"BOOGIE NIGHTS" (1997)

CAMERA holds on this PACKED disco on Van Nuys Blvd. TITLE CARD: "San Fernando Valley, 1977"

A CADILLAC SEVILLE pulls up to the valet area and CAMERA (STEADICAM) moves across the street, towards the car, landing in close;

From the Seville steps, JACK HORNER (50s) and AMBER WAVES (early 30s) CAMERA follows them (this is one continuous shot) as they pass the crowd, greet a DOORMAN and enter --

INSIDE THE NIGHTCLUB. Twice as packed inside as outside. Music is full blast. Amber and Jack are greeted by;

MAURICE t.t.. RODRIGUEZ (30s) Owner of the nightclub. Puerto Rican. Wearing a suit and fifteen gold chains.

MAURICE ; Jackie-Jack-Jack and Miss Lovely Amber Waves --

Maurice takes Amber's hand and gives it a kiss.

-MAURICE You are the foxiest bitch in ten counties.

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Amber and Jack head off towards the booth. CAMERA stays with Maurice, * follows him to the bar area, where he shouts some orders to a WAITER.

The WAITER takes off to the kitchen, Maurice walks onto the dance floor and greets three people;

REED ROTHCHILD, 20s, tall and skinny, BECKY BARNETT, 20s, black girl in silk, BUCK SWOPE, 20s, black guy in cowboy gear.

Cs BECKY Excellent.

Maurice moves away to greet some more people. CAMERA stays with Reed, Becky and Buck, does a 360 around them. Reed and Becky Disco Dance. Buck does some Cowboy-Type Moves.

Moments later, the WAITER carrying clams on the half shell passes and CAMERA picks up with him, follows him to Jack's booth, where he _ presents them;

‘WAITER Compliments of Maurice. JACK Thank you. AMBER

Can I get a Marguerita, please?

The WAITER exits, CAMERA PANS with him for a moment, leading to a young girl wearing rollerskates, ROLLERGIRL (aged 18) She always, always wears rollerskates. CAMERA PANS with her back to Jack's booth.

-ROLLERGIRL Hi.

. AMBER (to Rollergirl) Did you call that girl today?

ROLLERGIRi I forgot.

Rollergirl scratches her crotch as she speaks. Amber notices;

CAMERA stays with Rollergirl, following her across the dance floor. She passes Buck, Becky and Reed, says hello, dances a moment,

then continues on -- into the clearing off the dance floor, heading for the bathroom. She passes something, CAMERA moves away towards

this something:

A bus-boy-cleaning a table, EDDIE -ADAMS,.aged. 17. CAMERA moves into a CU -- blending to SLOW MOTION. (40fps) for a: moment.

(Note: In the text Eddie Adams will be referred to as Dirk Diggler.)

ANGLE, JACK'S TABLE. Jack turns his head, looks across the dance floor and sees this

kid cleaning the table.

ANGLE, DIRK DIGGLER. he looks up, catches Jack looking back at him, then turns away,

disappears into a back room.

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CAMERA DOLLIES in on Jack, who at that moment, is approached by a figure entering FRAME. Short, buffed out LITTLE BILL (late. 40s.) ‘ This is Jack's Assistant Director.

Jack's attention is with the backroom that Dirk entered.

He stands and heads away.

Jack is off

, JACK Absolutely. But I wanna keep it small.

'I wanna keep a small crew on this one --

across the dance floor.

CUT

TO:

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Dirk is washing dishes. A few others around. Jack enters and

approaches.

MUFFLED SOUNDS FROM THE SONG OUT FRONT.

JACK

Do you know where, uh...? I'm lookin' for the bathroom.

-I would know you if you'd been here

more than that right?

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ca () DIRK I'm not supposed to say how much I make.

You take the bus all the way from Torrance to work aS a busboy in a Van Nuys nightclub. Why don't you work in Torrance?

DIRK

You got ten bucks?

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_ BEAT. Jack looks Dirk over head to toe.

HOLD, THEN:

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JACK

So you got a face on you like I've never seen in my life. You were chiselled from precious metals, my friend.

JACK

What's your name?

Like what, like what films have I made?

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I read about you in a magazine.

Dirk laughs, Jack laughs;

, JACK Why don't you come back to my table, you wanna have a drink?

BRERA RARRDAZER EER EEE EE.

Jack leaves.

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JACK

It seems to me: Beneath those jeans there's something wonderful just waiting to get out.

HOLD WITH DIRK.

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The club is closing, Maurice is locking up and turning the lights off out front. CAMERA hangs around with Buck, Becky and. Reed. (Director's Note: Reference improv. notes)

Jack and Amber cruise past in his Seville, say so long and head up Van Nuys Blvd.

They pass Little Bill who walks to his old Station Wagon, rips

"a parking ticket off the windshield and gets behind the wheel.

Dirk Diggler exits the club from a side door and heads off --

' CUT TO: OMITTED 4

Jack and Amber enter the house. It resembles the Jungle Room at Graceland. He heads for the kitchen, she makes a drink...

ECU, AMBER. She does a quick line of coke. BEAT. She takes a valium, lights a cigarette, then picks up the phone;

Dial tone from the phone. She hangs up.

BE ei ea: i Tl EAR es

Little Bill enters his house quietly, turns on a small light to help guide him down a hallway.

FROM A BEDROOM DOOR we hear the sounds of MOANING AND GROANING. Little Bill walks to the door, hesitates, then opens --

CcuT To:

LITTLE BILL'S WIFE and a BIG STUD are doing it on the bed. They stop a moment and casually look at him.

Big Stud continues. Little Bill watches a moment in a haze then closes the door.

Dirk enters quietly, walks a hallway and goes into his room.

CUT TO;

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Dirk enters his room and begins to removes his clothes. He turns the volume low on his stereo. He stands in front of his mirror, does a few flexes, some dance moves, some karate moves, etc.

CAMERA DOES A SLOW 360 PAN AROUND THE ROOM. Posters on the wails

of Travolta, Pacino, a 1976 Corvette, Bruce Lee, Hawaii, a Penthouse

_ centerfold, Luke Skywalker, etc. CAMERA LANDS BACK ON DIRK;

FADE OUT, CUT TO:

OMITTED ll

) OMITTED 12

Dirk eats breakfast. His MOTHER (mid 40s) stands, washing a dish. His FATHER (50s) enters, dressed in suite. He crosses the kitchen

INSERT, CU. , gather, stubble.-on his--face, places a kiss on the cheek of Mother.

Father takes a seat at the breakfast table, looks to Dirk.

FATHER

How's that work, you get home late, huh? DIRK

Yeah. MOTHER

If you wanna work in a nightclub you should...if it's so important...you should find one closer.

They eat in silence.

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Dirk stands up, places his plates in the sink and exits.

- . CUT TO:

A crowded high school geometry classroom. In the back of the class, sitting at a desk is Rollergirl. .A TEACHER walks about, handing

out the final exam. Rollergirl looks it over; a lot of questions, diagrams and generally confusing material. She looks across the recom;

Two BOYS are looking at her and chuckling to themselves. One guy looks to the other and makes a "blow job" gesture.

She looks away, they continue their gestures and giggling. Other students notice and smile.

7, CAMERA ARRIVES CU. ON ROLLERGIRL. She stands up, heads for the “— door -- the teacher calls after her -- but she's gone.

A semi-high end stereo store in the valley. Buck, dressed in his usual cowboy-digs, is talking to a CUSTOMER about a stereo unit. The manager, a.skinny-white guy with a mustache and mustard suit, JERRY (30s) is standing nearby.

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{ BUCK

er iI have this unit at home.

Buck ejects the Eight Track that was playing and puts in his own of a country western song.

The Customer listens another moment, then;

The Customer exits and Jerry approaches Buck.

JERRY

Have I told you? Huh? Have I?

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JERRY

Alright: A.) You play that country western-crap and no one's gonna buy

a stereo. You throw on some KC and

the Sunshine Band, a guy looks a particular way -~ and you've seen the profile sheet -- you throw on some Led Zepplin. No. ‘Instead, you play this twingy-twangy, yappy-dappy music. What kinda brother

are you anyway, listening to that shit?

Buck goes to the backroom.

Dirk is in bed with a young neighborhood girl, SHERYL LYNN PARTRIDGE. Her room is decorated in pastels with equestrian things all around. Horse models, trophies from riding, blue ribbons, etc.

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Dirk jumps up and starts bouncing ‘up and down on the bed, ‘naked and flapping. She stares at his crotch, shakes her head;

Dirk looks down. BEAT.

“ SHERYL LYNN That's right.

Dirk kneels down to her;

They Kiss.

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Nightclub is in full swing on a Friday Night. CAMERA hangs with Dirk for a while as he buses tables.

ANGLE, JACK'S BOOTH. Rollergirl comes over to speak with Jack. He whispers something in her. ear. She nods, "I understand," and rolls away —

CAMERA follows on the heels of the rollerskates as they move down the hallway and into --

-a skate up just a little...She rolls closer to Dirk and pulls him into

CUT TO;

CAMERA follows on the heels of the rollerskates as they move back towards Jack's table.

ANGLE, CLOSE-UP, SLOW MOTION. Rollergirl whispers something into Jack's ear.

Closing hour. Dirk exits a side door and starts walking. Jack, Amber and Rollergirl in the Seville pull along side him;

. _ JACK Hey. Eddie.

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al AMBER Come with us, sweetie.

* Dirk gets in the backseat of the car with Rollergirl.

In a booth, after the meal. Dirk and Rollergirl on one side, Jack and Amber on the other.

CAMERA HOLDS ON AMBER. She watches Dirk.

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He looks to Rollergirl. She smiles. CAMERA OFF AMBER NOW.

DIRK

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HOLD. Amber, Jack and Rollergirl look at Dirk.

CAMERA DOES A 180 AROUND THE MAIN PART OF THE HOUSE, LANDS THE ANGLE WITH DIRK. He's sitting on a couch, hands folded across his lap. OC we hear Jack, Rollergirl and Amber moving about and

talking.

- JACK (OC) Believe it, honey.

Tete

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JACK (OC)

That's right. I was gonna do a whole | underwater series of films with him. "Scuba Sluts,” was the name. Funny, right?

“eal! DIRK Yeah. Is that true? |

- JACK (OC) Good night, honey. |

She leans into FRAME and gives Dirk a good-night kiss. ;

CAMERA PANS WITH AMBER AND LEADS TO AN ANGLE WITH JACK. HOLD.

C7 those who need love.

‘JACK What do you think of Rollergirl?

JACK

Yeah. ™ DIRK (OC) ( : Yeah. I'd love to. I mean, yes.

ne She's...she's really foxy.

* Rollergirl enters back into the house. CAMERA SWING PANS OVER:

Come over here a minute. Sit next to Eddie on the couch there.

| Oh, wait,wait,wait, then.

| She rolls over to the Hi-Fi System and picks a record. aks She sets the needle on the turntable and rolls over to C the couch -- in one swift motion ripping her clothes off.

nd

They kiss. They lean back on the couch. Dirk stops a moment.

_ DIRK Are you gonna take your skates off? ROLLERGIRL I don't take my skates off. DIRK Okay. ROLLERGIRL

Don't fucking come in me.

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CAMERA HOLDS ON JACK. OC sounds of Dirk and Rollergirl making out on the couch. SLOW 200M INTO CU. ON JACK.

°25 INT. DIRK'S HOUSE = EARLY MORNING — LATER 25

Dirk enters quietly, walks down the hallway, passing the kitchen. His MOTHER is there, looking at him. HOLD, THEN:

Shut-up. Shut-up. Where were you? Dirk walks down the hall towards his room.

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Dirk heads for a drawer and starts to grab some clothes.

Dirk stops. His Mother looks to the posters on his wall.

She starts to rip his posters from the wall. Dirk stands. CAMERA begins a SLOW DOLLY INTO CU.

CAMERA ARRIVES CU. ON DIRK. He's starting to cry.

