"INDIANA JONES AND THE TEMPLE OF DOOM" (1984)

start reading

STATS132pages151scenes33,959words13%dialogue share61characters

Dialogue share

  • dialogue4,29013%
  • action28,81587%
  • formatting, excluded854

Scenes

location
  • INT 113
  • EXT 38
time
  • DAY 1
  • NIGHT 4
  • UNKNOWN 146
1

INT. "TEE DRAGON" NIGHTCLUB - NIGRT —

source 2

A Chinese GONG SOUNDS and the glittering doors of an Art Deco pa- goda slide open to reveal a mammoth silver stairway down which rows of beautiful women start descending. (BEGIN MAIN TITLES)

The lovely ladies are a mix of races and they sing a strange, haunting melody -=- one might think them a heavenly choir, if it weren't for their sexy, clinging lamé gowns.

2

INT. CLUB ENTRANCE

source 3

From the ethereal beauties, we cut to a street urchin's dirty face: SHORT ROUND is a ten-year-old Chinese kid wearing a bdeat- up American baseball cap.

Sneaking into the club, Short Round weaves past the fancy gowns and silk suits, heading toward the,music in the main ballroon.

3

INT. TRE BALLROOM >

source 4

Short Round enters and stares achoss the smoky nightclub. On the stage, he sees a giant paper-Gaché dragon laying curled around

the pagoda. =

Now, the dragon's eyes light up, its nostrils exhale smoke and its enormous jaws open. Out of the dragon's mouth walks the star of the stage show:

WILLIE SCOTT, a dreamy beauty singing a sultry solo while the or- chestra wails the accompaniment.

But Short Round's not here to ogle crooning dames. He surveys the rich Chinese, American and Européan revelers. Jewels flash and champagne flows. Short Round finally spots a table of somber-looking Chinese men in suits.

Short Round chews gum and stares at the men. Then he turns to go. WO HAN, a waiter with a sear across his cheek, watches Short Round leave.

4

INT. CLUB ENTRANCE

source 5

_As Short Round hurries toward the exit, he bumps into a max ina

tuxedo entering the club. Short Round looks up at the man, but we don't see his face.

Then Short Round is grabbed by the scruff of his neck and a door- man husties him out the coor, Short Round yelling insults ail the way.

4. (contd. )

A maitre d' apologizes to the man in the tuxedo and two hat-check girls smile at him familiarly as he continues into the-ballrooz.

-We notice something incongruous: the man in the tuxedo is wear-

ing work boots caked with mud. a

5

INT. THE BALLROOM

source 6

The man in the tuxedo stops to wateh Willie Scott singing sexily on the stage. Then he looks around and sees the table of somber Chinese men that Short Round spotted earlier.

As the man in the tuxedo walks toward the table, he removes a cigarette from a silver case. He arrives at the table just as the chorus and orchestra reach a crescendo --

And on the stage, a glistening, muscular slave swings a huge han mer toward an enormous brass gong ==

The man in the tuxedo leans to. receive a light from a cigarette- girl and, as the GONG BOOMS, the match flares to reveal his face for the first time: _ A,

, It's INDIANA JONES. Elegant in a tuxedo <= dressed to kill. The TITLES END and over this a legegd appears on the screen:

SHANGEAI - 1935

At the table, the four Chinest men in suits stare coldly at Indi-

ana e LAO Dr. Jones. INDIANA Lao She. , LAO

Nee chin ile how ma? Lao's men laugh and assume that Indy doesn't understand his joke.

INDIANA
Wah hung how, nee nah? Wah hwey hung jing chee jah loo nee kao soo wah shu shu.

LAO SHE looks angry and his men's smiles fade.

LAO
You never told me you spoke my language, Dr. Jones.

5. (contd. )

INDIANA .
I don't like to show off. mo. e Indiana takes a seat across the table from Shanghai's notorious crime-lord. Lao is fifty, wealthy enough now to display some fat, but still muscular from his fight to the top of the garbage heap. .
LAO
For this special occasion, I ordered champagne and caviar.

Indiana looks at the pile of caviar on the plate in front of him -- and stubs his cigarette out in it. The cigarette sizzles and Lao's smile dies with it.

There's applause as Willie Scott finishes her song. - At the table, Lao stares at Indiana with a strange intensity.

LAO
So, it is true, Dr. Jones? you found Nurhachi?
IND PANA
Sure, I found Sim. Then last night I had a~little trouble. Somebody tride to slit my throat.

Indiana looks across the taste at Lao's son, CHEN, who resembles a bulldog and snarls like cme now.

INDIANA (Cont'd)
It was dark, but I think one of your sons tried to get Nurhachi without paying for hin.

Indy stares pointedly at Chen's recently bandaged hand. Chen mutters and stands angrily -- Lao barks a command in Chinese and Chen sits down again. ;

LAO
You have insulted my son.
INDIANA
Next time I'll eut off more than his finger.
LAO
Dr. Jones -=- I want Nurhachi.

Lao pulls a wad of cash out of his pocket and puts it on the table. Indiana glances at it.

5. (contd. )

"INDIANA | . As I recall the deal was consid- wee erably more.

Now a pretty hand slips onto Lao's shoulder and he looks up to see Willie Scott. Lao kisses her hand. Willie is unaware of the explosive mood at the table and she smiles flirtaciously at Indie ana.

WILLIE
(to Lao)

isan't you going to introduce . us?

LAO

This is Willie Scott. (watching Indy)

And this is Indiana Jones, the

famous archaeologist.

Willie sits down between Lao and Indy. She takes out a small mirrer to check her make-up.

“hy LAO (Cont'd) Dr. Jones found Nurhachi for me and is about to Seliver him --= BOW.

Lao nods across the table anP indy sees KAO KAN, Lao's second

son, open his coat and remove a silver-plated pistol. Indiana looks worried. Willie doesn't notice as she fixes her make-up and coyly teases Indiana.

WILLIE

Well -=- I thought archaeologists were always funny little men searching for their mummies -<-

(yelping) Aaahhh! . ; She looks down terrified at the knife Indy is poking against her ribs.

WILLIE (Cont'd)
I was only kidding, can't you take a joke -=- ?

(to Lao) Lao, he's got a knife!

INDIANA
(to Kao Kan)
Put the gun away, sonny.

)

| ial

(rev. 3/1/83) 5.

5. (contd. )

Eao Ean glances at his father. Lao finally nods to his son and he slips the pistol back into his pocket. _ —-. -

INDIANA = Now I suggest you pay me what you promised -- or your girlfriend here is golng to be squealing a new tune.

The ritzy patrons at the tables nearby are unaware of the tawdry drama quietly unfolding at this table.

Willie eyes the blade and whimpers. She looks imploringly at Lao and he slowly reaches inte his pocket. He puts ten gold coins next to the cash on the table.

Indy leans forward to look at the gold coins -- so intent 1y that he fails to notice Kao Kan spilling some powder into indy's cham-

pagne glass!

INDIANA
Try again Lao Ay the deal was more.

The knife pokes Willie and she whimpers again. Lao reaches into another pocket and brings outa folded piece of rice paper -=- he opens it and a large diamond cand ruby spill out onto the table.

‘ Brozana (Cont'd) Bingo... you see, Lao, with a bit of persuasion, even you can be an honest fellow.

Indy smiles and jabs the knife into the middle of the table. Then he lifts his champagne glass in a toast to Lao --= whe Watches expectantly as Indiana moves the glass toward his lips <=

Suddenly Willie stands angrily, jostling Indy's arm so that he

soesn't drink his champagne.

WILLIE .
Lock at this! He put a hole in wy dress from Paris!

Lao sees Indy put his champagne glass down and he snarls at Wil- lie. --

LAd Sit down!

Willie quickly obeys. Lao forces a smile at Indy and lifts his giass to seal the deal -- —

)

(rev. 3/1/83) 6.

5. (contd. )

LAO (Cont'd)
To your health, Dr. Jones. a

‘Lao sips his champagne and watches hopefully as Indy picks up his

glass and this time Indy does drink the champagne. Then he reaches for the cash --

But Chen grins and puts a silver snuff bottle next to the cash, gold and jewels -=- he tips the little bottle over and some white powder spills out of it --

INDIANA
What's that?
LAO
A bonus, Dr. Jones. That is poison. You just drank the rest of it.

Indiana examines his champange glass and sees a residue at the bottom of it. He swallows and feeis sick, wondering if it's fear or the poison already taking effect. ,

ia

AAO (Cont'd)
There is an“antidote for this poison. Yeu give me Nurhachi -- I give you ne antidote.

‘Indiana is sweating. wii looks at him and sees Indy's hand

shaking.

LAO (Cont'd)
The poison works fast, Dr. Jones. Where is Nurhachi? |

Indiana finally reaches into his pocket. Next to the cash, gold, jewels and poison, Indiana sets down a beautiful small box. Lao and his men stare bypnotically at the exquisite gold and enamel box.

WILLIE
(nervously)
This Nurhachi'ts a very small guy.

Nobody pays any attention to her as Lao reaches for the box.

INDIANA
Inside are the remains of Nur- hachi -=-{ the first Emperer of the Manchu Dynasty.

Lao opens the box carefully and stares reverently at the grey powder inside.

5. (contd. ) oe 5.

| a om | INDIANA (Cont'd) . ia Now what about the antidote, a | Lao? LAO (holding the box) - At last I have the ashes of ry

: Sacred ancestor! | WILLIE | So, what's the big deal? Let f me see it --

Willie grabs Lao's arm and-some of the precious ashes spill out

of the gold box. Stunned by this desecration of his ancestor, ' Lao grabs Willie by the wrist and twists her arm <-- - LAO | You fool!

WILLIE
. Ow, you're hurting me, you miser- | able little hag! : I

| INDIANA a Let go of hery Lao. And give me Nee the antidote,

Lao just laughs evilly -- util a waiter moves up behind Lao and the crimelord suddenly stiffens. He lets go of Willie's wrist and raises his hands off the table. Chen stops collecting the

| money and jewels. ‘

Kao Kan tenses as Indy smiles at Wu Han, the Chinese waiter with the scar, who is standing behind Lao. Wu Han has a towel over | his hand -- under it, he has a pistol pressed against Lao's ] spine.

INDIANA (Cont'd)
(smiling at Wu Han)
I like the service here.

. WILLIE (puzzled) Bey, he's not a waiter...

. INDIANA No, Wu Han's an old friend I \ brought along. (to Lao) | So, the game's not over. Put (Fr the antidote on the table, Lao.

5. (contd. )

Lao carefully reaches into his pocket and puts a smali glass. vial of liquid next to the cash, gold, jewels, poison and sacred box.

-Indy looks relieved as he reaches for the vial of antidote --

then he hears a muffled report! And another! —_

Wu Han groans and sways. Indy starts to stand but Chen immedi- ately turns the smoking pistol with the silencer that he used to kill Wu Han --. Indy sees it pointed at him now and he remains in his seat. ‘ - .

Kao Kan stands and grabs Wu Han,-easing the phoney waiter into the chair he just vacated. The muffled shooting hasn't attracted any attention. The nightclub activity continues as Indy speaks emotionally to his dying friend.

INDIANA
Wu Han -- listen to me -—- I'n going to get you out of here.

In pain, Wu Han looks at Indy and struggles to speak <--

WU MAN
Not this time, my friend...
(smiling bravely)
I followed yoy‘on many adventures -- but into the great Unknown Mystery, I go first, Iay... _&

Wu Han dies and slumps forward. Indiana is shattered by the

death of his old friend.

LAO
Don't be sad, Dr. Jones == you will soon join him.

indy's gaze shifts from his dead friend to Lao's sneering face. Then Indy sees the murderous Chen giggling perversely. Indy's anger is compounded by the poison burning in his gut and his vis- ion of Chen's ugly face blurs into a double image --

Indy stands up unsteadily. Chen assumes he's about to keel over from the poison -= but Indy suddenly turns and grabs a real wei- ter at another table. The waiter holds a long skewer of roasted pigeons that he's just set afire --

Indy grabs the skewer of pigeons flambée and hurls it across the table! Chen fires and misses -- and screams as the skewer stabs into his-chest and the burning pigeons flame in front of his hore rified face! ,

This the other tables definitely notice. There are screams and all hell breaks loose. Indiana shoves past Willie and reaches for the vial on the table --=

5. (contd. )

‘INDIANA . The antidote -=- |! =. =

But he! S grabbed from behind by Kao Kan. Indy elbows the punk, . reaches back.and grabs his head -=- and somersaults Kao Kan onto

the table!

As number two son crashes into the table, the impact Sends the. Emperor Nurhachi's ashes billowing into Lao'’s stricken face!

Indiana yells as he sees the vial of antidote rolling across the table == and falling!

Indiana dives and catches the antidote just before it hits the floor -= then Indy's hand is brutally stomped on by one of Lao's henchmen and the vial rolls away. ;

Indiana angrily raises his head, smashing it up into the hench- man's groin -= the man howls like a banshee and hobbles away.

Meanwhile, Willie watches Lao grabbing for cash from the table. Willie lunges past the pigeon-skewered Chen to snatch the jewels, but unfortunately Kao Kan knocks @kem off the table as he leaps to attack Indy.

aa ~

Indiana scrambles on his hands and knees after the rolling vial. People keep kicking it -=- he almsst has it when Willie runs into hin, trips and lands on her back

INDIANA
Look out, dam it, I need that antidote!

WILLIE

Who cares? Where's that diamond!

Gunfire explodes and they both scramble in different directions. Indy dives through the fleeing nightclub patrons and slides be- hind a waterespewing fountain. Water kicks up as Indy is shot at by Lao and his henchmen. —

Indy sees the vial of antidote kicked again and it spins esross the marble floor -- feeling the poison, Indy shakes his head groggil y and splashes water on his face.

Meanwhile, Willie is chasing her diamond, shoving through the

_ panicked crowd. She spots tne diamond! Another elegantly

ressed woman is bending to pick it up --

WILLIE
(acidly polite)
Excuse me, but I believe that's my diamond!

a

<-

§. (contd. )

Willie smiles and suddenly kicks the woman in the butt! Willie reaches to get the diamond but not before the other woman-tackles

Behind the ‘fountain, Indiana makes a break =~ he runs .nd dives on top of a serving cart. The wheeled cart hurtles toward an un- suspecting gunman, crashes into him from behind and sends hin flying head first into a row of ice buckets.

Nearby, Willie slugs the other lady in the jaw and grabs for the elusive diamond just as the ice buckets shower ice across the floor -- which camouflages the diamond!

WILLIE
Aw nuts!

Searching desperately for the jewel, Willie sees the vial of antidote spinning across the floor -- as it slides by, she grabs

it. INDIANA (0.8.) Hey, doll! Don't move! a ae She sees Indy speeding by atop the serving cart. Lao and kis gunmen rusk out to block the way.” Indy rolls off the cart and slides behind a potted palm as Lag’s men open fire again.

INDIGNA (Cont'd)
(shouting lag Willie)
Bey, don't go away! I need that!

Willie smiles meanly as she slips the vial down the front of her dress, thumbs her nose at Indiana and walks away.

INDIANA (Cont'd)
If I wasn't dying, I'd kill her...

Hiding behind the palm tree, Indiana looks around and spotsa gie- ant statue at the side of the stage. Indy makes a break for it.

As the gunmen open fire, Indy springs onto a cheir <— jumps onto a table -= and leaps onto the stage. He grabs the golden broad- sword from the Chinese warrior statue!

As bullets smash into the statue, Indiana hides behind it. Then he jumps out and swings the large sword toward the enormous brass

The crimson cord holding the gong is SLASHED! Indy slings the sword at his assailants and gives the threeemeter-high gong a helpful shove --

The giant gong rolls and echoes as it crashes down the marble steps. Indiana ducks behind it as it gains momentum and rolls

| i 5. (eontd.)

mn | | | | | " ; } | t o —

across the dance flcor. . . .

Using the gong as an enormous shield, indy evades the gunfire exe ploding -= bullets ricochet off the rolling bress gong as indy runs behind it.

Ahead, Willie hurries toward an exit -=- she hears something and turns -- her eyes go wide as she sees the mammoth gong bearing down on her!

Willie yells as Indiana grabs her arm and pulls her behind the gong with him --

Lao watches amazed as he. and his gunmen dodge tables trying to get better firing positions -- and more henchmen come into the club now and start firing machine guns! .

As bullets clang against the gong, Indiana and Willie run behind it. Willie hollers as they head directly for a towering, floor-~ to-celling window!

Indiana grabs Willie around the waist and, after the huge gong crashes through the stainec-glass window, they both-fly after it!

6

EXT. "THE DRAGON" NIGETCLUB + HIGHT

source 7

: i In a shower of sparkling glass, the enormous gong sails out and crashes down a sloping green-tiled roof. Indiana Jones and Wil- lie Scott hurtile into the night air after it!

The gong rolls down the roa find they hit the tiles behind it, Indiana holding onto Williewas they roll one-eover-the-osother toward the edge -- Willie screams as they fall into thin air!

Their entwined bodies plummet three stories: ripping through a third-floor awning, crashing through an old man's mattress ona second-floor balcony «=

Finally they smash through the convertible top of a parked Dusen- berg and fall into the back seat!

7

INT. THE DUESENBERG

source 8

Willie sits up wide-eyed, speechless and amazed to be alive. Then she sees an equally astonished Short Round looking at then from the front seat.

SHORT ROUND
Holy smoke! Crash landing!
INDIANA
Step on it, Short Round!

Wow!

SHORT ROUND .
Okey doke, Indy! Hold onto your ——. . potatoes!

The twelve-year-old Chinese kid turns his baseball‘cap bill- backwards and steps on the gas! The tires squeal as the car roars off <= .

; WILLIE For erying out loud, a kid's drive ing the car?!

INDIANA
Relax, I've been giving him lessons.
8

EXT, THE NIGHTCLUB - NIGHT

source 9

The Duesenberg races past the entrance to the nightelub as Lao and his men rush out and jump into two black sedans. The sedans screech off in pursuit of the Duesenberg.

9

INT. THE DUESENBERG

source 10

As Short Round eagerly swerves around a corner, Willie holds on for dear life. Indiana suddentyw, puts his hand down the front of ; ;

Willie's dress -- “OS

WILEIE
Listen, we jusk met for erissake! I'm not that iejnd of girl!
IMDIANA
Don't get your hopes up -- where's the antidote?

Indiana withdraws his hand, having finally found the vial. He opens it quickly, tips the vial to his lips and grimaces as he Swallows the stuff.

- WILLIE You don't look very good.

INDIANA
Poison never agrees with me.
(shouting forward)
Pull a right, Short Round, and head for the Wang Poo bridge!
SHORT ROUND
Check! Gotcha!

As the car accelerates, Indy peers out the back window at their pursuers, Willie notices her reflection in the side window --

9. (contd. )

ll.

WILLIE
Look at what you've done to me! ==. & I'm a mess! My lipstick's smeared, I broke two nails, I've got an awe ful run in my stocking -- !

Gunfire suddenly explodes, bullets whizz through the canvas top and the rear window shatters and sprays glass! Willie ducks and ecringes terrified in the corner --

INDIANA
Somehow I think you! ve got bigger problezs.

Indy grabs his shoulder bag and pulls a pistol out of it. He pokes the gun through the broken window and starts firing back ac their pursuers -- then he turns and looks ahead.

INDIANA (Cont'd)
There, Shorty! Through the tunnel! :

Through the windows we see the car racing into a tunnel. Lights from the pursuing cars flash through the rear window and gunfire echoes in the tunnel... Ay

' WILLTE What're we going to do?! Where're we going?!

INDIANA
The airport..wNo, look out, Short Round! Left, left!

Indy reaches over the front seat and helps Short Round navigate.

10

EXT. & SHANGHAI SQUARE - NIGHT

source 11

The Duesenberg tears around the square, followed by Lao's two se- dans. People on the street dive for cover -=- coolies pulling rickshaws go into hyper-jog -- lanterns spanning the street crash down and are dragged behind the Duesenberg. Bullets explode and amazed prostitutes watch the cars zoom past.

11

INT. THE DUESENBERG - NIGHT

source 12

_The chaotic chase continues -=- bullets whine past and the shred-

ded convertible top whips in the wind.

INDIANA
(shouting)
You got the tickets, Short Round?

aon 11. (contd. ) . 11. mS SHORT ROUND oO i Sure, Indy -- three tickets! a You, me and Wu Han -- —_ . 1 Shorty throws an envelope back and Indy looks at the three , tickets. | INDIANA (sadly) Wu Han's not coming, Shorty. , Unaware of what happened at the club, Short Round thinks a moe ment. SHORT ROUND Don't worry, Indy. Short Round number one bodyguard now! Willie reaches for the extra ticket. | WILLIE I'll take the extra ticket. | (grabbing it from Indy) |: Where's this plane going anyway? \~ INDIANA a Siam. + oN | WILLIE Siam? But I'tnot dressed for 12. EXT. COUNTRY HIGHWAY - NIGHT 12. Leaving behind the squalid port, the Duesenberg flies along the | highway through the trees, In a moment, Lao's two sedans race | by. ° | 13. EXT. NANG TAO AIRFIELD - NIGHT . 13.

The Duesenberg swings around a curve and skids through gravel to- ward the airfield. In the distance there is a small terminal but Short Round wheels the car toward the cargo area --

A twoeengine passenger plane is revving its motors and the last passengers are boarding. The Duesenberg squeals to a stop and Indy jumps out with Willie and Short Round right on his heels.

A contingent of airport Military Police move to bar their way until WEBER, a heavy-set Englishman, runs up puffing and shout- ing.

C

14,

| | 16. | | 17. ' on G

WEBER ; No, no, they're all right! Sime Let them through please.

INDIANA -
Thanks, Weber.
WEBER
Dr. Jones, this is positively the last time our airline can hold a plane for you. Now you must hurry!

While Short Round grabs a small bag out of the car, Weber and a Stewardess take their tickets and rush them all toward the air- plane.

Meanwhile, the two sedans skid to a stop and Lao and his ‘son Kao Kan jump out with their henchmen. The puzzled military police advance on them suspiciously -=-

Realizing he's outnumbered, Lao instructs his men to stay back and to put away their weapons.

12

EXT. . THE AIRPLANE

source 13

"~™ Willie and Short Round charge ug the ladder and onto the plane. Indy pauses at the top of the steps to give Lao a-cocky farewell Salute.- Indy boards the plane and the co-pilot slams the door.

13

EXT. THE AIRFIELD SS

source 14

The plane starts taxiing. By the cars, Lao is buffeted by the prop wash as he angrily watches the plane roll away. BSehind Lao, his son, Kao Kan, stares at the plane taking off -- a look on Kao Kan's face - indicates that he hasn't given up yet...

The plane lifts off the airfield, silhouetting against the clouds

and the first light of dawn. ° | CUT TO:

14

EXT. THE SKY - MORNING

source 15

The sun flashes above the horizon and the plane banks through white billowing clouds as it heads west.

15

INT. THE PLANE

source 16

A door opens at the rear of the plane and Indiana Jones exits wearing more familiar attire: a beat-up leather jacket over a khaki shirt and a snapebrim hat. He passes a dozen passenxgers 2s he moves up the aisle carrying his rolled-up tuxedo.

i5.

_ 17. (contd. )

In the first row, Willie is busy fixing her make-up. Shorty. sits in the seat across the aisle from her. Indy comes up.and drops nis tuxedo onto the floor.

Willie sees him hook his coiled bullwhip over a coat-pég.

WILLIE
So, what're you supposed to be, a lion tamer?
INDIANA
Since I was nice enough to let you tag along, why don’t you give your mouth a rest? Okay, doll?

