"BOOGIE NIGHTS" (1997)

1996 MAY, DRAFT REVISED

BOOGIE NJGHTS

Beautiful. JACK

on the half shell. wanna send over some clamsI • got you all set up at your booth.I (to Jack) MAURICE

You're such a charmer. AMBER

You are the foxiest bitch in ten counties. MAURICE

a kiss. Maurice takes Amber's hand and gives it

promise.I JACK

club ever again, Jackie-Jack-Jack. long from my Don't stay away this MAURICE

been on vacation.I-- JACK

you ain't been around --Pissed off MAURICE

honey? How are you, You bad ass little spick. JACK

Maurice.Hi, AMBER

Jackie-Jack-Jack and Miss Lovely Amber Waves MAURICE

Wearing a suit and fifteen gold chains. Puerto Rican. of the nightclub.OWner(30s)RODRIGUEZt.t.MAURICE

are greeted by;~ackandAmber Music is full blast. Twice as packed inside as outside.NIGHTCLUB.THEINSIDE

and enter --DOORMANgreet acrowd, as they pass the them (this is one continuous shot)followsCAMERA

30s) WAVES (earlyAMBERand(50s)HORNERJACK From the Seville steps,

landing in close;towards the car, moves across the street,

(STEADICAM)CAMERA SEVILLE pulls up to the valet area andCADILLACA

1977" "San Fernando Valley,CARD:TITLE

PACKED disco on Van Nuys Blvd.on thisCAMERA holds

l NIGHT NIGHTCLUB -TRAXXHOTEXT.l

TFW:W35E::as:-W-¥35

-- Seven-Up, here JACK

get a Marguerita, please?can I AMBER

Thank you. JACK

Compliments of Maurice. -WAITER

presents them;

he where him to Jack's booth,follows CAMERA picks up with him,and

on the half shell passesWAITER carrying clamsMoments later, the

Buck does some Cowboy-Type Moves. Reed and Becky Disco Dance.360 around them.adoesBecky and Buck, CAMERA stays with Reed, away to greet some more people.Maurice moves

Great, great, great. MAURICE

Excellent. BECKY

good time?Having a MAURICE

Maurice.hey, hi,Hi, REED/BUCK/BECKY

Hello there, kiddies. MAURICE

gear. cowboy 20s, black guy inSWOPE,BUCKin silk,giI'lblack

20s, BARNETT,BECKY skinny, tall and20s., ROTHCHILD.,REED

and greets three people;floor onto the dancewalksMaurice The WAITER takes off to the kitchen,

go! -- over thereAmberand Clams on the half shell to Jack MAURICE

some orders to a WAITER.where he shoutshim to the bar area,· follows CAMERA stays with Maurice, Jack head off towards the booth.aridAmber

Yeah,yeah,yeah. JACK

me and find out --Castand ready. I'm availableJack: Just remember, MAURICE

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disappears into a back room. turns away,thenat him,backlookingJackcatches he looks up, DIRK DIGGLER.ANGLE,

kid cleaning the table. and sees this looks across the dance floorJack turns his head, JACK'S TABLE.ANGLE,

(Note: In the text Eddie Adams will be referred to as Dirk Diggler,)

fora>moment.(40fps)MOTIONSLOW blending to~-a"CU CAMERA moves into1}.,:aged:ADAMS.,EDP-IEa table,.bus·<,boy··-cleaning.A

· this something: moves away towardsCAMERA She passes something,for the bathroom.

heading then continues on -- into the clearing off the dance floor,

a moment,dances says hello, Becky and Reed,Buck,She passes following her across the dance floor.stays with Rollergirl,CAMERA

Well go, then. AMBER

I gotta go pee. ROLLERGIRL

down there? What's the matter AMBER

notices;Amber Rollergirl scratches her crotch as she speaks.

her --see get in to the weekend and you'll never be able to then it's lf you don't do it tomorrow, AMBER

forgot.I ROLLERGIRL

Did you call that girl today? (to Rollergirl) AMBER

honey.Hello, JACK

Hi. ROLLERGIRL

to Jack's booth.back CAMERA PANS with her always wears rollerskates. She always,18)(aged ROLLERGIRL young girl wearing rollerskates, leading to aa moment,him forwithPANSCAMERA The WAITER exits,

3

I

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TO:CUT

Jack is off across the dance floor.

Tomorrow is the day --Tomorrow. JACK

a script yet?Do you have LITTLE BlLL

Exactly. J'ACK

-- a relaxed deal. LITTLE BILL

-- one crew on this wanna keep a smallI wanna keep it small.IButAbsolutely. JACK

away. He stands and heads Jack's attention is with the backroom that Dirk entered.

and all those guys --KurtRocky, Scotty, wanna call'Cause IFor sure? LITTLE BILL

the day after tomorrow. wanna do it the day afterI JACK

Are we still on day after tomorrow? schedule look like?Whatsa LITTLE BILL

Hey, Little Bill. JACK

Jack. LITTLE BILL

This is Jack's Assistant Director. buffed out LITTLE BILL (late 40s.)Short,FRAME.a figure entering who at that moment, is approached byDOLLIES in on Jack,CAMERA

Yeah. DIRK

a job here? Maurice give you JACK

guess so.I DIRK

more than that right? would know you if you'd been hereI know you. That's why I don't I haven't been here in a month. JACK

A month. DIRK

here? worked how long youanswer Wait with the

work here?You Where you from?Jesus. JACK

I'm ••• old enough. DIRK

Not like that.no.no,No, JACK

got the --I .•• I gotta work permit. DIRK

-- how old are you? JACK

You gotta go back out and to the left -- way the wrong direction.You're DIRK

for the bathroom.I'm lookin' ? uh •.• Do you know where, JACK

Hey. DIRK

Hey. JACK

FRONT.OUTSONG FROM THESOUNDSMUFFLED approaches. Jack enters and A few others around.washing dishes.isDirk

2 MOMENTS LATER BACKROOM/KITCHEN -INT.2

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ask you to jack off for them?come in,Guys JACK

you got ten bucks.that's cool if You wanna watch me jack-off, DIRK

got ten bucks.IYeah,Ten bucks? JACK

You got ten bucks? DIRK

not?Why JACK

I don't want to. DIRK

Why don't you work in Torrance? nightclub.Nuysa vanin a busboy to work as You take the bus all the way from Torrance JACK

? •.. what ••. DIRK

do you wanna do?What JACK

take the bus.I DIRK

How do you get here? JACK

where Torrance is? from •.• do you knowI'mno ••.um, DIRK

Reseda? Canoga? You live around here? JACK

..• well ••. you'll have to ask himYou shouldn't ••.

DIRK

mine. friend ofais Maurice JACK

make.I I'm not supposed to say how much DIRK

Why you wanna work here? What do you make? JACK

:...........---....._.:;;;;.........................------'-----'--•·

I'm supposed to be working. DIRK

'kay? minute,ame to hang withyou just want and I'm not gonna hold back and I I'm gonna tell you something straight out JACK

wanna do good things.I wanna keep being the best.I DIRK

Then what? JACK

everyone else to know it. want I'm already the best •.• now I DIRK

THEN:HOLD,

Want From This Life?YouDoWhatmean this:I mean:I do you want,What Question is: something:something,an actor, Everyone"sHey: Everyone's a dancer ••• y'know? JACK

I'm a dancer.Yeah. DIRK

No ..•• you're a dancer ••• right? JACK

like to dance .••!•... DIRK

You a dancer? JACK

Jack looks Dirk over head to toe.BEAT.

If you want ••• if you got ten bucks. DIRK

you can do it again?And JACK

Couple times. DIRK

You've done it tonight -- yet? JACK

Sometimes. DIRK

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Yeah. DIRK

made?I have filmswhat what, likeLike JACK

whatrLike DIRR

adult films.makeI JACK

Really'? DIRK

Jack Horner. I'm a filmmaker. •.. Eddie Adams ••• frorn Torrance. JACK

From Torrance. I'm Eddie Adams. DIRK

name?your What's JACK C

Bi. D!RK

Jack.I'm J'ACR

Yeah, right. DIRK

my friend. precious metals, You were chiselled frommy life.inseen face on you like I've neveraSo you got JACK

? So ••• DIRK

Yeah. JACK

Oh yeah? DIRK

know you do well.Iwhatyou just doing ..•• me worrying,nowtrom how it's gonna go me worry about Maurice -- because that'syou let Maurice is a friend, don't worry about that, JACK

Hey. JACK

don 't know •••I DIRK

need some spending money ••• something?You JACK

home.at I live But I don't pay rent. need money.Iyeah,mean,I••• No. DIRK

need money •••• you gotta pay your rent?You JACK

have to work.Ineed money,I DIRK

wash in your life -- you everdishlast That's the-- JACK

l'm supposed to be working -- DIRK

Put that dish down.Hey.Forget that. JACK

working ••••'ml DIRK

drink?a you wanna have ~able,mytoback come don't youWhy JACK

laughs:Jack Dirk laughs,

I'm not full of doggy-doo-doo. that maybenowknowyou So you know me, JACK

magazine.a read about you inI DIRK

do? You JACK

you are.whoknowI DIRK

heard of them ••• or?You've Amber.""Inside "Amanda's Ride" the names:with All those ones, the ones JACK

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CUT._TO:

DIRK.WITHHOLD Jack leaves.

something wonderful just waiting to get out. Beneath those jeans there'sIt seems to me: JACK

walk out on Maurice. But I just can'tYeah.••. yeah, DIRK

-- doggy-do-do. JACK

know you're not full of --I do know you.II'm sorry. DIRK

yeah? You're a good worker, JACK

I can't do that to Maurice. DIRK

want you to meet some people.I want you to eat dinner andImy table.to know how it can be ••• come backBecause I love and encouragement that you need .••• And I'm prepared to give you all the this moment you need love:fornow,But for miserable you'll discover all that's fuckin' hard after that,be is love, let the world From ages zero to eighteen all a kid needs because you're young and that's what you need. you again I told you that before, but I'm tellin' you're a pure piece of gold,••••and what doesn't and I gotta pretty good clue as to what works I've been doin' this for twenty three years treat me well and I'm gonna treat you well,You seventeen year old piece of gold.aYou're good man.aI'm to listen close:youwantI now and something rightyouwanna tellI JACK

I'm seventeen, DIRK

Tell me how old you are. JACK

What? DIRK

She hangs up. from the phone.Dial tone

Tom --Tom,'1'om, No .•• please don't, (beat) and I'll take you to court ••.• do don't but I You might think I understand?youa lawyer,knowI Lemme tell you something you don't know; Tom. Lemme tell you something, (beat) hello to my son and that's all. I'd like to say hello, I'd like to say ? Is he ••• Is Andy there?Yeah. (beat) know it's late, but •••ITom .•• hi ••• yeah. AMBER

phone;the then picks upa cigarette, a valium, lights She takesBEAT. a quick line of coke.She doesAMBER.ECU,

6 LATER MOMENTS-NIGHT-HOUSE BEDROOM/JACK'SAMBER'SINT.6

TO:CUT

Sleep beautiful. Goodnight, honey-tits. JACK

I'm goin' to sleep. AMBER

I'm onnamake some eggs, You want somethin' to eat? JACK

a drink .•.she makeskitchen,the He heads for at Graceland. enter the house. It resembles the Jungle RoomAmberandJack

5 LATER NIGHT --CANYON HOUSE/LAURELJACK'SINT.5

4 OMITTED4

TO: . CUT

a side door and heads off --fromexits the clubDigglerDirk

parking ticket off the windshield and gets behind the wheel.a old Station Wagon, ripshis pass Little Bill who walks toThey.

up van Nuys Blvd . say so long and head cruise past in his Seville,AmberJack and

Reference improv. notes)(Director's Note: Becky and Reed. CAMERA hangs around with Buck,off out front. Maurice is locking up and turning the lightsclub is closing,Th~

3 CLATER)NIGHT NIGHTCLUB -TRAXXHOTEXT.3

TO: CUT

goes into his room.andhallwaya enters quietly, walksDirk

9 NIGHT- HOUSE/TORRANCEPARENTSDIRK'SINT.9

TO: CUT

closes the door. Little Bill watches a moment in a haze thenBig Stud continues.

Big Stud.going,Keep (to Big Stud) Fucking sleep on the couch.Just get out, Bill. WIFE LITTLE BILL'S

Relax, little man. BIG STUD

asshole.my wife, You're fucking close the door?IWill LITTLE BILL

you close the door?Will STUDBIG

you idiot. a cock in my pussy,I've got it look like I'm doing?doeoThe fuck LITTLE BILL'S WIFE

you doing?are What the fuck LITTLE BILL

moment and casually look at him.aThey stop doing it on the bed.areSTUDBIGaandWIFELITTLE BILL'S

TO: CUT

Little Bill walks to the door, hesitates, then opens -- GROANING.ANDMOANING hear the sounds ofweDOORA BEDROOMFROM

guide him down a hallway. small light to helpaon Little Bill enters his house quietly, turns

7 NIGHT HOUSE - LITTLE BILL'SlNT.

a car wash .••••• at MOTHER

I've gotta get to work. DIRK

silence. They eat in

••• yeah ••• DIRK

should find one closer. so important .•• youshould ••• if it' s If you wanna work in a nightclub you MOTHER

Yeah. DIRK

huh? home late,you get How's that work, FATHER

looks to Dirk. a seat at the breakfast table,Father takes

my face. do that, it scratchesgonna Shave if you'reokay?Please,•.• Jesus. MOTHER

Good morning. FATHER

on the cheek of Mother.a kissplaceshis,,,,fa·ce,,on~.tubble;ather, CU. INSERT,

He crosses the kitchendressed in suite.enters,(50s)'FATHERHis washing a dish.stands,40s)(midMOTHERHis Dirk eats breakfast.

13 MORNING HOUSE/KITCHEN -DIRK'SINT.13

12 OMITTED12

11 OMITTED11

CUT TO:OUT,FADE

That's right. DIRK

ON DIRK;BACKLANDSCAMERA centerfold, Luke Skywalker, etc.

a PenthouseHawaii,Bruce Lee, a 1976 corvette,Pacino,of Travolta,

Posters on the wallsROOM.AROUND THEPANDOES A SLOW 360CAMERA some karate moves, etc.some dance moves,few flexes,adoes stands in front of his mirror,Hethe volume low on his stereo.

He turns room and begins to removes his clothes.Dirk enters his

10 MOMENTTHAT NIGHT -ROOM -DIRK'SINT.10

that it's the highest quality fidelity. What that means isFidelity.""High Hi-Fi_.This is See this system here. -- yes you do.wantyouwhat system to handleaIf you want BUCK

bass?much thatneed do I- know I don't CUSTOMER

here. syste1t1in thisgot modification we T1<421 cause of thebass,twice·the you"re gettin'basically-- so BUCK

nearby. standingis30s).(JERRY mustache and mustard suit,a.withguyskinny-whit.eaThe manager, stereo unit.aaboutCU$TOMERa cowboy-digs, is talking tousual Buck, dressed in his A semi-high end stereo store in the valley.

17 DAY SHOP -STEREO SUPER-DUPERINT.17

door -- the teacher calls after her -- but she's gone. heads for the She stands up,ROLLERG!RL.ONcu.ARRIVESCAMERA

smile.and Other students notice She looks away, they continue their gestures and giggling.

gesture.job""blowamakes One guy looks to the other and her and chuckling to themselves.atBOYS are lookingTwo

r~om; She looks across the generally confusing material.anddiagrams

a lot of questions,over;itROllergirl looksexam.finalout the

handing A TEACHER walks about,is Roller girl.deskasitting at

of the class,backIn the A crowded high school geometry classroom.

16 OAY SCHOOL CLASSROOM -HIGHINT.16

15 OMITTED15

14 OMITTED14

exits.and Oirk stands up, places his plates in the sink

occured to you? school nevercar wash,aatworkYou MOTHER

What? DIRK

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don't --IWhat? BUCK

Have I?Huh? Have I told you? JERRY

Wha? BUCK

JERRY

and Jerry approaches Buck.The customer exits

No problem. BUCK

your time. Thank you for CUSTOMER

then; The Customer listens another moment,

a small price.fordo thatweand like this without the modification sound this unit as it is -- it won't If you getright? wanna freaky-deaky, makes you and curls up in your belly, and turnsIt kicks Hear that bass? BUCK

a country western song.own of Buck ejects the Eight Track that was playing and puts in his

I'm talkin about -- a better idea whatin so you can get put another eight tracklerranecrank -- maybe three quads when you really that basically kicks in another two, a bass unitwhich is with the TK421, But -- I"ve got it modifiedYes. BUCK

? ••• really ••• CUSTOMER

have this unit at home.I BUCK

It's the price -- J CUSTOMER I

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baby. baby, Ohhhh-baby, LYNN SHERYL

me pounce you, Sheryl Lynn.makeDon't DIRK

Eddie. Give it to me, LYNN SHERYL

have to get back to work.I DIRK

once more. SHERYL LYNN

have to get back.I DIRK

blue ribbons, etc. Horse models, trophies from riding, Her room is decorated in pastels with equestrian things all around.

PARTRID.GE.LYNNSHERYLgirl, young neighborhooda Dirk is in bed with

Buck goes to the backroom.

from the backroom. 484's Go unload the newAlright. JERRY

Yeah. BUCK

dig?you have anymore fuck ups -- it has -- but I can'tandplace -- might bring some nice pussy in the work thought your filmbecause I job hereayougaveI No you look. JERRY

look -- Hey, Jerry, BUCK

are you anyway, listening to that shit? What kinda brothermusic.yappy-dappy you play this twingy-twangy,Instead, No. you throw on some Led Zepplin. you've seen the profile sheetandway~- particularaguy looksa the Sunshine Band, andKC throw on someYouste·reo.a gonna buy and no one'swestern~crap play that countryYouAlright: A.) JERRY

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a mistake.ever make I'll never,and gonna stopI'm neverget it:IAnd once DIRK

know.I LYNN SHERYL

want and it's what I'm gonna get.I That's what big, bright shinning star.A plan on being a star.Iwant you to know:I DIRK

down to her;Dirk kneels

Everyone is blessed with One Special Thing. DIRK

That's right. SHERYL LYNN

Everyone is given one special thing •••• right? mean:I Everyone has one thing, y'think? DIRK

BEAT.down. Dirk looks

making love to me? Having sex .•• fucking me •••Eddie?doing this, good you are athowknowDo you LYNN SHERYL

Yeah .•. (OC) DIRK

You"re so beautiful. SHERYL LYNN

What? (OC) DIRK

shakes her head; She stares at his crotch,· naked and flapping. and down on the bed,bouncing'bpjumps up and startsDirk

That's it. DIRK

Promise? SHERYL LYNN

I'll do it DIRK I

1r·

·.-~...._·•a··.·------.--·-·-···....·•·'Ji.Li.A.-·,C•r,t,,_

ago? Couple hours remember me?You ROLLERGIRL

I'm goin' pretty far. DIRK

wanna ride?YouYeah. JACK

Jack? Hello. DIRK

Eddie.Hey. JACK

and Rollergirl in the Seville pull along side him;AmberJack, a side door and starts walking.Dirk exitsClosing hour.

Rollergirl whispers something into Jack's ear. SLOW MOTION.CLOSE-UP,ANGLE,

towards Jack's table. on the heels of the rollerskates as they move backfollowsCAMERA

TO: CUT

She smiles up at Dirk.HER FACE.ONCLOSEDOLLY INShe hesitates. pulls out his cock,andunzips his pantson him,downShe goes A CLOSET SPACE

up just a little ••• She rolls closer to Dirk and pulls him intoskatea

She lifts He looks up and spots Rollergirl.Dirk is washing dishes.

KITCHENTHE

the hallway and into -- on the heels of the rollerskates as they move downfollowsCAMERA

20 MOMENTTHAT NIGHT -- TRAXX/HALLWAYHOTINT •.20

TO: CUT

and rolls.away "I understand,"She nods,in her ear.

something He whispers comes over to speak with Jack.Rollergirl

BOOTH. JACK'S ANGLE,

he buses tables.a while asDirk for CAMERA hangs witha Friday Night.swing on Nightclub is in full

19 NIGHT NIGHTCLUB -TRAXXHOTINT,19

He'll see it. (OC) ROLLERGIRL

He'll see it. (OC) JACK

No. (OC) DIRK

She watches Dirk.ON AMBER.HOLDSCAMERA

house? Have you seen Jack's AMBER

Eddie. amount of money you can make, and there's practically no end to thefilm good You make a something else:tell you but lemme a lot of money,Hell yes it's JACK

a lot of money.That's DIRK

spending thirty/forty thousand a picture. know you're next you thing youediting -- synching, developing,lab fees, you got sound, you got lights,You got film,Green. good 'ol American mean, this stuff costsI It costs. and that's this:one thing you understandmean,I This thing here., JACK

on the other.AmberJack and Dirk and Rollergirl on one side,In a booth, after the meal.

23 LATER NIGHT -SHOP -COFFEE CANDY'SINT.23

· Dirk gets in the backseat of the car with Rollergirl.

Okay. DIRK

sweetie. with us,come AMBER

remember you.Yeah .•. I DIRK

' 19

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honey ••• it's just nice in theory. Don't listen to hard to all this, AMBER

••• Right ••• right ••• I understand. DIRK

that's true ••• true and right and dramatic. got a dream of a making a filmBut I good and that's fine.heavy: That'sfuckit and little, then get intoamake people laugh we wanna sometimes we make these films, The Story Ends.How sit in it ••• JustTo See and their loadsquirt the story ••• they'll 'em in withSuckgoal:myidea,My you wanna split. you come? You're done, what happens when even after they've come •••• 'em around wanna make the thing that keepsI I don't want to make that film.the story. and splitting onjacking offsitting down, 'em showing up,I don't want That's one thing. THE THEATER.THEM INGETSure:Hey, from your heart ••• you understand?insides, What I'm talking about is showing your Fuck that. not just your cock:No, If you're able to give it up and show the world: The beauty and the acting. Huh? seats even after they've come? What keeps them in theirthe theater. GETS them in and the big tits -- that need the big dick,Iyeah,-- Alright, JACK

Uhhh-ohhh •••• here we go -- AMBER

need actors.I No. need that:IDoNo. want that:IDo cocks the size Of Willie Mayes Baseball Bat: myself 15/20 guys,f.indcanIgot:I can go out -- tonight -- the reputationI JACK

NOW. AMBEROFF CAMERA She smiles. He looks to Rollergirl.

Yeah? Do Got,YouAnd say you got that: right? Okay, let'sFun Zone?Mr. Area, y'understand? Torpedo right down to it ••• what we need is Mr. noon, night, the whole deal, but when it comes day, workout morning,your legs,on your arms, mean ••• you can workIyou understand?juice, you gotta have the When all is said and done, and lemme tell you something else:weak,the right ••• shit, this is not an operation for sure the lighting ismakeand that's just to You got ten, fifteen people aroundEddie: (CC) JACK

on his back like a fish. (OC) AMBER ·, it was a FIN. Big •••• it was like ••• (OC) JACK

How big was the fin? DIRK

honey. Believe it, (OC) JACK

I don't believe this story. (OC) AMBER

like a fish ••• he goes straight for the water. on his back mean, he's got a fucking finI on his back like a fish.A fin A fin.see? and what do Ishirt off up to the house, rips hislad comes over, Look in the studio fridge .••• so this young (OC)JACK

Jack. ..• you're out of limes, (OC) ROLLERGIRL

So on and so forth, right? come by .•• "a party,I'm havin'"Hey, him and I invited him up to the house. metI was about twenty or so when a true story ••. this kid ••• hethis is swear to you guy once •••• Iknew aI (OC) JACK

talking.

and moving aboutAmber oc we hear Jack, Rollergirl andhis lap.

hands folded across He's sitting on a couch,DIRK.WITHANGLE

THE LANDS HOUSE,THEOF PARTMAINTHE AROUND DOES A 180CAMERA

1, ,l

I

TO: CUT

Jack and Rollergirl look at Dirk.Amber,HOLD.

