"NOTTING HILL" (1999)

MixMix through to William, 35, relaxed, pleasant, informal.through to William, 35, relaxed, pleasant, informal. WeWe follow him as he walks down Portobello Road, carrying afollow him as he walks down Portobello Road, carrying a loadload of bread.of bread. It is spring.It is spring.

It's a full fruit market day.

AA man in denims exits the tattoo studio.man in denims exits the tattoo studio.

Sure enough, a girl exits with a huge threaded blueSure enough, a girl exits with a huge threaded blue bouffant.bouffant.

AA frantic crowded Portobello market.frantic crowded Portobello market.

2.2.

TheThe camera finally settles on a stall selling beautifulcamera finally settles on a stall selling beautiful stained glass windows of various sizes, some featuringstained glass windows of various sizes, some featuring biblical scenes and saints.biblical scenes and saints.

Shot of Tony proudly setting out a board outside hisShot of Tony proudly setting out a board outside his restaurant, the sign still being painted.restaurant, the sign still being painted. He receives andHe receives and approves a huge fresh salmon.approves a huge fresh salmon.

WeWe arrive outside his blue-doored house just off Portobello.arrive outside his blue-doored house just off Portobello.

TheThe house has far too many things in it.house has far too many things in it. Definitely two-Definitely two- bachelor flat.bachelor flat.

Spike appears.Spike appears. An unusual looking fellow.An unusual looking fellow. He has unusualHe has unusual hairs, unusual facial hair and an unusual Welsh accent:hairs, unusual facial hair and an unusual Welsh accent: very white, as though his flesh has never seen the sun.very white, as though his flesh has never seen the sun. HeHe wears only shorts.wears only shorts.

3.3.

TheThe t-shirt is white with a horrible looking plastic alient-shirt is white with a horrible looking plastic alien coming out of it, jaws open, blood everywhere.coming out of it, jaws open, blood everywhere. It says 'IIt says 'I Love Blood.'Love Blood.'

HeHe heads back up the stairs... talks as he changes...heads back up the stairs... talks as he changes...

AndAnd he re-enters in a white t-shirt, with a large arrow,he re-enters in a white t-shirt, with a large arrow, pointing down to his flies, saying, "Get It Here.'pointing down to his flies, saying, "Get It Here.'

HeHe comes down wearing it.comes down wearing it. Lots of hearts, saying, 'You'reLots of hearts, saying, 'You're thethe most beautiful woman in the world.'most beautiful woman in the world.'

4.4.

Spike turns and walks upstairs.Spike turns and walks upstairs. Revealing that on the backRevealing that on the back ofof the t-shirt, also printed in big letters, is writtenthe t-shirt, also printed in big letters, is written 'Fancy a fuck?''Fancy a fuck?'

AA small unpretentious store... named 'The Travel Book Co.'small unpretentious store... named 'The Travel Book Co.'

William enters.

ItIt is a small shop, slightly chaotic, bookshelvesis a small shop, slightly chaotic, bookshelves everywhere, with little secret bits round corners with eveneverywhere, with little secret bits round corners with even more books. Martin, William's sole employee, is waitingmore books. Martin, William's sole employee, is waiting enthusiastically. He is keen, an uncrushable optimist.enthusiastically. He is keen, an uncrushable optimist. Perhaps without cause. A few seconds later, William standsPerhaps without cause. A few seconds later, William stands gloomily behind the desk.gloomily behind the desk.

5.5.

HeHe salutes and bolts out of the door -- as he does, a womansalutes and bolts out of the door -- as he does, a woman walks in. We only just glimpse her.walks in. We only just glimpse her.

CutCut to William working.to William working. He looks up casually.He looks up casually. And seesAnd sees something.something. His reaction is hard to read.His reaction is hard to read. After a pause...After a pause...

ItIt is Anna Scott, the biggest movie star in the world --is Anna Scott, the biggest movie star in the world -- here --in his shop.here --in his shop. The most divine, subtle, beautifulThe most divine, subtle, beautiful woman on earth. When she speaks she is very self-assuredwoman on earth. When she speaks she is very self-assured andand self-contained.self-contained.

SheShe wanders over to a shelf as he watches her -- and pickswanders over to a shelf as he watches her -- and picks outout a quite smart coffee table book.a quite smart coffee table book.

HeHe picks up a book on the counter.picks up a book on the counter.

William suddenly spies something odd on the small TVWilliam suddenly spies something odd on the small TV monitor behind him.monitor behind him.

HerHer eyes follow him as he moves toward the back of the shopeyes follow him as he moves toward the back of the shop andand approaches a man in slightly ill-fitting clothes.approaches a man in slightly ill-fitting clothes.

6.6.

HeHe returns to his desk.returns to his desk. In the monitor we just glimpse, asIn the monitor we just glimpse, as does William, the book coming out of the trousers and putdoes William, the book coming out of the trousers and put back on the shelves.back on the shelves. The thief drifts out toward the door.The thief drifts out toward the door.

7.7.

Anna, who has observed all this, is looking at a blue bookAnna, who has observed all this, is looking at a blue book onon the counter.the counter.

SheShe smiles.smiles. Suddenly the thief is there.Suddenly the thief is there.

SheShe signs his scruffy piece of paper.signs his scruffy piece of paper. He tries to read it.He tries to read it.

Thief leaves.

8.8.

SheShe hands William a note and the book he said was rubbish.hands William a note and the book he said was rubbish. HeHe talks as he handles the transaction.talks as he handles the transaction.

HeHe drops in one of the signed books.drops in one of the signed books.

SheShe looks at him with a slight smile.looks at him with a slight smile.

AndAnd leaves.leaves. She's out of his life forever.She's out of his life forever. William is aWilliam is a little dazed.little dazed. Seconds later Martin comes back in.Seconds later Martin comes back in.

ButBut William's innate natural English discretion takes over.William's innate natural English discretion takes over.

They set about drinking their coffee.

9.9.

Martin shakes his head.Martin shakes his head. William drinks his cappuccino.William drinks his cappuccino.

William sets off.

William collects his juice in a coffee shop on WesbourneWilliam collects his juice in a coffee shop on Wesbourne Park Road.Park Road.

William swings out of the little shop -- he turns theWilliam swings out of the little shop -- he turns the corner of Portobello Road and bumps straight into Anna.corner of Portobello Road and bumps straight into Anna. TheThe orange juice, in its foam cup, flies.orange juice, in its foam cup, flies. It soaks Anna.It soaks Anna.

10.10.

HeHe grabs some paper napkins and starts to clean it off --grabs some paper napkins and starts to clean it off -- getting far too near her breasts in the panic of it...getting far too near her breasts in the panic of it...

HeHe jumps back.jumps back.

InIn his diffident ways, he is confident, despite her beinghis diffident ways, he is confident, despite her being genuinely annoyed.genuinely annoyed. She turns and looks at him.She turns and looks at him.

HeHe doesn't lie -- it is eighteen yards away.doesn't lie -- it is eighteen yards away. She looksShe looks down. She looks up at him.down. She looks up at him.

