"DONNIE BRASCO" (1997)

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STATS154pages133scenes24,692words34%dialogue share67characters

Dialogue share

  • dialogue8,08034%
  • action15,39666%
  • formatting, excluded1,216

Scenes

location
  • INT 72
  • EXT 54
  • INT/EXT 6
  • UNKNOWN 1
time
  • UNKNOWN 133
1

INT. LATE AFTERNOON. MARE CHIARO RESTAURANT 3

source 2

WINTER--windows foggy, snow outside. Late ‘78-- “TELL MM OMETHING GOOD” by Chaka Khan and Rufus plays on the jukebox.

Chipped formica on the tabletops, cracked leatherette on the banquettes.

Four men, neatly dressed in slacks and sport jackets, as the Grink demitasse at a table:

BENJAMIN *LEFTY" RUGGIERO, 50 years old, JUMPY with nerves, hoarse from chain-smoking ‘Engl ish Ovals. SWITCHED-ON, testy and restless

DOMINIC "SONNY BLACK” NAPOLITANO, 40s, squat and sexv. Sleepy and plavful as a lion after a big meal. Don't fuck with the lion

NICHOLAS “NICKY" TEMMA, 40s. Ready SMILE, teddy bear pauncn. Eager to piease. Plays the fool

JOEN "BOOBIES" CERASANI, 40s, close-mouthed, dour, and gun-metal HARD. All business. Nobody's fool.

NICKY
Tt's the better automobile. Head and shoulders

LEFTy

ry ur tb Mts K i] ke 6) [a4

Geddadaheah. Geddadaheah make me mad.

SONNY
Letty, how you gonna be mad at Nicky?

LeErtTy I ain't mad at nim. I'm mad at his stupidity.

~~

CONTINUED)

2/23/96 PINK Revision 6. CONTINUED : . | 3

SONNY
Be mad at Boobie. I been mad at him since we was kids. -
BOOBIE
Fuggedaboudit.
LEFTY
Fuggedaboudit.

AT THE BAR

Donnie sits with a Daily News spread open before him. He wears JEANS. The Bartender refills his coffee cup and Donnie puts ina tablespoon of sugar, stirs it while he WATCHES... DONNIE’S POV--IN THE MIRROR Lefty, Sonny and the others at their table... BACK ON-~-TABLE As Lefty explicates the Cadillac Difference. * LEFTY Cadillac got more acceleration, more

power, more better-handling, more legroom for your legs, more power--

BOOBIE
You said that.
LEFTY
Said what?

BOOBIE

More power.

LEFTY
‘I said that? He got me so fucking aggravated, Boobie, I forget what I

“said. SONNY *: Mercedes got it all over both of * them. * Lefty reacts as if he's smelled something bad. * LEFTY * Mercedes? * BOOBIE Lincoln's like driving a fucking waterbed.

2/23/96 PINK Revision

CONTINUED:. (2)

Nicky starts to laugh.

Judy,

LEFTY
Mercedes?
NICKY
T’ll tell you one thing--the Lincoln is longer.
LEFTY
Longer what? Longer wheelbase?

NICKY

Longer. Like longer. In inches. It's -

a longer car.

LEFTY
You know something, Nicky, you don't make no sense sometimes. ,
NICKY
Okay. You got two cars. All things being equal, the longer car is the one gonna get there first.
LEFTY
Ain't the question all things being equal. One's a Cadillac and one's a Lincoln.
NICKY
The one's longer gets there first. That's scientific fact.
LEFTY
You get there first, you’re still driving a Fucking Lincoln.

Sonny and Boobie join in.

a WAITRESS, approaches the table. Sweet as corn, early

20s, new to the job. Sonny takes her hand, KISSES it.

SONNY .
I never seen you before. Where‘d you come from, angel?
JUDY
Ontario.

LEFTY WATCHES DONNIE

Sipping coffee at the bar.

; LEFTY Who's that?

Leans over to Nicky.

2/23/96 PINK Revision 8. 3 CONTINUED: (3)

NICKY
Don. Don the Jeweler. Jilly brought him around.
LEFTY
Jilly Four Eyes?

: NICKY Not Jilly Four Eyes. You know, Jilly. From Queens Jilly.

LEFTY
He's a wiseguy?
NICKY
Connected guy. Jilly brought him around.
LEFTY
I had a thing to lay off, he could lay it off?
NICKY
You got something you gotta lay off?

LEFTY : BRin't the question, I got something.

NICKY
All that fucking money you owe downtown, you’d have to lay off a Brink’s Truck.
LEFTY
I'm saying if I had a thing, he could lay it off?
NICKY
C'mon Left. Whaddaya got to lay - off? ANGLE ON--SONNY WITH JUDY as he punctuates his order with KISSES of her hand. SONNY

A little cannoli. (kiss) Svingi. (kiss) Sfogliatell'. (kiss)

JUDY
We're out of that. SONNY Then you gotta give me that kiss

back.

2/23/96 PINK Revision - 9. CONTINUED: (4)

She giggles, Kisses Sonny on the cheek.

BOOBIE
Lookit. Sonny’s in love.
NICKY
(off Donnie)
I think Lefty's in fucking love.
LEFTY
Thank you. Just because I got something else on my mind besides broads. Thank you.
SONNY
(to Judy)
Say something to me in Canadian. WALTRESS Can I ask you guys something? Are you guys...You know...?
(giggles)
Wiseguys? SONNY : Wiseguys? What makes you think we're wiseguys? WAITRESS Well, what other grown men would have nothing better to do than sit here all afternoon drinking coffee and nobody says anything? They all look at each other.
NICKY
We could be cops.

LAUGHTER all around. Lefty steals another look at Donnie, as he sits placidly drinking his coffee.

CUT TO:
2

EXT. DAY. MARE CHIARO RESTAURANT

source 3

Donnie emerges, his breath visible in the COLD. ZZ2ZZH! ZZ2ZZH! ZZZZH! FREEZE FRAME and go to black-and-white.

Snapshots of Donnie.

CUT TO:

2/23/36 PINK Revision 9A.

3

EXT. NIGHT. DONNIE'S BUILDING

source 4

Establishing shot.

4

INT. NIGHT. DONNIE'S APARTMENT

source 5

PANNING around the LONELY room--no tchotchkes, no photos, no

pet. “CHARLIE’S ANGELS”on a small TV, unwatched--BACKGROUND NOISE. WEIGHTS and a bench. Over this: HUFFING AND PUFFING as

(CONTINUED )

2/23/96 PINK Revision 10.

DONNIzf£ DOES PUSHUPS

in his underwear. He finishes. Goes to a GRID--amount of weight, number of repetitions--makes a note on it.

CUT TO:
5

EXT. NIGHT. PHONE BOOTH--MANHATTAN

source 6

Donnie, his breath visible in the cold, talks on a PAY PHONE on a deserted city street...

DONNIE
Were you asleep?
WOMAN (0.C.}
{clearly asleep) Are you okay?
DONNIE
Yeah, I'm okay. Go back to sleep. I'll call you tomorrow.
WOMAN (0.C.)
I'm gonna go back to sleep.
DONNIE
Put the phone on your pillow. I want to listen to you breathing. He stands alone on the street and listens on the phone. CUT TO: INT. DAY. MARE CHIARO RESTAURANT

Donnie sips coffee at the bar. Lefty approaches him.

. LEFTY You Don the Jeweler?

Donnie looks up to the Bartender. The Bartender nods. Lefty reaches in his pocket, produces a SIX-CARAT DIAMOND RING.

LEFTY
That's a beauty, eh? That's some beautiful thing. Donnie looks it over. Slides it over to Lefty.
DONNIE
Give it to your wife.

2/14/96 BLUE Revision

LEFTY
How'm I gonna give it to my wife? I ain't married.

Lefty slides it back to him.

DONNIE
You got a girlfriend?
LEFTY
Yeah, I got a girlfriend.

He returns the diamond to Lefty.

DONNIE
Marry her.
LEFTY
Are you for reali? I'm asking if yo want to middle a diamond here. All want for my end’s eight thousand.

u

i

DONNIE
I‘m saying give it to somebody don't know any better. It's a fugazy.
LEFTY
How can you say it's a fugazy? You i t it two seconds.
LEFTY
I know what a fugazy is.

Donnie takes out an ENVELOPE, spills five diamonds on the counter. Fits one dexterously in a ring-like holder, shows to Lefty.

DONNIE ’ Here, look at this. Now that's a beautiful thing.

LEFTY
It's the same fucking thing. What about my diamond?

DONNIE

Go ahead, try and sell it, you wanna be a dunsky.

ii.

ac

2/14/36 BLUE Revision LIA.

CONTINUED: (2)

Lefty’s temper starts to rev...The Bartender hurriediy zaps club soda into a glass of white wine as Donnie carefully sweeps the diamonds back in to the envelope.

BARTENDER
Here, Left, have a spritzer.
LEFTY
I'ma dunsky? Let me tell you something, my friend-- do you know who you're talking to?
DONNIE
I’m saying if you wanna go embarrass yourself...

LEFTY

My family, my children--my mother can hold her head up in any neighbornood in the city when she walks down the block. In all the five borougns I'm known, fuggedaboudit--I'm known all over the world. Anybody--ask anybody about Lefty from Mulberry Street.

+ 4 #

2/14/96 BLUE Revision 12. CONTINUED: (3) |

DONNIE : Hey-~no disrespect. It’s a misunderstanding. Okay?

Donnie makes a gesture of backing off, moves to exit.

LEFTY
You don’t walk out on me. I walk out on you.

DONNIE

You’re the boss. Donnie shrugs, sits. The Bartender slides the spritzer over.

_ - BARTENDER On the house.

LEFTY
{mutters} Fugazy. Fugazy my fucking ass.
(beat)
Where’s your fucking car?

COT To:

6

INT. DAY. DONNIE’S COUPE DE VILLE

source 7

Donnie drives. Lefty puffs on én English Oval.

DONNIE
You know, I was just trying to help you out back there.
LEFTY
{shaking his head) Man oh man, I gotta school you, my friend. Di‘n’t Jilly school you?
DONNIE
School me in what?

LEFTY

You talk when I talk.to you.

(beat) You call that a fugazy? You don’t know word fucking one, my friend. I know--one look at you I “know. You're a guy can’t keep his fucking mouth shut.

{beat) Hey, I‘m talking to you.

DONNTE
Five years I been in jewels. rf there’s one thing I know it's jewels.

2/23/96 PINK Revision 13. CONTINUED :

The SMOKE is THICK now. Donnie powers DOWN his WINDOW.

LEFTY
Put your window up, Don. I'm gonna catch a draft.

Donnie powers the window back UP.

. DONNIE Where are we going?

LEFTY
What are you, a cop? Don’t ask so many fucking questions.
DONNIE
How'm'I gonna earn the kind of money I’m earning if I can’t tell a fucking zircon?
LEFTY
There’s good money in that?
DONNIE
What?
LEFTY
What.
DONNIE
Jewels?
LEFTY
Thank. you.
DONNIE
T£ you know what you’re doing.
LEFTY
‘Go to Twenty-third and Eighth.

(beat) We're gonna find out.

CuT TO:

7

INT. DAY. STRIP JOINT~-MANHATTAN

source 8

Lefty and Donnie sit over drinks. A PORTER vacuums. A BARTENDER cleans glasses. PANDAR, a steroidal bull, 30s, bleached hair, enters from the back, surprised to see Lefty.

PANDAR
Hey, Lefty! What’s going on?

tt bi rd

Sit down. Pandar sits.

PANDAR
What?

{off Donnie) Who’s this?

LEFTY
You owe me eight grand.
PANDAR
Hold on. Wait. I gave you the diamond.
(beat)

Left, wno‘s this guy?

LEFTY
‘He savs it’s a fugazy.

PAND:R What‘s a fugazy?

The diamond is a fugazy.

PANDSAR
Wnat is a fugazy?
DONNIE
You know.

PANDA

Don’t tell me what I know.

DONNIE
You know what you did.
LEFTY
One of you gotta be wrong.
PANDAR
That's a Tiffany fucking diamond. That’s my wife’s fucking diamond ring. ~

Lefty's eyes go dead...

. DONNI= It’s a fugazy.

The vacuum snaps off as the Porter FLEES into the back.

(CONTTITIED

2/14/96 BLUE Revision 15. CONTINUED: (2) 10

Pandar clenches his fist--thinks to take a swipe at Donnie. Then thinks better of it. Points his finger at him.

PANDAR
I don’t know what your fucking game is, pal. ;
(turms to Lefty)
Bring that ring to any kike on 47th Street--
LEFTY
You took away your wife’s ring?

Lefty pulls his collar close around his neck--a “tell” that things are escalating...

DONNIE
Left, go have a drink.
LEFTY
You took away your wife’s ring to bet on the Giants?

Lefty pulls his collar tighter, springy with homicidal longings...

PANDAR : Hey, you don't want it, give it back to me. Okay? Fine. (gestures to Donnie Have Harry fucking Winston here throw it in the fucking street.

LEFTY
Elght thousand dollars.
DONNIE
Left~-

| LEFTY Eight thousand dollars}

DONNIE
Go to the bar, Left, have a drink. T‘ll take care of this.

Donnie insists with a gesture. Lefty goes to the bar.

2/23/96 PINK Revision 16. 10 CONTINUED: (3) : 10

PANDAR
I got a fucking black belt. You goombahs think you can intimidate me? Go .fuck-~

Then Donnie SLAPS Pandar hard with a flat palm. He topples with his chair to the floor. Donnie sticks two fingers in his nose, lifts him like a bowling ball onto his chair. With his fingers still in Pandar’s nose, Donnie brings his face close, looks in his eyes, and WHISPERS.

DONNIE
He’s onto you. He's gonna kill you. We have maybe two minutes to figure a way out of this.

Pandar looks into Donnie’s eyes and sees nothing--no reflection, no sparkle of humanity. He sees death there, impersonal and matter-of-fact. Pandar whimpers pathetically.

PANDAR
(blubbering)
I’m sorry. DONNIE Shut up.
(beat)

Sorry ain’t gonna do it.

PANDAR
I don’t want to die.

Lefty signals for another spritzer, then looks at Pandar. Itching to put a bullet in him...

DONNIE
What do you drive? PANDAR - Porsche. DONNIE

Now it’s Lefty's.

Donnie takes a ten dollar bill off the table. Stuffs it in Pandar’'s mouth.

DONNIE
That’s for the drinks. CUT TO: ii EXT. DAY. LATER. DONNIE’S CADILLAC 11*

Jury-rigged CHAINS. run from the trailer hitch to hooks under the Porsche’s front end. *

CUT TO:

}) iw

2/14/96 BLUE Revision 17.

8

INT. DAY. SAME TIME. CADILLAC

source 9

Donnie drives through the Lower East Side WATERFRONT, peering

through billows of Lefty’s cigarette smoke.

LEFTY
(scolding)
Why'd you pay for that drink? Wiseguy never pays for a drink.
DONNIE
Okay. I didn't know.

LEFTY

Always on the amn.

(chuckles) You scared that guy, though, managaia--that cracks me up. I'got twenty-six fucking hits under my belt and you're the one he's scared of.

{catching himself) Fuck.

Shouldn't've said that about the hits.

DONNIE
Chop up that Porsche, you can get twenty grand from it.

_ LEPTY Pull over.

DONNIE
What, here?
9

INT. /EXT. DAY. LATER. CADILLAC

source 10

TOOLS out on the front seat. In discomfort, Lefty the dashboard. Donnie leans in.

LEFTY .
Hand me them pliers.
DONNIE
The vise grip or the needie nose?

. LEFTY Fuggedaboudit. I'll get it myself. (finds pliers) You di’n’t hear that noise in the dash?

CUT TO:

labors beneath

2/14/96 BLUE Revision 18. 13 CONTINUED : 13

DONNIE
This's a brand new car. I never nad problems with this car before.
LEFTY
Gimme a hand with this.

Lefty and Donnie PULL OFF the dashboard. Looks inside. Feels

around. DONNIE . * Hey, Left, what are you doing? * LEFTY *

I'm feeling around. Donnie flares as he realizes what Lefty is up to.

DONNIE
Hey, what do you think, I got a wire in my car? You wanna call me a stoolpigeon, pal, say it to my face.

+ + +

Lefty sits up. | * LEFTY

(agitated) *

Did I--? Did I say~-?

DONNIE
Go ahead, call me a2 stoolpigeon.
LEFTY
Ain’t the question.
(beat). Now I lost a screw. CUT TO: 14 EXT. NIGHT. LEFTY’S APARTMENT 14

Lefty and Donnie admire Donnie’s Cadillac, parked on the street outside Lefty’s projects.

LEFTY
You like the Deville?

DONNIE x Fuggedaboudit.

LEFTY
I got the Fleetwood Brougham.

DONNIE * With the velour? *

{ams TS ey { i :

2/14/96 BLUE Revision 18A. 14 = CONTINUED: 14

LEFTY
Fuggedaboudit.
(beat)
You married?
DONNIE
Nah. I got a girl now in California.
LEFTY
Good. It’s better she’s in California. Keep your eye off your balis.
DONNIE
You’re right.
LEFTY
Wiseguy is always right. Even when he’s wrong, he’s right. All the way up the line.

{CONTINUED}

2/23/96 PINK Revision CONTINUED: (2)

DONNIE
I know. . LEFTY You know? DONNIE

Like the Army. Chain of command.

LEFTY

Ain't nothing like the Amy. The Army, it‘s some guy you don't know sends you to whack out some other guy you don't know. The Army's a jerkoff outfit. You see, that's why I gotta school you. Because otherwise you get everything upside down.

(beat)

You wanna check in with me tomorrow?

Okay. Lefty looks at Donnie. Then shakes his head. LEFTY

I don’t know how the fuck you knew that was a fugazy.

Donnie watches as Lefty enters the project. Then climbs into his

Cadillac. Drives off.

10

EXT. NIGHT. CAR WASH

source 11
CUT TO:

Donnie EMPTIES an ashtray full of Lefty's CIGARETTE BUTTS. Runs a VACUUM through the car. SPRAYS the inside with a can of AIR

FRESHENER .

DONNIE RIDES

Through the car wash in his Cadillac, tilts his chair back as the wet cloth slaps at the windows. Then he breathes deeply,

runs a hand through his hair, groans, and, in the privacy of the

soap suds, exposes the tension he has hidden all day.

11

INT. NIGHT. OFFICE

source 12

TIM CURLEY, an OFFICE WORKER in shirtsleeves,

CUT TO:

answers the phone.

2/14/36 BLUE Revision 20.

CONTINUED: is CURLEY

Curley. He CRADLES the phone with his shoulder, TYPES. INSERT--THE PAGE As Curley types, we catch FRAGMENTS...

..reported contact with...

Then:

...BENJAMIN RUGGIERO, a.k.a. LEFTY,

a.k.a. LEFTY GUNS, a.k.a. LEFTY Two

GUNS...
(carriage return)

...a.k.a HALF COCK, a.k.a. HORSE

COCK...
Then

...Special Agent JOSEPH D.

PISTONE...
Then:

...in an undercover capacity

utilizing the name DON BRASCO...

_ CURLEY

Okay. G/night. Curley hangs up the phone. Slides the sheet into his OUT box. INSERT--THE PAGE A Form 302, with the heading,

FEDERAL BUREAU OF INVESTIGATION

CUT TO:
12

EXT. NIGHT. TURNPIKE--REST STOP 17

source 13

With a sigh, Donnie hangs up a PAY PHONE. Moves to his yellow CADILLAC COUPE DE VILLE, parked alongside the pay phone.

CUT TO:
13

INT. NIGHT. PISTONE HOME--NEW JERSEY . 18

source 14

The lights are out as Donnie enters. Closes the door silently. Slips off his shoes. Ticptees upstairs. Moves along a dark corridor...

INSIDE THE BEDROOM

2/14/36 BLUE Revision 21.

MAGGIE, 30, blonde and energetic, sleeps in a king-sized bed. Donnie, stripped down to his shorts now, slips into bed beside her. She turns as he touches her, half-awake as he kisses her ears, her mouth...He unbuttons her nightie and it falls away...They begin to make love passionately...

DONNIE
' Maggie.

Donnie runs his finger along a line between her breasts and down her belly...As his hand turms, we see on his ring finger

AN IRISH CLADDAGH RING

Hands holding a heart, with a crown on it, symbolizing love, friendship, and loyalty...

Then his hand continues down her belly and out of frame, as she moans...She bites his ear and he rolls on top of her...

DISSOLVE TO:
14

INT. MORNING. PISTONE HOME~~BEDROOM

source 19

SUNLIGHT on Maggie's face as she rolls over and we see that Donnie is GONE. As TERRY, 8, runs in wearing a BRA, chased by SHERRY, 11.

SHERRY
Give me my bra! That's mine! You're Gust, Terry.

Maggie wakes up, Gisoriented, as the girls wrestle over the bra and KERRY, 7, runs in and JUMPS on top of her.

KERRY
Wake up, Mommy!

