"AVP: ALIEN VS. PREDATOR" (2004)

STATS98pages113scenes24,467words4.4%dialogue42characters

Words

  • dialogue1,0874.4%
  • action22,85893%
  • other5222.1%

Scenes

location
  • INT 60
  • EXT 37
  • UNKNOWN 16
time
  • UNKNOWN 113
1

OPEN

AvP Draft September26,2003 1.

PRE-TITLE SEQUENCE: l.

A glacial ice cover stretches for miles.The last frontier * on earth is a harsh land of snow and ice.WE MOVE CLOSER: *

Creeping slowly over a graveyard of skeletal remains.Bones * and shards of bones protrude.from thesnow like small flags. * And beyond those bones lies blood, darkly rich in color, * soaking -deep into the once pristine. snow.This is fresh * blood. *

A BARN or a structure resembling abarn lives on the edge of * the sea covered in snow and surrounded by enormous tabular * icebergs. This structure has been bruisedby the hands of * time, the weight of endless falling snow that gatherso~ its * roof and the wicked wind of this, the coldest place on earth. * SMOKE pours from a chimney. *

Subtitle: Bouyetoya whaling station * Antarctica - 1904 *

2

EXT. WHALING STATIONS'J.'REB'L'-DAY 2.

The "barn" building is surrounded by two smaller buildings on * a narrow street in this tiny shack ofa town.JIMMY, all of * nineteen, frantically runs down thestreet. He's running as * if something is chasing him but we don't see anythingexcept * the terro·ron his face. He's freezing to death,dressed in * only at-shirt and jeans. His ~ands and arms resemblefrozen * sausages. They are wickedly frostbitten. The veins on his * arms look like long, thin rivers. His face isa deep rich * frosted blue. He hears something. Stops. He looks in horror * as he sees BLOODY HANDPRINTS, frozen into the snow. *

Jimmy's eyes follow the trail of bloody handprints toa small * building. On the window are MORE BLOODY HANDPRINTS.A pane of * glass is shattered. Jimmy runs into the main building. *

3

INT. B0UVETOYA WHALINGSTATION - DAY 3.

ACRID SMOKE pours from the BLUBBER COOKERY.BOILERS and * MACHINERY run loudly. A HUMPBACK WHALE sits on the flensing * plan, gutted. MEAT and BONE are being GROUND DOWN ina COPPER * CAULDRON. *

Jimmy runs over the bloodstained floor, frantically looking * over his shoulder. He falls over several barrels of whale * oil. He picks himself up, looks over his shoulder and starts * running again. *

Hanging from hooks on the wall are bloody HARPOONS,LANCES * and LOUCHETS. Jimmy crashes into them. He falls. He's on the * ground now. Exhausted. Freezing. And now badly cut up. *

AvP Draft September 26,2003 2.

3. CONTINUED.: 3.

And then he hears it. The sound of his pursuer, a sound like * a thousand mice being fed into a fire. But there's nothing to * see because nothing is there. But that horrible soundgrows * louder as itdraws closer to him. *

3A

INT.WHALING STATION MESSHALL - DAY 3A.

Jimmy runs into the mess hall. Forty bowls and drinking jugs * sit on the long empty tables prepared for a crew of forty men * that are long gone. *

A slow but constant drip falls from the ceiling onto the * center table. It looks like water but then Jimmy sees that * it'sBLOOD. Bloody human handprints are on the ceiling thirty * feet high.How the hell did they get there? Then... *

FOOTSTEPS •TOO LOUD and too big to be human. It' s as ifa * giant had boulders for feet and was stalking through the * whaling station -- methodically taking each step, its * movements louder than even the machines. *

The footsteps stop. They're very close. Jimmy's eyesdo a * scan of the entire room but nothing is there. Slowly Jimmy * turns around to find himself in the AWESOME SHADOW OFAN * ALIEN. He looks up in horror. He falls over a table bench. * He's on the ground. He's on his back. He's helpless. The * SHADOW OFTHE ALIEN spreads over Jimmy's terrified face. *

ANALIEN: Seen only in the snag of a few frames, nearly * subliminalimagery. The Alien lowers down, inches from * Jimmy's face. The TWIN MOUTHS open and prepare to strike. *

SUDDENLYAN OPTICAL BLUR and the Alien is hit with tremendous * force.He's knocked backward. And now its the Alien that * falls to the ground, itself badly wounded.Blood drips from * the Alien onto the floorand melts right through it. *

REFLECTED ON JIMMY'S EYES: we only GLIMPSE what he sees a * hunter stepping from the shadows. It• shumanoid in shape, but * clearly not of this earth. A PREDATOR, glimpsed in a * millisecond. The footsteps Jimmy heard were his. *

PREDATOR VISION: Jimmy is outlined in heat signature. But * the Predator is not interested in him.He wants the Alien. * JIMMY is frozen with fear. *

jIMMY * Please • Don ' t.I 'm ••• sorry .

TWIN BLADES are firedfrom the Predator's wrist. Their razor- * sharp edges catching the early-morning light.

2

AVP Dra:tt Sep~ember26,2003 3.

3A. CONTINUED: JA.

Then suddenly, they come scything down. Straight toward the Alien, but also STRAIGHT TOWARD CAMERA.

SMASH CUT TO: *

A-v-P

ALIEN vs PREDATOR

CUT TO BLACK:

4. LEGEND: PRESENTDAY 4.

Dark void. For a moment, everything is totally black. Then light begins to creep onto the SCREEN. It slowly illuminates what seem to be giant black spider legs. They are almost metallic in appearance. For a moment, any fan would be forgiven in thinking that this was an ALIEN QUEEN. *

But as the light grows, we see that the legs belong to an orbiting SATELLITE. We are in space. 50 miles above an unidentified planet. As the Sun rises above the planet, it illuminates the globe, and we begin to see the familiar green and blue of -- EARTH.

Suddenly THE CAMERA races forward - INTO the satellite. We streak through acomplex web of circuitry, coming to rest at last by alarge glass LENS. The satellite is one giant earneraaimed towards the Earth. And i1111staking photographs.

We see the imagery, but very distorted. Something on the surface of the Earth farbelow -- A PATTERN OF INTERLOCKING SQUARE SHAPES.

s. EXT. NEW MEXICO- PRESENT DAY. 5.

The vast d_esert plains are brokenby a forest of radio dishes pointed toward the heavens.

SUBTITLE: NEW MEXICO HIGHDESERT

WEYLAND INDUSTRIES- T.D.R.S. RECEIVING STATION *

G. INT. T.D.R.S.RECEIVING ·STATION- DAY 6.

Inside, the WHIR of AIR CONDITIONING. The distinctive logo of WEYLAND INDUSTRIES is everywhere. A handful of bored TECHNICIANS and SCIENTISTS monitor the data from dozens of satellites orbiting the Earth. We get the feeling nothing ever happens here. ATECHNICIAN watching an old movie ("FRANKENSTEIN MEETS THE WOLFMAN"}on a portable TV finally notices a flashing light on the console behind him.

(CONTIHUED)

AvP Draft September 26,2003 4.

6. CONTINUED: 6.

TECHNICIAN
(surprised} Hey.Take a look at this.

His SUPERVISOR walks over. Not expecting much.

SUPERVISOR
(bored)
What is it?·
TECHNICIAN
It's the data stream from PS12.
SUPERVISOR
Big Bird. Where is she?
TECHNICIAN
Right above Sector 14.
SUPERVISOR
There isn't anything in Sector 14.
TECHNICIAN
There is now.

The supervisor pulls a hard copy from the printer. It shows the pattern ofINTERLOCKING SQUARE SHAPES.

SUPERVISOR
Wake them up.
TECHNICIAN
Who?
SUPERVISOR
Everybody.
7

EXT. ALASKANNATIONAL PARK - DAWN 7.

CLOSE ON an ALASKAN SNOW HAWK'SNEST. The Snow Hawk is on the verge of extinction. The mother isfeeding two recent HATCHLINGS. The image suddenlyFREEZES and we realize that someone is taking photographs.The silence of nature is shattered by modern communication whena CELL PHONE RINGS.

LEX
(under her breath)
Damn it!

Meet ALEXIA KLINE. Explorer,adventurer, environmental technician, field guide and right now- angry photographer.

AvP Draft September 26,2003 5.

7. CONTINUED: 7.

LEX (CONT'D)

(eyes callerID) Gabe, when a person goes on

vacation alone in Alaska you think

maybe they're sending a message?

Lex checks the Snow Hawk nest. The mother seems spooked,but hasn't flown off. Lex starts reloading her camera with film.

GABE
We got a call from Weyland

Industries. *

LEX
(removing film from camera)
Let me guess: they're suing us

again?

GABE
Lex, itwas·from Weyland himself. *

LEX

What's one of the world's biggest

polluters want with us?

GABE

Not us. You. He's offering to *' fund the foundation fora full year if you'll meet with him. *

LEX * When? *

GABE * Tomorrow. *

LEX

(loading new roll of film)

Gabe. I know how badwe need the money. I really do. But •.• *

Lex's film drops out of her hand. She quickly reaches for it; it bounces off her hand and falls out of the tent flap.

LEX (CONT'D) *
Tomorrow's going to be a problem. *

WIDE: The role of film falls forever aswe REVEAL that Lex's * tent is five thousand feet in the air suspended by pegsand ropes. She's camped halfway up the mountain acrossfrom the Snow Hawk nest which is perched on the opposite cliff.

s.

AvP Draft September 26,2003 6.

7. CONTINUED: (2) 7.

LEX {CONT'D) * Take me a week to get down this * mountain. *

~E * I told him that. *

LEX * ·What did he say? *

GABE * He said he didn't have a week. *

A JET RANGER HELICOPTER rises right in front of her. It bears * the insignia of WEYLAND INDUSTRIES. Lex snaps hard right to see the Snow Hawk on the opposite cliff taking off into the air. Her shot is ruined.

NB. THERE ARE NO SCENENUMBERS 8 & 9 NB.

10

EXT. TEOTIHUACAN, MEXICO - DAY 10.

Thirty miles northeast of Mexico City. 107 degrees in the * shade.A GROUP OF WORKERS runs through an archaeological * site. Behind them, in the near distance, looms the timeless * beauty of theTEOTIHUACAN PYRAMIDS. *

WORKERS * He's found it! He's found it! *

WORKERS begin running toward-- *

11

EXT.EXCAVATION SITE - DAY 11.

SEBASTIANWELLS, the boy who turned his childhood love of * exploring the woods behind his house intoa life'long * obsession with archaeology·,wipessweat from his brow as he * studies acomputer printout that shows something buried just * beneath the surface.THOMAS, Sebastian's right hand, is * quietly excited. *

THOMAS
It's too small to be the chamber.
SEBASTIAN
It's a burial offering.

ARCHEOLOGISTS and WORKERSspeaking overlapping Spanish, * English and French gather around the excavation site,forming * a LARGE CROWD. Sebastian takes note of the crowd's * excitement, it's almost as great as hisown. *

(CONT:INUED)

AvP Draft September26,2003 1.

11. CONTINUED: 11.

SEBASTIAN (CONT'D)

(to the crowd) We must be right ontop of it.

The tension is unbearable as Sebastian slowly begins to reach into the darkness of the trench, hisarm slowly disappearing into the void.Then going further.

Slowly, Sebastian begins to lift somethingfrom the hole. We see the reaction on Sebastian's face,but not the artifact.