If you don't have dreams you have nightmares. DIRK

Drearn,dream,dream,dream,dream. ROLLERGIRL

a cock and an actor. dream to be able to find·aIt's JACK

sex?Have (OC) DIR!<

her? withonit Would you like to get JACK

••• great She's ••• she's really (OC) DIRK

think of Rollergirl?youdoWhat ·JACK

No. (OC) DIRK

do you?back, fin on yourahavedon'tYou we ought to be in business together. do you think ••• I thinkwhatSo JACK

She's really nice. (OC) DIRK

need love.whothose all wonderful mother toandrealA mother.A Eddie. She's the best, JACK

HOLD. JACK.WITH ANGLEANTO LEADSAND AMBERWITHPANS CAMERA

you. Thank DIRK

You're great. AMBER

good-night kiss.agives DirkandFRAME She leans into

by. cameyou gladl'm Good night, Eddie. too late.upstayDon't Jackie. Good night, (OC) AMBER

honey. Good night, (OC) J'AC:K

going to bed.l'm (OC) AMBER

Is that true?Yeah. DIRK /,/....'---~' () right? Funny,name.thewas Sluts,""Scuba him. with underwater series of films wholea gonna doI wasright. That's (OC) JACK

\'

come in me. Don't fucking ROLLERGIRL

Okay. DIRK

I don't take my skates off. ROLLERGIRL

off? take your skates,gonnayouAre DIRK

a moment. Dirk stops They lean back on the couch,They kiss.

Ohhh-yeah. ROLLERGIRL

you?Are DIRK

You ready? ROLLERGIRL

the couch -- in one swift motion ripping her clothes off. She sets the needle on the turntable and rolls over to a record. She rolls over to the Hi-Fi system and picks

Oh, wait,wait,wait, then. ROLLERGIRL

you are.Yes JACK

We Gonna Fuck?AreGolWeHere ROLLERGIRL

to Eddie on the couch there. Sit next Come over here a minute. some more tomorrow,I'll get you JACK

You're officially out of limes, Jack. ROLLERGIRL

OVER:PANS SWING CAMERA Rollergirl enters back into the house..

Bet your ass she is JACK

She"s •.. she's really foxy. yes. mean,I Yeah. I'd love to. (OC) DIRK

Yeah. JACK

what're you ••• you don't know.•••What DIRK

the only one that she sees. you're notknow piece of trash ••• l littleaand little whoreaShe's MOTHER

girlfriend.myShe's not DIRK

girl-friend?Your is she?WhatHuh? see trash like that? stud toa you feel likemakeDoes it MOTHER

Don't say that. DIRK

Sheryl Lynn?Sheryl? see that little slut girl you see?You MOTHER

room. the hall towards hisdownDirk walks

Where were you?Shut-up.Shut-up. MOTHER

Nowhere. DIRK

Where were you? MOTHER

Hi. DIRK

THEN: HOLD,him.at looking MOTHER is there,His passing the kitchen.the hallway,downwalks Dirk enters quietly,

25 LATER MORNING -EARLYHOUSE -DIRK'SINT.25

TO: CUT

ON JACK. ZOOM INTO cu.SLOWthe couch.onout Rollergirl makingand OC sounds of Dirk.JACK.ONHOLDSCAMERA

her tits, then.Towards JACK

ROLLERGIRL

aim it towards her face.you make sure to pull it out and jack off, you wantI Eddie. Don't come in her, JACK

l.i•'

Mother follows. Dirk heads for his room,

that little GIRL. Go ahead and fuckGo ahead. MOTHER

never find me. maybe I'll run away were you can I'll go somewhere and do something, I'll do something ••• I'll do it. DIRK

too stupid -- so what are you gonna do? even finish high school because you were You'll always be a loser -- you couldn't You're a loser. You can't do anything. MOTHER

27 MOMENTTHAT- MORNING- HALLWAYINT,27 0

TO:CUT

dunno, I'll do something.I (OC) DIRK

do? what are you gonnaYeah,Oh yeah? (OC) MOTHER

will.I Maybe (OC) DIRK

Your little GIRL-FRIEND.Sheryl Lynn. Why don't you go to your little whore, (OC) MOTHER

- to the fight outside. FATHER is sitting on the edge of his bed, listeningDirk's

26 MOMENTTHAT MORNING -BEDROOM -INT~26

TO: CUT

music and your posters on the wall? With your some other thing in there? Or are you doing know she's been here.I when I'm not here ••• I wash your sheets, kid. what goes onknow Don't think I don't That girl. I've.heard things about her. MOTHER

:z::::m 1~~Ii:J!t.:zE.IAA\9if1JF.--iliEiEl!iiEiMiiEW-ii5

Don't be mean to me.Don't. DIRK

Not by choice. MOTHER

You"re my mother ••• Why are you so mean to me? DIRK

Yes you are. MOTHER

I'm not stupid. DIRK

- be shit ... because you're stupid. gonna you're gonna be this --you're not These god damn postersHuh?be this?gonna Think you're little fucker ••. you understand? you in your life •••. youshit I've done for owe me for all the .•. you pay for it •.. you (OC) MOTHER

He's starting to cry.ON DIRK.cu.ARRIVESCAMERA

you all your miserable fucking life •••• I've taken care of Fuck that little whore. You wanna live that way?Huh?That's fair. and this is what you get.like this Y"see ••. you treat meNothing.you"ve got: you leave with whatgonna leave,If you're (OC) MOTHER

INTO CU.DOLLYSLOWa beginsCAMERA Dirk stands. from the wall.his postersripShe starts to

This: None of this stuff is yours.I MOTHER

on his wall. His Mother looks to the postersDirk stops.

stupid. you didn't pay for it, • for that -- it's not yours becausei That's not your stuff .•. you didn't pay -- you think that's your stuff? MOTHER I

my stuff --I'm getting DIRK

What do you think you're doing? MOTHER

and starts to grab some clothes.a drawerDirk heads for

28 MOMENTTHAT MORNING -BEDROOM -DIRK'SINT.28

talk and walk.We'lltoo.MePerfect. ROLLERGIRL

Jack. was gonna go and see,was ••• II DIRK

doin'?watcha ROLLERGIRL

Hi •••• Rollergirl. DIRK

you.Hey, ROLLERGIRL

Dirk steps off the bus. of Laurel Cyn and Ventura. stops at the cornerBUS which pull up,RT, to catch aPANSCAMERA rolling down Ventura Blvd. carrying some groceries.isRollergirl

30 LATERDAY -- BLVD. VENTURAEXT.30

TO: CUT

slams the doorhim leave, Mother appears in the doorway, watches CHARGES out of the house and runs off down the street.Dirk

29 MORNING HOUSE/TORRANCE -DIRK'SEXT.29

NO. ME ••••TOTALK YOU DON'TANDMEAN,BE YOU DON'TAND DIRK

her against the wall.SLAMS CHARGES at his Mother andDirk

TO YOU.MEAN NOT BEINGI'MFUCKER, YOU LITTLE MOTHER

Don't be mean to me. DIRK

You'll never do anything can't do anything.You MOTHER

See. Know And You'llYou Don'tyou don't know and I'm gonna be something good things that youhaveII'm good. don 't know.Yoube.gonna'mIor what can do or what I'm gonna doknow what I You don'tcan do. You don't know what I DIRK

you're just too stupid to see.to you, I'm not being meanYou little fucker, MOTHER

/

3! OMITTED32

TO:CUT

Thank you. DIRK

Eddie. a great cock,You've gotYeah. ROLLERGIRL

Oh yeah? DIRK

You'll have that car someday. ROLLERGIRL

I'd make it the fastest thing in the street. Candy Apple Red Laguer.of hand gloss. Ten coats New paint job.Rake it. •~.----- n Nose it. y'know? I'd treat it right, DIRK

love those cars.IUH. ROLLERGIRL

It's the best car ever made.Corvette-~ DIRK

what kind?Cool, ROLLERGIRL

a car. wanna getI DIRK

You should get some rollerskates, it's better. ROLLERGIRL

Yeah ••• DIRK

huh? The bus sucks, ROLLERGIRL

They're walking/talking.

31 MOMENTS LATER-DAY- CANYON/VENTURALAURELEXT.

TO: CUT

-_.____;_ - w-N-Jl'cM3IFM"fiiiiE3iiNW:::YFJW:W::Mfte:'P:er:W•·T..:.....s..--.i-.._--..:....__·,-,__--

Reed fixes the drink.BEAT.

Great. DIRK

Marguerita? REED

Reed looks to Dirk.Jack leaves.

Sure. DIRK

this party ••• understand me? I don't want you leavinga while, want you to hang out forIEddie JACK

Sure. DIRK

You wanna drink? I thought Jack said you did.Oh, REED

no. No, DIRK

live on this block?YouI'm Reed.Eddie.Hi, REED

.. I 'm Eddie •••.Hi. DIRK

New Kid On The Block,.Eddie Adams.a honey I want you to meetReed, JACK

who's setting up the bar as they move to the pool area and find Reed, CAMERA follows with Jack and DirkRollergirl skates into the house.

someone -- want you to meetI come on in heremy darling,you made it, You made it, from Torrance!Eddie Adams JACK

found walking down Ventura •••Look who I ROLLERGIRL

Dirk and Rollergirl come down the driveway and run into Jack;

around. soda and chips allCases of beer,a pool party.·!or They' re setting upBuck and Becky.Reed.,Amber,Jack,

33 DAY HOUSE -JACK'SINT.33

You tell me first. DIRK

What do you bench?Thanks • REED

Rock and Roll. DIRK

Dirk sips the Marguerita.

•••• taste that.goHere we REED

I've always wanted to work out at Vince's. DIRK

I would've seen you. here -- no you couldn't, go to Vince's outYou everCool.Cool. REED

where I live.In Torrance,Torrance. DIRK

Where do you work out?No b.s. REED

wow. DIRK

Three. REED

You? DIRK

super.Super, REED

Two. DIRK

squat? Whadda you You look like it. REED

Yeah. DIRK

Do you work out? REED

Uh-huh. DIRK

ask you something?ICan REED

Colonel, hello and welcome! JACK

is right there to greet the Colonel.Jack

Yes. COLONEL

Colonel? Is there gonna be coke at this party, FRIENDLADY

honey. You look great, COLONEL

smiles; steps from the car and

16) (aged FRIENDLADYHis The Porno Film Distributor.sunglasses. Wrap around Heavy-set in a tan suit.Jmid-60s),JAMESCOLONELTHE

From the car steps: moves to the back and opens the door. DRIVER gets out,LIMOA Big Black Cadillac comes down the driveway.A and the party is in full swing.nowPACKED with carsThe driveway is

34 LATER- AFTERNOON-DRIVEWAYJACK'SlNT.34

TO: CUT

(Flash to Developed Polaroids.) she snaps photos of Reed and Dirk. and the Polaroid out to the pool area wherefollows herCAMERA It's suddenly snapped up by Rollergirl.a table top.onit sits CAMERA. POLAROIDANGLE,

you.did ••• neither REED

You didn't say it •.• DIRK

SILENCE.

••• Three •• , •TwoOne ••• DIRK/R.EED

Ready. REED

Ready? DIRK

Cool. REED

Same time. DIRK

You first. REED

~ ............:..-------·--------------.

can do.I I'll see what AMBER

Tell him I won't be bad. Please.Please. MAURICE

••• you wanna be in a movie? AMBER

here? think I'm askin' what do you mean ••• y •know •••Yes ••• I MAURICE

him? so what ••• do you want me to talk to AMBER

With. I've BeenWomen Look At The Look At Me. Something to send back to my brothers and say: want something to send back home.I MAURICE

Uh-huh. AMBER

I've got nothing.have? I die •.. and what do I soon .•• the club goes ••.that's one thing .•• but have the club, yes,Ifrom Puerto Rico. I'm just a poor fellowMiss Amber,•• y"see, MAURICE

speaking. They're sitting down,Amber.andMauriceto find; then moves away,a while, follows the Limo Driver forCAMERA

35 MOMENTTHAT- HOUSE AREA/JACK'SPOOLEXT.35

follows the Limo Driver into the pool area --CAMERAThey exit.

coming by. Thanks forwe will.We will, JACK

Jack. Find her some coke, COLONEL

some. Well I'm sure we can find you JACK

Do you have coke at this party? FRIENDLADY

Hello, darling. JACK

my Lady Friend.This isJack.Hell~, COLONEL

SONG! LOVE THISIUPlITTURN OH SHIT! BECKY

oc we hear the new song start to play.

... Yeah, right. BUCK

Baby. Chocolate Love, BECKY

What's your look? BUCK

is just fine.gotI'veThe look BECKY

new look. Yeah ••• yeah ••• yeah ••• you get a BUCK

a new look.Get BECKY

-- what, what? BUCK

same thing -- the stereo store is saying theatboss I'm just saying and it seems like your BECKY

about. You don't know what you're talkin' BUCK

It's over, it's dead.No it's not. BECKY

back. it's comin' BUCK

about six years ago -- The cowboy look endedBuck:Look, BECKY

y'know? What's wrong with it, BUCK

He was obviously pissed about the music. BECKY

Lemme tell you something: BUCK

•• because it's old .•• it's old deal. BECKY

Buck and Becky. through the party, to findaway,CAMERA moves

I'm fine. ROLLERGIRL

you Rollergirl?areHowNothing. LITTLE BILL

What's wrong Little Bill? ROLLERGIRL

Little Bill in a sort of angry-confused-surprised face. DEVELOPED THE POLAROID -CU.

SNAPSHOT.atakesand Rollergirl passesaway.She moves

Ohhhh •••• I'm so scared. LITTLE BILL'S WIFE

Don't make me do something? LITTLE BILL

Bite it. LITTLE BILL'S WIFE

so just my co-workers,These are work with these people, alright?I LITTLE BILL

Fuck you, Bill. WIFE LITTLE BILL'S

Just don't embarrass me, alright? LITTLE BILL

He's dressed down.She's dressed up. the party from the driveway. Little Bill and his Wife get out of his Station Wagon and enter

36 LATER MOMENTS-DAY HOUSE/DRIVEWAY -JACK'SEXT.36

Most certainly. STUD YOUNG

May I please join in? LADY FRIEND

Yes? YOUNG STUD

? me •••Excuse LADY FRIEND

bikini-speedos and holding court over a table of coke. a Young Stud, who's wearing The Colonel's Lady Friend approache.s

moves away to find:C¥IBRABecky leaves.

i \ his first.be This would ) JACK

done?hehas What films COLONEL

special and I want to cast him. He's something He's here, he's at the party. is Eddie Adams.nameHislast night: met himI a young man,kid,aThere's JACK

That's great. COLONEL

and fade out - the end. fuck-come in the face-sort of thingass does one helluva suck job,AmberWell: better pay rent or you're through.You he comes in -- the landlord says: he's still in town to play the part -- the Landlord, I'd like to get Jeremy if wraps up withthing women ••• the whole auditioning various men andAmber and develops with Well the story goes actors, I'm casting a porno picture." "Send over your bestin town and says: So she calls up all the agenciesYes. JACK

Good dilemma.Yes. COLONEL

desperate for a big dick hit, right? so she's threatening to kick her out, Her landlord is She's desperate. year.a She hasn't had a hit in and she's down on her luck.of porno films a directorisAmber The idea is this: JACK

cigar.a The Colonel smokes the Colonel are sitting, drinks in their hand.andJack

37 MOMENTTHAT-DAY- OFFICE JACK'SINT.37

mingles and snaps more Polaroids. CAMERA follows Rollergirl around as sheLittle Bill leaves.

He's in the house. ROLLERGIRL .......___',, (~

around?JackIs LITTLE BILL

The party people turns back to their conversations •••

•,Ouch. REED

•.. waiting ••• Reed comes to the surface.and Everyone at the party is looking ••• holding their breath·

40 MOMENTTHAT-AREAPOOL EXT, 40

a moment ••••down forHe floats He's in SERIOUS PAIN.face.hismoves in onCAMERAReed lands.

39 MOMENTTHAT POOL/UNDERWATER -INT.39

BACI<.ON HISFLATlandbut flip goes for thejumps,Reed runs,

a full-flip.gonna beThis is on the board)(gets Check this out.Great. REED

How did it look? DIRK

He lands in the pool and swims to the surface.

jumpsand Dirk runs

Jacknife. Watch thisno.No, DIRK

Do a cannonball. REED

Dirk gets up on the diving board.Reed and Dirk are swimming.

38 MOMENTTHAT-DAY- AREA HOUSE/POOLJACK'SEXT.38

make yourself happy.you wanna tell, ~tories You tell theI'm happy.and focus: If it has big tits, tight pussyThen do it. do it?wannaYou Jack. Casting is up to you, COLONEL

The Colonel looks to Jack;and exits.and quickly apologizes sees the conversationoffice, Little Bill pokes his head into the

say? know what IYou MAURICE

What? BUCK

my point is this:hey,hey,Hey, MAURICE

Maurice and Buck are talking;

42 MOMENTTHAT-DAY- RITCHENJACK'SINT.42

FACE. CAMERA'S They close the door in the BEDROOM door. coke ••• ZOOM after them down a long hallway towards a picks up with the Lady Friend and the Young Stud with theCAMERA

but it's a simple one ••••Yeah, it's gonna be here, LITTLE BILL

Is it here? ROCKY

You're on.Yeah. LITTLE BILL

? or ••• you have the schedule for the shoot,Do

ROCKY

Nothin' at all.Nothin'. LITTLE BILL

good, what's wrong?Good, ROCKY

Rocky? How you doin' LITTLE BILL

member.CREWHe's a ROCKY (late 30s.)big guy,aHe runs into

there.and few people hereaHe greets looking for his Wife.

He's walking around, follows behind Little Bill.CAMERA

Yeah. REED

all the way around ••• You gotta try and bring your legs DIRK

ET-,.iMGEiiilE:!FiiiiFA5: £ilfJl£:Jii-IiliFiiE:iF:3163f:.--.::W::W::illi-W.--:wlf-3K·.-:1ft'.:r..:I:.i:-..3::..~.I3:..::.-~

for his mother. some kid lookin' MAURICE

What was it? BUCK

••• Bye. ••• no problemokayOkay ••• I'm sorry ••• there's no Maggie here. (into phone) MAURICE

Buck is still watching it closely.to the phone. No one at the pool area responds so he walks back inside

a Maggie here?Is there (calls out) MAURICE

him as he walks out to the pool area --followsCAMERA

Watch that a minute •••• MAURICE

looks to Buck. Maurice sets the phone down,

wait ••. wait ••• just •••I'm sorry •.•Your mother? I think you might have the wrong number ••••• (into phone) MAURICE

know a Maggie.I don't BUCK

Is there a Maggie here? (to Buck) Maggie?? that well. •• say again ••• I'm sorry ••• I can't hear you (beat) Hello? MAURICE

Maurice picks up the phone.PHONE RINGS.The

Wear What You Dig. MAURICE

What-:-What? BUCK

«E' :aec:::;s;;::w;iilC:w:;;ae,;-i£3ii-:iEJiliii::iiidiii:3EiJiiFiij£jifE"iE5ilSWiiiffiTiBE"iiViif:3ErK3F-ifEW3T:tt.!Liii:~~.:ef..I..I.

-- yeah. LITTLE BILL

listen: Anyway,know.I Yeah. Yeah. LONGJOHNKURT

embarrassment.fuckin'a watching -- it's dick in her, people standing around over there ••• she's got some idiot's she's wife,.man, ah ••• my fuckin' LITTLE BILL

What's wrong with you?

What's up?Kurt.Hey. LITTLE BILL

Little Bill. LONGJOHNKURT

He's the cameraman.(late 40s)LONGJOHNKURTa big man,by him until he's approachedfollowsCAMERAandawayHe walks join in telling Little Bill to "Shut-up."WATCHER'SThe other

shut-up, Bill.Yeah,

Shut-up, Bill. LITTLE BILL'S WIFE

my wife.That's LITTLE BILL

does it look like they're doing?What

She looks up at him, smiles.

•• the fuck are you doing? LITTLE BILL

DUDE..BIG pavement, Little Bill's Wife is getting fucked by some on the He walks over -- inside the semi-circle,around something.

He spots six people in a semi-circlefollows Little Bill.CAMERA

44 MOMENTS LATER BOUSE/DRIVEWAY -JACK'SEXT.44

SLOW MOTION. and does a perfect FLIP in Dirk dives off the board Looking out to the pool area.POV:AMBER'S

to the window, sets aside the curtains and looks. She reaches on the toilet.the bathroom,'inis sittingAmber

-............;._.iii...;.......:..,__....,....iiiii:...:ili::.:.....::.iL.::i..~~~~.-...:..::..:;......:~:w::::--s::w::-,vw--,-

and he could pick it up -- we could send Rocky downshoot tomorrow, for the yiknow, was hoping to,'Cause I ,.. LONGJOHNKURT

••• I mean ••••yeahno,Well, LITTLE BILL

? yeah ••• you have to go somewhere ••• or •••Oh,

LONGJOHNKURT

this later?aboutwe talkcan LITTLE BILL

picture it's own look -- 'cause I'm just trying to give each-- LONGJOHNKURT

understand --I LITTLE BILL

was just saying .••.•••• fine ••• IOK LONGJOHNKURT

but minimal ••• about is minimal, not really "natural," I think what Jack is talkingWell, LITTLE BILL

was talking about some other people.I know you understand,IHey.no.No, LONGJOHNKURT

I understand. BILL LITTLE

I think most people understand •.•well. •. then a lot more photographically than I think, Right, well, very often, minimal means

a minimal-thing --wantsJack LITTLE BILL

-- y'know getting some more lights, too, able to look intobewondered if we'dI LONGJOHNKURT

Right. LITTLE BILL ---~'-~- new zoom lens •••• wanted to see about getting thisI},'. For the shoot -- I wanna talk about the look.(----\ LONGJOHNKURT

FFi5i3?iiEEiliia&cliiiHiiiiii5?l57¥5i&-iiiF'00$·:a:·a--·-,,.Sie]I:I»-,:--"i~·

the fuck is this?·What COLONEL

I think she's sick., STUD YOUNG

-- BURST into the room Jack, the Colonel and Limo Driver

46 MOMENTTHAT BEDROOM -INT.46

Driver as they walk quickly down a hallway that leads to a bedroom. and his Limo HAND-HELD behind Jack, the ColonelCAMERA follows

TO:CUT

to the driveway and watches Little Bill's Wife get fucked. He walks over Kurt stands alone a moment.Little Bill leaves.

Gotcha. LONGJ'OHNKURT

Alright? LITTLE BILL

Sorry. No big deal.OK. LONGJOHNKURT

OK? Kurt. film we're shooting tomorrow, thoughts aren't with the photography of the my I'm sorry ifalright? the driveway,in cock in her ass overafucking wife has~y LITTLE BILL

No way, Little Bill.HEY.NO,NO, LONGJ'OHNKURT

Kurt? me shit, Are you givin' LITTLE BILL

HOLD. Little Bill looks at him.

about photography of the movie we're talkin' It's only the so -- hey -- what the fuck? You've gotta go somewhereHey. Gotcha.No. LONGJ'OHNKURT

Kurt. LITTLE BILL

The Young Stud starts to cry hysterically.