Where’s Joe? Was that him last night? Or a dream?

CUT TO:
15

EXT. DAY. MANICURE PARLOR--QUEENS L9A*

source 119A

Donnie waits outside in his Cadillac with the motor running. * Watches the street. Drums on the steering wheel. *

16

INT. DAY. MANICURE PARLOR--QUEENS 1L9B*

source 19B

JILLY, 50s, unlit cigar and bifocals, has his nails filed by a * MANICURIST wno babbles in VIETNAMESE to a COLLEAGUE. Lefty sits *

beside him.

(CONTTAT TED}

2/14/96 BLUE Revision 214A.

19B CONTINUED:

JILLY
Don the Jeweler? Good earner. Ain’t a leech. Keeps to himself. He‘s a jewel guy.
LEFTY
You know where’s he from, Jilly?
JILLY
Florida. He’s a jewel guy.
LEFTY
Where Florida? The Beach?
JILLY
Not the Beach. I dunno-~wherever the fuck the Mets have spring training. He’s a jewel guy.
LEFTY
He’s a stand-up guy?
JILLY
(to Manicurist)
Hey, girlie, don’t butcher my cuticles.
(to Lefty)
I said I knew him, Left. I didn’t say I fucked him.
CUT TO:

} {oO QO

17

EXT. SAME TIME. MANICURE PARLOR

source 18

Lefty emerges with dilly, who leans on the car by the driver’s side--his shirt hikes up, exposing his gut. Donnie powers down the window.

JILLY
Hey, my friend Lefty’s aksing (sic) about you. Don’t embarrass me,

capeesh? DONNIE Okay, Jilly. JILLY

‘Cause otherwise me or him’s gonna whack you ouc. -

Jilly thumps the top of the Cadillac briskly, returns inside. Lefty climbs into the Cadillac. Donnie pulls out.

CUT TO:

19B

+ OR ot + oF a ed * a + 4 4 4

+

i3sc~

+

* 4+ * * ”

%

+

2/14/96 BLUE Revision 22.

18

EXT. DAY. LITTLE ITALY

source 19

Donnie and Lefty head up the block, hunched against the cold.

LEFTY
...When I introduce you, I say “a friend of mine.” That. means you're a connected guy. If I said instead, “a friend of ours,” that means you‘re a made guy. Capeesh?
DONNIE
So is that what I call you-- “a friend of ours”?
LEFTY
Just keep your fucking mouth shut.

Lefty stops.

LEFTY
Donnie--you got a couple fazools, Donnie? I got some things I gotta take care of.

Donnie reaches in his wallet.

DONNIE
What do you want, a hundred?
LEFTY
Wiseguy don’t carry his money ina wallet. Wiseguy carries his money in a roll. Like this. Beaner on the outside.

Lefty EMPTIES Donnie’s wallet. Folds it into a ROLL. Puts the

hundred dollar bill on the outside. Then puts the roll in his own pocket. Donnie looks at his empty wallet.

DONNIE
Got it.

‘Letty hustles again up the block, Donnie tagging after him. Then Lefty stops again.

LEFTY
And another thing--shave off that moustache. That’s against the rules.
DONNIE
Done...

Lefty stops again.

2/23/96 PINK Revision 20 CONTINUED:

LEFTY

And buy yourself a pair of slacks. This ain‘’t a rodeo. Dress like me.

DONNIE
Rodeo?

22A.

2/23/96 PINK Revision

CONTINUED: (2) Lefty resumes walking.

LEFTY
This is my family. More even than my own family. Capeesh?
DONNIE
I don‘t got a family.

; LEFTY

You don't got a family?

DONNIE
I’m an orphan. I grew up in an orphanage.
LEFTY
Ain’t the question, Donnie. Even if you had a family, if this is your family, then this is your family.

(off Donnie’s look) Don’t worry, I’m gonna school you in everything.

CUT TO:
19

EXT. DAY. TOYLAND--LITTLE ITALY

source 20

Boobie, Sonny, Nicky, and other WISEGUYS stand guard near a social club, stamping their feet for warmth.

NICKY
Ming'~--I'm freezing here. Whaddawe

gotta be standing outside all day in the snow for?

SONNY
Gotta show the flag.
NICKY
Flag of fucking Antarctica.

Lefty arrives with Donnie.

SONNY
Left.
BOOBILE
Left.

2l

CONTINUED : . rip

LEFTY
This's Donnie, a friend of mine.

“ty

ANGLE ON--SONNY, NICKY, BOOBIE

SKEPTICAL as they check Donnie out.

ANGLE ON--THE CLUB

As a car pulls up and two prosperous-looking SKIPPERS get

out: DOMINICK. "BIG TRIN" TRINCHERA , 50s, and PHILIP “PHILLY LUCKY" GIACCONE, 50s. They disappear into the club.

SONNY
Fuck them big puffers. Philly Lucky, Big Trin...
NICKY
The good news is my dick is now a Popsicle.

RED COWBOY BOOTS

moving up the block...They belong to: ALPHONSE “SONNY RED" INDELICATO, 50s. With him, his son, ANTHONY BRUNO INDELICATO, 20s, pale, balding, and coked-out. Lefty looks over, turns to Donnie, his lip curled with disdain.

LEFTY
(aside, to Donnie)

Sonny Red.

Sonny Red confronts Lefty.

SONNY RED
Who’s this guy?
LEFTY
This’s Donnie, a friend of mine.

Bruno stares at Donnie. Donnie stares him down as Lefty watches.

BRUNO
Just stand there and look dangerous, ‘friend’. .
LEFTY
Yeah, he does look dangerous, don’t he?
SONNY RED
You gonna make this month’s vig? I hope so.

2/14/35 BLUE Revision 25.

CONTINUED: (2) 21 Bruno snorts in disgust as he and his father move along. Then all eyes turn as a huge LINCOLN pulls up to “he elub. BOOBIE (aside to Sonny)

The boss. BODYGUARDS jump out of the Lincoln... TIME STANDS STILL

CARMINE "LILO" GALANTE, 53, fat and bald, huge CIGAR, emerges from the Lincoln.

CLOSE ON--LEFTY

As he watches the boss emerge from the car. A big moment for

him. He excnanges a look with Donnie. Then he watches, awestruck, as Galante disappears inside.

CUT TO:
20

INT. MORNING. KATZ'S DELI . 22

source 21

Donnie breakfasts among the Hasidim with Curley, who reaches for an ENVELOPE on the seat alo onesie him. CURLEY They want you to shave the moustache. Regulations. DONNIE C’mon, Curlev. How do they even know

about it? As Curley removes from an envelope PHOTOS OF DONNIE

The FREEZE FRAMES we saw earlier, taken from a surveillance camera. He hands them to Donnie.

Curley They want you to shave it--that’s the word. (Donnie laughs) What's so funny?

f PONTIMTIED 1

2/14/96 BLUE Revision 26.

DONNIE
So does he.

Curley laughs, too.

CURLEY
Who, Ruggiero?

Donnie flips to another photo... INSERT--SURVEILLANCE PHOTO Donnie walks with Lefty up the street to Toyland. DONNIE | I can feel it. I got the hook in him.

DISSOLVE TO:
21

INT. DAY. LEFTY'S APARTMENT

source 22

A PLASTIC CHRISTMAS TREE

on a stand in the corner. Lefty sits in his Barcalounger and watches television.

ON THE SCREEN
A Nature program. A LEOPARD moves stealthily...

NARRATOR [(V.0.) Cloaked by the high grasses of the Africen savanna, the stalking : leopard moves stealthily...

TOMMY RUGGIERO, 20s, rangy in beil-bottom jeans, picks a pimple as he answers the doorbell. It’s Donnie, CLEAN-SHAVEN now, nolding an ENVELOPE.

TOMMY
Oh. You here for my Dad?

Lefty's girlfriend, ANNETTE, a good-looking woman in her mid- 30s, enters in an apron from the kitchen.

DONNIE .
Hi. I’m Donnie. a
ANNETTE
Come on in. Bennie’s watching TV. You met Tommy?

(CONTTINMIE DS Ne ew St ed

CONTINUED : : , 23 Donnie follows her inside. Tommy disappears into the kitchen. BACK ON--LEFTY Watching, RAPT, as he eats anchovies out of a can. NARRATOR (V.0.}

...5eparated from the herd, the

gazelle senses danger... Donnie enters with Annette. Lefty's eyes glued to the set...

ANNETTE
Bennie, Donnie's here.

(aside, to Donnie) Bennie loves animals.

ON THE SCREEN

The leopard CHARGES...Teeth tear at the gazelle...And soon the leopard and her family FEED on a bloody carcass.

NARRATOR (V.0.}
...Humter and hunted, predator and prey--the endless cycle of nature, repeated once again.. SATISFIED, Lefty snaps off the show with his REMOTE CONTROL. LEFTY Ming’-~--you see that? you need me.

Annette exits. Donnie sits down, hands Lefty an ENVELOPE.

_DONNTE Here you go, Left. Merry Christmas.

LEFTY
Wait a minute. I got one too.

Lefty gets up. While Lefty rummages under the tree, an ANXIOUS Donnie sneaks a look at his WATCH.

DONNIE ; You know, I thought I'd stop by for a second. —

Lefty returms with an ENVELOPE.

LEFTY
Merry Christmas.

{CONTINUED}

2/14/96 BLUE Revision 28. CONTINUED: (2) .

They both open the envelopes. Each one contains the same thing: FIVE HUNDRED DOLLARS.

LEFTY
Thanks, that's very thoughtful.

They sit and look at the money a beat. DONNIE

Well, Merry Christmas, Left. I'd better get going.

LEFTY .

ZI thought you was an orphan. DONNIE

Yeah. LEFTY

Then where you going?

CUT TO:
22

INT. DAY. LATER. LEFTY'S APT.-~ KITCHEN

source 23

Chopped BACON as it renders its fat in a skillet...Lefty HACKS at a chicken with a cleaver...

ANNETTE
Let me do that, Bennie
LEFTY
Annette, I told you to sharpen up this knife .
DONNIE
I never ate this, Left.
LEFTY .
You think I cook like they cook in Brooklyn? Them goombahs could live to a hundred, all they ever eat is Manicotti. You never ate coco van?
DONNIE
Fuggedaboudit.

Can of Collidge Inn. Tomatoes. Puncn of salt...

DONNIE
Punch?

{CONTINUED}

2/14/96 BLUE Revision 28A. 24 CONTINUED: ,

LEFTY
Punch. Puncn of salt.
DONNIE
Punch or pinch?
LEFTY
Punch. Not a pinch, a punch. What'd I say, pinch?
DONNIE
No, you said punch.

2/14/96 BLUE

3] {D

Vv

al

sion 29. 24 CONTINUED: (2} LEFTY

You know, sometimes you don’t make no sense, Donnie...

DONNIE
You following this, Annette? ANNETTE Oh, no. I can’t cook special like Bennie. LEFTY Shut up, Annette.
(resuming)

Wherever you go, the best cooks are men, that’s a fact. On Mars the best cooks are men.

He hurls the chicken, splattering fat across the stove. Then sprays BRANDY...OBLIVIOUS, he turms from the stove, returms to his prep as the brandy EXPLODES...Annette follows on cue behind him. Fans at the conflagration with a dishtowel...

LEFTY
Fuggedaboudit, Donnie. This coco van gonna melt in your mouth like Holy Communion.
CUT TO:

to uy

23

INT. LATER. LEFTY'S APARTMENT--LIVING ROOM

source 24

SUNSET filters through the windows...Donnie and Lefty sit over Grinks as Annette washes dishes in the kitchen.

LEFTY
She's a good woman, Annette. Not like my ex-wife, that bitch. You got a girl?
DONNIE
Yeah. I told you, in California.
LEFTY .
One broad's enough for anyone.

Tommy ducks his head in.

~_

TOMMY
Hey, Pop, I’m going out a couple hours, okay? :

Then he quickly ducks out before Lefty can say anything.

LRAT OR NT TENN

2/23/96 PINK Revision

LEFTY
My own fucking kid's a junkie, you believe it?
DONNIE
You should give him a smack in the mouth once in a while.
LEFTY
Believe me, I got bruises on my hands. You don’t know the worries I got, Donnie. A woman like Annette, I can't do right by her--I ain't got three bucks in my pocket. I put a bet on a horse, that horse don’t do what it’s supposed to--same as everyone else in my fucking life. I got cancer of the prick. My ex-wife, she still lives in this building. I see her in the elevator, I gotta have three spritzers after just to calm down.
DONNIE
What do you mean, cancer of the prick?

LEFTY

Cancer of the prick. Oh, yeah, you didn't know that? I'm in the medical books for that.

(resuming) T used to have a boat, beautiful boat--fifty foot Bertram with twin Chryslers--

DONNIE
Fifty foot?

LEFTY

Well, not fifty, forty-six--I hadda

give that up. The money I owe Sonny Red? The vig alone is ten grand a month, what I owe Sonny Red.

DONNIE
Who was that one with him, with that bald head?
LEFTY
You mean his son? Bruno?
DONNIE
One of these days he’s gonna get a nice fucking dent in that bald fucking head of his.

30 .

a

7]

2/14/96 BLUE Revision (2)

LEFTY
You can’t do that, Donnie.
DONNIE
I'm saying I wish.

LEFTY

A guy like you don’t raise his hands to a made guy.

(beat) You know what I did yesterday? I went in front of all the skippers, that cocksucker Sonny Red and all of them. I went on the record with you. You know what that means?

DONNIE
ZT know.
LEFTY
You know?
DONNTE
I don‘t?

LEFTY

You got no fucking idea, my friend. I'm your man now--Jesus Christ canit touch you because I represent you. You keep your nose clean, be a good earner and follow the rules, maybe one day when they open the books vou'll get straightened out--become a wiseguy, a made guy.

(beat) I die wit'cha, Donnie. Anything happens, I'm responsible.

+ + * OF

CUT TO:

26 ZNT. LATER. LEFTY'’S BUILDING~-HALLWAY Lefty walks Donnie out into the hall.

: DONNT= Well, Merry Christmas, Left.

LEFTY
Donnie-~you think you could spot me?
DONNIE
Whaddaya need--e beaner?

Donnie takes out his CHRISTMAS ENVELOPE. Lefty empties it. Folds the bills, pockets them.

LEFTY

ee

Make sure you check in tomorrow.

CUT

24

EXT.. DUSK. GEORGE WASHINGTON BRIDGE

source 27

Domnie speeds across. A sign reads: WELCOME TO NEW JERSEY CUT

28 ENT. NIGHT. PISTONE HOME

}

bh

Donnie enters, carrying SHOPPING BAGS with gifts.

DONNIE
I’m home.

In the living room, a CHRISTMAS TREE with opened gifts beneath. Only a small stack--his--remain unopened.

NOBODY GREETS HIM

TO:

TO:

Donnie looks around, puzzled. Then hears sounds of somebody

washing dishes inside...He finds a SANTA HAT. Puts it on.

IN THE KITCHEN

Maggie washes dishes at the sink. Donnie enters wearing the

Santa hat and carrying his bags.

~

DONNT
Ho ho ho?

bs

MAGGIE
Look what the reindeer dragged in.

2/14/96 BL

CONTINUED :

DONNIE
I was working, Maggie.
MAGGIE
Who works Christmas Day, Joe?

She returns to her dishes. DONNIE Where're the girls--at your

mother's?

MAGCTE
They couldn't wait anymore.

DONNIE

Christmas they can't stay home for

their father?

MAGGT=

Is that your way of saving you’re

sorry?

DONNIE
You know I’m sorry.
MAGGIE
Don’t tell me. Tell them.
(beat)
Just make sure you introduce

yourseli. They might think you're

the Fuller Brush Man.

DONNTE

You know, Maggie, if you knew what

was Going today--

MAGGIE
You won’t tell me, remember?
DONNIE
That‘’‘s for your own protection.

MAGGIE

Don’t b.s. me, Joe. Like any of this

is for me.

Senor)

She resumes with the dishes. Domnie notices a jar of PEANUT BUTTER out on the counter. Closes it. Puts it away...Starts to

REARRANGE the cupboards, boxes and jars...

DONNIE
You been getting the checks?

UE Revision 33.

* + $F + ot

2/14/96 BLUE Revision

(2) MAGGIE Yes, I’m getting the checks. DONNIE

Don’t say it like it’s nothing, Maggie. It’s not nothing.

MAGGIE
Checks are not a husband.
DONNIE
Yeah? There’s a lot of women who would disagree with you.

Sis

(COATT TAT Ten}

2/14/96 BLUE Revision 34.

CONTINUED: (3}

Is that what you’ve been doing with all your women, Joe--conducting a

poll? DONNIE I’m not even gonna dignify that. (mutters)

Seven days a week I’m out there catching the badguys and this is what I gotta come home to.

MAGGIE
You said it was gonna be three months. It’s going on three years. DONNIE

(off cupboards) How do you find anything in here? You have cereal on three different shelves...

Maggie goes back to her dishes...

MAGGIE
Forget it.
DONNIE
It’s my job, Maggie.
MAGGIE
What about my job? Christmas Day you don't show up--so Mommy bouts on the Santa suit, okay! Mommy hangs the lights. Mommy carves the roast... Can't you understand how it would be so much easier if you'd tell me what you do with these guys, or where you are? Something, just something, just something
DONNIE -
Forget it, Maggie.

She glares at him. He turms away. Then she turns away, too. MAGGIE

Terry and Kerry are at my mother’s. You have to go pick them up.

+ 2 + + + + * % bk

+ %

+ + + RH

+ & He OH

2/14/96 BLUE CONTINUED: (4)

DONNIE
Where’s Sherry? MAGGIE Sherry’s with her boyfriend. DONNIE Since when does Sherry have a boyfriend? MAGGIE

He's twelve, Joe.

DONNIE
I didn’t okay this.
OVERLAPPING DIALOGUE
As they both blow... MAGGIE What do you think, Joe--you think

you can just drop out of the sky like God of the guineas and bark out

orders-- : DONNIE I'm the nusband, Maggie. F'm the father. MAGGIE

Undercover my ass.

DONNIE
I’m out there putting bread on the table, a roof over your head, clothes on your back--
MAGGIE
You're an undercover frigging- husband!

DONNIE

--and Christmas I gotta come home to a goddamn empty house?

; MAGGIE Crucify me for wanting to be alone with you. .

Revision 35.

CUT TO:

»

2/14/96 BLUE Revision 36.

25

INT. NIGHT. LATER. LIVING ROOM . 2

source 26

They stumble, kissing and biting and sucking and tearing at each other.

CRASH!

Into the Christmas tree...Donnie reaches to right it, still holding onto Maggie, but loses his balance...They topple over the couch and onto the floor.

MAGGIE
No. Not here.

Piggyback on each other, they. head

UP THE STAIRS

In fits and starts--propriety draws them upstairs against the

gravitational pull of makes NEED. And they almost make it. But at the very top of the stairs, need takes over. They make love

with the DESPERATION of - two *neople clinging to the last <lotsam of a shipwreck.

CUT TO:
26

INT. NIGHT. LATER. PISTONE HOMS--BEDROOM 30

source 27

He holds her in his arms, naked beneath the sheets. She caresses him. MAGGTS .What happened to the moustache?

DONNTE
The B--they made me shave it.
MAGGIE
That was the only thing I liked about this job.
DONNIE
You liked the moustache?

“MAGGIE Yeah, I did.

DONNIE L
So Sherry has a boyfriend, huh?

MAGGIE

He’s a nice kid. He’s on the wrestling team.

+ 4

2/14/96 BLUE Revision

DONNIE
I bet he is.
MAGGIE
Wait’1ll you hear how Kerry does the catechism. You should hear her, in that little voice. “Who made you?” “God made me.” “Where is God?” “God is everywhere.” And you have to see how they swim, all three of them, it’s unbelievable. Terry’s a fish-- her hair’s turning green from the chlorine, but can she go, I mean-- you know what I mean? The coach says he never saw nothing like it at her age. There’s a meet on Saturday, if you’ re--~
DONNIE
We'll see.

in bed a beat.

DONNIE
I wouldn’t do this to you if I Gidn‘t know you could handle it.
MAGGIE
I’m not the one I’m worried about.
DONNIE
Don’t worry. I’m gonna come out of this in one piece.
MAGGIE
But then what?

36A.

CUT TO:

+ oF OF OF + Ne be oF Ht OF *

si

27

INT. MORNING. PISTONE HOME--KITCHEN OA

source 28

Donnie sits with Sherry, Terry and Kerry over breakfast Nobody says a word.

DONNIE
What, I'm getting the silent treatment?
(beat)
I’m not getting the silent treatment?
(beat)

C'tmon; I'll bet you. I'll bet you twenty bucks--you really think you can get through this entire breakfast without saying three

words? TERRY You lose. cur TO:

28

INT. /EXT. DAY. PISTONE HOME 32

source 29

Maggie folds laundry in her bedroom. Glances outside. MAGGIE’S POV

A SHADOWY GUY has emerged from his parked car and Donnie is talking with him.