THOMAS * (breathless) · Professor?

Sebastian turns slowly toshow the crowd what he has uncovered. It's a faded red and blue metal object.A BENT CAP FROM A PEPSI BOTTLE.The disappointment in the crowd is palpable. ?ebastian is crushed. *

JUANITA RAMIREZ (O.S.) *
Nineteen fifties I• d say. *

Sebastian looks over to seeJUANITA RAMIREZ, an official with * the Department of Interior. *

JUANITA RAMIREZ (CONT'D) *
According to you, the Teotihuacan's * final gift to their dead king was a •••Pepsi. *

SEBASTIAN * Give me one more month, Juanita. *

JUANITA RAMIREZ * Can't do it, Sebastian. Department * of Interior needed results six * months ago. We're bringing in * another team. *

llA. EXT. SEBASTIAN'SCAMP - DAY llA.

Sebastian stalks to his camp to findMAXWELL, an elegant man * of Afro-Caribbean descent, standingby his tent.

SEBASTIAN
My team will clear out in fifteen * minutes. *

Sebastian starts to pack his things. *

AvP Draft September26,2003 8.

llA. CONTINUED: llA.

MAX
I don't work for Ms. Ramirez.

Sebastian stops. He looks at Max.

MAX (CONT'D) *
What would you say if I could get * you your dig back? *

And Max hands him an envelope with aWeyland Industries seal. *

llB./llC.SCENES llB. & llC.HAVE BEEN DELETED. llB./llC.

llD. EXT. BELL 212 llD.

Racing through the darkness.

llE. :INT.BELL 212 llE.

Lex is asleep. On her chest folded open is an issue of

"Scientific American" magazine. It featuresa picture of

Weyland and the title: "CHARLES BISHOPWEYLAND, PIONEER OF

MODERN ROBOTICS."

Staring out the window one seat over is Chemical Engineer

GRAHAM MILLER (glasses, lifelong, card-carrying science

geek). He stands up and attempts to take a picture of

himself. First attempt he blinds himself. Second attempt

the plane bumps and he's knocked into Lex. She wakes up.

MILLER
Sorry. *

She nods, starts to go back to sleep.

MILLER (CONT'D)

But seeing ashow you are awake,

would you mind?

He hands her his digital camera. Miller makes a stupid face. * Lex snaps the picture.

MILLER (CONT'D) *
Documenting the trip formy boys so they know that their father wasn't always boring.

Miller shows Lex a picture of his sons on his digital camera. *

AvP Draft September26,2003 9. CONTINUED: llE.

LEX

They're cute.

{next picture)

This your wife?

MILLER

Ex-wife.

LEX

{extending hand)

Alexia Kline, environmental technician and guide.

MILLER
(doing likewise)
Graham Miller, chemical engineer. Do you work for Weyland?
LEX
No. Iwork for a small environmental group.I keep us in

businessby taking scientists for

field tripson the ice.

MILLER

The ice?

LEX

Antarctica.

The CO-PILOT turnsand hollers from the cockpit.

CO-PILOT
JUST PASSEDTHE PSR!
MILLER
Damn, Iwish Iwould have gotten a picture.
LEX
Of what?
MILLER
The PSR. They should really call it out before you pass it.
LEX
The PSR is the point of safe return. It means we've used more

than half our fuel so we can't turn back.

AvP Draft September26,2003 10.

HE. CONTINUED: (2) llE.

Hiller goes pale.

MILLER * But we could still land? I mean if

something went wrong .••?

LEX

We could ditch but the water is so

cold we'd be dead in three minutes.

MILLER

Antarctica.

12

EXT. ATLANTIC OCEAN -DUSK 12.

A storm is brewing. A large gray vessel cuts through the * packed ice. *

A HELICOPTER thunders INTO VIEW. Its twin rotors chopping * through the falling snow. It's dropping in altitude. Headed * for the Piper Maru.

PILOT {V.o.) Weyland 14 to Piper Maru. We are on approach.

?A./128.SCENES12A. & 12B. HAVEBEEN DELETED. 12A. /12B.

1:lC. INT,LEX'S CABIN 12C.

Lex is unpacked.She lays back on her bed. Her door is open. * Sebastian walks past the door,bags in hand. *

SEBASTIAN * Do you know where the mess hall is? *

LEX * Next deck. One level up. *

SEBASTIAN * Hope the food's better than the * flight in. *

LEX * Think you might be disappointed. *

SEBASTIAN * How long you been on this boat? *

LEX * Just got here. *

AvP Draft September26, 2003 ll.

....,. .... CON'l'INUBD: 12C.

SEBASTIAN

I was trying to figure outhow this

guy got a bunch of people to fly to

Antarctica on twenty-four hours

notice without telling 'em * anything.

LEX

What did you come up with?

SEBASTIAN

Just figured that's why he's the

billionaire.

She smiles.

SEBASTIAN (CONT'D)

Sebastian. *

LEX * Lex.

SEBASTIAN

Buy you dinner?

LEX

Already ate.

SEBASTIAN

So buy me dinner. *

Lex looks at him -- curious.

NB. THERE ARE NO SCENENUMBERS 13. 14. 14.& 16 NB.

17

INT. PIPER MARU -HOLD NUMBER ONE 17.

Lex, Sebastian, Miller, ALBRECHT (a scientist)and two teams * of SCIENTISTS and ROUGHNECKS are assembled in the briefing * area surrounded by different pieces ofTHERMAL DIGGING EQUIPMENT. Standing beside the equipment is QUINN,a muscular Texan. Three other Weyland employees stand next toMax: * SABRINA JAMISON (mid 20's, sexy, smart, tough and toned); * VINCENZO (Italian, bodybuilder-type); and CONNORS (bearded * outdoorsman who looks like a chiseled version of the Unabomber) • *

Standing between TWO OF QUINN'S ROUGHNECKS, Miller is dwarfed * in height and size. He offers Quinn his camera to take his * picture. *

AVP Dra:ft September26,2003 12.

1"7• CONTINUED: 17.

MILLER * Would you mind? *

QUINN * You're kiddingme? *

Miller jumps inside the cab of one of Quinn's large drilling * machines. He begins to press buttons like a kid. *

QUINN (CONT'D) *
Get offmy equipment *

Miller looks at him. Lex approaches. In a bid to impress * Lex, Miller foolishly doesn't back down. *

QUINN (CONT'D) *
(flat) * Get off or you' 11 be wearing your * ass for a hat. *

Miller quickly moves. *

MILLER * My mistake. *

QUINN * (to Max) * Keep the beakers away from my gear. *

MILLER * (whispering to Lex) * What's a beaker? *

~x * (whispering back)' * ·It's what they call scientists out * here. You know ••• beaker? Like in * the Muppet Show. *

MILLER * Beaker •••!like that. *

Max looks around the room to make sure everyone is here. *

MAX * Everybody, please, your attention. *

The room falls quiet. *

MAX (CONT'D) *
Mr. Weyland.

{CONTINUED) 12. ·

AvP Draft September26,2003 13. CONTINUED: (2) 17.

A MAN emerges from the shadows behind Max -CHARLES BISHOP * WEYLAND. Weyland, in his forties, looksmore like a big game * hunter than the billionaire that he is . *

An ASSISTANT hands A FILE FOLDER to everyone in the room as * Weyland nods to Max to fire up a digital projector, * illuminating a large square of the peeling metal wall behind * Weyland. ~

WEYLAND
Three weeks ago one of my * satellites was hunting for mineral * deposits using thermal photography * when a sudden heat bloom beneath * the earth outlined this • . • *

An image comes up on the wall behind Weyland. We've seen it * before. A PATTERN OF INTERLOCKING SQUARE SHAPES.An intense * ripple of excitement spreads through the room. *

WEYLAND (CONT' D) *
The red lines indicate solid walls. * My experts tellme it's a pyramid. * What they ~an't agree on is who *· built it and when. *

MILLER * What caused the heat bloom? *

WEYLAND * We don't know. *

Sebastian flipsthrough the photographs in his file. *

WEYLAND (CONT' D) *
(snaps slide) * one expert tells me that this looks * like the skull-adorned,double- * staircase of the Aztecs. * (snaps slide) * Another tells me that this * resembles the five towers unicunx * of Cambodian temples. * (snaps slide) * But everyone agrees that the smooth * side extends to five hundred feet, * exactly like the Egyptian pyramids. *

Sebastian steps closer to the wall,examining the pictures * closely and comparing them with the pictures in his file. *

AvP Draft September 26,2003 14. CONTINUED: ( 3) 17.

SEBASTIAN * I think your experts are right. *

WEYLAND * Which one? *

SEBASTIAN * All of them. This pyramid contains * the features of all three cultures. *

WEYLAND * There is no proof of any connection * between these cultures. *

SEBASTIAN * Until these photos. * (to theroom) * The Egyptians, the Cambodians and * the Aztecs all built pyramids. * Three separate cultures that lived * thousands of miles apartwith no * communicationbet~een them yet what * they built was almostidentica~. *

LEX * Meaningwhat exactly? *

SEBASTIAN * This might be the first pyramid * ever built. *

MILLER * Built by whom? *

SE.BASTIAN * By the first civilization. *

Sebastian looks around theroom, barely able to contain his * excitement. *

SEBASTIAN (CONT'D} *
The master culture from which all * others are derived. *

Everyone in the room is stunned. *

MILLER * Why would anyone build a pyramid in * Antarctica? *

(CONTJ:NUED)

AvP Ora.ft September26,2003 15. CONTINUED: (4) 17.

SEBASTIAN * Ancient maps show Antarctica free

of ice. It's likely that the

continent was once habitable.

WEYLAND * Let's assume you're right and that

the pyramid does contain features

from all three. If it could be the

first, it could also be the last.

An amalgamation of all of the

pyramids that came before it.

MILLER

(interjecting)

Um ... I can't tell you who builtit

but if I could take a sample from

it I could tell you how old it is.

MAX

Within how many years,Professor? *

MILLER

Actually, it's Doctor. And I'll

give you the exact year.

WEYLAND

Well Doctor Miller,I'm offering to

put you right next to this thing.

LEX * Where exact~yon the ice is this?

WEYLAND

Bouvetoya Island.But it's not on

the ice. It'stwo thousand feet

under it.

(a beat}

Mr. Quinn.

QUINN

You're looking at thebast drillers

in the world. We'11 chew through

two thousand feet of ice in seven

days.

LEX

And add three weekson top of that

to train everyone here.

AvP Draft September26,2003 16. CONTINUED: (5) 17.

WEYLAND * We don't have that kind of time, * Ms. Kline. I'm not the only one * with a satellite over Antarctica. * Others will be here soon. *

~x * Maybe I wasn't clear. No one in * this room is ready for this trip. *

WEYLAND * That's why Iasked you here. *

LEX * Bouvetoya is one of the most * isolated islands in the world. The * nearest land isa thousand miles * away. There's no help if we get in * trouble. *

WEYLAND * (looking around) * I think I speak for everyone in * this room -- * (points to amazing imagery of * pyramid) * This is worth the risk. *

Lex looks around as a CHORUSOF EXCITEMENT is heard. Their * minds are made up. She turns to Weyland. *

LEX * Find another guide. *

And she walks out. *

17A. SCENE 17A,HAS BEEN DELETED. 17A.

NB. THERE ISNO SCENE NUMBER 17B. NB.

17C

INT. LEX'SCABIN 17C.