Indy pats her leg -- she removes his hend and reaches down and picks up his tuxedo coat. She slips it on.

WILLIE
I'm freezing. What do you mean, tag along? From the minute you walked into that nightelub, you haven't been able to keep your eyes off nme.

rN INDIANA ~

S

a i

Be smiles and tips his hat down “over his eyes to go to sleep...

Oh yeah?

&

16

INT. THE COCKPIT =

source 17

Ly — , At the same moment, the Chinese co-pilot tips his hat up off his

eyes == and looks scared to death! He exclaims in Chinese -- :

CO-PILOT (*subtitled*)

Good lord!

He and the pilot see two biplanes materialize out of the clouds and dive directly toward them! Suddenly, machine gunfire erupts!

PILOT (*subtitled?)
Dive for the clouds! Dive!
17

EXT. THE SKY - DAY

source 18

The DC-3 banks into the clouds as the two biplanes attack. In the back.seat of the first biplane, we see Kao Kan watching the DC-3 like a hawk about to bring down a sparrow.

18

INT. THE COCKPIT

source 19

The biplanes swoop past both sides of the plane and bussts of

20. (contd. ) 20.

gunfire rip along the fuselage.

CO-PILOT (Hsubtitied#)
They hit a fuel line!
PILOT (*#subtitled®)
Reduce speed -- get everyone out | of the plane!
19

INT. THE PASSENGER CABIN . 21.

source 20

As the air battle rages, the passengers are tossed ebeut and some start screaming. Sbort Round peers out a window.

SHORT ROUND
Lao sends planes to kill Indy!

Willie shakes Indy's arm but he continues snoring under hi s hat.

WILLIE
Wake up! It's that drug he drank to stop the poison --.

The cockpit door bursts opena the Chinese co-pilot exits to make an announcement -- he smiles and speaks in CHINESE, then he smiles and speaks in FRENCH -- ~

Wylie looks lost until the CYinese co-pilot smiles again and speaks in ENGLISH <= ray

CO&=PILOT Please to remain calm. We start passing out parachutes now <--

The coepilot hurries toward the rear. Willie looks petrified as a stewardess rushes up and hands her a parachute --

WILLIE
You got to be kidding! No! No, Tean't!i -

The pilot hurries out of the cockpit and grabs his parachute as he heads toward the back.

WILLIE (Cont'd)
Wait -=- who's flying the plane?!

“She opens the door to the cockpit --

WILLIE (Cont'd)
Nobody's fiving the plane...

—_ 22.

20

EXT. THE SKY - DAY 92,

source 21

-The DC-3 smokes through the clouds. Passengers are bailing out

-- parachutes billowing. As one of the fighters- swoops through the parachutes, Kao Kan searches the faces -= then he points at KAO KAN (into the radio) Jones! Indiana Jones!

The two planes roar off and start strafing the DC-3 again.

21

INT. THE PASSENGER CABIN 23.

source 22

The co-pilot has a parachute on and is trying to get Short Round into one. CO-PILOT Put it on! What's wrong with you? You've got to jump!

INDY
No, can't leave Indy!

Short Round suddenly butts the\eo-pilot in the stomach with his head. The co-pilot yells and falls out the door. Short Round

Sees the co-pilot's parachute Dillow. Then Willie rushes up.

AY

WILLIE
Give me that“Sparachute, I changed ny d --

She grabs the parachute and starts to fight Shorty over it --

SHORT ROUND
No, this last one! It's for Indy!

They scuffle until the parachute. skids across the floor. - cee Round jumps for it -- the parachute falls out the door and Short Round starts to fall out after it!

Willie grabs him by the seat of his pants and hauls him back fron the abyss!

22

EXT, THE SEY - DAY | 24.

source 23

The fighters peel off toward the DC-3 with their guns flaming ir another attack.

23

INT. THE PASSENGER CASIN 25.

source 24

Short Round tries to wake Indy again. Finally, Shorty grabs

i

(contd. )

Indy's bag, pulls his holster out of it and runs toward the back. Indy continues to sleep -=- until bullets smash the window by his head and a fire extinguisher is hit and stares’ spraying into Indy's face. Be finally awakens and jumps up. He looks around in disbelief at the battle-torn, nearly-empty airplane. INDIANA (groggily) We there yet? Indiana sees Shorty shooting his pistol out the side. door as the planes swoop by again. Out of ammo, Shorty throws the gun angrily at the passing plane. . . . Indiana picks up his whip and attaches it to his belt as Willie runs over to hin. WILLIE ; There's nobody flying the plane!

24

INT. . THE COCKPIT

source 25

The door flies open and Indy ruStes in with Willie behind hin. Indy appraises the situation quiskly and jumps into the pilot's seat with total confidence <-- ~> Ay WILBIE (Cont'd) You know how t ly? ie Indy surveys the control panels, the myriad dials and switches -- INDIANA No. (hopefully) Do you?

25

INT. THE PASSENGER CABIN ©

source 26

Willie runs screaming out of the cockpit, her last hope shatter- ed. Shorty is pulling something out of the cargo compartment -- he's found a machine gun and sets it up on a short tripod.

SHORT ROUND
. Come here, lady, hold this and shut up please!

He pulls Willie down to the flocr and shoves'‘her the ammunition beit that's draped toward the gun. Then Shorty jumps benind the machine gun -=

27. (contd.) - | 37.

0% m

As the first fighter appears off their side, Short Round biasts out the open door! The machine gun explodes to life,—chewing bullets, smoking and spitting shells at Willie <<

Willie hollers terrified but manages to feed the. ammo belt as Short Round sights the blazing machine gun -=- suddenly he whoops!

Willie sees the fighter hit -- it smokes and veers away -- and then EXPLODES!

SHORT ROUND
I get it!
WILLIE
You got it!

The second plane swoops down and Short Round blasts away. This time as he swivels the gun, he misses and hits one of the DC-3's own engines and it explodes!

SHORT ROUND
Oh oh -- big mistake! INT. THE COCKPIT 28. Trying to figure out the controlsy Indy looks up to see their en- gine explode into flames -- NO | INDIANA
(angrily)

Short Round, w in the hell : are you doing?

Suddenly the DC-3 emerges out of a cloud and Indy sees they are headed directly for a mountain! He pulls back hard on the con- trols as a rocky peak looms lethally in front of then.

26

EXT. THE SKY = DAY 29.

source 27

The DC-3 lifts at the last second and smashes some snow off the uppermost pinnacle as it clears the mountain by inches!

Kao Kan's fighter is glued to the DC-3's tail and continues to strafe -=- but the fighter pllot pulls up too late -- and the fighter explodes as it hits the peak of the mountain!

- , INT. THE PASSENGER CABIN 30.

Indy rushes out of the smoking cockpit to find Willie and Short Round crawling out from under the debris that's fallen on then. Then Indy spots something in the wreckage --

He pulls at some yellow canvas and Willie sees a sign: EMERGENCY

30. (contd. )

"30

LIFE RAFT. Indy drags the folded canvas over to the open door. -

WILLIE
Are you crazy, a life raft?! We're

not sinking, we're crashing!

INDIANA
Get over here, damn it! Short Round, come on, grab onto me tight!

Willie sees Short Round rush over to Indiana and grab him around the waist from behind. Willie finally jumps up and runs over -~

WILLIE
Wait for me!

She throws her arms around Indy'’s neck so that she and Shorty are both bugging him from behind. Indy clutches the folded life raft in front of him and surveys the mountainside rushing close be- neath the sinking airplane --

Finally, an instant before the plane will hit, Indy dives and pulls the inflation cord!

27

EXT. THE SKY AW

source 28

f

As the smoking DC-3 screams out“of control toward the mountain, skimming the rocky snow-covergu Slopes, we see the life rafs

‘spilling out the open door -- =

The raft pops into its full shine, acting now as aspoiler, soar-

-ing against the rushing wind @nd finally crashing and bouncing

against the snowy mountainside.

In the distance, we see the DC-3 finally kiss the earth and exe plode in a cloud of flame against a rocky escarpment -- metal and earth mushrooming in a million directions!

28

EXT. THE MOUNTAINSIDE

source 29

As the raft rockets down the snow, Indiana clutches the front and Willie and Short Round hold on for dear life on either side of hin.

The raft plummets down the mountain, crossing the timber-line and entering a forest. Bouncing over a snow-hidden log, the raft shoots directly for a tree --

Indiana pulls on the perimeter rope, rells on his side and man- ages to swerve the raft so it caroms off the snowedrifted side of the tree trunk.

Continuing its downhill run, the raft smashes across a small

32. (contd. ) 32.

oN Pf

-

stream, sending silvery water spraying.

As the raft skids below the snow-level, it starts bouncing over rocky ground and its three passengers’ teeth start chattering.

29

EXT. A BLUFF 33.

source 30

The yellow raft crashes through a tangle of bushes and then plune mets toward a bluff! The raft goes airborne over the small blurr and lands with a splash in a slow-moving river. ‘

30

EXT. THE RIVER 34.

source 31

The life raft drifts down the river and Indy looks around and

smiles cockily at Willie and Short Round <-

Their faces don't show gratitude, but horror -- Indy hears’ some- thing and turns to see:

31

EXT. WHITE WATER RAPIDS 35.

source 32

The raft is heading directly toéwerd a surging stretch of treach- erous rapids. Indiana looks jess cocky as he and Willie and Short Round hold on again for dear life!

~

The raft plunges into the roaring torrent, bouncing over rock- swollen waves, twisting and Spinning through narrow gaps. The three helpless passengers are“drenched in the thundering cascades of white water.

Willie is hollering, Short Round hangs on wide-eyed and even Indy looks terrified as the raft crashes down the rapids. Finally, after one heart-stopping bounce, the raft seems to slow.

32

EXT. RIVER CLEARING 36.

source 33

The raft drifts out of the main part of the river and glides toe ward a clearing. Its three soaked and bedraggled passengers lie motionless in the bottom.

Indy's hand drags alongside the raft, his fingers leaving a trail in the almost still water. Battered and exhausted, but always Incy's "bodyguard", Shorty looks over at him worriedly --

SHORT ROUND
Indy?
INDIANA
Okay, Shorty.

Indy looks over at Willie who is moaning.

1 a

(rev. 3/10/83) 23.

36. (contd.)

INDIANA (Cont'd)
You all right?
WILLIE
No... I'm not eut out for the - kind of life you lead.

(moaning) Oh no... I ripped my dress. Where are we anyway?-

The raft floats to a gentle stop -- we see it nudge against a pair of dark feet. Indy squints up into the sun and sees somee thing -- ,

INDIANA
India...
WILLIE
Holy cow.-=- India? How do you know we're in --

She rolls over and yelps as she looks up at the bizarre, painted face of a SHAMAN. Silhouetted against the blazing sun, the skin- ny little old man in a loincloth stares down at them in the raft.

An eerie wind rises and howls. The old man places his palms toe gether and moves his hands up ta, touch his forehead. Willie and Short Round watch mystified as Indiana returns the old shaman's

silent greeting. < . ~~

— CUT TO:

33

EXT. TREE MAYAPORE HILLS ~ DAYS

source 34

oa»

Indy and Short Round follow the shaman and four peasants down a gutted path through barren rolling hills. Willie is out of her milieu, stumbling along this forlorn landscape in high heels, tuxedo jacket and disheveled lame gown.

She hears the old shaman talking to Indy and catches up with them to find out what's going on.

WILLIE
(to Indiana)
What'd he say?
INDIANA
He told me they knew I was coming here.

WILLIE

What do you mean -= how?

37. (contd. )

\

] r a a

‘set wooden plates in front of the three visitors.

(rev. 3/10/83) 24, INDIANA : The old man saw it in a d¢rean. ° - ; WILLIE Dream -- nightmare is more like It. INDIANA He said that's why they were at river -- they were waiting for the plane to fall down. Be looks at her bewildered face and smiles faintly. As they

walk, a hot wind swirls dust around them, a wind slowly ravaging

what soil is left in this terribly blighted region.

CUT TO:
34

EXT. MAYAPORE - DAY | SO

source 35

At the base of the hills, Mayapore village does nothing to re- lieve the awful sense of devastation. A desolate road runs through the village, along which groups of pitifully poor vile lagers stare at the strangers being brought in.

Hopeless women lift buckets from a dry well -- finding only sand. Skinny miserable dogs skulk between the decrepit village huts, eyed by the patient vultures lurking in scraggly trees.

, N

‘Indiana notices the wretched geasants staring at Short Round,

some of them pointing at him, a few haggard women shedding tears down their wrinkled faces as the little Chinese boy passes.

—— There is no sign of children the village and Short Round grows frightened by the odd attent - He moves closer to Indy as they pass the devastated population.

CUT TO:
35

EXT. MAYAPORE VILLAGE - AFTER SUNSET

source 36

Black clouds clot across the blood-red sky as darkness falls. Indiana, Willie and Short Round sit tensely on a shabby rug. Above their heads, there is a thatched roof, but there are no walls.

The dying sunset silhouettes them and the half-dozen elders seat- ed in the dirt around them. A grey-haired man, the village CHIEFTAIN, gives quiet commands to the women who scuttle in and No plates are placed in front of the elders. :

(rev. 3/10/83) 25. 39. (contd.) — ° ae

WILLIE a (quietly to Indy) =. - ia . I hope this means we're going to ° get some dinner. _—

indiana sees the painted shaman, who sits next to the chieftain, watching Willie. The women bring in a bowl from which they scoop tiny portions of grey gruel onto three plates.

_ To this the women add a few grains of yellowed rice and a with-

ered, molding piece of fruit. Willie looks aghast at the unappe-. tizing combination.

WILLIE
(quietly)

God, I am starving, but I can't eat this...

INDIANA
That's more food than these people eat in a week.

(pointedly) ; They're starving, too...

Willie looks around at the emaciated faces and feels like erawle- ; ing into a hole. Z - LIE I'm sorry, a here, please.

She picks up her plate ant gently hands it back to the women. The chieftain finally speaWs to them --

CHIEFTAIN
You will rest here before you go | on.

INDIANA

We'd appreciate that. This was an unexpected detour. We'll have to go to Delhi now and find a flight west.

; SHORT ROUND r (smiling) -. Indy is taking me to America.

All eyes are on Short Round. Puzzled by this strange attention, . Shorty's smile-fades nervously.

INDIANA
ly I'm a professor. I have to re- am turn to the university. Can you © give us a guide to take us to Delhi?

(rev. 3/10/83) | 26.

39. (contd. ) a —_ The chieftain indicates a young villager sitting near then. ?. - a CHIEFTAIN mee INDIANA 7 Thank you.

The old shaman spee2ks now for the first time.

SEAMAN
On the way to Delhi, you will Stop at Pankot.
INDIANA
(puzzled)
Pankot isn't on the way to Delhi.
SHAMAN
You will go to palace there. .

INDIANA — Basn't the Pankot palace been de- serted since the Mutiny of 1857?

SHAMAN
(darkiy)

No. Now there ‘2s new Maharajah — Nn and palace is @owerful again.

The shaman looks around at hfs unfortunate people.

SHAMAN (Cont'd)
It is Pankot Palace that kills ny village. INDIANA I don't understand. What's hap- pened here?

; - SHAMAN

The evil starts in Pankot. Then like monsoon, it moves darkness over all country.

INDIANA
What evil?
SHAMAN
They came from palace and took Sivalinga from our village.

' Willie looks over at Indiana -- S

(rev. 3/10/83) 27.

39. (contd. ) _ 39. oN. WILLIE . - Took what? ~~ INDIANA It's a sacred stone in a shrine — thet's supposed to protect a village. SHAMAN It is why Krishna brought you here. INDIANA (politely firm) Nobody brought us here. Our plane crashed. We were shot down by -- SHAMAN (interrupting) No. We pray to Krishna to help us find the stone. It was Krishna who made you fall from sky -=- so you can go to Pankot Palace. To find siva- linga -- and bring back to us. Indy's about to object -=- then , Looks at the sad chieftain, the elders and peasants who are wateHing him helplessly. And he sees -~ again the dark steady eyes of tre old shaman.

oo

s ~~ |. * CUT TO: S 40

36

EXT. MAYAPORE VILLAGE - NIGRE ° °

source 40

Torches flare eerily and dogs howl es the peasants accompany the Shaman, elders and three visitors out to the edge of the dark village. Short Round walks beside Indy. | "SHORT ROUND Indy, they made our plane crash? To get you here? - INDIANA It's just superstition, Shorty. Like a ghost story. Short Round looks plenty scared as they all stop walking. The Shaman motions and the men with torches circle around a pile of rocks to illuminate them. The shaman makes a gesture of devotion _ to the primitive shrine and Indy speaks to the village chieftain. . INDIANA They took the sivalinga from here?

if

“y )

(contd. ) | 40.

eo

CHIEFTAIN : Indiana seems skeptical as he kneels to study the shrine. On top of the pile of rocks, there is a carved niche’ The niche is empty but an indentation indicates the conical shape of the stone that was stolen.

INDIANA
Was the stone very smooth?
(he sees the , chieftain nod)
It was probably brought here from a sacred river.
SHAMAN
(joining Indy and the chieftain)
Long ago <-- before my father's father. " INDIANA And it had three lines painted across it?
(seedgg the shaman nod)
The lines represent the three levels of the~tniverse. I've seen stones like ee one you lost. Indy stands slowly. Wilitle S beside him looking at the shrine. = WILLIE I don't understand how losing one rock could destroy this village.
(whispering to Indy)
Is it really powerful? Indy gives a doubtful smile. He turns again to the old shaman. '- INDIANA But why would the Maharajah take this sacred stone?
SHAMAN
They say we must pray to their evil god. We say we will not.

‘The old shaman looks off and fights the tears in his eyes as he

Starts speaking in Hindi.

40. (contd. ) 40. oN — INDIANA

(translating) .

Ni : He says that when the sacred stone ——. - was taken the village wells dried up first and then the river stopped. ) Indy turns and asks the shaman a question in Hindi. The shaman | answers in Hindi. , | INDIANA (translating) He says their crops died and then The shaman walks to the edge of the torchlight and looks out inte | the darkness as he continues speaking emotionally in Hindi -- INDIANA | (translating) And then they took their children. | | WILLIE , . Their children? She looks at Short Round and finally understands the sorrowful lA, faces always watching hin. Indy asks another question in Hindi - and the shaman continues his story.--

~~ ; | ; INDIAWA

(trans ing)

He says one nig there was a fire .in the fields. qthe men went to

) fight it. When they came back, they heard the women crying in the ‘darkness. And the children were gone.

The shaman walks slowly toward Indiana.

SHAMAN
‘You will find them when you find

\ sivalinge.

INDIANA
I'm sorry, I don't know how I can i help you here.

. The shaman and-the chieftain stare at Indiana, refusing to accept that. I

INDIANA (Cont'd)
a The English authorities who con- Sh trol this area are the only ones

iP

ia 41. 42..

}

}

(rev. 3/10/83) 29a.

40. (contd. ) | 40.

INDIANA (Cont'd)
who can help you.
CHIEFTAIN
They do not listen. _

INDIANA — I have friends in Delhi and I will make sure they investigate this...

SHAMAN
No, you will go to Pankot...

The old man speaks again in his own tongue and Indy looks dis- turbed.

WILLIE
What'd he say now?
INDIANA
It was destined that I came here -- . and the future cannot be changed...

Indy looks at the shaman and the torchlight reflected in his eyes. aw,

CUT TO:

i ; S ~ 41 “EXT. MAYAPORE - NIGHT = .

Suddenly we're rushing headlong g down a dark dirt path seen fron the POV of somebody running tw terror. We hear heavy breathing “=~ above we see the scraggly trees blowing against the full moon as an eerie wind rises and howls. We continue crashing through the dying fields toward the dark village...

37

INT. INDIANA'S HUT - NIGHT = #2:

source 38

The wind swirls into the hut and Indiana's eyes open. He lifes still a moment and then sits up slowly. He sees Short Round Sleeping nearby. -

Sensing something strange, Indy gets to his feet. He steps around Short Round and goes to the door of the hut. .

f 43. VF

]

be.

. iP

™N

)

|

)

ie

38

EXT. THE HUT = NIGHT

source 39

-Indy walks against the rising wind and looks around. The village

is asleep and seems deserted. Then he turns and sees something. We follow small bare feet stumbling through the dust...

indy sees an emaciated child in rags running out of the darkness. Indiana moves forward and the child runs toward him. Indy grabs

. the little boy as he falls into his arms.

‘CUT TO:

39

INT. THE SHAMAN'S HUT - NIGHT

source 40

A few minutes later, the little boy is lying unconscious on a blanket. Elders crouch around him Indy is kneeling and watches the shaman wet the boy's forehead with a rag and drip water onto his lips.

The little boy's eyes open and he begins to revive. Short Round and Willie watch froma corner as the little boy looks atall the faces peering down at him.

The little boy's arm moves and he’Neaches out to Indy rather than any of the others. Indy takes his small hand and sees that the boy's fingers are cut and bruised -- his fingers open and drop something into Indy's hand. cy

The little boy tries to whisper@ Indy has to lean close to hear as the little boy's lips move again --

LITTLE BOY
Sankara...

A mother rushes into the hut now and kneels and hugs her little boy. His skinny arms go around her as they are reunited. stands slowly and looks at what the little boy gave him --

It is a small tattered piece of cloth: an oid frament of a mini- ature painting. Indiana looks at it with an expression of recog- nition and apprehension...

INDIANA
Sankara...
CUT TO:
40

EXT. THE VILLAGE - MORNING

source 41

The camera follows Indiana -- he's walking fast and determinded- ly. Villagers trot alongside of him, trying to keep up with his pace as he questions them in Hindi.

Indy

- 43.

45. (contd.) 31. 4:

oN Or Indy approaches two large elephants and sees their guide ‘Sajnu Ne trying to politely drag Willie toward one of then. ~—:

INDIANA — Damn it, Willie, get on <= we've got to move out!

Willie's head comes up over the back of the elephant as she's helped from below =< there is a look of sheer terror on her face.

WILLIE
Whoa! Easy now -- nice elephant...

‘Waiting by the second elephant, Short Round sees Indy coming and runs up to him --

SHORT ROUND
I ride with you, Indy?
INDIANA
Nope, you got a little surprise over’ there, Shorty.

Short Round runs around the big elephant and sees a baby elephant being brought out. He can't believe his luck -=

SHORT, ROUND

Meanwhile Sajnu goads Willie's. etephant over. The villagers look grief stricken and many are oryiing as they watch the three stran- ) gers' departure.

WILLIE
(to Short Round)
This is the first time anybody ever cried when I left.
SHORT ROUND
‘They don't cry about you. They ' ery about the elephants leaving.
WILLIE
Figures...
SHORT ROUND
_ They got no food to feed them. So , they taking the elephants away to sell then.

- Indy lumbers over on his elephant.

Ta

‘32.

45. (contd. ) . 45.

INDIANA
All right, let's go. I want to get —-. e to Pankot before tomorrow night.

She looks at Indiana as he rides past.

WILLIE : Pankot?! I thought we were going to Delhi! Hey, wait a minute! (looking at the villagers) Can't somebody take me to Delhi?! I don't want to go to Pankot!

Sajnu guides her elephant and Willie lurches forward --

WILLIE (Cont'd)
(yelling)
Indiana! Damn it! Why'd you change your mind? What did that kid tell you last night?!

