"NATIONAL LAMPOONS ANIMAL HOUSE" (1978)

x snows eight o'clock.

The clock in the old be towe tartling resident pigeons into £

bell begins to tell, s

A m@éie chorus begins an a cappella rendition of a stately college hymn that continues over the following credit secuence.

WwW

The ivy-covered, granite buildings that surround the deserted quadrangle suggest a typical, gquaintly gothic, small eastern college.

tr

; Goal pests frame the empty stadium. A scrap of paper blows | across the aeserted fieid.

t wee .

hb

[Bay

~I

%00432 2

Ve see the first signs of life through the lighted windows

of the dorm rooms. Two boys, one fat and one thin, leave

the dorm wearing coats and ties. The fat one wears a fresh- Tian beanie. They check out each other's clothes on the dorm steps and start to hurry off. Then the thin one notices a streamer of toilet paper hanging out the back of the fat one's sport coat. He tears it off and they hurry off.

SAT. LIBRARY - SAME TIME ; 6 Large modern windows reveal students working inside. The two boys. are seen in silhouette as they pass the library windows.

The two boys pass the statue of Emil Faber, the founder (X) of the college.

The two boys walk down a tree-shrouded sidewalk along a row

of large, three-story mansions. Greek-letter plaques and

pennants identify each of the fraternity houses. Other fresh- men can be seen leaving and entering the well-iit houses.

‘oO

The two freshmen slowly approach the spiffy facade of Omega House, the most imposing-looking house on the row.

Larry Kroger, the slender one, is small, fair-haired,: fine- featured, and likeably ingenuous. His fat friend with the

beanie is Kent Dorfman, a sweating, beadv-eved schmo. The

a cappella chorus fades out as Larry knocks timidly with the polished brass knocker. He iooks at Kent.

He snatches it off Kent's head. KENT Hey! We're supposed to wear them

"til homecoming.

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“He turns to introduce a pair of-attractive coeds sitting az

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Kent sniffs his own armpits and does a hasty breath check <s the door to Omega House swings open.

Larry and Kent are received in the vestibule by Deus Niedermeyer, a crew-cut, muscular "hard-charger." “Doug is short and wears a madras jacket, black knit tie, Silver tie clip. an Omega pin, and an insincere smile. He offers his hand <o Larry.

DOUG

Hi, there. Doug Niedermeyer, Omega membership chairman.

Doug shakes hands with Kent.

@a folding table in the vestibule.

Mandy writes out the tags. She is blonde, goreous, clearl:.. &€ queen of the campus. Babs gets up and pins the te¢s on the boys.

She hes @ Southern accent and a complexion like a rubber tub toy.

mw

ad

CONTINUED ; 10 Douq whisks them away.

a BABS A wimp and a biimp!

The girls giggle.

Doug leads Larry and Kent into the spacious living room which is crowded with well-dressed Omega members and prospective freshmen pledges. The furnishings are that of a well-appointed men's club lounge -- ieather sofas and chairs, dark wood pan- elling, heavy drapes, and hunting prints.

A pair of black men in white jackets, one old, one young, unobtrusively serve refreshments from Silver trays. Someone plays a florid rendition of "April Love" on the grand piano. The whole affair has the subdued, stilted quality of a gallery opening.

Doug leads them to a large sofa far away from the real center of activity. Four other freshmen are already sittino there Glumly holding cups of punch -- a Negro kid in horn-rimmed glasses, three-piece suit, and bow tie; @& very skinny boy wearing a yarmulke; an exchance student in a turban; and next to the sofa, a blind boy in a wheelchair. The old black servant noisily stacks dirty dishes on @ table right behind the sofa. Tne rejects look up hopefully as Doug approaches.

DOUG

Hi there, fellas. This is Ken and Lonnie. Ken, Lonnie, I'd like you to meet...

{reading their

name tags)

-..Clayton, Sidney, ah -- Mohamet,. and Dave. Just grab a seat, make yourselves at home, and...

(winks) ..-don't be shy about helping your-- selves to punch and cookies.

inetd sterner nance = pine

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700432 5

CONTINUED ll Doug disappears. Larry and Kent exchange nervous glances |

with the other rejects. Kent puts his beanie back on.

ANOTHER PART OF THE ROOM 12

Gregg Marmalard, president of Omega, is “rushing" Chip Diller. Gregg is a tall, campus politico with a JFK haircut, turtle- neck worn under a button-down shirt, and tweed jacket. Chip is an uglier, freshman version of Gregg. At Gregg's side Sits beautiful Mandy, clearly Gregg's steady giri.

up a date with an Omega. (X) -

Gregg squeezes Mandy's hand and smiles. proudly.

thing that never looks bad on your permanent record, Chip.

Kent, having escaped from the reject couch, is breathing down Chip's neck, trying hard to be noticed.

Gregg looks up and notices Kent.

vueih Sieg Sth we ues:

mw i

CONTINUED 12

Gregg takes Kent firmly by the arm and quickly leads him back through the crowd.

GREGG

And over there is Terry Auerback, captain of the swim team --

(he vaguely

indicates) -- and that's Carl Phillips, editor of the Daily Faberian -- and --

(Gregg has

dragged him back

to the couch) -- ah, Clayton, Sidney, Larry ---

talk about.

Gregg exits. Kent and Larry exchange hapless looks. The male chorus resumes the college hymn. °

Kent and Larry proceed to the last house on the row. KENT I dunno, Lar. You're not trying very hard.

LARRY

I hate this.

LARRY

Great. I heard Delta's the worst house on campus.

Kent sniffs his own armpits again and frowns.

rerrirey

opp be

cig #00432 7

ce tds

© Kent and Larry turn up the walk and encounter a shadowy figure hefting a beer stein behind a hedqe. It's Bluto. He looks ; like a squat Neanderthal in a tight, tab-collar, sort of a i cute Dick Butkus cutoff at the knees. It is obvious he's

pissing in the hedge.

Biuto wheels drunkenly and hoses a wet. line across the knees : of their freshly-pressed khakis. The male chorus segues into a stately version of "Louie, Louie" as the two freshmen stanc there, too stunned to react.

clearly in an advanced state of blight compared to the spiffi- ness of Omega House. Two windows are boardec up, one of the a four columns is leaning dangerously, and the porch is littered oO with a legless sofa and a shopping cart full of empty beer | bottles. There are signs of a recent fire. Bluto opens the

front door and they hesitantly follow him in.

~

un

1's INT, DELTA HOUSE - SAME TIME . a 1

The Glee Club version of "Louie, Louie” segues neatly into

the real Kincsmen recording blasting up from the basement jukebox. Kent and Larry move into the living room. The place. is a shambles compared to Omega -- cracked walls, a moose head with one antler. missing, battered furniture, and a sloppy re-

: freshment table littered with pizza remains. The Deltas them- i selves are dressed from casual to sloppy, and everyone has a beer in his hands. We sense from the shouting and the lauchter that this is a group of friends enjoying each other's company.

Bogie et,

16 MOUNTAIN 16

A big, burly senior in a number 69 football jersey cut off at the shoulders. He is telling a story to two freshmen, splashing beer on them as he gesticulates wildly. The two a freshmen smile nervously.

CONTINUED 16 MOUNTAIN (Southern accent) . I never seen anythin' lak this gal: Farted alla time but was she good in the rack: I remem- ber one time.... BLUTO, KENT AND LARRY 17 BLUTO (leaving | them) Grab a brew. It don't cost nothin’.

Larry and Kent plunge into the random, high-spirited commotion. They slide past Mountain ducking the shower of beer as he waves his arms. Mountain roars at his own story. The two freshmen look more nervous than ever. .

THE CARD PLAYERS ALCOVE 18 Kent comes upon an alcove where four Deltas are playing cards, oblivious to the noisy confusion all around them. Kent hovers over the table. CARD PLAYER #1 One club. . KENT | Hi, guys. CARD PLAYER #2 One diamond. i KENT i You guys playing cards? : All the card players look up and do a slow, icy take to Kent. Kent starts to back away.

Larry enters the crowded basement tap room. A horseshoe bar dominates the room, decorated with every imaginable beer sign

and bar accessory. In one corner, a venerable Wurlitzer juke- box plays "Sea Cruise." A pool table stands in the other corner.

CONTINUED ..

is

‘nk

CONTINUED , 19

Behind the bar, an attractive dark-haired coed is refilling beer for the clammering masses. She wears a man's shirt and nicely tight jeans. Her name is Katy and she might be @ young Anne Bancroft. She looks tired and tense. Larry walks up to the bar. - KATY (brushing hair from her eyes) Hi. Want a beer... (glances at tag)

Larry? LARRY Sure. Larry notices an elaborate mermaid mural behind the bar. The

mermaid has goldfish bowl breasts with real, live goldfish.

HOOVER 20

He bustles over to the bar. He's a harried executive type in a rumpled, three-piece suit. His official demeanor fails to mask an aura of charming, total incompetence. He shakes Larry's hand enthusiastically.

Katy, have you seen Boon?

He turns to Bluto who's flattening empty beer cans by smash- ing them.against his forehead.

—. 7? g 5 .

MY

(X)

Otter is a tall, handsome "assman," ranking stud of the Faber campus. His room is a miniature, early sixties Playboy pad --

elaborate hi-fi, Leroy Nieman prints, centerfolds tacked to the walls, and fake fur everywhere. Now, as usual when he's in his room, he's looking at himself in’ the mirror, wearing only a white terry snap-towel.

Otter's best friend, Boon, is sprawled on the bed. He's handsome in a much rougher way than Otter, comes from a big city and fancies himself 4 "hipster." His street-wise sense of cool is a perfect balance to Otter's preppy conceit. They "Heckle and Jeckle" each other constantly.

Otter is whistling "Peter's Theme" from "Peter and the Wolf.

Otter nods and whistles.

Otter shakes his head whistling and deftly Snape a nostril hair with large barber scissors.

Otter shakes his head as he slaps on aftershave. -

Oh God, oh God, oh God....

thru

£00432 ll - (X)

OTTER

Boon, 1 anticipate a deeply reli- gious experience.

Dtter continues getting dressed.

. BOON Yah, I don't take anything seriously.

Otter opens a black doctor's bag and pulls out a very large

dildo.

Boon takes the dildo and swings it like a baseball bat.

Are you guys coming down?

Larry sees Bluto and a skinny, pimply freshman coming out a door marked SEX ROOM.

22 . thru.

hb

thru

Harley motorcycle roars into the house and does a "wheelie"

Gown the hall. Larry plasters himself against the wall as the bike shoots by and comes to a sudden stop. Its rider, D-Day, wears greasy coveralls, goggles and has a well-chewed cigar butt in his mouth. He's Delta's principal scrounger, logistics expert and gadget freak. He rocks the Harley onto its kick- stana and gets off.

D-Day jJauntily walks off as Larry gapes at him.

OTTER, BOON, AND BLUTO 25

as they come noisily down the stairs and into the living room. tter immediately starts shaking hands with maniacal energy,

a grotesquely sincere smile on his face. He grabs the hand

of a skinny, pimply freshman and starts pumping it.

Kent bumps into Otter. tter turns, extends his hane, and notices Kent's ugly tie.

Boon comes over and lifts up Kent's tie to read the label. BOON (impressed) Hmm. Ninety percent rayon. Very nice.

Hoover rushes over to rescue Kent.

CONTINUED , 25 KENT (inti tig )

He .said legacies usually get asked to pledge: automatically.

KATY | 26

heading for the front door. She waves good-bye +o Boon.

BOON 27

He sees Katy and is surprised that she is leaving. He leaves Otter and Kent to intercept her.

(X) at the front door. BOON Where you going? KATY Home, Donald. She goes out the front door. Boon follows.

THE FRONT WALK

Boon pursues Katy who keeps walking away.

| yh #00432 =

| acu, 29 CONTINUED 29

| | 7 a. him away Pabulous, - S Oud » My car full of your beer | auedses going up to empty my parents' | aquor cabinet. It's just too de- | Pressing to think about.

KATY , I mean hanging around with a bunch of animals, getting drunk every

weekend. fe BOON (puts his arm ‘ - \ around her) VF No. After I graduate I'm going to get drunk every night. (he starts Singing) KATY (puts her arm around him) Boon, I think I'm in love with a retard. CUT TO 30 LARRY KROGER'S HIGH SCHOOL GRADUATION PHOTO 30 projected on a wall. HOOVER'S VOICE All in favor? MEMBERS' VOICE (in unison) Aye! eat) oe HOOVER'S VOICE ee tt Larry Kroger is now a pledge to Delta Tau Chi. (X)

Pull back to reveal:

yh #00432 15

- 31 INT. TAP ROOM - SAME TIME 31 A raucous Delta House meeting is going on in the smoke-filled basement. D-Day is running an opague projector.

Kent Dorfman's unflattering photo appears on the wall. The

Deltas respond with boos, catcalls and whistles. Several beer cans bounce off Kent's picture on the wall. The dripping beer running down the side of Kent's face.

tter steps to the front of the room and raises his hand for Silence. The brothers quiet down.