Lex is packing her things. Max appears in thedoorway.

MAX

Spoke with Mister Weyland. Money's

been wired to your foundation's

account. Chopper's refueling to

fly you back home.

He turns to leave. Lex can't resist.

AvP Draft September26,2003 17.

11c. CONTINUED: 17C.

LEX

Who'd you get?

MAX

Gerald Bissell.

17D

INT. WEYLAND'S CABIN- NIGHT 17D.

Weyland is studying a file folder on Lex filled with pictures * and biographical information whena loud knock is heard at * the door. *

WEYLAND

Come •••

But Lex is already inside.

WEYLAND (CONT'D)

in.

LEX

Gerry Bissell has two seasons of

ice time. He's not ready.

WEYLAND

Don't worry about it.

LEX

What about JohnBorland or Nick

DeRosa?

WEYLAND ·* Called them.

LEX

And?

13

MAX WALKS PAST HER AND INTO THE ROOM.

14

MAX

(interrupts)

They gave the same bullshit-answer

you did.

LEX

Mister Weyland,what I told you in

there wasn't bullshit. If you rush

15

THIS, PEOPLE WILL GET HURT,MAYBE

die. *

AvP Draft September26,2003 18.

170. CONTINUED: 17D.

MAX * Gerry Bissell's packing.He has the

credentials. And he's taken us out

before.

LEX

In Antarctica?

MAX

South America.

LEX

Which might as well be

Philadelphia.

WEYLAND

I admire your passion. I wish we

had you on the team.

Lex exits. Pissed.

NB. THERE ARE NO SCEHE NUMBERS 18 & 19 NB.

o. EXT, PIPER MARU 20.

Lex stands alone on the deck, thinking and watching. *

ABOVE - THE NIGHT SKY *

has become a shimmering waterfall of light. An undulating * curtain overhead, flickering red and green, moving as though * ruffled by some interstellar wind. *

MILLER (0 .S. ) *
'Aurora Australis'The Southern * Lights. *

Lex turns to see Sebastian and Miller join her on the deck, * one appearing on each side of her. Miller has his camera * out. *

SEBASTIAN * Beautiful! *

MILLER * (dry and precise) * It's in the upper atmosphere. * Streams of protons and electrons * from the sun being deflectedby the * Earth's magnetic field. *

AvP Draft September26,2003 19.

?O CONTINUED: 20.

SEBASTIAN

Thanks professor. Still beautiful.

We're not sure if he's talking about the Aurora or Lex.

MILLER

Actually, it's Doctor. And I

agree.

Lex looks up at the sky and is reflective.

LEX

Shackleton called Antarctica the

'last great journey left to man.'

It's the one place left in the

world that no one owns,that·'s

completely free.

(a beat; a smile)

I'm sort of partial-to the

penguins.

SEBASTIAN

This Bouvetoya Island really that

dangerous? *

LEX

Yes.

SEBASTIAN

Then I hope you'll reconsider

coming with us:

MILLER * I, for one, have come to depend on

you greatly.

(Lexsmiles)

Come on, don't make me pull out

pictures of my kids again.

LEX

Your kids aren't that cute.

The three of them share a laugh.

MAX (O.S.)

Ms. Kline.

Lex turns around to see Max.

MAX {CONT'D) * Your helicopter is ready. *

AvP Draft SepteJDher26,2003 20.

20. CONTINUED: (2) 20.

We hold on Lex, still undecided.

THEREARE NO SCENE NUMBERS 20A,/21/22/23/24/24A& 24B NB.

24C

EXT. THEPACK ICE - PERPETUAL TWILIGHT 24C.

The ship is at a standstill. The pack ice has already begun * to reform,creat~ng a solid sheet around the ship's hull.. *

Quinn and his Roughnecks are hoisting the drilling platforms * out of the hold and loweringthem ~o the ice. *

25

EXT, PIPERMARU - DECK - PERPE'1'UALTWILIGHT 25.

A dozen shivering SCIENTISTS are gathered around,waiting for * something. Sebastian and Miller are part of the audience,as * are Albrect, Jamison and Vincenzo.The moon hangs low in the * sky. Its dull blue glow provideswhat little illumination * there is. In the background, theHaaglunds are being * unloaded as Quinn and the rest of his team continue to unload * the rest of their equipment. *

Sebastian stamps his feet to keep warm. *

SEBASTIAN * What time is i_tanyway? *

Miller looks at his watch. *

MILLER * ~idday. This far south they have * six months of darkness. The sun * never rises. Perpetual night. *

Lex steps forward to address the scientists. Miller and * Sebastian realize Lex hasmade her decision to stay. *

MILLER (CONT'D)

(quietly and proudly to

Sebastian)

18

,,*

My kids are that cute!

Lex speaks calmly and conversation~llybut with a matter of * fact tone. *

LEX * Everybody your attention please. * What you are wearing now are state- * of the-art cold weather suits. If * you feel cold now, get used to it, * because it's only going to get * worse. * (MORE)

AvP Draft September26,2003 21. CONTINUED: 25.

LEX (CONT'D)
Temperatures here drop to below

minus 50 Fahrenheit ona regular * basis. With wind chill that can

becomeminus 150. Stay still too

long, you will freeze,you will

die. Exert yourself too much,you

will sweat, the sweat will freeze, * you will die. Breathe too heavily

and moisture will enteryour lungs,

the moisture will freeze within you

and you will die.

Anyone who wasn't listening is listeningnow. Lex begins

handing out walkie-talkies as she continues to address the

group.

LEX (CONT'D)

It's my job to keep you alive on

this expedition and Ineed your

help-to do that. Since I don'thave

the time to properly train you,I'm

laying down three simple rules.

One: You go no where alone. Ever.

Two: Everyone will maintain

constant communication.Three:

Unexpected things will happen.When

they do -- no one tries to bea * hero. *

MILLER

For some of us it just comes

naturally, Lex. *

She looks at him. Can't help but smile.

LEX * Come find me first. Understood?

VARIOUS VOICES * Understood. *

NB. THERE ARE NO SCENENUMBERS 26 &27 NB.

28

EXT. PIPER MARU 28.

Captain Leighton, Weyland and his shadowMax,_ stand off to * one side of the ship on the pack ice. *

CAPTAIN LEIGHTON * That's the Razorback. *

AvP Draft September 26,2003 22.

28. CONTINUED: 28.

THROUGH NIGHT-VISION BINOCULARS, Captain Leighton points to * an imposing snow-capped mountain a good ten milesaway across * the pack ice. Its peaks are outlined in the moonlight. *

CAPTAIN LEIGHTON(CONT'D) *
You'll find your whaling station in * its shadow. I can't take you * closer. The draft• s just too * shallow. *

WEYLAND

You've done enough, Captain. Just

don't go home without us.

28A. SCENE 28A. HAS BEEN DELETED, 28A.

28B. BXT, PACK ICE - WASTELAND- PERPETUAL TWILIGHT 288.

Seven tr~ckedvehicles churn their way across the pristine snow. The two drilling.platforms and three assorted cargo * and people transporters. Their headlights illuminate the threatening,unearthly landscape. The convoy has already left the Piper Maru far behind and has almost reached the * whaling station. *

·BC. INT. HAAGLUND- PERPETUAL TWILIGHT 28C.

Sebastian andLex are riding inside. They share a look. * Sebastian is fiddling with his necklace. *

LEX * What's with the bottle cap? *

Sebastian hasmade a necklace out of the Pepsi cap he found * inMexico. *

SEBASTIAN * Valuable archaeological find. *

LEX * I can see that. *

She smiles. Sebastian islooking outside up at the moon. *

SEBASTIAN

When I was a kid, growingup in

Tennessee, you know what they'd

call a moon that big?

Lex looks at him,then shakes her head.

AvP Draft September26,2003 23. CONTINUED: 28C.

SEBASTIAN(CONT'D)

'Hunter'sMoon'

She looks up at the moon and •••

28D. EX'!•SPACE 28D.

We see EARTH, with the moon in the foreground •... almost as if* we were looking over the shoulder of the moori. Where are we? * We PULL BACK FURTHER to reveal that we are behind GLASS. • •a * window. Yes, a window. And this wi'ndowis revealed to be * inside aCRAFT of some kind. This is the PREDATOR SPACECRAFT. *

28E

INT.PREDATOR SPACECRAFT - CORRIDORS 28E.

Inside, the spacecraft islike nothing you"ve ever seen. * The architecture isdark and medieval. The corridors * labyrinthine. If you didn't know this was a spaceship, it * could be the interior ofa samurai's fortress. *

29

INT. PREDATORSPACECRAFT - ARMORY 29.

The CAMERAcruises through the armory. Dozens of weapons * line the walls. Spears, blades, cutting weapons, metal * armor. Alien in their design, but strangely low tech. Th~re * is nothing here that would be out of place ina medieval * castle. The CAMERA MOVES on, continuing its quest through * the spacecraft. So far there isno sign of life. *

CLOSE ON A COMPUTER SCREEN *

The design is distinctly techno-medieval..Suddenly the * screen flickers into life. Iconsand language are all * Predator, but the imagery it shows is recognizable- i.t·sthe * Piper Maru. The screen shows the ship and also its distance * to the "Pyramid" beneath the ice. *

All around the spacecraft, · lightsand machinery begin tocome * to life. The proximity of the Haaglunds to the"Pyramid" has * clearly triggered something on board the Predator Spacecraft. *

29A

INT. PREDATOR SPACECRAFT - CRYO-STASISCHAMBER 29A.

An empty room with a slick black reflective floor that isso * shiny it reflects the domed ceiling housed above it. Strange * lettering is projected and moving across the floor. *

A COMPLEX MYRIAD OF MACHINERY powers this "control room." * POWERFUL PIPES and TUBES are linked to a CENTRAL MACHINE that * sits in the center of this dark, forbidding and industrial * place. *

AvP Dra:ft September26,2003 24.

29A. CONTINUED: 29A.

The floor RifgLES,revealing itself to be a pool of black * liquid and not the shiny floorwe first imagined. The ripple * is so subtle at firsttha.twe forgive ourselves for this rush * to judgement. *

It RIPPLES again.And now slowly something is emerging from * this black pool. A BLACK STATUE of some kind, rising from * its sleep, attached to the central machine by aLONG TUBE. * Then ANOTHER emerges •And bNOTHER. And still ANOTHER. * Until there are... *

THREE OF THESE TERRIFYINGBLACK STATUES. Their bodies are * bathed in a thick jelly-like goo. And the bizarre LETTERING * is SUPERIMPOSED over their dark figures. *

A LOUD DEAFENING HISS pierces theroom as one by one the * THREE STATUES' tube-like lifelines are dropped,releasing * them from their sleep andfrom their attachment to the * central machine. *

The CAMERA CLOSES IN on one of the figures. We see the * creature's face in SILHOUETTE. It is humanoid, but nothum~n. * It is a PREDATOR. Suddenly, itsEYES explode open! *

). THERE ARBNO SCENE NUMBERS 30 &31 NB.

23

EXT. RAZORBACK POINT- PERPETUAL TWILIGHT 32.

The lead HAAGLUND tops a snow riseand halts. One by one the * others follow suit. Weyland disembarks,followed by the * others.· Around them, the snowis falling, slow and steady. *

Lex fires a parachute flare into the air. It explodes in the * air, it brightly illuminates the Whaling Station in a cool * green hue. *

33

EXT. RAZORBACK POINT-WHALINGSTATION-PERPETUAL TWILIGHT 33.