They enter.They enter. She carries a few stylish bags.She carries a few stylish bags.

William runs in further -- it's a mess.William runs in further -- it's a mess. He kicks some oldHe kicks some old shoes under the stairs, bins an unfinished pizza and hidesshoes under the stairs, bins an unfinished pizza and hides aa plate of breakfast in a cupboard.plate of breakfast in a cupboard. She enters the kitchen.She enters the kitchen.

AndAnd he guides her up the stairs, after taking the bag ofhe guides her up the stairs, after taking the bag of books from her...books from her...

11.11.

SheShe heads upstairs.heads upstairs.

William is tidying up frantically.William is tidying up frantically. Then he hears Anna'sThen he hears Anna's feet on the stairs.feet on the stairs. She walks down, wearing a short,She walks down, wearing a short, sparkling black top beneath her leather jacket.sparkling black top beneath her leather jacket. With herWith her trainers still on.trainers still on. He is dazzled by the sight of her.He is dazzled by the sight of her.

HeHe moves to his very empty fridge -- and offers its onlymoves to his very empty fridge -- and offers its only contents.contents.

12.12.

Pause.Pause. She looks at him deep.She looks at him deep.

ItIt has taken a lot to get this out loud.has taken a lot to get this out loud. He is not aHe is not a smooth-talking man.smooth-talking man.

SheShe smiles.smiles. She's cool.She's cool.

HeHe guides her toward the door.guides her toward the door.

InIn a slightly awkward moment, he shows her out the door.a slightly awkward moment, he shows her out the door. HeHe closes the door and shakes his head in wonder.closes the door and shakes his head in wonder. Then...Then...

...... He shakes his head again in horror and wanders backHe shakes his head again in horror and wanders back along the corridor in silence.along the corridor in silence. There's a knock on theThere's a knock on the door.door. He moves back, casually...He moves back, casually...

HeHe opens the door.opens the door. It's her.It's her.

13.13.

HeHe shoots into the kitchen and picks up the forgottenshoots into the kitchen and picks up the forgotten shopping bag.shopping bag. Then returns and hands it to her.Then returns and hands it to her.

They stand in that corridor -- in that small space.They stand in that corridor -- in that small space. SecondSecond time saying goodbye.time saying goodbye. A strange feeling of intimacy.A strange feeling of intimacy. SheShe leans forward and she kisses him.leans forward and she kisses him. Total silence.Total silence. A realA real sense of the strangers of those lips, those famous lips onsense of the strangers of those lips, those famous lips on his.his. They part.They part.

Suddenly there is a clicking of a key in the lock.

Spike walks in.

Spike walks past unsuspiciously and heads into the kitchen.

14.14.

AndAnd leaves them in the corridor.leaves them in the corridor.

AndAnd she leaves, with just a touch of William's hand.she leaves, with just a touch of William's hand. SpikeSpike comes out of the kitchen, eating something white out of acomes out of the kitchen, eating something white out of a styrofoam container with a spoon.styrofoam container with a spoon.

TheThe lights are off.lights are off. William and Spike on the couch, justWilliam and Spike on the couch, just thethe light from the TV playing on their faces.light from the TV playing on their faces. Cut to theCut to the TVTV full screen.full screen. There is Anna.There is Anna. She is in a stylish WoodyShe is in a stylish Woody Allen type modern romantic comedy, "Gramercy Park," inAllen type modern romantic comedy, "Gramercy Park," in black and white.black and white.

Anna's character -- Woody Anna -- is walking around theAnna's character -- Woody Anna -- is walking around the gallery with her famous co-star, Michael.gallery with her famous co-star, Michael. They should beThey should be thethe perfect couple, but there is tension.perfect couple, but there is tension. Anna is notAnna is not happy.happy.

15.15.

AndAnd after a couple of seconds -- wow -- she smiles.after a couple of seconds -- wow -- she smiles.

TheThe next day.next day. William and Martin quietly co-existing.William and Martin quietly co-existing. AnAn annoying customer enters.annoying customer enters. Mr. Smith.Mr. Smith.

Pause.

William looks up.William looks up. At that moment the entire window isAt that moment the entire window is suddenly taken up by the huge side of a bus, obscuring thesuddenly taken up by the huge side of a bus, obscuring the light -- and entirely covered with a portrait of Anna --light -- and entirely covered with a portrait of Anna -- from her new film, "Helix."from her new film, "Helix."

16.16.

William heads upstairs and pauses.William heads upstairs and pauses. Spike coming down,Spike coming down, wearing full body scuba diving gear.wearing full body scuba diving gear.

TheThe two of them fixing a cup of tea in the kitchen.two of them fixing a cup of tea in the kitchen.

TheThe two of them on the rooftop terrace, passing the day.two of them on the rooftop terrace, passing the day. William is reading 'The bookseller.'William is reading 'The bookseller.' The terrace is smallThe terrace is small andand the plants aren't great -- but it overlooks London inthe plants aren't great -- but it overlooks London in aa rather wonderful way.rather wonderful way. Spike still in scuba gear, gogglesSpike still in scuba gear, goggles on.on.

17.17.

William closes his eyes in exasperation.

Spike looks back and relaxes.

William freezes -- then looks at Spike.

18.18.

William on the phone.William on the phone. We hear the formal man at the otherWe hear the formal man at the other endend of the phone.of the phone. And then intercut with him.And then intercut with him.

Spike happens to be in the foreground of this shot.Spike happens to be in the foreground of this shot. He'sHe's reading a newspaper.reading a newspaper.

19.19.

Flinstone is indeed the magic word.

HeHe practices how to sound.practices how to sound.

WeWe hear her voice -- don't see her.hear her voice -- don't see her.

20.20.

William jumps off a bus and walks toward the Ritz.William jumps off a bus and walks toward the Ritz. HeHe carries a small bunch of roses.carries a small bunch of roses.

HeHe approaches the lifts.approaches the lifts. At the lift, he pushes the buttonAt the lift, he pushes the button andand the doors open.the doors open. As he is getting in, William isAs he is getting in, William is jointed by a young man.jointed by a young man. His name is Tarquin.His name is Tarquin.

William pushes the button.William pushes the button. They wait for the doors toThey wait for the doors to close.close.

TheThe lift lands.lift lands. William gets out.William gets out. So does Tarquin.So does Tarquin. RoomsRooms 30-35 are to the left.30-35 are to the left. 35-39 to the right.35-39 to the right. William headsWilliam heads right. So does Tarquin.right. So does Tarquin.

William is puzzled.William is puzzled. He slows down as he approaches roomHe slows down as he approaches room 38.38. So does Tarquin.So does Tarquin. William spots, so does Tarquin.William spots, so does Tarquin. William points at the number.William points at the number.

HeHe knocks.knocks. A bright, well-tailored American girl opens theA bright, well-tailored American girl opens the door.door.

21.21.

