"BATTLEFIELD EARTH" (2000)

STATS104pages269scenes19,194words27%dialogue76characters

Words

  • dialogue5,27227%
  • action13,09968%
  • other8234.3%

Scenes

location
  • INT 104
  • EXT 127
  • UNKNOWN 38
time
  • DAY 4
  • NIGHT 1
  • DAWN 1
  • DUSK 3
  • CONT 87
  • UNKNOWN 173
1

OPEN

·;, ~"'-n.,

Screenplayby

Corey Mandell

FIRST DRAFT
OCTOBER,1998

~.____

2

EXT.BARREN MOUNTAINOUSREGION -- DUSK

The skyglows deep crimsonas the sun starts tosink below the horizon,casting shadowsover •••

A smallgroup of nativepeople, clad in animal skins,congregat outsidea remote cave. Their heads reverentlybowed, while--

PARSONSTAFFER
And themonsters descended fromthe sky, raising agreat cloud of dustkilling all men,but for a very few •••

Bis gaze sweepsacross the youngsters,drilling into theirheads

PARSONSTAFFER (cont'd)
As survivor~,we must dedicateour lives to pleasingthe gods, so theymay return and driveaway the monsters.

Turns a sharpeye back to Jonnie,but still addressingthe child

PARSONSTAFFER (cont'd)
.~ndarrogancedoes not pleasethe gods.

Bis ruggedframe clothed ina puma hide, a kill-clubhanging frOll his belt. And although onlynineteen, JONNIE, alreadyhas the lookof someone who has alreadyovercome a lifetime'sworth of adversitv. Be immediatelvturns to Chrissv. ·

PARSONSTAFFER

Finisheschanting up to theheavens.

PARSONSTAFFER
••• May youchaseawaythe monsters and lead'JSback to the landsof plenty.

The clanc~oses ~heir eyesin silent prayer. All except for--

cmussy

aer teenage cc~ntenanceoffset by thematurity in her strongdark eyes.

3

EXT. CAVE-- A LI'ITLE:..ATER

The parson shakeshis head as Jonniesecures an animal-skinsleep roll andextra kill-cl~s to h~ssnow-white horse, WINDSPLI'l'TER.

This is notwhat your motherwanted.

The parson's ancientface burns with religiousfury as he drills his stare into Jonnie.

JONNIE
My mother wantedwhat was best for the tribe. And aslong as we stay here, there will barelybe enough to eat.

eewv::r·-··

JONNIE (cont'O)
Whilethere may be otherplaces~ could livewhere the food ismore plentiful.
PARSON STAFFER
It is truethat food is scarce,and everyone appreciatesyour desireto help, but I can'thelp wonder if thereisn't .more towhy you want to go outthere •••

that hangthere, then givesJonnie a pointed look-- Be lets PARSON STAFFER (cont'd) But allit would take is forone monster to seeyou, and follow youback, and we would allbe struck down.

Jonniemeets his rage withca.l.n,dzter=.ina~ion.

JONNIE
Saveyou ever seen a monster?

Be turnsto the rest of theclan, challenging--

JONNIE (cont'd)
Bas anyonehere everseen a monster? --- And ifhe has any doubt inhis voice, Jonnie doesa good job of hidinqit. Be hoes ontoWindsclitter and takesoff---
4

EXT.OTHER SIDE OF THERAVIN;:-- CONTINUOUS.

Jonnieheads down the·hill,turning a bend·,where--

u

CBRISSY

Sitswaiting for him onher horse, which likeWindsplitter, is loadedwith an animal-skinsleeping roll and kill-clubs.

Jonniesmiles, impressedby Chrissy's mettle. But shakes his head. JONNIE tfinishinghll thought) --Ithink you can handleyourself better thanmost men••• Which iswhy·you must stayand look after youryounger brothers. Chrissylooks at him, chagrined. It's hard toargue with that. A toughbeat. Nothing leftbut to say good-bye•••

And finally,struggling tokeep her face a mask,Chrissy removes a shinyMEDALLION hanging fromher neck.

CHRISSY
Thiswas given to me bymy father when he died. Be received it fromhis father.
(tryingto hold back the emotions)
I'mnot giving it to you. I'm lending it. So, you better not letanything happento you out there•••

Sheplaces the medallionaround his neck, theirbodies close not touching. So much notbeing said•••

The tribe'schildren race alongsideJonnie, excitedby the adventurehe's going on. Butsecretly terrifiedby the death they'vebeen taught awaits him•••

The youngones obediently stopat the bridge. They willnot crossit. But Jonnie does, leavingthe'tribe behind.

Chrissy'smask starting ~o crackas she watches him disappear The firstof the tears escapingdown her cheeks.

5

EXT.VALLEY -- DUSK

As nightfalls, Jonnie rides acrosswide open plains. Bis eyt t~nse,seai:chingthe gatheringdarkness for the firstsign of

And hesuddenly freezes. Seeinghis first ever •••

STAR

Boveringmajestically overhead. Soon joined by otherstars. Jonniestares up in wondermentat these heavenly lights.

6

EXT. PRAIRIE-- SEYERAL DAYS LATER

Jonnie stealsthrough the grass,throwing his kil~-clubwith blurrinqspeed at an unsuspectinqANTELOPE.

7

EXT. FOREST-- DAYS LATER

Jonnierides through a grove ofconifer trees, the stripsof driedmeat now hanging from hissleeping roll, when hesuddenl stops windsplitterand silentlydismounts--

carefulnot to make the slightestsound, Jonnie slipsbehind c

ROCK FORMA1'ION

Pulling hiskill-club, Jonnie carefullypeers out througha th tangle ofbrush,

8

EXT. TOWN-..DAY

Jonnie and Windsplittermove through a desertedhousingdevelo passing TREESwhich grow up throughthe sidewalks and streets.

A faded piece ofPAPER flutters by. Jonnie picks it up.

Be can just makeout a picture of a womanin a bra. The first time Jonnie has seena photo, let alonewomen's undergannents.

More paper littersthe ground nearby. Jonnie heads to them, passing a rusted TRAIN abandonedon its tracks.

Windsplitter abruptlystops. Nostrils flaring. Eyes on aBOO The door knocked offits hinges. Windowsshattered. Jonnie pulls his kill-cluband silently shoos Windsplitteraway.

Kill-club at the ready,Jonnie cautiously approachesthe house, when suddenly--

A WU:ZZLY BEAR

Rockets out the frontdoor, barreling after--

Jonnie, .who boltsaway,desperately tryingto outrun his dez pursuer. Seekinghigher ground, Jonnieraces to the--

Train, and scramblesup the side of a railcar, then spinsl

9

EXT. RAIL CAR ROOF-- CONTINUOUS

:1 The grizzly has stoppedchasing him andturns back to her ct who scamper out ofthe house to Dlav inthe front yard.

MALEVOICE (O.S.)
Good thing shealready had her lunch--

Jonnie whirls aroundwith club raised. Coming face to face\

TWO MEN

The one doing thetalking, CARLO, iswiry and intense-lookin~ In contrast to his 'built-like-a-brick-shithouse'companion, we'll call ROCltforobvious reasons.

But the thing Jonnieprobably notices firstabout the men art SPEARS they bo1mhave ·aimedat his chest. · ·

carlo motions tothe kill-club _inJonnie'shand.

CARLO (cont'd)
We mean you nohum, if you mean us no harm.

Jonnie slowly lowershis weapon, but remainson gu~.

Rock silently d.irec~shispartner's attentionto--

WINDSPLI'l'TER

Whograzes near the train,waiting for Jonnie. Both men tak1 noteof the antelope-meatWindsplitter carries.

Carloturns a friendlyeye back to Jonnie.

CARLO
You have been fortunatein the hunt. You should thank the gods.
JONNIE
IfI ever see one, I will.
10

EXT. GROUND NEXTTO '!'BETRAIN-- MOMENTSLATER

Jonnie hands stripsof dried meat to Carloand Rock, who reverently bow theirheads, holding the foodup to the heaveni

CARLO
The monsterslilceto hunt inthe dark. We betterfind shelter•••
11

EXT. SHOPPING MALL-- A LITTLE LATER

The snow reallycoming down now. Windsplitter followsour trio through a white carpetedparking lot,taking shelter insidea--

12

INT. SHOPPING MALL-- CONTINUOUS

A brightly decoratedplastic CHRISTMASTREE stands amongthe rea: trees growing up throughthe floor. A CD of SILENT NIGBTloops endlessly from thefew speakers in themall that stillwork.

13

INT. DEPARTMENT STORE-- SECOND FLOOR-- A LITTLE LATER

Our trio head intoa department store,but Carlo and Rock freeze their tracks withsickened expressions.

CARLO
••• Whateverthosepoor bastardsdid, they must have reallyangered thegods.

Rock silently nods,appalled by the sightof--

MANNEQUXNS lyingbroken on the floor. Many of these •frozen people' missing limbs,not to mentiontheir genitalia. Nearby ••

Jonnie stands, curious,in front of alarge plate-glasswindow tl makes up an entirewall. Outside, he cansee the snow falling,l when he tries totouch it, an 'invisibleforce' keeps stoppingh:

-.I ltABI.AM1

In a suddenflash of light,Carlo is hurledback off his feet. Bisbody crashes hard tothe ground, twitchesonce, then falls deadlystill.

Andout of the shadows behindRock steps a trulynightmarish figure. Like the parson'sdrawing of themonster, but worse •••

overnine feet tall withglowing amber eyes. Razor sharp talons on hisclaws. Thick bone-likestructures foreyebrows and lips. ThePSYCBLO aims his BLAST-GUNdead center onRock and fires--

As Jonnie'sKILL-CLUB fliesthrough the air--

ltnockingintothe firingweapon, causing the shotto go wide.

Jonnieand Rock take offthrough the store,bolting through a maze ofaisles which leadthem through a doorway--

14

INT.STAIRWELL -- CONTINUOUS

Our guyssprint up the stairs. The sound of deadlypursuit gettinglouder behind them asthey burst outonto--

15

EXT.ROOF -- CONTINUOUS

Theonly way off the two-storybuilding is to jump. And the frozenground below doesn'tmake thi!!too appealingan option.

..-.....-.

But with the Psych.lorushingthroughthe doorway behindthem, Jonnie and Rockthrow themselves offthe side of the building--

16

EXT.SNOW COVDED GROUND-- CONTINUOUS

Jonniehits the ground,rolling to his feet--

Rock isn't asfortunate and landsat a bad angle, SNAPPINGhis on impact. He tries to climb tohis feet, but the brokenleg buckles, sendinghim collapsingback to the snow.

Jonnie turns back tohelp him--

Be givesa loud whistleand •••

17

EXT.SHOPPING MALL -- CONTINUOUS

Windsplittergallops outof the mall. ·Booves churningup a fll ofsnow as he races toJonnie--

The Psychlopauses to lookdown at •••

18

ROCK,WHO TREMBLES IN TERROR. PLEADING TO THE STARSOVERHEAD-·

19

ROCK

••• Belpmeplease.·I havel.iveda · devotedlife•••

But thetwinkling lights seem indifferentto his plight.

Jonniewatches helplessly as thePsychlo slams down a leveron the sideof the gun, then aims itdown at Rock. KABBLAMJ

A ~apinghole bl~_throu~h Rock's_chest.

.....on-·.. _es~-__-~~............~e-c·~r\_..,r-o_n..........o~•,.-..i...,·""a·..so1;-...-..-e-.,,...e:.:_~;...r:a~,......ygathers ~he =eins, and :enos-~:~ -~e saadl&. ~eady :o ~ide.

Anc ~!1en~.esees•..·nat_ooKs:..:i<e:.;:sect.Thirty:eet:.ongand -:.e:--.:ee~t.:...;:-.,:·,,.;e_·:0:ee1:::de::,side•.!\.ndsrnoo-:.::.3itti.ng

20

S~ARELY::.NT:1E~.:..AD.:.EORT!1EWIDE~ATH.

:~ere·san earsp~:tt:~g =oar!

:on~ieg~ances back, ~o where the ~hingrises three feet aoovethe ground. And ~eves :o.:ward.

;o~~:epasses one corner, ~hen another.The thing fAlling behind.

He swervestvindsplitterup a sidestreet,reaches another cornerand again t~r~es. He heads :or theopen country.

He can hear theroaring of the thing somewherebeyond the rubble. He listens,holding his breath.The position of the roar changing.Shifting to the right.

The thing somehow blocksthe street aheadof him and then goes on, planningto come up behindhim.

He is trapped.There is no panic in himnow. He slows the hard poundingof his heart. The thingto do is wait until the monster isright in the street behindhim-then go over that barricade afallen building had become.

He sidlesWindsplitter back to get agood run.

The thingis roaring down the side oathbehind him. Now it is turning.He glances back. There it ls,wisps of smoke corning out of itsnostrils.

Jonnie putthe heel to Windsplitter.~e yanks.on the lead rope.·

And sprintsat the barricade. Rough andfull of loose stones. Dangerous.

Up they scramble.Rubble slides. Butup they go. All the way to the top.One glance back shows ...

21

•.THE THINGROLLING UP TO THEVERY BOTTOM OF THE BARRICADE.

But he'sover the barr:cade. ~e ~:-:s~~estreet before him at a run andkeeps ~~n~:~9.

Jonnie swerves-:::roug~~cnE:cKerooard-::>fpaths,edgingtothe open country.

Furtherand further. ~he buildingsthinning. Open country betweentwo structures to his right.He skids down off the embankmentand races for freedom.Windsplitter puffing.

He strainshis eyes, watching.

There itis!

It slidesout ~rornamong the buildingsand starts straight towardhim.

ts-fl'E5W£F¥9"3:Ff"5:dGWE

And suddenly,there's a SHEET OFFLAME. Ahead ~f him the right-handbuilding explodes apart.I~s t~p slides sl~wl¥th down andinto the street anead,blocking it. Spattere wi dust, Jonniehauls up short.

He puts the horse·.:ptoa run.

The thing not onlycloses the distance but startsto pass.

Jonnie swerves atright angles.

The thing banksinto a turn and flashesby him, well ahead, turns andblocks his way.

Jonnie pullsup. He turns around and beganto run away from it.

It let out ablasting roar, scorches byhim and again stops, blocking hisway.

Jennie's facetightens into dete.nnination.

Thong solidon his wrist.

WalkingWindsplitter, he moves up a.headofthe thing. It doesn't.move.He goes about a hundredfeet.in front of the. thing. Itdoesn't move. He carefullyspots the position of a slittedeye.

And whirlsthe kill club. And outsa heel to Windsplitter. They racestraight at the thing.

The killclub, carried with the fullspeed of the run~~ng horse,whooshes down straight at theslitted eye.

The crashof impact is deafening.

Jonnie slowsbeyond the thing. :t hadnot moved.

He trotsWindsolitter back to the originalposition, a hundred feetin front of the thing.He turns and makes ready for a secondrun.

He touchesa heel. ',hndspl:tter?:..unaesforwa::::-d.

And thena great gout of yellowblooms out from between the eyes.

Jonnieis struck a blow likeall the winds of Highpeak rolled intoone.

Windsplittercatches the fullforce of it. Up into the airgo horseand rider. Down theycome with a shuddering crash, againstthe earth.

IN THE DARKNESS:

There's anethereal, almost otherworldlyWAILING. Thena stab of light and--

22

EXT. ABOVETBE MALL -- DAWN

The shoppingmall falls away belowas we rise higher andhigher above it. Like a soul returningto heaven•••

But for somereason, we're lookingdown through prison-likeBARS.

REVERSE ANGLETO:

Jonnie's face.as he starts to come to. Disorientated,he looks around. A handfulof men stareback at him, each one tryingto hide how terrifiedthey are. And PULLING BACKwe can see •••

Jonnie and themen are imprisonedin a cargo cage suspendedfrom the underbellyof a--

23

EXT. PSYCBLOAERIAL TRANSPORT VEHICLE

Which climbsup vertically intothe sky with engineswailing, then rocketsforward with impressivespeed.

24

INT. CARGOCAGE -- CONTINUOUS

An icy windblasts through the cage. But the cold isthe least c Jannie's concernas he spots Carlolying motionless inthe corneI

A pair ofyoung, scrappy-lookingtwins, MICREY and SAMMY,give Jc a reassuringlook. They shout tobe heard over the howlingwind-

MICKEY
If themonster's fire-stick doesn't make ahole in you, you go to sleep.
SAMMY
But youwake-up--

And sure enough,Carlo groggily beginsto stir. Relievedto see Jonnie. Butthen he looks around forRock •••

25

INT. COCKPIT-- AERIAL TRANSPORTVEHICLE -- LATER TBATDAY

The Psychlobanks the transportvehicle around a mountain, revealing a massiveTRANSPARENT DOMEcovering a largecity below.

Getting closer,we can see Mile BighStadium. And behindit, the distinctivedesign of Denver InternationalAirport•••.

26

EXT. DOME --A LITTLE LATER

The vehicle hoversdown, and with thesound of a magneticfield disengaging,deposits the cage intothe back of a flatbedtruck.

27

INT.CARGO CAGE -- MOMENTSLATER

The Psychlolumbers inwith box-shaped AIR-FILTRATIONUNITS,eacr witha thin tube attachedto it. Be startsto slide one of these tubesinto Jonnie's nose,but Jonnie knocks thecreature's pawa~

The Psychlogrowls, hurlingJonnie viciouslyacross the cage--

JONNIE

Slamsinto the bars, slidingdown to the floor,where the Psychlc: unceremoniouslyjams thetube up Jennie"s nose.

28

EXT. DOME -- ALITTLE LA1'ER

The Psychlo drivesthe flatbed-.transporttruckwith the cargocagi it through an ENTRYPORT, completewith maDIDOthair-lockchambers Jonnie studies everythingwith the trainedeye of a skilledhunte;

29

INT. DOME -- CONTINUOUS

The dome coveringDenver is so enormous,it has its own weather~ And right now, a darkdrizzle falls ontothe city, which looks much like it doestoday, save for twothings... ·

A g:;-imylayerofmining soot covers theplace. And for some reason, most of thebuildings have beenpainted purple.

30

INT. TROCK -- DRIVER'SCABIN -- CONTINUOUS

The Psychlo removes~he tube from his ownnose and leans outthe window, taking a deep,_contentedbreath•••

31

INT. CARGO CAGE -- BACKOF TBE TRUCK --CONTINUOUS

Jonnie experimentswith removing his own tube •••Buthe immediatel has trouble breathing. Eyes going glassy. Be replaces thetube a fast as he can. Carlogives him a pointedlook.

32

EXT. DENVER STREET --A LITTLE LATER

The sounds of HEAVY INDUSTRYfill the air asthe truck turns down street,passing a shiftof PSYCELO LABORERStrudging off with lune pails to go work in themines and smeltingplants.

33

INT. WAREHOUSE COMPLEX--A LITTLE LATER

The Psychlo backsthe truck up to a loadingdock and BONKS. Several GUARDS headover with a PROCESSINGCLERK as the Psychlo "Buman-Slave Wrangler"swings open thecargo cage.

And now we can seethat while this Psychlois an imposing figure at nine feet tall,he's actually a bitof a runt. The other Psychlos are all agood foot or two taller•••

Including the clerk,who takes one look atJonnie and the others and drills a hard stareinto the undersizedPsychlo "wrangler".

-zee;a&UTET"

PSYCBLOCLERK
You're gonethree days and you only caught w of them?!
34

INT. CARGO CAGE CONTINUOUS

Jonnie studies themonsters closely,but from his P,o.v., alll hears is an unintelligiblemachine-likeclicking sound of theiz alien language. Be turns a questioningeye to Carlo•••

35

INT.CARGO CAGE -- CONTINUOUS

And eventhough Jonniedoesn't know what thePsychlos are arguiz about,he knows one thing. They're not payinghim any attentioz So hemoves like a streakout the cage door. Carlo right ·behinc'

36

INT.WAREHOUSE COMPLEX --CONTINUOUS

Butthe wrangler isn't abou~to lose any moreof his 'cargo' anc whirls,snatching Jonnie,then lunges for Carlo--

ButCarlo manages to twistout of reach of thecreature's talons sprintaway through thewarehouse. The wranglerpulls his gun.

PSYCBLO CLERK
Don't kill it! We c_an'tuseit if it' s · dead--

The wranglergives hima snide, 'Bowstupid do youthink I am?', look. Jonnie watches fromthe ground as--

The Psychloslides a leverabove the blast-gun'strigger-guard intoan up position. thentakes aim and FI.RES--

Carlois knocked flat asthe blue-bolt slams intohim. Bis body liesmotionless, but intact,on the ground.

The Psychloholsters hisfire-arm and scoops up Jonnie. Starts to tosshim back into thecaqe but--

Suddenlyrealizes he's no longer inposse~sionof his gun,

Jonnie has the weapon. And is pointing itstraight at him. The wrangler sniggers. The same reaction fromthe other Psychlos•••

It'slike a 'horse' hassomehow picked up agun with its hooves. Only,Jonnie slidesthe weapon's lever intothe down-position.