Indy ignores her hollering. The elephants move off through the crowds of pitiful villagers. Indy sees the elders, chieftain and the old shaman who brings his handsYup to his forehead as Indy rides past. vas ; ~% “\ CUT TO:

41

EXT. THE COUNTRYSIDE - DAY = 46.

source 42

+

The elephants move across the desclate countryside toward the distant hills.

42

EXT. THE TRAIL A 47.

source 43

Indiana rides the lead elephant. Sajnu passes on foot guiding Willie's elephant. With the tuxedo jacket wrapped around her waist, Willie is dabbing perfume behind her ears.

WILLIE
(to her elephant)
I think you need this more than me,

Willie leans forward and puts perfume behind the elephant's ears. Grimacing at the animal's smell she simply dumps the rest of the perfume on the elephant's back.

Willie yelps when the elephant's trunk comes back, sniffs the foreign fragrance and suddenly trumpets in disgust.

. 33. Ton 47. (contd. ) a7.

~ : WILLIE (Cont'd) What're you complaining about, ——. - this is expensive stuff!

CUT TO:
43

EXT. LOWER JUNGLES - DAY . 4S.

source 48

Froma cli?f, we see the elephants below passing into the lower jungles.

Spotting something on an overhanging tree branch, Short Round stands up precariously on the baby elephant's back. He pulls a vine from the tree as they pass under it. Plopping down onto the baby elephant's back, he picks the wild fruit from the vine --

SHORT ROUND
Here you go, lunch time!

The baby elephant's trunk comes back and takes the fruit. Shorty looks up in the sky.

SHORT ROUND (Cont'd)
Indy, look!

on Nw on Indiana and Willie look up and/see hundreds of enormous winged ~ creatures flapping across the afternoon sky. N WELIE

Those are ver£big birds. ) Sajnu says something and Indiana nods. INDIANA Those aren't birds -=- those are giant bats.

Willie shudders as she watches tHe bats.

_ vO CUT TO:

| 49. EXT. THE HILLS - AFTERNOON 49. | An enormous sun silhouettes the three elephants trekking west- ward.

CUT TQ:

| 50. EXT. A RIVER - LATE AFTERNOON | 50. r The three elephants stand sucking up river water with their

IN trunks. Seated on the huge beasts, Willie, Short Round and Indi- ‘ ana watch the thirsty animals.

34,

50. (contd. ) 50. (; WILLIE . a They must be pretty dumb to drink ——e « . that awful-looking water. In response, Willie's elephant calmly lifts its trunk and sprays her in the face. Short Round and Indy laugh as Willie sits soaked and shocked. : INDIANA I think maybe we'll camp here.

CUT TO:
44

EXT. THE RIVER = SUNSET - 51.

source 51

bo A plume of water sprays. The three elephants submerge in a deep, wide spot in the river. Indy wades in the current with his shirt off. He and the guide splash water on the weary animais. | Short Round laughs and plays with the baby elephant. Wrapped in its trunk, he's swung in the air and lands on the elephant's back. Shorty makes a swan dive back into the water and the baby elephant gives him a shower when he surfaces. : “df l- 52. EXT. UPRIVER ie yi ao Thirty yards upstream, birds ead monkeys chatter ina tree. In ' the shady river beneath, Wiltie surfaces cooly and wipes hair from her eyes. She hums contéytedly. Indiana wanders up the riverbank in his dripping trousers. He notices Willie's wet clothes spread over a tree limb hanging low over the water and then he sees Willie paddling around. , : - INDIANA Hey, Willie -- I think you better get out now. b _ WILLIE . ' Stark naked? You wish... If you're trying to seduce me, Dr. Jones, : this is a very primitive approach. | INDIANA , Me seduce you? Honey, you're the one who took your clothes off. (shrugging) I just came over to remind you that you never know what else ' might be in that water. Cn WILLIE

Somehow I feel safer in here.

Ca

52. (contd. )

As Indy turns and starts off, Willie reaches up to the. tree branch above her head and grabs her underwear. At this_mament we notice something awful:

A BOA CONSTRICTOR is moving out along the branch, the enormous snake slithering over Willie's clothes.

Willie watches Indiana walk away as she reaches up for her dress -~ her hand feels something strange -- not the dress and not the

tree limb --

Willie looks up and sees that she's pulling on a snake! She SCREAMS as the boa constrictor falls off the tree on top of her!

Indy hears the scream and hears Willie calling to him. He runs back toward the river. Stopping on the riverbank, he sees Willie backing away in the water -- Indiana's already starting to pull his boots off -e-

WILLIE
indy! Help me! INDIANA Don't worry, I'm coming in! What is it? ~ . WILLTE A snake! ne

a~ Suddenly Indiana freezes and aGstrange look crosses his face -- <=

INDIANA
A what...?

. WILLIE A SHAKE! !

He finally sees the boa constrictor thrashing in the water clese to Willie. He leaves his boots eon.

WILLIE (Cont'd)
Hurry, help me out of here! What're you waiting for?!
INDIANA
Uh, listen -- Willie -- I gota _ better idea.
WILLIE
What?!
INDIANA
First of ali += don't panic!

52. (contd.) 36.

Willie suddenly screams as the boa constrictor wraps around ker arm -- ~s er

WILLIE —~ It's got me! Indy, help me!

Indy runs along the riverbank, trying to get closer to her, but not about to jump into the river (due to his aversion to snakes ~- see Episode One: "Raiders Of The Lost Ark").

. INDIANA Don't let it pull you deeper!

WILLIE
It's pulling me deeper!
INDIANA
Don't let it curl around you!
WILLIE
It's curling around me! Damn it, stop talking and do something!

The snake is wrapping around her body and neck -- her head is barely above water <-<-

A On the riverbank, Indy reaches down and grabs a plece of wood. But as he watches the repulsivé reptile, he starts to sweat and ‘his fear and loathing overpowex“him --

W2BLIE (Cont'd)
What's wrong? Indy please help me! =

Indy groans and bolsters his courage -- he takes two steps into the water -= but the complex is to strong and he can't go any further. He drops the piece of wood...

INDIANA
Listen, Willie. Do exactly what I tell you now.
WILLIE
What?!
INDIANA
Can you move your arm?

WILLIE

Just one arn!

INDIANA
Okay, I want you to lift your hance --

er

52. (contd. ) a . 52.

INDIANA (Cont'd)
and pet the snake. =. =

WILLIE _ PET IT?711 _ .

INDIANA
Yes, stroke it right along the maxillary and precaudal verte-

brae. WILLIE THE WHAT?! INDIANA Pet it on the head! Go on, pet itl

In the water, Willie is whimpering as she lifts her hand and starts petting the snake coiling around her pale body. -

WILLIE
Qh == my == god == it's going to crush me! artreehe

Keep stroking it!.

Willie keeps rubbing her band ata the snakes head and back and it slowly stops thrashing in the water.

INBTANA (Cont'd)
What's happening?

. WILLIE It's starting to let go!

INDIANA
_ That's good -- you're doing fine.

Grimacing as she stares at the ugly serpent's head, Willie keeps stroking it.

: WILLIE It's letting go. TI think it's <= I think it's going to sleep!

‘Indiana looks relieved. He sees the snake starting to drift away

from Willie and she starts paddling back to shore, collecting her fioating clothes along the way.

Solding her dripping dress against herself, she walks out of the water toward Indy who smiles at her weakly.

c™ an . Pn we

)

52. (contd. ) . 52.

INDIANA .
See -- I got you out. a,

She slows and hauls off and punches him in the mouth. Indy holds

his jaw as she walks away infuriated.

WILLIE .
Thanks for nothing! I hate snakes!
INDIANA
(looking at - the water)
I know the feeling...
CUT TO:
45

EXT. THE CAMPSITE = NIGHT A 53.

source 46

By firelight, we see Sajnu. feeding the big elephants while Short Round feeds and talks to the baby elephant --

SHORT ROUND
You come to American with me, and we can get job in the circus -— you iike that?

; ™N The baby elephant trumpets affirmitively.

A ways off, Willie stands wrapaed in a blanket watching Shorty

and the elephant as she dries ker hair by a campfire. Now Indy comes up and drops an arnload wood for yet another fire.

WILLIE
Where'd you find your little body- guard?

INDIANA

I met Short Round when he tried to pick my pocket.

Indiana kneels and arranges the wood.

INDIANA (Cont'd)
Shorty's family was killed when they bombed Shanghai. He was living on the streets.
WILLIE
(smiling)
He'll be okay. He's a good kid.

Indy strikes a match and lights the new fire.

53. (contd. ) . 53.

a

a WILLIE (Cont'd) .

7 ami All these fires -- you expecting a - . more snakes, Dr. Jones?

She smiles snidely and continues drying her hair.

INDIANA
By the way, how'd you end up in Shanghai?

WILLIE

Well, whem my nightclub career was run over by the Depression, some ‘pinhead convinced me that "a girl could go places in the Orient..." So, look where I got.

Indy picks up a blanket and spreads it on the ground.

INDIANA
What about the future?
WILLIE
Oh, that's easy -- I'm going to lateb onto a goodelooking, in- credibly rich prthe .

indy lies down on the blanket. <

INDIANA
I'd like to Thad one of those

° . myself. WILLIE (raising an eyebrow) Oh really? INDIANA

Yeah, but he's got to be dead and buried for”’a couple of thousand

years. (smiling)

Fortune and glory... WILLIE

Is that what you're hoping to find _ at this palace, Dr. Jones?

INDIANA
Maybe... ;

Indy reaches into his pocket and removes the old piece of cloth.

53. (contd.) . aes 53

WILLIE : What's that? seoe o

-

She walks over to where he's lying down and sits on a-boulder. Re hands her the cloth and she looks at it by the firelignt.

INDIANA
Something that kid gave me last night. It's a piece of an old manuscript. °

Willie sees a crude drawing in reds, blue and gold.

INDIANA (Cont'd)
The drawing. shows a priest named Sankara who lived centuries ago.
WILLIE
What does the writing say?

INDIANA , It's Sanskrit. It tells the story of Sankara climbing Mt. Kalisa . where he met the Hindu god Shiva.

- WILLIE! © a : (examining< it) , ae That's Shiva? What's he giving the Priest? ae

& INDSANA | Legend says he“told Sankara to go forth and combat evil. To do that he gave him five sacred stones that had magical powers.

’ WILLIE (looking at Indy) You mean magical like the rock that was stolen from that village?

Indy looks at her meaningfully.

INDIANA
It could be. .

Willie seems frightened. She hands hin the piece of cloth and stands up.

WILLIE
(quietly)
Fortune and glory... sweet dreams, Dr. Jones.

ai.

53. (contd. )

She picks up a blanket and starts off.

INDIANA
I think you should sleep closer. —
(seeing her sus- pielous look)
I meant for safety.
WILLIE
(smiling)
I'd be safer sleeping with that snake.

She steps over to a tree by the fire where her clothes are dry- ing. Indy watches her pull her dried clothes from the lower branches.

She reaches up to remove another plece of her clothing <-- it's stuck to the tree and she looks up and yanks it. Suddenly the piece of clothing moves! :

Two enormous wings open and the hideous face of a GIANT BAT screeches and hisses at Willie! She screams hysterically as the bat flaps against her, biting and scratching at her before it fi- nally takes off.

The bat flies off into the darkuess and Indy chuckles as he watches Willie shaking as she backs slowly toward the fire -- ~

WILLIE
Did you see it?& It was one of

those bats! < (starfg into the darkness) God, what else is out there...7!

She quickly picks up her blanket and lays it out very close to Indy.

- INDIANA Couldn't keep away, huh?

WILLIE
Just try and control yoursel?.

Indiana watches her lie down and wrap herself in her blanket.

_ Then he rolls. over and tips his hat down over his eyes to get

some well-deserved shut-eye.

In a moment, however, we see something grotesque and snake-like Slide into frame and move towards Indy -= finally, we realize it's an elephant's trunk. The trunk nudges Indy's shouider.

53. (contd. )

INDIANA

{without looking) eon. o

Still scared? Okay, Willie, you can get closer if you want...

The elephant's trunk moves closer and nuzzles Indy's peck,

. | INDIANA Honey, I knew you'd be the first one to give in...

Now, we see that Short Round is guiding the baby elephant's trunk”

with a prod. Willie watches, stifling a laugh as the elephant's trunk sniffs Indiana's ear -=

INDIANA (Cont'd)
You're going to start something Itm going to have to finish.
(moaning)
Okay, doll, you asked for it.

Indiana rolls over, lifts his hat and hollers! He nearly jumps

out of his pants as he stares into the elephant's trunk. Willie and Short Round dissolve into laughter.

~ CUT TO:

46

EXT. THE JUNGLE ~ DAT ‘<

source 47

~“ Tall, vine-covered trees sway in ‘the wind. Beneath them, the ele ephants plough through the dense tropical forest. The sounds of the teeming jungle multiply ge Short Round surveys the distant

hills. SHORT ROUND INDIANA That's it. Pankot Palace.

Willie looks off at the resplendent white Moghul-style palace ri- sing in the distance above the jungle.

CUT TO:
47

EXT. A JUNGLE CLEARING - LATER

source 48

Their Mayapore guide waiks toward the camera and suddenly looks frightened. He barks commands and the elephants stop. Indiana jumps down and joins the fearful guide.

They stare at a small statue of a malevolent goddess with eight arms. Around the goddess's neck, a carved necklace displays

55. (contd.)

)

small human heads -- her eight hands hold other heads by their hair. a,

Indiana moves closer to the statue as the terrified guide backs away. Indy is faseinated by the ritual objects adorning it: leaves, dead birds, rodents and turtles. Indiana grimaces as he Lifts a necklace of real pierced human fingers....

WILLIE (0.S.)
Why are we stopping here?

Indiana goes back and joins the scared, jabbering guide who is helping Willie down from the elephant. Short Round jumps down.

SHORT ROUND
What you look at, Indy?

; INDIANA Just a statue.

. WILLIE What's the guide talking about? He hasn't said a word the whole trip.

Indy listens to the agitated giflde and then speaks a few words in

Hindi back to him. They watch fhe distressed guide turn the ele-

phants and start away with thes! as fast as possible.

SLLTE
Be's afraid something. . Syyprana

He said he couldn't take us any farther. He has to go sell the elephants.

WILLIE
You mean we have to walk the rest of the way?

Willie moans and follows Indy. Short Round watches the elephants trudging away. The little elephant turns and looks back. Short Round quickly wipes a tear from his face.

CUT TO:

"EXT. A PALACE APPROACH - AFTERNOON -

Indiana and Short Round hike up a rock=-paved road beside a high wall. Exhausted, carrying her high heels, Willie trudges along behind thea.

By,

56. (contd. )

ha™~ ’ la = MP | | ’ ]

|

WILLIE ; . -- shot at, fallen out of a plane, ——. - nearly drowned, squashed by a snake, attacked by a bat -- I smell like” an elephant! (yelling) I tell you I'm not going to make it!

Indiana finally stops. He walks back to Willie, suddenly picks her up in his arms and starts carrying her the remaining way. Willie is surprised and puzzled.

INDIANA
Any more complaints?

- WILLIE (smiling faintly) - Yeah, I wish you'd thought of this sooner...

She doesn't seem to mind being carried by Indy. He arrives at the entrance to the palace and puts her down -- she stands close to him and he gently smoothes the collar of her dress. .

INDIANA
It doesn't feeLvlike there's been any permanent damage.

‘She smiles at him again and then turns around -=- and whistles as

she sees Pankot Palace: a sprawling, monumental mixture of Mo- ghul and Rajput styles, the lace is an extravaganza of Princely architecture. ~

48

EXT. A BRIDGE

source 49

The three travelers start across a marble bridge toward the main entrance. Lined along the bridge, palace guards stand with lances.

As the threesome passes, the first Rajput guard snaps noisily to attention and Willie jumps. As Willie continues across the bridge, the other guards Snap to attention in sequence and she grins, enjoying the attention.

49

INT. THE OUTER COURTYARD

source 50

Short Round and Willie follow Indiana through a dark archway into a glittering courtyard. The palace seems deserted and forebod- ing.

INDIANA
Bello?...(hello?)...(hello?)

. | 45,

an

i Indy's voice echoes off the marble facades -- three enormous Raj- on put guards with curved swords in their sashes appear silently at ) opposite sides of the courtyard.

| WILLIE.

| (frightened)

Then, a tall severe-looking Indian in an English suit material- | izes out of the shadows and comes forward slowly. CHATTAR LaL | appraises the intruders suspiciously:

He sees a whoozy beauty in a weary evening gown; a dirty Chinese kid with a baseball cap; a rugged-looking American carrying a bullwhip... .

CHATTAR LAL
I would say you look rather lost.
(disdainfully)
But then I cannot imagine where in the world the three of you would look at home...
INDIANA
(smiling evenly)
~ Lost? No, we're fot lost. We're :_ on our way to Delfi. This is Miss - Scott -- and Mr..Round. My name's Indiana Jones. \
TAR LAL
feurprised) Dr. Jones? - The eminent archae- ologist?
WILLIE
(sarcastically)
Hard to believe, isn't it...?

- CHATTAR LAL I remember first hearing your name when I was studying at Oxford. I am Chattar Lal, Prime Minister for His Highness the Maharajah of Pankot.

He bows and Willie sort of ecurtsies.

| ° CHATTAR LAL (Cont'd) Welcome to Pankot Palace.

a CUT TO:

ae eS SR eT A ee) | MOR lee Ser

46,

50

INT. PANKOT PALACE =- AFTERNOON

source 51

They walk along the marble halls, past dazzling walls inlaid with pieces of mirror and semi-precious stones. Fountains spray in ivory courtyards and they gaze in awe at the ornate splendour.

As Willie walks with Shorty she appraises the chronological portraits of the Pankot Princes that line the hall. Dissipated faces, elegant faces, evil faces == she reacts to then.

WILLIE
(to Short Round)
How'd you like to run into him in a dark alley...that one's kind of cute...I could see myself married to a prince like that...

Ahead of them Chattar Lal walks with Indy and questions hin suspiciously <--

CHATTAR LAL
The plane crash and your journey here sound -- most incredible.
WILLIE
You should've beesVthere...
INDISNA
We'd appreciateUt if the Mahara- jah would let aS stay tonight. We'll be on owe way in the morn- ing. >
CHATTAR LAL
I am only his humble servant, but the Maharajah usually listens to wy advice.

. _. WILLIE Is that him?

They've come to the last in the row of Princes’ portraits. Wile lie stops and looks up disappointedly at a picture of an aged, immensely corpulent Rajput prince.

WILLIE (Cont'd)
(politely)
He's not exactly what we call "a spring chicken".
CHATTAR LAL
No, no, that is Uhmed Sinsh, the present Manarajah's late father.

“ome

(rev. 3/1/83) 47.

59. (contd. ) 9,

WILLIE , . | Oh -- good. And maybe the pres- come i ent Maharajah is a little younger? And thinner?

Two female servants approach silently and bow.

CHATTAR LAL
They will escort you to your rooms now. You will be provided with fresh clothes. Tonight you will be dining with His Highness.
WILLIE
Dinner? And with a prince?! My luck is changing. But look at me =- my god, I've got to get ready!

She hurries off with one of the servaats toward her room Chnat- tar Lal smiles cooly at Indiana --

CHATTAR LAL
Eight o'clock in. the Pleasure Pavilion. a a ; Ce CUT TO: EXT. THE PLEASURE PAVILION NIGHT 60.

An extraordinary gold dome “rises in the middle of the elaborate gardens. The Pleasure Pavilion is ablaze with torch lights, flickering candles and exotic music.

Indiana comes out of the palace with Short Round. Indy has on a tweed jacket and a necktie -- his university professor's outfit. Short Round has been cleaned up, but still sports his baseball cap.

‘" Willie joins them, looking stunning in a silk Western-styled

gown. . She's also been loaned some Moghul jewelry which sparkles on her neck and arms.

INDIANA
You look like a princess.

_. Willie's flattered by the first nice thing Indy's said to her.

WILLIE
It's sort of like being in heaven.

They eross the garden toward the pavilion and Willie's eyes are like a kid's at Christmas.

' 61.

51

INT. THE PLEASURE PAVILION

source 52
INDIANA
(smiling)

I've always bad a weakness for folk dancing.

WILLIE
(snidely)

She might get away with that act here, but she'd never make it in a real nightclub.

48,

As they enter, Indiana gives a half-dressed dancing girl the once~over as she spins to the music of drums and “vinhas”",

They walk among the rich court ministers and Indian merchants. Chattar Lal approaches with a British cavalry captain in uniform.

CHATTAR LAL
We are fortunate tonight to have

so many unexpected guests. This is Captain Phillip Blumburtt. Slumburtt bows to Willie and Indiaga.

CHATTAR LAL (Cont'd)
Captain Blumburtt and his troops are here to cheek up on the

"natives". = CAPT, BLUMBURTT (politely)

Just a routine inspection tour. CHATTAR LAL

The British worry so about their Empire -- it makes us feel like well-cared-for children.

WILLIE
Listen, Mr. Lal, what do you eall the Maharajah's wife?
CHATTAR LAL
Bis Highness has not yet taken a wife.
WILLIE
(happily)

No? Well, I guess he just hasn't met the rignt woman...

. 49. 61. (contd.) 61.

As Willie chatters on with the Prime Minister, Indiana wanders off. He moves to a wall where bronze statues and strange devoe- tional objects are displayed.

CAPT. BLUMEBURTT
(joining Indy)
Interested in local curios?
INDIANA
No. But I am interested in the ceecult. And this is a krtva.

Indiana pieks up a small clay figurine and examines it.

CAPT. BLUMBURTT
(grimacing)
Charming.
INDIANA
It's like the voodoo dolls of West Africa. The kryta represents your enemy <-— and gives you complete power over hin.

. CAPT. BLUMBURTT Thank God all that,mumbo jumbo rubbish is disappedring. ‘o

INDIANA
You think al

<ePT. BLUMBURTT Of course. Admittedly, it's taken time. Britain's controlled India for almost two hundred years now.

Indiana smiles at the somewhat pompous bureaucrat.

INDIANA
“You're hanging on better here than you did in America.
CAPT. BLUMBURTT
(smiling sourly)
This a different situation, Dr. Jones. These people are like _ children. We have to lead them Slowly into the twentieth century.

_ Indiana puts the doll down and looks over at Chattar Lal and Willie.

61. (contd. )

INDIANA
The Prime Minister doesn't seen ona 8 that naive. ;
CAPT. BLUMBURTT
No, he's a very shrewd old boy. Power behind the throne and all that. He actually runs this whole province.

Indy and the Prime Minister exchange distant looks as Willie comes back over to Indiana. She talks to him conspiratorially --

WILLIE
I think this Maharajah is swin- ming in money. Maybe coming here wasn't such a bad idea.

Blumburtt finds these Americans quite suspect and seems relieved when he hears a druz. -

CAPT . BLOUMBURTT
I believe we're being called to dinner.
WILLIE
Finally! AY

¢

As the drum beats the assembled git ests move toward a long, low

table surrounded by colorful pil¥Yows. Short Round follows with a

little monkey he's found percheg on his arn.

As everyone stands around the table, Chattar Lal makes an an- noucement in Hindi and then in English -=

CHATTAR LAL
His Supreme Highness, guardian of Rajput tradition -- the Maharajah of Pankot -— Zalim Singh.

All eyes are on two solid silver doors which open -= and through which now walks the MAHARAJAH ZALIM SINGH. Everyone ‘is bowing, including Indiana and Willie, who looks amazed <--

WILLIE .
That's the Maharajah -- that kid?!

, INDIANA Maybe he likes older women.