SheShe hands them a very slick, expensively produced presshands them a very slick, expensively produced press kits, with the poster picture of Anna, for the film 'Helix.'kits, with the poster picture of Anna, for the film 'Helix.'

AA few seconds later -- they enter the main waiting room.few seconds later -- they enter the main waiting room. There are a number of journalists waiting for theirThere are a number of journalists waiting for their audience.audience.

They both turn to William for his opinion.

They sit down as Karen goes off.

William goes for the cover-up.

22.22.

Pause.Pause. He's in trouble.He's in trouble.

Saved by the bell.

HeHe is shown in through big golden doors.is shown in through big golden doors. Karen staysKaren stays outside.outside.

There Anna is, framed in the window.There Anna is, framed in the window. Glorious.Glorious.

There are lots of other flowers in the room.

AA fair amount of tension.fair amount of tension. These two people hardly knowThese two people hardly know each other -- and the first and last time they met, theyeach other -- and the first and last time they met, they kissed.kissed.

23.23.

AtAt which moment Jeremy, Karen's boss, comes in.which moment Jeremy, Karen's boss, comes in. A fairlyA fairly grave, authoritative fifty-year-old PR man consulting agrave, authoritative fifty-year-old PR man consulting a list.list.

William nods.

William shrugs his shoulders.William shrugs his shoulders. Jeremy settles at a littleJeremy settles at a little desk in the corner and makes notes.desk in the corner and makes notes. A pause.A pause. WilliamWilliam feels he has to act the part.feels he has to act the part. They sit in chairs oppositeThey sit in chairs opposite each other.each other.

Anna nods.

Jeremy leaves.

24.24.

William puts his head in his hands.William puts his head in his hands. He was panic.He was panic.

Re-enter Jeremy.

Jeremy exits.

25.25.

It's a challenge.

Pause.Pause. Then they move towards each other when... JeremyThen they move towards each other when... Jeremy enters.enters.

Jeremy goes out -- it's their last seconds.

They look at each other.They look at each other. Jeremy enters, with anotherJeremy enters, with another journalists in row.journalists in row. Anna and William stand and shake handsAnna and William stand and shake hands formally.formally.

William exits fairly despondent and heads for the door.William exits fairly despondent and heads for the door. Tarquin is in the corridor calling on his mobile phone.Tarquin is in the corridor calling on his mobile phone.

26.26.

William can't think his way out of this.

HeHe turns to go, but is accosted by Karen.turns to go, but is accosted by Karen.

AA forty-year-old actor with great presence warmly shakesforty-year-old actor with great presence warmly shakes William's hand.William's hand.

27.27.

Same room same seat, minutes later, with a monolingualSame room same seat, minutes later, with a monolingual foreign actor and an interpreter.foreign actor and an interpreter.

AndAnd now William is sitting opposite an eleven-year-oldnow William is sitting opposite an eleven-year-old American girl.American girl.

28.28.

William emerges traumatized into the corridor.William emerges traumatized into the corridor. It is fullIt is full ofof camera crews.camera crews. And there is Karen.And there is Karen.

They knock on her door.

William enters.William enters. A certain nervousness.A certain nervousness. They are aloneThey are alone again.again.

29.29.

Bella and Max are in the kitchen.

TheThe oven seems to be smoking a little.oven seems to be smoking a little. Then the bell rings.Then the bell rings.

It's hard timing.It's hard timing. Max shoots out of the kitchen.Max shoots out of the kitchen.

30.30.

MaxMax heads for the door impatiently.heads for the door impatiently. He opens it and turnsHe opens it and turns back without looking at William and Anna standing there.back without looking at William and Anna standing there.

William and Anna move along the corridor to the kitchen.

Bella is there.

HeHe rises from his stove position.rises from his stove position.

31.31.

Door bell goes.

MaxMax opens the door -- it is Honey.opens the door -- it is Honey.

SheShe does a little pose, having worn a real party dress.does a little pose, having worn a real party dress.

They head back along the corridor.

They enter the kitchen.

32.32.

SheShe hands her a present.hands her a present.

TheThe front door bell goes.front door bell goes.

HeHe heads out into the corridor to the front door.heads out into the corridor to the front door.

MaxMax opens the door.opens the door.

They enter the room.

Doesn't recognize her -- turns to Honey.

AA minute or two later -- they are standing, drinking wineminute or two later -- they are standing, drinking wine before dinner.before dinner. Bernie with Anna on their own -- WilliamBernie with Anna on their own -- William helping Max in the kitchen.helping Max in the kitchen.

33.33.

Then on to Bernie's conversation.

34.34.

They all move towards the kitchen.

AA moment's silence as they leave -- then in a split secondmoment's silence as they leave -- then in a split second thethe others all turn to William.others all turn to William.

TheThe horror of his remembered conversation slowly unfolds.horror of his remembered conversation slowly unfolds. Honey re-enters.Honey re-enters.

35.35.

AA little later.little later. They are sat at dinner.They are sat at dinner. Bella next toBella next to Anna.Anna.

Moving through the evening -- they are very relaxed, asMoving through the evening -- they are very relaxed, as they eat dinner.they eat dinner. A few seconds watching the evening goingA few seconds watching the evening going well -- Anna is taking this in -- real friends --well -- Anna is taking this in -- real friends -- relaxed -- easy, teasing. And there's a cake.relaxed -- easy, teasing. And there's a cake. Honey wearsHoney wears Bernie's unsuitable hat.Bernie's unsuitable hat. Anna watches William laughing atAnna watches William laughing at something and then putting his head in his hands with mocksomething and then putting his head in his hands with mock shame.shame.

Coffee time.

AA little pause.little pause. Then William turns to Bernie.Then William turns to Bernie.

36.36.

Dead silence.

37.37.

Bella shrugs her shoulders.Bella shrugs her shoulders. Bernie is totally grief-struck.Bernie is totally grief-struck.

William reaches for her hand.William reaches for her hand. Max breaks the sombre mood.Max breaks the sombre mood.

They all laugh.They all laugh. Anna smiles across at William.Anna smiles across at William.

38.38.

While she says this, quiet settles around the table.While she says this, quiet settles around the table. TheThe thing is -- she sort of means it and is opening up to them.thing is -- she sort of means it and is opening up to them.

Silence... they all look at her... then.

TheThe mood is instantly broken.mood is instantly broken. They all laugh.They all laugh.

Anna and William are leaving.

HeHe holds out his hand to shake.holds out his hand to shake. She kisses him on theShe kisses him on the cheek. He stumbles back with joy.cheek. He stumbles back with joy.

39.39.

MaxMax loves this.loves this.

AndAnd Honey gives her a huge hug.Honey gives her a huge hug.

Anna and William head out... Bernie tries to save someAnna and William head out... Bernie tries to save some dignity.dignity.

They move to the door and wave goodbye.

William and Anna step outside.William and Anna step outside. From inside they hear aFrom inside they hear a massive and hysterical scream of the friends letting outmassive and hysterical scream of the friends letting out their true feelings.their true feelings. William is a little embarrassed.William is a little embarrassed.