Thewrangler is no longerlaughing. Be reachesdown, coaxing Jonnieas if he was some kindof errant pet •••

PS~CBLO WRANGLER Come on, boy. . •Gi-.,emethegun•••

ButJonnie doesn't. So thewrc'nglerlunges forit--

JSABLAMJ

The Psychlo Wranglerstares, stunnedat the--

FIST-SIZED BOLE

Blown through hischest. Be collapses,dead before hehits the ground. The otherPsychlos freezein stunned silence. Then •••

Burst out in hystericallaughter. That has got to bethe goddam funniest ~ng they've ever seen.

With the monstersbusy laughing, Jonniemakes a breakfor it. Charging throughthe warehouse complexand out a doorway--

37

EXT. STREET --OUT~IDE WAREHOUSE --CONTINUOUS

Where he barrelsstraight into--

'l'ERL

Who unlike the Psychlolaborers,wears a senior officer'sunifor adorned with impressivegold epaulets,denoting "Chiefof Securi

Bis ever presentassistant, KER,.can'thelp but snickerat them collision has splatteredover hisboss's perfectlypressed attir

But Terl doesn'tseem to find itamusing. Be shutsKer up with· quick look, thenrips Jonnie offhis feet--

38

INT. WAREHOUSE-- CONTINUOUS

CJ

Bolding the filthy 'man-animal'outat arm"s length,Terl marche inside the warehouse,demandingto·know--

TERL
Who is responsiblefor allowingthis man-animalto run around unsupervised?!

The clerkimmediatelypoints to the deadwrangler.

CLERK
The man-animal shotthe wrangler and--
TERL
--I'm a little pressedfor time. Save the 'going-away• jokesfor later.
CLERK
No joke, sir. I swear.. The man- animal somehow gothis gun. • And when he reached for it, theman-animal shothim.

Theot~er Psychlos nod,backing this up. Terl considersthis, thenpicks the blaster-gunup from theground •••

And caJroJyhands the weaponto Jonnie.

TERL
(to the clerk)
Show me.

••• Sir?

TERI.
Reach forthe gun.
CLERK
But sir. Itmight shoot me.
TERL
SurE:. It ImightI• And I ImightI suddenly growa third arm.
CLERK
But I swear,sir, it shot--

Rapidly losing patience,Terl snaps--

TERL
--Any reportsfiled today stillhave my name on it. And you' reout ofyour skull if youthink I'm going towrite ·shot By Han-Animal·as _thecauseof death in theSecurity Field Report, unless I seeit with my own eyes... . (endof discussionr . . Thia isn't arequest, it's an order.

Knowing he's treaclingon dangerousground,the clerk stares atTe:

CLERJC
••• But withallrespect, sir, if I follow that order,I may get killed.

Terl returnshis stare withoutblinking.

TERI.
The regulationsare quiteclear. . (deadserious) Ifyou refuse to obey theorder, it's a certaintythat you willbe killed

The clerkswallows hard, thenturns to Jonnie and•••

Lungesfor the gun, tryingto grab it before--

lCABLAKJ

Jonnieblasts a hole throughthe clerk's chest

Terlstares in disbel~ef. But~onnie's not finished. A bigger Psychloleaps up and charges.Roaring.

Jonniestumbles backward.

~-t5-3---

An enormous paw blurs in~he air, coming at him. Talonsrake theside of his face.

Jonnie has the gun inposition, and fires at thehuge chest. He punches blast afterblast into it, driving him back.

Terl jerks the gun from Jonnie'shands, and sends aswipe across his chest that sendshim crumbling to the ground.

TERL
...Well,:'!! ~e ~a...m.r.ed.
39

INT.EMPLOYEE RECNEATIONEALL ·--A LITTLE LATER

A livelyjoint wher~ a bunchof Psychlo laborerslet off steam playingLASER-BASB. Othersconsume libationswhile slapping and pinchingthe asses of thefemale Psychlo wait-staffwho pass by.

Terlplops onto a stool atthe bar, but beforehe can order, he's serveda saucepan fullof !CE.RBANGO,a thickoilybeverage.

BARTENDER
When the best securitychief this planet ever had is leaving, theleast I can do jsbuy him a pan of kerbangoon the house.

Terl'seyes slit in suspicion. The bartender shrugs,keeping his voicecasual as he continues•••

BARTENDER (cont'd)
And, of course, I'm sureour little agreementis still in effect•••
(makir.gsure )
Now thatyou're leaving,that little unfortunateincident won'tsomehow 'magically'appear inmy file.

Terl helps himselfto.a shot of kerbango,then explains--

TERL (cont'd)
As long as you providedme useful information, Iwouldn't file the report.
(matter-of-fact)
But now that I'mleaving this pitiful excuse for aplanet, you will no longer be providingme with useful information.

The color drainsfrom the bartender'sface. Terl strollsoff chuckling, quitepleased withhow fun that was .

41

INT. INDIGENOUSLABOR PROCESSINGCENTER -- CONTINUOUS

A PSYCHLO TECHNICIAN,wearing rubbergloves and a germmask over face, uses laser-scissorsto cutthe animal skins offof Jonnie.

The skins gettossed into an INCINERATOR. The technicianthen reaches over and yanksChrissy"s medallion fromJonnie'sneck.

Jonnie triesto grab it back,but the technician swatshim away like he was aninsect, then holdsup the object to seewhat was so damn importantto the 'llan-animal••• .. And we can now seeCh=issy's 'shiny'medallion is aSILVER ooLLA·

PSYCHLOTECHNICIAN
Anyone wantthis primitivelittle trinket?

Nobody does. So the techniciantosses it into the incinerator.

As Jonniewatches Chrissy's medallionget consumed by theflames something deepand dangerous burnsin his eyes.

~. DENVERMININGSITE -- CONTINUOUS

A long lineof humans, chained tostakes like leasheddogs, hunc a massive conveyorbelt spewingout a const.antdischargeof crue rocks. Thehumans separate outthe OAR, which theyplace into--

42

PSYCHLO-SIZEDBASKETS,WHICH WOULDN'TBE TOO DIFFICULTFOR A

Psychlo to carry,but it's back-breakingwork for the~1unnns hauling themacross a large fieldto a...

43

EXT.'L'ELEPORTATIONPLATFORM

PsycbloGuards use rod-likedevices to prod theslower slavesal with sinisterblasts of raw electricity.

A GROUNDCART

Glidesby with Ker at thewheel.

Terl isin the rear, gazingat the humans withthe indifference someone mighthave drivingpast a dairy farm fullof cows.

44

EXT. TELEPORTATIONPLATFORM-- THAT DAY

With theplatform loadedwith baskets of ore,an ALARM soundsan thePsychlos immediatelydon protective gogglesand ear-plugs. Thehumans have no such gearto protect themas •••

TheBUM of large generatorsstarts to fillthe air. Growing louderas they work-up tofull power and there"ssuddenly--

AnEAR-SPLITTING explosionof sound and BLINDINGFLASB of light asall the baskets ofore on the platformvanish.

A brief moment of quietrespite. Then thedeafening roarand blazing light happens again. And thistime •••

45

EXT. TELEPORTATION PLATFORM-- MOMENTSLATER

Bundredsof PSYCBLO LABORERSsuddenly appearon the platform, alongwith--

DISTRICTMANAGER ZETE

Who wears the finestof silk suits andcarries a solid gold briefcase. Terl andKer quickly greet him•••

TERL
Welcome, your Excellency. As this planet's senior securityofficer, it would be my pleasureto expedite your on-planet clearancethrough security--

Butthe District Managerisn't list~ning. Be's staring confused throughthe transparentdome at the IDQW::CAPpedRockYmountains.

DISTRICTMANAGER
Does all of Earthlook like this?
TERL
••• I'mafraid so.

DISTRICTMANAGER

I was told thisplanet was ugly •••

Be peers up at a fluffycloud driftingac~oss a clearblue sky.

DISTRICTMANAGER (cont'd)
But it's gotto be the ugliestcrap-hole in the entireuniverse!
TERL
I couldn't agreemore, sir. Now if you'll please followme•••

Be finallymanages to getthe DistrictManager through security, thenseizes the opportunityto introduceKer.

TERL (cont'd)
This is Executive-AssistantKer. Be's been fully trainedto take-over as Security Chief, sothere'll be no disruptions withmy transfer--

Be takesone last sickenedlook at the humans,declaring--

DISTRICT MANAGER
We'llbe doing the universea favor by exterminatingthe whole lotof them oncewe finishmining-outtheir miserablelittle planet.
46

INT. INDIGENOUSLABOR IDENTIFICATIONSTATION -- CONTINUOUS

A pair of Psychloguards hold Jonniedown on a steel tableas an IDENTIFICATIONTECHNICIAN pressesa--

SEARING-BOT IRON

Into Jennie's a.rm,brandinghim withan ID npmher. Jonniestares the technicianin the eye, refusingto acknowledge thepain.

Amused, the techniciandigs the burningiron harder intoJannie's flesh. Jonnie'seyes bulge, but heremains steely silent•••

The guards releaseJonnie and shovehim toward the nextstation, then turn andgrab the next human slavein line, which is--

MICKEY. The guardsdrag tne youngtwin, kicking and screaming,tc the branding tableand pin him down asthe technician lowersthe iron toward thetrembling youngster'sexposed flesh--

Only the iron isno longer in his hands.

Wielding it likea weapon, Jonnie knocksthe stunned guardsaway from Mickey, thenpivots with blurringspeed--

Plunging the glowing-hot ironinto·the technician'schest.

JONNIE

C, Bow Do You LikeIt--

As the technicianhowls in pain, a massof guards swarm Jonnie, viciously clubbinghim to the ground.

47

INT. BANK OF DENVER-- LOBBY-- CONTINUOUS

PLANETSBIP'SVOICE (O.S.)
--I'm honoredby your visit, your Excellency.

The obese PLANETSBIPwaddles over, flankedby his smarmy-looking ASSISTANT. They shakepaws with the DistrictManager, then lead him across the lobby. Terl and Ker follow•

49

••BOW DO YOUSTAND IT?

Be motions out a windowat a tree-filled park.

DISTRICT MANAGER(cont'd)
Having to spendeach day looking out at all that green. And a blue sky.
PLANETSBIP
Oh no. We make thesupport staff take the offices with theviews.
(winks)
While we get thego,Qg digs.

Be ushers evervonP.i-n~"'::a"'""',on...........

--:ifibWBii'ti+-Wf):Jff

50

INT. ELEVATOR-- CONTINUOUS

And pushes thebutton for the BASEMENT. The elevatorlurches do~ The AssistantPlanetship seizes theopportunity to •••

ASSISTANTPLANETSBIP
I'm sure you'llfind it interestingto know, sir, thatwe were able to usethe planet's indigenouspower-generation systems. Thatway we didn't have to build our own. Itwas actually m idea.
(basks in theglory of)
And unless I'mmistaken, my idea has already saved thecorporation well over six-hundred thousandcredits--
DISTRICTMANAGER
--I'm afraid you'remistaken.
ASSISTANTPLANETSBIP
••• Sir?
DISTRICTMANAGER
I don't find it interestingat all.

The AssistantPlanetship,crushed, managesa polite nod. Terl suppressesa smile. Be likes the DistrictManager's style.

51

INT.INDIGENOUS LABORPROCESSING CENTER --CONTINUOUS

Jonnie,bloody and·bruised,but alive, hobblesdowrta·steel hallwaywith the othernow branded slaves,when--

The Psychlosopen up withBIGB POWERED BOSES.

A solid stream ofwater savagely blasts intothe defenseless humansas the Psychloshose down the dirtyman-animals.

52

INT.BASEMENT -- LATERTBAT DAY

Terland the other Psychloexecutives sitsaround a conferenceti ina windowless dungeon.ofa room whichhas been painted purple.

DISTRICTMANAGER
••• Iwillapproveadditional labor resources be senthere by end of the quarter-cycle. And I believe that does it, except foryour long overdue transfer.

Be turnsand offers Terla friendly smile.

DISTRICT MANAGER (cont'd)
You must be looking forwardto getting off this disgustingexcuse of a planet.
TERL
I just want to servethe corporation in whatever way theydeem best, sir.
DISTRICTMANAGER
Very admirable. And you've done a first- rate job ~ere as L,terimsecurity chief.
TERL
(modestly)
Thank you, sir. I'vedone my best--
DISTRICTMANAGER
--We've decidedto keep you here for another fiftycycles.
(turningthe 'dagger')
With endless optionsfor renewal. The options, of course,being at Bome Office's discretion. Not yours.

Terlreacts like hewas just given a deathsentence. The DistrictManager leansforward, giving hima knowing look--

DISTRICT MANAGER(cont'd)
The senator hasa lot of friends.
53

EXT. MINING SITE -- ALI'ITLELATER

Jonnie, Carlo and therest of the new 'abductees'are issued baskets and shoved intoline with the restof the slaves.

Concernedby his friend'sbatte:cedcondftion,~arlo admonishes.;

CARLO
There's no point intrying to fight these things. Atleast not if you want to keep on ~iving.
JONNIE
Look around you. This ain't exactly living--

Inthe background, a groundcart passed by.

54

INT.ELECTRIC CART -- CONTINUOUS

Kerchauffeurs at the wheel. In the back seat, Terllowers his voice,so only the DistrictManager can hear.

TERL
...Would youplease explainto the senatorthat if I evenhad an inkling it was his daughter, I neverwould have--
DISTRICT MANAGER
--Thesenator's exactwords to me were, andI'm quoting, "If thatblasted Terl triesto talk his wayo~t of it, have himvaporized on the spot•.

LeavingTerl with that thought,the District Managerstrides up the platform,relieved to be leavingthis crappy littleplanet.

55

INT.EMPLOYEE RECREATIONHALL -- A LITTLELATER

The placeis packed andloud. The newly arrivedPsychlo workers gettingplastered on kerbangowhile losingmoney paw-over-fist 1 laserbash and other assortedrigged games of 'chance".

Terlstorms up to thebar. The bartender looksup, surprised.

BARTENDER
You're still here.

And somethingsuddenly snapsdeep inside Terl. Be grabsKer, pullinghim close, the wordscoming fast and furious--

TERI..
I canassure you I was notgroomed sincebirth to get same 'cushyjob' thateven a moron likeyou could perform! While you weretrying to learnto spell your name,I was being trainedhow to conquergalaxies1 And doinganything less isa disgrace to my entirefamily line--
56

EXT. DENVER ZOO-- THAT NIGHT

Psychlo guardspatrol the Denver zoo,keeping·an eye on themasi humans locked-upfor the night. Insideone of the many cages.. .,

:r:NT.CAGE-- CONTINUOUS

Jonnie, Carlo andseveral dozen men crowdaround a small fireaf GAS TRUCK pulls up. A Psychlo guard insertsthe truck's giantr through the bars,but instead of pumping outpetrol•••

The hose dischargesa green sludge-likefood substance intoa trough. Jonnie startsover to the 'dinner',but is stoppedby FLOYD, a hulkingbrute of a man almostas large as a Psychlo.

FLOYD
You're new, solet me explain how things work. I eat first. Then my men eat.

Bis GANG steps forward. All big and dangerouslooking.

57

EXT. ZOO CAGE --CONTINUOUS

The Psychlo finishesdischarging the food andretracts the hose. From his P.O.V., Jonnieand Floyd's confrontationis unintelligi like animals "talking"to each other in a zoo,as..•

58

INT. ZOO CAGE -- CONTINUOUS

With his gang backinghim up, Floyd explainsto JoMie--

FLOYD
Afterwe're done, ll there'sany food left, youcan have it withthe others.

Given how malnourishedthe 'others'look, it doesn'tappear that there's usuallymuch food left.

59

JONNIE

That'show it~ to work.

Withblinding speed, Jonniescoops up a flaming logfrom the fire,and before Floyd canreact--

JonnieSLAMS the club-likewood, full-force,into Floyd's face, droppinghim hard to theground. Only amoment later•••

Floydis already back up on his feet.

And otherthan a bloodynose, he shows noeffect from the shothe justtook. Jonnie smasheshim again--

60

BUTTHISTIME THE BIGBRUTE IS READY FOR IT,SO ALL IT SEEMS TO.

dois just piss him off. Be grabs Jonnieby the throat and beginsto choke the lifefrom him.

Jonniedesperately triesto break-free,but Floyd is too strong. ·Be~olds Jonnie out atarm's length, preven~ingJonnie from gettingat him as hecontinues to brutally.strangleJonnie.

And with his attackerfinally closeenough to reach, Jennie's hand rockets out,pulling the breathins-tubefrom Floyd'pnose.

Floyd staggers back,struggling to breath. With his eyes goingg: Floyd releases Jonnieand focuses onreinserting the tube as--

Jonnie locks his handstogether and swingsthem like a baseball bat, delivering atremendous blow toFloyd's jaw.

Floyd falls to theground. And this timehe stays there,out for the .count. Jonnietakes mercy on the bigman and sticks thetube back into his nose,then heads over tothe trough•••

But realizes evecyoneelse is holding back,respectfully letting him eat first. Jonnieshakes his head,declaring--

JONNIE
Evecyone eatsat the same time.

The men all rush thetrough•••

The slopmight be disgusting,but at least it's sustenance. And PULLINGBACK, we realize we'rewatching this on •••

61

INT. SECULUTYHEADQUARTERS --CONTINUOUS

A wall fullof MONITORS showinglive feeds from allover the dome< city. On an adjacent wall--

A signreads: YOURCBIEP'OFSECURITYIS •••

Ker despondently removeshis picturefrom under the sign,and with an audible sigh,hammers Terl"spicture back up.

And PULLING BACK yetagain, we realizewe're watching thison •••

62

INT.TERL'S LIVINGQUARTERS CONTINUOUS

A lone monitor perchednext to a bed,where Terl opens a large--

All neatly packed forwhat should havebeen his return home.

Terl almost looks likehe's going to cryas he starts to unpack. Buthe suddenly stops. Sensing it•••

Bis eyes instinctivelygoing to themonitor, which shows--

63

INT.SECURITY HEADQUARTERS- CONTINUOUS

Ker peering out thewindows, making sureno one is watching, before reaching intohis.• _________...

DESK
Inside the hidden falsebottom of a drawer,Ker pulls outof a SURVEILLANCE PBOTOof a mountain range,and•••

'!'ERL'SDESK

Deposits the documentat the bottom of an "In.:.Basket•onTerl'sdE

u but suddenly freezesas he can hear someoneapproaching thedoor--

Ker dives across the~oom back to hisown desk, snatching-upa crossword puzzle,which he pretends tobe working on as•••

Terl marches in andheads straight to hisdesk, where he grabs the surveillance photo. Ker tries toplay it cool.

KER
I was wonderingwhen you were.going to look at that. It ::ameinlast week and I put it straightin your--
TERL
If you're going tolie to me, at least have the decency.todo a credible job.
(dead serious)
So, I don't look likea complete idiot forhaving tried totrain you.

Be sharply jabs atalon toward Ker"ssecret hiding place.Ker's face goes death-white. Bow could Terlpossibly know?

But then Ker suddenlyrealizes. Bis eyesprobing the roomas--

KER
You said we usepicto-cameras to spyon other offices. But under no circumstance do we spy on ourown office!

TERI, That'sright. ~ don't. (matter-of-fact)

64

IDO.

(re:the photo) Start talking.

Given the lookin Terl's eyes,Ker decides his bestchance is to come clean,and to do it fast--

KER
The photo'sfrom last week'srecon drone. It shows a glacierthat just split open. It exposed a goldvein •••

'l'erlglancesatthe photo, thengives Jeera knowinglook.

TERI, And youwere going to waituntil after I transferredto turn itin, so you couldget all the creditfor it, yourself.

lCER (sheepishnod) I didn'tthink you'dmind.

Be regretsit the moment he saidit. Braces himselffor the punishmenthe kn~ mus~.becomi:ng. But surpri~ingly•••

TERI, I don'tmind. Go ahead-andturn it in. (handsJeerthe photo) But first,pretend you'renot a complete i:mbecileand checkthe compo-gradients.

Ker looksdown, studying a miniaturerow of colorbars at the very bottomof the photo. Bisface falls as he realizes•••

KER
The mountain'sfull of uranium. No Psychlocan get near itwithout their breath-gasexploding.
(despondent)
There'sno way to mine the gold--

A HAMMER suddenlynails Ker in theback. dropping himto the fl Terl swingsagain. This time harder. Savagely beatingKer--

TERI.
--ButWhat I 12!2Mind IsThatYou BetrayedMe over A Lousy Recon Photo!

lCER But It'sWOrthlessl You JustSaid So Yourself!

TERI, Yesl But You Didn'tk.t'~ItWas Worthless--

..~-----·· .....-.es··

-· I

I only Ker manages toscramble out of theway at the lastminute. Be grabsthe hmmner fromTerl and scramblesto his feet--.-

But freezes as Terl·pullshis BLAST-GUN.

KER (cont'd)
You can't shootmeJ It's against regulations. I'mnot just some man- animal you can killfor sport--

ButTerl reaches for thetrigger and••• Stops. Staring at the gun,his mind racing•••

Terl'seyes snap to thesurveillance photo •••Then toa ~nitor showinghumans workingin the mines••• Then backto the gun •••

Andit suddenlyconnects for Terl.