MOTHER _ Not by choice.

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Rollergirl is rolling down Ventura Blvd. carrying some groceries. CAMERA PANS RT, to catch a BUS which pull up, stops at the corner of Laurel Cyn and Ventura. Dirk steps off the bus.

They're walking/talking.

ROLLERGIRL

You should get some rollerskates, it's better.

Yeah. You've got a great cock, Eddie.

Zo

Jack leaves.

Jack, Amber, Reed, Buck and Becky. They're setting up for a pool party. Cases of beer, soda and chips all around.

Dirk and Rollergirl come down the driveway and run into Jack;

Rollergirl skates into the house. CAMERA follows with Jack and Dirk as they move to the pool area and find Reed, who's setting up the bar

Oh, I thought Jack said you did. You wanna drink?

Reed looks to Dirk.

Reed fixes the drink.

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I've always wanted to work out at Vince's.

-REED Here we go....taste that.

Dirk sips the Marguerita.

. DIRK You tell me first.

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DIRK/REED

One...Two...Three....

SILENCE.

ANGLE, POLAROID CAMERA.

it sits on a table top. It's suddenly snapped up by Rollergirl. CAMERA follows her and the Polaroid out to the pool area where she snaps photos of Reed and Dirk. (Flash to Developed Polaroids.)

The driveway is PACKED with cars now and the party is in full swing. A Big Black Cadillac comes down the driveway. A LIMO DRIVER gets out, moves to the back and opens the door. From the car steps:

THE COLONEL JAMES (mid-60s) Heavy-set in a tan suit. Wrap around sunglasses. The Porno Film Distributor. His LADY FRIEND (aged 16) steps from the car and smiles;

Jack is right there to greet the Colonel.

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' JACK Hello, darling.

They exit. CAMERA follows the Limo Driver into the pool area --

CAMERA follows the Limo Driver for a while, then moves away, to find; Maurice and Amber. They're sitting down, speaking.

MAURICE tas Please. Tell him I won't be bad. Please.

CAMERA moves away, through the party, to find Buck and Becky.

| BECKY 7 He was obviously pissed about the music.

; BUCK What's wrong with it, y'know?

oc we hear the new song start to play.

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Becky leaves. CAMERA moves away to find:

The Colonel's Lady Friend approaches a young Stud, who's wearing

bikini-speedos and holding court over a table of coke.

; LADY FRIEND May I please join in?

Little Bill and his Wife get out of his Station Wagon and enter the party from the driveway. She's dressed up. He's dressed down.

| LITTLE BILL I work with these people, alright? These are my co-workers, so just --

She moves away. Rollergirl passes and takes a SNAPSHOT.

CU. THE POLAROID - DEVELOPED Little Bill in a sort of angry-confused-surprised face.

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. LITTLE BILL Is Jack around?

Little Bill leaves. CAMERA follows Rollergirl around as she mingles and snaps more Polaroids.

Jack and the Colonel are sitting, drinks in their hand. The Colonel smokes a cigar.

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Little Bill pokes his head into the office, sees the conversation oo and quickly apologizes and exits. The Colonel looks to Jack;

a COLONEL . Casting is up to you, Jack. You wanna do it? Then do it. If it has big tits, tight pussy and focus: I'm happy. You tell the stories you wanna tell, make yourself happy.

Reed and Dirk are swimming. Dirk gets up on the diving board.

Dirk runs and jumps --

He lands in the pool and swims to the surface.

rine DIRK A How did it look?

Reed runs, jumps, goes for the flip but land FLAT ON HIS BACK.

Reed lands. CAMERA moves in on his face. He's in SERIOUS PAIN. He floats down for a moment....

‘Everyone at the party is looking...holding their breath and waiting...Reed comes to the surface. ae REED Ouch.

: | The party people turns back to their conversations...

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CAMERA follows behind Little Bill. He's walking around, looking for his Wife. He greets a few people here and there.

He runs into a big guy, ROCKY (late 30s.) He's a CREW member.

CAMERA picks up with the Lady Friend and the Young Stud with the coke...Z00M after them down a long hallway towards a BEDROOM door. They close the door in the CAMERA'S FACE.

Maurice and Buck are talking;

You know what I say?

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The PHONE RINGS. Maurice picks up the phone.

Maurice sets the phone down, looks to Buck.

CF CAMERA follows him as he walks out to the pool area --

No one at the pool area responds so he walks back inside to the phone. Buck is still watching it closely.

_ -MAURICE (into phone) I'm sorry...there's no Maggie here. Okay...okay...no problem...Bye.

- BUCK What was it?

. MAURICE Some kid lookin' for his mother.

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Amber is sitting in the bathroom, on the toilet. She reaches to the window, sets aside the curtains and looks.

AMBER'S POV: Looking out to the pool area.

and does a perfect FLIP in SLOW MOTION.

Dirk dives off the board

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CAMERA follows Little Bill. He spots six people in a semi-circle around something. He walks over -- inside the semi-circle, on the pavement, Little Bill's Wife is getting fucked by some BIG DUDE.

She looks up at him, smiles.

WATCHER #1

What does it look like they're doing?

LITTLE BILL'S WIFE

WATCHER #2 Yeah, shut-up, Bill.

The other WATCHER'S join in telling Little Bill to "Shut-up." He walks away and. CAMERA follows him until he's approached

by a big man, KURT LONGJOHN (late 40s)

“KURT LONGJOHN What's wrong with you?

He's the cameraman.

she's

over there...she's got some idict's dick in her, people standing around watching -- it's a fuckin' embarrassment.

KURT LONGJOHN

Yeah. Yeah. I know. Anyway, listen:

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KURT LONGJOHN i ‘Cause I was hoping to, y'know, for the shoot tomorrow, we could send Rocky down and he could pick it up --

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Little Bill looks at him. HOLD.

KURT LONGJOHN

Little Bill leaves. Kurt stands alone a moment. He walks over

to the driveway and watches Little Bill's Wife get fucked.

CAMERA follows HAND-HELD behind Jack, the Colonel and his Limo Driver as they walk quickly down a hallway that leads to a bedroom.

CUT TOs

Jack, the Colonel and Limo Driver BURST into the room -- REVERSE ANGLE: On the floor of the room, the Colone is dying naked. She's passed out andyshe has Bioo

ose; The YOUNG STUD is naked, holding her in his at the men who just entered.

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ne! SACK Is she breathing?

The four men look at the girl. The Colonel turns to his Limo Driver. COLONEL

Alright: Johnny. You're gonna take care of this for me. You listening here?

Listen, though: You drop her off in the front, I don't want this...y'understand? I don't need this, here.

COLONEL

Young Stud, I want you to help my driver Johnny here get her in the car.

The Young Stud starts to cry hysterically.

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YOUNG STUD

I'm sorry...it's just...it's just.... COLONEL

What? YOUNG STUD

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. COLONEL Jesus Christ. Now be aman, deal with the situation and get her in the car.

The Lady Friend starts to go. into CONVULSIONS.

The Limo Driver and Young Stud carry her naked, convulsing body to the Black Limo out front. CAMERA holds with Jack and the Colonel.

They exit.

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CAMERA is with Reed and Dirk. They're sitting in two pool chairs, drinking their drinks and talking. A nervous young kid in red swimming trunks, SCOTTY J. (mid-20s) comes over and interjects --

Eddie -- meet Scotty J. He's a friend, he works on some of the films.

That's great. That’s great. Where did you meet, Jack? ‘Cause I work on the films,

y'know, sometimes, that's why I'm wondering

if you, you know --

Dirk spots Jack calling him and stands, looks to Scotty J.

DIRK

Nice to meet you.

CAMERA DOLLIES IN A LITTLE ON SCOTTY J.

LO a ae er ne

Thank you. It gets a little hard

mingling around...y'know...talking to people and stuff...it's sort of --

That kid Eddie is really good looking, huh?

ANGLE, JACK, THE COLONEL AND DIRK. Dirk approaches and the Colonel smiles. They shake hands.

. DIRK Right.

‘Jack says you've got a great big cock.

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. COLONEL i Can I see it?

AS | DIRK , Really?

Dirk unzips his pants. CAMERA on the Colonel. He looks down, then up;

Dirk exits. The Colonel turns to Jack;

CAMERA picks up with Dirk, who runs for the pool and DIVES IN..... | . . CUT TO:

. CAMERA MOVES IN AS DIRK LANDS IN THE WATER, FLOATS TO THE BOTTOM, lls. TEEN PUSHES OFF, TOWARDS THE SURFACE. TIME LAPSE TO NIGHT.

The party is coming to a close and people are trying to get in their cars and get out of the driveway.

CAMERA hangs with Little Bill and his Wife. LITTLE BILL Thanks. for fucking up this party for me. I. appreciate it.

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CAMERA MOVES TO FIND: THE YOUNG STUD AND THE LIMO DRIVER. They're sitting by the limo. The Young Stud is crying.

{ LIMO DRIVER

af }

} Hey, hey, hey. I mean: How were you supposed to know?

Nothing is absolutely right, Young Stud.

The Colonel and Jack approach. The Colonel now has ANOTHER YOUNG LADY FRIEND, picked up from the party.

You never told me that and what happened, never happened. You get me?

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The party is over. Amber and Rollergirl are inside playing cards. Scotty J. is cleaning up, Dirk and Reed sit in the JACUZZI, looking up at the stars.

REED

«»eyou wanna hear a poem I wrote? DIRK

Yeah. REED

Okay. Um...

"I love you. You love me. Going down the Sugar Tree. We'll go down the Sugar Tree. And See Lots of Bees. Playing. Playing. The bees won't sting. ‘Cause you love me."

Jack approaches in a bath robe, holding a towel.

Jack removes his robe and climbs in the Jacuzzi.

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JACK

Good. You had a good time then? DIRK

Excelient time. Thank you. JACK

What this place is for, right? REED

Right. JACK

Ahhhh....this feels good. Bubbles. Turn those bubbles higher, Reed.

DIRK

Jack...I was thinking about my name...y'know...? JACK

Yeah? DIRK

I was wondering if you had any ideas.

FLASH ON:

' A BRIGHT NEON SIGN IN BLUE LETTERING, WITH A PURPLE OUTLINE:

DERK DICGLER

te.

The NEON SIGNS. FLASHES, BUZZES, TEEN BURSTS INTO AN ELECTRIC FLAME.

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Back to Reed and Jack. They look at Dirk. JACK Heaven sent you here to this place, Dirk Diggler. You've been blessed. Dirk smiles. Reed smiles. Jack looks up and closes his eyes. FADE OUT, CUT TO:

e-.e-The film crew sets up lights and other equipment around a small "office" set. The crew consists of; Kurt Longijohn, Director of Photography. Rocky, Gaffer/Grip. Little Bill, Assistant Director.

Scotty J. is working as a utility/sound man.

Jack is sipping coffee, confering with Kurt about lighting.

Little Bill approaches.

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Little Bill makes a note. Jack walks over to Becky, who's sitting in a chair, shaving her pubic hairs.

JACK

What're you doing? We're shooting in twenty minutes.

BECKY

I'm shaving my bush -- JACK

Now? BECKY

It only takes two seconds, Jack.

Jack continues to get everyone ready. JACK Alright everyone, let's go, let's go,

we need to shoot this first scene -- we need to get one off --

the edge of the bed, dressed up in a brown suit and ack, parted down: the’middle. He paces a little, eathing, looks over script, etc. Scotty J. enters.

I'm supposed to come get you. Tell you they're ready, now.

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the crew is ready and waiting. Jack is there to greet him.

They walk through the scene with Amber.

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Jack exits.

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JACK

So we'll just go straight through.

JACK

Eddie, you want a rehersal? DIRK

It's okay...I can do it... JACK

Great. DIRK

Jack? JACK

Yeah? DIRK

...can you...um...will you call me Dirk Diggler from now on?

Amber and Dirk huddle in the corner a moment.

AMBER

Do you want to practice your lines with me. DIRK

I know it. AMBER

You look great, honey.

a) , AMBER

van.