40.40.

TheThe house is in Lansdowne Road, on the edge of Nottinghouse is in Lansdowne Road, on the edge of Notting Hill. They walk for a moment.Hill. They walk for a moment. A bit of silence.A bit of silence.

They walk in silence for a moment.They walk in silence for a moment. Then...Then...

SheShe smiles and shakes her head.smiles and shakes her head.

AA little later in the walk.little later in the walk.

41.41.

They are now walking by a five foot railing, with foliageThey are now walking by a five foot railing, with foliage behind it.behind it.

HerHer look makes it clear that she is waiting with interestlook makes it clear that she is waiting with interest onon the answer to this.the answer to this.

HeHe rattles the gate, then starts his climb -- but doesn'trattles the gate, then starts his climb -- but doesn't quite make it, and falls back onto the pavement...quite make it, and falls back onto the pavement...

Tiny pause.

42.42.

HeHe fails, and unfortunately spontaneously...fails, and unfortunately spontaneously...

They look at each other.

SheShe starts to climb.starts to climb.

ButBut she's already almost over.she's already almost over.

AA few seconds later.few seconds later. Anna jumps down into the garden.Anna jumps down into the garden.

William clambers over with terrible difficulty, dustsWilliam clambers over with terrible difficulty, dusts himself off, and heads towards where she stands.himself off, and heads towards where she stands.

43.43.

SheShe leans forward -- and, for the first time since theleans forward -- and, for the first time since the first time -- she kisses him.first time -- she kisses him. This time a proper kiss.This time a proper kiss. AA tiny pause.tiny pause.

They walk around the garden.They walk around the garden. It's a moonlit dream.It's a moonlit dream. We seeWe see thethe lights of the houses that surround the garden.lights of the houses that surround the garden. TheyThey come across a single, simple wooden bench.come across a single, simple wooden bench.

WeWe cut in and see an inscription carved into the wood.cut in and see an inscription carved into the wood. SheShe doesn't read the dates, carved below -- "June Wetherby,doesn't read the dates, carved below -- "June Wetherby, 1917 - 1992."1917 - 1992." She is slightly chocked by it.She is slightly chocked by it.

HeHe nods.nods. They are standing on either side of the bench,They are standing on either side of the bench, looking at each other.looking at each other. The camera glides away from them,The camera glides away from them, upup into the night sky, leaving them alone in the garden.into the night sky, leaving them alone in the garden. Music plays.Music plays.

William in a towel rushes downstairs, having just had aWilliam in a towel rushes downstairs, having just had a shower. He shoots past Spike.shower. He shoots past Spike.

44.44.

HeHe sprints downstairs, now fully dressed.sprints downstairs, now fully dressed.

Mid-film.Mid-film. We move across the audience.We move across the audience. And there is inAnd there is in thethe middle of it, we see Anna, watching the screen, andmiddle of it, we see Anna, watching the screen, and next to her, William, watching the film keenly, through hisnext to her, William, watching the film keenly, through his scuba-diving goggles.scuba-diving goggles.

AA very smart Japanese restaurant.very smart Japanese restaurant. We see Anna and WilliamWe see Anna and William sitting, near the end of their meal.sitting, near the end of their meal.

We've been aware of the conversation at a nearby table --We've been aware of the conversation at a nearby table -- nownow we can hear it.we can hear it. Two slightly rowdy men.Two slightly rowdy men.

45.45.

William and Anna look at each other.

Again -- Anna reacts.

Anna mouths "Meg Ryan."

William and Anna smile -- they're enjoying it.

Anna's twinkle fades.

This is horrible.

46.46.

HeHe gets up and goes round the cover to the men.gets up and goes round the cover to the men. There areThere are inin fact four of them, the two meeker men, Gavin and Harry,fact four of them, the two meeker men, Gavin and Harry, hanging on the other guys' witty words.hanging on the other guys' witty words.

He's not a very convincing or frightening figure.

Anna suddenly appears at his side and whips him awayAnna suddenly appears at his side and whips him away without being recognized.without being recognized.

They walk on and then...

AndAnd she walks straight back to their table.she walks straight back to their table.

47.47.

AndAnd she walks away.she walks away. Gerald turns to Lawrence.Gerald turns to Lawrence.

They are walking.

They have arrived at the end of the arcade.

48.48.

HisHis look says yes.look says yes.

HeHe watches her go -- and stands in the street.watches her go -- and stands in the street. Music plays.Music plays.

William coming along the hotel corridor.William coming along the hotel corridor. He knocks on theHe knocks on the door.door.

There's something slightly angry.There's something slightly angry. He doesn't notice.He doesn't notice.

HeHe kisses her gently on the cheek.kisses her gently on the cheek.

HeHe is duly shocked.is duly shocked. She's trying to be calm.She's trying to be calm.

49.49.

Jeff drifts into view behind.Jeff drifts into view behind. He is a very famous filmHe is a very famous film star and looks the part -- well built, very handsome.star and looks the part -- well built, very handsome. Unshaved, he has magic charm, whatever he says.Unshaved, he has magic charm, whatever he says. Over a t-Over a t- shirt, he wears a shirt, which he unbuttons as he talks.shirt, he wears a shirt, which he unbuttons as he talks.

AndAnd he does just that.he does just that. Scoops up the two used plates andScoops up the two used plates and heads to the bin.heads to the bin.

50.50.

Jeff slips him a fiver.

HeHe kisses her.kisses her.

HeHe wanders off taking off his t-shirt.wanders off taking off his t-shirt.

Anna just nods.

51.51.

William walks away.

William walks down the arcade outside the hotel.William walks down the arcade outside the hotel. He isHe is stunned.stunned.

William sits alone on a bus.William sits alone on a bus. We see him through the sideWe see him through the side window.window. As it drives away, we see that the whole back ofAs it drives away, we see that the whole back of thethe bus is taken up with a huge picture of Anna.bus is taken up with a huge picture of Anna.

HeHe gets into his room and sits on the bed.gets into his room and sits on the bed.

Space Anna, in the very hi-tech environment and a seriousSpace Anna, in the very hi-tech environment and a serious moods, fastens the last claps on her uniform.moods, fastens the last claps on her uniform. She takes aShe takes a helmet type thing, and places it on her head.helmet type thing, and places it on her head.

CutCut round to the Coronet cinema where this film is showing.round to the Coronet cinema where this film is showing. It's not full.It's not full. The camera moves and finds, sitting on hisThe camera moves and finds, sitting on his own...William.own...William. Just watching.Just watching. We see a momentous flash ofWe see a momentous flash of light from the screen explode, reflected in his eye.light from the screen explode, reflected in his eye.

William is looking out the window, lost in thought.William is looking out the window, lost in thought. SpikeSpike enters.enters.

Spike settles on the arm of a chair.Spike settles on the arm of a chair. William decides toWilliam decides to open up a bit...open up a bit...

52.52.

Spike nods thoughtfully.

