"BOOGIE NIGHTS" (1997)

1996 MAY, DRAFT REVISED

on the half shell. wanna send over some clams I • got you all set up at your booth. I (to Jack) MAURICE

You're such a charmer. AMBER

You are the foxiest bitch in ten counties. MAURICE

a kiss. Maurice takes Amber's hand and gives it

promise. I JACK

club ever again, Jackie-Jack-Jack. long from my Don't stay away this MAURICE

been on vacation. I -- JACK

you ain't been around -- Pissed off MAURICE

honey? How are you, You bad ass little spick. JACK

Maurice. Hi, AMBER

Jackie-Jack-Jack and Miss Lovely Amber Waves MAURICE

Wearing a suit and fifteen gold chains. Puerto Rican. of the nightclub. OWner (30s) RODRIGUEZ t.t. MAURICE

are greeted by; ~ack and Amber Music is full blast. Twice as packed inside as outside. NIGHTCLUB. THE INSIDE

and enter -- DOORMAN greet a crowd, as they pass the them (this is one continuous shot) follows CAMERA

30s) WAVES (early AMBER and (50s) HORNER JACK From the Seville steps,

landing in close; towards the car, moves across the street,

(STEADICAM) CAMERA SEVILLE pulls up to the valet area and CADILLAC A

1977" "San Fernando Valley, CARD: TITLE

PACKED disco on Van Nuys Blvd. on this CAMERA holds

l NIGHT NIGHTCLUB - TRAXX HOT EXT.l

TFW:W 35E::as:-W -¥35

-- Seven-Up, here JACK

get a Marguerita, please? can I AMBER

Thank you. JACK

Compliments of Maurice. -WAITER

presents them;

he where him to Jack's booth, follows CAMERA picks up with him, and

on the half shell passes WAITER carrying clams Moments later, the

Buck does some Cowboy-Type Moves. Reed and Becky Disco Dance. 360 around them. a does Becky and Buck, CAMERA stays with Reed, away to greet some more people. Maurice moves

Great, great, great. MAURICE

Excellent. BECKY

good time? Having a MAURICE

Maurice. hey, hi, Hi, REED/BUCK/BECKY

Hello there, kiddies. MAURICE

gear. cowboy 20s, black guy in SWOPE, BUCK in silk, giI'l black

20s, BARNETT, BECKY skinny, tall and 20s., ROTHCHILD., REED

and greets three people; floor onto the dance walks Maurice The WAITER takes off to the kitchen,

go! -- over there Amber and Clams on the half shell to Jack MAURICE

some orders to a WAITER. where he shouts him to the bar area, · follows CAMERA stays with Maurice, Jack head off towards the booth. arid Amber

Yeah,yeah,yeah. JACK

me and find out -- Cast and ready. I'm available Jack: Just remember, MAURICE

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disappears into a back room. turns away, then at him, back looking Jack catches he looks up, DIRK DIGGLER. ANGLE,

kid cleaning the table. and sees this looks across the dance floor Jack turns his head, JACK'S TABLE. ANGLE,

(Note: In the text Eddie Adams will be referred to as Dirk Diggler,)

fora>moment. (40fps) MOTION SLOW blending to ~- a"CU CAMERA moves into 1}. ,:aged: ADAMS., EDP-IE a table, .bus·<,boy··-cleaning. A

· this something: moves away towards CAMERA She passes something, for the bathroom.

heading then continues on -- into the clearing off the dance floor,

a moment, dances says hello, Becky and Reed, Buck, She passes following her across the dance floor. stays with Rollergirl, CAMERA

Well go, then. AMBER

I gotta go pee. ROLLERGIRL

down there? What's the matter AMBER

notices; Amber Rollergirl scratches her crotch as she speaks.

her -- see get in to the weekend and you'll never be able to then it's lf you don't do it tomorrow, AMBER

forgot. I ROLLERGIRL

Did you call that girl today? (to Rollergirl) AMBER

honey. Hello, JACK

Hi. ROLLERGIRL

to Jack's booth. back CAMERA PANS with her always wears rollerskates. She always, 18) (aged ROLLERGIRL young girl wearing rollerskates, leading to a a moment, him for with PANS CAMERA The WAITER exits,

3

I

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TO: CUT

Jack is off across the dance floor.

Tomorrow is the day -- Tomorrow. JACK

a script yet? Do you have LITTLE BlLL

Exactly. J'ACK

-- a relaxed deal. LITTLE BILL

-- one crew on this wanna keep a small I wanna keep it small. I But Absolutely. JACK

away. He stands and heads Jack's attention is with the backroom that Dirk entered.

and all those guys -- Kurt Rocky, Scotty, wanna call 'Cause I For sure? LITTLE BILL

the day after tomorrow. wanna do it the day after I JACK

Are we still on day after tomorrow? schedule look like? Whatsa LITTLE BILL

Hey, Little Bill. JACK

Jack. LITTLE BILL

This is Jack's Assistant Director. buffed out LITTLE BILL (late 40s.) Short, FRAME. a figure entering who at that moment, is approached by DOLLIES in on Jack, CAMERA

Yeah. DIRK

a job here? Maurice give you JACK

guess so. I DIRK

more than that right? would know you if you'd been here I know you. That's why I don't I haven't been here in a month. JACK

A month. DIRK

here? worked how long youanswer Wait with the

work here? You Where you from? Jesus. JACK

I'm ••• old enough. DIRK

Not like that. no. no, No, JACK

got the -- I .•• I gotta work permit. DIRK

-- how old are you? JACK

You gotta go back out and to the left -- way the wrong direction. You're DIRK

for the bathroom. I'm lookin' ? uh •.• Do you know where, JACK

Hey. DIRK

Hey. JACK

FRONT. OUT SONG FROM THE SOUNDS MUFFLED approaches. Jack enters and A few others around. washing dishes. is Dirk

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ask you to jack off for them? come in, Guys JACK

you got ten bucks. that's cool if You wanna watch me jack-off, DIRK

got ten bucks. IYeah, Ten bucks? JACK

You got ten bucks? DIRK

not? Why JACK

I don't want to. DIRK

Why don't you work in Torrance? nightclub. Nuys a van in a busboy to work as You take the bus all the way from Torrance JACK

? •.. what ••. DIRK

do you wanna do? What JACK

take the bus. I DIRK

How do you get here? JACK

where Torrance is? from •.• do you know I'm no ••. um, DIRK

Reseda? Canoga? You live around here? JACK

..• well ••. you'll have to ask him You shouldn't ••.

make. I I'm not supposed to say how much DIRK

Why you wanna work here? What do you make? JACK

:...........---....._.:;;;;... ...................... ------'-----'--•·

I'm supposed to be working. DIRK

'kay? minute, a me to hang with you just want and I'm not gonna hold back and I I'm gonna tell you something straight out JACK

wanna do good things. I wanna keep being the best. I DIRK

Then what? JACK

everyone else to know it. want I'm already the best •.• now I DIRK

THEN: HOLD,

Want From This Life? You Do What mean this: I mean: I do you want, What Question is: something: something, an actor, Everyone"s Hey: Everyone's a dancer ••• y'know? JACK

I'm a dancer. Yeah. DIRK

No ..•• you're a dancer ••• right? JACK

like to dance .•• ! •... DIRK

You a dancer? JACK

Jack looks Dirk over head to toe. BEAT.

If you want ••• if you got ten bucks. DIRK

you can do it again? And JACK

Couple times. DIRK

You've done it tonight -- yet? JACK

Sometimes. DIRK

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Yeah. DIRK

made? I have films what what, like Like JACK

whatr Like DIRR

adult films. make I JACK

Really'? DIRK

Jack Horner. I'm a filmmaker. •.. Eddie Adams ••• frorn Torrance. JACK

From Torrance. I'm Eddie Adams. DIRK

name? your What's JACK C

Bi. D!RK

Jack. I'm J'ACR

Yeah, right. DIRK

my friend. precious metals, You were chiselled from my life. in seen face on you like I've never a So you got JACK

? So ••• DIRK

Yeah. JACK

Oh yeah? DIRK

know you do well. I what you just doing ..•• me worrying, now trom how it's gonna go me worry about Maurice -- because that's you let Maurice is a friend, don't worry about that, JACK

Hey. JACK

don 't know ••• I DIRK

need some spending money ••• something? You JACK

home. at I live But I don't pay rent. need money. I yeah, mean, I ••• No. DIRK

need money •••• you gotta pay your rent? You JACK

have to work. I need money, I DIRK

wash in your life -- you ever dish last That's the -- JACK

l'm supposed to be working -- DIRK

Put that dish down. Hey. Forget that. JACK

working •••• 'm l DIRK

drink? a you wanna have ~able, my to back come don't you Why JACK

laughs: Jack Dirk laughs,

I'm not full of doggy-doo-doo. that maybe now know you So you know me, JACK

magazine. a read about you in I DIRK

do? You JACK

you are. who know I DIRK

heard of them ••• or? You've Amber." "Inside "Amanda's Ride" the names: with All those ones, the ones JACK

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CUT._TO:

DIRK. WITH HOLD Jack leaves.

something wonderful just waiting to get out. Beneath those jeans there's It seems to me: JACK

walk out on Maurice. But I just can't Yeah. ••. yeah, DIRK

-- doggy-do-do. JACK

know you're not full of -- I do know you. I I'm sorry. DIRK

yeah? You're a good worker, JACK

I can't do that to Maurice. DIRK

want you to meet some people. I want you to eat dinner and I my table. to know how it can be ••• come back Because I love and encouragement that you need .••• And I'm prepared to give you all the this moment you need love: for now, But for miserable you'll discover all that's fuckin' hard after that, be is love, let the world From ages zero to eighteen all a kid needs because you're young and that's what you need. you again I told you that before, but I'm tellin' you're a pure piece of gold, •••• and what doesn't and I gotta pretty good clue as to what works I've been doin' this for twenty three years treat me well and I'm gonna treat you well, You seventeen year old piece of gold. a You're good man. a I'm to listen close: you want I now and something right you wanna tell I JACK

I'm seventeen, DIRK

Tell me how old you are. JACK

What? DIRK

She hangs up. from the phone. Dial tone

Tom -- Tom, '1'om, No .•• please don't, (beat) and I'll take you to court ••.• do don't but I You might think I understand? you a lawyer, know I Lemme tell you something you don't know; Tom. Lemme tell you something, (beat) hello to my son and that's all. I'd like to say hello, I'd like to say ? Is he ••• Is Andy there? Yeah. (beat) know it's late, but ••• I Tom .•• hi ••• yeah. AMBER

phone; the then picks up a cigarette, a valium, lights She takes BEAT. a quick line of coke. She does AMBER. ECU,

TO: CUT

Sleep beautiful. Goodnight, honey-tits. JACK

I'm goin' to sleep. AMBER

I'm onnamake some eggs, You want somethin' to eat? JACK

a drink .•. she makes kitchen, the He heads for at Graceland. enter the house. It resembles the Jungle Room Amber and Jack

4 OMITTED4

TO: . CUT

a side door and heads off -- from exits the club Diggler Dirk

parking ticket off the windshield and gets behind the wheel. a old Station Wagon, rips his pass Little Bill who walks to They .

up van Nuys Blvd . say so long and head cruise past in his Seville, Amber Jack and

Reference improv. notes) (Director's Note: Becky and Reed. CAMERA hangs around with Buck, off out front. Maurice is locking up and turning the lights club is closing, Th~

TO: CUT

goes into his room. and hallway a enters quietly, walks Dirk

TO: CUT

closes the door. Little Bill watches a moment in a haze then Big Stud continues.

Big Stud. going, Keep (to Big Stud) Fucking sleep on the couch. Just get out, Bill. WIFE LITTLE BILL'S

Relax, little man. BIG STUD

asshole. my wife, You're fucking close the door? I Will LITTLE BILL

you close the door? Will STUD BIG

you idiot. a cock in my pussy, I've got it look like I'm doing? doeo The fuck LITTLE BILL'S WIFE

you doing? are What the fuck LITTLE BILL

moment and casually look at him. a They stop doing it on the bed. are STUD BIG a and WIFE LITTLE BILL'S

TO: CUT

Little Bill walks to the door, hesitates, then opens -- GROANING. AND MOANING hear the sounds of we DOOR A BEDROOM FROM

guide him down a hallway. small light to help a on Little Bill enters his house quietly, turns

7 NIGHT HOUSE - LITTLE BILL'S lNT.

a car wash .•• ••• at MOTHER

I've gotta get to work. DIRK

silence. They eat in

••• yeah ••• DIRK

should find one closer. so important .•• you should ••• if it' s If you wanna work in a nightclub you MOTHER

Yeah. DIRK

huh? home late, you get How's that work, FATHER

looks to Dirk. a seat at the breakfast table, Father takes

my face. do that, it scratches gonna Shave if you're okay? Please, •.• Jesus. MOTHER

Good morning. FATHER

on the cheek of Mother. a kiss places his,,,,fa·ce, ,on ~.tubble ;ather, CU. INSERT,

He crosses the kitchen dressed in suite. enters, (50s)' FATHER His washing a dish. stands, 40s) (mid MOTHER His Dirk eats breakfast.

12 OMITTED12

11 OMITTED11

CUT TO: OUT, FADE

That's right. DIRK

ON DIRK; BACK LANDS CAMERA centerfold, Luke Skywalker, etc.

a Penthouse Hawaii, Bruce Lee, a 1976 corvette, Pacino, of Travolta,

Posters on the walls ROOM. AROUND THE PAN DOES A SLOW 360 CAMERA some karate moves, etc. some dance moves, few flexes, a does stands in front of his mirror, He the volume low on his stereo.

He turns room and begins to removes his clothes. Dirk enters his

that it's the highest quality fidelity. What that means is Fidelity." "High Hi-Fi_. This is See this system here. -- yes you do. want you what system to handle a If you want BUCK

bass? much that need do I - know I don't CUSTOMER

here. syste1t1 in this got modification we T1<421 cause of the bass, twice·the you"re gettin' basically -- so BUCK

nearby. standing is 30s). ( JERRY mustache and mustard suit, a. with guy skinny-whit.e a The manager, stereo unit. a about CU$TOMER a cowboy-digs, is talking to usual Buck, dressed in his A semi-high end stereo store in the valley.

door -- the teacher calls after her -- but she's gone. heads for the She stands up, ROLLERG!RL. ON cu. ARRIVES CAMERA

smile. and Other students notice She looks away, they continue their gestures and giggling.

gesture. job" "blow a makes One guy looks to the other and her and chuckling to themselves. at BOYS are looking Two

r~om; She looks across the generally confusing material. and diagrams

a lot of questions, over; it ROllergirl looks exam. final out the

handing A TEACHER walks about, is Roller girl. desk a sitting at

of the class, back In the A crowded high school geometry classroom.

15 OMITTED15

14 OMITTED14

exits. and Oirk stands up, places his plates in the sink

occured to you? school never car wash, a at work You MOTHER

What? DIRK

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don't -- I What? BUCK

Have I? Huh? Have I told you? JERRY

Wha? BUCK

JERRY

and Jerry approaches Buck. The customer exits

No problem. BUCK

your time. Thank you for CUSTOMER

then; The Customer listens another moment,

a small price. for do that we and like this without the modification sound this unit as it is -- it won't If you get right? wanna freaky-deaky, makes you and curls up in your belly, and turns It kicks Hear that bass? BUCK

a country western song. own of Buck ejects the Eight Track that was playing and puts in his

I'm talkin about -- a better idea what in so you can get put another eight track lerrane crank -- maybe three quads when you really that basically kicks in another two, a bass unit which is with the TK421, But -- I"ve got it modified Yes. BUCK

? ••• really ••• CUSTOMER

have this unit at home. I BUCK

It's the price -- J CUSTOMER I

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baby. baby, Ohhhh-baby, LYNN SHERYL

me pounce you, Sheryl Lynn. make Don't DIRK

Eddie. Give it to me, LYNN SHERYL

have to get back to work. I DIRK

once more. SHERYL LYNN

have to get back. I DIRK

blue ribbons, etc. Horse models, trophies from riding, Her room is decorated in pastels with equestrian things all around.

PARTRID.GE. LYNN SHERYL girl, young neighborhood a Dirk is in bed with

Buck goes to the backroom.

from the backroom. 484's Go unload the new Alright. JERRY

Yeah. BUCK

dig? you have anymore fuck ups -- it has -- but I can't and place -- might bring some nice pussy in the work thought your film because I job here a you gave I No you look. JERRY

look -- Hey, Jerry, BUCK

are you anyway, listening to that shit? What kinda brother music. yappy-dappy you play this twingy-twangy, Instead, No. you throw on some Led Zepplin. you've seen the profile sheet and way~- particular a guy looks a the Sunshine Band, and KC throw on some You ste·reo. a gonna buy and no one's western~crap play that country You Alright: A.) JERRY

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Kiss. They

a mistake. ever make I'll never, and gonna stop I'm never get it: I And once DIRK

know. I LYNN SHERYL

want and it's what I'm gonna get. I That's what big, bright shinning star. A plan on being a star. I want you to know: I DIRK

down to her; Dirk kneels

Everyone is blessed with One Special Thing. DIRK

That's right. SHERYL LYNN

Everyone is given one special thing •••• right? mean: I Everyone has one thing, y'think? DIRK

BEAT. down. Dirk looks

making love to me? Having sex .•• fucking me ••• Eddie? doing this, good you are at how know Do you LYNN SHERYL

Yeah .•. (OC) DIRK

You"re so beautiful. SHERYL LYNN

What? (OC) DIRK

shakes her head; She stares at his crotch, · naked and flapping. and down on the bed, bouncing'bp jumps up and starts Dirk

That's it. DIRK

Promise? SHERYL LYNN

I'll do it DIRK I

1r·

·.-~...._·•a · ·.· ------ .- -· -·-·· · .... · •·'Ji.Li.A.-· ,C• r,t,,_

ago? Couple hours remember me? You ROLLERGIRL

I'm goin' pretty far. DIRK

wanna ride? You Yeah. JACK

Jack? Hello. DIRK

Eddie. Hey. JACK

and Rollergirl in the Seville pull along side him; Amber Jack, a side door and starts walking. Dirk exits Closing hour.

Rollergirl whispers something into Jack's ear. SLOW MOTION. CLOSE-UP, ANGLE,

towards Jack's table. on the heels of the rollerskates as they move back follows CAMERA

TO: CUT

She smiles up at Dirk. HER FACE. ON CLOSE DOLLY IN She hesitates. pulls out his cock, and unzips his pants on him, down She goes A CLOSET SPACE

up just a little ••• She rolls closer to Dirk and pulls him into skate a

She lifts He looks up and spots Rollergirl. Dirk is washing dishes.

TO: CUT

and rolls.away "I understand," She nods, in her ear.

something He whispers comes over to speak with Jack. Rollergirl

BOOTH. JACK'S ANGLE,

he buses tables. a while as Dirk for CAMERA hangs with a Friday Night. swing on Nightclub is in full

He'll see it. (OC) ROLLERGIRL

He'll see it. (OC) JACK

No. (OC) DIRK

She watches Dirk. ON AMBER. HOLDS CAMERA

house? Have you seen Jack's AMBER

Eddie. amount of money you can make, and there's practically no end to the film good You make a something else: tell you but lemme a lot of money, Hell yes it's JACK

a lot of money. That's DIRK

spending thirty/forty thousand a picture. know you're next you thing you editing -- synching, developing, lab fees, you got sound, you got lights, You got film, Green. good 'ol American mean, this stuff costs I It costs. and that's this: one thing you understand mean, I This thing here., JACK

on the other. Amber Jack and Dirk and Rollergirl on one side, In a booth, after the meal.

· Dirk gets in the backseat of the car with Rollergirl.

Okay. DIRK

sweetie. with us, come AMBER

remember you. Yeah .•. I DIRK

' 19

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honey ••• it's just nice in theory. Don't listen to hard to all this, AMBER

••• Right ••• right ••• I understand. DIRK

that's true ••• true and right and dramatic. got a dream of a making a film But I good and that's fine. heavy: That's fuck it and little, then get into a make people laugh we wanna sometimes we make these films, The Story Ends. How sit in it ••• JustTo See and their load squirt the story ••• they'll 'em in with Suck goal: my idea, My you wanna split. you come? You're done, what happens when even after they've come •••• 'em around wanna make the thing that keeps I I don't want to make that film. the story. and splitting on jacking off sitting down, 'em showing up, I don't want That's one thing. THE THEATER. THEM IN GET Sure: Hey, from your heart ••• you understand? insides, What I'm talking about is showing your Fuck that. not just your cock: No, If you're able to give it up and show the world: The beauty and the acting. Huh? seats even after they've come? What keeps them in their the theater. GETS them in and the big tits -- that need the big dick, I yeah, -- Alright, JACK

Uhhh-ohhh •••• here we go -- AMBER

need actors. I No. need that: I Do No. want that: I Do cocks the size Of Willie Mayes Baseball Bat: myself 15/20 guys, f.ind can I got: I can go out -- tonight -- the reputation I JACK

NOW. AMBER OFF CAMERA She smiles. He looks to Rollergirl.

Yeah? Do Got, You And say you got that: right? Okay, let's Fun Zone? Mr. Area, y'understand? Torpedo right down to it ••• what we need is Mr. noon, night, the whole deal, but when it comes day, workout morning, your legs, on your arms, mean ••• you can work I you understand? juice, you gotta have the When all is said and done, and lemme tell you something else: weak, the right ••• shit, this is not an operation for sure the lighting is make and that's just to You got ten, fifteen people around Eddie: (CC) JACK

on his back like a fish. (OC) AMBER ·, it was a FIN. Big •••• it was like ••• (OC) JACK

How big was the fin? DIRK

honey. Believe it, (OC) JACK

I don't believe this story. (OC) AMBER

like a fish ••• he goes straight for the water. on his back mean, he's got a fucking fin I on his back like a fish. A fin A fin. see? and what do I shirt off up to the house, rips his lad comes over, Look in the studio fridge .••• so this young (OC) JACK

Jack. ..• you're out of limes, (OC) ROLLERGIRL

So on and so forth, right? come by .•• " a party, I'm havin' "Hey, him and I invited him up to the house. met I was about twenty or so when a true story ••. this kid ••• he this is swear to you guy once •••• I knew a I (OC) JACK

talking.

and moving about Amber oc we hear Jack, Rollergirl and his lap.

hands folded across He's sitting on a couch, DIRK. WITH ANGLE

THE LANDS HOUSE, THE OF PART MAIN THE AROUND DOES A 180 CAMERA

1, ,l

I

TO: CUT

Jack and Rollergirl look at Dirk. Amber, HOLD.