Johnny here get her in the car. want you to help my driverIYoung Stud, COLONEL

Got it. LIMO DRIVER

Make sure no one see's the limo. COLONEL

Gotcha. LIMO DRIVER

here. I don't need this, I don't want this .•• y'understand?the front, You drop her off inthough:Listen, COLONEL

Okay. LIMO DRIVER

Joe"s. the car, take her down to St. get her in want you pick her up,I COLONEL

Yeah. LIMO DRIVER

You listening here?of this for me. caretake You're gonnaJohnny.Alright: COLONEL

The Colonel turns to his Limo Driver.The four men look at the girl.

Oh •••• what the fuck •••• COLONEL

She's definitely overdosing. DRIVERLIMO

smarty? Do you think so,Duh. COLONEL

coke?much I think she did tooknow.don'tI STUD YOUNG

Is she breathing? JACK

I didn't do anything. STUD YOUNG

They exit.

Yes. COLONEL

Close call. J'ACK

CAMERA holds with Jack and the Colonel.to the Black Limo out front. convulsing body The Limo Driver and Young Stud carry her naked,

•mon, pal.c LIMO DRIVER

Please don't die1 STUD YOUNG

conversation Y'see that, all this fuckin' COLONEL

cbNVULS±ONS.intogotostartsFriendLady'.l\he

situation and get her in the car. deal with theNow be a man, Jesus Christ. COLONEL

Yes, sir. STUD YOUNG

what do you think? getting some new shit, Well maybe that means you oughta think about COLONEL

has o.D.'d on me. This is twice in two days a chick YOUNG STUD

Spit it out. COLONEL

••.•I I ••• I ..• STUD YOUNG

What? COLONEL

it's just ••• it's just ••••I'm sorry .•• STUD YOUNG

Hey ••• hey ••• pal ••• get a grip, man. (to Young Stud) What the fuck is this? (to Jack) COLONEL

a seat, Scotty?You wanna take (OC) REED

SCOTTY J.ON DOLLIES IN A LITTLECAMERA

Nice to meet you. DIRK

okay.Yeah, SCOTTY J.

Excuse me. DIRK

looks to Scotty J. Dirk spots Jack calling him and stands,

a minute. Come overEDDIElEDDIE! (OC) JACK

you know --if you, wonderingI'm sometimes, that's whyy'know, work on the films,'Cause IJack?meet,you Where did That 's great.That's great. SCOTTY J.

Probably. REED

Maybe. DIRK

gonna be working?youAreYou too. SCOTTY J.

Nice to meet you. DIRK

he works on some of the films. a friend,He's meet Scotty J.Eddie REED

thi.s?Who's Dirk)(re: y'know. Y'know, SCOTTY J.

you?are how Hey -- Scotty, REED

Hey Reed. SCOTTY J.

comes over and interjects --(mid-20s)SCOTTY J.swimming trunks, nervous young kid in redA drinking their drinks and talking. They're sitting in two pool chairs,Reed and Dirk.withisCAMERA

47 MOMENTTHAT-DAY- AREA POOLEXT. 47

:as::iilEEiE:VWE:iif77iT:--•·w•iW:-:fiFi:ifF-iiiEl9fiJflFJi3iif3i'ENfJiti¥JiFE•·•rwm_•;1.3:..:::...:a....7;f...-IL.....i......E

guess?I dunno,I ••• yeah,um•• DIRK

co~~- great biga Jack says you've got 1 look forward to seeing you in action. COLONEL

Great. great.Well, DIRK

an important part of the process.He' s Eddie. Colonel pays for all our films,The JACK

Right. DIRK

something that also gives some pizzaz ••• y'know? Think about something that makes you happy, COLONEL

? name ••• yeah .••My DIRK

? maybe you think about your name ••.•.._¥_....·,,,\ can advise,but I probably doesn't know, r----,, I can't give you much advice that Jack COLONEL

yeah?Oh, DIRK

here. get involved with Jack, Well, you're in good hands if you· COLONEL

in the business. This young man is interested JACK

They shake hands. Dirk approaches and the Colonel smiles. AND DIRK.COLONELTHEJACK,ANGLE,

huh? That kid Eddie is really good looking, people and stuff ••• it's sort of -- mingling around ••• y'know ••• talking to It gets a little hardThank you. SCOTTY J.

Yeah. (OC) REED

dunno .•• is it alright?~.I•.Urn SCOTTY J.

.... ···----·-·-··-······· .. ~-----------·=·

Yeah, right.

LITTLE BILL'S WIFE

Fuck Off.You LITTLE BILL

Oh Fuck Off. Will You? LITTLE BILL'S WIFE

I appreciate it. Thanks for fucking up this party for me. LITTLE BILL

CAMERA hangs with Little Bill and his Wife.

in their cars and get out of the driveway. coming to a close and people are trying to getThe party is

TO: CUT

TO NIGHT.LAPSETIME THE SURFACE.TOWARDS THEN PUSHES OFF,

BOTTOM,THETO FLOATS WATER,THEIN DIRK LANDSASIN CAMERA MOVES

48 MOMENTTHAT POOL -INT.48

IN ••••• who runs for the pool and DIVESCAMERA picks up with Dirk,

Jesus Lord in Heaven.Jesus Christ. COLONEL

The Colonel turns to Jack;Dirk exits.

No problem. OIRK

Eddie. Thank you, COLONEL

then up;down, He looks CAMERA on the Colonel.Dirk unzips his pants.·

Please. COLONEL

Really? DIRK

see it?ICan COLONEL

me? You get never happened. never told me that and what happened,You COLONEL

What? STUD YOUNG

I didn't hear that. COLONEL

on the way to the hospital.limoShe died in the YOUNG STUD

She'll be fine.it.aboutDon't worry COLONEL

I 'rn okay, sir. YOUNG STUD

pal? How you doin' COLONEL

Yes, sir. LIMO DRIVER

Johnny? You ready, COLONEL

picked up from the party.FRIEND,.I.lADYYOUNG ANOTHER The Colonel now has The Colonel and Jack approach.

No problem. LIMO DRIVER

for your help.youThank STUD YOUNG

Young Stud. Nothing is absolutely right, LIMO DRIVER

Nothing? STUD YOUNG

So what did you do wrong?That's right. LIMO DRIVER

I wasn't. STUD YOUNG

you supposed to know? How weremean:Ihey.hey, Hey, LIMO DRIVER

Young Stud is crying.~he They're sitting by the limo. LIMO DRIVER.THEANDSTUDYOUNGTHETO FIND:MOVESCAMERA

-- ----·--·--··-----·---.-------~-·......------................-

i'ILiiif?iE31EJIEiliiiafFJ'IEMDiM:iiii::iCW·w3ifiWI:+:/iii:t,r,·,~••t"··-·----_

···-·------······-----·····.

lt was great. DIRK

Good party? JACK

in the Jacuzzi.climbsrobe andremoves hisJack

Hey, Jack. DIRK/REED

Howdy-boys. JACK

Jack approaches in a bath robe, holding a towel.

man. That's fucking great, DIRK

'Cause you love me," The bees won't sting.Playing. Playing. See Lots of Bees.And down the Sugar Tree.goWe'll Going down the Sugar Tree. You love me.you."I love Um .••Okay. C REED

Yeah. DIRK

wrote? •.• you wanna hear a poem I REED

at the stars.

up looking JACUZZI, Dirk and Reed sit in the Scotty J. is .cleaning up,

playing cards.inside and Rollergirl areAmberover.isThe party

50 {LATER)NIGHT-AREA HOUSE/POOLJACK'SEXT.so

TO: CUT

The Colonel and the new Lady Friend get in the car.

Jack. Great party, COLONEL

Thanks for coming, Colonel. JACK

The Young Stud exits. ..,-,··___',,, Sleep it off.Now go home. . I, ,r-'\ COLONEL

I get you. STUD YOUNG

iEAlfii!FifEi:Wii-£t"J'f--Jf.EI.I-'ca-,.,:iiiwiii-;:a:3iiT¥--ii:'i,

FLAME. AN ELECTRICINTOBURSTSTHENBUZZES,FLASHES,SIGNSNEONThe

"Dirk Diggler."It says, (OC) DIRK

OUTLINE:PURPLEWITH A LETTERING,BLUE NEON SIGN INA BRIGHT

ON: FLASH

is so powerful •••name it just blows up because the is so bright and so sharp that the sign -- name And this lights with a purple outline. see this name in bright blue neona sign ••. I see this thing,! I close my eyes •••When DIRK

Tell me. JACK

••• razer sharp. can cut glass .•• y'know want it so itname ••• IawantI ••• my idea was ••• y' know •••Well DIRK

me ••• few ••• but you tellaI've got JACK

was wondering if you had any ideas.I DIRK

Yeah? JACK

? Jack ••• I was thinking about my name ••• y'know •••

DIRK

Reed. Turn those bubbles higher, Bubbles.good. Ahhhh •••• this feels JACK

Right. REED

right? What this place is for, JACK

Thank you. Excellent time. DIRK

good time then?You had aGood~ JACK

from the club.Eddie,The kid, JACK

Diggler?. Who's Dirk ·•· (looks up) Enter Dirk --E.)

it. They get into is interrupted by Amber.and

goes to the bathroom to jack-offBeckyc.) Becky just watches.it.atThey go Amber. 2. ) Enter Reed to audition for send over some actors. They make the phone call to the agency to talking to Becky about auditions.Amber1 • )

(reading from script) LITTLE BILL

Yeah. Let's •••• JACK

You wanna go over this? LITTLE BILL

Little Bill approaches.

shadows in real life.Remember: there are Kurt, right? but not too long,Okay, JACK

couple tough shadows to deal with -- I've got a Give me twenty to thirty. LONGJOHNKURT

How close? JACK

Jack is sipping coffee, confering with Kurt about lighting.

utility/sound man.aas Scotty J. is working Little Bill, Assistant Director.Rocky, Gaffer/Grip.of Photography. Kurt Longjohn, DirectorThe crew consists of;a small "office" set. around equipment •••• The film crew sets up lights and other

52 DAY GARAGE/FILM STUDIO -JACK'SINT.52

CUT TO: FADE OUT,

eyes.his Jack looks up and closesReed smiles.Dirk smiles.

You've been blessed.•.Dirk Diggler Heaven sent you here to this place, JACK

They look at Dirk. Back to Reed and Jack.

51 MOMENTTHAT JACUZZI -EXT.51

'if-P:llflifJC31f:::W::3illii-W3Ew:::at:-51iri➔ 11fi:?1$JifCiff--.::aEH77EEEJ<i:~.Ji:-i"-;;---:.=·.

now. Tell you they're ready, supposed to come get you.I'm SCOTTY J.

Hi. DIRK

Dirk Diggler. Hey. Hi. Dirk. SCOTTY J.

53 LATER-DAY- BEDROOMINT,53

we need to get one off -- scene we need to shoot this first go, let's Alright everyone, let's go, JACK

continues to get everyone ready.Jack

Fine, fine. JACK

Jack. It only takes two seconds, BECKY

Now? JACK

I'm shaving my bush BECKY

in twenty minutes. We're shooting What're you doing? JACK

What? BECKY

honey --Becky, JACK

shaving her pubic hairs.sitting in a chair, Jack walks over to Becky, who'sa note.Little Bill makes

Dirk should be auditioning with Amber. wanna change that -- that should be Amber.I JACK ' ( ;~ go at it --They with Becky.Meets Dirk enters.4.)Anyway:Good name. LITTLE BILL

)

Do we go straight into having sex? DIRK

and Amber do the scene --youboom, here, right the door, straight to the desk, and action, that'll be your cue ••• come through through that door, I'll call your name You"re gonna start outside the set, we know the thing. So we know the scene, JACK

Amber. They walk through the scene with

Let ' s do this • DIRK

champ? Ready, JACK

Jack is there to greet him. the crew is ready and waiting.

54 SET GARAGE/FILM!NT.54

as he exits the room and walks through the house and into --

followsCAMERA a deep breath.takesDirk stands, Scotty J. exits.

I'll see you out there. well. .. whenever you' re ready ..••OK ..• SCOTTY J.

Thanks. DIRK

It's really cool. SCOTTY J.

You do? DIRK

I like your name. SCOTTY J.

Thanks. DIRK

You look really sexy. SCOTTY J.

Thank you. DIRK

You look really good. SCOTTY J.

Okay~ DIRK

· - -,~-- __-__ :fi.....il--~~----JiillliII3F3£2fi:i.J

honey. You look great, AMBER

it. knowI DIRK

Do you want to practice your lines with me. AMBER

a moment. and Dirk huddle in the cornerAmberJack exits.

yeah, yes.I'm sorry,Yes. JACK

Dirk Diggler from now on? me will you callum •••.•• can you .•• DIRK

Yeah? JACK

Jack? DIRK

Great. JACK I can do it •..rokay ..•It's DIRK

you want a rehersal?Eddie, JACK

Are we doing a rehersal? LONGJOHNKURT

Okay. DIRK

So we'll just go straight through. JACK

Good. AMBER

Amber? JACK

-- or something up the momentumbreakso we don't y'know, It would be better I think, DIRK

Is that alright? JACK

Ii \ ,: Are you John?Hello. AMBER

....THEN:BEAT, the desk.atAmberwith two shotainto He walks A light shines· straight at him.Dirk enters.· POV: CAMERA LONGJOHN' S 16mmKURT

CAMERA blends back seated behind a desk.Amber,we focus in on

and CAMERA/DIRK the door and into the set -- lights flare into

throughDirk FOLLOWSand MOTION (30fps)SLOWblends toCAMERA

•••• action, Dirk.and (OC) J'ACK

HOLD. SILENCE. behind a closed door.cuefor his away and he's left standing alone a moment, waitingBill walks Little DIRK.ON HOLDS CAMERA things one last time to him •••• Little Bill takes Dirk and walks him off the set, explaining

Okay. AMBER

really sexy ••• you want to? wanna do this good •••• let's try and do itI wanna do good.II'm ready.great.isThis DIRK

honey? Are you alright, AMBER

(30fps) She touches her hand softly to the side of his face.

Yeah. DIRK

my stomach and tits if you can. Just pull it out and do it on okay? Come on my tits if you can, AMBER

Wherever you tell me. DIRK

Where do you want? AMBER

come? should IWhere DIRK

You just come when you're ready ••••Yeah. AMBER

come? me to keep going until IDoes he want DIRK

·4 -iilivii5 -------·•rlilliiili7i'IRiWiuliiF-e::-e·:.1ciii.-:31t:iilL:F•ilE ➔ a.-a•:rii.X::3:!I_-..'i·•---......._::_

_____________ =----------------------=.,,============···----•-,..,.,,

Dirk starts to remove his pants ••• just before they come off we go to:

.., No problem. DIRK

It's important that I get an idea of your size. Why don't you take your pants off? AMBER

Really? DIRK

landlord is a real jerk.My I'm gonna get kicked out of my apartment. If it's not a hit,for me.~ilmimportant Well as you may or may not know, this is an AMBER

my acting career. But I'm back now and I'm ready to pursue DIRK

That's terrible. AMBER

A long time. DIRK

When was the last time you had a woman? AMBER

surrounded by guys all day. It got really hard beingNo I'm not. DIRK

You're kidding? AMBER

just got back from a tour of duty.I spent three years in the Marines.IWell, DIRK

What special skills do you have? AMBER

me a job.and I won't disappoint you. giveYou really hard worker.aI'm DIRK • Your agency recommends you very highly • AMBER

ma'am.Yes, DIRK

i:iEi?ffi3iPiRiiifiitJ:r----.."ft3iiii·iiJiii-

You're amazing. AMBER

sQtto: Following in they're face to face. AND AMBER.DIRKCU.

and a little harder;bit, getting fasteraThey continue for

Okay -- we're back, we're ready -- action JACK

Jack and Kurt have.set up a new angle;smiles.Amber

good? Does it feel DIRK

so good, Dirk.You're doin' AMBER

They holds still;looks to Dirk.Amber

great. You're doin' I just wanna change the angle Hang in there, everything's cool, JACK

Is everything cool? DIRK

Guys ••• JACK

then walks over to Dirk and Amber, quietly interupts; whispers something to Kurt,Jacka while.They continue for

at the crew filming and Dirk/Amber making love ••••

looking moving around,held, CAMERA is handOUR up on the desk •••

So they go at it ••• taking each other's clothes off and climbing

giant cock.aThis is AMBER

hand reaches and grabs hold of it --Amber's It hangs about 12 inches.we see Dirk's cock.the first time,for 16mm CAMERA'S POV:

make sure of something •••but why don't I I think that you have the part, AMBER

looks from Dirk's cock to his face.Amber

Reed and Becky smile. Scotty J. is in shock.slightly.Rocky frowns

a moment. Kurt Longjohn takes his eye away from the viewfinder for

CREWTHEOF RESTTHEAND JACK

FOLLOWING SCENES:THEANDCUTOVERCONTINUESCUE.MUSIC

HOLD. Everyone in the room looks at Dirk.

cloti,e-up. if you need aagaincan do itI DIRK

Dirk?Yes, JACK

Jack? -DIRK

Little Bill.and this and turns to JackhearsDirk

have a cock that big on film -- we don't It's not gonna match, JACK

close up --a go to the stock footage -- get We couldshot? about the comedo What do you want toYes it was. LITTLE BILL

That was great. JACK

sotto; Following in PANS over to Little Bill and Jack who step aside a moment.CAMERA

high fives, etc. Dirk is giving hand shakes, Everyone gathers around.PERFORMANCE.THEAPPLAUDSCREWTHE

YES! YES!YES! FUCK!CUT! JACK

and smile.They kissHOLD. Amber and Dirk come together.

to come in meyouwantI I'm fixed. Don't worry, AMBER

What? DIRK

Come in me. AMBER

Yes. DIRK

I

Are you ready to come?

l AMBER

I Amber.good, You feel

DIRK

I I

r· -

,...-..,...-dE#~•:1,r--.,...--

\ )'

NEW MUSIC CUE.THE RECORD,ON CAMERA DOLLIES IN QUICK RECORD on the turntable.He sets up anothercoke with the girls. and doingdanci.ng wearing headphones,MIDGET,BLACKwho is a A couple young girls surround the DJ,BOOTH.DJTHEINSIDE

TO: QUICK DISSOLVE

a body-builder-type.YOUNG GENT, who'sflirting with some GIRLFRIEND and She's hanging out near the bathroom with a BECKY ANGLE,

TO: QUICK DISSOLVE

busboys and bouncers --and CAMERA follows behind him as he shouts orders to waiters MAURICEANGLE,

TO: QUICK DISSOLVE

Colonel's ear off. FRAME and begins talking theas Scotty J. entersDOWNBOOMa CAMERA beginsFRIEND.LADYNEW The Colonel is sitting with a and talking to Amber.On The Half ShellJack is eating Clams JACK'S TABLE. OVERHEAD ANGLE,

TO: QUICK DISSOLVE

his shoes.about They talk He's dancing with Rollergirl.DIRK.ON

TO A CU.UPBOOM DOES A QUICKSHOES,THEON CAMERA BEGINS

57 NIGHT NIGHTCLUB -TRAXXHOTINT.57

zip-up style --half-boots, Dirk falls in love with a pair ofpicking some out.in the store,

J. Reed and ScottyDirk,row of shoes.ALONG aCAMERA TRACKS

56 DAY STORE -SHOERESEDAINT.56

Dirk in the middle.up.thumbsholding cast and crew smiling, DEVELOPED PICTURESECU·-

she snaps POLAROIDS. CAMERA. ROLLERGIRL'SECU -

CHAMPAGNE BOTTLES POPECU -

The entire cast and crew together.

55 "A" Sequence LATER NIGHT -ROOM - JACK'S LIVINGINT.55

,· I,,

TO: SCREENSPLIT

.., PHOTOGRAPHS from the film. Continue w/STILLass ••••••• supple" ••• sexual standout ••• ""

" ••• Diggler •••" catches glimpses of the words on the page,CAMERA

WORDS. ALONG THETRACKS THE PAGE,ON DOLLIES INCAMERA

and demanding •••• His presence when dressed is powerfulhard-ons. thousanda performance worthaDiggler delivers and Company.Horner sexual standout fromstellar, It's another Dirk Diggler.in.new-comer, Jack Horner has found something special JACK

listen;Amber Reed andDirk,"Oui." Jack is reading,

60 DAY HOUSE/KITCHEN -JACK'SINT.60

MARQUEE.INTO THEANDUP DOES A BOOMCAMERA

Diggler.Dirk waves, Rollergirl,Amber A Jack Horner Film. Starting

Under the title; "Spanish Pantalones"The Marquee reads,

59 NIGHT- ANGELES PUSSYCAT THEATER/LOSEXT.59

I dig it. Matter of fact,Kurt.Not at all, DIRK

Is the movement of the waterbed a problem? KURT LONGJOHN

We can go right into Doggy Style. Good.. And over. up around my neck.

••• around ••• other one ••• your left leg •••• right

If she ••• Rollergirl ••• if you wrap your leg

, DIRK

gets on the bed with Rollergirl and tries a move.Dirk

a while, then --there for side -- pump awaythe move and shift to You can go from being on top -- below and then What we can do is make it all one thing, right? JACK ()1 They block the scene.WATERBED. Rollergirl and Dirk who are on a

Jack watches Spahish-theme.0awithfilmnewI:- Cast and Crew shooting

58 DAY ANOTHER ROOM FILM SET -MOTELINT.58

- +•ifLiii:::iffit:t:1-,•·;v-rMMiiri ◄ «~n~•~--• ,•~cn~~~•~••u~n

---·--------..

know what to do now •don't1 AMBER

up -- she hangs Dial tone from the phone,

Tom -- Tom -- I'm not -- Tom -- I'm completely sober.not.I'm--allthat'sand to say hellowantI justPlease. Tom. him,to. Please let me talk AMBER

holding her hand. is sitting with her,Dirkon the phone.isAmber

64 OMITTED64

(Complete w/coreographed moves, etc.)NUMBER.DANCEa Maurice and Becky begin doingBuck,Reed, Rollergirl,Dirk, CLUB.THE DANCING INDIRKWITHSTAYINGSPLIT,WAYFOUREND

grow --andgrowand two films, that Diggler's suck-cess can only grow It's easy to predict, after onlyin this film. ••• but it's Diggler that remains the standout (VO)JACK I and Reed.Becky Dirk is disco dancing with Rollergirl and

63 NIGHT NIGHTCLUB -TRAXXHOTINT.63

WAY SPLIT TO:FOUR

Dirk for the money shot.cu.a blow job.

him covering his crotch givingis kneeling down,AmberCAMERA, is facingDirk He slaps her ass.Becky is naked.and a sombrero.

I Reed is wearing speedos This is filmed on the Motel Room Film Set.

62 (16mm) PANTALONES.""SPANISHFILM.THEFROMCLIPA62

TO: SPLIT THREE-WAY

ass ... Becky Barnett's supplegood job with slappingdo a Reed Rothchild's stiff biceps job of handling Diggler•s wide load and Waves ripe-cherry lips do a wonderfulAmber day.bada on volcanoa more eruptive than ••• when stripped to the bone, Diggler"s (VO) JACK

Reed stands nearby and watches;new hair style.fluffya Dirk is getting THE LINE OF HAIRSTYLISTS.DO'WNDOLLIESCAMERA

---·-----......-:a,r......,......;---·.