HeHe roars with laughter.roars with laughter. William smiles.William smiles.

Only two tables are being used.Only two tables are being used. William and his friendsWilliam and his friends areare on their first course.on their first course. Bernie reads an "EveningBernie reads an "Evening Standard," with a picture of Anna and left at HeathrowStandard," with a picture of Anna and left at Heathrow Airport.Airport.

Their looks make it obvious that everyone did.

53.53.

They all look to him for wise words.

TheThe kitchen.kitchen. William is looking uneasy.William is looking uneasy. A doorbell rings.A doorbell rings.

William nods.William nods. Max heads off to the door.Max heads off to the door. We stay withWe stay with William -- and just hear the door open and a voice comeWilliam -- and just hear the door open and a voice come down the corridor.down the corridor.

They reach the kitchen.They reach the kitchen. Tessa is a lush girl with a hugeTessa is a lush girl with a huge hair.hair.

54.54.

SheShe turns to take the wine and William has a split secondturns to take the wine and William has a split second toto send a message of panic to Bella.send a message of panic to Bella. She agrees -- it'sShe agrees -- it's bad.bad.

MaxMax walks over to the table.walks over to the table. Honey, Bella, William andHoney, Bella, William and another girl.another girl.

ItIt is left to William, who has been set up here, to fillis left to William, who has been set up here, to fill thethe pause.pause.

55.55.

Time for coffee and chocolates.Time for coffee and chocolates. Beside William sits theBeside William sits the final, perfect girl.final, perfect girl. She is Rosie, quite young, smartlyShe is Rosie, quite young, smartly dressed, open-hearted.dressed, open-hearted. It is just Max and William andIt is just Max and William and Bella and her.Bella and her.

They all laugh.They all laugh. It's going very well.It's going very well.

William is with Rosie by the door -- just about to sayWilliam is with Rosie by the door -- just about to say goodbye.goodbye.

SheShe kisses him gently on the cheek.kisses him gently on the cheek. He opens the door --He opens the door -- sheshe walks out.walks out. He shuts the door quietly and heads backHe shuts the door quietly and heads back into the living room...into the living room...

MaxMax and Bella wait excitedly.and Bella wait excitedly.

William makes a gentle, exasperated gesture, then...

56.56.

They all roar with laughter.

Music starts to play to take us through these silent scenes.

57.57.

MaxMax lifts Bella off her couch and carries her upstairs.lifts Bella off her couch and carries her upstairs.

MixMix through -- William sits on the couch downstairs -- eyesthrough -- William sits on the couch downstairs -- eyes wide open -- thinking.wide open -- thinking.

Morning.Morning. Max, all in his suit for the city... Bella kissesMax, all in his suit for the city... Bella kisses himhim goodbye.goodbye. William sees this from the kitchen.William sees this from the kitchen. She isShe is also dressed for work -- and moves back into the kitchen toalso dressed for work -- and moves back into the kitchen to pack her briefcase with law books from the kitchen table.pack her briefcase with law books from the kitchen table.

William emerges from the house, a little ruffled from aWilliam emerges from the house, a little ruffled from a night away from home, a heads off.night away from home, a heads off.

William walks past the newsagent, heading for home.William walks past the newsagent, heading for home. WeWe see, though he doesn't, a rack of tabloid papers, all ofsee, though he doesn't, a rack of tabloid papers, all of which seem to have very grainy, grabbed pictures of Anniewhich seem to have very grainy, grabbed pictures of Annie onon their front page.their front page. Headlines --'Annie Stunned'-- 'It'sHeadlines --'Annie Stunned'-- 'It's Definitely Her!' and 'Scott of Pantartica.'Definitely Her!' and 'Scott of Pantartica.'

William is shaving.William is shaving. The bell goes.The bell goes. He heads out to answerHe heads out to answer it.it.

William arrives at the door and opens it.William arrives at the door and opens it. There stands aThere stands a dark-glassed Anna.dark-glassed Anna.

SheShe moves inside.moves inside. Her hair is a mess -- her eyes areHer hair is a mess -- her eyes are tired. Nothing idealized.tired. Nothing idealized.

TheThe two of them.two of them.

58.58.

William shakes his head.

She's very shaken.

Spike enters through the front door.Spike enters through the front door. William doesn't hearWilliam doesn't hear him. Spike is reading newspapers with the Anna pictures inhim. Spike is reading newspapers with the Anna pictures in it.it.

HeHe heads up the stairs.heads up the stairs. Opens the bathroom door, walks in.Opens the bathroom door, walks in.

Spike heads for the toilet -- undoes his zip...

59.59.

She's in the bath.She's in the bath. Spike turns in shock -- and sidles outSpike turns in shock -- and sidles out ofof the bathroom.the bathroom.

Spike calms himself down.Spike calms himself down. He then opens the bathroom doorHe then opens the bathroom door again -- and looks in.again -- and looks in.

Anna is still lying low in the bath.

Spike comes back out into the corridor.Spike comes back out into the corridor. Looks to heaven.Looks to heaven.

William and Anna at the kitchen table, eating toast.

60.60.

HeHe doesn't think she has to talk about this.doesn't think she has to talk about this.

AA little later.little later. They're in the thick of the script.They're in the thick of the script.

61.61.

62.62.

Annie smiles her biggest smile of the day.Annie smiles her biggest smile of the day. He is helping.He is helping.

Anna and William.Anna and William. Sat down at table.Sat down at table. There's a pictureThere's a picture hanging on the wall behind.hanging on the wall behind.

ItIt is a picture of a Chagall painting of a floating weddingis a picture of a Chagall painting of a floating wedding couple, with a goat as company.couple, with a goat as company.

63.63.

Spike enters with three pizzas.

Later in the evening.Later in the evening. William and Anna on their own.William and Anna on their own. They're sipping coffee.They're sipping coffee. A few seconds of just co-existing.A few seconds of just co-existing. Anna looks up.Anna looks up.

HeHe laughs.laughs.

AA few hours later -- eating ice-cream out of the tub.few hours later -- eating ice-cream out of the tub.

64.64.

They are walking up the stairs -- and stop at the top.

65.65.

Pause.Pause. She leans forward, kisses him gently, then stepsShe leans forward, kisses him gently, then steps into the bedroom and closes the door.into the bedroom and closes the door.

William downstairs -- on a sofa -- under a duvet.William downstairs -- on a sofa -- under a duvet. EyesEyes open. Thinking.open. Thinking. Pause and pause.Pause and pause.

HeHe waits and waits -- the ultimate 'yearn.'waits and waits -- the ultimate 'yearn.' But nothingBut nothing happens.happens. William gets off the sofa decisively.William gets off the sofa decisively. Sits onSits on thethe side of it.side of it. Then gets back in again.Then gets back in again.

Pause, pause, then... in the darkness, a stair creaks.Pause, pause, then... in the darkness, a stair creaks. There's someone there.There's someone there.

HeHe drifts round the corner, half-naked.drifts round the corner, half-naked.

66.66.