If you don't have dreams you have nightmares. DIRK

Drearn,dream,dream,dream,dream. ROLLERGIRL

a cock and an actor. dream to be able to find ·a It's JACK

sex? Have (OC) DIR!<

her? with on it Would you like to get JACK

••• great She's ••• she's really (OC) DIRK

think of Rollergirl? you do What ·JACK

No. (OC) DIRK

do you? back, fin on your a have don't You we ought to be in business together. do you think ••• I think what So JACK

She's really nice. (OC) DIRK

need love. who those all wonderful mother to and real A mother. A Eddie. She's the best, JACK

HOLD. JACK. WITH ANGLE AN TO LEADS AND AMBER WITH PANS CAMERA

you. Thank DIRK

You're great. AMBER

good-night kiss. a gives Dirk and FRAME She leans into

by. came you glad l'm Good night, Eddie. too late. up stay Don't Jackie. Good night, (OC) AMBER

honey. Good night, (OC) J'AC:K

going to bed. l'm (OC) AMBER

Is that true? Yeah. DIRK /,/.... '---~ ' () right? Funny, name. the was Sluts," "Scuba him. with underwater series of films whole a gonna do I was right. That's (OC) JACK

\'

come in me. Don't fucking ROLLERGIRL

Okay. DIRK

I don't take my skates off. ROLLERGIRL

off? take your skates ,gonna you Are DIRK

a moment. Dirk stops They lean back on the couch, They kiss.

Ohhh-yeah. ROLLERGIRL

you? Are DIRK

You ready? ROLLERGIRL

the couch -- in one swift motion ripping her clothes off. She sets the needle on the turntable and rolls over to a record. She rolls over to the Hi-Fi system and picks

Oh, wait,wait,wait, then. ROLLERGIRL

you are. Yes JACK

We Gonna Fuck? Are Gol We Here ROLLERGIRL

to Eddie on the couch there. Sit next Come over here a minute. some more tomorrow, I'll get you JACK

You're officially out of limes, Jack. ROLLERGIRL

OVER: PANS SWING CAMERA Rollergirl enters back into the house. .

Bet your ass she is JACK

She"s •.. she's really foxy. yes. mean, I Yeah. I'd love to. (OC) DIRK

Yeah. JACK

what're you ••• you don't know. ••• What DIRK

the only one that she sees. you're not know piece of trash ••• l little a and little whore a She's MOTHER

girlfriend. my She's not DIRK

girl-friend? Your is she? What Huh? see trash like that? stud to a you feel like make Does it MOTHER

Don't say that. DIRK

Sheryl Lynn? Sheryl? see that little slut girl you see? You MOTHER

room. the hall towards his down Dirk walks

Where were you? Shut-up. Shut-up. MOTHER

Nowhere. DIRK

Where were you? MOTHER

Hi. DIRK

THEN: HOLD, him. at looking MOTHER is there, His passing the kitchen. the hallway, down walks Dirk enters quietly,

TO: CUT

ON JACK. ZOOM INTO cu. SLOW the couch. on out Rollergirl making and OC sounds of Dirk .JACK. ON HOLDS CAMERA

her tits, then. Towards JACK

ROLLERGIRL

aim it towards her face. you make sure to pull it out and jack off, you want I Eddie. Don't come in her, JACK

l.i•'

Mother follows. Dirk heads for his room,

that little GIRL. Go ahead and fuck Go ahead. MOTHER

never find me. maybe I'll run away were you can I'll go somewhere and do something, I'll do something ••• I'll do it. DIRK

too stupid -- so what are you gonna do? even finish high school because you were You'll always be a loser -- you couldn't You're a loser. You can't do anything. MOTHER

TO: CUT

dunno, I'll do something. I (OC) DIRK

do? what are you gonna Yeah, Oh yeah? (OC) MOTHER

will. I Maybe (OC) DIRK

Your little GIRL-FRIEND. Sheryl Lynn. Why don't you go to your little whore, (OC) MOTHER

- to the fight outside. FATHER is sitting on the edge of his bed, listening Dirk's

TO: CUT

music and your posters on the wall? With your some other thing in there? Or are you doing know she's been here. I when I'm not here ••• I wash your sheets, kid. what goes on know Don't think I don't That girl. I've.heard things about her. MOTHER

:z::::m 1~~Ii:J!t.:zE.IAA\9if1JF.--iliEiEl!iiEiMiiEW-ii5

Don't be mean to me. Don't. DIRK

Not by choice. MOTHER

You"re my mother ••• Why are you so mean to me? DIRK

Yes you are. MOTHER

I'm not stupid. DIRK

- be shit ... because you're stupid. gonna you're gonna be this -- you're not These god damn posters Huh? be this? gonna Think you're little fucker ••. you understand? you in your life •••. you shit I've done for owe me for all the .•. you pay for it •.. you (OC) MOTHER

He's starting to cry. ON DIRK. cu. ARRIVES CAMERA

you all your miserable fucking life •••• I've taken care of Fuck that little whore. You wanna live that way? Huh? That's fair. and this is what you get. like this Y"see ••. you treat me Nothing. you"ve got: you leave with what gonna leave, If you're (OC) MOTHER

INTO CU. DOLLY SLOW a begins CAMERA Dirk stands. from the wall. his posters rip She starts to

This: None of this stuff is yours.I MOTHER

on his wall. His Mother looks to the posters Dirk stops.

stupid. you didn't pay for it, • for that -- it's not yours becausei That's not your stuff .•. you didn't pay -- you think that's your stuff? MOTHER I

my stuff -- I'm getting DIRK

What do you think you're doing? MOTHER

and starts to grab some clothes. a drawer Dirk heads for

talk and walk. We'll too. Me Perfect. ROLLERGIRL

Jack. was gonna go and see, was ••• I I DIRK

doin'? watcha ROLLERGIRL

Hi •••• Rollergirl. DIRK

you. Hey, ROLLERGIRL

Dirk steps off the bus. of Laurel Cyn and Ventura. stops at the corner BUS which pull up, RT, to catch a PANS CAMERA rolling down Ventura Blvd. carrying some groceries. is Rollergirl

TO: CUT

slams the door him leave, Mother appears in the doorway, watches CHARGES out of the house and runs off down the street. Dirk

NO. ME •••• TO TALK YOU DON'T AND MEAN, BE YOU DON'T AND DIRK

her against the wall. SLAMS CHARGES at his Mother and Dirk

TO YOU. MEAN NOT BEING I'M FUCKER, YOU LITTLE MOTHER

Don't be mean to me. DIRK

You'll never do anything can't do anything. You MOTHER

See. Know And You'll You Don't you don't know and I'm gonna be something good things that you have I I'm good. don 't know. You be. gonna 'm I or what can do or what I'm gonna do know what I You don't can do. You don't know what I DIRK

you're just too stupid to see. to you, I'm not being mean You little fucker, MOTHER

/

3! OMITTED32

TO: CUT

Thank you. DIRK

Eddie. a great cock, You've got Yeah. ROLLERGIRL

Oh yeah? DIRK

You'll have that car someday. ROLLERGIRL

I'd make it the fastest thing in the street. Candy Apple Red Laguer. of hand gloss. Ten coats New paint job. Rake it. •~.----- n Nose it. y'know? I'd treat it right, DIRK

love those cars. I UH. ROLLERGIRL

It's the best car ever made. Corvette-~ DIRK

what kind? Cool, ROLLERGIRL

a car. wanna get I DIRK

You should get some rollerskates, it's better. ROLLERGIRL

Yeah ••• DIRK

huh? The bus sucks, ROLLERGIRL

They're walking/talking.

TO: CUT

-_.____;_ - w-N-Jl'cM3IFM"fiiiiE3iiNW:::YFJW:W:: M ft e :'P: er :W •· T ..:.....s.. -- .i -.._ - - ..:.... __ ·,- ,__--

Reed fixes the drink. BEAT.

Great. DIRK

Marguerita? REED

Reed looks to Dirk. Jack leaves.

Sure. DIRK

this party ••• understand me? I don't want you leaving a while, want you to hang out for I Eddie JACK

Sure. DIRK

You wanna drink? I thought Jack said you did. Oh, REED

no. No, DIRK

live on this block? You I'm Reed. Eddie. Hi, REED

.. I 'm Eddie •••. Hi. DIRK

New Kid On The Block,.Eddie Adams. a honey I want you to meet Reed, JACK

who's setting up the bar as they move to the pool area and find Reed, CAMERA follows with Jack and Dirk Rollergirl skates into the house.

someone -- want you to meet I come on in here my darling, you made it, You made it, from Torrance! Eddie Adams JACK

found walking down Ventura ••• Look who I ROLLERGIRL

Dirk and Rollergirl come down the driveway and run into Jack;

around. soda and chips all Cases of beer, a pool party.· !or They' re setting up Buck and Becky. Reed., Amber, Jack,

You tell me first. DIRK

What do you bench? Thanks • REED

Rock and Roll. DIRK

Dirk sips the Marguerita.

•••• taste that. go Here we REED

I've always wanted to work out at Vince's. DIRK

I would've seen you. here -- no you couldn't, go to Vince's out You ever Cool. Cool. REED

where I live. In Torrance, Torrance. DIRK

Where do you work out? No b.s. REED

wow. DIRK

Three. REED

You? DIRK

super. Super, REED

Two. DIRK

squat? Whadda you You look like it. REED

Yeah. DIRK

Do you work out? REED

Uh-huh. DIRK

ask you something? I Can REED

Colonel, hello and welcome! JACK

is right there to greet the Colonel. Jack

Yes. COLONEL

Colonel? Is there gonna be coke at this party, FRIEND LADY

honey. You look great, COLONEL

smiles; steps from the car and

16) (aged FRIEND LADY His The Porno Film Distributor. sunglasses. Wrap around Heavy-set in a tan suit. Jmid-60s) ,JAMES COLONEL THE

From the car steps: moves to the back and opens the door. DRIVER gets out, LIMO A Big Black Cadillac comes down the driveway. A and the party is in full swing. now PACKED with cars The driveway is

34 LATER - AFTERNOON - DRIVEWAY JACK'S lNT.34

TO: CUT

(Flash to Developed Polaroids.) she snaps photos of Reed and Dirk. and the Polaroid out to the pool area where follows her CAMERA It's suddenly snapped up by Rollergirl. a table top. on it sits CAMERA. POLAROID ANGLE,

you. did ••• neither REED

You didn't say it •.• DIRK

Ready. REED

Ready? DIRK

Cool. REED

Same time. DIRK

You first. REED

~ ........... .:.. - ------·--------------.

can do. I I'll see what AMBER

Tell him I won't be bad. Please. Please. MAURICE

••• you wanna be in a movie? AMBER

here? think I'm askin' what do you mean ••• y •know ••• Yes ••• I MAURICE

him? so what ••• do you want me to talk to AMBER

With. I've Been Women Look At The Look At Me. Something to send back to my brothers and say: want something to send back home. I MAURICE

Uh-huh. AMBER

I've got nothing. have? I die •.. and what do I soon .•• the club goes ••. that's one thing .•• but have the club, yes, I from Puerto Rico. I'm just a poor fellow Miss Amber, •• y"see, MAURICE

speaking. They're sitting down, Amber. and Maurice to find; then moves away, a while, follows the Limo Driver for CAMERA

follows the Limo Driver into the pool area -- CAMERA They exit.

coming by. Thanks for we will. We will, JACK

Jack. Find her some coke, COLONEL

some. Well I'm sure we can find you JACK

Do you have coke at this party? FRIEND LADY

Hello, darling. JACK

my Lady Friend. This is Jack. Hell~, COLONEL

SONG! LOVE THIS I UPl IT TURN OH SHIT! BECKY

oc we hear the new song start to play.

... Yeah, right. BUCK

Baby. Chocolate Love, BECKY

What's your look? BUCK

is just fine. got I've The look BECKY

new look. Yeah ••• yeah ••• yeah ••• you get a BUCK

a new look. Get BECKY

-- what, what? BUCK

same thing -- the stereo store is saying the at boss I'm just saying and it seems like your BECKY

about. You don't know what you're talkin' BUCK

It's over, it's dead. No it's not. BECKY

back. it's comin' BUCK

about six years ago -- The cowboy look ended Buck: Look, BECKY

y'know? What's wrong with it, BUCK

He was obviously pissed about the music. BECKY

Lemme tell you something: BUCK

•• because it's old .•• it's old deal. BECKY

Buck and Becky. through the party, to find away, CAMERA moves

I'm fine. ROLLERGIRL

you Rollergirl? are How Nothing. LITTLE BILL

What's wrong Little Bill? ROLLERGIRL

Little Bill in a sort of angry-confused-surprised face. DEVELOPED THE POLAROID - CU.

SNAPSHOT. a takes and Rollergirl passes away. She moves

Ohhhh •••• I'm so scared. LITTLE BILL'S WIFE

Don't make me do something? LITTLE BILL

Bite it. LITTLE BILL'S WIFE

so just my co-workers, These are work with these people, alright? I LITTLE BILL

Fuck you, Bill. WIFE LITTLE BILL'S

Just don't embarrass me, alright? LITTLE BILL

He's dressed down. She's dressed up. the party from the driveway. Little Bill and his Wife get out of his Station Wagon and enter

Most certainly. STUD YOUNG

May I please join in? LADY FRIEND

Yes? YOUNG STUD

? me ••• Excuse LADY FRIEND

bikini-speedos and holding court over a table of coke. a Young Stud, who's wearing The Colonel's Lady Friend approache.s

moves away to find: C¥IBRA Becky leaves.

i \ his first. be This would ) JACK

done? he has What films COLONEL

special and I want to cast him. He's something He's here, he's at the party. is Eddie Adams. name His last night: met him I a young man, kid, a There's JACK

That's great. COLONEL

and fade out - the end. fuck-come in the face-sort of thing ass does one helluva suck job, Amber Well: better pay rent or you're through. You he comes in -- the landlord says: he's still in town to play the part -- the Landlord, I'd like to get Jeremy if wraps up with thing women ••• the whole auditioning various men and Amber and develops with Well the story goes actors, I'm casting a porno picture." "Send over your best in town and says: So she calls up all the agencies Yes. JACK

Good dilemma. Yes. COLONEL

desperate for a big dick hit, right? so she's threatening to kick her out, Her landlord is She's desperate. year. a She hasn't had a hit in and she's down on her luck. of porno films a director is Amber The idea is this: JACK

cigar. a The Colonel smokes the Colonel are sitting, drinks in their hand. and Jack

mingles and snaps more Polaroids. CAMERA follows Rollergirl around as she Little Bill leaves.

He's in the house. ROLLERGIRL ....... ___ ',, (~

around? Jack Is LITTLE BILL

The party people turns back to their conversations •••

•,Ouch. REED

•.. waiting ••• Reed comes to the surface. and Everyone at the party is looking ••• holding their breath ·

a moment •••• down for He floats He's in SERIOUS PAIN. face. his moves in on CAMERA Reed lands.

BACI<. ON HIS FLAT land but flip goes for the jumps, Reed runs,

a full-flip. gonna be This is on the board) (gets Check this out. Great. REED

How did it look? DIRK

He lands in the pool and swims to the surface.

jumps and Dirk runs

Jacknife. Watch this no. No, DIRK

Do a cannonball. REED

Dirk gets up on the diving board. Reed and Dirk are swimming.

make yourself happy. you wanna tell, ~tories You tell the I'm happy. and focus: If it has big tits, tight pussy Then do it. do it? wanna You Jack. Casting is up to you, COLONEL

The Colonel looks to Jack; and exits. and quickly apologizes sees the conversation office, Little Bill pokes his head into the

say? know what I You MAURICE

What? BUCK

my point is this: hey, hey, Hey, MAURICE

Maurice and Buck are talking;

FACE. CAMERA'S They close the door in the BEDROOM door. coke ••• ZOOM after them down a long hallway towards a picks up with the Lady Friend and the Young Stud with the CAMERA

but it's a simple one •••• Yeah, it's gonna be here, LITTLE BILL

Is it here? ROCKY

You're on. Yeah. LITTLE BILL

? or ••• you have the schedule for the shoot, Do

good, what's wrong? Good, ROCKY

Rocky? How you doin' LITTLE BILL

member. CREW He's a ROCKY (late 30s.) big guy, a He runs into

there. and few people here a He greets looking for his Wife.

He's walking around, follows behind Little Bill. CAMERA

Yeah. REED

all the way around ••• You gotta try and bring your legs DIRK

ET-,. iMGEiiilE:!FiiiiFA5: £ilfJl£:Jii-IiliFiiE:iF:3163f:.--.::W::W:: illi-W .--:wlf- 3K ·.-: 1f t' .:r..:I:.i:-..3::. . ~.I 3:.. ::. - ~

for his mother. some kid lookin' MAURICE

What was it? BUCK

••• Bye. ••• no problem okay Okay ••• I'm sorry ••• there's no Maggie here. (into phone) MAURICE

Buck is still watching it closely. to the phone. No one at the pool area responds so he walks back inside

a Maggie here? Is there (calls out) MAURICE

him as he walks out to the pool area -- follows CAMERA

Watch that a minute •••• MAURICE

looks to Buck. Maurice sets the phone down,

wait ••. wait ••• just ••• I'm sorry •.• Your mother? I think you might have the wrong number ••••• (into phone) MAURICE

know a Maggie. I don't BUCK

Is there a Maggie here? (to Buck) Maggie? ? that well. •• say again ••• I'm sorry ••• I can't hear you (beat) Hello? MAURICE

Maurice picks up the phone. PHONE RINGS. The

Wear What You Dig. MAURICE

What-:-What? BUCK

«E' :aec:::;s;;::w;iilC:w:;;a e,; -i£3ii-:iEJiliii::iiidiii:3EiJiiFiij£jifE"iE5ilSWiiiffiTiBE"iiViif:3ErK3F-ifEW 3T:tt .!Liii: ~ ~.:ef..I..I.

-- yeah. LITTLE BILL

listen: Anyway, know. I Yeah. Yeah. LONGJOHN KURT

embarrassment. fuckin' a watching -- it's dick in her, people standing around over there ••• she's got some idiot's she's wife,.man, ah ••• my fuckin' LITTLE BILL

What's wrong with you?

What's up? Kurt. Hey. LITTLE BILL

Little Bill. LONGJOHN KURT

He's the cameraman. (late 40s) LONGJOHN KURT a big man, by him until he's approached follows CAMERA and away He walks join in telling Little Bill to "Shut-up." WATCHER'S The other

shut-up, Bill. Yeah,

Shut-up, Bill. LITTLE BILL'S WIFE

my wife. That's LITTLE BILL

does it look like they're doing? What

She looks up at him, smiles.

•• the fuck are you doing? LITTLE BILL

DUDE. .BIG pavement, Little Bill's Wife is getting fucked by some on the He walks over -- inside the semi-circle, around something.

He spots six people in a semi-circle follows Little Bill. CAMERA

SLOW MOTION. and does a perfect FLIP in Dirk dives off the board Looking out to the pool area. POV: AMBER'S

to the window, sets aside the curtains and looks. She reaches on the toilet. the bathroom, 'in is sitting Amber

- ........ ....;._.iii...;.......:..,__ ...., ... .iiiii:...:ili::.:.....::.iL.::i..~~~~.-...:..::..:;......: ~:w::::--s::w::-,vw--,-

and he could pick it up -- we could send Rocky down shoot tomorrow, for the yiknow, was hoping to, 'Cause I , .. LONGJOHN KURT

••• I mean •••• yeah no, Well, LITTLE BILL

? yeah ••• you have to go somewhere ••• or ••• Oh,

picture it's own look -- 'cause I'm just trying to give each -- LONGJOHN KURT

understand -- I LITTLE BILL

was just saying .••. •••• fine ••• I OK LONGJOHN KURT

but minimal ••• about is minimal, not really "natural," I think what Jack is talking Well, LITTLE BILL

was talking about some other people. I know you understand, I Hey. no. No, LONGJOHN KURT

I understand. BILL LITTLE

I think most people understand •.• well. •. then a lot more photographically than I think, Right, well, very often, minimal means LONG.JOHN KURT

a minimal-thing -- wants Jack LITTLE BILL

-- y'know getting some more lights, too, able to look into be wondered if we'd I LONGJOHN KURT

Right. LITTLE BILL ---~ '-~- new zoom lens •••• wanted to see about getting this I} ,'. For the shoot -- I wanna talk about the look.(----\ LONGJOHN KURT

FFi5i3?iiEEiliia&cliiiHiiiiii5?l57¥5i &-iiiF' 00$ ·:a:·a--·-,,.Sie]I: I »-,: -- "i ~·

the fuck is this? ·What COLONEL

I think she's sick., STUD YOUNG

-- BURST into the room Jack, the Colonel and Limo Driver

Driver as they walk quickly down a hallway that leads to a bedroom. and his Limo HAND-HELD behind Jack, the Colonel CAMERA follows

TO: CUT

to the driveway and watches Little Bill's Wife get fucked. He walks over Kurt stands alone a moment. Little Bill leaves.

Gotcha. LONGJ'OHN KURT

Alright? LITTLE BILL

Sorry. No big deal. OK. LONGJOHN KURT

OK? Kurt. film we're shooting tomorrow, thoughts aren't with the photography of the my I'm sorry if alright? the driveway, in cock in her ass over a fucking wife has ~y LITTLE BILL

No way, Little Bill. HEY. NO, NO, LONGJ'OHN KURT

Kurt? me shit, Are you givin' LITTLE BILL

HOLD. Little Bill looks at him.

about photography of the movie we're talkin' It's only the so -- hey -- what the fuck? You've gotta go somewhere Hey. Gotcha. No. LONGJ'OHN KURT

Kurt. LITTLE BILL

The Young Stud starts to cry hysterically.

Johnny here get her in the car. want you to help my driver I Young Stud, COLONEL

Got it. LIMO DRIVER

Make sure no one see's the limo. COLONEL

Gotcha. LIMO DRIVER

here. I don't need this, I don't want this .•• y'understand? the front, You drop her off in though: Listen, COLONEL

Okay. LIMO DRIVER

Joe"s. the car, take her down to St. get her in want you pick her up, I COLONEL

Yeah. LIMO DRIVER

You listening here? of this for me. care take You're gonna Johnny. Alright: COLONEL

The Colonel turns to his Limo Driver. The four men look at the girl.