TO: CUT

follows. CAMERA moves with a Big van and a Station Wagon that

72 DAY HIGHWAY -DESERTEXT.72

71 OMITTED71

QUICK DISSOLVES on SUITS hanging individually on the wall.series of

a IN throughPUSHE:SthenCAMERA it on and pays for it in cash.

Dirk picks one out, triesSUITS.OFALONG A ROWCAMERA TRACKS

Buck speaks about the ancient history of Karate. are taking lessons. Buck, Dirk and Reed dressed in Karate-gear,

69 DAY STUDIO -KARATEINT.69

TO: CUT

deadly serious as they get into their workout. laugh, then becomeThey smile, Reed and Dirk are working out.

68 DAY- GYM VINCE'SINT.68

TO: CUT

night.ever,Y get chicks like thisI Isn"t she hot? with her last night. had sexI -- this is my girlfriend.I (VO) MAURICE

picture of Maurice standing next to Rollergirl.aand check out They rip open the letterMAILBOX.aBROTHERS stand atMaurice"s two l

CUT TD:

I'm sending you a pictureDear brothers: (VO) MAURICE

SUB-TITLES. Spanish,-withVO is inTheup. and a letter into an envelope and seals itPHOTOGRAPHaMaurice slips

66 DAY NIGHTCLUB/BACKROOM -TRAXXHOTINT.66

TO:CUT

I like that. JACK

guy that's world traveled.Thischaracter. James Bonda could make it more ofwe REED

It isn't sexy like it should be,isn't sexy. It's not right, it's not cool and it just ••• whatever.or slapping some girl aroundabout it's alwaysWad,""Johnny This guy he plays, way. I don't like to see women treated that DIRK

Tell me. JACK

up with -- and -- look -- I just -- at this character Holmes has come lookI mean:I now. That's it for DIRK

-- what else? JACK

speaking intensely; Dirk and Jack are huddled,Reed, VAN:THEOF BACKTHEIN

front two speakers •••• yeah ••• watts per channel going into the we've got to manyproblem ••• yeah .•• wattagea I think it's ••• uh ••• it's BUCK

So what's wrong with this radio? AMBER

That's a fact. BUCK

Really? AMBER

out now --comin' no limit to the technology that's mean, there'sI you're in the money. -- forget it,EquipmentHi-Fi Stereo specializing in, like, Super-Super If you were to open a bussiness BUCK

to figure out why the radio isn't working and speaking;j__.•l's Buck is in the passenger seat tryingis driving,the van,Amber.,~,\_'

73 (music over into radio)DAYMOVING -VAN -JACK'SINT.73

' -·.:...._._~.-------·--·-----~.~.---:fi"!;I_~Y!3:::~.!.!f..:!._!:~

·•·

TO: CUT

those are great names.•••• JACK

is Chest Rockwell.nameHis partner's REED

His name is Brock Landers. DIRK

Do you know? This character? What's this guy's name?Now: J'ACK

Exactly. DIRK

it's just not gonna work ••• -- if we don't put every element into this, JACK

Right, right. DIRK

okay? on him too, you gotta workBut Dirk, we get to Vegas. I'll talk to the Colonel whencome up with. the typewriter and we'll see what we can We'll set up When we get back.Alright. JACK

We should do this. REED

know it.I know it.I JACK

exactly what we've always talked about.isThis whole series, with a whole story.amake we could If you direct it •••Honestly.

DIRK

I like this a lot. JACK

Reed could play my partner. DIRK

He turns to the crowd. Jessie. award"'from makes his way to the stage and accepts· the jean outfit,in~ Dirk, dressed The Audience Applauds wildly.

Oiggler1Dirk,Mr. which way he'll give it to me ••• any my pussy ormy ass,my mouth,cock in big I can't wait to get thatwork with him, and I can't wait to I've seen his movies ••••To ••• for Best Actor GoesAwardTheAnd JESSIE

She opens;20s)(early.VINCENT.ST.JESSIE A Porn Actress,

CUT TO:JUMP

DIGGLER.DIRK Go Again •••We goes to ••• Here "Best Cock," ••• the award for, COLONEL JAMES

open an envelope. He's on stage, ripsCOLONEL JAMES.

CUT TO:JUMP

1 DIGGLERDIRK baby-boy •••Myl goes to •••• Yes "Best Newcomer,"the award for,And AMBER

She's about to open an envelope.AMBER,

is -- ilmmake.rsfof pornCROWD in front of a packed to capacity

PODIUM and Behind a smallFILM AWARDS,"ADULTANNUAL"2ndThe

quiet. Becky and Rollergirl stay Little Bill holds his eye.

Fuck you. LlTTLE BILL'S WIFE

face.the him inSMACKS Suddenly, she She doesn't say anything.

me. embarrass on this trip ••• don'tPlease. LITTLE BILL

? .•• what••• LITTLE BILL'S WIFE

Little Bill looks at his wife.BEAT.then looks away.Little Bill,j\ Little Bill's Wife looks at Becky and Rollergirl are in the back. /,,------.,. His Wife is in the passenger seat.Little Bill is driving.

74 DAY MOVING --WAGON STATIONBILL'SLITTLEINT.74

......... ·-•,:,.....

told me the food in here was really good. Some people Just visiting L.A.Yeah. VINCENT JESSIE ST.

You alone? ·•· DIRK

just to get a seat. I've been in this place twenty minutes, (to Dirk) VINCENT JESSIE ST.

ma'am.Yes, MAURICE

of Tequila, straight up..Shot VINCENT JESSIE ST.

the Bartender (played by Maurice.) She speaks to wearing a suit and sunglasses is sitting at the bar. smoking a cigarette,andtoothpickachewing onslicked,hair'ttith his

characterin,aDirk, Kurt Longjohn and his camera crew track with her.

Jessie St. Vincent walks across the restaurant to the bar.• • •

••• and ••• ACTION • JACK

JACK.ON INTO cuDOLLYSLOWDOES CAMERA is waiting for her cue ••••

Little Bill screams for everyone to settle down •••• Jessie St. Vincent

"1978" READS:CAROTITLE

76 "B" Sequence DAY- OARS SHERMAN- RESTARAUNTITALIANINT.76

TO:CUT

a karate move --and doeshead award high above histhe Dirk raises and frowns. sees the kiss in the audience,Amber,

You're hot. VINCENT JESSIE ST.

right in his mouth;kissdeep, weta and-plants Jessie St. Vincent comes overAPPLAUDS.AUDICENCE

ROLLING.AND if you keep trying so let's keep ROCKING

can always do better -- and I'll keep tryingWe mean it.I can help ••• they really can,theybetter ••• we make can beThese films think that's true. filthy or something by some people ••• but I don't these movies ••• and sometimes ••• they' re considered It seems we make to keep making better films. promise to keep rocking and rolling andI can say, is thatI guess the only thingI Wow. guess. dunno what to say •••• II.Wow. DIRK

CUT TO:MATCH

TOWN"MYIN ANGELS LIVELANDERS:"BROCK

SHOT OF VENTURA BLVD; .•.ANGLEWIDEaoverFinally,

ROCKWELL.CHEST REED ROTHCHILD asREADS:TITLE

FRAME. FREEZEdown. gun and knocking peoplea the street, firingdownrunning various other footage of Reed,

LANDERSBROCK OIGGLER asDIRKREADS:TITLE

I •, FRAME. and turns -- FREEZEKICKKARATEdoes aHe stops,

JEAN OUTFIT.ainCAMERATOWARDS running STRAIGHTisDirk Town."My Angels Live In "Brock Landers:FROM;SEQUENCETITLE

78 {16mm) FILM CLIPDAY - LOCATIONS -VALLEYVARIOUSEXT.78

You're Brock Landers -- VINCENT JESSIE ST.

What? DIRK

It's true --ohhh. VINCENT JESSIE ST.

sees this.CAMERA looks at it. cock out of his fly,She pulls his

go ahead and feast.Well, DIRK

Starving. VINCENT JESSIE ST.

said you were hungry --You I DIRK

b.g.) Jessie St. Vincent unzips Dirk's pants ••• (porn music in bedroom set is decorated as Brock Landers pad.This

?7 (16mm)FORM. SCENE CONTINUED IN CLIPNIGHT -BEDROOM SET -INT.77

CUT TO:JUMP

my mouth --in starvation before I get something could die ofI I certainly hope so. VINCET JESSIE ST.

It's excellent. BEST place to eat in Los Angeles.the It's probably No it's not good.Good.· DIRK

I,,'ii

... hallway and into --aThe move down

wanna show you The main thing I around this corner is the big surprise.And DIRK

leads them --CAMERAandcome f.g.AmberDirk and

the image is of their waists - the Polaroid framing was too low. POLAROID DEVELOPEDcu -

hits the timer, rolls back and poses with Maurice -- on the counter,POLAROID She rips off her bikini top, sets the

Fuck it, fine, let's go. ROLLERGIRL

Rollergirl stops arguing with Maurice;

Sound covers the four talking simultaneously.)(Director's Note: the back deck area of the house --Ambershows CAMERA stays foreground with their conversation while Dirk

her clothes on so he can send it to his brothers in Puerto Rico. picture with him withouta to convince her that she should take He's trying Maurice and Rollergirl are deep in conversation. THE KITCHEN

They move into of himself that was done by Jessie St. Vincent, etc. showing her a painting on the wallwood used to build the house, what sort of history he knows about theleather couches he has, explaining what type of Dirk is giving her a tour,house. CAMERA follows them through theandFRAMEenterAmberandDirk

Jessie is oil painting.and Becky. in the living room for Scotty J. TRICKMAGIC (STEADICAM) begins on Reed who's doing aCAMERA

80 DAY NEW HOUSE/STUDIO CITY HILLS -DIRK'SINT.80

TO; CUT

really fly towards camera -- and switch the main title card -- it should loose Reed with the revolverDirk's spin, Let's head trim good, it's close.Good, JACK

working on the film.and Kurt Longjohn,Jackto find;''---~--/ around from the Steenbeck imageWHIPSBACK andCAMERA PULLS'·,:, /-'\

Jack. a real film,It's KURT

done~ This is the best work I've ever JACK

and Kurt Longjohn;Jackto find WHIPS around from the Steenbeck imageandBACKPULLSCAMERA

TO: CUT MATCH

Directed By Jack HornerREADS:CARDTITLEFRAME.FREEZEThey smile.

some of that Saturday Night Beaver -- Let's go out and getBrock.C'mon, REED

That's right. DIRK

Just another day. REED

are safe -- So we solved the case and the women DIRK

Dirk and Reed, in charachter look at each other and say;

81 (16mm) FILM CLIPNIGHT -SET - RESTARAUNTITALIANINT.81

a ride.go forand They get in the car

I've ever seen in my life -- This is the most beautiful thing This is it -- this is the thing. DIRK

baby. deserve this,You AMBER

DIRK.ONIN DOLLIESCAMERA .red with super trimmed out designs, etc.

It's candy appleCORVETTE.15178NEWBRAND.aimages ofcuCAMERA holds

Isn't it beautiful? DIRK

to open ••• LIGHT POURS INSIDE on their faces -- and it starts Dirk hits the garage doora moment,it's dark for GARAGETHE

"B" End SequenceDIRK.ONFRAMEFREEZE

Thank you. DIRK·

speaks into the microphone;HeFinally, Dirk. Rollergirl. new Lady Friend.anoth~randColonelBuck.Maurice. Scotty J. Vincent. Jessie St.Becky.Rocky. Kurt Longjohn. PAN to his Wife. Little Bill. •• thenAmber.Jack.Reed. SLOW MOTION:INFARSO OUR PRINCIPLESOFON EACHDOLLIES INCAMERA

to accept another award. Dirk walks up to the podium"AWARDS.ADULT FILMANNUALThe "4th

WHITE TO;BURN

BACK --THE THE PROJECTOR INFROM THE LIGHTTOWARDSIN UP/ZOOMSBOOMSCAMERA watching the film -- swingers, etc.) (mostly couples, CAMERA finds the crowded AUDIENCE

graoning and rockingand and Dirk in close up -- they're moaning in close upAmberCLIP ofa SCREEN which has CAMERA PANS from the

85 NIGHT ANGELES -LOS PUSSYCAT THEATRE -INT.85

TO: QUICK DISSOLVE

"Brock Landers III: Silver Fingers" MOVE;THE CAMERA REPEATS

84 NIGHT SAME -84

TO: QUICK DISSOLVE

"Brock Landers II: Oral Majesty" Starring: Dirk Diggler. MARQUEE;TO THE STREET LIFETHEFROMMOVESCAMERA

"1979" CARD READS:TITLE

83 DAY ANGELES -LOS PUSSYCAT THEATER -EXT.83

baby. This is the one they'll remember me by, JACK

fly,it You made KURT

good. It feels JACK

Thank you. BECKY

Becky. nice smile,aYou've got JEROME

That's great. BECKY

"Pep Boys."for I'm regional managerYeah. JEROME

Really? BECKY

I'm in the auto industry. JEROME

do you do?What BECKY

Becky."ya, Nice to meet JEROME

I'm Becky. BECKY

My name's Jerome. JEROME

That's really sweet.do.Ido •••I BECKY

Y'understand?away? that takes your attention and in your soul, whatsa problem gonna be and ultimately, if you have love on your side will come and go and so will problems,people mean,I and how hard can the world be? love someoneYouY'know? it's about love. I'm concerned,as•••• as fary'knowyeah •••• JEROME

••• right, right ••• BECKY

JEROME. heavy-set black guytall,a hangs with Becky andCAMERA·

insane party than we have seen so far •••• a bigger, better and moreThis isroams through the party.CAMERA

BO'S" "Goodbye 70's -- Hello1

It reads: huge banner strung across the house.astarts onCAMERA

87 NIGHT...HOUSE JACK'SINT.87

are so fucking awesome, Dirk.You VINCENT JESSIE ST.

mome~t. today, right now, at thisamI couldn't be happier than whereI look: mean,I best. It's theIt is. DIRK

It's great. it's just fun. VINCENT JESSIE ST.

But then ••• I think. , • DIRK

know.I know,I VINCENT JESSIE ST.

Y'know? with me?" "What the hell is wrongdoing?"Iam"What sometimes I'm like,know what you mean,I DIRK

I try and act like I'm all care-free and everything. guess that's why with myself that much -- I was never really secureIa kid,wasIWhen was just never really se.cure.Idunno.I VINCENT JESSIE ST.

Yes. Yes. Yes. DIRK

can paint, too.I like I've got something that works feel I still girls in this industry but other my pussy isn't as tight as all the knowI know my tits aren't as big andI VINCENT JESS!E ST.

I': like an outsider. I

You shouldn't feelno, Jessie.No, DIRK

dunno and your relationship and IAmber see you and••• IY'know to the whole thing. Because sometimes I feel like an outsider VINCENT JESSIE ST.

hangs with Dirk and Jessie St. Vincent.CAMERA

of illusions."world"the and explaining some facts about, who's doing some Magic Tricks for Jackhangs with Reed,CAMERA

: and the future ••• hangs with Kurt and Rocky who are discussing technologyCAMERA

~-----~.....-....··..-·-·.·=·-=--···-'-·"-~-...-----------

.....-.-·_,.,....____________...··~·_.....,_,_,_..,.....

Hi. TOMMY/PETE/ANGIE/CYNDI

Angie and Cyndi.Meet Girls: and Pete.·TormnyMeet Boys: FLOYD

I'm fine. COLONEL

You look happy.How are you? FLOYD

it ••• great ••• great ••• great. make Floyd Gondolli, great you could COLONEL

The Colonel! FLOYD

PANS over to Floyd Gondolli;WHIPCAMERAThe Colonel walks over,

is standing with two dirty-looking BOYS and two similar GIRLS.

50s)(mid GONDOLLIFLOYD white suite,a A tall man in COLONEL'S POV:

C The Colonel's attention turns across the room; a part in a movie.who"s begging for coke from a bowl and Maurice, FRIEND, who's doing someLADYNEWa CAMERA hangs with The Colonel,

88 NIGHT JACK'S HOUSE/KITCHEN -!NT.88

Scotty. Excuse me, AMBER

attention moves to Dirk talking with Jessie St. Vincent.Amber's

walked away.And I was just all ••• like ••• "Forget it."so I stuff.and around y'know, with his friends he was all, like acting tough,And· •know?Y11do? "What are you gonnalike, was all, So then IAmber.pissed, was fuckin •y' know ••• Ilike ••• really ••• wasI so "Nothing. And he was all,

"What's your problem?"was all,So I SCOTTY J.

He re-counts;Amber.and CAMERA hangs with Scotty J.

guess.I No one, I don't know. VINCENT JESSIE ST.

Who says you don't have a tight pussy? DIRK

towards him -- CAMERA moves away,sees Buck.and Jessie looks across the party

house. They excuse themselves from Jessie and walk off into the

... Let's go. DIRK

A surprise, surprise, surprise. AMBER

Where? DIRK

a little while? Do you wanna come with me for AMBER

Nothin' DIRK

What are you talking about out here? AMBER

Amber.Hey, DIRK

takes a seat on Dirk's lap. comes over andAmber Dirk is talking with Jessie St. Vincent.

and Floyd walk away.The Colonel

little business talk.aa minute to dosplit for Uncle Floyd is gonna Tommy-Pete-Angie-Cyndi. FLOYD

Floyd turns to the kids he is with and speaks very slowly to them;

Let's do it. FLOYD

* this thing out before we start the new year •••

Maybe iron'ya say?whadda Jack now, with talk I think we should do that COLONEL

people in the world. These are the next stars ••• the real FLOYD

New Year.HappyHello~ COLONEL

You made it -- REED

ReedRothchild.Rockin' TODD

Todd Parker. REED

where he sees;AREAPOOLhim to thefollowsCAMERA party people.various and flashes smiles at280zexits hisHe

20s.)(late PARKERTODD A guy in white jeans, black leather jacket,

90 MOMENTTHAT- NIGHT- DRIVEWAYJACK'SEXT.90

anyway? guy thinks, cares what thatWho I'm working out the financing right now. •••• I'm opening my own bussiness. BUCK

What does he think about the look? at the stereo store?bossYour ROLLERGIRL

What? BUCK

store think? What does your boss at the stereo ROLLERGIRL

No it doesn't at all.No it doesn't. BUCK

or something -- It kind of looks the the Commodores ROLLERGIRL

I'm the one that started it -- I'm the one that told you so and And just remember:know so.I BUCK

-- you think so? ROLLERGIRL

you watch, it's gonna take off --Justeighties: everybody's gonna be wearin' in the This shit I got on is the look that Lemme tell you something, Rollergirl: BUCK

talking to Rollergirl.:He'sCommodores look. He's doing some serious dancing and he's wearing a new-style, BUCK. ANGLE,

Floyd. or your credentials, doubting your historyone'sNo COLONEL .

you're history, Floyd.knowI JACK

· and hard-core, Jack. doing stagbeen for as long as you've theater work in San Francisco and San Diego doingbee~ I've but all of us will profit. how all of us -- not one of usabout talk to this industry -- and let's what video meansaboutSo let's talk the future.about ••• so let's talk FLOYD

and the Colonel sitting.Floyd GondolliJack,

91 MOMENTS LATER JACK'S OFFICE -INT.91

WHOA.- Laguer Candy Apple Red Ten Coats of Hand Gloss,Caroms,Dual Racked, -- Nosed,jammin' That car is TODD

It's Dirk's. REED

Who's Corvette is that out in the driveway? I don't dance Sunday nights. TODD

You got off work? REED

Introduce her to my lap.sure. TODD

Want me to introduce you? REED

GIRL. PARTY Todd points out a BIKINI

action over there -- some of that I wouldn't mind havin' TODD

You bet. REED

chicks everywhere.Fuckin' This is an amazing party.Yeah.:.yeah. TODD .

i one step ahead of the game -- I'm trying to help you staytrying to hurt you, in this bussiness -- I'm notcentaanddollara make want to do in this life issmall thing I enjoy •.•. One other but this is something that I pervert,amecall crazy, That's me -- call me ass and lollipops in my mouth.myin wheel -- I enjoy simple pleasures like butter I don't want to re-invent theandan Oscar I don't want to win see fucking on film. like to:r particular,:rn I like cinema. not a complicated man.I'mJack.a minute,Wait FLOYD

Period. under contract to me. my actors who are I will not loan out on video and no I will not shoot films now: something all that -- well lemme tell you me about -- video and amateurs andtell and that -- tell me about the future,this aboutme come in here, at my party, tellYou

and talent to help make it fly -- obligation to use our resourcesanhaveWe is upon us -- and our role is critical. The video revolutionpower here. )..C same token, you're the one with the Jack and by thatThat's right, FLOYD

and they know how to fuck well (where films should be seen)in theaters proven box office and they get people They're a bunch of fucking amateurs. They're not They're professionals. have a stable of actors and actresses.I JACK

Video tape tells the truth.This is the future. hot-fuck-action to the max.arewho got out there not to mention those kids I equipment and the mail order distribution, a connection to thegotI"veyou Jack. from from the Colonel, the talent comes The money comes not be prepared?Why FLOYD

Then why help it? JACK

upside down soon enough This industry is going to be turned mean:I Then why the resistance? FLOYD .

7.6

converting to video projectors. theaters are already planningThe Film is just too damn expensive. Jack. It doesn't have to look good, COLONEL

it doesn't make sex look sexy. It doesn't look good and more importantly True film fans won't watch that shit. JACK

videocassettearentabuy orand supermarket local gonna be able to walk into their everyone 's ·three years from now,·Two,Jack: on the whole idea of a home video market gamble to be made for the price and the serious casea I think that there is COLONEL

working with this shit? you telling me that you'reAre JACK

c'mon --Jack, What do you mean, COLONEL

What are you saying? JACK

but a -- This is not an argument, COLONEL

? •••• What ••• JACK

not an argument ••• this is a fact of -- Jack, please understand that this is COLONEL

I"m crystal clear here.No .•• no. JACK

I think you're one gin past this conversation FLOYD

it probably is shit -- if it looks like shit and sounds like shit, that can be saved shooting on video tape -- a few dollars it shouldn"t be sacrificed for The future is as bright as we make it -- JACK

I think this about cost and futureJack, COLONEL

Floyd. We're _repeating ourselves now, JACK

it back quick and hard ••••snortMake sure your straw)a (handing him Goodbye to 1979 ••• hello to 1980 ••• AMBER ,.. 2000 ••• can you imagine? ••• it's gonna be 1990, thenknowwe it's like ••• next thingI can't ••• DIRJ<

Can you believe it? Fucking 1980 ••• y'know? AMBER

Amber continues to talk as she sets up more lines of coke

Amber.too,youloveI DIRK

honey. love you, went off ••• and I just ••• I that's happened to me since my son in the worldt'hing You're the best AMBER

Amber. Thank you, DIRK

for you so much •••• you're my little baby ••• careI honey. really care for you, I and I want you to know how much gonna start things and do things new year and we'reIt's gonna be a love you. how much Itell you could a minute so Iand give mein I wanted you ••• to just •. to come AMBER

She sits him on the bed.enter.AmberDirk and

92 NIGHT BEDROOM -AMBER'SINT,92

HOLD. Floyd looks to the Colonel.Jack leaves.

continue this conversation some other time. We will or we won'tso I 'm leaving now. Year and I don't want it to start like this New We've got ten minutes until the JACK

It's true. FLOYD

I haven't heard that. JACK

y'know, right?New Years,••• fuckin' J • SCOTTY

man? What's up,Hey.Scotty.