Back to William thinking again.Back to William thinking again. Dreamy atmosphere.Dreamy atmosphere. AndAnd then... more footsteps on the stairs.then... more footsteps on the stairs.

TheThe darkness of the living room.darkness of the living room. We see Anna in the shadow.We see Anna in the shadow.

AA few moments later.few moments later. William and Anna stand in the middleWilliam and Anna stand in the middle ofof the room.the room. He kisses her neck.He kisses her neck. Then her shoulder.Then her shoulder. WhatWhat aa miracle it is just to be able to touch this girl's skin.miracle it is just to be able to touch this girl's skin. Then he looks at her face.Then he looks at her face. That face.That face. He is suddenlyHe is suddenly struck by who it is.struck by who it is.

67.67.

AndAnd kisses her.kisses her.

TheThe middle of the night.middle of the night. They are both sleep -- a yardThey are both sleep -- a yard apart. In sleep, her arm reaches out, touches his shoulderapart. In sleep, her arm reaches out, touches his shoulder andand then she wriggles across and re-settles herself,then she wriggles across and re-settles herself, tenderly, right next to him.tenderly, right next to him. He is not asleep and knowsHe is not asleep and knows howhow extraordinary this all is.extraordinary this all is.

TheThe morning.morning.

68.68.

HeHe looks under the sheet at her breasts.looks under the sheet at her breasts.

SheShe laughs...laughs...

SheShe looks at him carefully.looks at him carefully. Then leaps out of bed.Then leaps out of bed.

William on the bed.William on the bed. The door opens.The door opens. It is Anna with aIt is Anna with a tray of toast and tea.tray of toast and tea.

SheShe bends across.bends across. She smiles and sits on the bed.She smiles and sits on the bed.

69.69.

TheThe doorbell goes.doorbell goes.

William heads down the corridor and opens the door.William heads down the corridor and opens the door. Outside are hundreds of paparazzi -- an explosion ofOutside are hundreds of paparazzi -- an explosion of cameras and questions, of noise and light.cameras and questions, of noise and light. The press seemThe press seem toto fill the entire street.fill the entire street.

HeHe comes back inside, snapping the door behind him.comes back inside, snapping the door behind him. AnnaAnna isis in the kitchen.in the kitchen.

SheShe heads back the corridor, with no suspicion.heads back the corridor, with no suspicion.

SheShe thinks he's fooling around.thinks he's fooling around. She opens the door, theShe opens the door, the same explosion.same explosion. In a split second she's inside.In a split second she's inside.

Anna is on the phone.Anna is on the phone. Spike is blithely heading downstairsSpike is blithely heading downstairs toto the kitchen in just his underpants.the kitchen in just his underpants.

70.70.

HeHe does a thumb up to William -- very excited about what hedoes a thumb up to William -- very excited about what he knows was a 'result.'knows was a 'result.'

SheShe heads upstairs.heads upstairs.

TheThe moment William goes upstairs, Spike heads for the frontmoment William goes upstairs, Spike heads for the front door.door.

From outside -- we see this scrawny bloke in the frame ofFrom outside -- we see this scrawny bloke in the frame of thethe doorway, in his gay underpants.doorway, in his gay underpants. A thousand photos.A thousand photos. Spike poses athletically.Spike poses athletically.

Spike closes the door and wanders along to a mirror in theSpike closes the door and wanders along to a mirror in the hall-way, muttering.hall-way, muttering.

Inspects himself.

William enters.William enters. He's unhappy for her.He's unhappy for her. She's almostShe's almost dressed.dressed.

71.71.

She's pacing.

It's a difficult moment -- defining where they stand.

72.72.

SheShe heads out.heads out.

TheThe doorbell goes.doorbell goes.

Spike leans merrily out of the window.

They move from the kitchen into the corridor.

73.73.

HeHe takes this in.takes this in. That's the end.That's the end.

74.74.

SheShe looks at him.looks at him. The doorbell goes again.The doorbell goes again. She opens theShe opens the door. Massive noise and photos.door. Massive noise and photos. Outside are her people,Outside are her people, including Karen, a chauffeur, two bodyguards.including Karen, a chauffeur, two bodyguards. And then theAnd then the door is shut and they're all gone.door is shut and they're all gone. Silence.Silence.

Spike and William sitting there.Spike and William sitting there. Pause.Pause.

HeHe puts his head in his hands.puts his head in his hands. It's over now.It's over now.

AsAs full, sad music plays -- William begins to walk throughfull, sad music plays -- William begins to walk through Notting Hill.Notting Hill.

This walk takes six months... as he walks, the seasonsThis walk takes six months... as he walks, the seasons actually and magically change, from summer, through autumnactually and magically change, from summer, through autumn andand winter, back into spring...winter, back into spring...

First it is summer -- summer fruits and flowers -- a six-First it is summer -- summer fruits and flowers -- a six- month pregnant woman -- Honey with another leather-jacketmonth pregnant woman -- Honey with another leather-jacket boyfriend.boyfriend.

AsAs he walks on the rain starts to fall -- he turns up hishe walks on the rain starts to fall -- he turns up his coat collar -- umbrellas appear.coat collar -- umbrellas appear. Followed by winterFollowed by winter coats --chestnuts roasting -- Christmas trees on side andcoats --chestnuts roasting -- Christmas trees on side and thethe first hint of snow.first hint of snow.

Then he comes to Blenheim Crescent, which is startlingThen he comes to Blenheim Crescent, which is startling snowscape, for the hundred yard, right across Ladbrokesnowscape, for the hundred yard, right across Ladbroke Grove.Grove.

ByBy the time he reaches the purple cafe, the snow is meltingthe time he reaches the purple cafe, the snow is melting andand in a few yards, it is spring again.in a few yards, it is spring again. He passes HoneyHe passes Honey again --arguing with her boyfriend, walking away tearful.again --arguing with her boyfriend, walking away tearful. Then turns past 'the pregnant woman' -- now holding herThen turns past 'the pregnant woman' -- now holding her three-month baby. The camera holds on her.three-month baby. The camera holds on her.

75.75.

AA grey day in the bookshop.grey day in the bookshop. Martin and William.Martin and William. As ever.As ever. AA feeling that things in there ever change.feeling that things in there ever change.

TenTen seconds pass.seconds pass. Honey rushes in.Honey rushes in. Spike, still feelingSpike, still feeling inin disgrace, comes with her but lingers in the doorway.disgrace, comes with her but lingers in the doorway.

AndAnd she rushes out.she rushes out. William looks at the piece of paper,William looks at the piece of paper, folds it and then places it gently in the garbage bin.folds it and then places it gently in the garbage bin.

Bella bangs a spoon on a wine bottle.Bella bangs a spoon on a wine bottle. All the friends areAll the friends are gathered in the restaurant.gathered in the restaurant.

76.76.

Tony's brave face breaks.Tony's brave face breaks. The dream is over.The dream is over.

They're all rather stunned.

They toast him.

Total bewilderment from the others.

