OPEN
(CONTINUED) •
(CONTINUED) •
an anchor,angotyoulike it's trusthave don'tyouif interests, shared attraction,haveYou can Period.Trust.aboutis Marriage MAN
COUPLE, 60S
years.32 for thatto nextup wakin' Imagine ' D)CONT( WOMAN
He does.
toad?alike lookshe thinkyou Don'ttoad.a like looksin walks he dayone cute,sobeto He used WOMAN
go. herselfletShe's MAN
COUPLE, 50S
puke.to want me now makelovetousedI things theof 90% say I'd him. about everythinglovedI When we met WOMAN
ANOTHERCOUPLE, 50S
rail.aon downhillgoneIt's MAN
- then Since wedding.big a haveandguy talla meetto dream my wasIt '81.in marriedWe got WOMAN
us.at lookingchairs, separateonapart,sit A COUPLE, 40s,•
DAY- MARRIAGEGUIDANCEOFFICEINT.
,,
•
humor. of sensegreata have CarlsonsThe JANE
Wexler!Dr.with SessionsFour BOTH
lot. mystery theon bucks hundredfour blowing up we endis upshot Anyway the JOHN
tongue.his He bites
JANE
I so drivingwasn'tfew,asunkI'd JOHN
lot. a mystery••. BOTH
was •.•lotgrand Anyway the JOHN
They Carlson's.thefriends•. our JANE
••• barbecueslashauction charity a event, charityaat We were JOHN
story.funnyaIt's JANE
here.beto need really we don'tsaywannaIup First JOHN
TENSE SMILES.30S.COUPLE,SMITH, JOHN AND JANE
stone.alike You sink • WOMAN
•
OK. Ready? JOHN
DR. WEXLER(O.S.)
miserable?utterly totally,..•beingoneandhappy perfectlybeingtenlike_soWait. JOHN
Eight. JANE
couple?aasyouare how happytentooneofscaleOn a DR. WEXLER(O.S.)
FADE UP. TWOTIGHT SMILES. BLACKOUT.TITLE.
two •••orseala replace maybeoil,the change around, nose hood,thePopus. forup check a likeis thisand years,sixFive, JOHN
Six ..• JANE
we'veSee Check.OilThe Right. JOHN
The Oil-Check. JANE
We do? JOHN
••• theoryahaveweBut Absolutely. JANE
Right. JOHN
Stumped.
come.tohave didn'tyouBut • (O.S.) WEXLERDR.
•
(MORE) nothing.like,"one", is or much""not equal"one"does is,it if becausemean,I Right. JANE
thing?tento a onethisIs lost. Okay I'mWait. JOHN
question.the understanddon'tI JANE
Then: freeze.They
sex? haveyoudo How often DR. WEXLER(O.S.)
FADE UP. BLACKOUT.TITLE.
Eight. Eight. JANE JOHN
JOHN
set? You allset.allI'm JANE (CONT'D)
instinctive.what'sIt's instinctive,what'sIt's DR. WEXLER JOHN
fractions?allowedweAreWait. JANE
Eight. JOHN
is? partneryoursayyou would how happytentooneofscaleOn a WEXLER(O.S.)DR.
FADE UP.TITLE. BLACKOUT.
Eight. Eight. JANE JOHN
Ready. • JANE
(CONTINUED) •
ago •yearssixor Five Right. JOHN
Six. JANE
ago. yearsFive Bogota. JOHN
JANE
met. first how you Describe WEXLERDR.
ashen.there,stillJohn,and Jane
"MR AND MRS SMITH"BLACKOUT.TITLE:
sex? haveyoudo How oftenquestion.straightaIt's
WEXLER(O.S.)DR.
sack?thein asideput to weeka hourssixtyhas Who else job.day sting'satLook Exactly. JOHN
JANE
eat.to evenNot JOHN
anything.Forbreak. a •• withoutsevenfour.• Twenty JANE
•• unrelenting••Constant JOHN
know ••you••tenIs.•Right JANE
"ten"? what'sis,onewhat know we don'tifPlus, Exactly. JOHN •
zero speaking strictlyBecause (CONT'D)JANE
•
• MagazineTimereadI JOHN
this? know allyou And how do JANE
popto tryingbeenCIA'sthebut vendetta,localaitcall They'll years.for provincethisranVarron JOHN
alley. down anheadJaneandJohn everywhere.rushingPeople
DAY- EXT. ALLEY
mystery. attraction,adrenaline,ofA spark proximity.their realize•••Andrelax.JaneandJohn FOOTSTEPS subside.and SHOUTS LISTENING toit,intoleanTheydoor.theshutsJane
DAY- ROOM JANE'S- HOTEL AMERICANAINT,
on. moves Policia NOD. Theglance.aswapJaneandJohn
together?You two SPANISH)(INPOLICIA
focus. Lockingup. glancesSheJANE. street:the
from enteringvision, Then ••• aincoming.policetheseesJohn
sir? alone,youAre tourists. singleup roundingarePolice SPANISH)(INBELLBOY
Varron?Sancho SPANISH)JOHN (IN
Baracuda.thekilled Somebody SPANISH)(INBELLBOY
happening?What's SPANISH)JOHN (IN
Mojito. a withbar hoteltheat sitting of .•• JOHN,flashasee
we madness,theThroughrooms. POLICIAS ransackbuildings. 6A SOLDIERS raidCOPS and SKY. COLOMBIAN WARZONE. BLACKENED6A
DAY- HOTEL EXT. AMERICANA • AGO." YEARSSIXOR FIVE COLUMBIA,"BOGOTA, BLACKOUT.TITLE:
•
OMIT
IN-- COLOR DISSOLVE toAnd theySpanish.dubbed badlyin othereach serenadingskip,andtwirlGINGERAND
FRED background:TV inB&WaoninPush closer.himpullsShe
my heart.Cross JOHN
Promise? JANE
gonna.notit'sme, with Stick JOHN
down.slowtoit want don'tI JANE
JOHN
feral. Fierce,turns. twists,Flesh billow.nets Mosquito
NIGHT-BED JANE'SINT.
other.eachon fixedeyes sexy, SALSA. Fast,tooneasrise
then lime,theBite shots.thebackslug salt,the lickThey
••• bullets To dodging JANE
••• bullets To dodging JOHN
table. a boothontoslidis tequilaof A bottle
LATER- NIGHT- DIVE BARINT.
one. luckytheI'mme. Trust JOHN
lucky. prettywasI guessI street.theinrightwasI JANE
bump LatinosSexydive. basementheavingaintoher He leads
• DAY- DIVE BARINT.
7 •
--------
•
weeks •sixgirlthis known You've down John.OK, slow EDDIE
thirties.black,EDDIE,byheldbag,a punchesJohn
DAY BOXINGGYM-INT.
guess.Iluck, Beginner's JANE
Yogi. life-sizealmostan carryingalongwalksJane
rounds.fiveoff squeezesandaims JANE PICKS UP THE GUN. She
go? anotherhaveMay I JANE
but ...go,to He turns Boo Boo bear.stuffedsmallaHe wins
JOHN
measure.goodforcouplea He misses Impressed. surprised.isJane BANGBANG! Bulls-eyes.FIRES!And •..neck. his He rollshand.hisingunthe He weighsturn.John's
Barker.thepegs Nearlyshots. couple anotheroff
firesShe smile. condescendingagivesJohn MISSES badly.She
RECOILS hard.gunBANG! Theaims.Shegun.theuppicksJane
luck ••yourTry gentlemen! and ladiesup,rightstep Aaaand BARKER
FIRING RANGE.the ANCIENT BARKERworksAn
candy.cotton sharingaction,the throughsliceJaneandJohn
NIGHT CONEYISLAND -EXT.
in-- movingaretheyAnd close.Jane He pullson.
her clappingsmiles,Johnmove. AstaireFredlittleadoto
umbrellaanusesJanehome.walkJaneand John patters.Rain
NIGHT STREET -EXT.
over-- SONGwaftsThe CAN DO BETTER."I "ANYTHINGYOU CAN DO, sing GingerandFred watchingclose,snuggleJaneandJohn
• NIGHT ROW- FRONT FILM FORUM-INT.
8 •
•
SAFE!base. secondat on EddieinslidesJohn
DAY- PARK CENTRALINT.
with- office theat officethe leavecanSo I JANE (CONT'D)
mat. who eatsJasmine,ofon topupendsand spins,She
work. abouttalk never we but me, like lot,a He travels JANE
hold. a Ninjainmatcrashthe down on SQUISHEDfaceisJane
DAY- MAT JU-JITSUINT.
something. Or Computers.forBatmanlike She's night.orday anytimethere in she's Street,Wall down ingoes serverA big computers.inShe's JOHN
beyond. skylinecity ISLAND. TheRIKER'Spass They river.the through SPEEDBOATadriveEddieandJohn
DAY- RIVER EXT. HUDSON
He's perfect.he'syou tellingI'm JANE
do?he does So what JASMINE
crag. spectaculara
off hang woman,young good-lookingJASMINE, afriendandJane
DAY- YOSEMITECAP, EXT. THE NOSE OF EL
grunts.Eddie PUNCH!
shot. amazinganShe's JOHN (CONT'D)
a moment.forHe stops
cute.she's funny,she's smart, She's amazing.totallyshe'sEddie, • JOHN
•
gotta You justknow. know you you whenya, tellin'I'mEddie, JOHN
GO sign.aGives goggles.hisonstrapsJohn
John. stuffrisky prettyit's mean,I scared?youaren'tBut EDDIE
25 parachute.aonstrapto He starts JOHN'S PLANE:25
matter. doesn'titandmine,knows And he JANE
DAY- BANKINGOVERTHE CITYHELICOPTER:JANE'S
I likeIt's familiar.so something seeI and eyesherin lookI JOHN
jumpsuit.awearsJohn together.sitEddieandJohn
DAY- FEET AT 35,000 BACKOF A PLANEINT.
sex.the about justnot it'sButit. like anything known neverI've Incredible. JANE
city.theover Threadingseats.backthein JasmineandJane
DAY- HELICOPTERINT/EXT.
agog.are friendsandEddiepark.theofout cleanbatthe
of spot sweetthe with softballahitsand swings CRACK! John
DAY- SOFTBALLPITCHEXT.
sex?the aboutWhat JASMINE
MAT ON THE JASMINE SQUISHY FACE DOWN
DAY- MAT JU-JITSUINT.
demands.no questions,no..• • JOHN
•
we hitmeans 4pm appointmentThe JOHN
town. acrosscleanis officeHis JANE
washy?wishytada
JOHN
JANE
nice.very He seems JOHN
Wexler?Dr.ofthink d'you So what JANE
contact.No eyesinks. separateatteeththeirbrush
They monograms.JSwith bathrobesmatchingwearJaneandJohn
DAWN- BATHROOM- SMITH HOUSEINT.
stare.deadsameThe JANE.bun.ain tied hair her nightshirt,looseawearingbed,ofoutrollsWOMANA
DAWN- BEDROOM- SMITH HOUSEINT.
eyes.his MISSING behind JOHN. Something'sIt's up ••• He looks newspaper.thecollectsbathrobeainMAN A suburbanice.andsnowpatchywithlawnsgreen Expansive
DAWN- COUNTY EXT. WESTCHESTER
later.yearssixorFive County. WestchesterTITLE:
••• revealtoDOWN EMPTY, QUIET. We FLOATShockinglySilence.
white. WHITING OUT THE SCREEN. Blindingsizzles,flashbulb
The FLASH!SNAPl smile,theyAs PHOTO.aforturnall They
emotion.with overwrought Hardly stiff.stand JasmineandEddie Passionate. kissing.keepJaneand JASMINE. JohnHonorofMaid and Man Eddie,Bestwithaltar,theKISS atJaneandJohn
DAY- COURTROOM COURTHOUSEINT.
•
as--just cornerthe turning out, glidesShe tray.a onto d'ouevreshorsslidesJane
DUSK- SMITH KITCHENINT.
••• fades.slowlysmileJane'sgarage,the into pullsJohnasBut smile.wave,Theyface.her across splash HEADLIGHTSHiswindow.athroughJanespotsJohn
opens.door garageThe driveway.theintodrifts
He sedans.ofline endlessanofbacktheat drivesJohn
DUSK- STREETS SUBURBANEXT.
? .•• affairan HavingHmmm. lipstick. red bloodof A smear mirror.theinneckhis He checks
on lipstickredlikelookswhatseeshe He STOPS whenfast.
down himselfPatting pockets. He checksfinger.hisonto pocket,aof RING outweddinghisslipshe wheel,theUnder
Good. smells.Then together.handshisWrings wrists.hisSprays air-freshener.outPullshands.hisSMELLS
he ritual:a performsJohnlife,torumblesedansother While
DUSK- CAR JOHN'SINT.
cars.into climb commutersunison,inAlmostsedans.
otherofmassaIn Benz. A blacksedan.parkedhisfindsJohn
DUSK.-LOT EXT. TRAIN STATION PARKING
John....crushthisof thicktheIn lives.sameeyes,same Same suits,COMMUTERS.suburbanupscaleofseaaout Spitting station.intopullstrain commuter WHISTLE. TheshrillA
DUSK- EXT. TRAIN STATION
dinner.outpullsJane opens.door An ovenPING!
DUSK- KITCHEN- SMITH HOUSEINT.
sets.sunThe beat. A lonelyhall.emptythe We HOLDon
ways. separatetheirgoThey touching.withoutpaths,cross They coats.theiron slippingother,eachpassJaneandJohn
DAWN- HALLWAY- SMITH HOUSEINT.
then. settledThat'sGood. • JANE
•
dropsShe tree.theup straight LEEEEEANS, slantingandarms
chair'stheontostepssheSo low.toois chairherBut tree.
the atop starherputto up reachingchair,aon standsJane
NIGHT SMITH LIVING ROOM-INT.
petal,everystem, Every tender. delicate,slow,
are handsbigHis stems.fixing perennials,hisworksJohn
NIGHT- GREENHOUSE TOOLSHED/INT.
place.into SNAPPINGtree.thearoundwrap lights
The a whip.likelights electricofstring CRACKSa SNAP! She
dance.angels Little graceful.Agile,fast.
move hands TREE. HerMASSIVEtheon ornamentsherplacesJane
NIGHT SMITH LIVING ROOM-INT.
lights. ornaments, perfectly-packedrevealtoboxtheopens CHRISTMAS. SheoutslidesJanefiled.andtaggedareBoxes
NIGHT- HALL CLOSET- SMITH HOUSEINT.
sighs.John a mess.isshedtool John's Tooltime.
NIGHT- TOOLSHEDINT.
shed.toolhis towardslawnbacktrimhis acrossmovesJohn
NIGHT- EXT. SMITH BACKYARD
over-- "SILENT NIGHT" tricklesAndslams.door
backThe Out. moving.moving,Just listening.Notnods.John
Biggesttree.ausgotI John,Oh, JANE
touching.Barelycheek.theonA peck
always.as Perfect, JOHN
timing. Perfect JANE
hand.infoodof tray there, standsJane opens.doorFront • NIGHT- HALL FRONT- SMITH HOUSEINT.
13 •
•
middle?thethatIs JOHN
John. table,theof middletheonIt's JANE
please?saltthepassyou Could (CONT'D)JOHN
A beat.food.thetoBack Weak smiles.
is.it how goodforgetjustIGuess JOHN
voice.herinedgeof A hint
peas. addedI JANE
new? somethingYou dofor.dieto is risottoPrawnyellowThis Mmrn. JOHN
No emotion.contact.No eyecold.Distant,table. theof headsfaratsit Janeand John flicker.Candles
NIGHT DINING ROOM-INT.
level. spiritualprofound intenselyon anbondedIandJohn rememberto You havesuch.aswrong anythingthere'sthatnotIt's JANE
SMOKING.ALONE,THERE, JANE IS
DAY WEXLER'S OFFICE -DOCTORINT.
alone?back cometo decideyou Why didme.Tell DR. WEXLER(V.O,)
life. Norman RockwellA perfect,house.A perfectcouple.
42A A perfecttree.theandJaneand FROMOUTSIDE, we SEE John42A
Glowing.alive.comestree And POP! Theswitch.ahitsShe
• JANE
•
Two.Line PHONE.thetoeyes RINNNG. Allmouth,his
opento aboutisheas Just say.to somethingfor struggling REALLY swallows,meal.his finishesJohnplates.scrapeForks
NIGHT- DINING ROOM- SMITH HOUSEINT.
what?But WEXLERDOCTOR
but •••house, thatfordie I'd castle,ourit's house,thelove We both together. lifeour love And I my wife.loveI JOHN
ON HIS OWN.THERE Now JOHN SITS
DAY- OFFICE WEXLER'SDOCTORINT.
is? problemthethinkd'you So what WEXLER(V.O.)DOCTOR
paper.the around tighterwraphandsHerJane.for chalkboard a on nailslike- CLUNKS, SQUEAKS-SHIFTERtheHe RATCHETS
LAZY-BOY.John's
to •••goeyesHer something.hearingup, looksShe Home&Garden.readsJanesection,Sportsthereads John Times.the readingsitJaneandJohn glows.treeThe
NIGHT- SMITH LIVING ROOMINT.
plain.higher altogether an onto progressedhas relationship our feelI yearstheOver JANE
DAY- WEXLER'S OFFICEDOCTORINT.
tense. quiet,cold,this:likeis dinnereverythat sense
a We get smile.her swallows MEALIN SALT. JaneHISDROWNS
And he •••down.backsitsJohn victory.A smallsmile. littletinya givesJane chair.histo back Heads salt.
the He grabsup.He getschair.hisout pullsJohn SCREECH!
other. theon I'm side.oneon You're me. and you betweenit'sWell, • JANE
•
I like Looksnews.Bad Sorry. JOHN
me. You scaredhoney.Gosh, JANE
shut. computerhersnapssubtlyShe doorway.theinJohn
seeto spinsSheher. behindCREAK.•• ahearsShe smiles.Jane
STEM, THREE DOZEN, LONGtypes:RED ROSES? Shereplies: SCREENThe WANTGIFTS.I45. BE THERE INfast:typesJane
HOTEL, PENTHOUSESUITE. HUDSON NEEDS COMPANY. ON SCREEN: TEDDYBEARMESSAGEwaits INSTA-life.to laptopher Clicksdoor.the closesJane
NIGHT- BEDROOMINT.
••. wife My now. rightawayget can'tI intense)phone,to(back • OKAY, HONEY JOHN
voice: suburban "normal"hisinbackcallsJohn
NIGHT DEN -INT.
den.theto doorthe Passingsmooth.fast,movesJane
NIGHT HALL - DOWNSTAIRSINT.
again.Alive focus.intosnapeyes Jane's Three.Line RING!
RING Suddenly,beat.A heavyalone.all dinnereatsJane
NIGHT DINING ROOM-INT.
me. It's JOHN
intense.strong, VOICE TRANSFORMS.Deep,his
And phone.theup He snapshim.behinddoorthelocksJohn
NIGHT DEN -INT.
office.TheDamn. • JOHN
•
is it on cap.the unscrewsflask,hipsmallaout He pulls
JOHN..•sitsbacktheIn traffic.throughcutscab A yellow
NIGHT-CAB EXT. NEWYORKCITY/
cab.a hailsandout He comessedan.hisparksJohn
24TH ST PARKINGLOT. NIGHT.EXT.
traffic.throughSlidingsedan.John'sto We SWOOPDOWN
NIGHT- HIGHWAYHUDSON- EXT. NEWYORKCITY
so? think Oh ya JOHN
you.as problems relationship samethe precisely experiencing are Americain couplesof now millionsme rightbelieveBut WEXLER DOCTOR
DAY- OFFICE WEXLER'SDOCTORINT.