Yeah. You just come when you're ready....

She touches her hand softly to the side of his face. (30fps)

To I wanna do this good....let's try and do it

Sanaa

really sexy...you want to?

Little Bill takes Dirk and walks him off the set, explaining things one last time to him....CAMERA HOLDS ON DIRK. Little Bill walks away and he's left standing alone a moment, waiting for his cue behind a closed door. SILENCE. HOLD.

CAMERA blends to SLOW MOTION (30fps) and FOLLOWS Dirk through the door and into the set -- lights flare into CAMERA/DIRK and we focus in on Amber, seated behind a desk. CAMERA blends back to 24fps.

KURT LONGJOHN'S 16mm CAMERA POV: Dirk enters. A light shines straight at him. He walks into a two shot with Amber at the desk. BEAT, THEN:

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"eae : That's terrible.

“ay

Dirk starts to remove his pants...just before they come off we go to:

St LEE TER RERE REE ETDS ” 3 zie SES HE

JACK AND THE REST OF THE CREW Kurt Longjohn takes his eye away from the viewfinder for a moment. Rocky frowns slightly. Scotty J. is in shock. Reed and Becky smile.

Amber looks from Dirk's cock to his face. AMBER

I think that you have the part, but why don't I make sure of something...

* 16mm CAMERA'S POV:

for the first time, we see Dirk's cock. It hangs about 12 inches. Amber's hand reaches and grabs hold of it --

So they go at it...taking each other's clothes off and climbing» up on the desk...OUR CAMERA is hand held, moving around, looking at the crew filming and Dirk/Amber making love....

They continue for a while. Jack whispers something to Kurt, then walks over to Dirk and Amber, quietly interupts;

Amber smiles. Jack and. Kurt have set up a new angle;

They continue for a bit, getting faster and a little harder;

saisttew on

pet EELS

be eee EE ASS ee ee ae ee ee ee ee ec:

. DIRK You feel good, Amber. { ,; AMBER — Are you ready to come? DIRK Yes. AMBER Come in me. DIRK What? AMBER

|

)

) Don't worry, I'm fixed.

I want you to come in me --

Amber and Dirk come together. HOLD. They kiss and smile.

) JACK , CUT! FUCK! YES! YES! YES!

THE CREW APPLAUDS THE PERFORMANCE. Everyone gathers around. ' Dirk is giving hand shakes, high fives, etc.

CAMERA PANS over to Little Bill and Jack who step aside a moment. Following in sotto;

rc

‘Dirk hears this and turns to Jack and Little Bill.

‘DIRK Jack?

DIRK

I can do it again if you need a close-up. Everyone in the room looks at Dirk. HOLD.

MUSIC CUE. CONTINUES OVER CUT AND THE FOLLOWING SCENES:

Ee ee ee fete et ees:

sedi eae oe ee te —— a =

| 55 INT. JACK'S LIVING ROOM ~ NIGHT - LATER Sequence "Ay 55 _ The entire cast and crew together. ) ECU — CHAMPAGNE BOTTLES POP | ECU - ROLLERGIRL'S CAMERA. she snaps POLAROIDS. ECU. — DEVELOPED PICTURES cast and crew smiling, holding thumbs up. Dirk in the middle. | CUT TO:

CAMERA TRACKS ALONG a row of shoes. Dirk, Reed and Scotty J. in the store, picking some out. Dirk falls in love with a pair of half-boots, zip-up style -- , i CUT TO:

CAMERA BEGINS ON THE SHOES, DOES A QUICK BOOM UP TO A CU. ON DIRK. He's dancing with Rollergirl. They talk about his shoes.

Co? OVERHEAD ANGLE, JACK'S TABLE.

a lee

Jack is eating Clams On The Half Shell and talking to Amber.

The Colonel is sitting with a NEW LADY FRIEND. CAMERA begins a BOOM DOWN as Scotty J. enters FRAME and begins talking the

Colonel's ear off.

ANGLE, MAURICE CAMERA follows behind him as he shouts orders to waiters

and busboys and bouncers --

ANGLE, BECKY She's hanging out near the bathroom with a GIRLFRIEND and

flirting with some YOUNG GENT, who's a body-builder-type.

INSIDE THE DJ BOOTH. A couple young girls surround the Du,

who is a BLACK MIDGET, wearing headphones, dancing and doing ‘coke with the girls. He sets up another RECORD on the turntable. CAMERA DOLLIES IN QUICK ON THE RECORD, NEW MUSIC CUE.

2 TREAD ROMO 8. cent enema ere meee oe ee ne

SS SE eR ee a

Z ee ee eee ee a A EEE Oe. Te SY a Ba SS ET

weer

SR a a gs ne nn nnn

Cast and Crew shooting a new film-with a’Spahish-theme.. Jack watches Rollergirl and Dirk who are on @ WATERBED. They block the scene.

JACK: What we can do is make it all one thing, right? You can go from being on top -- below and then move and shift to the side -- pump away there for a while, then --

Dirk gets on the bed with Rollergirl and tries a move. DIRK ; If she...Rollergirl...if you wrap your leg around...other one...your left leg....right... up around my neck. And over. Good. We can go right into Doggy Style.

The Marquee reads, "Spanish Pantalones" Under the title; A Jack Horner Film. Starring Amber Waves, Rollergiri, Dirk Diggler. CAMERA DOES A BOOM UP AND INTO THE MARQUEE.

Jack is reading, "Oui." Dirk, Reed and Amber listen; JACK

Jack Horner has found something special in.new-comer, Dirk Diggler. It's another -Stellar, sexual standout from Horner and Company. Diggler delivers a performance worth a thousand hard-ons. His presence when dressed is powerful and demanding....

CAMERA DOLLIES IN ON THE PAGE, TRACKS ALONG THE WORDS.

CAMERA catches glimpses of the words on the page, "...Diggler..." "...sexual standout..." "...supple ass...." Continue w/STILL PHOTOGRAPHS from the filn.

sey

Neer

CAMERA DOLLIES DOWN THE LINE OF HAIRSTYLISTS. Dirk is getting a fluffy new hair style. Reed stands nearby and watches;

A CLIP FROM THE FILM, “SPANISH PANTALONES." (16mm) 62 This is filmed on the Motel Room Film Set. Reed is wearing speedos and a sombrero. Becky is naked. He slaps her ass. Dirk is facing CAMERA, Amber is kneeling down, covering his crotch giving him a blow job. CU. Dirk for the money shot.

Dirk is disco dancing with Rollergirl and Becky and Reed.

END FOUR WAY SPLIT, STAYING WITH DIRK DANCING IN THE CLUB. Dirk, Reed, Rollergirl, Buck, Maurice and Becky begin doing a DANCE NUMBER. (Complete w/coreographed moves, etc.)

OMITTED 7 64

Amber is on the phone. Dirk is sitting with her, holding her hand.

tes

Dial tone from the phone, she hangs up --

ere sm a sm mee ee

18 eS nena oe a seer peers eee Fe eee ene

bso.

Maurice slips a PHOTOGRAPH and a letter into an envelope and seals it up. The VO is in Spanish, with SUB-TITLES.

Maurice's two BROTHERS stand at a MAILBOX. They rip open the letter and check out a picture of Maurice standing next to Rollergirl.

Reed and Dirk are working out. They smile, laugh, then become deadly serious as they get into their workout.

Buck, Dirk and Reed dressed in Karate-gear, are taking lessons. Buck speaks about the ancient history of Karate.

. CAMERA TRACKS ALONG A ROW OF SUITS. Dirk picks one out, tries

it on and pays for it in cash. CAMERA then PUSHES IN through a series of QUICK DISSOLVES on SUITS hanging individually on the wall.

OMITTED 71

vay

CAMERA moves with a Big Van and a Station Wagon that follows. CuT TO:

Te teal

iis pedal

Amber is driving the van, Buck is in the passenger seat trying to figure out why the radio isn’t working and speaking; BUCK.

If you were to open a bussiness specializing in, like, Super-Super

Hi-Fi Stereo Equipment -- forget it, I mean, there's

you're in the money. no limit to the technology that's

comin' out now --

front two speakers....yeah...

IN THE BACK OF THE VAN: Reed, Dirk and Jack are huddled, speaking intensely; JACK -- what else? DIRK That's it for now. I mean: I look

at this character Holmes has come up with -- and -- look ~- I just --

JACK

Tell me. DIRK

I don't like to see women treated that way.

This guy he plays, "Johnny Wad," it's always

about slapping some. girl around or whatever. It's not right, it's not. cool and it just... It isn't sexy like it should be.

isn't sexy.

I like that.

Ot RE Na ate

ce ee ee DG ARERR RRR KR = _—

JACK

Now: What's this guy's name? This character? Do you know?

REED

‘His partner's name is Chest Rockwell.

CuT TO:

PSMONE 1. ty Let oo 7 PSS ee LS ese Nor nee SS

His Wife is in the passenger seat. Little Bill's Wife looks at Little Bill looks at his wife.

Little Bill is driving. Becky and Rollergirl are in the back. Little Bill, then looks away. BEAT.

LITTLE BILL

Please. On this trip...don't embarrass me.

She doesn't say anything. Suddenly, she SMACKS him in the face.

The “2nd ANNUAL ADULT FILM AWARDS." Behind a small PODIUM and in front of a packed to capacity CROWD of porn filmmakers is --

AMBER. She's about to open an envelope.

COLONEL JAMES. He's on stage, rips open an envelope. COLONEL JAMES

«..the award for, "Best Cock,"

goes to...Here We Go Again...DIRK DIGGLER.

A Porn Actress, JESSIE .ST. VINCENT (early 20s) She opens; JESSIE

And The Award...for Best Actor Goes To....

I've seen his movies and I can't wait to

work with him, I can't wait to get that big

cock in my mouth, my ass, my pussy or any

which way he'll give it to me....Mr. Dirk Diggler!

The Audience Applauds wildly. Dirk, dressed in a jean outfit,

Makes his way to the stage and accepts the award’ from Jessie.

He turns to the crowd.

2 2 ‘ =

DIRK

fo ™ Wow. I dunno what to say....I guess. Wow.

ed I quess the only thing I can say, is that I promise to keep rocking and rolling and to keep making better films. It seems we make these movies...and sometimes...they're considered filthy or something by some people...but I don't think that's true. These films we make can be better...they can help...they really can, I mean it. We can always do better ~- and I'll keep trying if you keep trying so let's keep ROCKING AND ROLLING.

AUDICENCE APPLAUDS. Jessie St. Vincent comes over and plants a deep, wet kiss right in his mouth;

Amber, in the audience, sees the kiss and frowns. Dirk raises the award high above his head and does a karate move --

TITLE CARD READS: "1978"

Little Bill screams for everyone to settle down....Jessie St. Vincent { : is waiting for her cue....CAMERA DOES SLOW DOLLY INTO CU ON JACK.

, . deyer

JACK

.. Jessie St. Vincent walks across the restaurant to the bar.

Kurt Longjohn and his camera crew track with her. ,sDirk, in character With his hair slicked, chewing on a toothpick and smoking a cigarette, wearing a suit and sunglasses is sitting at the bar. She speaks to the Bartender (played by Maurice.)

-JESSIE ST. VINCENT Shot of Tequila, straight up.

DIRK ; sy ‘You alone? ,

EN eae RR Ua eee

oo»

This bedroom set is decorated as Brock Landers pad. Jessie St. Vincent unzips Dirk's pants...(porn music in b.g.)

She pulls his cock out of his fly, looks at it. CAMERA sees this.

TITLE SEQUENCE FROM; "Brock Landers: Angels Live In My Town." Dirk is running STRAIGHT TOWARDS CAMERA in. a JEAN OUTFIT.

He stops, does a KARATE KICK and turns -- FREEZE FRAME. TITLE READS: DIRK DIGGLER as BROCK LANDERS

Various other footage of Reed, running down the street, firing a-gun and knocking people down. FREEZE FRAME.