77.77.

Special cut to Bernie -- the shot shows he had specialSpecial cut to Bernie -- the shot shows he had special feelings for Honey.feelings for Honey.

AsAs she sits down, Honey leans toward Spike and whispers.she sits down, Honey leans toward Spike and whispers.

TwoTwo hours later.hours later. They've had a very good time.They've had a very good time. There'sThere's been a chocolate cake.been a chocolate cake. Lots of alcohol.Lots of alcohol. Tony is playingTony is playing 'Blue Moon' on the piano, and Bernie joins him, singing.'Blue Moon' on the piano, and Bernie joins him, singing.

AtAt one table Bella and Honey sit -- beer and wine on theone table Bella and Honey sit -- beer and wine on the table.table.

78.78.

Elsewhere, Max an William are relaxed together.

HeHe puts down a copy of the 'Evening Standard' with aputs down a copy of the 'Evening Standard' with a picture of Anna on its cover.picture of Anna on its cover.

CutCut to the wide sweep of Hampstead Heath.to the wide sweep of Hampstead Heath. William entirelyWilliam entirely alone.alone. He marches up a hill... goes over the crest ofHe marches up a hill... goes over the crest of itit -- and sees a huge film crew and hundreds of extras in-- and sees a huge film crew and hundreds of extras in front of the radiant white of Kenwood House, with its lawnfront of the radiant white of Kenwood House, with its lawn andand its lake.its lake.

NowNow closer to the house, William approaches a barrier --closer to the house, William approaches a barrier -- where he is himself approached.where he is himself approached.

79.79.

AtAt that moment -- thirty yards away, William sees trailerthat moment -- thirty yards away, William sees trailer door open.door open. Out of it comes Anna -- lookingOut of it comes Anna -- looking extraordinary -- in a velvet dress; full, beautiful make-extraordinary -- in a velvet dress; full, beautiful make- up;up; rich, extravagant hair. She has a necessary cluster ofrich, extravagant hair. She has a necessary cluster of people about her.people about her. Hair, make-up, costume and the thirdHair, make-up, costume and the third assistant who has collected her.assistant who has collected her.

SheShe walks a few yards, and then casually turns her head.walks a few yards, and then casually turns her head. AndAnd sees him.sees him. Her face registers not jut surprise,Her face registers not jut surprise, certainly not a simple smile.certainly not a simple smile. His being there is aHis being there is a complicated thing. Cut back to him.complicated thing. Cut back to him. He does a small wave.He does a small wave. SheShe pauses as the whole paraphernalia of the upcoming scenepauses as the whole paraphernalia of the upcoming scene passes between them.passes between them. The movie divides them.The movie divides them. But then sheBut then she begins to walk through it, and followed by her cluster, shebegins to walk through it, and followed by her cluster, she makes her way towards him.makes her way towards him. When she reaches him, theWhen she reaches him, the security guard stands back a pace, and her people holdsecurity guard stands back a pace, and her people hold back.back. She doesn't really know what to say...She doesn't really know what to say...

TheThe third assistant is under pressure.third assistant is under pressure.

SheShe looks around.looks around. The poor third is nervous -- and theThe poor third is nervous -- and the first is approaching.first is approaching.

80.80.

SheShe is swept away, four people touching her hair andis swept away, four people touching her hair and costume.costume.

AsAs they make towards the set...they make towards the set...

AA complicated shot is about to happen -- with waves ofcomplicated shot is about to happen -- with waves of extras --and a huge moving crane.extras --and a huge moving crane. They end up next to theThey end up next to the sound desk.sound desk.

Harry the sound man is a pleasant, fifty-year-old baldingHarry the sound man is a pleasant, fifty-year-old balding fellow.fellow. He hands him the headphones.He hands him the headphones.

81.81.

William, the headphones on, surveys the scene -- theWilliam, the headphones on, surveys the scene -- the cluster is full 100 yards from the action, to allow acluster is full 100 yards from the action, to allow a gracious sweeping wide-shot.gracious sweeping wide-shot. He watches Anna.He watches Anna. She is withShe is with herher co-star in the Henry James film -- let's call him James.co-star in the Henry James film -- let's call him James.

HeHe studies an actress a few yards to the left.studies an actress a few yards to the left.

Back by the desk, William is listening and laughs.Back by the desk, William is listening and laughs. That'sThat's hishis girl.girl. Anna prepares.Anna prepares.

82.82.

CutCut back to William -- he has heard.back to William -- he has heard.

HeHe takes off the headphones and puts them gently down.takes off the headphones and puts them gently down.

William walks away.William walks away. The moment of hope is gone.The moment of hope is gone. HeHe couldn't have had a clear reminder.couldn't have had a clear reminder.

William is emptying Anna Scott videos into a box.

TheThe next day.next day. William is hard at work, doing the accountsWilliam is hard at work, doing the accounts inin a dark small room with files in it.a dark small room with files in it. Martin pops hisMartin pops his head in.head in.

83.83.

They head out, Martin behind him, incomprehensively rubbingThey head out, Martin behind him, incomprehensively rubbing hishis hands -- he's in a very good mood.hands -- he's in a very good mood.

William enters -- and there stands Anna -- in a simple blueWilliam enters -- and there stands Anna -- in a simple blue skirt and top.skirt and top.

84.84.

It's quite a big wrapped parcel, flat -- 3 foot by 4 foot,It's quite a big wrapped parcel, flat -- 3 foot by 4 foot, leaning against a bookshelf.leaning against a bookshelf.

Then the door pings.Then the door pings. In walks the annoying customer, Mr.In walks the annoying customer, Mr. Smith.Smith.

Mr.Mr. Smith is taken aback and therefore completely obedient.Smith is taken aback and therefore completely obedient.

AndAnd he leaves.he leaves.

85.85.

Pause as William takes this in.

Martin edges up.

Martin is left with Anna.

86.86.

She's kind in here, not sarcastic.

William returns a little uneasy.

Martin leaves them.

She's awaiting an answer.

HeHe can't really express what he feels.can't really express what he feels.

87.87.

HeHe feels he must explain.feels he must explain.

Pause.

Pause.Pause. She kisses him on the cheek.She kisses him on the cheek.

Then turns and leaves.Then turns and leaves. Leaving him.Leaving him.

TheThe restaurant is in the middle of being deconstructed.restaurant is in the middle of being deconstructed. TheThe pictures are gone off the walls -- a kettle on a longpictures are gone off the walls -- a kettle on a long extension lead is on the bare table behind.extension lead is on the bare table behind. They're allThey're all sitting there.sitting there.

88.88.

Spike enters.

Bella is casually looking at the painting that sits besideBella is casually looking at the painting that sits beside William.William. It is the original of the Chagall, the poster ofIt is the original of the Chagall, the poster of which was on his wall.which was on his wall.

89.89.

They take in the line.They take in the line. It totally reverses their attitudes.It totally reverses their attitudes.

They look at him.They look at him. Spike does a big nod.Spike does a big nod.