••• this throughgoingcoupleonly the you'relikefeelyou knowI WEXLER(O.S.)DOCTOR
night. suburbantheintoaway,pullThey
Carlsons. the We promisedo'clock.Nine JANE
Wagon.Honda Silversedan,Blackcars.intoget Janeand John
NIGHT- SMITH GARAGEINT.
out. headingalreadyHe's listening.barelynods,John
too.ingo shouldI Mayhem.firm. lawa at servera crashedjust girlsour One offine. that'sFine, • JANE
(CONTINUED) •
• playing seated,nowisJohn tense,Allwall.the throughpoundsMusic
LATER- ROOMBACK- CBGB'SINT.
him. roll Let'sit.Fuck NELLY
bar. theat me rightitShowedGs.2 2 BOUNCER
How much? NELLY
hazard.firea breath'sHis Street.WallMaybe Bridge'n'Tunnel. SHADYGUY
like?lookhe What's NELLY
NELLY'S ear.hustler to closecomes bouncerThe progress.inisgameA card
NIGHT- ROOMBACK- CBGB'SINT.
action.somefor lookingI'm JOHN
concern?itWhat's BOUNCER
Nelly.for lookingI'm JOHN
NIGHT CLUB - CBGB'SINT.
GUY
car.Nice Hey man. JOHN
smoking.hood,theon leaning GUYS areyoung
Two 442. Oldsmobile'69blackapassingroad,the crosses andit pockets ATM. Johnanofoutrollsbucks Two thousand
• NIGHT CLUB - ATM/OUTSIDE CBGB'SEXT.
• 18
(CONTINUED) •
bag?thein What's UNDERBOSS
up. He hangs telephone.theonsitssuit,
sharpain guy, TV. A fifthwatch backgammon,playholstered,
Yemeni,moreFour inside.stepsShe answers.YemeniA huge
NIGHT- SUITE PENTHOUSE-HOTELHUDSONINT.
knocks.shedoor,lasttheAt corridor.down theglides FLOOR. ShePENTHOUSEtheonelevatortheexitsJanePING.
NIGHT- PENTHOUSE-HOTELHUDSONINT.
kill.to And dressedsuburbs.theofoutlegs.ofAcres coat. Sheer JANE.hit: Lightsup. escalatortheridesShe
NIGHT- LOBBY HUDSONINT.
And ••.bag. doctor'sleather blacka holdingout A woman slidesup.pullscabA yellow
NIGHT- HOTEL EXT, HUDSON
head.his Shakesone.in scotchasinksJohn
drink? another You wantCasper.awakeStay SKULLFACE
Fold.No. Yeah. Yeah.No. No fold,No call. OK fold.is?It JOHN
call.to hundredthreeIt's TEETHGOLD
Call. JOHN
more.twowith hundredYour TEETHGOLD
Call. BEANIE
Call. JACKET LEATHER
hundred,Up a • BEANIE
(CONTINUED) •
in . handhis throwsJohn
NIGHT BACKROOM-CBGB'S -INT,
underwear.
satin Black floor.theto dressher dropsandup standsShe
Jump"! "BungeeawantIYes.Yes. HAMED
He sniggers.
Jump"? "Bungeeawantyou You mean JANE (CONT'D)
rope,her removesbag,her unzipsand laughsShe He whispers,
do?to likeyou wouldWhat then.So JANE (CONT'D)
glass.aher He poursbed.theofendthe down onsitThey
JANE
champagne?likeYou HAMED
sweet.very That'syou. Why thank JANE
STEM, ON A CHAIR, THREE DOZENRED ROSES, LONG
you. for are rosesThe Jane.be You must HAMED
robe.ain bathroomthefromappearsYEMENI something fifty- HAMED,A tubbyNASSERdowntown.viewamazingan
and terrace,roofaonto WindowsGiantbed. leatherA large
NIGHT- BEDROOM PENTHOUSEHOTEL -HUDSONINT.
BEDROOM.thetohershows YEMENI Another
catch. to plane We gottalong.beDon't UNDERBOSS(CONT'D)
her. frisks briefly • HANDCUFFS. HefurryROPES, pinkA WHIP,it.opensShe
•
out •and bouncersthepast straightwalks Waitress, the He tipsjacket. leather LEATHERJACKET'sandbeanie, BEANIE'Sshades,Nelly'swearing smoking,club,the through
out back walks MUSIC. JohnPUMPINGontoopensdoorbackThe
NIGHT ROOM-MAIN CBGB'S -INT.
flat. secondsfourinoverIt's shots. fifteenFIRES
and P-39s silencedtwo CROSSDRAWSJohnreact,theyasJust
Wh- ALL
it.at lookingtheresitallThey
Go Home, y'know.orGo Big JOHN (CONT'D)
it at lookall They table. on theitrollsandpinthe pulls
GRENADE.Heaout .••pullsjacket,hisintoreachesJohn
you .•. raiseand hundredfouryour That's Hundred.Foureighty. Seventy, I? was Wherewait. fifty, thirty, ten, three ninety, OK. Two eighty, JOHN
table.theoffit countshe roll, dollar thousandtwohisout
Pulling leaves.sheas waitresstheatwinks drunkenlyJohn
raise?orcall fold, You gonnaG.hundred,fourBet's GOLDTEETH
game. to ••• the
back drinksoftraya withgirla We followpounding.Music
LATER- ROOM ROOM/BACKMAINCBGB'S -INT.
fives.High laugh.allThey overture.thesingsthemofone
Tell. William You are Motherfucker,tells. differentfourteengotyouHomes, GOLDTEETH
that.hadI that.hadI Shit. • JOHN
•
What?Yes.Yes. Yes. HAMED
too.you with angryvery very, CIA istheAndis.she Yes JANE
Yes.Yes. Oh yes. HAMED
you. with angryvery very,is mummy Because JANE
Oh Yes. HAMED
you. punishtogoing Mummyis JANE
boy.bad very A very,boy.bada veryI'm know.I HAMED
bad. veryvery been You'veboy. naughty You naughty JANE
AND FACE, TRUSSED ON THE BED, ON HIS KNEESISHAMED
NIGHT- PENTHOUSESUITE-HOTELHUDSONINT.
grenade"."thewith cigarettea He lightsdrives.John
NIGHT- SPEEDING OLDSMOBILEINT.
it. Floorsup.it He fires
car. Nice GUY
car.theoff straightgetheaviestwoThe
me gentlemen.Excuse JOHN
Oldsmobile!
'69 theto... doorsthe "plips"and keyringaout He takes
• NIGHT- EXT. CBGB'S
22 •
•
bullet-the BURST throughmenTheshots.eightpumpsHe
UNDERBOSS
door.the force
62F to try weapons, bristling BODYGUARDS,seven NEXT DOOR: The62F
roof-terrace.theontooutracesandbag,hergrabsSheSHUT.
wedgesItdoor. connectingtheunderJAMS ITanddildorubber 62E bigthe out whipsshe precisioncalmWith BACK WITH JANE:62E
react. Simpsons,thewatchingothers,
62D Two backgammon.theirfromuplookguystwo THE ROOM: TheIN62D
62C shot.the hear bodyguardsthree THE CORRIDOR: TheOUT IN62C
sack.alike drops BODYGUARDThe position.pronea
fromshot singlea dischargesandgunthecatchesdives,Jane
bullwhip.thebyhandhis SWIPED fromithave
to timein just turnsandgun his draws Arabic,inswearsHe
Hamed?Mr BODYGUARD(CONT'D)
covers.thebackpulls gingerly BODYGUARDThetoys.ofbunch
Samebag.her unzipsShe trapped.isJaneanswer.nois There
split. We gottaHamed?Mr BODYGUARD
him. shakes lightlyandgoes BODYGUARDThe
world.thetoDead•• exhausted prettyHe'sfine. EverythingsFine. JANE
OK? Everything BODYGUARD
opens.door SUDDENLYthe
bunch.thefromrose stem long singlea draws leaving,before 62B and body,theover coversthepulls THE BEDROOM: JaneIN62B
62A at glancesHewatch.hisat looks Underboss NEXT DOOR: The62A
dead. falls CRACK! HAMEDup.jerksandchinhis • under handsher back,hisof smallthein kneeher putsShe
- --- --------
•
(CONT'D)JOHN
him.on dawnsIt
we had ••.Likedeep •••thishadwe likewasIt ••• excitingsowasShe JOHN
reverie.painedin ONE TO ONE, lostainJohn
DAY WEXLER'S OFFICE -DOCTORINT.
her?toyou attractedfirstthat wasit say you wouldwhatit,on fingeryourputtohad youif But WEXLER(V.O.)DOCTOR
Manhattan. of hillantthe into away pullscabtheasup We rise
Ma'am.youThank DOORMAN
JANE
doorman.thetippingcab, waitingthetoup straight striding sidewalk,theontostepssheasshotofoutup back
snaps bungeeitandcordtheofgo letsShe street-level.to dropsJane background,theinwhen,cabshailingare DOORMEN
NIGHT- ENTRANCEHOTEL - EXT. HUDSON
descent:herslowing JUMPS. VRRRRR, THE BAG UNRAVELS
•• , And Janefly.bullets thirtyanddrawnare beadsSeven rail.theon standing
62H her, spot guards END OF THE TERRACE: TheAT THE OTHER62H
and ... handcuffsthetoend
one attaches KEVLARCORD. SheWOVENfabric.itsunravelsShe
Empty.bag,the dumpsJane
DOWN. STRAIGHT FOUR STORIES, DEAD END. TWENTYareaches She decking.terraceroofthealong AT FULL TILTJANE, • NIGHT- TERRACE-HOTEL EXT. HUDSON
• 24
•
• pant-suitperfectherUP onSPITSbaby.. thegirlbabyeyed
blue-a over BABIES. A mom fawnsholdingallMOTHERS,THREE with Janefindto tree, Christmasa We SWIRL pastVicadin. Volvo, OBGYNs, sitters,IPOs,party:the We DRIFT THROUGH
there.overshedthe under buried my doughallgotI Actually JOHN
beating? a Ya takeJohn? quarterthisout makeyou How'd bloodbath.aIt's
butchered. gettingstock'stheirheardI
cigars.smokingAll BANKERS. INVESTMENTby JOHN. Surrounded
LATER CARLSON'S HOUSE-INT.
smile.Janeand John waves.and air-kisseswithJanegreet
WOMEN backslaps.and handshakeswithJohn COUPLES. MEN greet
SUBURBANofseaa throughJaneandJohnlead CarlsonsThe
NIGHT CARLSON'S HOUSE-INT.
neighbors!Welcome MARTIN SUZY AND
whiskey.goodandtaste,bad new money,ofglowthewith radiateThey MARTINCARLSON.SUZY andrevealing:open,swings
doorThe HALLS." "DECK THEchimeswhichbell,theringsJohn
fine.Good, JOHN
You? good.Fine, JANE
uptown?okay Everything JOHN
ECHOESbeyond.Merrimentdoor.theon Huge wreath doorstep. neighbors'theironmeetThey posture. clothes, Hair, selves. suburbantheirintobackJane,andJohn • NIGHT EXT. CARLSON'S HOUSE-
25,
•
a mouth .a hand,eye,anof CLOSE-UPSWe seephone.adesk,a A Man, windy.and Simple
NIGHT- UNDERCONSTRUCTION TOP OF NY SKYSCRAPEREXT/INT.
Smith.John Smith.Jane JOHN JANE
ring. phonescelltheir unisonIn night.ofQead A beat.
NIGHT- BEDROOM SMITH HOUSE-INT.
out.go Lightssmile. a tight who givesJane,atlooks
He SQUEAK.littleamakeswhicheye,his Rubs spits.John
THROaT.hiseyesJane Loudly. GARGLES.JohnJane.andJohn
NIGHT- BATHROOM- SMITH HOUSEINT.
suckers.Suburbanother.eachwith disgustedlittle
a look bothThey glance.firsttheirfromway A long passion.
No realeyes.lockThey ••• John.seesshesmoke,cigar
of hazea Throughsmile. relievedA real,·back.smilesJane
you. likesShe
giggles.Even smiles. Baby .••.••.••And the
A beat.over.Babythewinto trying weakly,smilesJane
Eerie. pensive.focused,locked,Eyesup.her sizesBabyThe
NERVOUS.looksJane conspiratorial.Almostnod.The Mothers
soul. your intosee can theyifas It's
know.you everything,seeBabies
Curious.other.eachatSTAREjust Babytheand Jane
pure.so So innocent,eyes.blue
big Baby'sthe down intolooksJane awkwardly.Babytheholds Jane arms. Jane'sintoBabythe Mom pusheslate.tooit'sBut
I-..I. I •••No, JANE
SCARED. positivelylooksJanetime,firsttheFor
off? cleanI whileseca her Hold • MOM
•
damn dam .That JANE
anyway.daysof couple nextout flat workingbegonnaI'm dam. thatfor statisticsstressthe about e-mailanGot Office.Taipan JOHN
yours? What was JANE
dad.yourof thinkingjustI'm JOHN
sweet.so You're JANE
spentyouifit love mom wouldYour okay.mansoldtheif seego off, daya take shouldyoumaybeWell JOHN
cough. a ticklyjust Probably pneumonia.gothe'sthinks Mom's freaked,well.notDad's JANE
up? What's JOHN (CONT'D)
up. hangBoth
problem. No understand.IRight. Of course.Okay.Yeah. JOHN JANE
week.this time secondtheis This JOHN (INTO PHONE)
caller.John'sseenot We do
dad? okay, Everything morning.theinthreeIt's JANE (INTO PHONE)
CONTINUOUS-BEDROOMINT.
Father.isThis • MAN
•
• purseherup loadsShe plasma.Alloy, devices.digitalSleek
arsenal:Jane's•.. revealing••• SLIDES OPENoven ...herof
base And thestop.beepsThe numbers.ofseriesatapsJane
warning.secondA tenlight.Red alarm. BEEEEEEEPS. AnovenThetouchpad.theondigitsHitsopen.it
pullsShe CLEAN.toovenher switchesblinds.theshutsJane
DAY- KITCHENINT.
fast. Movingbed.ofout swivels POP OPEN. SheeyesJane's
DAY- BEDROOM- SMITH HOUSEINT.
shut- clicks
door garagetheAs suburbs. Americantheinday anotherJust
sedan.hisinoff drivesJohn open. glidesdoor garageThe
DAY- SMITH GARAGEINT.
Minimart.theat shoppinghe'slikegear He chooses
tools.like wallson EXPLOSIVES hang and AN ARSENALOF WEAPONS.GUNS, ROCKETLAUNCHERSand cash ••.withhighpacked ••• shelvesRevealingon.flipLights
DAWN- SUPPLY ROOMINT.
into--locksmorepast stairs,down THE FLOOROPENS. He walks And handle.the A TRAP DOORHANDLE. He spinsUnlatchesbox.' the Openslock. comboa THE FLOOR. He worksBOX INA SAFETY
revealing-floor,turfthebackPeelsbench. toolhis He shifts whistling.Stopsdoor.thelocksJohn
DAWN- TOOLSHEDINT,
suitcase. travellingarollingand
box SNOOPYlunchaswingingtune,quieta whistlesJohngood. is worldThe waft. Cloudssing. Birds LIGHT. LOWMORNING
DAWN- OF EDENGARDEN EXT. WINTER
And we FADE OUT...back.pullsJane A beat.back.pullsJohn A beat. sheets.theon softlypulls Jane closed.Eyesopen.eyes there,lieThey LIGHTS OFF.
dam.damn That Yup. • JOHN
•
samethe wearingAllWOMEN, TEN YOUNGbyrunare stationsThe
speed.Warp feeds.Livedata. Flooding technology.advanced
most world'sthewith Filled a VAST METALROOM.entersJane
DAY- PROJECT ROOM-INCCOMPUTEREMPLOYNETINT.
opens.doorfarThe Scanning.curves.andbones ULTRAVIOLET. AllgoesbodyJane'sTECH shifts.SURVEILLANCE
DAY- SECURITYAIR LOCKINT.
opens.walltheandscan retinal
a into leansShe wall.thein appearssquare A blackeye. its Pressesstops.Sheend.theat kingfisheraof sculpture
Gaudia-Breskaawithcorridorenddeaddown awalksJane
DAY- CORRIDOR- GLASS HIGH RISEINT.
area. receptionA flashUP. 46 FLOORSopen ..•Andclose. ELEVATOR.DoorsanATRIUM. EnterstheacrossglidesShe
DAY- ATRIUM- GLASS HIGH RISEINT.
SMITH.JANE light.theinto stepsShe heels.high skirt, Short suit. blacktight woman in••• arevealdoors Revolving
DAY- HIGH RISEGLASSEXT/INT.
fax. waiting the grabsJohn FAX MACHINE.And ascreen. surveillance A black-and-whitephone.achairs,twodesk,OldA shell.
DAY- OFFICE JOHN'S PERSONALINT.
Enters--door.nextthe He keys newspapers.yellowingmail,
junkoldof piles office,normal totallya throughwalksJohn
DAY- JOHN'S OFFICEINT.
SMITH DEMOLITION.OFFICE.CONSTRUCTIONSMALLAfloor:ground the He entersbuilding.anonymousanoutsidearrivesJohn
DAY- NY MEATPACKINGDISTRICTEXT.
WATCH,KEEPING OUR STREETS SAFE.NEIGHBORHOODreads: car theon sticker A bumperwagon.herinoff drivesJane • DAY- EXT. GARAGE
• 29
•
Safe . RODWAY
Gulp. He swallows.bit.aforchewsand
rest,thein crams He chews,it.of quartersthree demolishes bite,oneinand burgertheup picks forward,reachesRadway
my ass.watchtopaidgotguys you thoughtI Jesus. poison.rat or mercury,withlacedbecouldIt HECTOR(CONT'D)
him.at back staresjust Radway
couldItit? tastegonnayou Ain't HECTOR
up. look doesn'tHector
time. Feeding AGENT#1FBI
Hector.offrontin WhopperDoubleaputsand An AGENTenters
ARMED. men aretheAll photographic-paper.without blackedare windows AGENTS. TheotherfourareroomtheIn
off.worn novelty'sThe morning.all
Larabe Hector watchingbeenclearly Rodway's AGENTRODWAY.
SPECIALisbored,couch, anotheronhim oppositeSitting
HECTOR
joystick.hisHe jerks Tombraider. playing TARGET, sitsmiddle-agedweasly, HECTORDANZ, our
DAY- UPSTATE SKI CONDOINT.
TO--CUT the CRACKon sickeningawithdeckthe hittingfeet,
four-hundredplummetsanda hole,throughfallssheSuddenly everything.ofouthellthe shootinghand,eachinUZis
with snowscapeathrough CROFT runningLARA CUT HARDTO:WE
OMIT
look? dayour How's girls. Good Morning • JANE
•
both other,eachat glaremenThe RODWAY. HECTOR, opposite
NIGHT- VEHICLE ARMOREDINT.
We SPIRAL down into--
green.is situation Repeat green.is Situation JASMINE
theof middletheIn check.bordera approachescarsunmarked
of A CONVOYBelow,zone.the towardsspeedteamJane's
NIGHT- HELICOPTEREXT.
rep. sit- Gimme a Position.in Snow-White JANE
mike. throatherTapsup.it firesand knapsack,
her from PowerbookTia Unsheathesski-mask.theremovesJane
shard. graniteof outcropanontorollsand overhang
an negotiatestop,theway toitsworks FIGURE skillfullyThe
ninja.whitealike dressedfigure,
litheais axes,icetwofrom groundtheabovefeet hundreda hangingOn it, ravine.theover FROZENWATERFALLPUSH IN ON a
us. beneathtunnel mountainainto vanishes which viaductarunsravinethe Throughlake.frozenhuge
a of mouththe down toplungesravinesnowy A BREATHTAKING
NIGHT- UPSTATE EXT. MOUNTAINTOP,
ladies.work,togo Let's weeks ... threelastthefor report weather a and canyon,theof SAT ellyand GPS wantI border.theofsouth road Minor here.is vulnerability Only New York.tofacilityToronto a from movedbeingis Target JANE
team.her briefsJane HECTOR'S FACE ON SCREEN,
PROJECT ROOM-INCCOMPUTEREMPLOYNETINT.