A dozen wooden buildings we recognize from the1904 massacre * we witnessed earlier. some of them nomore than shacks. All * of them encrusted with ice andhalf· buried in thesnow. The team walk down "Main Street," illuminating the bizarre ghost town with their flashlights. It's creepy as hell. *

MAX
Spread out. We'll use this place as basecamp.
(turns to Quinn)
Mr. Quinn. Begin drilling operations as soon as possible.

AvP Draft September26,2003 25.

- EXT, RAZORBACKPOINT - HARBOR - PERPETUAL 'l'WILIGHT 34.

A giant black ca~ldron dominates the harbor. Fifteen feet high, thirty feet across. One of its four feet has been knocked away and it tilts over at a crazy angle. Only the fact that it is frozen solid stops it from tumbling into the harbor below.

SEBASTIAN· Witch's cauldron?

LEX
The 'Separator. ' Throw whale blubber in, heat it, separate out the fat. Whale oil was big business back then.

The harbor leading to the whaling station is totally frozen over. Sebastian stares down at the thick ice.

SEBASTIAN
How did they get ships in here?
LEX
The station only operated in the summer months, when the pack ice would melt. It was abandoned in

nineteen a-four.

SEBASTIAN
How come?
LEX
Nothing left to hunt. They'd wiped out the entire population of Antarctic whales. Total genocide.
35

INT. WHALING'STATION -MESS HALL 35.

Miller enters the frozen mess hall -- the same frozen mess * hall that Jimmy tried to flee from a hundred years ago. It's * an eerie sight. Like some kind of frozen doll house. The tables are covered with sheet ice. Cups, plates, spoons and forksare frozen to the spot they were left since 1904. * Miller tries to pick up one of the cups but the handle breaks * off into his hand. ·

MILLER
One for National Geographic.

He takes out a camera, sets the timer. He rushes over to get in place but .•.• he's too slow and .FLASH!

AVP Draft Sep~ember26,2003 26.

35. CONT:INUED: 35.

The camera takes a picture of his back. The bold flash of light momentarily illuminates the mess hall. And this blast of light has disturbed something. Miller is not alone here. * And as he~ealizes this there is MOVEMENT. *

MILLER (CONT ' D) *
Hello!

The movement STOPS. Miller grows worried. Now he knows he's not alone here.

MILLER (CONT'D)

Hello!

Miller's VOICE ECHOES around the mess hall. There is no reply. Miller turns,ready to go. He tells himself he's wrong. Right now he needs to believe he was wrong.Then the SOUND stirs again. Someone,something? Moving, SCUTTLING across the floor. The sound of anALIEN FACE HUGGER getting closer? Sheepish, Miller recalls the toughestwords he's

ever heard and uses them asbest he can.

MILLER (CONT'D} *
(a'laQuinn}

Corne out of there or .•. you'll be

wearing your ass for a hat.

The movement STOPS. Miller swallows hard. He's a chemical engineer after all. He's precisely the man to fuck with -- easy prey. Then the NOISE again. Loudernow. Something is definitely moving behind one of the tables. And it's getting closer. Much closer.

SUDDENLY SOMETHING LANDS ON MILLER'SSHOULDER.

MILLER (CONT'D) *
Jesus!
LEX (O.S.}
You don't go anywhere alone. *

Lex takes her hand off Miller's shoulde.r. Miller trieshard to regain his composure, but Lex isn't fooled.

MILLER

There's something in here.

LEX
I doubt it.
MILLER
over there ...

AvP Draft September 26,2003 21.

35. CONTINUED: (2) 35.

Lex stares into the gloom. Her flashlight probing the dark. *

MILLER (CONT'D)

Listen.

Then suddenly the NOISE begins again. Something is moving. * They shine their flashlights into the darkness. *

CLOSE ON MILLER.-- His nerves already frayed. The audience tenses, ready for the ALIEN. AND THEN IT APPEARS --from behind atable. A PENGUIN. *.

MILLER (CONT'D) *
(his heart pounding)
For God's sake ••.
LEX
It's a penguin.
MILLER
(embarrassed)
I can see it's a penguin.

The Penguin just stares at Miller. Inquisitive and unafraid.

LEX
Careful •••

Lex smiles at Miller. He really is out of his depth. *

LEX (CONT'D)

..• theydo bite.

And she starts to walk away.But Miller isn't smiling.

Suddenly there is the NOISE ofSHOUTING from outside.

36

EXT. RAZORBACKPOINT-WHALING STATION-PERPEIJ.'UALTWILIGHT36.

As Lex and Miller emerge from themess hall, they see Sebastian. He's flushedand excited.

SEBASTIAN
Over here! You're not going to * believe this!

He leads them around the corner of themess hall to reveal A GAPING HOLE in the snow and ice. Perfectly round. Ten feet across. Sebastian and the rest of the team are * gathering around the hole. Off to one side is Quinn's * drilling equipment -- it's not even unpacked.

AvP Draft September 26,2003 28-

36. CONTINUED: 36.

QUINN
It's drilled ata perfect 55 degree angle.
LEX
How far does itgo down?

Quinn nods to one of his roughnecks and he lights a FLARE, * then drops it down the shaft. The flare falls •.. endlessly until its flickering light is finallySWALLOWED in the darkness. It never hits bottom.

MILLER
How was it done?
QUINN
Thermal equipment of somekind.
WEYLAND
Like· yours?

Quinn shakes his head. He glances at the building closest to the hole. Whatever cut through the ice has also cut clean through the building,vaporizing wooden beams and metal walls.

QUINN
More advanced. Incredibly * powerful. *

SEBASTIJ\N * I thought you were the best? *

Quinn bristles. He doesn't like criticism, especiallyfrom a * beaker like Sebastian. *

QUINN * I .sI!!the best. *

Lex smiles behind Quinn's back. She admires Sebastian for * having the balls to take Quinn on. *

QUINN (CONT'D) *
(toWeyland) * But whatever cut this, I've never * seen it before. *
WEYLAND
I told you I wasn't the only one with a satellite. It must be another team. Maybe the Chinese .•.'l'heRussians. *

AvP Draft September 26,2003 29. CONTINUED: (2} 36.

Lex isn't buying this.

LEX
Where's their base camp?

MAX

They're already down there.

Le~ examines the ice at the mouth of the hole.

LEX
No. Look at the ice. There's no ridges. Nobody's been down there.

Weyland turns to Max.

WEYLAND
Satellitepassed over eleven minutes ago.Get me the data.

Max moves off to do that.

27

EXT. WHALING STATION-MOUTH OFTHE TUNNEL (MINUTES LATER) 37.

Weyland spreads a satellite photo over the hood of the Haaglund for Lex,Sebastian, Miller, Max and Quinn.

WEYLAND
There it is. Clear as day.

The familiar pattern of interlocking square shapes. Only this time,a long red line {the tunnel) connects them to the surface of the ice.

WEYLAND (CONT'D)

And this time yesterday ...

Weyland replaces the photo with one taken24 hours earlier. The squareshapes are unchanged, but there is no sign of the tunnel.

WEYLAND (CONT'D}

nothing.

SEBASTIAN
So whoever cut this,they did it in the last 24 hours.

Quinn shakes hishead.

QUINN
That's just not possible.

AvP Draft September26,2003 30.

37. CONTINUED: 37.

SEBASTIAN

Well, possible or not. It's here. *

WEYLAND
(to the team)
I don't intend to lose this race. *
38

EXT. WHALINGSTATION-MOUTH OFTHE TUNNEL(HALF HOUR LATER) 38.

A scene of frantic activity.The team is preparing for a descent into theunknown. Ropes are dropped into the void. A WINCH and PULLEY system is being built over the mouth of the tunnel. *

Miller watches the activity. He scratches his head and pulls * his WOOLEN HAT off.

LEX * {casual) Put your hat back on.

MILLER
What?
LEX
Put your hat back on.
MILLER
It itches.
LEX
(matter of fact} I saw a man lose both his ears with frostbite. With the ear canal exposed, you can see a fullinch inside your head.

Lex smiles sweetly and walksaway. HOLD on Miller as·he REACTS and then hurriedly puts his hat back on.

39

INT. HAAGLUND -CONTINUOUS 39.

Lex pulls open the door to the Haaglund. She thought.the cab was empty, but instead Lex findsWeyland sitting there alone. He's struggling, breathing from a portable oxygen bottle. Weyland lowers his mask. His power and wealth are instantly dwarfed by his vulnerability. She lookshim over. They don't say anything for the longest time. Then, gently:

LEX * There's no room for sick men on

this expedition.

AvP Draft September26,2003 31. CONTINUED: 39.

WEYLAND * My doctors tellme the worst is * behind me.

LEX

You're not a very good liar,Mister * Weyland. Stay on the ship and we'll

give you constant updates.

WEY~AND * You know, when things reach the

point where they are for me,you

think about your life and how

you're going to be remembered.You * know what I reali2ed would happen * when I go? A ten percent fall in

share prices. Maybe twelve.And

that's it. I need this. *

Lex considers this.

LEX

I've heard this speech before.

My dad broke his leg seven hundred

feet from the summit of Mount Ranier. He was like you -- he

wouldn't go back or let us stop. We reached the top and he opened a

bottle of champagne. ·

(bittersweet agony) Had my first drink with my dad at twelve thousand feet.

It's a memory she will carry with her forever ..

LEX (CONT'D)

On the way down, he developed a blood clot in his leg that traveled to his lung. He suffered for four hours before dying twenty minutes from the base.

WEYLAND
You think that's the last thing your dad remembers? The pain?

She shakes her head. She doesn't know.

WEYLAND (CONT'D)

Ordrinking champagne with his daughter twelve thousand feet in the air?

AVP Draft September 26,2003· 32.

39. CONTINUED: (2) 39.

She looks at him for the longest time-- and then she nods. And closes the door. *

il. INT. PllEDA'l'ORSPACECRAFT-ARMORY 39al.

A long thin viewingwindow at the front of the spacecraft. * Through it, anawesome VIEW of the Earth spread out below us. * standing against the window --THREE PREDATORS in SILHOUETTE, * outlined against the blue green globe. Weapons in their * hands. The HUNTERS,preparing for the HUNT. *

They assemble their weapons. Metal pieces sliding together * to form a PredatorSPEAR. *

SW:CSHSWISH! A BLADE cuts through the air. Its sharpness * being tested. BANDAGES are wrapped around Alien hands, like * ancient GLADIATORS preparing forcombat. *

ARMOR is slipped on, covering legs,face and torso. *

IN THE BACKGROUND abank of computer screens. Their design * all in keeping with the techno-medieval feel of Predator * technology. A grainy image playson the screens - it is a * live feed, showing something that is occurring far below on * Earth. It's our team,and they are being closely watched at * the mouth of the tunnel. *

•A. INT. TUNNEL -700 FEET BELOWTHE SURFACE

A full two dozen members ofthe team are rappeling down the ice tu~nel. Helmet lights illuminate the scene. Following them are three large sledges being lowered via the winch and pulley. The sledges contain all the team's heavy equipment. Max drops down parallel to Sebastian. Lex is ahead of the * group. She is also placing small lights every twenty feet. *

40. SCENE 40. HASBEEN OMITTED. 40.

41

EXT, MOUTH OFTHE TUNNEL - CONTINUOUS 41.