TITLE READS: REED ROTHCHILD as CHEST ROCKWELL. Finally, over a WIDE ANGLE SHOT OF VENTURA BLVD;~

"BROCK. LANDERS: ANGELS LIVE IN MY TOWN"

LS ¢ EES EERE RR Re Ee eee Se ee ee ee a

f . CAMERA PULLS BACK and WHIPS around from the Steenbeck image occa to find; Jack and Kurt Longjohn, working on the filn. JACK Good, good, it’s close. Let’s head trim Dirk's spin, loose Reed with the revolver and switch the main title card -- it should really fly towards camera --

CAMERA (STEADICAM) begins on Reed who's doing a MAGIC TRICK in the living room for Scotty J. and Becky. Jessie is oil painting. Dirk and Amber enter FRAME and CAMERA follows them through the house. Dirk is giving her a tour, explaining what type of leather couches he has, what sort of history he knows about the wood used to build the house, showing her a painting on the wall of himself that was done by Jessie St. Vincent, etc. They move into -- THE KITCHEN Maurice and Rollergirl are deep in conversation. He's trying to convince her that she should take a picture with him without her clothes on so he can send it to his brothers in Puerto Rico. Co CAMERA stays foreground with their conversation while Dirk

shows Amber the back deck area of the house -- (Director's Note: Sound covers the four talking simultaneously.)

Rollergirl stops arguing with Maurice;

She rips off her bikini top, sets the POLAROID on the counter, hits the timer, rolls back and poses with Maurice --

. CU = DEVELOPED POLAROID the image is of their waists - the Polaroid framing was too low.

Dirk and Amber come f.g. and CAMERA leads them -- DIRK And around this corner is the big surprise. The main thing I wanna show you --

The move down a hallway and into --

ata Wore tr MTT" MURAL Tt : . we . : © . ce See eens

to open...LIGET POURS INSIDE on their faces --

CAMERA holds CU images of a BRAND NEW 1978 CORVETTE. It's candy apple

.red with super trimmed out designs, etc. CAMERA DOLLIES IN ON DIRK.

They get in the car and go for a ride.

Dirk and Reed, in charachter look at each other and say;

are safe --

CAMERA PULLS BACK and WHIPS around from the Steenbeck image to find Jack and Kurt Longjohn;

ave ste SF SNMVIR rte TT Sr tee ee errs le etter ee ses ee ee: Th Atm ene vee eee ee

ai

so

_ KURT You made it fly.

TITLE CARD READS: "1979"

CAMERA. MOVES FROM THE STREET LIFE TO THE MARQUEE; "Brock Landers II: Oral Majesty" Starring: Dirk Diggler.

SAME - NIGHT

CAMERA REPEATS THE MOVE; "Brock Landers III: Silver Fingers"

CAMERA PANS from the SCREEN which has a CLIP of Amber in close up and Dirk in close up -- they're moaning and graoning and rocking back and forth.

CAMERA finds the crowded AUDIENCE (mostly couples, swingers, etc.) watching the film -- CAMERA BOOMS UP/ZOOMS IN TOWARDS THE LIGHT FROM THE PROJECTOR IN THE BACK --

BURN WHITE TO;

The "4th ANNUAL ADULT FILM AWARDS." Dirk walks up to the podium

to accept another award.

CAMERA DOLLIES IN ON EACH OF OUR PRINCIPLES SO FAR IN SLOW MOTION: Reed. Jack. Amber. Little Bill...then PAN to his Wife.

Kurt Longjohn. Rocky. Becky. Jessie St. Vincent. Scotty J. Maurice. Buck. Colonel and another new Lady Friend. Rollergirl. Finally, Dirk. He speaks into the microphone;

' DIRK Thank you. ‘ay

FREEZE FRAME ON DIRK. End Sequence "“B" . WIPE TO:

Se Lb AST ERE tet ene cee

.

a

SU ER a a ee

CAMERA starts on a huge banner strung across the house. It reads:

'"Goodbye 70's ~- Hello 60's”

CAMERA roams through the party. This is a bigger, better and more insane party than we have seen so far....

- CAMERA hangs with Becky and a tall, heavy~set black guy JEROME.

JEROME ; yeah....y'know....as far as I'm concerned, it's about love. Y'know? You love someone and how hard can the world be? I mean, people will come and go and so will problems, and ultimately, if you have love on your side and.in your soul, whatsa problem gonna be that takes your attention away? Y'understand?

Yeah. I'm regional manager for "Pep Boys.”

CAMERA hangs with Kurt and Rocky who are discussing technology and the future....

CAMERA hangs with Reed, who's doing some Magic Tricks for Jack and explaining some facts about, "the world of illusions."

CAMERA hangs with Dirk and Jessie St. Vincent.

Nee

CAMERA hangs with Scotty J. and Amber. He re-counts;

Amber's attention moves to Dirk talking with Jessie St. Vincent.

CAMERA hangs with The Colonel, a NEW LADY FRIEND, who's doing some coke from a bowl and Maurice, who's begging for a part in a movie. The Colonel's attention turns across the room;

COLONEL'S POV: A tall man in a white suite, FLOYD GONDOLLI (mid 50s) is standing with two dirty-looking BOYS and two similar GIRLS.

The Colonel walks over, CAMERA WHIP PANS over to Floyd Gondolli;

FLOYD

How are you? You look happy. COLONEL

I'm fine. FLOYD

Meet Boys: Tommy and Pete. Meet Girls: Angie and Cyndi.

ol FLOYD These are the next stars...the real people in the world.

COLONEL

I think we should do that talk with

Jack now, whadda 'ya say? Maybe iron

this thing out before we start the new year... *

. Floyd turns to the kids he is with and speaks very slowly to them; FLOYD

Tommy~Pete-Angie-Cyndi. Uncle Floyd is gonna split for a minute to do a little business talk.

The Colonel and Floyd walk away.

Dirk is talking with Jessie St. Vincent. Amber comes over and takes a seat on Dirk's lap.

Co

DIRK

Hey, Amber. AMBER

What are you talking about out here? DIRK

Nothin' AMBER

Do you wanna come with me for a little while? DIRK

Where? AMBER

A surprise, surprise, surprise.

They excuse themselves from Jessie and walk off into the house. Jessie looks across the party and sees Buck. CAMERA moves away,

towards him --

SE REPSERPERR EEN RRR ERR Ree.

so

‘Sy

1 RN AN ne ane met eteteine MM ane ES Tt

ANGLE, BUCK. He's doing some serious dancing and he's wearing a new-style, Commodores look. ‘He's talking to Rollergirl.

: ROLLERGIRL Your boss at the stereo store? What does he think about the look?

A guy in white jeans, black leather jacket, TODD PARKER (late 20s.) He exits his 280z and flashes smiles at various party people. CAMERA follows him to the POOL AREA where he sees;

eet

. TODD Yeah...yeah. This is an amazing party. Fuckin’ chicks everywhere.

Todd points out a BIKINI PARTY GIRL.

Jack, Floyd Gondolli and the Colonel sitting.

JACK “. I know you're history, Floyd.

; COLONEL No one's doubting your history or your credentials, Floyd.

CuT TO:

EE Ee ee eee me eee mee

Ea ee a AE ee a ee Ea

Jack leaves.

. JACK I haven't heard that. FLOYD It's true. JACK

We've got ten minutes until the New

Year and I don't want it to start like this so I'm leaving now. We will or we won't continue this conversation some other time.

Floyd looks to the Colonel. HOLD.

Dirk and Amber enter. She sits him on the bed.

Amber continues to talk as she sets up more lines of coke --

She demonstrates. Dirk hesitates a moment, then leans down and does a line of coke.

Dirk does another line.

Amber is right there to KISS him very hard on the mouth. HOLD.

Dirk and Amber emerge from the bedroom and walk back to the party....Amber stops to say hello to some people....Dirk keeps walking....CAMERA follows him outside...Scotty J. approaches....

SORRD AUTOS IO UERET ert t

SEE SS ee ee ee see pe

CAMERA FOLLOWS them outside, they pass Reed and Todd who are standing near the BBO pit --

REED

Remember I told you about Todd?

He works over at the Party Boys Strip Club --

CAMERA continues with Dirk and Scotty J. out to the DRIVEWAY. They check out the USED CANDY-APPLE RED TOYOTA CORROLA.

Masa th 2

en ca ea ee pS ce Sant naaruaiiewnesiarils su samecaae = ee

SCOTTY J.

Wanna get inside?

| DIRK

When did you get this? SCOTTY J.

Yesterday. DIRK

It's great. It's really great.

Dirk starts to walk away....Scotty watches him go....Suddenly: Scotty CHARGES Dirk from behind and starts to KISS his neck. Dirk stumbles, pushes him away and turns:

I wanna know if you like me.

DIRK

SCOTTY J.

-- can I please kiss your mouth? Please. Please let me.

i

PAUSE. Dirk

SCOTTY J.

No, no. Forget it. I'm sorry. I'm really sorry, I'm just drunk. I'm outta my head, okay?

DIRK

SCOTTY J.

I wanted to make sure you thought it was cool or else I was gonna take it back.

hesitates...then turns and walks back into the house. SCOTTY J. o (to himself) I love you, Dirk.

ae es LE BREE BEES BE = cee : IE ee nn —

-ladigeaggeramret vee

Jack calls out to the crowd of Party People.

CAMERA follows Little Bill as he walks the hallway to a closed bathroom door. He opens it.

OVER LITTLE BILL'S SHOULDER, INSIDE THE BATHROOM Little Bill's WIFE is getting FUCKED DOGGY STYLE by yet ANOTHER YOUNG STUD. She looks at him.

Little Bill stands a moment, then closes the door. CAMERA LEADS him as he walks back through the party...outside to the pool area and into the driveway for his Station Wagon.

He takes the keys from his pocket, unlocks the passenger side door, reaches into the glove compartment and takes out a .38 REVOLVER and

AMMUNITION.

CAMERA FOLLOWS him now as he heads back across the driveway, back through the pool area, loading the gun as he walks...

People begin counting off to the New Year --

Little Bill walks into the house, down the hallway --

Little Bill arrives at the Bathroom door and SMASHES IT OPEN: Bis Wife and the Young Stud are still fucking....

Little Bill FIRES: 7 He ‘FIRES: THE.

Hips, PR SoaaS ‘AND FALLTO THE FLOOR OF THE. ‘BATHROOMS. (OOD SPLATTERS “LITTLE: BILLS...

STS ES EOE SE ee ee ne eee ee ee;

.. EVERYONE IN THE PARTY JUMPS AT THE SOUND OF THE GUNSHOTS... . LITTLE BILL FIRES ANOTHER.SHOT INTO HIS WIFE... ---BLOOD AND SMOKE “FILL- THE BATHROOM...

..-LITTLE. BILL, TURNS AROUND, FACES THE PARTY PEOPLE AND SHOVES THE REVOLVER’ IN-HIS.MOUTH AND PULLS. THE TRIGGER, ..

° BLOOD: AND, BRAINS. SHOOT. OUT. THE BACK oF ‘HIS SKULL AND HE COLLAPSES

"80s"

OVER BLACK, WE HEAR THE VOICE: AMBER (OC) -.-what about your character, "Brock Landers," and what some people might consider violent attitudes towards women?

Sequence "C"

apirk: is doing an interview. He's unShavenh thin andusweatang, wearing

sunglasses. He speaks quickly to Amber OC. (1982)

AE SESE [ht pene a Eee HL A Ratan oF

it C | ,j | HY

. o™ ad

Dirk is in his underwear, asleep in bed. An actress named KC SUNSHINE Plays in the scene with him as an Indian woman, wrapped in a sheet. She enters, holding a knife, coming towards Dirk...

Dirk wakes in the scene, struggles with KC Sunshine, knocks the knife from her hand and pins her down. The scene plays;

Dirk SMACKS her then starts to KISS her breats softly.