The brothers groan. Hoover futilely gavels for order. Otter suffers a barrage of beer cans.

a a Larry anc Kent are sleeping soundly. The Westclox Big Ben on

wae Md Kent's nightstand shows 3 A.M. Suddenly, the door bangs open. , Otter and Boon march in, obviously drunk, ane start kicking

tne new pledces' beds, shooting the tired freshmen with a

CO5 fire extinguisher. —

vh. #00432 16

CONTINUED _ a 32

Let's go, let's go, let's go:

The freshmen wake instantly, Kent so frightened he falls out of bed.

cuT TO 33 A YEARBOOK PHOTO , 33

ci Mandy Pepperidge frozen in a spread-legged cheerleader leap. A blunt pencil clutched between stubby fingers circles the photo over and over, wearing a rut in the yearbook page.

Pull back to reveal:

.Bluto lies on his bee atop a pile of filthy clothes, continuing his artwork. His whole room seems to be filled with mouldering

aundry. Hoover enters.

ic HOOVER Bluto, I need my horns.

d

Hoover finds the helmet with bull horns hanging on the wall being used as a coat hook. ,

OMITTED thru

-. J el Wa cS ee 0) G

_ / es

£00432 17

Hoover, looking totally ridiculous in horns and robes, stands before the assembled pledges and upperciassmen. Most of the

brothers are already drunk. The pledges' clothing looks hastily

thrown together; some still wear pajamas. The card players

have moved their game to the pool table and play right through

the ceremony.

~- fraternity for all. Amen.

The brothers cheer wildly. Beer begins to flow from the teéps. Pitchers are filled. Bluto passes among the pledges with a@ greasy Dixie cup full of pledge pins, handing one to each of the freshmen. The jukebox plays loudly.

CONTINUED |

gi

38-A

(X) CONTINUED 38 BLUTO (handing a@ pin to Larry) Okay Kroger, your Delta Tau Chi name's gonna be 'Pinto.' Got that?

Pinto nods and puts on his pin. Bluto hands @ pin to Kent.

A lot of thought went into this Dorfman. From now on you're "Flounder".

The Deltas carouse with great good fellowship as the juke box blasts away.

Boon, Otter, D-Day and Bluto burst into an impromptu song.

The camera pans slowly from the Delta House to Omega House next door. The sound of the Omega hymn is heard seftly sung. fit sounds like the"Horst Wessel" song and gets louder as the camera tracks toward the Omega door.

The new Omega pledges kneel in front of a giant DTP seal. Grega Marmalard stands before them in his suit and tie draped with ea wide red sash and President's medallion. Doug Niedermeyer is beside him. He holds up a big wooden paddle.

and

CONTINUED 39 DOUG : We now consecrate the bond of obedience. He whacks Chip Diller hard on the ass. CHIP (brave and eager) Thank you, sir, may I have another? He's whacked again. CHIP Thank you, sir, may I have another? ; 40 OMITTED . and ' 41

Dean James, Chairman of the History Department, lectures (F.82 from a podium at the front of the hall. He looks middle- thru aged and tired.

This is his best joke so he laughs and looks around the room for reactions to it.

DEAN JAMES' POINT OF VIEW

revealing 30 of the most bored, disinterested young faces ever seen. Dean. James continues to lecture in a droning

voice. A pan over the classroom reveals two or three students sleeping in their seats.

FLOUNDER

He is apparently taking notes like crazy.

A CLOSEUP OF FLOUNDER'S NOTE BOOK

His hand is drawing an F-86 Sabre Jet attacking a MIG-15.

CHIP

He's staring into space, squeezing a hand exerciser, silently counting the repetitions.

from a mosaic of powerless, smali states to a true nation by 1871?

The answer is Otto Von Bismarck --

the architect of German unification. PINTO'S POINT OF VIEW

We see Pinto's upside down view of the coed's skirt.

JAMES ©

gf 200432 22

PINTO

A He is still looking covertly at the coed's legs. He suddenly realizes that a question has been asked and quickly sits back up flushing and crosses his legs.

JAMES

He shakes his-head wearily.

(F.42) INT. DEAN WORMER'S OFFICE - SAME TIME (F.42)

Dean Wormer is looking through a sheaf of pledge reports. Gregg sits facing him across the desk. Wormer is about sixty, and bears a strong character resemblance to a recently dis- honored American president. This meeting with Gregg should feel like a secret Watergate meeting in the Oval office.

: DEAN WORMER ~~ (staring out the window) Gregg, what's the worst frater- nity on campus?

He plunks a thick folder on the desk.

_WORMER I have their disciplinary file right here. (begins leafing > through it) Who in 1955 drove a flock of sheep through graduation?

ee 3 | CONTINUED

700432

The next year who crated up the statue of Dean Faber and shipped it to Kruschev? Do you have any idea how much the postage was to get that back? Last year who dumped a truckload of Fizzies into the swim meet. Who delivered the medical school cadavers to the Alumni dinner? Every Halloween the trees are full of underwear! Every spring all the toilets explode!

(then suddenly

bursts out) Then as of this moment Delta is on double secret probation!

Get the crud out of your ears son! There is a little known codicil in the Faber College Constitution that gives the Dean unlimited power to preserve order in time of campus emergencies.

mes cA

00432 23

‘CONTINUED - 2 43

is me. Do I make myself clear? (xX) GREGG Yes sir.

Doug Wiedermeyer is Grilling a squad of Freshman ROTC cadets in one of the end zones. Chip, the Omega pledge, is among <hem. In the other end zone Mandy Pepperidge, Babs Jansen and the cheerleading squad are starting to practice. Babs ambles over to Mandy who is tying her sneakers.

Gregg doesn't believe in premarital intercourse.

Mandy stands up and bounces into a cheer.

UNDER THE GRANDSTAND | as Bluto is lurking in the dark under the grandstand seats. He

watches Mandy twisting, twirling and leaping up to the rhythmic cheer. ,

yh

nas

Ao

THE CHEERLEADERS 46

From Bluto's point of view we see Mandy without panties under her short cheerleader skirt. _

He raises his head back in surprise and bangs it against a steel grandstanc support.

CHEERLEADERS (v.o.)

Rah, rah -- Rah, rah, rah. Rah, rah -- Rah, rah, rah. THE CHEERLEADERS 48

Bluto's fantasy is ended by his knock on the head. Mandy's ‘wearing panties again.

As Mandy jumps and waves her pom-poms, we hear Doug Niedermeyer shouting.

THE OTHER END ZONE 40

Doug is mounted on Trooper, the meanest-looking horse ever seen. Doug continues to scream like a Marine drill instruc- tor as ne rides up and down the line cruelly intimidating a squac of freshmen ROTC cadets.

The freshmen flinch as Trooper snaps at their faces, ears up, nostrils flaring, drooling on his bit.

49-2

at

200432 — 25

The freshmen hit the dirt and do push-ups. Doug rides among them on Trooper who nearly steps on the terrified cadets. DOUG One! Two! Three! Straight backs! He spots Pinto and Flounder running across the fielc. He gallops toward them and cuts them off. . DOUG (barking) Right there!. Ten-hut! PINTO AND FLOUNDER 45-4 They freeze. Trooper spins around, his ass practically in their faces. Doug reins in. DOUG (to Pinto)

Wheat time is it, mister!

ee DOUG That's obvious, mister!

Doug looks at Flounder. Everything about his uniform is wrong.

EAT. A GRASSY HILL - SAME TIME 50

Otter and Boon are passing the field. Boon is carrying a golf bac. Otter is wearing fancy golf clothes. They hear Doug screaming in the distance and stop to watch.

jeb

53-A

(X)

Doug Gismounts and continues abusing Flounder, smacking with

his riding crop.

”

As Otter looks on, Boon tees up overlooking the distant

£OrmMa ton » DOUG (in distance; screams) A pledge pin? On your uniform? With a preliminary waggle, Boon tees off. BOON Hooked it! Shit.

OMITTED

CAFETERIA KITCHEN

The heec& dietician, a fat Germanic lady in wnite uniform ane hair net leans over a huce vat of soup with a ladel in her

hand. Just as she's’about to taste the soup, the golf

bali

flies in and plops into the vat. She gives a very slight

shrug of her shoulders and tastes the soup anyway.

55-2

700432 27 (X)

Flounder quivers under Doug's scrutiny.

It's a Delta pin, sir.

Boon again addresses his ball and swings! It flips off the right. BOON (disgusted) Slice!

A closeup of the golf ball breakince the window. The ball

then shatters a pitcher of water on Dean Wormer's desk, causing water to spill over the Dean's papers and lap. looks up furious. ° °

ATELETIC FIELD

to the stable tonight and every night at nineteen-huncre@ hours -- and without that pledge pin. (shrieks) Do you understand! (Flounder gulps and nods) Now get back in ranks!

Pinto and Flounder scurry into line with the other c Chip sneers at Pinto and Flounder. Douc remounts.

They start to march.

ay fen “0

eS) <oO 55-4 He

<s

700432 28 (X)

Otter accepts a 2-wood from Boon and tees up.

Otter swings.

ATHLETIC FIELD 58

As if by a miracle, Otter's tee shot hits Trooper right on che ass. He bucks wildly and runs blindly through the fresn- men ROTC formation, scattering the cadets.

The freshmen make a ragged attempt to regroup.

un Xe]

He hits second drive.

DOUG AND TROOPER 60 . The horse is still cutting back and forth unpredictably.

A golf ball strikes Doug's shiny helmet which rings like a beli. Trooper lunges forward and Doug falls off, but his foot gets caught in the stirrup.

THE FRESHMEN CADETS 61

who scatter as Trooper gallops through their ranks dragging Doug. DOUG Gehhh! -

thru

iL

700432 29 OMITTED 62

Boon and Otter watch the chaos in the distance. They start ambling down the hill. BOON

(casually) I've got to work on my game.

OMITTED tnru

Boon, Katy and Pinto walk past the stores and shops of cown- town Faber. BOON (to Katy) I.want you to fix Pinto up but it's got to be a very special girl. PINTO You don't have to ~--- BOON She should be decent looking but we'll trade looks for a certain kind of morally casual attitude --- KATY You want somebody he can screw on the first date. BOON Well put! See, Pinto's never been laid. PINTO Hey! Quit it!

Boon, Katy and Pinto turn down the shady side street and walk. up the front steps of the four flat frame house.

Jennings. Okay? He's the only professor I like.

OMITTED 69

JENNING'S APARTMENT - A LITTLE LATER 70 THE PAD IS SPARSELY FURNISHED IN EARLY "OFF CAMPUS" leaning [%) toward beatnik -- candles in Mateus bottles, brick and board pookcase, a guitar leaning against the wall, seven piants and two cats sleeping on the windowsill. On the walls are a few . good arty photographs, @ Bauhaus poster, a sketch of Charlie (1)

Parker and a prominently placed peace sign from the "ban the bomb" era. Modern jazz plays softly on the stereo.

Jennings himself sits cross-legged on the floor at a low table made from a door and more bricks. He's good-looking, wearing rimiess glasses, a work shirt, jeans and sandals. Pinto is Sitting beside him on the floor, Boon and Katy are across the table from tnem. The whole scene is bathed in candlelight.

_ BOON How long you been working on it?

He cleses his eyes and bobs his head to the music.

Yean! Pinto's eves go very wide.

He gets up and walks out of frame.

oe

7 : anal

CONTINUED 70

(frowns) I asked you not to embarrass me in front of Dave here.

He goes to the door, puts the chain lock in piece, turns the key in the lock and snaps the dead-bolt.

CUT TO PINTO He looks apprehensive.

cur TO JENNINGS'S HANDS PULLING DOWN A WINDOW SHADE

| CUT TO

HANDS PULLING DOWN ANOTHER WINDOW SHADE.

CUT TO

HANDS STUFFING A TOWEL INTO THE CRACK UNDER THE DOOR.

CUT TO

CUT TO

HANDS PULLING BOOKS OFF A SHELF. . The hand reaches around behind the cther books on the shelf, gropes for a moment and emerges with ae bulging envelope.

CUT TO THE HANDS AGAIN

A match is struck and the hands light a candle and two sticks of incense. PULL BACK to reveal the bathrocm.

yh:

| 0-A THE BATHROOM . ” Boon and Katy are sitting face to face in the bathrub. eainie® ' sits on the commode with the seat down. Jennings stands at the sink and opens the bulging envelope. He takes out a plastic bag. Then he opens the plastic bag and takes out a wad of aluminum foil. He opens the foil packet to reveal a small amount of loose pot and three badiy rolled joints. He lights one of the joints from the candle, tokes and hands it to Boon. Boon tokes and hands it to Katy. She tokes and hands it to Pinto.

_ JENNINGS There's a distinct possibility.

Pinto takes a puff.

so much.

