherZurichflightpassengers.
Irene’searringsdisappeardownasinkdrain.Necklace fallstothebottomofapapertowelbin.
Irene/Salanderputsheremptyportfolioinanunlocked locker,wipestheprintsfromit,headsfortheplatform.
Shehasaprivatesleepingberth,butisn’tsleeping. She’ssmokingacigarettenexttoaNo-Smokingdecalon thewindowthat’scrackedopen,andtossestheZimmerstal Hotelpenouttothedarkeningcountrysiderushingpast.
Salander-lookinglikeSalander-entersherapartment withonlyherlaptopbag.HoldsIrene’spassportovera stoveflame.Setstheburningdocumentonaplate.
TakesaCokefromherfridge,sitswithit.Putsthe coldcantoherforeheadlikeacompress.Thenopensit, drinks,andcloseshereyes...
A darkfigureislookingupatherapartment,at
intothenight,weseeit’sBjurman.
ZURICHREPORTERO/S
Themanwhoisnowbeingcalled Sweden’sPabloEscobar,maynothave acountrytocallhome,butdoeshave enoughmoneytobuyone.
Thereporterstandsunderanumbrellaonthesamestreet Salandercrossedtogetfromonehoteltotheother.
ZURICHREPORTER
AccordingtotheInternational BankingCommission,Wennerstrom,just daysaftertheMillenniumarticle thatbroughthimdownappearedon newsstands,beganemptyingaccounts atBankofKroenfeldintheCayman Islands.
OMIT:EXT.STOCKHOLM—-EVENING
TheplaceistrimmedwithChristmasdecorationsagain. In aglassed-inconferenceroom,Blomkvist,Erika,anda fewotherssitaroundthetable,theirproductionmeeting interruptedbythenewsontheplasmaTVhere:
ZURICHREPORTERONTV
Thatmoney,approximatelytwobillion Euros,wasthenspreadoveranumber ofaccountswiththehelpofthis confederate,seenhereinZurich-
Securitycameraimagesof“IreneNesser,”enteringand leavingbanks.
ZURICHREPORTERONTV
—whoconvertedthefundsinto privatebonds,which,I’mtold,are evenhardertotracethanWennerstrom
searchforthewomanwhohaduseda
whereabouts,likeherboss’s,are unknown.
Herwhereaboutsarehere,roaringthroughStockholmon herHondalikethefirsttimewesawher.
Blomkvisthearsamotorcycleandglancesoutthewindow toseeSalanderpullingupoutside.
Hecomesout,meetsherathermotorcycle.Shetakesa cashier’scheckfromherjacketpocket.
SALANDER
ThemoneyIborrowed.
BLOMKVIST
Already.
Shenods.
BLOMKVIST
Thankyou.
SALANDER
Thankyou.
BLOMKVIST
Goodinvestment?
SALANDER
It wasokay.
Henods.Shenods.
SALANDER
Whatareyoudoinglater?
BLOMKVIST
Seeingmydaughter.
SALANDER
Okay.
Shenods.Henods.
BLOMKVIST
Youlooknice.
SALANDER
Thanks.
conferenceroom.Salanderclimbsbackonhermotorcycle.
SALANDER
Christmasagain...seeyousoon.
Whilethenursefillsaplasticdays-of-the-week containerwithaconcoctionofpills,Salandersitswith herPalmgrenbytheuntouchedchesstable.
SALANDER
Canyouhearme? (noindicationthathecan) Imissourmeetings. (pause) I’msureyoudon’t.Whywouldyou? Iwasalwayssuchaheadacheforyou. Nevershowingupwithgoodnews. Onlyproblems. (pause) Ihavesomegoodnewsnow.I’vemade afriend.I meanonethatyou’d approveof. (pause) I’mhappy.
OneofPalmgren’shandsmanagestopullslightlyaway fromtheother,triestoreachforher,perhaps,butonly makesitaboutaninch.Shereachesoverandholdsit.