Indeed, Zalim Singh is only thirteen. Outfitted in silver and geld brocade, festooned with enormous jewels, the little Mahara- jah gazes imperiously at the bowing crowd -- and then glares at

61. (contd. ) . 61.

Short Round.

Indy sees Short Round chewing gum, staring antagonistically at the Maharajah. Indy pushes Short Round into a bowing position.

The Maharajah finally sits down on golden pillows. He nods and his guests take their seats. Indiana sees Willie's dreams of queendom have vanished.

INDIANA
Cheer up, you lost your prince, but dinner's on the way.
WILLIE
I've never been so hungry in ny life...

Servants appear with silver platters of steaming food. They place a platter in front of Willie and she stares at it in amaze- ment:

It's a whole roasted boar, replete with a decorative arrow pierc- ing its bloated stomach and tiny broiled baby boars placed around it as if they were sucking on their well-cooked mother.

WILLIE’

(grima@ing) My god, sort of gruesome, isn't §t...7 S

Seeing the meat being served, Indiana looks across the table at Blumburtt who seems equally puzzled. Meanwhile, the little Maha- rajah whispers to his Prime Minister. Then Chattar Lal speaks to the table ~--

CHATTAR LAL
His Highness wants me to welcome

his visitors. Especially the renowned Dr. Jones from America.

Indy bows slightly toward the Maharajah.

INDIANA
We are honored to be here.

Servants put down another platter. Willies stares at an enormous

Steaming boa constrictor on the platter. With a flash of a

knife, a servant slits the huge snake and exposes a mass of Squirming, live baby eels inside...

WILLIE
Suddenly I'm not so hungry...

Pe

61. (contd.)

Meanwhile, Indiana is chatting politely with the Prime Minister, .

INDIANA
I had a question, Mr Prime Mini=- — ster. I was examining some of the Maharajah's artifacts.

CHATTAR LAL ° A very fine collection of very old pieces, don't you think?

INDIANA _ Yes, very fine. But not all of the pieces look old. Some were carved recently and look like images used by the Thuggees to worship the god- dess Kali.

At the mention of the Thuggees, the Indians at the table quiet, as if a taboo has been broken. Chattar Lal glares at Indiana.

CHATTAR LAL
Dr. Jones, you know very well that the Thuggee cult has been dead for nearly a century. Jars

_ CAPT. SLUMBURTT Of course. The Thuggees were an obscenity that worshipped Kali with human rifices. The Brite ish Army whpéd them out about the time of the Mutiny of 1857.

Short Round avoids the dinner by feeding it to his little monkey as he listens to the scary conversation.

The talk is bad enough, but Willie finds the food unbelievable! A servant leans over her shoulder and places a six-inch long BUG on her plate!

Willie whimpers quietly as she watches the fat merchant next to her lift one of the black, shiny baked-beetles -=- and crack it in two! The man proceeds to enthusiastically suck the gooey innards out!

MERCHANT
(looking et Willie)
But you're not eating!
WILLIE
(weakly)
T uh -= had bugs for lunch.

61. (contd. ) . 6].

Meanwhile, Indiana continues to politely needle Chattar Lal.-

INDIANA
I suppose stories of the Thuggees— die hard.
CHATTAR LAL
There are no stories anymore.

; INDIANA

Well, I don't know... we came here from a small village and the peas- ants there told us that the Pankot Palace was growing powerful again @-- because of some ancient evil.

Indiana smiles and shrugs.

CHATTAR LAL
; (sneeringly) Their stories are just fear and folklore. INDIANA
(cooly)

Maybe... but how do.you explain the Thuggee shrine saw right below the palace? .-

Indy catches a glance between the little Maharajah and the prime minister, who answers slowly of:

CHATTAR LAL
The local peasants are just as superstitious. You're very ob- servant, Dr. Jones. But you're beginning to worry Capt. Blum- burtt.

Blumburtt's phlegmatic attitude has changed to curiosity.

CAPT. BLUMBURTT
I'm not worried, Prime Minister, just interested.

During their conversaticen, Willie listens to beetles SNAPPING and she watches revolted as the other dinner guests suck the gooey insides out of the bugs.

WILLIE
(to Short Round)
Give me your hat...

61. (contd. )

Meanwhile, Indy

54,

SHORT ROUND
What for? a

WILLIE = I'm going to puke in it...

continues ingenuously with Chattar Lal.

INDIANA
You know the villagers also claimed that this palace stole something from then.
CHATTAR LAL
Dr. Jones, in our country a guest does not usually insult his host.
INDIANA
Sorry, I thought we were just talk- ing about folklore.
CAPT. BLUMBURTT
(trying to make peace)
I'm sure it's nothing. Just rue mors. ‘A:
(but rXterested)
What was it tEsy claimed was

stolen? Swozana Something gagical. A sacred rock. CHATTAR LAL (eondescendingly) There, you see, Captain. A rock! INDIANA

When they lost this rock their fields and animals died. They also siad their children were taken from then.

CHATTAR LAL
I think that's enough of this nonsense, Dr. Jones... .

Indiana smiles faintly at Chattar Lal's anger. Across the table, Willie looks pale and motions to a waiter.

WILLIE
Do you have something, you know, Simple -=- like soup or something?

| 62. (contd. ) . - 62. —_, . ios The servant goes off and returns with a covered bowl. He uncov- PF ers it and Willie looks at a soup with a dozen eyeballs floating in . MERCHANT 7 Looks delicious! WILLIE I wanna go home... Willie whimpers and tears start down her cheeks. INDIANA (to Chattar Lal) I was dubious myself at first. Then something connected -- the village's rock and the old legend of the Sankara Stones... ‘ CHATTAR LAL (controlling himself) Dr. Jones, we are all vulnerable to vicious rumors. I seem to re- member that in Honduras you were accused of being a grave robber

rather than a scientist.
| INDIAND

: (shrugging) The newspapers exaggerated the incident. ré

CHLTTAR LAL
And didn't tie Sultan of Madagas- car threaten to cut your head off if you ever returned to his coun-

try? INDIANA That was a misunderstanding. CHATTAR LAL (smiling) Exactly what we have here, Dr. Jones. MAHARAJAH

" I have heard the terrible stories of the evil Thuggee cult...

_ Wnen the little Maharajah speaks it surprises everyone and where (f is silence.

y

61. (contd. )

MAHARAJAH (Cont'd) .
‘I thought the stories were told ee to frighten children. Later, I learned that the Thuggee cult was” once real and did unspeakable things.

The Maharajah looks at Indiana.

MAHARAJAE (Cont'd)
I am ashamed of what happened here SO many years ago. We keep these ebjects -- to remind us that this will never again happen in my kingdom!
INDIANA
(after a moment)
I'm sorry if I've offended you.

Now, more trays are whisked in by servants. .

. MERCHANT Ah, dessert!

Short Round's monkey suddenly scrreeches and takes off. Willie

closes her eyes in dread -=- but duriosity gets the best of her.

and she looks -- it's worse whan . She could imagine:

Plates full of small, dead monkey heads! (*Production note: be- cause of his extremely sensiti nature, the director has reques- ted that these monkey heads beSsimulated).

The tops of the monkey's skulls have been cut off and sit loose like little covers. Willie watches in utter dismay as the Maha-

rajah and his guests remove the Skull-tops and start dipping spoons into what's inside <--

_ MERCHANT (Cont'd) Chilled monkey brains!

Willie keels over, crashing backwards in a dead faint!

CCT TO:
52

INT. A PALACE HALL = LATER

source 53

Women servants help a wobbly-kneed Willie toward her roon.

53

EXT. THE PLEASURE GARDEN - NIGHT |

source 54

Hundreds of lanterns illuminate the garden where after dinner drinks are served, cigars lighted and hookah pipes puffed on.

y’

fr»

63. (contd. ) : 63.

Indiana comes out of the pavilion into the garden with Capt. Blumburtt and they talk quietly. =: =

CAPT. BLUMBURTT -
Rather bizarre menu, wouldn't you say?
INDIANA
Even if they were trying to scare us away, a devout Hindu would never touch meat.
(looking around)
Makes you wonder hat these people are@..e

Now, the little Maharajah comes over with his retinue and he reaches for Indy's whip which Short Round is carrying. ;

MAHARAJAE
I have seen this thing. What is it, Dr. Jones?
SHORT ROUND
Hey, nobody touches Indy's whip!

Short Round grabs for it, but Indiana restrains hin.

INDIAf We're guests here, Shorty.

The Maharajah glares at Short Round and gives the whip to Indy.

RAJAH
You will show me how it works please.

Indy bows to the little prince and smiles ironically --

INDIANA
Your wish is my command, your Highness.

While Short Round watches angrily, Indiana walks across the gar- den and unfurls the whip. Indy sees a servant lighting a candie.

Suddenly the whip flies and CRACES like a pistol shot. The Candle disappears! Indiana whirls and CRACKS the whip again, snagging a flower out of a dancing girl's hair.

The Maharajah reacts like any kid -- he whoops: happily.

MASARAJAS
That is wonderful! Please teach

\

63. (contd. )

MABARAJAH (Cont'd) , Se
me how! St Heo

Short Round sulks as he listens to Indiana instructing the Maha-

rajah on how to hold the whip. As the young prince practises the grip, Indy notices Chattar Lal slip behind a fountain to talk to a dark figure in robes who appears. .

Indiana sees Chattar Lal bow to the dark figure -- and Indy catches a glimpse of the stranger's pale face and dark hollow eyes. Then the robed apparition seems to disappear.

Meanwhile everyone watches respectfully as the Maharajah unfurls the whip for his first attempt. He flings the whip but it flies back and snaps -- biting his own cheek.

There's a stunned silence -- then Short Round laughs at the Little prince who is holding his wounded cheek. The incensed Ma- harajah suddenly flashes the whip at Short Round.

Short Round grabs the end of it and pulls hard <= the whip is tugged taut between the two hostile boys. As they draw near each other, Short Round sees something weird:

The little Maharajah's eyes begin glowing yellow and he hisses softly in a strange voice. Nobody’else sees or hears the bizarre transformation... =

~~ Indiana finally intercedes == sh grabs Short Round by the neck.

A) SNDIANA Okay, Short Round, let go of it.

Short Round lets go and Indy gently takes the whip back from the

little prince.

INDIANA (Cont'd)
The Turks say that a whip can be an enemy even to its owner. If you get some rope, it'll be easier to learn with, your Highness. Now, I think we'll sey goodnight.

The Maharajah and Short Round stare hostilely at each other as Indy recoils his whip.

CUT TO:
54

INT. A PALACE HALL ~- NIGET

source 55

Short Round walks beside Indiana down the shadowy hall toward

their room. Short Round has Indy's whip curled around his shoul- der. The littie fellow yawns and shakes his head.

)

64. (contd. ) . | ; a ea.

SHORT ROUND ; That little Maharajah think he ==. « big stuff.

INDIANA .
You don't like him do you?
SHORT ROUND
Next time I flatten him! Did you see his eyes?
INDIANA
No.
SHORT ROUND
Indy, they glow like fire and get real crazy! Then he talk in this Peal scary voice!

Indy tousles Short Round's hair.

INDIANA
Be was afraid of you. He knows a tough guy when he sees one.

SHOR? ROUND (not ‘So sure) Yeah, that's wh@t happen...

They reach their room and Shof® Round opens the door.

x THDIANA I better see how Willie is.

Short Round shakes his head scornfully as Indy crosses the hall and knocks on another door. After a moment, the coor opens and Willie is standing there in a tempting nightgown. °

INDIANA
I brought you something.

Be helds up something wrapped in a plece of silk.

WILLIE
(disgusted)
Not leftovers?
INDIANA
No -=- real food.

Willie opens the bundle suspiciously e=- then her face lights up as she examines the breads and fruits inside. .

64. (contd. )

WILLIE : Oh, it is real food... it's mo. beautiful.

She bites happily into a pfece of fruit -=- {ts juice runs her chin and Indy wipes it off gently with his hand. The mo deliberately seductive and Willie is not displeased.

WILLIE (Cont'd)
You're nice. Listen, I'm taking applications == how'd you like to be my palace slave?
INDIANA
(smiling)

Wearing your jewels to be, prin- cess? ;

Indy touches her necklace <-=- then his hand caresses her nec ear. She shivers slightly and speaks softly.

WILLIE
Yeah -- and nothing else.
(smiling)

That shoge, you? , o

va INDIANA shaking his head) I'm a,scientist. I like doing reseacch on certain "nocturnal actirtties"™ --

.

She smiles and puts a grape to his lips. He opens his mou

takes it and chews it.

. WILLIE You mean like love rituals...

He swallows the grape and they move toward each other slow: kiss, revealing the passion that's simmering.

INDIANA
And mating customs...

They kiss again more heatedly.

WILLIE
Primitive sexual practises?
INDIANA
Youtre talking to an authority in that area.

64. (contd. )

lf They kiss again hungrily -- . a - eam 7 mee . WILLE You're dying to come into my-roon, aren't you?

INDIANA
You want me so bad, why don't you invite me?
WILLIE
Too proud to admit you're crazy about me, Dr. Jones?
INDIANA
I think you're too used to get- ting your own way, Willie...

They kiss yet again -= and Indy breaks it off, just to show he' ; still in control. He backs away toward his room.

WILLIE

; (watching him)

We'll see who gives in first -- I*il leave my door open.

on INDIANA _ ; Don't catch cotd.

“ WILLIE

Dr. Jones -£2?

- Indy stops by his door and sees Willie smiling as she holds tu five fingers --

WILLIE (Cont'd)
Five minutes... you'll be back over here in five minutes...

INDIANA

You're dreaming, Willie. You want to make it real, just knock on ny door.

He winks. She waves. But neither one will surrender firs‘ Willie goes into her room, leaving the door ajar. Indy opens hi door.

55

INT. INDIANA'S SUITE

source 65

- Indy comes in and closes the door -- leaving it open acrack. F ~ stands and listens, waiting for her to come over.

om,

(rev. 3/1/83) G2

56

INT. WILLIE'S SUITE OO

source 57

Willie stands likewise by her door, waiting to hear Indy over. _ -

57

INT. INDIANA'S SUITE

source 58

Indiana shrugs and walks over to a couch and starts ta his tweed jacket and necktie --

INDIANA
Five minutes... fat chance.
58

INT.. WILLIE'S SUITE

source 59

Willie moves around her lavish suite, turning down light: mantic effect, checking herself in a mirror --

WILLIE
(confidently)
Five minutes, Dr. Jones...
59

INT. INDIANA'S SUITE

source 60

Indy undresses in the magnificently decorated room: wal ings show palace scenes“@nd landscapes; life-size naut dance and there are fujl-scale portraits of Rajput pr prancing horses. But Indy's more concerned with lust th: A, . ---wants me to be her palace slave!

He picks up his whip and smiles, considering uSing it on

' Then he just grumbles and tosses the buliwhip onto the a

60

INT. WILLIE'S SUITE

source 61

Lying. in bed in a seductive pose, Willie waits for Indy up and she starts to look worried. She grabs a clock ar. it to see if it's working. She taps her fingers irritab dering if her charm has failed...

61

INT. INDIANA'S SUITE

source 62

We see another clock ticking. Looking annoyed, Indy to boot at it and the clock falls on its face, setting alarn.

On the chaise longue in front of Indy's bed, Short Rounc groggily and sees Indy turning off the alarn.

(rev. 3/10/83) G3

71. (contd.) —

~ Y ae Cane

SHORT ROUND . ; - (half asleep) =<x

Go to sleep, Indy -- I stay up

and -- keep eye on things...

INDIANA
Okay, Shorty...see you in .the momning...i'm going to have a little -- word with Willie.

Indy finally shakes his head and gives in to his an. instinets. He buttons his shirt, puts his boots back on grabs his leather jacket.

As he puts on his jacket he walks past the life-sized pai armed guards standing in silent vigil. Suddenly we.see somet frightening behind him: one of the wall paintings seems to

.to Life!

A large figure in robes and a turban looms out from the wail Lifts a silk cord «= the figure erars the cord suddenly ar Indiana's neck!

The huge assassin stands behind Indy, twisting the cord e tighter around his neck. As Indy attempts to breaks free sees the assassin's face in a mirror -- and a strange ye:

light glowing in the killer'sngyes. ‘INT. WILLIE'S SUITE <

n

Willie's zanaLly had enough waiting and she gets out of bed P lantly. =

“WILLIE

Hets not coming... I can't be-

She walks across the room and opens the door. She looks out the empty hall -- and her resolve starts to weaken --

WILLIE (Cont'd)
Well. ee
(brecing herself)
No! I'm not going over there...

She comes back into her room and kicks the door closed.

WILLIE (Cont'd)
Sleep tight, Dr. Jones!
(sudden) y melancholy)
I could've been your greatest ad- venture...

v a

CY

62

INT. INDIANA'S SUITE OO

source 63

Indy shoves the assassin backwards, ramming the big man int wall. The assassin maintains his deathgrip -- while o chaise, Short Round sleeps through it all! .

Gasping futilely for air, Indy sinks slowly to his knees - eyes bulge and he stares at the tiny, smiling skulls at the of the death-cord wrapped around the assassin's fists.

Indiana sinks lower and*then feels something -- desperatel grabs a brass pot on the floor by the handle and swings it his last strength, smashing it up into the assassin's head + skull-crushing clang!

The assassin is stunned and Indiana curls forward, pullir into a somersault and sending him flying over his back. The assin crashes on his spine next to the chaise. Short Round

doesn't wake up.

Indiana rips the cord from around his neck and gasps for b He sees the assassin pulling a knife. Indiana dives as the flies through the air and slams into the wall.

Indiana grabs his whip, rolls and lands on his feet. As the assin tries to retreat, Indy\onleashes his whip -—- it CRACI wraps around the killer's neck.

The big man struggles, pulling on the whip, trying to rele: from his throat -- and Ipgdiana holds fast, watching the k gasping for air now as h face turns red.

Suddenly the assassin does a full-blown backwards somers which rips the whip out of Indy's hand.’ The assassin has : stant to grin victoriously --

Until he sees that the whip handle is arching toward the cs where it gets caught on the revolving fan! The surprised a in is tugged upwards -- and the whip twists around the ce fan like fishing-line around a fishing-reel --

And like a doomed flounder, the assassin is slowly reeled

dragged toward the ceiling, his toes lifting off the x floor. The assassin screams as he is hanged! His legs twi his death throes -- and below him, Short Found finally wake

Alway-s Indiana's protector, Shorty instinctively leaps o couch and draws a small dagger =-

SEORT ROUND
Don't worry, Indy! Where are they?!

és

73. (contd.) °

Short Round spins a 360°, then looks up and does a-double- seeing the dead assassin twisting slowly around..the ceiling Indy takes Short Round by the shoulders and turns him away - the grisly sight. —

INDIANA
It's okay, it's over <= go turn off the fan.

Shorty goes over and turns off the fan -- the assassin's drops and Indy recoils his whip. Suddenly they hear a hi scream -- Willie!

63

INT. WILLIE'S SUITE

source 64

In a tight close-up: Willie screams again. She's lying ir looking down at something -- _ ¢

Moving up her shapely leg, a green and black, monstrous-lc insect crawls onto her stomach and Willie stops breathing.

bilized by fear, Willie watches in silent agony as the hi insect climbs slowly up her breast and slithers toward her r

Across the suite, the door bursts open and Indiana rushe Shorty is behind him, carrying Indy's whip. Indiana leaps ¢ stool and slides up to ~ bed to save Willie --

Then he spots the giant insect crawling on her and decid have some fun. ~x A: mis? cheap trick to get me over her

Willie speaks with desperate, fearful precision --

WILLIE
No -=- don't you see == crawling -=

” INDIANA What -- the bug?

Willie is petrified and shaking.

WILLIE
Get -- the -=- bug -— off!
INDIANA
Gee, I wouldn't want to touch an ugly eritter like that!

LG

74. (contd.)

SHORT ROUND a. (grinning) a Uh ub -=- me neither!

Willie looks at the man-ofeaction like he's insane. The feels the bug crawling onto her cheek <-

WILLIE
Oh no -= oh no!!
INDIANA
(studying the bug)
You know, Willie, I'll bet he's mad because they were eating his friends for dinner.
WILLIE
Please -- oh please, I'm going to die! Get if off!

Indiana shrugs and leans over and casually swats the horrib off her face. He and Short Round wateh the insect skid ;¢ the floor == and suddenly disappear as if by magic!

Puzzled, they wander toward the wall, leaving Willie t bathed in sweat, staring at, ‘the ceiling -=-

so ~~ WILLIE

What did Ivdo to deserve this

trip?! Pa

Kneeling by the wall, Sport: Round examines the baseboard --

SHORT ROUND
It went under. Hey, I feel wind, Indy.

Indiana knocks on the wall and considers tne hollow soun moves back and looks at he whole wall. Behind him, Willie past --

WILLIE
I'm packing! I'm getting out of here right now tonight!

She dashes behind a screen to start getting dressed. Mear Indy feels the marble walls. He moves to a niche in which is a small statue of Ganesha, the friendly elephant god.

Indiana lifts the statue -- and a panel in the wall opens s ly. Short Round looks amazed. Indy watches the ligh' across the far wall of a tunnel as the door opens slowly.

G7

74. (contd. )’

Indy peers into the tunnel at an old wall painting.- “Spiders skrit calligraphy runs under a flaking illustration of a ; bowing before a god.

INDIANA
#(He reads aloud an inscription in Sanskrit).
SHORT ROUND
What does it mean, Indy?
INDIANA -
- (translating) "Follow in the footsteps of Shiva. Do not betray his truth.”

Indy takes out the piece of cloth the boy gave him in Mayapc the similarities are striking. It isalsoa picture of Shit Sankara.

INDIANA
*(He repeats aloud the inscrip- tion also written on the cloth)

Over behind the screen, Willie's getting into some silk pant an Indian-style brocade bodice top =< ire I don't carecif I have to walk to Delhi, i'n = hey!

She notices Indy and snost Round bending to enter the dark

behind the wall. =

'. WILLIE (Cont'd) | Wait a minute! What're you --

where're you going?! Indy pokes his head back into the room -- INDIANA Lock your door and don't leave until we get back. He disappears behind the wall and Willie looks worried.

64

INT. A PALACE TUNNEL = NIGHT

source 65

Indy and Short Round enter the secret passage and move fe

Slowly into the inky darkness.

SHORT ROUND
I don't think we suppose to be in
CY
75. (contd.) .

SHORT ROUND (Cont'd) =

They creep slowly down the dark anne. tt grows Smaler and ducks his head. ,

SHORT ROUND (Cont'd)
Z step on something.

Their footsteps crunch on the tunnel floor.

INDIANA
You're right, there's something all over the floor...

Even Short Round has to duck now and Indy finally kneels t hands aoe knees. .

INDIANA (Cont'd)
- We'll have to crawl.

As they crawl, their hands and knees. continue to crunch on | ever it is littering the ground.

SHORT ROUND
7 ° Indy, the flqer -- there is some- aT aa thing alive!,

“A

‘Indiana gets a match out vf his pocket. He snaps it witt thumb and the match flares’ -- they freeze as the light i11 nates a grisly scene: =

The floor and walls of the narrow tunnel are an undulating of millions of enormous bugs -- a hideous insectarium: a 1: collection of the world's ugliest antropods, hexapods and a: nids.

SHORT ROUND
Boly smoke -- I'm scared, Indy!

Indiana turns and sees something else -=-

INDIANA ; There's a chamber here. Come on --=

Indy finds an ofl lamp on the wall and lights it. Short! happily scampers into the chamber and Indy follows him. Sud the door slides shut -- trapping them inside!