DIRK

Dirk.Hey, J. SCOTTY

approaches •••• follows him outside ••• scotty J.CAMERAwalking •••• stops to say hello to some people •••• Dirk keepsAmberparty •••• to theback emerge from the bedroom and walkAmberDirk and

93 MOMENTTHAT- HALLWAYJACK'SINT.93

HOLD. the mouth.on is right there to KISS him very hard.Amber

do it?I look cool whenIDo DIRK

Dirk does another line.

One more, then the water. AMBER

I think ••• need a glass of water,!... DIRK

more in the other nostril.oo,one AMBER

Tastes like aspirin. DIRK

It's the drip ••• the drip's the best part. AMBER

my throat •••• uch •••It's in DIRK

though, right?It's good, AMBER

It burns. DIRK

of coke,line and does a a moment, then leans downDirk hesitatesShe demonstrates.

Really fast, like this ••• AMBER

?•• wh••• DIRK

cool. DIRK

... This is it. J. SCOTTY

TOYOTA CORROLA.RED USED CANDY-APPLE They check out the DRIVEWAY. out to theScotty J.and CAMERA continues with Dirk

can talk later.We I'll see you around. (to Todd) okay, Scotty.Yeah, DIRK

Are you coming --?-- Dirk? SCOTTY J.

got some moves.IYeah, TODD

dancer?aYou"re cool.cool,Oh, DIRK

Strip Club -- over at the Party BoysworksHe I told you about Todd?Remember REED

finally meet.We TODD

'ya?are How DIRK

my pal from the thingThis is Todd, c'mere and meet someone.Dirk,Hey, REED

BBQ pit -- standing near the

are who them outside, they pass Reed and ToddFOLLOWSCAMERA

Sure. DIRK

Wanna see?Yeah. J. SCOTTY

You got a new car? DIRK

Did you see my new car?Right. SCOTTY J.

1980 •. DIRK

Please let me.Please. -- can I please kiss your mouth? SCOTTY J.

••• scott ••• I don't DIRK

can I kiss you? SCOTTY J.

••• yeah •••• scotty. DIRK

I wanna know if you like me. SCOTTY J.

-- What? DIRK

You look at me sometimes SCOTTY J.

why'd you do that?•••• DIRK

Dirk. Please. I'm sorry.I'm sorry, SCOTTY J,

and turns: pushes him awayDirk stumbles, CHARGES Dirk from behind and starts to KISS his neck.Scotty Dirk starts to walk away •••• scotty watches him go •••• Suddenly:

-- come on Let's get back inside,Shit1Oh, DIRK

Six minutes ••• SCOTTY J.

waitaminute .••• fuckin' hell.. ,how much time left? minute, wait am.inute,aWait DIRK

ride, or --a you wanna takeYeah, J. SCOTTY

It's really great.great.It•s DIRK

Yesterday. SCOTTY J.

When did you get this? DIRK

Wanna get inside? SCOTTY J,

TO: CUT

Dirk. love you,I (to himself) J. SCOTTY

Dirk hesitates ••• then turns and walks back into the house.PAUSE.

Oh. DIRK

it back.takegonnawas was cool or else I I wanted to make sure you thought it SCOTTY J.

Yeah. Yeah. What ••• ? DIRK

Dirk? Do you like me car, SCOTTY J.

wanna go back inside?You DIRK

drunk drunk, I'm so wasted, Right? Crazy. know?you I'm just crazy, SCOTTY J.

••• yeah -- DIRK

okay? I'm outta my head, I'm just drunk. I'm really sorry, I'm sorry. Forget it.no.No, J. SCOTTY

Scotty. DIRK

Do you wanna kiss me? SCOTTY J.

••• it's alright. DIRK

I'm sorry ••••• • SCOTTY J •

It's alright. DIRK

to grab you •••• I didn't I didn't mean I'm really sorry. SCOTTY J.

No. DIRK

---- -----------------------------..J::.::..~

~.•': -~.:. ...:-!•,,..~.,'.-•!...,...•. •:·-,:.•:·... •

1 YEARNEW HAPPY•••• (OC) PARTY PEOPLE

His Wife and the Young Stud are still fucking •••• IT OPEN:SMASHESand Little Bill arrives at the Bathroom door

•. ... 1 ..2..•3........ 4...• s6•..• PARTY PEOPLE

down the hallway Little Bill walks into the house,

.... 1 •.•. 10 ...• 9 •... e PEOPLEPARTY

New Year People begin counting off to the

loading the gun as he walks •••back through the pool area, CAMERA FOLLOWS him now as he heads back across the driveway,

AMMUNITION.

REVOLVER and.38 reaches into the glove compartment and takes out a

unlocks the passenger side door,from his pocket,He takes the keys

Wagon. area and into the driveway for his Station him as he walks back through the party ••• outside to the pool

LEADS CAMERA a moment, then closes the door.Little Bill stands

a fresh cunt, pal.This is STUD YOUNG ANOTHER

You should be taking notes, Little Bill. LITTLE BILL'S WIFE

She looks at him.STUD.YOUNG

ANOTHERby yetSTYLEDOGGY FUCKED Little Bill's WIFE is getting

BATHROOMTHEINSIDE SHOULDER, OVER LITTLE BILL'S

opens it.He bathroom door. CAMERA follows Little Bill as he walks the hallway to a closed

95 MOMENTTHAT HALLWAY -INT..95

TWO MINUTES!PEOPLE!MINUTES,TWOGOTWE JACK

Jack calls out to the crowd of Party People.

94 MOMENTS LATERNIGHT -HOUSE -JACK'SINT.94

....•·.-·.......·--------...~-:-..:..:-....··:-"'!:··· ..------..:...·.·.··.·

y'know.So -- What's the problem?mean:or so ••• I of talk has only come up in the past year this kindand since 77 •••five years,•••u.m ••• u.m past made twenty of these films in theWe've to •••• defeat.trying that my character is smugglers or working for some organization -- say -- spies or drugareare women who gotalotta action and sometimes the characters but they've these movies are for the whole family, Look: I'm not saying thatY'know?the movie. like action or violence or whatever -- that's something in this series of movies that's mean, if there'sIwhat?No,?violence ••• DIRK

(1982) quickly to Amber oc.speaksHesiing'lasses.

wearing eil<i:af.:isw.efatt'-n~,t~liin''-u•n:s-:f.ti~.j~~He Isis doing an interview..P-i~k:::

96 (16mm) FOOTAGE, DOCUMENTARYDAY -... HOUSE/BALCONYDIRK'SINT.96

"C" Sequence

TO: CUT

might consider violent attitudes towards women? some peoplewhatand "Brock Landers," what about your character,••• (OC) AMBER

THE VOICE:HEARWEBLACK,OVER

OUT. FADE

"80s"

READS:CARDTITLE

SJ FRAME.OFOUT FALLING COLLAPS~?,HEANDSKULLHISOFBACK~HE SHOOT. OUT.BRA:cN$AND.·BLOOO'.

-~e • • TRIG~:E.I•-~~E:Pttl:.+i§.ANJ?MOU'l.'H~:I$,IN·R.Ey:PFV:ll.RT~.~; ·s·HJ~,¥~.sAND PARTY PEOPLETHEFACESAROUND,TURNS -L.i1T't~~-~I#~••

••• BATH~00t1THE·'FI~L$MOHAND:BLOOD,_• • •

••• w:ttE·HISINTOSJiOT. ANOTHE:a.Fl:RE;S1;31~LLITTLE• •

GUNSHOTS •••SOUND OF THETHEATJUMPSPARTYTHE ••• EVERYONE IN

.. ·-----~~..:;.......:...-----·---.-- ---·------·-·-

•·-····-•··-·-·-··.:·3;JE:J[K.......LX....z2;lJEiFYE"]l[Jf::W-.:~·JE_,-:-;111·yy-,;:1:•••••••

• ••••o/...--.--·.·•·,-............. ,

Buck •at GUN aimed REED appears with aJust then:

WOMAN?MYWIT WATCHYOU DOIN' HEY CRACKER-JACK, BUCK

REVLOVER at Dirk.aand aimsPIMP BUCK arrives playing a

next time.wet get my pussy maybe I'll Ohhh ••• do it again, BECKY

Dirk SLAPS her across the face.

Fuck you. BECKY

YOU BITCH? FUCK IS RINGO, THE WHERE I'm onna ask you nice •••• I'm onna ask once more and DIRR

holding his fist up •••• The scene:He's right in her face,a wall. againstup PR®S,T,i,'IIU,W,Ew,0-air1{,pla¥i·ngB'e'cky:Dirk hasthe scene,In

98 16mm FILM CLIPNIGHT -WAY -ALLEYINT.98

her then starts to KISS her breats softly.SMACKSDirk

FACE.DAMNGODTHE YOU INPUNCHI'LL LAY STILL, DIRR

ASSHOLE.ME, FUCK OFFTHEGET SUNSHINERC

YOU?SENTWHO DIRR

The scene plays;down. the knife from her hand and pins her knocks Sunshine,KC the scene, struggles withinwakesDirk

by --come in a society where morals are hard to

fights for causes that instill prideand Brock protects the values of the American ideal so only in the vein of good and right. gun he doesa If Brock Landers is slick with (VO) AMBER

coming towards Dirk ••• She enters, holding a knife, ,../___ii\, wrapped in a sheet.an Indian woman, plays in the scene with him as ~\

SUNSHINEKC An actress named Dirk is in his underwear, asleep in bed.

97 FILM CLIP16:mmNIGHT - BEDROOM SET -LANDERSBROCKINT.97

"C" End Sequence

CUT TO: FADE OUT,

Lust. Man,OfIs AHe of passion and mystery ••• dance ••• he is a manandpoetry, karate, music a creative man of many interests ••• film., to look forward to, not to fear •••• he is For Dirk Diggler, the future is something (OC) AMBER

the sun goes down.as Footage of Dirk walking along the street

106 FOOTAGE.DOCU,-DUSK- VENTURA BLVD.EXT.106

Dirk laughs a little less.laugh.AmberJack and

I don't let you block your own sex scenes. JACK

do that.uh - an actor - that would let any other director'sdon't know ofI •••. y'know with the character and develop, ••• and .•• he gives me flexibility to work me to block my own sex scenes •He allows uh the camera needs for editing -- but, put the final touches on whatwillJack BLOCK •••• uh ••• and idea or a movement. DIRK

Dirk speaks very quickly •••Amber.interview with Jack and Dirk are sitting behind a Moviola for the

104 OMITTED104

103 Director's Note: Jessie's Interview/TBAOMITTED**103

102 Director's Note: Rollergirl's Interview/TBAOMITTED**102

101 OMITTED101

100 OMITTED100

99 OMITTED99

TO: CUT

to blow you away! reasondamn and give me a good god motherfucker another move,Make REED

"E?i7iiF- ·-z·:.·7~-;;rn;;s;-a;;a;;;;wiE::a;;:tiii;-,,g·a;··.-·-,------·-....1....:r...Zii_...]:__..J...,-·-------...:....::..._.:.__3.-·-------

-----····-·----------·

He slams the phone down.

-- Yes -- Right Now.NowRight Okay. Calm down. Calm down.Yes. Wait, wait, wait.Colonel?Hello? JACK

DOLLY/ZOOM IN QUICK,Jack picks it up.It rings again. OVER to the phone.CAMERA WHIPSPHONE RINGS,At that moment the

was it?How JACK

and Reed, sitting at the kitchen counter;JackTO:OVER180 CAMERA SWINGS walk out and into the living room,AmberDirk and

108 LATER MOMENTSNIGHT - HOUSE -JACK'SINT.l 08

TO: CUT

-- yeah. DIRK

Blocking the sex -- AMBER

-- y'know --aboutthing cutting that part when Jack says that Maybe you might want to think about (beat) Really.good. It's so fuckin' DIRK

you first.showwanted toIyou.Just AMBER

Jack? showed Have you Shit. You're a director now. Amber. It's so great,It's great. DIRK

you. It's my poem to AMBER

off and looks to him; She flips it sitting in front of the Steenbeck.Amber,andDirk

107 (May 82)NIGHTROOM - JACK'S HOUSE/EDITINGINT.107

worry.Don't okay. Alright, JACK

spent it.I It goes, alright? the coke, the limos, the houses. Between you shooting film,expensive. This shit gets I spent it, alright? COLONEL

The films •••• or ••• I mean? JACK

spent it.~I•••itspentI COLONEL

Well. •• what ••• how? JACK

The Colonel shakes his head a little, doesn't answer.

Nothing? What do you mean? JACK

-- I don't have any money left. COLONEL

I don't have that kind of cash -- The bail is a hundred thousand dollars. Just relax. It's gonna be okay.Okay. JACK

Jack. It was coming out her ass, COLONEL

What? JACK

jesus coming from her nose and ••• jesus ••• her, know ••• she's got blood•••• next thing I vacuum in her nose or something .•••a Like she had doing it like she was a vacuum. she just kept doing it andwouldn't listen, not to do so much coke, but sheherI told COLONEL

I believe you. JACK

you gotta believe me.know ••• Jack, ••• she was fifteen ••• fifteen ••• I didn't COLONEL

speaking through the glass.him,Jack sits across from crying his eyes out. The Colonel is sitting in handcuffs,

l 09 NIGHT-AREA HOLDING- STATIONPOLICEINT.109

-- .......................--...-·-----. ........•---····-..___.........•. •••. .q-1.·••••,.,•----~

Jack doesn't answer.

me? you promisingAre COLONEL

promise •••• fine in the end •••• I It's gonna be -- it's okay, Colonel. JACK

a long time. I'm going to jail for COLONEL

? ....tdon ' •.•• I •••• I JACK

now. You look at me like I'm an asshole, COLONEL

Colonel. Jesus Christ, JACK

I've never touched one of them ••••Jack.anything, I don't do just want to watch,Ismall and cute, I can't help it when they're soJack.myself, They're •••• so small and cute I can't help

Jack. weakness, it's my fuckin'•••• COLONEL

What did they find? ••• what are you saying? JACK

••• something ••• COLONEL

What? JACK

Jack. They found something in my house, COLONEL

mean ••• you didn't do anything.You didn't ••• I You were ·just there, right?look;mean,I you've done nothing wrong.know;YouRight. JACK

have picked her up. I wouldn't gonna die right there with me or I didn't know -- I didn't know she was COLONEL

you are.Yes JACK

right? good man,a,I'm I can't have this happen to me. COLONEL

No ·•turning back now. LONGJOHNKURT

That's it. JACK

Lot of stuff on there to learn. ROCKY

Yeah. LONGJOHNKURT

Well there we go. JACK

HOLD. CAMERA. They look into KURT and ROCKY.AT JACK,UPLOOKING HOLDS A LOW ANGLE,CAMERA

110 DAY JACK'S HOUSE/OFFICE -INT.110

TO: CUT

CLOSEIN DOLLY Jack watches him leave. The Officers take him away.

filmmaking is over, Jack.

give up your battle -- thego to video, go to Floyd Gondolli, Look for the new blood, because you can't win.Don't fight it, and your livelihood -- accept the future. for your bussinessFor you, You"ve gotta give. Give in, Jack.now: listen to what I tell you and that I'm your friendrememberSo COLONEL

Yes. JACK

your friend?IamAnswer me, COLONEL

What? JACK

your friend?IAm you this for you. tell gonna And I'mJack: Listen to me, COLONEL

speaks sotto;He leans in, to escort the Colonel away. A few OFFICERS come and starta moment.They hold a look for

long time.a long, I'm going to jail forI've done wrong and I'm going to jail.I'm done.ean't help me.You Don't promise me anything.Take it back, Jack. COLONEL

No more stories •••• that's over. Kurt. It's about jacking off now,No, JACK ,.. can still tell good stories, Jack •we LONGJOHNKURT

This is the thing they've b_een discussing.them. is sitting on the table in front ofCAMERAA new VIDEOANGLE:REVERSE

It's a rather pretty thing, isn't it? ROCKY

Yep. LONGJOHNKURT

rich~ It's gonna make us JACK

ROCKY

I'm scared. LONGJOHNKURT

it anymore because the past is too expensive. can't denyweand This is the future JACK

you can't.No LONGJOHNKURT

price. You can't beat the JACK

Yes. KURT LONGJOHN

It's •.•• potential ••• ROCKY

think.I We can make it work, LONGJOHNKURT

It's not what we're used to. JACK

uh The quality is, ROCKY

That's right. LONGJOHNKURT

The future. JACK

I

r~~,~ ~-----~---- ~~- ----------------- -------

about •••• mean ••• but we were talkin'Iyes,.••No BUCK

? Um ••• oil painting ••• VINCENT JESSIE ST.

What were we talking about before? BUCK

Right.

I think. It's sort of original, BUCK

I think. a great look for you,•••• it's VINCENT JESSIE ST. ' I'm pretty happy with it •••• BUCK

Ja.m~'.s~:Jle~.~?I:~j•!,,~J!f-.~,:ng?a.:/R;j/ek••a~:.Jare sitting.

my way. off my back and run the store Get those guysY'know. the store my way. It's gonna be a great opportunity to run JEROME

That's so great.guys.That's great, REED

Buy a house. We"re gonna move there.in Bakersfield. "Pep Boys," they're buildingof the new They made Jerome regional manager BECKY

Reed is dancing with them.TUXEDO.dressed in aJerome,

and DRESS WHITE BRIDAL Becky, dressed in a CAMERA on the dance floor;

as Brides Maid.Amber Jack as Best Man. Becky and Jerome kissing. SNAPSHOTWHITEANDBLACKCU -

do too.I JEROME

into CAMERA;looksJEROME

do.I BECKY

BECKY looks into CAMERA;

111 (Dec.82)NIGHT NIGHTCLUB -TRAXXHOTINT.111

Jack turns back to Johnny Doe; walks off across the dance floor. Dirk nods his head, picks up his sunglasses from•,the table and

He's interested in the bussiness.Block. Dirk, meet Johnny Doe •••• New Kid On The JACK

Diggler -- it's great to meet you. You're Dirk Hi •••• I'm Johnny Doe. DOE JOHNNY

Who's this? Johnny Doe)(re: uh-huh. DIRK

a good time? You havin' Dirk -- here you are.Hey, JACK

Right. DOE JOHNNY

••• and it's tough is what I'm saying. JACK

Dirk arrives; (aged 18.)DOEJOHNNY a handsome young kid,withJack is sitting TABLE.JACK'S ANGLE,

walks over towards Jack's table --whofollows DirkCAMERA

Buck. common, never thought we'd have so much inI VINCENT JESSIE ST.

I think that. BUCK

one who thought that.onlywas theIthoughtI VINCENT JESSIE ST.

Exactly. BUCK

Sunrises are better. VINCENT JESSIE ST.

I like sunsets too ••• but •••I was saying:Oh yeah! BUCK

"Sunsets."oh!oh! VINCENT JESSIE ST.

_/ i

follows her into --CAMERA Rollergirl moves past and

swimming in the pool.Johnny Doe is crossword puzzle.aworking on Jack is waiting patiently,

· figure it out.and Reed is watching them try

CAMERA. begins with Kurt and Rocky standing nearby the VIDEOCAMERA

112 (Jan.83)DAY AREA -POOL JACK'SEXT.112

TO: CUT

Jack has his dance w/Becky. Continue a bit with party stuff/etc.Jack turns back to Johnny Doe.

40fps) the door. ( Dirk meets up with Todd Parker and they walk outPOV:JACK'S

a moment.foraway he looks Jack continues chatting with Johnny Doe,

TABLE.JACK'STOBACK ANGLE,

idea. a fucking greatThat's VINCENT JESSIE ST.

"Buck's Super Stereo World." at a discount price -- it's called, Hi-Fi Stereo Equipmentmy dream.It's BUCK

Really? VINCENT JESSIE ST.

bussiness Y'know I'm thinking of opening my own BUCK

No.

Have you ever heard my stereo system? BUCK

VINCENT at their table.and JESSIE ST.BUCKANGLE,

sure the lighting is right -- and that's just to makestanding around, / you got ten, fifteen peopleIt costs money, I'm saying to you is this:WhatAnyway:~,.: He's also shy.Johnny.tired,He's pretty JACK

Shit no, I'm cool as a cucumber. MAURICE

look like a wreck.You ROLLERGIRL

Me?-Nothing-Why? MAURICE

With you? ROLLERGIRL

Where? MAURICE

What• s wrong? ROLLERGIRL

Hey ••• Rollergirl ••• hey. MAURICE

Rollergirl enters and moves to a closet.

sw~.a,tdmg.~P~..s.ha-king.the•··bed:,·"G.f·"the·"''eage1onifitting·is·,,-Maurice

114 MOMENTTHAT BEDROOM -INT.114

DIRK.ON (30fps)

A LITTLE DOLLIES INCAMERA is speaking to him.Amberswimming. Johnny Doesees Dirk looks out the window,Rollergirl skates off.

You don't have to be mean about it -- ROLLERGIRL

or whatever --ownor get your businessown Yeah, well ••• mind your DIRK

You only have to do bumps with crystal. me -- you don't need to do that muchtell why didn't youShit,That's why. ROLLERGIRL

It's crystal. DIRK

burns. This stuff ROLLERGIRL

"Video Killed The Radio Star." MTV which is playing The television in the b.g., is tuned to some -- she does Rollergirl arrives, some coke on the table. and a headband for the scene and laying outis dressed in SpeedosDirk

--;g;m;;a:as:w:ar•:a::w::;;v;p;;;g·s·;g;71r:;p;;;;g;;:w;;·a·v·:a;;:;a::·,a;;;;g

115 OMITTED115

moment.a HOLD with Mauriceexits.She

I'll be out there.Okay •••• ROLLERGIRL

a bit -- wanna stay here forINo ••• no ••• MAURICE

C'mon. ROLLERGIRL

Right. MAURICE

do fine.11You' ROLLERGIRL

can do it. can do it ••• II in Puerto Rico the lifestyle that I'm living. have to show my brothersIhave to do this •••l have to be a man about it.IRight.Right. MAURICE

Be a man about it. ROLLERGIRL

guess.I MAURICE

know you can.Ibet.Ia boner,can getYou how you use it, right?It'sdick.a small you've goti: Just go for it ••• who cares ROLLERGIRL

What do you mean? MAURICE

man. Just go for it, ROLLERGIRL

•••• right •••• right •••• MAURICE

Maurice.can do, there's really nothing l a small dick,If you've got ROLLERGIRL

dunno.l MAURICE I

ROLLERGIRL

Can you help me?Please. MAURICE

Well. •• ROLLERGIRL

I don't think so. MAURICE

a boner? can you get ROLLERGIRL

So I can't do this. MAURICE

•• uh ••• so?Well. ROLLERGIRL

Really small. MAURICE

How small? ROLLERGIRL

••. it'S small.dickMy MAURICE

What? ROLLERGIRL

is really small.dickMy MAURICE

What? ROLLERGIRL

Rollergirl? MAURICE

BEAT.

· giving me the chance. I'm very thankful to Jack for MAURICE

What you always wanted. ROLLERGIRL

Yeah. MAURICE

a movie.in It's your big day -- bein' ROLLERGIRL

BIRINI~ Rollergirl takes off her clothes and gets into her

Dirk? start something here, You wannaGet me? Yeah, well. •• NO. JACK

I'm ready to fuck ••• let's go now. I'm ready now ••• my cock is ready now. Jack.Hey.No, Hey, Fuck it. DIRK

JACK

It's gotta be now.I'm ready now.No. DIRK

We need twenty minutes. JACK

I'm ready to shoot. DIRK

Dirk comes charging out -- Johnny Doe is drying off. Jack is still sitting in the same spot.

and exits --up his pantsDirk pulls Scotty exits quickly.