A reporterbundled-upoutsidealow-rentbuilding cordonedoffwithpolicetape-
REPORTER
Behindthewallsofthisdingy roominghousebehindmeliesabody ina poolofblood-Amanwhohas beenlivingherethelastthreeweeks underthenameVictorFleming-
ThesamecafeBlomkvistretreatedtoafterhislibel conviction.
REPORTERO/S
AmanwhopoliceinMarbella,Spain, haveconfirmedisfugitiveHans-Erik Wennerstrom-
Blomkvistisatthecounter,acrossfromabarista,but hisattentionisontheTV-
REPORTERONTV
- shotthreetimesintheheadat closerangeinwhatisbeingcalleda classicganglandexecution.
BARISTA
Whatwouldyoulike?
Blomkvistglancesblanklyatthebarista,thenbackto theTV-
REPORTERONTV
TheinvestigationintoWennerstrom’s tiestocrimeorganizationsworldwide willnowturntospeculation:Which of themcaughtupwithhimbefore Swedishauthoritiescould?
BARISTA
Sir?
REPORTERONTV
Wennerstromspentthelastdaysof hisflamboyantlifeinsolitudeand anonymity,lockedbehindthedoorof Room3A-
BLOMKVIST
-..Coffeeandasandwich...that one.
REPORTERONTV
Indeed,aftercheckingin,hewas neverseenagain-untilthismorning whenthebuildingmanagercame callingtocollecttheunpaidbill-
Atailorbringsoutagarmentbagbearinghisexclusive insignia,drapesitacrossatable,returnstoSalander thephotographsheprovidedhimwithlastweek:
It’sofamuchyoungerBlomkvist-ataboutSalander’s agenow-wearingtheblackleatherjackethelovedand losttrackofyearsago.
Thetailorunzipsthebagrevealinganexact-though considerablymoreexpensive-replicaofthejacket.
SALANDER
It’sperfect.
TAILOR
Yourfather?
SALANDER
Afriend.
TAILOR
Mustbeaverygoodfriend. (shenods) He’slucky.
A perfectChristmascardvistathatactuallyturnsout tobe aChristmascard:Asnowyrurallandscapescene.
It’sstupid,butshe’swritingunderthepre-printed “MerryChristmas”inside,apersonalnotethat’smore Sincerethanshethoughtherselfcapable.
Sheblowsontheink,putsthecardinitsenvelope, neatlywrites“Mikael”onit,getsup-
Snow’sfalling,butunlikethebrutalwinterstormslast year,it’sjustheavyenoughtodustthecityinwhite powderthatreflectstheChristmaslightsinthetrees.
ThebeautyofhercitypleasesSalanderassherides throughitonhermotorcycle.Ormaybeit’ssomething she’sfeelingassheturnsontoBlomkvist’sstreet.
Sheparks.Gathersthegarmentbagandcard,walksunder constructionscaffoldingtowardhisapartmentbuilding.
Fromaroundthecornerahead,BlomkvistandErikaappear. He sayssomethingandshelaughs,putsherarmaroundhis waistandlaysherheadagainsthisneckscarf.
Salanderstopsmid-stride,ducksintoanalcoveunderthe scaffolding,waitsaslongasitshouldtakethemtoget insidethebuilding,thenpeersoutagain-
They’renotinside.They’vestoppedjustoutsidethe building’sentrance.They’reembracing.Andthelonger theystandtheretogether,thesharperthepainstabsat Salander.
Finallytheyseparate,butonlytoallowBlomkvistto unlockthedoor.Erikatakeshishandthen,andthey disappearinside.
Salandercan’tmove.Waitsforthepaintosubside- whichiteventuallydoes-butonlytobereplacedwitha senseofhelplessness.Thenthatsubsides,replacedwith afacadeofinsouciance.
TherichestgirlinSwedenemergesfromthealcoveand walksbackthewayshecame-tossingthegarmentbagand cardintoaconstructiondumpster-climbsontoherHonda -startsit-anddrivesoff-
Probablyforever.