The storm has already hit the whaling station. Tents are * being uprooted, as Quinn and hismen struggle with the tents * and equipment. *

42

INT. TUNNEL - 700FEET BELOW THE SURFACE 42.

Max lowers himself to the same level asWeyland and Lex.

MAX

Quinn says there's a storm headed

our way. *

('CONTINUED)

AvP Draft September 26,2003 33. CONTINUED: 42.

WEYLAND

(to Lex)

Will it affect us?

LEX

We're 700 feet deep.Quinn could be

setting off anatom bomb up there

and we'd never notice.

42A

EXT. MOUTH OF THE 'L'UNNEL-CONTINUOUS 42A.

As a tent is uprooted, it flies pastQuinn and gets jammed in * the winching gear. *

42B

INT.TUNNEL - 700 FEETBELOW THE SURFACE 42B.

Suddenly the rope that Weyland is on jerks tight and catches * the side of the tunnel, smashing Weyland into the ice. For a * millisecond Weyland thinks he's saved but then the rope snaps * and he begins to hurtledown the steep shaft. Max and * Sebastian desperately try and grab him but they both just * miss. *

SEBASTIAN

Man down! Lex watch out!

Lex seesWeyland corning,as we see just how fast her reflexes * are. She pins Weyland against the tunnel wall, holding him * in place by driving anICE AXE into the ice, preventing him * from falling furtherdown into the tunnel. *

A moment's hesitationfrom Lex, and Weyland might have died. * Lex reworks Weyland's rope to securehim in place. The two * are face-to-face. *

LEX * ~o~? * (off his nod) * Thank you. *

WEYLAND * (confused) * You saved my life. • .remember? *

She shakes her head -- not for this. *

LEX * For what you said. *

He nods. *

(CONTINU_ED)

AvP Draft September 26,2003 34.

42B. CONTINUED: 42B.

MAX

What the hell is going on up there,

Quinn?

43

EXT. MOUTH OFTHE TUNNEL - CONTINUOUS 43.

Quinn stands by the winching gear. A couple of his men are working frantically on the machinery.

QUINN
A jam in the winching gear.

MAX {O.S.) Get it fixed right away.

QUINN
No problem.
(under his breath)
English asshole.
43A

EXT. SURFACE - PERPETUALTWILRGHT 43A.

No one is here to see that something is approaching at INCREDIBLE SPEED. It's the Predator Spacecraft in thefury of the storm.

B. SCENES 44, 45 &46 HAVE BEEN OMITTED. NB.

47

EXT. MOUTH OF THE TUNNEL- PERPETUAL TWILIGHT 47.

The whaling station is already in the grip of the katabatic winds. Quinn struggles through-the snow, barking orders above the DEAFENING STORM.

QUINN
Itold you to get that ti~d down! Get everybody under cover!

Tents are being uprooted by the wind. Flung through the air like tissue paper.

QUINN (CONT'D)
Everyone inside! Move it! Now! *

Quinn shepherds his men into the buildings of the Whaling Station.

QUINN (CONT'D)
Go! Go!
37

34.

AvP Draft September 26,2003 35.

47. CONTINUED: 47.

LOW ANGLE ON QUINN as suddenly theSPACECRAFT passes * overhead. Its massive bulk lost in the storm. A moment later, Quinn looks up, perhaps sensing something, but the spacecraft is already gone, leaving just turbulence in its wake.

48

EXT. PREDATOR SPACECRA[_T-PERPETUAL TWILIGHT 48.

The Predator spacecraft cuts through thestorm." The tremendous force of the katabatic winds that would destroy any ordinary plane have no effect on the futuristic spacecraft. Suddenly, THREE shimmering STEEL MISSILES are * FIRED from the belly of the craft.

49

EXT. GROUND LEVEL -CON'L'INUOUS 49.

Three massive EXPLOSIONS of snow and ice as the Predator * missiles impact with the ground.

ON ONE OF THE CRATERS caused by the impact. At its heart * lies one of the missiles, still intact. The missile is cylindrical. Twelve feet long and four feet wide. Like a giant steel coffin; CRANE UP to reveal:

ANOTHER TWO CRATERS stretching off into the distance. And in * each one -- another steel coffin.

iO. EXT. MOUTH OF THE TUNNEL -PERPETUAL TWILIGHT 50.

Everyone is sheltering from the storm. The winching equipment stands abandoned. But a lone digital counter is still flashing away -- measuring the depth to which the team have descended. 1,980 •.. 1,990 •.• 2,000. They have reached the bottom.

51

INT. TUNNEL - 2,000 FEETBELOW THE SURFACE 51.

In contra-st to the deafening storm above,underground, everything is calm. Silent. Lex lights a cool blue FLARE, illuminating a scene of surreal beauty. They are in an ICE GROTTO, surrounded by giant stalactites and stalagmites made of frozen glacial water. Everything around them shimmers and pulsesin the light of the flare. Even the walls are translucent.

SEBASTIAN
It's •••
(at a loss)
beautiful.
LEX
You really have a way with words.

AvP Draft September 26,2003 36.

51. CONTINUED: 51.

Up ahead, the grotto opens out intoa bigger ice cave. A vast ceiling vaulting off above them into the darkness. No telling how big this place is.

MAX
Let's get those lights up.

CONNORS

Any second now.

Max's men are already unpacking multiple sets ofportable FLOODLIGHTS. They begin hooking them to power cables which run back up the tunnel to generatorson the surface.

WEYLAND
I don't understand

Weyland looks around the grotto. He's breathless from the descent.

WEYLAND (CONT'D)

...no equipment, no sign of another team. *

MAX
Well this tunnel didn't dig itself.

Lex and Sebastian stand slightly apart from the others.

CONNORS

We have power!

Max nods.

MAX
-Let'slight her up.

As one, multiple banks of powerful floodlights kick in. The suddenREFLECTIONS from the glacial ice are blinding.

ANGLE ON LEX shielding her eyes. Slowly she lowers her hand. *

Sebastian turns to see what Lex has seen. He stops dead in * amazement.

We still don't know what they hav~ seen. But whatever it is, * it's breathtaking. One by one, the CAMERA TRACKS PAST the team members. Each one is slack-jawed.

AND SLOWLYTHE CAMERA PANS AROUND TO REVEAL THE PYRAMID, * toweringabove them. The hundreds of stone steps covered in shimmering blueice crystals. The team look like tiny ants * standing before it.

AvP Draft September26,2003 37.

51. CONTINUED: (2)

Two thirds of the magnificent structure is fully visible, the rest is buried in the translucent walls of the ice cave. It's an awesome sight.

LEX
Congratulations, * Mr •Weyland.

Looks like you'llbe leaving your mark after all.

Lex and Weyland share a look. Despite being short on breath, Weyland cracks a broad smile and turns to the group. *

WEYLAND

Thank you all for this

(a beat)

Let's make history.

52

EXT. IMPACT CRATER - PERPETUALTWILIGHT 52.

Back on the surface, the impact crater ~here one of the Predator "missiles" landed. Around it, the katabatic winds are still raging.

CLOSE ON THE "MISSILE" as a hairline crack appears in the * steel. It runs the length of the cylinder. The crack widens and high pressure gas begins to vent. After a moment the missile breaks open completely and a Predator hand emerges.

i3. EXT. WHALING STATION - MOUTHOF TUNNEL-PERPETUAL'l'WILIGHT5 3.

Quinn and his men are all under cover hiding from the storm. * There is no one to hear the Predator BATTLE CRY. The sound is chilling. Primal. And after a moment, it is snatched away in the wind.

54. INT-.PYRAMID- ENTRANCE CHAMBER 54.

The team walks into an entrance to thepyra/Ilidthat is

located half-way up thepyramid. *

54A

INT.PYRAMID - ALIEN QUEEN'S CHAMBER 54A.

A vast chamber. At its heart, a deep pool of freezing vapor - * - not unlike the kind createdby iiquid nitrogen. Hi-tech

chains of incredible tensile strengthrun from the ceiling

and down into the vapor pool,disappearing from sight.

SUDDENLY, THE CHAINSBEGIN TO MOVE. *

They are pulling something up massivefrom the vapor pool.

And slowly, majestically, She rises out of the freezing mist * like some mythic beast -- ANALIEN QUEEN. A GIANT OF HER * SPECIES. *

AvP Draft September 26,2003 38.

'i4A. CONTINUED: 54A.

And around the AlienQueen is built a grotesque MACHINE, in,_ * which she is being held prisoner. A complex web of pipes and * tubes which pierce her body in a hundred different places. * She is literally part of the machine,the ultimate BIO- * MECHANICAL synthesis.This machine which holds the Alien * Queen prisoner, is clearly of Predator design, for it has all * the familiar TECHNO-MEDIEVAL features. It could almost be * some giant gothic torture device from the Inquisition. *

As the chains continue to.liftthe Alien Queen into the air, * we see that these shackles are attached to her every limb. * There are even holes punched through the"crown" above her * head, through which chains run. The lifting chains LOCK into * place, leaving the Alien Queen suspended in mid-air,hanging * above the floor of the chamber likesome great DRAGON caught * in flight. *

It's a stunning, terrifyingimage. *

CLOSE ON THE ALIEN QUEEN unmoving. Her head covered in a * thin sheet of ice. Residue of thefreezing vapor in which * she has been stored. *

SUDDENLY, THE ICE BEGINS TO CRACK! *

Without warning, the twin mouths of the AlienQueen shoot out * and begin to snap at the air. She iswaking up. Her whole * body struggles and strains against the chains. But in vain. * Despite her immense size and incredible strength,she is a * prisoner here. *

CLOSE ON THE EGG SACK below the Alien Queen,held firmly in * place by the Predator machine that surroundsher. Almost as * so.onas the Alien Queen awakes, shebegins to lay eggs. *

Beneath the egg sack is an automated CONVEYORBELT which * takes the eggs away from the Alien Queen. She lays every * fifteen to twenty seconds, feeding the conveyor witha steady * stream of eggs. We now see that the wholechamber is one * giant machine built to service the captive Alien Queen. This * could be an image from BOSCH or BREUGEL. *

When the Alien Queen sees her eggs being taken from her,she * goes BERSERK, straining against her chains to be free. But * it is hopeless. *

The Alien Queen SCREAMS in frustration. *

......

AvP Draft September2,,2003 39.

a. INT. PYRAMID- ENTRANCE CHAMBER 54B. *

The Alien Queen's scream barely pierces thelong hallway that * is covered in hieroglyphics,carved out of the stone but * Sebastian and Miller, focusedon their work, barely register * it. *

SEBASTIAN * It's perfectly preserved. I've * never seen anything like it. The * hieroglyphics look to be some kind of hybrid language •.• Containing both Aztec and Egyptian characteristics. *

Lex drops a SMALL STROBE LIGHT behindher; then another. Lex * realizes that Sebastian is watching her. *

LEX * They' 11 burn for six hours. We'11 * be able to find our way back. *

55

INT. PYRAMID -SACRIFICIAL CHAMBER 55.

Lex leads the team into the next chamber. Their flashlights * illuminate a large chamber with an impressive vaulted ceiling. The room is dominated byseven stone slabs and on * these slabs are SEVEN MUMMIFIED CADAVERS. *

MILLER * (studyiagcadaver) * It's almost perfectly preserved. *

MAX * What are these? *

SEBASTIAN * Sacrificial slabs. This is where * they offered virgins to the Gods. *

LEX * I want to be the first leader of * the tribe that sacrifices men. *

Sebastian and Miller look at Lex. Ok ••• *

WEYLAND

You see this? *

Weyland illuminates a HUGE pile of HUMAN BONES. Many of the * skeletons are still intact. *

AvP Draft September 26,2003 40.