29

INT. DAY. PISTONE HOME 33

source 30

Maggie hustles the gizls downstairs toward the basement REC ROOM as Donnie and the Shadowy Guy head upstairs.

IN THE BEDROOM
Donnie takes a PHONE out of a drawer end dials.
LEFTY (0.C.)
Hello?
DONNIE
Left? Donnie. I'm just checking in.

Maggie tiptoes upstairs...The door is slightly ajar...She eavesdrops, watches her husband on the phone...Then she watches as he CLOSES THE Door.

ANGLE ON--DONNIE ~

2/23/96 PINK Revision 38.

“CONTINUED : 33

As he talks on the phone.

LEFTY (0.C.)
Donnie--you’re supposed to check in, Donnie.
DONNIE
That’s what I said, I’m checking in.
LEFTY (0.C.)}
You know what happened? You see the news?
DONNIE
No. What? I been out all day.
LEFTY (0.C.)
Go get the paper and call me back.
CUT TO:
30

EXT. DAY. NEW JERSEY SUBURBAN STREETS 34

source 31

Donnie drives through the woodsy morning quiet of the suburbs on Christmas vacation. Looks in the REAR-VIEW MIRROR. Gets suspicious. Turns. A car turns with him... FOLLOWING him.

DONNIE TENSE

Why was Lefty so insistent? He turns again. Again, the car FOLLOWS. Donnie looks again in the rear-view mirror. Somethin FAMILIAR about that car...Turnms again. A scowl of RECOGNITION plays across Donnie’s face. And he goes COLD... Approaching an intersection:

A YELLOW LIGHT
Donnie slows, then SPEEDS through the intersection as the yellow

light goes red. Checks his mirror--the other car STUCK at the light.

“INSIDE THE OTHER CAR

It's Maggie. She SMACKS the steering wheel in ANGER.

MAGGIE
Fuck you. Fuck fuck fuck you.

Donnie drives on toward the George Washington Bridge.

CUT TO:
31

INT. DAY. LEFTY’S FLEETWOOD--59TH ST. BRIDGE , 35*

source 32

On the front page of the New York Post:

2/23/96 PINK Revision 39.

Carmine Galante, the BOSS, his cigar still clenched in his teeth, sprawled bloody, DEAD in a Brooklyn restaurant. Under the headline: RUBOUT.

WIDER

Lefty folds it in DISGUST, lights a cigarette--even more JUMPY than usual. MANTOVANI plays on Lefty’s 8-TRACK PLAYER--the THEME from “A SUMMER PLACE”. Donnie drives across the 59th St. Bridge.

LEFTY
The boss gets whacked. The fucking boss-~you never hear from the boss until he gets whacked, and then your whole fucking life gets turned

around. DONNIE Where're we going? LEFTY I got sent for. DONNIE What does that mean, you got sent for? LEFTY

What do you think it means?

DONNIE
Look, Left, you don’t want to go, I can just turn the car around...
LEFTY
What are you gonna do, Donnie? Take a left off the fucking bridge?
DONNIE
I don't mean right here.

“LEFTY You get sent for, you gotta go. I got sent for by Sonny, Donnie. I'm telling you, I'm sick with this.

DONNIE
Sonny Red?

Donnie powers the window down...

LEFTY
Did I say Sonny Red? Not Sonny Red. Sonny Black.
(off window} Donnie--put the fucking--. You wanna kill me with that draft? .

2/14/96 BLUE Revision 39:. CONTINUED: (2) 35 ...then powers it back up.

DONNIZ

I thought you and Sonny Black were friends.

LEFTY
Ain‘t the question. The whole time Sonny Black was in the can--he got a family, he got a mistress, he got a mistress for his mistress--I watched
(MORE)

2/14/96 BLUE Revision 40.

CONTINUED: (3)

LEFTY (cont'd)

out for all of them. I was the only one. Two hundred fazools, week in, © week out. I got told to. shut my mouth about Sonny Black, I stood up to the boss himself, that cocksucker--

{crossing himself) Rest in peace.

DONNIE
Then what're you worried about?
LEFTY
You know, Donnie, sometimes I think in that orpnanage they dropped you on your fucking head.
DONNIE
How’m’I supposed to know if you don’t explain it to me?
LEFTY
You think I don't know how a hit gets set up? What I know-- Twenty- six times I was on the other end of that fucking phone!
DONNIE
You just got done saying Sonny Black’s your iriend. ‘
LEFTY
I got sent For, Donnie. That's the way it is in Our Thing--you go in alive and you come out dead. Your best friend is the one that does it.. Who do you think?

Lefty lights another cigarette.

32

EXT. DAY. THE MOTION LOUNGE--GREENPOINT

source 33

They drive up Withers Street. Donnie pulls up to building--the Motion Lounge.

LEFTY -
Wait out here. — {beat) Listen, anything happens to me, make sure Annette gets the car.

Lefty takes a last drag of his cigarette, exits.

_ his fingers on the wheel. THINKS...

+ + + # ot

CUT TO:

a three-story

Donnie drums

cur TO:

2/14/96 BLUE Revision 41.

33

INT. DAY. THE MOTION LOUNGE

source 37

Nicky and Boobie play gin. A BAR along one wall. PINBALL MACHINE in the corer, POOL TABLE in the back.

BOOBIE
(sings tunelessly)
“Love on the rocks, ain't no surprise.”
NICKY
Lookit this hand--ming’! This ain’t a hand. This’s a deformed fucking Creature of the Black Lagoon fucking claw.

Lefty comes in the front door.

BOOBIE
Left. NICKY Left. BOOBIE “Love on the rocks, ain’t no surprise. Lefty sits down, NERVOUS. Something in their placid faces that

tells him: this is how it havopens.

CUT TO: *

34

INT./EXT. DAY. SAME TIME. CAR/MOTION LOUNGE 37A*

source 37

Donnie looks across the street at the Motion Lounge, thinking. =

He reaches forward and opens the glove compartment... takes out =

a SWITCH BLADE... slips it in his pocket. Exits the car, * crosses the street to the Motion Lounge. *

CUT TO: *

35

INT. DAY. SAME TIME. MOTION LOUNGE 37B*

source 37B

Lefty gets up, lights a cigarette. *

LEFTY
Where's Sonny?
NICKY
He went ‘crossed'a street to get the action from Boots.

AT THE DOOR

2/23/96 PINK Revision 41A. 37B CONTINUED: . 37B

It‘s not Sonny. It’s Donnie.

NICKY
Donnie.
BOOBTLE
(with cards)
Gin.
(sings)
“Love on the rocks, ain’t no surprise.”

Donnie sits. Lefty glares at him--ACCUSES him with his eyes. Who told you to come in here?

LEFTY
It ain't no fucking surprise, neither.

NICKY

Boobie, that ain’t gin.

37B

2/23/96 PINK Revision 42. CONTINUED: (2)

BOOBTE
Fuggedaboudit. That’s gin.
NICKY
You got two sevens.

Boobie takes a long look at his cards.

BOOBIE
I know I had three sevens.
NICKY
You know you had three sevens? You den’t have three sevens.
BOOBIE
I had three sevens, Nicky.

. NICKY T’ll tell you what. From now on we play the honor system.

Lefty watches the front door as Sonny enters.

SONNY
That fucking Boots--two hundred in action and we come out with a dime?
(to Lefty)
C’mon. Let's go take a ride. You too, Donnie. Come on.

Somny heads out the back door. Donnie and Lefty exchange a look, follow him. Boobie throws down his cards in disgust.

BOOBIE
You wanna win on a technicality? I

ain’t playing gin with you, fuggedaboudit.

NICKY

Fuggedaboudit. I’m the only one knows how to keep score.

CUT TO:
36

EXT. DAY. MOTION LOUNGE

source 37

They all emerge from the back door. Parked in the alley:

A BRAND NEW MERCEDES

SONNY
Hey, Left, ride up front with me.
CUT TO:

37B

a2

lo LO

37

INT. DAY. SONNY'S MERCEDES--BQE

source 38

Neil Diamond’s “LOVE ON THE ROCKS”plays on the stereo of the Mercedes as Sonny drives on the Brooklyn-Queens Expressway, Lefty in the front seat, Boobie, Nicky and Donnie in back.

NICKY
Hey, Somny, step on it. I got a date tonight out in Jersey.
SONNY
Which broad is this?
NICKY
From the calendar. Miss Pennzoil Air Filter of 1978. Sonny and Boobie MIME holding two big BREASTS.
UNISON
Che menne?
NICKY
That's the one.

Lefty, NERVOUS, pulls down the sun visor. Looks at Boobie in the mirror. Boobie waves to him. Sonny catches this.

SONNY
What are you doing, there, Left?
LEFTY
Checking my lipstick.

u

ervone laughs.

SONNY
Ah, Left--what’d I do without you? What’d you do without Lefty, hah, Donnie? You'd have to find yourself a new goombah.
NICKY
That was something about the boss, huh?

SONNY

We all gotta go sometime.

Lefty looks nervously at Boobie again. Donnie WATCHES

this...Thinks: what to do?

CUT TO:

44,

38

EXT. DAY. KENNEDY AIRPORT A0)

source 39

They walk from the parked Mercedes toward a FREIGHT HANGAR.

The scene is otherwise DESERTED. Lefty NERVOUS, iights a cigarette. Planes periodically ROAR overhead.

LEFTY
Sonny, what is this? We glomming something?

Lefty heads toward the hangar, followed bv Sonny. Donnie moves to follow. Boobie stops him.

BOOBIE
What’s wrong with you? Just stay here and watch the fucking car.

Donnie stops. Watches as Boobie and Nicky follow Sonny and Lefty, disappear around the corner of the hangar... DONNIE (mutters)

God damn it. ANGLE ON~--~LEFTY As he approaches the hangar, surrounded by the others...

SONNY
After you.
39

INT. DAY. AIRPORT HANGAR 41

source 40

Lefty opens the door, walks into the DARKNESS...A terrifying SILENCE. ..Then:

A LION ROARS

Sonny switches on the lights. A pale and shaken Lefty looks at a LION CUB as it GROWLS.

LEFTY
Christ. I think I shit my pants.
SONNY
It was supposed to go to some animal Gealer. Fuck hin.

NICKY ~ Look, Left, he likes you.

The lion ROARS again.

2/14/96 BLUE Revision 45.

SONNY
That's for you, Left. Now that I got the power you’re under me.
LEFTY
Whaddayou mean, you got the power?
NICKY
Sonny got upped.
SONNY
Rusty’s gonna run it from the can. The power in Little Italy's with Sonny Red. I got Brooklyn.
LEFTY
That's why I got sent for?
SONNY
Yeah, why? Whaddavou think, you was gonna get whacked?
NICKY
Lefty thought he’s gonna get whacked!

Gales of LAUGHTER from the guys. SONNY How come, that money you owe Sonny

Red? Don’t worry, chooch. Now vou owe it to me.

40

EXT. DAY. AIRPORT HANGAR

source 41

Donnie waits, powerless, by the Mercedes. Then looks up and sees

CUT TO:

Sonny, Nicky and Boobie as they emerge around the cormer.

Followed by Lefty, leading the Lion on a leash.

41

INT. NIGHT. LEFTY’S FLEETWOOD

source 42

CuT TO:

Donnie drives. Lefty, FUMING, smokes a cigarette. The Lion

growls, ROARS. Then ROARS again.

LEFTY ~ (to Lion) Okay, Shaddun already! {to Donnie) Pull over here.

CUT TO:

2/23/96 PINK Revision 46.

42

EXT. NIGHT. BURGER KORNER 44*

source 43

Donnie and Lefty pull up. They leave the lion in the car and enter the diner.

43

INT. NIGHT. BURGER KORNER 45*

source 44

A SIGN: ‘Home of the Square Hamburger’. Donnie and Lefty order at the counter.

LEFTY
Give me forty.
CUT TO:
44

EXT. NIGHT. BURGER KORNER 46*

source 45

Donnie and Lefty lean against the parked Cadillac with SACKS of

hamburgers. They open up each hamburger, take the meat out and toss it to the Lion.

LEFTY
...Sonny Black they make a skipper. I ain't a mutt--thirty years busting my hump, for what? A lion. I‘m like the invisible fucking man in This Thing.
DONNIE
You know, Left, not for nothing, but five hours ago you thought you's gonna get whacked.
LEFTY
Donnie--did I say I was gonna get whacked?

DONNIE

Not in so many words...

LEFTY
I don’t understand you, Donnie. How many words does it take?
DONNIE
You’‘re right. I misunderstood.

They toss the burgers without saying anything.

LEFTY
Thirty years I've been earning. There ever was work to be done--call Lefty--I never complained. Twenty- six guys I clipped. But do I get upped? whey passed me by. Sonny Black gets upped. I don’t get fucking upped.

CONTINUED :

2/23/96 PINK Revision

DONNIE
Who knows, Left? Maybe Sonny was in on whacking the boss.
LEFTY
Of course he was in on whacking the boss!
(mutters) ; Whacking the boss. Another thing I get left. out of.
DONNIE
It's a big bureaucracy. Just like any other bureaucracy.
LEFTY
It's not like a fucking bureaucracy. A bureaucracy? Why do you call ita bureaucracy?
DONNIE
I’m saying they don’t appreciate you.
LEFTY
What do you mean, they don’t appreciate me? You think they appreciate you?
DONNIE
I’m taking your side, Left.
LEFTY
You‘re on my side because I let you. Don’t gét on your high horses, Donnie.

They toss the burgers to the Lion.

LEFTY

I'il tell you, I wish I had that

boat again. That Bertram? One day

T'd just drive down to the pier with Annette, get on that boat, and just

go. North, South, East or West.

And nobody'd ever find me.

DONNIE
Look, Left, I'm sorry what I said about the bureaucracy. I was out of line.
LEFTY
It ain't a bDureaucracy, Donnie. It's got all of its things, the same things like a bureaucracy, but it ain't a bureaucracy.

(MORE)

2/14/96 BLUE Revision 47A.

CONTINUED: (2)

LEFTY (cont'd)
(beat)
I just don't move up.

They toss burgers to the Lion, the snow and the building lit white against the murk of Queens.

CUT TO:

2/23/96 PINK Revision 48.

45

INT. DAY. FBI HEADQUARTERS | 47

source 46

AN ORGANIZATIONAL CHART

as Curley moves a MUG SHOT of Lefty under the name, BENJAMIN "LEFTY" RUGGIERO, into its place underneath Sonny Black.

CLOSE ON-~-THE MUG SHOT

As a PUSH PIN moves toward it...The bony POP! of the puncture as the pin sticks Lefty to the wall...

-~

WIDER

One branch runs from Sonny Black down to Lefty, Boobie, Nicky

and others...Another branch runs down from SONNY RED to Bruno

and others...MUG SHOTS of Philly Lucky and Big Trin atop their crews...A Bonanno FAMILY TREE. ;

CUT TO:

MONTAGE

46

EXT. NIGHT. TRUCK DEPOT AND BRIDGE 48

source 47

Five armed men in SKI MASKS hijack a truck underneath the Manhattan Bridge, to Sister Sledge’s “WE ARE FAMILY”...The largest among them (Sonny) brutally PISTOL WHIPS the truck driver... They whip off their masks--it’s Sonny, Lefty, Boobie, Nicky...And Donnie...

47

INT. DAY. KATZ'S DELI 495

source 48

Donnie at Katz‘’s Deli...Curley hands him a TAPE RECORDER and he *

sticks it in his boot.

48

INT. NIGHT. MOTION LOUNGE 50

source 49

On a SATURDAY NIGHT, the guys “hair dance” with their. girlfriends while SISTER SLEDGE~-the actual Sister Sledge-- performs in the Motion Lounge...Donnie ARM-WRESTLES with Sonny in. front of a cheering crowd of guys and girls at the Motion

Lounge...They struggle, eyeball to eyeball...Then Donnie puts him down...

49

INT. NIGHT. DONNIE'’S APARTMENT S1

source 50

Donnie back at his monastic apartment, lifts weights and notes his progress on a chart...

50

INT./EXT. DAY. GARMENT CENTER LOADING DOCK AND STREET 52*

source 51

A GARMENT-CENTER MANAGER, sits with his mouth sealed with gaffer’s tape, tied to a chair...Our guys load RACKS OF Cl.OTHING into vans...Nicky tries on a SPORT JACKET in the mirror and Sonny cuffs him in the head.

2/23/96 PINK Revision 49.

51

INT. DAY. KATZ'S DELI YE)

source 52

Donnie meets with Curley at Katz’s Deli. Takes the tape recorder *

out of his boot, pulls out an AUDIO CASSETTE, hands it to Curley...

52

EXT. DUSK. S9TH STREET BRIDGE 54*

source 53

The CADILLACS convoy behind Sonny’s Mercedes over the 59th Street Bridge at night...

53

INT. NIGHT. MANHATTAN DISCO =}S)

source 54

Sonny and his entourage sit at RINGSIDE TABLES at a Manhattan DISCO...Suddenly the MAITRE D’ enters and, with copious insincerity, apologizes for moving them to another table. Sonny Black turns and sees SONNY RED with Philly Lucky, Big Trin, Bruno and a large group, toting bottles of Dom Perignon as they

occupy the ringside tables...Sonny Red and Sonny Black exchange a look.

CUT TO:
54

INT. DAY. KATZ‘'S DELI 56

source 55

Donnie is perplexed to find Curley sitting with DEAN BLANDFORD, 40s, a Mormon with a fatherly manner. * DONNIE

Hey, Curley.

CURLEY
Hey, how’s it going? This is Dean Blandford. He’s up from Washington.
BLANDFORD
Joe.
DONNIE
_ Donnie. Call me Donnie. I don’t want to get confused.
BLANDFORD
I know how it is, Bud, you get so busy sometimes, I forget my own name.
CURLEY
Dean’s up from Washington.
DONNIE
Yeah, you said that.
BLANDFORD
Now that the operation is starting to bear fruit, headquarters decided to transfer me up to Sin City here--
55

EXT.

source 56

Donnie thinks a beat.

2/14/96 BLUE Revision 50.

DONNIE
To keep an eye on me?
BLANDFORD
-~to make sure you receive the proper support.

(beat) ;

And to make sure-~in all the hubbub- -~there’s no missed opportunities.

DONNIE
What do you mean, “missed opportunities”?
BLANDFORD
Well--for example--we have an agent down in Miami under the name “Richie Gazzo."“We thought if you went down there and vouched for him it could help jump-start the operation.
DONNIE
What’s this guy need me to vouch for him for?
BLANDFORD
Gee, I was hoping we could get off on the right foot here.
CURLEY
What‘s the big deal? You go down and voucn for the guy. Sit in the sun for a week.
DONNIE
I vouch for this guy I could end up dead.
BLANDFORD
So could he.

(beat)

You're not the only one risking your life out there, Bud. .

DONNIE
I’ll figure something out.
CUT TO:

DAY. MOTION LOUNGE 57

A LION IN WINTER. Boobie in his overcoat, . their breath visible in the cold. The Lion stops, AUTOMOBILE. Lifts a leg...

the Lion on its leash, sniffs at an

Poon tect re rt

2/14/96 BLUE Revision S51.

PEES ON THE TIRE
Boobie, embarrassed, looks around. NEIGHSORS watch from windows- -some amused, some disapproving. The Lion moves on to the next car. Sniffs. Pees on the tire. And then on to the next... SONNY'S MERCEDES The Lion sniffs. Boobie tugs on the leash. The Lion resists, sniffs some more. Boobie tugs harder. The Lion lifts its

leg...Boobie YANKS on the leash--the Lion ROARS. Boobie DRAGS the Lion. into the Motion Lounge...

cuT To:

56

INT. DAY. MOTION LOUNGE

source 57

A METALLIC BANG

as Lefty WHACKS at a stolen PARKING METER with a hammer. Sonny Sits with Donnie, Nicky, and the twenty other WISEGUYS in the

'crew--all poring over little spiral NOTEBOOKS. Like a BOARD

MEETING of the Sonny Black Corporation, punctuated by ROARS from the Lion, downstairs in the basement.

WISEGUY #1 ...L got a guy’s gonna middle that load of the Sergio Valentes.

BOOBIE
We got the Quaaludes with that guy-- making ‘em for us..

WISEGUY #2 Whaddawe go with that? I think I got

a guy I can off that to.

BOOBIE
Sixty cents apiece. I think it's sixty.

NICKY

You give two or three of those to a broad, fuggedaboudit. She’‘ll do anything you want.

BOOBIE

You think if I give three Quaaludes to Brenda, she’li cook?

2/23/96 PINK Revision 52. CONTINUED: . 58

WISEGUY #2.reports, post-laryngectomy, with a BUZZER held to his throat.

WISEGUY #2 A dime on the vig.

He hands Sonny a wad of one hundred hundred dollar bills ina rubber band. Sonny shoves it in his pocket.

SONNY
Whaddayou got on the street?

WISEGUY #2 A hundred.