76. jQINT. THE CHAMBER

~ Indiana lights a match and finds another oil lamp. He and . Round loox for a way to open the door tnat closed behing °

GY

76. (contd.) ©

but they have no luck.

INDIANA
Damn! . _

Then they hear Willie's voice echoing down the short tunnel.

WILLIE (0.S.)
Hey -- where are you?!
65

INT. WILLIE'S SUITE

source 66

Back in her suite, Willie stands by the entrance to the Ss: passage, peering into the dark tunnel --

WILLIE (Cont'd)
Indiana Jones?! Are you in there?
66

INT. THE CHAMBER

source 67

Indy mutters irritably to himself --

INDIANA
Yes, we're in here...

Be looks everywhere for something to open the door. Skort spots a loose brick and moves, it ==

SHORT ROUND
indy, I found a--

~ Suddenly they hear a rumble and Indy turns to see the opp wall moving -=- and spikes start appearing! Their lethal protrude from the wall-@s it starts closing in toward Ind Short Round.

SHORT ROUND (Cont'd)
Indy -—- !.

Shorty points up and Indiana sees more spikes descending fre ceiling! Indy turns toward the door and shouts --

INDIANA
Uh -—- Willie?!
(louder)
Willie, you better get down here!
67

INT. WILLIE'S SUITE

source 68

Willie listens and looks scared --

a

79. (contd. )

WILLIE ; . (shouting back) _ ° What?! INDIANA (0.S.) Willie, come here! Hurry up, ~ we're in trouble!! .

- SHORT ROUND (0.S.) Willie, help!! —

Willie is frightened, confused and jumping around -- WILLIE What do you want?! It's dark in there!! .

68

INT. THE SPIKE CHAMBER

source 69

The deadly spikes inch slowly toward them from the wall and cei ing. They start pounding on the door and shout --

INDIANA
Willie, damm it! Get down here, Now!
69

INT. WILLIE'S SUITE !

source 70

\a

Willie finds the courage to finally whimper and step into ¢ dark passage -- Ss

WIDLIE
Oh hell -- I bet I get all dirty again! INT. THE TUNNEL Willie starts down the dark tunnel toward the chamber.

- INDIANA (0.S.) WILLIE?!

WILLIE
I'm coming, what's the rush?! Obh! What's that?! There's stuff all over the floor! I can't see a thing!
70

INT. THE SPIKE CHAMBER

source 71

They hear her coming and Indy watches nervously 2s the spik draw ever closer --

83. (contd. )

B5.

INDIANA .
Move, Willie! Faster! =i f
71

INT. THE TUNNEL _

source 72

Willie crawls and crunches on the littered floor --

WILLIE
It's all wet and icky! Aaahh -- things are moving!!

She sees the low lamp by the door to the chamber.

SHORT ROUND (0.S.)
Please, Willie!

She grabs the lamp and turns it up so it burns brighter. looks around -— and SCREAMS!! She sees the sickening, swar mass of glistening insects crawling toward her, attracted by light -- .

WILLIE
(hysterical)
There's bugs! Bugs all over! Help! Help me!

Q@JDIANA (0.S.) Willie, oper the door! GET US OUT OF BERRY

Willie pounds on the doors

OPEN THE DOOR! LET ME IN!!

72

INT. THE SPIKE ROOM

source 73

The spikes close in -

7 INDIANA GET US OUT! Willie, shut up and listen! There's got to be a ful- ecrum release! Look around!

WILLIE (0.S.)
A what?!
73

INT. THE TUNNEL

source 74

Willie whines and frantically searches the wall. Insects crawling and jumping on her and she kicks at them!

2 ~~

86. (contd. )

TR

INDIANA (0.S.) .
A fulerum release lever! mame
WILLIE SO
I can't find any lever! Help me Indy!
74

INT. THE SPIKE CHAMBER

source 75

Indiana and Short Round are backed against the wall and spikes are a foot away and moving in <--

INDIANA
Look around, Willie! There's got to be a lever hidden somewhere! Come on, y.ou can do it!
75

INT. THE TUNNEL

source 76

Insects drop onto Willie from the ceiling and fly at her as flattens against the wall. Then her elbow hits something - loose stone. She claws at it and it falls out of the w leaving a hole.

WILLIE
There's a hale! I found a square hole! | ro

ny INDIANA (0.S.) That's itu==- the release lever -- look ins rde! <=

~ WILLIE T am -=- it looks horrible!

The hole is revolting: covered with squirming insects, ité oozes some kind of giistening mucts.

. . INDIANA (0.S.) Reach inside!

Willie moves her hand toward the nauseating hole then pulls b:

WILLIE .
I can't, Indy! I can't!
76

INT. THE SPIKE CHAMBER

source 77

Indiana turns his head sideways and sucks in his breath, but deadly spikes are poking into his leather jacket now --

INDIANA
The lever! Wilite, do it!: NOW!
77

INT. THE TUNNEL

source 78

Willie screams and jams her hand into the gross hole --

‘WILLIE Oh God, it's soft =- it's mevink!

INDIANA (0.S.)
Willie!
78

INT. THE SPIKE CHAMBER

source 79

Short Round is frightened to death and crying --

. SHORT ROUND Willie, help us! Hurry!

79

INT. THE TUNNEL

source 80

She hears Short Round crying and twists her hand in the di ing hole. Suddenly the door springs open! Willie pulls he out and stares in horror -- her hand and arm are covered greenish slimey mung!

80

INT. THE SPIKE CHAMBER [WV

source 81

~

— The spikes suddenly retract, disappearing into the wall and

ing. Indy pulls Willieinside the chamber and the door shut again. Willie dancgs around, yelling about the hideor on her arn. =

WILLIE
Get it off me -=— get it off!

Indy helps her wipe it off. Willie falls back against the

WILLIE (Cont'd)
You left me out there! What in the hell were you doing in here?! I want to leave this place right now!!

She sees the same lever that Short Round pulled earlier anc for it. Indiana dives and manages to stop her from acti the spikes again.

INDIANA
Not that one! We had enough of that one, thank you...

He looks around and spots a small rock protruding from the Cautiously, praying that it won't activate another booby Indy pushes the rock.

TH

$3. (contd. )

A large door opens on the other side of the chamber -- a <s wind howls past outside the chamber. mo. ~

81

INT. THE WIND TUNNEL —

source 82

Indiana, Short Round and Willie exit the spike chamber ané¢ down a larger tunnel through which a roaring wind intermit blows, howling eerily like a note of gloomy music.

indiana follows a curve in the tunnel and they see light The wind howls another dramatic note which gales past t they reach the mouth of the tunnel.

Indiana is joined by Willie and Short Round. They all st astonishment at the sight below them:

_INT. THE TEMPLE OF DEATH

As the camera pulls back, the mouth of the wind tunnel ir they are standing becomes just a small hole overlooking th.

| gering vastness of the incredible TEMPLE OF DEATH.

The colossal subterranean temple has been carved out of z mass of rock. A vaulting cathedral-like ceiling is suppo: rows of carved stone cota

Balconies overlook the temple floor. Pillared halls lead dark side chambers. Mowing out of these chambers, kund: faithful worshippers chaat as they enter the temple.

Mammoth stone statues of elephants, lions and demi-gods (h half/animal monstrosities) loom above the swelling crowds shippers. ,

‘As the wind howls out of the tunnel high above the tezp

worshippers chant in response to the strange tunnel music.

82

INT. THE TUNNEL

source 83

The moaning wind rushes past Indiana, Willie and Short R they watch the mystery cult below bowing toward an enormou at the far end of the temple.

This altar is a platform jutting out from the stone wall cavern. Separating the worshippers from this altar is a crevasse out of which wisps of smoke rise occasionally.

83

INT. THE ALTAR

source 84

On the other side of the crevasse, evil-looking priests : materialize out of clouds of swirling smoke. The priest smoke-biliowing urns to a giant stone statue.

99.°

97. (contd. )

Now, we see the hideous protectress of the temple, the obscen Malevolent object of the cult's devotion: the bloodthirsty g¢ dess KALI! . is 1s The red-eyed priests bow at the base of the statue and gaze reverently as their KALI MA. Skulls surround her stone fe carved serpents twist up her legs, while around her waist ‘tt! is a gruesome belt of human hands. :

Naked to the hips, Kali's hair falls about her four arms. In hand, she holds a sword, in the second the severed head ° giant. With her other hands she encourages her worshippers, are chanting louder and louder!

Kali's face is loathsome: her earrings are two corpses. evil tongue extends out of her twisted mouth and what looks real blood flows over her long fangs and down her naked brea:

84

INT. THE WIND TUNNEL

source 85

Watching from the high opening, Willie looks disgusted.

WILLIE
What is it...?
INDIANA
It's a Thug ceremony. They're worshipping Puli, the goddess of Death and Destruction.

s

85

INT. THE TEMPLE OF DEATH .™’

source 86

i) A huge drum sounds three times and the chanting stops. Silence is chilling as-mnother robed figure appears out < smoke on the altar.

This is MOLA RAM, the High Priest of the Thuggee cult.

Ram's red-rimmed eyes glare from the sunken sockets in his sinister face. Here is a man who looks as vile and disabe as the unholy goddess rising behind him

Up in the wind tunnel, Indy stares down at the High Prie

realizes that it was Mola Ram he saw conferring with Chatt in the palace garden.

As the drum booms three times more, Mola Ram lifts one bor up from his emaciated body and suddenly there is a scream!

All heads turn toward an unfortunate, struggling Indiar dragged out by priests. The man's face and body are & painted. He screams again as he's tied onto a square iro: laying atop a large flat stone.

99. (contd.)

Mola Ram steps forward to the stretched-out victim and the looks up into the High Priest's grotesque face <-_. -

Suddenly Mola Ram's hand shoots out toward-the man's chest -- pierces it! The High Priest's hand sinks {nto the vict writhing body and rips out his living heart!

86

INT. THE WIND TUNNEL

source 87

Willie covers her mouth --

WILLIE
Oh my God! He ripped out his -- he killed him!
INDIANA
‘No... the heart's still beating!
87

INT. THE ALTAR

source 88

Indeed, the bloody heart-is still beating in Mola Ram's hand! lifts the heart into the air and the worshippers begin to che

THE MULTITUDE © Jai ma Kali, jai ma Kali!

Stranger still, the sacrificial victim is still alive -- ther no evidence of a gash ofvhis chest, only a reddish mark.

‘priests add chains to tue iron frame and carry the victimno

toward a hoist hanging ayer the crevasse. N

The man thrashes abouk*helplessly on the aren frame as it is

ended and then lower with the victim hanging face down <= aa 2

As the sacrificial victim looks down into the crevasse below

he screams -- and we see the molten lava bubbiing crimson at

bottom of the chasa!

88

INT. THE WIND TUNNEL

source 89

Willie closes her eyes but Indy and Short Round watch horri as the iron frame is lowered -= and the bloody heart continue beat in Mola Ram's hand -= and the molten lava burns and fl as the screaming victim is lowered deeper into the crevasse.

89

INT. THE TEMPLE

source 90

The weird paint on the victim's face starts to smoke and si -- the man's skin blisters as he's lowered within feet of lava. His flesh smokes and he screams one last time as his bursts into flame.

The iron frame sinks and submerges into the boiling fiery iav

90

INT. THE ALTAR

source 91

Above the crevasse, Mola Ram continues to hold the heart his hand -- the heart is smoking and bursts i&dto flames - disappears! °

91

INT. THE TEMPLE

source 92

The iron frame is raised out of the lava -= the metal glo like a branding iron, but there is no trace of the sacri

vietin.

92

INT. THE WIND TUNNEL

source 93

As the wind howls again, Willie and Short Round look sickens appalled by the ceremony. Even Indy seems shaken by what are witnessing. 7

THE MULTITUDE
Jai ma Kali, jai ma Kali!
93

INT. THE ALTAR

source 94

Mola Ram raises both hands and his voice echoes strange inc

tions. Behind him, three priests carry cloth-wrapped objec:

ward the altar.

94

INT. THE WIND TUNNEL

source 95

‘ Xe

Willie is crying and her~voice is choking as she turns away

the hideous ritual -- , °

Let's“Bo! Let's get out of here!

INDIANA
Quiet!
95

INT. THE ALTAR

source 96

The priests reverently unwrap three conical piec: erystallized quartz. They place the three stones below the tue of Kali and slowly the smoke around the altar swirls --

The smoke is drawn to the three stones and they actualy sta: haling the spiraling smoke. The smoke disappears into the : and the air clears. Then the three stones start to glow a

‘ing incandescent white.

96

INT. THE WIND TUNNEL

source 97

Short Round looks seared. Willie is still erying -- Indy w: horrified but fascinated.

110. (contd. )

1lli.

INDIANA : The village knew their rock was... _ magic -= but they didn't know it Was one of the lost Sankara Stones...

SHORT ROUND
Why they glow like that? .
INDIANA
Legend says that when the stones are brought together the diamonds inside of them will glow.

Willie wipes her eyes and becomes more interested --

WILLIE
Diamonds...7?

As the wind howls about them, Indiana and Willie both sta the glowing stones, seduced by different aspects of their le

97

INT. THE ALTAR

source 98

The Sankara Stones shimmer brightly, and inside the crystal quartz, the enormous sparkling diamonds of legend are no vealed. ny

Mola Ram stands facing Kali with his arms outstretched

kneels and bows and then walks off the altar and disappears. AG

98

INT. THE WIND TUNNEL S .

source 99

Indiana sees the worshippers below start ts leave the temple

looks at Willie and Short Round.

INDIANA
Okay == now listen <= you wait here and keep quiet. Shorty, keep an eye on her.

Short Round nods and hands Indy his bullwhip and shoulde: Willie sees Indiana peering down at the sheer drop belo mouth of the wind tunnel.

WILLIE

Wait -- what're you doing? INDIANA

I'm going down. WILLIS

Down? Down there?! Are you crazy -=- !

es,

ANDIANA
I'm not leaving without those stones.
WILLIE
You're gonna get killed chasing after your damn fortune and

glory!

INDIANA
(looking at her)
Maybe...someday.
(smiling)
Not today.
SHORT ROUND
I keep my eye peeled, Indy.

Indiana nods and looks down at the now empty temple. Th Slips down from the mouth of the wind tunnel.

99

INT. THE TEMPLE WALL

source 100

Indiana skillfully climbs down an enormous temple column -- ing footholds on stone cobras, carved lions and the stone br of dancing girls. Slowly, he makes his way down and swing: a balcony. ~\ .

é

100

INT.° THE BALCONY =

source 101

‘Indiana walks quietly along the balcony overlooking the t-

Ee stops -- between him end the altar is the crevasse wit lava bubbling fire at the: ‘potton.

Indiana looks across the gulf and sees another column nez altar at the top of which stone elephants are perched. Inc curls his whip and suddenly lets it fly <<

The whip cracks and its end wraps tightly around the tusk « of the stone elephants. From the balcony, Indy tugs the taut, takes a breath and runs -=-

101

INT. THE CREVASSE

source 102

Indiana leaps and swings out on the whip, arching down and over the chasm of fiery lava in a spectacular curving jump!

-INT. THE ALTAR

Indy lands on his feet and turns to release the whip. Round waves to Indy that the coast is clear. Indy Snaps th -- it releases from the elephant tusk and drops.

~ —

116. (contd.) ©

_ ¥O

Recurling the whip, Indy attaches it to his belt and move ward the towering statue of Kali. The three Sankara stones glow and Indiana approaches them cautiously.

Reaching the stones, Indy's face is lighted by them He ne that one of them (the stone from mayspers village) has iines painted across it.

Suspietouszy, Indy touches the stone, but it doesn't burr Lifts it carefully and peers into it. The enormous di sparkles inside. He places the stone in his shoulder ba reaches for the others. -

102

INT. THE WIND TUNNEL

source 103

Short Round and Willie watch apprehensively as Indiana bag three stones. |

103

INT. THE ALTAR

source 104

Indiana backs away and looks up at the horrific statue of It seems to be watching him. se turns and is about to go wr hears something <-- .

It sounds like a voice and Indy is afraid to turn -- could Kali? Then he hears other noises echoing and turns slowly. alizing the sounds are coming from behind the altar, Indy around it toward the back. Ay

,

104

INT. THE WIND TUNNEL NE

source 105

_™ Short Round and Willie are mystified as they see Indiana « pear behind the altar. =

‘~~ “WILLIE Oh hell, where's he going?

Short Round looks worried. Then the wind rushes past them and howls its somber musical note. However, the wind sound: ferent this time, its tone quavering slightly.

Short Round is puzzled and looks around. de freezes when h-: two shadowy figures coming down the tunnel toward them -- bodies causing the tone of the wind to shift eerily --

Willie notices Short Round pulling a dagger from his belt -

WILLIE
What're you -= ?

Suddenly she turns and screams as two huge Thuggee guards at them! One grabs at Short Round but the kid slashe guard's hand with his dagger.

81. . 119. (contd. ) 119.

van _- Willie tries to get past the other guard, but he snatches her bY. the arm and pulls her toward him -- from her training at-the Col- lege of Hard Knocks, Willie successtulty knees the big man in the

balls. .

WILLIE (Cont'd)

| Keep your paws off, letch!

, The man groans and sinks to his knees. Willie sees that Short Round is in trouble. She runs over, leaps onto the back of the other guard and starts ripping his hair out.

Short Round picks up his fallen dagger. The big guard lurches backwards and smashes Willie into the rocky wall of the tunnel. Willie falls to the floor.

Short Round approaches, holding the man at bay with his dagger. Willie turns as the other guard, the one she kneed, crawls toward her -- Willie scoops up some dirt and throws it. The man claws at his eyes and Willie jumps up.

SHORT ROUND
Run Willie!

a guard at a distance with his dagger. Suddenly the guard cries out No , in Hindi-and dives at Short Round.

Panicking, Shorty tries to run after Willie -= but he's tripped. | The guard has Short Round by the Root and drags him back. Willie looks around and stops running. 2She sees Short Round is caught.

SHOsT ROUND (Cont'd) No! Run! Go get help!

Willie hesitates, then runs down the tunnel. Meanwhile, a mane moth hand clutches Short Round's throat -- the’ giant guard lifts Shorty completely off the ground and the kid looks terrified and helpless as he dangles in the air...

105

INT. CHAMBER BEHIND ALTAR 120.

source 120

Indiana enters the dark chamber behind the altar. The only il- lumination is the back-light streaming around the silhcuetted statue of Kali.

Indy slowly crosses a narrow stone bridge and moves toward a cy- lindrical shaft of light rising up from what appears to be an enormous hole.

C - Indy hears voices and the clink of metal against rock as he cone NN tinues forward. The ground is dark in front of the large hole. He edges toward the precipice and the iight rising up iilunminates

—. the look of shock on his face as he peers down into Hell... oe

106

INT. -THE THUGGEE MINES 121.

source 121

Indy looks into a deep pit around which concentric paths lead orf into numerous narrow tunnels. Crawling out of these burrows, | scrawny children drag sacks of dirt and rock. Other hollow-eyed children pull these sacks to mine cars waiting on rails.

Straining to lift the rocks into the mine cars, several of the 1 enildren slip and fall. Bare-chested Thuggee guards shout at the enslaved children and kick those who've fallen.

| For these children there would seen =e be only one hope -- death @-- an end to their travail.

Indiana edges “around the hole, locking into the ghastly mine and feeling as if he’s discovered an inferno of misery as grotesque as Dante's.

Indy shifts the bag of stones on his shoulder. He hesitates and eonsiders his choice: he has the Sankara Stones and can leave. with them them now...

But Indy hears the pleading cries of one child and peers down to

; = see a burly Thuggee guard beating the pitiful little slave. Indy

1a gets angrier. and angrier as he watches.

Be finally steps over and grabs g0poulder. Be lifts it and

i flings it down into the mine =

t . tad %

107

INT. THE MINE A 122.

source 122

| We see Indiana above and the bogider hurtling down -- it crashes

| onto the head of the Thuggee guard who hits the ground like a

] sack of cement!

| 123. INT. THE CHAMBER 123. Indy sees the startled slave children looking up at him in shock.

' He smiles victoriously at the Thuggees below who've run over to

see what happened.

; Indy's smile seems to fade and his anger turns to surprise as he

. feels something unnerving:

f . Dirt is erumbling away from the rim of the hole, a small

V landslide starting beneath his feet. Suddenly the floor gives

way and Indy slips!

a The entire rim of the hole shears off and Indy topples with it

ye and plunges down into the mine toward the assembled guards who

(contd. ) seatter -=- Indy vells as he falls and it echoes...

~ ~~ ‘cut to:

- INT. A CELL - NIGHT —_ 124.

Indiana's yell continues to echo -=- his head jerks suddenly -- Indy jolts awake as if coming out of a nightmare, awakened by his own reverberating shout...

Indy is lying on the rocky floor of a dark cave/cell. He lifts his hands and discovers that they are chained. In the murky light, he sees Short Round sitting in chains across the cell.

‘SHORT ROUND Indy -- you knocked out when you fall. You okay?

Indiana nods groggily. He sees a young slave worker in rags site ting near Short Round. Through the iron bars of the cell, Indy sees the children slaving in the mine tunnels.

SHORT ROUND
(indicating the kid)
This is Nainsukh -- from that vil- lage. They bring him here to dig

in the mines. ty ; INDIANA Why? aN NAINSYEKE

Children are smafl -- we can work in tunnels. Now I am too old.

SHORT ROUND
What they do to you now?
NAINSUKE
I pray to Shiva -— let me die. But I do not. Now -- now the evil of Kali take me.
SHORT ROUND
How?
NAINSUKHE
They will make me drink blood of Kali. Then I fall into black sleep of Kali Ma...
INDIANA
What is that?

1 RR epee mw re erenE ytene res +

a

Power

opt taeeen ss

—_

o

124. (contd. ) - 124.

“125.

~~

NAINSUEKH , I become like them. I be alive -- m—w. but like in nightmare. You drink

the blood, you not wake up from — nightmare of Kali Ma.

There's a noise and they see two guards and a priest outside the cell. Nainsukh cowers in the darkness at the back of the cell, like a trapped animal awaiting the inevitable.

~ . CUT TO:

108

INT. A MINE TUNNEL - NIG&T 125.

source 109

Indiana and Short Round are pushed down a tunnel by guards. They are stopped at a door and shoved inside.

109

INT. MOLA RAM'S CHAMBER 126.

source 110

Indiana and Short Round stumble into the chamber. It is a terri- fying gallery of occult yantras, ritualistic statues and grisly icons of the evil Thuggee sect.

Grotesque statues of Kali's baleful minions line the walls. Ina corner, there is another statue of Kali herself, draped with flowers, necklaces of real human skulls and slithering belts of live snakes.

Fresh blood has been splashed ovea,the statue and at its base are the three Sankara Stones recovered from Indiana. Mola Ram sits in a yoga position near the statu® of Kali.

A. ; Mola Ram opens his eyes and Be sees Indiana and Short Round

standing in chains before him. >

MOLA RAM
You were caught trying to steal the Sankara Stones.

- INDIANA

(shrugging) Nobody's perfect. The way I heard it, you stole one of them from a small village.

é

Mola Ram stands and gazes transfixed at the stones glowing on the

_ altar.

MOLA RAM
There were five stones in the . beginning. Over the centuries they were dispersed by wars, sold off by thieves like you...

126. (contd. )

INDIANA .
Two are still missing. ee. e
MOLA RAM 7
No. They are here -- somewhere. A century ago when the British raided this temple and butchered . my people, a loyal priest hid the last two stones down here in the catacombs.