55. CONTINUED: 55.

MILLER
There must be a hundred people

there.

SEBASTIAN

At least.

As the others cluster around the mountain of bleached bones, Lex joins Sebastian by one of the sacrificial slabs.

SEBASTIAN (CONT'D)

Those that were chosen would lie here. They weren't bound or tied in anyway. They went to their deaths willingly. It was quite an honor.

LEX
Lucky them.

She runs her fingers around a circular, bowl like indentation at the base of the slab.

LEX (CONT'D) *
What's this bowl for?

SEBASTIAN

Some think it's where the heart was * placed after it wastorn from the body.

Miller has discovered something amongst the bones. *

MILLER

Incredible. The entire skull and spinal columnremoved in one piece.

He holds it up for everyone to see.

MILLER (CONT'D) *
The cleanness of the cut .•. * remarkable. Straight through bone. No abrasions .

Weyland's flashlight illuminates a stone grateon the bottom * of the floor with small holesin it. Max strikes a flare and arops it in one of the holes. It falls ... but hitssomething below.

WEYLAND
How far down does it go? *

AvP Draft September 26,2003 41.

55. CONTINUED: (2) 55.

MAX
Can't really see.Maybe a hundred * feet.Looks like another room. *
JAMISON (o.s.) *
What happened here? *

Jamison is examining the ribcage of a skeleton. A hole has * been punched through the hones.

SEBASTIAN * It wascommon in ritual sacrifice * to take the heart of the victim. *

JAMISON * ••. that's not where your heartis. * And besides,the bones are bent straight out.Something broke .QY.t. of his body • *

LEX * Did you hear that? *

The entire team looksaround and then looks at Lex. *

MYSTERYPOV: Sebastian and Albrect can be seen isolated in a * pool of light. They suddenly look very small and vulnerable as they stand away from the rest of the team.

SEBASTIAN * There.

He's heardA NOISE. Faint, nearly imperceptible, but there. *

ALBRECT
Air .•. moving through the tunnels.

LEX * Maybe. Maybe not~ *

Sebastian moves forward. Cautiously edging his way toward * the source of the noise. The team shines their flashlights, * they cut through the gloom like lasers as they illuminate the * chamber. Sebastian casts multiple shadowson the walls * around him. If anything,the lights are making it even * creepier. *

SEBASTIAN * Do you see anything? *

Albrect shakes his head. Sebastian has to crouch as the * ceiling of the back of the chamber slopesdown dramatically. *

AvP Draft September 26,2003 42.

55. CONTINUED: (3) 55.

Around Sebastian, everything is CLAUSTROPHOBIC and DARK. * SOMETHING FALLS FROM ABOVE and lands on Sebastian. *

IT'S A CREATURE with multiple legs and a long tail. Sebastian * fights it awayfrom his face. He falls to the ground, and the creature is gone . *

SEBASTIAN (CONT'D) *
Where is it? Where did it go?

LEX * There! *

Lex spots it on the ground. Sebastian and Lex walk up and * kneelby the CREATURE. It's an ALIEN "FACE HUGGER" •

MILLER * Whatever it is ••• It's been dead * for thousands of years. The bones have calcified.

He tests the legs of the FaceHugger. They are rock solid.

MILLER (CONT'D)

You must have dislodged itfrom a

crack in the ceiling.

SEBASTIAN

What is it?

MILLER.

Looks like some kind of scorpion.

LEX

No. Climate's too hostile fora

scorpion:

She turns the Face Hugger over in her hands.

LEX (CONT'D) *
I · venever seen anything like this * before. *

Lex illuminates another passage.Sebastian,_ Miller,Weyland, * and Connors follow her downa tunnel. Hanging back * momentarily, Max gives instructions to Albrect and Jamison. *

MAX * (to Albrect} * Stay here. * ( to Jamison) Stay with him. (MORE)

AVP Draft September26,2003 43. CONTINUED: (4) ss.

MAX (CONT'D)
(to Albrect)
catalog everything. *

Max leaves Albrect and Jamison behind and joins the others. *

56

EXT.RAZORBACK POINT-WHALING STATION-PERPETUALTWILIGHT 56.

At the outskirts of the whaling station, thewinds have * intensified. Nothing could survive out in this storm. Yet something ismoving. We see their footprints in the snow, but not the feet thatmade them. THREE PREDATORS, their * CLOAKING DEVICES activated. The outline of their bodies shimmering in the blizzard. Like wraiths walking through the storm. The Predators are headed for the mouth of the tunnel.

57. SCENE57. HAS BEEN DELETED. 57.

58. THEREIS NO SCENE NUMBER 58 58.

59

EXT.MOUTH OF THE 'L'UNNEL-PERPETUALTWILIGHT 59.

At the whaling station one of Max'smen is keeping watch. * The storm has lost none of its fury,and he's huddled by one wall of theMESS HALL, trying to keep out of the worst of it. He's a big guy, Danish and built likea Viking.

SUDDENLY a figure emerges from theWHITEOUT. The DANE snaps up his DESERT EAGLE and points it at the intruder.

DANE
Hold it right there. Identify yourself!
QUINN
It's ...

Quinn finds himself staring straightdown the barrel of the biggest handgun in the world.

QUINN (CONT'D)

Quinn!

He tears off his hood and mask so he can be seen. The Dane lowers the Desert Eagle.

QUINN (CONT'D) *
What the hell are you doing?
DANE
Orders. Weyland wants this area secured.
QUINN
From who?

AvP Draft September 26,2003 44.

59. CONTINUED: 59.

DANE
Claim jumpers. The Russians, the Chinese ... another corporation. Anybody could be out there.

QUINN

Trust me. There's nobody out

there.

Quinn continueson his way, struggling through the storm. * He's checking on the equipment. Ensuring that everything is tied down correctly.

60

INT,MESS HALL - PERPETUALTWILIGHT 60.

The building outside which the Dane is keeping watch. The Mess Hall is the closest structure to the mouth of the tunnel. The walls groan under the strain of the storm raging

outside. TWO MORE MEN are huddled around a camping stove, * boiling water for tea. Both are different nationalities, one SWEDISH,one RUSSIAN. At the back of the shelter, a DUTCHMAN is working ona space heater.

SWEDE
When are you going to get that heater started?
DUTCH
It's coming •.. It's corning.
61

EXT.MESS HALL - PERPETUAL TWILIGHT 61.

Suddenly, the Dane on sentry duty sees something. In the depths of the storm,a FLICKERING HUMANOID SHAPE, given form by the flurries ofsnow. *

DANE

Quinn?

But the shape keepsmoving, and a moment later is joined by * another SHIMMERING FIGURE. PREDATORS. Headed for the mouth of the tunnel. And that putsthe Dane and the others directly in their path.

DANE (CONT'D)

Quinn?

The Dane brings up his Desert Eagleand takes aim. He has one * of the CLOAKED PREDATORS in his sights.

AvP Draft September 26,2003 45.

48

INT.MESS HALL - CONTINUOUS 62.

The SOUND ofa GUNSHOT from outside. Then another.

SWEDE
Dutch! Get on the radio! Now!

The door suddenlyBLOWS OPEN but nothing enters except a * flurry of snow. Every man· in theroom draws a GUN. *

62A

EXT,MAIN STREET - PERPETUAL TWILIGHT 62A.

Quinn hears what sounds likegun shots and runs toward the * messhall. *

628

INT.MESS HALL - PERPETUAL TWILIGHT 62B.

Quinn appears in thedoorway. *

QUINN * What's all the .••

Quinn stops dead. The room is devastated. Quinn sees three * bodies hanging from the raftersby their ankles. Quinn's * lips move, but there isno sound.

WHAT QUINN SEES: A shimmering figuremoving towards him. Humanoid but not human. Predator. The distinctive TWIN BLADES slide from the Predator's wrist. Quinn sees these blades perfectly, for the razor sharp edges are outlined with the steaming blood of dead men.

FROM NOWHERE - A PREDATOR SPEAR in mid air. Headed right for * him. Quinn slams the door to the mess hall,but the spear slices straight through it,cutting his arm. Quinn has bought himself a few seconds. He uses them to run.

63

EXT. MOUTHOF THE TUNNEL - CONTINUOUS 63.

Quinn stumbles through theWHITEOUT. Suddenly he runs STRAIGHT into something. Looks up in SHOCK to see -- A DEAD * BODY. What's left of the Dane. After that, Quinn sees three * more bodies.. All strung up by their ankles,completely * gutted. Swaying in the wind. Where their head used to be, * long ~ed ICICLES hang from the neck stump. With horror, Quinn realizes that·the icicles arefrozen blood. This is * his team. *

Half buried in the snow, Quinn seesDane's gun. He reaches for it, but as he brings up the Desert Eagle--

FROM NOWHERE A PREDATOR APPEARS!

(CONTINUED}

AvP Draft September 26,2003 46.

63. CONTINUED: 63.

The Predator knocks the gun out of Quinn's hand. We prepare * fora fight between the Predator and the one man who can * proba_bly fighta Predator. *

Quinn charges the Predator but the Predatorbackhands Quinn * in the chestand he goes down hard. Quinn is stunned by the * Predator's awesome power. *

Quinn picks himselfup and charges the Predator again.He * lands two quick punches on the Predator butwhen he goes to * smashhim with his elbow, the Predator catches his arm and * snaps itin half like a twig. The powerful Quinn goesdown * on one knee,reeling in pain. *

The Predator grabshim by the throat, lifts him into the air * and throws him down the mouth of the tunnel!Quinn screams! *

64

INT.TUNNEL - 200 FEET BELOWTHE SURFACE 64.

Quinn slidesdown the tunnel, gaining speed every second. * His hands grasp desperately at the icy walls, the cabling of * the winch system,anything to help slow his descent. He * pulls out his ice axeand strikes it into the ice to slow * himself down. Shards of ice spray everywhere. *

5

EXT.MOUTH OF THE TUNNEL - CONTINUOUS 65.

The cloaked Predator standsabove the entrance to the tunnel. His GHOSTLYOUTLINE flickering and changing with the eddies in the wind. He lets loosethe Predator BATTLE CRY. And behind him, two moreWRAITHS step from the storm. *

66. SCENE 66.HAS BEEN DELETED. 66.

67

EXT.MOUTH OF THE TUNNEL - CONTINUOUS 67.

CLOSE ON A PREDATOR -- ashe UNCLOAKS and activates his WRIST COMPUTER. Displayed on it we seea three dimensional representation of the Pyramid below the ice. From the very heart of the Pyramid there isan ELECTRONIC PULSE. A HOMING SIGNAL of some kind which the Predators are clearly following. THE CAMERA CLOSES IN on the electronic pulse until it FILLS THE FRAME. Then we slowly DISSOLVE through to the source of .the homing signal --

DISSOLVE TO:
68

INT. PYRAMID - SARCOPHAGUSCHAMBER 68.

Flashlight beams cut through thedarkness. Up ahead there is a small amber glow. Weyland, Lex,Sebastian, Miller, Max, and * Connors enter in a vast chamber ofsome kind. *

AvP Draft September 26,2003 47.