--what the fuck-- DIRK

speaking to himself;down, Dirk in the mirror with his pants

who catches OPENED by Scotty J.SUDDENLY DOOR to the Bathroom isThe

I'm a star.I'm a star, I'm a star, C'mon ••• c•mon ••• c'mon •••• I'm a star. My Cock Can Get Hard.And rock and roll star.aI'm a star, I'm 'mon ••• c 'mon ••• c 'mon •••• I •m a star.c DIRK

slowly at first then faster as he tries to masturbate.little,a His body starts to movedown at his cock.looksHe unzips his pants,

CAMERA.TO THEBACK moves, then turns hisKARATEsome quickdoesDirk.

••• yeah,yeah,yeah ••• You look good, ready • DIRK

looks in the mirror; Dirk enters, closes the door,

116 MOMENTTHAT-DAY BATHROOM -INT.116

Jack: I'm not gonna tell you again, DIRK

Well I'm not. JACK

I'm ready to shoot. DIRK

mellow this off ••• you understand? have a drink andGo inside, you need to settle down.Dirk, JACK

DON'T.MAN,HEY, DOE JOHNNY

OWN. OF HIS INTO A KARATE-STANCEGETSBUT QUICKLY

WHO FLINCHES,DOE,JOHNNYTOWARDSMOVE A QUICK KARATE-TYPEMAKESDirk

Shut-up. DOE JOHNNY

I'm a real actor.man.I'm an actor,No: DIRK

am.I Yes DOE JOHNNY

bussiness being here -- you're not an actor -- You got,noman. an actor, You're not DIRK

I didn't do anything to you. DOE JOHNNY

Shut up. DIRK

what?•••Me DOE JOHNNY

· Dirk points at Johnny Doe.

me or him? Who do you want to fuck, DIRK

What? JACK )___,....I is it gonna be?who wanna start fucking •.•I,.....--...._'; DIRK

am.I Yes JACK ... ME.OF BOSSTHENOT YOU'RE DIRK

Get the fuck outta here. JACK

Sleep it off, Dirk.to come down. You're high and you needWhatever. JACK

I haven't been up for two days. DIRK

two days. You've been up for You're high and you need to sleep it off. JACK

hey --Jack,Jack, What are you, DIRK

Jesus Christ. JACK

the state of California. I'm inYeah, State of California? State? Whatta you mean, state? DIRK

the state you're in, Dirk. You don't want to do this -- JACK

No. DIRK

Leave. JACK

what? •.• you ••• DIRK

get outta my house.my set,Get off JACK

? ••• What••• DIRK

-- Get outta here. JACK

You listen to me now, kid -- JACK

so let's go --fucking cock,bigone with the I'm the one with the cock, I'm the DIRK,

Dirk? go home,we Why don't REED

my cock is cool and ready.I'm calm, I'm done ••• now I'm ready to shoot. Look ••• it's over ••• alright. DIRK

I don't want you here. JACK

I'm fine. I'm ready to shoot the scene. wanna shoot the scene.INo,No. DIRK

I don't need this.Reed.Take him home, JACK

Reed comes over to the fight.

Reed -- JACK

honey. Dirk, please, AMBER

MOTHER,MYNOT YOU'REBOSS.MYORMEOF MOTHERTHENOT YOU' RETOO.UP,SHUTYOU DIRK

walk--a go forwe why don'thoney,Dirk, AMBER

Amber comes over.nervously. now and is watching Everyone has stopped what they're doing by Dirk is shocked.HOLD. SLAPS Dirk across the face.Jack

MAN.ME, TOUCH YOU FUCKINDON'T DIRK

PUSH. Jack starts to prod Dirk a little with a slight

GO. GET OUT.MOVE. Jesus Christ. JACK

HUH? THE KING?YOU.ARE DIRK [

-- -----··· ·---~-------...-~~~-~~=··-.....----

hand over his nose, hides his embarrassment;his

cupsHe ·nose. 'te;bour·~:vro·H~ht'lV:ftom:;fi,i•sbegins'bloodStidcl.Ein1y;

COCK? MY BIG FUCKIN'SEEWANNAYOUHUH? SEE? WANNAYOU READY. My cock is - DIRK

NOW. Leave RIGHTDirk. Just leave, JACK

THAT? WHAT ISTHAT?ISWHAT WHAT? DIRK

NOW. Get outta here now. You're fired. You understand? Okay? Alright: You're fired. JACK

JACK.THAT, ME LIKEABOUTTALKYOUDON'T DIRK

your dick's not getting hard today, kid. ready to fuck,You're not coke you got in you. lucky if you could manage six today -- all the you'd be I've seen you push thirteen inches, JACK

IT.SAY WHAT?WHAT, DIRK

Your dick. JACK

What "not anymore?"WHAT? DIRK

Not anymore. JACK

GET READY.EVERYBODYSOBIG DICK,MYIT'S AND WANNA FUCK.IIT IS:WAYTHE I'm the biggest star here -- THAT'S DIRK

Dirk, let's be cool, let's REED

C'MON.SO KARATE.KNOWIME,WITHFUCK WANNAYOU SOME ASS.KICKMESEEWANNAYOU UP. YOU FUCK I'LL ME A KID.CALLDON'T DIRK

/

up the vocals. the bass and let's takedownLet's take DIRK

Well. •• a little ••• but not really too much. ENGINEER

Is the bass taking away from the vocals? DIRK

PLAYS. The song Reed and the Engineer are mixing.Dirk,

TO: CUT

YOU' RE A WINNER.NEVER RUN,YOUWALK,NEVERYOU DONE,ANDSAID AFTER ALL IS YEEEEAAAHHHH. POWER.THEGOTYOU TOUCH •••THEGOTYOU /___\, DIRK

anthem."Rocky" between Kenny Loggins/Survivor and any

a crossIt's and Dirk begins to sing his song.BAND kicks inThe

Take seven •••• "You Got The Touch," Okay ••• Dirk Diggler Demo Tape, ENGINEER

man. was born ready,I DIRK

Okay ••• Dirk you ready? ENGINEER

The ENGINEER in the booth speaks; a microphone wearing head phones.Dirk stands in front of

119 "D" Sequence 83) (Mar.DAY STUDIO - RECORDINGINT.119

118 OMITTED118

OUT. FADE

watch him go. Johnny Doe and the rest of the crewAmber,Jack, Scotty,Reed,

all the way --"'ble.eding away gets behind the wheel of his Corvette and tears off,Dirk runs

It would be nice. AMATEUR

Is that what you want? JACK

as.s? in theme Is he gonna fuck AMATEUR

more of a celebrity attitude. Johnny Doe has adopted They're on the couch in Jack's living room.

DOE. JOHNNY PORN ACTRESS andAMATEUR Jack is directing a scene with an

TO: CUT

when they're a little fast •••• it's cooler. people like it when slow songs.,.y"know ••• ••• cause that might make it cooler, We'll just speed it up a couple octaves • DIRK

I thought that --a ballad.It's ENGINEER

speed it up a little -- it's I think that ••• maybe we couldWell DIRK

So .•• what do you think? ENGINEER

making phone calls, eating the free food, etc. Scotty and Todd are sitting around.Reed and the Engineer.Dirk,

122 CONTINUEDBOOTH -RECORDINGINT.122

HEAT. •••• MYFEELFEEL,FEEL, REED/DIRK

BEATMY YOU FEELNIGHT,ALLDAY,ALL TOMORROWMELOVETODAY,MELOVE C'MON C'MON,C'MON, SOULYOUR YOU INMOVE HEAT WILLMY KNOWYOU BABY DON'T

YOU ROLL HEAT WILLTHEYOU,ROCK HEAT WILLTHE

DIRK

THEM.ONIN DOLLIESCAMERA THE HEAT.""FEEL BALLAD called, Reed is playing guitar on a'Dirk is singing.

~.:............:_

SWope?Mr. WORKERBANK

DOLLIES IN,CAMERAWORKER.BANK He's approached by a middle aged white maleholding his hand.him, Jessie St. Vincent is sitting withhis lap, sitting patiently.on

briefcaseaholding Buck is dressed like a regular joe in a suit,

126 DAY- BANK VALLEYINT.126

the face --in SMACKS BeckyJerome

please, pleasebaby,No, BECKY

you want my cock to be bigger, don't you? I'll tell you about a big cock -- yeah, JEROME

Don't -- BECKY

huh? You probably liked those big cocks, JEROME

Jerome, don't --Please, BECKY

WHORE. A FUCKIN'YOU'REWHORE,FUCKIN'YOU JEROME

dressed in his Pep Boys uniform.her,above Jerome is standing Becky is crouched in the corner of the kitchen.

125 MOMENTTHAT- NIGHT- HOUSE BAKERSFIELDINT.125

TO: CUT

VIOLENCE.AND SCREAMING From the house we hear the sounds of Establishing shot of a small little house with a white picket fence.

124 NIGHT- HOUSE BAKERSFIELDEXT.124

Alright, friends; let's get it over with. JACK

and says;CAMERA a seat behind the VIDEOHe takes

Load, Jack.andLock DOE JOHNNY -~/..:\•~ ,r'~-- Fuck her in the ass.Johnn:y: JACK

you could do anything.wanted, Rollergirl, you -- you know -- cause if youfor That would be greatYou should do it. AMBER

I think you right -- I think you were right.never did it. I 'cause I feel bad thatdiploma -- my can get It's like -- so IYeah. ROLLERGIRL

For High School, to graduate? AMBER

Do you know what that is? GED. gonna see about taking thewasI ROLLERGIRL

What? AMBER

was thinking something?Ishould --Do you think I ROLLERGIRL

Friday at three.Wednesday, It's Monday,then. We'll do it, AMBER

wanna do that.Ioh.Oh, ROLLERGIRL

Everywoman's Village -- pottery class atagonna takewasI AMBER

doing coke and smoking cigs.bed,Amber"sbackgammon and talking on They're playingAmber. ON Rollergirl andCAMERA DOLLIES IN

127 NIGHT- BEDROOM HOUSE/AMBER'SJACK'SINT.127

me? You wanna followGood. WORKERBANK

do.I Yes BUCK

You have a copy of your loan application? WORKERBANK

Hello. that's me.Yeah:, BUCK

it looks like a peanut.it's so ••• so ••• (in Spanish, sub-titled)

Oh my God -- (in Spanish, sub-titled)

BROTHERS.THEON CAMERA DOLLIES IN and white television. VCR that's wired to a crappy blackand slip the tape into their read the letter Maurice"s two BROTHERS rip open the envelope,

130 DAY BLDG./PUERTO RICO -APARTMENTINT,130

sleep with women here all the time •.•I Los Angeles.in of me with women an example Dear brothers: Here's {VO) MAURICE

Following is SUB-TITLED; videotape are placed nearby. An envelope and a Maurice sits at the bar, writing a letter. The club is closed and empty.ON MAURICE.DOLLIES INCAMERA

129 NIGHT NIGHTCLUB -TRAXXHOT!NT.129

TO: CUT

some coke.outset anxiously to a table andmoveThey

timing. Perfect DIRK

I'm back. TODD

IN SUPER-QUICK.DOLLYenvelope.an Todd enters holding are sitting around.Reed and Scotty J.Dirk,

128 (2x) DAY HOUSE -DIRK'SINT.128

TO: CUT

DOOR.THE SLAMS who gets up and motions to Rollergirl,Amber

fake breasts who we have never seen before. PORN ACTRESSES withYOUNGTWO another scene in the living room betweenI I Jack is directingPOV:AMBER'S turns her head to something oc.Amber I l

.. ..... . uHu••""'-H•-······.•~UHHHnsc

smoke more cigs, etc. They cry and hug and laugh and do more coke,

Yes. honey.Yes, AMBER

? you my mother --AreOK? --"yes. "you say,

my mother and I'll ask you if you're Mom?my Are you Amber. my mother, want you to to beIMom.love you,l GIRL ROLLER

love the little jerk. I reallymean;I love him, Rollergirl,I The bastard. He"s so fucking talented. AMBER

Yeah. ROLLERGIRL

Dirk? Don't you miss,

baby. my new my baby, always felt like Dirk wasI

I miss them both so much.my Dirk --and my two sons -- my little Andrewmissl AMBER

and Rollergirl are sitting in front of a pile of coke that'sAmber

gonna have -- Stereo World is and that's the personel· touch that Buck's Super a guy wants when he walks right in the door -- sound equipment for long enough to know what that someone might have -- I've been into background to answer any technical question technical hi-fispecifiqhave theand I getting into technicallythey•r~know what People wanna is all about -- the customer. That"s what Buck's Super Stereo World BUCK

BANK WORKER, He's speaking to theON BUCK,INCAMERA DOLLIES

131 CONTINUEDDAY --BANKVALLEYINT.131

What? ROLLERGIRL

.., just can't.II can't. honey. anymore, I don't wanna do this AMBER

talking, crying, etc.room,pacing around theand Rollergirl,Amber

A catch-what? DIRK

I get it but I just won't let it happen.and You're saying this thingunderstand.I This is a Catch-22, It's not gonna happen. MANAGER

Once that happens, I'll pay you to get a record deal because my stuff is so good. I'm gauranteed Have you even heard it?Huh? you heard my tape?haveWait a minute -OK: DIRK

the record company can't hear what you've got. a record contract ifYou can't get REED

collect payment before we hand over the tapes. job is toMy my problem.That's not MANAGER

demo tapes to a record company?take the the price of the demo if he can't can he payHow Wait, wait, wait. REED

a lot of sense.That makes DIRK

the bill is paid in full. untiltapes I can't let you take the MANAGER

c'mon, alright --c'mon,man,C'mon, DIRK

MANAGER. in an office of the Recording Studio with the Dirk and Reed are violently hagglingIN QUICK.DOLLIESCAMERA

I'm sorry. WORKERBANR

actor. I'm not a pornographer, I'm an BUCK

support pornography -- And this bank is not in bussiness to pornographer.aSwope: You're•••• ,Mr. WORKERBANK

? .• why .••.• BUCK

I'm sorry. But we can't give you a loan.Yes. WORKERBANK

mean, it's all --Iyes? things in order, have all the papers, all the••• I BUCK

Swope ••••• we can't help you.Mr. WORKERBANK

and says; from the file who looks up across the desk from the Bank Worker,JessieBuck and

135 CONTINUEDDAY --BANKVALLEYINT.135

TO: DISSOLVE

They laugh and laugh and laugh and smoke, talk, walk.

Mom. love you,I ROLLERGIRL

honey. love you,I OHHHHHHHHH.either.Me AMBER

room. I don't wanna leave the ROLLERGIRL

go walk.Let's AMBER

Okay. Okay. ROLLERGIRL

There's too many things and going tonight -- because it's over. now, let's keep going and goingHave,fun AMBER

nightlast an accidentThere was OFFICER

what is it?Yeah, JACK

Horner?Jack OFFICER

are standing.O~r,'l~RSPOLICE

UNIFORMEDTWO Jack continues walking into the RECEPTION AREA where

with Johnny Doe doing some Karate-moves reminiscent of Dirk Diggler. new Jack Horner filma sitting in front of two 3/4 machines, cutting ROOM where Kurt Longjohn and Rocky arebreezes past an EDITINGCAMERA VHS VIDEOCASSETTE'$, WAREHOUSE area is shipping out boxes ofA

other's we"ve never seen cover the walls. Buck and some Amber, Rollergirl, of his films with Johnny Doe,

Posters new OFFICES. follows Jack around his(STEADICAM)CAMERA

136 DAY- NUYSVAN PRODUCTIONS -HORNERINT.136

Now I'm sorry.Please. WORKERBANK

I'm an actor. BUCK

pornography, you've got to understand -- This financial institution can't endorse WORKERBANK

Well this is not fair BUCK

••• I'm sorry .•• WORKERBANK

here -- because there's gotta be some way now, please, just wait one minutePlease, BUCK

I'm sorry. WORKERBANK

mean -- this is not a joke --Iplease,can do,I I want to do and a real thing thatthat a real thing bussiness for me,newa This is •.• this isno, please.~o,No, BUCK

Please come and help me.Please. Dirk. gonna kill me, I think Jerome is BECKY

SCREAMING.and we can hear Jerome YELLINGoc outside the bedroom, Becky is locked in her bedroom on the phone with Dirk.

138 MOMENTTHATDAY -- HOUSE/BAKERSFIELDBECKY'SINT.138

SPLIT SCREEN;

Becky-what? What?Becky?Hello? DIRK

DOLLY/ZOOM IN QUICK. and Dirk answers.RINGSPHONEThe Dirk does another line of coke.

It's tough luck. goin through a windsheild.That's gotta hurt, DIRK

Can you believe that?He's dead.Yeah. REED

For real? DIRK

Dead. Fuckin' shit. or something. He like, went through the windshield ago .•• and he died.Couple nights He got in a car accident.He died. REED

What about him? DIRK

fromkid Y'know, the REED

No. DIRK

know that kid Johnny Doe?You REED

What? DIRK

Dirk.fuck,Oh, REED

quick; Reed comes into the room, on him doing a line of coke.

SUPER QUICK ZOOMS/DOLLIES inCAMERA Dirk is in his bedroom.

137 DAY ANOTHER APARTMENT -DIRK'SINT.137

I don't know what you want me to BECKY

Do you like big dicks? JEROME

••• I liked it ••• BECKY

CUNT. SAY IT,FUCKINYOU--face shit in your gett~ng want you to tell me that you lovedI getting fucked by those men in those movies. me that you liked -- I want you to tell JEROME

me I don't know what you want BECKY

jaw. your fuckin' me -- tell it to me or I'm gonna breaktell You're gonnaHuh? a dick in your mouth? Star withMovie Think your Miss Fuckin JEROME

ask.I Please. Please. Jerome. Please don't do anything to me, BECKY

the hair of her head and throws her across the room and intoby

GRABS her OPEN by Jerome -- heSMASHEDISBEDROOMDOOR to theThe

SPLIT SCREEN/CAMERA stays with Becky as she hangs up the phone.

Becky. comin right now to kick some ass,'mI now, right now.rightI'm comin'Okay. DIRl<

Please hurry.Blvd.Colfaxon me at Denny"s in Bakersfield -- -- okay -- meetokaycoming in -- He' s ••• okay ••• okay ••• OH SHIT. BECKY

are. Tell me where you DIRK

if he catches me on the phone, I'm dead. Dirk --me,save need you toI BECKY

where you are -- I don't know where are you,••Well.: DIRl<

HOLD. down the street. from the house and offBecky runs

142 MOMENTTHAT EVENING -HOUSE - BAl<ERSFIELDEXT.142

She runs out the door --

ME. TOUCH -EVER -YOU - DON'T - BECKY

AGAIN.ANDAGAINHIM STRIKINGHIM,OVERSTANDS He falls •.• she SKULL. JEROME'SOFBACKTHE ACROSSPAN THE FRYINGSMASHESShe

Becky appears with the frying pan in her hand •••In the b.g., he walks out of the kitchen. CAMERA DOLLIES in front of Jerome as

141 CONTINUEDDAY -HOUSE -BECKY'SINT,141

TO: CUT

DOLLY/ZOOM IN FAST. and gets in his car QUICK.Dirk exits

a dash for the doorand makesnewspaper foldcoke in a •••• grabs his moment and heads back into his bedroomaHe stops

man. Gotta go kick some ass, OIRK

Where you goin'? REED

heads for the door ••••and Dirk grabs his keys and his jacket

139 MOMENTTHAT-DAY- APARTMENTDIRK'SINT.139

TO: CUT

on the floor --PANFRYINGa largereaches for crouched into a corner, bleeding from her nose and mouthBecky,

kitchen.the He catches his breath and walks out of HOLD. THE FACE.BECKY IN AND PUNCHESDOWNLEANSJerome

Yes. BECKY

you're going to be alright. want to know ifAnd IA while now. •••• you've been sitting there.You seem alright?be Are you going to BROWNMR.

What? BECKY

ma'am? Are you alright, BROWNMR.

old grey suit,anHe wears60S) BROWN (lateMR.older man,

an A few seats over from her is Becky is sitting at the counter.

144 (LATER)NIGHT BAKERSFIELD DENNY'S -INT.144

TO:CUT

the pavement. SHREDDING along Dirk drives off with the front of the Corvette

DIRK

I don't think you should drive the car. PEDESTRIAN

away. Dirk puts the car in reverse and backs

you slammed right into thisHoly shit, PEDESTRIAN

my car •.•• my Corvette.car,My fuckin' DIRK

pal? You alright, PEDESTRIAN

PEDESTRIAN runs over;A looks around in a daze.

head, He shakes hisWHEEL.THEBEHINDDIRK,ON CAMERA DOLLIES IN

INTO THE TELEPHONE POLE.SLAMSDirk I s Corvette

looks ahead and blinks;FRAME,INTOup

comes that is fifteen yards ahead •••• Dirk gets the cigarette,

TELEPHONE POLEa to pick it up ••••• the car starts drifting towards

FRAMEOFOUT down, from his mouth and he leansthe cigarette falls

DIRKCU.

to brush his hair in the rearview mirror •••. 3) he's trying a cassette tape to play and2) he's trying to find He's trying to light a cigarette with matches,l)do a few things; Dirk is driving quickly through Laurel Canyon and trying to

This is a lot of damage. TODD

I'm lucky I'm not dead.Shit, yeah. DIRK

Ninety miles an hour? SCOTTY J.

Ninety.dunno.I Fuck, DIRK

How fast were you going? REED

the damage;at Reed and Todd are now home and lookingScotty, and raves, verging on tears, circling the car.Dirk rants

i45 NIGHT- GARAGE DIRK'SINT.145

young lady. Use the quarter, (OC) BROWNMR.

ON QUARTER.HOLDSCAMERA Becky looks at the quarter.BEAT.

don't you try calling your friend?Why BROWNMR.

places it on the counter in front of Becky.

and Brown reaches into his pocket, takes out a quarterMr.

other reason •••• other than •••• just to help. to help you ••• for nosomething good •••• I'm trying to do an act of kindess, This is not ••• this is something .•• you see, want to help you.IPlease.Please. BROWNMr.

I'm not hungry.No.No. BECKY

some soup while you wait for your friend? Well why don't you let me buy youYes. BROWNMR.

but he hasn't come.here and get me, My friend was supposed to come BECKY

soup? A bowl of Do you want to order something?

BROWNMR.

Becky looks down.HOLD.

I can't get anywhere.have anywhere to go, I don't I don't know where to go. BECKY

She's crying.~rown.•.Mr Becky is sitting in a booth across from the

you just can't. a crovette down the street looking like this, You cannot drive the Vette gets fixed. then we get the record deal, thentapes, or something ••• if we could get those demo guys ass mean it ••• let's go kick thatI demo tapes, too. We gotta get those fuckin' DIRK

dunno.I TODD

So? DIRK

Dirk. dollars worth of damage, It could be like two - three thousand TODD

My car has got to get fixed. Reed: This is top priority, a way to pay for it.-- I'll find DIRK

gonna pay for it?youHow REED

Be reasonable.man.C'mon, Reed. the street looking like that, You can't just drive a Corvette down DIRK

Dirk. At least it still works, REED

we gotta deal with thisJust let it ring, DIRK

Scotty moves to get it.PHONE RINGING,OC we hear the

look at it. It's not driveable, DIRK ./..-..,,._, (\, At least it's driveable. REED

BLACK:TOCUT "D" SequenceEnd

BECKY as she falls asleep.ONDOLLY INCAMERA DOES A SLOW

for me.same You'd do the BROWNMR.