Pinto tokes, turns beet red and coughs explosively, blowing

out all the candles. The room is pitch black. A match flares es Jennings relignts the candles.

DISSOLVE TO

THE ASHTRAY

Three roaches lie in the ashtray. Pull back to reveal that

Boon and Katy are nuzzling each other in the tub. Jennincs listens politely to Pinto's stoned rap.

in the fingernail of some giant BEING «sa.

OMsTTED 72

. ji ce cares snl

oe ee ee

chr

700432 33

KATY AND BOON

in the bathtub. Boon sings softly in Katy's ear. (Perhaps “HEY HEY PAULA") BOON You are my sunshine, my cnly sunshine....

He tickles her.

They kiss and hug oblivious to Pinto and Jennings.

Pinto walks along stoned and mellow; looking at cars, trees, |

store windows, etc., as if seeing them for the first time. He's lonely but not unhappy. As he dances along he sings:

CUT AWAY TO

“wrt ~} wowra tt G

oO oa

(X)

pb - #00432 34

‘

CY eg at A very unhappy Flounder is shoveling manure cut of Trooper's Stall. Trooper sneps at Flounder's nose. Tlounder, cringing, brings the shovel up to protect his face, stopping Trooper in the midst of another snap, bopping him lightly on the nose. Doug enters to catch the last of this. He hes a gauze bandage around his head and looks in a foul mood He rushes into Trooper's stall and tears the shovel roughly away from Flounder. DOUG (barks) Dorfman, for God's sake! What kine cf man hits a defenseless animal? FLOUNDER (terrified) But I -- he --- Doug pokes Flounder hard in the chest with a ramrod index finger, @riving him against the stable wall. DOUG I've got a good mind to smash your fat face in! _— FLOUNDER La, (squealing)

But I was only....

DOUG

Listen up you nauseating pile of blubber.

~~ . wy

~~

we pokes Flouncer again in the chest really hurting him.

Flounder is uncomfortably aware of the filthiness of the steble

ia. O65’. FLOUNDER But.... ~ DOUG (parks) Hit it! ; | ‘ _. - . . . - Nf Fiounéer Ccreops and begins Going push-ups. Doug goes to Trooper and strokes his nose fondly.

pb #00432 35

| 81 CONTINUED | 81

YO | DOUG N74 There now, Trooper. Good fellow.

As Doug feeds Trooper a piece of sugar, we pan past him to see D-Day and Bluto peering through the stable window, following the action. ;

got that?

Biuto and D-Day melt into the shadows as. Doug exits and strides off. D-Day and Bluto enter the stable.

Flounder is standing, making pathetic efforts to clean himself with handfuls of hay. He looks about to cry. ee

a, (whispering) Flounder!

— Brother D-Day! Brother Bluto!

continues

speaking in low tones) You hate thet yingyang?

I guess so.

my ; BLUTO ( You guess s0??

7 FLOUNDER . (getting mad) Yes. Yes, I hate him. I hate his guts. ,

pb —s- #00432 36

_—_ 83-A A CONTINUED’ B1-AA oA D-DAY ae Good. Now, we have an old saying in

Delta: ‘Don't get mad -- get even.'

D-Day glances at the horse, then starts whispering in Flounder's ear. A smile slowly breaks over Flounder's face.

CcuT TO | 81-B' a 81-B (F. 229) EXT. scHOOL - NIGHT (F. 229) | (X) | Bluto, Flounder and D-Day lead Trooper out into the night, a windbreaker tied over his face to calm him. Bluto scouts ahead, then beckons for Flounder to follow him with the horse. 81-C OMITTED . -B1-C Bl-D 81-D (F. 310) INT. ADMINISTRATION BUILDING - SAME TIME (F. 310) D-Day picks the lock on Dean Wormer's office docr. He opens \ , the door, looks in and makes a low whistle back down the hall. w We hear the hollow echo of hooves on the marble stairs. Bluto, Flounder and Trooper appear. Flounder leads the horse into Dean Wormer's office. . B1-E : — B1SE (F. 312) INT. DEAN WORMER'S OFFICE - SAME TIME (F. 311)

Bluto opens another door to an inner office -- Dean Wormer's private sanctum. Flounder and D-Day remove the windbreaker from Trooper's head and Flounder leads Trooper into the inner office. He reemerges without Trooper, laughing to himself.

A stone-faced D-Day reaches into his coat, pulls out a .45 service automatic and puts the pistol on the desk with a heavy thump. D-DAY (stony) Now finish it, Flounder.

The smile fades on Flounder's face.

ee FLOUNDER ' (scared)

You're kidding.

S1-F

ty

CONTINUED , 8i-

D-Day is silent.

Flounder shakes his head. , BLUTO

Then get it over with, Kent.

D-Day snaps the bolt on the .45 and hands the gun to Flounder. Flounder walks into the inner office like a zombie.

Flounder looks at Trooper and gulps. With trembling hand, he. brings the gun up to point it at the horse, but just can't do it. Finally, he points the gun in the opposite direction fron Trooper. Grimacing, Flounder squeezes the trigger with excru- Cclating slowness. There is a loud bang.

EXTREME CLOSEUP - TROOPER'S FACE 81-G

The horse's eyes go wide and he makes a Strange rattling noise.

D-Day and Bluto are chuckling at the still-echoing roar of the gun. Their expressions change abruptly when they hear the heavy thud of a horse hitting the floor. After exchanging. a look of bewilderment, they charge into the inner office.

irae Cesena Ram:

jeb | B8i-JT i S1-K 81-L

(X)

Four hooves stick straight up into the air. Flounder is standing in total shock. BLUTO Holy snit! D-DAY There were blanks in that gun! FLOUNDER (protesting frantically) I dicn't even point the gun at him! BLUTO Holy shit! D-DAY There were blanks in that gun! FLOUNDER ° Maybe he had a heart attack. BLUTO Holy shit! . Bluto, D-Day and Flounder all look at each other slowly. CUT TO

FLOUNDER , in crazed flight. DISSOLVE TO

Carmine DePasto, the Mayor of Faber (a squat, swarthy man), sits in a chair in front of Dean Wormer's desk. Behind him we can see Trooper's four legs still sticking straight up. Mr. Michelostomy, the janitor, can be seen in the b.g, of the following scene measuring Trooper with a tape measure.

WORMER

Carmine, I dontt think it's fair for you to extort money from the college.

81-L

thru

Mr. Michelostomy is measuring the door. He shakes annoyance when it is obvious that the horse is too

(X)

aes | al [en Pp: by

ny] a) v9)

hh O

MH

the door.

Mr. Micholestomy enters with a chain saw.

OMITTED

/

WORMER

Don't worry. I've got those boys’ scared shitless.

wo cr Ww I np-

Students are eating lurch in the sunny, modern Cining hall.

Doug Neidermeyer sits at a table with other ROTC honchos. All in uniform, they eat with stiftf-backed military precision. Doug however stares grimly ahead, obviously distraught. Biluto,

passing noises.

Doug, pauses briefly to make galloping, wninnying Doug, Clearly upset over Trooper's demise, stares at

Bluto with a mixture of agony and pure hatred. Bluto, whist- ling, continues on to the busing window where he begins

feeding Gulping

off leftovers as students drop off their trays. down a bowl of soup, Bluto is surprised to discover a

golf ball. He eats it, and continues to devour the leftovers. The student diswasher, annoyed, tries to snatch the trays before Bluto can get them. They fight a tug-of-war over a tray with a particularly desireable, half-eaten cheeseburger

on it.

Bluto loses the tray but snatches the cheeseburger.

Se

jeb

oS. anda

400432 40 CONTINUED 94 BLUTO ~ (triumphant) Ha! You don't fuck with the eagles uniess you know how to fly! (bites into the burger)

OMITTED and.

ANOTHER PART OF THE CAFETERIA - OTTER 97 smiling, as. he approaches Mandy Pepperidge who is eating

lunch alo

ne.

OTTER : Mandy Pepperidge! Why I haven't seen you since we ---

. MANDY , (ice) GO -- away. OTTER (deaf, sits down)

Sorry, but I can only stay a min- ute. Can I buy you some lunch?

(pretends to

notice her

tray) Oh, you've got your lunch. How about some milk then?

{notices) Oh, you've got milk, too! Well, can I massage your thighs while you eat?

700432 4]

GREGG, BABS AND CHIP DILLER 98 They eppear at Mandy's table carrying full lunch trays. Mandy clams up. Gregg looks suspiciously at Otter as they all sit

down.

I could make you leave if you ---

He's interrupted by the noisy clatter of dishes. Everybody looks up to see Bluto sitting down to join them. His tray is loaded with food.

OTTER | - Bluto! Hi. I think you know everyone here.

Bluto iooks right at Mandy for a4 tense, unblinking moment. Then he starts eating mashed potatoes with crude abandon. Mandy clicks her tongue and winces at his table manners.

. OTTER Don't worry. Just keep your hands and feet away from his mouth.

Bluto laughs appreciatively through a mouthful of food.

seli? Bluto stiffens but ignores the remark.

thru

10:3

thru lil

CONTINUED , 98 BABS This is absolutely gross. That boy is a pig.

Bluto's nostrils flare.

He packs his mouth with mashed potatoes and stands up to face Gregg, Babs and Chip. They try to duck as Bluto pounds his cheeks with both fists, spraying mashed potatoes ail over them.

Gregg leaps to his feet, frantically wiping wet potatoes off ' his clothes.

Gresg lunges at Bluto who scurries away. Chip grabs at him too, but Bluto darts down a row of dining tables with Gregg and Chip chasing him.

9° OMITTED thr

wasn't that great. She stands up abruptly ané leaves with a sexy toss of her hips.

OMITTED . thr

yh

C)

anda

Pencil Point, Faber's favorite make-out spot, iS a promontory that looks down on the twinkling lights of the town.

camera pans down cars.

up, sitting shoulder to shoulder.

Mandy and Gregg staring straight ahead and talking.

Pull back. Mandy's hand is just out of frame but the choppy movement of her arm indicates that she's stimulating Greag manually.

On, look,

Let's make a wish.

(coyly)

star br ---

That's not a star.

fast.

a star!

GREGG

Probably a 707.

soon?

Sorry, Mandy.

Those babies

My arm's getting tired.

GREGG

Deltas has me a

(fishing)

Star light,

It's moving too

really ---

through

That thing with the little distracted.

God knows how they've molested women.

(pause)

I'll bet that Eric Stratton's lucky he's not in jail.

The

In a late-model Plymouth, we see Gregg and Mandy from the waist

and

——

a) bw ut

CONTINUED 113 GREGG and (tensing) , 114 What? MANDY Imm? GREGG

You'll say what?

She sighs with vexation, drops a handkerchief into her purse,

and peels two clear surgical gloves off her hands. Gregg zips his fly and starts the car angrily.

Iw tw as

Otter's Corvette pulls into the parking lot. He and a Pretty Coed get out and walk toward a motel room. He carries his black doctor's bag.

She cives him a kiss.

He opens the motel room door and they go in. The door closes behind them.

a,

ln

Li”

ana

700432 45

Bluto strolls along the row tunelessly grunting "He's a Rebel" to himself. Then he spots Gregg's car in front of the Tri Pi House and dives into .the bushes.

Gregg walks Mandy to the docr. She gives him @ prim, little peck and goes inside. Gregg walks away. A moment later, Bluto sneaks out of the bushes and scurries around to the side of

the house like a commando. He hides in the shadow of a big

oak tree.

1i8

OMITTED | | ond

Bluto is climbing the tree. He struggles to a lim>d about twenty feet off the ground, looks across to the Tri Pi House and -- paradise! The bathroom window is right in front of him. Nude and semi-nude Tri Pis step in and out of the showers,

wash their hair, and rinse out lingerie. Mandy's room is next to the bathroom. .

Mandy enters her bedroom, undressing as she walks, and goes to the window. She stares dreamily at the night sky. Then she slips off her bra and begins fondling her own breasts.

Then Mandy slides her hand towards her panties. Bluto's jaw Grops. Breathing hard, he starts edging out on the limb to- ward the window and suddenly falls out of frame.

BLUTO'S VOICE

Yahhh! (thud)

FADE SLOWLY TO BLACK

Fade up on the following montage of midterm exam week.

hes Lie) wt

types "History 103 -- Midterm Examination.

A student employee unpacks a case of "Cliff Notes" and puts them on a shelf. Pinto selects three or four. Blutco stands at a rack nearby buying "Classic Comics."

HISTORY DEPARTMENT OFFICE 124

The secretary puts the stencil in a mimeograph machine end Starts running off copies of the exam.

A Delta sets out a bowl of benzedrine with a sign reading "Study Aids - 5¢ each."

HISTORY DEPARTMENT OFFICES . 126

The secretary finishes running off the exams, removes the inky stencil from the machine, and drops it into the waste- basket. A moment after she leaves, the door opens again and we see Chip pluck the stencil from the wastebasket and re- place it with another.