Kermistakes all of thisfor some cruelpause before his inevitableexecution andcontinues to plead--

KER
Please! I'll Make ItUp To You, I Swear! Don't ShootMe--

Terllooks shocked by thevery suggesti~n.

TERI, Shoot you? My mosttrusted collea9"1:1e?

Be holstershis gun and throwsa friendly~ around Ker.

TERI.(cont'd)
Of course ~ot. We've got work to do.

Kerclearly has no ideain hell what Terl'stalking about,but ai longas it involves notgetting shot, he'sall for it.

65

TERL (CON~'D)

Tomorrow morning,we have to warn the Planetship about the "mutiny".

KER
•••What•mutiny"?
TERL
The one you're goingto pretend is in the works, like your lifedepended on it •••
(deadserious)
Because it does.
66

EXT.RAVINE -- DUSK

The settingsun casts a shadow overCHRISSY,who sits on a rock, keepinga hopeful eye on thefar side of theravine. We get the feelingshe spends a lotof time on that rock,watching and wait:

A Wr1'BEREDBANDgrips her shoulder. She turns aroundto face thi Parson,who gives Chrissy a concernedlook--

PARSON
Be's been goneover three months.
(the grimreality)
If the monstersdidn't get him,he would have been backby now--

Chrissywhirls back tothe ravine witha relieved smile. But there's nothing there. Only now we canhere it•••

The feintsound of GALLOPINGBOOFS. Growinglouder as--

A flash of white is now visibleon thefar side of the canyon. Rocketing up the inclineand over thedrawbridge and •••

Chrissy's smile instantlyevaporates asshe realizes Windsplitter is returning riderless.

67

INT. DENVER SHOPPINGMALL-- TBE NEXTMORNING

The Planetship and hisAssistant are stretched-outon CB.AISE- LOUNGES. But rightnow the Planetshiplooks anything butrelaxec

Across from him, Terland Ker sit on achaise-lounge nextto a sun-lamp. Terl andKer have concernedlooks on their faces.

'l'ERL ••• And ifthisworker revolt takes place, my informantstell me the~irst order of businesswill be to separat~ you from yourhead. ·

PLANETSBIP
Which is why therewill be no mutiny!
(panic inhis voice)
I'm authorizingyou to use whatever means necessaryto stop it.

Terl nods, so far sogood. Then continues•••

TERL
Our best chanceto prevent th.ismutinyis to increase profits. So we don'thave to keep cutting theworker's pay.
PLANETSBIP
Production equalsprofits. And I'm already bringingin as many new workers as possible toboost production.
TERL
But we haveto pay those new workers.

The AssistantPlanetship givesTerl a snide look.

ASSISTANT PLANETSBIP
Maybe youwere absent theday they taughteconomics at the academy Terl
(scoffs) ' • Butnobody works for free.
TERL
Man-en~ma1s do.

A WAITRESS in ·1ow-cutgarbslinks overwith a tray of drinks, bu1 thePlanetship wavesher off, keeping hisattention on 'l'erl.

TERL (cont'd)
We already use themfor manual labor••.• What if we could trainthem to take-on certain additionalduties? Like ·operatingminingmachines.
(quickly adds)
That way we can boostproduction without increasingexpenses.

The Planetshipand hisAssistant wait for thepunch-line. But thereisn't one. So theyroar with laughter.

PLANETSBIP
Han-animals operate amachine?! Save youblown a head-gasket?!
ASSISTANTPLANETSBIP
It'shard enough to keepthem from peeing on the carpet. But mining?!
PLANETSBIP
I'dbe the laughing stockof the entire universe•
68

EXACTLYWHAT TERL WAS HOPINGHE'D ~AY.

TERL
Which is why you shouldhave me take someman-animals andequipment out to a remote area. It's betteryou don't know where.• • And I' 11trytotrain them.
(nonchalant shrug)
Savethem do some test-mining.That way, ifit doesn't work out,no one will know.

And if it does work, I'llbe vaporized. It'sagainst the law totrain an--

TERL
--Accordingto Regulations:Volume 989, Article34-A, Paragraph 19•••A Planetshipfaced with a profit- threateningsituation, suchas a mutiny, is relievedof any and alllesser ordinancesin the pursuit ofprotecting saidprofits.

The Planetshipchews on this. Be can't argue with thelogic. But shakeshis head anyway, abruptlydeclaring--

PLANETSBIP
we stickto the original plant Bring in more workersand they go on half-payas soon as theyarrive. And that'sfinal!

And before anyonecan say anything--

The Planetship JUMPSOF!"the third floorrailing. And nobody seems the least bitsurprised by this. Probably because•••

The first two floorshave been turned intoa Psychlo-sizedswi.mm.: pool. But insteadof water, it's filledwith an oily fluid. ThE Planetship rubs thesludge into his fur,squirming in delight.

69

EXT. RAVINE -- CONTINUOUS

Underthe glow of first-light,Chrissy ridesWindsplitter downtc

THEDRAWBRIDGE

Whichthe sentries holdin a raised position,preventing her fra leaving. They do thisunder the supervisionof the Parson.

She throws theclub with perfectaim, knocking open--

THE CATCH

On the pulleymechanism allowingthe rope to unwind,lowering the bridge. Andbefore anyone canreact--

Chrissy gallopsWindsplitter likea shot across thebridge, disappearingat full-tilt downth, hillside.

70

EXT. DENVERSTREET -- TBE NEXTMORNING ..

A cold and brutalPsychlo march songplays over loudspeakersas e long line ofexhausted and freezinghumans a.reescortedat gun point out tothe mines. In therear of the procession•••

The young twins,Mickey and Smnmy,work their way overto Jonnie.

SAMMY
We hearyou're planning a break-out.
MICKEY
Count us in--

A Psychlo thtusts Jonnieforward with thebutt of a gun, keeping himmoving with theparade of human miserypassing by--

TERI.AND KER

Who enjoy their breakfastout on the heatedpatio of the Senior Officer Mess Ball.

TERL
I did some researchon man-animals last night. They actuallypossessed certain primitive technicalabilities•••
(beat)
Surprisingly, theyeven managed to fire a crude probe intospace.

Be slaps a pictureof PIONEER ONE onto thetable. Jtershovels yellov meat into hismouth as he eyes thephoto, dubious.

KER
Bow dowe know it came fromman-animals?

() TERI, '·,...._____/

Becausethey were stupidenough to put a plaqueon it with picturesof themselves. One of ourdeep-space reconspicked it up. And here'sthe kicker•••

Be points to theplaque visible inthe photo.

TER.L(cont'd)
The plaquewas made from a raremetal that•s wortha clanking fortune. And in addition totheir pictures,the man- animals alsoincluded fulldirections to their planet. That•s how wecame here •••
(lovesthis part)
They invitedus.

Ker cracks-up,finding this hysterical. Terl leans forward, giving him a conspiratorialwink.

TERL (cont'd)
•••And ofcourse, all thismeans the plan hasa good chance ofworking.

Terl gets up andheads out. Confused,Ker chases afterhim ••• • I

71

EXT. STREET --MOMENTS LATER

Catching up toTerl4 Ker shakes hishead.

KER
But the plancan't work if thePlanetship doesn't orderus to train man-animals--
TERL
-The Planetship'shiding something. All we haveto do is figureout what it is, and we'llhave leverage overhim.
KER
(gettingit)
And then wecan get the gold--

'l'ERL ---What do youmean~? It'sm plan.

And before Ker canrespond, Terl headsinto--

Dff. SECURITY BE.ADQUARTERS--CONTINUOUS

And settles in behindhis desk. Ker followson his heels.

DR
Please, sir. You got to let me inon it. I barely makeany credits in thislousy job. And I'vegot five wives tosupport.

Terl leans back inhis chai=, rlb'l::>ingatalonoverbislips, pretending to be thinkingthis over. And finally•••

TERL

,~) I don't want topartner-up with an idiot. \,.....__-.,/ (challenges)

Bow do I even know you understandthe plan?

Stillreclining in hischair, Terl discreetlyreaches underhis desk and pushes a GREENBUTTON. Thisisn"t seen by--

Ker, who rising to thetask, holds up thesurveillance photoof themountain range.

KER
We train man-animals,who don't need breath-gas, tomine the gold forus.

TERI, But Some Planetowns this planet. The gold belongs tothem.

Ker nods, eager toprove he understandsthe whole plan.

KER
That's the beautyof it. Some Office doesn't even know thegold exists. So those corporatecrap-heads willnever know we stoleit. It's the perfectcrime.

Be waits for Terl'spraise••• But insteadTer1·1ooks shocked. And in the gravestof voices:

TERI, Putting asidethe serious violations of teaching·miningto an inferiorrace and insultingcorporate superiors, each one in themselvespunishableby death, you justadvocated deliberate theft of companyresources••• (resignedsigh) So my duty requiresme to reportyou, even though you willbe vaporizedand I'll have to traina new assistant.

Ker's jaw is practicallyon the floor. Terl promptly pushesa RED BOTTON under hisdesk before--

KER
But it was~ stinking ideal
TERL
Whi<:his why it'sa good thing I now ha·.rearecorcw1gof ~ laying out the plan, and m reprimandingyou for it.

ma What are you talkingabout?l We don't have any recordersplanted in here ••• (realizes) Let me guess. !m don't. But ~ do.

'l'erlsauntersoverto a-~

VAULT

Where he carefullypositions hisbody to shield a KEYPADfrom Ker's view, ashe punches in numbers.

TERI, Considerit part of your education.

KER
••• Education?!

The vault swingsopen. Terl reachesin past a shelfof Blast-Gu and spare air-tanks,popping a discfrom a RECORDINGMACHINE.

TERI, Never engagein a criminalactivity until you set-upa patsy topin everythingon in case you'refound out.

KER
Thank-you. That's great advice! But why doI have to be the patsy?!

TERI, So you won'tbe getting any brightideas about gettingrid of 'oleTerl in order to keepall the gold foryourself.

I

72

KER

~:

But Iwould never double-crossyout·

TERI, Of coursenot. Because I'mgoing to set itup that if any 'unfortunate accident'were to befallme ••• (re:the disc) · This goesstraight to BameOffice.

Be files thedisc away withina collection of othersuch recordings housedwithin thevault, then shuts and locksthe ste door.

~er isn't happyabout this, butwhat can he do? And to make things worse,he realizes•••

KER
Your wholeplan depends on getting leverageover the Planetship.
(shakes hishead)
But since there'sno way to smuggle a picto-recorder intohis office withoutit being detected, howare we going to find out what he's hiding--
TERL
--You"re the onlyqualified E-3 Level Support Executiveon this planet other than the AssistantPlanetship. . (matter-of-fact) So if somethingwere to 'accidentally' happen to him •••

1CER (cat.chingon) •••1.:.dbetheonlyqualified candidate to replace him. Good thinking, sirl (rubs his pawstogether) Sohow do we bumpthe bastard off?

TERL
Don't worry a.boutthat. We'll do it in anappropriate atyle••• But right now, .wehave a JDOrepreeeingconcern.
73

EXT.GUARD'S TOWER --ABOVE A MINE SITE --TBA'L'DAY

Terl andhr enjoy their lunchup in a guardtower overlooking the humansslaving awaybelow. Between mouthfuls,'l'erlmotions down toJONNIE, who struggleswith a heavy loadof ore.

With.almosta aenae ofbegrudging respect,'l'erlexplains•••

'l'ERI, •••Whilethat onedou aeem to be unuauallyintelligentand resourceful, at leut for a man-animal,it alao •eema rather defiant. Which is why we'll need leverageover it.

Ja!:R. Leverage over a man-an.ima.l?

Terlgives him a aharp look. Hasn't he beenpaying attention?

74

'L'ERI,

'l'heonlyway it'a goingto be able to operatea miningmachine -isif it can readPaychlo. Whichmeans ve have to educateit on a learningmachine.

br looksat 'l'arllikehe'•off bis rocker.

l:D But if anyonefound out--

TERI.
-'lh,at.'1whyweneed leverageon it, you moronl so,no one finds out.

Zer stares downat Jonnie, exhaustedby the idea.

DR
We need leverageon the Planetahip. And now ve needleverage on theman-animal•. I don't knowabout thia planof youra•••
(mutt.era)
It'• likewe need leverage oneveryone.

TERI, That'• whatmake• it ao muchfun.

75

INT. JATCBENFACILITIES --LATER THAT DAY

Psychlo COOKSmix a disgustinggreen slop in gianttubs.

COOK
•••we feedthem a combinationof grass, reclaimedfluid wastes, and whatever animalcarcasses we can find.
TERL
Yes, butwhat would manllil.to eat?
(clarifies)
Whatwould they consider atreat?
COOK
Wowthe crap should I know?!
(quicklyadds--)
76

EXT. DENVERSTREET MOMENTSLATER

Ker dejectedlykicks a rock ashe follows Terl up thestreet.

RER
SO much foryour "Positive-Forcing•.
TERL
It'scalled Positive-binforc~nt.
RER
Whatever. It still soundslike a pretty primitiveway to get 1everage.

TERI, Man isa primitive species.

Kercan't argue withthat, but still shakeshis head.

RER
But we have no ideawhat the damnthings like•••
77

INT.DENVER ZOO -- CAGE-- THE NEXT MORNING

Ker barges into the cage,and withoutwarning, throws Jonnie, Carloand Floyd intoa--

TRANSPORTABLE CARGO CAGE.

Mickey and Sammy, tryingto stay close toJonnie, start to scrambleinto the cage,but Ker swats themaway.

78

EXT.TRANSPORT TRUCK --MOMENT LATER

Ker secures the cargocage to the back of aflatbed truck and tossesHEAVY JAC!CETStoour guys.

·o-t--.._--:tac··fis··fitrtf:z:lfb:ffln

-~ INT.TRANSPORT TRUCK --DRIVER'S CABIN-- THAT MORNING ' ) \,,,_____/

Ker,wearing a breath-tubenow that he'soutside the dome,drive: theflatbed truck up awindy mountainroad away from Denver •••

79

INT.CARGO CAGE-- CONTINUOUS .

ourguys huddle in theirjackets as thecold Colorado air blows throughtl-.ecage. Floydshrugs, guessing•••

FLOYD
••• Must bea miningsiteout here.

Carlolooks to Jonnie forhis take on thesituation. But Jannie'sattention turnsto the cargo cagedoor as--

The truckhits a smallbump, causing thedoor to swing open a crack,betraying thatit's not locked.

80

EXT.TBE NEXT BEND --MOMENTS LATER

Theflatbed truck roundsa bend, carryinga NOW EMPTY cage.

81

EXT.BACLTAROUND THEBEND-- CONTINUOUS.. ·

ourguys pick themselvesoff the rQad fromwhere they jumped,an, 1 raceaway in escape, sprintingup a mountainpath.

82

INT. DENVER -- SECURITYBEADQUARTERS --CONTINUOUS

Terl and Ker, recliningin chairs withtheir feet up ondesks, w! l'RIOOF MONITORSshowing our guys huffingand puffing up themour

KER
They sure arei.12!,f.And itlookslike they're slowingdown even more.
TERL
That's thewhole point of this--
83

EXT.MOUNTAIN PATS -- CONTINUOUS

our guysmake it up over asmall rise, whereFloyd suddenly casti hopefuleye at a CABIN-LIKEBUILDINGhalf-buried up ahead in the

FLOYD
Mightbe some food inthere.
JONNIE
We don'thave time. The monstersare goingto be coming afterus.
FLOYD
we gotta eat.
JONNIE
Our best chanceof hiding is up in the tree-line. We'll look for :ood there--

Cax;-lohatesto takeFloyd's side, but •.•

CARLO
If I don't eatnow, I'm not sure I'm going to make itto the tree line.

Jonnie starts to respond,but one look atCarlo and Floyd and it's clear they'reboth on the brink ofexhaustion.

84

INT.SECURITY HEADQUARTERS-- MOMENTSLATER

Terl proudly pointsto the monitors, whichshow our guys forcing open a door and headinginto the snow-coveredbuilding.

TERL
observe them intheir natural habitat.
85

INT.SNOW COVERED BUILDING-- MOMENTS LATER

The buildingis a long-abandonedSKI CHALET,caught frozen in time•.A thick layerof dust covers everything. In the corner••

TheSXELETAL REMAINS ofsome pe9ple are·scatterednear .aCh:ristm Treeslumped over a pileof presents for a holidaynever celebra 1

But Jonnie suddenlyfreezes. Grabs aCHAIR.·

FLOYD
What is it-.;.
JONNIE
••• Lunch.

Be launches the chairstraight at the--

CBlUSTMAS TREE

SendingRATS scurryingout from among thepresents. Jonniedive: onto one of the largerrodents. Carlo andFloyd do likewise.

86

INT.SKI CHALET --MOMENTS LATER

Carloand Floyd rip branchesfrom the Christmastree for kindlin<

JONNIE
We don't have timefor a fire.
FLOYD
We don't have a choice. We gotta cook the rats--
JONNIE
--we~ a choice.

realizes what Jonnie'sthinking.

Carlolooks up in dread ashe

willpower he's gotand ...

Jonniesummons up every ounceof

l:Q;:g~@hims~l.ftQt~kea l2i:teQfr"'w.:~t-

:INT.SECURITYHEADQUARTERS CONTINUOUS

Ker shakeshis head, nauseated.

TERI, Get off your fat ass! We got the info we needed, let's.goround 'em up.

87

EXT. MOTJNTAINROAD-- TBAT DAY

our guys sprintup the road, when theybegin to hear an ominous MECHANICAL ROARbehind them. Gettinglouder as ••.

88

EXT. MOUNTAIN ROAD-- BELOW OUR GUYS --CONTI~OUS

An armored PsychloMARK II GROUND.CAR hurtlesabove the ground·as it comes screamingup toward--

89

EXT. MOUNTAIN ROAD-- CONTINUOUS

OUr guys, who char;epast a faded 'Welcome toAspen' sign on their way around a bend--

But as they topthe hill, they ~~n straight intoone of ~er~·s backupvehicles. Psychlos pi:ing out.

Jonnie goes berserk!

The first twoPsychlo guards stood no chance.With one backward stride,Jonnie ~s behind them. He sendsthem slamming togetherlike egg shells.

He catches thegun of one, as that Psychlo goesdown and stamps his heel intothe side of his skull.

He reverses the gunand batters the other Psychlowith shots from a range ofthree inches.

Jonnie drops on oneknee, and blows the two lastPsychlos who have exited the craftto bits.

Five other Psychlosfire in his direction.

Jennie's gun is empty.He throws it down andpicks up the other one. Flips theswitch to kill.

Totally unmindfulof the shots ripping up theground, running low and firing as hegoes, Jonnie races on.The otners scattering around him.

·Hekneels behind a Psychlobody and sends a stormof shots

into the five. Theycrash back.

Jonnie pounds them intorolling balls of dead flesh.Running, firing as he goes.

90

EXT. TOP OF A GORGE

Wherethey abruptly run out ofground. s~anding atthe brink of a massivechasm where a--

Used tobe. But neglect andrepeated winter stormshave washed it awayinto the bottom of acanyon al.Jllosttoofardownto see.

And tomake matters worse,our guys are surroundedon all sides by sheervertical mountain face,impossible to climb. They're trappe·

FLOYD
What the hell do we donow?!
CARLO
Don'teven think about it-~

This isdirected at the lookin Jonnie's eyes as hestares across the gorge •••

CARLO (cont'd)
There'sD.Qway you're goingto make that jumpl

And in fact,the far side of theravine does seem likean awfully long distanceaway. But Jonniebacks up, getting asmuch runnina room aspossible.

91

EXT. MOUNTAINROAD-- BEBIND OUR GUYS-- CONTINUOUS

The Psychlo GroundCar hurtles aroundthe last bend andcomes screaming out ontothe clearing as--

92

EXT. TOP OF THEGORGE-- CONTINUOUS

Jonnie takes offon a dead sprint, goinglike hell for theedge of the cliff. Carlo looksaway, can't bearthe sight.

Jonnie doesn't let-up. In fact, he goesfaster. Everymuscle straining as he racesstraight for theedge and--

93

EXT. CANYON-- CONTINUOUS

A PSYCBLOFIGHTER PLANE =ocketsup from the depthsof the canyon, blockingJonnie from jumping--

NT. COCKPIT-- PSYCBLO FIGHTERPLANE CONTINUOUS

Terl maneuversthe fighterplane to push Jonnie away fromthe edge of thegorge.

94

EXT. TOPOF THE GORGE ALITTLE LATER

Terl locksour guys into therear of the ground caras •.•

Ker stares acrossthe canyonto the other side, tryingto figure somethingout. And then it finallydawns on him.

KER
They~ust be able to fly.

Terl sighs, unlocksthe cage and grabsFloyd and tosses himover the side of the canyon.

FLOYD

Screams in helplessanguish ash~ plunges to his death.

0

INT.DENVER WAREHOUSE --THAT DAY

The remainsof a sizablemeal are scatteredover a giant tablene: to asteel slab, wherethe ASSISTANT PI..ANETSBIPpartakesinanap.

I

A doorbursts open andKer marche_sinside andsalutes.

KER
I need your approvalto get some man- animal labor unitsto do some painting and cleaning work.