SONNY
By the end of the year, I want that to be two-fifty.

Sonny jots it down. Lefty WHACKS at the meter.

SONNY
Will you stop it with that? LEFTY How else I'm gonna open it? Open sesame? SONNY What are you gonna get out of that, Left? Fifty scoot? * LEFTY Ain’t the question. A score'’s a score, SONNY

Managgia...Sonny Red's got a million

a week just with that trucking

‘company of his in Jersey--I got

fifty scoot. *

Nicky gets up, smokes a Cigarette. NICKY You know what? We should hijack an oil tanker. Lotta money in oil.

SONNY
Pirates of the fucking Caribbean.

. NICKY

I'm saying look at how rich the Arabs are getting.

2/14/96 BLUE Revision 53.

CONTINUED: (2)

DONNIE
A guy I know down in Florida, he says it’s wide open down there.

Lefty BANGS at the meter...Gives Donnie a look that says:

UP.

SONNY
Where Florida?
DONNIE
The Beach.
NICKY
All the economy's moving down there. They call it the Sunbelt.
BOOBIE
The economy gotta be good for there to be good moneymaking for crooks.

LEFTY

Florida got their own wiseguys, for your information. NICKY

Florida and Arizona. Because of the energy crisis. They had a whole conversation on The Long John Knebel Show.

BOOBIE
Up here it's three thousand wiseguys all cha asing the same nickel.

Something has clicked with Sonny. SONNY {to Donnie} You're from there, Florida, right? Lefty BANGS the parking meter again. NICKY

Lotta parking meters down in Florida.

LAUGHTER all around. Till Sonny EXPLODE S. In a RAGE,

overturns the card table.

(CON

he

NTT

cans

+” if

NU

SHUT

yeaD)

2/14/96 BLUE Revision 54.

SONNY
You think this is a fucking joke?

Hah? (slaps Nicky) I'm the skipper. I gotta answer now. Fifty grand a month I gotta kick up to Rusty--every month! Ah, manacaia, one day I'm gonna die, and I'm gonna be in this same fucking room, with these same fucking guys, talking about these same fucking scams that never amount to anything, and that's how I'll know I got fucking sent to Hell.

Sonny STORMS out. The guys sit, look at each other. Some dazed. Some CALCULATING. Nicky, humiliated, lights enother cigarette. Boobie turms to the others:

BOORIE
We better start earning or somebody's gonna get clipped.

Then Sonny RETURNS. Pale and shaken.

SONNY
I can't even imagine it. What kind of people--in broad fucking daylignht--what kind of a world---
NICKY
What happened?
SONNY
They stole the Mercedes.
CUT TO:
57

EXT. DAY. MOTION LOUNGE 52

source 59

The guys file out. STARE at the EMPTY SPACE where the Mercedes used to be.

CUT TO:
58

INT. NIGHT. DONNIE'S CADILLAC

source 60

Donnie drives. Lefty smokes.

. LEFTY Donnie--why'd you inject that, Donnie, with Florida?

DONNIE
nh

I didn't inject nothing, Left.

(CONTIBRIED)

CONTINUED :

2/14/96 BLUE

LEFTY
You injected that. Don't tell me no. I know you, Donnie. You don't say nothing unless there's a reason for it. Who’s this fucking guy in Florida?
DONNIE
Richie? He’s just a guy I used to know down there.
LEFTY
You vouch for this guy?
DONNIE
I was just bullshitting around, Left.

LEFTY

You think Sonny Black was just bullshitting around?

DONNiI He wasn't?

tr}

LEFTY .
Listen to me, Donnie. I swear on--I don't know which to swear on, my dead father, my mother, who I love, my children-~I swear to’ you, something's going on that you don't know about.
DONNTE
I know.
LEFTY
(angry)
You know? That's the problem is, you don't know. You think you can trust Sonny Black? You can't trust Sonny Black. Sonny Black is one big fat fucking snake in the...uh...
DONNIE
Snake in the grass.

LEFTY .

You can't say that, Donnie. Sonny Black is the skipper. You don't cpen your mouth about him.

DONNTE
Left, I was just making conversation.

Revision 55.

2/23/96 PINK Revision {2)

LEFTY
What happens now, Mr. Smart Conversation? What happens when Sonny Black wants to go to Florida?
DONNIE
Who said he’s going to Florida?

LEFTY

Donnie--don't think you got the wood

over my eyes. I watch you siding up to Sonny Black.

DONNIE
I ain't siding up to him.

LEFTY

I got two grenades at home--I'd blow

up all Mulberry Street before I'd give you up. I don't know what I'd do, you did something wrong.

DONNIE
I ain't gonna do nothing wrong.
LEFTY
Listen to me--ain't nobody gonna give you a pass no more. He goes to

Florida, you're responsible. And I'm

responsible ‘cause I represent you.

DONNIE
Richie called me up, he’s getting

hassled by some half-assed wiseguys.

He needs a partner who can give him peace of mind. He has a nightclub down there.

LEFTY
A nightclub?
DONNIE
Like a singles bar. Right near the beach.
LEFTY
That’s all you care about, Donnie. Broads and getting the wrinkles out of your stomach.
DONNIE
You Know where we’re going to eat?

LEFTY

.Do I know? Some fucking joint Nicky

picked. {resuming}

(MORE)

2/14/96 BLUE Revision S56A.

(3)

LEFTY (cont'd)
(resuming)
I die wit‘cha, you understand? You walk on a chalk line from now on.
CUT TO:

2/14/96 BLUE Revision 57.

59

INT. NIGHT. JAPANESE RESTAURANT

source 60

A Japanese MAITRE D' greets them at the door.

MAITRE D'
Good evening. Please step this way.

He ushers them inside. Donnie lets the others go before him. Something on his mind...

NICKY
My wife says it's very in, Japanese. She read about it in Parade magazine. Very big now.
LEFTY
I never ate this. What kind of food is this?

The Maitre d' stops them, smiles.

MAITRE D'
Please to remove your shoes.

DONNIE’S COWBOY BOOT

with the Nagra in it. The Maitre d‘ waiting for Donnie's shoes, GESTURES...Donnie thinking fast...

DONNIE
. Get a load of this guy.
(to Maitre d’)
How about you take off your pants?

Nicky sits down. Takes off his shoes.

MATTRE D! I'm afraid is necessary.

DONNIE
I ain't gonna.
NICKY
Hey, Donnie. When in Rome.
DONNIE
Hey Nicky, who won the fucking war?

~—

SONNY
What the fuck, Donnie, you gonna fignt the war all over again? C'mon, take off your fucking shoes.
DONNIE
I ain't gonna.

* + *

2/14/96 BLUE Revision 57A. 61 CONTINUED: . 61

LEFTY
Donnie--
SONNY
I'm hungry and I ain't in the mood. Take off your fucking shoes or I'm gonna chop off your fucking feet.

LON TITI A ee en 8

Set

2/14/96 BLUE Revision 58. CONTINUED: (2) 61

DONNIE
Hey, Sonny, this Jap's gonna tell me what to do? I hadda grow up in a fucking orphanage because my Daddy died in Okinawa defending our country. I never even seen his grave.

+ + + + FF

+

This affects everyone as if they'd just heard taps.

SONNY
He ain't taking his shoes off. Okay, Mr. Moto?

MAITRE D'‘ I'm afraid is necessary. {off Sonny’s look) I'm afraid is necessary. SONNY BLOWS *

Up like a tackle exploding off the line. GRABS the Maitre d' and RAMS him through the doors of the MEN'S ROOM...

CUT TO:
60

INT. NIGHT. JAPANESE RESTAURANT--MEN'S ROOM 62

source 61

Sonny BANGS on the Maitre d’, Donnie right behind him. They = overwnelm the Maitre d’as the others SWARM inside.

FISTS AND KICKS

erunch down on. the Maitre a‘. Donnie in with them--EXCITED by the fray, the adrenaline RUSH. The Maitre d' SCREAMS. Lefty moves to the door, leans against it. Nicky takes

A ROLL OF QUARTERS

out of his jacket. PUNCHES hard across the Maitre d’s brow. Blood TORRENTS from the gash, pours down into the Maitre d's eyes. But he won’t go down. Swinging wildly...

BOOBIE SLIPS ON THE BLOOD

And falls into the puddle...Sees the STAINS on his slacks. Ina RAGE now...

BOOBIE
Cocksucker.

Boobie grabs a GARBAGE CAN, swings it at the Maitre d'. Again

and again. Till the Maitre d' COLLAPSES. The guys KICK at him...Until, WINDED, they pull away.

2/14/36 BLUE Revision 59.

CONTINUED: 62

~

Donnie looks at the Maitre d', splayed UNCONSCIOUS in the puddle of blood, groaning...Winded by the exértion...APPALLED by his part in the bloodshed.

CUT TO:
61

INT. NIGHT. RESTAURANT--CHINATOWN ; ; 63

source 62

A Cantonese dive: “SAD EYES” plays on the JUKEBOX. CLOSE ON-~DONNIE

As he gnaws a spare rib and the guys bullshit over their Chinese £6oG.. a.

: SONNY ...Broad daylight. I still can’t get over it. You have to ask yourseli, what kind of people? A man‘s private property, they take it right off the street. BOOBIE {to Nicky) How many times I gotta tell ‘you, Nicky, you never hit a guy in the head. The head bleeds like a motherfucker. NICKY

i'm sorry.

BOOBIE
"I'm sorry.” Goddamn Brioni suit.

MOVING TIGHTER

On Donnie...4& consummate performance that belies the emotions roiling inside him...

; SONNY I don't know what the world's coming to. I honestly don't.

LEFTY
Fuggedaboudit, Sonny. The whole society's going down the tubes.

oo

NICKY
Boobie, why don't you try club soda? Sometimes that gets the stain out.

SONNY

We never had none of these problems with Nixon.

{CONTIMTEN 3

* + + wh HR mw

+ oe ob RF OF

2/14/96 BLUE Revision

LEFTY
Nixon, fuggedaboudit, Nixon. That's a different story. We had respect all over the world. And there was law and order in the streets.
SONNY
It's too bad he wasn't Sicilian, Nixon. He would've made a great Don.
CUT TO:

+ + ot € Ft

-

2/14/96 BLUE Revision 60.

62

INT. NIGHT. DONNIZ’S APARTMENT 64

source 63

Donnie, exhausted, sits on his monastic cot. Pulls off one COWBOY BOOT. Then pulls off the other. Reaches inside for

A NAGRA TAPE RECORDER

About twice the size of a deck of cards. Pulls out the CASSETTE, rewinds it in a TAPE DECK. Then presses “PLAY”.

CLOSE ON--DONNIE
As he replays the violence, the SCREAMS of the Maitre d’, the CURSES of the guys, the loud THUD of his own boot...He reflects

on the explosion of violence...

He stops the tape, pulls it out. Rips the tane out of the cassette. Burms it in a pan on his stove...

CUT TO:

MONTAGE “Y.M.C.A."“by the Village People plays over:

63

EXT. DAY. MIAMT | : 65

source 64

A sign: WELCOME TO FLORIDA.

64

INT. DAY. MIAMI ATRPORT 66

source 65

<

, and Judy, Nicky and

The guys arrive at the Miami airport-~Sonn al ty. NOT Annette.

Boobie with GIRLFRIENDS, and Donnie and Le

as

6&7

3/29/96 SALMON Revision 61.

65

EXT. DAY. MIAMI TENNIS COURT

source 66

Dressed in gym shorts, black socks and street shoes, the guys HACK enthusiastically on the TENNIS COURT.

66

EXT. DAY. MIAMI SWIMMING POOL

source 67

Slathered with oil, holding REFLECTORS, the quys BAKE in the aun by the POOL. Boobie has two DOVES tattooed on his chest. On lounges nearby, the girls suntan together.

67

EXT. DAY. MIAMI WATERPARK

source 68

WATER SLIDES. The guys came down--on their bellies, on their backs, taking “trains” locking hands and ankles-~landing with a SPLASH in a big pool.

68

EXT. DAY. MIAMI THEMEPARK

source 69

A cuddly FUN FIGURE gives Lefty a hug at a THEME PARK. Nicky snaps a picture...

69

EXT. DAY. MIAMI BEACH

source 70

The guys bury Lefty in the sand while he sleeps under an umbrella, an empty wine glass at his side...

70

EXT. DAY. MIAMI DOGTRACK

source 71

~-The DOG TRACK. Our guys cheer on the GREYHOUNDS. Down to the wire. The pack RUNS OVER US and we

CUT TO:
71

EXT. DAY. PISTONE HOME«-NEW JERSEY

source 72

A thick blanket of SNOW on the ground. Maggie shovels the STATION WAGON from out of a snawbank. She SNEEZES. The sound of the phone as it RINGS inside. She plants the shovel ina

snow with a THUNK! Goes inside. The slam of the door starts an AVALANCHE from the roof...

cur To:

72

EXT. DAY. THE TAHITIAN MOTEL

source 73

In an alcove near poolside. Bonnie talks on a PAY PHONE. DONNIE (to phone) ++-I'm in Florida.

MAGGIE (0.C.)
What are you doing in Florida?

7it

a2

3/29/96 SALMON Revision 6&2. CONTINUED: 74

DONNIE
What do you think I'm doing? I'm working.
MAGGIE (0.C.)
It's twelve degrees here.

GIRLS IN BIKINIS

Crisscrosa in the foreground, revealing Sonny with the New York papers, Boobie, and Nicky on chaises by the pool. Lefty sits with a spritzer in his “cabana set”.

SONNY * Lookit this-- John Wayne died. How + could John Wayne die? * LEFTY a The fucking Indians got him. *

Lefty gets up, exits. Judy brings Sonny a drink.

CROSSCUTTING TO:
73

INT. DAY. PISTONE HOME 75

source 74

Maggie in the kitchen, cradles the phone in her shoulder, amidst the chaos of getting the girls ready for school.

- MAGGIE Sherry, put that coat on. You get * back here, little lady.

SHERRY
(sotto)
Bitch.
MAGGIE
What’d you say?
DONNIE (0.C.)
Is everything okay?
MAGGIE
What if I sald no, Joe. Would it make any difference?
DONNIE
No, I guess not.
MAGGIE
Then don't ask.
(Terry sneezes)
Oh, Terry, let me find you a Kleenex.
CROSSCUTTING TO:

tw ewe wares metas my?

3/29/96 SALMON Revision 63.

74

EXT, DAY. TAHITIAN MOTEL

source 76

Donnie on the pay phone.

DONNIE
Where’s Kerry? I wanna talk to her about the Cogumnion.
MAGGIE (0.C.)
She doesn’t want to do it.
DONNIE
What do you mean, she doesn’t want to do it? It’s not up to her.

She‘s just acting out. Sounds of Sherry and Terry fighting...

DONNIE

Maggie, I gotta talk to her. Sunday’s right around the corner. I don’t know when I'm gonna have another chance to--

(beat) Does she know at least to don’t bite the wafer?

MAGGIE (0.C.}
I gotta go.
DONNTE
Okay. ‘Bye.

Donnie moves to hang up. Remembers. Lifts the phone...

DONNIE
I love you.

-+eInto a DIAL TONE. He hangs up as Lefty approaches.

LEFTY
Was that Richie?
DONNIE
What’d Sonny say?
LEFTY
You told Sonny about the club?
DONNTE
I thought yey did.

3/29/96 SALMON Revision 64.

LEFTY
Just keep your mouth shut and call

Richie (beat)

I wanna go see that club. while Donnie dials, Lefty looks furtively at Sonny. ANGLE ON-~SONNY Reading the paper as Boobie gets up, stretches...

SONNY
John Wayne dead. A legendary figure in the history of this country.

222ZH1 2222K!

FREEZE FRAMES in black and white, to the sounds of an autowinder.

BOOBIE
We all gotta go sometime.

«..Then Boobie DIVES in the pool...As the water splashes up from his dive...

Z2222H! and FREEZE FRAME. ANGLE ON~-SONNY

As he watches Lefty and Donnie exit down the breezeway.

CUT TO:
75

EXT. DAY. KING’S COURT

source 76

A NIGHTCLUB on the highway, with palm trees in front and six tennis courts in back. Donnie’s rented Cadillac parked out front. Supered below:

“KING’S COURT.” MIAMI, FLORIDA.

1980. CLOSER Donnie waits with Lefty in the hot sun. Lefty smokes, kicks irritably at the stones on the parking lot. ks at his watch. LEFTY

Donnie, it’s a half hour. Where is this guy?

3/29/96 SALMON Revision 65,

DONNIE
I don’t know, Left.

Donnie looks at his watch. Then a purple TRANS AM with a flaming eagle on the hood pulls up. RICHIE ZO, 408, a vibrantly suntanned undercover FBI agent, emerges. His open Hawaiian shirt veveals a brace of gold chains.

Do oo h h 1 Hey m~--you Brought the cava ! * ‘(with handshake) oe Richie Gazzo!

Gazzo offers his hand, but Lefty just stares at him. Fumbles in his pockets for his keys as he blusters toward the door...

GAZZO
Oops... I’m late, I'm late, I'm late...
(turns)
I guess you guys got a chance to work on your Suntans out here, hah?

They are not amused. CUT TO;

76

INT. DAY. KING'S COURT

source 77

A cobwebbed at sa with the power turned off. Gazzo opens the drapes and motes of dust dance in the sunlight that pokes through the windows. Gazzo finds a FLASHLIGHT behind the bar.

GAZ2Z0O
+.-King'as Court. Every man a king. Wait’ll you see the banquet room,

you'll plotg.

LEFTY
Donnie~~ask him why it's such a dump, Donnie.

DONNIE ; What the hell happened, Richie?

GAZZO
I hadda shut the doors. The way these bums had their hands in my peckets... Two hundred bucks for this, three hundred bucks for that-<- hat I got a wife for that!
LEFTY
Get him out of here, Donnie.

a

3/29/96 SALMON Revision 6S5A.

DONNIE
Step outside a second, Richie.

They exchange a look. Gazzo shrugs. Exits.

ANGLE ON~-<LEFTY

’ As he takes Donnie aside.

LEFTY
What kind of man has a male voglia, he don’t want to provide for his

wife? | DONNIE

What, Richie? He's okay.

LEFTY
You vouch for him?
DONNIE
I knew him a while ago, he was okay then.

LEFTY

You vouch for this guy, Donnie?

DONNIE
All I’m doing is making the ; introduction. You make the decision.

Lefty thinks a beat. Looks at Gazzo through the windows as he smokes a cigarette outside. Then runs his hands over the leatherette as he wanders, muses...

LEFTY
It’d be something, you know--if we had my own lounge down here-~—me and you?
DONNIE
What about Sonny?

CONTINUED +

3/29/96 SALMON Revision {2}

LEFTY

Donnie--Senny's down here for vacation. He ain't once got out of that chaise lounge, it's iike he's in traction.

DONNIE

“But I thought he said he wanted to

get some deals going.

LEFTY
Can you imagine if Sonny tried to operate down here, the way he is-- put a bullet in a china 6 su I know Sonny, Donnie. Sonny belongs in Brooklyn.

DONNIE ; I guess once we get it going we can kick some fazools up to him.

LEFTY

Hah?

(musing) Thirty years busting my hump-~even a dog has a warm piece of the sidewalk, I cughtta have something to show for myself, doen't you think, Donnie? This ain't New York down here, you know, with all the politics. The beefs. The grudges. Down here a guy ike me could sit down with the 88. Get out from undex--be a free agent for a change.

(beat) I'm t6élling you, Donnie--nothing but nothing but right.

77

EXT. NIGHT. MOTEL--PARKING LOT

source 78
CUT TO:

The parking lot of a motel. A rented CADILLAC pulls in. A man

gets out.

IT’S DONNIE

He looks around. Disappears furtively into the motel,

2/23/96 PINK Revision 67.

A MINUTE passes. The bay laps against the shore. Chirping birds and palm-rustle, the noise of cars sweeping down the highway. Then another rented CADILLAC pulls up

IT’S NICKY

He looks around. Disappears inside.

CUT TO:
78

INT. NIGHT. MOTEL--SAFE HOUSE

source 79

HEADQUARTERS for the Florida operation--a setup both elaborate and government-shabby. Donnie sits on a stool, like a prizefighter, as FBI #1 removes his WIRE... Blandford, Curley, Gazzo, and other FBI AGENTS and US ATTORNEYS. ..TECHNICIANS listen to WIRETAPS with HEADPHONES...

DONNIE
.. Lefty wants to ask Santo Trafficante for permission to operate down here. You guys have to get me a boat.
BLANDFORD
We can‘t spend that kind of money. What kind of a boat?
DONNTE
Like the Bertram he used to have. Like a seventy foot boat. He wants to take him out for the day.
BLANDFORD
Joe--that's got to be ten thousand dollars a day.
DONNIE
Santo Trafficante is the boss of all of Florida! He sits on The - Commission!
CURLEY
A seventy foot boat?

TECHNICIAN #1 It’s up to eighty. (explaining) We just picked up Lefty on a wiretap talking to one of Trafficante’s guys.