MATCHCUTS--faceHector'sweeks.forongoingbeenhasthis • We sense reaction.aof pleasurethehimgive doesn'tHector
(CONTINUED) •
• birdwatcher a be could Affirmative. JASMINE
pie. eatingJohnof imagegreen fuzzya watches Jasmine
IN THE HELICOPTER
this? gettingyouAre JANE
over. Bashful,isThis JASMINE
come in.Dwarves,Seven JANE
vision.nightherofglow green eerietheinpie munching a balaclava,inrock,abehind .•• A FIGURE, huddledIN ONZOOM
equipment.imagingherraisesSheeye.her catches Somethingravine.theacrosslandeagletheseeto turnsJane
89B NORTH: 89B
royalty.guy'sThisShit. JOHN
approaches.convoytheaway,a milehalf POV. AboutBINOCULAR
good.veryIt's Pie. Key Limeofpieceaout He takes lunchpack.SnoopyCool""Joehisoflidthe He pries
John.It'sup. looksand balaclava
his removesfigure a BLACKCLADbelow,feetthirty.•• where,
DAY- SOUTHSIDE OF THE RAVINEEXT.
to ••. two-hundred-yards•.••birdtheWe GLIDE with
sigh.a breathesShe ravine.theover
out soar eaglethe watches GLOCK. Sheadrawingjumps,Jane cover. BALDEAGLEbreakshugeaJane,abovefeetTenWHOOSH!
red.turn dotsThe ARMED. CHARGES THERMOBARICthem:onclicksSheridge.theondots
green smallthreewith valleytheof a wirefrarne-ON SCREEN
• NIGHT- EXT. NORTHSIDE OF RAVINE
• 32
•
OK. Abort • JASMINE
this?isfuckthe What JANE
seconds.thirtyT minusConvoy JULIE
floor. on the player another There's JANE (CONT'D)
dumbstruck.watches,Jane
birdwatcher.anotHe's JANE
89E launcher.rocketenormousanheftguyasees NORTH: Jane89E
package.kg6.4 portable easilyainup wrappedsystem weapon fire-and-forgetlarger a from expectyou'd featuresthe all got It's sight. imaging thermal integratedanwith acquisition target passive Incorporating JOHN (CONT'D)
sight.laserthe He activates
my lucktryI'd thoughtIBob,Well JOHN (CONT'DJ
JAVELIN CLU 76mm ROCKETLAUNCHERaheavesJohnchewing,Still
John? ideasAny open.tocan Tough stage. center Excursionarmored heavilyais attractionMain van.thein SWATteama probably outriders,Po-licevehicles, FBIof convoyheftyaus So we got JOHN
himself.
89D to He chats motorcade. approachingthesurveys SOUTH: John89D
road.the watchingHe's • JANE
•
Hey?the What JOHN (CONT'D)
snow.inhim coveringheadhis behind branchtheintoRIPS 7.62mm SLUGvelocityhighaas
89K headhis dipping slightly,justpositionshifts SOUTH: John89K
trigger.the squeezesShehairs.crossthein templeright
89J John's SA-80.theofsightthe POV through NORTH: JANE'S89J
can'tIifsee Let's Dokey.Okey JOHN
sight.
89I Javelin'sthethrough TARGETCARONTOtheLOCKS SOUTH: John89I
JULIE
position.firingaintobackon hersling
89H a ASSAULTRIFLE fromSA-80silencedaswingsNORTH: Jane89H
oblivious.on,rollsconvoyThe
ROAD:
JULIE
out.him takingI'm my square.on He'sjob.ado to We came Negative. JANE
- Repeat RTB Snow White. JASMINE
shot.a haveI JANE
mission!Abort JASMINE
fires.he beforeouthimtakecanI JANE
seconds.twentyT-MinusConvoy JULIE
spot.!!lYonHe's Bullshit. • JANE
CONTINUED: (2)
•
herself)(to Shit. JANE (CONT'D)
tunnel.theinto vanishes
car lasttheas glances down and comrns areherrealizesShe
by. Standme. read Do you confirm. to Waiting Knockout.down.Player JANE
down. straight IN THE HEAD. He goesSMACKhimhitsbullet
89PA squeezes.She crosshairs.thein POV. Target, NORTH: JANE'S89P
do. me madeyou what Now lookGreat. JOHN (CONT'D)
tunnel. mountaintheinto disappear Motorcadetheseetotimeinjust again,it He raises
here. round damn jobhisdo Guy can't JOHN
rock.theoff zingsshot anotherbutjobthewithon get
890 to He triesit.wantsJohnwhererightis convoy NORTH: The890
seconds. Five blind.anddeafI'm Nothing. JULIE
Snow WHITE?Come in JASMINE
blind.I'mher.lost We've JULIE
slope.thedownand aroundspinit She watchesice.thedown
89N away slideslaptopherbut rock,a behinddives SOUTH: Jane89N
THREE SHOTS,fire.returns
and kneelsrifle, SKS assaultSwedishaloadsandlockshe
Machine-like,ground.thetoHe dropslaptop.aofgloweerie
89M thein figurea He sees ravine,theacrosslooks SOUTH: John89M
Shit. JANE
89L NORTH: 89L •
(CONTINUED) •
speed .comicwithshotthe leavingslips, He John. down attumbleROCKS CLIFFS explode.runs.He
Ah Horseshit. JOHN (CONT'D)
him. greet
to down rushing mountainsidetheseetoturns ROCKFALL!John
frame.the throughfallstrunktree A rippedmoving. be to seems cliffsTheon. headtorchhis switchesJohn
BOOM!BOOM!BOOM!
red. Blinkingcharges.her DETONATEDhasJane
him. behind rumblinglowominousanhearshewhen handywork, 89U his with pleasedclear,tosmokethefor waits SOUTH: John89U
slope.
the down tumblesandrifleherloses below,feetsixtyhard,
powdersoftthehitsJANE highway.theonto snow crashes
89T as belowskidcars avalanche,thethroughfalls NORTH: Jane89T
l .• these buyto allowedbeSO not You should JOHN (CONT'D)
89S hand.hisin objectthe awe atindown looks SOUTH: John89S
hundredaup WITHERINGFORCE, throwingwithexplodessnow
The snow-face.theintoslamsrocketthe millisecondnextThe
89R the off dropsshe option,noWith transfixed. NORTH: JANE is89R
3. machat ravinethe across SCREAMINGflame,
of sheetaout spewinglife,toROARSitout, feet thirty
warhead. heat-seekinga massiveoutcoughsJavelin PLUNK. The
up.it He fires shoulder. hison Javelinthehole,hideyhisfrom appearsJohn
my to helloSayit. OK that's (calmly) JOHN
it. snow onsome He slaps bleeding.It's
it.to handhis He touchesbalaclava.theinholea There's 89Q ear. righthis clippedbulletThe dazed.is SOUTH: John89Q
•
CONTINUED: (2)
{CONTINUED) •
the intobackhim forcing a minigun,withfire CHOPPERopens the beforehueytheunder ROPE LADDERswingingaonadversary
hisof glimpsea catches A CHOPPER. He justofnoiseand
windthe a NIGHT SUN andoflightblindingthebymetHe is
tunnel.theintoback disappearssomethinglamp:headhis
on Turns darkness.silentthearound He looksNothing.aims.
and He spinsgun.his towardscrawlsJohnfree, Suddenly
pain.in gasps SHOULDER.She SLASHINGTHE BACKOF JANE'S andit missing himself,anglesJohnbutspikethe towards
fallboth They arms.his relaxesand shouldershis He twists
What? No effect.Squeezes. pants. Jane'sof crotchthegrabsand behind Reachesaway. feet fivegun his spotsJohneye.his from inches point, metal sharpthe towardshimpushesJane choking.isJohn
sign.road a discardedofoutstickingpolesteelraggeda towardshimdrags hold,necka executesshehimbehind Moving
knees.histo fallsandpainin He gaspsbrick.
half-a with shinshisboth cracks drops,She onslaught.his stop can'tbut dodgesShe closer. gettingpunch,afterpunch
throwsJohn knees. ankles,atkicksjitsuJu weaknesses.for Testing Gloves.Goldenvs.beltBlack moves.sudden Feints, other.each circleThey fists.his raises blood,tastesJohn
flying.gunthe sending FLIPPING him,mid-air,inanklesher betweenhandhishooksshebutguna for He goes roundhouse. spinning a reversedown fromJohn'sandspin A graceful
tiger.alike attackssheas darknessthethrough blazeeyes JANE'sabove.fromhim down BEHINDdropsSHADOW
a •.• suddenlyThenfigure.theof No signaround.looksJohn
tunnel.maintheoff corridorserviceaentersJohn cables. electricitydownedofflashandcracklethewithLit
NIGHT TUNNEL-INT.
pursues.Johntunnel.aintoheadsShe road. down thepile
snow- avalanchethefromemergingfiguresmallaJane:sees he where median,the reachesJohn highway,theacrossMoving
CAR GRAVEYARD.alikelooks
It ON THE BRIDGE. THIRTY-CARPILE-UPaseewe canhaze,the
BY THE ROADSIDE. Throughcoughing,emergesAnd JohnA beat. • BLACKNESS.Then ..•screen.the OF DUST swallowsA CLOUD
CONTINUED: (3)
•
• untraceablebetoitwantedreally it built Whoever No serials.clean. it'sbut crispato burntit'sWell JAJI
exploded.itkeyone pressedI JOHN
it? without camp-fireaYou put JAJI
over.oncethe laptop charredthegives (18),JAJI girl, An Indian everywhere.computers,ofBits
DAY SHOP, CANALSTREET -OF DIGITAL CHOPBACKROOMINT.
bazaar. electronicsanintoJohnFollow
DAY EXT. CANALSTREET -
above.snowtheat nervouslyuplooksJohnback.
hison John knockswhich fireballain explodeslaptopThe
ears.itsin fingersitsputszeroonand face frowny
a to changesfacesmileyThe down. countingstartfingers
cartoontenwhen deepensfrownHis PIN CODE****·ENTER PLEASEup:popsface smileyaandkey singleatapsJohn
Daddy. Come to JOHN (CONT'D)
laptop.the He opens
here? we havedowhatOho, JOHN
dropped.Janelaptoptheof cornera uncoversheSoon hands.hiswith diggingstartsandkneeshisto fallsJohn
BEEP. backwards:
Stepsdead. BEEP. He stopswe hear:Suddenlydetector.metal a with groundthe combingstandsJohn above.feet Eighty
sky. a blueinsoars eagle The Bald
DAY EXT. THE RAVINE - • THE CHOPPERWHEELSAND FLIES OFF UP THE RAVINE
•
my money •backroeGive JOHN
lair? underwatersecrettheir of zipcodeThe expect?youdidWhat JAJI
box? officeA postit? That's JOHN
NY, NY. Central,GrandOffice, Shipping5325,PO Box Consultants, Oswaldto registeredCard's (CONT'D)JAJI
screen. anotheruptapsShe Benjamin.aoverforksJohn
illegal.It's possibly.Couldn't JAJI
that?get Can you JOHN
address.billingtheneed'syou Now all'sblah.blahblahnumber AMEX $85. 09/09/02,Purchased network. anti-theftTalismanfrom invoice MicroworldtheuppullWe away) (tapping 090122.numberpart Microworld, by retailed New Jersey,Dynamix, by imported Chinese,Chip's JAJI
screen.her floodsInfo reader.heron barcodethebipsShe
Translation? JOHN
upgraded. Been module.RAMExtrago.yaHere (CONT'D)JAJI
guts.thein aroundPokesoff.backthe cracksShe
was.it say didn't I be.toit wantedtheysaidI JAJI
Shit. • JOHN
•
5325 •BOXforasksand casually SHADESwalksSUIT AND A BLACKingirl window when athenearyawningstandsJohn
him. behindcratesand boxesofroom endlessanand counter the behindfellow singlea window, up metalrolla Imagine
train.bysent packagessizedoverfor station A shipping
DAY- POST OFFICE WINDOWSTATIONCENTRALGRANDINT.
downtown.boxtheatdropa We have JASMINE
enters.Jasminephone.the closesJane
it,on alreadyI'm JANE
scene.thecleanJane, scenethe Clean witnesses.leavenotWe do FATHER (ON PHONE)
DAY OFFICES -COMPUTER EMPLOYNETINT.
do? ever we neveritisWhat FATHER
mouth,hand,eye,anOnly shots.Close
DAY OFFICE -INT.
scene. theon shooteranotherwasThere phone)the(into JANE
Grim. phone.the takesJane
Father. (mouthing) JULIE
phone.cellopenanher handsJulie
on my patch.doingwashewhatand is bitch know who thattowantI JANE
ENTERS, Pissed.Jane • DAY PROJECT ROOM-OFFICES -COMPUTEREMPLOYNETINT.
(CONTINUED) •
that? What's JANE
him.to next objectan noticesSheface.theonoutandin zoomsShe motion.slowinhittheof a videotapeplaysJane
DAY PROJECT ROOM-INC.COMPUTEREMPLOYNETINT.
NAME.
THE HE KNOWSdrops.mouth AGENCY.HisTEMPCOMPUTEREMPLOYNET
46: floorto fingerhisRuns wall.the REGISTER on buildingtheto He turns46.atstop elevatorexecthesees
He back.hangsJohn elevator.execTheenters.#4 Associate
DAY- BUILDINGCOMPUTER EMPLOYNETEXT/INT.
her. trailto fast Moving He smiles.note.the
hasshe KNOWS HER PURSE. And JohnFLEXEDAROUNDHANDS.Her
to ••• ZOOMINGeyesHis#4. Associateatout MOVE. He looks
DO NOTwhich HANDS,her down at BUMPSHER. He glancesLIGHTLY
he •.•wherespotatoher He beats#5. AssociateHe trails
one? Which swivel.aon moveshead John's directions. oppositeinsplittwinsThe impressed.smiles,John
And step.a takesJohn emerges.#4 Associatewaits.John
DAY- CENTRALSTATIONGRANDINT.
IDENTICAL.areThey#5.and#4 Associates Meet TWOTWINS emerge.open.doorsstallAnd twoA beat.
DAY- WOMEN'SBATHROOM- CENTRALSTATIONGRANDINT.
back. He hangs BATHROOM.WOMEN'Sthetonotethe followsJohn
precision.theirinElegantSmooth.move.On the women. beautifulare.•• thereturnsJohn everywhereseemsIt
from moves whichnote,the trackto chaos throughfightsJohn
dizzying. DANCE. Intricate,choreographedexpertly an likeis followsWhataway. who heads ASSOCIATE#2, to notethe hands#1 OF BODIES. AssociateA TIDAL WAVE • DAY- CENTRALSTATIONGRANDINT.
•
• concernedconfused.looksJasmineout.headsShe
back.beI'll go.to got I've yet)not explain,(can't I .•• Jasmine,to ..•needI JANE
all-of middlethein homegoto wantyou sureyou Jane, JASMINE
close.gets Jasmine shaken. A littlecoat.ainto slipsJane
DAY OFFICE -FRONTINC - EMPLOYNETINT.
inside. Spinningup.hangs He slowlymessage.thehearsJohn
DAY STREET - EXT. NEWYORK
••• waitingbewill Dinner home ••• my wayonI'mhim him .•• tellTell JANE
? BE••• CAN IT thinking.Thinking,screen.theatlooksJane
dinner.aboutknowto He wants (CONT'D) JASMINE
hand. PHONE inahas Jasmine quickly.turnsJane
husband.yourIt'sJane. JASMINE (O.S.)
beat. A hard
screen.thetoclosegetsShebe?it Can furrows.browJane's
a sees:Janebut blurryvery still CLEARS. It'simageThe pixels.thecleansandfacetheof imagetheto back goesShe
thinking.reacts,Jane
lunchbox.Snoopya••.It's (CONT'D)JULIE
••. PIXELS CLEANS theSloooowly.object.theoninzoomsJulie
• JULIE
•
JANE
coat.his unzipsJohnback.her turningfullyNever mirrors.
checking sideways,Shiftinghall.fronttheintoleadsJane
NIGHT- SMITH HOUSEINT.
years.intime firstthefor wife,hisat lookingreally raise, eyebrowsHisbody. wife'shis Noting clues.for scanningcurves, down herandupslideeyes John's turns.She
you. After JOHN
house.the toward motionsJane WIDE OPEN. On edge.Eyes
honey.home, Welcome JANE
sruling.door,John'sopensJane suspicious.is Perfection
always.As Perfect. JOHN
JANE
hand.infoodof full traya with there,stands OPEN. Jane
POPS side-doorgaragethe..•SuddenlyGARAGE.thein He parks
suspicious.narrow,eyesHisJane.ofsignnoBut window. kitchentheat He looks driveway.theintopullsJohn
NIGHT- GARAGE- SMITH HOUSEEXT.
out. Peels SCREECH!gas.
the FEAR. He stabsofhintawithringweddingon hisslips He earlier). "lipstick"thewasthis we realize(andcollar hison bloodofdaba He sees mirror. pockets, He checks fast.fastFast ritual.hisDoes engine.theupfiresJohn
DUSK- PARKINGLOTEXT.
wife. guy'sthatwantI
chuckles. A COMMUTERstairs.theto COMMUTERS
otherthe beatingfast,movesJohn open.Doors blows. Whistle
• NIGHT- TRAIN STATIONSUBURBANINT.
•
• commission a with problem,littleawasthere Actually,ol'.sameol'Oh same JANE
returns.Jane Silence.
work? So how was JOHN (CONT'D)
serves.Johnflesh.cutsSteel sits.Sheher. disarmsJohn
carve.I'll down honey,Sit JOHN (CONT'D)
hand.herin The KNIFE glintsmove.everyherwatches
Johnit. sharpensJaneasviewinto liftsknife carvingThe
My favorite.roast.PotMmm. JOHN
counter.on theDraineof bottleaseesJohndoor kitchen swingingthethroughher Behind beaming.standsShe roast. steamingawith suddenly reappearsshebeforeseconds
fewa for alone uncomfortablyleftisJohndoor.kitchenthe
throughoutskipsShe He tenses.back.hisaround She walks
it. mentionDon't JANE
you. Why thank JOHN (CONT'D)
her.at looksJohnlap.
hison it laysand whipcracksoftiniesttheitgivesnapkin, the takesShe He sits.John.foroutchairthe holdsJane
honey.tooyou missedI JOHN
you. missedI JANE
me? for thisall You did JOHN
Romantic. Candlelight.out.deckedisroomThe
NIGHT DINING ROOM--SMITH HOUSEINT.
coat. FRISK the HANDSsmoothlyher •
it, hangssheAs coat.hisoff slipsJaneBut tightens.John
44,
•
up .add didn't Something figures.somewith problemHad a JOHN
day? your how wasme, So tell JANE (CONT'D)
Thinking.hard.swallows RETURNTO DINNER. John
line. A perfectTUNNEL.THE MOVEFROMTHE FIGHT INA MATCHING FLASH: A MEMORYline. straight A clean,glass.hertowardout
reachesJane swallowing.narrow,Eyeshead.hisshakesJohn
that?with saltany want don'tyou You sure JANE
now. New meaningwords.histo An intensity
is.it how goodforgetalwaysI JOHN
if- ask You always JANE
new? something You dogreat.isThisMrnm. JOHN
roast.pottheto motions BACKTO THE TABLE. John
TUNNEL.the PUNCHESinthrows FLASH: John ABRASIONS. A MEMORY HIS KNUCKLES:faintEAR.ON JOHN'SBANDAGEaseesJane
handle. we can'tnothing It's worry.don'tButyet.Not JANE
••. solved?problem'sSo the JOHN
swallows. watching,Janeseeshand,in forkfulpauses,John
consultant. anotherWith A double-booking. JANE
net.the rushesJane
A problem? • JOHN
(CONTINUED) •
• it deserveyouHoney, JOHN
He smiles.
have. shouldn'tyouJohn JANE
think?youdo So what JOHN
doorway.theinisJohn around. spinsShe night.lastfromSCARtheis shoulderheracross
- BACKLESSIT'Sturns:She beautiful.it'smirror:thein looksSheon. dressthe slipsandoff clothesherslipsJane
NIGHT- BEDROOMINT.
on?it try you Why don't JOHN
beautiful.It's JANE (CONT'D)
dress.blacksleek beautifulais:finds
she whatBut a trick. expectingmaybepackage,theopensShe
my husband?with doneyou have What me? John!For JANE
Covers. distrusts.Jane
present. a you boughtI forgot.almostI JOHN (CONT'D)
time.of matterajustIt's there.getwe'llBut death.orLife JOHN
deal? Important JANE
it.on workingStill JOHN
them? fixedyouBut • JANE
CONTINUED: ( 2 )
---- ----- --------------
•
JOHN
towel-agetI'll JANE
back.push Jane
and BLOODRED. JohnrugtheStainingSHATTERING.ground.the HITS finallyglassHis Silence.eye.sametheintolooksJohn
NIGHT- BEDROOMINT.