Be extendsa REQUISITIONFORM, which the stillhalf-asleep AssistantPlan~tship signs,but then snidely instructs--

ASSISTANT PLANETSBIP
You tell Terl, thatunlike 'certain individuals',I holdan important job. So next time he has arequest, have him send it through properchannels instead of disturbing me whenI'm busy.

Ker nods,then trots outwith the signed form. The Assistant Planetshipscratches himself,then returns to hissnooze.

97

INT.EMPLOYEE RECREATIONBALL -- CONTINUOUS

The placeis packed withits usual.drunken debauchery. In the back,Terl and the bartenderengage in a privateconversation--

TERL
Givei-i thatitlookslike I'll be sticking around fora while, perhaps we should be discussingthe terms of our new deal •••
BARTENDER
(resigned sigh)
•••Whatdo you want?

Ilff.EMPLOYEERECREATIONHALL -- LATERTHAT AFTERNOON

'l'heAssistantPlanetshipfinishesa panof kerbango when a DOZEN more pansof the narcoticroot are placedin front of him.

BARTENDER
Congratulations.You're our one- thousandth customerof the monthl
98

EXT.ASSISTANT PLANETSBIP'SLIVING QUARTERS-- THAT NIGBT

TheAssistant Planetship,now smashed outof his mind, stumbles intohis room to sleepoff the kerbango •••

Ilff.SECURJ:TYHEADQUARTERS--THAT NIGBT

A recordingof the.AssistantPlanetshipp~ays on.a mon;tor:

ASSISTANTPLANE'l'SBIP(ON MONITOR) You tell Terl,that unlike 'certain individuals', Ihold an important job--

99

.

Kerwatches as Terlpauses the recording,then expertly imitates theAssistant Planetship'svoice:

TERL
"You tell Terl,that unlike 'certain individuals', Ihold an important job."

K..::R (genuinely impressed) Bow do you do that,sir? You sound,ilat like him.

TERL
There are benefitsto a first-class education.

Terlhits play again,mimicking the AssistantPlanetship's expressionsand gesture1:1playingon themonitor.

100

INT.SECURITY HEADQUARTERS-- LATER THAT NIGHT

'l'erlmasterfullyappliesprosthetics~.ndmake-upto his face, thickeninghis eye bonesand darkening the furon his cheeks •••

Until ifwe didn't know itwas Terl, we'd swearit was the AssistantPlanetship.

MM MWWbN'

101

INT. PSYCBLO RESEARCHCENTER -- A LITTLELATER

Terl, disguised as theAssistant Planetship,shakes his head.

TERL (AS ASSIST.PLANETSBIP)
•••WhenTerl gavethis suggestion in the meeting, I ridiculedit. Know why?

The RESEARCH CLERK doesn'treally care, butpolitely asks:

RESEARCHCLERK
No, sir. Why?
TERL (AS ASSIST.PLANETSBIP)
I'm no fool. I'mgoing to steal Terl'c idea for myself •••Becausethat Terl is exceptionally brilliant,don't you think?
RESEARCHCLERK
I haven't noticed. Be always seemed like an arrogantjerk to me.

Terl's eyes slit, buthe forces himself to stayin character.

TERL (AS ASSIST.PLANETSBIP)
••• Well,if yougot to know him, I'm sure you wouldn'tthink that.

The _ResearchClerk shrugs,returning to ~hebusiness at hand.

RESEARCHCLERK
You want discson basic Psychlo Language. Research Compendium on Man-Animals·. Mineral and OreMining Techniques. And Door-Bomb Explosives•••
(beat)
If I may ask, sir,what's that one for?

Terl signs a check-outslip, expertly forging theAssistant Planetship's signature,then •••

Making a big productionof looking around, makingsure no one's listening,Terl leansin with a conspiratorialwhisper •••

TERL (AS ASSIST.PLANETSBIP)
••• canvoukeep a secret?
102

INT.DENVER ZOO -- CAGE-- ·1·W;;T:ITIH'L'MUKNRNC,;;

Kerbarges in and snapsa LEASH around Jonnie"sneck. Carlo gets same treatment. And asKer reaches out to grabsome more humans-

Mickeyand Sammy, discreetlyslip forward, positioningthemselves to beselected.

103

INT. SECURITYHEADQUARTERS-- A LITTLE LATER

Ker handsPsychlo-sized paint-brushesto Carlo, thetwins, and ID.::YWOOD,anolderman witha friendlyface.

Pointing to giantbuckets of purplepaint, Ker barkssomething in Psychlo, whichthe humans obviouslycan't understand.

f\ \, ~-/

MICKEY
Bow we supposedto know whathe wants?
HEYWOOD
They've made me do thisbefore. Just follow what Ido and you'll be fine.

Be dips his brushinto a bucket andgoes to work paintinga wall. Carlo and the twinscopy his movements.

104

INT.BACK ROOM -- CONTINUOUS

Terlroughly depositsJonnie and the chairin the center ofthe roam,then grabs a DISC froma pile and slidesit into--

A LEARNING MACHINE

Which unlike the utilitarian.designofmost Psychlo machinery,is elegantlydesignedwith sleek simplicity.

And once the disc is inserted,the machineemits a holographicilru ofa CBINKO, which bows twiceand puts itssix sets of pawsover sixeyes, then talksin English, albeitwith a strange accent:

CBINKQ VOICE (FROMTBE MACHINE)
Excuse me, but I amyour instructor if you will forgive sucharrogance, for Ido not have the honorto be a Psychlo. I am but a lowly ChinkoLanguage Slave in the Department of Cultureand Ethnology.

The holographicimagebows again, then ..•

CBINKO VOICE (FROMTHE MACHINE)
Please forgivemy pretension as I try to educate you inPsychlo, the Noble language of Conquerors•••

An intensebright shaftof BLUE LIGHT shootsout of the machine, strikingJonnie in theeyes...

CBINKO VOICE (FROMTHE MACHINE)
This machine is designedfor pan-species communication, and utilizessubconscious absorption, allowing forinstantaneous comprehension.
105

INT.SECURITY HEADQUARTERS-- LATER THAT DAY

A somberPsychlo war songplays from speakersas Carlo, Heywood andthe twins paint thewalls a fresh coat ofpurple.

···--

Terlhappily hums alongto the music as he attachessome kind of RED-SQUAREto a choke collar. Ker is camped-outat his own desk, lookingthrough s0100holographicpornography.

·::w:2·:sr:-:ar:a:::===

106

INT. BACKROOM -- A LITI'LELATER

The blue lightbeaming at Jonnie'seyes clicks off. And staying in Jonnie's P.o.v.:

;,,,-.) '',~,~--~~ Jonnl.·e,speakingveryslowly, extra-enunciatin

Terl leansdown to each syllable••• TERL ,Bello•••There.••Do•••You••• Understand••• What•.••I'm .••Saying? •••

Jonnie can understand, butfeignsa blank expression,pretending hedoesn't. Terl danglesa DEAD RAT in frontof Jennie's eyes.

'!'ERL Are ••• You••.Bungry••• Little••• Guy? ••

ButJonnie keeps up hisblank--faceroutine.

Terlcontinues to 'tease'him with the rodentfor a few beats, thenpulls it away andrestarts the machine,turning to Ker.

TERL (cont'd)
Obviously, this isgoing to take a while. We might aswell go get ourselves some lunch.
107

INT.SECURITY BEAOQUARTERS-- CONTINUOUS

Terl and Ker head out~he door. The momentthe·y'regone,Carlo · charges into--

tJI I

108

INT.BACK ROOM CONTINUOUS

And tackles Jonnie outof the chair, "saving'him from theblue beam bombarding hiseyes.

CARLO
Told you your attitudewas going to get you into trouble.That's why the monsters singled you out forthe to'rturemachine.
JONNIE
I'm not sure whatit is, but it's not torture. It's likesleeping. But when you wake-up, yousomehow know things•••
(explains)
Like I can now understandwhat the monsters are sayingwhen they speak.

Heywood appears in thedoorway with a concernedlook.

HEYWOOD
•••What's goingon?

Carlo points to the LearningMachine with religiousawe.

CARLO
It's a god-machinethat the monsters must have stolen. Itmakes you know things.

m:;;:w:15-1·1t''

±,·f¥"+-¥¥rtfffl¥tM¥¥5

JONNIE
I don't knowif it's a god-machine,but I do know I'mgoing to use it tolearn as much as I can,so I can figureout how the hellwe're going to get outof here.

Before Heywoodcan protest, Jonniereassures him--

JONNIE (cont'd)
If you cankeep an eye out andgive me a littlebit of warning beforethe monsters comeback, I won't beputting any of you.indanger.

Beywood is concerned,but moves backto a window, keepinga vigilant eye onthe street outsideas •••

Jonnie insertsa new disc ~nto ~~~Learning Machine. I

l

109

INT. DENVER ZOO --CAGE -- NIGHT

I In the corner ofthe cage, out of viewof the others, Jonnieuses I' a stick to ferventlywork out mathematicalequations inthe dirt.

Carlo, Heywood andthe twins watch, tryingto make senseof the foreign symbols.

SAMMY .
•• ·.so,that'swhatthe monster's·

()

language lookslike.

Jonnie shakes hishead, his eyes shiningwith the raptureof pure knowledge as heexplains•••

JONNIE
This is mathematics. The unifying language of ~heentire universe. Look.
110

EXT.EXECUTIVE OFFICER'SMESS BALL -- THE NEXTDAY

Ker shrugsbetween mouthfulsof his lunch.

KER
••• So it'stakinga bitlonger with the man-animals than we thought. But they can't be completely brainlessif they were able to fire a probeinto space--
TERL
---I'mnot sure the man-animalsgig fire that probe into space.
KER
B~t you said th~re was aplaque on it with the man-animal'spicture.

'l'erlslowlysipsa pan ofkerbango as he ~xplains.

&&

TERI.
What if there wasa species on a different planetthat detested man- animals, and it'seasy to see why they would •••And thisother species. wanting man-animals exterminated,sent the probe to us with directionsto the man-animal's planet.
KER
(beat)
I hadn't thoughtof that. It's very clever, sir.
111

INT. SECORITYHEADQUARTERS -- CONTINUOUS

Jonnie watchingTerl and Ker on a monitor,while readingthrough a Psychlo FIELDOPERATIONS MANUAL.

In the rearof the room, the restof the guys push andpull at the handleto the massive VAULT.

JONN'IE
,~ranslatingfrom the manual) The security-Chiefshould securethe field vaultwith an eight-digit combinationcode of his selection. Be should notwrite this code down,or tell it toanyone else. And he shouldn't simplyuse his EmployeeID number, butbe more clever thanthat.

0:

Carlo gives Jonniea hopeful look.

CARLO
You don'tthink•••?

Jonnie digs throughTerl's desk, comingup with a FORM.

JONNIE
The monsterin charge is namedTerl.
(beat)
Bis employeenumber is on this requisitionform •••

Be returns Carlo'slook with a shrug.

JONNIE (cont'd)
It'sworth a shot.
112

EXT. KEYPAD

BANK VAUI.T--MOMENTS LATER

Jonniepunches Terl's empl Anentry light blinks redoyee Id~Number intothe vault's keypad. and the door remainslocked.

MICKEY
Gue~5 he wasmore cleve~ than that. Jonnie nods, butthen--

But the questionis,~ clever? Let's try putting thenumbers in reverseorder

Beinputs Terl's employeeId-Number in reverseorder. A beat,the the.entrylight blinksgreen and the vaultswings open.

our guysenter. Jonnie'sattention is drawnto the RECORDING MACHINE,while Carlo, Heywood andthe twinscheck-out the Blast- Guns andspare Breath-GasTanks.

113

INT.SECURITY HEADQUARTERS-- LATER TBATDAY

Terland Ker march pastHeywood, Carloand the twins, who areall busy painting thewalls, and head straightinto•••

114

INT.SUPPLY CLOSET-- CONTINUOUS

This time, Terl dangles.tlfQdeadrats infront Jonnie.

TERL
00•••You•••Want••• Lunch? •••

But Jonnie keeps uphis blank-face routine. And is rewarded for it by being picked-upby the head andlaunched out into--

INT•..SECURITYBEADQUARTERS-- CONTINUOUS-

Jonnie skids across·thefloor, slamminginto a wall. Ter"i impatiently marchesover to him, pullin·ghisBlast-Gun.

TERL
It"sobviously asking toomuch of these man-animalthings to graspa language assophisticated as Psychlo.

But Kerisn't willing to give-uphope of the gold andtries to sound convincingas--

KER
What if this one isparticularly stupid? Why don't we try totrain another one--
TERL
--We don't have timel

Be stormsover and grabs a seriesof surveillancephotos from his desk. Jonnie discreetly signalsacross the room to •••

Carlo,who holds his breath,praying he doesn't getcaught as...

Be slowlyreaches between Terl'slegs and pushes theGREEN BUTTON, recordingas •••

TERI,

', ,/ I can'tkeep hiding the recon-photos

from Bome Office,forever. Plus,at the rate the glacieris melting, thegold's about to fallinto the ravine.

tt'P, ... so,we'llget.it then.

c-------. ,__) TERL

We'd haveto use explosives. Bame Office woulddetect them and senddown a survey team,which means wewouldn't be able to keepthe gold for ourselves.

Be takes one lastforlorn look at thephotos, then lashesout in anger, deliveringa vicious kick toJonnie.

TDL (cont'd)
And this damnthing's been on themachine for two fulldays now, and stillcan't even speakone wordl It's hopeless.
(mind made up)
We terminatethe operation andcover our tracks.

Be points his blast-gundown at Jonnieand--

JONNIE
What word wouldyou like me to speak?

Terl stares at Jonniein amazement. The man-animal justspoke Psychlo. But tomake sure he 'snot imaginingthis••.•

TERL-
•••What didyou just ·say?
JONNIE
You heard me. I asked you whatword •••

CARLO. HEYWOOD ANDTHE TWI??SP,o.v

The rest of the guyscan't understandwhat Jonnie's saying,but they're shocked to realize•••

Be's speaking to themonsters in theirmachine-like language,as·

TERL

In an unprecedentedpublic display of joy,hops up and down, pumping his arms invictory.

TERL
It speaks! Itactually speaks!
(as if Jonnie was a toy)
Go on. Say somethingelse.
JONNIE
Okay. How's this? You"re going to stay here as our prisoner•••
(instructs Ker)
While you go andbring back a truck.

Terl, more amusedthan anything, clarifies•••

TERL
Justbecause I taughtyou how to speak Psychlo,you're stillthe inferior race •••Whichmeans~ give you orders. Is;wdon't give me orders. Understand?
JONNIE
Iunderstand that ifyou don't do exactlywhat we tellyou to do, we'll haveno choice but tokill you both.

TEm, Oh, really? And howexactly do you plan todo that--

Jonniegives the signal. With a sudden flurryof movement--

Carlo,Heywood, and thetwins pull BLAST-GUNS from behindtheir paintbuckets. Jonnie keepshis attention on Terl.

JONNIE
The nexttime you chosean access code, you might want tobe a bit more clever thanjust using yourIO number in reverse.

ButTerl's only reactionis to chuckle.

115

TERL

You sure they evenknow how to use those things--

A COLLECTIVECLia as ourguys slam the leversdown on their gun to killposition. Kerimmediately throws hisarm up in surrende

And Terlis no longer chuckling. Be looks aroundat the guns pointedat him and burieshis head in his paws,and }?egins to •••

Bowlwith laughter. Convulsingso hard, tearsrun down his face

TERL (cont'd)
Can you imagine theofficial report?
(gasps for air)
Bead ofSecurity killedby man-animals!

Stilllaughing hysterically,he rears back tosmack Jonnie. But Mickeyjumps forward and FIRES hisgun at Terl--

Only there'snothing but aCLICK. The weapondoesn't fire.

Sarm:nyleapsforwardand fireshis Blaster. CLia. Bis gun doesn'twork either. Carloand Heywood get thesame result.

HEYWOOD
••• Uh-oh.

Tfer;,stilllaughing, followsthrough on his swing,sending Jonn. 1yingacross the roam. Then explains to himwith a smirk.

,N

-

TERI, Ifyou rat-brains knewanything about firearmsafety, you'dknow one doesn't storeloaded weapons.

Then he turnsto take care ofthe others. Goes tosmack Sam:ny--

But Mickey protectivelygrabsa LE'I-tER-OPENERfromadesk, andwl blindingspeed, plunges theblade straight for Terl'schest--

only asfast as Mickey is,Terl is faster, andhe deflects the blow withhis arm, sustaininga small cut in theprocess.

Terl thenpromptly relievesMickey of the letter-openerand seize the tremblingtwin by the throat,holding him firmlyi~ place as-

TERL
Nexttime you want to stabsomeone, let me show you how to do itright--

Be raisesthe sharp blade·highabove Mickey's chest--

JONNIE
(steelin his voice)
You hurt him, I won'tmine your gold!

Terlpauses to consider this. Then turns and convincinglybluffs·

TERI, Then I'll vaporize youand get s~o~e ~lse to mine the gold--

JONNIE
--Youdon't have time.You can't keep hiding the recon-photosfrom Bome Office, forever. And the glacieris melting.

In thatone moment, Terl'swhole world is turnedupside down. Jonniegives Terl a dangeroussmile.

JONNIE (cont'd)
Man getting leverage overa Psychlo. That would be the day,wouldn't it?

Rage burnsopenly in Terl'seyes, but he lowers theweapon and calmlyturns to Ker.

TERL
•••Ithink it's time weshowed our littlefriend here a thingor two.
116

EXT.DENVER LIBRARY --THAT DAY·

AMark II Ground Car isparked in front ofthe library. Locked ina cage in the rearof the vehicle--

117

INT.CARGO CAGE -- CONTINUOUS

carlo,Heywood and thetwins watch withconcern as Terl drags Jonnieby a leash acrossthe street and upmarble steps.

'l"'"[j":J/"'-•

118

INT. DENVER LIBRARY-- CONCOURSE --MOMENTS LATER

Terl's usual deepthroated voice soundseven more ominousas it echoes eerily in thelibrary's expansiveentryway.

TERL
As long as you clingto the feeblehope that you canget the better ofme, you'll be distractedfrom the important work which needsto be done. Which is why I sharethe following withyou •••

Be gives the leasha good hard jerk,yanking Jonnie down a--

119

INT. CORRIDOR CONTINUOUS

Terl moves at his normalgait, forcingJonnie to run tokeep up.

TERL (cont'd)
When we attackedyour planet, allyour soldiers, usingyour best military technology,were only able toput-up a measly nine minutefight beforewe exterminatedthem, along with allbut a few of thesix billion humans polluting thisplanet.

Be snaps the leash,whiplashing Jonnieinto--

120

INT. CENTRAL RESEARCHROOM -- CONTINUOUS

The shelves liningthis cavernous tomb ofa room are stackedfull of books. An endlessvariety of subjectsand titles.

TERL (cont'd)
Everythingyou humans knew is inhere.

Be makes a big productionof lettinggo of the leash, giving Jonnie full runof the place.

TERI.(cont'd)
And youcan look at anythingyou want. Becausethere"s nothing thatcan help you.

Be watches amusedas Jonnie takeshim up on his offer,pulling books from shelves. Terl can't resistcalling afterhim--

TERI.(cont'd)
But I'm sureyou'll find a lotof recipes on how toprepare raw rat.

Terl cracks-up,finding this particularlyentertaining.

121

INT. CARGO CAGE-- REAR OF GROUNDCAR -- LATER THATDAY

Mickey pensivelyshakes his head,fearing the worst.

MICKEY
Thinkhe's still alive?
HEYWOOD
If heis, he probably wisheshe wasn't••.

A darknesshangs over the cageas everyone continuesto stare u~ at the library,where--

:INT.DENVERLIBRARY -- CENTRALRESEARCH ROOM --CONTINUOUS

Terl is filinghis talons. Across from him, Jonniefinishes lookingthrough a large stackof books.

TERL
Satisfied?
JONNIE
Yes.

As Jonnieheads for the door,Terl steals a peekat the book he was justlooking at. It'sthe Declaration of Independence.

But Terlcan't read English. Unconcerned, he.justshrugs, swattingthe book across theroom.

~. DOMED CITY -- EDGEOF A FtELD -- A LITTLELATER

122

. .

0n·a riseoverlooking thedomed city, a herdof grazing cows cas curiousstares across thefield a.sthe Hark ;IGround Car pulls

Terlemerges from the vehicle,followed by Jonnie.

TERI, You willsoon be relocatedto a new

I

miningsite. And if any ofyou get any brightideas about escaping,keep in mindthat while you rat-brainsmay not knowanything about firearms,I certainlydo. I just happenedto be topmarksman of my graduatingclass. And Ican kill any of you atwell over a thousandpaces ••• (toJonnie) Tell them whatI just said.

JONNIE
(relaysto theothers)
If we tryto escape, he'll shootus.

Terl waits forJonnie to continue. And when he doesn't•••

TERL
That's it?

Jonnie nods. Terlis surprised; butshrugs and continueswith t subject at hand. Be pulls his Blast-Gun,explaining--

TERI.(cont'd)
Allow me todemonstrate.