In the scene, Dirk has Bééky (playing asPROSTITUTE) up against awall. He's right in her face, holding his fist up....The scene:

Dirk SLAPS her across the face. BECKY Ohhh...do it again, maybe I'll get my pussy wet next time. BUCK arrives playing a PIMP and aims a REVLOVER at Dirk.

Just then: REED appears with a GUN aimed at Buck.

et ee - erwin Siamese @

oo ance

wee me Rte RR LED RRR Se ee ee ae meee ee pe ee

- 102

OMITTED 99 _ OMITTED 100 OMITTED 101 OMITTED ** Director's Note: Rollergirl's Interview/TBA 102 OMITTED ** Director's Note: Jessie's Interview/TBA 103 OMITTED 104

Jack and Dirk are sitting behind a Moviola for the interview with Amber. Dirk speaks very quickly... DIRK

BLOCK....uh...and idea or a movement.

Jack will put the final touches on what

the camera needs for editing -- but, uh --

He allows me to block my own sex scenes.

-..and..-he gives me flexibility to work

with the character and develop, y'know....

I don't know of any other director's

that would let an actor - uh - do that.

JACK

I don't let you block your own sex scenes.

Jack and Amber laugh. Dirk laughs a little less.

Footage of Dirk walking along the street as the sun goes down. Amber narrates.

FADE OUT, CUT TO:

End Sequence "C”

isttpismeer " vate 5 nee oet epee enn eomeme se nteman sae

“RE CR Df PST Aet te te ee ROM BSS EE ESE RE RE REE REE EE :

f Dirk and Amber, sitting in front of the Steenbeck. She flips it

7 off and looks to him;

AMBER

Just you. I wanted to show you first. DIRK

It's so fuckin' good. Really. (beat)

Maybe you might want to think about cutting that part when Jack says that thing about -- y'know --

Dirk and Amber walk out and into the living room, CAMERA SWINGS 180 OVER TO: Jack and Reed, sitting at the kitchen counter;

At that moment the PHONE RINGS, CAMERA WHIPS OVER to the phone. It rings again. Jack picks it up. DOLLY/Z00M IN QUICK.

He slams the phone down.

i ee ee

—__ ~~ wo

- Sw we Se hl! !hClCU

Ee ar ae inte ren, aoe

The Colonel is sitting in handcuffs, crying his eyes out. Jack sits across from him, speaking through the glass.

The Colonel

shakes his head a little, doesn't answer.

oe JACK The films....or...I mean?

a ee mR RN Re

¢ a.

COLONEL

They found something in my house, Jack. JACK

what? COLONEL

---something...

| JACK ees oloweowd don't....?

Jack @goesn't answer.

ee remem e ee

Sintemwrewen wee eee wenn.

~- -L FS RRRLSERRA MR ERBRE DC

iE SR a ae ae

COLONEL , Take it back, Jack. Don't promise me anything. You can't help me. I'm done. I'm going to jail. I've done wrong and I'm going to jail for a long, long time.

They hold a look for a moment. A few OFFICERS come and start to escort the Colonel away. He leans in, speaks sotto;

So remember that I'm your friend and

listen to what I tell you now: Give in, Jack. You've gotta give. For you, for your bussiness and your livelihood -- accept the future.

Don't fight it, because you can't win.

Look for the new blood, go to Floyd Gondolli, go to video, give up your battle -- the filmmaking is over, Jack.

The Officers take him away. Jack watches him leave. DOLLY IN

ON JACK.

CAMERA HOLDS A LOW ANGLE, LOOKING UP AT JACK, KURT and ROCKY. They look into CAMERA. HOLD.

CLOSE

—

PRLS ERTS SRA SMP RRS RERRTEER EDO EEE RELL. os = ~ a ees Tesacectatnas goa Ren Ge cet oo a ee

. JACK The future.

REVERSE ANGLE: A new VIDEO CAMERA is sitting on the table in front of This is the thing they've been discussing.

Be ED ORE

aoe ee ae SR REREAD EUS SEES Sede epee earn

BECKY looks into CAMERA;

JEROME looks into CAMERA;

CU - BLACK AND WHITE SNAPSHOT | Becky and Jerome kissing. Jack as Best Man. Amber as Brides Maid.

CAMERA on the dance floor; Becky, dressed in a WHITE BRIDAL DRESS and Jerome, dressed in a TUXEDO. Reed is dancing with them.

CAMERA moves over to a table, where JESSIE ST. VINCENT and BUCKS are Sitting. He's wearing... Rick. James: looks,

x

. BUCK Oh yeah! I was saying: I like sunsets too...but...

CAMERA follows Dirk who walks over towards Jack's table -- ANGLE, JACK'S TABLE.

Jack is sitting with a handsome young kid, JOHNNY DOE (aged 18.) Dirk arrives;

JACK

--eand it's tough is what I'm saying. JOHNNY DOE

Right. JACK

Hey, Dirk -- here you are. You havin' a good time?

Hi....I'm Johnny Doe. You're Dirk Diggler -- it's great to meet you.

Dirk nods his head, picks up his sunglasses fromthe table and walks off across the dance floor. Jack turns back to Johnny Doe;

Bo a ee ee oi a eR page aa o ET ER a

ANGLE, BUCK and JESSIE ST. VINCENT at their table.

- BUCK Y'know I'm thinking of opening my own bussiness --

u 7 ANGLE, BACK TO JACK'S TABLE. ~— Jack continues chatting with Johnny Doe, he looks away for a moment.

JACK'S POV: Dirk meets up with Todd Parker and they walk out the door. (40fps)

Jack turns back to Johnny Doe. Continue a bit with party stuff/etc. Jack has his dance w/Becky.

CAMERA begins with Kurt and Rocky standing nearby the VIDEO CAMERA. Reed is watching them try and figure it out.

Jack is waiting patiently, working on a crossword puzzle. Johnny Doe is swimming in the pool.

Rollergirl moves past and CAMERA follows her into --

CuT TO:

x Co

mn a et a a et a. ma Ra A

Dick is dressed in Speedos and a headband for the scene and laying out some coke on the table. Rollergirl arrives, she does some --

The television in the b.g., is tuned to MTV which is playing

"Video Killed The Radio Star."

Rollergirl skates off. Dirk looks out the window, sees Johnny Doe swimming. Amber is speaking to him. CAMERA DOLLIES IN A LITTLE (30fps) ON DIRK.

«Maurice is *sitting:on thé’ edge ofthe: bed;-.shaking and sweating.

Rollergirl enters and moves to a closet.

MAURICE

Me?-Nothing-Why?

NL be

Ll LL De Ue Ee eae ee eee ee ee ee

She exits.

115 OMITTED

ROLLERGIRL

If you've got a small dick, there's really. nothing I can do, Maurice.

. ROLLERGIRL Just go for it...who cares if you've got a small dick. It's how you use it, right? You can get a boner, I bet. I know you can.

MAURICE

No...no...-I wanna stay here for a bit --

HOLD with Maurice a moment. ses

I

Beare A eet ie oe a a eas ee

Rollergirl takes off her clothes and gets into her BIKINI.

oN

BEAT.

ROLLERGIRL

It's your big day -- bein' in a movie. MAURICE

Yeah. ROLLERGIRL

What you always wanted.

, MAURICE Rollergirl? ROLLERGIRL What? MAURICE My dick is really small. ROLLERGIRL What? MAURICE My dick...it's small. ROLLERGIRL How small? MAURICE Really small. ROLLERGIRL Well...uh...S0? MAURICE So I can't do this. ROLLERGIRL “Can you get a boner? MAURICE I don't think so. ROLLERGIRL Well... - MAURICE

Please. Can you help me?

SRR eee 2 ee ~ ef gaa REROUN EL.

SoC Cne TSR SS EE Oe SOT

im f

ea ee eT ee ee ee ee

Dirk enters, closes the door, looks in the mirror;

Dirk does some quick KARATE moves, then turns his BACK TO THE CAMERA. He unzips his pants, looks down at his cock. His body starts to move a little, slowly at first then faster as he tries to masturbate. DIRK ; C'mon...c'mon...c'mon....J'm a star. I'm a star, I'm a rock and roll star. And My Cock Can Get Hard.

C'mon...c'mon...c'mon....I'ma star. I'm a star, I'ma star, I'ma star.

The DOOR to the Bathroom is SUDDENLY OPENED by Scotty J. who catches Dirk in the mirror with his pants down, speaking to himself;

Scotty exits quickly. Dirk pulls up his pants and exits --

Jack is still sitting in the same spot. Johnny Doe is drying off. Dirk comes charging out --

‘Dirk points at Johnny Doe.

No: I'm an actor, man. I'm a real actor.

El lS e"REREBR.. ~——/____ ~~~

Dirk MAKES A QUICK KARATE-TYPE MOVE TOWARDS JOHNNY DOE, WHO FLINCHES,

BUT QUICKLY GETS INTO A KARATE-STANCE OF HIS OWN.

DIRK

I'm ready to shoot. JACK

Well I'm not. i DIRK

I'm not gonna tell you again, Jack:

2 mes

JACK

You don't want to do this -- the state you're in, Dirk.

ne nee Re. EE eS a ee Ae me i hae i a i ee ma” cn cent et. carer cee ww SENSI ee ee nerne ee we ste pees sm ce z

“ JACK

Seve” Jesus Christ. MOVE. GET OUT. GO. Jack starts to prod Dirk a little with a slight PUSH.

Jack SLAPS Dirk across the face. HOLD. Dirk is shocked. ) | Everyone has stopped what they're doing by now and is watching nervously. Amber comes over.

DIRK

YOU SHUT UP, TOO. YOU'RE NOT THE MOTHER OF ME OR MY BOSS. YOU'RE NOT MY MOTHER.

JACK

Reed --

| Reed comes over to the fight.

lay, JACK

— Take him home, Reed. I don't need this.

: DIRK I'm the one with the cock, I'm the one with the big fucking cock, so let's go --

JACK ; “ You listen to me now, kid --

eres eee eee TTT Eaten Skee 3k tones Me mnmetenn srenness oo

ee CUE ene te ee ee ee ates am a am ae aa a ie i A a a in he A i a i a le

DIRK ; WHAT? WHAT IS THAT? WHAT IS THAT?

DIRK — My cock is READY. YOU WANNA SEE? HUH? YOU WANNA SEE MY BIG FUCKIN' COCK? Suddenly, blood begins +6’ pour violently from:his nose. He cups his hand over his nose, hides his embarrassment;

tae

s

we ee ee A a _ ee Keita

Dirk runs away gets behind the wheel of his Corvette and tears off, bleeding all the way --

‘Reed, Jack, Scotty, Amber, Johnny Doe and the rest of the crew watch him go.

OMITTED 118 : CUT TO:

Dirk stands in front of a microphone wearing head phones. The ENGINEER in the booth speaks;

The BAND kicks in and Dirk begins to sing his song. It's a cross between Kenny Loggins/Survivor and any "Rocky" anthem.

CuT TO:

Sa a

ITN te ee Tee oeenpenes

Dirk is singing. ' Reed is playing guitar on a BALLAD called,

"FEEL THE HEAT." CAMERA DOLLIES IN ON THEM.

DIRK

THE HEAT WILL ROCK YOU, THE HEAT WILL ROLL YOU

BABY DON'T YOU KNOW

MY HEAT WILL MOVE YOU IN YOUR SOUL C'MON, C'MON, C'MON

LOVE ME TODAY, LOVE ME TOMORROW

ALL DAY, ALL NIGHT, YOU FEEL MY BEAT

Dirk, Reed and the Engineer. Scotty and Todd are sitting around.

making phone calls, eating the free food, etc.

pr

Jack is directing a scene with an AMATEUR PORN ACTRESS and JOHNNY DOE. They're on the couch in Jack's living room. Johnny Doe has adopted

more of a celebrity attitude.

_

wee Be a Re Saane a ae = Sa a

He takes a seat behind the VIDEO CAMERA and says;

Establishing shot of a small little house with a white picket fence. From the house we hear the sounds of SCREAMING AND VIOLENCE.