BO

3/29/96 SALMON Revision

US ATTORNEY #1 approaches Donnie with a legal document...

. US ATTORNEY #1 Wa just have a few things we'd like to go over. To make the loansharking indictment~-

TECHNICIAN #)] _ (with headphones)

FBI #1 You want some coffes, Joe?

DONNIE
Donnie. Call me Donnie. I don't wanna get confused.

TECHNICIAN #1 (with headphones} ..-Ninety...

DONNIE
What am I supposed to do~-take Santo Trafficante out in a rubber fucking duckie?
BLANDFORD
(humorously)
We/re gonna have to wash your mouth

The phone RINGS. Curley picks up, covers the receiver.

CURLEY
Does poly Paintglass report to Nicky or Nicky Cigars?

Donnie rubs his head with his hands.

$8.

2/23/96 PINK Revision 69.

(2)

DONNIE
Nicky Glasses.
CURLEY
Nicky Glasses? {to phone) Nicky Glasses.

FBI #1 (with coffee) You‘re doing great, champ.

US, ATTORNEY #2 As I was saying, we‘re trying to fold Sonny into the RICO but--

DONNIE
I_ need a fucking boat for this fucking sitdown.
BLANDFORD
(not humorously)
I’m a Mormon, mister. Now clean it up.

+ + + OF

2/23/96 PINK Revision 70. CONTINUED: (3)

Technician #1 listens to a tape, his brow furrowed. TECHNICIAN #2 Joe, uh...I think there's a | malfunction on the tape recorder. Donnie walks over to Technician #2.

DONNIE
What?

TECHNICIAN #2 I'm not getting anything.

Donnie takes the tape recorder. Then he HURLS it into the wall. BANG! It springs open, broken. Then he storms into the bathroom, SLAMS the door. Curley takes Blandford aside. CURLEY T'm worried. I think he’s getting strung out. BLANDFORD We're getting what we want. Fuck him.

CUT TO:
79

INT. NIGHT. MOTEL ROOM

source 80

A plastic bag full of white powder--a kilo of COCAINE. Thrown on the bed. Next to it: a brown paper bag, OPENED-~stacks of HUNDREDS, tied with rubber bands. HANDS riffle the bills... WIDER

Nicky stands in the room with two COLOMBIANS. Takes the cocaine, sticks it in a CARRY-ON BAG.

NICKY
Okay, Caballeros. Nice to do business with you.

He exits. The Colombians shrug, pack up the money.

CUT TO:

$2

B83

3/29/96 SALMON Revision 72.

’ EXT. NIGHT. MOTEL~-~PARKING LOT 82

The ba Laps against the shore. Chirping bugs and palm-rustie. A car pulls into the parking lot. Nicky strolls with the carry-on bag, tossea it in the trunk of hie car... NICKY (sings) | “Colombla, the gem of the ocean. The home of the brave and the free..."

He starts the car, drives toward the exzit...A Cadillac coming the opposite way. Nicky looks.

IT’S DONNIE

Donnie looks.

It'S NICKY . As Donnie drives, he thinks: did he see me?

DONNIE
Fuck.

And as Nicky drives, he thinks: did he see me?

NICKY
Fuck. CUT TO: OMIT 83 EXT. DAY. TAHITIAN 84 sonny « Lefty, Donnie, Nicky and Boobie sit out by the pool with drinks, Donnie immersed in his newspaper. SONNY * »--Lf you took my blood pressure right now, it’d gown one hundred percent a LEFTY

Rusty’s locked up in the can with his fucking sinyses and he finds out you're down in Florida?

3/29/96 SALMON Revisicn

SONNY
I don’t punch 4 clock for Rusty.
(resuming)
.+-You can live your life like 2 man down hare.
LEFTY
Fuggedaboudit , Sonny. By tomorrow

ou'll be crying you miss the New ork bread. NICKY New York bread is like cake. SONNY

What do you think, Left--I'‘m on vacation down here?

CLOSE ON~~DONNIE

As he registers this...Placidly turns the page...

LEFTY
Two weeks you been wearing that same fucking shirt, you gavone.
SONNY
I ain’t in ne rush to get back to New York.
LEFTY
You wear that shirt one more day, it’s gonna go back to New York on its own.
SONNY
Enough.

; LEFTY No wonder we can’t get service in this joint. They think it’s Joe Batchagaloop in that shirt.

Sonny looks at Lefty. Folds up his newspaper. SONNY Rey, Donnie, let’s go take a walk, I wanna get a candy bar. Sonny and Donnie walk off in their flip-flops.

LEFTY
What are we supposed to call hin now--Sonny Florida?

3/29/96 SALMON Revision 73~74, CONTINUED: (2)

NICKY
Watch out, you're gonna put him on the warpath.

| LEPTY That shirt is like the shirt the

barber gives you to put over your shirt.

ANGLE ON--SONNY

As he enters the alcove with Donnie and hearse the three of then LAUGH.

CUT TO:
80

INT./EXT. DAY. TAHITIAN-~HALLWAY

source 81

Sonny and Donnie walk on the Astroturf toward the vending machine in the hall. - a : ;

SONNY
I want to know what you‘re up to. DONNIE Whaddaya mean? SONNY Yesterday. DONNTE

Last night?

SONNY
What were you doing last night?
DONNIE
I‘m saying, when yesterday?
SONNY
Don’t fuck around with me, Donnie. Yesterday fucking afternoon.
DONNIE
Nothing.
SONNY
Row come Lefty’s got such a hard~on to send me back to New York?
DONNIE
He's just busting your balls, Sonny.
SONNY .
I want to know what you got going

B7

3/29/96 SALMON Revision 75.

They look at each other. A SENIOR CITIZEN emerges from a nearby room in a pink terrycloth robe, squeazea by them.

SENIOR CITIZEN
Excuse ne.

Sonny watches as she disappears around the corner. Then turns again to Donnie.

DONNIE
I don’t understand, Sonny-~you wanna know about every half-assed scam that don't amount to nothing?
SONNY
I wanne know.
DONNIE
Look, I know you're the skipper and I'm nobody, but I‘m sorry-~I ain't gonna do that to Lefty.

Sonny EXPLODES, thumps his finger into Donnie'’s chest. SONNY Let me tell you something, I eat your balls for breakfast! Life and death -~every fucking one of you-- it’s my say-s0! My say-so!}

Sonny and Donnie look at each other. Then abruptly, Sonny tums and exits. Donnie watches as Sonny heads down the hall alone.

cuT TO: OMIT

OMIT

BBA

OMIT

81

INT. DAY.

source 82

Lefty and

2/23/96 PINK Revision 76.

STATIONERY STORE
Donnie walk up the aisles of GREETING CARDS.
LEFTY
...-Santo Trafficante, he's been around since the Moustache Petes. You gotta respect the man.
(beat)
You get that boat yet, Donnie?
DONNIE
I‘m working on it.
LEFTY
You get that boat! I reached out already--his man said to me, “Lefty, he loves boats”! I told hima hundred foot boat! I’m on the fucking clothesline now!
DONNTE
told you, I’m working on it.
LEFTY
Don't you disappoint me again, Donnie.
DONNIE
Since when did I disappoint you?

Lefty scowls, then smiles as he finds what he's looking for. Pulls a GREETING CARD out of the rack...

INSERT--THE CARD

“FROM ONE FRIEND TO ANOTHER”, with a saccharine picture of

sailboats

at sunset.

LEFTY
You see that? That’s like what we call each other.

DONNIE ; Sure. “A friend of mine, a friend of ours.”

LEFTY

There’s a double meaning. A boss appreciates a thing like that.

DONNIE
You mean the icony of it?

(CONTINUED }

88*

88A*

+ FF OH OF OF + OF t tot + OH H *

+ oF

a OF

2/23/96 PINK Revision 76A.

88A CONTINUED: | _ 88A LEFTY rs

Irony? Fuggedaboudit. You put a *

beaner inside, he knows these are *

men of men. *

+

They resume strolling down the aisle.

LEFTY
(continuing)
you know, if I'm gonna think out the strategy like this, Donnie, you gotta hold up your end.

+ + + OF

DONNIE
A girl I used to know down here, I think her brother has a boat.

me

LEFTY
Get that boat, Donnie.
(beat} Stay away from the girl.

+ + OF

CUT TO:
82

INT. NIGHT. MOTEL-~-SAFE HOUSE 88B*

source 88B

Donnie goes over tapes with Technician #1 and Technician #2. He slumps deeper. Closes his eyes. Rolls the cold Coke across his forehead.

TECHNICIAN #1 You’re doing an amazing job, you know.

Donnie opens his eyes.

DONNIE
What?

TECHNICIAN #1 .I mean, we all think so.

Donnie and Technician #1 exchange a look. Then Technician #2 pulls off his headphones, turns to Donnie.

TECHNICIAN #2 Can I ask you something? What's *fuggedaboudit”?

DONNIE
You know, like, if you agree with someone: “Raquel Welch is one great piece of ass.”“Fuggedaboudit.”

3/29/96 SALMON Ravision 77.

TECHNICIAN #2

DONNIE

But than, if you disagree, like “A Lincoln’s better than a Cadillac.” “Tuggedaboudit.” Or if something's the greatest thing in the world. rnose peppers? Fuggedaboudit.* Or it's li know gomething you don't know, like, “He's making two million a year, tuggedaboudit.” Or it's like saying go to hell, like, “Boobie,

ou got a one-inch pecker,* and

Aeob @ says, “Fuggedaboudit.* And then, sometimes, it just means forget about it.

TECHNICIAN #2

Donnie sinks back into his chair. Rolls the Coke can across his forehead again.

TECHNICIAN #2 Hey, weren't you looking for a boat?

DONNIE
Yeah. A nice one. Just for a day.

TECHNICIAN #2 You know that sting operation-- whatchamacallit--the agenta dress up as Arabs and bribe Congressmen--

TECHNICIAN #1 Yeah?

TECHNICIAN #2 Those guys have a boat down here.

CUT TO:

B9 INT. NIGHT. THE TAHITIAN~-LEFTY'’S ROOM 89

The room is FREEZING, Lefty, swaddled in BLANKETS, twists helplessly at the stub where the CONTROL KNOB has been removed. KICKS the air conditionsr. Lights a cigarette, PACES...

LEFTY
{muttering) That fucking Donnie.

3/29/96 SALMON Revision 78.

Donnie enters. Lefty GLARFES at him.

DONNIE
Hey, Left, you're not gonna believe

(off Lefty What's going on

LEFTY
You think this is funny, don't‘cha? DONNIE What? Whaddaya talking about, Left? Why's it so cold in here? LEFTY . Donnie-~listen to mg, Donnie. I know

you know, And I know you know I know you know.

DONNIE .
Left, what‘re you talking about?

Donnie moves toward the air conditioner... LEFTY

I'm freezing to my fucking death, Donnie.

Donnie opens the door on the unit--sees the KNOB is removed.

DONNIE
What happened to the knob?
LEFTY
Thank you.

Donnie realizes what happened. Chuckles.

CONTINUED :

2/23/96 PINK Revision 79~80.

(2)

DONNIE
Relax. It's a practical joke.
LEFTY
Where is the joke, Donnie?
DONNIE
Left, c'mon-~you know Sonny's sense of humor. It was Sonny fucking around.

Lefty blanches at the idea...His mind racing...

LEFTY
This wasn’t Sonny. Why would Sonny-- Sonny wouldn’t do this to me. This was you, Donnie--you fucking

cocksucker-- DONNIE Hey, Left--don't call me that. LEFTY I’ll call you whatever I want. I'll call you cocksucker, Z'1ll call you

motherfucker, I’11 cail you, uh, uh-

DONNIE
You're a cocksucker.

They exchange a look. Then Lefty rummages in his bags...

LEFTY
Where'd you put my knife...
DONNIE
Go ahead. Fucking whack me. Because > there’s a draft in the room. Go ahead. Because I promise you, you don't do it tenight, I'm gonna get -you one night in your sleep and cut your throat.

Lefty turns to Donnie.

LEFTY
You can't call me cocksucker, Donnie.
DONNIE
Go ahead. Stab me. You can’t do it, can you?

LEFTY

You take it back, Donnie.

B9A

90A

3/29/96 SALMON Revision 80a. CONTINUED: (3) 89

DONNIE : Fuggedaboudit. I'm getting my room. I'll see you tomorrow.

LEFTY
You won't see ma tomorrow, for your information.

Hea turns, SLAMS out. Lefty chases hin.

83

INT./EXT. NIGHT. TAHITIAN-~~HALLWAY 89A

source 84

Lefty RAGES outside his room as Donnie continues up the hall, then disappears down the stairs.

LEFTY
{after him) I got news for you, Donnie-~you won't gee me! You won't see me tomorrow! Tomerrow's Good Friday! And wiseguys don't work on Good

Friday |

CUT TO:

OMIT 90 OMIT 9QA*

84

EXT. DAY. YACHT AND MARINA 91

source 85

A gorgeous MOTOR YACHT with “THE LEFT HAND” emblazoned on the stern...Big engines and endless staterooms, varnished parquet decks and teak veneers...Lefty SCRAMBLES around the deck, fussing with last-minute preparations, Donnie and Gazzo lug coolers up the dock...

LEFTY
Cimon, c'mon! Hurry up!

They load the coolers on board. Lefty looks up, sees something, hurries off the boat and up the dock. Donnie turns.

DONNIE’S POV

Two FLEETWOOD BROUGHAMS pull up. BODYGUARDS emerge, look up and down the marina. Lefty arrives, greets GRECO, 408, Trafficante's UNDERBOSS. Then BODYGUARD #1 lends a hand to SANTO TRAFFICANTE,

70, tinted bifocals, windbreaker and pork-pie hat, as he climbs

GRECO
Mr. Trafficante, this’s Lefty, a friend of ours.

3/29/96 SALMON Revision 808.

LEFTY
I don't Know what to say. This's like meeting Mickey Mantle.

They shake hands. A big momant for Lefty...

TRAFFICANTE
Nice to meet you too, Lefty.

..-He holds onto Trafficante’s hand a little too long. Then finally lets go.

LEFTY
That’s the boat I arranged for you, Mr. Trafficante. We got a full bar, every kind of music, telephone, averything. gs heli you want-~any questions you have-~-you just ask Lefty.
TRAFFICANTE
Where's Sonny Black?

Lefty takes this in a beat. Then looks up as a rented CADILLAC pulls into the parking lot of the marina.

LEFTY’S POV

Nicky and Boobie climb out. Then Sonny: Re and Lefty exchange a look. A second car with the girls pulls in beside them,

3/29/96 SALMON Revision 81. CONTINUED: (2) 91

Trafficante heads down the dock. Donnie hustles up the dock to * help unload Sonny's gear. As he grabs the gear out of the trunk, he watches as Sonny approaches Lefty.

ANGLE ON--SONNY AND LEFTY

As Sonny. lights a cigarette. Then he SMILES as he gazes out at * the dock. LEFTY yoo M BOrry, Sonny, I... * SONNY

Co2z2‘, will you leok at that boat? Sonny hands Lefty his book of matches as he heads down the dock. *

Lefty looks at the matches in his hand. . e INSERT=-BOOK OF MATCHES * KING'S COURT Every Man a King * Lefty turns away and sees Donnie right there. He and Lefty & exchange a look. Then Donnie continues down the dock.

CUT TO:
85

EXT. DAY. LATER. YACHT 92

source 86

The yacht is anchored at sea. Trafficante’s BODYGUARDS party *

with Boobie, the girls, and a few BIMBOS. Boobie flexes his pecs 60 the dove tattoos on his chest seem to "fly.”

Sonny emerges from belowdecke with Trafficante. The group looks expectantly toward them. They SHAKE HANDS. Applauae.

ANGLE ON-~-LEFTY

As Donnie brings him a spritzer. Lefty shoots Donnie a murderous look.

LEFTY
_I don’t even want even to look at ne go to~-you know what the 8?
DONNIE
What'd I do? *

3/29/96 SALMON Revision

LEFTY ; You stabbed the wrong fucking guy in the back, my friend.

DONNIE
What-~you think I said something to Sonny?
LEFTY
You go to the bow, and I’m gonna stay in the stern, and you go to the bow and stay there. I'm disgusted with you-~you know that?
DONNIE
You just said it.
LEFTY
Just so you know,

DAY. YACHT: Donnie stands alone in the bow, leaning on the rail. A TAP ON THE SHOULDER

Startles him. It's Sonny.

That Trafficante is something.

DONNIE
He’s a great old guy, huh?

Q@2.

CUT TO:

Suddenly:

3/23/96 SALMON Revision 93 “CONTINUED:

SONNY
pugaeceboudts: That motherfucker had this all to himself for fifty fucking years and it’s still 4 fucking cow town. Thia could be like Vegas here. Sonny Red can sit there with hie trucking company in Jersey all he fucking wants as long as I got Florida.
DONNIE
Sonny Red's freezing his asa off right now.
SONNY
I just gotta get the startup money a Rusty. Then everybody gets rich.
DONNIE
Does that mean we’re going back to New York?

Sonny turns to hin.

SONHY

I want you to represent me in Florida, Donnie. Be my man down here--stay and get that club fixed up.

(off Dennie’s look) “King's Court*’-~you think I don’t know about that? I‘m gonna send the Lion down here wit‘cha--that big bastard. Reep him in the parking lot.

DONNTE
I don’t know, Sonny. It’s just--I ot a lot of things going in New ork.

Sonny thinks a beat as he looks out over the water.

SONNY
You know, Donnie, Lefty's a dynamite guy, no question. The way he stood up for me when I was in the can. I will never forget that. I will neyer forget that.
DONNIE
I knew how he feels about you, Sonny.

¢

3/29/96 SALMON Revision 64, CONTINUED: (2)

SONNY
The problem is, the thing with Lefty...Ke’'s trying to help you but

he hurts you. We gets those two or three wines in hin...

DONNIE

I gust don’t want to be stepping on na y‘s toes.

SONNY
You belong to me now.

Cur TO:

86

EXT. DAY. YACHT

source 87

Nicky in the stern as Boobie sidles up to him. BOOBIE .

Donnie got this boat? Where‘d Donnie come up with a boat like this?

NICKY ; Lefty says this's a million bucks, this boat.

BOOBIE

He’s got a lot going on, Donnie. Nicky thinks. THEIR POV-~THE BOW

As Sonny introduces Donnie to Trafficante. They shake hands, CLOSE ON-~DONNIE

A major moment for him as he exchanges a look with Trafficante-- an undercover FBI agent shaking hands with the Bass!

SONNY
Santo, this'’s Donnier=-a friend of ours. CLOSE ON~-~LEFTY

As he watches Donnie with the boss. He goes to the railing- Takes out his greeting card, removes the hundred dollar biil. Tosses it into the water...

“FROM ONE FRIEND TO ANOTHER”

5/13/96 2ND YELLOW Revision B85.

87

EXT. DAY. MIAMI AIGHWAY

source 88

Donnie, a Hawaiian shirt open to Nis A-shirt, PACES by a PAY PHONE as cars whiz by on the highway. Approaches the pay phone. Backs away, paces some more-~-REHEARSES in his mind the conversation he’s about to have. Approaches again. Picks up the phone. Puts it back. Leans against the phone, sighs heavily.

CUT TO:
88

INT. DAY. PISTONE HOME 95A

source 89

In the foyer, STREAMERS and BALLOONS for the Communion party. Maggie ushers some last stragglers ~~ an AUNT and UNCLE, both 50s -- out of the house. UNCLE Make sure you give our best to Joseph. MAGGIE Snowed in. Can you believe it? UNCLE (shaking his head) His daughter's First Communion and he's stuck in an airport. MAGGIE It's for his own protection. AUNT I hate flying. She kisses Maggie. They exit. Maggie turns and sees Kerry in her COMMUNION DRESS, amidst the remains of the party, sitting on a dining room chair and aimlessly kicking her legs up and down. Then she looks up with tears in her eyes. She and Maggie exchange a look. MAGGIE Kerry-- (beat) I'm so proud of you, angel.

KERRY
I'm gonna go upstairs.

Kerry slips down out of the chair, collects her TEDDY BEAR. Maggie watches her as she goes upstairs.

a t+ & A + + ee

+

3/13/36 2ND YELLOW Revision Bé.

89

EXT. DAY. MIAMI HIGHWAY 2

source 90

or uJ

Donnie pumps quarters into a PAY PHONE as more cars whiz by on the highway. Dials...

OPERATOR (V.0O.)
(recording)
The number you have dialed--

Donnie, puzzled, hangs up. Did he dial a wrong number? He fishes the quarters out of the coin return, pumps them back in. Dials again...

OPERATOR (V.O.)
The number you have dialed has been changed. The new number is unpublished at the subscriber's request.

Donnie thinks a beat. Then SLAMS the phone down in a RAGE. Paces by the phone as the cars. whiz by.

CUT TO:

OMIT 96

OMIT 97

4/15/96 TAN Revision 87.