Be turns andFIRES into the middleof the--

GRAZING COWS

Killing severalof the animals.The others take offin a panickec stmnpede of churninghooves. Terlcontinues to calmlyfire-- _

Blasting the legsclean off the fast-movinganimals.Sending them collapsingto the ground,BELLOWING in anguishedtorture.

Terl shows offwith some trickshots. Fram behindthe back. With his eyesclosed. All withthe same horrific result•••

The field litteredwith a bloodysea of suffering animalsthrash.i around helplessly. sensing somethingbehind them. Jonnieturns--

123

EXT. ACROSSTHE FIELD -- CONTINUOUS

A GRIZZLYBEAR emerges from anabandoned building. Nostrils flaring atthe smell of bloo4. And with a growl, he chargesat--

124

EXT. EDGEOF TSE FIELD -- CONTINUOUS

Terl, whois too busy with hisshooting demonstration,to.notice.

~' Buthe does note thelook in Johnie"s·eyesas Jonnie startsback \"'-__.)' away. And misreadingit as revulsionto the carnage on thefielc

TERI, Don't you knowyour own history? Man- kind was theonly animal on thisplanet that huntedother animals for sport••• (has toadmit) Which means theremight be sOinehopefor your speciesafter all--

The GRIZZLY slams intoTerl from behind--

The fierce impact jarsthe gun fromTerl's grasp as he'sviolent) MAULED down. And withthe grizzly on hisback, pinninghim down, Terl is unable to gethis own talonsup at--

TBE BEAR

Who is starting to dodam.age. Powerfulclaws savagely slashing intoTerl's flesh asTerl remains unableto defend himself.

Jonnie scoops up thegun, switches it tostun position andFIRES. Knocking the grizzlyflat by the shot. Carlo can"t believeit..

CARLO
What are you doing? Let the bearrip him to shreds--

Jonnie raises the weapon on Terl,who bloodiedand bruised,sits himself up and givesJonnie a friendlysmile.

:,w·:,:;;·m:::r·::-::::r:::::r:-e..........==·::::r:::=:::::r::==-·=-

TERL
Look, we canwork out a deal. There's more thanenough gold to go around--
JONNIE
--You're inno position to bemaking a deal.

Be switches thegun into kill position.

CARLO
(now understanding)
You're right. It's better B killhim.

And for the firsttime, there is terrorin Terl' s eyes.Be braci himself, waitingfor the shot. Be doesn'thave to waitlong •••

KABLAMI

'l'erl'seyesopen widein shock.

Be hasn't beenhit. 'I'he shotwas directedatone of thesufferi1 cows behind him,as Jonnie humanelyends the animal'smisery.

BLAMI BLAHJ BLAMJ

Jonnie does the samewith the rest of theherd. Terl hasto smi atthe irony of it••• , I

',

TERI,

Vr You"ve learnedmore Psychlo than'I ever

thought possible.

JONNIE
What are you talkingabout?

TERI, 'I'o toywithme likethis before you kill me. I'm impressed••• (genuinely) You honor me.

Be closeshis eyes, bowshis head, ready forhis execution.

Jonniestands there, the gunnow sighted on 'I'erl.Bisfinger achingto pull the trigger. But he doesn't•••

CARLO
Whatare you waiting for?1 Kill himl
JONNIE
If Ikill him, then whatdo we do?
MICKEY
Get thehell out of here!
JONNIE
'I'o whatkindoflife?l Alwayslooking over outshoulders, waitingfor another ,monsterto come hunt us down•••

7F6 .,-&:tr#&·+11ww,¾i'3iCFE1'Wtrttt::mt

'l'ERLcan'tunderstandwhat the man-animalsare babbling about. Buthis eyes remain focusedon the gun inJennie's hand,waiting fora chance to grab it--

(J

ButJonnie keeps theweapon leveled onTerl's chest, as he continuesto address theothers•••

JONNIE (cont'd)
•••Andwhat aboutthe others back atthe mining camp?
CARLO
'l'here•snothingwecan do about them.
(resigned)
Only the Godscan free them. ·
JONNIE
'l'hoselightswe seein the sky atnight. They are .D2tGods watchingdownon us.
CARLO
•••Whatare you talkingabout?
JONNIE
I learnedour history,today. OUr ancestorsbuilt flyingmachines that wentup into the heavens. I saw the pictureswith my own.eyes•••
(re:the stars). . 'l'hoseareplanets• Likethis ·one. They are notgods waiting tocome and save us.

Be waits along beat for everyoneto digest this,then •••

JONNIE (cont'd)
And thegreat villages weren•tbuilt by__ gods. They were built by people,just likeus. Men and womenwho cherished one thingabove all else. Freedom.
(impassioned)
It meantso much to them,they'd fight to thedeath for it if theyhad to. In fa~t,many of them did.

Inspired, Mickeyimmediately stepsforward.

MICKEY
You're right•••

Bis voice is abit jmpulsive, but fullof conviction.

MICKEY (cont'd)
We can• trunaway from the monsters. we have to fight.twm}l

Ris brother, Sammy,immediately joinshim. Heywood alsosteps forward in solidarity. But Carlo isn'tso sure •••

CARLO
Bow the hell arewe going to fightthem?
JONNIE
I'm not sure,yet. But Ido know we're not ready. We need to learnmore about them. Liketheir weaknesses.
(concedes)
And we'regoing to have to learnother stuff aswell. I mean, wedidn't even know theguns weren't goingto work.

A long beat,then with the lookof a man who knowshe's going to regret this,Carlo steps forward,joining the otherswith a sigh

CARLO
•••Whichis why we .have togo back.

'l'erlwatchesasthe damnedestthing happens •••

Jonnieturns to him, returning the gun tohim.explaining itwit

JONNIE
Surely someone assmart as you has some secret plan to stopme from shootingyou. If I tried, you wouldhave killed me.

Inthe blink of an eye,Terl shifts hisdemeanor back to hisold causticself--

TERI.
Damn right I wouldhave, .rat-brainI
(chortles)
That's the first intelligentthing you've said, yet.

Be pointsJonnie to thefar edge of the field.

TERL (cont'd)
Rest-break's over. There's something else you need to see--
125

EXT. FAR EDGEOF THE FIELD-- OVERLOOKINGDENVER -- A LITTLELATE

Terlproudly points downto the domed citybelow.

TERI, Thatentire city doesn'teven equal QM block inone of the hundredsof thousandsof citieson the great Bome Planetof Pf"ychlo.And from there, we controlcountless outpostsall over the universe. Each one much largerthan this. One of those outpostsused to be theChink.o'splanet.

'l'erlstaresJonniestraightin the eye, makingsure he understandi

¥±,+FR,pffi,,aff·'t·&P&Mi&¾·?·t''hYr11 **',m+-e

TERL (cont'd)
'l'heChinkoswerethe ones who designed the LearningMachine. They were far more advancedthan you rat-brains. And when they triedto revolt, we sentdown our gas drones,and within minutesevery last one ofthem was exterminated.
(sure ofthis)
So get it throughyour litUe excusefor a brain. Thereis no way a speciesas primitive asyours could~ defeatus.

Be lets Jonnie chew onthat for a beat,then concedes •••

TERI.(oont:'d)
But youwere right about one smallthing. If you refuseto mine the gold,I may not have enoughtime to train anyoneelse. Which is why itis :hnpttrativethat¼'OU are properlymotivated--

A SECOND Mark IIGround Car pulls up. Ker emerges from the vehicle and opensthe trunk, pulling out--

CJIBlSSY.

Relief floods hereyes when she sees Jonnie. At least he'salive

But as hard as itis to do, Jonnie givesChrissy an emotionless vacant look. Like she meansnothing tob_im.• •

And Chrissy sensesenough to duplicate.thislook. Terl watches Jonnie very closely.

TERI, ••• You don'tknow her?

Be pulls out Cbrisey'scharcoal drawingof Jonnie.

TERL (cont'd)
This was on herwhen she was collected•
126

;RONNIETRIESTO HIDETHE FEAR IN HIS EYESAT WHAT TERL MIGHTDO.

Be doesn't have towait long to find out •••

Terl holds up a CBOKE-COLLARwith a red squareon it.

TERL (cont'd)
This collar has enoughexplosive to easily remove her headfrom her body.

Be secures the collar to Chrissy'sneck, then pullsa REMOTE CONTROL.

TERL (cont'd)
And this remote can activatethe explosive from anywhereon the planet. so if you ever disobeyme, let me show you exactly what will happen.
127

EXT. MOUNTAINROAD -- A LITTLELATER

-squared collara.roundHeywood'sneck. Ker secures a secon d red

JONNIE
Listen, you winlI'll mine your gold. And I know you don'towe me any favors••• But please, don'tkill him!

Terl stares at Jonnie. A long beat. Then he finally relents•••

TERL
Fine ••• As a gestureto our new working relationship, Iwill grant you thismm, request. I won'tkill him. But youcan never ask for anythingelse again.
JONNIE
I won't. And thank-you--

Terl nonchalantly tossesthe remote to Ker.

'l'ERt As I said,I won't kill him •••

Ker givesJonnie an evil grin, thenslowly pushes thebutton--

JtABLAMJJ

Heywood isno longer among the living.·Terl and Kerlaugh their asses offat the shocked betrayalon Jennie's face.

TERI.
••• Stupidhumans.
128

EXT. DENVERZOO -- 'L'BATNIGBT

Returningthe burnecsto their cagefort.he night, Terlstares at Mickey andSammy. Impossible totell the twins apart•••

The two youngbrothers watch withgrowing concern asTerl motions to them,while asking Jonnie somethingin Psychlo.

SAMMY
...What didhe say?
JONNIE
Be wants toknow which one ofyou tried to stab him.

A look of knowingterror in Mickey'seyes.

MICKEY
Why? What'she going to do?
JONNIE
Unfortunately,there's no way of telling.

Mickeynods, accepting hisfate, whatever itmay be. Be turns--

But Sammyhas already steppedforward. sacrificinghimself to Terl. Mickey, stunned,tries to stop him--

MICKEY
,What are you doing?J I.:.mtheone who--
SAMMY
--You were just tryingto protect me.

Terlgrabs Sammy and Jonnieand marches away.

129

EXT.TELEPORTATION PLATFORM-- A LI'L"I'LELATER

Terlstraps Sammy to theteleportation platform,then calmly dragsJonnie down to--

130

EXT. CON'L'ROLBTJ'NLCER--MOMENTSLATER

'l'erlpunchescommandsintoa console. over the.humof the generatorscoming to life,Terl explains toJonnie•••

TERI, Now thatyou and I haveour little agreementstraight, Iwant you to watch this,so you can tellthe others· · what'llhappen to themif any of. you everdisobey me.

Be pointsJennie's attentionto a monitor, beamingbacK imageso teleportationplatforms on theBOME PLANET OF PSYCBLOas •••

AUTOMATED VOICE (FROMCONSOLE)
Teleportationin five•••In four •••In three•••In two••• Inone •••
131

EXT. TELEPORTATIONPLATFORM-- CONTINUOUS

With aTBUNDER-CLAP of soundand a BLINDING FLASBof light••• sammy disopoears from the platform--

132

EXT. PLANETPSYCELO -- TELEPORTATIONCENTER -- CONTINUOUS

And appearson one of the countlessteleportationplatforms stretchedout under a radiantpurple sky.

Sammy can'tbreath the air. Startingto suffocate.

Panicking,the youngster desperatelyundoes the straptethe~ing him to theplatform and tries torun to safety, but--

The much largerplanet's immensegravitational pullcrushes him to his knees. Bis eyes bulging,he stares out at a--

NIGHTMARISH SKYLINE

Endless rowsof factoriesbelching fire crammedbetween office buildingsthousands of timestaller than theworld Trade Center.

SAMMY

Lets outa gasping plea forhelp as his spinestarts to crack under theatmospheric weight. And the lastthing he sees are•••

PSYCBLOWORXERS

crowdingaround him incurious amusement. As if observing an insectcooking in a microwave. Until•••

Theyoung twin literallyIMPLODES. Bis bodycaving in on itself mercifullyending the suffering.

133

INT. EARTB-- TELEPORTATIONCONTROL BONDR --CONTINUOUS

Jonnierips his eyes awayfrom the abominablescene playing on the monitor. In contrast•••

'l'erlviewsitto its bitterend, clucking thewhole time with enjoyment.

:INT.EMPLOYEERECREATIONHALL:-- CONTINUOUS

A buncho·fPsychlos crowdaro~d the bar,:con~umingkerb~go, includingthe RESEARCHCI.Ellthat Terl checkedout the discs £re

Ker joinsthe group, shakinghis head despondently.

KER
I justgot the worst news. My cousin Numph gotvaporized.•.

Everyone issurprised by Ker'sun-Psychlo like grief.

KER (cont'd)
••• Thebastardowed me overa thousand c~editsl Now I'll neverget it.

The groupnods, now understanding.

KER (cont'd)
But it'sthe idiot's own fault.Be knew about aplanned mutiny attempt,but failedto report it.

The Psychlosgive a collective 'Begot what he hadcoming,' shrug, thenreturn to their kerbangoas .••

The researchclerk leans over toKer, nonchalantly inquiring:

RESEARCB CLERK
Just wondering.Bow exactlydid they find outhe knew about themutiny?

~ Bewas on a remoterim star planet, not unlike this one,where just like here, theysecretly recordand archive All conversations.

(~) This isnews to the researchclerk. \,______~,.,,;'

RER (cont'd)
So,if there was evera mutiny, we'd obviouslyreview everyrecording•••
(darklaugh)
AndI'd sure hate tobe the poor bastard whoknew about it, butdidn't report it.

DtT. DENVER ZOO --CAGE -- THAT NIGHT

A guard tosses Jonnieback into thecage. Mickey tentatively approaches him, afraidto ask thequestion, but bas to •••

MICKEY
What happenedto my brother?

Jonnie stares athim. A long, difficultbeat•. Then finally--

JONNIE
The monstersent him up to theirhome planet•••

Before he can continue,Mickey exhales,relieved.

-MICXEY · . •••Thank god,because I thoughtfor sure he was goingto kill him.

Jonnie continuesto stare at Mickey,his heart breaking. But fox the life of him,he just can't bringhimself to tellhim the rest

nr.t'.DENVERHOTEL-- CONTINUOUS

'l'erlhurriesdowna hallway. A pairof GUARDS snap a saluteand iimnediatelyopena door, allowing him into--

134

INT. PLANETSBIP'SLIVING QUARTERS --CONTINUOUS

~er and the researchclerk are in theroom with the Planetship.

TERL
You wanted tosee me--
PLANETSBIP
--It's my assistant! Be's thebastard planning themutiny.

'l'erldoesan impressivejob of actingshocked by the news.

IN'l'.~SISTAN'l'PLANETSBIP'SLIVINGQUARTERS-- A LI'l"l'LELATER

The Assistant Planetshipdoesn"t haveto act. Be ii shocked.

4,q,,,,a;;

A MfNE

l ASSISTANT PLANETSBIP Why thehell would I want todo that?l

Terl slipsa disc into a machine,playing a recordingof •••

135

INT. RESEARCHCENTER -- ON THEMONITOR

Terl, convincinglydisguised asthe Assistant Planetship,leaning in with a conspiratorialwhisperto the Research Clerk.

TERL (AS ASSIST. PLANETSBIP)
•••canyou keep a secret?

RESEARca·CLERK I'd liketo think so.

136

INT. ASSISTANT PLANETSHIP'S LIVING QUARTERS--CONTINUOUS

The AssistantPlanetship shakes hishead, pointing tothe person who looks justlike him on themonitor.

ASSISTANT PLANETSBIP
That'sDQt me! I never saidthat!
PLANETSBIP
Oh shutup! We know it's you. You were stupidenough to sign yQur own riame--

t Be hoids upthe sign-out sheet,bearing Terl'·s perfectforgery.of. C, the AssistantPlanetship's signature. ON TSE MONITOR•••

137

INT. RESEARCHCENTER-- ON TBEMONITOR

Terl, in theguise of the AssistantPlanetship, looks around, making sureno one's listening, before 'confiding'•••

TERL (AS ASSIST.PLANETSBIP)
•••Why thehell should we putup with reducedpay and no vacations, all becauseour incompetent Planetshiphas no idea howto properly run thisplace?
RESEARCHCLERK
I don't thinkthe fat-ass couldrun any planet--
138

INT. ASSISTANTPLANETSBIP'S LIVING QUARTERS-- CONTINUOUS

The Research Clerkimmediately turns tothe Planetship, insisting•.

RESEARCHCLERK
I only said that,sir, to trick him into telling me theplan, so I could immediately come andwarn you of itl

The Planetship givesa gruff nod and continuesto watch as~··

139

INT. RESEARCH CENTER-- ON THE MONITOR

ON THE RECORDING,Terl continues•••

(~) ''·~,.-.,,~~'

TERL (AS ASSIST.PLANETSBIP)
All it wouldtake is one strategically placed door-bomband I'd be in charge.
140

INT.EXECUTIVE OFFICESUITE -- A LI'RL'LELATER

The Assistant Planetshipstands alone infront of a doorto the Planetship's office. Be nervously callsdown the hall--

ASSISTANTPLANETSBIP
But what if thereii.a door-banb?

Terl,Ker and the Planetshipwatch frombehind a protectiveblast shieldpositioned a safedistance down thecorridor.

PLANETSBIP
I thought you saidyou didn't putone there!
ASSISTANTPLANETSBIP
I didn't. But maybe someone elsedid!

TERL

t If you refuseto cooperate withthis

investigation,I"m afraid regulations·

\,~:,I

would requireme to vaporize you for.the charge of hightreason•••

The Assistant Planetshipsighs. Then closeshis eyes andbraces hisbody, as if thatcould somehow protecthim from anexplosion.

And he slowly cracksopen the door. Nothing happens.

ASSISTANTPLANETSBIP
See, I told youI didn't put a-

A flash of light anda deafening blastas a CATACLYSMICEXPLOSION blows the AssistantPlanetship and much ofthe hall intooblivion.

141

EXT.STREET -- OUTSIDEEXECUTIVE OFFICES --MOMENTS LA1'ER

Psychloworkers hosedown the last of thefire from the explosion Kerfollows behind as thePlanetship strollsby with Terl,who is adamantlyshaking his head,pretending tobe distraught.

TERL
But you can't takeKer 1 Be's the best assistant I ever had--
PLANETSBIP
--You'reout of your skullif you think I'm goingto wait for HomeOffice to processa requisition fora new E-3 LevelExecutive Assistant!

' Terland Ker share a secretlook of victory.

142

INT.DENVER ZOO -- CAGE-- THE NEXT MORNING

,,,.-...,,\ l Jonniesits alone in thecorner, For thefirst time, he looks -.,,,__.,,.,,~i

defeated. Be doesn't evenbother to lookup as .••

Terlcheerfully stridesup, snaps a leasharound Jennie's neck andyanks,him to his feet.

TERL
You've got a busyday ahead of you, rat-brain. You'll startwith discson mining techniques,core sampling, and machine operations.

Be danglesa handful ofdead rats in frontof Jennie's face.

143

TERL (CONT'D)

Then after lunch, it'son to drilling and flying simulators.

Jonnienods numbly.. There'sno more fightleft in him.

144

INT.ASSISTANT PLANETSBIP'SOFFICE -- LATERTHAT DAY

Ker,in his new office,struggles througha crossword puzzle.___Bt quicklyhides it as thePlanetship stickshis head into theroom

PLANETSBIP
Quitting time. Want to get some.food?

lCER Thanks, sir, butI'm going to stay and get some more work done.

The Ple.netshipnods,bothsurprised and impressed•••

145

INT.HALLWAY -- CONTINUOUS

And headingdown the hall,the Planetshipmutters to himself.

PLANETSBIP
••• Shouldhavehadmy assistant vaporized a long timeago.

Be headsinto an elevatorand the doors closewith a J;u.ng--

146

INT. ASSISTANTPLANETSBIP'S OFFICE --DAY

As soon asKer hears the noise,he immediately stealsinto the adjoining office--

147

INT. PLANETSBIP'SOFFICE - CONTINUOUS

And goes towork, snooping throughthe Planetship'spersonal files

ia

148

INT. SECOR.ITYHEADQUARTERS--CONTINUOUS

Jonnie half-heartedlypushesbuttons on controlpanel to a

0 BOLOGRAPBJ:CFIGHTSIMULA.TOR.But all he managesto do is •••

Crash into asimulated mountain.

TERL
(growls)
Crashone more time, andyour little friendis no longer among theliving.

Be holdsup the REMOTE to Chrissy"sexplosive collar,then restartsthe simulator.

149

INT. DENVERZOOCAGE-- TBATNIGHT

Jonnie isback to sitting alonewith a despondentlook.

Carlo and Mickeyslowly approach. Nothing is a.aidforthe longesttime. And finally,Jonnie looks up atCarlo.

JONNIE
You wereright. I shouldhave shot the monster when I had thechance •••
(quietly)
That way, Sammy and Heywoodwould still be alive.
CARLO
You didn't kill them.
JONNIE
No, the monster did. And I didn't kill the monster when I couldhave.
(tortured whisper)
Which means it's my fault.
MICJCEY
You didn't kill themonster for a reason.