- INDIANA That's what you've got these chil- dren -=- these slaves digging for?

MOLA RAM
They dig for the gems to support our cause. They also search for the last two stones. Soon we will have all five Sankara Stones and the Thuggees will be all powerful!

; INDIANA Nobody can say you don't have a vivid imagination.

MOLA RAM
You do not believe me? You will, Dr. Jones. You wil become a true believer. . -

The door opens and Mola Ram bows slightly as the little Maharajah enters. Indy looks surprised ang Short Round tenses.

MOLI RAM (Cont'd)
Your Highness will witness the thief's conversion.

Mola Ram nods and two guards grab Indy. They drag him struggling to a rock and chain him to it. Short Round scuffles as he's pulled aside to watch.

Remembering the High Priest's earlier open-heart surgery, Indie ana looks worried as Mola Ram approaches him <--

MABARAJAH
You will not suffer. I recently became of age and tasted the blood of Kali.

Now a young initiate comes forward and Indiana looks startied ~- it’s Nainsukh. He is wearing robes and his eyes are glowing strangely. Nainsukh hands Mola Ram a hollow human skull full of

126. {eontd. )} 86. 126.

blood! OC ,

The guards hold Indiana's head back and force his mouth open. Mola Ram tips the skull and blood spills out of its death- grinning jaws and flows into Indiana's mouth. Indy gags --

Suddenly he spits the blood, spraying Mola Ram and the little Maharajah. Looking at his blood-splattered clothes, the Mahara- jak is furious.

MOLA RAM
Hold hin!

The little prince's eyes glow angrily and he hisses at Indy -~

MAHARAJA
You will learn to obey because you are powerless!

The little Maharajah pulls a small krtya from his robes -- indy sees that the doll has been crudely fashioned to resemble hin.

MAHARAJAH (Cont'd)
I control you now! ~

The Maharajah turns and sticks the doll into a flaming urn. Ine diana suddenly cries out and twists“in pain as he is burned! The little prince smiles evilly and.puts the doll back into his

robes. x Then he goes over to where Indg's whip and bag have been laid. He grabs the buliwbip. =

~ MABARAJAH (Cont'd) You told me that a whip could be an enemy to its owner. We shall see! Turn him overl

As the guards turn Indy face down, they rip off his jacket and chain his hands to the rock. The Maharajah uncurls the whip -- he notices Short Round smiling snidely --

Suddenly the Maharajah cracks the whip -- it lashes out and cuts into Short Round's shoulder. Blood appears and Short Round looks stunned by the lash and by the fact the Maharajah knows how to use the whip.

MAHARAJAH (Cont'd)
As Dr. Jones suggested, I have been practicing. ,

The little Maharajah whirls and lashes the whip again. Indiana jerks as the bullwhip rips through his shirt and tears open his

126. (contd. ) ° 126.

flesh. The Maharajah lashes again and again -=- blood spurts across Indy's tattered shirt. Svcmrye

As the whipping continues, Short Round jumps as if he is also be- ing beaten. His eyes fill with tears as he watches Indy suffer.

Finally, the little Maharajah lets the whip fall limp. As the Mabarajah approaches Indy, Short Round lunges at him angrily but the guards restrain him.

Indiana groans as he's turned over. Blood trickles from his mouth and he stares up hatefully at Mola Ran.

MOLA RAM
The British in India will be Slaughtered. Then we will over- run the Moslems and force their "Allah" to bow to Kali.-:

Mola Ram is once again given the human skull by a priest and he lifts it toward Indy's face --

MOLA RAM (Cont'd)
And then the Hebrew God will fall and finally the Christian God will be cast down and forgotten.

Indy's head is held back and Mola Ram spills the blood -- it

flows out of the mouth of the skullyVnto indy's mouth.

ve MOLA R&M (Cont'd) Soon Kali Ma willrule the world!

® Indy's eyes look horrified as the blood flows from the skull down his choking throat -- some of The blood spilis and falls to the floor <e-

We see the very earth trembling as the evil spreads -- a fissure appears beneath Indy's feet and a small line of crimson lava cozes out and smokes evilly across the floor...

CUT TO:
110

INT. WILLIE'S SUITE = NIGET 127.

source 111

Diaphanous curtains billow silently into the moonlighted room. Two exotic birds sit on a golden perch, their eyes clicking watehfully. Suddenly the birds shriek and flap away --

Willie stumbles through the secret door and falls into the room Tnseects cover her and she whimpers 2s she knocks them off. She manages to stagger to her feet and she heads for the door.

111

INT. THE PALACE - NIGET : A 128.

source 112

Willie rushes out of her room and runs through the deserted pal- ace looking for help. She flies down the moonlit-corridors, past the huge wall paintings. .

She stops by a courtyard and calls out desperately, but there is no one around. She backs away down a hallway and then jumps -- seeing something ina mirror: a face looms behind her and she screams!

Willie whirls and sees Chattar Lal, the Prime Minister, approach- ing her.

WILLIE
Oh my God, you scared me! Listen, you've got to help. We found this tunnel <=

Captain Blumburtt comes around a corner and interrupts --

CAPT. BLOMBURTT
(to Chattar Lal)

Jones isn't in his room. Miss Scott <-- my troops are leaving at dawn if you want us to escort you to Delhi «=

wv WILLTE No -= you can't.go! Something aw- ful's happened®, They've got Short Round and I tgink Indy's been --

Gipt. BLUMBURTT What?

WILLIE
We found a tunnel that leada to a temple below the palace! Please, come with me, I'll show you!

The two men exchange dublous looks. Willie grabs Blunmburtt by the arm and they start down the hall.

CHATTAR LAL
Miss Scott, you're not making any sense.

WILLIE

I'm afraid they'll kill them! - We saw horrible things down there -- they had a human sacrifice and they ripped a man's heart out!

128. (contd. ) . 128.

CAPT. BLUMBORTT . _

Who? . - WILLIE ~

It's some kind of cult! And they've

got the sacred stones that Indy was” searching for.

CHATTAR LAL
I sense the fumes of opium in all this. Perhaps Miss Scott picked up the habit in Shanghai. —
WILLIE
What're you talking about -- I'm not a dope fiend! I saw it! I'll show you!
112

INT. WILLIE'S SUITE 129.

source 113

She leads them into her suite. Willie points to the dark opening in the wall. SBlumburtt picks up an oil lamp and holds it toward the opening -- suddenly he jumps back as Indiana emerges!

INDIANA
(smiling faintly)
What're we playing, filtde and seek?

® : \¢ They're all startled. Willie looks relieved and rushes over to

Indy and puts her arms around him.*

cS. WILLJE Oh, Indy, you got away! Tell them what happened, they won't believe Be «=

He puts bis arms around her and feels her trembling from fear and anger. He walks her to the bed and helps her sit down --

, - INDIANA It's okay. You're all right now.

WILLIE
They think I'm insane. Tell them I'm not, Indy. Please -=- help me...

The awful events have taken their toll and Willie covers her face and cries like a scared kid. Indy gets her to lie down on the bed. He sits beside her and smiles and touches her hair --

INDIANA
Bey, I thought you were supposed to be a real trooper. Willie?

. 90. 129. (contd.) ; . 129.

c= He wipes the tears from her face and she holds his hand —

WILLIE
(quietly) -

What?

You've got to go to sleep now.

| | | | | —s : INDIANA ; ,

WILLIE
(softly)

I want to go home...

INDIANA
| I don't blame you... this hasn't | been what you'd call a fun vaca- | tion... |

} She smiles a little despite herself and he EOuEEeS her cheek. | Her eyes are already closing and he stands up..

A servant is entering the suite to take care of Willie. She cov- ers her with a blanket and starts dropping the mosquito netting as Indy walks off toward the verandah with Siuaburee and Chattar a Lal. YY

113

EXT. THE VERANDAH - DAWN J OO 130.

source 130

| The first light is breaking overthe mountain peaks. Coming out

[oo . onto the verandah, Indy and the other two men see the cavalry troops breaking camp below ang Steady ing their horses and trucks.

INDIANA
I've spent my life crawling around in caves and tunnels -- I shoulda't have let somebody like Willie go in there with me.
CAPT. BLUMBURTT
Miss Scott “panicked?
INDIANA
When she saw the insects she passed out cold. I carried her back to her room. She was sleeping when I re-entered the tunnel to look _ around.
CHATTAR LAL
As she slept, she undoubtedly had “fn nightmares.

Indiana looks at him and nods.

—_

130. (contd.) 130.

INDIANA , Then she must have run out of the a room and you found her.

- CAPT. BLUMBURTT Did you discover anything in that tunnel, Dr. Jones? .

Indiana stares into the rising sun.

INDIANA
Nothing. Just a dead end. That tunnel's been deserted for years.

A sergeant-major shouts up to Blumburtt that the troops are ready.

CAPT. BLUMBURTT
Well, Mr. Prime Minister, my ree port will duly note that we found nothing unusual here in Pankot.
CHATTAR LAL
I'm sure that will please the Maharajah, Captafa.
CAPT. BLUMBURTT
(to: Indiana)

As I said before, we'd be happy to escort you ta Delhi.

a INDIANA Thanks, but I don't think Willie is ready to travel yet.

CUT TO:
114

EXT. THE PALACE ROAD - MORNING 131.

source 115

Dust swirls as the British cavalry moves off with their Highland Pipers at the head playing a military bagpipe tune. Capt. Blue burtt comes out of the palace and gets into an open car.

Blumburtt's car moves off behind the cavalry and then the supply trucks follow.

115

INT. WILLIE'S SUITE 132

source 116

The whine of the bagpipes is eerily muted in the dark roon. Through the gently swaying mosquito netting, we see Willie asleep cn the bed.

™ ae

132. (contd. ) 132.

Then, through her side of the gauzy netting, we see the. door opening across the room. Indiana enters quietly and moves toward the bed, his eyes fixed on Willie's sleeping body.

Indy sits down on the bed slowly. Willie turns in her sleep and opens her eyes. Through the mosquito netting she sees Indy sit- ting with his back to her.

WILLIE

Indy? Did you talk to them? INDIANA

Yes. WILLIE

So now they believe me. INDIANA

Yes, they believe you. andiana speaks in a strange monotone.

WILLIE
Then they'll send the soldiers down into the venta

Willie looks at Indiana's back and continues: quietly.

WILLIE (Cont'd)
I was scared to death last night ‘wren I thought they were going to

kill you.

INDIANA

No... they won't kill me. WILLIE

(smiling faintly) You know you've been nothing but trouble siice I hooked up with you -= but I have to admit I'd miss you if I lost you...-

Now Indiana starts to turn slowly...

INDIANA
, You won't lose me, Willie...

She sees him turn and his face slowly comes toward the mosquito netting -=- his face pushes into the netting and Willie looks stunned as Indy's mouth opens --

me starts hissing grotesquely, smoke billows out of his mouth and

- (rev. 3/10/83) 93.

132. (contd.) 132.

the mosquito netting BURNS OPEN to expose his terrifying face moving toward Willie -- Ft - She is frozen with fear and unable to utter a_sound as Indy's

- malevolent face looms at her == and then she notices his eyes « his eyes glowing a hellish luminescent yellow! =

Willie SCREAMS! !

She suddenly bolts from the bed and tries to run -— Indiana goes into a rage, ripping the mosquito netting from the bed as he fol- lows her.

INDIANA ; No! I've found it -= you can't -- Kali knows!

Willie tries the door but it's locked. She sees Indiana moving toward her ranting incoherently as he smashes a vase out of his way --

INDIANA
-- been too many lies -=- there's no god's heaven =- just -— the horror! I've seen it “tylife preying on a

life! ‘6

Willie cowers ina corner, AOrrified by the transformation she -sees in Indiana. Shouting and pacing Indy holds his head against the pain of his terrible theughts -- <

INDIANA (Cont'd)

e- rivers -- destroying mountains --

a comet in space -= exploding! (holding his head)

Aaahh! -- the screams -- pitiful

people -- their pain -= the hate <--

and greed -- always greed!

The light throws his shadow over Willie -= a giant shadow float- ing back and forth over her as she cries in the corner, unable to fignt the evil devouring Indiana.

INDIANA
-- but I've found -- Kali's truth! Death -- no more lies -- the death I've been searching for!

(shouting) Quit crying! She can hear you -- Kali knows fear -= don't you under Stand -- Kali is freedom!

Indiana steps pacing and Willie freezes in terror. Now a bizarre

(rev. 3/10/83) 94.

132. {contd.) 132.

_, (a

1 484. j — NL ;

i}

Fa

yellow light wipes across the room. Indiana turns and watéhes silently as two Thuggee guards emerge from a secret doorway that's opened -=-

The shadows of the Thuggee guards loom over Willie and she SCREAMS again!

. CUT TO:

116

INT. THE TEMPLE OF DEATH - DAY 133.

source 117

& sea of frightening faces once again intones the horrible sacri- ficial chant. Among the worshippers, the little Maharajah sits en a raised platform Like the other believers, he stares across the crevasse at the altar of Kali Ma.

The walling wind howls out of the high tunnel and the terrifying chanting reaches a fever pitch.

117

INT. THE TEMPLE ALTAR | 134.

source 118

And once again the three sacred Sankara Stones giow magically. Mola Ram materializes evilly amidst the swirling smoke and he begins chanting in Sanskrit.

Beside the altar, half-clad female acolytes pass in front of the robed priests -- with thelr fingers, the women paint two white lines across the priests' foreheads.

An acolyte moves in front of cnafter Lal -- the Prime Minister is now dressed in robes. As the devotional markings are painted on his forehead, Chattar Lal trghslates the High Priest's speech to Indiana who stands next to ~ CHATTAR LAL

Mola Ram is telling the faithful

of our victory. He says the

British have left the palace,

which proves Kali Ma's new power.

"INDIANA Yes, I understand.

Indiana bows his head to receive the mystical markings. Se lis- tens to Mola Ram's rantings -= Indy's eyes are ominously vacant as he stares up at the hideous statue of Kalli.

if

- wg 135.

Lt.

(rev. 3/10/83) 95.

118

INT. MINE TUNNELS - DAY * 435.

source 119

Beneath the temple, down in the bowels of the mountain, fhe piti- ful children dig at the earth with their fingers. A FAT GUARD Slouches down the tunnel, flogging malingerers with a leather strap.

Short Round sweats next to the others, clawing at the rocks, doomed to work with them now in their search for the last twe Sarikara Stones.

The leather strap suddenly flays Short Round's back and he barely manages not to scream out in pain. The fat guard passes -- Short Round and the other kids pull a large rock which suddenly comes loose out of the wall -- !

They fall back and see they've exposed a vein of molten ‘lava! Fearing their shouts, the fat guard returns -- yelling at their stupidity, he whips them and shoves them aside brutaily.

Short Round sees the fat guard's eyes glowing fiercely in anger. Suddenly the fissure shoots out steam and spews some molten lava over the guard's legs.

The guard screams and falls to the ground, thrashing about, try- ing to kick the searing lava off his smoking flesh.

_As the other kids cower, Short Roua&g's humane instincts cause hin ‘to jump forward to help the guard. iho moments earlier was beating

him -«2

S

~ Short Round tosses dirt on tie guard’s legs and grabs a gunny sack and starts rubbing the =e off. Shorty notices something strange:

The guard's eyes, which were glowing yellow before, are now dime« ming and returning to normal. The moaning guard looks at Shorty thankfully and then looks around as if waking from a nightmare -=

- SEORT ROUND (to another slave kid) His eyes -=- they go out.

Other guards appear and lift the guard -- suddenly he starts Struggling against the guards not wanting +o return to the night- mare of Kali --

FAT GUARD
(as he's dragged away)
No! NO!
SHORT ROUND
The pain -- the pain makes him wake up!

yoN

wc

(rev. 3/10/83) 954.

135. (contd. ) 135.

SHORT ROUND (Cont'd) | .
(thinking quickly) oO - Indy! I can make Indy wake up! see

But the other guards push and beat the children back to work. Short Round is shoved against a wall and groans e-he reaches over and grabs a large rock, lifting it defiantly --

But rather than heaving it at the guard, Short Round smashes the rock down on the leg chains binding Bim to the other children. Shorty beats at the chain with the rock, determined to escape.

SEORT ROUND
Indy {
119

INT. THE TEMPLE OF DEATH 136.

source 120

The wind moans and joins Mola Ram's voice echoing maniacally over the multitude gathered in the enormous temple. On his throne, the Little Maharajah listens transfixed.

120

INT. THE ALTAR 137.

source 121

Chattar Lal watches Indiana staring hypnotically at the High Priest as he speaks --

CHATTAR LAL
You understand Sbat he tells us?
INDIANA
(translating)
Kali Ma protects us now and for- ever, and we’must pledge our devotion by worshipping her with an offering of flesh and blood!

Suddenly there is a hearterending scream of terror and the priests drag forward the next sacrificial victim -=

Indiana's glowing eyes watch emotionlessly as Willie is brought out. Dressed in a Rejput maiden's outfit, Willie has been jewel- ed and draped with flowers -=- a strange ccntrast as she struggles desperately to escape!

CHATTAR LAL
Your friend has seen and she has heard -= now she will not talk.

"As Willie is dragged past she sees Indy and calls to him --

\

WILLIE .
Indy! Help me! Indy?! ; . Willie is shocked seeing that Indiana remains impassive and un- caring as she's dragged to her death. Le CHATTAR LAL
(to Indy)
This will prove your devotion to Kali. " Indiana looks away from Willie's terrified face and stares up adoringly at the monstrous statue of his goddess Kali.
121

INT. THE MINE 138.

source 138

In the dark tunnel, a rock smashes down onto a chain += and breaks it! Short Round is exhausted. He looks around furtively and sees a guard approaching.

Short Round takes a chance =- he dives and rolls across the tunnel. He ducks behind a mine car full of rocks being pushed out by two chained children.

The guard lumbers past unsuspectingly as Short Round makes his escape using the moving mine car as cover.

122

INT. TEE ALTAR Y 139.

source 139

, Up in the temple, Willie continues to struggle as her legs are strapped to the iron sacrificial frame. Chattar Lal grabs her hand and ties it down. Willie's free hand reaches out imploring- ly toward Indiana -- = ~ WILLIE (hoarsely) Please, God, don't let them do this to me -- help me, Indy! He reaches out slowly and Willie grabs his hand tightly. Indy looks into her eyes and then stares at her hand -- and slowly lifts it and starts tying it to the iron frame. WILLIE (Cont'd) No -- no! Willie cries in disbelief as Indiana calmly betrays her.

123

INT. THE MINES BELOW 140.

source 140

. (contd. ) ; 137.

Short Round races up a tunnel and then flattens himself behind a comner. He peers anxiously into a large cavern and sees two guards walking away.

——~ a

140. (contd. )

(rev. 3/10/83) 97.

When the coast is clear, Short Round darts across the cavern toa long wooden ladder tilted up against a wall. Short Round looks up the high ladder and sees a kid with a sack of rocks descending froma burrow-hole half-way up the wall. —

The exhausted kid nearly collapses at the bottom -- then jumps seeing Short Round. Shorty motions for him to keep quiet. Amazed, the kid watches Short Round scramble up the ladder. Shorty continues until he is high above the floor.

Dirty faces stare out of the high burrow as Short Round stops climbing. The kids are astonished as Short Round suddenly grunts and kicks the ladder away from the wall!

The high ladder falls in an are and what seems like sure suicide slowly resembles a mini-Indiana Jones stunt as Short Round Swings to the other side of the falling ladder --

Short Round holds on for dear life as the ladder crashes against the oppcsite cavern wall -- giving Short Round access to the roof-hole that leads up to the temple!

Short Round scurries up the ladder and pulls himself up into the chamber behind the altar. He looks at the light flaring around the statue of Kali =

SHORT ROUND
Indy <= ! . y yf | INT. THE TEMPLE OF DEATHS ° 141.

Aw .

Chains clank and gears grin ~as the sacrificial frame is raised over the crevasse. Stretch out on it, Willie looks horrified as she hangs suspended facemdown above the boiling lava!

The frame and victim descend slowly into the crevasse and the crowd around the little Maharajah chants louder.

124

INT. THE REAR CHAMBER 142.

source 125

Short Round dashes across the dark chamber behind the altar. He peers out and sees Willie disappearing into the crevasse! He sees Indiana watching impassively -~

SHORT ROUND
No -- Indy -= wake up!

. Then Shorty sees a flaming torch hanging on a wall bracket and he

has an idea.

125

INT. THE ALTAR

source 126

Short Round suddenly darts out onto the altar and Mcla Ram sees

‘ 143

(rev. 3/10/83) 98. 143. (contd. . . 143.

him and yells. Several priests grab for Shorty. He eludes: the first priest, smashes the second in the stomach with his’ head; and runs like a little quarterback toward the fiery torch: -=

Short Round snatches the torch from the wall and charges toward Indiana. Seeing him coming, Indy's eyes start glowing yellow and when Short Round runs up to him, Indiana suddenly swings and backhands the little guy brutally across the face!

The torch flies out of Shorty's hand as he's knocked against a wall by Indy's vicious blow -- Short Round wipes a little blood from his chin and stares at his hero in wounded disbelief.

Chattar Lal watches approvingly -- a priest moves toward Shorty. Chattar Lal looks back toward the crevasse --

Willie hangs on the lowering frame, heat waves rising up now to scald her skin and she chokes as the sulphuric air burns her lungs! -

Meanwhile Short Round is crawling backwards across the floor with a look of terror on his face -- Indiana stalks him, hissing, snarling, his eyes glowing -- .

Short Round springs to his feet and tries to run -- Indy grabs him and pulls him -= Shorty's hand prabs for another wall torch and just manages to yank it free! ro

‘Indiana spins Short Round and Glutches his throat As Indy

strangles him, Short Round struggles and finally jams the torch into Indy's side. The fiery $érch burns Indy, smoking as it sears his flesh, and he yells $m pain. ,

SHORT ROUND
Wake up! It's just a nightmare, Indy! Wake up, please Indy!

Indiana writhes in pain and Short Round sees the evil yellow glow in Indy's eyes getting dimmer and finally going out. Now it seems like the old Indiana_staring at him --

SHORT ROUND (Cont.'d)
indy, you're back?

Suddenly a priest grabs Short Round ane pulls him off Indiana.

INDIANA
No! Give him to me!

Short Round is frightened as Indy grabs him from the priest. Indy lifts Short Round into the air --

143. (contd. )

SHORT ROUND .
No, Indy, no! ee = He sets Short Round down on the brink of the orevasse an inch from doom. Shorty looks down at the lava and is--terrified. Indiana finally flashes him a quick smile and winks!

Then Indiana whirls and punches the priest in the face! Short Round cheers, realizing that Indiana is back.

. SHORT ROUND (Cont'd) We got to help Willie!

Indiana springs into action, stopping another pirest with a quick punch in the stomach. Then he rushes over to the crankwheel and pulley platform. Indy jumps onto it, yanking one priest off who Spills onto the floor.

A second priest, who works the controls lowering the sacrificial frame, sees Indy and releases the crankwheel --

Down in the crevasse, Willie screams as the iron frame suddenly plummets toward the fulminating lava!

On the platform, the priest lunges at Indiana -- Indy uses the man's own momentum to throw him over his head. Indy then dives for the crankwheel and manages to stop it -=

Down in the crevasse, the frame, Yolts to a stop only yards above the spumes of fiery lava. The heat is so intense now that Wile lie's clothes start smoking and she passes out... ,

On the platform above, Indfana cranks furiously, raising the sa- crificial frame. ~

126

INT. THE TEMPLE

source 127

The chanting stops as the Kali worshippers notice the battle on the altar. The little Maharajah looks concerned and leaves, shoving through the crowd behind his bodyguards.