•.• into high-speedbackwardFlyingVarron.SanchoOUT of
108A PULLS bullet IN BOGOTA.REVERSEMOTION. TheTHE STREET MARKETl0BA
at--back And we'restocking.herintobladethinaslipher see HER••• to We SWIVELFAST AROUNDskirt.hersmoothsJane
belt.hisinto revolver tinya tuckhimsee HIM••. to FAST AROUNDSWIVELAnd we
shirt.hisin tucksJohn other.each
DAY BOGOTA FLASHBACK:THE HOTELIN
seconds:three
span OF MEMORIES.LIGHTNING-SPEED, STYLIZED FLASHESAVALANCHE AN falls.itas glassthetoin We zoomglass.thedropsJohn
•••And it. catcheslightThe glass.winehisin reflection
theat lookshe back,her Behindclose.her holdsJohn
new woman.a wholeLike JOHN
eyes. Lockinghis. againstbodyher pushingclose,staysShe
look?I So how do JANE
smiles.She shoulder.her
at lookto chancehis misses completelyhesosecondafor him distractingJohn,aroundspinsJaneapart. millimeters•
brush,almostlips their close,stepsandher He approaches
(CONTINUED) •
cha? don't whyownwe car every Trash Great. JOHN (CONT'D)
SPARKSFLY.grind. CARS bump andTheirlane.aforFighting
Honda. fuckin'the dent Don't Honda.thedentDon't JOHN
other.each towardSWERVEThey
her.toup He catchesWeaving.harder.gas PUNCHEStheJohn
roars. engineTheit. floorsandgeara dropsShe
me.to You lied JANE (TO HERSELF)
himself.gathertoTryingMPH.90,95 ground.gainsJohn
My goddamn wife.my wife.That's JOHN
speed.theat shudderswagon
Jane's traffic.throughweaveJaneandJohnon.is chaseThe
NIGHT- INTERSTATEHIGHWAYEXT.
highway-- interstatetheontocorner,thearound slingshots sedan SCREEECH!John'ssnow.ofwakealeavingbendthe
round broadsideswagonJane's LIGHT SNOWFALLS. SCREEECH!A
NIGHT-ROAD COUNTRYEXT.
THE He hears:beating.Bloodroom.toroomfrom He moves
? Honey •.. JOHN (SWEETLY)
alert.highonJohn room. emptyAn flicker.Candles
NIGHT- DINING ROOMINT.
hip. On his THWACK.Gun assembled.pistol.clip, silencer,aoutPulls compartment.Hiddendesk.hisopenrips
He Nothing.door.thetoEar flinches.Johno.s.shutSLAMS doorA racing.Mind Panting.him.behinddoorthe He shuts
• NIGHT-DEN INT.
• 48
•
• it like how youSee (CONT'D)JOHN
on. backlidthe screwing andinit stuffing shirt-arm,hisoffHe tears footwell. the fromCAN GAS a plasticpullsandover He reaches
lid.tin the That'sit. That's JOHN
down again.ducksJohnagain.fireopensJane
it. goddamn my laneofoutGet JANE
She BOUNCESaway.stronger. bigger,iscarHislane.her into movesand acceleratesJohn
over-react.it.That's JOHN
glass. brokenwith showeredseat, passenger eats John car. John's SING intowhichherbehindrounds calibre.45 Ten MassiveemptiesandseatherinswivelsShe
You bastard! JANE
windshield.theoutear,herpassesroundaas flinchesJane
me do.madeyouwhat Now look JOHN (CONT'D)
window.rear Honda'sthe throughandair, country freezing
of feetten through windscreen,his ZINGS throughslug9mill A round.aoff squeezes accidentlyhe On impact,him.toward fly "KEEP YOURDISTANCE!" stickertheseestail-gating,John,
on stampsSheher. behindin swervesbrake,the He PUNCHES
packin'.She'sShit. JOHN
across.looksJohnloads.and locksShe clip. capacity highandSiga out pullsandseather under reachesShe
armed.He'sShit. JANE
wheel.theonhandhisin gun silenced • the seesJane level.drawsandvana around swervesJohn
---------
(CONTINUED) •
you?to happenedhelltheWhat EDDIE
river.thefrom rancid bloody, beaten,John,see:todoor fronthis opens slowlyEddie
NIGHT- HOUSE EDDIE'SINT.
TO--CUT the a DING DONGonWe hear
war.for Ready Impassioned.IMPRESSED.as •••angry
muchsoNot flash.eyesHis Alive.bobs.John buoy •••old rustyaof side otherthe waves .•• ontheBeyondswirls.Water
NIGHT- EXT, RIVER
night.theinto drivesJane river,theat glancelastaWith
SIRENS. COPS incoming.hearsShe••.No bubblesJohn.noStill
A beat.John.of No signriver.the sweepinghandright
herin pistol shoulder,leftheron maglightpolicebank: theon standsJane water.the LIGHT hitsfast.sinkscarThe
IMPACT. SPLASH!Hudson.the NOSE-DIVING into THE NIGHT. SOARINGTHROUGHRAMP, AIRBORNE! FLYING OFF THE goescar As hiseyes.his shuttinghard, He swallows
concrete.the WALL. CRASHINGthroughRAMPINTO THE He SLAMSSMASHJ INCOMING. He fishtails.OFF-RAMPANsee:to
ahead 130MPH. He looks PAST THE FRONTOF HER CAR atSWERVES John HER. So •••TOWARDSWERVESJohnasBRAKES, SLAMSHERJane
talklto We need JOHN (CONT'D)
shouts.John ••• attraction?of ••• electricityA flicker125MPH. at eyes lock they side,by SideIT. FLOORSJohn Frustrated,
smiles.Janedoor.sidehis catchesitasHARD, He BRAKEShim.toward cartwheelglassflamingtheseesJohn
out.
pops neatlyit KICKS,and windshieldtheagainstfeetboth
bracesShegas.theon footherfor handher swappingseat,
her down in hunchingcool,staysShefire.forsee can'tJane
flames.inhoodher wreathingimpact,
on EXPLODING windshieldJane'sofcenterthehitsIt window.
the outit hurlsand gas-bomb makeshifton hisfusethe • lightshe ahead,Edging120.115, metal.to pedalputsJohn
CONTINUED: (2)
•
• Eddie Goddamn it JOHN
way more.killedhavecouldShe have.couldshe meanI you? than more killedshe•s thinkyoudo Well EDDIE
mean?youdo What JOHN
killed? she'sthinkdoyou How many people EDDIE
woman.that believecannotI JOHN
start? the from this doingwassheSo EDDIE
happened.it'sWell JOHN
happening?thatofchances the are What really.meanNo I (CONT'D)EDDIE
a beer.sipsJohn
implausible.sojustthat'sbut..• EDDIE
albatross.andigestinghe'slikelooks
Eddie table. breakfastlittletheatEddie oppositesitsJohn
NIGHT-ROOM BREAKFAST-HOUSEEDDIE'SINT.
again.that OK. Say JASMINE
Jane.of frontin open-mouthedstandsJasmine
NIGHT- EMPLOYNETINT.
open. mouth Eddie, Leavinginside.headsJohn
My wife. • JOHN
•
Hudson . the into roadthe me offdroveand my carintoshots fifteenfiredShe JOHN
unusual.sonotThat's EDDIE
me. killto wants My wifeUpset? JOHN
upset.both You'rethis.on sleep You shouldthat.answerdon't Wait her?love stillyoudo Well EDDIE
her. lovedI woman becausethatmarried I different.completelyThat's JOHN
playin' exactly You weren't EDDIE
me.to liedshe believecan'tI JOHN
table.theat staresJohn
Rex. Tyranosaurusfuckin'aisgotyou What dogs.have couplesofLotsNo. EDDIE
JOHN
years?theseallyou fromit keptshe suppose How d'you EDDIE
please.Eddie, JOHN
coulditand has,youof one Well • EDDIE
(CONTINUED) •
••. personal?anythingFind JASMINE
effects. personalthe checkingjustI'm JANE
professional.Cool,cover.toShe triesup.looksJane
? ... thoughtssecondHaving JASMINE (O.S.)
nostalgia.ofA hint Colombia.inyoung,Tan,John.and
herof photoaup picksJane sofa.the cover PHOTOalbums
DAY- LIVING ROOM- SMITH HOUSEINT.
drill. You know theMatchbooks.
JULIE
boxes.bills, trash,mail, John'scheckgirls Jane'sdown: upsideturnedbeen home has suburbansweetThe
DAY- VARIOUS- SMITH HOUSEINT.
([ home. SMITH HOUSE. A picture-perfectthehitsA paperpapers.
throwingbike,hispedals A PAPERBOYsnow.ofcarpetFresh
DAWN- SMITH HOUSENEIGHBORHOODEXT.
heavy.Really heavy.It's means.this know what clearlybothThey agony.of kindsteninis John head.his shakingexhalesEddienods.John darkens. expressionEddie's
it? Get hit.aon me. ID'd She Eddie. understandYou don't JOHN
her •.•tonicebe flowers,somebuy her,to Talkher.seego morning thein and sleep,somegetJust EDDIE
vulnerable.tooseemdidn'tShe JOHN
Vulnerable. Hurt.are.youas confused as probably now she'sRightme. trustBut usual.lessthat Okay, • EDDIE
CONTINUED: (2)
•
honeymoo-yourlikeLooks JANET
this?is What JANE
beach.aon danceJaneand VIDEOS. JohnVACATIONwatching bed,theon sit AssociatesJane's JANE ON TV.JOHN AND
DAY- BEDROOMINT.
HER VOICE•••hearsAndhardens.SheIsland,Coneyatsmiling Johnand herof photoaat stopsShe time. firstthefor
if home .•• asheratLookinghalls.emptythroughdriftsJane
DAY- UPSTAIRS HALLWAY-SMITH HOUSEINT.
lie.!!lYwasit thoughtIbutYeah, JANE
lie.a life'sheroutfindto worldthein girl firstthenot you're You know, JASMINE (CONT'D)
time.this answereasynois thereBut mouth.her opensJane
now? everyone compromisingaren't you sureyou Are sure?youAre JASMINE
here. everyone compromisedhe's me, knowshe risk, securityaHe's (CONT'D)JANE
herself,Composesherself.catchesSherose.voice Jane's
is. know WHOhedon'tI JANE
Jane. husband,yourHe's "mark"?The JASMINE
photo.oldanup picksShe close.gets Jasmine
tracks. his coveredmarkThe No leads. JANE • cool. staysJane means. JasminewhatknowsJane
•
• hallwayemptyon thedoorthe Closesthem.after staresJane
killers.Futureaway. Hopscotch satisfied.smile,girlsThe
girls.party, Garden JANE
Smith?Mrs.on, going What's GIRL HOPSCOTCH
past. GIRLS skipHOPSCOTCHlittletwosidewalk,the
On vans. blacktheirintothem drop FILLED WITH WEAPONS.They
sheetsand pillowcaseswithvanblackaload Associates
DAY- HALLWAY- SMITH HOUSEINT./EXT,
all.itbag it, Bag JANE
Focused.thought.indeep around,looksJanecash. stackedoffull shelves weapons,offull LIGHTS at •.• walls MAG- shineThey ••. JOHN'S ARSENAL.intoteamherleadsJane
DAY- LEVELLOWER TOOLSHEDINT.
echoes.More KICKS down. FOOTSTEPS. ECHOESUNDERFOOT.She own Her something.hearsJanedrawers.boxes,toolopen Poppingout. Women spreadlife.tosparksbulbhangingThe
DAY- TOOLSHEDINT.
looks. exchangingout, The women file
wrapped.room'sthis ladies,Okay JANE
can. garbagetheinit drops••.videothe ejectsTV,theto over walks calmlyJane
? so ••• happy •.You lookGod. JANET
target. On the Background.Research. JADE
it?! with doing you are Whatis.it know whatI • JANE
(CONTINUED) •
• lightred A blinkingSYSTEMS.SECURITYwithscreensthe
Fillingkeys. punchesJulieturn. slooooowlywomen allThe
fill.•found have •••mighthethinkI Jane .•• JULIE
cool. signatureherofbitlittlea losingisJane
Please.him.find..•Just JANE
name.real husband'sknow hermay notshe realizesJane
Smith"?"Johnwhat?For JASMINE
for ••. databasesbanking And search JANE
her.at lookall They message. CLICK. Outgoing
but- now home rightatnotWe'reSmith. Janeand John reachedyou'veHi, ON TAPE)JOHN (
tape.the playsJane closer.
lookBut high-tech.looks a MICROCASSETTE,ItoutpullsJane
Jane? what,With JESSIE
JANE (CONT'D)
glares.andpaperthe crumplesJane ABOUTTHIS?"TALK
TO "DO YOUWANTsayingpaperofpieceaherhands Jasmine
•.• cards credit taps, phone Everything:up.eyes All status. know histowe needand organizationthetoliabilityblue code-ais Mark people. priority ouris acquisitiontargetOkay, JANE
blazing.eyestroops,her behindpaces She Jane. So doesenergy. hums withmonitorsofA myriad • NIGHT- PROJECT ROOMINC -COMPUTEREMPLOYNETINT.
• 56
•
light.of flash blindingA EXPLODES!grenadeTheBOOOOM!
dead. You'reBang. JOHN (ON PHONE) (CONT'D)
death.to Millisecondsgo wide.eyesAllfloor.
the Acrossout.drops TINY GRENADEAwhere ..•AIR VENTto ••• an wall down the•.•ceilingtheacrosssoundthefolloweyesAll
OVERHEAD. METALLICBOUNCEA
that. aboutsee We'll JOHN (ON PHONE)
anywhere.goingnotI'm JANE
fast.And disappear.toneed You Jane. warning,lastandFirst JOHN (ON PHONE)
he?is Where ceilings.theatup staringplace,inspinsJane
office.theme at bothertonotyou toldI thoughtI {CONT'D)JANE
open.it snapsShe rings. cellphoneJane's RINGGGG!.••SUDDENLYa move.sound,afor Waiting Silent. ceiling.theatupstare slowly DOT. Theythe women seeThe
" MOVESthoughimagethermalAvents.theGRID of3-Da flashes
programThe sensors. CEILING heatforkeyspunchesJane
EMPTY.WALLS. HALLS. FLOORS.checkthey On screen,
... heresHe, JANE
bullet.singleais InsideBAND. WEDDINGJohn's
theon somethingsee •.•toelevatorthe ZOOMSIN toJane
SLIDES OPEN. Empty.
DOOR THE ELEVATORsee .•.Theyscreens.SHOTS fillSURVEILLANCE
in breach heat-sensoragotI've • (CONT'D)JULIE
(CONTINUED) •
• A bull-fighterground.herstandsgun,herraises terrain,the assessesJaneit.floorsandgeara He drops
about. talkingI'mwhat Now that's JOHN
wheel.theat SPEED. DRIVING STRAIGHTAT HER. John GATHERINGcorner.thearoundpowersA 4x4 TIRES SQUEAL!
Suddenly--beat.tenseA long,place.inspins
She empty.isfloortheBut corner.a aroundsweepsShecars. of ECHO, down rowsthetrackinghip,hertogunaholdsJane
louder. CAR ENGINE, gettingdistantasound,thatShe hears
cars. Endless fluorescents.Flickeringgarage.theofexpanse
flatthe into stepsJane vans,the intopile girls As the
Janel JASMINE
•.• John.sensingnarrow,eyesHer distance.thein HEARINGsomethingpauses,JaneButVANS.
BLACKfor headThey elevator.theirofoutrunteamandJane
NIGHT- PARKINGGARAGEUNDERGROUNDINT.
ground.theoffring weddinghissweepsheshut, doorsthe
As BASEMENT.He hitselevator.opentheintobackstepsJohn
shut. doors steelHer CLICK. Jane •..withcontact
eye makingturns,heas Just tableau.An epic shoulders.and hips on hishangs Hardwareceiling.the down fromdropsJohn
••• debris swirlingandsmoke throughseeto Watchingback.turnsShein.lastisJane
PRIVATE EXIT.backtheout The women lungegone. WOOF!Evidenceincendiary.andropsgirlpassingawhichinto
drumoilanin stuffedarefilesand phonesfrom rippedare
cardsSim DRIVES.HARDERASE Stationscommand.akeysJane
MOVE!c.plan Evac team)her(to a map.and handsbothwith buttonthefind couldn'tyouBaby, JANE
anytime. anywhere,buttonthepushcouldI • JOHN (ON PHONE) (CONT'D)
CONTINUED: (2)
•
alone,we're dark,it's You mean JOHN
new experience.aisthisWell JANE
body. Body towalls.the against sidesherby armsher jamminghers, againstbodyentirehis PUSHESandfast thinksJohn himself,defendtoroomnoWith
fingers.herinaroundflipsand retrievesshe
which daggerthe dropsandpainin He gaspswrist.John'sto
pressurelockingappliesandhandhisgrabs this,spotsJane dagger.punchhisout flickshandotherThe HAND. No room. OUTSIDEtheinisgunHis CLANG!gun.hispullto triesJohn
Trapped.bin.theoftopthe touching nosesTheir side.bySide backs.theironlay Janeand John
dead. stops ceiling The Claustrophobia.in,breathTheyfurther.compresses
bin The Jane.to nextin rollingup, himself He pullsbin, theof end far the HANDGRABSHOLDofBAM! John'sSUDDENLY!
HISS. CREAKandGears street-level. towardupRISEto startswhichbin,the into leapsJane
coffin.metalwide,
a Like crawlspace.offootaonlyleavinglowers,roofThe
COMPRESS.tostartsbinsEmptybins. storagecar Hydraulic
NIGHT- ELEVATORCARINT.
to-- racing stride, breakingwithoutgroundthehits levels,
betweendivideaover leapsShe ramp. down a runningJane
CLICK. John BANGBANGBANG!truck.theatclipherEMPTIESJane out. rollsand punch-knifeawithairbagtheSLASHESJohn
pillar.ainto head-on SMASHINGwaist,her INCHES past slides4x4theas a matadorlikewaytheofoutswaysJane
bag.airan EXPLODES! IntoWHEEL. WhichSTEERINGthe to .••racinglightsred circuits,pistons,engine,theinto
..• electricityofpulsethe And we FOLLOWblows.lightThe
headlight? HEADLIGHT.The THE at ••. Straight And FIRES!Smiles.ground.herstands •
Jane 20 .•• 30 yards,down.bearsJohnaim.her steadiesShe
(CONTINUED) •
traffic,throughsprintsJanecars. speedingbetweenA flash
NIGHT STREET -EXT.