Oh •••• what the fuck •••• COLONEL

She's definitely overdosing. DRIVER LIMO

smarty? Do you think so, Duh. COLONEL

coke? much I think she did too know. don't I STUD YOUNG

Is she breathing? JACK

I didn't do anything. STUD YOUNG

They exit.

Yes. COLONEL

Close call. J'ACK

CAMERA holds with Jack and the Colonel. to the Black Limo out front. convulsing body The Limo Driver and Young Stud carry her naked,

•mon, pal. c LIMO DRIVER

Please don't die1 STUD YOUNG

conversation Y'see that, all this fuckin' COLONEL

cbNVULS±ONS. into go to starts Friend Lady '.l\he

situation and get her in the car. deal with the Now be a man, Jesus Christ. COLONEL

Yes, sir. STUD YOUNG

what do you think? getting some new shit, Well maybe that means you oughta think about COLONEL

has o.D.'d on me. This is twice in two days a chick YOUNG STUD

Spit it out. COLONEL

••.• I I ••• I ..• STUD YOUNG

What? COLONEL

it's just ••• it's just •••• I'm sorry .•• STUD YOUNG

Hey ••• hey ••• pal ••• get a grip, man. (to Young Stud) What the fuck is this? (to Jack) COLONEL

a seat, Scotty? You wanna take (OC) REED

SCOTTY J. ON DOLLIES IN A LITTLE CAMERA

Nice to meet you. DIRK

okay. Yeah, SCOTTY J.

Excuse me. DIRK

looks to Scotty J. Dirk spots Jack calling him and stands,

a minute. Come over EDDIEl EDDIE! (OC) JACK

you know -- if you, wondering I'm sometimes, that's why y'know, work on the films, 'Cause I Jack? meet, you Where did That 's great. That's great. SCOTTY J.

Probably. REED

Maybe. DIRK

gonna be working? you Are You too. SCOTTY J.

Nice to meet you. DIRK

he works on some of the films. a friend, He's meet Scotty J. Eddie REED

thi.s? Who's Dirk) (re: y'know. Y'know, SCOTTY J.

you? are how Hey -- Scotty, REED

Hey Reed. SCOTTY J.

comes over and interjects -- (mid-20s) SCOTTY J. swimming trunks, nervous young kid in red A drinking their drinks and talking. They're sitting in two pool chairs, Reed and Dirk. with is CAMERA

:as::iilEEiE:VWE:iif77iT:-- •·w•iW:-:fiFi:ifF-iiiEl9fiJflFJi3iif3i'ENfJiti¥JiFE •·• rw m _• ;1.3:..:::...:a.... 7 ;f... - IL.....i......E

guess? I dunno, I ••• yeah, um •• DIRK

co~~- great big a Jack says you've got 1 look forward to seeing you in action. COLONEL

Great. great. Well, DIRK

an important part of the process. He' s Eddie. Colonel pays for all our films, The JACK

Right. DIRK

something that also gives some pizzaz ••• y'know? Think about something that makes you happy, COLONEL

? name ••• yeah .•• My DIRK

? maybe you think about your name ••.•.._¥_. ... ·,,, \ can advise, but I probably doesn't know, r----,, I can't give you much advice that Jack COLONEL

yeah? Oh, DIRK

here. get involved with Jack, Well, you're in good hands if you· COLONEL

in the business. This young man is interested JACK

They shake hands. Dirk approaches and the Colonel smiles. AND DIRK. COLONEL THE JACK, ANGLE,

huh? That kid Eddie is really good looking, people and stuff ••• it's sort of -- mingling around ••• y'know ••• talking to It gets a little hard Thank you. SCOTTY J.

Yeah. (OC) REED

dunno .•• is it alright? ~.I •. Urn SCOTTY J.

.... ···----·-·-··- ······· .. ~-----------·=·

Yeah, right.

LITTLE BILL'S WIFE

Fuck Off. You LITTLE BILL

Oh Fuck Off. Will You? LITTLE BILL'S WIFE

I appreciate it. Thanks for fucking up this party for me. LITTLE BILL

CAMERA hangs with Little Bill and his Wife.

in their cars and get out of the driveway. coming to a close and people are trying to get The party is

TO: CUT

TO NIGHT. LAPSE TIME THE SURFACE. TOWARDS THEN PUSHES OFF,

BOTTOM, THE TO FLOATS WATER, THE IN DIRK LANDS AS IN CAMERA MOVES

IN ••••• who runs for the pool and DIVES CAMERA picks up with Dirk,

Jesus Lord in Heaven. Jesus Christ. COLONEL

The Colonel turns to Jack; Dirk exits.

No problem. OIRK

Eddie. Thank you, COLONEL

then up; down, He looks CAMERA on the Colonel. Dirk unzips his pants. ·

Please. COLONEL

Really? DIRK

see it? I Can COLONEL

me? You get never happened. never told me that and what happened, You COLONEL

What? STUD YOUNG

I didn't hear that. COLONEL

on the way to the hospital. limo She died in the YOUNG STUD

She'll be fine. it. about Don't worry COLONEL

I 'rn okay, sir. YOUNG STUD

pal? How you doin' COLONEL

Yes, sir. LIMO DRIVER

Johnny? You ready, COLONEL

picked up from the party. FRIEND, .I.lADY YOUNG ANOTHER The Colonel now has The Colonel and Jack approach.

No problem. LIMO DRIVER

for your help. you Thank STUD YOUNG

Young Stud. Nothing is absolutely right, LIMO DRIVER

Nothing? STUD YOUNG

So what did you do wrong? That's right. LIMO DRIVER

I wasn't. STUD YOUNG

you supposed to know? How were mean: I hey. hey, Hey, LIMO DRIVER

Young Stud is crying. ~he They're sitting by the limo. LIMO DRIVER. THE AND STUD YOUNG THE TO FIND: MOVES CAMERA

-- ----·-- ·--··- ----·- --. ------- ~-· ...... -- - - -- ................ -

i'ILiiif?iE31EJIEiliiiafFJ'IEMDiM :iiii::iCW·w 3ifi WI :+ :/iii :t ,r, ·, ~ •• t " ·· - ·- -- -_

···-·------······ -----·····.

lt was great. DIRK

Good party? JACK

in the Jacuzzi. climbs robe and removes his Jack

Hey, Jack. DIRK/REED

Howdy-boys. JACK

Jack approaches in a bath robe, holding a towel.

man. That's fucking great, DIRK

'Cause you love me," The bees won't sting. Playing. Playing. See Lots of Bees. And down the Sugar Tree. go We'll Going down the Sugar Tree. You love me. you. "I love Um .•• Okay. C REED

Yeah. DIRK

wrote? •.• you wanna hear a poem I REED

at the stars.

up looking JACUZZI, Dirk and Reed sit in the Scotty J. is .cleaning up,

playing cards. inside and Rollergirl are Amber over. is The party

50 {LATER) NIGHT - AREA HOUSE/POOL JACK'S EXT.so

TO: CUT

The Colonel and the new Lady Friend get in the car.

Jack. Great party, COLONEL

Thanks for coming, Colonel. JACK

The Young Stud exits. ..,-,·· ___ ',,, Sleep it off. Now go home. . I, ,r-'\ COLONEL

I get you. STUD YOUNG

iEAlfii!FifEi:Wii-£t"J'f--Jf.EI.I - 'ca-,., :iiiwiii -;:a: 3iiT ¥ --ii:'i ,

FLAME. AN ELECTRIC INTO BURSTS THEN BUZZES, FLASHES, SIGNS NEON The

"Dirk Diggler." It says, (OC) DIRK

OUTLINE: PURPLE WITH A LETTERING, BLUE NEON SIGN IN A BRIGHT

ON: FLASH

is so powerful ••• name it just blows up because the is so bright and so sharp that the sign -- name And this lights with a purple outline. see this name in bright blue neon a sign ••. I see this thing, ! I close my eyes ••• When DIRK

Tell me. JACK

••• razer sharp. can cut glass .•• y'know want it so it name ••• I a want I ••• my idea was ••• y' know ••• Well DIRK

me ••• few ••• but you tell a I've got JACK

was wondering if you had any ideas. I DIRK

Yeah? JACK

? Jack ••• I was thinking about my name ••• y'know •••

Right. REED

right? What this place is for, JACK

Thank you. Excellent time. DIRK

good time then? You had a Good~ JACK

from the club. Eddie, The kid, JACK

Diggler?. Who's Dirk ·•· (looks up) Enter Dirk -- E.)

it. They get into is interrupted by Amber. and

goes to the bathroom to jack-off Becky c.) Becky just watches. it. at They go Amber. 2. ) Enter Reed to audition for send over some actors. They make the phone call to the agency to talking to Becky about auditions. Amber 1 • )

(reading from script) LITTLE BILL

Yeah. Let's •••• JACK

You wanna go over this? LITTLE BILL

Little Bill approaches.

shadows in real life. Remember: there are Kurt, right? but not too long, Okay, JACK

couple tough shadows to deal with -- I've got a Give me twenty to thirty. LONGJOHN KURT

How close? JACK

Jack is sipping coffee, confering with Kurt about lighting.

utility/sound man. a as Scotty J. is working Little Bill, Assistant Director. Rocky, Gaffer/Grip. of Photography. Kurt Longjohn, Director The crew consists of; a small "office" set. around equipment •••• The film crew sets up lights and other

CUT TO: FADE OUT,

eyes. his Jack looks up and closes Reed smiles. Dirk smiles.

You've been blessed. •. Dirk Diggler Heaven sent you here to this place, JACK

They look at Dirk. Back to Reed and Jack.

'if-P:llflifJC31f:::W::3illii-W3Ew:::at:-51iri➔ 11fi:?1$JifCiff--.::aEH77EEE J< i: ~.Ji:-i" -;;- --:. = ·.

now. Tell you they're ready, supposed to come get you. I'm SCOTTY J.

Hi. DIRK

Dirk Diggler. Hey. Hi. Dirk. SCOTTY J.

we need to get one off -- scene we need to shoot this first go, let's Alright everyone, let's go, JACK

continues to get everyone ready.Jack

Fine, fine. JACK

Jack. It only takes two seconds, BECKY

Now? JACK

I'm shaving my bush BECKY

in twenty minutes. We're shooting What're you doing? JACK

What? BECKY

honey -- Becky, JACK

shaving her pubic hairs. sitting in a chair, Jack walks over to Becky, who's a note. Little Bill makes

Dirk should be auditioning with Amber. wanna change that -- that should be Amber. I JACK ' ( ;~ go at it -- They with Becky. Meets Dirk enters. 4.) Anyway: Good name. LITTLE BILL

)

Do we go straight into having sex? DIRK

and Amber do the scene -- you boom, here, right the door, straight to the desk, and action, that'll be your cue ••• come through through that door, I'll call your name You"re gonna start outside the set, we know the thing. So we know the scene, JACK

Amber. They walk through the scene with

Let ' s do this • DIRK

champ? Ready, JACK

Jack is there to greet him. the crew is ready and waiting.

54 SET GARAGE/FILM !NT.54

as he exits the room and walks through the house and into --

follows CAMERA a deep breath. takes Dirk stands, Scotty J. exits.

I'll see you out there. well. .. whenever you' re ready ..•• OK ..• SCOTTY J.

Thanks. DIRK

It's really cool. SCOTTY J.

You do? DIRK

I like your name. SCOTTY J.

Thanks. DIRK

You look really sexy. SCOTTY J.

Thank you. DIRK

You look really good. SCOTTY J.

Okay~ DIRK

· - - , ~-- _ _- __ :fi.....il--~~---- JiillliII3F3£2fi:i.J

honey. You look great, AMBER

it. know I DIRK

Do you want to practice your lines with me. AMBER

a moment. and Dirk huddle in the corner Amber Jack exits.

yeah, yes. I'm sorry, Yes. JACK

Dirk Diggler from now on? me will you call um ••• .•• can you .•• DIRK

Yeah? JACK

Jack? DIRK

Great. JACK I can do it •.. r okay ..• It's DIRK

you want a rehersal? Eddie, JACK

Are we doing a rehersal? LONGJOHN KURT

Okay. DIRK

So we'll just go straight through. JACK

Good. AMBER

Amber? JACK

-- or something up the momentum break so we don't y'know, It would be better I think, DIRK

Is that alright? JACK

Ii \ ,: Are you John? Hello. AMBER

....THEN: BEAT, the desk. at Amber with two shot a into He walks A light shines· straight at him. Dirk enters.· POV: CAMERA LONGJOHN' S 16mm KURT

24fps. to CAMERA blends back seated behind a desk. Amber, we focus in on

and CAMERA/DIRK the door and into the set -- lights flare into

through Dirk FOLLOWS and MOTION (30fps) SLOW blends to CAMERA

•••• action, Dirk. and (OC) J'ACK

HOLD. SILENCE. behind a closed door. cue for his away and he's left standing alone a moment, waiting Bill walks Little DIRK. ON HOLDS CAMERA things one last time to him •••• Little Bill takes Dirk and walks him off the set, explaining

Okay. AMBER

really sexy ••• you want to? wanna do this good •••• let's try and do it I wanna do good. I I'm ready. great. is This DIRK

honey? Are you alright, AMBER

(30fps) She touches her hand softly to the side of his face.

Yeah. DIRK

my stomach and tits if you can. Just pull it out and do it on okay? Come on my tits if you can, AMBER

Wherever you tell me. DIRK

Where do you want? AMBER

come? should I Where DIRK

You just come when you're ready •••• Yeah. AMBER

come? me to keep going until I Does he want DIRK

· 4 -iilivii5 -------·•rlilliiili7i'IRiWiuliiF-e::-e·:.1ciii.-:31t:iilL:F•ilE ➔ a. - a• :r ii .X::3:!I_ - ..'i ·• - -- ......._::_

_____________ =----------------------=.,,============···----•-,..,.,,

Dirk starts to remove his pants ••• just before they come off we go to:

.., No problem. DIRK

It's important that I get an idea of your size. Why don't you take your pants off? AMBER

Really? DIRK

landlord is a real jerk. My I'm gonna get kicked out of my apartment. If it's not a hit, for me. ~ilm important Well as you may or may not know, this is an AMBER

my acting career. But I'm back now and I'm ready to pursue DIRK

That's terrible. AMBER

A long time. DIRK

When was the last time you had a woman? AMBER

surrounded by guys all day. It got really hard being No I'm not. DIRK

You're kidding? AMBER

just got back from a tour of duty. I spent three years in the Marines. I Well, DIRK

What special skills do you have? AMBER

me a job.and I won't disappoint you. give You really hard worker. a I'm DIRK • Your agency recommends you very highly • AMBER

ma'am. Yes, DIRK

i:iEi?ffi3iPiRiiifiitJ:r----.. "ft3iiii· iiJiii-

You're amazing. AMBER

sQtto: Following in they're face to face. AND AMBER. DIRK CU.

and a little harder; bit, getting faster a They continue for

Okay -- we're back, we're ready -- action JACK

Jack and Kurt have.set up a new angle; smiles. Amber

good? Does it feel DIRK

so good, Dirk. You're doin' AMBER

They holds still; looks to Dirk. Amber

great. You're doin' I just wanna change the angle Hang in there, everything's cool, JACK

Is everything cool? DIRK

Guys ••• JACK

then walks over to Dirk and Amber, quietly interupts; whispers something to Kurt, Jack a while. They continue for

at the crew filming and Dirk/Amber making love ••••

looking moving around, held, CAMERA is hand OUR up on the desk •••

So they go at it ••• taking each other's clothes off and climbing

giant cock. a This is AMBER

hand reaches and grabs hold of it -- Amber's It hangs about 12 inches. we see Dirk's cock. the first time, for 16mm CAMERA'S POV:

make sure of something ••• but why don't I I think that you have the part, AMBER

looks from Dirk's cock to his face. Amber

Reed and Becky smile. Scotty J. is in shock. slightly. Rocky frowns

a moment. Kurt Longjohn takes his eye away from the viewfinder for

CREW THE OF REST THE AND JACK

FOLLOWING SCENES: THE AND CUT OVER CONTINUES CUE. MUSIC

HOLD. Everyone in the room looks at Dirk.

cloti,e-up. if you need a again can do it I DIRK

Dirk? Yes, JACK

Jack? -DIRK

Little Bill. and this and turns to Jack hears Dirk

have a cock that big on film -- we don't It's not gonna match, JACK

close up -- a go to the stock footage -- get We could shot? about the come do What do you want to Yes it was. LITTLE BILL

That was great. JACK

sotto; Following in PANS over to Little Bill and Jack who step aside a moment. CAMERA

high fives, etc. Dirk is giving hand shakes, Everyone gathers around. PERFORMANCE. THE APPLAUDS CREW THE

YES! YES! YES! FUCK! CUT! JACK

and smile. They kiss HOLD. Amber and Dirk come together.

to come in me you want I I'm fixed. Don't worry, AMBER

What? DIRK

Come in me. AMBER

Yes. DIRK

I

Are you ready to come?

l AMBER

I Amber. good, You feel

DIRK

I I

r · -

,...-.., ... - dE#~•:1,r--.,...--

\ )'

NEW MUSIC CUE. THE RECORD, ON CAMERA DOLLIES IN QUICK RECORD on the turntable. He sets up another coke with the girls. and doing danci.ng wearing headphones, MIDGET, BLACK who is a A couple young girls surround the DJ, BOOTH. DJ THE INSIDE

TO: QUICK DISSOLVE

a body-builder-type. YOUNG GENT, who's flirting with some GIRLFRIEND and She's hanging out near the bathroom with a BECKY ANGLE,

TO: QUICK DISSOLVE

busboys and bouncers -- and CAMERA follows behind him as he shouts orders to waiters MAURICE ANGLE,

TO: QUICK DISSOLVE

Colonel's ear off. FRAME and begins talking the as Scotty J. enters DOWN BOOM a CAMERA begins FRIEND. LADY NEW The Colonel is sitting with a and talking to Amber. On The Half Shell Jack is eating Clams JACK'S TABLE. OVERHEAD ANGLE,

TO: QUICK DISSOLVE

his shoes. about They talk He's dancing with Rollergirl. DIRK. ON

TO A CU. UP BOOM DOES A QUICK SHOES, THE ON CAMERA BEGINS

zip-up style -- half-boots, Dirk falls in love with a pair of picking some out. in the store,

J. Reed and Scotty Dirk, row of shoes. ALONG a CAMERA TRACKS

Dirk in the middle. up. thumbs holding cast and crew smiling, DEVELOPED PICTURES ECU·-

she snaps POLAROIDS. CAMERA. ROLLERGIRL'S ECU -

CHAMPAGNE BOTTLES POP ECU -

The entire cast and crew together.

55 "A" Sequence LATER NIGHT - ROOM - JACK'S LIVING INT.55

,· I,,

TO: SCREEN SPLIT

.., PHOTOGRAPHS from the film. Continue w/STILL ass •••• ••• supple " ••• sexual standout ••• " "

" ••• Diggler ••• " catches glimpses of the words on the page, CAMERA

WORDS. ALONG THE TRACKS THE PAGE, ON DOLLIES IN CAMERA

and demanding •••• His presence when dressed is powerful hard-ons. thousand a performance worth a Diggler delivers and Company. Horner sexual standout from stellar, It's another Dirk Diggler. in.new-comer, Jack Horner has found something special JACK

listen; Amber Reed and Dirk, "Oui." Jack is reading,

MARQUEE. INTO THE AND UP DOES A BOOM CAMERA

Diggler. Dirk waves, Rollergirl, Amber A Jack Horner Film. Starting

Under the title; "Spanish Pantalones" The Marquee reads,

I dig it. Matter of fact, Kurt. Not at all, DIRK

Is the movement of the waterbed a problem? KURT LONGJOHN

We can go right into Doggy Style. Good. . And over. up around my neck.

••• around ••• other one ••• your left leg •••• right

If she ••• Rollergirl ••• if you wrap your leg

, DIRK

gets on the bed with Rollergirl and tries a move. Dirk

a while, then -- there for side -- pump away the move and shift to You can go from being on top -- below and then What we can do is make it all one thing, right? JACK () 1 They block the scene. WATERBED. Rollergirl and Dirk who are on a

Jack watches Spahish-theme.0 a with film new I:- Cast and Crew shooting

- +•ifLiii:::iffit:t:1-,•·;v- rMMiiri ◄ «~n~•~--• ,•~cn~~~•~••u~n

---·-------- . .

know what to do now • don't 1 AMBER

up -- she hangs Dial tone from the phone,

Tom -- Tom -- I'm not -- Tom -- I'm completely sober. not. I'm -- all that's and to say hello want I just Please. Tom. him, to. Please let me talk AMBER

holding her hand. is sitting with her, Dirk on the phone. is Amber

64 OMITTED64

(Complete w/coreographed moves, etc.) NUMBER. DANCE a Maurice and Becky begin doing Buck, Reed, Rollergirl, Dirk, CLUB. THE DANCING IN DIRK WITH STAYING SPLIT, WAY FOUR END

grow -- and grow and two films, that Diggler's suck-cess can only grow It's easy to predict, after only in this film. ••• but it's Diggler that remains the standout (VO) JACK I and Reed. Becky Dirk is disco dancing with Rollergirl and

WAY SPLIT TO: FOUR

Dirk for the money shot. cu. a blow job.

him covering his crotch giving is kneeling down, Amber CAMERA, is facing Dirk He slaps her ass. Becky is naked. and a sombrero.

I Reed is wearing speedos This is filmed on the Motel Room Film Set.

62 (16mm) PANTALONES." "SPANISH FILM. THE FROM CLIP A62

TO: SPLIT THREE-WAY

ass ... Becky Barnett's supple good job with slapping do a Reed Rothchild's stiff biceps job of handling Diggler•s wide load and Waves ripe-cherry lips do a wonderful Amber day. bad a on volcano a more eruptive than ••• when stripped to the bone, Diggler"s (VO) JACK

Reed stands nearby and watches; new hair style. fluffy a Dirk is getting THE LINE OF HAIRSTYLISTS. DO'WN DOLLIES CAMERA

-- -· --- - - ...... - :a ,r ... ..., ...... ;- - - ·.