90

EXT. MORNING. MIAMI AIRPORT

source 91

Donnie, Lefty, Sonny, Nicky and Boobie walk through the terminal, followed by Gazzo, swallowed by LUGGAGE, a pack~animal with ten suitcases. Sonny looks around.

SONNY
Left, go and get us checked in. Donnie, stay here. I gotta take a piss.

Lefty nods to Nicky and Boobie, and they leave. Sonny heads off. Gazzo stands with Donnie. Looks up and down. DOUBLETAKES.

GAZZO
Oh, Jesus, Joe-~that’s Hollman.

“Joe.” RAGE flickers almost imperceptibly in Donnie’s eyes. GAZZO’S POV

HOLLMAN, a sharply-dressed LAWYER in conversation with a COLLEAGUE, moves towards Donnie from the parking lot entrance.

GAZZO
He used to be the U.S. Attorney in New York--he’l1l make us for sure.
DONNIE
Shut up. I’ll take care of it.

Sonny returns as Hollman walks by. Gazzo glances nervously as Hollman passes...

SONNY
Any problems you have, you tell them to have their people get in touch with your people in New York. Richie, pay attention. If I have to come down here, iron things out, I’m gonna be very fucking aggravated.

(CONTINUED )

4/15/96 TAN Revision 88.

GAZ2Z0
Okay, Sonny.

Hollman has turned, spotted Donnie. He walks towards him through the crowd.

HOLLMAN
Joe?

Donnie ignores him.

DONNIE
You got the tickets, Sonny?
HOLLMAN
(persisting)
Joe Pistone?

Sonny’s SUSPICION rises like bile in his throat...Hollman moves

- to take Donnie by the elbow. And Donnie WHIRLS on him.

DONNIE
Hey, shithead-~do I look like a mark? What's your fucking scam?
HOLLMAN
Don't you remember me? From the

Southern District, I was the--

Donnie CLOCKS him and Hollman slams back, knocking over a bunch of suitcases.

DONNIE
(to crowd)
He put his hand on my cock-- fucking degenerate. You all saw it. He put his hand on my cock.

(CONTINUED )

99A

4/15/96 TAN Revision 89. CONTINUED: (2) 98

Sonny grabs Donnie and pulls him away.

SONNY
What the hell's wrong with you? You want to bring the fucking cops?
DONNIE
Unbelievable. Fucking pervert. Gazzo has gone to Hollman and is helping him up, dusting him * off. ‘ * SONNY

You gotta keep your nose clean down here. You understand?

DONNIE
Yeah, I know. Go ahead, you're gonna miss your flight.
SONNY
Check in with me in the morning. ANGLE ON ~~ A COP approaching. * Sonny exits toward the gate. Donnie lingers as Gazzo approaches = him. They start to go down the escalator. * DONNIE

Get on the phone, get me a seat on the next fucking flight.

GAZZO
Donnie-~
DONNIE
You ever call me Joe again, I’11l cut your throat. ANGLE ON--LEFTY Watching them. CUT TO: INT. NIGHT. PISTONE HOME . 399

Lights-—out and quiet. Donnie tiptoes in with a CARRY-ON BAG. Punches the code on the ALARM.

91

INT. NIGHT. KERRY'S BEDROOM 99A

source 92

Donnie enters, looks at his daughter, asleep in her bed. He pulis the covers up over her and she wakes up.

(CONTINUED )

2/23/96 PINK Revision 892A.

993A CONTINUED: ° 99A

99B

DONNIE
“Who made you?”
KERRY
“God made me.”
DONNIE
“Why did God make you?”
KERRY
“God made me to show His goodness

and to make me happy with Him in heaven.”

DONNIE
“Where is God?”
KERRY
“God is everywhere.”

She smiles. Donnie smiles. Kisses her.

DONNIE
‘Night, ‘night.

Donnie tiptoes into

92

INT. NIGHT. PISTONE HOME-~-BEDROOM 99B

source 93

Maggie sleeps--DIAGONAL--~across the entire bed. Donnie pulls off

his shirt, his pants, shoes. Assesses the situation. CURLS UP in the corner of the bed. Maggie mutters in her sleep. :

5/22/96 2ND GREEN Revision 90.

MAGGIE
Joe? DONNIE Yeah? MAGGIE I want a divorce. CUT TO: 100 INT. DAY. THERAPIST'S OFFICE 100

SHELLY BERGER, late 40s, flannel shirt, earth snoes-- PSYCHOTHERAPIST--sits with Donnie and Maggie.

MAGGIE
.--He comes home at all hours of the hight--without announcing when or why, or where he's been for the last two months--and -you know what he does? He rearranges the cabinets. He remakes the bed. He vacuums the entire house. Do you know another man who vacuums? It's abnormal. You'd think he'd tell me where he goes or what he's doing--
DONNIE
What am I supposed to say, Maggie?
BERGER
(gestures)
Joe, please-—just listen. Otherwise all you do is replay the old pathology.
MAGGIE
(off Donnie's look)
You see that look? I tell him it's killing me and that's what I get. Nothing. I don't exist.
BERGER
So you resent him for expressing your own autonomy needs?
MAGGTE
yes, I resent him.

- BERGER For expressing your autonomy needs.

oF

* ob OF

1090

CONTINUED :

2/14/95 BLUE Revision

DONNIE
{to Berger} I hope you can do something for her, because she’s sick. You hear how sick she is?
BERGER
Please, Joe, just listen.
DONNIE
I don’t have to listen to that.
MAGGIE
No, why don't you just get up and leave? That's what you're good at.
BERGER
People, please. Joe, just listen. Otherwise all you do is replay the old pathology.

(MORE)

+ ye © Oe

100 CONTINUED:

5/22/96 2ND GREEN Revision 91.

MAGGIE
{unsure ) Yeah.

Berger turns to Donnie.

BERGER
You disappear for two months at a time?

DONNIE

Sometimes.

Berger makes a note.

BERGER
What do you think you're running from? DONNIE I ain't running from nothing. MAGGIE ' (mimics)

“I ain't runnin’from nuttin’.” The man I married was a college man.

BERGER
Being the distancer forces Maggie into the role of the pursuer. That gives you a feeling of power. Simultaneously you resent Maggie for fulfilling the intimacy needs that you ‘ve-—
DONNIE
I'm an undercover agent for the FBI!
MAGGIE
I hope. those Mafia faggots suck your cock~-I'm not doing it anymore.
DONNIE
(to Berger)

I hope you can do something for her,

because she's sick. You. hear how

sick she is?

MAGGIE
I'm through.
BERGER
Please, Joe, just listen.

+4

+ + te

+ #

2/14/95 BLUE Revision 9I1A. CONTINUED: (3) |

BERGER (cont'd)
fulfilling the intimacy needs that you've--
DONNIE
I'm an undercover agent for the FBI!
MAGGIE
You get off on it.
DONNIE
Tell him what you did. {to Berger) She changed the phone number on me.
MAGGIE
I don’t exist--vou don’t exist.
DONNIE
(to Berger)
Change the phone number--you tell me that’s normal.

(COMTTM TENS

+ + 4

+ +

+ e+

5/22/96 2ND GREEN Revision 92.

100 CONTINUED: (2)

DONNIE
Tell him what you did. {to Berger) She changed the phone number on me. You tell me that's normal.
MAGGIE
I don’t exist--you don’t exist.
DONNIE
(sarcastic)
Okay, so now I know how it feels.
MAGGIE
(right back} Now I know how it feels. You wanna know what? It felt great. Now I know. How in control--how frigging strong you are!

OVERLAPPING-—~

DONNIE
You're fucking right I'm in control.
MAGGIE
Everybody's the enemy. Everybody's...
(gestures } . ...this big in your little gunsight.

Donnie starts to laugh...

DONNIE

You think you got a chance against me, Maggie? A hundred grand means..

(snaps fingers in her face) »..-this to me. Life and death means...

(snaps fingers) this to me. Nothing.

(snaps fingers) Nobody.

(snaps fingers) That's who I am.

Berger looks at his watch.

BERGER
Okay. Monday, Wednesday and Friday are Joe's intimacy days. Tuesdays, Thursdays and Saturdays are Maggie’s. On your day, you make one intimacy request. “Rub my back,” or, “Help me work out this problem I'm having with the kids.” Odd day, even day. Sunday's your day off. -

(MORE )

(CONTINUED )

* + oe OF + * * Ob Ob OF *

+

tO ok OF Ot OE OO

5/22/96 2ND GREEN Revision 923.

BERGER (cont'd)
(beat)

I'll see you next week.

CUT TO:
93

EXT. DAY. PARKING LOT VOT=

source 101

Berger's office is in a New Jersey strip mall--an optometrist, a Grand Union, a pizzeria. Donnie stalks out to his Cadillac, Maggie following with her arms crossed. They say nothing to each other until they slam into the car.

eo ob OF

DONNIE

Can I ask you something? MAGGIE

No. DONNIE

How much is this costing? Maggie doesn't say anything.

7 DONNIE Okay, Maggie--I want you to answer my question. This is my intimacy request.

MAGGIE
A hundred dollars. DONNIE

A hundred dollars. And how many of these do you think we'll need?

101 CONTINUED:

Maggie punches him.

Maggie punches him repeatedly...He tries to grab her but she wrestles away, and in wrestling away hits him in the face...Then he succeeds in grabbing her wrists and she dissolves in tears of

anguish...

5/22/96 2ND GREEN Revision 93.

MAGGIE
Is this still your intimacy request? * Because otherwise I'd rather not discuss it any more. DONNIE A hundred bucks. I gotta work a ten hour day risking my life to make a hundred bucks! MAGGIE Risk your life. You don’t have a * life. DONNIE

You don’t know what I do all day? You‘re right. You sit in your little fucking house and you drive around your little fucking station wagon and you complain on the phone to your little fucking friends and dream up this latest hundred dollar headfuck-—

(mincing} “Will you rub my back”? Va'a'fongool!

MAGGIE
You're an animal.
DONNIE
You know what my intimacy request is for him? It‘s very intimate. He can take that bill he's gonna send me and shove it up his ass.

oh oF

MAGGIE
Why do you think we came here? I don't want to leave. There's nothing left of me. And I'm trying not to leave you.

He looks at her. Then climbs out of the car. *

curt .TO:

1O1A EXT. DAY. PARKING LOT 1O1LA* Two cars away, a MATRON loads groceries into a STATION WAGON. * Donnie paces around the car. Maggie stews inside, then unlocks * the door, unlatches it and moves to leave. Donnie sees this and * SLAMS his weight against the door. Then SLAMS his fist down on * the hood... * DONNIE You don’t exist? Every fucking day you’re there with me. Every fucking day. You don’t leave. No. You don’t leave me. The Matron, the PIZZERIA PATRONS look on as Donnie RAGES. *

CUT TO:
94

INT. DAY. LATER. PISTONE HOME ; 102

source 95

Donnie vacuums furiously in the living room.

CUT TO:
95

EXT. DAY. LATER. PISTONE HOME 103

source 96

Donnie washes the station wagon. Dumps Maggie’s full ashtrays...Trashes the clutter of old magazines, soda cans and McDonald‘’s wrappers...Soaps and hoses it...Hand-polishes the finish till it’s all but bruised.

CUT TO:

5/22/96 2ND GREEN Revision 94.

96

INT. NIGHT. LATER. = LOTON HOME 104

source 97

As Donnie enters, Maggie and the girls have already sat down to dinner in the kitchen, at a table set for four-~persisting in their routine, as if he’s not there. He pauses, EAVESDROPS. Then goes into the bedroom. Takes his secret phone out of the drawer. Dials.

DONNIE
Hiya, Annette.
(she sobs)
What’s the matter?
ANNETTE (0.C.)
Where are you?
DONNIE
I’m in New York, I hadda | come back.
(she sobs)
What’d you say~~Tommy?
CUT TO:
97

INT. NIGHT. BELLEVUE

source 98

Donnie hurries through the depressed hospital corridors, the smell of antiseptic and decay, till he arrives at Lefty, AGITATED, pacing at the end of the corridor.

DONNIE
..-What’s going on?

LEFTY, What are you doing here, Donnie? You belong in Florida.

DONNIE
I checked in with Annette, she said Tommy ~~

LEFTY

You called her from Florida?

DONNIE
I was up here. I had some things I hadda take 'care of.
LEFTY
Donnie--~listen to me, Donnie-~- DONNIE What the hell happened? Is he gonna be okay? LEFTY

Do I know? They got twelve fucking diplomas on the wall and they can’t tell you a fucking thing.

_ {beat} Fuggedaboudit. Tommy gets out of this fucking Bellevue, he’s going right back fucking in.

DONNIE
What was it~-an overdose?
LEFTY
Ain’t the question. He’s lying in there with a plastic pipe in his mouth. They got five million tubes. eed got a machine breathing for fii .
DONNIE
You want me to talk to the guy?

LEFTY

What are you gomzta do, Donnie--break the doctor's legs?

a wi a FI Re OA ORO 90:

CONTINUED: — 105 DONNIE * I'm saying is there anyting you want . me to do? * LEFTY * I told you waht I want. I want you * to go back down to Florida. * DONNIE ;

What am I, Kunta Kinte? I go where I wanna go. Sonny can go fry an egg. He ain’t my man.

LEFTY
Listen to me, Donnie-- *
DONNIE
You’re my man.

LEFTY

Idon't want vou here. You and Tommy--you’re peas in a fucking pod. You don’t listen. How many years I been on this earth-~for what? You got your own ideas. Up on your high horses-- do what you wanna do, like it's all a joke. You think they don‘t have room inside there for you, Donnie? They already wheeled two stifis out of the bed next to

him. DONNIE

What's that gotta do with me? * LEFTY

You get your ass to LaGuardia and get the next plane out. (shoves him) ‘ I'm telling you go now. =

DONNIE
I ain't. Just fuggedaboudit, willya? I'm staying here wit'cha.

Lefty and Donnie exchange a look. Lefty, spent, sags into a * cheap plastic chair. Donnie sits beside him. Lefty lights an Englisn Oval. They both stare at the wall a beat.

LEFTY
Twenty-five years ago-~you could read it right on his birth certificate~-Bellevue Hospital. Now he’s back in there with Five million rachines, people dying right and left. I’m out here worried to my fucking death. And he’s asleep--same

{MORE )

{COARTTUTATI TION *

tm mm ee ee 70H.

CONTINUED: (2)

LEFTY (cont'd)
as twenty five years ago. With the same expression. He's made no progress.
DONNIE
He's got no fucking respect, that's the problem.
LEFTY
He's my son.
DONNIE
Whaddaya gonna do? You do wnat you can do.

LEFTY

His heart stopped. Just like a watch--that's what the doctor said-- they hadda wind it back up. Next time, who knows? Maybe they can't.

DONNIE
He's gonna be okay.

They stare at the wall another beat. Lefty squeezes Donnie’s knee.

LEFTY
I love you, Donnie.

Then Lefty gets up. Donnie watches as Lefty walks down the corridor.

CUT TO:
98

INT. NIGHT. MANHATTAN DISCO

source 99

Sonny Red enters his usual disco. Sonny Black sits at Sonny

Red‘s usual table with Boobie, Nicky, and others from his crew.

+

fe a

CONTINUED: ‘ ‘ 106 SONNY RED I heard you was in Florida. SONNY It’s nice down there. You know, take the sun... SONNY RED You got friends down there? SONNY They‘ve very friendly there, the people. Sonny Red and Sonny Black exchange a look. Tnen Sonny Red looks to the maitre d’. Then he turns back to Sonny Black. Smiles.

SONNY RED
Nice color.

He pinches Sonny‘’s cheek. Sonny watches as Sonny Red and his entourage depart.

SONNY
(mutters)
Cocksucker. CUT TO: EXT. MORNING. PISTONE HOME 107

Maggie goes out to get the mail. Finds a letter that furrows her brow.

INSERT--THE ENVELOPE
The return address, INTERNAL REVENUE SERVICE. CUT TO: ZNT. MORNING. PISTONE HOME 108 Donnie reads the paper with his morning coffee. MAGGIE You know the US government? The US govermment that vou swore an oath

and dedicated your life to?

DONNTE
Maggie, what‘s going on?

Maggie tosses the letter down on the table.

{CONTINUED}

4/8/96 CHERRY Revision ogg,

108 CONTINUED: | 108 MAGGIE We got audited.

CUT TO:
99

EXT. NIGHT. KING’S COURT

source 109

CARS jockey for space in a full parking lot. A BANNER reads, “LAS VEGAS NIGHT~-BENEFIT FOR WAR VETERANS.” A bogus VETERAN in a VFW hat walks a WHEELCHAIR out to the front door, then sits in it. He puts on thick dark glasses. The Lion ROARS along an improvised dog run in the parking lot.

CUT TO:
100

INT. NIGHT. KING’S COURT ,

source 110

The club is fixed up now, swanky in the Vegas style. The bar is packed, the restaurant busy:..A burly BODYGUARD guards the door

to a back room. Gazzo eftusively GREETS Sonny, Nicky, and Boobie as they arrive.

GAZZO
Gentlemen, welcome to King’s Court.

He ushers them past the Bodyguard, through the back door and into

A GAMBLING JOINT

Roulette, craps, slots--the works...The guys bathe in the honey of success, as HALF~ASS WISEGUYS and their BIMBOS live it up...

CLOSE ON--SONNY

As he takes it in. SMILES as he shoots his cuffs,.runs mS hands over his bespoke silk suit.

SONNY
“I like its iL. Like it bigtime.

AT THE ROULETTE TABLE

Lefty sits alene,- watches as ‘he loses and the croupier slides his chips off:the table...Then watches as Sonny, Nicky and, Boobie enter. .

INSIDE A PHONE ‘BOOTH -

Donnie, RED-FACED with | anger, talks: to Blandford.

Meee Sy

" BLANDFORD (0. Cc.) ...You're: asking me. to interfere _with:an.IRS audit, -Joe.- Can you ‘imagine the’ flap -- that got out? Pe eae eee Le The Bureau.can't do that. Oe ee gee ae seh:

110 CONTINUED:

4/8/96 CHERRY Revision

DONNIE
I'm not talking to the Bureau. There is no “Bureau.” There's just a bunch of assholes and the IRS is another bunch of assholes and all I'm asking is for you to place a phone call asshole-to-asshole.

BLANDFORD {(0.C.} Would you please calm down?

DONNIE
You want a flap? You tell that auditor I’m coming to Washington, I’m gonna put his fucking digit-head through his fucking window.

BLANDFORD (0.C.}

Just calm down.

Donnie takes a deep breath.

DONNIE
Okay. I'm calm.
BLANDFORD (0.C.)
Just tell me what you did.
DONNIE
What?
BLANDFORD (0.C.)
Well, let's face it, Bud. They don't audit you for nothing.
DONNIE
I‘m going to hang up now.

4/8/96 CHERRY Revision 100. 110 CONTINUED: (2) oo 110

_ BLANDFORD I'm a GS-15. You can't hang up ona GS-15.

Donnie looks at the receiver. In a RAGE, he SLAMS it down...

CASH

As it is abundantly relinquished, counted, squirreled away in the illicit gambling parlor...

ANGLE ON--~-DONNIE

As he enters the big room, WATCHING...Signals to a WAITRESS to bring complimentary DRINKS to two high rollers at the roulette wheel... Then he moves to a HIGH ROLLER at the craps table, greets him, introduces him to a SEXY GIRL...

Then Greco arrives with, other TRAFFICANTE MEN who we saw on the boat earlier. He gives Sonny a hug and a kiss.

GRECO
Hey, the boss is here!

More noise and jostling as everyone greets each other. Sonny smiles in the manly hubbub.

SONNY
Hey, I want you to say hello to Donnie. Where's Donnie?

Sonny looks over at Donnie, who is giving a pointer toa CROUPIER. WAVES him over.

CUT TO:
101

INT. NIGHT. LATER. KING’S COURT " AIT

source 111

Late at night in’ ‘the CAGE, as ‘the money is counted... Thick | wedges of CASH as-;they’re riffled through and rubber- . banded. . .Sonny ‘grabs STACKS of"cash, stuffs them into

ae

~

+ + +

‘4/8/96 CHERRY Revision - 302. CONTINUED: . : | 111

A BLUE GYM BAG

When it’s full--three hundred thousand dollars full-~he hands it to Donnie.

SONNY
Put this someplace safe, Donnie. That’s the take.

Donnie takes the bag. Exits the cage. Heads through the kitchen with the bag. Cuts outside through a back door.

CUT TO:.

102

EXT. NIGHT. KRING’S COURT . 112

source 103

Donnie emerges with the gym bag. Opens the trunk of his rental car. Lifts the carpet, sticks the bag in the well where the Spare tire goes. About to close it when he hears the KERCHUNK! of A SHOTGUN And a VOICE behind him.

VOICE Just turn real slow.