68. CONTINUED: 68.

They find the flares they dropped through the grate in the * sacrificial chamber. They look up and quickly realize that the sacrificial chamber is directlyabove them, linked by a stone shaft of some kind.

SEBASTIAN
We're at the heart of the pyramid. *

Lex sees something. The rest of them train their flashlights * on the object. At the center of theroom is a Sarcophagus. * Fifteen feet long, four feet wide. Approximately the same dimensions as . the Predator "missiles • "

The ornate room is lit by flares in every corner. Sebastian carefully examines the Sarcophagus. *

SEBASTIAN (CONT'D) *
Some kind of sarcophagus ••• Egyptian in design.

Weyland runs his hand over the Sarcophagus. It is encrusted with ice crystals, glittering in the half light. *

Max stands upon an ornate floor tile whichSINKS ever so * slightly into the ground. A hidden trigger ofsome kind. *

WEYLAND
Can you open it?

Sebastian looks it over. He nods.And just as he nods the * lid to the chamber begins opening all by itself.Sebastian * shares a guarded look with the group. *

The lid finishes opening and slides to a smooth halt.The * interior of the Sarcophagus is dark. There's no way you can see in without peering dangerously over the edge.

Sebastian cautiously approaches the edge, and peers inside. * The others crowd around the Sarcophagus. The interior of the * Sarcophagus contains -- GUNS. Three futuristic weapons of an * alien design. PREDATOR DESIGN. *

SEBASTIAN * (quietly ominous) * The master culture. *

SCENE 69HAS BEEN OMITTE~

NB. THERErs NO SCENE NUMBER 70 NB.

AvP Draft September 26,2003 48.

56

EXT.PYRAMID - ICE GROTTO 71.

Quinn's body lies near the tunnel entrance. He is covered in frost. Looks like he never regained consciousnessand has frozen to death.

CLOSE ON QUINN as his eyes suddenlypop open. He's ALIVE. * But barely. His body temperature is incredibly low and his * heart· is barely beating.He can hardly move. Suddenly the * frost around his fac~ begins to crack and melt as this once fearless man sweats with undeniable fear.

QUINN POV:Two shimmeringWRAITHS appear at the mouth of the * grotto. The Predators have descended the tunnel. They are headed straight toward him. Quinn tries to struggle away from them, but he is frozen stiff. All he can do is watch helpless as the Predators get closerand closer.

PREDATOR VISION: The distinctive heat vision of the * Predators. In their heat vision, the half-frozen Quinn is virtually invisible. They are blindedby the bright lights * illuminating the pyramid. *

Quinn is holding his breath. He can't believe it as the * Predators walk STRAIGHT PAST him. So close that he could reach out and touch.them. After a moment, Quinn cranes his neck to s·eewhere the Predators aregoing. He see·stwo * shapes headed straight for the Pyramid. *

Just when Quinn thought he was safe, he turns around and sees * the third Predator standing rightover him. He was never * fooled, only waiting for Quinn to show himself. *

CLOSE ON THE TWIN BLADES as it scythes downtoward Quinn. *

72

INT. PYRAMID - SARCOPHAGUSCHAMBER 72.

Sebastian and-Max are standing over the sarcophagus staring * at the futuristic guns. They're a little freaked. *

MILLER * Any idea what those are? *

SEBASTIAN * Nop_e. You?

MILLER

No.

AvP Draft September 26,2003 49.

72. CONTINUED: 72.

MAX * Good thingwe brought in the * experts. *

SEBASTIAN * (turning to him) * Hey. We just found the equivalent * of a DVD player in Moses'living * room. Why don't you give us a * second to figure it out. *

Lex looks to Weyland fora smile but instead sees that * Weyland is havinga hard time breathing. Weyland pulls out * his hand-held portableoxygen bottle blast a shot into his * lungs. *

SEBASTIAN (CONT'D) *
Is he okay? *

LEX

{covering)

It's just asthma. He's fine.

MILLER * Let me see if Ican get a base * reading off the metal. *

Miller·steps up and starts a basic spectralanalysis of the * metal, careful not to disturb the guns. His hand-held * computer starts processing the information. *

_ MILLER (CONT'D) * There are two chemicals here. * Tilanium and cadmium240. *

SEBASTIAN * Never heard of them. *

MILLER * They've only been found in * meteorites. *

SEBASTIAN * What are you sayi_ng? *

MILLER * Whatever these are, they weren't * made here. *

As this conversation has been going on,Lex has not taken her * eyes of Weyland. Shemoves to him and, away from the other, * speaks to him calmly and quietly. *

AvP Draft September 26,2003 so.

72. CONTINUED: (2) 12.

LEX * How youdoing? *

Weyland nods but he's not doing well and he can't hide it. *

LEX (CONT'D) *
(to the group) * We've been out long enough for * today. We're going to set up base * camp tonight at the whaling station * and we'll getback at it first * thing tomorrow morning. *

MAX * You can go back to base campMs • * Kline . We' re going to stay here. *

LEX * You wanted to leave without proper * prep and we did. You wanted to be * the first here,we are. You've * claimed the find. It'syours. Now * we move as a team and we'redone * for today. *

Everyone looks at Weyland to over rule her. *

WEYLAND * You heard her. *

The team starts out. *

MAX * Grab those. We can run further * tests on the surface. *

Connors reaches into the Sarcophagusand grabs the first two * guns. Max reaches in and grabs the finalgun but when the * weight of Max's gun is removedfrom its place.inside the * chamber, a hidden trigger underneath it is activated witha deafening: CLICK! The click echoes around the chamber. * Everyone shares concerned looks. *

For a moment nothing, thenit happens. The walls of the * chamber begin to move.· Sealing up the oldentrances~ and * revealing brand new passageways into and out of thecharnb~r. *

MILLER

Lex! What's going on!

LEX * Keep together!

AVP Draft September26,2003 51.

7?.. CONTINUED: (3) 72.

A large block of stone quickly starts to slide down and seals * the entrance before anyone can get out. *

u.A. SCENE 72A. HAS BEEN DELETED. 72A.

► •72Al. INT.PYRAMID {MONTAGE) 72Al.

The whole pyramid is beginning to reconfigure, as if it were * one gigantic Rubik's Cube. What used to be open passageways * are suddenly sealed up. What were once dead ends are now * revealed to be entrances to undiscovered parts of the * pyramid. *

72A2. EXT, PYRAMID - ENTRANCE CHAMBER 72A2.

The Predatorshave reached the Pyramid. One of the Predators * checks his wrist computer. The nature of the homing signal * has changed. The electronic pulse has become more frantic * and insistent. They exchange concerned looks. This clearly * was not part of the plan.And the Predator's take off * running, SPRINTING into the Pyramid. *

7'iB. INT.SARCOPHAGUS CHAMBER 72B. *

As if an earthquake just happened,everyone takes a minute to compose themselves. We MOVE PAST Lex, Sebastian, Miller, * Max, and Connors.And Weyland is standing before what used to * be a solid wall onlynow it is open to a long dark corridor. *

SEBASTIAN

(deadly serious)

Start looking for Alice cause we

just fell through the rabbit hole.

LEX * (to Max) * Try to raise Quinn. *

Max grabs the walkie-talkie.

MAX

Quinn? Come in, Quinn.

Horrible static. Max keeps trying.Lex turns to Weyland.

LEX * Is there anything you didn't tell· * me about this place? *

WEYLAND

No.

AvP Draft September 26,2003 52.

72B. CONTINUED: 72B.

MAX

Can't reach topside.

LEX

Whatever this is,we're not

prepared for it.We're going to

round up the rest of the team and * get to the surface. Let's move.

Lex stares down the long dark corridor behind _Weyland.

NB. THEREIS NO SCENE NUMBER 73. NB.

74

INT.PYRAMID - SACRIFICIAL CHAMBER 74.

Jamison and Albrect and four other SCIENTISTS brace as the * walls begin to move.The entrances to the chamber are sealed up by huge blocks of stone that slidedown from the ceiling.

JAMISON * (shouting to the others) * Get something under there! *

And the scientistspush a large metal case under the door but * it's hopelessly crushed. *

ALBRECT
You okay?

Perplexed, Jamison looks at the walls that just moved •.

They, too, are trapped. Sealed in like the other team.

Albrecht, Jamison, and four other SCIENTISTS struggle with

the stone blocking the entrance. Their attempts are in vain.

JAMISON

Slab's gotta weigh twotons. We'll

never move it.

Albrect's eyes have found something.

ALBRECT

What is that?

At the bottom of the sacrificial slabs, beneath the mummified * bodies, an ALIEN EGG has suddenly appeared. It sits snugly * in the bowl shaped indentation whichLex had observed * earlier. The stone slabs themselves are silently splitting * apart, allowing the Alien Eggs to riseup into the

indentations from within.

AvP Draft September 26,2003 53.

74. CONTINUED: 74.

ALBRECHT

There. Another. One more.

Now all seven sacrificial slabs have an Eggon them. There * is a long silence. The first Egg begins to open. *

One by one the other eggs begin to open.JAMISON pulls out a * COLT.45, keeping it at her side. *

JAMISON
What did you say this room was called? *
ALBRECHT
(scared) . The Sacrificial Chamber.

Jamison brings up her HANDGUN but it's too late. The Face * Hugger is already airborne. The other sixlaunch themselves simultaneously.

THE CAMERA SWITCHES TO EXTREME SLOWMOTION - to capture the unique sight of SEVEN Face Buggers frozen fora moment in MID-AIR. It's awesome to behold.

One of the Face Huggers is leaping directlyAT CAMERA. As it inches towards us in SLOW MOTION, theCAMERA spins through 180 degrees around the creature, to reveal its intended victim. It's Jamison. Terror frozenon her face. Then * return to real time: In a split second, theFace Hugger * completes its flight. Slamming into Jamison's face, smothering her mouth, muffling her screams. Albrecht * absently continues to snap away - the fear too much forhim * as their SCREAMS ECHO through the stone grate in the floor .•. *

NB. THERE IS NO SCENENUMBER 75. NB.

76./77.SCENES 76 & 77 HAVEBEEN DELETED. 76./77.

NB. THERE :ISNO SCENE NUMBER78. NB.

78A

INT. SARCOPHAGUS CHAMBER 78A.

As Lex prepares to lead the team down the long dark corridor * FRANTIC TORTURED SCREAM and SEVERAL PISTOL SHOTS are heard * through the stone grate above them. BURSTS OF BRIGHT LIGHT * fill the room from above slice through the slats ofthe grate * like lasers. *

Max and Connors open an equipment case. From within they * start to take an arsenal of HEAVY WEAPONS. They are joined by three other men -- BASS, STONE and Vincenzo. *

AvP Draft September26,2003 54.

78A. CONTINUED: 78A.

LEX
(to Max)
What are you doing?
MAX
My job.

Max slamsa magazine home into his MP-5 -- he does a lock and load with rapid precision.

SEBASTIAN

Were you expecting this?

WEYLAND
I was expecting competition.

LEX * (doubtful) * You really think that's what this * is? *

WEYLAND * I don't know what this is. *

Then around the room, a series ofMACHINE GUNS are quickly loaded. The SOUND of the mechanicalLOADING and COCKING of the guns ECHO throughout the long corridor. *

MAX * Let's move out. Keep close.

And the team begins walking through the long corridor.

78B. SCENE 78B.HAS BEEN DELETED. 78B.

79

INT. PYRAMID- SARCOPHAGUSCHAMBER 79.