TO: CUT

follows. CAMERA moves with a Big van and a Station Wagon that

71 OMITTED71

QUICK DISSOLVES on SUITS hanging individually on the wall. series of

a IN through PUSHE:S then CAMERA it on and pays for it in cash.

Dirk picks one out, tries SUITS. OF ALONG A ROW CAMERA TRACKS

Buck speaks about the ancient history of Karate. are taking lessons. Buck, Dirk and Reed dressed in Karate-gear,

TO: CUT

deadly serious as they get into their workout. laugh, then become They smile, Reed and Dirk are working out.

TO: CUT

night. ever,Y get chicks like this I Isn"t she hot? with her last night. had sex I -- this is my girlfriend. I (VO) MAURICE

picture of Maurice standing next to Rollergirl. a and check out They rip open the letter MAILBOX. a BROTHERS stand at Maurice"s two l

CUT TD:

I'm sending you a picture Dear brothers: (VO) MAURICE

SUB-TITLES. Spanish,-with VO is in The up. and a letter into an envelope and seals it PHOTOGRAPH a Maurice slips

TO: CUT

I like that. JACK

guy that's world traveled. This character. James Bond a could make it more of we REED

It isn't sexy like it should be, isn't sexy. It's not right, it's not cool and it just ••• whatever. or slapping some girl around about it's always Wad," "Johnny This guy he plays, way. I don't like to see women treated that DIRK

Tell me. JACK

up with -- and -- look -- I just -- at this character Holmes has come look I mean: I now. That's it for DIRK

-- what else? JACK

speaking intensely; Dirk and Jack are huddled, Reed, VAN: THE OF BACK THE IN

front two speakers •••• yeah ••• watts per channel going into the we've got to many problem ••• yeah .•• wattage a I think it's ••• uh ••• it's BUCK

So what's wrong with this radio? AMBER

That's a fact. BUCK

Really? AMBER

out now -- comin' no limit to the technology that's mean, there's I you're in the money. -- forget it, Equipment Hi-Fi Stereo specializing in, like, Super-Super If you were to open a bussiness BUCK

to figure out why the radio isn't working and speaking;j __ .• l's Buck is in the passenger seat trying is driving,the van, Amber.,~,\_ '

73 (music over into radio) DAY MOVING - VAN - JACK'S INT.73

' -· .:...._. _ ~.- --- - - -·--· --- - - ~. ~ .--- :fi"!;I_~Y!3::: ~.!.!f..:!._!:~

·•·

TO: CUT

those are great names. •••• JACK

is Chest Rockwell. name His partner's REED

His name is Brock Landers. DIRK

Do you know? This character? What's this guy's name? Now: J'ACK

Exactly. DIRK

it's just not gonna work ••• -- if we don't put every element into this, JACK

Right, right. DIRK

okay? on him too, you gotta work But Dirk, we get to Vegas. I'll talk to the Colonel when come up with. the typewriter and we'll see what we can We'll set up When we get back. Alright. JACK

We should do this. REED

know it. I know it. I JACK

exactly what we've always talked about. is This whole series, with a whole story. a make we could If you direct it ••• Honestly.

DIRK

I like this a lot. JACK

Reed could play my partner. DIRK

He turns to the crowd. Jessie. award"'from makes his way to the stage and accepts· the jean outfit, in~ Dirk, dressed The Audience Applauds wildly.

Oiggler1 Dirk ,Mr. which way he'll give it to me ••• any my pussy or my ass, my mouth, cock in big I can't wait to get that work with him, and I can't wait to I've seen his movies •••• To ••• for Best Actor Goes Award The And JESSIE

She opens; 20s) (early. VINCENT .ST. JESSIE A Porn Actress,

CUT TO: JUMP

DIGGLER. DIRK Go Again ••• We goes to ••• Here "Best Cock," ••• the award for, COLONEL JAMES

open an envelope. He's on stage, rips COLONEL JAMES.

CUT TO: JUMP

1 DIGGLER DIRK baby-boy ••• My l goes to •••• Yes "Best Newcomer," the award for, And AMBER

She's about to open an envelope. AMBER,

is -- ilmmake.rs f of porn CROWD in front of a packed to capacity

PODIUM and Behind a small FILM AWARDS," ADULT ANNUAL "2nd The

quiet. Becky and Rollergirl stay Little Bill holds his eye.

Fuck you. LlTTLE BILL'S WIFE

face. the him in SMACKS Suddenly, she She doesn't say anything.

me. embarrass on this trip ••• don't Please. LITTLE BILL

? .•• what ••• LITTLE BILL'S WIFE

Little Bill looks at his wife. BEAT. then looks away. Little Bill,j \ Little Bill's Wife looks at Becky and Rollergirl are in the back. /,,------.,. His Wife is in the passenger seat. Little Bill is driving.

.... ..... ·- •,: ,. .. . .

told me the food in here was really good. Some people Just visiting L.A. Yeah. VINCENT JESSIE ST.

You alone? ·•· DIRK

just to get a seat. I've been in this place twenty minutes, (to Dirk) VINCENT JESSIE ST.

ma'am. Yes, MAURICE

of Tequila, straight up. .Shot VINCENT JESSIE ST.

the Bartender (played by Maurice.) She speaks to wearing a suit and sunglasses is sitting at the bar. smoking a cigarette, and toothpick a chewing on slicked, hair 'ttith his

character in ,aDirk, Kurt Longjohn and his camera crew track with her.

Jessie St. Vincent walks across the restaurant to the bar. • • •

••• and ••• ACTION • JACK

JACK. ON INTO cu DOLLY SLOW DOES CAMERA is waiting for her cue ••••

Little Bill screams for everyone to settle down •••• Jessie St. Vincent

"1978" READS: CARO TITLE

76 "B" Sequence DAY - OARS SHERMAN - RESTARAUNT ITALIAN INT.76

TO: CUT

a karate move -- and does head award high above his the Dirk raises and frowns. sees the kiss in the audience, Amber,

You're hot. VINCENT JESSIE ST.

right in his mouth; kiss deep, wet a and-plants Jessie St. Vincent comes over APPLAUDS. AUDICENCE

ROLLING. AND if you keep trying so let's keep ROCKING

can always do better -- and I'll keep trying We mean it. I can help ••• they really can, they better ••• we make can be These films think that's true. filthy or something by some people ••• but I don't these movies ••• and sometimes ••• they' re considered It seems we make to keep making better films. promise to keep rocking and rolling and I can say, is that I guess the only thing I Wow. guess. dunno what to say •••• I I . Wow. DIRK

CUT TO: MATCH

TOWN" MY IN ANGELS LIVE LANDERS: "BROCK

SHOT OF VENTURA BLVD; .•. ANGLE WIDE a over Finally,

ROCKWELL. CHEST REED ROTHCHILD as READS: TITLE

FRAME. FREEZE down. gun and knocking people a the street, firing down running various other footage of Reed,

LANDERS BROCK OIGGLER as DIRK READS: TITLE

I •, FRAME. and turns -- FREEZE KICK KARATE does a He stops,

JEAN OUTFIT. a in CAMERA TOWARDS running STRAIGHT is Dirk Town." My Angels Live In "Brock Landers: FROM; SEQUENCE TITLE

78 {16mm) FILM CLIP DAY - LOCATIONS - VALLEY VARIOUS EXT.78

You're Brock Landers -- VINCENT JESSIE ST.

What? DIRK

It's true -- ohhh. VINCENT JESSIE ST.

sees this. CAMERA looks at it. cock out of his fly, She pulls his

go ahead and feast. Well, DIRK

Starving. VINCENT JESSIE ST.

said you were hungry -- You I DIRK

b.g.) Jessie St. Vincent unzips Dirk's pants ••• (porn music in bedroom set is decorated as Brock Landers pad. This

?7 (16mm) FORM. SCENE CONTINUED IN CLIP NIGHT - BEDROOM SET - INT.77

CUT TO: JUMP

my mouth -- in starvation before I get something could die of I I certainly hope so. VINCET JESSIE ST.

It's excellent. BEST place to eat in Los Angeles. the It's probably No it's not good. Good.· DIRK

I,, 'ii

... hallway and into -- a The move down

wanna show you The main thing I around this corner is the big surprise. And DIRK

leads them -- CAMERA and come f.g. Amber Dirk and

the image is of their waists - the Polaroid framing was too low. POLAROID DEVELOPED cu -

hits the timer, rolls back and poses with Maurice -- on the counter, POLAROID She rips off her bikini top, sets the

Fuck it, fine, let's go. ROLLERGIRL

Rollergirl stops arguing with Maurice;

Sound covers the four talking simultaneously.) (Director's Note: the back deck area of the house -- Amber shows CAMERA stays foreground with their conversation while Dirk

her clothes on so he can send it to his brothers in Puerto Rico. picture with him without a to convince her that she should take He's trying Maurice and Rollergirl are deep in conversation. THE KITCHEN

They move into of himself that was done by Jessie St. Vincent, etc. showing her a painting on the wall wood used to build the house, what sort of history he knows about the leather couches he has, explaining what type of Dirk is giving her a tour, house. CAMERA follows them through the and FRAME enter Amber and Dirk

Jessie is oil painting. and Becky. in the living room for Scotty J. TRICK MAGIC (STEADICAM) begins on Reed who's doing a CAMERA

TO; CUT

really fly towards camera -- and switch the main title card -- it should loose Reed with the revolver Dirk's spin, Let's head trim good, it's close. Good, JACK

working on the film. and Kurt Longjohn, Jack to find;''---~--/ around from the Steenbeck image WHIPS BACK and CAMERA PULLS' ·,:, /-'\

Jack. a real film, It's KURT

done~ This is the best work I've ever JACK

and Kurt Longjohn; Jack to find WHIPS around from the Steenbeck image and BACK PULLS CAMERA

TO: CUT MATCH

Directed By Jack Horner READS: CARD TITLE FRAME. FREEZE They smile.

some of that Saturday Night Beaver -- Let's go out and get Brock. C'mon, REED

That's right. DIRK

Just another day. REED

are safe -- So we solved the case and the women DIRK

Dirk and Reed, in charachter look at each other and say;

81 (16mm) FILM CLIP NIGHT - SET - RESTARAUNT ITALIAN INT.81

a ride. go for and They get in the car

I've ever seen in my life -- This is the most beautiful thing This is it -- this is the thing. DIRK

baby. deserve this, You AMBER

DIRK. ON IN DOLLIES CAMERA .red with super trimmed out designs, etc.

It's candy apple CORVETTE. 15178 NEW BRAND .a images of cu CAMERA holds

Isn't it beautiful? DIRK

to open ••• LIGHT POURS INSIDE on their faces -- and it starts Dirk hits the garage door a moment, it's dark for GARAGE THE

"B" End Sequence DIRK. ON FRAME FREEZE

Thank you. DIRK ·

speaks into the microphone; He Finally, Dirk. Rollergirl. new Lady Friend. anoth~r and Colonel Buck. Maurice. Scotty J. Vincent. Jessie St. Becky. Rocky. Kurt Longjohn. PAN to his Wife. Little Bill. •• then Amber. Jack. Reed. SLOW MOTION: IN FAR SO OUR PRINCIPLES OF ON EACH DOLLIES IN CAMERA

to accept another award. Dirk walks up to the podium " AWARDS. ADULT FILM ANNUAL The "4th

WHITE TO; BURN

BACK -- THE THE PROJECTOR IN FROM THE LIGHT TOWARDS IN UP/ZOOMS BOOMS CAMERA watching the film -- swingers, etc.) (mostly couples, CAMERA finds the crowded AUDIENCE

forth. and back graoning and rocking and and Dirk in close up -- they're moaning in close up Amber CLIP of a SCREEN which has CAMERA PANS from the

TO: QUICK DISSOLVE

"Brock Landers III: Silver Fingers" MOVE; THE CAMERA REPEATS

84 NIGHT SAME -84

TO: QUICK DISSOLVE

"Brock Landers II: Oral Majesty" Starring: Dirk Diggler. MARQUEE; TO THE STREET LIFE THE FROM MOVES CAMERA

"1979" CARD READS: TITLE

baby. This is the one they'll remember me by, JACK

fly, it You made KURT

good. It feels JACK

Thank you. BECKY

Becky. nice smile, a You've got JEROME

That's great. BECKY

"Pep Boys." for I'm regional manager Yeah. JEROME

Really? BECKY

I'm in the auto industry. JEROME

do you do? What BECKY

Becky. "ya, Nice to meet JEROME

I'm Becky. BECKY

My name's Jerome. JEROME

That's really sweet. do. I do ••• I BECKY

Y'understand? away? that takes your attention and in your soul, whatsa problem gonna be and ultimately, if you have love on your side will come and go and so will problems, people mean, I and how hard can the world be? love someone You Y'know? it's about love. I'm concerned, as •••• as far y'know yeah •••• JEROME

••• right, right ••• BECKY

JEROME. heavy-set black guy tall, a hangs with Becky and CAMERA ·

insane party than we have seen so far •••• a bigger, better and more This is roams through the party. CAMERA

BO'S" "Goodbye 70's -- Hello 1

It reads: huge banner strung across the house. a starts on CAMERA

87 NIGHT ... HOUSE JACK'S INT. 87

are so fucking awesome, Dirk. You VINCENT JESSIE ST.

mome~t. today, right now, at this am I couldn't be happier than where I look: mean, I best. It's the It is. DIRK

It's great. it's just fun. VINCENT JESSIE ST.

But then ••• I think. , • DIRK

know. I know, I VINCENT JESSIE ST.

Y'know? with me?" "What the hell is wrong doing?" I am "What sometimes I'm like, know what you mean, I DIRK

I try and act like I'm all care-free and everything. guess that's why with myself that much -- I was never really secure I a kid, was I When was just never really se.cure. I dunno. I VINCENT JESSIE ST.

Yes. Yes. Yes. DIRK

can paint, too. I like I've got something that works feel I still girls in this industry but other my pussy isn't as tight as all the knowI know my tits aren't as big and I VINCENT JESS!E ST.

I': like an outsider. I

You shouldn't feel no, Jessie. No, DIRK

dunno and your relationship and I Amber see you and ••• I Y'know to the whole thing. Because sometimes I feel like an outsider VINCENT JESSIE ST.

hangs with Dirk and Jessie St. Vincent. CAMERA

of illusions." world "the and explaining some facts about, who's doing some Magic Tricks for Jack hangs with Reed, CAMERA

: and the future ••• hangs with Kurt and Rocky who are discussing technology CAMERA

~-----~ ..... - .... ·· .. -· - ·. ·=·-=--···-'-·"-~- ... -----------

.... .-.-· _,., ....____________ ...··~·_.....,_,_ ,_..,.. .. .

Hi. TOMMY/PETE/ANGIE/CYNDI

Angie and Cyndi. Meet Girls: and Pete.· Tormny Meet Boys: FLOYD

I'm fine. COLONEL

You look happy. How are you? FLOYD

it ••• great ••• great ••• great. make Floyd Gondolli, great you could COLONEL

The Colonel! FLOYD

PANS over to Floyd Gondolli; WHIP CAMERA The Colonel walks over,

is standing with two dirty-looking BOYS and two similar GIRLS.

50s) (mid GONDOLLI FLOYD white suite, a A tall man in COLONEL'S POV:

C The Colonel's attention turns across the room; a part in a movie. who"s begging for coke from a bowl and Maurice, FRIEND, who's doing some LADY NEW a CAMERA hangs with The Colonel,

Scotty. Excuse me, AMBER

attention moves to Dirk talking with Jessie St. Vincent. Amber's

walked away. And I was just all ••• like ••• "Forget it." so I stuff. and around y'know, with his friends he was all, like acting tough, And · •know?Y 11 do? "What are you gonna like, was all, So then I Amber. pissed, was fuckin • y' know ••• I like ••• really ••• was I so "Nothing. And he was all,

"What's your problem?" was all, So I SCOTTY J.

He re-counts; Amber. and CAMERA hangs with Scotty J.

guess. I No one, I don't know. VINCENT JESSIE ST.

Who says you don't have a tight pussy? DIRK

towards him -- CAMERA moves away, sees Buck. and Jessie looks across the party

house. They excuse themselves from Jessie and walk off into the

... Let's go. DIRK

A surprise, surprise, surprise. AMBER

Where? DIRK

a little while? Do you wanna come with me for AMBER

Nothin' DIRK

What are you talking about out here? AMBER

Amber. Hey, DIRK

takes a seat on Dirk's lap. comes over and Amber Dirk is talking with Jessie St. Vincent.

and Floyd walk away. The Colonel

little business talk. a a minute to do split for Uncle Floyd is gonna Tommy-Pete-Angie-Cyndi. FLOYD

Floyd turns to the kids he is with and speaks very slowly to them;

Let's do it. FLOYD

* this thing out before we start the new year •••

Maybe iron 'ya say? whadda Jack now, with talk I think we should do that COLONEL

people in the world. These are the next stars ••• the real FLOYD

New Year. Happy Hello~ COLONEL

You made it -- REED

ReedRothchild. Rockin' TODD

Todd Parker. REED

where he sees; AREA POOL him to the follows CAMERA party people. various and flashes smiles at 280z exits his He

20s.) (late PARKER TODD A guy in white jeans, black leather jacket,

anyway? guy thinks, cares what that Who I'm working out the financing right now. •••• I'm opening my own bussiness. BUCK

What does he think about the look? at the stereo store? boss Your ROLLERGIRL

What? BUCK

store think? What does your boss at the stereo ROLLERGIRL

No it doesn't at all. No it doesn't. BUCK

or something -- It kind of looks the the Commodores ROLLERGIRL

I'm the one that started it -- I'm the one that told you so and And just remember: know so. I BUCK

-- you think so? ROLLERGIRL

you watch, it's gonna take off -- Just eighties: everybody's gonna be wearin' in the This shit I got on is the look that Lemme tell you something, Rollergirl: BUCK

talking to Rollergirl. :He's Commodores look. He's doing some serious dancing and he's wearing a new-style, BUCK. ANGLE,

Floyd. or your credentials, doubting your history one's No COLONEL .

you're history, Floyd. know I JACK

· and hard-core, Jack. doing stag been for as long as you've theater work in San Francisco and San Diego doing bee~ I've but all of us will profit. how all of us -- not one of us about talk to this industry -- and let's what video means about So let's talk the future. about ••• so let's talk FLOYD

and the Colonel sitting. Floyd Gondolli Jack,

WHOA. - Laguer Candy Apple Red Ten Coats of Hand Gloss, Caroms, Dual Racked, -- Nosed, jammin' That car is TODD

It's Dirk's. REED

Who's Corvette is that out in the driveway? I don't dance Sunday nights. TODD

You got off work? REED

Introduce her to my lap. sure. TODD

Want me to introduce you? REED

GIRL. PARTY Todd points out a BIKINI

action over there -- some of that I wouldn't mind havin' TODD

You bet. REED

chicks everywhere. Fuckin' This is an amazing party. Yeah.:.yeah. TODD .

i one step ahead of the game -- I'm trying to help you stay trying to hurt you, in this bussiness -- I'm not cent a and dollar a make want to do in this life is small thing I enjoy •.•. One other but this is something that I pervert, a me call crazy, That's me -- call me ass and lollipops in my mouth. my in wheel -- I enjoy simple pleasures like butter I don't want to re-invent the and an Oscar I don't want to win see fucking on film. like to :r particular, :rn I like cinema. not a complicated man. I'm Jack. a minute, Wait FLOYD

Period. under contract to me. my actors who are I will not loan out on video and no I will not shoot films now: something all that -- well lemme tell you me about -- video and amateurs and tell and that -- tell me about the future, this about me come in here, at my party, tell You

and talent to help make it fly -- obligation to use our resources an have We is upon us -- and our role is critical. The video revolution power here. )..C same token, you're the one with the Jack and by that That's right, FLOYD

and they know how to fuck well (where films should be seen) in theaters proven box office and they get people They're a bunch of fucking amateurs. They're not They're professionals. have a stable of actors and actresses. I JACK

Video tape tells the truth. This is the future. hot-fuck-action to the max. are who got out there not to mention those kids I equipment and the mail order distribution, a connection to the got I"ve you Jack. from from the Colonel, the talent comes The money comes not be prepared? Why FLOYD

Then why help it? JACK

upside down soon enough This industry is going to be turned mean: I Then why the resistance? FLOYD .

7.6

converting to video projectors. theaters are already planning The Film is just too damn expensive. Jack. It doesn't have to look good, COLONEL

it doesn't make sex look sexy. It doesn't look good and more importantly True film fans won't watch that shit. JACK

videocassette a rent a buy or and supermarket local gonna be able to walk into their everyone 's ·three years from now, ·Two, Jack: on the whole idea of a home video market gamble to be made for the price and the serious case a I think that there is COLONEL

working with this shit? you telling me that you're Are JACK

c'mon -- Jack, What do you mean, COLONEL

What are you saying? JACK

but a -- This is not an argument, COLONEL

? •••• What ••• JACK

not an argument ••• this is a fact of -- Jack, please understand that this is COLONEL

I"m crystal clear here. No .•• no. JACK

I think you're one gin past this conversation FLOYD

it probably is shit -- if it looks like shit and sounds like shit, that can be saved shooting on video tape -- a few dollars it shouldn"t be sacrificed for The future is as bright as we make it -- JACK

I think this about cost and future Jack, COLONEL

Floyd. We're _repeating ourselves now, JACK

it back quick and hard •••• snort Make sure your straw) a (handing him Goodbye to 1979 ••• hello to 1980 ••• AMBER , .. 2000 ••• can you imagine? ••• it's gonna be 1990, then know we it's like ••• next thing I can't ••• DIRJ<

Can you believe it? Fucking 1980 ••• y'know? AMBER

Amber continues to talk as she sets up more lines of coke

Amber. too, you love I DIRK

honey. love you, went off ••• and I just ••• I that's happened to me since my son in the world t'hing You're the best AMBER

Amber. Thank you, DIRK

for you so much •••• you're my little baby ••• care I honey. really care for you, I and I want you to know how much gonna start things and do things new year and we're It's gonna be a love you. how much I tell you could a minute so I and give me in I wanted you ••• to just •. to come AMBER

She sits him on the bed. enter. Amber Dirk and

HOLD. Floyd looks to the Colonel. Jack leaves.

continue this conversation some other time. We will or we won't so I 'm leaving now. Year and I don't want it to start like this New We've got ten minutes until the JACK

It's true. FLOYD

I haven't heard that. JACK

y'know, right? New Years, ••• fuckin' J • SCOTTY

man? What's up, Hey. Scotty.