HISTORY DEPARTMENT OFFICE - LATER 127 Mr. Michelostomy, the squat, Bulgarian school janitor empties

the westebasket into a trash barrel.

Michelostomy empties the trash barrel into a huge trash bin.

Bluto and D-Day sift through piles of garbage. D-Day stoops over with his flashlight and triumphantly holds up the stencil.

I~

ty

Oo

is]

As BLUTO and D-DAY sneak orf happily, the camera reveals in CLOSE FOCUS two figures, CHIP and GREGG, flattened out against

the wall. Gregg lights his pipe, casting an eerie light on. their wolfish grins.

1a tty

Lot

I Ww fh

(X} PINTO'S DORM ROOM 130 Pinto studies at his desk. He pops a benny, thinks for a moment, and pops another one. His eyes are bugging out of his head. DEAN JAMES' CLASSROOM tee

Pinto is yawning and stretching as the other students write busily. Chip cheats from a beautifully prepared crib sheet. When a student proctor approaches, he releases it an@ a rubber band snaps it back up his sleeve.

pasSing them out to students. Otter, D-Day, Boon, Hoover and

Bluto start confidently writing their answers. Gregg, noting

them, smiles to himself and begins his test.

Pinto is asleep in the middle of the exam with his head resting on his desk. Someone releases a bowling bali, which rolls down all the steps of the lecture hall anc crashes noisily into

Dean James' lectern. Pinto wakes with a start as the ball strikes.

DELTA TAP ROOM - LATE AFTERNOON 134

The room is crowded with brothers drinking heavily to celebrate the end of exam week. Mountain joins Bocn, Bluto and D-Day.

101 test?

Bluto and D-Day smile broadly, clink their brimming beer pitchers together and drink deeply.

OMITTED 13

ly ul

sf . #00432 48 (X)

OTTER

Ie

who is on the telephone with a finger in his ear, trying to shut out the noise from the tap room.

OTTER

Your mother died? Oh, I'm sorry. to hear that.

(pause) Well, do you think breaking our date is going to bring her back to life? Don't you think she'd want you to go out and have a good time?

137 BOON

a) wo ~!

He has movec over to sit with Pinto, wno looks very depresseé,.

a ' Otter comes over to sit with them.

137-4 HOOVER 137-3

He enters the tap room looking agitated and worried, goes straight to Otter and Boon. e HOOVER

We're in trouble. I just

checked with the guys over

at the Jewish house and every

one cf our answers on the Psych

test were wrong.

137-

uj

FUUSSZ , 4y : (X) CONTINUED 137-4 BOON (incredulous) Every one? (glance at Bluto ana D-Day)

Those assholes must've stolen the wrong fucking exam!

Otter sees something across the room and freezes.

Boon, Pinto and Hoover look up and register unpleasant surprise.

CuT TO

DEAN WORMER 137-8

He stands at the.tap room door with # maniacal smile on his face. The rest of the Deltas fall silent and gape at the unexpected visitor.

I said it was a shame that a few bad apples can spoii everybody's good time by breaking the rules. I think the bad apples Know who they are.

ain #00432 50

No one responds.

Hoover reluctantly stands up.

Boon can't help laughing out loud.

- ~ Hah! WORMER (giaring at Boon) Laugh now. You clowns have all

been on double secret probation Since the beginning of this semester.

Boon anc Otter exchange looks. OTTER (sotto voice)

Double secret probation?

Boon shrugs.

237-B

200432 Dil

HOOVER sits there shaking his head.

| HOOVER We gotta do something. He's serious this time. He must know about the exams!

HOOVER

Otter! We're on double secret pro- bation, whatever that is. We can't ---

All tne Deltas snout approval, jumping up and down like huge,

demented chiidren.

Hoover shéekes his head helplessly.

jo Sw

i

ss 700432 52

AON Katy is taking laundry from the dryer. Boon is "helping" fold al their clathes into separate piles while eating a gooey piece of pizza. KATY No thank you, Boon. I'm not in the mood for an orgy. BOON It's not going to be an orgy. It's a toga party. He absently sniffs a clean pair of her panties. She snatcnes them back. KATY Honestly, Boon. You're twenty-one years old. In six months you'll be a college graduate and tomorrow night . you're going. to wrap yourself up in. a bedsheet and pour grain éeicohol punch over your nead. It's really cute but I think I'll pass this time. TE BOON iw (unbelieving) You want me to go alone? KATY (touching his hand) Baby, I don't want you to go at ali. BOON But it's a fraternity party. And I'm in the fraternity. How can I miss it? KATY

I'll write you a note. I'll say you're too well to attend.

ss.

Ke i

I~

tw

&.

Boon and Otter come out the front door and stop dead in their tracks. At the curb Flounder's gently polishing the chrome © on a brand new 1963 Lincoln Continental. Pinto sits on the front steps watching him.

They cross the lawn and start circling around the Continental, whistling their approval. D-Day roars up on his cycle, hops off and opens the hood of the car to check out the engine. Boon kicks the tires. Flounder scurries around trying to protect the car.

Otter, Boon and Pinto jump inside the Lincoln. tter sticks his head out the window.

~ Bs oO

The supermarket iS practically empty. Boon and Pinto begin filling a shopping cart at the potato chip and pretzel section.

OMITTED 141

ss £00432 54

. 142 OTTER 142 “ETN . ; . (>) He's inspecting after shaves, notices @ Woman in a fur coat

as she stops at the produce section. He watches as she takes a pocket flask from her purse and knocks back a good-sized belt of whiskey. Otter smiles. The Woman is taste- (X) fully dressed, a bit on the matronly side but Soke nL Abele not unattractive. He starts toward her.

143 BOON AND PINTO ; 143 as they move along the meat section. Boon looks arcund fur- tively, then grabs a big porterhouse and stuffs the plastic- wrapped package into Pinto's belt,

He steps up beside the Woman in the fur coat and pretends to shop for vegetables. She looks up end they smile at each other. She's holding a good-sized@ cucumber in her hand.

Orter holds up a bigger cucumber and flashes an impish srin.

oo CONTINUED

ss

Otter's jaw drops.

band called Dean Wormer at Faber. She laughs and swigs from the flask again. MARION

Still want to show me your cucumber?

BOON AND. PINTO 146

They reach the check-out. Pinto's coat is bulging. He seems about twice as big as when he came in. The check-out girl is &@ pretty, gum-chewing teen-ager. She smiles at him. Her name tag reads "Clorette."

Pinto blushes, sure that she's about to turn him in. PINTO It's just a prank. I'm pledging a

fraternity.

ss #00432 56

te, 116 CONTINUED 146 oN . CLORETTE comeed Don't sweat it, sweetie. (she winks) I won't tell.

Pinto beams with gratitude.

147 THE PRODUCE COUNTER . 147

He begins backing away.

Otter waves and skips toward the check-out line.

ue q ’ | al i cry

es #00432 57

a EXT. DELTA HOUSE - NIGHT 152

Group of girls in togas moves up the walk toward the brichtly- lit house. Loud réb music explodes from the open windows.

It's party time. The Deltas and their dates are dressed in bedsheet togas, drinking from big cups of punch as they twist and bop in front of the bandstand. 154 THE BANDSTAND 154

A five-piece black band is playing a wailing rendition of the Mar-Key's "Last Night."

The bass drum identifies the bana as "Otis. Day and the Knights."

Boon, in toga and shades, beer in hand, stands right beside them, appreciating them fervently.

BLUTO

Ww ut LO 4)

i532 as he gooses new female arrivals. He's wearing his toga like ON : Tw

156 THE FRONT DOOR 156 ° Otter, in a tailored toga, greets two girls as they arrive.

He politely takes their coats, then as soon as they turn away, throws the coats out the window.

The Lincoln Continental pulls to the curb. Flounder gets cut in a suit and tie and opens the door for his hometown sweet- heart, Sissy Cooper, who steps out daintily in her best hich scnool party dress.

Flounder and Sissy enter. They stand at the door, extremely overdressed, gaping at the debauchery now in. full swing.

Loy . 159

anc OMITTED ané

160 160

cis #00432 58

Otter comes down the stairs and bumps into Flounder and Sissy Sne‘s pretty cute.

I get some punch?

As soon es Flounder exits, Otter slides an arm around Sissy's waist and flashes his most seductive smile.

~ - OTTER Kent's really a lucky guy. Why con't we sit down somewhere. iG? THE TAP ROOM 162 Bluto is amusing himself by lifting his sheet end flaesning a pair ef ciris, who laugh drunkenly. Bluto stagqcers off. 1€2-% PINTO 162-A has been looking anxiously around the room, then finally spots Clorette, the check out girl, coming in the door. PINTO She's here: L62 TAP ROOM 163

nto fights throuch the crowd te Clerette and hands her a cup of punch. She Grinks the awful stuff in one lonc swallow.

CONTINUE

Aan

PoP Din was

a)

“CONTINUED . 163 CLORETTE I hed to wait 'til my folks went out. Let's get more punch. It. looks like I have some catching up to do. ; She licks her lips very sexily, and Pinto's face lignts up with pleasurable expectations.

OMITTED and

A SWEATING BLACK FACED LEE honking fiercely on the saxophone. Pull back to reveai: BOON 267

Standine nearby, aping the moves of the sax player, pretending he has.a@ saxophone himself.

OMITTED) 16g

A station wagon screechnes to a stop in front of the house.

Merion Wormer gets out, takes a belt from her flask and weaves (x) unsteacily toward the Delt @ House.

Marion Wormer stands at the front door reeling as Otter rushes over tc her and offers his arm for support.

Mrs. Wormer: S§& ad you could come. MARION Cut the crap. Get me a drink.

They move throuch the crowd and pass Pinto and Cloretie. Ciorette looks Crunk now and is kissing Pinto an the neck. Tne loud music Growns out their conversation. Pinto motions her to follow him, leads her upstairs to Hoover's room, and closes the door. .

cig #00432 60

OO i 7 Bi ~*~ a, Otter pours Marion a J&B on the rocks from his private stock. She picks the ice cubes out of her glass and tosses them away. She downs the drink in one gulp. Otter grins. She grabs him and they fall on his bed laughing. Lv2 17zZ thru OMITTED thru 174 174°

Pinto and Clorette are on Hoover's sofa. They are very turned on and very drunk, trying to make out and undress each other at the same time. Clorette has Pinto's toga down to his waist. Pinto gets her blouse off and reaches eround with one hand to unsnap her bra. 175-A PINTO'S HAND 175-4

as it fumbles unsuccessfully with the bra snap. After agoniz- _ing seconds, his other hands slips into frame to help. He Still can't get it open.

4 PINTO (v.0.) — Uh...1I think...it's locked or some- thing.... CLORETTE (v.o.)

Jussa Minuit...

‘ CLORETTE AND PINTO Z

~~ ~I C8 to

~)

6h)

Ww

She pulis away and reaches behind herself to unstrap the bra. Suédenly she stops. She gives Pinto an odd little smile.

She passes out cold. He snakes her shoulder. She doesn't Stir. Pinto is crestfallen.

With a little ping sound effect, a six-inch Devil appears on Pinto's right shoulder. It is Pinto in a complete devil costume, horns, tail and pitchfork.

_ DEVIL (in gravelly voice, Like Froggy the Gremlin) = - Fuck her.

Surprised, Pinto looks at the Devil.

cis 700432 61

By, 175-B CONTINUED 175-B - Ned DEVIL Fuck her brains out. Pinto looks back at Clorette. She looks luscious and irresis- table. F DEVIL Suck her tits. Squeeze her buns. Pinto is no longer crestfallen. We can see that he is con- sidering the Devil's advice. DEVIL (confidentially) You know she wants it. Pinto timidly goes to lift Clorette's skirt when there is a second ping and a six-inch Angel appears on Pinto's left shouider. It is Pinto in a complete devil costume, wings, robes, harp, and a little wire to support his halo. a ANGEL cy (high voice)

For shame! Pinto pulls his hand away from Clorette's skirt, blushing.

You'll never have a better chance.

Pinto reconsiders.

. ANGEL

If you lay one finger on this poor sweet helpless girl, you'll Gespise yourself forever!

Pinto sighs and takes a long drink of punch.

i 3 CONTINUED

LL

— cd uy

700432 62

Ping, the Angel disappears.

Ping, the Devil disappears.

Pinto looks at Clorette wno is snoring softly. OMITTED

Day and the Knights are performing the Isley Brothers and the drunken Deltas are dancing wildly.

SEVERAL GIRLS

asleep on the floor in a disheveled heap.

D-DAY

Grunkenly skiing down ae flight of stairs, wearing an Korps field cap, goggles, anc underpants.

MOUNTAIN

Lio—2

thru

tis ' "Shout,"

© £ Gal

wv hh hy r- nn fy

+ @ lo

Sitting on the floor spreading mustard all over himself.

OMITTED

OTTER

He watches from the sidelines with cool detachment. stands beside him shaking his head.