And sees--out.He hopsJane.thanleewaymore He needs roof.thefor WAITtohashe but out, wiggletotriesJohn
SHE SLIDES OUT.view.hisblocking OVERJOHN'S HEAD, OUT OF HER COAT, PULLS ITSLIPSJANE
motionfluidonein moves:she space,thehasJane secondThe
rise.to startsroof FLOOR. TheGROUNDthehitselevatorThe
to •••have You won't JANE
wait. hardlycanI (dangerous) JOHN
yet. moves my best seen haven'tyou me baby .•.Believe JANE
field.thefor movesbest your savingwere knew youneverI JOHN
RISING again.iselevatorTheCLANG!
JANE
dead?playand over roll just me to expectyouWhat, JOHN
on yourself-easy real this make couldyou You know, (CONT'D)JANE
a halt.toGRINDS elevatorThenose.toNose Sweating.
mourning.for practicing,I'm JANE
black.ingood You look JOHN (CONT'D)
• stockings.skirt,Blackbody.hereyesJohn halt.
a GRINDS toelevatorThenose.toNose Breathless.sweating.
•
• beforehere in been neverI've believecan'tI MARTIN
holster.hisHand onhim. behindJohn first.enters Martin
DAY- HALLWAY- SMITH HOUSEINT.
Aloha. JOHN
••• mark.••. perfect HOT TO TROT. A totalreads:thatapron
an and hat, a chef'sWearingdoor.theopens CarlsonMartin
DAY- HOUSE CARLSON EXT/INT.
mark?kinda thatfind gonnaam Ihellthe Where JOHN
I chimney.fuckenthein
loadedand lockedshe'sif bullet firstthat taketo Somebodycover. A shield.aBring Johnny.And EDDIE (CONT'D)
go.to Ready nods. slowlyJohn
Go home.in •.•anFind now. lifeher intoget You gotta EDDIE (CONT'D)
Serious.weapon.John's He takesJohn.toclosegets Eddie my wife."notshe's my wife,not"she's thinkingnods,John
wife. yournot she's yourself:telling keepJust clean.andfreeup, wake Then a weekend.Mourndrunk. get You'lldone. And bethis. So do John. rules,the knowsShe EDDIE
hand. Gun in Frustrated.forth.andbackpacesJohn
DAY OFFICE -EDDIE'SINT.
we FADE OUT.Andhim.aroundpulsescityThebeat.long •
A side.hisby limp hanginggunHis alone.allJohn Leaving
•
• otherthein tape honeymoonthehand,onein nightietheto nods Martin a pistol.belt:hisofbackthemoveshand John's
neighbors. We'reme.tell You can Come on. (CONT'D)MARTIN
up. looksJohn
secret?your So what's (O.S.)MARTIN
my wife.notShe's JOHN (CONT'D)
breath:under Harder, burning.narrow,eyes VIDEOTAPE. John's HONEYMOONtheiroutfishesand garbage,thetoward He moves
CAN. GARBAGEthein .•• somethingseeingfurrows,browhisThen
•..•wife my not She's my wife.notShe's JOHN (TO HIMSELF)
INHALES.nose.his NIGHTIE toalifts He slowly lingerie.
of full draweraout He pulls clothes.throughflipsJohn
DAY- BEDROOM/CLOSETJANE'SINT.
sofa.the under swoops shelves.Checks drawers.
open He ripsFAST.movesJohn bathroom.theintoheadsMartin
out. yourselfKnock JOHN
faucets!Dulcite Oh my god. MARTIN
What? JOHN
room.
the scansgun,his quickdrawsYELP. JohnaoutletsMartin
DAY- LIVING ROOM- SMITH HOUSEINT.
own home.hisofshadows menacingthethrough Moving wide-eyed.equallyisJohn wide-eyed.isMartin
tour. fullthe you give let'sthen Well • JOHN
•
be to seems there security,isThis VOICEMALE
life.to crackles speakerThe floors. STOPS betweensuddenlycarThe52 •..51,
light.tofails50and 49 •..•48,47,50. towardsrise Numbers
NIGHT- ELEVATORINT.
FIFTY.Floor address.Thepaper.ofscrapa checks He a briefcase.carryinghat.aWearingup.staresJohn
••• streetthe Way down onREALTOR. READYTO LEASE. LUBETZKY
floors.70 skyscraper. state-of-the-artthisoffbouncessun
SUNSET- NEWYORKHIGH RISEEXT.
fine.justout workingIt's JOHN
blossoms.slowlysmileJohn's
out. workingspacenewtheHow's VOICE MAN'S
Employnet. for callingI'm there.Hi, JOHN
hallway.theintoout driftedhasMartin
Estate.Real Lubetzky VOICE (ON PHONE)MAN'S
details. theto attentionpayto.•• got JOHN (CONT'D)
sitting.wasshewherebedthein depressionait:to
next angle,anatis PHONE JANE'Sbed:the••. by noticesJohn
•.• just .•• you'veMartinWell, JOHN
moving.He's something.onfalleyesHis relaxes.John
love?in•••sostayyou How do • MARTIN (CONT'D)
(CONTINUED) •
get . to hardplay ratherWe'd girls. man? You know usaLikeWhat? JANE
me- faceand come outyou Why don't JOHN
dear. jokes,for No time JANE
voice.herto switchesShe
week?this newsof piecebig my otherthis Is guy?!a You'reit? So that's JOHN
INTERCUT-OFFICE EMPLOYNET ELEVATOR/NEWINT.
John? comfortableyou'reYou~ JANE (ON VOICEBOX)
a MALEVOICE.intovoiceher transformingdevice) pager-sized(a a VOICE MODULATORwitha mic,intospeaksJane
on-screen.Johnoffootage surveillance with ·command centermakeshifttheiratteamandJane
NIGHT- OFFICE NEWEMPLOYNETINT.
into- shaft elevatortheTHROUGH FAST PUSHESCAMERAOur What? securicam.theatlooksJohn
sir? sarcasm,thatIs VOICEMALE
A beat.
comfortable. quiteI'm really No rush, JOHN
is? problemthewhatseeto come upto engineeranneedDo you VOICE (CONT'D)MALE • one. finds camera,afor looksJohn
(CONTINUED) •
of • am capableIwhatideano You have JOHN
I? Oh do JANE
me. underestimateconstantly you becausework,togoing not it'sis, plan your Whatever JOHN
impressed,•..Slightlysmiles.Jane
He knows. JULIE
brakes? secondary and primarytheonmoretwoand cable counterweighttheoncharge shapeda there,upgotyou So what JOHN
Too high,again,hatch emergencythechecksJohn
face. pretty a just than rngi;:gwereyou thoughtI a known phone?onnumbersensitive a leaveto dumb enoughbeI'dThink JANE
mouse.withCat smile.of sliver littleagivesJane
trap?ais this Oh so JOHN
around·him.looksJohndrops.pennyThe
•••air clearof floorssixty over danglingboxsteelain sealed now you'rerightButsay.So you JANE
anywhere.goingnot You know I'm JOHN
John. warning, lastand firstyouris This JANE (CONT'D)
Too HIGH.ceiling.the HATCHon EMERGENCYansees •
He out.anfor He looksNo luck.doors.theonpullsJohn
•
Ginger.andFred a movie,From JANE
that?isWhat JESSIE
herself.despitesoftly,smilesJane a wave.and
bowA move. littlea He makescamera.theintolooksJohn
THREE•..•••.•.•. JANE
no walk?and squawk You all matter.theWhat's JOHN
it.do I'll FOUR•••FIVE .•. JANE
it. blow girl tough C'mon JOHN
won't?I You think JANE
you. dareI it. blow Go on JOHN
me? Excuse JANE
hand.one arounditwrapsandoff belthis takesJohn
it. Blowup. giveI OK. JOrIN
defiant.Bold,smile. littleagivesJohn A beat.
John. warning,lastandFirst JANE
this.fortime have we don'tJane, JASMINE
impatient.Urgent,in.leansJasmine
Likewise. • JANE
( 2 ) CONTINUED:
•
the .••to fallingbadly,winces John spiderwebs.glassTheloud! Bone-crackingHARD.HITS
He WHAMM! ATRIUM!GLASSthe UP intoJohn WHIPPINGthrough,
pulledgets The beltpulley.the reachesheas He braces
pulleys.smokinghuge throughrippingcabletheseeshetop
the nearshe WHISTLINGMETAL. Asofsoundthewithdarkness
the fillinghim, away beneathfallselevatortheasshaft
the UP throughcablesnaking RIDING the HOLDSTIGHT,JohnBut
40. upwards now flieshefloors30nearly dropped G-FORCE. Having IN PAIN AS HE EXPERIENCESMASSIVEHE SCREAMS
him up.pullingbelt,his catchesitball,wire
a like passescable partedtheoftip As the himself.braces
John SHAFT. SNAKINGITS WAYUP THEandunravellingcable counterweightseveredthewe seeBelowsmoke.leatherthe makingspeed terrifyingatthroughrunscable THE CABLE. The BELT AROUNDWHIPS his FALLING ELEVATOR.JohntheTHE ROOF of
NIGHT- SHAFT ELEVATORINT.
onto-- LUNGESOUTand
HATCH EMERGENCYthe KICKS openJohn PLUMMETING,CARtheWith
NIGHT- ELEVATORINT.
zero. You saidWhat? JESSIE
blaze.eyes RELEASE. Jane'sflashes:laptop.•• Jessie'ssees THE HELL HAPPENED?! SheWHATroom.thearoundlooksShe button.theabove hoveringstillfingerher frozen,sitsJane
the from ripplesskinHis camera. surveillanceGRABStheJohn
roof. HITTING thefeet.hisoff
THROWNisJohn bullet. AT WARPSPEED. A deadlyDROPSelevator
JOHN'S CAR FREEFALLS! The two-tonBANG! BANG! BANG! WHHHHHMJ
See? JOHN
smiles.Johnkey.the above millimetersfingerHereyes.her
shuts ENTER KEY. SheCOMMANDthe HESITATES overfingerJane's
ZERO. ONE..•.••.•.•.••..•••...TWO • JANE (CONT'D)
CONTINUED: ( 3 )
(CONTINUED) •
• Gorgeous Smiling.suit.
a In table.the AcrossJohn.him.seeto slowlyturnsShe
you? me now wouldkillingabout mushyall gettingbe You wouldn't VOICE (OS)MAN'S
bottle.thefor Reaches champagne.hergulpsShecheek.her
down rollstear A singleEve. On Christmasmuch alone.Very
champagne.hersipsShelove.in COUPLES, FAMILIES,room. the aroundstaresSheone.for tablea down atsitsJane
did.I Yes. (flat) JANE
you?did deal, anotherClosed MAITRE'D (CONT'D)
eyes.herin missing Something new dress.thewearsJane
smith.Mrs. waiting,istableYour MAITRE'D
mecca. ultra-chicflashy,thisthroughusleads MAITRE'DA
NIGHT LE CIRQUE -INT.
digs. decadentmost New York'slights.Christmas Glittering
NIGHT LE CIRQUE -EXT.
INTO-- FADINGslowlyface, Jane's acrossdance
lights SIRENS SWELL. Policeascrowd,theintopulledisJane
hard. blinksShe rubble. smolderingthe
in belt John'sof SCRAPaseesShe wreckage.the approaches Jane stairwell.thefromemergeteamandJane damage.Nuclear
steel. Twistedsite.crash elevatortheatgape People
NIGHT LOBBY-INT.
her. grabs Jasminedizzy. Rocked,screen.staticher
at staresJane moving.isteam SHAKES. Jane'sbuildingThe
ground. SPEEDINGMETALHIT theofIMPACT! Two tonsBOOOOOM!
NIGHT- OFFIC~S NEWEMPLOYNETINT.
Alive. Energized.sparking.eyes •
his But broken.bodyHisout. splayedsitshewhere CATWALK,
•
warm . Broad, smiles.He champagne.morepoursJohntable. theon handstheirput slowlybothThey nods.John A beat.
table?theon Hands JANE
So ••• JOHN
So ••• JANE
napkin.aunderhideto tablethe acrossit whipping and handlefther FINGER-GUNinsilencedPALMINGaupit
pickto over bendsand tabletheoff handbagher knocksJane
table.theunderit wedgesandlaphis intoit drops
hand,one with GLOCKa snatchescoat,hisunder MOVE, shifts
ONE SEAMLESSinnapkinagrabsJohn distraction,theUsing place. anothersetshouldheifaskto over comes The waiter
outside. chauffeuraoffitrolledI Thanks. JOHN
them.ofone certainlysuit'sThat JANE
surprises.offullI'mWell JOHN
shave.totimehad Amazed you JANE
alive?still Amazed I'm JOHN
Amazed ..• JANE
Impressed? JOHN
???....how.... JANE
away. blownisJane
JOHN
•
• lockedeyeskeepThey
order?toreadyyouAre WAITER
over.comes waiterA
a table.Just JANE
us? between nothing So there's JOHN
girls.oflota So are JANE
Smith.Mrs.still You're JOHN
thing.suchno There's JANE
Us. JOHN
what? About JANE
talk.to We have JOHN
John? want,youdo What JANE
new dress?theThat JOHN
dress.theto He motions
clams.the come forI JANE
sentimental. ... littlea feelingbeyou'd figuredI proposed.IwhereisThis JOHN
know where-youHow did • (CONT'D)JANE
( 2) CONTINUED:
-------------------<--
•
• closeJohn yanksand floor dancetheontohim pushesJane
yet. <finishedhaven't that storiesjustare endingsHappy JANE
ending? happyahas storythis You think JOHN
her.at looksJohn floor.thetohim leadsJane
JANE
Satisfied? (CONT'D)JOHN
coat.and waisthis checking wallthe againstuphim shovesand aroundhimspinsShe
JOHN
hottestThebody. down heranduphands SLIDING hisclose. Jane pullsJohn fight.a startingthey'relikestandThey
dancing.I'mWell JANE
asking.I'mOh, JOHN
asking?youAre JANE
dancing?youAre JOHN
thing.samethe thinkinglock,eyesJane's and John dancing.peopleup:looktheyand startsbandA
bloody.veryit havingbe He'll JANE
sir? that,likeyou How would WAITER
steak.ahaveI'll clams. the have will wife unquote My quote • JOHN
CONTINUED: (3)
•
• FORWARDdancecanJohn FASTERthanBACKPEDALSJaneOffended,
toe.totoe Never backpedaling. Alwaysyou.like Just JOHN
heels.inand backwardsBut danced.hestepevery dancedShe JANE
Fred. withoutnothing nobody,wasGinger JOHN
lead.the Taking around.herspinsJohn floor.theof
Edge WHAM! a mark. She hitsJohn. describingbecouldShe
enough.sharpNot flash.allHe's JANE
Astaire?!Fredlike You don't JOHN
Fred.notBut Ginger.likedI JANE
it? like reallyyou Or did cover?theof partjust Was it We Dance.""Shall Our movie,•.. me somethingTell JOHN
watch.tostop dancersOther Brilliant. Graceful.Fluid.harder.faster,Pushing wood floor.old
the across DANCE. Swirl And BOOM.Theylips.hislicksJohn
lead.thetake Then lead?the want You chase.tolikedyou thoughtI JANE
down.is hairher years,intime firsttheFor beautifully.
faceher Framingfall.locksThehair.her unclasps She back. CRACKShisJohn.DIPSdime.aon stopsJANE
leading.You're JOHN
waltz.heavy a hard,leadsJanenose.to noseare They • NIGHT- DANCEFLOOR-LE CIRQUEINT.
•
you .did Neither JANE
anything.say You didn't {CONT'D)JOHN
Silence.
three.two,one,OK. {CONT'D)JOHN
dizzy. A little dancing.stopThey
first. You say JOHN
first. You say JANE
J_? was Well JOHN
I? was Well JANE
cover?justwereyou Who said JOHN
JANE
cover? justwasIif careyou Why do JOHN
they'reaslongso marriagehappy a in betrayalsfiftybecanThere same.theallare You know guys JANE
years?thoseall me to lyingharditwas me, Tell JOHN
sweating.real,Intense,close. gettingher, He spinsWHAM!
a from comingyouseecanI fast. nowheregoing motions sweeping Big, Fred.like fightyouAnd • JANE
73,
•
to- out jostledishebuther,to getto triesJohn people.of seaa through escapingJane He glimpses PLACE EXITS TOGETHER.
THE ENTIREcrowd.theby engulfedisheas smiles,John
behind. belongingsallleavepossible, as quicklyas restaurantthe exit Pleasecalm! remain Everyone MAITRE'D
panicking. PEOPLE startrestaurant.theacrosswater rainingoff, SPRINKLERS goFIREtheSuddenly,concerned. OUT, lookingRACINGcomesbathroomthe Woman fromCoiffedThe
forever.thereinhidecan'tShe JOHN
concerned.lookto He startswaits.John
DANCEFLOOR LE CIRQUE -INT.
light?a borrowICould JANE
her.at staresWOMAN A COIFFEDhand.other
herin can garbageapaper,toiletofwadsout pullsJane
NIGHT- BATHROOM LE CIRQUE -INT.
Be liar.a She's John.coldBe JOHN
She waiter.the followsJaneaway.walkher watchesJohn
you. Thank JANE
WAITER
bathroom?the me where'sExcuse (CONT'D)JANE
a WAITER.towardaway,turnsJane closer. closer, Gorgeous.her.towardsmovesJohnbreak.to aboutshe'sifas •
looksJane close.Bodies COMPELLED.other.eachatlookThey
CONTINUED: ( 2)
•
John .atlooks Eddie
NIGHTCAR - EDDIE'S EXT/INT.
tinythe BALL OF FIRE asaintoburstsjacketJohn's
NIGHT- HIGHWAYEXT.
CLOSE-UP OF TINY PULSING DEVICE IN POCKET,EXTREME
window.theoutit THROWS jacket,hisoffrips quicklyJohn
Oh shit. JOHN
listens.frowns,John
ticking?youAre EDDIE (CONT'D)
over.leans Eddie moments. fewa for silenceinsitTheyup. fingerhisholdsJohn
wife!yournot She's EDDIE
- it abouttalk wannadon'tIsaidI JOHN
thi- finishgotta You'veman. rules, You know the EDDIE
it. abouttalkto want don'tI JOHN
go?it How'd EDDIE
along.drive damp JohnaandEddie
NIGHT-CAR EDDIE'S INT/EXT.
sees,,.EDDIE.anduplooksJohn A HORNBEEPS.
leash,itsat strainingJohn,atbarksdogA SIRENS swell. FIRETRUCKSswarm,Nothing.around.lookswet,soakingJohn, • NIGHT- EXT. LE CIRQUE STREET
75 •
•
JANE
home. about thinkingsmile, dangerousagivesJane
you. boughteverI everything burningstarttogoingI'mand home,goingI'm know:toyou wantI JOHN
one. littleaonlywasit Oh please, JANE
Eddie. killedhave You could JOHN
Hello? JANE
NIGHT-CAR JANE'SINT.
gear.intocarthe slamsJohn
brother.house,cleantotime It's..• And fastthis.finishto You needone.class contract,Open dawn.at dockettheon name'sYour serious)(dead EDDIE
seat. driver'stheintoslidesJohnout. gets Eddie
cool.fromfar fucking so I'm Eddie,coolnotI'm Well JOHN
cool.I'm OK man,It's EDDIE
dangerous.tooit's me Eddie,with go to youask can'tIyou,not It's JOHN
do?I did What EDDIE
• out.Get over.Pull JOHN
•
seen. ever haveI •.. mark beautifulmost theis thought,,.thatI..•thoughtI JANE
truth.thewith Strugglingherself,fightsJane
Truth.me. So tell (CONT'D) JOHN (cont'd)
tight.holdssheBut slightly.softensJane
truth. know theshouldyou thoughtjust I beginning.theaboutthinking startyouend,theat guess,I JOHN
now? me thistellingyou Why are JANE
strategy?thisIs Suspicious.narrow.eyesJane's
my life.inseen ever have woman I beautifulmost theis ••• thatthoughtI thought. I whatyou tell I'll Because (CONT'D) JOHN (cont'd)
pauses.Sheguard.off caughtisJane
we met.timefirstthe thought, you thing first me theTell thing. last me onetelltoyou wantII ... JOHN
Jane.and JohnOnly world. outside no moreisthereifas windows,theirinBLURais Trafficknow. exactly He doesn't
NIGHT WITH JOHN'S CAR -MOVING-FDR HIGHWAYEXT.