But Donnie doesn’t turn. First, he CLOSES the trunk.. THE GYM BAG

In the well...Then he turns. slowly. And sees:

THE SHERIFF |

And two of his DEPUTIES. One of them SWINGS Donnie around, slams him down on top of the trunk. CUFFS him hard... Bo BN

ero

What‘ s your name? . foster gy

DONNIE — 2. We're running a charity event here, a sheriff. What's your name? ; o, mw aS

SHERIFF
What’re all you New York guineas doing down here?

as

4/8/96 CHERRY Revision 102.

112 CONTINUED: , | ana

DONNIE
I don't know how to break this to you, but your missus invited us.

The Sheriff SWINGS the shotgun butt into Donnie's back. Donnie GROANS.

DONNIE
We're running a charity event. We have a permit.
SHERIFF
You have a permit for the lion? | Cur TO: 113. EXT. NIGHT. KING’S COURT | 113 GAMBLERS hurry away~-confused, scared, angry... | CuT TO: 114 INT. NIGHT. KING'S COURT 114

AXES smash at a craps table...CASH disappears as the cage is rifled...As Sonny is HANDCUFFED, he watches in mournful SHOCK as his dream is destroyed: Nicky WINCES as DEPUTY #1 slashes at upholstery...DEPUTY #2 drags his nightstick along the shelf and bar glasses CRASH...Donnie takes Gazzo aside.

DONNIE
(whispers)
Didn't you pay these guys off?
GAZZO
Where am I gonna get the money to go

bribing cops? Nobody authorized that. . ;

A ROULETTE WHEEL is eeested, SMASHED with a sledgehasmer.- betty looks on with his arms folded and a thousand yard stare. Until. the Deputies have nothing left to break.

- SHERIFF Okay. Let's lock these guineas up.

103

EXT. NIGHT. KING'S COURT . .

source 115

The guys are led into a paddy wagon.. . Fge 2 = enige=

2/23/96 PINK Revision 103.

104

INT. NIGHT. MIAMI JAIL

source 116

The guys,

MOROSE, sit in a jail cell. Sonny paces, fumes.

SONNY
You know how fucking embarrassed I am now? The Old Man‘s people here? A year I gotta stay in my house with the shades drawn!
(to Donnie)
What happened to that bag?
DONNIE
They took everything, Sonny.
SONNY
All that fucking money gone? That's Rusty's money!
GAZZO
Sonny, I’m sorry.

SONNY

Don’t you say a fucking word!

{resuming} I gotta go back like this to New York, I gotta face Rusty, I gotta face that cocksucker Sonny Red... And it was all in the palm of my fucking hand!

Sonny fumes, smashes the wall with a forearm. A long beat as the guys cower and don’t say anything. Then Lefty looks up.

LEFTY
You know, usually, the fucking cops, they're so dumb--it takes them three Months just to get wind that something's going on. Then they gotta get a warrant. Then they gotta, uh, uh--
NICKY
Surveillance.
LEFTY
That’s right. Three more months to take pictures. How'd these cops know so much, we just opened the fucking doors?
SONNY
What are you saying, Left?

* + ee Ok

tO OF OR OF

x +

+ oF + OOF

+ +

2/23/96 PINK Revision 1LO3A.

LEFTY
There’s gotta be a snitch.

Sonny thinks a beat. SONNY You find that snitch, Lefty. You find that fucking snitch, you chop him up, you put his balls in his fucking throat.

LEFTY
Okay.

Sonny resumes pacing

SONNY
Aaaargh! I'm in a rage with this!

Lefty scrutinizes the guys as they look awkwardly at their snoes, cowered by Sonny's rage. Lefty and Donnie exchange a look.

CUT TO:
105

INT. NIGHT. SONNY RED’S HOUSE

source 106

Sonny Red talks on the phone in his New Jersey mansion.

tt t *

ww re Oe REV ee LOU4.

CONTINUED : 117

SONNY RED
...Didja bust it up good?... Yeah, yeah...And you threw ‘em all in the can?

IN THE KITCHEN

Philly Lucky, Big Trin and Bruno eat manicotti. Sonny Red rejoins them, tucks a napkin in his collar.

SONNY RED
They busted up the club. Now he’s gotta answer for what happened.
PHILLY LUCKY
You're gonna send for him?

SONNY RED * He sits down with us, bing bing, * it's done. The whole fucking crew * of them. * BIG TRIN * I'll get the guns. * Curt TO:

106

INT. DAY. AIRPLANE 118

source 107

The flight back to New York. Lefty SLEEPS. Donnie opens up NEWSWEEK. Sees an article entitled: ABSCAM: FBI "SHEIKS" STING CORRUPT LAWMAKERS With a PHOTO of FBI AGENTS in full Bedouin regalia...He turns the page. TERROR deep in his heart, as he looks at a PHOTO of the ABSCAM YACHT with Blandford and other smiling FBI AGENTS and the caption, “THE LEFT HAND". It’s THE SAME BROAT! The one they took Trafficante out on. Donnie closes the Magazine. Looks over af Lefty as he SNORES. Folds the magazine up, secretes it in the seat pocket in front of him. cut TO: OMIT | 119* OMIT 120*

PPV PN SUN Aevesavil LUDwLUs.

107

INT. NIGHT. MOTION LOUNGE

source 121

Another BOARD MEETING of the Sonny Black Corporation. A grey film of despair coats the enterprise.

WISEGUY #1 .. Napkins and tablecloths. Five hundred scoot.

BOOBIE
Five hundred scoot. In Florida it was five hundred a minute.
SONNY
You miss Florida, eat an orange.

Wiseguy #2 croaks through his laryngectomy...

WISEGUY #2 A dime on the vig. (off Sonny's look) I'm doing the best I can.

SONNY
Nicky?
NICKY
I got a guy boosted thirty tickets for the Chaka Khan at the Garden.

; SONNY What about in Florida?

NICKY
I thought we weren't supposed to talk about Florida.
SONNY
All that time down there, you never got nothing going?
NICKY
Nothing that7~ever panned out.
SONNY
You never got nothing going?
NICKY
What‘d I just say?

I A FT ae A OO LUO.

121 CONTINUED:

Sonny and Nicky exchange a long look. The pay phone in the hallway RINGS. Sonny hands his book to Boobie as he gets up to answer it.

WISEGUY #3 ...Truckload of razor blades.

BOOBIE .
What are you gonna do with a load of razor blades?

WISEGUY #3 Hey, you know how many razor blades fit in a truck?

BOOBIE
Lefty?
LEFTY
Next.

WISEGUY #4

I got an inside guy, he works in a warehouse has the art collection of the Shah of Iran.

Sonny returns from the phone.

SONNY
That was Sonny Red. I gotta go down to Little Italy. I got sent for.
CUT TO:
108

EXT. NIGHT. MOTION LOUNGE

source 122

They walk out to Boobie's Cadillac.

SONNY
‘Sonny Red, that motherfucker, he's gonna rub my nose in that fucking Florida. All because of that fucking snitéh.
NICKY
Fuggedaboudit.

. SONNY

Boobie, we'll take your car. (beat)

Donnie, you ride up front.

Just as casual as that. Donnie takes an almost imperceptible beat as TERROR strikes in his heart.

+ * *

a

we PF A NPN cab de det DE wi Oe eh we IML.

CONTINUED: 122 BOOBIE "Love on the rocks, ain't no surprise." SONNY

You know what you're gonna do when you find that snitch, Lefty?

LEFTY
Maybe I already did.

Donnie climbs alongside Boobie in front. As Boobie adjusts the REAR-VIEW MIRROR, Donnie catches a glimpse of Lefty's eyes burning into him from the back seat. Donnie thinks a beat: this is how it happens. Then he jumps a little as Boobie hits the POWER LOCKS with a THUNK!

CUT TO:

OMIT 123 OMIT 124

109

EXT. NIGHT. QUEENS--ALLEY 125

source 110

The Cadillac rolls silently, engine cut, headlights out, onto a deserted street. Donnie looks around-~this isn't Little Italy.

The guys climb out.

DONNIE
I thought we were going down to. Little Italy.
BOOBIE
Shut up and stay in the fucking car. We'll come get you after.

Donnie and Lefty exchange a look. Then the guys exit. Sonny watches Donnie ALONE in the car. Donnie thinking fast as the TRUNK opens. Then the trunk closes and the guys walk off, carrying CANVAS BAGS of various shapes and sizes...Donnie's heart POUNDING in the eerie quiet...He looks up and down the street--DESERTED...He adjusts the mirror so he can see behind him...Donnie's heart all but pounds through his chest as he sits

and waits.

CUT TO:

aw

3/6/96 GOLDENROD Revision

110

EXT. NIGHT. BIG TRIN’S HOUSE

source 125A
SONNY RED
C’mon, c’mon! We still gotta get downtown. How long’s this gonna take?
BIG TRIN
I got ‘em in the drain in the laundry room. I just gotta take the trap cover off.
SONNY RED
Twenty-twos?

_ BIG TRIN. Bruno said you wanted nine millimeter.

SONNY RED

Yeah. Meanwhile where the fuck is he.

110A.

to inspect a

Cur TO:

125A

Sonny Red, Philly Lucky and Big Trin climb out of a Lincoln Town Car, head up the path. As Trin lumbers, he pauses flaw on his property. Sonny Red smacks him.

2/9770 VveVownAyyY KRevislon att.

111

INT. NIGHT. BIG TRIN'S HOUSE 126

source 112

Philly Lucky, Sonny Red, and Big Trin enter the house. Flick on the lights, move through the foyer into the kitchen...To a door leading down into the BASEMENT...Trin flips a LIGHT SWITCH. On. Off. On. NOTHING.

BIG TRIN | Shit. Bulb must be out. Watch your step. .

PHILLY LUCKY
Big fucking surprise from a fucking spider.
SONNY RED
Nothing like the surprise we're gonna give Sonny Black.

They LAUGH as they head downstairs into the BASEMENT, the DARK, damp concrete and sawdust rising in their nostrils. Big Trin SWATS the air, searching for the LIGHT CORD. Finds it.

LIGHTS ON

Sonny, Lefty, Nicky and Boobie, OVERALLS over their street clothes--SHOTGUNS at the ready.

CUT TO:

MONTAGE

In slow motion:

--Sonny FIRES. The BLAST catches Big Trin in the belly. A huge lump of flesh tears off, FLIES...

--Philly Lucky RUNS...Reaches the stairs as Boobie aims and a shotgun blast shreds the top of his head...His BIFOCALS fall to the ground, followed by a chunk of scalp, hank of hair..

--Sonny Red turns, SCREAMS as he runs...Lefty aims, fires...Shot in the back, Sonny Red FALLS toward the stairs...Nicky aims, BLASTS at Sonny Red's KNEES...Crippled and SCARED, he claws at the stairs, pulling himself over the body of Philly Lucky...

~-Somny RELOADS...Big Trin rallies, CHARGES him with a roar...Sonny whirls, BLASTS away another slab of his massive body...Big Trin grabs Sonny and they fall to the ground...Lefty turns, sees Sonny struggling under Big Trin. Finds a HATCHET stored with other tools on a pegboard...Grabs it, plants it in Big Trin’s skull with a THUNK!:...

~-Nicky RELOADS...Plants a foot on Sonny Red’s butt--like a big- game hunter--aims and BLOWS HIS HEAD OFF...

{CONTINUED}

a

3/6/96 GOLDENROD Revision 112. CONTINUED; 126

-~-Sonny climbs out from under Big Trin. Flicks a piece of bone off his sleeve.

_ SONNY Go get Donnie. As he says this, Philly Lucky groans, claws on the cement floor * in a feeble attempt to survive. Sonny notices this, reloada his * shotgun... *

CUT TO:
112

INT./EXT. NIGHT. SAME TIME. BOOBIE'S CADILLAC--ALLEY 127

source 113

Donnie hears the THUMP! THUMP! THUMP! of the shotguns, like shells from a distant front. Then nothing. Then

I'M NEXT

The door opens behind him. It’s Boobie in his blood-stained overalls, a shotgun by his side...He sits behind Donnie a good long while. Donnie looks in the mirror. Sees Boobie watching him. Appraising him? Or just enjoying himself?

BOOBIE
Okay, let’s go.

So does he cut Boobie’s throat? Wrestle his gun away? Arrest him? He sees the intense dislike in Boobie’s eyes. And what Donnie does is stay in character.

DONNIE WALKS

Past GARBAGE CANS perfectly suited to stashing his bones...To

the crypt-like wooden doors...Where Boobie nods brusquely and Donnie climbs down

113

INT. NIGHT. BIG TRIN'S HOUSE-~BASEMENT 128

source 114

Donnie emerges into a world of slaughter, lit red by the blood- spattered light bulb...Boobie behind him...Sonny, Lefty and Nicky in their working-man’s overalls...

NICKY
The meek want to inherit the earth,

they're gonna have to get in fucking line.

Lefty removes the trap cover from the drain in the laundry room. * Reaches inside...

LEFTY
Them or us.

---Pulls out four NINE MILLIMETER PISTOLS...Then sonny turns to a CANVAS KNIFE ROLL, unties it...

Rs

4/30/96 2ND BLUE Revision *

AS THE BAG UNROLLS

lis.

An array of KNIVES--breaking knives, steak knives, boning knives, meat saw, shears--for the butchery and filleting of a

human body.

knife...

Donnie looks at the KNIFE in his hand. They approach the corpse

SONNY
Okay, let’s get to work. Nicky, you got Trin.
NICKY
Madon', why’d I gotta do Trin?
SONNY
Donnie’1l give you a hand.
NICKY
C’mon, Donnie. I got a hernia just looking at that fat bastard.
BOOBIE .
Yeah, well, he ain't as fat as he used to: be.

of Big Trin.

.-Sonny distributes the tools...Each one holds a

And then Lefty, as casually as could be, follows behind Nicky and puts two .22 caliber bullets in his head. Nicky falls dead on top of Big Trin’s body. A moment of stillness among then. Donnie turns, looks at them in their workingmen’s overalls,

SHOCKED.

SONNY
C’mon c’mon c’mon! What do you guys think--you’re getting paid by the hour?

Donnie, the knife in his hand, looks at Nicky’s body beneath

him.

114

INT. NIGHT. DONNIE’S CADILLAC

source 115
CUT TO:

Donnie stares straight ahead as he drives. Lefty smokes. They drive a long while without saying anything.

LEFTY
There was a rat in Florida, Donnie.
DONNIE
Nicky wasn't a rat.

(CONTINUED )

4/30/96 2ND BLUE Revision * 113A.

LEFTY
Shut up, Donnie. You don't say his name no more.
DONNIE
You tell yourself whatever you want to.
LEFTY
You were down there with your own eyes.

DONNIE

I don't know what he did.

LEFTY
That's right. You don't know. That's your famous words.

DONNIE

You're right, Left. LEFTY

Don't say I'm right like I'm wrong. DONNIE

Why, because the club got busted up? LEFTY

Thank you. DONNIE

That's beautiful, Left. You know the guy twenty years, you kill him

over a lounge.

LEFTY
The man held out. He held out on a coke deal.

DONNIE

What's one thing got to do with the other?

(CONTINUED )

4 OF

+ + + 4

+

4/30/3936 2ND BLUE Revision * 114-115.

CONTINUED: (2)

LEFTY
For your information he could get whacked just for that.
DONNIE
Who'd he hold out on, Left-~you?
LEFTY
(waving him off)
Fuggedaboudit.
DONNIE
Hey, how long've I been riding around this car with you, carrying your fucking bags--don't treat me like a jerkoff.
LEFTY
Don't talk like you know something about it. It's a contract. There's no feelings about it. You do it like a doctor or a lawyer.
DONNIE
What the fuck does that mean, Left-- I'm next? , LEFTY

There was a rat in Florida

DONNIE
There wasn't a rat in Florida. Richie fucked up paying off the

cops. LEFTY

Whaddaya mean, Richie fucked up--? DONNIE

"Nicky's a rat.” Nicky stepped off

a curb and got hit by a bus. LEFTY

You don't say his name no more.

That's the rules.

DONNIE
Fuck the rules.
LEFTY
That's the rules, Donnie

(CONTINUED )

+ +

+ e te OF

4/30/96 2ND BLUE Revision *

CONTINUED: (3)

Donnie glances over.

DONNIE
You can't say it. Go ahead, say it. Say his fucking name.
LEFTY
(right .back)

Nicky's a rat because Sonny Black savs he’s a rat. Who the fuck am I? I’m a spoke in the wheel. So was he. And so are you.

(beat) Quit riding the fucking brake.

another cigarette.

115

INT. NIGHT. DONNIE’S APARTMENT

source 116

LISA.

Sees Lefty’s hand tremble as he lights

CUT TO:

Donnie enters his monastic apartment. Takes off his coat, tosses it on his cot. And suddenly grabs a chair an THROWS IT...It

SPLINTERS...He grabs the bar from his weight bench and SWINGS...

SMASH!

An electric sizzle as the TV tube implodes...Donnie swings on

his bookcase...It CRUMPLES and books collapse to the ground...

CUT TO:

~~.

4/30/96 2ND BLUE Revision 115B. CONTINUED: (2) oo 129

LEFTY
(right hack)

Nicky’s a rat beceuse Sonny Black Says he’s a rat. Who the fuck am 1? i'm a spoke in the wheel. So was he. And so are you.

( beat} Quit riding the fucking brake.

Donnie glances over. Sees Lefty’s hand tremble as he lights another cigarcttc.

116

INT. NIGHT. DONNIE’S APARTMENT 130

source 117

Donnie enters his monastic apartment. Takes off his coat, tosses

it on his ent. And snuddenty grahs a chair an THROWS IT...1 SPLINTERS...He grabs the bar from his weight bench and SWINGS... SMASH!

An electric sizzle as the TV tube implodes...Donnie swings on his bookcase...it CRUMPLES and books collapse to the ground...

CuT TO:

131A

1313

3/29/96 SALMON Revision 116.

117

EXT. NIGHT. DONNIE’S APARTMENT J3I*

source 118

From a distance, we hear the sounds of furniture being reduced * to kindling. e

CuT TO:

118

INT./EXT-. DAY. PISTONE HOME~-ENTRANCE 131A

source 119

THE DOOR .

as the doorbell RINGS. Maggie opens it. And gives a little moan of TEAR--

MAGGIE
Oh my God-~!

REVERSE ANGLE

Blandford and Curley stand at the door--the Grim Reapers.

CURLEY
Everything’s okay, Maggie. MAGGIE If everything’s okay, why are you here? BLANDFORD You mind if we come in, Mra. Pistone? MAGGIE It depends. CURLEY Maggie.

She relents. Moves aside. But only so they can barely, stepping crab-wise, squeeze past her.

CUT TO:
119

INT. DAY. LATER. PISTONE HOME 131B

source 120

Curtey and Blandford move around the kitchen as Maggie makes coffee. ;

BLANDFORD
+.-At that point he became hysterical. As if the Bureau were responsible for this tax audit, whereas, well, sealf—-evidently-.

3/29/96 SALMON Revision LIGA.

MAGGIE
Did you ever think of giving hin a raise? CURLEY

The only way to give him a raise would be to upgrade hin.

MAGGIE
Well?
CURLEY
(blankly) ; GS~14 {4s a supervisor, Maggie.
MAGGIE
So he’s a supervisor.
CURLEY
But he‘s undercover. He‘’s not supervising anyone.

Maggie bites her tongue. Says nothing.

BLANDFORD
The point is, that’s the last we heard from him. Standard procedure is to check in every day~--maybe miss a day here or there, but...
CURLEY
It was three weeks ago.
MAGGIE
Where is he?
CURLEY
Maggie, we can‘t tell you that.
BLANDFORD
Mrs. Pistone, have you-- -heard from your husband recently?
MAGGIE
I want to know where my husband is.
(off his look)
I demand that you tell me right now where my husband is.
CURLEY
We can't tell you because we don‘t know.

MAGGIE

Oh my God.

1318 CONTINUED:

Blandford

3/29/96 SALMON Revision 1168.

(2) 1318

CURLEY
Look, we think he'a fine. If he wasn't, we probably would’ve heard something on the street.
BLANDFORD
If he contacts you, we need you to talk seme sense to him. Help us out.

MAGGIE

You want me to help out the Fs1? The frigging FBI that used my husband, sucked him dry, just so a bunch of supervieers could be promoted to SACs, and presecutors could become judges, and assholes like you could

ome GS-16. You don’t care if he’s dead or alivé--just as long as he follows procedures and you can cover your ass.

and Curley exchange a look.

BLANDFORD
There’s a war going on inside this Mafia family whera Joe’s undercover. Three of the leaders of a rival faction were murdered.
CURLEY
He’s right in the line of fire. Not because he's one of us. Because he's one of them-—who he’s with and who he’s close to, they’re all the top

dogs now. It‘s just not a problem we anticipated.

BLANDFORD
We have to pull him out. You have to talk to him. He‘ll listen to you.

Maggie looks out the window.

MAGGIE
He'll listen to me? He was here a week ago, Snuck in the house after I fell asleep. Didn’t wake anyone. Didn‘t say hello. beat

He came home...for a sport coat.