DIRK

Dirk. Hey, J. SCOTTY

approaches •••• follows him outside ••• scotty J. CAMERA walking •••• stops to say hello to some people •••• Dirk keeps Amber party •••• to the back emerge from the bedroom and walk Amber Dirk and

HOLD. the mouth. on is right there to KISS him very hard .Amber

do it? I look cool when I Do DIRK

Dirk does another line.

One more, then the water. AMBER

I think ••• need a glass of water, ! ... DIRK

more in the other nostril. oo,one AMBER

Tastes like aspirin. DIRK

It's the drip ••• the drip's the best part. AMBER

my throat •••• uch ••• It's in DIRK

though, right? It's good, AMBER

It burns. DIRK

of coke, line and does a a moment, then leans down Dirk hesitates She demonstrates.

Really fast, like this ••• AMBER

? •• wh ••• DIRK

cool. DIRK

... This is it. J. SCOTTY

TOYOTA CORROLA. RED USED CANDY-APPLE They check out the DRIVEWAY. out to the Scotty J. and CAMERA continues with Dirk

can talk later. We I'll see you around. (to Todd) okay, Scotty. Yeah, DIRK

Are you coming --? -- Dirk? SCOTTY J.

got some moves. I Yeah, TODD

dancer? a You"re cool. cool, Oh, DIRK

Strip Club -- over at the Party Boys works He I told you about Todd? Remember REED

finally meet. We TODD

'ya? are How DIRK

my pal from the thing This is Todd, c'mere and meet someone. Dirk, Hey, REED

BBQ pit -- standing near the

are who them outside, they pass Reed and Todd FOLLOWS CAMERA

Sure. DIRK

Wanna see? Yeah. J. SCOTTY

You got a new car? DIRK

Did you see my new car? Right. SCOTTY J.

1980 •. DIRK

Please let me. Please. -- can I please kiss your mouth? SCOTTY J.

••• scott ••• I don't DIRK

can I kiss you? SCOTTY J.

••• yeah •••• scotty. DIRK

I wanna know if you like me. SCOTTY J.

-- What? DIRK

You look at me sometimes SCOTTY J.

why'd you do that? •••• DIRK

Dirk. Please. I'm sorry. I'm sorry, SCOTTY J,

and turns: pushes him away Dirk stumbles, CHARGES Dirk from behind and starts to KISS his neck. Scotty Dirk starts to walk away •••• scotty watches him go •••• Suddenly:

-- come on Let's get back inside, Shit1 Oh, DIRK

Six minutes ••• SCOTTY J.

waitaminute .••• fuckin' hell.. ,how much time left? minute, wait am.inute, a Wait DIRK

ride, or -- a you wanna take Yeah, J. SCOTTY

It's really great. great. It•s DIRK

Yesterday. SCOTTY J.

When did you get this? DIRK

Wanna get inside? SCOTTY J,

TO: CUT

Dirk. love you, I (to himself) J. SCOTTY

Dirk hesitates ••• then turns and walks back into the house. PAUSE.

Oh. DIRK

it back. take gonna was was cool or else I I wanted to make sure you thought it SCOTTY J.

Yeah. Yeah. What ••• ? DIRK

Dirk? Do you like me car, SCOTTY J.

wanna go back inside? You DIRK

drunk drunk, I'm so wasted, Right? Crazy. know? you I'm just crazy, SCOTTY J.

••• yeah -- DIRK

okay? I'm outta my head, I'm just drunk. I'm really sorry, I'm sorry. Forget it. no. No, J. SCOTTY

Scotty. DIRK

Do you wanna kiss me? SCOTTY J.

••• it's alright. DIRK

I'm sorry ••• • • • SCOTTY J •

It's alright. DIRK

to grab you •••• I didn't I didn't mean I'm really sorry. SCOTTY J.

No. DIRK

- - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - -- ..J::.::.. ~

~ .• ': -~ .: . ... :-! • ,, .. ~., ' .-• ! ... , ... •. • : ·- , :.• :·. . . •

1 YEAR NEW HAPPY •••• (OC) PARTY PEOPLE

His Wife and the Young Stud are still fucking •••• IT OPEN: SMASHES and Little Bill arrives at the Bathroom door

•. ... 1 .. 2 ..• 3 .... .... 4 ...• s 6 • ..• PARTY PEOPLE

down the hallway Little Bill walks into the house,

.... 1 •.•. 10 ...• 9 •... e PEOPLE PARTY

New Year People begin counting off to the

loading the gun as he walks ••• back through the pool area, CAMERA FOLLOWS him now as he heads back across the driveway,

unlocks the passenger side door, from his pocket, He takes the keys

Wagon. area and into the driveway for his Station him as he walks back through the party ••• outside to the pool

LEADS CAMERA a moment, then closes the door. Little Bill stands

a fresh cunt, pal. This is STUD YOUNG ANOTHER

You should be taking notes, Little Bill. LITTLE BILL'S WIFE

She looks at him. STUD. YOUNG

ANOTHER by yet STYLE DOGGY FUCKED Little Bill's WIFE is getting

BATHROOM THE INSIDE SHOULDER, OVER LITTLE BILL'S

opens it. He bathroom door. CAMERA follows Little Bill as he walks the hallway to a closed

TWO MINUTES! PEOPLE! MINUTES, TWO GOT WE JACK

Jack calls out to the crowd of Party People.

.... •·.-· .......·--------...~-:-..:..:-.... ··:-"'! :·· · .. ------..:...·.·.··.·

y'know. So -- What's the problem? mean: or so ••• I of talk has only come up in the past year this kind and since 77 ••• five years, ••• u.m ••• u.m past made twenty of these films in the We've to •••• defeat. trying that my character is smugglers or working for some organization -- say -- spies or drug are are women who gotalotta action and sometimes the characters but they've these movies are for the whole family, Look: I'm not saying that Y'know? the movie. like action or violence or whatever -- that's something in this series of movies that's mean, if there's I what? No, ? violence ••• DIRK

(1982) quickly to Amber oc. speaks He siing'lasses.

wearing eil<i:af.:isw.efatt'-n~, t~liin'' -u•n:s-:f.ti~.j~~ He Is is doing an interview. .P-i~k:::

96 (16mm) FOOTAGE, DOCUMENTARY DAY - ... HOUSE/BALCONY DIRK'S INT.96

"C" Sequence

TO: CUT

might consider violent attitudes towards women? some people what and "Brock Landers," what about your character, ••• (OC) AMBER

THE VOICE: HEAR WE BLACK, OVER

READS: CARD TITLE

SJ FRAME. OF OUT FALLING COLLAPS~?, HE AND SKULL HIS OF BACK ~HE SHOOT. OUT. BRA:cN$ AND.· BLOOO' .

-~e • • TRIG~:E.I• -~~E: Pttl:.+i§ . ANJ? MOU'l.'H ~:I$, IN· R.Ey:PFV:ll.R T~.~; ·s·HJ~,¥~.s AND PARTY PEOPLE THE FACES AROUND, TURNS -L.i1T't~~-~I#~ • •

••• BATH~00t1 THE · 'FI~L $MOH AND :BLOOD,_ • • •

••• w:ttE· HIS INTO SJiOT. ANOTHE:a. Fl:RE;S 1;31~L LITTLE • •

GUNSHOTS ••• SOUND OF THE THE AT JUMPS PARTY THE ••• EVERYONE IN

.. ·-----~~..:;.......:...-- - - -·- - -. -- - - - ·---- -- ·- ·-

• · - ··· ·- • ··- · -· - ··.: ·3; JE:J[K.......LX....z2; lJEiFYE"]l[Jf::W-.: ~·JE_,-:-;111·yy -,; :1: • •• ••••

• •• •• o/ ... --.--·.·•·,- ............ . ,

Buck • at GUN aimed REED appears with a Just then:

WOMAN? MY WIT WATCHYOU DOIN' HEY CRACKER-JACK, BUCK

REVLOVER at Dirk. a and aims PIMP BUCK arrives playing a

next time. wet get my pussy maybe I'll Ohhh ••• do it again, BECKY

Dirk SLAPS her across the face.

Fuck you. BECKY

YOU BITCH? FUCK IS RINGO, THE WHERE I'm onna ask you nice •••• I'm onna ask once more and DIRR

holding his fist up •••• The scene: He's right in her face, a wall. against up PR®S,T,i,'IIU,W,Ew,0-air1 {,pla¥i·ng B'e'cky: Dirk has the scene, In

98 16mm FILM CLIP NIGHT - WAY - ALLEY INT.98

her then starts to KISS her breats softly. SMACKS Dirk

FACE. DAMN GOD THE YOU IN PUNCH I'LL LAY STILL, DIRR

ASSHOLE. ME, FUCK OFF THE GET SUNSHINE RC

YOU? SENT WHO DIRR

The scene plays; down. the knife from her hand and pins her knocks Sunshine, KC the scene, struggles with in wakes Dirk

by -- come in a society where morals are hard to

fights for causes that instill pride and Brock protects the values of the American ideal so only in the vein of good and right. gun he does a If Brock Landers is slick with (VO) AMBER

coming towards Dirk ••• She enters, holding a knife, ,../ ___ ii\, wrapped in a sheet. an Indian woman, plays in the scene with him as ~\

SUNSHINE KC An actress named Dirk is in his underwear, asleep in bed.

97 FILM CLIP 16:mm NIGHT - BEDROOM SET - LANDERS BROCK INT.97

"C" End Sequence

CUT TO: FADE OUT,

Lust. Man,Of Is A He of passion and mystery ••• dance ••• he is a man and poetry, karate, music a creative man of many interests ••• film., to look forward to, not to fear •••• he is For Dirk Diggler, the future is something (OC) AMBER

narrates. Amber the sun goes down. as Footage of Dirk walking along the street

Dirk laughs a little less. laugh. Amber Jack and

I don't let you block your own sex scenes. JACK

do that. uh - an actor - that would let any other director's don't know of I •••. y'know with the character and develop, ••• and .•• he gives me flexibility to work me to block my own sex scenes • He allows uh the camera needs for editing -- but, put the final touches on what will Jack BLOCK •••• uh ••• and idea or a movement. DIRK

Dirk speaks very quickly ••• Amber. interview with Jack and Dirk are sitting behind a Moviola for the

103 Director's Note: Jessie's Interview/TBA OMITTED** 103

102 Director's Note: Rollergirl's Interview/TBA OMITTED** 102

TO: CUT

to blow you away! reason damn and give me a good god motherfucker another move, Make REED

"E?i 7iiF - ·-z·:.·7~-;;rn;;s;-a;;a;;;;wiE::a;;:tiii;-,,g·a;·· . - ·- ,- -----·- .. ..1....:r...Zii_...]:__..J...,-· -------...:....::..._.:.__3. -· ---- - --

-----····-·----------·

He slams the phone down.

-- Yes -- Right Now. Now Right Okay. Calm down. Calm down. Yes. Wait, wait, wait. Colonel? Hello? JACK

DOLLY/ZOOM IN QUICK, Jack picks it up. It rings again. OVER to the phone. CAMERA WHIPS PHONE RINGS, At that moment the

was it? How JACK

and Reed, sitting at the kitchen counter; Jack TO: OVER 180 CAMERA SWINGS walk out and into the living room, Amber Dirk and

108 LATER MOMENTS NIGHT - HOUSE - JACK'S INT. l 08

TO: CUT

-- yeah. DIRK

Blocking the sex -- AMBER

-- y'know -- about thing cutting that part when Jack says that Maybe you might want to think about (beat) Really. good. It's so fuckin' DIRK

you first. show wanted to I you. Just AMBER

Jack? showed Have you Shit. You're a director now. Amber. It's so great, It's great. DIRK

you. It's my poem to AMBER

off and looks to him; She flips it sitting in front of the Steenbeck. Amber, and Dirk

107 (May 82) NIGHT ROOM - JACK'S HOUSE/EDITING INT. 107

worry. Don't okay. Alright, JACK

spent it. I It goes, alright? the coke, the limos, the houses. Between you shooting film, expensive. This shit gets I spent it, alright? COLONEL

The films •••• or ••• I mean? JACK

spent it. ~I ••• it spent I COLONEL

Well. •• what ••• how? JACK

The Colonel shakes his head a little, doesn't answer.

Nothing? What do you mean? JACK

-- I don't have any money left. COLONEL

I don't have that kind of cash -- The bail is a hundred thousand dollars. Just relax. It's gonna be okay. Okay. JACK

Jack. It was coming out her ass, COLONEL

What? JACK

jesus coming from her nose and ••• jesus ••• her, know ••• she's got blood •••• next thing I vacuum in her nose or something .••• a Like she had doing it like she was a vacuum. she just kept doing it and wouldn't listen, not to do so much coke, but she her I told COLONEL

I believe you. JACK

you gotta believe me. know ••• Jack, ••• she was fifteen ••• fifteen ••• I didn't COLONEL

speaking through the glass. him, Jack sits across from crying his eyes out. The Colonel is sitting in handcuffs,

l 09 NIGHT - AREA HOLDING - STATION POLICE INT. 109

-- .. ..................... -- ...-·----- . ........ • ---···· - .. ___......... • . • • • . . q -1.·••••,., • - - --~

Jack doesn't answer.

me? you promising Are COLONEL

promise •••• fine in the end •••• I It's gonna be -- it's okay, Colonel. JACK

a long time. I'm going to jail for COLONEL

? .... t don ' •.•• I •••• I JACK

now. You look at me like I'm an asshole, COLONEL

Colonel. Jesus Christ, JACK

I've never touched one of them •••• Jack. anything, I don't do just want to watch, I small and cute, I can't help it when they're so Jack. myself, They're •••• so small and cute I can't help

Jack. weakness, it's my fuckin' •••• COLONEL

What did they find? ••• what are you saying? JACK

••• something ••• COLONEL

What? JACK

Jack. They found something in my house, COLONEL

mean ••• you didn't do anything. You didn't ••• I You were ·just there, right? look; mean, I you've done nothing wrong. know; You Right. JACK

have picked her up. I wouldn't gonna die right there with me or I didn't know -- I didn't know she was COLONEL

you are. Yes JACK

right? good man, a, I'm I can't have this happen to me. COLONEL

No ·•turning back now. LONGJOHN KURT

That's it. JACK

Lot of stuff on there to learn. ROCKY

Yeah. LONGJOHN KURT

Well there we go. JACK

HOLD. CAMERA. They look into KURT and ROCKY. AT JACK, UP LOOKING HOLDS A LOW ANGLE, CAMERA

TO: CUT

filmmaking is over, Jack.

give up your battle -- the go to video, go to Floyd Gondolli, Look for the new blood, because you can't win. Don't fight it, and your livelihood -- accept the future. for your bussiness For you, You"ve gotta give. Give in, Jack. now: listen to what I tell you and that I'm your friend remember So COLONEL

Yes. JACK

your friend? I am Answer me, COLONEL

What? JACK

your friend? I Am you this for you. tell gonna And I'm Jack: Listen to me, COLONEL

speaks sotto; He leans in, to escort the Colonel away. A few OFFICERS come and start a moment. They hold a look for

long time. a long, I'm going to jail forI've done wrong and I'm going to jail. I'm done.ean't help me. You Don't promise me anything.Take it back, Jack. COLONEL

No more stories •••• that's over. Kurt. It's about jacking off now, No, JACK , .. can still tell good stories, Jack • we LONGJOHN KURT

This is the thing they've b_een discussing. them. is sitting on the table in front of CAMERA A new VIDEO ANGLE: REVERSE

It's a rather pretty thing, isn't it? ROCKY

Yep. LONGJOHN KURT

rich~ It's gonna make us JACK

too. Me ROCKY

I'm scared. LONGJOHN KURT

it anymore because the past is too expensive. can't deny we and This is the future JACK

you can't. No LONGJOHN KURT

price. You can't beat the JACK

Yes. KURT LONGJOHN

It's •.•• potential ••• ROCKY

think. I We can make it work, LONGJOHN KURT

It's not what we're used to. JACK

uh The quality is, ROCKY

That's right. LONGJOHN KURT

The future. JACK

I

r ~ ~ , ~ ~ -- ---~-- -- ~~- ------ --------- -- -------

about •••• mean ••• but we were talkin' I yes, .•• No BUCK

? Um ••• oil painting ••• VINCENT JESSIE ST.

What were we talking about before? BUCK

Right. VINCENT ST. JESSIE

I think. It's sort of original, BUCK

I think. a great look for you, •••• it's VINCENT JESSIE ST. ' I'm pretty happy with it •••• BUCK

Ja.m~'.s~:Jle~.~?I:~ j•!,,~J!f-.~,:ng?a.:/R;j/ek•• a~:.J are sitting.

my way. off my back and run the store Get those guys Y'know. the store my way. It's gonna be a great opportunity to run JEROME

That's so great. guys. That's great, REED

Buy a house. We"re gonna move there. in Bakersfield. "Pep Boys," they're building of the new They made Jerome regional manager BECKY

Reed is dancing with them. TUXEDO. dressed in a Jerome,

and DRESS WHITE BRIDAL Becky, dressed in a CAMERA on the dance floor;

as Brides Maid. Amber Jack as Best Man. Becky and Jerome kissing. SNAPSHOT WHITE AND BLACK CU -

do too. I JEROME

into CAMERA; looks JEROME

do. I BECKY

BECKY looks into CAMERA;

111 (Dec.82) NIGHT NIGHTCLUB - TRAXX HOT INT. 111

Jack turns back to Johnny Doe; walks off across the dance floor. Dirk nods his head, picks up his sunglasses from•,the table and

He's interested in the bussiness. Block. Dirk, meet Johnny Doe •••• New Kid On The JACK

Diggler -- it's great to meet you. You're Dirk Hi •••• I'm Johnny Doe. DOE JOHNNY

Who's this? Johnny Doe) (re: uh-huh. DIRK

a good time? You havin' Dirk -- here you are. Hey, JACK

Right. DOE JOHNNY

••• and it's tough is what I'm saying. JACK

Dirk arrives; (aged 18.) DOE JOHNNY a handsome young kid, with Jack is sitting TABLE. JACK'S ANGLE,

walks over towards Jack's table -- who follows Dirk CAMERA

Buck. common, never thought we'd have so much in I VINCENT JESSIE ST.

I think that. BUCK

one who thought that. only was the I thought I VINCENT JESSIE ST.

Exactly. BUCK

Sunrises are better. VINCENT JESSIE ST.

I like sunsets too ••• but ••• I was saying: Oh yeah! BUCK

"Sunsets." oh! oh! VINCENT JESSIE ST.

_/ i

follows her into -- CAMERA Rollergirl moves past and

swimming in the pool. Johnny Doe is crossword puzzle. a working on Jack is waiting patiently,

· figure it out. and Reed is watching them try

CAMERA. begins with Kurt and Rocky standing nearby the VIDEO CAMERA

112 (Jan.83) DAY AREA - POOL JACK'S EXT. 112

TO: CUT

Jack has his dance w/Becky. Continue a bit with party stuff/etc. Jack turns back to Johnny Doe.

40fps) the door. ( Dirk meets up with Todd Parker and they walk out POV: JACK'S

a moment. for away he looks Jack continues chatting with Johnny Doe,

TABLE. JACK'S TO BACK ANGLE,

idea. a fucking great That's VINCENT JESSIE ST.

"Buck's Super Stereo World." at a discount price -- it's called, Hi-Fi Stereo Equipment my dream. It's BUCK

Really? VINCENT JESSIE ST.

bussiness Y'know I'm thinking of opening my own BUCK

No. VINCENT ST. JESSIE

Have you ever heard my stereo system? BUCK

VINCENT at their table. and JESSIE ST. BUCK ANGLE,

sure the lighting is right -- and that's just to make standing around, / you got ten, fifteen people It costs money, I'm saying to you is this: What Anyway:~,.: He's also shy. Johnny. tired, He's pretty JACK

Shit no, I'm cool as a cucumber. MAURICE

look like a wreck. You ROLLERGIRL

Me?-Nothing-Why? MAURICE

With you? ROLLERGIRL

Where? MAURICE

What• s wrong? ROLLERGIRL

Hey ••• Rollergirl ••• hey. MAURICE

Rollergirl enters and moves to a closet.

sw~.a,tdmg. ~P~. .s.ha-king. the•··bed:,· "G.f· "the·"''eage1 on ifitting· is· ,,-Maurice

You don't have to be mean about it -- ROLLERGIRL

or whatever -- own or get your business own Yeah, well ••• mind your DIRK

You only have to do bumps with crystal. me -- you don't need to do that much tell why didn't you Shit, That's why. ROLLERGIRL

It's crystal. DIRK

burns. This stuff ROLLERGIRL

"Video Killed The Radio Star." MTV which is playing The television in the b.g., is tuned to some -- she does Rollergirl arrives, some coke on the table. and a headband for the scene and laying out is dressed in Speedos Dirk

-- ;g;m; ;a :as:w :ar • :a::w::;;v ;p;;;g ·s·;g;71r:;p;;;;g;;:w;;·a·v·:a;;:;a:: ·,a;;;;g

moment. a HOLD with Maurice exits. She

I'll be out there. Okay •••• ROLLERGIRL

a bit -- wanna stay here for I No ••• no ••• MAURICE

C'mon. ROLLERGIRL

Right. MAURICE

do fine. 11 You' ROLLERGIRL

can do it. can do it ••• I I in Puerto Rico the lifestyle that I'm living. have to show my brothers I have to do this ••• l have to be a man about it. I Right. Right. MAURICE

Be a man about it. ROLLERGIRL

guess. I MAURICE

know you can. I bet. I a boner, can get You how you use it, right? It's dick. a small you've got i: Just go for it ••• who cares ROLLERGIRL

What do you mean? MAURICE

man. Just go for it, ROLLERGIRL

•••• right •••• right •••• MAURICE

Maurice. can do, there's really nothing l a small dick, If you've got ROLLERGIRL

dunno. l MAURICE I

ROLLERGIRL

Can you help me? Please. MAURICE

Well. •• ROLLERGIRL

I don't think so. MAURICE

a boner? can you get ROLLERGIRL

So I can't do this. MAURICE

•• uh ••• so? Well. ROLLERGIRL

Really small. MAURICE

How small? ROLLERGIRL

••. it'S small. dick My MAURICE

What? ROLLERGIRL

is really small. dick My MAURICE

What? ROLLERGIRL

Rollergirl? MAURICE

What you always wanted. ROLLERGIRL

Yeah. MAURICE

a movie. in It's your big day -- bein' ROLLERGIRL

BIRINI~ Rollergirl takes off her clothes and gets into her

Dirk? start something here, You wanna Get me? Yeah, well. •• NO. JACK

I'm ready to fuck ••• let's go now. I'm ready now ••• my cock is ready now. Jack. Hey. No, Hey, Fuck it. DIRK

minutes. Twenty JACK

It's gotta be now. I'm ready now. No. DIRK

We need twenty minutes. JACK

I'm ready to shoot. DIRK

Dirk comes charging out -- Johnny Doe is drying off. Jack is still sitting in the same spot.

and exits -- up his pants Dirk pulls Scotty exits quickly.