127

INT. THE ALTAR

source 128

Mola Ram shouts at his priests and another one of them runs to- ward Indy on the platform. Short Round dives and tackles the priest.

Chattar Lal finally leaps onto the crankwheel platform and Indy

) sees him pull a dagger. He slashes at Indiana and Indy has to

let go of the crankwheel -- the gears scream and the chains screech! ‘

Below in the crevasse, the iron frame plunges again toward the

(rev. 3/10/83) 100.

oN 145. (contd. ) . 145.

7 a Below in the crevasse, the iron frame plunges again toward the —_ crimson lava! oo.

On the platform, Indy hears the frame lowering-and looks pan- icked. Chattar Lal slashes again with the dagger -- keeping Indy away from the cogwheel mechanism <--

Indy suddenly kicks the dagger from Chattar Lal's hand, slugs hiz in the stomach and dives toward the cogwheel mechanism. He grabs a iron rod and throws it into the gears --

The gears mangle the fron rod but finally grind to a stop. Indi- ana grabs the crankwheel and starts winding it up furiously.

Meanwhile, Short Round jumps onto the platform with Indy and grabs a long wrench. He starts swinging the wrench, keeping the last priests off the platform.

The sacrificial frame finally rises up into view and Indiana grabs it and swings it over onto the platform He looks at Wil- | lie anxiously as he releases her bindings --

Willie moans and moves her head. Indy pulls her off the frane and she starts coughing. Gasping for breath, Willie revives as fresh air flows into her lungs.

Finally Willie opens her eyes and she sees Indiana. Then she ral notices something else and manages/%o ery out hoarsely --

| - . | ye Look out -= ! ” ‘

Chattar Lal grabs a pistol frat an unconscious guard and Indiana whirls to see him pointing itee Indy kicks the gun from his hand and suddenly Chattar Lal starts shouting in a terrifying voice --

Chattar Lal's eyes glow as he lunges suicidally at Indiana, ate tempting to take Indy with him as he dives from the platforn!

Crashing into Indy, Chattar Lal knocks both of them back onto the sacrificial frame which swings out over the crevasse <<

FF Indy manages to dive off the frame just in time. He grabs hold ef the platform as the crankwheel screams and the frame falls!

Looking up from the depths of the crevasse, we see the frame with Chattar Lal on it plummeting downward into the Sunphureus smoke! The frame finally crashes, splashing into the molten lava.

Chattar Lal's body explodes into flame briefly -= his flesh is a a broiled off in an instant -- we glimpse a skeleton momentarily -- and then all is consumed and obliterated by the blazing lava.

(rev. 3/10/83) 101...

145. (contd. ) - 145

scramble over to Short Round who jumps off the platform and- they follow him across the altar.

Indy. sees Mola Ram quickly collecting the sacred Sankars Stones. Indiana rushes over and spins Mola Ram around -- -

Be slugs the High Priest in the face and Mola Ram keels over backwards against the statue of Kali. Short Round helps sturf the Sankara Stones into Indiana's shoulder bag.

128

INT. TRE REAR CHAMBER . 146.

source 129

Short Round, Willie and Indiana rush across the chamber behind the altar. They run over to the ladder and start climbing down into the mines.

129

INT. THE MINES - - 147.

source 130

Willie follows Short Round. Indiana jumps down last and pulis

the ladder away, letting it crash to the floor so they won't be followed.

‘They draw the attention of the slave children working in the tun-

nels around the cavern. But it's the sight of the approaching guard that worries Indy --

INDIANA
Come on, quick! ‘”

They duck into one of the bungee, As they hide, Indy watches tas guard passing. ;

fu

What're we going to do?

Indiana looks around at the silent, frightened children who've stopped working in the tunnel and his anger darkens -=-

INDIANA
We're going to get them out of here — !

Then he looks at the bag holding the Sankara Stones and grows still more determined <-

INDIANA (Cont'd)
And then we're going to get these - out of here -- !
(seething)
And somehow I'm going see this place destroyed!

pew et ess SE GE

YY ae

101A.

130

INT. THE CAVERN - MOMENTS LATER - 148,

source 131

A guard passing hears a voice and stops -- ae

INDIANA (0.S.)
Ah, sir? Excuse me -- The guard turns and looks amazed to see Indy smiling at him fron the mouth of the tunnel.
INDIANA (Cont'd)
Listen, I'm from the union and I'd like to talk about the working - conditions here. Could you step inside a minute?

Indy smiles again and disappears into the tunnel. In astonished

148. (contd. ) 148.

rage, the guard draws his sword and goes after Indy into the tun- nel -- there's a pause and then we hear the guard yell!-—-- -

131

INT. THE TUNNEL - 149.

source 132

Willie flattens against the wall as Indiana catapaults the big guard past her back into the mine where he's set‘upon by a horde

- of rebellious slave children.

The kids swarm over the guard like jackals and we see Short Round pull a key from the struggling guard's robe. ;

CUT TO:

MONTAGE - THE MINES 150. A key is twisted and the chains are pulled from kids' legs... |

Elsewhere, more chains are unlocked and rattle free. Liberated kids” spill out of the tunnels...

A guard is tripped and attacked by a horde of ex-slaves...

In another location, kids wrap captured guards in layers of

chains... , Vv

High up on a ledge, a fleeing guard Skids to a stop when he sees

kids charging at him He sees more\kids rushing from behind him

The guard screams as he dives offsphe ledge...

132

INT. BEHIND THE ALTAR = DAY 151.

source 133

Freed children scramble up numerous ladders to escape the mines below. They follow the mass of children moving toward the front altar. -

133

INT. THE ALTAR | 152.

source 134

On the altar, under the statue of Kali, Willie and Short Round are helping Indy and some of the bigger children rip down a long wooden panel decorated with hideous Kali figures.

The childrens' escape is blocked by the chasm seperating the altar from the deserted worshippers' area of the temple. The. swelling crowds of children push and teeter dangerously on the edge of the fire pit.

Indiana and the others carry the wooden panel through the crowd toward the chasm They stand it up and when Indy gives the word they drop it <-

yy

103. .

152. (contd. ) “15:

the children now begin running to safety.

The panel crashes across the chasm forming a plank across which

134

INT. BEHIND THE ALTAR . 15:

source 135

The last of the children scramble up the ladders and run toward the front of the altar.

135

INT. THE ALTAR 0 OO 154

source 136

The childrens’ bare feet stomp across the wooden plank -- below them the lava of the fire pit bubbles and shows outbursts of flame.

Indy stares at the plank and sees that it's starting to smoke from the intense heat rising up.

On the far side of the plank, the children safely across scatter through the deserted temple toward freedon.

Willie and Short Round help the last kids out onto the plank -- Indy sees one child's foot break through the smoldering wood -- the kid in front pulls the child to safety.

Willie and Short Round start toro out onto the plank but Indy

shouts at them -- re

INDIANA
No, wait! >

He runs over and pulls them aside -- he steps out onto the plank and takes a few steps to test it -- suddenly the plank bursts

into flame in the middle.

Indy takes one more step -- and then the plank breaks! Indy dives back to the ledge of the altar and Willie and Short Round grab him and pull him up and the wooden plank plummets into the fiery chasn.

WILLIE
What're we going to do?! INDIANA There's got to be another way out. CUT TO: ‘INT. A TUNNEL 155.

Indiana, Willie and Short Round run through the deserted mine tunnels. They hear a rumbling noise and Indy leads them down a side tunnel. They stop and peer into a quarry.

;\@™ 156. INT, THE QUARRY CAVERN 3 - 186. — =. = A large cavern is the depository for the mine cars rolling in with loads of rock. Emaciated children (still unaware of the re-. volt and the other childrens' escape) break their backs shoving the heavily-loaded mine cars.

Thuggee guards supervise the deadening work, while others oper- ate the pulley-and-hoist system used to drag the cars up the Sloped dump ramp.

Behind this operation, a thundering waterfall cascades into a huge cistern. From-there, chutes deploy the rushing water to power the large conveyor belt below it.

As the cars rise up the ramp, they tip and spill rocks onto the . conveyor belt which carries them toward an awesome stone cylinder | ; that rolls relentlessly, crushing the rocks into sand.

From the side tunnel, Indiana watches the noisy operation.

INDIANA
Those empty cars have got to go out of the mines.

o> Willie and Short Round watch the Khildren push the empty mine cars. The cars gain momentum ant roll away down two dark tun-

nels. a"

INDIANA (Cont'd)
Come on, let'sSsee if we can catch a ride}

They duck out of the tunnel and run for cover behind a slag heap. Loaded mine cars roaring down from the mines hurtle past them and crash to a stop against the cars in front.

INDIANA (Cont'd)
Okay, Shorty -- go!

He pushes Short Round who darts out after a mine car roars past and dodges across the tracks before the next one descends. Indy -pushes Willie into position and holds her ready --

WILLIE
I can't!
INDIANA
Gol

| After another car crashes past, Indy shoves her. Willie runs out a -- her shoe gets stuck and she freezes on the tracks! Willie sees a rock-filled car blasting down out of a tunnel directly toward her!

156. (contd.)

Indiana dives, knocking Willie safely to the ground on the other side of the tracks -- the heavy car hurtles past and--crashes intc the cars in front.

‘Indy pulls Willie behind a massive wooden post holding up the dump ramp and they hide from a passing guard.

INDIANA
We've got to get across to the empty cars. Wait here until I signal you. ° .

They watch him run and hurdle a pile of lumber, bound up three steps and duck behind a tool shack on the platform Indy reaches out and grabs one of the passing slave children.

They see Indy put his hand over the kid's mouth and whisper to him. He releases the kid who sneaks away, alerting the other children who start making their escapes into side tunnels.

Now Indy motions to Short Round and Willie to follow. As they start to move out they freeze dead in their tracks and Indy motions again angrily --

INDIANA

Come on! %Y a

Willie and Short Round see“a guard coming up the steps on the other side of the platform: As the man rises he gets taller and taller -- until they seg it's a Thuggee giant coming up bekind Indiana. =

INDIANA (Cont'd)
Come on, what's wrong?
SHORT ROUND
Behind you!

Indiana turns and looks into the bare chest of the seven-foot tall guard. Indy has to look up to see the man's mean-looking face.

INDIANA
I see the problem...

Indiana suddenly punches the giant in the stomach -- the giant does not flinch, he just belches rudely.

Indiana growls and winds up to take a killer swing -- he steps back, cocks his arm -- and suddenly turns and runs away.

No dummy, Indy dashes over and picks up a piece of wood. The giant starts toward him. Indy drops the wood and looxs around

. 106... 156. (contd. ) 156.

—_

ca for a much larger piece of wood. _— -

7 As the giant stalks toward him, Indiana raises the large piece of lumber -- Indy suddenly groans, drops the wood and clutches his

| stomach. Willie and Short Round look startled -

WILLIE

What happened?

|

Short Round shakes his head. They see Indy recover from the Spasm as the giant rushes him. Indy jumps aside, landing on a loaded mine car that is passing by. The car is being dragged up the dump ramp and the giant jumps out onto it after Indiana. Indy quickly grabs a rock and, as the giant rushes him, Indy smashes the rock against the big-man's skull! , Unfortunately, it's the rock that shatters and not the skull.. Indy dives to the other end of the mine car and lifts a large boulder. Suddenly Indy drops the boulder and grabs his arm, feeling a shooting pain again. Then he yells as he feels yet another stab-

-a bing pain in his left leg.

Ne WILLIE © : What's wrong with nim?

—~

Shorty is confused and worried a«# sand then he sees something! He looks up and there ona rock cht balcony over the cavern is the Little Maharajah! ~

The little prince clutches the clay krtya doll that represents Indy. He jabs it in the leg with a long sapphire-tipped turban

pin.

On the mine car, Indy yeils and grabs his right leg, which collapses beneath him. Short Round takes off. He dashes under the platform toward a bucket-chain carrying spent water back up to the cistern.

Short Round leaps over the pool of water and grabs onto a bucket. He rises up on this make-shift elevator toward the rock balcony and the malicious little Maharajah.

Meanwhile, Indy is on the brink of unconsciousness as the giant's massive hands throttle his neck. Indy's head eens over the end of the mine car and suddenly his eyes widen <--

(PP The car with Indy and the giant reaches the peak of the dump ramp and its upended -- spilling both of them and a shower of rocks down the conveyor belt!

ne

156. (contd. )

Down below, Willie dodges wooden pillars and‘ weaves quarry equipment, trying to follow Indy's battle with th: She trips and swears angrily -- —_

Willie pushes an empty mine car out of her way -- an emt car! She runs back and starts shoving the mine car al Pails toward the conveyor belt. .

WILLIE
I got one! Indy, I got one!

Near the waterfall, Short Round ascends on the rising — chain. Up on the balcony, the little Maharajah chuckles ey he watches Indiana on the conveyor belt -=-

The Maharajah lifts the clay doll and viciously aes the 5 the back of it!

On the conveyor, Indiana gets to his feet and then yells stabbing pain lacerates his back! He falls and writhes he ly as the giant staggers up the rocky conveyor belt toward

Willie shoves the mine car forward. She sees Indy's de: Situation as he's pulled along the conveyor toward th: crusher!

WILLIE
Indy, TO9K, out!

She looks up and sees Short Round leap from the bucket-cha the balcony. The little Maharajah's eyes glow fiendish: lifts the clay doll man jabs the pin into the doll's fa

On the conveyor bel2, Indy yells agonizingly and elute:

Stabbed face! Behi d him, rocks explode as they're crus

pulverized by the mammoth roller.

In front of Indy, the Thuggee giant grabs a pick-eaxe as t veyor slides past a tool bin. The giant approaches Indy w

Short Round dashes across the balcony and tackles the Mar They fall and fight like mortal enemies. Short Round s little Maharajah's eyes glowing as he punches him in the f

Only a few feet away from the rockesmashing roller, Indy 1: on his back on the conveyor belt, thrashing in pain, feel Maharajah's pin piercing his face. The giant raises the p above his head and is about to split Indiana in two!

On the balcony, the Maharajah drops the doll and Short dives for it -- he grabs the clay doll and pulis out the b

On the conveyor belt, Indiana is suddenly released from %

156. (contd. )

and looks up to see the giant swinging the pick-axe. Indy rolls aside at the last minute! meee ec -

The pick-axe cleaves into the conveyor belt and the giant lurches forward -- Indy gives him a helpful kick, sending the giant flying toward the rock-crusher as Indy jumps aah the conveyor belt! ;

Seeing the huge roller looming in front of hin, the giant crawls desperately against the movement of the conveyor belt -= but he gets snagged!

The sash around his waist gets caught under the rolling crusher and he's dragged back under it feet first. The Thuggee giant screams hideously as his body is rolled over and squashed by the enormous stone wheel! ,

On the balcony, Short Round is jabbing the pin into the squirming little Maharajah. The little prince's eyes still glow yellow as he hollers <=

SHORT ROUND
How you like being “pin cusbion, Mr. Rajah-ha-ha? :

Xe The little prince rolls on thexground and tries to fight off Short Round who keeps jabbing- him -- suddenly the Maharajah

Swings and the pin is eccidentey rammed clear through his hand!

Shorty sees the pin stickin® | through both sides of the kid's hand. The Maharajah stares at his pierced hand, gasping in astonishment.

Short Round notices the yellow glow dying out of the Maharajah’s eyes -~ just as Indy's eyes cleared after he was released from Kali's trance.

MARARAJAH
Please -—- pull it out!

Short Round yanks the pin out of the little prince's hand. The Maharajah looks like he's just awakened from a bad drean.

SHORT ROUND
It was the black sleep of Kali...
MAHARAJAH
They made me do evil things... may lord Krishna forgive me.

Meanwhile, Indy runs along the catwalk above the conveyor belt, Be jumps and grabs onto a cross-bar -- he kicks out with his feet and knocks a quarry guard off the catwalk.

~,

(

. 109. 156. (contd. ) . . 1!

The guard flies through the air and topples into the sand pit where he thrashes around blindly under the sand falling from the

crusher. . — Across the cavern, Willie shoves the rolling mine car toward the balcony. WILLIE Get down here, Shorty! I got us

a ride!

Willie whirls as another quarry guard rushes toward her. She yanks the iron brake-handle off the mine car and holds it threat- eningly like a baseball bat --

WILLIE (Cont'd)
Come on, let's see how hard your head is! tay

Up on the rock balcony, Short Roynd lowers himself over the edge. The little Maharajah grabs his arm --

“a MAHARAJAE Please -~- list&® -- to go out you must take gre left tunnel.

Shorty looks at him and he knows he's telling the truth.

SHORT ROUND
Thanks pal.
MARARAJAB
I'm going to try to find the English soldiers.
SHORT ROUND
Good luck.

Short Round slips over the edge and slides down a wet stalactite to the floor of the cavers.

There he finds Willie swinging the brake-handle and smashing the guard in the gut. The man doubles in pain -= Willie kicks his butt and he splashes into the pool of water.

WILLIE
I don't appreciate being cooked like a freneh fry!
SHORT ROUND
Willie, come on!

Willie starts pushing the empty mine car with Short Round. .

156. (contd. )

SHORT ROUND (Cont'd) a
You do pretty good for a girl! - —-. -

Across the quarry, Mola Ram and six temple guards run. out onto a high platform next to the waterfall. Mola Ram sees Willie and Short Round pushing the mine car.

Mola Ram shouts to his men -- two of them pull pistols and open fire!

Bullets ricochet off the mine car and Short Round shoves Willie to the far side of the car where they both take cover.

Meanwhile, up on a catwalk, a guard slices a sword through the air and Indiana ducks! The sword slashes into a wooden railing and the guard tries frantically to pull it out <- _—

Indiana slams his knee up into the guard's stomach and then smashes his fist down on his neck -= the man collapses. Indy hears more gunfire.

Indiana rushes along the catwalk toward the platform above. He edges against the wall below the platform, staying out of sight as he unfurls his whip.

One of Mola Ram's guards fires agatn from the high platform and Indiana.lashes the whip -- the whip wraps around the guaman's

arm and. Indy yanks on it <= e

The gunman topples through Dair and crashes down onto the cate walk. Indy grabs the gun.‘He kicks the guard off the catwalk and the man falls into the waterfall pool.

As the other guards fire down at him, Indiana dodges along the catwalk and fires back at them A bullet explodes near Mola Raa and he ducks back --

Meanwhile, Short Round and ‘Willie have the mine car rolling and they jump into it ==

SHORT ROUND
Indy! Hurry!

Indiana spots the rolling mine car racing aross the quarry. Indy takes off and runs along the catwalk -- bullets explode around him, splintering wood. Indy reaches the end of the catwalk --

Suddenly he dives into the air and catches hold of a block and tackle! Indy skids along the pulley system, sliding down a cable toward the mine car in which Short Round and Willie are riding.

Bullets whiz past as Indiana sails in the air above the speeding mine car - when they are in sync, Indy lets go and drops into the

Cait

156. (contd. )

1539.

mine car next to Willie and Short Round! ; , - Mola Ram rushes forward and watches the speeding nine car rollin down the track toward the tunnels -- MOLA RAM They've stolen the Sankara Stones == they must be stoped!

In the speeding mine car, Indy sees the tracks separating in tw. directions -- one back into the quary, the other toward two tun nels that lead out of the mines.

Indiana lifts a shovel from the floor of the car and swings i: just in time -- he hits a switch which CLANGS as they speed by -- and the car is shunted tipsy-turvy onto the track toward the twx tunnels.

“Willie hangs on as the car tears down the track toward the tunne}

on the right == and Short Round looks worried --

SHORT ROUND
No, Indy, it's left tunnel!

But it's too late and they all hold on as the mine car shieevs down into the darksess of the echoing tunnel.

“~

136

INT. THE TUNNEL I

source 137

Ne z

The wind rushes past Indiana as the car descends into the tunnel and picks up speed. Willie gs on with Short Round -=- the mine car roars around a curve an lies faster along the rails.

~

137

INT. THE QUARRY ]

source 138

Back in the quarry, Mola Ram supervises his guards as they shove empty cars toward the tunnel. Carrying long Khyber rifles, they jumps aboard the cars. The first one rolis into the dark tunnel and the second car speeds after it.

138

INT. THE TUNNEL ENTRANCE 1

source 139

The two Thuggee cars shoot past, descend! ng into the darkness in pursuit of the infidels who stole the Sankara Stones.

139

INT. THE TUNNEL 7

source 140

The mine car hurtles past. Indy sits in front, pulling back on the brake-lever to control their speed and keep them from careen- ing off the tracks.

Expecting trouble, Short Round peers over the back end o? the car. Willie ducks low, watching the heavy beams flashing canger-

160. (contd. )

ously close above their heads.

Then Willie's eyes go wide and she groans in terror likea girl on a roller coaster as the mine car suddenly plunges downward, taking their stomachs with it. 7 ;

A gunshot rings out and Short Round sees the first Thuggee car appear around a curve behind them. Mola Ram's gunmen start blasting. Bullets ricochet off the mine car and Indy yells back to Short Round.

INDIANA
Come here and take the brake!

Short Round scurries forward and grabs the brake from Indy.

INDIANA (Cont'd)
Slow on the curves or we'll fly off the tracks!
SHORT ROUND
Read you loud and clear, Indy!

Short Round grins as he holds the brake -- Willie realizes that this is. Shorty's idea of a good time!

v

AY

140

INT. THE CAVERN ? 162.

source 141

\c Up in the quarry, gunmen push a taird car toward the tunnel, but

Mola Ram stops them. He shouts ‘and they turn and look instead toward the waterfall and huge cistern... ,

wae

141

INT. THE TUNNEL OS 162.

source 142

Indiana is crouched in the back of the zooming mine car blasting away with the pistol he captured in the quarry.

A gunman in the car behind returns his fire, the explosions lighting up the tunnel walls.

Indy aims and fires again -- the gunman is hit and knocked back in the car. Another guard with a Khyber rifle moves up to the front and starts firing.

Meanwhile, as the car goes into a hard turn, Short Round rides the brake -- beneath the car we see the brake-pad scraping on the metal wheel.

The tunnel gets lower and Indy has to duck under each beam flying over and can only pop up to fire between the low beams.

The rifleman in the car behind is reloading. Then he lifts his rifle -- Indy pops up simultaneously and shoots!

162. (contd. )

—_,

aT a

|

}

et a .

113, -1

The gunman is hit, his rifle flies up and his head ‘Smashes against the beam hurtling above! Screaming horribly;-the gunman is knocked from the speeding car like a broken-_doll.

142

INT. THE CAVERN A 1

source 143

Up in the quarry, Mola Ram's men swing sledge hammers, bashing away at the rock supports under the huge water-filled cistern.

143

INT. THE TUNNEL RT

source 144

Indiana runs out of bullets. He sees the car behind getting Closer. He tosses the pistol and hits a Thuggee in the head. Another Thuggee retrieves Indy's pistol and starts reloading it.

Suddenly Indy is being shot at by his own gun and he yells to Short Round --

INDIANA
Let up on the brake!

. SHORT ROUND What?!

Indy shoves past Willie and takes the brake lever from Shorty.

INDIANA
Let her go! Oureonly chance is outrunning themi: be) IE . What about the curves?! a,

Short Round looks scared as Indy releases the brake and the car burtles toward a curve. They grab the sides of the car as it tips precariously. Behind them, the curve throws the gunmen from side

to side in the car following.

SHORT ROUND
‘Indy, look out!