Max's car arrives in the street outside.Max's car arrives in the street outside. They pile intoThey pile into thethe car.car.

90.90.

HeHe shoots out of his door, rushes round and grabs Bella outshoots out of his door, rushes round and grabs Bella out ofof the chair.the chair.

Max's car is shooting up Stanley Crescent.Max's car is shooting up Stanley Crescent. We are insideWe are inside andand outside the car.outside the car.

Suddenly the car slams to a halt.

TheThe car turns illegally right across Piccadilly the wrongcar turns illegally right across Piccadilly the wrong wayway down a one-way street and ends up outside the Ritz.down a one-way street and ends up outside the Ritz. William sprints into the hotel.William sprints into the hotel. Bernie follows.Bernie follows.

91.91.

IT.IT. RITZ LOBBY - DAYRITZ LOBBY - DAY

ItIt is the same man.is the same man.

ManMan shakes his head.shakes his head.

HeHe turns despondent and takes two steps when the Ritz Manturns despondent and takes two steps when the Ritz Man stops him in his tracks.stops him in his tracks.

AA Japanese guest assumes this is the way to behave and theJapanese guest assumes this is the way to behave and the Ritz Man gets kissed a third time.Ritz Man gets kissed a third time.

TheThe car speeds through London.car speeds through London. It gets totally stuck at aIt gets totally stuck at a junction where no one will let them in.junction where no one will let them in.

92.92.

HeHe gets out of the car and boldly stops the traffic cominggets out of the car and boldly stops the traffic coming inin the opposite direction.the opposite direction. Our car shoots past him.Our car shoots past him.

They leave him behind.They leave him behind. Honey leans out the window andHoney leans out the window and shouts...shouts...

Spike waves wildly -- he loses concentration and is verySpike waves wildly -- he loses concentration and is very nearly hit by a car.nearly hit by a car.

They pull to a stop.They pull to a stop. William leaps out.William leaps out.

William rushes up to the main desk.

MAN AT SAVOYMAN AT SAVOY Are you an accredited member of theAre you an accredited member of the press?press?

HeHe flashes a card.flashes a card.

MAN AT SAVOYMAN AT SAVOY That's a Blockbuster videoThat's a Blockbuster video membership card, sir.membership card, sir.

MAN AT SAVOYMAN AT SAVOY I'm sorry, sir...I'm sorry, sir...

Honey shows into shot, pushing Bella's chair.

93.93.

MAN AT SAVOYMAN AT SAVOY And you are?And you are?

MAN AT SAVOYMAN AT SAVOY Of course, madam.Of course, madam. It's in theIt's in the Lancaster Room.Lancaster Room. I'm afraid you'reI'm afraid you're very late.very late.

William runs, searching.William runs, searching. At last finds the room, andAt last finds the room, and enters.enters.

Huge room -- full of press.Huge room -- full of press. Row after row of journalists,Row after row of journalists, cameras at the front, TV cameras at the back.cameras at the front, TV cameras at the back. Anna clearlyAnna clearly gives press conferences very rarely, because this one isgives press conferences very rarely, because this one is positively presidential.positively presidential. She sits at a table at the end ofShe sits at a table at the end of thethe room, beside Karen: on her other side os Jeremy, the PRroom, beside Karen: on her other side os Jeremy, the PR boss, firmly marshalling the questions.boss, firmly marshalling the questions.

She's in a slightly melancholic and therefore honest mood.

HeHe points at a journalist he knows.points at a journalist he knows.

94.94.

They love that answer, and all scribble in their noteThey love that answer, and all scribble in their note books. Next question comes from someone straight right nextbooks. Next question comes from someone straight right next toto William.William.

HeHe is pointing straight at William, who has his hand up.is pointing straight at William, who has his hand up.

Anna sees who it is asking.

95.95.

WeWe cut to Max, Bella, Bernie and Honey, all watching.cut to Max, Bella, Bernie and Honey, all watching. ThenThen back to Anna.back to Anna.

Anna whispers something to Jeremy.

Pause.Pause. Anna looks up at William.Anna looks up at William. He nods.He nods.

They both smile -- suddenly the press gets what's goingThey both smile -- suddenly the press gets what's going onon --music -- noise -- they all turn and flash, flash,--music -- noise -- they all turn and flash, flash, flash photos of William.flash photos of William. Max and Bella kiss.Max and Bella kiss. BernieBernie kisses a total stranger. Spike finally makes it -- he'skisses a total stranger. Spike finally makes it -- he's bright red from running.bright red from running.

96.96.

Honey hugs him.Honey hugs him. It's a new experience for Spike.It's a new experience for Spike.

CutCut to William's face -- flash after flash -- still lookingto William's face -- flash after flash -- still looking atat Anna.Anna. They are both smiling.They are both smiling.

Anna and William at their wedding -- they kiss and walkAnna and William at their wedding -- they kiss and walk into the crowd.into the crowd.

Honey, a bridesmaid in peach satin -- she is surrounded byHoney, a bridesmaid in peach satin -- she is surrounded by atat least four other bridesmaids, all under five.least four other bridesmaids, all under five.

Nearby, Tony standing, glowing, beside his fabulous,Nearby, Tony standing, glowing, beside his fabulous, pyramidical wedding cake.pyramidical wedding cake.

William's mother is not quite happy with how he's looking.William's mother is not quite happy with how he's looking. SheShe tries to brush his hair.tries to brush his hair.

Max, dressed in the most devastating Bond-like white tuxedoMax, dressed in the most devastating Bond-like white tuxedo isis dancing with Anna -- thrilled.dancing with Anna -- thrilled. He does a rather flashyHe does a rather flashy little move.little move. Cut to Bella who is watching and laughing.Cut to Bella who is watching and laughing.

Martin, in an awkward tweed suit, is jiggling to the beatMartin, in an awkward tweed suit, is jiggling to the beat ofof a song, entirely happy in the corner.a song, entirely happy in the corner.

AA huge premier -- screaming crowds -- Anna and William gethuge premier -- screaming crowds -- Anna and William get outout of the car, she holding his hand --of the car, she holding his hand -- looking ultimatelylooking ultimately gorgeous -- he in a black suit that doesn't quite fit.gorgeous -- he in a black suit that doesn't quite fit. He's startled.He's startled.

AA pretty green communal garden.pretty green communal garden. Children are playing,Children are playing, watched by mothers, one of whom holds a new baby in awatched by mothers, one of whom holds a new baby in a papoose.papoose. A very old couple wander along slowly.A very old couple wander along slowly.

AA small tai chi group moves mysteriously.small tai chi group moves mysteriously. And as theAnd as the camera glides, it passes a couple sitting on a single,camera glides, it passes a couple sitting on a single, simple wooden bench overlooking the garden.simple wooden bench overlooking the garden. He is reading,He is reading, sheshe is just looking out, totally relaxed, holding his hand,is just looking out, totally relaxed, holding his hand, pregnant.pregnant. It is William and Anna.It is William and Anna.

THE END