Becky is crouched in the corner of the kitchen. Jerome is standing above her, dressed in his Pep Boys uniform.

JEROME

YOU FUCKIN' WHORE, YOU'RE A FUCKIN' WHORE. BECKY

Please, Jerome, don't -- JEROME

You probably liked those big cocks, huh? BECKY

Don't -~ JEROME

I'll tell you about a big cock -- yeah, you want my cock to be bigger, don't you?

Buck is dressed like a regular joe in a suit, holding a briefcase on his lap, sitting patiently. Jessie St. Vincent is sitting with him, holding his hand. He's approached by a middle aged white male BANK WORKER. CAMERA DOLLIES IN.

STII ey ee 8 tt se ae ns

a a a a a a a aa a ein :

I was gonna see about taking the GED. Do you know what that is?

BRED R RSE ER SS ee

RM RR ee RS it

Amber turns her head to something OC. AMBER'S POV: Jack is directing another scene in the living room between TWO YOUNG PORN ACTRESSES with fake breasts who we have never seen before.

Amber motions to Rollergirl, who gets up and SLAMS THE DOOR.

Dirk, Reed and Scotty J. are sitting around. Todd enters holding an envelope. DOLLY IN SUPER-QUICK.

They move to a table and anxiously set out some coke.

CAMERA DOLLIES IN ON MAURICE. The club is closed and empty. Maurice sits at the bar, writing a letter. An envelope and a videotape are placed nearby. Following is SUB-TITLED;

Maurice's two BROTHERS rip open the envelope, read the letter and slip the tape into their VCR that's wired to a crappy black and white television. CAMERA DOLLIES.IN ON THE BROTHERS.

BROTHER #1 (in Spanish, sub-titled) Oh my God -- BROTHER #2 (in Spanish, sub-titled) -- it's so...S0...it looks like a peanut.

fete qene me so 8 on enn ete

AR

a ee a ee ee et eee - ™ Fe een’ ERIS VOEECISIR. Gn SE TORN COIN SUG TO ee

CAMERA DOLLIES IN ON BUCK. He's speaking to the BANK WORKER.

sound equipment for long enough to know what

a guy wants when he walks right in the door

and that's the personel touch that Buck's Super

Stereo World is gonna have --

Amber and Rollergirl are sitting in front of a pile of coke that's

laid out on top of a big book....

baby.

you. say, "yes." OK? -- Are you my mother -- ?

They cry and hug and laugh and do more coke, smoke more

cigs, etc.

CAMERA DOLLIES IN QUICK. Dirk and Reed are violently haggling in an office of the Recording Studio with the MANAGER.

Amber and Rollergirl, pacing around the room, talking, crying, etc.

tas

a ie i eS peeetd

ae a ee

G

They laugh and laugh and laugh and smoke, talk, walk.

Buck and Jessie across the desk from the Bank Worker, who looks up from the file and says;

BANK WORKER

Yes. But we can't give you a loan. I'm sorry. BUCK

ooo WhYe 0 e? BANK WORKER

oee--Mr. Swope: You're a pornographer. And this bank is not in bussiness to

support pornography --

CAMERA (STEADICAM) follows Jack around his new OFFICES. Posters of his films with Johnny Doe, Amber, Rollergirl, Buck and some other's we've never seen cover the walls.

A WAREHOUSE area is shipping out boxes of VHS VIDEOCASSETTE'S.

CAMERA breezes past an EDITING ROOM where Kurt Longjohn and Rocky are sitting in front of two 3/4 machines, cutting a new Jack Horner film

with Johnny Doe doing some Karate-moves reminiscent of Dirk Diggler.

Jack continues walking into the RECEPTION AREA where TWO UNIFORMED POLICE OFFICERS are standing.

OFFICER . te There was an accident last night --

ee eee

~~

wee ee Re a ee ee ee

Dirk is in his bedroom. CAMERA ZOOMS/DOLLIES in SUPER QUICK on him doing a line of coke. Reed comes into the room, quick;

Y'know, the kid from --

It's tough luck.

Dirk does another line of coke. The PHONE RINGS and Dirk answers. DOLLY/2Z00M IN QUICK.

SPLIT SCREEN;

Becky is locked in her bedroom on the phone with Dirk. Oc outside the bedroom, we can hear Jerome YELLING and SCREAMING.

Senet

‘BECKY I need you to save me, Dirk -- if he catches me on the phone, I'm dead.

SPLIT SCREEN/CAMERA stays with Becky as she hangs up the phone. The DOOR to the BEDROOM IS SMASHED OPEN by Jerome ~- he GRABS her by the hair of her head and throws her across the room and into

the KITCHEN.

BECKY

BECKY ~ I don't know what you want me to --

a ll a setae

] sf

«439

Jerome LEANS DOWN AND PUNCHES BECKY IN THE FACE. HOLD.

He catches his breath and walks out of the kitchen.

Becky, crouched into a corner, bleeding from her nose and mouth

reaches for a large FRYING PAN on the floor --

Dirk grabs his keys and his jacket and heads for the door....

He stops a moment and heads back into his bedroom....grabs his coke in a newspaper fold and makes a dash for the door --

Dirk exits and gets in his car QUICK. DOLLY/Z00M IN FAST.

CAMERA DOLLIES in front of Jerome as he walks out of the kitchen.

In the b.g., Becky appears with the frying pan in her hand...

She SMASHES THE FRYING PAN ACROSS THE BACK OF JEROME'S SKULL. He falls...she STANDS OVER HIM, STRIKING HIM AGAIN AND AGAIN.

She runs out the door --

Becky runs from the house and off down the street.

HOLD.

.

cP cece) Ge ere ee ee St ee ee

a eK

Dirk is driving quickly through Laurel Canyon and trying to

do a few things; 1) He's trying to light a cigarette with matches, 2) he's trying to find a cassette tape to play and 3) he's trying to brush his hair in the rearview mirror....

’ to pick it up.....the car starts drifting towards a TELEPHONE POLE

that is fifteen yards ahead....Dirk gets the cigarette, comes up INTO FRAME, looks ahead and blinks;

Dirk's Corvette SLAMS INTO THE TELEPHONE POLE.

CAMERA DOLLIES IN ON DIRK, BEHIND THE WHEEL. He shakes his head, looks around in a daze.. A PEDESTRIAN runs over;

PEDESTRIAN

You alright, pal? DIRK

My fuckin' car, my car....my Corvette. PEDESTRIAN

Holy shit, you slammed right into this -- Dirk puts the car in reverse and backs away.

Dirk drives off with the front of the Corvette SHREDDING along the pavement.

CuT TO:

Becky is sitting at the counter. A few seats over from her is an older man, MR. BROWN (late’60s) He wears an old grey suit,

MR. BROWN

Are you going to be alright?

You seem....you've been sitting there. A while now. And I want to know if you're going to be alright.

So. Ra Eee a ae a ae = tinct cern Ate einem err

HOLD. Becky looks down.

. BECKY My friend was supposed to come here and get me, but he hasn't come.

Mr. BROWN Please. Please. I want to help you. This is not...this is something...you see, an act of kindess, I'm trying to do something good....to help you...for no other reason....other than....just to help.

Mr. Brown reaches into his pocket, takes out a quarter and places it on the counter in front of Becky.

‘BEAT. Becky looks at the quarter. CAMERA HOLDS ON QUARTER.

Dirk rants and raves, verging on tears, circling the car. Scotty, Reed and Todd are now home and looking at the damage;

| SCOTTY J. Ninety miles an hour?

Sm Se SSP eR SES tt eK at Ht eh ee eee ss = pecs a a

OC we hear the PHONE RINGING. Scotty moves to get it.

Becky is sitting in a booth across from the Mr. Brown. She's crying.

pepe Fe cea eeriancocmmcimdiaiin AN 6% Swe of whee een eee me |

-

You need help. You need someplace to sleep and to wash. I want to help you.

BEAT.

Becky and Mr. Brown walk a path up to a small retirement home on a small, suburban street.

They enter, make a beeline for some stairs. A NURSE spots them; NURSE Mr. Brown....you can't bring visitors in here...Mr. Brown -- Becky and Mr. Brown walk past the Nurse and up the stairs.

Mr. Brown sets Becky up in a chair near a window. He brings her a blanket and tucks her in like a child, then climbs into his own bed.

CAMERA DOES A SLOW DOLLY IN ON BECKY as she falls asleep.

End Sequence "D" CUT TO BLACK:

A

~ 150

ay,

. OMITTED 150

TITLE CARD: "Six Months Later"

An old, run down strip joint in North Hollywood. The sign out front

reads: DANCERS NIGHTLY -- SHOW STARTS 7:00 -- NO COVER CHARGE

Tonight: Adult Film Star Dirk Diggler Plus Magic Show

Reed is on the stage in front of about twenty bored bussinessmen. He's wearing a spandex magician's outfit and doing tricks/performance art/dancing....

Dirk is getting dressed in a COWBOY OUTFIT. Todd is there, dressed in a JAZZERCISE OUTFIT, applying make~up to his face.

OC we hear polite applause for the end of Reed's show. He appears;

A black guy in a cheap tuxedo, MUTRIX, takes the stage.

(light applause)

Alright, alright, good enough. Stop it. Shut up. OK: Ready for some dancing? One of these fellas has been a regular for a while -- the other's fresh to Party Boys, but I think you'll recognize him from some if his films -- or maybe you won't -- or maybe you'll just recognize his cock -- who knows? Give it up for Dirk Diggler and Todd Parker --

—.

A HALL AND OATS/NENA/DURAN DURAN mix plays on the speakers in the nightclub and Todd and Dirk make their entrance. They start DANCING and STRIPPING.

ANGLE, TWO DRUNK MEN IN THE AUDIENCE Some bored bussiness-geeks start laughing to themselves and comment;

Dirk keeps dancing, tries to ignore their comments. HOLD ON HIS FACE. CUT TOs:

Amber is sitting in a room with a long desk, a few chairs and fluorescent lights. A middle aged female JUDGE enters and greets her;

JUDGE

Hello. You must be Maggie? AMBER

Yes. JUDGE

I'm Kathleen O'Malley. The judge. AMBER

Yes. JUDGE

You have a lawyer with you?

They sit in silence. The. Judge looks over a couple of files. Moments later, Amber's ex-husband, THOMAS (late 30s) steps in

‘with his LAWYER. They all take seats.

Introductions happen, etc. BEAT. The Judge looks over some files;

JUDGE

You've been divorced for six years? AMBER

Yes. Since 1977.

Rk

_ AMBER Yes.

And why wasn't that visiting privilege honored?

Pact ates ate Tete ete wk ae teria eeaseive ays Ge On ee ene eee

_ PAUSE.

a a en ne ee OD SO - S S S e

Amber has no response. The Judge looks down at the file.

AMBER | | He'll be thirteen next month.

_oceasions regarding this sort of thing.

CAMERA HOLDS ON AMBER. She watches the Judge. ‘OC there's the sound of papers shuffling.

AMBER

Yes.

. CAMERA DOLLIES IN CLOSE ON AMBER.

Amber leans against a wall, crying her eyes out. HOLD.

TITLE CARD, OVER BLACK: "Sunday, December 11, 1983"

CAMERA'S. POV is a CAMCORDER operated by KURT LONGJOHN. JACK, dressed in a tuxedo, sits in the back of the limo with ROLLERGIRL, who's wearing a full~legnth fur coat, lingere underneath.

2 oN

/ \ x

Establishing shot of a crap motel in Studio City. Dirk's DAMAGED CORVETTE is parked out front with a U-HALL connected.

- INT. EL PUEBLO MOTEL - THAT MOMENT 159

Dirk, Reed, Todd and Scotty J. have moved into a small motel with two beds and a fold-out couch. Scotty is sitting on one bed watching television dressed in his UNION 76 GAS STATION UNIFORM.