Jonniegives him a hauntedlook--

JONNIE
That's the.point.If we try andfight them, more ofus will end up getting killed. Maybeeven everyone •••
(barelyaudible)
All becauseof me.

Carlo shakes hishead, trying to holdback the anger.

CA:RLO This isn't justabout~- Rememberwhat Heywood said. It's about all ofus •••

MICKEY
And we need you. You speak themonsters' language. Youknow things aboutthem.

Jonnie looks aroundat the others inthe cage, who are now-staring at him. And hesees something on theirfaces he's never seen before. ~- The longest of beats,then ...

150

JONNIE

Everyone hasto know. If ,..,e· dothis, there's a goodchance that not oneof us will be aliveby the time it's over.

But not oneperson is deterred. Carlogives Jennie's words back to him--

CARLO
Look around. This ain't exactly living. And even ifwe could.escape and goback to our villages,.we'dalways be looking over our shoulder,waiting to be hunted down by themonsters.
(pointed)
And that ain'texactly living either.
MICKEY
(fierceresolve)
So if you canhelp us figure out a way to fight themonsters, no matterwhat it is, count usin.
A VOICE (O.S.)
Count us intoo--
151

EXT. NEXT CAGE-- CONTINUOUS

This voice belongsto on~ of the human slavespressed against the bars of the nextcage over, listening towhat's going on in Jonnie's cage. And from the next cage overfrom that•••

ANO'l'BERVOICE(O.S.) What's goingon?

The human slav~ turnsand calls to the secondvoice--

BUMAN SLAVE
Someone in that cageknows how to speak the monsters' language. And he's going to help us fight them--

Someone from the next cageasks what's going on •••

152

EXT. NEXT CAGE OVER -- CONTINUOUS

And ~he news is met with thesame ardent reaction. We PULL BACK t

153

EXT. DENVER ZOO -- CONTINUOUS

The messagepassing from cageto cage, until the whole zooerupts· a DEAFENINGROAR. The battle-cryresounding defiantly inthe nigh

154

INT. SECURITY HEADQUARTERS-- TEENEXT DAY

It's a whole differentJonnie. Attentive and focusedas his fingers fly overthe simulator'scontrol panel.

Terl watches, impressed. Then holdsup the remote toChrissy's explosive c9llar,gloating•••

'l'ERL Never underestimatewhat a little leveragecan do, rat-brain.

Jonnie nods, lettingTerl believewhat he wants to.

155

EXT. DENVER ZOO-- CAGE-- THATNIGHT

Everyone inJonnie's cage crowdsaround him as he drawsletters in the dirt,teaching the othersto.read and WJ::ite.Jonnie passes the stickto Carlo, whocarefully starts towrite letters , of his own.

156

INT. PLANE'L'SBIP'SOFFICE--'L'BENEXTMORNING

The Planetshipstrolls into hisoffice, but.fr~zes in his trac;k What the hellare Terl and Ker·doing·inhis inner-sanctum••~

But then hesees the files allneatly laid out on hisdesk. Be looks at them,the life drainingfrom his eyes.

TERI, . Isn't itinteresting you'vebeen keeping two setsof books.• • And whileyou've told theworkers that this planet'soperating at a loss,it's actually quiteprofitable.

The Planetshipshakes hishead, feebly tryingto explain•••

PLANETSBIP
Ionly claimed it's runningat a loss to tryand motivate everyoneto work harder.

'l'ERL Of courseyou did ••• (knowingsmile) And ithad nothing todo with how it allowsyou to cut everyone'spay, so you keep allthe extra creditsfor yourself.

PLANETSBIP
Oh, that? I can explainthat--

But Terl dropsa heavy tome or.tothedesk with a resoundingclang

TERL
--I'm afraidcompany regulations requiresme to vaporize you.
TERL (cont'd)
But I cansee how someone inyour position,faced with growingold and no future,might be forced to findcreative ways to solveyour financialproblems.
PLANETSHIP
••• You can?

TERI, And it's notin any of our interestsfor you to stopbeing the Planetship•••But it may beprudent for you tostart sharing some ofyour authority.

Ker hands the Planetshipa huge sheafof requisitionand order foI:mS,along witha pen to sign them.

PLANETSBIP
But thesefonns are blank. And undated.
(shakeshis head)
If I signthem, you could putanything you wanton them. You'd be runningthe entire planetI I• d benothingbut a puppet--

'l'ERI, --If you don'twant to do itthis way, we could alwaysdo it by the book.

Be pats hisBlast-Gun, underscoringthe threat.

157

INT. MINING SUPPLYWAREHOUSE -- T~ DAY

A SUPPLY CLERK staresincredulously ata requisition form.

SUPPLYCLERIC
What the helldoes the Planetshipneed with all thismining equipment?!

TERI, That's noteven the crazy part. (holds upan order form) Be's orderedme to take a groupof man- animals withthe equipment out toa remote area tosee if they can be trained tomine. Can you imaginethat?l

SUPPLYCLERK
Man-animals beingable to mine?! The old Psychlo'sgone completely insane.

'l'ERL Tell me about it. But what can Ido ••• (helpless shrug) An order"s an order.

158

INT.CARGO CAGE -- LATERTB.ATDAY

ABOWLING h"INDcuts througha large steel cagecontaining Carlo, Mickey, and some twentyother men, along withan assortment of mining machines and equipment. The cage is suspendedfrom the underbellyof a--

PSYCBLOCARGO-TYPE AIRCRAFT

Whichhurtles over themajestic Rocky Mountains. Following behind,Ker is at the helmof a smaller fighter-plane.

159

INT.AIRCRAFT -- COCKPIT-- CONTINUOUS

Terl keeps a careful eyeon Jonnie, who ispiloting the aircraft. An .ALARMsuddenly blaresthrough-out the cockpit--

AUTOMATED VOICE (OVERSPEAKERS)
Warning! Externalsensors indicate dangerous radiationlevels ahead--

Blue sparks are startingto pop throughout thecockpit.

For the first time, thereis genuine fear inTerl's eyes. Be immediately points to a meadow visible.below--

~, TERL ~,_/'I What are you waitingfor?J Land.the.

damn cra!t. Thisis as far as I can go.

Jonnie punches buttons.~nthe control panel,landing the aircraft.

160

EXT. MEADOW -- MOMENTSLATER

Terl motions Jonnieto the cargo cage asKer lands th~ fighterin the meadow nearby.

TERL
Meet me back herein fourteen dayswith at least halfof that cage full of gold, or I ' 1.1' terminate'yourentire operation.

As the threathangs there, Terl checkshis time-piece.

161

EXT. MEADOW -- A LITTLELATER

The men have been assembledout on the meadow,when there's an e~hereal, almost otherworldlyWAILING from aboveas--

A PSYCBLO RECONDRONE

Hurtles overhead. One ofthe drone's high-techCAMERA-LENS rotates to stare down atour guys.

---,,,_m=·==,,.,,.-,...,, '*

162

INT.FIGHTER PLANE --MOMENTS LATER'

I I A 'I'RANSMISSIONRECEIVERspitsouta SURVEILLANCEPHOTO takenf rc ' the recondrone, depictingJonnie and theothers starin9 up intc the sky. Ker hands it to--

163

EXT.MEADOW -- CONTINUOUS

'l'erl,who givesthesurveillancephoto toJonnie.

TERI, Tell them that eventhough I won't be atthe mining site,I'll be able to keep an eye on you ••• (admonishes) And anyonewho isn't workingbard will be 'replaced',if you knowwhat I mean.

Be pats his blast-gun,making sureJonnie understands,then turn and climbs intothe fighter asKer pilots it up andaway.

Jonnie and themen start backto the cargo aircraft,but Jonnie instantly whirls. Eyes scanningthe underbrush inthe tree line

Be grabs a PICJC-AXfromthe miningequipment, holdingit up as a weapon. Followinghis lead, therest of themen do likewise as.

The bush moves. And out frombehind it steps--

A wild-eyedfigure with the lookof someone who hassurvived a long time alonein ·thewilderness·.Ignoring the·array·of~eapori pointed athim, the ROGOE staresat Jonnie incomplete awe.

ROGUE.
Bow'dyou do it?
JONNIE
•••Dowhat?
ROGUE
Make thatmonster go away without killingyou.

Jonnie giveshim a friendly smile.

JONNIE
I'm afraidit's a long story.
CARLO
And.sorry,pal, we'd loveto fill you in, butwe don't have a lotof time--

The rogue sizesup Jonnie andthe rest of themen, then nods as he's reachedsome important decision,and returnsJonnie's smile

ROGOE
The name'sMason, and I'vegot nothing but time •••
164

EXT. MINING SITE-- LATER TEAT NIGHT

Jonnie lands thecargo-aircraft at themining site, and ourguys now including MASON,begin hauling theequipment into the shelte of a cave.

Carlo looks up fromthe list he's been studyingwith a worried expression-- CARLO If we work aroundthe clock, we'llbe lucky to mineenough gold to fillhalf that cage •••There'sno way we're going to be able todo that ,smgget all this stuff donewe need for the revolt. JONNIE I'vegot worse news. There's onlygonna beabout half of you digging. (offtheir looks) I'mgonna be looking somewhereelse for it.

165

EXT. SBOPPING MALL-- TBAT NIGBT

The cargo aircraft landson top of the shoppingmall where Jenni, and Carlo were firstcaptured by the Psychlowrangler.

Jonnie and a smallgroup of men emerge andrace inside the build

166

INT. RADIO SHACK-- THE NEXT PAY

Jonnie and a groupof his men move throughthe store, scavenging WA.I.KIE-TALKIESandRECBARGEABLE.BATI'ERIES,while-··

167

INT. GUN .ANDAMMO SBOP-- CONTINUOUS

Mickey and Sammy lead.aseparate team througha gun shop, collecting weapons,and--

168

INT. HARDWOOD STORE --CONTINUOUS

Carlo and a third squadscrounge up supplies,including SPOOLS O TBIN WIRE.

169

INT. MINING SITE -- CAVE-- TBAT DAY

Jonnie shows his groupbasic engine mechanics ashe rebuilds the motor on a small, gas-poweredgenerator. Nearby•••

Mickey and Sammy's team assemblecrude, but effective-looking homemade bombs from themining equipment.

170

INT. MININGSITE -- CAVE -- A LITTLELATER

With the generator,now reassembled,Jonnie fires it tolife.

The men burstout in applause as electricityflows to aline of battery rechargers.

171

INT. PSYCBLOAIRCRAFT -- COCKPIT-- DAY

Jonnie pilots theaircraft. Carlois in the navigator'sseat. Behind him, ~ckey shakes his head--

() MIClCEY

••• Bey,what's.:thA:t,?

Jonniebanks the aircraftaround. And now,staring at them throughthe cockpit window is •••

TBES'l'ATOEOFLIBERTY

Watchingover a completelyempty harbor.

EX'!'.MANHATTAN--CONTINUOUS

Thesame with the cityof Manhattan. The entireisland is a literalghost town. Nothing moves. Hoveringoverhead--

nrr. AIRCRAFT -- CONTINUOUS

Jonnie studies themap, realizing.

JONNIE
We•re here. Over New York.
172

EXT.MINING SITE -- CONTINUOUS·

A wailing soundgrows louderas the RECON DRONEpasses overhead, camerasspying down on themining site, where •••

173

INT.CAVE-- CONTINUOUS

Biddenfrom view in thecave, two of Jannie'smen have stayed behind andnow pull on a seriesof thin wires,which run through a pulleysystem and out to •••

175

"

Twenty DEPARTMENTSTORE MANNEQUINS,all deckedout in mining gear and holdingshovels and pick-axes. As the wiresare pulled•••

The mannequinsmove like marionettes,looking likethey're hard at workmining the gold.

176

INT. SECURITYHEADQUARTERS --CONTINUOUS

Terl grabs thesurveillance photoas soon as it spitsout from the transmissionreceiver. Be givesa satisfied nod.

TERL
That'swhat a little leveragecan do for Y"'U· Seethem all slaving away.
UR
well, with my share,I'm going to fire all my wives andbuy new ones. Maybe even a pretty one •••Whatabout you?

'!'ERL Bribe my way offthis god-forsakenplanet and get assigneda real position that's worthy of my talentsand training.

Thathas got to be thestupidest thingJeerhas ever heard.·

KER
You're going throughall this trouble, just so you canget a jobl

TERI, Not a job •••Respect.

Thefierce desire ispalpable in hisvoice.

177

EXT. WASHINGTON D.C. --LIBRARY OF CONGRESS-- THAT DAY

178

The cargo aircraft isparked next to theLibrary of Congress.

179

INT.LIBRARY OF CONGRESS-- CONTINUOUS

Books on uranium arespread across a tableas Jonnie unfoldsa

180

RADIOACTIVE-SITE MAP OFTHE UNITED.STATES.. BE TRACESHISFING~R

I ~I to·a mountain in Coloradowhich bearsthe radiation symbolof·a \__j' triangle inside a circle... ·

JONNIE
Here's wherewe"re supposed to bem;ning the monster'sgold. That symbolmeans · radiation. Which is caused by uranium. Be moves hisfinger to an areain New Mexico.
JONNIE (cont'd)
And here'swhere my tribeis located.

MI~Y ••• Ithasthe same symbol.

JONNIE
(looksup at them)
Doyou guys know thenames of the places where you"re from?
MICKEY
A village called LosAlamos•••
CARLO
An island in what usedto be the country of Pennsylvania•••
JONNIE
Which island?
CARLO
Three Mile Island.

Jonnie finds Los Alamosand Three MileIsland on the map. And sureenough, they bothhave the radiationsymbol.

Carlo and Mickey don'tunderstand. Jonnieexplains•••

JONNIE
From what I'vebeen able to figureout, many years ago,the monsters attacked our planet witha deadly gas. Almost everyone died,except a few whomade it into undergroundshelters. When the air cleared, thesepeople came out,but were then hunteddown by the monsters.
(points tothe map)
Only a few 1m1sthavemade it to the safety of theseremote areas with radiation wherethe Psychlos couldn'tgo. And we're descendantsof those people.

Mickey nods, realizingthis is good news.

MICKEY
So even if we failto take over the planet, our peoplewill be safe as long as they stay inareas with this radiation thing?
JONNIE
.They'dbe safefrom the monsters:.·
(the bad "'\ews) · · Butradiation isn't goodfor humans, either. That's why alot of people in ourvillages get sickand don't live as longas they should.

Be staresat them, ~ng sure they understand.

JONNIE (cont'd)
So if we don't takeback our planet, our people can't leavethese areas or they'll be ~nted down. But if they stay in these areas,over time, more and mo~e of them willget sick and die •••
(the grim reality)
Either wa,y,the lastof humanitywill slowly but steadilybecome extinct.
181

EXT. LOUISVILLEKENTUCKY-- FORT KNOX --LATER THAT DAY

The aircraft land~ nextto FORT KNOX. Our guys emerge, carrying largePsychlo equipmentcases, and headinto the building•••

MICKEY
If gold's sovaluable to them, howcome the monstershaven't already takenit out of here?

¥@ ¥¥9 4;μ n;; 4 4

-

JONNIE
From what I read inthe library, the gold here is stored inlead-lined vaults to protect it from theradiation in case of a nuclear war•••
(beat)
And that lead wouldkeep the monsters from detecting the gold.

D'l'.FOitTmox -- GOLDDEPOSITORY -- A LI'l"I'LB~

our guys stand in frontof an imposing vault.

CARLO
••• Yousure we're goingto be able to get through this?

Jonnie and Mickeyfire-up a Psychlo LASER-DRILL.

JONHIB
One thing you gotto give those monsters, theirmining equipment is highly effective.

They attack the vaultwith the high-tech drill.

It cuts through,like a hot knife through butter.

~ As the screamingbit, is pulled smoking from th~ hole, a·gol~ l,J' ~ight streamsout.

182

EXT. MININGSIGHT

HIGH ANGLE

Jonnie andthe others descend over the mine area. But it looks verydifferent.

183

INT. AIRCRAFT- DAY

..

There are looks'ofconcern on their faces.

JONNIE
Looks like an avalanche.
184

EXT. MINE - DAY

A light shines down from the present edgeand confirms it. The fissure,thirty feet back from the oldedge, had simply opened and fallen into the gorge.

Jonnie races back to the hundred feet deep shaftedge. He looksaround, flashing his light. •

Jonnieapproaches the hole more closely.Until hesees the slide~arks of the cross timbers that had supportedthe hoist cage over the hole.

A light shines down from thepresent edge and confirms it. The fissure, thirty feet backfrom the old edge, had simply 0 opened and fallen into the gorge.

Jonnie races back to the hundredfeet deep shaft edge. He looksaround, flashing his light.

JONNIE
Avalanche.

Jonnie approaches the holemore closely. Until he sees the slide marks of the cross timbersthat had supported thehoist cage over the hole.

LATER

The place is broadly litnOW'with lamps the relief crewhad put on poles. Carlo and theothers pay out the line of a bucket rigged to crane cable•••

••• Jonnieand three othersare lowered to the bottomof the hole.

They swing picks at therocks, filling buckets thatare instantly shot aloft tobe replac~d by empty ones.

LATER

u - The crew has been changed.Twice. But Jonnie is stilldown there.

They work in a blur ofspeed.

Another crew arrives.Jonnie stays.

Finally, he hears a distantwhisper of sound. He holdsup his hand for silence.

VOICE (very faintly) ••• airhole .••

Jonnie grabs a LONGMINE DRILL. He socks the rock drillpoint into it, and signals theman on the drill motor.

They buck the drill intoit with the pressure handles.And with a high scream the drillgoes through.

JONNIE
Air hose!

-;;-;;;;:;;;,;;;;V

185

-

LATER

The placeis broadly lit now with lampsthe relief crew had put onpoles. Carlo and the others payout the line of a bucket riggedto crane cable•••

••• Jonnieandthree others are loweredto the bottom of the hole.

They swingpicks at the rocks, fillingbuckets that are instantlyshot aloft to be replaced byempty ones.

LATER

The crewhas been changed. Twice.But Jonnie is still down there.

They workin a blur of speed •

186

ANOTHERCREWARRIVES. JONNIE STAYS.

Finally,he hears a distant whisperof sound. He holds up his hand forsilence.

VOICE (veryfaintly) ••• airhole •••

Jonniegrabs a LONGMINE DRILL. He socksthe rock drill point intoit, and signals the man onthe drill motor.

Theybuck the drill into it withthe pressure ·handles•.And with a high scream the drill goe·s.through.

187

.

JONNIE
Air hose!

Theyfeed the hose through thedrill hole and turn the air compressoron. Air from the driftsqueals ~ack past the sides ofthe hose and into the rescuecrew's faces.

LATER

They have managed to clear thetop of the rockfall anddrag men out.

Passing them to the top, silentlyin the hoist buckets.

A dust- and sweat-covered Jonnieis the last one up.

The salvages crew are bundledup, sitting in the snow,most of them drinking something hot.

CARLO
we lost the lode.
JONNIE
That's alright.
188

INT.AIRCRAFT - DAY

Jonnie yanks the cover fromthe stacks of gold bars, harvested at Fort Knox.

189

EXT.MEADOW -- NIGHT

Jonniestands next to a cargocage half-fullof GOLD BARSas he waitsfor Terl to landhis aircraft andclimb out.

'l'erlisimpress~d,butalso instantly suspicious.

TERI, Why is it in 12.A.:I.?

JONNIE
We figured someone ofyour stature wouldn't want somethingas coarse as raw ore.

Terldoesn't look convinceduntil he runsa hand-held COMPOSITION ANALYZERover the gold. It checks out asthe real thing.

Bidinghis glee, Terlturns back and growlsat Jonnie--

TERI, I obviously needto adjust the schedule. Sinceyou rat-brains had enough extra timeto smelt the gold into bricks, Iwill now expect the rest of the gold in sevendays .•

Not botheringto wait fora response, Terlloads the glorious goldinto his aircraft.

190

INT.MINING SITE CAVE-- NIGBT

J~nnieand the rest ofthe men have reassembledback at the cave.

CARLO
So,if we don't givehim the rest of the goldin seven days,he'll kill us. But ifwe s1Qgive him thegold •••
MASON
••• Be no longerneedsus.
CARLO
Whichmeans he'll killus.

But Jonniedoesn't look theleast bit concerned.

JONNIE
Allthis means is thatour deadline's beenmoved up a bit. We now have seven daysto take back our planet.

The groupnods, trying tomatch Jonnie•s confidenceas Jonnie gets downto business, openinga MAP of Denver. Be points to the zoo in themiddle of the city.

JONNIE
According tothe monster'sField Manual, evena large-scale escapeof human slavesfrom the zoo wouldonly constitute astage-one alarm.
MICKEY
To the monsters,it'd be likea bunch of horses escaping.

No one seems toohappy about the comparison. But Jonnienods ••.

JONNIE
Because themonsters only seeus as harmless anirnals,theywon'tbe wearing batUe-gear when theycome to round us up •••
(a gleamin his eye)
Which meansthey won"t haveon their breath-masks.

Mickey excitedly jumps inagain, beatingJonnie to thepunch-lir

MICKEY
And any monstersoutside a building without abreath-mask won'tbe able to breath onceCarlo blows up thedome.