A sharper curve looms ahead and Indy shoves the brake completely off!

WILLIE
What're you doing?! We're going too fast!!!

Willie closes her eyes as they rocket toward the curve. In the car behind, the Thuggee guard at the breake also shoves the brake off -- and looks extremely worried.

Indy's car hits the curve and the centrifugal force lifts the in-

|

7. 114,

1 164. (contd. } . 164. _ i side wheels off the rails! — —ou « : INDIANA _ a Get over on the other side! Willie and Short Round jump over to his side as the car whips | around the curve! Indy looks back and sees the car pursuing them | is also taking the curve at full speed -— Suddenly the Thuggee car swerves dangerously, the weight shifts : too much to the outside -- and the car derails! . The car bounces off the tracks and flies through the atr intoa Siding where it CRASHES against a stone wall in an EXPLOSION of rock and metal! ; Pieces of debris pommel the driver of the second Thuggee car and he quickly grabs for the brake to slow down and avoid Che same fate! In the lead car, Indy smiles smugly as Willie opens her eyes. INDIANA Qne down, one to go! - @™ 165. INT, THE CAVERN ABOVE oN SG 165. Ne a _Mola Ram's guards continue to bash away with sledge hammers at the rock supports under the mammoth cistern. One of the supports starts to crumble -= S From above, we see the cistern list to one side and water laps dangerously over the edge as the huge tank creaks and Sways.

144

INT. THE TUNNEL . 166.

source 166

Indiana and Short Round heft a railroad tie out of the bottom of the car and Willie watches them lift it onto the back --

As gunfire continues to explode from the car behind them, Indiana and Short Round shove the railroad tie off the back of the car -- The wooden railroad tie falls and bounces back across the tracks. The gunmen in the car behind spot it and yell in panic ==

Indy and Willie watch the ear behind crash into the railroad tie -- but the tie just skids, catches and bounces up and out of the way like a huge tumbling matchstick!

WILLIE
a a Anymore ideas...?

an 166. (contd. ) i€ - .

INDIANA ot - ~ Yeah -=- this time you're gonna —=s = . help! =

\ 167. INT. THE CAVERN —— 1e

The sledgehammers continue -- until two of the-rock supports give way! There are shouts as the guards run for cover.

Mola Ram stands on a platform watching the huge cistern slowly keel over -=- the noise is incredible as the colossal tank crashes to the ground!

; Suddenly a halfemillion gallons of water explode across the cav- ern and surge in a tidal wave toward the tunnels!

145

INT. THE TUNNEL ; UE

source 168

The walls of the tunnel flash past and curves appear suddenly out of the darkness as the hair-raising chase continues --

Short Round and Willie struggle to help Indy lift a large boulder from the bottom of the speeding mine car.

~ : The cars descend again into a stretch of much lower tunnel where Ls the beams flash past inches - above them. Indy judges the beams --. - - INDIANA

Okay -- ones—— two =— NOW!

‘ALl three of then groans they raise the boulder and shove it off the back of the car w~ ducking instantly to avoid being de- capitated by the next bern!

Looking back, they see the gunmen pop up between the beams -— and they see the looks of terror on the gunmen's faces as they see the boulder in front of them!

The Thuggee car hits the boulder and upends! The guards screaz

horribly as the car tumbles end over end, slamming against the tunnel walls, getting ripped to shreds so that finally only pieces of metal, wheels and debris fly like a meteorite shower down the tunnel!

Willie whoops for joy and hugs Indy who smiles modestly --

INDIANA
Okay, Shorty, hit the brakes!

| Short Round dives for the front of the car and happily pulls the rt brake lever -- it doesn't work! Short Round yanks on it harder -- the brake lever suddenly breaks of?

168. (contd.)

SHORT ROUND .
Indy!! ; ww.

Indy sees Short Round holding up the broken brake lever! Indy crawls quickly toward Shorty while Willie holds on for'dear life!

Completely out of control, the car hurtles down a decline into a section where the tunnel is larger again --

Indiana bends over the front of the car and looks underneath. He sees the brake tension hanging loose from the brake-pad. Indiana pulls himself back up and looks at Willie and Short Round.

INDIANA
Grab onto me -= I'm going to try and slow us down from underneath!

Willie looks terrified but helps Short Round grab onto Indy's ara and the back of his jacket. He slips over the front of the car and swings a leg underneath --

Indy is inches above the rails and the rocky ground blurring be- neath the car as he tries to kick at the brake-pad. His feet fall and he bumps along, dragged dangerously for a moment --

indy manages to find a foothold on.the undercarriage of the car. As they hold onto him, Indy kick$Vagain and his foot hits the

brake-pad. He shoves it and SLoehy <He pad closes against the

spinning wheel...

engi

Willie and Short Round look up > and see that the tunnel is ending ahead and the track dead-ends into a stone wall!

Ob no!

INDIANA
What's wrong?

He looks around <= and sees the car rocketing directly toward the stone wal!

Indy's foot starts kicking in highegear underneath the car <= he slams at the brake-pad with all his strength -- the pad screeches against the spinning wheel and starts sparking!

The car seems to Slow as it shoots toward the end of the tunnel. Indy groans and pushes harder against the smoking brake-pad.

The car slows more and more until it runs down the last few yards to the dead-end and rolls gently to a stop, just nudging Indy's back against the wall...

168. (contd. ) 160

. INDIANA an

Willie looks faint as Indiana gets to his feet and Shorty jumps out of the car. They help Willie out and she stands shakily --

WILLIE
I'm okay -=- I'm fine -= I love to flirt with death...

Indiana sees that the tunnel ahead continues without any more tracks. Then they hear something --

A strange rumbling sound echoing down the tunnel from behind them. The walls seem to reverberate. Looking worried, they Start walking away down the tunnel. ot

They walk faster as the noise behind them becomes louder and they keep glancing over their shoulders --

WILLIE
What's that?... Indy?!

Indiana isn't sure and he puliayiiie by the arm and all three of

them start jogging.

The rumbling behind them sounts increasingly ominous and finally they start running full tilt.’ They rush down the tunnel and the awful noise becomes deafentmg! Willie looks around again and Slows suddenly -- —

Willie stops dead in her tracks -<- paralyzed -= awestruck -- DOOMED!

Willie sees a monster wall of water (released from the quarry) as it thunders around a curve -=- a mammoth tidal wave crashing spec~ tacularly against the opposite tunnel wall!

A veritable "tsunami" caroming off the tunnel wall and spewing furiously forward like a hydrous Juggernaut!

WILLIS
(frozen in her tracks)
Ob... shit...

. Indiana and Short Round notice that Willie's slowed and they stop running -- they also see the cataclysm of water crashing down the tunnel toward then.

Indy runs back and grabs Willie. All three of them take off, running faster than they've ever run in their lives!

I c I

Hl « P

iiis

118,

(contd. ) a 168. The tidal wave smashes forward, booming behind them and Indiana realizes quickly that they're going to lose this race. —.Suddenly he sees a small side-tunnel in a bend ahead -—=- _

INDIANA
There! Dive! They lunge toward the hole and Short Round dives in it first. Indiana shoves Willie into the hole and jumps: in after her just as the colossal tidal wave explodes past! INT. THE CHUTE 169.

‘The small tunnel drops precipitously and they slide down, shower- ed by the small side-current of water that's broken off zzen the main force.

146

INT. A LARGE TUNNEL 170.

source 147

They roll and tumble out of the small chute into a larger tunnel. The roar of the tidal wave sounds distant and receding as they catch their breath.

INDIANA

Lucky I found a short eut. Look,

there's a light ahye8 end of the

tunnel...

~

Suddenly an EXPLOSION! They talrn and see the thundering tidal wave crashing around a curve and cascading down the tunnel behind them again! 8

WILLIE
Some short cut!

They all holler in unison and start running like bats out of hell toward the daylight. The towering wall of water surges relent- lessly after them --

The tidal wave looms up to annihilate them as they race to the mouth of the tunnel -=- and Willie SCREAMS! Indy grabs her and all three of them flail their arms to keep from losing their bale ance!

147

EXT. THE TUNNEL EXIT - DAY 171.

source 148

The tunnel exits midway up a cliff and the three totter precari- ously on. the brink looking down at a 300 foot sheer drop toa gorge below!

Indiana swings Willie onto a narrow ledge on one side and pushes Short Round after her -=- he jumps himself to the other side just as the tidal wave crashes past them!

rt .. 7

171. (contd. ) ; 171.

The water bursts out of the tunnel -- the gusher spews forth fron the cliffside into the air as if Hoover Dam just broke loose! -

Short Round and Willie balance on the narrow ledge on one side of the geyser -=- Indy is perched on the ledge on the other side of the incredible eruption of water. ”

Willie gets vertigo looking down into the gorge where the water crashes at the botton. There crocodiles are disturbed and slither angrily.

Indy looks up and sees a rope bridge swinging about twenty feet above Wilie and Short Round. Indy shouts across the blasting water <<

INDIANA
Willie -- the bridge! Climb up to the bridge!

Willie looks frightened.

SHORT ROUND
Nothing to it -=- follow me!

He: edges along the narrow ledge‘toward the bridge and Willie follows him. Once under the bridge, they start climbing up the rocks to it. yy

Nn

Meanwhile, Indiana is scali Z the cliff face to get over the water geyser to the other side. He grabs at scrub brush and finds a few perilous footholc> as he makes his way to the bridge.

148

EXT. THE ROPE BRIDGE 172.

source 172

Willie and Short Round pull themselves up at the end of the bridge. Behind them a dark tunnel runs back into the mines. What's in front of them is hardly more reassuring --

The rope bridge across the gorge is a century old and definitely wasn't built by army engimeers. Laying across the two bottom rope-spans, worm-eaten and moldy boards offer risky footings.

Vertical side ropes connect the bottom rope-spans to the two up- per ropes that constitute the dangerous hand-railings.

Short Round steps tentatively out onto the bridge. It holds hin and he turns and smiles at Willie --

SHORT ROUND
Easy like pie! Kid's stuff!

Suddenly the board under him breaks! Willie grabs Short Round before he falls into the abyss! Looking pale and less cocky,

LG 172. (contd. ) 172.

< Short Round starts out again and Willie follows him carefully.

ae ae

They continue stepping acros the bridge cautiously, a feat made more difficult by the bridge's constant swaying and the heart- stopping up and down movement. .

Behind them, Indy finally pulls himself up from under the bridge. Ee stands up and sees Willie and Short Round halfway across already. Then he hears something and turns quickly -- he takes his whip out and ducks to the side of the tunnel as two Thuggee guards rush out.

indy cracks the whip, catching the first guard around the neck -= the guard spills forward and trips the second guard. The first man tries to stand but Indiana kicks him in the head.

The second guard gets to his feet and swings his sword -=- Indy ducks, slams him in the stomach and dives for the first guard's sword. He grabs it and rolls aside quickly as the second guard attempts to slice him in two!

Indy gets to his feet and immediately finds himself about to en- gage in a sword duel with the enraged Thuggee guard. Indy looks at the unfamiliar sword, hefts if, and tries to quickly decide the best way to use it -- “y: : . a

Suddenly the guard shouts an harges. Indy decides shouting must be the "de rigueur” tec ue and shouts back loudly -= the two swords CLANG and spark as~the duel erupts.

Indy flails and feints and the Thuggee guard lunges and slashes. Indy finally gains the upper hand and dispatches the Thuggee guard who slumps defeated into the dirt.

Keeping the sword, Indy starts out onto the bridge, walking as quickly as possible across the rickety span. He hears shouting ahead and looks worried when temple guards appear at the far end of the bridge.

The guards surprise Willie and Shorty as they finally get across the bridge. Struggling futilely with the guards, Willie shouts at Indiana <=

| WILLIE Indy -= look out behind you!

Indy sees more Thuggee guards rushing out of the tunnel behind him. He turns and sees two of the temple guards who captured Willie and Short Round coming across the bridge in front of hin.

- Indy stands helpless in the middle of the swaying bridge with i guards appreaching from both sides, and nothing but heaven above and the rocky gorge hundreds of feet below!

172.-(contd.) - 172.

A wind comes up and the High Priest, Mola Ram, appears on the ‘far end of the bridge. He stands with the guards who hold Willie an¢ Short Round. Te

The wind whips around Indy and he staggers unsteadily on the swaying bridge as he watches Mola Ram --

INDIANA
Let my friends go!

Mola Ram shouts in Hindi and the guards start to move toward Indy from both sides of the bridge.

INDIANA (Cont'd)
That's far enough!
MOLA RAM
You are in no position to give orders, Dr. Jones.

Indiana indicates the bag over his shoulder —

INDIANA
You want the stoMes, let them go and call off your guards!

Mola Ram motions and the gaurda move farther out.on both sides of the bridge -- suddenly codtane- e¥ings the sword and it cuts into one of the bottom rope-spans! 5

The rope is half-severed and rays slowly under the tension!

MOLA RAM
Impressive, Dr. Jones. But I don't believe you would kill yourself!

Mola Ram motions again and his guards (looking more nervous now) step farther out onto the bridge, moving closer to Indy from both sides. —

Indy swings the sword again, cutting into the other rope-span! It, too, is now partially severed and frays slowly. The bridge jolts and Indy and the guards sway precariously!

Suddenly Mola Ram shoves Short Round out onto the bridge. The High Priest draws a dagger and pushes Willie onto the swaying

‘Span, holding the knife behind both of then.

MOLA RAM (Cont'd) .
Your friends will die with you!

In different climes this would be called a Mexican stand-off.

172. (contd. )

Indiana looks at the guards in front and behind him. He sees Willie and Short Round out on the bridge now with Mol-a Ram at their backs. _—

INDIANA
Then I guess we're all going to take a big dive!

Indy and Short Round's eyes meet == and the kid realizes that his hero isn't kidding. Willie looks at Short Round anxiously -— she notices that Shorty is surreptitiously wrapping his foot around a rope support.

Petrified, Willie also secretly wraps her foot around a rope and does likewise with her arm --

MOLA RAM
Give me the stones!
INDIANA
Mola Ram -— you're about to meet Kali -- in Hell!

Indiana swings the sword with Age his might -- it whooshes through the air and slashes clesa¥® through the top and botton ropes <-=- ! Ne

~ Immediately Mola Ram's guards start to flee in panic -- too late! Indiana swings the sword again, and the two ropes on the other Side are severed <= = The rope bridge is sheared in two! It breaks in the middle and both halves fall apart! The guards scream horribly in the air as they plunge down into the rocky gorge!

Willie and Short Round cling to their established footholds and fall with the bridge toward the wall of the gorge. Mola Ram spills forward, clutching desperately at ropes and slats --

Below them, Indiana has ldtched onto a rope and swings with the bridge as it hits the gorge wall and hangs vertically now, dang- ling from its moo moorings at the top.

. There's an instant of suspended animation as all who remain alive

realize they are alive. Short Round and Willie cling near the top of the now vertical bridge.

Below them, Mola Ram clutches onto one of the main ropes while directly above him the last of his guards holds on for dear life.

Short Round and Willie struggle upwards, clutching ropes and stepping on slats. Finally, Short Round heaves himself up onto solid ground and turns to help Willie up.

172. (contd. ) 172.

o -_ Meanwhile, dangling below on the bridge, Indy reaches up ang Ss grabs Mola Ram's leg. The High Priest kicks and tries to break : Indy’s grip. He kicks again and smashes Indy in the face.

Indy won't let go. Suddenly the High Priest reaches up and grabs his own Thuggee guard and yanks him down by us front of his \ shirt <--

Mola Raz shoves the luckless guard down onto Indy, trying to | dislodge him by sacrificing the screaming Thuggee. Indy manages tohang on. The Thuggee is less fortunate and falls screaming to

his death.

Then Mola Ram looks across the gorge and yells. Indy sees a doz- en of the last Thuggee guards streaming out of the tunnel -- only | te be stranded on the far side of the now bridgeless gorge.;

| indy starts climbing up after Mola Ram again. He grabs at the back of Mola Ram's robe and pulls him down. Slipping, Mola Ram turns and it's Indy's chance to punch Mola Ram in the face.

Mola Ram's eyes are glowing yellow and he's shouting incoherente ly. He grabs the strap of Indy's shoulder bag and stamps on In- 1 dy's hand — indy falls!

ay ons Indiana slips downward, scrambling’@o catch hold of something -- N. meanwhile, Mola Ram now has the vas with the Sankara Stones.

Indy finally stops his downward\ slide and dangles dangerously near the bottom of the bridge. =

Across the gorge, the Thugges guards run up a path to a small grove of trees growing on a plateau above the gorge. The guards have bows and arrows and take firing positions --

At the top of the bridge, Mola Ram keeps climbing until rocks start pounding him from above -=- Willie and Short Round pelt bin with rocks which he tries to block with his arn.

Indiana starts to climb again, using all his strength. He reaches for a wooden slat -=- suddenly a flaming arrow smashes into the wood! —

Indy turns in amazement and sees more flaming arrows rocketing across the chasm directly at hin!

Across the gorge, by the grove of trees, a Thuggee priest yells orders to the archers who continue to launch the flaming arrows.

le a ing bursts# flery arrows, At the top, Mola Ram reaches up des-

Indiana cot up as the bridge starts to burn from the continu- ay perateliy fda hand hold -=- Willie smashes his hand with a rock!

Nr

\

te

124,

172. (contd. )

The High Priest yells in pain and slips down to where Indy slugs him again in the face! They struggle as the fire burns up from beneath then. —

On the cliff above the fallen bridge, Willie watches the fire rising toward Indy and Mola Ram as they fight. Short Round turns and sees something -- .

SHORT ROUND
Willie, look!

They see horses galloping through a narrow pass -- the British cavalry is returning. Captain Blumburtt and the first trops draw up their horses and dismount quickly. .

A fussilade of flaming: arrows force the British to take coyer —~ they quickly start firing back at the Thuggees with rifles.

As the battle above the gorge continues, Indy and Mola Ram fight below on the dangling bridge -<- ,

Indiana sees the High Priest's eyes begin glowing and he hisses insanely. Mola Ram's hand thrusts out toward Indiana's chest and Indy yells in pain -—

Indy looks down and writhes terrif d as he sees Mola Ram's hand starting to enter his chest (as {t entered the victim's chest during the temple sacrifice)! wv

Mola Ram's fingers are inching nto Indy’ s body -- Indy clutches at Mola Ram's plercing hand, ying to keep the Geadly fingers away from his heart.

Slowly, Indy is able to push Mola Ram's hand away and his fingers withdraw from Indy's chest. Indiana suddenly slugs the High Priest in the face and grabs for the bag of Sankara Stones -~

MOLA RAM
No, the stones are mine!
INDIANA
You've betrayed Shiva. %#(He re- pears in Sanskrit Sankara's warne ing

As Indy pronounces the magical words, the bag begins glowing and starts to burn Mola Ram as he clutches it -= the stones begin to spill out of the bag and the High Priest grabs for then.

INDIANA (Cont'd)
§(He repeats Sankara's warning in Sanskrit)

. 125. 172. (contd. ) : 172.

| The blazing stones sear Mola Ram's flesh and he screams in pain. WP The light suddenly dies in his eyes and for one instant..he looks at Indy as if awakened from a nightmare --

Mola Ram loses his balance and Indy grabs for the stones. He manages to clutch only one of them as Mola Ram screams and falls!

Indy sees the stone in his hand suddenly cool. He watches Mola Ram plummeting downward into the chasm and finally crashing into the jagged rocks at the botton.

The irritated crocodiles are disturbed once more -=- but soon wel- come the meal that just dropped in. Jaws flash and teeth rip at the High Priest's lifeless corpse.

And Indy'’s bag with the Sankara Stones sinxs into the murky cure rent and disappears down the river...

149

EXT. THE CLIFF 173.

source 173

Indiana crawls up the burning bridge and Willie and Short Round reach for him at the top. They pull him up onto the cliff and they all look around exhausted -—

Across the gorge, more British troopy emerge from the mine tun- nels to subdue the remaining Thuggee-guards on that side.

Finally the little Maharajah comes out of the dark mine tunnel.

; He sees Short Round across the gomge -=- and bows to thank him for

his help. On the other side, Short Round waves his cap, saluting him back.

Willie stands at the edge of the gorge looking down into the riv- er far below.

WILLIE
I guess Mola Ram got what he wanted. . ~ INDIANA Not quite.

She sees Indy reach into his pocket. He pulls something out Slowly -=- as she watches he reveals a crystal stone -<-

| INDIANA (Cont'd) | _ The last Sankara Stone.

Short Round watches Willie take it carefully from Indiana. She gazes at it and looks delighted --

“ And the diamond hidden inside...

173. (contd. ) 17: ~— Willie holds the stone up to the sun and it sparkles and flashes Na as we ~—

CUT TO:
150

EXT. THE MAYAPORE HILLS - DAY . 174

source 174

The sun flares and silhouettes three figures coming over a hilitop. Behind them we see more smaller silhouettes appearing over the rise.

Indiana, Willie and Short Round walk back down the dirt road into Mayapore -= followed by a multitude of children returning to their homeland.

Willie looks at the changed landscape and seems astonished: the barren countryside has been reborn. They see streams flowing beneath green trees, flowers blooming and peasants harvesting golden grain in the fields.

151

EXT. MAYAPORE VILLAGE 175

source 17S

Indiana, Willie and Short Round lead’ the children down the village road. Ahead they see vfllagers rebuilding their primi- tive dwellings. ~ a Now they hear shouts of joySfrom the peasants. The children | returning home start running te meet their parerts who are rush- | ‘ing out to greet them. k * . There is laughter and tears as families are reunited. Indiana | sees the old shaman approaching with the chieftain and the village elders. 7 The shaman touches his fingers to his forehead and bows. The three travelers return his greeting and the shaman is quite moved , as he speaks to Indiana -~ : | _ SHAMAN We know you are coming back = (indicating the countryside) @- when life returns to our village. WILLIE \ It's like a real miracle. | | SHAMAN Now you see the magic of the ; "rock" you bring back. oe

ae The old shaman smiles wisely at Indiana. Indy takes the stone

h

oe

175. (contd. )

out of his bag and unwraps it.

Willie watches The shaman joins

_ 127.

INDIANA
Yes, I've seen its power.

the shaman take it reverently and bow to then. the elders and they walk to the village's small

sacred mound. Indy and Willie stay back. They see him kneel and replace the stone in its niche.

INDIANA
The last Sankara Stone.
WILLIE
And they don't even know what it really is.

. INDIANA - (smiling at her)

Well, you didn't get your prince,

She looks at hin

and there goes your diamond.

WILLIE
You didn't do so we yourself. Finding that stone ld've got- ten you all the forgune and glory you were taleing about.
INDIARA
It's still a longway to Delhi. Who knows what mSght happen.

‘like he's crazy. WILLIE

Oh no, I'm finding a native guide who knows the way. No more de-

She turns and st

tours: for me, thank you Dr. Jones. arts walking away continuing to complain -—

WILLIE (Cont'd)
If you think I'm going to Delhi or anyplace else with you, after all the trouble you've gotten me into. ee

‘Suddenly the bullwhip CRACKS and wraps around her waist. Star- tled Willie looks angry as Indiana reels her in, pulling her to- ward him and into his arms. But when he finally kisses her, she

doesn't seem to

mind at all...

Short Round shakes his head, but looks sort of pleased. When he

175. (contd. ) 175.

turns away, his face lights up! ; a _

Short Round runs toward the sunset, toward the three elephants being brought back to the village. The baby elephant starts walking faster, as if he recognizes Short Round running out to meet him...

MOY oy |