John? want,youdo What JANE
it. grabsShe RINGS.cell Jane's focused. narrow,hard,areeyes Jane's traffic. SPEEDS throughJane • NIGHT- WEST SIDE HIGHWAYEXT.
• 77
(CONTINUED) •
of rowsin Hiding garden.his down intoHe leapsears. John'sbyfly Bullsts OPENS FIRE.SheYES. A RESOUNDING
is ••• answer And the trigger?thepull Can shebeat. A half truth. A moment of
guns.two raises JOHN'S HARDWARE.Shewithstrapped emerges,And Janeopens.doorbackthe..• He seesweapon.
only SHEARS. HisGARDENINGhugecarryingtopside,runsJohn
NIGHT- BACKYARDEXT.
John.for searching house,their throughsneaksJanemode. Assaultprowl,On the
151 NIGHT.- KITCHENINT,151
Shit. JOHN
gutpunched.He standsbare.Strippedwalls.•.• emptyfindsBut room. secrethis down toDrops trapdoor.hisopenripsJohn
NIGHT- TOOLSHEDINT.
into--car, desertedJane'spast hedges,theoverleapscar,
hisof out hopsJohnas driveway, down theircontinuesJane
a wall.intoflying
it sendingcar,his T-boninglawn,frontthe crossingheels,
on hishotisJane first.up racesJohn Home. Home Sweet
NIGHT- HOUSE EXT. SMITH
gas.the He puncheson.isarmorHisphone.theup He hangs
know.to neededIWhat Thanks. JOHN
now.fateto Resolvedsmile.littlesad,a givesJohn
hard .•. math.Cold ...business.All cracking)(weak, JANE
go. From business.allwasSo it • JOHN
•
That's Laz-E-boylthe You killed JOHN
out. rolls EXPLODES!JohnchairTheFIRES!BAM! SheBAM!
chair.thathated alwaysI JANE
darkly.smiles BOY. Jane
LAZY greenThe chair.a behindcover takingaway, lungesJohn
shrapnel.tobartheBLOWS FIRES!spins. ROLLING. Shebar ... rollingtheseesshe mirror,theInup.fliteyes Jane's
CLICK. hammer.theback He pullsshot.cleanaHe hasbar. rollinga behind SEE JANE FROMBEHIND. JOHN'S POV fromWE
No John.corners.all covering directions, bothin stretchedgun-handswith spinning,emerges, Jane well.is worldThe sways. Mistletoeblinks.treeThe
NIGHT LIVING ROOM-INT.
into-- lunging wreckage,thehopsJanefeet.her
at CRASHLANDINGJane.down at DROPS! StraightchandelierThe
SNAPS!cable CHANDELIER.Thethetoattached
••• CABLE THE HANGINGFIRES at •.•run.theAIMS UP onJohn
NIGHT HALL -FRONTINT.
into-- footfallsJohn'schasingdoor,thepast pushes
She door. steel SUBZERO POP OFF thebulletsherbutFIRING,
entersJane refrigerator.theopenHe whipsback.FIRESJohn
NIGHT- KITCHENINT.
into--John chasesJane shatter!photosFramed walls.theuprip Bullets FIRES FAST!SheJohn.seesJane
NIGHT HALLS -INT.
He exits. a silencer.outSlidesopen. flashlightaSMASHES revolver.a assemblesQuicklypieces.metalGrabs cigarbox.
a in bottomfalseaopen He pops lightning-fast.movesJohn
NIGHTDEN - INT.
to-- side-doorathrough crouch-runningdirt,thethrough He crawls desperate.Amped, tightens.Johndead.layRoses • down.rain flowers preciousHisdirt.thein crawlsJohn
(CONTINUED) •
• HAND SLIPS OUT OF HERgunHerfalls.Janechair.BLASTS the
FIRES.John Exposed.chair.brokenaOntoaway. leapsShe
STRAIGHTAT JANE.falling.tips,TIMBERR! It trunk. TREE. SPLITTING itsCHRISTMASherHe shootsBANG!
block."theon "Biggest JOHN
••. And whispersBEHINDher.aimshe
So Jane.on shot clearno He has hiding.fromoutpeeksJohn
•••And silence. A strangeair.theinhang feathers
and Dust John.for searchingeyesHer reloading.spins,She
shelf.aoffcars some modelBlowsTV.theBlasts mirror. Budweiseruglyanshotguns BOOM!Shecouch.theblasts Jane away.spinsJohn John.at volley FIRES anotherJane
rough •••playwannaOK, you (CONT'D)JANE
down.rain glassand cogsand springsandit
blastsJohnit.for leapsJaneair,the intoupit loftsJohn
no. John, Please, JANE
it. settingandit winding
JOHN
antique.anIt's generations.for my familyinbeenthat'sJohn,No, JANE
stops.Jane smile. A cruelclock. carriageaoutholdsJohn
off. headits blowsShe PTINK! darkly.smilesJane
year!thefor custodianonlyI'm club, countryto·the belongsThat JOHN (CONT'D)
head. golfersthetoguna holds
and trophyaup picksShe WAR.IS THIS narrow.eyesJane's
He smiles.CRASH!DEAFENINGa SHATTERSwith• FULL OF CHINA! ITcabinetherblastingup,opensJohn
80,
(CONTINUED) •
ten?of You mean out JANE
that? What!@§. JOHN
at up staringsheetssweatyof tangleainlay Janeand John
LATE NIGHT-BEDROOM SMITH HOUSE-INT,
FADE OUT.breeze.theinswaying mistletoe,ofpiecebattered
••• afind We TILT UP toground.thetoslideTheydesperate.
Hungry, move fast.handsTheirkiss.this POUR intochase
theof thrilland tensiontheof COLLIDE. AllJaneandJohn
••. INTO•.. A KISS.ANDLUNGES
gun.her drops She .•. LOOSENS. CLICK.
••• finger triggerher...• And slowlycrack.to Starting
Young Johnmemories.of A lifetime Knick-knacks.photos.Old
is ..•seesshewhatBut tricks.for lookingfast,fliteyes
Her suspicious.Confused,eyes.herofoutsweatblinksJane
the oull cannotAnd heeyes. wife'shisinto looksJohn
gun. on hisshakes barrelThe freezes.Time off. emotional,different,isJaneatlooksJohnwaythe
about somethingblank.pointraw,Real, eyeball.toEyeball
again.eyeslockThey home. Their them.atout stares life Their everywhere.strewnmementoesandphotosragged
see And GLANCE.they On instinct,falls, And CRACK!A frame
COCKED. HAMMERSlocked.eyesTheir other.each circleThey tighten.fingersTriggerthem.aroundwaft debrisandDust
Truth. The Moment ofFACE OFF.IN THEIR EYE.GUNA
see •••tospin And theyJohn's.grabsJaneJane's.grabsJohnguns. other's each Toward directions.oppositeinlungeJaneandJohn
room.the acrossfliesgunHis hand. John's Lashing And SNAPS!ground.theofflights Christmasofstring •
a RIPSShe move desperately.eyesJaneout,rollsAs John
CONTINUED: (2)
•
dot .theon6AM watch.his checksJohn
together.crawlJaneandJohn mattress.the THUNKinto THUNK!! THUNKwhichbullets,ofvolleyaofahead secondahalf floorthe ontoandbed theoff her He rolls
sight. JANE'S FOREHEAD.A laserRED DOT onA
••• sees JohnAnd passes.beatthe Because .•.be.everwill
it best ••• the And perhapsbeen.everit'sbesttheisThis
time. firstthefor anotheroneseeingifas other,each
at stareJaneand John sun. morningthein angeliclooksShe
again.itdoto able be mightI years couple another Gimmeup. caughtjustwe thinkI JOHN
years. twoforit do We didn'tweek?a once love makes couple averagethe yearsfive after know thatyouDid JANE
He Jane.off rollsJohn street.thehitrays first sun'sThe
DAWN- BEDROOMINT.
floor.theontoroll They
did. justyou thoughtGod I JOHN
"nine".yougiveI'll JANE
rib. a brokeI thinkI excepttenbeen have wouldIt nine.anwas OK. That JOHN
up. sitsJohn
NIGHT- BEDROOMINT.
again.himon jumpsShe
Eight. Eight. • JANE JOHN
•
teapots!andchinawithbackfight We can'tidea?!bettera You have JOHN
BASEMENT.the STAIRS intoRevealingdoor.theopenripsJohn
No outlet.end.deadaIt's JANE
down there-gunsgotI've ' D)CONT JOHN (
mind. John's readinghead,her shakesShe ••• A DOOR.towardJanepullsJohncorner.aturnJaneandJohn
see •••toholethe throughlooks
He bed.theof centertheinholea BLOWINGFIRES, Assassin The Assassin.shadowytheTOWARDframe PUSHINGthebed,the UP FLIPPINGfast.movesJohn forward.barrels The Assassin
sight. strangeA veryhall.frontthein sits BEDROOMTheir
away.feet see .•• THEIR BED. A fewtocouchtheoveruplook LIVING ROOM. TheytheinsofaafromsurfaceJaneandJohn
WITH A DEAFENINGTHUD!EARTHTHE UPSTAIRS MASTERSUITE CRASHESTOTheLEAP AWAY.JaneandJohn
FALLS!..•floorsecondThe ceilings.andup walls CRACKSrace animal. a wounded LILTING likeTILTS,floorsecondwhole
The LNIDING!THEOUT DETONATES.BLOWINGgrenadeLANDING. The
UP TO THE SECONDFLOORGRENADEanothertossesAssassinThe
and .••stairs, down theheadJaneandJohn Incoming.door.kitchenthe CRASHESthroughAssassinThe
house?theinguna You keep JOHN
Go! door.Side there.backget can't we but kitchentheinguna There's JANE
••• IN THE HOUSE.definitelyisenemyCREAK. The.•• ahearThey
other.eachat STOP DEAD, lookingSHUT andSLAMDOOR HEARTHE BACKTheylanding.thealonghurryJaneandJohn • DAWN- LANDING SMITH HOUSE-INT.
•
car!a We need JANE
see .•. A SILHOUETTE.theydetritus,swirlingtheInhome.
theirof shamblestheat Lookingback. stumbleJaneandJohn
DAY- BACKYARD- SMITH HOUSEEXT.
PIT. smoldering GROUND.A smoking, TO THE THEIR HOUSE, THEIR HOME, FALLS APART, CRUMBLING
as ••.out leapingspeed,
full- sprintJaneand RIPPING APART. JohnCEILING CRACKS.The
see •••touplookJaneand John foundation.
its SHIFTS offstructureThe whole earthquake.anlikehouse, the through rumbling swelling,BUCKLES, EXPLOSIONTheheels.
theirat lickingFIREwith UP THE STAIRS,JANE RUNJOHN AND
BLOWS.tanktheas duckThey Oh shit. OIL TANK.theunder
wedgeand floor across skitterwhich JOHN KICKS THE GRENADES
glare.so"you "told seriousaJohn gives THEM, JaneTOWARD THE STAIRSDOWNBOUNCEGRENADESTWOsee .••JaneandJohn CLINKCLANK. SOMETHING.CLINKCLANKDROPPINGaway,He steps
Harriet.andOzzie Good night, ASSASSIN
stairs.theoftoptheat stands SHADOWHisdoor. basement
the HINGES offtheSHOTGUNSAssassinunseen And BAM! BAM! The
gun? girlthegetI Why do JANE (CONT'D)
him.at glaresjust 45 AUTOMATIC.Jane MASSIVEMILITARY-ISSUEagrabsandbox,theintoreachesJohn
withoff betterbeenhave We might JANE
mini.theat looksShe Jane.
to gun littlethe MINI-REVOLVER. He handssnub-nosedaout
Pulls bottom.falsetheoff TOOLBOX.RipsPULLS OPEN aJohn
DAWN- BASEMENT- SMITH HOUSEINT.
down to--Johnfollowsshe baci<-:-AndlooksJanestairs. • down lungesJohnplan.thislikenot doesShe tenses.Jane
•
as •.. IN THE DRIVEWAYA 180-SPINSCREECHING gear,intocar RIPS theJohnguns.his raises The Assassin
Spooky. JOHN (CONT'D)
•.• Truly normal. Completelysalesman.younga..like,He looks
monster.thisatlookgoodfirstour We get headlights.the
in He standsgarage.theinholea throughsteps The Assassin
as--just PEELS BACKreverse,SLAMSintokeys, GRABStheJohn
smile. own patronizing
her givesand sun-visoropentheto motionsJanepalm.her
KEYS inWithface.hisof frontinHAND •.• Jane'sseesheBut
Jane! (patronizing) JOHN
John! JANE (O.S,)
seconds~!Shadow isThestart!won'tItover.andover and over turningkeepsengineThe desperately.worksJohn
windows. SHATTERINGgarage,the TEAR THROUGHBULLETSMore
incoming.SHADOWkiller'stheseeThey garage. theof sidethe A HOLE inTEARS BANG! A bulletcar,the hot-wiretostartsJohnJane.fordoorthe Opensin. He leaps
months. six forset my barbecuehadHe's JOHN
a wood-panelledofwindowdriver-sidetheelbowsSMASH!John
DAY- GARAGE CARLSON'SEXT/INT.
backyard.Carlsons'theinland They bits.to fencethe BLOW BulletsBLAM!as ..•justover
andup him pullsJane slower.movesJohnleap.onein fence
the quick-climbsFENCE, JaneatowardraceJaneandJohn
85,
•
them! toward SEDANCHARGES A SLEEK, SILVER BMW
you?to close littlealookus behindcarThat JOHN (CONT'D)
mirror. rear-viewthechecksJohn
year. every youngerget Fuckers JOHN
a pro.He was JANE
his takessurehe then isn't,heIf JOHN
A pro?guy?that Who was JANE
softly.headher Shaking Spooked. considers.Jane a minivan.InCrosby.Bingto Listening bathrobes.inkillers Two stone-coldtogether.driveThey
likeof kindIme. scaringI'mNo. JOHN
you? scaringIArn Bing)of beat(a down. me ••• calrningIt'sit.LeaveNo. JANE
radio.theoffturnto movesJohn forward. swivelsShethem.grabs CLOTHES. SheDRY-CLEANEDCarlsons'
the findsand back reachesJane BING CROSBY'S "SILENT NIGHT." stereo:theCD onthe we HEARgone, gunfireofsoundtheWith
DAY- MINIVANROAD- COUNTRY EXT/INT.
darkness.theintoawaybacks Assassin The night. suburbantheinto speedinghard,swervesJohn windows.backvan's BLASTS the The Assassin BANGBANGBANG!
car!the driving he's whiledaddy annoyDon't JOHN (CALMLY)
Faster! • JANE
•
to-- ON-RAMPthe SPEEDS upShetank.suburbanher
with battletoReady focused.narrow,eyesHer height.herto
mirror rear-viewtheadjustsJaneback.theinto crawlsJohn
action.tobackJaneandJohn SNAPPING minivan.theinto SLAMS The AssassinWHAM!Andheat.theinupcaughtgetThey
••. split-secondaForsexual.Intimate,turning.twisting,
BRUSH. Fleshbodiestheirpositions,shiftJaneandAs John
it. Take JOHN
wheel.theto Motionsher.atlooksJohn
do. you whatis And this 45) the (extending things.thesedrive know how toi a van.and station-wagonadriveI (CONT'D)(cont'd)JANE
reasons:Jane control.inbeto He wants He pauses.
John •.•wheel.me theGive JANE
front.thetoback crawlsShe Thinking.narrow.eyesJane's suits.More seats.frontthe KILLERS inTWOYOUNGhunt.the joininglane,into EXPLORERswing ••• A BLACKED-OUTseesJane
things?!thesedrivepeopledohell How the terrible! Transmission's JOHN
load. A heavy minivan.thecontrolto strugglesJohn
STEADY!HOLDJOHN! JANE
wide.andhigh miss BULLETSJane's TRAFFIC.arounddarting wildly,SWERVESJohnBut FIRES!JaneBMW. The Assassin's
at •••seattheover aimsShe SHIELD.A THE SEAT-BACKAS RECLINES THE LAST ROW. USINGsloooowlyRECLINING SEATS. She of rows POPPING down twostomach,on hercrawlsJane
ACTION: BING CROSBYCROONSOVERTHE FOLLOWINGAND
section. passengertheintoclimbsShe45. John'sgrabsJane
SHREDS minivan,theat AUTOMATIC,FIRESanwithoutreaches•
He brilliantly.clutchtheshitingwheel,theworksAssassin
(CONTINUED) •
• off payto startingare dinner-partiesThose JANE (CONT'D)
know that?shedidhellHow theher.atlooksJohn
minivans.'99 allon Standard intrusion-beams. side-impact Steel-reinforced JANE (CONT'D)
STRONG!TOTALLYINTACT.holddoors BUCKLE. The minivan'sdoorsBMWSIDE OF THE BMW!Thetheinto HARD! SLAMMINGSWERVESAnd Janeseatbelt.aonstrapsJohn
John.up, Buckle (CONT'D)JANE
narrow.eyesJane'soff. BOUNCESBMWHis strong.too
is van the But minivan.theat SWERVES AssassintheFuming,
VEERS HARD! HIGH. BLAM!The AssassinWAITING. DOOROPEN. GUN HAS A SLIDING DOORTOO. JOHN ISTHE OTHERSIDE OF THE VAN
surprise:afindsheButvan.theofside otherthe along
up Speedinggas.the HAMMERSandvan,theofbackthe around
SWINGS brakes, HITS hisAssassinthemotion:fluidoneIn
head.his WHIZZINGbywindows. passenger-side Assassin'sthe SHOOTthroughBullets FIRES point-blank!John
SHOT! CLEARaJohn SIDE-DOOR SLIDES OPEN. GivingAnd the
BRAKES.the PUNCHES LOCK. SheSIDE-DOORthehitsShe shoulder.heroverbackreachesJanebelt.seata grabsJohn
on! Hold JANE
YOURSIDE!Incoming! JOHN
DRIVER-SIDE.theRACINGupgears,switches The Assassin
rear.thefrom windowsEating Explorer.thefrom explodes machine-GUNFIREHeavyseats.ofrowbacktheAIMS overJohn • DAY- HIGHWAY EXT. I-95
•
JANE
SUV.theof side entirethe destroyingExplorer,the
into bumpersteel RIPPING herattacker,theintosmashesJane
ned. Whoa there JOHN (CONT'D)
out. falls nearlyandfeethisoff knockedisJohn back.RAMSJane RAMSthem.ExplorertheinleftKillerThe
handy!are doors theseGod, outgoing.And •.. JOHN
SPLAT. FIFTY FEET!overhang.an He FALLS offside. othertheout van,the THROUGH straighthimSHOVESanddoor oppositetheopenpushes simplyJohn minivan.theofback
the intocar his JUMPS fromKillertheasfast,movesJohn
Incoming!John!companymoreWe got JANE (CONT'D)
van.theof door side sliding OPENS theandminivanthetowardout reaches A Killer
off-roading.for STRONG. BuiltHOLDS EXPLORERtheBut Explorer. SIDESWIPING theandrightswerving beforeleft swervesandbraketheon stompsJane Instantly,
CHATTERBLASTING!AUTOMATICattacking.THE EXPLORERisBAM!!!
metal. burning churning,ofchunks EXPLODINGintocrashlands!