Boon

hb 700432 63

ae 135 CONTINUED 185 {> BOON (very drunk) It always surprises me to see people act this way.

186 MARION WORMER 186

Gressed only in a sheet. She is being carried around the room

on the shoulders cf two large Deltas. . Bluto trips one of them and they fall in @ laughing, hysterical body pile. D-Day comes

over with a colorfully painted toilet seat and puts it over Marion's head so that it hangs from her neck like a wreath.

187 HOOVER , 187 He shakes Otter's hana. HOOVER

- Congratulations. Your date just won nh: the 'Miss Congeniality Award.'

a OTTER (humbly) Thank you, Hoov. It's a great honor.

1ss CAT. STREET IN FABER - 2 A.M. 188 Pinto shuitles wearily down a dark, residential street, pushing a shopping cart containing the limp but now dressed body of Clorette. He turns up the walk of a4 pleasant two-story house. All the lights are still on. An iron lawn jockey stands holding a sign. Pinto strikes a match and reads it. "Hon. Carmine DePasto -- Mayor." Pinto gulps, then pushes the cart to the door, rings the bell and takes off like a shot. A moment later the front door opens revealing....

189 MAYOR DE PASTO 189 ue pulls his bathrobe together over his pajamas, sees Clorette and does an cnormous enraged take.

ne 9 INT. DEAN WORMER'S BEDROOM - A LITTLE LATER 190 Wormer is on the phone. Marion is sprawled on the bed behind

him, still wearing a bedsheet toga.

700432 64

(agitated)

My fault?! For Chrissakes, Carmine,

how the hell could it be my fault? (pause)

Some goddamn fraternity, I suppose. (he glances at Marion, pause)

No, but I've got a pretty good idea. (pause)

I'm gonna string them up by the

balls, that's what.

Marion rolls over and falls off the bed with a clunk.

The Dailv Faberian '

HEADLINE: "Delta Probation Hearing”

SUB-HIAD: "Local teen-ager molested."

Pan down to second headline lower on the page: |

"Mrs. Marion Wormer to Vacation at Saratoga Springs”

The Panhellenic executive board is assembled in the Faber law school's student courtroom. Grecg and five other fraternity and sorority presidents sit at the judge's bench. Doug sits at the prosecution table. The gauze bandage nas now been replaced with a small Band-Aid. A number of Deltas and other students file into the gallery. Baps is standing behind Gregg talking into his ear.

hin #00432 65

2 192 CONTINUED | 192 ; _~ , GREGG Nad (disturbed) I'm’ sure I would be.

Students crowd the courtroom. Boon is there, carrying a brief case and wearing a buttoned-up raincoat. Katy joins him.

They enter dressed neatly in suits, carrying brief cases.

£00432 . 66

CONTINUED Les

Some of the spectators cheer. Hoover uneasily tries to shush them. Boon and Otter point proudly to their brief cases. They take seats at the defense table and wave to Doug and Gregg.

GREGG MARMALARD : ‘ 156

who cavels the hearing to order. Babs sits down at the court recorder's desk. Dean Wormer watches from the door to the room.

Doug stands up.

Babs smiles tightly as she takes minutes in shorthand. Gregg nods with judicial sobriety.

CONTINUED 196

_ WORMER You'll speak when you're told to Speak and not before. (to Doug) Read.

DOUG CONTINUING

“WORMER (shouts) Not another word!

Katy rolls her eyes sympathetically. Dean Wormer bites his lip.

CONTINUED - 2

Camera returns to Doug. DOUG These are the charges as recorded November 15, 1962. Faithfully submitted, Douglas C. Niederme Jer, sergqeant-at-arms. The gallery buzzes; crude noises are heard. Gregg gavels for order. GREGG Robert Hoover will speak on behalf of Deita House. ROOVER 1s7

Mr. Chairman, I think we've heard enough.

Greag pounds the gavel.

He said that's it! Are you deaf? WORMER (to Gregs) Let's finish this damn thing!

t-+

WO

io?

Muffled coughs are heard from the Deltas in the gallery.

Blow job! Blow job!

T GOn"t think <t"S Bais...

WORMER

I'll tell you what's fair and what's not!

Eat me! Eat me!

Will you tell those assholes to shut up?

Hey! Shut up, you assholes!

Katy shakes her head.

Mr.

to

OTTER

He stands up

quickly.

Point of parliamentary procedure!

Otter's ploy

catches everyone's attention.

Hoover tugs at Otter's sleeve.

- HOOVER (whispers nervously)

Don't screw around. They're serious this time.

sp #00432 70

{ )198 CONTINUED 198 So OTTER (whispers) Take it easy. I'm in pre-law, man. BOON

I thought you were pre-med.

He turns to the gallery anc becins speaking like a briliiant at . ae

Ttornev OTTER Ladies anc gentlemen, I'li be brief. The issue here is not

whether we broke a few rules or took a few liberties with our female party guests.

He looks right at Wormer and winks.

se] s Qa

rops and the gallery starts buzzing.

(louder) But you can't nold a whole frater- nity responsible for the behavior of a few sick, perverted individuals. If you ac, then shouldn't we blame the whole fraternit system? And if ‘the whole fraternity system is guilty, then isn't this an indictment of our educational institutions in general?

OTTER

er) it to you, Gregg. Isn't this Gictment of our whole American +

700432 71

CONTINUED - 2 198

noises with

his righteousness) Weil, you can do what you want to us, but we're not going to sit here and listen tc you bad-mouth the United States of America. Let's go.

He stalks out indignantly to the mixed cheering and booing of the gallerv. Hoover and Boon slam their brief cases and exit behind him like assistant attorneys.

Ww Le) wo

DEAN WORMER

The Deltas in the audience walk out ignoring him with righteous Silence.

parties! No more music! No more (X) female visitors! I'm revoking your charter!

The last of the Deltas exits.

out of this college! You got that? No more fun of any kind!!

Boon anc Pinto stride down the row, hands in pockets, looking very forlorn. As they pass the Omega House, Doug Niedermeyer

- and a couple of other Betas flash shit-eating smiles at them

and wave.

PAIN TATE TN

lr

200-D

Boon ignores the taunt and continues walking.

Rah rah. PINTO Hey look! OMITTED . ‘ 200-A AND 200-5

Delta House is roped off with a police line and a truck has been backed up to the front steps. As a knot of STUDENTS and DELTAS look on, uniformed CAMPUS POLICE are methodically carrying out beer kegs and loading them into the vehicle, along with two naked female store dummies, @ number of street Signs and & parking meter. EXTERIOR - ANOTHER ANGLE - A MOMENT LATER 200-D Boon elbows past to cops and joins HOOVER and BLUTO, who ‘glumly watch MR. MICHELOSTOMY crowbar off the Delta Seal from over the doorway. The jukebox is loaded onto the truck. BOON . Jesus, what's going on? HOOVER They've confiscated everything, even stuff we didn't steal. BLUTO (crazed) ; They took the bar. The whole (X)

fucking bar!

200-5

and

(X)

One of the cops stumbles, dropping a case of liquor bottles down the steps. Bluto's eyes widen. With a tormented cry, he tries to charge the cop, but Boon, Hoover, and several Deltas hold him back.

OTTER IN HIS CORVETTE 200-£

The Corvette pulls up and parks behind the truck. Otter leaps out, nimbly removing a Jack Daniels bottle from a box being loaded into the truck. He walks to the others, unscrews the bottle cap and offers the bottle to Bluto. Blutec immediately stops straining, takes the bottle and Grains it in a single chug.

Bluto gives the cops a last unhappy glance, shudders and walks away.

OMITTED and

Otter walks out the front door carrying a Cease Of DEEZ. Flounder follows him, whining.

yh #00432 74

*, eo 203 CONTINUED 203

They join Pinto and Boon and pile into the car, Boon jumping

behind the wheel. The Lincoln pulls from the driveway smash-

ing some ,arbage cans out of the way. . FLOUNDER (v.0.)

Oh God! Boon, please, be careful!

The Lincoln roars away from the house, burning rubber with a loud screech as beer cans pop open. A driving musical theme begins that will continue throughout the road trip.

— 204 OMITTED 204

The Lincceln shoots past a sign reading "Emily Dickinson College for Women -- Five Miles."

Boon drives, Otter rides shotgun, Pinto and Flounder sprawl . in the roomy back seat. All drink beers; two dozen empty co cans litter the car floor. ;

You sure we have dates?

Boon hands him a folded

_s age from th i unfolds it and reads. peg © Pasty EcSeten, Otter

et

‘ 206

Otter crosses to the reception desk. A student Receptionist in black turtleneck and leather hair buckle mans the desk.

OTTER

Yes. I'm here to pick up my date. Could you ring Fawn Liebowitz for me? RECEPTIONIST (gasps) Fawn Liebowitz? (gulps)

Please wait a minute.

She picks up the phone and dials quickly. Otter drifts toward

a bulletin board and casually reads notices -- "Advanced Pottery (%) Seminar” -- "Existential Dance Forms Workshop.” mee me , , , ~~ RECEPTIONIST

(whispers, to phone) Shelly? Brunella, at the desk. Could you come down here? (pause) Now!

yh #00432 76

“208 CONTINUED 208 C) RECEPTIONIST (Cont'd) ~~" (pause) Because a boy just came in to pick up Fawn, that’s why! (pause) Thanks. OTTER Is she coming down? RECEPTIONIST Uh, her roommate is. Fawn isn't here. She -- AgGulp) -- excuse me, please. Brunella exits quickly, overcome with emotion. Shelly comes down the stairs. She is tall, doe-eyed, sensitive-looking, and attractive in the Bohemian style. She goes right to Otter and gravely offers her hand. SHELLY . I'm.Sheliy Dubinsky -- Fawn's room- ~ mate. _ ‘ OTTER (smiling, shakes

hands) I'm Frank Lymon. From Amherst. Fawn's fiance.

PPNATID TARTITITO ES

yh ss 00432

208 CONTINUED

Shelly hands him a student newspaper off a nearby table.

- 2

read the headline with him.

He buries

his face in’ his hands.

(smiles) I'll get my coat.

She starts to leave.

We

a

200432° 78

The road trip musical theme resumes as Shelly introduces three girls to Pinto, Boon and Flounder. Boon grabs the best-looking of the three and heips her into the front seat. Otter and

Shelly squeeze into the front seat too, Otter behind the wheel.

Pinto pairs off with Brunella, who turns out to be a giant over six feet tall. They squeeze into the back seat with

Flounder and the worst looking of the girls. The Lincoln pulls away.

In the back seat, big Brunella is sitting on Pinto's lap, practically crushing him. Flounder's date, Noreen, is hugging her door, trying not to let any part of her body touch Flounder. She has wiry red hair and thick glasses.

Boon's date is sitting on his lap looking stiff. Her name is Beth. All the girls wear black turtlenecks under various cor- duroy Jumpers and Loden coats.

I'll remember

| oO

he car winds aimlessly around the twisting wooded road.

‘The Lincoln rounds a turn and a roadhouse with a brightly lit

Sign comes into view.

OMITTED 2i2

ss #00432 79

a” The Lincoln makes a wide, drunken U-turn and roars into the a parking lot of 5.J.'S PARADISE LOUNGE. The car lurches into a parking space, but stops too late. The Lincoin's right headé- light is pierced by the jutting tail fin of @ pink Cadillac pimpmobile. The four couples pile out of the car. Flounder races to assess the damage.

Boon shepherds the others toward the roadhouse.

Flounder looks up from the headlight to find himself alone. Ke races after the others, who are already at the roachouse_

~~ goor.

5.J.'s is a funky, spade roadhouse in Frieay night hich cear. A five-piece band plays a deafening R & B instrumental on a stage over the bar. A few couples dance. All heads turn to the door as four white couples enter. The pounding music stors for a four-count. OTTER (smiling through clenched teeth) We're-going to die. The music resumes in perfect rhythym, and the four couples make their way to a table. The patrons return to their cancing and drinking. PINTO Boon, we're the only white people here. You sure it's --- BOON - (exuberant) Don't worry about a thing, man. (3 Boon leaves the table and makes his way tc the bar. The sulien

dudes eye him with hostility. Boon no@s agreeably at then.

“po he

CONTINUED 2i4

He watches Otis Day dance during the sax solo, nodding appre- Ciativeiy. When Otis makes eye contact with him a beat or two later, Boon smiles and waves.

Otis coldly ignores him. The bad dudes at the bar chuckle with cool derision. Boon's confidence begins to evaporate. A bac dude begins cleaning his nails with a stiletto. Boon swallows and begins to fidget.

THE TABLE . , 215 Flounder is trying to appear nonchalant, spastically bobbinc

his head to the music. Otter is constrained, staring be- musedly cown at nis hands. Shelly eyes him with concern.

Brunella looks at him like he's crazy.

Ke chokes back ae sob, stands and heads for the door. Shelly rushes after him.