Thank you. BECKY

bed.own into hisclimbs tucks her in like a child, thenandblanket a brings herHe a window. Brown sets Becky up in a chair nearMr.

149 LATER- ROOMS BROWN'/MR.HOME RETIRMENTINT.914

TO: CUT

Brown walk past the Nurse and up the stairs.Becky and Mr.

Brown --Mr.here •••in Brown .••• you can't bring visitorsMr. NURSE

A NURSE spots them;some stairs. They enter, make a beeline for

148 MOMENTTHAT-HOME RETIREMENTINT.814

TO: CUT

suburban street.home on a small, path up to a small retirementaBrown walkBecky and Mr.

147 NIGHT-HOME BAKERSFIELD RETIREMENTEXT.147

TO: CUT

BEAT.

You're a nice man. BECKY

I want to help you.to wash.andsleep someplace toneedYouneed help.You BROWNMR.

I can't.No, BECKY

want to help you.I BROWNMR.

I'm so sorry to make you hear this. BECKY

JI ,. young lady. lt's alright,~alright.It's I(~ BROWNMR.

'/ Diggler and Todd Parker --Dirk Give it up for his cock -- who knows? you won't -- or maybe you'll just recognize maybe him from some if his films -- or Party Boys, but I think you'll recognize while -- the other's fresh toafor regulara One of these fellas has been some dancing?forReadyOK:Shut up. Stop it. good enough. Alright, alright, (light applause) let's have a little more than that -- c'mon •••C'mon, Reed Rothchild.Mr. of Reed Rothchild.magicThat was the MUTRIX

takes the stage.MUTRIX, A black guy in a cheap tuxedo,

It's a little light ••• REED

What's the crowd like out there? DIRK

He appears; we hear polite applause for the end of Reed's show.oc

applying make-up to his face.JAZZERCISE OUTFIT,dressed in a Todd is there,OUTFIT.COWBOYain getting dressedisDirk

153 MOMENTTHAT NIGHT -CLUB - BACKSTAGE DRESSING ROOM/STRIPINT.153

••.. art/dancing tricks/performancedoing He"s wearing a spandex magician's outfit and Reed is on the stage in front of about twenty bored bussinessmen.

Plus Magic Show Star Dirk DigglerFilmAdultTonight:

CHARGECOVERNO SHOW STARTS 7:00 --NIGHTLY --DANCERSreads:

The sign out front run down strip joint in North Hollywood.An old,

151 (sep.83)NIGHTSHOT - ESTABLISHINGCLUB -BOYS STRIPPARTYEXT.151

Months Later""SixCARD:TITLE

150 OMITTED150

Since 1977.Yes. AMBER

You've been divorced for six years? JUDGE

The Judge looks over some files;BEAT.Introductions happen, etc.

Judge. Hello, LAWYER

They all take seats.LAWYER.with his

in steps THOMAS (late 30s) Amber's ex-husband,Moments later,

The.Judge looks over a couple of files.They sit in silence.

do not.I I don't.No. AMBER

lawyer with you?have aYou JUDGE

Yes. AMBER

The judge. I'm Kathleen O'Malley. e JUDGE

Yes. AMBER

Maggie?bemustYou Hello. JUDGE

JUDGE enters and greets her;A middle aged femalefluorescent lights.

and few chairsa room with a long desk,is sitting in aAmber

155 DAY COURT BUILDING -ROOM -HEARINGINT.155

ON HIS FACE.HOLD Dirk keeps dancing, tries to ignore their comments.

pee."a I gotta take "Get the fork lift, DRUNK BUSSINESS FRIEND

•••• donkey dick••• fuckin' DRUNK BUSSINESS

comment; Some bored bussiness-geeks start laughing to themselves and THE AUDIENCEINMENDRUNKTWOANGLE,

and STRIPPING.

DANCING They start nightclub and Todd and Dirk make their entrance.

mix plays on the speakers in theDURANOATS/NENA/DURANANDHALLA

my son. a safe place forwas business -- I didn't think that environment pornoqfaphy ex-wife is involved in_theMy THOMAS

sorry, what is it that youI'm JUDGE

and pornography was that. think a house of drugs and prostitution and I didn't "reasonable place,"It said, THOMAS

only saw him twice.I AMBER

a time Well, it was for THOMAS

And why wasn't that visiting privilege honored? JUDGE

Yes. AMBER

that the understanding?was Amber}(to JUDGE

to her home or any reasonable place. With his mother entitled to bring Andrew -- from Saturday Noon to Sunday at seven. a paper) (looks at and visitation was given to his mother on Andrew went with his father,Initially. LAWYER

What was decided during the divorce? JUDGE

Yes. AMBER

is coming to an agreement on custody of Andrew. What we're talking about thenSo. JUDGE

Yes. LAWYER

was taken care of? And the agreement on the money settlement to lawyer)(. JUDGE

you ever been arrested?Have (OC) JUDGE

sound of papers shuffling. there's the·oc She watches the Judge.ON AMBER.CAMERA HOLDS

Not anymore.No.No. AMBER

occasions regarding this sort of thing. trouble with the law on quite a fewof she has been in and outYou"re honor, LAWYER

I don't do drugs. AMBER

a living -- and sex fordrugs She deals in person and she needs help. a very sick my ex-wife is a sick ••• she is You see, the problem is Judge, is that (pause) home with him. there and my new wife is a jobhaveI We live in Long Beach. THOMAS

now? live Where do you JUDGE

He'll be thirteen next month. AMBER

He's twelve. THOMAS

now? How old is the boy JUDGE

safety of the child. for something immediate -- for the but I think the circumstance called My client didn't officially register, LAWYER

Did you register this as a complaint? JUDGE

The Judge looks down at the file.Amber has no response.PAUSE.

saw it with my own eye.I THOMAS

just assumed -- ) \ my husband drugs or any of these things,.\II ("\ exposed to pornographic material or My son was never This is not right. AMBER

See if they'd like to get soft and sticky? maybe some girl? Maybe we come across some guy, · ? Who knows what could happen •••• A first in porn history.gentleman. ladies and This is a first,it on video. capture back here in the limo -- and we'll and get hot and heavy with Rollergirl shota young stud who wants to take Maybe we find some new,what we find. heading west, like I said -- and see We're just gonna drive on down Ventura, On The Lookout. we'll call this -- That's what are On The Lookout.we JACK

Ready like Freddy.Ready, ready. ROLLERGIRL

you ready to do what we're gonna do?Are JACK

howdy. Hello, hello, ROLLERGIRL

of adult film -- the lovely Miss Rollergirl. me -- a little princess in the worldwith haveI is heading West down Ventura Blvd. limousine that at this momentainside of coming to you from theThis is Jack Horner, Welcome to the experiment.okay.okay,Okay, CAMERA} JACK (into

wearing a full-legnth fur coat, lingere underneath.

who's a tuxedo, sits in the back of the limo with ROLLERGIRL,in dressedJACK, KURT LONGJOHN.by CAMCORDER operatedPOV is aCAMERA'S

1983" December 11,"Sunday,BLACK:OVERCARD,TITLE

HOLD. crying her eyes out. Amber leans against a wall,

ON AMBER. CAMERA DOLLIES IN CLOSE

what was the charge .••• ?arrested •••• When was the last time you were (OC} JUDGE

Yes. AMBER .-___,\,,.,.

The cool ones with the thing? SCOTTY

My jeans DIRK

What are you looking for? SCOTTY

Where are my jeans? Where the fuck is Todd? Simple as that. I will not sell my Corvette: DIRK

It solves all our problems. REED

? supposed to do •••Iamthat car ••• what worked way to fucking hard forI DIRK

have nothing left.weHuh? Dirk? What else is there to do, REED

Reed. I will not do it, DIRK

have to sell your car.We REED

know. I don'tOkay. okay? dunno,I What? DIRK

C'mon, Dirk, seriously -- REED

Where the fuck is Todd? DIRK

Reed is trying to get his attention;Dirk is getting dressed,

STATION UNIFORM.GAS76UNION bed watching television dressed in his Scotty is sitting on oneand a fold-out couch.with two beds have moved into a small motelTodd and Scotty J.Reed,Dirk,

TO:CUT

U-HALL connected. CORVETTE is parked out front with a

DAMAGEDDirk's Establishing shot of a crap motel in Studio City.

..... .,•.......-~------

yeah.yeah, Yeah, DIRK

situatio~.this money ·· gotta deal with.weDirk, please -- REED

Reed and Scotty look on;aswho puts them on Todd gets out of his his jeans and gives them over to Dirk,

Sorry. TODD

Todd. Seriously. my fuckin jeans back,Give me DIRK

Dirk? come with you,can I SCOTTY

thought you did.I TODD

never said that.I DIRK

could borrow them.You said I TODD

been looking for those. I've Todd. Those are my jeans, DIRK

What? TODD

the fuck is that?What DIRK

JEANS he was looking for. Dirk notices that Todd is wearing the

Getting some shit ••• TODD

the fuck have you been?Where DIRK

Got it. TODD

and holds up an ENVELOPE.Todd enters

sorry. SCOTTY

All my jeans are cool, Scotty. DIRK

have to say?••• uh ••• do IUm KID COLLEGE

Where do you go to school?Oh, great. JACK

yeah.•••umUh ••• COLLEGE KID

You a student? JACK

CAMERA.) opposite (behind the gets in the seatJack She may or may not recoginize him.hello.

who nods The College Kid gets in the car, sits next to Rollergirl,

Then get in here and do what you want. JACK

Sure. KID COLLEGE

You like what you see? JACK

Yeah. COLLEGE KID

Do you see this young lady here? Anything you wanna do -- you do it. JACK

dunno -- you mean it?I KID COLLEGE

What do you say? JACK

earlier in the movie.) is one of the boys who was making sexual gestures to Rollergirl (This kid COLLEGE STUDENT, wearing a backpack.YOUNGto some The limo is pulled over and Jack is speaking through the window

160 CONTINUEDNIGHT --PARKEDLIMO -INT.160

go with you?Can I SCOTTY J.

out. Goin' "-~~---/ / ' DIRK ,.,,.--,\ Dirk? Where are you goin' SCOTTY

a turn into -- down the alley and makes It drives about fifty yardsDirk gets into the Toyota.BEAT.

car? You wanna wait in the FIGURE

I'm not sure if they're gonna show up though.

DIRK

someone? you waiting forAre FIGURE

Hey. DIRK

Hello. FIGURE

A FIGURE inside the car speaks;to Dirk. A small Toyota drives up and stops nextDIRR.OFCATCHING A GLIMPSE ACROSS A WALL,FLOATHEADLIGHTS Dirk is standing in an alley-way.

161 {LATER)NIGHT- CITY/ALLEY-WAYSTUDIOEXT.161

CUT TO: (~)

Jack looks suprised to hear this .••Rollergirl looks caught.

Brandy's your name. ••••. you"re Brandy, right? went to high school together •We know you •••• we went to school together.I KID COLLEGE

BEAT.

Really? ROLLERGIRL

I think we met once before, actually. KIO COLLEGE

••• coo~ Alright ••• fantastic JACK

gonna believe this -- never guys are The fuckin' go to CSUN.I watch your films in my frat house.We (to Rollegirl) have. ••• yeah ••• yeah I COLLEGE KID

have you seen her film work?with Rollergirl, How'd you like to go roundAnyway.no.No, JACK

TO: CUT

have •••• Ten is all I SURFER

bucks. Twenty DIRK

HOLD. little.a Dirk nods his head

now I just wanna watch.but forin, I'll joinMaybe can watch. little and Ia Maybe you can jerk offjust wanna.l mean, I'm not gay.Iwanna watch you.•••• I SURFER

want.you I'm .•• it's what DIRK

what do you want to do?So .••• SURFER

Yeah. DIRK c. helping you out •••. ••• I'mguya mean .•• you'reINo ••• SURFER

name is Dirk Diggler.My DIRK

•••• No •••• SURFER

am? Do you know who I (beat) Dirk. DIRK

I •m Joe. SURFER

driver is a young SURFER kid in his late 20s.Thein the b.g. and the driver CAMERA holds a profile 2-shot on Dirk in the f.g.

163 MOMENTTHAT- NIGHT- PARKED- TOYOTAINT.163

TO:CUT

The Toyota with Dirk pulls around and parks. /......·· ) ',

162 MOMENTTHAT- NIGHT-LOT PARKINGEMPTYEXT.162i ,,~;I r

I

TO:CUT

-- __....__........&...A........_.i__..L_...._.............-,,

What the fuck did you say? ROLLERGIRL

lady. or something,offjack me leastat got me hard -- you couldYou COLLEGE KID

College Kid pulls his pants on.The

Sorry for the inconvenience.Yeah, that's all. (OC) JACK

That's it? RID COLLEGE

know .•.• this isn't working out.I JACK

This is stupid, Jack. ROLLERGIRL

a little pissed, Rollergirl pushes him off;The College Kid looks

Cut. Cut. Stop. JACK

man. Just lemme do my thing, COLLEGE KID

Hey -- Hey -- Are you listening to me? ? kid •••• just ready melt her pussy •••• hey, pretend you're a wonderful stud that's Pretend you're just a wonderful stud, need to play ••• c 'mon now ••• slow down ••• you- beautiful instrument thataas Think of Miss Lovely Rollergirl C'mon. make it kinky, kid. hey •••• take it slow andhey,Hey, JACK

The College Kid doesn't respond.

your way up and in there make it sexy -- don't just ramgood, make it look Alright, there, pal; JACK

sidelines; Jack tries to coach them from thepretty she's not enjoying this. trouble removing his pants and she tries to help a little, but it's

some He has Rollergirl and the College Kid struggle in the seat.

The LIGHT held above the Camcorder SHINES brightly on them. CAMERA. Jack is sitting behind thenow.movingThe limo is

164 LATER MOMENTS MOVING -LIMO -INT.164

tries to do it faster and harder.Dirk

••• be quiet •••• DIRK

Get your hand wet. SURFER

Dirk does it harder and faster.

••• maybe ••• do it harder •••• SURFER

DIRK.ON PROFILE XCU.

INTO ZOOM SLOW CAMERA BEGINS A PAINFULLYThe Surfer kid watches.

Dirk's hand touches his cock and he starts to masturbate a little.

wanna see it get hard.Iget it hard? little,a jerk ityou Why don't SURFER

looks down.Dirk nods,

that's nice ••• that's ••• big •••••• holy shit ••• SURFER

speaks sotto; cock and the Surfer kid looks surprised,Dirk pulls out his The Surfer kid's eyes watch closely.Dirk zips his pants open.

165 MOMENTTHAT PARKED --TOYOTAINT.165

BEAT the shit out him ••••He starts to to the ground.Kid CHARGES out of the limo TACKLING the CollegeJack

He freaks out.SLOW MOTION.ININ A LITTLEDOLLIESCAMERA JACK.CU. ANGLE,

suck now anyway.filmsYou're fuckin' COLLEGE KID

to Jack and says: heads out of the car, turns backa little,The College Kid laughs

be proud of what you've become ••• Should Nice life you"ve got here. COLLEGE KID

Fuck you. ROLLERGIRL

hard on.'awith me It's not so cool to leave KID COLLEGE

You don't. You don't do this. Donkey-Dick. Little Fuckin Fag. SURFERS

calling out;.•punching him,andKicking shit out of him.the drag Dirk from the car and proceed to beatPUNKSFOUR SURFERThe

her off..,. SCREAMING., •• Jack pullsandCRYINGdownbreaksShe

ME.- DISRESPECT-EVER-DON'T-YOU ROLLERGIRL

ROLLERSKATES over and over and over;his face with her

SMASHES •••• and then goes crazy •••• sheKidBEAT over the Collegea

She rolls over •••• standsas she watches.ROLLERGIRLONIN DOLLIESCAMERA KICKS the College Kid again and again •.•He

AMATUER.AN AMATUER.ANYOU'REWAY?THAT FUCKTO HOW YOU TAUGHTWHO who taught you? - they way you fuckTOUCH her -worthy to you"re not you're worthy to fuck her - You thinkA STAR.AND A WONDERFUL CHILD SHE'S A STAR, RESPECT FOR THAT GIRL. DAMNGOD SOMEHAVEYOU YOU LITTLE PRICK. FUCKING RESPECT.SOMEHAVEYOU JACK

and yell at him;Kid BEAT the College Jack continues to

166 MOMENTTHAT NIGHT --BLVD. VENTURAEXT.166

TO: CUT

Surfer PUNCHES Dirk in the face ••••

faggot. You shouldn't do this sort of thing, SURFER

head to the Surfer Kid who says; Dirk looks up in shock, turns hisTOYOTA.THEINDIRKOFFRONTIN

BRAJ<ESON IT'SSLAMSKIDSPUNK TRUCK carrying THREEPICK-UPA

SUDDENLY:.

I'm sorry -- I can't ••• I can't get it hard ••• I can't. DIRK

looks to the Surfer Kid.tears,onHe verges and faster but only gets more frustrated.Dirk tries harder \ ••• c'mon•••c'mon••••c•~on••• SURFER

Buck starts to point out;anda boxg·etsThe Donut Boy

Yeah •••• I'm gonna get a dozen •••• BUCK

help you?ICan BOY DONUT

Ammo.' 'Guns andreading some coffee,and the corner eating a donut

camouflage baseball hat sits inainMAN,AGEDMIDDLEAthe counter.

BOY behindDONUT helped by the looks at some donuts,andBuck enters

169 NIGHT SHOP -DONUTINT. 169

a boy. That's BUCK

my stomach. He's kicking ass inside VINCET JESSIE ST.

little kung-fu fighter?myHow's BUCK

Buck looks down;PREGNANT. MONTHS is SIX reveal that sheand we Buck gets out of the car

a bear claw, too •••• and uh •.•. chocolate with sprinkles ••• and ••• um ••• apple fritter ••• Jelly ••••wantI VINCENT JESSIE ST.

honey? What do you want, BUCK

engine running; Buck leaves the Jessie is in the passenger seat,DOLLIES IN CLOSE.

CAMERA Buck's car pulls up and parks in front of the donut shop.

168 NIGHT- DONUT SHOP/VENTURA BLVD.EXT.168

AND PAN with it into --UPand we PICKRT.CAMERAenters in

CAR BUCK'STHEN; HOLD, LFT. CAMERA LIMO drives PAST· The WHITE

LATER. MOMENT STREET,THEIN ANGLE,

The WHITE LIMO carrying Jack and Rollergirl cruises PAST.

THEN; FRAME,EMPTY STREET,ON THEANGLEWIDEHOLD Ventura Blvd •• towards looking out of the alley way,PANS away from him,CAMERA

up some blood and vomit ••••He coughsholds his stomach:in pain.

cries andandmoansDirk and eventually peel out of the parking lot.

They continue to yell and scream and kick and punch Dirk

"One Last Thing"BLACK:OVERCARD,TITLE

OUT. FADE

of the donut shop. MONEY and walks outOFFULLBAGpicks up thedown;Buck leans

BEAT. ZOOM IN.SLOWit. looks athe BUCK.CU.

FLOORTHEON MONEYOFBAG THECU.

•••••• he stands for a long moment ••••BuckOVERALLBlood is

coffee ••.•

and down dead in his donutis faceManand the Middle Ageddead

The Puerto Rican Kid :falls to the :floorThe Donut Boy is dead,So:

CHEST •••• and that bullett hits the Donut Boy in the SHOT off before he expiresMan gets another wild•••• the Middle Aged

FACE ••• a bullett in theAged Man with ••• the Puerto Rican Kid turns and returns FIRE, hitting the Middle

BACK •••in theKid SHOOTS the Puerto RicanManThe Middle Aged

•••GUN and pulls out an extremely BIG in the corner reaches into his coat pocketMANAGEDMIDDLEThe

in a paper sack •••• Buck is frozen •••• money putting the Donut Boy starts to empty the safe,

Okay ••• empty the safe •••• (aims back at Donut Boy) Don't talk ••• shut the fuck up ••• PUERTO RICAN KID

at Buck.AIM SWINGS HISKid The Puerto Rican

BUCK

Behind the soda machine.Empty the safe. KID PUERTO RICAN

from his pocket and points at the Donut Boy. REVOLVERa PUERTO RICAN KID walks in, pullsaAt that moment

some of those glazed •.• how many is that? two chocolate •.•• two sprinkles ••• gimme Lemme get two bear claws ••• apple fritter ••• BUCK

my Vette fixed. That's enough to get

Split it three ways -- key for like •••• five thousand bucks.aHalf TODD

How much? DIRK

give him the price?So we call him up,Yeah. TODD

Do you have his phone number? REED

tell him if got half of key of quality stuff. I call him up, It's like this: TODD

how would it all go down?mean,I And how would we do it, exactly? DIRK

Mutrix introduced me --once in a while. He used to come into Party Boys TODD

How do you know him? DIRK

and partying. He just likes people hanging out at his house just about anything anybody wants to sell him. He' 11 buy crack and smack.as much coke, He's got more money than God and twice is Rahad Jackson.nameThis guys TODD

I agree. REED

one hundred percent. gotta bewe I think if we decide to do this, Something to help us score a little extra cash. be the thing.couldI think thisAlright. TODD

THE TABLE.AROUND360SLOWA

DOES CAMERA Scotty J. is mingling around in the background.

Dirk is bandaged. Todd and Dirk sit around a table.Reed,

170 NIGHT ROOM -MOTEL EL PUEBLOINT.170

171 OMITTED171

grabbed off the table.keysECU - Dirk's car paper sack.brownin awrappedbag The plasticECU - Baking soda poured in a plastic bag.ECU -

Sorry. J. SCOTTY

business.ownyermind•••y'knowJust ••• DIRK

What? SCOTTY J.

Scotty? DIRK

You guys should be careful with this. SCOTTY J.

comes over to the table.J.Scotty

I think we should go for it. DIRK

a pretty good idea.It's REED

Believe me. I'm positive. know he won't.I TODD

How do you know? DIRK

won't.He TODD

What if he tests it out? DIRK

c'mon. have his adress,yeah IReed,Fuckin', TODD

Do you have his adress? REED

'o hustle-bustle. bit niftya Right there -- this could be BOOM. bag and walk over to his house -- kilo of baking soda in aadump half the deal,upwe setso That's right. TODD

They arrive and ring the doorbell.

Lemme do the talking -- Not too quick -- that looks suspici9us. TODD

out, in and out.andLet's get in REED

okay.be It'll TODD

I 'm nervous • REED

follows them.

(STEADICAM)CAMERA They pile out of the damaged Corvette and walk up.

Let's go. just in case.Just in case, TODD

know-but-why?I DIRK

a big gun.It's TODD

What the fuck is that? DIRK

a cartridge. AUTOMATIC PISTOL and loads.45Todd takes out a

Alright. TODD

was born ready.I ••• yeah I'm ready.YeahMe? DIRK

Dirk? TODD

am.I REED

guys ready for this?You TODD

Okay. DIRK

In sotto; Todd sit in the parked car.Reed,Dirk,IN QUICK.