--what the fuck-- DIRK

speaking to himself; down, Dirk in the mirror with his pants

who catches OPENED by Scotty J. SUDDENLY DOOR to the Bathroom is The

I'm a star. I'm a star, I'm a star, C'mon ••• c•mon ••• c'mon •••• I'm a star. My Cock Can Get Hard. And rock and roll star. a I'm a star, I'm 'mon ••• c 'mon ••• c 'mon •••• I •m a star. c DIRK

slowly at first then faster as he tries to masturbate. little, a His body starts to move down at his cock. looks He unzips his pants,

CAMERA. TO THE BACK moves, then turns his KARATE some quick does Dirk .

••• yeah,yeah,yeah ••• You look good, ready • DIRK

looks in the mirror; Dirk enters, closes the door,

Jack: I'm not gonna tell you again, DIRK

Well I'm not. JACK

I'm ready to shoot. DIRK

mellow this off ••• you understand? have a drink and Go inside, you need to settle down. Dirk, JACK

DON'T. MAN, HEY, DOE JOHNNY

OWN. OF HIS INTO A KARATE-STANCE GETS BUT QUICKLY

WHO FLINCHES, DOE, JOHNNY TOWARDS MOVE A QUICK KARATE-TYPE MAKES Dirk

Shut-up. DOE JOHNNY

I'm a real actor. man. I'm an actor, No: DIRK

am. I Yes DOE JOHNNY

bussiness being here -- you're not an actor -- You got,no man. an actor, You're not DIRK

I didn't do anything to you. DOE JOHNNY

Shut up. DIRK

what? ••• Me DOE JOHNNY

· Dirk points at Johnny Doe.

me or him? Who do you want to fuck, DIRK

What? JACK ) ___, .... I is it gonna be? who wanna start fucking •.• I,.....--...._'; DIRK

am. I Yes JACK ... ME. OF BOSS THE NOT YOU'RE DIRK

Get the fuck outta here. JACK

ANYTHING. ME DON'T TELL YOU DIRK

Sleep it off, Dirk. to come down. You're high and you need Whatever. JACK

I haven't been up for two days. DIRK

two days. You've been up for You're high and you need to sleep it off. JACK

hey -- Jack, Jack, What are you, DIRK

Jesus Christ. JACK

the state of California. I'm in Yeah, State of California? State? Whatta you mean, state? DIRK

the state you're in, Dirk. You don't want to do this -- JACK

No. DIRK

Leave. JACK

what? •.• you ••• DIRK

get outta my house. my set, Get off JACK

? ••• What ••• DIRK

-- Get outta here. JACK

You listen to me now, kid -- JACK

so let's go -- fucking cock, big one with the I'm the one with the cock, I'm the DIRK ,

Dirk? go home, we Why don't REED

my cock is cool and ready. I'm calm, I'm done ••• now I'm ready to shoot. Look ••• it's over ••• alright. DIRK

I don't want you here. JACK

I'm fine. I'm ready to shoot the scene. wanna shoot the scene. I No, No. DIRK

I don't need this. Reed. Take him home, JACK

Reed comes over to the fight.

Reed -- JACK

honey. Dirk, please, AMBER

MOTHER, MY NOT YOU'RE BOSS. MY OR ME OF MOTHER THE NOT YOU' RE TOO. UP, SHUT YOU DIRK

walk-- a go for we why don't honey, Dirk, AMBER

Amber comes over. nervously. now and is watching Everyone has stopped what they're doing by Dirk is shocked. HOLD. SLAPS Dirk across the face. Jack

MAN. ME, TOUCH YOU FUCKIN DON'T DIRK

PUSH. Jack starts to prod Dirk a little with a slight

GO. GET OUT. MOVE. Jesus Christ. JACK

HUH? THE KING? YOU .ARE DIRK [

-- -----··· ·- - -~--- ---- ... -~~~-~~=··- ..... ----

OF ME. KING THE IS NO'ONE MY BOSSES. NOT YOU'RE YOU. OF ALL FUCR YOU. FUCK FUCK THIS, FUCK THIS, DIRK

hand over his nose, hides his embarrassment; his

cups He ·nose. 'te;bour·~:vro·H~ht'lV:ftom:;fi,i•s begins 'blood Stidcl.Ein1y;

COCK? MY BIG FUCKIN' SEE WANNA YOU HUH? SEE? WANNA YOU READY. My cock is - DIRK

NOW. Leave RIGHT Dirk. Just leave, JACK

THAT? WHAT IS THAT? IS WHAT WHAT? DIRK

NOW. Get outta here now. You're fired. You understand? Okay? Alright: You're fired. JACK

JACK. THAT, ME LIKE ABOUT TALK YOU DON'T DIRK

your dick's not getting hard today, kid. ready to fuck, You're not coke you got in you. lucky if you could manage six today -- all the you'd be I've seen you push thirteen inches, JACK

IT. SAY WHAT? WHAT, DIRK

Your dick. JACK

What "not anymore?" WHAT? DIRK

Not anymore. JACK

GET READY. EVERYBODY SO BIG DICK, MY IT'S AND WANNA FUCK. I IT IS: WAY THE I'm the biggest star here -- THAT'S DIRK

Dirk, let's be cool, let's REED

C'MON. SO KARATE. KNOW I ME, WITH FUCK WANNA YOU SOME ASS. KICK ME SEE WANNA YOU UP. YOU FUCK I'LL ME A KID. CALL DON'T DIRK

/

up the vocals. the bass and let's take down Let's take DIRK

Well. •• a little ••• but not really too much. ENGINEER

Is the bass taking away from the vocals? DIRK

PLAYS. The song Reed and the Engineer are mixing. Dirk,

TO: CUT

YOU' RE A WINNER. NEVER RUN, YOU WALK, NEVER YOU DONE, AND SAID AFTER ALL IS YEEEEAAAHHHH. POWER. THE GOT YOU TOUCH ••• THE GOT YOU / ___\, DIRK

anthem. "Rocky" between Kenny Loggins/Survivor and any

a cross It's and Dirk begins to sing his song. BAND kicks in The

Take seven •••• "You Got The Touch," Okay ••• Dirk Diggler Demo Tape, ENGINEER

man. was born ready, I DIRK

Okay ••• Dirk you ready? ENGINEER

The ENGINEER in the booth speaks; a microphone wearing head phones. Dirk stands in front of

119 "D" Sequence 83) (Mar. DAY STUDIO - RECORDING INT. 119

all the way -- "'ble.eding away gets behind the wheel of his Corvette and tears off, Dirk runs

It would be nice. AMATEUR

Is that what you want? JACK

as.s? in the me Is he gonna fuck AMATEUR

more of a celebrity attitude. Johnny Doe has adopted They're on the couch in Jack's living room.

DOE. JOHNNY PORN ACTRESS and AMATEUR Jack is directing a scene with an

TO: CUT

when they're a little fast •••• it's cooler. people like it when slow songs.,.y"know ••• ••• cause that might make it cooler, We'll just speed it up a couple octaves • DIRK

I thought that -- a ballad. It's ENGINEER

speed it up a little -- it's I think that ••• maybe we could Well DIRK

So .•• what do you think? ENGINEER

making phone calls, eating the free food, etc. Scotty and Todd are sitting around. Reed and the Engineer. Dirk,

HEAT. •••• MY FEEL FEEL, FEEL, REED/DIRK

BEAT MY YOU FEEL NIGHT, ALL DAY, ALL TOMORROW ME LOVE TODAY, ME LOVE C'MON C'MON, C'MON, SOUL YOUR YOU IN MOVE HEAT WILL MY KNOW YOU BABY DON'T

YOU ROLL HEAT WILL THE YOU, ROCK HEAT WILL THE

~ .:... ......... :_

SWope? Mr. WORKER BANK

DOLLIES IN, CAMERA WORKER. BANK He's approached by a middle aged white male holding his hand. him, Jessie St. Vincent is sitting with his lap, sitting patiently. on

briefcase a holding Buck is dressed like a regular joe in a suit,

the face -- in SMACKS Becky Jerome

please, please baby, No, BECKY

you want my cock to be bigger, don't you? I'll tell you about a big cock -- yeah, JEROME

Don't -- BECKY

huh? You probably liked those big cocks, JEROME

Jerome, don't -- Please, BECKY

WHORE. A FUCKIN' YOU'RE WHORE, FUCKIN' YOU JEROME

dressed in his Pep Boys uniform. her, above Jerome is standing Becky is crouched in the corner of the kitchen.

TO: CUT

VIOLENCE. AND SCREAMING From the house we hear the sounds of Establishing shot of a small little house with a white picket fence.

Alright, friends; let's get it over with. JACK

and says; CAMERA a seat behind the VIDEO He takes

Load, Jack. and Lock DOE JOHNNY -~/ .. :\•~ ,r'~-- Fuck her in the ass. Johnn:y: JACK

you could do anything. wanted, Rollergirl, you -- you know -- cause if you for That would be great You should do it. AMBER

I think you right -- I think you were right. never did it. I 'cause I feel bad that diploma -- my can get It's like -- so I Yeah. ROLLERGIRL

For High School, to graduate? AMBER

Do you know what that is? GED. gonna see about taking the was I ROLLERGIRL

What? AMBER

was thinking something? I should -- Do you think I ROLLERGIRL

Friday at three. Wednesday, It's Monday, then. We'll do it, AMBER

wanna do that. I oh. Oh, ROLLERGIRL

Everywoman's Village -- pottery class at a gonna take was I AMBER

doing coke and smoking cigs. bed, Amber"s backgammon and talking on They're playing Amber. ON Rollergirl and CAMERA DOLLIES IN

me? You wanna follow Good. WORKER BANK

do. I Yes BUCK

You have a copy of your loan application? WORKER BANK

Hello. that's me. Yeah:, BUCK

it looks like a peanut. it's so ••• so ••• (in Spanish, sub-titled)

Oh my God -- (in Spanish, sub-titled)

BROTHERS. THE ON CAMERA DOLLIES IN and white television. VCR that's wired to a crappy black and slip the tape into their read the letter Maurice"s two BROTHERS rip open the envelope,

sleep with women here all the time •.• I Los Angeles. in of me with women an example Dear brothers: Here's {VO) MAURICE

Following is SUB-TITLED; videotape are placed nearby. An envelope and a Maurice sits at the bar, writing a letter. The club is closed and empty. ON MAURICE. DOLLIES IN CAMERA

TO: CUT

some coke. out set anxiously to a table and move They

timing. Perfect DIRK

I'm back. TODD

IN SUPER-QUICK. DOLLY envelope. an Todd enters holding are sitting around. Reed and Scotty J. Dirk,

128 (2x) DAY HOUSE - DIRK'S INT. 128

TO: CUT

DOOR. THE SLAMS who gets up and motions to Rollergirl, Amber

fake breasts who we have never seen before. PORN ACTRESSES with YOUNG TWO another scene in the living room betweenI I Jack is directing POV: AMBER'S turns her head to something oc. Amber I l

smoke more cigs, etc. They cry and hug and laugh and do more coke,

Yes. honey. Yes, AMBER

? you my mother -- Are OK? -- "yes. " you say,

my mother and I'll ask you if you're Mom? my Are you Amber. my mother, want you to to be I Mom. love you, l GIRL ROLLER

love the little jerk. I really mean;I love him, Rollergirl, I The bastard. He"s so fucking talented. AMBER

Yeah. ROLLERGIRL

Dirk? Don't you miss,

baby. my new my baby, always felt like Dirk was I

I miss them both so much. my Dirk -- and my two sons -- my little Andrew miss l AMBER

and Rollergirl are sitting in front of a pile of coke that's Amber

gonna have -- Stereo World is and that's the personel· touch that Buck's Super a guy wants when he walks right in the door -- sound equipment for long enough to know what that someone might have -- I've been into background to answer any technical question technical hi-fi specifiq have the and I getting into technically they•r~ know what People wanna is all about -- the customer. That"s what Buck's Super Stereo World BUCK

BANK WORKER, He's speaking to the ON BUCK, IN CAMERA DOLLIES

What? ROLLERGIRL

.., just can't. I I can't. honey. anymore, I don't wanna do this AMBER

talking, crying, etc. room, pacing around the and Rollergirl, Amber

A catch-what? DIRK

I get it but I just won't let it happen. and You're saying this thing understand. I This is a Catch-22, It's not gonna happen. MANAGER

Once that happens, I'll pay you to get a record deal because my stuff is so good. I'm gauranteed Have you even heard it? Huh? you heard my tape? have Wait a minute - OK: DIRK

the record company can't hear what you've got. a record contract if You can't get REED

collect payment before we hand over the tapes. job is to My my problem. That's not MANAGER

demo tapes to a record company? take the the price of the demo if he can't can he pay How Wait, wait, wait. REED

a lot of sense. That makes DIRK

the bill is paid in full. until tapes I can't let you take the MANAGER

c'mon, alright -- c'mon, man, C'mon, DIRK

MANAGER. in an office of the Recording Studio with the Dirk and Reed are violently haggling IN QUICK. DOLLIES CAMERA

I'm sorry. WORKER BANR

actor. I'm not a pornographer, I'm an BUCK

support pornography -- And this bank is not in bussiness to pornographer. a Swope: You're •••• ,Mr. WORKER BANK

? .• why . ••.• BUCK

I'm sorry. But we can't give you a loan. Yes. WORKER BANK

mean, it's all -- I yes? things in order, have all the papers, all the ••• I BUCK

Swope ••••• we can't help you. Mr. WORKER BANK

and says; from the file who looks up across the desk from the Bank Worker, Jessie Buck and

TO: DISSOLVE

They laugh and laugh and laugh and smoke, talk, walk.

Mom. love you, I ROLLERGIRL

honey. love you, I OHHHHHHHHH. either. Me AMBER

room. I don't wanna leave the ROLLERGIRL

go walk. Let's AMBER

Okay. Okay. ROLLERGIRL

There's too many things and going tonight -- because it's over. now, let's keep going and going Have,fun AMBER

night last an accident There was OFFICER

what is it? Yeah, JACK

Horner? Jack OFFICER

are standing. O~r,'l~RS POLICE

UNIFORMED TWO Jack continues walking into the RECEPTION AREA where

with Johnny Doe doing some Karate-moves reminiscent of Dirk Diggler. new Jack Horner film a sitting in front of two 3/4 machines, cutting ROOM where Kurt Longjohn and Rocky are breezes past an EDITING CAMERA VHS VIDEOCASSETTE'$, WAREHOUSE area is shipping out boxes of A

other's we"ve never seen cover the walls. Buck and some Amber, Rollergirl, of his films with Johnny Doe,

Posters new OFFICES. follows Jack around his (STEADICAM) CAMERA

Now I'm sorry. Please. WORKER BANK

I'm an actor. BUCK

pornography, you've got to understand -- This financial institution can't endorse WORKER BANK

Well this is not fair BUCK

••• I'm sorry .•• WORKER BANK

here -- because there's gotta be some way now, please, just wait one minute Please, BUCK

I'm sorry. WORKER BANK

mean -- this is not a joke -- I please, can do, I I want to do and a real thing that that a real thing bussiness for me, new a This is •.• this is no, please. ~o, No, BUCK

Please come and help me. Please. Dirk. gonna kill me, I think Jerome is BECKY

SCREAMING. and we can hear Jerome YELLING oc outside the bedroom, Becky is locked in her bedroom on the phone with Dirk.

SPLIT SCREEN;

Becky-what? What? Becky? Hello? DIRK

It's tough luck. goin through a windsheild. That's gotta hurt, DIRK

Can you believe that? He's dead. Yeah. REED

For real? DIRK

Dead. Fuckin' shit. or something. He like, went through the windshield ago .•• and he died. Couple nights He got in a car accident. He died. REED

What about him? DIRK

from kid Y'know, the REED

No. DIRK

know that kid Johnny Doe? You REED

What? DIRK

Dirk. fuck, Oh, REED

quick; Reed comes into the room, on him doing a line of coke.

SUPER QUICK ZOOMS/DOLLIES in CAMERA Dirk is in his bedroom.

I don't know what you want me to BECKY

Do you like big dicks? JEROME

••• I liked it ••• BECKY

CUNT. SAY IT, FUCKIN YOU -- face shit in your gett~ng want you to tell me that you loved I getting fucked by those men in those movies. me that you liked -- I want you to tell JEROME

me I don't know what you want BECKY

jaw. your fuckin' me -- tell it to me or I'm gonna break tell You're gonna Huh? a dick in your mouth? Star with Movie Think your Miss Fuckin JEROME

ask. I Please. Please. Jerome. Please don't do anything to me, BECKY

KITCHEN. the the hair of her head and throws her across the room and into by

GRABS her OPEN by Jerome -- he SMASHED IS BEDROOM DOOR to the The

SPLIT SCREEN/CAMERA stays with Becky as she hangs up the phone.

Becky. comin right now to kick some ass, 'm I now, right now. right I'm comin' Okay. DIRl<

Please hurry. Blvd. Colfax on me at Denny"s in Bakersfield -- -- okay -- meet okay coming in -- He' s ••• okay ••• okay ••• OH SHIT. BECKY

are. Tell me where you DIRK

if he catches me on the phone, I'm dead. Dirk -- me, save need you to I BECKY

where you are -- I don't know where are you, •• Well.: DIRl<

HOLD. down the street. from the house and off Becky runs

142 MOMENT THAT EVENING - HOUSE - BAl<ERSFIELD EXT. 142

She runs out the door --

ME. TOUCH - EVER - YOU - DON'T - BECKY

AGAIN. AND AGAIN HIM STRIKING HIM, OVER STANDS He falls •.• she SKULL. JEROME'S OF BACK THE ACROSS PAN THE FRYING SMASHES She

Becky appears with the frying pan in her hand ••• In the b.g., he walks out of the kitchen. CAMERA DOLLIES in front of Jerome as

TO: CUT

DOLLY/ZOOM IN FAST. and gets in his car QUICK. Dirk exits

a dash for the door and makes newspaper fold coke in a •••• grabs his moment and heads back into his bedroom a He stops

man. Gotta go kick some ass, OIRK

Where you goin'? REED

heads for the door •••• and Dirk grabs his keys and his jacket

TO: CUT

on the floor -- PAN FRYING a large reaches for crouched into a corner, bleeding from her nose and mouth Becky,

kitchen. the He catches his breath and walks out of HOLD. THE FACE. BECKY IN AND PUNCHES DOWN LEANS Jerome

Yes. BECKY

you're going to be alright. want to know if And I A while now. •••• you've been sitting there. You seem alright? be Are you going to BROWN MR.

What? BECKY

ma'am? Are you alright, BROWN MR.

old grey suit, an He wears60S) BROWN (late MR. older man,

an A few seats over from her is Becky is sitting at the counter.

TO: CUT

the pavement. SHREDDING along Dirk drives off with the front of the Corvette

you. Fuck DIRK

I don't think you should drive the car. PEDESTRIAN

away. Dirk puts the car in reverse and backs

you slammed right into this Holy shit, PEDESTRIAN

my car •.•• my Corvette. car, My fuckin' DIRK

pal? You alright, PEDESTRIAN

PEDESTRIAN runs over; A looks around in a daze.

head, He shakes his WHEEL. THE BEHIND DIRK, ON CAMERA DOLLIES IN

INTO THE TELEPHONE POLE. SLAMS Dirk I s Corvette

looks ahead and blinks; FRAME, INTO up

comes that is fifteen yards ahead •••• Dirk gets the cigarette,

TELEPHONE POLE a to pick it up ••••• the car starts drifting towards

FRAME OF OUT down, from his mouth and he leans the cigarette falls

143 LATER MOMENTS MOVING - DIRK' S CORVETTE - INT. 14 3

This is a lot of damage. TODD

I'm lucky I'm not dead. Shit, yeah. DIRK

Ninety miles an hour? SCOTTY J.

Ninety. dunno. I Fuck, DIRK

How fast were you going? REED

the damage; at Reed and Todd are now home and looking Scotty, and raves, verging on tears, circling the car. Dirk rants

i45 NIGHT - GARAGE DIRK'S INT. 145

young lady. Use the quarter, (OC) BROWN MR.

ON QUARTER. HOLDS CAMERA Becky looks at the quarter. BEAT.

don't you try calling your friend? Why BROWN MR.

places it on the counter in front of Becky.

and Brown reaches into his pocket, takes out a quarter Mr.

other reason •••• other than •••• just to help. to help you ••• for no something good •••• I'm trying to do an act of kindess, This is not ••• this is something .•• you see, want to help you. I Please. Please. BROWN Mr.

I'm not hungry. No. No. BECKY

some soup while you wait for your friend? Well why don't you let me buy you Yes. BROWN MR.

but he hasn't come. here and get me, My friend was supposed to come BECKY

soup? A bowl of Do you want to order something?

I can't get anywhere. have anywhere to go, I don't I don't know where to go. BECKY

She's crying. ~rown.•. Mr Becky is sitting in a booth across from the

you just can't. a crovette down the street looking like this, You cannot drive the Vette gets fixed. then we get the record deal, then tapes, or something ••• if we could get those demo guys ass mean it ••• let's go kick that I demo tapes, too. We gotta get those fuckin' DIRK

dunno. I TODD

So? DIRK

Dirk. dollars worth of damage, It could be like two - three thousand TODD

My car has got to get fixed. Reed: This is top priority, a way to pay for it. -- I'll find DIRK

gonna pay for it? you How REED

Be reasonable. man. C'mon, Reed. the street looking like that, You can't just drive a Corvette down DIRK

Dirk. At least it still works, REED

we gotta deal with this Just let it ring, DIRK

Scotty moves to get it. PHONE RINGING, OC we hear the

look at it. It's not driveable, DIRK ./ ..-..,,._, (\, At least it's driveable. REED

BLACK: TO CUT "D" Sequence End

BECKY as she falls asleep. ON DOLLY IN CAMERA DOES A SLOW

for me. same You'd do the BROWN MR.