Pinto and Flounder exchange nervous glances. To their great relief Boon returns with a tray of beers. ‘

Beth is looking around the room with a bored, Superior air.

panne me

CONTINUED 215 BETH (affected)

This is the lowest. I mean, it saddens me to see Negroes stili so ignorant of their real human potential.

Otter is already sitting in the back seat of the Lincoln when Shelly catches up with him. She gets in beside him.

Otter stares straight ahead. Shelly lightly touches his shoulder. SHELLY (softly) I'm sorry, Frank. Reaily, I know what you must be going through. (pause) Would you rather be alone? citer turns to her with a heartbreaking look on his face. He shakes his head. She kisses him tenderly on the cheek. cter (xX) kisses Shelly on the cheek.

The baad dudes are starting to cruise by the table like hungry sharks. The music throbs and roars.

BRUNELLA * What? PINTO (louder) What are you majoring in?

i . | ee ee

Gib #00432 82

Ut, 219 THE STAGE 219 of Otis Dey lets cut a tortured falsetto whoop.

Otter and Shelly are necking in earnest... OTTER (soulful) I need you so much. (kiss) SHELLY I'm here, Frank. I'm here. (kiss) OTTER (same tone cf voice) ; Move to your left a little. (she shifts) Good. (kiss) 22) INT. PARADISE LOUNGE - SAME TIME 221

The sharks are moving in now. One particularly bad dude puils a chair up next to Flounder. oO

The cude sneers and ignores him.

nar She gets an iron grip on his arm.

700432 83

Otter is touching Shelly's breasts over her blouse. Her eyes are closed and she's breathing hard.

SHELLY ‘ Mm. I know. She told me.

He shrugs and leans over to bury his face in her breasts.

Flounder almost chokes on his beer as three more sharxs glide up to the table. Boon braces for the worst.

Pinto and Boon look helpiessly at each other. Brunella and Noreen make Gesperate, barely concealed gestures of refusal. Flounder shuts his eyes.

The girls are led off practically swooning with terror. Only Beth remains cool. One dude lags behince.

Leaving? What a good idea!

Ko tw ne

Otter has Sheliy's blouse open and her bra unhooked.

ajb #00432 84

CONTINUED 224

He's fondling her breasts and French-kissing her. Suddenly the doors swing open. Boon and Pinto leap into the frent seat. Flounder jumps in the back seat. Shelly screams, covers her chest, and Gives over Flounder out of the cer.

Flounder and Pinto look out the windows in a panic.

a ' The Lincoln roars and jumps backward out of the parking space. \ It smashes into several parked cars, then peels out onto the (X) E highway. - FLOUNDER (v.o.) No!

OMITTED | | . thru

ho ct bo

tw wT ho

MH a G

streets of Eckley, Pa., are deserted. The town's only. rfic light hangs above the town's only major intersection. The only sound we hear is the clicking of the automatic timer as the traffic light changes from green to vellow to red. Then we hear the swelling roar of a car motor accompanied by @ horrible metallic scraping noise and, suddenly, the Continental roars across the frame and runs the red light, showering sparks behind it from a dragging tailpipe.

to fix!

429 OMITTED

bh NO oO

200432 85

The Lincoln sideswipes a parked car and zooms off into the | Gistance.

23) OMITTED ’ 234

Boon is driving. Otter is punching open the top of an empty (X)

beer can.

232~A EXT. ROAD BACK TO EMILY DICKINSON COLLEGE - NIGHT 232-

Shelly, Brunella, Beth and Noreen, coats on, walk briskly — ' along’a dark country road.

a, BETH (angry)

What baffles me is why Fawn would've gone out with boys like that.

cute. The others, outraged, yell together.

ta

OMITTED

‘tuct Gs ty tw IH WwW

Cc rt

RO Sy RS

Wor ta en or

QU

/ NS

to us n

om

to he ao

thru

DAT. ALL NIGHT DINER ~ DAWN - 2

&) ad

The Linccln is parked by @ phone booth in the deserted parking lot, nonking impatiently. Boon is in the phone booth with the receiver to his ear. The phone just rings and rings. He checks his watch and shakes his head. He finally siams the phone

down in anger and leaves the booth.

50on climbs into the car while everyone munches burgers sioppiiy and drinks beer.

can't live without ‘em.

Otter and Boon look at Flounder in amazement.

ja

J

he Lincoln speeés along the Pennsylvania turnpike.

to “ “ an we

oO

Leaves are falling around the feet of the statue.

< tudents stroll by in windbreakers.

chru.

ho O7 oe]

700432 87

EAT. TOWN OF FABER —- DAY 251 On Faber's main street, workmen are building a reviewing stané Students nail.up banners reading "Go Faber Mongols" and "Weiccme Alumni." A policeman nails a sign to a wooden barrier that reads “Parade Route -~ No Thru Traffic."

OMITTED thru

The Omegas and Tri Pis are putting final touches on their oat

An outdoor speaker pipes music to the workers -- "Tammy" by Depbie Reynolds.

Babs mixes more papier mache and passes it up te Gregg, who is- on a ladder inside the huge right nostril. With half inside the nose, the effect is pretty ridiculous.

BABS , Ya'li reaGy for more, Gregg? (X)

Gregg extracts himself from the nostril.

Going something important.

(F. 247)

£00432 88

CONTINUED 268

She weeps. Gregg looks stricken.

the truth. ~ BABS (sniffles) That's true. GREGG (grimly)

And I know someone who's going to be hurting a lot worse.

He pounds his fist into his palms.

Scene opens on the horribly-mashed front end of the Lincoln coming to rest just before camera. Pull back to see that Boon, Bluto, and Mountain have just pushed the sad-looking vehicie into the garage. It is virtually totalled. D-Day, wearing a flipped-up welder's mask and an expression of undisguised glee, is inspecting the wreck. Otter and a tear- ful Flounder stand by.

yh #00432 89

Ra 270 CONTINUED 270 A BOON {heading for the door) I'm out of here.

Otter walks him outside.

Well...gqood luck.

Boon nods and departs. tter rejoins the others in the garace. Flounder has begun snuffling softly. D-DAY Hey, stop blubbering! When I get threugh with this you won't even recognize it.

a, . OTTER , Come on, Flounder! You can't

spena your whole lite worrying about your mistakes. You fucked up. You trusted us. Make the best of it. Maybe we can help you.

Flounder snuffles and turns to face him.

(thinks) Tell you what, Flounder. I'll swear you were doing a great job taking care of his car -- but you parked it out back last night and this morning it was gone..

Otter crosses to Flounder and squeezes his shoulder.

oo D-Day takes care of the wreck, we report it to the police, your brother's insurance company buys him @ new car.

a a a

90 .

yh #00432

_..270 CONTINUED - 2 ae, FLOUNDER ere (dubiously) Will it work? | OTTER It's got to work better than the truth. FLOUNDER But what if it doesn't work? What if we get caught? We could get in serious trouble! What if they send an insurance detective here? He mignt have lie daetector ecuipment! I could never --- Bluto has been listening solemnly to the above. As Floundéer Grows more and more despairing, Bluto sidlies to the garage refrigerator and slips out a Six-pack. BLUTO (compassionate; offering the six- pack to Flounder) My advice is to start drinking — 7 heavily. a, Fiounder eyes the beer dubiously. MOUNTAIN Ya'll better listen to him, Flounder. He's pre-med. Flounder takes the six-pack, tears a bottle free and takes a ceep draught. D-DAY (enthusiastically) There you go! Now. Just leave everything to us. D-Day lights nis welding torch, lowers his mask and touches the torch to the Lincoln's hood with a shower of sparks. Flounder winces and takes another long pull from his beer. CUT TO 271 NEW SCENE/ITEM 32 271k

oy Wormer steps out of his private office in his shirt-sleeves and speaks to his secretary.

CONTINUED . 271

She picks up a folder.

He opens the folder and goes back into his ro) Grace reports.

Fh rh - QD

e skimming the

_ WORMER Oh good. Oh, good, good, good.

OMITTED

ft cr to

“Icr J

Nt tw G

to ~} ~)

Otter is on the phone.

Babs' room is almost totally pink, from walls, Dedspread, ané curteins to frilly lampshades ané telephone. 100 stuffee animals cover every available Surface. Babs slips on a pink cardigan sweater as she cradles the phone to her ear. Greag paces in and out of frame.

Motel on O14 Mill Roa&? -

Greag punches 4 huge Pink stuffed bunny off her bureau.

yh

to ~)

£00432 92

tter finishes talking to Babs and hangs up the phone. Then he dances out the door, humming happily to himself. The phone rings again.

A very drunk Flounder staggers into frame and picks up the phone. _FLOUNDER (giddy) ‘It's your dime, douchebag. Start talkin'.

Hoover wanders over to him, curious abour the call. FLOUNDER

(to phone) Yeah? Well, I never heard of you.

He ---

Hoover snatches the phone from Flounder's hand.

Hoover winces as he hears the answer.

Wormer on the phone. He’ is trembling with excitement but his

voice is low. WORMER (xX)

This is Dean Wormer. } I want to see you and the following boys in my office immediately. (reading from a list) Eric Stratton...Donald Schoenstein ..-John Biutarsky...Larry Kroger... Daniel Day...and Kent Doriman. (™) HOOVER on the phone. “CONTINUED

yh «#00432 93

278-B CONTINUED

' 278-3

He hangs up and claps his hands together with self-concratula-

tory joy.

EOOVER

He stands there iooking sheil-shocked, the Gead receiver stiil

in his hand.

Hoover slaps him on the head.

nn HOOVER

Wake up, you jerk! Dean Wormer wants to see us in his office right now.

CL

Flounder stands there for a moment, drunkenly absorbing the bad news.

27E-C¢ 247-8

\ ;

Boon goes to the door of Katy's charming off-campus quarters. He raises his hand to knock, thinks better of it and starts to walk away. He goes only a few steps, turns around, goes back

to the Goor and@ knocks. He waits for an answer, tries the door, finds it unlocked and goes in.

'

~1oO

wo

Boon walks in just as Katy is coming out of her bathroom in

oY T-shirt and panties.

) INT. KATY'S CARRIAGE HOUSE . (F.

278-5

J

WY

NO Nh

v> ~!}

247-C)

CI hg

N ck bh coos ns

to tt so

2eo

200432 34

ATY AND BOON (F. 247-D)

Boon stares at Katy for a long moment. Angry and hurt, he cen only shake his head.

Boon turns and goes out the door.

Jennings opens the bedroom door, he is in his underwear.

OMITTED pos pea Cl 282 -

Otter's Corvette skids into the motel lot and screeches to a stop under the "VACANCY" sign. cter bounds out of the car holding his black doctor's bag and a big, wrapped boucuet of flowers, whistling "Peter's Theme" from Peter and the Wolf. He walks past the motel office and waves familiarly to the fat, old woman attendant dozing in front of a TV set drinking pop.

‘CONTINUED

- (FF.

284-A 247-5)

700432 95

CONTINUED 28:

Then Otter comes to the door of Room 103. He knocks three times, hears the lock turn inside, and opens the door.

OTTER (entering) It's Mister Thoughtful with a dozen roses for ---

Otter finds himself looking at Gregg, Doug, Chip and a dozen of. the toughest Omegas,

-- You.

(counting quickly) onetwothreefourfive -- Well, looks like we'll be a couple of flowers short. Some of you will just have to share. ’

Gregg hits Otter in the stomach and the others close in for the kill.

28¢

Wormer is leaning back in his upholstered desk chair looking very smug. D-Day, Hoover, Bluto, Pinto and Flounder are on (X) their feet, lined up in front of his desk.

Wormer looks at Flounder and sneers contemptuously at his Seneiticon.

Wormer opens a folder on his desk.

ss aC) 284-A (F. 247-5) 284-3

*, ‘ eae

£00432 96 CONTINUED 284-A CONTINUED (F. 247-5) WORMER Kroger. Two C's, two D's, and an F. That's a one point two grade (X) average. Congratulations, Kroger. You are at the top of the Delte pledge class. Pinto rocks nervously and hangs his head. WORMER Dorfman. FLOUNDER (meekly, still woozy) Hello. WORMER Zero point two. Fat, drunk and stupid is no way to go through life, son. Flounder's eyes well up with tears, the beer and bad news Start to catch up with him. He is turning green. WORMER Mr. Hoover, President of Delta House. One point six. Four (X) C's and an F. A fine example you set. Hoover has no reply. WORMER (supreme delight) Mister Blutarsky, zero point zero. Bluto, nonchalant, has a pencil in each nostril. WORMER 284-3.

Wormer stands to deliver the final biow to Hoover, Bluto,. Pinto and Flounder. :

. CONTINUED

CONTINUED 284 —

You're out! Finished at Faber! Expelled! All cf you! I want you off this campus by Monday mrning at nine o'clock. And tell whoever's (X) still living in your ex-fraternity to be out of there now. We're pad- locking the place!

Hoover looks stricken. Bluto growls. Pinto sighs audibly and Flounder turns white es a sheet.