DOLLIESCAMERA The Corvette stops and the hills of Studio City.

up in front of a tacky-one story house inpullsThe Corvette

What's the price?Anyway; This song is so amazing. (to Dirk) ·-, " TRUE I •••• IT' SDUE YOUR TIME IS GIVE IT UP BEFOREYOUDON'TIN LIFE, MUCHSO THERE'S "SISTER CHRISTIAN, (sings along) love this part:Iminute,aOh, wait RAHAD

if you wanna test it out -- Here it is ••• half a key ••• it's really good, TODD

yeah? something,we have, what do we have,So RAHAD

no. No thank you, thanks, DIRK/REED/TODD

or some dope? pill -- or some coke --ato drink -- or You guys want somethingGreat to meet you.

These are my friends Dirk and Reed. TODD

Come on in here.yeah.Oh, RAHAD

met before at the clubWeme.That's TODD

Which one is Todd?Hello, friends. RAHAD

He spots the men;CHRISTIAN." "SISTER NIGHT RANGER, DANCING around by himself toRahad is

FIRECRACKERS around.some YOUNG ASIAN KID is casually throwingaOff in a corner of the room,

40s) (late JACKSONRAHAD bikini briefs and a thin sheen of sweat covering his body: greeted by a man in a silk robe, slightly open to show some·They're

ROOM. sunken LIVING The BodyGuard leads them down a hall and into a tacky and spacious,

Come on in.Hello. BODYGUARD ./

BODYGUARD comes to the door and opens up:A really big fat black

who's casually throwing some firecrackers around.Kidthe Asian OUT •••• BEAT ••••• Rahad smiles atFADESThe Night Ranger song ,.• to listen to or anything •••to,~ I don't like to be told what to listen but I don't like that.to the songs, order and they try and say how you should listen something, those guys put the songs in their ••• if you buy an album or tape orknowyou love putting mix tapes together,three ••• I number my favorite songs •••• This is song I put a mix tape together of all RAHAD

pulls the trigger •••• Click ••• he smiles and casually speaks;Be

....OK SAY ...TOONEONLYTHE YOU'RETHATKNOWYOU .... ANDCOME HAS THE TIMEOH SISTER CHRISTIAN - RAHAD

and puts it to his head and sings;chamberspins the REVOLVER and loads a single bullet,He takes out a nickel plated

Check this out -- (OC) RAHAD

WHITE GIRL in nothing.YOUNGanother BLACK WOMAN in a silk robe •••• she's followed byYOUNGbattered we can see a bloody, Through the crack in the door,DIRK'S POV:

bed.room door. Dirk looks across to an open Rahad smokes the pipe while dancing.

No thank you • DIRK/REED/TODD

You wanna play baseball? RAHAD

PIPE and looks to the guys;COKEacross the room, picks up a Rahad does an air guitar solo to the the Night Ranger song .••• he walks

bag and notices something.the . Reed watches the Bodyguard take

SODA •BAKINGOF PAPER BAG FULL bag to Todd in exchange for the

CASH and hands theBAG FULL OFPAPER The Bodyguard brings over a

cool, cool. No problem, That's good. RAHAD

We were thinking five thousand. TODD

me kittie?you kiddn'Are RAHAD

good plan.got aI got a ·plan.II told youDirk.Shut-up, TODD

c'mon --man, what the fuck,Todd ••• DIRK

confused;are Dirk and Reed The Bodyguard turns his head.

in a floor safe ••.• You understand? under the bed, In the master bedroom, TODD

Todd -- what the hell are you doing? DIRK

What? RAHAD

want Something Else From You.WeHey -- Hey. We're here now and we want something else. TODD

He stands up. Dirk and Reed look at Todd.

We're Not Leaving Yet. TODD

ON TODD. INTO A CUDOLLY CAMERA BEGINS A SLOW Dirk and Rahad continue to haggle about leaving/not leaving.

We have to be somewhere and we we really gotta split.No, DIRK

We'll party.Hang out.stay.No, RAHAD

better get going --we Well ••• I think maybe •••• DIRK

SHOW -- TO LET IT STRENGTETHEHADWISH IONLY STRONGER -- I GROWNHAS AS FRIENDSHIPOUTSTARTEDWHAT FLOW. TO LET IT YET I'M STILL AFRAIDAND LONGERANY FEELING CAN'T FIGHT THISI RAHAD

"CAN'T FIGHT THIS FEELING," begins to play.SPEEDWAGON,REO

••••• firec'rackers He's ,Chinese ••• he loves to set off (to Dirk/Reed/Todd) RAHAD

in the bedroom.wentHe TODD

TODD? YOU DOING,AREFUCKTHEWHAT DIRK

over his shoulder to Dirk and Reed; scuttles into the bedroom with the women •••• Todd looksRAHAD

sees:and looks right

Todd••••DEAD a bullet STRAIGHT INTO the Bodyguard ••• who falls back

crouches for cover and FIRES ••• TODD reaches hold of his gun,

doesn't fall ••• but he HITS the ASIAN KID in the heart,BULLETTSTRAYa•..

SHOUT at the gunfire .••andSCREAMbedroom••• The GIRLS in the

COVER •••DUCK FOR ••• Bullets graze past them and they

REED ••••andDIRI< and FIRE off shots atholster GUN from theOWNHISGRAB ••• The Bodyguard takes this moment to

the floor and he stumbles back .•• ••• the gun in his hand falls toSHOULDERstrikes Todd in the from the gun and THE TRIGGER ••• a bullett FIRESPULLSRahad

You've only got one bullet. TODD

You don't wanna do this, friendly. RAHAD

TODD •••GUN AT ••• Rahad reacts by AIMING HIS

gun • Don't reach for your TODD

REVOLVER quickly and AIMS at the BodyGuard.••• Todd pulls his

BODYGUARD reaches into his coat •••The

DIRK. FUCK UP,THESHUT TODD

This is not the thing that we wanted. Sir -- we don't know anything about this. (to Rahad) Todd -- don't be crazy. DIRK

the master bedroom. the safe in the floor under the bed in want what's inWe what's in the safe. wantWe I'm not kidding.not.I'mNo TODD

Reed make it OUTSIDE •••• Rahad chases after them •••••andDirk

BLAST BREEZES PAST THEIR HEADS ••••a• • •

••• Rahad FIRES another shot •••

DASH for the front door ••••aReed and Dirk make

SHREDS the wall near him ••••Dirk's head and SHOTGUN ••• which cuts right pastRahad FIRES HISthe wall. sliver of Dirk behinda Rahad peers out from his bedroom, sees

Coming down. is corning down. c.ome and see, to get whatcome and see, You want to C'mon out little puppies. RAHAD

basketball. •• Rahad calls out to Dirk and Reed;aofsizeSTOMACH the

hisin HOLE FALLS to the ground with aabout fifteen feet •••• he

UP in the airandBACK BLAST blows ToddSHOTGUN•.• Rahad's

pulls the trigger .••• Todd blinks ••••He SHOTGUN. SAWED OFFaholding •.• Rahad is standing right there,

DOOR OPEN;THE then KICKS ready •••• he inches closer to the door and twists the door knob, Todd gets up and heads for the bedroom with his revolver at the

Don't do it.Don't.Todd.Fuck no. DIRK

you coming?Are in that safe. get what'sand I'm goin' in that bedroom TODD

This wasn't part of the deal. Don't be stupid.Todd.right now, Let's just split, let's just split REED

without it we're fools. under the bed -- if we leave here He's got cash and coke in the safe TODD !...__..···,, J~, CRAZY?GOYOU WHEN DIDCRAZY?YOUARE DIRK

what the fuck. what the fuck •••What the fuck ••• RAHAO

cornera shaking and shivering inareWOMENYOUNGbattered

The two his hand.inSHOTGUN storms around his house, theRAHAD

177 MOMENTTHAT- S HOUSE JACKSON'RAHAOINT,177

dodging attack dogs, etc. out of back yards and over fences,

and residential street, inadownFULL-SPEEDReed is running

176 MOMENT.THAT- NEARBYSTREETEXT.176

Fuck -- Fuck -- Fuck. DIRK

back in his rearview mirror. He looks around -- he looks Dirk pulls around and stops a moment.

175 LATER MOMENTS CORVETTE -DIRK'SINT.175

peels off down the street --ignition and starts it up, hops in -- gets the key in the ••• Dirk catches up with the car,

Rahad FIRES ••• on his feet and makes a run for the car,Dirk gets

picking up speed as it goes down the hill -- ROLLING away and down the street: the Corvette is•••• he looks

Rahad is about to FIRE the shotgun again ••••

He looks to the house: Dirk stumbles back from the car.

STREETTHEDOWNROLLTO -- WHICH BEGINSCARTHEOFBRAKEEMERGENCY THE RELEASINGDOWN,SLIPSHANDAND HIS IN HIS EYESSPRAYSGLASS

OUT. WINDOW THE PASSENGER'S SIDEBLOWSSHOTANOTHER

and.crouched -- he opens the door and starts to get in -- · Oirk gets around to the driver's side of the Corvette, shielded

CAMERA)

from (he gets lost SHRUBS and TREES -- street for shelter behind some

away from the car -- makes a run diagonally across theReed heads

DOOR -- THE PASSENGER'S SIDEBLOWS INTOSHOTGUN BLASTwhen a

away a dash for the Corvette -- they're stepsmak~Reed and Dirk

174 MOMENTTHAT- S HOUSERAHAD'EXT.l 7 4

side street.adownand He pushes the car off the main boulevardDirk's car is out of gas.

1 Bl CLATER)DAWN ANGELES - STREET/OUTSIDE LOSINT.181

"Fourteen Miles Later"CARD:TITLE

TO: CUT

"E."on, The orange needle is The Gas Tank Display.•••• ECU.tankthe gas

he sees The car starts to sputter •••• slows ••••• Dirk panics when

Paranoid and freaked.He's driving fast.ON DIRK.HOLD cu.

180 NIGHT- MOVING- CORVETTEDIRK'SINT.180

179 OMITEED179

178 OMITTED178

TO: CUT OUT, FADE QUICK

next to them ••••dO"?nface the Asian Kid finally falls over, BEAT later, Rahad's dead body fall's next to Todd's dead body ••• a DOWN: STRAIGHTANGLE, OVERHEAD

THEM. KILLING TWO GIRLS,THEINTO AND FURTHER •••• BULLETS RIP FURTHERHOUSE,THE STUMBLING ACROSSBACK,HIMSENDINGRAHAD,

INTORIP THAT ONE MILLION BULLETSABOUTBACK••• OC POLICE FIRE

OC POLICE ACTION •••THETOWARDSOFF A SHOT AND FIRESWINDOWTHESMASHES SHOTGUN,THEUPPICKSRAHAD•••

coming down •coming down,It' s RAHAD

ACTION starts to BUILD •••• SOUNDS of POLICE FLASHES hit the house and theMore RED-BLUE

He smiles.RAHAD.ON DOLLIES INCAMERA• sees the red-blue flash •andhe looks at the wall RA.HAD ANGLE,

red flash hits the wall ••••• then a blue flash hits the wall.a HOUSETHE A WALL INANGLE,

\ ~ THEN:HOLD, Rahad is dancing.andplaying LOUDLY A DISCO song·is a moment to take a hit from his crack pipe. raves incoherently, sets down the shotgun forandRahad rants

my mother.I want want to see you, I don't are you in this house?Wht OIRK

honey •••• my God ••• you just •••Eddie, .. LYNN SHERYL

mother.and I'm looking for my father my mother ••• ••• I'm looking for OIRK

Eddie •••• I can't believe it ••• LYNN SHERYL

my mother?Where'shere?de>ing ••• what are OIRK

a moment, then recognizes Sheryl Lynn.Dirk hesitates

Eddie.?•• Eddie • LYNN SHERYL

BEAT.

help you?Ican LYNN SHERYL

•••• hello. DIRK

Yes? LYNN SHERYL

LY~, SHERYL This is the door.opens on her hipBABYa bathrobe with

woman in aye>ungA Moments later ••• the door opens;He knocks.

SHOULDER.HISOVERCU.IN ALANDSDOOR,THEON SLOWLYIN MOVES CAMERA

He hesitates, then walks up the steps;head. PAPERBOY rides past and throws the paper, hitting Dirk in theA young

same. It looks just theHOUSE.

PARENTS He's standing in front of hislooks:blocks down, stops, two fulla He walks the houses.atlooking this street,downwalksHe

"Troost Street."It reads,sign posts. walks to the middle of the intersection and looks up at theDirk INTERSECTION•ANGLE,OVERHEAD.

He looks at the street signs •FACE.BIS

ON DOLLlES IN CLOSECAMERAHOLD. He looks around a moment.

brake. the emergency hops in and pulls Dirk pushes his car down a small cul-de-sac,

182 MOMENTTHAT SIDE STREET -EXT.182

_;...__........;;:.,;;...i-.~-.-....;::...._;..._.........._..L..,;;;:.___--.•~

SPEEDING MALIBU that barrels into the intersection.abyCRUNCHED POWERFULLYAND IMMEDIATELY with the right of way but is A little Station Wagon enters the intersectionraining._It's ·•·

183 NIGHT INTERSECTION -EXT.183

FLASH ON:

he was drunk and they didn't -- man and he was speeding andathere wasand and it was rainingnight.atEddie, it was LYNN SHERYL

YOU. NOW, ME RIGHTTELL DIRK

To tell you all these thingsin touch with you. There was no way to find you, to get SHERYL LYNN

LADY, YOU TELL ME, DIRK

come inside right now, please.Eddie, LYNN SHERYL

? ••• how ••• DIRK

Dirk doesn"t move; The baby starts to cry.

They passed .•• last May -- LYNN SHERYL

tell me..;rustme •tell.1ust DIRK

just let me tell you inside here can tell you what happened,IEddie, LYNN SHERYL

you're gonna say -- know whatI Jesus Christ,No •••• no. DIRK

DIRK.ON HOLD CU.BEAT.

You should come in -- LYNN SHERYL

my mom?Where's DIRK •~-..-~·-/ \ \. With my husband.now.here,liveI ,,-_,_t SHERYL LYNN

Is everything alright? LYNN SHERYL

Sheryl Lynn and her husband.atlooksDirk hangs up,

little •••a••• inokayYeah,? are you sure •••• (beat) yeah. lemme talk to him •••• Reed ••• yeah. ••• yeah ••• yeah •••DirkIt's•••• Scotty. (into phone) DIRK

the situation and keeping quiet.

watching sits nearby in his bathrobe,HUSBANDHeron her hip.baby

Sheryl Lynn makes breakfast with theIN THE KITCHEN.CAMERA HOLDS

my mother.wantI my mother.to seeneedI I don't want to see you,doing here? you are What the fuck What the fuck? HOUSE.MY THIS IS my house.This is DIRK

Eddie, please -- SHERYL LYNN

Why did you do that?Why? DIRK

bought this house.husband and IMy SHERYL LYNN

-- Why do you live here? DIRK

It was just some drunk kid, Eddie. SHERYL LYNN

DIRK.ON HOLD Back to the scene.

184 MOMENTTHAT HOUSE/TORRANCE -DIRK'SEXT.184

CUT TO: FADE OUT,QUICK

DOE. JOHNNY Half in/half through the windshield of this car is

THE SPEEDING MALIBU.TOWARDSDOLLY INDOES A SLOWCAMERA

SOAKED IN BLOOD.FATHER areMOTHER andDirk'sI,, STATION WAGON.THETOWARDSDOLLY INSLOW CAMERA DOES A

blows ••.HORNAaway. THROWN fifty yardsWAGON isThe STATION

OUT. FADE.

It's alright.boy. It's alright, JACK

SLOW. DOLLIES INCAMERA sits next to them on the couch. AMBER enters, brings Dirk a glass of water andhis head. Jack hugs him and petsarms. Dirk has broken down in Jack's

HOLD.

Can you please help me? DIRK

down, fiddles with his sunglasses, looses it;Dirk looks looking at each other in silence.Jack and Dirk stand a moment, FRAME.and HALLWAY A few moments pass and Jack enters the

SOUND from the television.Thecooking something.

someone Sounds of oc we hear some noises coming from the kitchen.

off and stands a moment. He takes his sunglassessteps inside.DirkIt opens slowly and CAMERA holds on the hallway that looks towards·the front door.

186 (LATER)MORNING HOUSE -JACK'SINT.186

DIRR.ON LITTLEIN ADOLLY

cries ..••Baby on a shelf ••• the Husband looks a little depressed ••• the videotapes100 collection of aboutasees that she hasandOirk looks

.... something special with it knew you'd do all of your films •••• I have all of your tapes ••• I've seenI SHERYL LYNN

nods, points to the living room.She smiles,

Eddie. You made something of yourself, LYNN SHERYL

him up with a cup of coffee.s~tsSheDirk nods.

Tell me. COLONEL

Colonel.·Yes, TYRONE

Tyrone? COLONEL

TRYONE. large black man,a THE COLONEL sits in a jail cell with

191 NIGHT JAIL CELL -INT.191

some soup and smiles.

Brown She feeds Mr. FOLKS in the retirement home.OLDgroup ofa

UNIFORM and working withwearing aShe'~BECKY.ONCAMERA DOLLIES IN

out the window .••• then back to the test.

looking She starts to drift,GED test. in the middle of taking the deep desk,a She's sitting atON ROLLERGIRL. CAMERA DOLLIES IN

189 DAY CLASSROOM -SCHOOLHIGHINT.·.189

Excellent.Cut. AMBER

come inside us -- need to do is walk over, get down and We're open, we're ready -- all you BUCK

COMMERCIAL for Buck's store.CAMERA, filming aa VIDEO LONGJOHN are standing next toKURTandAMBERANGLE:REVERSE

brands.name Super-Cool Deals on ALL Buck's Super Cool Stereo World is making This weekend and this weekend only BUCK

Opening. ""Grand huge banner that reads,a· STEREO STORE, " with

COOL SUPER "BUCK'S TO REVEAL the store front ofBACKCONTINUESCAMERA

hear somebody say DEALS?Did I BUCK

CAMERA:INTOlooks DANCER outfit,

BREAK Buck steps out, dressed in aholds on a doorway.CAMERA

188 "E" Sequence DAY DOORWAY -EXT.188

------~-'---~-~.i......Jlli....ii....:..........._..-.~-eaiiiE:W3i'iTKlii_A_iliii,:.Ji:....Z..ii..-41'_..,_-.:...i:....:.....::._.·-'-..;..

"E" End Sequence

It's a boy. Yes, yes, Jessie. DOCTOR

screaming.andkicking BABY pop out,ahearWe

HELL. ALMIGHTY FUCKING.CHRISTMOTHERJESUS , VINCENT JESSIE ST.

c'mon.c'mon, c'mon, honey,C'mon, BUCK

CAMERA. filming the whole thing with a VIDEOSCOTTY J. is with them,

BUCK is holding her hand. kicking her way through labour. VINCENT is screaming andHAND-HELD as JESSIE ST.CAMERA is

TO: CUT

a little dance. drop into his hands -- he takes a bow and does and they He snaps his fingers some brass rings in mid-air. He's wearing a leotard and floatingSHOW.MAGICis doing a

REED CAMERA moves across the small audience to the stage where

193 NIGHT- NIGHTCLUB/CABARETINT.193

BROTHERS NIGHTCLUB""RODRIGUEZ

of the club -- the sheet drops to reveal; they're unveiling a new sign in frontfresh off the boat •••• BROTHERS who are MAURICE is standing out front with his two

192 DAY NIGHTCLUB -TRAXXHOTEXT.192

TO: CUT

He smiles. ON THE COLONEL.DOLLIES INCAMERABEAT.

always will be.Youmy bitch.reYou' TYRONE

like hearing you say it.l COLONEL

love you.that IknowYou TYRONE.

' I

- ··--.--·-·--•.---·-...--·.......£:c_e::.::_:;:_.·.l~""·"'.:E:

·--------

Buck. Don't do it,Don't. JACK

... you ' re gonna need? the modificationabout Did I talk to you BUCK

Buck. favor and make it work,aJust do me JACK

"compact discs." the new format ofabout explains some technical informationHe BUCK is setting up a new audio/video system in Jack's living room.

you're saying.·wordI can't hear aJack, ROLLERGIRL

Turn the music downyou going deaf?Are JACK

What? ROLLERGIRL

please. Your skates on the wood floor, JACK

What? ROLLERGIRL

the floors re-done. just hadl honey, please,Rollergirl, JACK

ROLLERGIRL is skating around, listening to headphones.

It's stinkin up the whole house. JACK

It smells good, though. MAURICE

honey, turn the fan on.Maurice, JACK

Smoke everywhere. MAURICE is cooking some stuff up in the kitchen.

through, interacting with: back into the house ••• this is one continues shot ••• as he moves

walkingand smilingFRAME, PULLS BACK.and Jack entersSTEADICAM

They begin to unload it ... A whole SET of VIDEO EQUPIMENT. and lift the back up to reveal;FRAMELONGJOHN enterKURTand SCOTTY J.ROCKY,CAMERA. towards backs upTRUCK EQUIPMENTAn

195 (June 84)DAY DRIVEWAY -JACK'SEXT.195

You"re the foxiest bitch I've ever known. JACK

says;and a kiss on the cheekgives herHe leans in,BEAT.

You're staring. AMBER

my darling. I'm looking at you, JACK

What are you looking at? AMBER

Plenty of time. JACK

Are we ready? AMBER

He sits next to her; She's sitting in front of her make-up table. BEDROOM.AMBER'S

who continues down the hall into -- PANS back to Jack, PICTURE on the wall of LITTLE BILL thento a PANS CAMERA down the hallway, walks back in the house,JACR

I don't think so. VINCENT JESSIE ST.

He's not gonna piss in the pool is he? (to Jessie) JACK

Cna you say hello to your uncle Jack? (to the baby) VINCENT JESSIE ST.

swimmer!he"s a Look at this, JACK

VINCENT is doing an OIL PAINTING of them.. JESSIE ST.

BABY • REED is swimming with theAREA.POOL Jack continues out to the

okay? I just wanna hear something, to it loud, alright?listenI don't JACK

gonna be loud.it's notandgotyou you stick with the bassJack - BUCK

ANDERSON picture.THOMASPAULa

walks out of the room, closing the door behind him. does a final karate kick and puts his cock back in his pants,He

bright shinning star. I'm a star, I'm a bigI'm a star. I'm a star. star, I'm a star,aI'm DIRK

He looks at the REFLECTION of it in the mirror; hang out.cock unzips his pants and let's hisDirk stands up,

Where the fuck is Ringo? (beat) ask you one more time •••• So I'm gonna be nice and I'm gonna (beat) I'm Brock Landers. treat you gently •••• That's right: I don't tough load,is ainches my reputation •••• thirteenknow you That's good ••• so you know me, (beat) gonna spread your legs •••• gonna get nice and wet ••• so you're see what we can find ••• then we' re First we"re gonna check for holes, (beat) But I'm gonna help you settle this ••• (beat) well no. scrub it and make it clean •••• brain out of your head and wash it and our hearts •••• you wanna take your we all have those guilty feelings in we've all done bad things ••••there •••• been cause Iit is •••howknow Hey •••• I (beat) Ringo's place when the shit went down •••• coulda been me the one who was at (beat) am.I led me back here •••• yeah ••• so here I've been looking for clues and something looking for something ••• a clue. I've been around this block twice DIRK

He looks in the mirror;hair slicked back. He's cleaned up a bit,working on the lines.film,the new him for a jean costume, script in front ofi~Dirk is sitting

196 MOMENTTHAT-DAY- HOUSE/BEDROOMJACK'SINT.96l