Dirk is getting dressed, Reed is trying to get his attention;

SCOTTY

What are you looking for? DIRK

My jeans -- “ SCOTTY

The cool ones with the thing?

Todd enters

and holds up an ENVELOPE.

Dirk notices that Todd is wearing the JEANS he was looking for.

Those are my jeans, Todd. I've been looking for those.

Todd gets out of his his jeans and gives them over to Dirk, who puts them on as Reed and Scotty look on;

+ SANA nalts anetinnn Ste oT

ee eoreee

Si Ae a a ee ee

SCOTTY

Where are you goin' Dirk? DIRK

Goin' out. SCOTTY J.

Can I go with you?

Dirk is out the door.

CuT TO:

The limo is pulled over and Jack is speaking through the window to some YOUNG COLLEGE STUDENT, wearing a backpack. (This kid is one of the boys who was making sexual gestures to Rollergirl

earlier in the movie.)

The College Kid gets in the car, sits next to Rollergirl, who nods hello. She may or may not recoginize him. Jack gets in the seat

opposite (behind the CAMERA.)

. COLLEGE KID Um...uh...do I have to say?

tee eee eee ere eae ‘ + Nee ene ap eteee aera ten e ee ree cm ee oe a mre 2e

' / el

Ta nn means oe on a crea a i i ye ee

BEAT.

Rollergirl looks caught. Jack looks suprised to hear this...

cuT TO:

Dirk is standing in an alley-way. HEADLIGHTS FLOAT ACROSS A WALL, CATCHING A GLIMPSE OF DIRK. A small Toyota drives up and stops next to Dirk. A FIGURE inside the car speaks;

FIGURE

Are you waiting for someone?

BEAT. Dirk gets into the Toyota. It drives about fifty yards down the alley and makes a turn into --

FAS naa enemas MTT OF

UTNE TIN Ne Se Lee SI RET MUMBAI NTO RN eR te ane FNS ken nee ee

pce we we Bey Es es ees ee Be ii a a eee ca ee itis SE aR a Pas eee as Bh

Jy 162 EXT. EMPTY PARKING LOT - NIGHT -— THAT MOMENT 162 “ The Toyota with Dirk pulls around and parks.

CAMERA holds a profile 2-shot on Dirk in the f.g. and the driver in the b.g. The driver is a young SURFER kid in his late 20s.

So....what do you want to do?

Dirk nods his head a little. HOLD.

CuT TO:

coe a ah RE ae a a a a ae a a ee ee |

; “tbo

The limo is moving now. Jack is sitting behind the CAMERA. The LIGHT held above the Camcorder SHINES brightly on them.

Rollergirl and the College Kid struggle in the seat. He has. some trouble removing his pants and she tries to help a little, but it's pretty she's not enjoying this. Jack tries to coach them from the

sidelines;

The College Kid doesn't respond.

The College Kid looks a little pissed, Rollergirl pushes him off;

The College Kid pulls his pants on.

“Naa

wae FS Se a ea a = a i i ak - 6 ee ee smeserask Teuenemaseivnes, ss : a a a Ii a a a a ge

. COLLEGE KID Nice life you've got here. Should be proud of what you've become...

The College Kid laughs a little, heads out of the car, turns back to Jack and says:

ANGLE, CU. JACK. CAMERA DOLLIES IN A LITTLE IN SLOW MOTION. He freaks out.

Jack CHARGES out of the limo TACKLING the College Kid to the ground. He starts to BEAT the shit out him....

Dirk zips his pants open. The Surfer kid's eyes watch closely. Dirk pulls out his cock and the Surfer kid looks surprised,

speaks sotto;

Dirk nods, looks down. SURFER

Why don't you jerk it a little, get it hard? I wanna see it get hard.

Dirk's hand touches his cock and he starts to masturbate a little. The Surfer kid watches. CAMERA BEGINS A PAINFULLY SLOW ZOOM INTO

PROFILE XCU. ON DIRK.

Dirk does it harder and faster.

Dirk tries to do it faster and harder.

aaa!

n Maen”

The FOUR SURFER PUNKS drag Dirk from the car and proceed to beat the shit out of him. Kicking and punching him, .calling out;

SURFERS © Little Fuckin Fag. Donkey-Dick. You don't do this. You don't.

They continue to yell and scream and kick and punch Dirk and eventually peel out of the parking lot. Dirk moans and cries and holds his stomach:in pain. He coughs up some blood and vomit....

CAMERA PANS away from him, looking out of the alley way, towards Ventura Blvd.. HOLD WIDE ANGLE ON THE STREET, EMPTY FRAME, THEN;

The WHITE LIMO carrying Jack and Rollergirl cruises PAST.

ANGLE, IN THE STREET, MOMENT LATER.

‘The WHITE LIMO drives PAST CAMERA LFT. HOLD, THEN; BUCK'S CAR

enters in CAMERA RT. and we PICK UP AND PAN with it into -- CuT TO:

Buck's car pulls up and parks in front of the donut shop. CAMERA DOLLIES IN CLOSE. Jessie is in the passenger seat, Buck leaves the engine running;

Buck gets out of the car and we reveal that she is SIX MONTHS PREGNANT. Buck looks down;

Buck enters and looks at some donuts, helped by the DONUT BOY behind

the counter. A°MIDDLE AGED MAN in a camouflage baseball hat sits in

the corner eating a donut and some coffee, reading 'Guns and Ammo.'

The Donut Boy gets a box and Buck starts to point out;

Na sie, tS ek SE ko oe ee a a ON A AR A A aR e ee a a RD ESE - a

om ; some of those glazed...how many is that? At that moment a PUERTO RICAN KID walks in, pulls a REVOLVER from his pocket and points at the Donut Boy. PUERTO RICAN KID Empty the safe. Behind the soda machine. BUCK Jesus Christ. The Puerto Rican Kid SWINGS HIS AIM at Buck. PUERTO RICAN KID Don't talk...shut the fuck up... (aims back at Donut Boy) Okay...empty the safe.... Donut Boy starts to empty the safe, putting the money in a paper sack....Buck is frozen.... The MIDDLE AGED MAN in the corner reaches into his coat pocket and pulis out an extremely BIG GUN... The Middle Aged Man SHOOTS the Puerto Rican Kid in the BACK... «.«.the Puerto Rican Kid turns and returns FIRE, hitting the Middle C y Aged Man with a bullett in the FACE...

«+..the Middle Aged Man gets another wild SHOT off before he expires and that bullett hits the Donut Boy in the CHEST....

So: The Donut Boy is dead, The Puerto Rican Kid falls to the floor dead and the Middle Aged Man is face down dead in his donut and coffee....

Blood is ALL OVER Buck......he stands for a long moment.... CU. THE BAG OF MONEY ON THE FLOOR

Buck leans down, picks up the BAG FULL OF MONEY and walks out of the donut shop.

TITLE CARD, OVER BLACK: "One Last Thing"

Sa

RR ee

Se”

Reed, Todd and Dirk sit around a table. Dirk is bandaged.

Scotty J. is mingling around in the background. CAMERA DOES

A SLOW 360 AROUND THE TABLE.

Half a key for like....five thousand bucks. Split it three ways --

DIRK = That's enough to get my Vette fixed.

vo ee ee a ke eee ae ee

How do you know?

Scotty J. comes over to the table.

Just...y'know...mind yer own business.

ECU ~ Baking soda poured in a plastic bag. ECU = The plastic bag wrapped in a brown paper sack.

ECU - Dirk's car keys grabbed off the table.

a CUT TO:

OMITTED | 171

PEER nen eee ee

ny Mane?

i.

The Corvette the hilis of

pulls up in front of a tacky-one story house in Studio City. The Corvette stops and CAMERA DOLLIES

IN QUICK. Dirk, Reed, Todd sit in the parked car. In sotto;

Todd takes o

Me? Yeah...yeah I'm ready. I was born ready.

ut a .45 AUTOMATIC PISTOL and loads a Cartridge.

They pile out of the damaged Corvette and walk up. CAMERA (STEADICAM) follows them.

- TODD It'll be okay.

_ Lemme do the talking --

“They arrive

and ring the doorbell.

oe as : . seve cawee- - te ese wee

ae . iio°

eee

A really big fat black BODYGUARD comes to the door and opens up:

The BodyGuard leads them down a hall and into a tacky and spacious, sunken LIVING ROOM.

“They're greeted by a man in a silk robe, slightly open to show some

bikini briefs and a thin sheen of sweat covering his body: RAHAD JACKSON (late 40s)

Off in a corner of the room, a YOUNG ASIAN KID is casually throwing some FIRECRACKERS around.

Rahad is DANCING around by himself to NIGHT RANGER, "SISTER CHRISTIAN." He spots the men;

or some dope?

TODD : Here it is...half a key...it’s really good, if you wanna test it out --

woe SR DL Ra Ra a ee se eet

The Bodyguard brings over a PAPER BAG FULL OF CASH and hands the bag to Todd in exchange for the PAPER BAG FULL OF BAKING SODA.

. Reed watches the Bodyguard take the bag and notices something.

REED'S POV: a SHOULDER HOLSTER holds a .45 Automatic Pistol.

Rahad does an air guitar solo to the the Night Ranger song....he walks across the room, picks up a COKE PIPE and looks to the guys;

Rahad smokes the pipe while dancing. Dirk looks across to an open bedroom door.

DIRK'S POV: Through the crack in the door, we can see a bloody, battered YOUNG BLACK WOMAN in a silk robe....she's followed by another YOUNG WHITE GIRL in nothing.

He takes out a nickel plated REVOLVER and loads a single bullet, spins the chamber and puts it to his head and sings;

Be pulls the trigger....Click...he smiles and casually speaks;

RAHAD

I put a mix tape together of all

my favorite songs....This is song number ‘three...I love putting mix tapes together,

you know...if you buy an album or tape or something, those guys put the songs in their order and they try and say how you should listen to the songs, but I don't like that.

I don't like to be told what to listen

to, when to listen to or anything...

The Night Ranger song FADES OUT....BEAT.....Rahad smiles at the Asian Kid who's casually throwing some firecrackers around.

Somes. A ae a a a

(to Dirk/Reed/Todd) He's Chinese...he loves to set off

-_ firecrackers..... RAHAD

I CAN'T FIGHT THIS FEELING ANY LONGER

AND YET I'M STILL AFRAID TO LET IT FLOW. WHAT STARTED OUT AS FRIENDSHIP HAS GROWN STRONGER -- I ONLY WISH I HAD THE STRENGTH TO LET IT SHOW --

Dirk and Rahad continue to haggle about leaving/not leaving. CAMERA BEGINS A SLOW DOLLY INTO A CU ON TODD.

; TODD We're Not Leaving Yet.

Cc Dirk and Reed look at Todd. He stands up.

See

The Bodyguard turns his head. Dirk and Reed are confused;

ee nn en . Ae mete 3 TREES

ee Se eR.

eM ERR RL

The BODYGUARD reaches into his coat... -.-Todd pulls his REVOLVER quickly and AIMS at the BodyGuard.

»».Rahad reacts by AIMING HIS GUN AT TODD...

Rahad PULLS THE TRIGGER...a bullett FIRES from the gun and strikes Todd in the SHOULDER...the gun in his hand falls to the floor and he stumbles back...

--.The Bodyguard takes this moment to GRAB HIS OWN GUN from the holster and FIRE off shots at DIRK and REED....

.--Bullets graze past them and they DUCK FOR COVER... -.-The GIRLS in the bedroom SCREAM and SHOUT at the gunfire...

«..a STRAY BULLETT HITS the ASIAN KID in the heart, but he doesn't fall...

.»..TODD reaches hold of his gun, crouches for cover and FIRES @ bullet STRAIGHT INTO the Bodygquard...who falls back DEAD....Todd looks right and sees:

RAHAD scuttles into the bedroom with the women....Todd looks over his shoulder to Dirk and Reed;

CEN IT ARE ES es nents oun raeaneinee henry Crt ste Nana oe

(_

ae SS ES See RARE“ "SR NO“ aaa a Sa go See er,

ee a a ae a a

Todd gets up and heads for the bedroom with his revolver at the

ready....he inches closer to the door and twists the door knob, then KICKS THE DOOR OPEN;

..-Rahad is standing right there, holding a SAWED OFF SHOTGUN. He pulls the trigger....Todd blinks....