WORMER

Why? Why? Is it possible that you honestly don't know. Well, let me fill you in. I'm talking about a dead horse. I'm talking about the Gaughter of a public official neariy raped at a party. I'm talking about a rotten, criminal element that doesn't have an ounce of respect for- our institutions. You're out! All of you. And that goes for your two misSing friends, too. I'm calling your parents tomorrow.

(he pauses and

smiles spitefully) And I'm sure you'll be happy to know that I've already notified your local Qraftt boards and told them that all of you are now eligible for military

service. FLOUNDER His jaw drops and he staggers forward toward the Dean's desk. WORMER Well?

Tlounder's jaw moves up and down but now words come out.

FLOUNDER'S adam's apple bobs up and down as he tries to find his voice.

thru 2°]

CONTINUED - 2

Flounder's face suddenly contorts, his cheexs puff out like a

balloon and we cut away the split second before he pukes.

CUT TO THE OUTER OFFICE Dean Wormer's Secretary looks up in shocked surprise és she hears the single, most Gisgusting sound ever recorded.

OMITTED

Gregg's Plymouth is there again, but this time we see Babs stroking him (out-of-frame).

Greag and Babs stare straight ahead while she strokes.

The Deltas are strewn around the room like the shattered Survivors of some terrible war. As the camera pans their Grunk, depressed and unconscious faces, we pick up bits of

woeful conversation. .

284-E

uy

Pan ends on Boon and Flounder, glumly sharing a six-pack.

(Aully it...I knew it...I knew it...

I knew

Both are pretty drunk.

BLUTO AND D-DAY

They enter half-carrying Otter who looks badly beaten.

MOAATM TATTTO MN

yh #00432 mee

Now in the grip of some powerful emotion, he

turnsto adéress (xX) the group.

shit?

A few heads turn listlessly in his Girection. BLUTO We just gonna take this?

yh

to ‘oO ~J

7298

BLUTO

He continues his speech like a crazed football coach. Pp

BLUTO

And it ain't over now. When the going get's tough...

(he takes a

"fill-in-the-

blank" pause,

no one fills it

in) ...The tough get going. Who's with me? Let's go}

He trots out the door like he's leading a troop assault but

ao7

no one else moves. There's a brief pause and Bluto comes back

in looking even more determined.

Where's the guts?

He coes from one Delta to another trying to rouse them.

- BLUTO Mountain: Hey: Hey: What d'ya say: Stork! You madman: Are you with me?!

yh #00432 102

tork doesn't respond.

“Bluto puts his arm around the skinny freshman.

Ne cne follows. Th comes back in.

He trots out the door physically c 2 s &

a lit

ct ty

{stands up Deac: Blute’s right. Psychotic,

but absolutely right. We've got to ras

take these basta

(Start panning from cne grim Delta to another. They look like paratroopers about to take a big leap.)

aN BLUTO a And we're just the guys to do it!

yh #00432 103 . 298 CONTINUED - 2 298 an | BOON cad Let's ado it! BLUTO

Yeah, iet's @o it!

The brothers cheer and head for the door talking excitedly.

298-A FLOUNDER 2

iva}

c?) t

wv

He calis to Pinto.

tO an upstairs window. A small stone bounces against it, followed by another.

Standing below holding a flashlight. He heaves a larger stone.

The stone hits the window and shatters the class.

303° PINTO 2G3 flattening himself behind a tree as a light winks on in the window. 204 CLORETTE AT WINDOW 304 wearing the cutest night gown and sleepy expression. She looks fO out quizzically. f Nea CLORETTE

(softly) sommy ?

-

yh- #00432 104

305 PINTO | | 305 His face falls. PINTO {to himself) Tommy?

He shines the flashlight on his hopeful, upturned face and ciicks it on and off several times.

who smiles and waves back.

i) (e

DEPASTO'S FRONT DOOR - A ‘MOMENT LATER 307 Clorette opens the door quietly to Pinto.

rr CLORETTE ? (whisper) Hi.

. - CLORETTE (in nightgown) Iwas there, remember? Wait a minute.

oo

(NOTE: Moved earlier in script.) 308

G? Cc ne

tod Q bm

DE

't

ASTO FRONT WALK - FIVE MINUTES LATER 309

Larry and Clorette (hastily dressed) walk gquietiy to sidewalk ne longer whispering.

; PINTO wR ON well, I never got a chance to say ae good night after the party.

ee ee

CONTINUED _

tne 309

yh

[e)

200432 105

She takes Pinto's arn.

(NOTE: Moved earlier in script.) and ; 321

Pinto and Clorette ére lying on the fifty vard line wrapped in @a sleepinc bac. . ; ee

He kisses her back, then reaches Gown inside the sleeping bag to get his underpants off. Clorette starts to take hers off, too.

G4yb #00432 106

312 CONTINUED s12 PINTO (helping her out of her panties) Oh, yeah? What about?

They cach drop their underpants out of the sleeping bag.

DISSOLVE

Gs te Lo

[CXT. DORMITORIES - EARLY MORNING 3123

Uniformed Faber band members come out of their dorms, greet each other, and walk off in small groups carrying their instru- ments.

Gs ) Lee)

'

-f; EXT. -MAIN STREIT 313-4

Cc Policemen set up crowd control barriers along the street. Workmen hance bunting on the reviewing stand.

314 DUNT. FRATRREITY ROW 334

Stucents emerge from the Frat houses in the ridiculous homemade costumes they'll be wearing in the parade. Various Mongol Warriors, Playboy bunnies, can-can girls, and Indians show of: their costumes to each other and begin walking toward town.

X

uy? be an md

FABER STATUE - SAME TIME 33

be ui

irl in @ makeshift Bunny outfit walks past the statue hold- hands with a boy in a Gay 90's striped vest, straw hat and

A in fake moustache.

weaw

We pan up the statue of Eberhard-Faber to see that it's been brightly polished. There's a dramatic music sting as we see that the head's been torn off cleanly at-the neck,

OMITTED

ww tw Ww 3 ~1O, OF

cig £00432 107

ca a 318 EXT. MAIN STREET , 313 J

The street 18 gaily decorated with bunting and banners. ‘The sidewalks are filling with townspeople, Faber students, alumi (%) and visiting parents. Children push to the front for curbside

seats from which to view the parade. Faber police assisted by stuGent marshalls patrol the street, ke: ping it clear for the parade.

219 KATY 228 She walks Gown the street taking photographs of the crowd.

315%-A HOOVER 319-7

Hoover shoulders his way through the crowd carrying a heavy satchel.

HOOVER , Excuse me! Oh, I'm sorry! Pardon me. Official business. Sorry:

“4 Hoover goes up to a mailbox on which two children sit to watch

' — the parade. He looks around cautiously then reaches into his

—_ = pocket Lling out an ominous pair of sunglasses. The music builds dr vamatically as he puts them on.

The xids climb down and leave. Hoover

sc che saichel under the mailbox, climbs up

ans the street, stows and Sits on top of it.

320 MOUNTAIN AND HOSS

Len) tw

The two Deltas wear the same dark glasses as Hoover's and stanad on the sidewalk like statues.

Nae

fo

G2

ed te

» & bs

us RD u)

Le) Da

CONTINUED 326

A smattering of applause is heard up the street, and the spectators crane their necks to see what it's about.

THE STREET Az]

Katy Starts snapping pictures as @ decorated Oldsmobile con-. vertible comes rolling slowly down the parade route.

Fiouncger is introduced to us, as the music continues to builc, in the by now familiar dark glasses. FLOUNDER iS wearing a

trench coat. He goes to the counter and addresses the sales- ~aday. _ FLOUNDER May I have ten thousand marbles please?

THE SIDEWALK

ou ho b>

Katy, taking pictures, spots Hoover on the mailbox and goes up to hin.

Hoover pretends he didn't hear her.

Denanee

la

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100432 . 109

Hoover, where's Boon?

Hoover realizes that it's useless to pretend she's not there.

; KATY What are you talking about?

Katy 1S now more confused than ever,

It gives me a great pleasure to

present this ceremoniel gold-plated

whistle to this year's honorary

Grand Marshall, Dean Vernon Wormer.

Mr. Marshall, the streets of Faber

are yours. Wormer smiles, holds up the whistle for the photographers, then blows it with an exaggeratec puffing motion. “4 SIDE STREET 326 All tne parade units ere lined up, ready to start moving. Kt the soune of the whistle, parade marshalls pull back the big

wooden sawhorses. A grim-faced Doug Niedermeyer gives a hané ‘ CONTTINGEND

arb

326-2 32E€-B

CONTINUED 326 |

Signal and the drummers start pounding the march rhythm. Doug braces the Pershing Rifles, gives a command, and they march off onto Main Street. Right behind them, the Faber marching band marks time, then steps off in good order. Now we begin

a traveling shot down the line of waiting parade units and floats. These include:

1. THE OMEGA/TRI PI FLOAT A huge chicken wire papler-mache bust of John F. Kennedy, with the florid inscription "Camelot" on its side. Four coeds stand on steps leading up to the JFK head, wearing A-line suits, pillbox hats, and white gloves. Mandy is on the topmost step, Babs on the step below.

[Ne]

ZBT FLOAT A giant white hand shaking a giant black hand with a suspended arch of letters reading: "Togetherness."

3. DEKE FLOAT The fun-loving Dekes offer a crudely rendered Playboy rabbit wearing a Faber football helmet. It's banner reads "When better women are made, Faber men will make them." Dekes in tuxedos and girls in bunny costumes.

4. SIGMA CHI FLOAT A huge rendering of a Mongol warrier plunging a sword into an Indian's chest. Faber teams are called "Mongols," and lettexmen in Genghis Khan costumes stand on the rear of the float. The legend on this one reads "1962 Central Northeast Western Division Conference Champs."

The parade is now in full swing. The crowd cheers as the Marching bands and floats go by.

HOOVER ON MAILBOX 3

tN nN

Hoover checks his watch.

Insert Hoover's watch: 11:45.

OMITTED 32€°

arb #00432 111

326-C FLOUNDER 326-¢

PN Flounder, holding a large cardboard box, stands watching the a parade from an alley. He checks his watch.

Insert Flounder's watch: 11:45.

326-D D-DAY 326- D-Day is sitting (also in dark glasses) in a shadowy enclosed space. We are unable to tell exactly where he is. He checks his watch.

Insert D-Day's watch: 11:45.

326-E BLUTO | 326-

Camera is so close on Bluto we can't see where he is. He raises nis watch to his face.

Insert Bluto's watch: 5:30.

326-F PARADE 3Zb- TT . A mounted contingent of local Shriners in fezzes, four new ~ convertibles from DePasto Oldsmobile, two other marching bands, and a mounted contingent of cowboys make up the rest of the parade. . Hoover gets down off of the mailbox, takes @ heavy chain from out of the satchel. It has a large vicious-iookins hook at the end of it. 326-G FLOUNDER 326- He is literally trembling with excitement. FLOUNDER (to himself) Oh boy, is this great! 326-H OMITTED 326- (Xx) 326-1 EXTREME CLOSEUP OF OTTER'S FACE 326-

. OTTER TN Let's go!

nb 326-J —~ we

27-2 eM 227-5 327-C

DXTREME CLOSEUP OF BOON'S FACE 3267-3 BOON (like a rodeo cowboy) Ya-naaa!

The sounds of the distant parade can be heard on the peaceful street, when suddenly the air is shattered by the low heavy rumble of powerful engines. From behind the Delta House a new float leisurely rolls onto

the street. It is a large sloppily constructeé birthday cake, trimmed with billowing streamers. Inscribed:on the papier- mache frosting is the simple message in large handwriting

"Eat Me."

The cake teeters and rocks as it turns slowly up the street. Then suddenly, it lunges forward with a roar and burns rubber, speecing off in the direction of town.

can barely make out that we are inside the radically alt cered Continental.

che crowd on the sidewalk.

HOOVER

Lxcuse me. Pardon me. xCUSE me.

Hoover locks one end of the heavy chain to the telephone pole.

- - 327-C

GRANDSTAiD

Dean Wormer and Mayor DePasto wave cheerfully to the crowds.

The Dean smiles approvingly at the orderly celebration. Mrs.

Wormer stifles a yawn.

\

The cake lumbers alono towarcés it destination. |

arb #00432 113

Babs and Mandy smile and wave to the crowd as they carry on a tight-lipped conversation.

a, MANDY a I don't have it. BABS

suppose I'll just have to get it myself, then.

-

329-A OMITTED 329-

329-3 CHIP 22°= Chip, wearing a crowd control arm band, walks past Mountain who grins politely to him.

529+¢ MOUNTAIN 329- A marching band is about to pass him ance the band leader is (®™)

Coing fancy moves with his baton. As he throws the baton high in the air, Mountain steps into the street and hip-blocks(™) the band leader out of the way, neatly catching the baton and a leading the band down the street. They follow him obediently ‘Nw playing a lively Sousa march.

ee a

529--T

329-G

cae,

to us ho

200432 214 OMITTED | 2 TSE CAKE 309-

steadily down the road.