BMW as •.• BOOOM!TheshoulderhisoverlooksAssassinThe THE AIR.IN TWISTING AND TURNINGFEET,FIFTYPLUMMETSTHE BMW
overhang!theoffFlies stanchion.lowthethrough SLAMScar Assassin'sTheWHAM!! THE EDGE OF THE OVERHANG.
to ••.waytheallBMW PUSHING themotion.into WHEELSsmoke BACK- FUNCTION. And her THE FOUR-WHEEL-DRIVEHITSJaneBut
TIRE! FRONTaout BLOWING wheels. minivan'sthe FIRING atgun,
his without He reacheshelpless.trapped,isAssassinThe
urban. beatingis OVERHANG.SuburbanANTHE EDGE OF
TOWARD THE HIGHWAY,ACROSSBMW PLOWINGtheisJaneheavy.too • is van the But minivan. PUSH OFF thetotriesAssassinThe
(CONTINUED) •
• shrugsJohn
expect?youdidWhat JANE
tight, Holding defensive.littleaisJane
house. theat Back good. pretty You were JOHN
water:theintoehis He putsJane.atlooks slowlyJohn silent. Awkward,past. whooshingcarswithsit,JaneandJohn
large.looms skylinecitythethem, Behind suburbs. wilderness,toleadingahead,roadtheoverrisessunThe
storm.theafter The quietsilence.insitJaneandJohn
DAWN- MINIVANINT.
out. fades CrosbyBingDead. stop.ato slows The minivan
shit.to beatJust destroyed.Rimsshredded. Tires frame.into MINIVANrolls.•. theAndconcrete.on
metalof soundThe SQUEAK. plaintiveaWe hear shoulder.The
DAWN- EXT. HIGHWAY
And FADE IN:Peace. SILENCE. Darkness.ofA beat we FADE OUT.WRECKAGE,FLAMINGthefromawaydriveAs they
these.ofonegettogot We have JOHN (CONT'D)
climax. resoundingatocomessong Crosby'sBing minivan. beat-upaIn horizon.theintooffdriveJaneandJohn
him.past drivesJane flames. STANCHION.EXPLODINGinto INTO A CONCRETESMASHESWHAM!butbrakes,hisslamsThe Agent
divide.theinto minivan,PAST the straightSWERVES ExplorertheAndmove. signatureA SLAMSHER BRAKES!JaneBut
van.the toward swings ExplorerTheagain.RAMto startsJane
here. dangerinI'm Danger. JOHN
John.at breachfull
FIRES Killer ExplorerThedoors.rearopenbothpast rushes •
Road life.dearforvan theof floorthe onto hangsJohn
CONTINUED: ( 2)
90,
•
• Santa McDonaldRonaldCole.KingNat Christmas.Corporate
DAWN- ROADSIDEMCDONALDSEXT/INT.
And •.• windows.theiroutlookJaneandJohn A beat.
goes. how itseeYeah, JANE
goes. how itSee Right. JOHN
cool.it playsJohn
now,For him)at looking (without JANE
her, watchesJohn considering.window,theoutlooksShe
Teamwork. You know.•••ittryWe just JOHN (CONT'D)
needsShe slightly.cockedEyebrowhim.toturns slowlyShe
numbers.in strengthknow,youAnd us.of both after they'remean,I JOHN
in. diveto readyNot He shrugs.
John? this,with goingyou are Where Yeah •••good.""Pretty JANE
was .•. It together. The way we worked JOHN
deeper:A stepher.atlooksJohn A beat.
No kidding. JANE
all.is alone,work usuallyI • JOHN
(CONTINUED) •
twelve.and hundredThree JANE
Then: again.crowdthe checksShe
ball-park.Justyou? how about So block.the aroundbeenI sixty. Maybe •.• fifty.talkingwe'resay I'd But count.keep exactlydon'tI JOHN
Go ahead.Fine. JANE
move on.way toonlytheisthis knowsJane
first?goIif How about JOHN (CONT'D)
cane?the Man withOldThe sweater? Christmasthewith The Lady suspicious.Allcrowd.theCheckingaway.looksJane
me? before How manymany? How promise.Ielse, anythingask won'tIThen number.agiveJust JOHN
time-bestthenot reallyIt'snow. right assassins countlessfromruntheonWe're JANE
know-towant justI JOHN
please.John, JANE
how many?So JOHN
cracks:he Finally,say.
to wantshe thingonethesayto not tryingstill,sitsJohn
•
the knowsShe Paranoid.customer.to customerfromlooksJane
coffee. terrible drinkinghunted,lookingsit,JohnandJane
CONTINUED: ( 2)
(CONTINUED) •
Okay? professional. hard,Cold,now. coolstayto we need survive,togoingwe'reIf JANE
Number.thewith strugglingstillwindow,the
out staringsulks,John drives.Janeroad.of stretchlongA
NIGHT- CAR ON HIGHWAYINT.
life. HUMStoenginethein, slidesJohnAs
in. Get JANE (CONT'D)
car.a stealto window,a SMASHES CRASH! Jane
Enough. JANE
shop?totime findyou How'd struggling)(still JOHN
ahead.yardstenisJane lot.the across strideJaneandJohn
DAWN-LOT PARKING EXT. MCDONALDS
And we CUT TO:annoyed.head,hershakesJane
that?in bystanders innocent countingyouAre JOHN
•.. Finallybeat.longA
time.aattwo Some were JANE
twelve?and hundred threetoget youdid hell How the JOHN
you? botheritDoes JANE
twelve?and hundred Three ball-park.ais practically That twelve?and hundredThree • JOHN
( 3 ): CONTINUED
•
here • professionalstaytotryingisJane
Island." "Fantasy on dad saw yourIsaidIsaid,I JOHN (CONT'D)
He croaks:life.hisofmomentlowestsinglethe
is This knows.he how littlerealizingJane,atlooksJohn
wedding. theto parents my real bringingfor naivesofeelI naive.sofeelI JOHN
actor.paida He was JANE
wedding?theatawayyou givingfellow kindlythe So who was JOHN
combined.else everythingthanharderJohnhitsnewsThis
ten.wasI whendied They JANE
What? JOHN
dead.are My parents JANE
parentsourcalland Cyclone,the ride Island,ConeytoWe go plan? my hearto You wantvillage.small a fillto peopleenough killed has And my wifeoffice.nojob,no house,no We gotdown.us hunting assassins governmentcountless got We"vesee. let's We'll A plan? JOHN
hopeless.dark,areeyesHisher.at looks slowlyJohn
plan.a We need JANE
it. Got professional.Cold, • JOHN
•
• myselfit install thereuphead gonnaI'm Yo Maxine? GORDON
keyboard.atypingGORDON,geek, computerasitsendfarthe
at deskaAt servers.ofaislesFourROOM.COMMS refrigerated largeafill serversandbayspatch floor-to-ceilingRows of
NIGHT-ROOM COMMUNICATIONS-COURTHOUSEINT.
TO-- THE WALLS, PUSHINGUP TWOFLOORSWe HURTLETHROUGH
testif- finishedyou'veuntilpizza another seeto goingnot You aresealed. hermeticallyisroomthisHector, RODWAY
pizza?agetI Why can't HECTOR
AGENTSread.half-dozenawhich newspapers,JustHector.for
here distractionsnoaretherebefore,roomhoteltheUnlike
RODWAY.with TARGETHECTORsitsbunker.protectionA witness
NIGHT- BUNKERINT.
TO-- DOWN DOWNDOWN THE STREET.BELOW we ••• DROP DOWNAnd thenEstablish.steps.perennialThe
NIGHT- FEDERALCOURTHOUSEEXT.
CUT TO--theon•.• brewing A plan racing.Mind narrow.eyes And Jane'sA beat.
leverage? of kind thatfind we gonnaWhere JOHN
Distant.window.theouteyeshis keepsJohn
us. wantshethan mm;:gwants bossthe Somethinglives.ourfor tradeto somethingiswe needAll (CONT'D)JANE
And then:contact.No eyesilence.inbeatadriveThey
sorry. • JANE
CONTINUED: (2)
•
Grumpy? Status, JANE
me. remindDon't Please. JOHN
walls. hitting flashlighthismoving,keepsJohn
know. you time, firstmynQ!is This JANE
work.herfrom distractedannoyed,littleagetsJane
bands? policethe You on JOHN
perimeter.thecheckedIYes, JANE
perimeter?theYou check JOHN
hacking.startsShe system.mainthe PROMPTSfor PASSWORDwithfillsscreenJane's INTERCUTJOHN AND JANE.
online.OPs,Tower Grumpy ••.now you'rewellYeah EARPIECE)JANE (IN
Charming.PrincewasI thoughtI JOHN
earpiece.anHe wearsJohn. emerges. A shadow darkness.thethroughslicesbeam A flashlight
NIGHT SEWERS-INT.
TO-- BELOWTHE BUNKERDOWNDOWNDOWNWE ROCKETDOWNAND
Grumpy?sewers the how areplace,in Snow White JANE
ear-piece.anwearsSheserver. mainthe hacksand networktheonto ethernetsShekit.
commsand laptopais Inside suitcase.titaniumaopensShe
floor.the under cavity
wiringthein hidingbeenhasShe appears.Janeandup,pops floorthein panel a metal sitting,washewhereunderRight
• He leaves.floor.meshsteeltheacross scrapeschairHis
•
now . re-routingI'mposition.inStay EARPIECE)(INJANE
boiling.isairhotThe sweating.He is
? have .•.must,I JOHN
turn. made a wronghaveYou must EARPIECE)JANE (IN
DEADEND.afacingisJohn We see •.•
Jane.end, a dead me intoYou ran walls. throughwalkcan'tI Because JOHN
stop?youdid Why EARPIECE)JANE (IN
••• STOPS.suddenly Then shafts.narrowthe way throughhisworksquicklyJohn
NIGHT- CEILING VENT SHAFTINT.
••• •.. rightright•..Left JANE
grid.the throughhimleadsSheJohn.on TRACKERahasJane
NIGHT-ROOM COMMUNICATIONSINT.
IN-- SCREENon GLOWSbodyHis pipes.the throughblowsair
Hot ducts.the through crouch-runsJohnshafts. Horizontal
NIGHT- CEILING VENT SHAFTINT.
SUB-BASE FLOOR.theGRIDS forhighlightingkeys,hitsJane
NIGHT-ROOM COMMUNICATIONS-COURTHOUSEINT,
VENT SHAFTS,intostepsJohn CLICKS OPEN.shaftAnd the
motion.inWe'reJohn.it, overGet JANE
... twelveand hundredThree JOHN •
••• thinkingdistant,eyesHis SHAFT. SERVICEa reachesJohn
... __,. --------
•
NIGHT ROOM- COMMUNICATIONSINT.
it.on workingI'm EARPIECE)JANE (IN
on? going What's position.inI'm JOHN
urgent:Quiet,hall. down thelookingkeepsJohn
NIGHT- HALLWAYINT.
redundant.system'sTheDamn it. JANE
CONFIRMPASSWORD.""INVALID COMMAND.flash, RED. FAILSAFESgoesscreenBut •. ,herkeys.strokesJane
NIGHT ROOM- COMMUNICATIONSINT.
lights.theKill position.inI'm (quiet) JOHN
guard. AGENTSstand DOOR, Two FBIBUNKERThe
at •••hallsteeltheup He lookshand.John'sin emerges,mirrorA smallopen.cracksdoor SUPPLY CLOSETThe
NIGHT HALL - SUB-BASEMENTINT.
either. time my firstisn'tThisMy job. JOHN
doing?youare What John. JANE
NIGHT SUPPLY CLOSET -INT.
into-- VENT GRILL. And stepsaKICKS THROUGHhethat,And with
say. to you for Easy position,"in"Stay breath)(under • JOHN
•
wait!No JANE
it. takingI'm EARPIECE)JOHN (IN
there-nearlyI'm don't,JohnWait JANE
it- takingI'm we got,shotonethebe couldThis EARPIECE)JOHN (IN
frantic.keys,hittingstillisJane
NIGHT ROOM- COMMUNICATIONSINT.
clearagotI post.theirleft They whisper)(a JOHN
door. emptytheseesJohn closet.supplythepastwalkThey
DOORSLIGHTLYAJAR. LEAVINGTHE BUNKERpost,
their away· fromstep The Agentshere. know dinner'sbuddies
their letting BUNKER,THE OPEN THE DOORTOAgentstwoThe
hungry? Anybody AGENTFBI YOUNG
PIZZA BOXES.twowith AGENTemerges,
FBI YOUNGA PINGS.halltheofend othertheat elevatorThe
NIGHT- HALLWAYINT.
fast. Workingteeth.hergritsJane
please. me workletjustyouWill JANE
blackout? my hell'sthe Jane ••• ? Where happening.Nothing's?..Jane JOHN (CONT'D)
stressed.moreandmore getting struggle,to continuesJane
Jane .•. happening.Nothing's • JOHN
----------------
(CONTINUED) •
low • keepingSHADOW,alikeroomthe through movesJohn scene.the lightingflash,MuzzlesFIRE. Agents
perfect.just Oh now that's JOHN
BLIND.is BLACK. So JohnSCREENIS ALL THE LIGHTS GO OUT. The
••. barrierthebreaksJohnasJust
NIGHT- BUNKERINT.
into-- sweepingdoor,the He KICKS through
now. right supportlittleaneed I honey?news,goodsome How about JOHN
some cover.himselfgiveWILDLYto FIRINGdoor,the toward He barrelsnews.thehearsJohn
NIGHT- HALLWAYINT.
abort!togot We've air. goddamntheoverall We're JANE
POLICE BANDRADIO.themonitorsShekeys.hittingkeepsJane
NIGHT- ROOM COMMUNICATIONSINT.
hall. up the He looksguns.theirofone grabsJohn drop, As theyout.andoverhard, men fallthe SLASHES, and quick Three fast. movesJohnbut stand,totry AgentsThe
emerges.Johnfeet,their men offthe OPEN, KNOCKING
SLAMS STEEL DOORthecloset,supplythetogettheyasJust
hall.theup back hustleThey pizza.theirdrop AgentsThe
NIGHT- HALLWAYINT.
done.youhave what John, Oh Jesus JANE
life.to flareALARMthe hearsJane
NIGHT- ROOM COMMUNICATIONSINT.
ALARM.A FIREDOWNRIPS and ..•out reachesJohn • NIGHT- CLOSET SUPPLYINT.
100 •
•
heavy • He breathesdebris.incovered exhausted,standsJohn
NIGHT- ELEVATORINT.
closes. elevatorThe STAIRWELLdoor.athroughflood COPS FEDS andofseaaasjust ELEVATOR,theentersJohn
NIGHT- STEEL HALLWAYINT.
to--out He moves shoulder.his
over slumpedHectorwith emerges,Johnsmoke,roiling Through
Alive. blind.back, rollingeyesfloor,theto
FALL Agents STUN GRENADE.The A GRENADE.BOOM!A percussive
see ••. down tolookThey bedroom.theofout SLIDES But ••• somethingcharge.theleadtohand,hisraises TEAMLEADERTheir command positions.takeAgentsFBIThe
NIGHT- FRONTROOM-BUNKERINT.
out.and over Hector KNOCKINGgun,hisdownwhipsJohn WHAM!
way today. easythe do thingstowantsNobody JOHN
stupid? fuckingI'm You think HECTOR
II you getto ordersgotIme. Follow '
JOHN
shadow.John'satup He looksdeath.toscared chair,
a in HECTORsee .••todebrisand flames throughmovesJohn
NIGHT- MAIN HOLDINGCELL-BUNKERINT,
NIGHT- ROOM COMMUNICATIONSINT,
BOOM!EXPLODES....Anddoor.thetorattlesGRENADE.Ita
tossesand pullshe slowing, LOCKEDDOOR, WithoutaseesJohn
NIGHT- MAIN HOLDINGROOM-BUNKERINT.
into--lungesJohn down.bear Agentsthe
so position,hisexposegunshotsThe doorknob.theatshots • quicksix MAIN HOLDINGROOM.He FIRESthetowardHe beelines
•
PEOPLE?YOUARE THE FUCKWHO HECTOR
convinced.lookdoesn'tShe
teamwork,That'sSee. JOHN
Yes. JANE
guy?the we havedon'torwe Do it? Didn'tit? didn't worked,It JOHN
way. youritdo you then agreement, an We make revealing.sojustIt's JANE
you?obeyor you trusttohave Do I C'mon, Honey ..• JOHN
You deviated.plan.aWe had JANE
opportunity. an saw justI you. trustedI JOHN
me. trust didn'tyou believecan'tI JANE
consciousness.towayhisblinkingslowlyback,thein
is Hector pissed. seriouslyfront,theinareJaneandJohn
MOVING-CARINT.
FLOOR. GROUNDthehits elevatorThePING!time.onethis
Not shut. mouthherkeep couldn'tSheher.atlooks He just
me.Not plan.thefrom You deviated JANE
A beat.
Don't. JOHN
mouth.her opensJane rises. elevatortheas together, • standThey enters.Janeopen.Doors stops. elevatorThe
•
second? a for youto talkI Can Jane ••. JOHN
John. right,He's JANE
patience.losinghead,hisshakesJohn
nothing.gotyoume, You kill HECTOR
ass.thein painthe Ever Defiant.John.atlooks Hector
dead?you CIA wantthewhy'd question:the answerAnd Hector.at!!!§,LookHey. JOHN (CONT'D)
legs.Her Jane.at lookingis Hector
•••meat Look Hector.Okay, ' D) JOHN {CONT
Hector.toturnsJohn burning.down,sitsShe
down.sit Jane, JOHN
John- JANE
down. Sit Please.hand. my leftwasIt JOHN
him.killto going You're JANE
this. me handleLetJane. JOHN
doing?youare What John. JANE
been PUNCH. They'vealevelledjustJohnhim.faceJaneand John chair.atotied He is SNAPS back.headHector'sWHACK!
• NIGHT- MOTELINT.