Thank you. BECKY

bed. own into his climbs tucks her in like a child, then and blanket a brings her He a window. Brown sets Becky up in a chair near Mr.

149 LATER - ROOM S BROWN' /MR. HOME RETIRMENT INT. 9 14

TO: CUT

Brown walk past the Nurse and up the stairs. Becky and Mr.

Brown -- Mr. here ••• in Brown .••• you can't bring visitors Mr. NURSE

A NURSE spots them; some stairs. They enter, make a beeline for

TO: CUT

suburban street. home on a small, path up to a small retirement a Brown walk Becky and Mr.

TO: CUT

I want to help you. to wash. and sleep someplace to need You need help. You BROWN MR.

I can't. No, BECKY

want to help you. I BROWN MR.

I'm so sorry to make you hear this. BECKY

JI ,. young lady. lt's alright, ~alright. It's I(~ BROWN MR.

'/ Diggler and Todd Parker -- Dirk Give it up for his cock -- who knows? you won't -- or maybe you'll just recognize maybe him from some if his films -- or Party Boys, but I think you'll recognize while -- the other's fresh to a for regular a One of these fellas has been some dancing? for Ready OK: Shut up. Stop it. good enough. Alright, alright, (light applause) let's have a little more than that -- c'mon ••• C'mon, Reed Rothchild. Mr. of Reed Rothchild. magic That was the MUTRIX

takes the stage. MUTRIX, A black guy in a cheap tuxedo,

It's a little light ••• REED

What's the crowd like out there? DIRK

He appears; we hear polite applause for the end of Reed's show. oc

applying make-up to his face. JAZZERCISE OUTFIT, dressed in a Todd is there, OUTFIT. COWBOY a in getting dressed is Dirk

153 MOMENT THAT NIGHT - CLUB - BACKSTAGE DRESSING ROOM/STRIP INT. 153

••.. art/dancing tricks/performance doing He"s wearing a spandex magician's outfit and Reed is on the stage in front of about twenty bored bussinessmen.

Plus Magic Show Star Dirk Diggler Film Adult Tonight:

CHARGE COVER NO SHOW STARTS 7:00 -- NIGHTLY -- DANCERS reads:

The sign out front run down strip joint in North Hollywood. An old,

151 (sep.83) NIGHT SHOT - ESTABLISHING CLUB - BOYS STRIP PARTY EXT. 151

Months Later" "Six CARD: TITLE

Since 1977. Yes. AMBER

You've been divorced for six years? JUDGE

The Judge looks over some files; BEAT. Introductions happen, etc.

Judge. Hello, LAWYER

They all take seats. LAWYER. with his

in steps THOMAS (late 30s) Amber's ex-husband, Moments later,

The.Judge looks over a couple of files. They sit in silence.

do not. I I don't. No. AMBER

lawyer with you? have a You JUDGE

Yes. AMBER

The judge. I'm Kathleen O'Malley. e JUDGE

Yes. AMBER

Maggie? be must You Hello. JUDGE

JUDGE enters and greets her; A middle aged female fluorescent lights.

and few chairs a room with a long desk, is sitting in a Amber

ON HIS FACE. HOLD Dirk keeps dancing, tries to ignore their comments.

pee." a I gotta take "Get the fork lift, DRUNK BUSSINESS FRIEND

•••• donkey dick ••• fuckin' DRUNK BUSSINESS

comment; Some bored bussiness-geeks start laughing to themselves and THE AUDIENCE IN MEN DRUNK TWO ANGLE,

and STRIPPING.

DANCING They start nightclub and Todd and Dirk make their entrance.

mix plays on the speakers in the DURAN OATS/NENA/DURAN AND HALL A

my son. a safe place for was business -- I didn't think that environment pornoqfaphy ex-wife is involved in_the My THOMAS

sorry, what is it that you I'm JUDGE

and pornography was that. think a house of drugs and prostitution and I didn't "reasonable place," It said, THOMAS

only saw him twice. I AMBER

a time Well, it was for THOMAS

And why wasn't that visiting privilege honored? JUDGE

Yes. AMBER

that the understanding? was Amber} (to JUDGE

to her home or any reasonable place. With his mother entitled to bring Andrew -- from Saturday Noon to Sunday at seven. a paper) (looks at and visitation was given to his mother on Andrew went with his father, Initially. LAWYER

What was decided during the divorce? JUDGE

Yes. AMBER

is coming to an agreement on custody of Andrew. What we're talking about then So. JUDGE

Yes. LAWYER

was taken care of? And the agreement on the money settlement to lawyer) ( . JUDGE

you ever been arrested? Have (OC) JUDGE

sound of papers shuffling. there's the ·oc She watches the Judge. ON AMBER. CAMERA HOLDS

Not anymore. No. No. AMBER

occasions regarding this sort of thing. trouble with the law on quite a few of she has been in and out You"re honor, LAWYER

I don't do drugs. AMBER

a living -- and sex for drugs She deals in person and she needs help. a very sick my ex-wife is a sick ••• she is You see, the problem is Judge, is that (pause) home with him. there and my new wife is a job have I We live in Long Beach. THOMAS

now? live Where do you JUDGE

He'll be thirteen next month. AMBER

He's twelve. THOMAS

now? How old is the boy JUDGE

safety of the child. for something immediate -- for the but I think the circumstance called My client didn't officially register, LAWYER

Did you register this as a complaint? JUDGE

The Judge looks down at the file. Amber has no response. PAUSE.

saw it with my own eye. I THOMAS

just assumed -- ) \ my husband drugs or any of these things,.\ II ("\ exposed to pornographic material or My son was never This is not right. AMBER

See if they'd like to get soft and sticky? maybe some girl? Maybe we come across some guy, · ? Who knows what could happen •••• A first in porn history. gentleman. ladies and This is a first, it on video. capture back here in the limo -- and we'll and get hot and heavy with Rollergirl shot a young stud who wants to take Maybe we find some new, what we find. heading west, like I said -- and see We're just gonna drive on down Ventura, On The Lookout. we'll call this -- That's what are On The Lookout. we JACK

Ready like Freddy. Ready, ready. ROLLERGIRL

you ready to do what we're gonna do? Are JACK

howdy. Hello, hello, ROLLERGIRL

of adult film -- the lovely Miss Rollergirl. me -- a little princess in the world with have I is heading West down Ventura Blvd. limousine that at this moment a inside of coming to you from the This is Jack Horner, Welcome to the experiment. okay. okay, Okay, CAMERA} JACK (into

wearing a full-legnth fur coat, lingere underneath.

who's a tuxedo, sits in the back of the limo with ROLLERGIRL, in dressed JACK, KURT LONGJOHN. by CAMCORDER operated POV is a CAMERA'S

1983" December 11, "Sunday, BLACK: OVER CARD, TITLE

HOLD. crying her eyes out. Amber leans against a wall,

ON AMBER. CAMERA DOLLIES IN CLOSE

what was the charge .••• ? arrested •••• When was the last time you were (OC} JUDGE

Yes. AMBER .- ___,\,,.,.

The cool ones with the thing? SCOTTY

My jeans DIRK

What are you looking for? SCOTTY

Where are my jeans? Where the fuck is Todd? Simple as that. I will not sell my Corvette: DIRK

It solves all our problems. REED

? supposed to do ••• I am that car ••• what worked way to fucking hard for I DIRK

have nothing left. we Huh? Dirk? What else is there to do, REED

Reed. I will not do it, DIRK

have to sell your car. We REED

know. I don't Okay. okay? dunno, I What? DIRK

C'mon, Dirk, seriously -- REED

Where the fuck is Todd? DIRK

Reed is trying to get his attention; Dirk is getting dressed,

STATION UNIFORM. GAS 76 UNION bed watching television dressed in his Scotty is sitting on one and a fold-out couch. with two beds have moved into a small motel Todd and Scotty J. Reed, Dirk,

TO: CUT

U-HALL connected. CORVETTE is parked out front with a

DAMAGED Dirk's Establishing shot of a crap motel in Studio City.

..... . ,• .......-~------

yeah. yeah, Yeah, DIRK

situatio~. this money ·· gotta deal with .we Dirk, please -- REED

Reed and Scotty look on; as who puts them on Todd gets out of his his jeans and gives them over to Dirk,

Sorry. TODD

Todd. Seriously. my fuckin jeans back, Give me DIRK

Dirk? come with you, can I SCOTTY

thought you did. I TODD

never said that. I DIRK

could borrow them. You said I TODD

been looking for those. I've Todd. Those are my jeans, DIRK

What? TODD

the fuck is that? What DIRK

JEANS he was looking for. Dirk notices that Todd is wearing the

Getting some shit ••• TODD

the fuck have you been? Where DIRK

Got it. TODD

and holds up an ENVELOPE. Todd enters

sorry. SCOTTY

All my jeans are cool, Scotty. DIRK

have to say? ••• uh ••• do I Um KID COLLEGE

Where do you go to school? Oh, great. JACK

yeah. ••• um Uh ••• COLLEGE KID

You a student? JACK

CAMERA.) opposite (behind the gets in the seat Jack She may or may not recoginize him. hello.

who nods The College Kid gets in the car, sits next to Rollergirl,

Then get in here and do what you want. JACK

Sure. KID COLLEGE

You like what you see? JACK

Yeah. COLLEGE KID

Do you see this young lady here? Anything you wanna do -- you do it. JACK

dunno -- you mean it? I KID COLLEGE

What do you say? JACK

earlier in the movie.) is one of the boys who was making sexual gestures to Rollergirl (This kid COLLEGE STUDENT, wearing a backpack. YOUNG to some The limo is pulled over and Jack is speaking through the window

go with you? Can I SCOTTY J.

out. Goin' "-~~---/ / ' DIRK ,.,,.--,\ Dirk? Where are you goin' SCOTTY

a turn into -- down the alley and makes It drives about fifty yards Dirk gets into the Toyota. BEAT.

car? You wanna wait in the FIGURE

I'm not sure if they're gonna show up though.

DIRK

someone? you waiting for Are FIGURE

Hey. DIRK

Hello. FIGURE

A FIGURE inside the car speaks; to Dirk. A small Toyota drives up and stops next DIRR. OF CATCHING A GLIMPSE ACROSS A WALL, FLOAT HEADLIGHTS Dirk is standing in an alley-way.

CUT TO: (~)

Jack looks suprised to hear this .•• Rollergirl looks caught.

Brandy's your name. ••••. you"re Brandy, right? went to high school together • We know you •••• we went to school together. I KID COLLEGE

I think we met once before, actually. KIO COLLEGE

••• coo~ Alright ••• fantastic JACK

gonna believe this -- never guys are The fuckin' go to CSUN. I watch your films in my frat house. We (to Rollegirl) have. ••• yeah ••• yeah I COLLEGE KID

have you seen her film work? with Rollergirl, How'd you like to go round Anyway. no. No, JACK

TO: CUT

have •••• Ten is all I SURFER

bucks. Twenty DIRK

HOLD. little. a Dirk nods his head

now I just wanna watch. but for in, I'll join Maybe can watch. little and I a Maybe you can jerk off just wanna. l mean, I'm not gay. I wanna watch you. •••• I SURFER

want. you I'm .•• it's what DIRK

what do you want to do? So .••• SURFER

Yeah. DIRK c. helping you out •••. ••• I'm guy a mean .•• you're I No ••• SURFER

name is Dirk Diggler. My DIRK

•••• No •••• SURFER

am? Do you know who I (beat) Dirk. DIRK

I •m Joe. SURFER

driver is a young SURFER kid in his late 20s. The in the b.g. and the driver CAMERA holds a profile 2-shot on Dirk in the f.g.

TO: CUT

The Toyota with Dirk pulls around and parks. / ..... .·· ) ',

162 MOMENT THAT - NIGHT - LOT PARKING EMPTY EXT. 162 i ,,~; I r

I

TO: CUT

- - __ ....__ ....... .&. ..A........_.i__..L_...._............. - ,,

What the fuck did you say? ROLLERGIRL

lady. or something, off jack me least at got me hard -- you could You COLLEGE KID

College Kid pulls his pants on. The

Sorry for the inconvenience. Yeah, that's all. (OC) JACK

That's it? RID COLLEGE

know .•.• this isn't working out. I JACK

This is stupid, Jack. ROLLERGIRL

a little pissed, Rollergirl pushes him off; The College Kid looks

Cut. Cut. Stop. JACK

man. Just lemme do my thing, COLLEGE KID

Hey -- Hey -- Are you listening to me? ? kid •••• just ready melt her pussy •••• hey, pretend you're a wonderful stud that's Pretend you're just a wonderful stud, need to play ••• c 'mon now ••• slow down ••• you- beautiful instrument that a as Think of Miss Lovely Rollergirl C'mon. make it kinky, kid. hey •••• take it slow and hey, Hey, JACK

The College Kid doesn't respond.

your way up and in there make it sexy -- don't just ram good, make it look Alright, there, pal; JACK

sidelines; Jack tries to coach them from the pretty she's not enjoying this. trouble removing his pants and she tries to help a little, but it's

some He has Rollergirl and the College Kid struggle in the seat.

The LIGHT held above the Camcorder SHINES brightly on them. CAMERA. Jack is sitting behind the now. moving The limo is

tries to do it faster and harder. Dirk

••• be quiet •••• DIRK

Get your hand wet. SURFER

Dirk does it harder and faster.

••• maybe ••• do it harder •••• SURFER

Dirk's hand touches his cock and he starts to masturbate a little.

wanna see it get hard. I get it hard? little, a jerk it you Why don't SURFER

looks down. Dirk nods,

that's nice ••• that's ••• big ••• ••• holy shit ••• SURFER

speaks sotto; cock and the Surfer kid looks surprised, Dirk pulls out his The Surfer kid's eyes watch closely. Dirk zips his pants open.

BEAT the shit out him •••• He starts to to the ground. Kid CHARGES out of the limo TACKLING the College Jack

He freaks out. SLOW MOTION. IN IN A LITTLE DOLLIES CAMERA JACK. CU. ANGLE,

suck now anyway. films You're fuckin' COLLEGE KID

to Jack and says: heads out of the car, turns back a little, The College Kid laughs

be proud of what you've become ••• Should Nice life you"ve got here. COLLEGE KID

Fuck you. ROLLERGIRL

hard on. 'a with me It's not so cool to leave KID COLLEGE

You don't. You don't do this. Donkey-Dick. Little Fuckin Fag. SURFERS

calling out; .• punching him, and Kicking shit out of him. the drag Dirk from the car and proceed to beat PUNKS FOUR SURFER The

her off..,. SCREAMING., •• Jack pulls and CRYING down breaks She

ME. - DISRESPECT - EVER - DON'T - YOU ROLLERGIRL

ROLLERSKATES over and over and over; his face with her

SMASHES •••• and then goes crazy •••• she Kid BEAT over the College a

She rolls over •••• stands as she watches. ROLLERGIRL ON IN DOLLIES CAMERA KICKS the College Kid again and again •.• He

AMATUER. AN AMATUER. AN YOU'RE WAY? THAT FUCK TO HOW YOU TAUGHT WHO who taught you? - they way you fuck TOUCH her - worthy to you"re not you're worthy to fuck her - You think A STAR. AND A WONDERFUL CHILD SHE'S A STAR, RESPECT FOR THAT GIRL. DAMN GOD SOME HAVE YOU YOU LITTLE PRICK. FUCKING RESPECT. SOME HAVE YOU JACK

and yell at him; Kid BEAT the College Jack continues to

TO: CUT

Surfer PUNCHES Dirk in the face ••••

faggot. You shouldn't do this sort of thing, SURFER

head to the Surfer Kid who says; Dirk looks up in shock, turns his TOYOTA. THE IN DIRK OF FRONT IN

BRAJ<ES ON IT'S SLAMS KIDS PUNK TRUCK carrying THREE PICK-UP A

SUDDENLY: .

I'm sorry -- I can't ••• I can't get it hard ••• I can't. DIRK

looks to the Surfer Kid. tears, on He verges and faster but only gets more frustrated. Dirk tries harder \ ••• c'mon ••• c'mon •••• c•~on ••• SURFER

Buck starts to point out; and a box g·ets The Donut Boy

Yeah •••• I'm gonna get a dozen •••• BUCK

help you? I Can BOY DONUT

Ammo.' 'Guns and reading some coffee, and the corner eating a donut

camouflage baseball hat sits in a in MAN ,AGED MIDDLE A the counter.

BOY behind DONUT helped by the looks at some donuts, and Buck enters

a boy. That's BUCK

my stomach. He's kicking ass inside VINCET JESSIE ST.

little kung-fu fighter? my How's BUCK

Buck looks down; PREGNANT. MONTHS is SIX reveal that she and we Buck gets out of the car

a bear claw, too •••• and uh •.•. chocolate with sprinkles ••• and ••• um ••• apple fritter ••• Jelly •••• want I VINCENT JESSIE ST.

honey? What do you want, BUCK

engine running; Buck leaves the Jessie is in the passenger seat, DOLLIES IN CLOSE.

CAMERA Buck's car pulls up and parks in front of the donut shop.

AND PAN with it into -- UP and we PICK RT. CAMERA enters in

CAR BUCK'S THEN; HOLD, LFT. CAMERA LIMO drives PAST · The WHITE

LATER. MOMENT STREET, THE IN ANGLE,

The WHITE LIMO carrying Jack and Rollergirl cruises PAST.

THEN; FRAME, EMPTY STREET, ON THE ANGLE WIDE HOLD Ventura Blvd •• towards looking out of the alley way, PANS away from him, CAMERA

up some blood and vomit •••• He coughs holds his stomach:in pain.

cries and and moans Dirk and eventually peel out of the parking lot.

They continue to yell and scream and kick and punch Dirk

"One Last Thing" BLACK: OVER CARD, TITLE

BEAT. ZOOM IN. SLOW it. looks at he BUCK. CU.

FLOOR THE ON MONEY OF BAG THE CU.

•••••• he stands for a long moment •••• Buck OVER ALL Blood is

coffee ••.•

and down dead in his donut is face Man and the Middle Aged dead

The Puerto Rican Kid :falls to the :floor The Donut Boy is dead, So:

CHEST •••• and that bullett hits the Donut Boy in the SHOT off before he expires Man gets another wild •••• the Middle Aged

FACE ••• a bullett in the Aged Man with ••• the Puerto Rican Kid turns and returns FIRE, hitting the Middle

BACK ••• in the Kid SHOOTS the Puerto Rican Man The Middle Aged

••• GUN and pulls out an extremely BIG in the corner reaches into his coat pocket MAN AGED MIDDLE The

in a paper sack •••• Buck is frozen •••• money putting the Donut Boy starts to empty the safe,

Okay ••• empty the safe •••• (aims back at Donut Boy) Don't talk ••• shut the fuck up ••• PUERTO RICAN KID

at Buck. AIM SWINGS HIS Kid The Puerto Rican

Christ. Jesus BUCK

Behind the soda machine. Empty the safe. KID PUERTO RICAN

from his pocket and points at the Donut Boy. REVOLVER a PUERTO RICAN KID walks in, pulls a At that moment

some of those glazed •.• how many is that? two chocolate •.•• two sprinkles ••• gimme Lemme get two bear claws ••• apple fritter ••• BUCK

my Vette fixed. That's enough to get

Split it three ways -- key for like •••• five thousand bucks. a Half TODD

How much? DIRK

give him the price? So we call him up, Yeah. TODD

Do you have his phone number? REED

tell him if got half of key of quality stuff. I call him up, It's like this: TODD

how would it all go down? mean, I And how would we do it, exactly? DIRK

Mutrix introduced me -- once in a while. He used to come into Party Boys TODD

How do you know him? DIRK

and partying. He just likes people hanging out at his house just about anything anybody wants to sell him. He' 11 buy crack and smack. as much coke, He's got more money than God and twice is Rahad Jackson. name This guys TODD

I agree. REED

one hundred percent. gotta be we I think if we decide to do this, Something to help us score a little extra cash. be the thing. could I think this Alright. TODD

THE TABLE. AROUND 360 SLOW A

DOES CAMERA Scotty J. is mingling around in the background.

Dirk is bandaged. Todd and Dirk sit around a table. Reed,

grabbed off the table. keys ECU - Dirk's car paper sack. brown in a wrapped bag The plastic ECU - Baking soda poured in a plastic bag. ECU -

Sorry. J. SCOTTY

business. own yer mind ••• y'know Just ••• DIRK

What? SCOTTY J.

Scotty? DIRK

You guys should be careful with this. SCOTTY J.

comes over to the table. J. Scotty

I think we should go for it. DIRK

a pretty good idea. It's REED

Believe me. I'm positive. know he won't. I TODD

How do you know? DIRK

won't. He TODD

What if he tests it out? DIRK

c'mon. have his adress, yeah I Reed, Fuckin', TODD

Do you have his adress? REED

'o hustle-bustle. bit nifty a Right there -- this could be BOOM. bag and walk over to his house -- kilo of baking soda in a a dump half the deal, up we set so That's right. TODD

They arrive and ring the doorbell.

Lemme do the talking -- Not too quick -- that looks suspici9us. TODD

out, in and out. and Let's get in REED

okay. be It'll TODD

I 'm nervous • REED

follows them.

(STEADICAM) CAMERA They pile out of the damaged Corvette and walk up.

Let's go. just in case. Just in case, TODD

know-but-why? I DIRK

a big gun. It's TODD

What the fuck is that? DIRK

a cartridge. AUTOMATIC PISTOL and loads .45 Todd takes out a

Alright. TODD

was born ready. I ••• yeah I'm ready. Yeah Me? DIRK

Dirk? TODD

am. I REED

guys ready for this? You TODD

Okay. DIRK

In sotto; Todd sit in the parked car. Reed, Dirk, IN QUICK.