MOUNTAIN 22

He turns into an alley and the band follows. It sac and Mountain steps aside as first the row of the trombones, march into the wall. The neat rows of band members collapse into a massive pile of bodies and instruments Stili gamely playing their spirited Sousa March, a Cying cacophony.

is a cul-de- trumpets, then

it decays into

OTTER You know, this school's really going Gownnill fast. BOON What do you think you'll do after you get out? OTTER I dunno, I've always been interested in working with young people.

The Mongol float is the last

slowly down the street. Two hairy-legged, crew cut Mongols stand cn the back of the float, waving their wooden swords at che spectators. One of them looks up the street and sees the large birthday cake in the distance.

one in line as the paraGe moves

The big birthday cake is gaining on the rest of the parade. EAT.

MONGOL FLOAT

One of the Mongols points up the street with his sword.

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us ty uw

ud) Ww i

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a) Ww oO

C \

CONTINUED 332 FIRST MONGOL

Say, those guys are moving pretty

fast. He and his comrede raise their swords in a cautionary gesture toe the speeding Birthday Cake.

(X)

<0 the Playboy Bunny Float. As the float goes down the street the chain snaps ticht anc the telepnone pole comes crésning oe 5 x aown.

REVIEWING STAND ‘ 334

Dean Wormer, the Mayor, Gregg, and other VIPS see the distur-

bance. Wormer turns to the others with a concerned look on his face. : WORMER (cranes his neck) Jesus HK. Christ -- what now...

This better not be anything serious.

Marion swigs from her flask.

The cake has now caught up with the parade. Spectators scatter enc Mongols leap for safety as the big birthday cake careens around the Mongol float and forces it off the road.

The Mongol float bounces up onto the sidewalk knocking over a fire hycrant anc sending the onlookers screaming. The giant Mongol head finally comes to rest atop the spewing fire ;

hydrant so that streams of water shoot out from his nose and mouth.

etm a a a

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Gs

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Se

REVIEWING STAND 337 DEAN WORMER (grabs Gregg) What the fuck is going on here? THE STREET 33 The Playboy float dragging the telephone pole swerves into the curb sending the Playboy Bunnies flying.

A fourteen-year-old kid sits on his bed reading Playboy. Through his open window flies a sorority girl in her -bunny costume landing on the boy's bed. BOY (to heaven) Thank you God! a 340

Pinto and Clorette in their sleeping bag are now in the end zone. They are asleep in each other's arms. In tne distance can be heard the sounds of the parade. Pinto and Clorette open their eyes. — PINTO The Homecoming Parade! Both try to get up at once, get tangled in the sleeping bag, and fall @own. Finally, they extricate themseives anc run towards the noise pullins on their clothes as they go THE STREET 342

Doug is at the head of the Pershing Rifles. He issues a command.

mn start to charge when Flounder steps out from his coor- y and dumps the cardboard box into the street.

“he Pershing Rifles run over the thousands of marbles falling on their faces. Flounder grins insanely as they are unable co stand back up

eae ae eerie snl

A ee

arb #00432 117

341 CONTINUED - 341 . DOUG a, Get up you fags! Stand up and fight! (X)

Doug can only shout as his men continue to slip and fall.

342 342 (F.336) THE STRELT (F.236) The "Eat Me" float tears through the mounted Shriners scatter- ing men, horses and terrified spectators.

343 343 (F.337) THE CAN-CAN GIRLS (F.337) They scream as the Birthday Cake tries to pass their float on the right. The Gay 90!s float~swerves to cut off the Birthday Cake, which tries to pass again, this time on the left. Finally, the cake surges alongside the Gay 90's Float on the right side. The two floats slam together repeatedly. The can- can girls hang on for dear life. Pieces of the cake begin to fall off as the floats fight for position. Finally the cake ; forces the Gay 90's Float off the street and up onto the Se - mobile. 344 THE REVIEWING STAND 344 Mayor DePasto grabs Dean Wormer by the throat. DE PASTO Ahhhhhh! 345 TWO DELTAS 345 (X) Throw smoke bombs that explode in the street spewing rec, green and blue smoke.

aru OMITTED 346 346 thru

349 349 (F.238) INT. BIRTHDAY CAKE (F.338) The inside of the float is like an army tank. D-Day is driving / but can't see cur. tter Sits in @ jump seat above and behine vee ted D-Dey, looking out through a slit. He directs D-Day by tapping his shoulders with his feet. Boon's hancing on tight to the

side as the float careens along.

“ya

arb #00432 118

ee D-DAY

EN Cut the cake!

Boon and Otter cut two ropes on either side of the Structure.

(sd ut ca ]

350 THE CAKE

The Cake flies backward. The ZBT giant Black Hand-White

Hand Float crashes into the discarded cake breaking in half.

A giant Black Hand on wheels zooms down the street as the people leap out of its way.

351 THE REVIEWING STAND 3

LA]

The Mayor and the Dean are still at each other's throats when Gregg calls out:

There is a moment of silent fear as all gaze at the curtain of colorful smoke.

352 THE STREET . . 352

From out of the cake, like a demon from hell, comes D-Day's crazed invention -- THE DEATHMOBILE. There is a loud scream from the crowd as the Deathmobile advances. It"s Flounder's brother's Linccln with the top cut off. t its place, @ larce cylindrical water tank has been welded to the body, forming

a turret.

Both ends of the vehicle have been customized with fantastic plywood dragon fins and the whole thing spray-painted glossy ‘black. Fierce tiger teeth are painted on the front and the letter Delta appears all over it es an insignia. The hood ornament is the severed bronze head of Emil Eberhard-Feber, cut from the statue on campus.

353 MAIN STREET 353 The Deathmobile pursues the Kennedy Float. Screaming Jackie Kennedy's are hanging on for dear life. Suddenly Babs loses

her footing and starts to fall off. Two of her sorority sisters meke @ grab for her but all they succeed in doing is ripping

off her clothes as she falls from the float, into the arms

of some startled onlookers.

ae, ; CONTINUED

ge ee

a

uw wy

a

realizes she's only wearing her panties, bra end stockings. She runs off trying to hide her private parts.

THE REVIEWING STAND

ta) ut oe

WORMER , (enraged) Those bastards. Those bastards.

Sure beats hell out of last year's parade!

THE STREET

Lau) ut a

. The Deatnmobile rumbles through the shambles that was the

Homecoming Parade. As the people on the street do their impression cf "The Last Days of Pompei," the top hatch of the Deathmobile pops open. tter stands like a Sherman tank commander in the open hatch. A side hatch flips open ane Bluto leaps on too of the Deathmobile wearing all of the shirts, sweaters and sweatshirts he owns, topped off by a

Kimono-style bathrobe. He has a hot water bottle strapped xo his head. - a

With a bloodcurdling battle cry, Bluto leaps from the Death- mobile onto a squad of Campus. Police. They all go cown.

Bluto gets up quickly howling like a maddenec Samurai warrior. The cops go after him as he scrambles up the wall of a build- ing to the root.

Sanctuary! Santuary!

THE DEATHMOBILE

iy vi OV

Otter battens down the hatch.

yh #00432 120 357 THE REVIEWING STAND: 357 Wormer and DePasto stand in horror as they see the Deathmobile bearing down on them. S55 THE DEATEMOBILE 356 Closeup of its tires laying rubber on the asphalt. 354 REVIEWING STAND 359 WORMER Oh my God. 360 DEATHMOBILE 360 D-Dey at the controls. —\ D-DAY oe Ramming speed! The Deltas hold on for their lives. 361 TEE REVIEWING STAND 361

Bae NL

Wham! The Deathmobile crashes spectacularly into the reviewing

Stand. People, banners, and debris sail into the air.

When the dust clears, the reviewing stand is demolished and the Deathmobile a total wreck.

i we ae es

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Us Ty J

00432 ‘121

WRECKAGE OF THE REVIEWING STAND

ta ron) N

Meyor DePasto and Marion Wormer are lying on top of each other among tne wreckege.

We see him slip @ real bullet into the chamber of his rifle

and slam the bolt.

GREGG 364

his jacket sleeve torn, is angrily pounding on the top hatch of the demclished Deathmobile.

A voice answers from inside.

~ GREGG (furious) You know damn well who it is!

I'm sorry but you'll have to come back later, I'm doing the dishes.

Gregg pounds on the hatch.

FLOUNDER

AS the people run trying to get away from the Craziness, Flouncer is sneaking up on Doug. Flounder is holding ea seltzer bottle and is beside himself with clee.

“ope

He moves steadily towards Doug, taking

a few preliminery saguirts with the bottle.

Doug whirls around, levels his carbine at Flounder end

fires

KENT DORFMAN '66 ©

SENSITIVITY TRAINER

ENCOUNTER GROUPS OF CLEVELAND, INC. ’ PINTO AND CLORETTE 368

They come running up to Mayor DePasto hand in hand. Clorette seems oblivious to her father's condition.

and ---

a

CONTINUED - Pinto starts backing away. : The Mayor screams and grabs for Pinto'’s throat. Pinto ducks and sprints away. A freeze frame catches Pinto in midstride. Super: LAWRENCE PETER KROGER '66 MAIL ROOM NATIONAL LAMPOON WRECKAGE OF THE REVIEWING STAND 269 Hoover crouches down beside Dean Wormer who sits dazed on a pile of rubble. HOOVER This may seem an inopportune moment to ask, Dean Wormer, but do vou think you could see your way clear to giving us another chance? Freeze frame on Hoover's earnest face. Super: ROBERT C. HOOVER '63 OWNER FEZY~SNOOZE WATERBED COMPANY GREGG 370 Grega still pouncs on the wreck of the Deathmobile. cter now stands leaning on the splintered reviewing stand behind him. Otter casually leans over and taps the enraged Greag on the shoulder. Gregg whirls around fists raised. en OTTER ~

Gregg, look at my thumb.

+ter holds up his thumb. Gregg looks at it. eee punches him in the jaw with a good right. Gregg goes to the groun :

ays on the ground, a Gazed, silly expression on his Freeze on his face. Super:

- 19 i

i conscious. The freeze frame rolis and Gregg keeis over un

+h Pe a es aa

yh #00432 124

vt $371 MANDY Sa 2 od

watching. She smiles and waves to Otter.

(WJ ~)

OTTER 3

~aT nN

to

He gives her a thumbs-up salute and smiles. Freeze frame on his smile and super:

ERIC STRATTON '63 {X) GYNECOLOGIST BEVERLY HILLS, CALIFORNIA

u) ~I tw

CEIP

ta} ~) (oY)

Chip is yelling instructions to the unruly, panicked crowd.

The crowd turns aS one and runs for their lives away from the careening black hand that still holds Doug.

i CHIP

Don't panic!

The crowd runs right over Chip like a cattle stampede.

tad ~J mr

CHIP

~) Dy

He is neatly embeddec face down into the concrete.

Freeze frame and super: H. R. "CHIP" DILLER '66

375 TRE BLACK HAND

Gs wt uy

The big black fist rolls over Chip.

Freeze frame: Doug's legs still stick ovt of the large black fingers. Super:

oo DOUGLAS C. NIEDERMEYER '63 neem J KILLED IN VIETNAM BY HIS OWN TROOPS

nf

WHEREABOUTS UNKNOWN

The freeze frame rolls and D-Dey drives cff in the police car.

BOON

Two big cops are holding Boon roughly. Katy rushes up to them. KATY

(urgently)

Officers! Please! For God's sake! They're looting the Food King!

The cops. hesitate, then release Boon and rush off. Am: of the noise and confusion.

fe a n ch mm jw bk

Boon grabs her in a hug.

Freeze frame. Super:

Unfreeze, then as the two kiss passionately, freeze freme. Super: KATHERINE LEE FULLER '63 MARRIED BOON, 1964 - DIVORCED, 1969 CHILD PSYCHOLOGIST BOSTON PUBLIC SCHOOL SYSTEM BLUTO - OWN ROOF 37& Wild-eved, Bluto searches the madness below until he spies Maney

la? 52)

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200432 126

MANDY 379

Looking up, she sees Bluto and her face shows she knows he sees her. He waves to her.

BLUTO

- 320 He erehs a rope from the cleéning equipment stowed on tne roof and swings magnificently over the heads of the crowd and sweeps Mandy literally off of her feet. BLUTO AND MANDY 2El They land together across the street. Bluto tosses Mandy into DePasto's Oldsmobile convertible, jumps behind the wheel ané Grives off with her. As the car speeds away, Babs, still in her underwear, is revealed crouched down where she was hiding. As she scrambles for cover, we freeze frame. Super:

RARBARA SUE JANSEN '63

THE OLDSMOBILE

ud Mm tas

Bluto drives off with Mandy in the back seat pounding on him. Freeze and super:

MR. AND MRS.. JOHN BLUTARSKY

PORTLAND, OREGON