Ali eyes spinto Carlo, who givesa confide'n~thumbs-up~

Piece-of-cake!

MASON
•••What aboutthe monsters thatare inside thebuildings when thedome blo~~?
JONNIE
They'll survive. And we canexpect them to come atus in a second assault. But that's whereyou guys cane in •••

Bis eyes sweep thegroup as he explains•••

JONNIE (cont'd)
Everyone's goingto train how touse the monster'sweapons. Then we'llsneak you in to blendin with the restof the people whoescaped from the zoo •••
(beat)
So when Carlotakes out the firstwave of monsters,you guys'll jump outand grab theirweapons, then set-upan ambush for thesecond wave ofmonsters who will be wearingbreath-masks.
CARLO
Plus, I'llbe flying overheadiraining explosivesdown on the bastards.

Excitement spreadsthrough the group. The plan actuallyhas a chance of working. But then Jonnieadds •••

JONNIE
But everyoneneeds to understand. The moment we blow thedome, or fightback in anyway, thisbecomes a stage-twoala.rm.
MICKEY
And that's theone thing we can'tlet happen, right?
JONNIE
Right. A stage-twoalum meansthe monsters alerttheir Some Planet. And moments later,thousands of troopsand gas droneswill be teleported here.
(levelswith them). There's noway we could fightthat. We'd all be deadwithin seconds.

The group's excitementinstantly turnsto confusion.

MASON
•••Then whatthe hell's the pointof killing allthe·monst~rs on this·planet, if we"re allgoing to get wipedout?
JONNIE
Because before thisthing getsto a stage-two ala.rm•••
(matter-of-fact)
We're going todestroy their Bome Planet.

Everyone stares athim. Be must be joking. But he isn't.

191

EXT. TEXAS -- FORTBOOO -- THE NEXTDAY

Jonnie and a handfulof men emerge froma Strategic Weapons Vault carrying out cratesof conventionalexplosives, as wellas ••.

A Cruise-Missile N'QCIT&RWHEN?~

192

INT. FORT BOOO-- NUCLEARTRAINING FACILITY-- A LITTLELATER

Mickey restlessly pokesaround, exploringthe classroom asJonnie and Carlo huddle overa tech-manual.

The nuclear warhead sitson a table in frontof them.

JONNIE
According to this, we haveto make-sure ·thefiring-mechanism is--
MICKEY'SVOICE (O.S.)
--Bey, look at theseguysl Something must be wrong withtheir heads.

In theback of the room,Mickey points toan old PBOTOof a BATTALIONOF CADETS,all with their handsto their foreheads.

JONN:IE Nothing•s wrong. They're saluting. It's a sign of respect.

Be salutes,showing Mickey,then gets backto the business at hand,continuing to readfrom the manual--

JONNIE (cont'd)
•••Make-surethe firing-mechanismis properly in placeand operational.

Jonnieand Carlo bothtake deep breaths,then pick up toolsand gingerlygo to work on thewarhead--

193

INT.DENVER -- MORGUE-- CONTINUOUS

Terlrips the lid offof a coffin andyanks out the deadPsychlo dumpingthe corpse tothe ground and kickingit out of hisway.

194

..

Be repeatsthe processwith another coffin,unceremoniously flingingthe corpseto the ground, thenfires up a LASER DRILL andblasts away, carvingFALSE BOTTOMSinto·the caskets.

195

INT.FORT BOOD-- NUCLEARTRAINING FACILITY-- TBAT DAY

Withthe nuclear warheadnow partiallydismantled, Jonnie and Carlocareful_lyremovea lead plate withsurgical precision.

JONNIE
(re: themanual)
•••Nomatterwhat, we can't touchthe auto-sensor.
CARLO
What ',s theauto-sensorlooklike?
JONNIE
The illustrations arein Appendix-A
(before Carlocan ask)
We couldn't findAppendix-A.
CARLO
And if we touch thisauto-sensor?
JONNIE
The bombwill detonate.
CARLO
Great.
196

INT. DENVER- MORGUE - CONTINUOUS

Still whistlinghis war song,Terl begins fillingthe false bottoms in thecoffins with hisbeloved gold.

197

INT. MMING SITE -- CAVE --THAT NIGHT

Everyone congregatesaround themap of Denver onelast time as Jonnie finalizesthe battleplan •••

JONNIE
Once theprisoners escapefrom the zoo, Chrissywill lead them hereto the Civic CenterPark •••That'swhere you guys will be waitingto blend inwith them... And when theguards are sentto round all of you up,it should leaveminimal resistance hereat the teleportationplatfoJ:m--

Be pointsto a section of thecity away from thepark.

198

. . .

JONNIE (cont'd)
Whichis when we'll move inand secure theplatform, and teleportthe nuclear weaponup to thei~ planet.

Mason pointsto the nuclearwarhead.

Ml-\SON ••• And you'resurethatthing will be enoughto take-out theirentire planet?

JONNIE
Radiationexplodes theirbreath gas. Whichis exactly the sameas their planet'satmosphere•••

Mickey slowlyraises his head. A darkness in hisvoice.

MICKEY
With allrespect, sir, I'dlike to be the one who goesup and detonatesthe weapon.
JONNIE
It's braveof you to offer. But it's lfr'f plan, so Igo--

MICK£Y --Youdon't understand. I~ to go. (determined) So,I can see my brotheragain.

Jonniestares at Mickey,his heart breaking. But this time, Jonniebas no choice. Be hasto tell him.

JONNIE
There'sno point inyou going. No human canbreath on theirplanet. Plus, the gravityis too strong.I'm sorry.
(soft)
Butyour brother was deadwithin moments ofbeing there.

Mickey returnsJonnie's lookwithout blinking.

MICKEY
Ikru:;M.·That'swhy Iwant to go.
(quietly)
So,I can be with himagain.

A longbeat. Then Jonnie finallynods, givingMickey his wish.

·EX'l'.DENVER--EMPLOYEE RECREATION·BALL-- THATNIGHT

Ker comes strollingout ofthe bar, when a figuresuddenly steps out ofthe shadows in frontof him.- It's JONNIE--

JONNIE
There'sno way Terl'sgoing to share any ofthe gold with you.
KER
Whatthe hell are you talkingabout? Andwhat are you evendoing here, you're supposedto be mining--
JONNIE
--Thinkabout it. Terlwent through all thateffort to trick you,so he could recordyou into layingout the plan. It wasmore than just makingyou the patsy.
(beat)
Terl gotleverage on you sohe wouldn't have toshare the gold.
KER
Bow theblast do you knowabout the recording?1 JONNIE. It sureis interesting some ofthe discs one canfind in Terl's personalvault.

Ker"s eyes light-upat his suddengood fortune. Be pullshis blast-gun and orders--

XER
Give thedisc to mel
JONNIE
I'm afraidI don't have itwith me. cu
199

EXT. DENVERZOO -- CHRISSY'S CAGE-- A LITTLE LATER

As Jonnie leadsKer to the cage,Chrissy holds up theDISC.

EER
Tell herto give it tome--
JONNIE
--I'm afraidwe can't justgive it to you. Butyou can trade forit.

Ker, chucklingat Jennie's stupidi~y,re-pulls h~sBlast-Gun.

1CER I don'tthink so, crap-brain! Because if you don'tgive me the disc,I'll--

At JoMie's signal--

200

INT. CHRISSY'SCAGE-- CONTINUOUS

CHRISSY imnediatelyhands thedisc to someone in hercage, who in turns hands itoff to another person,this continue3until•••

-. -

The disc reachessomeone at theedge of the cage,who pitches it through thebars into--

201

INT. NEXT CAGE-- CONTINUOUS

Ker tries topoint his gun at thehumans in warning,but the process isrepeated too fast forhim to follow as.••

202

EXT. DENVER ZOO-- CO!FFINUOUS

A human chainmoves the disc fromhand to hand, cageto cage, until before Ker knowsit, the disc disappearsfrom view arounda corner.

203

EXT. CBRISSY'SCAGE -- CONTINUOUS

Ker turns backto Jonnie with a friendlysmile.

KER
••• Whatkindof trade?
205

INT. CHRISSY'SCAGE -- A LITI'LELATER

Xer uses a specialtool to remove theexplosivecollar from Chrissy•s neck,then trade.sthecollar for thedisc.

JONNIE
Bow aboutwe make anothertrade.
(motionsto the zoo cageKEY)
As amale member of yourspecies, you can understand.whyI would wantto come and "visit'with her--
KER
--Forgetit, crap-head! You just keep yourmind on getting therest of the gold!
JONNIE
Too bad •••
(holdsup a SECONDDISC)
Becausethe g9ld is almostready and I thoughtyou might wantsome incriminating evidenceon your friend,Terl.

Xer doesn'thave to think aboutit. Be imnediatelytrades the zoo key forthe second disc. As soon as X~r.isgone... • . _

Chrissy givesJonnie a confusedlook.

CHRISSY
Won'tthe monster in chargebe able to see I'mno longer wearingthe collar.

JONNn: (handsher the key) Aftertonight, it won'tmatter much eitherway.

There's anunspoken tensionbetween them. The firsttime they've alone sincehe left their village. Chrissy triesto cover itwith

CHRISSY
I know you don'tbelievein fate, but I've alwaysknown you weredestined to do somethinggreat•••
JONNIE
•••We're goingto do somethinggreat. All ofus, together•
206

SHE NODS,BUTTHERE'S STILL SOMETHINGNOT BEING SAID. THE LONGEST

of beats. And finally, Jonnie strugglesto find theright words.

JONNIE (cont'd)

(~ Andwe need to do thisnot only for our

own freedom,but forthe possibility ofa lifefor the children.

Chrissy looksat him and startsto ask something,but doesn't. Be returnsher look, clarifying•••

JONNIE (cont'd)
A lifefor S2lU:children.
(quicklyadds)
Of course,only if you'dbe willing to takean 'arrogantgreener'as your husband.
CHRISSY
I don'tknow•••
(warmsmile)
I thinkI could live withthat.

They embrace. Each of them knowingit might bethe last time.

207

INT. SECURITYHEADQUARTERS --THAT NIGHT

Terl-comesstrolling intothe office, but suddenlystops in his tracks.EVERY MONITOR in theroom is playing·arecording of--.. CJ

TERI..( ONTHEMONITORS).
•••We'dhave to use explosives. Bame Officewould detect them and senddown a surveyteam, which meanswe wouldn't be ableto keep the gold forourselves.

Ker smugly pausesthe disc,FREEZING the guiltyevidence.

KER
I'vebeen thinking. Eighty-twentyia.a prettyfair distributionof the gold •••
(lovingevery moment of this)
Butl should get the eightyper cent.

Terl staresat him. And withouthesitation:

TERL
Congratulations! I knew therewas a true Psychloin you somewhere!

Ker remains onguard. Be's not aboutto fall for any traps. But Terl seemsgenuinely happy, ifnot downright ecstatic.

TERI. (cont'd)
You finallyfigured out how toget proper leverageon someone.
(MORE)

TERL (cont'd)

()

Which meansI haven't wastedmy time trying totrain youl

Ker can't believeit. This is goingmuch better thanhe thought.

KER
You"re notupset?

TERI, Don't be crazy! You don't knowhow long I've beenwaiting for thisday. And I know justthe perfect way tocelebrate--

Be pulls his Blast-Gunand slidesit into kill position--

KER
What areyou doing?! You can'tkill mel
(explains) . I made a copyof your disc andgave it to someone forsafe keeping. And if anythinghappens to me, they'llturn it into theauthorities.

A frozen beat. Then Terl has tolower the ~ witha sigh.·

JCER(cont'd)
It's yourown fault, sir.
(good-natured)
You were justtoo good of a teacher.
TERL
And how aboutgiving the oldteacher a clue asto who this personmight be?
KER
You insultyourself, :air.You taught me better thanto fall for thatone.

TERI, Well, thenhow the hell am Isupposed to know who itis. I mean, itcould be anyoneon this damn planet•••It could be oneof the mechanics. Itcould be a concubine. It could be someonein the communicationsoffice. Bell,it could even be •••

Terl opens hisdesk drawer and calmlypulls out--

THE BARTENDER'SSEVERED BEAD

TERL (cont'd)
Pllrfriendlybartender!

Ker's face immediatelygoes death-white. Terl tossesthe head to K

TERL (cont'd)
You know,you really shouldchose your friendsa bit more carefully•••

xer looksfrom the head tothe desk drawer toTerl,·realizing 'l'erlhadthi~planned all along. Bis body slumpsin defeat.

Terl raiseshis blast gun.

KER
Don'tshoot! You win! I'll go back to beingthe patsy!

Be fumblesa disc out of hispocket and hands itto Terl.

KER (cont'd)
See? That's the discof me laying out the plan. You can haveit back. Which means I'mback to beingthe patsy. And you can'tkill the patsy,right?!
TERL
Here"syour final exam. Try real hard to passit •••When committinga crime, howmany patsies doesone need?

As K~r chewson this, Terlreminds~--

208

TERL (CONT ' D )

And whileyou're thinking,remember all the hardwork we put intogetting leverageon the Planetship. A process, I mightadd, that youwere quite resourcefulin helpingwith.

The lifedrains from Ker as•••

KER
The Planetshiporderedus to train the man-animalsto mine thegold. So, if anyone foundout, he'dbe responsible.
(practicallycrying)
And you onlyneed~ patsy.
TERI.
Very impressive. You passthe exam with highestmarks.

lCABLAMl Terlshoots a fist-sizedhole through Ker'sface.

TERL (cont'd)
But I'm afraidyou failed thecourse.

Ker is dead longbefore he hitsthe ground.

209

EXT. DENVERZOO -- CONTINUOUS

A pair of sentriesmake theirusual nightly rounds,when they hear a strangenoise. Turning,they catch a glimpseof--

'ALONE BOMANSLAVE

Racing awayup a path and disappearingaround a corner.

ZOO GUARD
Bow thehell did that oneget out •••

The other guardshrugs, unconcerned. After all,man-animals aren't that fast. So they calmlywalk-jog after theescapee--

210

EXT. AROUND'L'BEBEND-- A LITTLELATER

With theescapee now in tow,the guards head backto the zoo. One of themshakes his headin amusement--

ZOO GUARD
Not onlyare these man-animalsslow, but they'vegot to be thestupidest things.
( jeeringlaugh). It didn'teven have thesense to hide. It ju~tstood there, lettingus--.

The wordsfreeze in his throatas they turn abend and •••

211

EXT. DENVERZOO-- CONTINUOUS

Eyery single cage isempty. Not a human in sight. The only sound the eeriecreaking of opencage doors swayinggently-in the night.

212

EXT. DENVER-- A LITTLE LATER

RI.AXONBORNScrank-up, wailinginto the darkness.

213

INT. MORGUE-- CONTINUOUS

TERL finishesloading the coffinsfull of his preciousgold onto

a cart as hebarks into his rad.io--

TERL (INTO RADIO)
••• Thensendall availableguards to round themup 1 I'm busy,you don't have to botherme with every littledetail
214

EXT. TELEPORTATIONPLATFORM --MOHEN'L'SLATER

The 'l'ELEPORTATIONSUPERVISORhangsupfran a radiocall--

fr5i5753F75}tl,'*

TELEPORTATIONSUPERVISOR
Thosesecurity guysat the zoo havegot tobe the biggestcrap-headsl What did theydo, leave allthe man-animalcages wide open?l
(point to several of the guards)
All non-essentialpersonnel are to go over and help withthe round-up.

The selectedguards grumbleabout havingto go, and•••

215

EXT.DENVER -- STREETS --CONTINUOUS

Jointhe steady flow ofother Psychlos respondingto the call. Butno one's in too bigof a rush. It's justa man-animalescape.

216

EXT.CIVIC CENTER PARK - A LI'L"I'LELATER

Chrissyand the escapedhumans watch as thePsychlos move inon them withROPES, ELECTRICPROO-STICKS, andNETS•.

217

EXT.TELEPORTATION PLATFORM-- CONTINUOUS

The supervisorinstructsone of the.two remainingguards> u

TELEPORTATIONSUPERVISOR
Go haul those two new guysout of the crapper and send them too--

The guardsshare a knowingchuckle.

FIRST GUARD
Mozzontom's revenge.
SECOND GOARD
Untilyou get used tothe water, blasted localparasites willget you every time--

Still chuckling,he shufflesoff to a SQUATBUILDING.

:arr.NATORALHISTORY MUSEUM-- CONTINUOUS

Keeping acareful eye out thewindow, Mickey keysa RADIO.

MICJ\EY(INTORADIO) There'sthree monstersremaining••• Two arestaying at the platform. One is headinginto a building tothe east-- (checkshis map) Which isthe latrine.

- ;; g4r;m;:a;;;;;g

-

218

EXT. MINING SI'L'E CONTINUOUS

Across from theteleportationplatform, Jonnie whispersto Mason.

JONNIE
I'll takethe two at the platform. You take theone in the latrine--

Mason nods and theysilently divideup, slipping throughthe night like shadows.

219

INT. SQUAT BUILDING CONTINUOUS

The guard headsinside the latrine,hollering to theoccupied stall

'l'ELEPORTATIONGUARD Time to earnyour pay--

One of the stalldoors opens anda Psychlo stumblesout, pulling up his pants. Be looks more thana little green.

NEW PSYCBLO
I knew coming toone of theseremote rim-starplanets was amistake.

A second Psychloemerges from anotherstall, not lookingany better. They trail.aftertheguar9, who heads backfor t~e door. a

220

EXT. TELEPORTATIONPLATFORM CONTINUOUS

The supervisorshakes hi~ head,complaining to theremaining guard.

'l'ELEPORTATIONSUPERVISOR ••• Ifanyof the man-animalsget broken in theround-up, you justknow the brass will useit as an excuse tojustify cuttingour pay again--

A Kn,I,CLUB fliesthrough the air,smashing into hishead.

The fierce impactjars the Psychloforward, but doesn'tkill him. Be spins aroundto see what thehell just hit him asa--

PICK-AX

Slama blade-firstbetween his eyes. Instant death. And before the first guardcan react, Jonniepulls a--

BON'llNGDIFE

And slits histhroat.

Err. 'l'OPOFTBEDOM! -- CONTINUOUS

Carlo lands theaircraft on the apex ofthe dome and jumps out with an armful ofEXPLOSIVES.

221

EXT. LATRINE --CONTINUOUS

The second guardcomes strolling out of thelatrine as a--

PI:C!tAX-BLADE

Slams deep intohis chest. Mason pulls his knifeto finish the monster off, but freezesat the unexpectedsight of--

TWO Oim:R PYSCBLOS

Beading out of thebuilding. One of the Psychl~simmediately pulls his blast-gun andFIRES at--

Mason, who tries to leapout of the way. But the shot blows off h~ of his leg. Sendinghim crumpled helpless tothe ground as .••

The Psychlo aims hisgun dead center betweenMason's eyes and--

JONNIE'S RN:IFE

screams through the air,1rnJ?edd1nqdeepin·thePsyehlo's throat•

An enormouspaw blurs in the·air·,.comingat h~ •.·Talons·rake: the side ofhis face. CJ

Jonnie has the gun inposition, and fires at a huge chest.He punches blast afterblast into it, driving him back.

222

INT.LATRINE -- CONTINUOUS

The firstguard, pick-ax still buriedin his chest, clingsto lifeas he manages pulls his radio•••

223

PSYCBLO(INTO RADIO) We're underattack. !"remman-animals with weapons. They've already killed--

Jonnie flashesinside, knocking away the radio.then slits the Psychlo'sthroat.

nrr. COMMONJ:CATIONEEADQOAR~I -- CONTINUOUS

..

An ALARM suddenly goesoff on a long console.A COMMUNICATIONS OFFICER checks it, thenspins to his SUPERVISOR--

I~, COMMUNICATIONSOFFICER ' l \' ,'. '~---~~"" Sir, I haveunconfirmed reportsof a

·man-animal'revolt. And motionsensors have justbeen set-off on topthe dome--

The supervisorhurries over.

224

EXT. NATURALHISTORY MUSEUM --MOMENTS LATER

From his look-outposition, Mickeyspots a group ofa.Dned Psychlos sprintingtoward the teleportationplatform.

MICJCEY(INTO RADIO)
Five MonstersApproaching! Heavily Armed! From The South--
225

EXT. TELEPORTATIONPLATFORM --CONTINUOUS

Jqnnie hurriesto apply a make-shiftfield tournique~to Mason's leg, then dragshim behind therelative safety of--

226

EXT. CONTROLBUNKER -- CONTINUOUS

Jonnie,pullshis blast-gun,waiting for the Psychlosto come into_. 0 range. As theydo, he OPENSUP FIRE--

227

EXT. MAINROAD - CONTINUOUS

one of thePsychlos goes down. And another. Theremaining three scramble forcover, returning fire--

Err. CONTBOLBUNKER

BLASTER-FIREscreams all aroundJonnie, pinning him downas Carlo's voicesuddenly comes overthe radio--

CARLO'S VOICE (FROMRADIO)
The explosivesare setl Bow long'till I canblow the dome--
JONNIE (INTO RADIO)
--Boldonl I'm afraid we'vegot a little situationhere.
228

EXT. TOP OFTBE DOKE -- CONTDRUOOS

Carlo finishesplanting five setsof explosives in aDIAMOND- SHAPE aroundthe dome's apex,when he whirls as--

A PSYCBLO CRAF'l'lLandson thedome behindhim.