DOLLIES CAMERA The Corvette stops and the hills of Studio City.

up in front of a tacky-one story house in pulls The Corvette

What's the price? Anyway; This song is so amazing. (to Dirk) ·-, " TRUE I •••• IT' S DUE YOUR TIME IS GIVE IT UP BEFORE YOU DON'T IN LIFE, MUCH SO THERE'S "SISTER CHRISTIAN, (sings along) love this part: I minute, a Oh, wait RAHAD

if you wanna test it out -- Here it is ••• half a key ••• it's really good, TODD

yeah? something, we have, what do we have, So RAHAD

no. No thank you, thanks, DIRK/REED/TODD

or some dope? pill -- or some coke -- a to drink -- or You guys want something Great to meet you.

These are my friends Dirk and Reed. TODD

Come on in here. yeah. Oh, RAHAD

met before at the club We me. That's TODD

Which one is Todd? Hello, friends. RAHAD

He spots the men; CHRISTIAN." "SISTER NIGHT RANGER, DANCING around by himself to Rahad is

FIRECRACKERS around. some YOUNG ASIAN KID is casually throwing a Off in a corner of the room,

40s) (late JACKSON RAHAD bikini briefs and a thin sheen of sweat covering his body: greeted by a man in a silk robe, slightly open to show some ·They're

ROOM. sunken LIVING The BodyGuard leads them down a hall and into a tacky and spacious,

Come on in. Hello. BODYGUARD ./

BODYGUARD comes to the door and opens up: A really big fat black

who's casually throwing some firecrackers around. Kid the Asian OUT •••• BEAT ••••• Rahad smiles at FADES The Night Ranger song , .• to listen to or anything ••• to,~ I don't like to be told what to listen but I don't like that. to the songs, order and they try and say how you should listen something, those guys put the songs in their ••• if you buy an album or tape or know you love putting mix tapes together, three ••• I number my favorite songs •••• This is song I put a mix tape together of all RAHAD

pulls the trigger •••• Click ••• he smiles and casually speaks; Be

.... OK SAY ... TO ONE ONLY THE YOU'RE THAT KNOW YOU .... AND COME HAS THE TIME OH SISTER CHRISTIAN - RAHAD

and puts it to his head and sings; chamber spins the REVOLVER and loads a single bullet, He takes out a nickel plated

Check this out -- (OC) RAHAD

WHITE GIRL in nothing. YOUNG another BLACK WOMAN in a silk robe •••• she's followed by YOUNG battered we can see a bloody, Through the crack in the door, DIRK'S POV:

bed.room door. Dirk looks across to an open Rahad smokes the pipe while dancing.

No thank you • DIRK/REED/TODD

You wanna play baseball? RAHAD

PIPE and looks to the guys; COKE across the room, picks up a Rahad does an air guitar solo to the the Night Ranger song .••• he walks

bag and notices something. the . Reed watches the Bodyguard take

SODA • BAKING OF PAPER BAG FULL bag to Todd in exchange for the

CASH and hands the BAG FULL OF PAPER The Bodyguard brings over a

cool, cool. No problem, That's good. RAHAD

We were thinking five thousand. TODD

me kittie? you kiddn' Are RAHAD

good plan. got a I got a ·plan. I I told you Dirk. Shut-up, TODD

c'mon -- man, what the fuck, Todd ••• DIRK

confused; are Dirk and Reed The Bodyguard turns his head.

in a floor safe ••.• You understand? under the bed, In the master bedroom, TODD

Todd -- what the hell are you doing? DIRK

What? RAHAD

want Something Else From You. We Hey -- Hey. We're here now and we want something else. TODD

He stands up. Dirk and Reed look at Todd.

We're Not Leaving Yet. TODD

ON TODD. INTO A CU DOLLY CAMERA BEGINS A SLOW Dirk and Rahad continue to haggle about leaving/not leaving.

We have to be somewhere and we we really gotta split. No, DIRK

We'll party. Hang out. stay. No, RAHAD

better get going -- we Well ••• I think maybe •••• DIRK

SHOW -- TO LET IT STRENGTE THE HAD WISH I ONLY STRONGER -- I GROWN HAS AS FRIENDSHIP OUT STARTED WHAT FLOW. TO LET IT YET I'M STILL AFRAID AND LONGER ANY FEELING CAN'T FIGHT THIS I RAHAD

"CAN'T FIGHT THIS FEELING," begins to play. SPEEDWAGON, REO

••••• firec'rackers He's ,Chinese ••• he loves to set off (to Dirk/Reed/Todd) RAHAD

in the bedroom. went He TODD

TODD? YOU DOING, ARE FUCK THE WHAT DIRK

over his shoulder to Dirk and Reed; scuttles into the bedroom with the women •••• Todd looks RAHAD

sees: and looks right

Todd •••• DEAD a bullet STRAIGHT INTO the Bodyguard ••• who falls back

crouches for cover and FIRES ••• TODD reaches hold of his gun,

doesn't fall ••• but he HITS the ASIAN KID in the heart, BULLETT STRAY a •..

SHOUT at the gunfire .•• and SCREAM bedroom ••• The GIRLS in the

COVER ••• DUCK FOR ••• Bullets graze past them and they

REED •••• and DIRI< and FIRE off shots at holster GUN from the OWN HIS GRAB ••• The Bodyguard takes this moment to

the floor and he stumbles back .•• ••• the gun in his hand falls to SHOULDER strikes Todd in the from the gun and THE TRIGGER ••• a bullett FIRES PULLS Rahad

You've only got one bullet. TODD

You don't wanna do this, friendly. RAHAD

TODD ••• GUN AT ••• Rahad reacts by AIMING HIS

gun • Don't reach for your TODD

REVOLVER quickly and AIMS at the BodyGuard. ••• Todd pulls his

BODYGUARD reaches into his coat ••• The

DIRK. FUCK UP, THE SHUT TODD

This is not the thing that we wanted. Sir -- we don't know anything about this. (to Rahad) Todd -- don't be crazy. DIRK

the master bedroom. the safe in the floor under the bed in want what's in We what's in the safe. want We I'm not kidding. not. I'm No TODD

Reed make it OUTSIDE •••• Rahad chases after them ••••• and Dirk

BLAST BREEZES PAST THEIR HEADS •••• a • • •

••• Rahad FIRES another shot •••

DASH for the front door •••• a Reed and Dirk make

SHREDS the wall near him •••• Dirk's head and SHOTGUN ••• which cuts right past Rahad FIRES HIS the wall. sliver of Dirk behind a Rahad peers out from his bedroom, sees

Coming down. is corning down. c.ome and see, to get what come and see, You want to C'mon out little puppies. RAHAD

basketball. •• Rahad calls out to Dirk and Reed; a of size STOMACH the

his in HOLE FALLS to the ground with a about fifteen feet •••• he

UP in the air and BACK BLAST blows Todd SHOTGUN •.• Rahad's

pulls the trigger .••• Todd blinks •••• He SHOTGUN. SAWED OFF a holding •.• Rahad is standing right there,

DOOR OPEN; THE then KICKS ready •••• he inches closer to the door and twists the door knob, Todd gets up and heads for the bedroom with his revolver at the

Don't do it. Don't. Todd. Fuck no. DIRK

you coming? Are in that safe. get what's and I'm goin' in that bedroom TODD

This wasn't part of the deal. Don't be stupid. Todd. right now, Let's just split, let's just split REED

without it we're fools. under the bed -- if we leave here He's got cash and coke in the safe TODD ! ... __ .. ···,, J~, CRAZY? GO YOU WHEN DID CRAZY? YOU ARE DIRK

what the fuck. what the fuck ••• What the fuck ••• RAHAO

corner a shaking and shivering in are WOMEN YOUNG battered

The two his hand. in SHOTGUN storms around his house, the RAHAD

dodging attack dogs, etc. out of back yards and over fences,

and residential street, in a down FULL-SPEED Reed is running

Fuck -- Fuck -- Fuck. DIRK

back in his rearview mirror. He looks around -- he looks Dirk pulls around and stops a moment.

peels off down the street -- ignition and starts it up, hops in -- gets the key in the ••• Dirk catches up with the car,

Rahad FIRES ••• on his feet and makes a run for the car, Dirk gets

picking up speed as it goes down the hill -- ROLLING away and down the street: the Corvette is •••• he looks

Rahad is about to FIRE the shotgun again ••••

He looks to the house: Dirk stumbles back from the car.

STREET THE DOWN ROLL TO -- WHICH BEGINS CAR THE OF BRAKE EMERGENCY THE RELEASING DOWN, SLIPS HAND AND HIS IN HIS EYES SPRAYS GLASS

OUT. WINDOW THE PASSENGER'S SIDE BLOWS SHOT ANOTHER

and.crouched -- he opens the door and starts to get in -- · Oirk gets around to the driver's side of the Corvette, shielded

CAMERA)

from (he gets lost SHRUBS and TREES -- street for shelter behind some

away from the car -- makes a run diagonally across the Reed heads

DOOR -- THE PASSENGER'S SIDE BLOWS INTO SHOTGUN BLAST when a

away a dash for the Corvette -- they're steps mak~ Reed and Dirk

174 MOMENT THAT - S HOUSE RAHAD' EXT. l 7 4

side street. a down and He pushes the car off the main boulevard Dirk's car is out of gas.

1 Bl CLATER) DAWN ANGELES - STREET/OUTSIDE LOS INT. 181

"Fourteen Miles Later" CARD: TITLE

TO: CUT

"E." on, The orange needle is The Gas Tank Display. •••• ECU. tank the gas

he sees The car starts to sputter •••• slows ••••• Dirk panics when

Paranoid and freaked. He's driving fast. ON DIRK. HOLD cu.

179 OMITEED 179

TO: CUT OUT, FADE QUICK

next to them •••• dO"?n face the Asian Kid finally falls over, BEAT later, Rahad's dead body fall's next to Todd's dead body ••• a DOWN: STRAIGHT ANGLE, OVERHEAD

THEM. KILLING TWO GIRLS, THE INTO AND FURTHER •••• BULLETS RIP FURTHER HOUSE, THE STUMBLING ACROSS BACK, HIM SENDING RAHAD,

INTO RIP THAT ONE MILLION BULLETS ABOUT BACK ••• OC POLICE FIRE

OC POLICE ACTION ••• THE TOWARDS OFF A SHOT AND FIRES WINDOW THE SMASHES SHOTGUN, THE UP PICKS RAHAD •••

coming down • coming down, It' s RAHAD

ACTION starts to BUILD •••• SOUNDS of POLICE FLASHES hit the house and the More RED-BLUE

He smiles. RAHAD. ON DOLLIES IN CAMERA • sees the red-blue flash • and he looks at the wall RA.HAD ANGLE,

red flash hits the wall ••••• then a blue flash hits the wall. a HOUSE THE A WALL IN ANGLE,

\ ~ THEN: HOLD, Rahad is dancing. and playing LOUDLY A DISCO song·is a moment to take a hit from his crack pipe. raves incoherently, sets down the shotgun for and Rahad rants

my mother. I want want to see you, I don't are you in this house? Wht OIRK

honey •••• my God ••• you just ••• Eddie, .. LYNN SHERYL

mother. and I'm looking for my father my mother ••• ••• I'm looking for OIRK

Eddie •••• I can't believe it ••• LYNN SHERYL

my mother? Where's here? de>ing ••• what are OIRK

a moment, then recognizes Sheryl Lynn. Dirk hesitates

Eddie. ? •• Eddie • LYNN SHERYL

•••• hello. DIRK

Yes? LYNN SHERYL

LY~, SHERYL This is the door. opens on her hip BABY a bathrobe with

woman in a ye>ung A Moments later ••• the door opens; He knocks.

SHOULDER. HIS OVER CU. IN A LANDS DOOR, THE ON SLOWLY IN MOVES CAMERA

He hesitates, then walks up the steps; head. PAPERBOY rides past and throws the paper, hitting Dirk in the A young

same. It looks just the HOUSE.

PARENTS He's standing in front of his looks: blocks down, stops, two full a He walks the houses. at looking this street, down walks He

"Troost Street." It reads, sign posts. walks to the middle of the intersection and looks up at the Dirk INTERSECTION• ANGLE, OVERHEAD .

He looks at the street signs • FACE. BIS

ON DOLLlES IN CLOSE CAMERA HOLD. He looks around a moment.

brake. the emergency hops in and pulls Dirk pushes his car down a small cul-de-sac,

_;...__ ....... .;;:.,;;...i-.~-.-....;::...._;..._.........._..L..,;;;:. ___ --.•~

SPEEDING MALIBU that barrels into the intersection. a by CRUNCHED POWERFULLY AND IMMEDIATELY with the right of way but is A little Station Wagon enters the intersection raining. _It's ·•·

FLASH ON:

he was drunk and they didn't -- man and he was speeding and a there was and and it was raining night .at Eddie, it was LYNN SHERYL

YOU. NOW, ME RIGHT TELL DIRK

To tell you all these things in touch with you. There was no way to find you, to get SHERYL LYNN

LADY, YOU TELL ME, DIRK

come inside right now, please. Eddie, LYNN SHERYL

? ••• how ••• DIRK

Dirk doesn"t move; The baby starts to cry.

They passed .•• last May -- LYNN SHERYL

tell me. .;rust me • tell .1ust DIRK

just let me tell you inside here can tell you what happened, I Eddie, LYNN SHERYL

you're gonna say -- know what I Jesus Christ, No •••• no. DIRK

DIRK. ON HOLD CU. BEAT.

You should come in -- LYNN SHERYL

my mom? Where's DIRK •~-..-~·-/ \ \. With my husband. now. here, live I ,,-_,_ t SHERYL LYNN

Is everything alright? LYNN SHERYL

Sheryl Lynn and her husband. at looks Dirk hangs up,

little ••• a ••• in okay Yeah, ? are you sure •••• (beat) yeah. lemme talk to him •••• Reed ••• yeah. ••• yeah ••• yeah ••• Dirk It's •••• Scotty. (into phone) DIRK

the situation and keeping quiet.

watching sits nearby in his bathrobe, HUSBAND Her on her hip. baby

Sheryl Lynn makes breakfast with the IN THE KITCHEN. CAMERA HOLDS

my mother. want I my mother. to see need I I don't want to see you, doing here? you are What the fuck What the fuck? HOUSE. MY THIS IS my house. This is DIRK

Eddie, please -- SHERYL LYNN

Why did you do that? Why? DIRK

bought this house. husband and I My SHERYL LYNN

-- Why do you live here? DIRK

It was just some drunk kid, Eddie. SHERYL LYNN

DIRK. ON HOLD Back to the scene.

CUT TO: FADE OUT, QUICK

DOE. JOHNNY Half in/half through the windshield of this car is

THE SPEEDING MALIBU. TOWARDS DOLLY IN DOES A SLOW CAMERA

SOAKED IN BLOOD. FATHER are MOTHER and Dirk'sI,, STATION WAGON. THE TOWARDS DOLLY IN SLOW CAMERA DOES A

blows ••. HORN A away. THROWN fifty yards WAGON is The STATION

SLOW. DOLLIES IN CAMERA sits next to them on the couch. AMBER enters, brings Dirk a glass of water and his head. Jack hugs him and pets arms. Dirk has broken down in Jack's

down, fiddles with his sunglasses, looses it; Dirk looks looking at each other in silence. Jack and Dirk stand a moment, FRAME. and HALLWAY A few moments pass and Jack enters the

SOUND from the television. The cooking something.

someone Sounds of oc we hear some noises coming from the kitchen.

off and stands a moment. He takes his sunglasses steps inside. Dirk It opens slowly and CAMERA holds on the hallway that looks towards·the front door.

DIRR. ON LITTLE IN A DOLLY

cries ..•• Baby on a shelf ••• the Husband looks a little depressed ••• the videotapes 100 collection of about a sees that she has and Oirk looks

.... something special with it knew you'd do all of your films •••• I have all of your tapes ••• I've seen I SHERYL LYNN

nods, points to the living room. She smiles,

Eddie. You made something of yourself, LYNN SHERYL

him up with a cup of coffee. s~ts She Dirk nods.

Tell me. COLONEL

Colonel.· Yes, TYRONE

Tyrone? COLONEL

TRYONE. large black man, a THE COLONEL sits in a jail cell with

some soup and smiles.

Brown She feeds Mr. FOLKS in the retirement home. OLD group of a

UNIFORM and working with wearing a She'~ BECKY. ON CAMERA DOLLIES IN

out the window .••• then back to the test.

looking She starts to drift, GED test. in the middle of taking the deep desk, a She's sitting at ON ROLLERGIRL. CAMERA DOLLIES IN

Excellent. Cut. AMBER

come inside us -- need to do is walk over, get down and We're open, we're ready -- all you BUCK

COMMERCIAL for Buck's store. CAMERA, filming a a VIDEO LONGJOHN are standing next to KURT and AMBER ANGLE: REVERSE

brands. name Super-Cool Deals on ALL Buck's Super Cool Stereo World is making This weekend and this weekend only BUCK

Opening. " "Grand huge banner that reads, a · STEREO STORE, " with

COOL SUPER "BUCK'S TO REVEAL the store front of BACK CONTINUES CAMERA

hear somebody say DEALS? Did I BUCK

CAMERA: INTO looks DANCER outfit,

BREAK Buck steps out, dressed in a holds on a doorway. CAMERA

188 "E" Sequence DAY DOORWAY - EXT. 188

------~-'---~-~.i......Jlli....ii....:..........._..-.~- ea iiiE:W3i 'iTKlii_A_ili ii,: .Ji:....Z..ii..-41' _..,_ - .:...i:....:.. ...::._.·-'-..;..

"E" End Sequence

It's a boy. Yes, yes, Jessie. DOCTOR

screaming. and kicking BABY pop out, a hear We

HELL. ALMIGHTY FUCKING.CHRIST MOTHER JESUS , VINCENT JESSIE ST.

c'mon. c'mon, c'mon, honey, C'mon, BUCK

CAMERA. filming the whole thing with a VIDEO SCOTTY J. is with them,

BUCK is holding her hand. kicking her way through labour. VINCENT is screaming and HAND-HELD as JESSIE ST. CAMERA is

TO: CUT

a little dance. drop into his hands -- he takes a bow and does and they He snaps his fingers some brass rings in mid-air. He's wearing a leotard and floating SHOW. MAGIC is doing a

REED CAMERA moves across the small audience to the stage where

BROTHERS NIGHTCLUB" "RODRIGUEZ

of the club -- the sheet drops to reveal; they're unveiling a new sign in front fresh off the boat •••• BROTHERS who are MAURICE is standing out front with his two

TO: CUT

He smiles. ON THE COLONEL. DOLLIES IN CAMERA BEAT.

always will be. You my bitch. re You' TYRONE

like hearing you say it. l COLONEL

love you. that I know You TYRONE .

' I

- ··- - .- - ·-·- - •. ---· - .. .- - · ..... ..£:c_e::.::_:;:_.·.l~""·"'.:E:

·--------

Buck. Don't do it, Don't. JACK

... you ' re gonna need? the modification about Did I talk to you BUCK

Buck. favor and make it work, a Just do me JACK

"compact discs." the new format of about explains some technical information He BUCK is setting up a new audio/video system in Jack's living room.

you're saying. ·word I can't hear a Jack, ROLLERGIRL

Turn the music down you going deaf? Are JACK

What? ROLLERGIRL

please. Your skates on the wood floor, JACK

What? ROLLERGIRL

the floors re-done. just had l honey, please, Rollergirl, JACK

ROLLERGIRL is skating around, listening to headphones.

It's stinkin up the whole house. JACK

It smells good, though. MAURICE

honey, turn the fan on. Maurice, JACK

Smoke everywhere. MAURICE is cooking some stuff up in the kitchen.

through, interacting with: back into the house ••• this is one continues shot ••• as he moves

walking and smiling FRAME, PULLS BACK.and Jack enters STEADICAM

They begin to unload it ... A whole SET of VIDEO EQUPIMENT. and lift the back up to reveal; FRAME LONGJOHN enter KURT and SCOTTY J. ROCKY, CAMERA. towards backs up TRUCK EQUIPMENT An

195 (June 84) DAY DRIVEWAY - JACK'S EXT. 195

You"re the foxiest bitch I've ever known. JACK

says; and a kiss on the cheek gives her He leans in, BEAT.

You're staring. AMBER

my darling. I'm looking at you, JACK

What are you looking at? AMBER

Plenty of time. JACK

Are we ready? AMBER

He sits next to her; She's sitting in front of her make-up table. BEDROOM. AMBER'S

who continues down the hall into -- PANS back to Jack, PICTURE on the wall of LITTLE BILL then to a PANS CAMERA down the hallway, walks back in the house, JACR

I don't think so. VINCENT JESSIE ST.

He's not gonna piss in the pool is he? (to Jessie) JACK

Cna you say hello to your uncle Jack? (to the baby) VINCENT JESSIE ST.

swimmer! he"s a Look at this, JACK

VINCENT is doing an OIL PAINTING of them. . JESSIE ST.

BABY • REED is swimming with the AREA. POOL Jack continues out to the

okay? I just wanna hear something, to it loud, alright? listen I don't JACK

gonna be loud. it's not and got you you stick with the bass Jack - BUCK

ANDERSON picture. THOMAS PAUL a

walks out of the room, closing the door behind him. does a final karate kick and puts his cock back in his pants, He

bright shinning star. I'm a star, I'm a big I'm a star. I'm a star. star, I'm a star, a I'm DIRK

He looks at the REFLECTION of it in the mirror; hang out. cock unzips his pants and let's his Dirk stands up,

Where the fuck is Ringo? (beat) ask you one more time •••• So I'm gonna be nice and I'm gonna (beat) I'm Brock Landers. treat you gently •••• That's right: I don't tough load, is a inches my reputation •••• thirteen know you That's good ••• so you know me, (beat) gonna spread your legs •••• gonna get nice and wet ••• so you're see what we can find ••• then we' re First we"re gonna check for holes, (beat) But I'm gonna help you settle this ••• (beat) well no. scrub it and make it clean •••• brain out of your head and wash it and our hearts •••• you wanna take your we all have those guilty feelings in we've all done bad things •••• there •••• been cause I it is ••• how know Hey •••• I (beat) Ringo's place when the shit went down •••• coulda been me the one who was at (beat) am. I led me back here •••• yeah ••• so here I've been looking for clues and something looking for something ••• a clue. I've been around this block twice DIRK

He looks in the mirror; hair slicked back. He's cleaned up a bit, working on the lines. film, the new him for a jean costume, script in front of i~ Dirk is sitting

196 MOMENT THAT - DAY - HOUSE/BEDROOM JACK'S INT. 96 l