..-Rahad's SHOTGUN BLAST blows Todd BACK and UP in the air about fifteen feet....he FALLS to the ground with a HOLE in his STOMACH the size of a basketball...Rahad calls out to Dirk and Reed; RAHAD

C'mon out little puppies. You want to

come and see, come and see, to get what

is coming down. Coming down. Rahad peers out from his bedroom, sees a sliver of Dirk behind the wall. Rahad FIRES HIS SHOTGUN...which cuts right past Dirk's head and SHREDS the wall near him.... Reed and Dirk make a DASH for the front door.... .»eRahad FIRES another shot... ...a BLAST BREEZES PAST THEIR HEADS.... Dirk and Reed make it OUTSIDE....Rahad chases after them.....

OES ae Ore at FI ee eens

SS REG RRS MRR E DEM BEE Se ew ee

" 142

Reed and Dirk make a dash for the Corvette -- they're steps away when a SHOTGUN BLAST BLOWS INTO THE PASSENGER'S SIDE DOOR --~

Reed heads away from the car -~ makes a run diagonally across the street for shelter behind some SHRUBS and TREES -- (he gets lost from CAMERA) .

- Dirk gets around to the driver's side of the Corvette, shielded

and crouched ~- he opens the door and starts to get in -- ANOTHER SHOT BLOWS THE PASSENGER'S SIDE WINDOW OUT.

GLASS SPRAYS IN HIS EYES AND HIS HAND SLIPS DOWN, RELEASING THE EMERGENCY BRAKE OF THE CAR -- WHICH BEGINS TO ROLL DOWN THE STREET --

Dirk stumbles back from the car. He looks to the house: Rahad is about to FIRE the shotgun again....

~.-ehe looks down the street: the Corvette is ROLLING away and picking up speed as it goes down the hill --

Dirk gets on his feet and makes a run for the car, Rahad FIRES...

...-Dirk catches up with the car, hops in -- gets the key in the ignition and starts it up, peels off down the street --

Dirk pulls around and stops a moment. He looks around -- he looks back in his rearview mirror.

_ DIRK Fuck -=- Fuck -~ Fuck.

CuT TO:

Reed is running FULL-SPEED down a residential street, in and out of back yards and over fences, dodging attack dogs, etc.

CuT TO:

RAHAD storms around his house, the SHOTGUN in his hand. The two

battered YOUNG WOMEN are shaking and shivering in a corner --

ERE RES RRR RE ER RR ARE Ll.

- 7

ATU eee

Rahad rants and raves incoherently, sets down the shotgun for a moment to take a hit from his crack pipe. A DISCO song 'is Playing LOUDLY and Rahad is dancing. HOLD, THEN:

ANGLE, A WALL IN THE HOUSE a red flash hits the wall.....then a blue flash hits the wall.

ANGLE, RAHAD he looks at the wall and sees the red-blue flash.

. CAMERA DOLLIES IN ON RAHAD. He smiles.

More RED-BLUE FLASHES hit the house and the SOUNDS of POLICE ACTION starts to BUILD....

'..eRAHAD PICKS UP THE SHOTGUN, SMASHES THE WINDOW AND FIRES

OFF A SHOT TOWARDS THE OC POLICE ACTION...

».-OC POLICE FIRE BACK ABOUT ONE MILLION BULLETS THAT RIP INTO RAHAD, SENDING HIM BACK, STUMBLING ACROSS THE HOUSE, FURTHER AND FURTHER...-BULLETS RIP INTO THE TWO GIRLS, KILLING THEM.

OVERHEAD ANGLE, STRAIGHT DOWN:

.Rahad's dead body fall's next to Todd's dead body...a BEAT later,

the Asian Kid finally falls over, face down next to them....

QUICK FADE OUT, CUT TO:

HOLD CU. ON DIRK. He’s driving fast. Paranoid and freaked.

The car starts to sputter....slows.....Dirk panics when he sees

the gas tank....ECU. The Gas Tank Display. The orange needle is “ on, "r,t

TITLE CARD: “Fourteen Miles Later"

Dirk's car is out of gas. He pushes the car off the main boulevard and down a side street.

BN te Se tre eo

wR RRR RRR RR Be

Dirk pushes his car down a small cul-de-sac, hops in and pulls the emergency brake.

He looks around a moment. HOLD. CAMERA DOLLIES IN CLOSE ON BIS FACE. He looks at the street signs. .

. OVERHEAD ANGLE, INTERSECTION.

Dirk walks to the middle of the intersection and looks up at the Sign posts. It reads, "Troost Street.”

He walks down this street, looking at the houses. He walks a full two blocks down, stops, looks: He's standing in front of his PARENTS HOUSE. It looks just the same.

A young PAPERBOY rides past and throws the paper, hitting Dirk in the head. He hesitates, then walks up the steps;

CAMERA MOVES IN SLOWLY ON THE DOOR, LANDS IN A CU. OVEP. HIS SHOULDER. He knocks. Moments later...the door opens; A young woman in a bathrobe with a BABY on her hip opens the door. This is SHERYL LYNN, who we met earlier.

BEAT.

Dirk hesitates a moment, then recognizes Sheryl Lynn.

- DIRK -. what are doing here? Where's my mother?

- DIRK »eei'm looking for my mother... I'm looking for my father and mother.

Romer Go 2 om EE a ee ee

_ SHERYL LYNN You should come in --

BEAT. HOLD CU. ON DIRK.

The baby starts to cry. Dirk doesn't move;

SHERYL ‘LYNN - Eddie, it was at night and it was raining and there was a man and he was speeding and he was drunk and they didn't --

FLASH ON:

‘e.

It's raining. A little Station Wagon enters the intersection

with the right of way but is IMMEDIATELY AND POWERFULLY CRUNCHED by a SPEEDING MALIBU that barrels into the intersection.

TA eh tala REAR

The STATION WAGON is THROWN fifty yards away. A HORN blows...

co™ CAMERA DOES A SLOW DOLLY IN TOWARDS THE STATION WAGON. Sonat Dirk's MOTHER and FATHER are SOAKED IN BLOOD.

CAMERA DOES A SLOW DOLLY IN TOWARDS THE SPEEDING MALIBU. Half in/half through the windshield of this car is JOHNNY DOE.

QUICK FADE OUT, CUT TO:

Back to the scene. HOLD ON DIRK.

eo DIRK a “ This is my house. THIS IS MY HOUSE.

What the fuck? What the fuck are you doing here? I don't want to see you, I need to see my mother. I want my mother.

Cut TO:

CAMERA HOLDS IN THE KITCHEN. Sheryl Lynn makes breakfast with the baby on her hip. Her HUSBAND sits nearby in his bathrobe, watching the situation and keeping quiet.

Dirk is on the phone in the living room. WE HEAR ONLY MUFFLED | BITS FROM HIS CONVERSATION.

Dirk hangs up, looks at Sheryl Lynn and her husband.

roa SHERYL LYNN OG Is everything alright?

- at

See

Dirk nods. She sets him up with a cup of coffee.

She smiles, nods, points to the living room.

Dirk looks and sees that she has a collection of about 100 videotapes on a shelf...the Husband looks a little depressed...the Baby cries.... DOLLY IN A LITTLE ON DIRK.

CAMERA holds on the hallway that looks towards:the front door. It opens slowly and Dirk steps inside. He takes his sunglasses off and stands a moment.

OC we hear some noises coming from the kitchen. Sounds of someone cooking something. The SOUND from the television.

A few moments pass and Jack enters the HALLWAY and FRAME. Jack and Dirk stand a moment, looking at each other in silence. Dirk looks down, fiddles with his sunglasses, looses it;

Dirk has broken down in Jack's arms. Jack hugs him and pets his head. AMBER enters, brings Dirk a glass of water and sits next to them on the couch. CAMERA DOLLIES IN SLOW.

. FADE OUT.

CAMERA holds on a doorway. Buck steps out, dressed in a BREAK DANCER outfit, looks INTO CAMERA:

CAMERA CONTINUES BACK TO REVEAL the store front of "BUCK'S SUPER COOL

“STEREO STORE," with a huge banner that reads, "Grand Opening."

REVERSE ANGLE: AMBER and KURT LONGJOHN are standing next to a VIDEO CAMERA, filming a COMMERCIAL for Buck's store.

CAMERA DOLLIES IN ON ROLLERGIRL. She's sitting at a desk, deep in the middle of taking the GED test. She starts to drift, looking out the window....then back to the test.

CAMERA DOLLIES IN ON BECKY. She's wearing a UNIFORM and working with a group of OLD FOLKS in the retirement home. She feeds Mr. Brown some soup and smiles.

THE COLONEL sits in a jail cell with a large black man, TRYONE.

COLONEL

Tell me.

——

%

, TYRONE You know that I love you. COLONEL I like hearing you say it. TYRONE | You're my bitch. You always will be. } BEAT. CAMERA DOLLIES IN ON THE COLONEL. He smiles. | CUT TO: |

MAURICE is standing out front with his two BROTHERS who are fresh off the boat....they're unveiling a new sign in front of the club -- the sheet drops to reveal; "RODRIGUEZ BROTHERS NIGHTCLUB"

CAMERA moves across the small audience to the stage where REED is doing a MAGIC SHOW. He's wearing a leotard and floating some brass rings in mid-air. He snaps his fingers and they drop into his hands -- he takes a bow and does a little dance.

CAMERA is HAND-HELD as JESSIE ST. VINCENT is screaming and kicking her way through labour. BUCK is holding her hand. SCOTTY J. is with them, filming the whole thing with a VIDEO CAMERA.

We hear a BABY pop out, kicking and screaming. DOCTOR Yes, yes, Jessie. It's a boy.

“ CUT TO:

End Sequence "E”

i i

- EXT. JACK'S DRIVEWAY - DAY (June 84) . 195

An EQUIPMENT TRUCK backs up towards CAMERA. ROCKY, SCOTTY J. and KURT LONGJOHN enter FRAME and lift the back up to reveal; A whole SET of VIDEO EQUPIMENT. They begin to unload it...

STEADICAM PULLS BACK and Jack enters FRAME, smiling and walking back into the house...this is one continuos shot...as he moves

through, interacting with:

MAURICE is cooking some stuff up in the kitchen. Smoke everywhere.

ROLLERGIRL is skating around, listening to headphones. JACK

Rollergirl, honey, please, I just had the floors re-done.

Are you going deaf? Turn the music down --

BUCK is setting up a new. audio/video system in Jack's living room. He explains some technical information about the new format of

“compact discs."

JACK

Just do me a favor and make it work, Buck. BUCK

Did I talk to you about the modification

you're gonna need? n JACK

Don't. Don't do it, Buck.

poe st HAE DR RRR RRR RK KKK ee

I don't listen to it loud, alright? I just wanna hear something, okay?

Jack continues out to the POOL AREA. REED is swimming with the BABY. . JESSIE ST. VINCENT is doing an OIL PAINTING of them.

. JESSIE ST. VINCENT I don't think so.

JACK walks back in the house, down the hallway, CAMERA PANS to a PICTURE on the wall of LITTLE BILL then PANS back to Jack, who continues down the hall into --

Me

BEAT. He leans in, gives her a kiss on the cheek and says;

Dirk is sitting in a jean costume, script in front of him for the new film, working on the lines. He's cleaned up a bit, hair slicked back. He looks in the mirror;

Dirk stands up, unzips his pants and let's his cock hang out. He looks at the REFLECTION of it in the mirror;

He puts his cock back in his pants, does a final karate kick and walks out of the room, closing the door behind him.

END.

a PAUL THOMAS ANDERSON picture.