CARLO (IN'l'ORADIO)
Okay, But Don'tMake It Too Long! I"ve Got Company Up Bere--
229

EXT.TELEPORTATIONFIELD - CONTINUOUS

Thethree Psychlo Guardsrun from coverto cover, workingtheir wayto set-up a cross-fireon Jonnie. From one of their radios--

COMMUNICATIONOFFICER (FROMRADIO)
Please report! What is the security status of the teleportationplatfoon--

Oneof the Psychlo'spulls his radio torespond--

230

EXT.CONTROL BUNKER --CONTINUOUS

Jonnietries to draw abead on him, butthe shot is obstructed. soJonnie grabs a ROCKand throws it behind--

231

EXT.1'ELEPORTATIONFIELD-- CONTINUOUS

The Psychlo,who keyshis radio--

PSYCELO
This is ResponseTeam Leader at the teleportation field--

Be instinctivelyturnstoward the suddenNOISE of the rock landingbehind him,inadvertently steppingout of his cover--

232

EXT.CONTROL BUNKER --CONTINUOUS

Whichis all Jonnie needs. KABLAMl Be dropsthe Psychlo. Theother two monstersopen up fire on--

Jonnie,who returns theirfire, but his gunsuddenly runs dry witha revealing·CLICK•••CLICK•••CLICK•••

233

EXT.TELEPOR.TATIONFIELD-- CONTINUOUS

Bearingthis, the two Psychlosinmediatelycharge the bunker.

234

EXT. CONTROLBUNKER -- CONTINOOOS

Jonnie desperatelysearchesfor another weapon. But all he has is hisknife. Which won'tdo much good against•••

The twoPsychlos storminginto the bunker, turningtheir blast- guns onhim at point-blank-range-

e a ?9¥iW

JONNIE
Are you sureyou want to killme without first checkingwith your superiors?

Tpe Psychlos FREEZE. Not so much atwhat Jonnie said. But because--

APSYCBLO
It speaksPsychlol

Jonnie nods, speakinga little slowerthan usual.

JONNIE
That's right•••Which shouldmake it obvious thatI've been trainedas part of a secret high-leveloperation•••

The two Psychlosexchange a look,then pull theirradios.

JONNIE (cont'd)
Although,before you radioyour superiors,maybe there is~ other thing you shouldbe more concernedabout.
A PSYCBLO
And what thehell is that--

KABLAMJI One Psychlogoes down ina ·bloody..heapas--. LJ Jonnie bas stalledthem long enoughfor MICKEY to sneakdown into position. Theremaining Psychloturns his gun on theyoung twin--

But Jonnie jumpsthe Psychlo frombehind, slashingits throat with his huntingknife.

235

EXT. TELEPORTATIONPLAXFORM --MOMEN'L'SLATER

Jonnie and Mickeyload the NUCLEARWARHEAD onto theplatform, then--

236

EXT. CON'L'ROLBUNKER--CONTINUOUS

Jonnie races overand enters the activationsequenceinto the console. The high-pitchedBUM fillsthe air as the generator-

237

DYNAMOSSTARTWINDING UP. GROWING LOUDERAS ••.

AUTOMATEDVOICE (FROM CONSOLE)
TeleportationSequence Initiated.
(a buzzing sound)
'l'eleportationintwenty •••Innineteen•••
238

EXT. 'L'OPOFTHE DOME-- CONTINUOUS

A heavily armed PSYCBLOSECtJRI'l'YRESPONSETEAMhasdeployed£ram the aircraft and is firingat--

......,;;;;;;::z;·=::m::::r:r:::z .,,..

Carlo, who isforced to dive backinto his own-- ()

239

INT. AIRCRAFT --COCKPIT -- CONTINUOUS

And take off. one hand grippinga DETONATOR, Carlowatches as the Psychlos move toinvestigate theexplosives set aroundthe dome's apex below.

CARLO(INTO RADIO)
If I Don'tBlow The Dome Now,I'm Not Going To Be AbleTo--
240

EXT. CONTROL BUNKER-- CONTINUOUS

The drumming ofthe generators reverberatesthroughthe air as the automatedvoice finishes thecountdown to teleportation.••

AUTOMATEDVOICE (FROMCONSOLE)
In five•••In four ••• Inthree•••

Jonnie turns, double-checkingthatMickey, the nucleardetonator in hand, is on theplatform alongwith the warhead.

JONNIE(INTO RADIO)
Go AheadAnd Blow The 0ome1

CARLO'SVOICE fFROM~IO) Thought You'dNever Ask--

AUTOMATEDVOICE (FROMCONSOLE)
In two••• Inone •••
(a buzzingsound)
TeleportationSequence canceled.

And before Jonniecan react--

~ presses a Blast-Gunagainst theside of his head.

TERI.
Bope I'm notinterrupting anything.

An eerie stillnessas the generator-dynamosslowly fallsilent.

241

EXT. TOP OF THE DOME-- CONTINUOUS

The Psychlos on thedome have alreadydisarmed one setof the explosives surroundingthe apex, and areremoving anotheras--

242

INT.AIRCRAFT -- COCLCPIT--CONTINUOUS

carlohits the detonator--

243

EXT. TOP OFTBE DOME --CONTINUOUS

KABBOOHMlll The Psychlosare blown tobits. But withonly three of thefive explosivepackages in place,the dame SPIDER-WEBS•••

But doesn"tcollapse.

244

EXT.TELEPORTATION PLATFORM-- MOMENTSLATER

Keepinghis gun trainedon Jonnie and Mickey,Terl keys hisradio.

TERL (INTORADIO)
This is SecurityChief; Terl. I've personally takencare of the situation at the teleportationfield. Thereis no need to send additionalguards
COMMUNICATIONOFFICER'S VOICE (FROMRADIO)
Yes, sir••• And shouldwe continue rounding-up theman-animals in thepark?

Terllocks eyes withJonnie as he calmlyresponds--

TERL (INTORADIO)
Negative. Our boyshave been working· hard and deservea little fun •.Tell them to set theirweapons to kill position and happy-hunting. · (grins) Exterminate allthe man-animals atwill.

Jonniereturns the starein helpless anguish·as--

245

EXT.CIVIC CENTER PARK-- MOMENTS LATER

A collectiveroar of enthusiasmgoes up fromthe Psychlos asthe ordersare relayed. They toss down theirnets and ropes anddraw theirblasters, settingthem into KILL-POSITION,then--

fireon the unarmed humans. Chrissy urgentlypulls her radio.

CHRISSY (INTORADIO)
They' reOpening Op FireOn Osl What's Going OnWith The Dome--
CARLO'S VOICE (FROMRADIO)
--BoldOn, I'm takingIt Outl
246

INT.AIRCRAFT -- CONTINUOUS

Carlopilots the aircraft,sending it screamingfull-speed right for thespider-web of crackedglass surroundingthe dome's apex--

247

EXT. TOP OF THE DOME

The aircraft BLASTSstraight into thedome. The jarringimpact causing the high-techglass to BUCKLE•••

But the dame's structuralintegrity remainsintact.

248

EXT. CIVIC CENTERPARK -- CONTINUOUS

The blood bath continuesas the Psychlosblast down theunarmed humans like targetsin some amusement parkgame.

Chrissy desperatelygrabs a BRANCH from theground and throwsit like a kill-club--

The impact knocksthe Blaster-Gun outof the paw of a Psychlo, who is surpriseda man-animal was ableto do that•••

Let alone a femaleman~animal. Chrissyand the Psychloboth dive f o.r theweapon.

249

.

Chris~y's the one who comes up withit,blasting a holethrough th~ monsters chest,then spins, firingon another Psychlo.

250

. .

C One of Jonnie'strained men springsfoi:wardout of thecrowd; grabbin the weapon fromthe fallen Psychlos,then joins Chrissyin firing on-

The other Psychlos,who realizing they"re·underattack,aggressively return fire, catchingthe rebel fighterin a cross-fire,tearing him to shreds. The Psychlosthen turn theirweapons on Chrissy.as--

IN'l'.AIRCRAFT --CONTINUOUS

Carlo tries to reversethe aircraft,but the engine impotently grinds, mortallydamaged in the collision.

The TORTURED SCREAMSof people dyingbelow can be heardover the radio. And Carloknows he has no choice •••

Be reaches behindhim to an impressivecollection ofEXPLOSIVE DEVICES and grabsa GRENADE, pull;ngthe pin.

CARLO (INTO RADIO)
The dome willbe blown in five ••• four •••

Be tossesthe grenadeback with the otherexplosives andstares aheadwith grim determination,continuingthe countdown tohis own death.

CARLO (INTO RADIO)
Three •••Two•••One--

The grenadeDETONATES. setting-offthe rest of theexplosives-

251

EXT.TOP OF TBEDOME -- CONTINUOUS

Theaircraft EXPLODINGin aMASSIVE FIREBALL. The powerfulblast isfinally enoughto completely shatterthe weakeneddome--

EX'l'.CIVICCENTERPARK-- CONTDruOOS

Chrissyis underintense firefrom all directions. She'sforced backagainst a sideof the building,trappedas the Psychlos movein for thekill, firingrelentlessly ather, when fromabove•••

A sky-full of snowflake-sizedpiecesof glassrain down, shililneringlikeetherealspiritsdancinginthe night air.

But as beautifulas it is, theresult is deadlyto the Psychlos. Without breath-masks,they dropto the ground,convulsing--

252

EXT. TELEPORTA'L'IONPI.A!RFORM--CONTNRUOOS

Incontrast toTERL, who calJDlypullsa breath-maskfromhis pocket. As he securesthe mask, he explainsto Jonniewith a smirk--

TERL . : If I wereyou, and thank-PsychloI'm not, blowingup the dome wouldhavebeen my moveas well •••

253

EXT. CIVIC CEN'L!ERPARK--CONTINUOUS

The restof Jonnie'smen grabthe weapons fromthe now deadmonsters andjoin Chrissyin takingposition to ambushthe secondwave--

254

EXT. TELEPORTATIONPLATFORM-- CONTINUOUS

Terlkeeps his gun trainedon Jonnieand Mickey,while calJDly keyinghis radio--

TERI.(nrr0 RADIO)
Uplink a red-alerttoBane Planet.
(matter-of-fact)
It's timewe eradicatethese pitiful man-animalsonce and forall.
COMMUNICATIONOFFICER'SVOICE (FROMRADIO)
With pleasure,sir--

Terlplucks the NUCLEARWARHEADoff the teleporterand nonchalantly --· tossesit into thefield behindhim•••

Then loadsthecoffins full ofhis preciousgold onto the platform.

255

INT.COMKONICATIONSHEADQUARTERS-- CON'I'INOOUS

ThecommunicationsSupervisorfinishes punchingan authorizationcod, intothe consoleand slams aKEY CARD intoa slot and turnsit-

256

EXT.PLANET PSYCBLO-- CONTINUOUS

Undera perpetualpurple sky,the Bame Planet'sautomatedresponse systemirmnediatelygoesto work. ToweringROBOTIC ARMS load-

MASSIVEGAS DRONES

Ontoa teleportationplatformas--

THOUSANDSOF SBOCKTROOPS

All in full-onbattle gear, swarm ontotheplatform.

257

EXT. EARTH --'L'ELEPORTATIONPLATFORM--CON'I'INOOOS

Terl finishes loadinghis goldonto the platform,then keepingthe gunon Jonnie •••

TERI, Even thoughyou're justa rat-brain, I must admityou gave me quitea sporting challenge. And you'llmake a hell ofan interestingconversationpiece once you're stuffedand hangingon the wall at the AcademyAlumni Club.

With the weapontrained on Jonnie,Terl backsup to the control bunker. Mickeycan't keep thepanic from hisvoice.

KICREY
What arewe going to do?l Be sent the red-alert--
JONNIE
--We're goingto let himstart-up the teleportationsequence •••
(fierceresolve)
Then no matterwhat happensto me, just make sure you andthe nuclearweapon are on the platform.

EX'l'.CON'l'ROLBONKER-CON'I'INOOOS

The high-pitchedSOMof the generatorsstart tofill the airu--

+ 1M

Terl punchesin the last ofthe commandsfor teleportation. ()

ADTOMATEDVOICE (FROMCONSOLE)
TeleportationSequenceInitiated.
(abuzzing sound)
Teleportationin twenty•••
258

EXT. TELEPORTATIONPLATFORM-- CONTINUOUS

Jonnie chargesoff the platform.Terl spinsand PIRESat him--

But Jonniemanages to diveclear of theshot, then pivotswith blurring speedand throwshis--

BUNTING JCNIFE

Through the air,sending itstraight at--

Who tries totwist out ofthe way, butthe knife slamsdeep into his shoulder. Terl pullsit out as--

JONNIE

Launches himselflike a possesseddemon straightintohim.

Fueled by primalrage, Jonnieis able to.knockthemuch-bigger Psychlo tothe ground, jarringthe gun fromTerl's grip.

But Terl isbigger and stronger. Be pinsJonnie downand savagely tearsinto himwith his razor-likeclaws--

Jonnie lungesup and grabsTerl's woundedshoulderwith both hands. Squeezingand twistingas hard ashe can, Jonniewrenches Terl off ofhim. But thevictory is shortlived as •••

Terl rollsover and is nowable to getback onto his feet.

But Jonnie hangson and staysfocused on themonster'sweak .spot. Digging o.nehandinto Terl•swounded shoulder,whilePOMMELING at it in a madblur with theother, inflictingwhat damagehe can--

Hissing inpain, Terl swatsJonnie backto the groundthen grabs his blast-gunand stands,towering over--

Jonnie, whocan see behindTerl, where •••

259

EXT. TELEPORTATIONPLATFORM-- CONTINOOOS

Mickey struggleswith all hismight, justmanaging to boostthe nuclear warheadback onto theplatform.

WP 11£MWMS

260

EXT. CONTROLBUNKER -- CONTINUOUS

AUTOMATEDVOICE (FROMCONSOLE)
Teleportationin twelve •••Ineleven•••
261

EXT. TELEPORTATIONFIELD - CONTINUOUS

Jonnie lockseyes with Terl,trying to keephim from noticing Mickey scramblingonto theplatform withthe nuclearweapon.

JONNIE
Look, Iknow you're goingto killme. But I haveone la.strequest.

Terl aims thegun straightdown betweenJonnie's eyes.

TERI, I'm afraidyou're inno position tobe makingrequests-

JONNIE
--I know. But I'm begging you. {pleads) With thegas dronescoming, is thereany way tospare one humanlife••• Because you wereright aboutthe young lady you putthe collar on. ·Ido know her.

C, (quietly)

She was tobe my wife.

Terl can't believeJonnie'sstupidity. Chuckleswith glee.

TERI, Thanks forremindingme, rat-brain. (pullsthe REMOTE toChrissy's collar) Beforeyou die, you shouldhave the pleasureof knowing whathappens toyour little •wife•to be.

Terl raises theremote withone paw, the otherpointingthe blast-gun downat Jonnie,who stares him straightin theeye.

JONNIE
Trust me. You don't wantto do that--
TERI.
Trust me. I want nothingmare--

Terlplunges theremote's button. Obviouslynot realizingthat--

WhenJonnie grabbedhis shoulder,he had claspedthe explosive collarfrom Chrissyunder oneof the gold epaulettesand--

QBOOM

Terl blowsoff his own ann. Blood gushingfrom hisshoulder

where it usedto be connectedto an arm.

Terl is toostunned to reactas--

Jonnie divesto the ground,grabbing theblaster-gunstill connectedto.what's leftof Terl's arm.

262

EXT. CONTROLBON:KER-- CONTINUOUS

The humming ofthe generatorsgrows louder.

AUTOMATEDVOICE (FROMCONSOLE)
In five•••In four •••In three•••
263

EXT. TELEPORTATIONFIELD- CONTINUOUS

Keeping theblast-gun,on Terl,Jonnieturns to .checkon--

264

EXT. 'L'ELEPORTATIONPLATFORM--CONTINUOUS

Mickey pullsout the nucleardetonator. A sense ofdeep pride at the .missionheisabout toperform. As thecountdownfinishes--

Mickey turnsand gives hisfriend Jonniea SALUTE·.

265

EXT. TELEPORTATIONFIELD-- CONTINUOUS.

Jonnie salutesMickey backwith eyes fullof respect. The field

suddenly rockedby a DEAFENINGROAR and BLINDINGLIGHT,and--

Mickey. the warhead.andcoffins disappear fromtbeplatfo;:m.

266

EXT. PLANETPSYCBLO -- TELEPORTATIONCENTER-- CONTINUOUS

With the GASDRONES and shocktroops allloaded forearth, the

countdown forteleportationis at •••

AOTOMA.TEDVOICE(FROM CONSOLE)
Teleport.ationinfive•••In four •••

At the farend of a seeminglyendless rowof platforms--

267

EXT. PLANETPSYCHLO TELEPORTATIONPLATFORM-- CONTINOOOS

MICKEY appears,along withTerl's coffinsand the nuclearweapon.

The Psychloworkers in thevicinity laughat Mickey's fate. But Mickey staresat them withoutblinking--

q;;,.,

MICJCEY
I know I'mgoing to die •••

ThePsychlos obviouslydon't speakEnglish andhave no ideawhat be' ssaying. Butthey crowd aroundin morbidcuriosity as •••

Theplanet's overwhelminggravitycrushes Mickeyt.othe ground. Theyoung twin'seyes bulging,he announcesto the crowd--

MICKEY (cont'd)
But so areyou--

Thiscracks up theothers. With hisfinalmoment of life, Mickey pushesthedetonator button•••

268

EXT.'L'ELEPORTATIONPLATFORM--CON'L'INOOUS

As the countdownto earth'.s destructionfinishes--

AU'l'OMA'I'EDVOICE(FROMCONSOLE) In two•••In one--

KKXAAABBBBBLLLLLAAAAAAAMMMMMMM111111l 11111

The GAS DRONES andSBOClCTROOPSvapo;ized intoobliyion~-

Along.with everythingelse inthe ·pathofthe.JZJUs~oom_cloud slannningthroughthecity likea tidal wave.ofpure destructio·n.

Blasting apartcountless Psychlosand theirbuildings. And after the initial blastsubsides, the radiationreactswith theair-

causingthe AIRTO EXPLODE inan instantaneouschain-reaction spreadingout fasterthan theeye can see,as •••

The atmosphere isliterally burnt awayfrom theplanet.

269

EXT. SPACE -- CONTINUOUS

A blinding whitefla=neexpandingout until itsurrounds the mammoth planet.·Burning withsearing intensityuntil--

THE ENTIRE PLANET-EXPLODESINTONOTBmGNEss111

SLOW FADE~

EX'!'.FORTKNOX--DAY

Anaircraft landsat the fort, andJonnie andChrissy emerge. Mason,sporting a finely-craftedwooden leg,stepsup to greetthem.

MASON
We're all butdone here. The painters just finishedyesterday.

..

Jonnienods asthey head intothe fort.

JONNIE
Good. Because now thatwe've got everyoneout of the contemina~edareas, we're goingto needyour help organizing a sumn:itwiththe clanleaders.

Drr.FORT --LOWER LEVEL --MOMENTS LATER

Masonleads Jonnieand Chrissydown a long&DDOred hallwayand througha thickvault door,to where--

Drr.INNER VAULT-- CONTINUOUS

Terl,a stump wherehis armused to be, downs ashot ofkerbango inhis new 'livingquarters',which havebeen painted purplefor him. Be staresat Jonnie throughthe steelbars.

'l'ERL What kindof barbaricspecies are you rat-brains? Eitherput me to workas a slave orhave the decencyto vaporizeme. (withrevulsion) But to imprisonme--

JONNIE
--Oh,we Illput you towork, donI,t-worry..
(explains)
You toldme yourself,Earth.isn't the onlyplanet that you Psychloscolonized.
CHRISSY
•••Andthose other Psychlosout there probablyaren't too pleasedabout what happenedto their Bome Planet.

'l'erlstaresatherin amazement,then eyesJonnie.

'l'ERL She speaksPsychlo.

CBRISSY
We all do •••
JONNIE
We figure itmight comein handy if those otherPsychlos everdecide to come by fora little 'visit.

TERI, One couldonly hope.

JONNIE
Whichmake you usefulto us. Afterall, you didgraduate topof your class.

0 CHRISSY

So youmust have some understandingof Psychlobattle tacticsand strategy.

TERL
(snidelaugh)
Andwhy the hellwould I ever helpyou?l
JONNIE
I'm justguessing thatyou wouldn'twant the otherPsychlosto know thatit was ~ greedand corruptionthat allowed us todestroy theirhome planet.

Terl stops laughing. Biseyes narrowinginto slitsas Jonnie holds up aDISC.

JONNIE (cont'd)
I maybe a rat-brain,but I wassmart enoughto figure outhow to makea copy of thisbefore I gaveit to lter.

on Terl's lookof completeanq utter defeat,we•••

FADETO

THE END