CUT TO:

3/29/96 SALHON Revision 116c.

120

EXT. DAY. MOTION LOUNGE 132

source 121

WISEGUYS standing guard out on the street, stamping their feet for warmth. Whispera and awestruck looks fram the wiseguys aa a big Cadillac pulls up. Boobie and Lefty emerge. Then Donnie...

WISEGUY #1 (awestruck) The bess.

e..Then Sonny. Huddling with Boobie, Lefty and Donnie, he disappears into the club.

cuT TO:

121

INT. DAY. LATER. MOTION LOUNGE 133

source 122

Boobie, Donnie, and two WISEGUYS sit at a card table. Boobie turns to Donnie. BOOBIE You know hew to keep score? A moment of recognition that WICKY'S GONE Then Sonny and Lefty enter from the back room, exchange a look-~- they've been conferring. ‘Then Lefty turns to Donnie. LEFTY Donnie, let‘’a go take a walk. CuT TO:

122

EXT. DAY. MOTION LOUNGE 134

source 123

Lefty and Donnie walk up the block.

LEFTY
Leok, Donnie, his son Bruno Gisappeared. As long as he's on the loose, ain‘’t none of us safe.
DONNIE
You got no idea where he is?

LEFTY

He's got a nickel a day coke habit. He gotta show up someplace.

{turne to Donnie) We got the contract. This gets done right, when the books open up, I'm gonne propose you for membership. ou know what that means?

tls.

or a Si aoe Ered eS 134 CONTINUED: DONNIE Don’t worry. I won’t fuck it up. . LEFTY , You read my mind. Don’t fuck this

up.

Lefty takes Donnie by the shoulders, gives him a formal kiss on one cheek. Then hugs him, looks at him with pride. This is a big moment -- the greatest gift Lefty can bestow...

LEFTY (CONT.)
You're gonna be a made guy, Donnie. Capeesh?
DONNIE
Yeah, I know.
LEFTY
C’mon, let’s go back inside.

Lefty turns to head back to the club. Donnie stops him.

DONNIE
Hey, Left? LEFTY What?
(beat)

C’mon, Donnie, I'm freezing.

DONNIE
You know that Bertram you used to have? How much is it, a boat like that-~you think three hundred grand?
LEFTY
You could get the sports fisherman maybe for three hundred used. What are you talking about boats, Donnie?
DONNIE
I just wanted to know.
LEFTY
It‘s ten fucking degrees out, you wanna have a conversation about boats. This ain’t the time to lose your marbles, Donnie. You understand? We hit this cocksucker and leave him in the street.
CUT TO:

134°

* * + oo *e y & + + +

+ + ot

A lal NF ee ae f oR,

123

EXT. DAWN. PISTONE HOME . 135

source 124

Donnie drives his Cadillac past the house. Cases it for . surveillance. Then drives to the next block. Parks. Cuts through his neighbor’s backyard, vaults the fence. Jimmies the back

door. Enters.

124

INT. DAWN. PISTONE HOME “136

source 125

KERRY AND TERRY ASLEEP

In their shared bedroom as Donnie tiptoes past. Glances briefly at them. Then turns--

Iit’S MAGGIE

MAGGIE
Do you want to tell me what’s going on?

DONNIE

Nothing. Just go back to sleep. I - just had to pick something up.

MAGGIE

That’s not going to work anymore, Joe,

He goes past her to the master closet. Opens it. Looks inside...

(CONTINIED})

2/23/96 PINK Revision 118.

DONNIE
Maggie, where is it?
MAGGIE
What’s going on, Joe?
DONNIE
Where is. the bag, Maggie?
MAGGIE
There’s three hundred thousand dollars in that bag, Joe. I counted it.
DONNIE
(angry)

You shouldn’t know about that.

MAGGIE
It’s in my house. Who would ever believe I didn’t know about it?
DONNIE
I didn't do nothing wrong.
MAGGIE
We could both go to jail. What about our children, Joe?

Donnie exits the bedroom. She follows.

DONNIE
Shut: up. You don't know what you’re talking about.
MAGGIE
I know FBI men don’t walk around with three hundred thousand dollars in a bag, Joe.

. DONNIE Tell me where that bag is, Maggie. | *

He continues to forage for the bag...

MAGGTE
You're becoming like them.
DONNIE
Where's the ba Maqcgie?

2/14/96 SLUE R

(2)

MAGGIE
The Bureau was here.
DONNIE
What did you tell them?
MAGGTE
You’/re right, you miserable prick. I sold you out.
DONNIE
What did you tell them, Maggie? Did you tell them about the money?

i < od ui : Oo rs | aoa ; td to

She gives him a defiant look. Then turns, rummages in a hiding place. Returns with the bag. Shoves it at him.

MAGGIE

Do you wanna know now I get through my days? Do you know now I do it? I pretend you're dead. Then I’ma widow--Z can do that--with the pictures and the medals and the scrapbook and the memories...

(breaking down) ; Now just go away and stay away.

Maggies breaks down.

DONNIE
I can’t. MAGGIE Then come home. Please. DONNIE I can’t. MAGGIE

- You're killing me.

DONNIE
I can‘t, Maggie.
MAGGTE
Why? Why do you hate me? Why?. I love you so much. What did I do? DONNT= = It went too far. I was supposed to be better than them. I was supposed to be different. The man in the white hat, the fucking Untouchables. Meanwhile the minute I come out from under everybody gets whacked-- one

(MORE)

(CONTINUED }

CONTINUED :

125

EXT. NIGHT.

source 126

2/14/96 BLUE Revision 120.

ia)

DONNIE (cont‘d)
guy already got whacked, dead-~ because of ma-~-2as good as if I put two bullets in his head myself. I got a contract right now to kill a guy I don’t even know. So you tell me, Maggie, you tell me what‘s the difference? Where’s the right and wrong? I'm not becoming like them-- I am like them. I spent all these years feeling so fucking superior, laughing at them behind my fucking mask. Who's laughing now?

HIGHWAY~--NEW JERSEY |

Donnie talks on a PAY PHONES by the highway.

DONNIE
Left, Donnie.
LEFTY (0.C.)
Donnie--where you been, Donnie?
DONNIE
Left, I gotta see you.
LEFTY (0.C.}
You’‘re right you gotta see me. We found Bruno. He’s on a boat cut in City Island.
DONNIE
You want me to pick you up?

LEFTY

We ain’t got time, Donnie. Meet me

there.

126

INT. NIGHT. FBI HEADQUARTERS

source 127

The Suit, ALONE in the office. The phone RINGS.

~

Hello? =

He listens. Hangs up. RUNS.

CuT To:

4/24/36 2ND WHITE Revision , 121,

127

INT./EXT. NIGHT. DONNIE’S CADILLAC

source 128

Donnie waits in his car. Lefty appears, taps on the window. Climbs inside.

LEFTY ; He's at the end of the pier. We'll wait while he has his drink. Let him get a little sleepy. I'm getting sleepy myself.

DONNIE

How's his boat? LEFTY

Nice one, fuggedaboudit. DONNIE

Yeah? LEFTY

I'm telling you, Donnie--one thing I know is boats.

DONNIE : You know what you said a couple of times-~-~how if you had that Bertram again you’d drive down to the pier one day, take Annette and just go? Remember? North South East or West~- and noboedy’d ever find you?

LEFTY
Donnie-~that was before. Don’t remind me of all that.
DONNTE
I just wanna know--did you mean it?
LEFTY
Donnie~-who am I, Rockefeller? I’m gonna go buy a boat?
DONNIE
I'm saying what if? I got some things going on the side. Maybe I could find that kind of money.
LEFTY
For me? That's very generous. DONNIE
(off Lefty’s Look)
You know what I'm saying. Since

Sonny Red got clipped--it's alli getting too hot. Go back to the

(MORE )

(CONTINUED )

+ bt eh

a a

* *

a %

* * eH

* 4% & 4

4/24/96 2ND WHITE Revision 122.

DONNIE (cont'd)

city, pick up Annette. Then you buy * that boat and go. Forget Bruno... * LEFTY *

Sonny ain't gonna forget Bruno.

DONNIE
So that's his headache. Get out of the life, Left. Go live in the Bahamas, open up a bait shop and eat coconuts.

~ te t¢ eH

Lefty looks at Donnie a long beat.

LEFTY .
Donnie--listen to me, Donnie. I'm gonna show you something, and I want you to look at it very carefully, and I want you to think very carefully about what you say to me.

Lefty reaches in his pocket, takes out a piece of paper, folded. Hands it to Donnie. Torn from a magazine:

THE NEWSWEEK ARTICLE
with the PHOTO of "The Left Hand."
LEFTY
That's a Federal boat, Donnie.

Donnie looks up from the article. Sees a .22 BERETTA AUTOMATIC in Lefty's hand.

DONNIE
Left, that ain't the same boat.
LEFTY
Don't tell me that ain't the same boat, Donnie! There's one thing I know it's boats! That's a Taiwan- * Made boat, there's only five like that in the world.
DONNIE .
I really don‘t think it's the same boat, Left.
LEFTY
I even remember the name, Donnie. “The Left Hand.” That's like my name. That’s that ABSCAM boat!

(CONTINUED )

4/24/96 2ND WHITE Revision 123.

DONNIE
I told you, I got that boat from that girl I used to know down there.
LEFTY
What’s her name?
DONNIE
Florence.
LEFTY
Florence what?
DONNIE
Florence Italy. How do I know, Left? Maybe her brother's an agent. I thought he was in real estate.
LEFTY
You think I forget. I don't forget nothing. You already got two other strikes on you.
DONNIE
What two strikes?
LEFTY
When you did that with the air conditioner and, uh, uh, uh--ain’t the question, Donnie. You still ain't answered me about this Federal boat.
DONNIE
How the nell do I know? I had no idea it was a Federal boat. That don't make me a rat.
LEFTY
Donnie--did I say you was a rat?
DONNIE
No, but I ‘thought you-—
LEFTY
How many times did I have you into my own house, Donnie?

; ‘DONNIE Twice a week, at least.

LEFTY .
At least. I cooked for you. Everybody in my family--my wife, my daughter... I ever had any money--I mean, I never had any money, but

(MORE )}

{CONTINUED )

4/24/96 2ND WHITE Revision 124.

139 . CONTINUED: (3) 139

LEFTY (cont’d)
ever I had a hundred bucks in my pocket, I gave you fifty, right?

‘DONNIE You're right.

LEFTY
If you're a rat, then I'm the biggest fucking mutt in the history of the Mafia.
DONNIE
Look, Left--I don’t even know what you're worried about. That guy with the boat, he scammed all these fucking guys but he couldn't scam us. We had a great party and we walked away from it.
LEFTY
How do you know we walked away from Lee

DONNIE

We're sitting here, right? They think they outsmarted us, but we outsmarted them. We beat the agents!

Lefty thinks, looks at Donnie another long beat.

LEFTY

You still got two strikes on you. DONNIE

Okay. LEFTY

C'mon, let's go do this work and get this over with. ;

He hands the gun to Donnie, climbs out. Donnie looks at the gun in his hand, then sticks it in his belt, follows Lefty.

CUT TO:
128

EXT. NIGHT. MARINA

source 140

Bruno sits on his boat, watches a small TV, his back to the sliding glass doors that lead into the cabin.

DONNTE’S Pov

Of Bruno, as Donnie and Lefty move down the pier-~a tunnel of Grydocked boats. The PUTT~PUTT of a distant engine as a doat is * dimly seen approaching from seaward... *

S ens?

(CONTINUED }

4/24/96 2ND WHITE Revision 125 140 CONTINUED:

ANGLE ON~-DONNIE AND LEFTY Donnie tenses as they move down the pier towards the boat. LEFTY Remember, two behind the ear. Like pushing a button. Bing bing, that’s ac. DONNIE Okay. . LEFTY Don't freeze up. You gonna freeze * up? - DONNIE No. LEFTY

A lot of guys freeze up.

DONNIE
I’m fine.

They're very close to Bruno's boat now, but he doesn’t see them. *

They're screened by the dock's gas and water pumps. - ; LEFTY Did I say you's a rat? I can't believe you even brought that up. I *

never said you's a rat, Donnie. I'm your best friend.

Donnie turns to look at Lefty. , . LEFTY , *

_C'mon, Donnie. We gotta get this *

thing done now. *,

Lefty stoops down and disconnects the dockside power to Bruno's * boat. The TV and bilge pump flicker off. ad LEFTY . *

Get ready Donnie. He's gonna be *

outta there in a second. *

Bruno slides open the glass door and steps onto the aft deck. = Lefty nudges Donnie, who aims his gun at Bruno. All innocence, ® Bruno climbs off the boat and heads towards them. = Donnie tenses with anticipation. Lefty watches Donnie nungrily. * CLOSE ON--The gun in Donnie‘s hand and his trigger fives not * tightening. Lefty begins to draw his own gun. *

(CONT LNUED )

4/24/96 2ND WHITE Revision 126.

CONTINUED: (2)

The movement catches Donnie's attention. And suddenly he REALIZES what he’s doing down here...

Bruno approaches closer, almost up to their hiding place. The

sound of the approaching boat is loud now. Donnie looks from Lefty to Bruno, his gun still raised.

Then:

LIGHT EXPLODES from a POLICE BOAT as a SPEAKER SQUAWKS...

FBI #1

PUT YOUR HANDS ON YOUR HEAD RIGHT Now!

Suddenly, FSI MEN in blue windbreakers with big white letters~—

"FBI"~~storm the pier from the land side, grab Donnie and

Lefty...Other FBI men nab Bruno...The FBI pulls Donnie one way, Lefty the other...Curley at Donnie’s elbow...

LEFTY
(calling)

Donnie, don't say nothing. Don't say nothing to them.

CURLEY

Congratulations. It's over, Joe. DONNIE

What do you mean, it's over? That’s

my call. I come out when I say. LEFTY

Donnie, don't say nothing.

Curley It's over, Joe.

LEFTY
The mouthpiece’ll be wit’cha in twenty-four hours! Donnie--!
DONNIE
I'm not coming out!

Donnie starts to run...

ANGLE ON-—-LEFTY

As he's HANDCUFFED, looks up the dock to where Curley and other FBI MEN catch up with Donnie, wrestle him away. Donnie STRUGGLES, exchanges a look with Lefty as he's dragged away.

CLOSE ON-~LEFTY

(CONTINUED }

4/24/96 2ND WHITE Revision 126A. CONTINUED: (3) 140

As he smiles to himself-~relieved to find Donnie is on his side after all. Then he notices...

BACK ON~~DONNIE

That Donnie is NOT HANDCUFFED... As Curley drapes an FBI WINDBREAKER over Donnie'’s shoulders and they escort him into a car...

TIGHT ON-~~LEFTY

CUT TO:
129

INT. DAY. MOTION LOUNGE: 141

source 130

PHOTOS OF DONNIE

With other FBI MEN, at Quantico, etc., as Curley and Blandford show them to Sonny, Boobie, Lefty and other WISEGUYS. Then Blandford passes his business card to Sonny.

BLANDFORD

You've known this guy as Donnie Brasco. That’s not his real name. The truth is, he’s been an FBI agent all along.

(with business card) Here's where you can contact me if you want to talk.

CUT TO:
130

EXT. DAY. MOTION LOUNGE 142

source 131

Sonny, Boobie, and Lefty watch as the FBI cohort drive off. They

Stand on the street corner--DEATH and disbelief written in their faces.

(CONTINUED )

CONTINUED: , 142

Late n't ted east

SONNY
You believe that fucking guy? There's no fucking way Donnie could

be an agent.

BOOBIE
Some fucking bDlufé.

An FBI MAN nides on a nearby ROOFTOP with a TELEPEOTO LENS.

Z2ZZH! A FREEZE FRAME of the guys standing outside. _ LEFTY That boat was é setup. They set up that boat and then we think Donnie's a rat. Z2ZZH! and another FREEZE FRAME. SONNY They aimost had me going LEFTY If you didn’t know Donnie. 2224! ZZZH! SONNY Right? IT£ you didn't know Donni Z2ZZH! Z2ZZH! ZZZH! FREEZE FRAMES like tombstones.

CUT TO:
131

INT. NIGHT. LEFTY'S APARTMENT 143

source 132

Lefty sits, BROODS, watches a NATURE SHOW on his TV. The phone rings.

LEFTY
Yeah? {listens) Okay. I’ll be there.

angs up. Thinks a beat. Then takes off his GOLD WATCH,

“KS Lt in a drawer. Then the CROSS he wears on a chain

nd his neck. His WALLET. The KEYS to his Cadillac. Closes Grawer as Annette enters.

(CONTINUED }

143A

5/10/96 2ND PINK Revision 128-129. CONTINUED: 143

ANNETTE
Was that for me?
LEFTY
Nah. A guy I gotta go see.

He gives Annette a kiss.

LEFTY .
G'night, Annette. Don’t wait up.

He turns to the door, turns back.

LEFTY
Donnie calis, tell nim if it was

gonna be anyone, I'm glad it was him.

CUT To:

132

EXT. DAY. SHOOTING RANGE 1434"

source 133

A line of EIGHT MEN in windbreakers and caps slencilled with "F.B.I.” in yellow ietters. They shoot at man-shaped targets. At the cnd of the line, Donnie. His hair is no longer the sleek black cap of his time with Lefty.

+ & * }Y

Donnie completes shooting off his clip. He raises his empty gun * and watches as the range mechanism returns his target down the *

bY

wires. The black outline of a man peppered with bullet holes trundles inexorably towards him.

curt TO: 7

133

INT. DAY. FBI HEADQUARTERS-~AUDITORIUM 144

source 134

ublic room with rows of cheap government-issue CHAIRS and a

®

LE TERN with the FBI SEAL, flanked by FLAGS. Curley introduces = Donnie to a FUNCTIONARY in the public affairs division--the = shaxe hands and the Functionary takes out a NOTEBOOK. Maggie * and the three girls in their pinafores sit on metal chairs. * CURLEY ; *

+--This is Joseph Pistone. * FUNCTIONARY i

I just want to make sure I have the =

correct spelling of your name. .

DONNIE -

This is my wife, Maggie. *

Donnie beckons to her...

. 5/10/96 2ND PINK Revision 130. CONTINUED :

Blandford enters with the DIRECTOR, a Midwestern waxworks in his 60s, Ttollowed by three AIDES, one of whom directs him to a PLATFORM In front of the lectern. Blandford ushers Donnie over to him.

BLANDFORD
Mr. Director, this is Speciai Agent Joseph Pistone.
DIRECTOR
Son, we're very proud of you.
BLANDFORD
And this is Mrs. Pistone.

AIDE #4 approaches, whispers in the Director’s ear. Donnie looks at Maggie. Maggie SQUEEZES his hand. The Director returns his attention to them.

DIRECTOR
You must be very proud of your husband.

MAGGIE

He's a very special man.

An Aide Leads Maggie pack to her seat under the prompting of the photographer.

The Director puts on his READING GLASSES as an AIDE hands him an INSCRIPTIOGN to read...

DIRECTOR
(reading)
“To Special Agent Joseph Pistone, in grateful recognition for meritorious service.” Allow me toa present you with this medal and a check for five - hundred dollars.

The Director hands Donnie a VELVET CASE and a large CHECK. A

PIIOTOGRAPHER steps forward. The Director and Donnie shake hands tor the camera.

PHOTOGRAPHER
Hold up the check.

Donnie complies. FLASH! Donnie and the Director captured with

their frozen smiles. 222ZH! Then TIGHT cn Donnie. 2ZZZH! Again, TIGHTER. 2ZZ2H!

DIRECTOR

Congratulations again, gon. (winks to Maggie}

Ma'am, you take good care of hin.

(CONTINUED )

* + ot

t+ 2 +e he H OH

4 oF

Bs » + t

5/10/96 2ND PINK Revision 1304. CONTINUED: (2)

MAGGIE
I will.

The Aides whisk the Director out. The Photographer packs up his equipmerit, Slandford approaches, shakes Donnie's hand.

BLANDFORD
Congratulations, Joe.

He pats him on the back, exits. Maggie approaches Donnie, holding Kerry's hand.

MAGGIE
I’m gonna take the girls to the bathroom. I'11 be right back. Maggie and the girls exit... AS does the PNotcgrapner...

Donnie remains, ALOWE in the large room, with the flags anc the

‘ ceremonial trappings...He opens the velvet box. Looks at his

medal. Looks up, and out the window. 2Z2ZH! FREEZE FRAME.

FADE OUT.

A CRAWL rune over this cleseup ae the color desaturates:

The avidence collected by "Dennie Brasco" lad to over 200

indictments and over 100 convictions, including the famous *Pizza Connection" aase.

The "Commission Case" resnited in the convintions of four of the heads of the Five Families under the RICO statute.

Special Agent Joseph Pistone lives with his wife under an assumed name in an undisclosed Iccation. There is still a $500,000 open contract on his head.

The IRS assessed him for $7,000 in back taxes and penalties. The FBI denied him a pension. .

FADE OUT.

tom OF