103 •
(CONTINUED) •
• shoulderhisbrusheslazilyhandHer
Hector. friends,yourWe'reJohn •.. JANE
We don't? breath)(under JOHN
you. hurt to want We don't•.•HectorHector. JANE
Ravishing. blouse-buttons.
heron fingersdown,hairherwith approaches,Janewhy:see
And we •.• nervous.littlealooksHectortime,firsttheFor
SECONDSLATER-MOTELROOMINT.
we CUT TO: dangerously,fallsitAshair.herdropsShe
please.sayis•.do,toneedIAll JANE (CONT'D)
A new tact.narrow. eyesHer Hector.atlooksShe smile.buthelp can'tJohn
that.need don'tI JANE
head.her shakesShe
Go ahead.Nice. JOHN
better?docanyou Thinkgun.hisout He holds tightens.John
own. on yourallthat,ofjob good a doing You'reyou. "undermine" to need don'tIme, Trust JANE
message.mixedasendsIt saying. justI'm What? Hector.offront me in underminetoideagooda suchnot it's maybe honey,knowYou JOHN (CONT'D)
heated.Quiet,close.standThey • INTO THE CORNER.herleadingHector,fromawayHe PULLS her
•
down .gunthePut John. JANE
shuts.mouth Hector's
HECTOR! THE FUCKINGQUESTION,JUST ANSWER JOHN
head. Hector's HUGEGUNathiswithstandsJohnl CLICKCLACKl
suddenly--Butcrack.toaboutHe'smouth.hisopens Hector
Please. JANE (CONT'D)
escapes:wordAnd onepart.lipsHer closer.Closer,
want ••.you Anything JANE (CONT'D)
her. tastecanhe closesois Jane sweating.isHector
••. Anything JANE (CONT'D)
softly.rubbing shoulder,hisonishandJane's
me••.tell You can JANE (CONT'D)
tighter.gunhis He gripstoo. struggling
is John tight.holdto strugglingHe'shard.swallowsHector
••• Hector Come on, JANE (CONT'D)
breathes:Sheear.histoclosefaceHer down.leansShe
you?killto CIA wantthe Why would (CONT'D)JANE
cheek.hison lazilyhandHer
know is ..•towe wantAnd all (CONT'D)JANE
"relax."head,hershakesSheher.at glaresJohn
•.. like you'dif.•. friendsClose • JANE (CONT'D)
(CONTINUED) •
• life My whole JANE
smoking?startyou When did JOHN (CONT'D)
cigarette.aouttakesSheher.trust He doesn't
Six. Motelain lap some guy'sonsittingwife'syour when professionalandcoldstay to easysonot it's maybewell Yeah JOHN
cool.your You lost JANE
me. You tell JOHN
cold.isJohn blouse.heronopen buttonmore
One messed.hairHer doorway.theInJane.seeto He turns
there?in happenedWhat JANE (O.S.)
alone. Totally beat.a alone CLOSING THE CURTAINS. He standsJane..•sees
and back, He lookshim.behindshutdoor SLAMSthe WHAM!John
NIGHT MOTEL-EXT.
angry.eyesHisgun.his lowersJohnbeat. A heated
eyes.lockJaneand John MID-AIR.ingunhis
GRABSJane •.• THWACK!Andpistol.hisSWINGSJohnit.That's
time. qualitysomehavecanMrsthe So me andoutside.go waitYeah, HECTOR
smile. crookedlittlea And crackshim.atuplooksHector
John. outside,Wait outside. And go waitdown.gunthePutJohn. JANE (CONT'D) •
CONTINUED: ( 2)
•
books,the Withoutdeal. package a are bookstheand HectorJohn. JANE (CONT'D)
dark. remainsJane Digesting.head.hisshakesHe
JANE
that?allgetyou How'd seconds. fifteenlikefortherein You were JOHN
Dealing.Jane.atstaresJohnbeat.A
now. after~all Who areStates. unitedthein hittersfiftytop theto accessgothe'sAnd Horner. Mr. Name's chapter.ourruns man whothe ••• againsttestifyto him convincedbooks,Hector'sgot They operation.theontoFBI was JANE (CONT'D)
her.at staresjustJohn drag. Another
us, like independents,usingwere They hitters. freelanceforbooks the all Ran CIA,the for accountant an He wasDanz. Hectorname'sHis JANE (CONT'D)
drag.Aup. lightsShe
Danz. Hector JANE
"no."a That's answer. Doesn'thim.toturnsShe
Jane?name, know yourIdo seriously,Wait realizing)beat,(a name? know yourevenIdo meanI you? who are Christ,Jesus JOHN • reeling.Quiet,head.hisshakesJohn
107,
•
mean?thatdoes What JOHN
typical.sojustit's.•.justIt's JANE
What? JOHN
assassins?ofarmyanouttake to You wantanswer,yourThat's JANE
him.at back looksJane
out. them take gottawe've guessI then,Well JOHN
Finally: resolved.Quiet,solution.afor searches
John odds. insurmountableWithTrapped.beat. An impossible
dead. is usof one tillstopto going not They'reother.each Except JANE
Smoke rises.drag.longatakesJane
trade.to nothinggot So we've JOHN
Stinging.beat.A hard
Worthless. JANE
..• •.• isHectorSo .•. JOHN
A beat. escapes.Nothingmouth.hisopensJohn
courthouse. theat1!Q them blewyou Except John)at (looking idea. Great JANE
books.theget let'sSo JOHN • No problem.shrugs.John
CONTINUED: (2)
•
car?!!l!Yto happened What filed.and tagged Everything boxes.littleneatYour better? muchso you'rethink And you JOHN
real) beat,(a truck! monsterawithover me runto You triedwagon!ourup You shotme!at missile ballistic a firedyouthat factthe about How from? comingthisis Where JANE
from? comingthisis Where JOHN
emotional.roils,John
fix. can'tyou whatill<blow alwaysyouAndyou. about talking I'm job. your about talkingnotI'm JANE
glance. A penetratinghim.atlooksJane
I thoughtyouago,dayssix Honey, beat) hanging(a know?you How would JOHN
are. who youIt's Always. JANE
Always? JOHN
John. attacking, alwaysYou're attacking,You'reNo. JANE
JOHN
and stopyou don'twhy means:It JANE • him.at looksShe
CONTINUED: ( 3)
(CONTINUED) •
!lfilill•··reallyyouOne thing true. that'sthing me onetellSo JANE (CONT'D)
A challenge:beat.A
it? Doesn't JANE
other. know eachdon'ttheymean doesn'tIttime.theall othereach to lie wivesand HusbandsLook. JOHN
bleeding.thestopto He wants frustrated. standsJohn highway.darktheofedge On thebeat. A hard
faults.ourbothwasThat John.No, JANE
hardens.Janethere.outIt's late.tooit'sBut back. sentencelastthetakecouldhe wisheshe away,Right Fuck.
married.we got my fault definitely And it'sin. we movedmy fault It's we met. my faultIt'sfault. my all It's fault.!llYit'sNo, (snapping) JOHN
now? fault my is This my fault?!isthisSo JANE
Hector. getto idea!!JY wasn'tItJane. JOHN
us. save couldthat thing one theup blow didn'tIJohn. JANE
things. avoidingAlwaysyou.That'sme. Not house.theofout You slipped JOHN
me. attackto trying While river.theintoit You ran • JANE
CONTINUED: ( 4)
•
SHOT OF..•..••AERIALSWEEPINGEPICAN And we CUT TO••.
Hard. out.it stompsand cigarette, her dropsJane blows.wind A coldred.blood rises,sun
The horizon.theatlooksSheJohn.of No signup.hangsJane
NIGHT- ON HIGHWAYPAYPHONE- EXT. MOTEL
Name it. VOICE (ON PHONE)
shots. cleanno covered,public, Somewhere JANE
delivery? maketo likeyou would Where beat)(a VOICE
wants.he Something Boss.thefor packageahaveI (ON PHONE)JANE
VOICE
3146578. (ON PHONE)JANE
Identify. VOICE
up. picks A hand rings. A phone
ROOM ANONYMOUSINT.
TO--CUTwe And John.onHold
JOHN
Finds: searches.Johnaway.Miles A beat. around.turnsShe
know youdon'tI.••right You were JANE (CONT'D)
disappointed.head,hershakes Jane say.to know what He doesn'tout.comesnothingBut • mouth,his opensJohn here. meaningfulsomethingneedsShe
CONTINUED: (5)
--------~-
•
Quiet: bulges.moves, suspiciouswithfilled
storethe He sees scanning.eyesHis gutpunched.looksJohn
started.shewhat finishedshe leastatBut time.this scenethe cleanto usualthan longerlittle a her tookit Of course,hitter. betterthewasshe knew We always MR. HORNER
about? talkingyouareWhat JOHN
payment.heruppickto Except us. joiningbeshe'llthink don'tI MR. HORNER(CONT'D)
smile.scaryThat Horner.Mr.at He looksquiet.staysJohn
middle?theinyouMeet route? backthe take she'dyou tellShe MR. HORNER(CONT'D)
beat. A hanging
wife?yourfor Looking MR. HORNER
sightlines.customers,thecheckingmoving,keepeyes John'sname.his knowsJohn realizingtightens,smileHis
Horner.Mr. JOHN
Terrifying.broadly.He smilesgoods.ofbasketordinaryvery
a man carryingordinaryveryHORNER:aMR.facetoturnsJohn
Smith.Mr. VOICE (O.S.)
throughrunningHands shifting.EyesWary.slow.walksJohn
furniture.gardenforpayingcoupleThe bunkbeds.theat lookingthereoverguyThat everywhere.assassinsPotential customer.tocustomerfromshifteyes ALONE. HisentersJohn
DAY. IKEA SUPERSTORE.INT.
And enter-- new paint.theSmellshoppers. ChristmastheSee • DAY- IKEA SUPERSTOREEXT.
112 •
- ----- --------
•
check .Status ON TOILETMAN
mic. a wristintoSpeaks on mock toilet.Man sitsThe
IN MOCKBATHROOMMAN
always.as Perfect JANE
Jane. timing,Perfect JOHN
nothing. emotion,noawaygiving level, remaineyes John'sher.seeto surprisedlittlea He turns,Horner.Mr.behindfromoutstepsJANE And we see •..
yet. finishedhaven'tThat VOICE (O.S.)
•.• storiesjust••• areendingsHappy JOHN
words:Jane's RememberingIntense.up.looksJohn
? •.. endinghappyahaveall would this thoughtme youtellDon't MR. HORNER(CONT'D)
smile.cruela gives Horner digesting.head,hisshakesJohn
John. contract,oneClass HORNERMR.
basket.hisBAG inapats HornerMr.
me up? serving for get shedid How much How much? JOHN
wife.histo happenedwhatimagineonlycanWeoff. He trails
once .••a wifehadI You know, HORNERMR.
good-naturedly.nodssmiles,HornerMr.
here.all gang'sthelike Looks • JOHN
(CONTINUED) •
• Janeand John betweenforthandback looksHeon? going is fuckthe What confused.seriouslyisHornernow Mr.Okay,
trolley?the Guy withDitto. JANE
way.thein got whatnot the all beforedid, way youthe made me feelNobodyloved.everI girl onlythe you'reAlso, Me too. JOHN
creases.smileHis confused.slightlylooksHornerMr.
wantedIwhat wantedI Likewise. JANE
John.at looksJane
you. lovedI becauseyou marriedIknow to you wantI later,chancethe have may notIsinceand situation, theof seriousnesstheoflightIn JOHN
? •.• connectionof .•.A flickerJane.oneyeshiskeepsJohn
John? words,lastAny MR. HORNER
cash.the checkingbag,theopensShe
am.I Yes. JANE
it. takesShebag.theto He motions
early? collectto You here HORNERMR.
Jane.oneyeshis keeps HornerMr.
my mark.on position,inStay PRAM PUSHINGMAN
•
Riffing:moving.Eyes continues.She forklift.theseesJane
forklift.theGuy on Jane)(to skate.can'tJaneout turnsBut JOHN
From Park. CentralinrinkiceThe JANE
about? talkingyouareWhat MR. HORNER
meetall we shouldmaybethoughtI time) (buying JOHN
positions.shiftslowly customersThecasing.moving,
keep eyes Theirjoke.sametheonin are theyifAs rhythm. A now. bickeringtheirabout differentsomethingisThere
nevertheybut ideas,fewa We had JANE
anything.onagree we couldn't But plan. clevera up withcometo we triedSee,plan.anotit'sNo, JOHN
work. possiblycan't it plan,of kind someis thisIf MR. HORNER
serious.Deadfades. finallysmile Horner'sMr.
ready.I'm Yeah. JANE
together.HornerMr. BESIDE JOHN. Facingsteps•.• JaneAnd
You ready?So. JOHN
Check. JANE
lamps?theby Couplehim.Got • JOHN
( 2 ): CONTINUED
(CONTINUED) •
back .lookThey Truth.The
we do. whatis This know.youus,is This JOHN
Shrug.other.eachatlook They
work? wouldit thinkyoumade earthon What understand.don'tI FATHER
"likely". say I'd possible.thanMore JANE
honey?say,you Wouldn't possible.thanmoreThat's JOHN
alive.hereofout walking not you'refacta know forSo you MR. HORNER
we But before. we didn'tsee,Well JOHN
here? outnumberedyou're how many timesideaanyhaveDo you MR. HORNER{CONT'D)
himself. He gathersHorner.Mr.atlookJaneandJohn
MR. HORNER
patience:losesHornerMr.
Sting.Theof endingtheisitAnd JANE
there.gotweas soonus kill probablyyou'dsaidJaneBut JOHN
shelves.theon Shooter John)(to
statuetheof frontin deathsour stageandmeetto wantedJohnThen • JANE
CONTINUED: ( 3)
(CONTINUED) •
Fred Like RHYTHM. unstoppableanfoundhaveJohnandJaneBut
appear.AgentsmoreandMore casings.brassraininglead,hot spewing methodically,themthroughworkJohnandJanecover. no havetheybut aisletheofend each into pour Agents
angles. oppositecoverthey directions,Swappingaisle. nextthe intospin theyas cover under reload fluidlythey
whereunit shelvinganotherinto wardrobe chipboardathrough
way BLAST theirthey Back-to-back,cover.todirections two haveonly they favor,theirin workingare aislesThe
aisle.theofendher into pouring targets multiple FIRING at angle otherthe coversJane rifles.withagents DROPPINGtwo
FIRING continuously,back,hisonfloortheacrossskidsJohn
aisle. oppositetheintooutrollThey PAINTS. multi-colored with SPATTERINGthemin,rainshotsascanspaintthebehind
crouch-rununit,shelvingthe now insideJane,andJohn
guys. nearestfourtheouttakesIt grenade. A percussionBANG!flash,awithoffgoesgrenadethe
area, swarm the As Killersout.furtherspinsgrenadeAnother
smoke. coloredspewingfloorthe across GRENADESrollThey
unit. shelvingmassivetheintocans, paint
the SMASHthroughJaneandJohnout.himtakesJohnbefore themat shotoneoff get THE.TOILETONMANThefeet.hisoff
backwardshimblowsandgunhis a man drawingataimsJane
John.andJaneon FIREOPEN They hiding.beenhadthey where KIDDIE FOAMBALL PITtheinupTEAMsitarmedA fully
aisle. down the disappearingaway,stepsHornerMr.
bills.of cloudtheby obscured A TELESCOPIC SIGHT SHOT is
cover. preciousthembuyingair,theinto explodesmoney BAG, sothe FIRES atShehead. Jane's coveringair,theinto
bagthe throwsJohn syrup.toturnstimeandguna pullsJane
John. Likewise JANE
Jane.lifenextthein you See JOHN
balls.bigvery very, we havePlus, • JANE
CONTINUED: (4)
•
beds .the through
stalkandup splitThey section.theinto AGENTSrunTWELVE
nowup poppingbedsunder crawlingoff,they'reandnodsJohn
"You okay?"John.tolooksSheblind. venetian a through shootertheouttakesandup popsJane rows.
in bedsof acres through CRAWLINGstartanddeckthehitThey
him.with dropsJane down.goesheand leg thein John SHOT hitsaSuddenly Too quiet.quiet.seems FURNISHINGS. It
SOFT intoand few roomsfinalthethroughrunJaneandJohn
BATHTUB.theintodivesothertheICED, One agentbits.to
blowngets which bathroom,theonFIRE down a witheringlay andup jumpThey impressed.fuckingwife,hisatlooksJohn
we'reand furnishingssoftthrough wall,thatof side otherThe JANE
move •••On theJohn.to reinforcementsthetossesShe
guns. their snatchesshefall,theyAsfeet. theirto Agents
SWEEPINGthelights,theoutwhippingpillar,a LIGHTS off CHRISTMASgrabbinglow,getsJane incoming. Two Agents
We needhere.stuckgetCan'tLow. JOHN
Ammo? JANE (CONT'D)
out.it shootto continue LIVING ROOM.Theysuburban idealtheof a mock-upinslowedis progressJane'sand
John broken.groundthehere, availablereadilymoreiscover The fire.down laying BATHROOM,aintodugare Two Agents
at firing corners,roundAgents encounter a MAZE, theyLike
bedrooms. immaculateandstudiesthroughstalking kitchens, mock ups,roomlivingthroughmoveJaneandJohn Eerily,
and area warehousetheofoutburstThey movements.smallest theto Reacting observant.morenow,carefulmorebetohave Janeand John carefully. FIRING moreback,hangTheyterrain. thison disadvantageaataretheyrealizequicklyAgentsThe
• again.andagainothereach coveringaisle,afteraisle
into crossing shelves,under reloadingother,eachCovering
CONTINUED: (5)
•
• presents •.• Christmaslikelookalmostbodies
the everywhere,strewnlightsblinkingandwreathesChristmas With out. FORTYKILLERS layedtheseeTheyfaces.Familiar out. Guns store. swarm the flak-jacketsAGENTSinCRUNCH!FBI
DAY- IKEA SUPERSTOREINT.
And ..• sedans.
FBI the we recognizeIKEA.toward CARS speedsofA convoy
And •••SIRENS.ofswellthe we hearhills,theintohead
As theyaway.drive slowlyandcar theiringet Janeand John
Rover.Rangetheir behindfaces theiron FAMILYareA nuclearit. He lowersreal.She's
OK. It's arm.his touchesJanebutgunhis raiseslazilyJohn car.herto getto tryingthemof frontinout runs WOMANA
pray. Peoplecry.Kids cars. behind SHOPPERScoweringpass
They drawn.still IKEA, weaponsofoutwalkpaint,colored and bloodwith streakedbothJane,andJohn motion:slowIn
DAY- IKEA EXT.
us. findto You know where JOHN
town.in game leftonlytheWe're (CONT'D)JANE
looking:without Horner,Mr.pass As they support.forJane
on leansJohn out.walkandup stand slowlyJaneandJohn
world.theinleft peopletwoonlytheare They life.
of No soundslisten.boththey Panting, Silence.Then ••.
A bloodbath.inexorable.seems progress ammo. TheirforenemiesfallenoffgunsTakingdoor.
the way towardtheirfightandshootThey separate.Jane and John next.uppop will Smithsthewhenor where locate to ablebeto seems No oneroom.theinto spill More Agents
BEDROOM. WORLD'SLARGESTtheinensues hide-and-seekdeadlyA game of
and ••. techniqueSmiths'theadoptingdeck,
thehit agents remainingTheare.JaneandJohnwheretell to impossibleIt's HITS again.andonfurtherfeettwenty up, pops Johnbut Jane,to reactto attemptThey another.
dropsand awayfeet twentysideothertheonup pops Jane •
react,theyasJustout.one takesandup pops John Suddenly
CONTINUED: ( 6)
·--~-~----------------
•
••. there's..•there's like feelI we met.since time firstthefor free feelI JOHN
were. we reallywhoofother each deprivingwe were We realized JANE
new levelwholeabroughtwe'vesay I'dbut earlyit'smeanI Right. JOHN
•• pointsbad reallyOur JANE
••. pointsbad our points,goodour again,over all othereachknowto got we've feelI but Janefor speak can'tI JOHN
so .•sayI'd JANE
honey?youdon't progress, littlea we madethinkIWell, JOHN
so.or weekstwopastthe overany, if made, you'vefeelyou progress whathearto interestedI'm WEXLERDR.
seat.lovetheon othereachto nextsit Janeand John
DAY- DOCTORWEXLER'S OFFICEINT.
here backyouseeto pleasedI'mSo WEXLER (V.O.)DR.
mingling.Bloodhand.John'sonhandherputsand over, reachesShe wheel.theatJane away. driveJaneand John
DAY CAR - EXT/INT. •
in-- version A modernradio.theon BING CROSBYbackWe hear
•
• FADE OUT
METAL. LOUDDEATHREALLY
TO BLACK.SNAPother.eachateachlookThey
Nine. JOHN
Eight.
now?are yousay you would how happytentooneofscale a So on special.veryis discovered you'veWhatyou.for pleased I'm Jane, John,love.yourin trustthe refoundyou'veseemsIt DR. WEXLER.
true.E!Qis You know that JANE
trust.is block biggestthe meet,I couplesoflota You know, DR. WEXLER.
be. who we shouldofideasomeinto shrinkingthanratheruslikemore becometogrow,tousfor room... • JANE