Weyland and his team have gone.An optical blur p9sses in * front of CAMERA, and moments later,a Predator materializes. He stares down into the Sarcophagus. We see it reflected in the eye sockets of his armored face plate. The Sarcophagus is empty. The Predator Plasma Guns are missing. The humans have taken them.

PREDATOR VISION: As the Predator intensifies theamplitude of * his heat vision. Slowly, boot prints begin to appear on the floor. The residual heat left by the team. The tell-tale prints lead away from the Sarcophagus to the long corridor * the team is moving through. The Predator HOWLS inANGER, and * then begins to follow the human footprints. *

B. THERE IS NO SCENENUMBER 80 NB.

AvP Draft September26,2003 55.

~NT. PYRAMID- CHAMBER OF THEGODS 81.

A long corridor stretching off into the darkness. It is lined with large STATUES. Each statue is a PREDATOR WARRIOR carved out of stone. Miller and Sebastian stare up at one of * these bizarre stone creatures. They're.humanoid in shape, * though much larger than ahuman being in size. Their heads * are larger and they're wearing massivehelmet~. They're * fierce, frightening and very powerful looking hunter/beasts. *

SEBASTIAN * Look at this. *

Many of the statues also show the Predators engaged in combat * with another species ..• Aliens.The statues portray the * Predators battling the Aliens as if they wereGEORGE fighting * the DRAGON. *

MILLER * Do you think that's what happened * to Jamison and Albrect? *

Max is staring at another elaborate drawingshowing the * Predators carrying their distinctive plasmaguns -- the ones they're carrying. Lex walks up behind him. *

LEX * Those things on their shoulders * look familiar? *

Sebastian examines the walls of thechamber. Ancient painted MURALS depict humans kneeling insupplication before the Predators.

MAX * We worshipped these things? *

SEBASTIAN * According to this we did. *

Lex tries again to reach the otherson her walkie-talkie. *

LEX

(into walkie-talkie)

Miller. come in, Miller. Jamison

come in, Jamison.

Lex looks to Max and shakes her head. Lex consultsher

digital wrist compass.

AvP Draft September 26,2003 56. CONTINUED: 81.

LEX (CONT'D}

This bearing should take us back to the entrance.We make it to the

surface and we get out.

SEBASTIAN * What about the others? *

LEX * We•11 find them on theway out. *

PREDATOR VISION:From an obscure HIGH ANGLE, LOOKING DOWN on * the group of humans. The Predator ZOOMS IN, FOCUSING on the backpacks carriedby Max, Vincenzo and Bass. Within the packs are the three PredatorPlasma Guns. THE PLASMA GUNS * FILL THE FRAME. *

MILLER

You know that beatbloom, the one Weyland's satellite detected, it makes a lot more sense now.

SEBASTIAN
What do you mean?
MILLER
A building this sophisticated would require a major energy source. That's what the satellite detected, the power plant for thisPyramid firing up ••. preparing.
LEX
Preparing for what?

CLOSE ON A PREDATORSTATUE as the face of the statue softly * distorts. It"s nota statue. It's a real Predator. The

human team have walked straight intoan -ambush!

Stone is bringing up the rear,MP-5 in hand. A NOOSE suddenly

drops around his neck, pulls tight,and drags him into the air. Stone dies silently.

CLOSE ON BASS as a Predator spear impaleshim. The force * hurling him back with astonishi~gf?rce, pinning him to the stone wall.

CLOSE ON A PREDATOR THROWING DISC:Spinning through the air, * its razor-sharp edges catching the light.

AvP Draft September26,2003 57.

61

AL. CONTINUED: (2) 81.

LEX
Down!

Lex pushes Sebastian to one side as the Predator Dischurtles past. It strikes a Predator Statue behind them, cutting through the stone like it were paper. The head of the Statue comes crashing to the ground. Neatly decapitated. The fate that Sebastian narrowly avoided_.

Max carries an MP-5 in both hands, firing at an OPTICAL BLUR * running across the chamber. •vincenzo is also firing, filling * the chamber with the deafening SOUND of GUNFIRE.

WEYLAND
The Pyramid! It'smoving. *

The Pyramid has started to reconfigure once more. Thick stone slabs slide outfrom the wall, sub-dividing the chamber and splitting the human team into three separate groups. Each trapped in their own newly created stone cell:

-Max, Weyland, Sebastian and Lex.

- Vincenzo and Miller.

- One lone survivor,Connors.

32

INT.PYRAMID - CONNORS' STONECELL 82.

Connors staresup at the walls. For the moment he is safe * from the Predators,but there is no escape from this room. He's on hisown and terrified. He pounds against the walls, * screaming at the top of his voice.

CONNORS * Hello! Help me!.Somebody.Get me out of here!

83

INT.PYRAMID - VINCENZO AND MILLER'SCELL 83.

Connors cry for help is barely audible.But right now

Vincenzo and Miller have theirown problems.

VINCENZO

What are those things •.. Did you see

the way they killed Bass and Stone?

(snaps his fingers)

I was shooting right at one! I hit

it! Dead on. It didn't go down.

It didn't even slow down.

AvP Draft September 26,2003 58.

83. CONTINUED: 83.

MILLER
Hey!
(reads thename tag sown on Vincen2o'sjacket)
...Vincenzo.
VINCENZO
What?
MILLER
I'm no soldier,but ••. Ithink you should calm down. We're not dead

yet.

VINCENZO
Thanks, professor.

MILLER

Actually, it's Doctor. And

you're welcome.

Vincenzo looks at Miller with fresheyes -- the nerd has

become a leader.

l. INT.PYRAMID-LARGE CELL-MAX/SEBASTIAN/LEX/WEYLAND 84.

Max,Weyland, Lex, and Sebastian are trapped in their own * stone cell. Max and Sebastian ease Bass' dead body to the * floor. His backpack falls off. Weyland reaches for it and opens the backpack. The PREDATOR GUN within is unharmed.

WEYLAND

(relieved)

No damage.

Max glares athim over the body of Bass. His icy veneer

beginning to crack at last.

MAX * One of your men isdead.

WEYLAND

I'm sorry.

Lex and Sebastian exchange deeply concerned looks.

85

INT. PYRAMID- VINCENZO AND MILLER'SCELL 85.

The claustrophobia of the cell is eatingaway at Vincenzo. He's pacing the length of theroom, making it seem even smaller. *

AVP Draft September26,2003 59.

85. CONTINUED: 85.

VINCENZO

We're never going to get out of

this place.

MILLER

Don't say that. They'll find us.

(reassuring himself)

They' 11. findus.

86

INT.PYRAMID-LARGE CELL-MAX/SEBASTIAN/LEX/WEYLAND 86.

CLOSE ON --the Pepsi cap that hangs around Sebastian's neck. He is turning it overand over in his hand nervously as he

studies his watch.

LEX
Careful •••

Sebastian looks up from his watch.

SEBASTIAN

What?

LE;X * (re: Pepsi cap) * That's a valuable archeological * find.

Sebastian smiles at her as theALARM on his watch GOES OFF. * The sudden SOUND makes them bothjump.

LEX (CONT'D) *
What is that?

He silences the alarm.

SEBASTIAN
Just a theory. *

In the distance a SOUND like ROLLINGTHUNDER. As it gets closer, the noise refines it is the sound of stone scraping on stone.

SEBASTIAN (CONT'D) *
The Aztec calendar was metric. * Based on multiples of ten. I'm * guessing that the pyramid * reconfigures every ten minutes. *

Weyland and Max get to their feet as a STONE SLAB slides into * the roof, revealing a brand new exit from the cell. The labyrinth awaits.

AvP Draft September26,2003 60. CONTINUED: 86.

LEX

Nice work.

tn. INT.PYRAMID - VINCENZO ANDMILLER' SCELL 87.

SUDDENLY,a stone slab slides back, revealing a brand new chamber duct. Miller peers into the darkness. *

87A./88.SCENE87A. & 88. HAVE BEENDELETED. 87A./88.

88A

INT.PYRAMID - CRAWL SPACE 88A.

Miller lowers his head and begins to crouch forward. The

duct is narrow and tight. It's only a foot or two wider than

his shoulders.

MILLER

It wouldseem that we're rats in a

maze.

Vincenzo glares at the scientist. Annoyed that Miller seems

to be taking all this better than he is.

MILLER (CONT' D)

Sorry.

I • INT.PYRAMID - CRAWL SPACE 89.

Connorsmakes his way through a MAZE of PITCH BLACK ducts.

He too has been releasedfrom his stone cell. He carries a

flashlight inone hand, an ice axe in the other·. Every fifty

feet the duct splits in two. A bewildering array of

possibilities. Connors drops his flashlight. He reaches * down to get itand finds it covered in slimy Alien residue.

Puzzlement turns to fear on Connorsface. Connors hears

Miller and Vincenzo's faint voice.

CONNORS

Hello. Can you hear me?

VINCENZO (V.O.)

Who is that?

CONNORS

It's Connors. Where are you?

89A. THERE ISNO SCENE 89A. 89A.

67

INT. PYRAMID- CRAWL SPACE 90AL.

Connors is petrified. He raises the ice a~e, ready to

strike.

AvP Draft September26,2003 61. CONTINUED: 90al.

As Connors rounds a corner,his flashlight ILLUMINATES * SOMETHING HORRIFIC! IT'S STANDING RIGHT IN FRONT OF HIM BUT * WE CAN'T SEE IT! Connors face is throttled with shock. *

~ua2. INT. PYRAMID- CRAWL SPACE 90a2.

Miller and Vincenzo continue to make theirway through the

pitch black duct. They hear Connors horrible screaming!

VINCENZO

CONNORS!

Ahead, the shaft takesan abrupt downward turn and Vincenzo,

constantly looking behind his shoulder, misses it,and falls

twenty feet through the duct in the floor.

MILLER
Vincenzo, you okay?

VINCENZO

I think I'm okay.

MILLER

Hang on. I'll try and figurea way

to get down to you. *

Vincenzo settles in for a wait. As he does, he moves his

hand back into a pile of skinfrom an Alien chest burster.

Vincenzo is startled as he feels the shredded skin and the

slime from the blood, but hecan not move quickly because he

twisted his ankle from the fall.

In a distance down the duct,Vincenzo sees A SHADOW OF AN

ALIEN. Keeping his eye on it,he backs up and crouches

himself into a corner,which he thinks is safe. Vincenzo

turns only to see a SECOND ALIEN waiting right thereon top

of him. *

A moment later, Miller hearsVincenzo's horrifying screams.

He knows his friend is dead. *

68

INT. PYRAMID -ANOTHER PART OF THELABYRINTH

Lex, Sebastian, Weyland, and Max make theirway through the

dark underground maze. Max is aheadon point with his MP-5

machine gun. *

WEYLAND

Can you get us out of here? *

Lex checks her digital compass. *

AvP Draft September26,2003 62.

LEX

If we can stay on this bearing,we

should keep going up. Ifwe can do

that, we'll make it back to the

entrance.

Lex sees that Weyland is struggling. Falling further behind.

Weyland buckles under the weighto·f hisbackp~ck -- the one

containing the Predator PlasmaGun.

LEX (CONT'D)

Leave it.

WEYLAND .

No. Unknown alloys, alien

technology, the value of this ••.

LEX

Give it to me.

Lex takes the pack from Weyland.

DA. INT. PYRAMID- FIGHT CHAMBER 90A.

Up ahead Max signals the group to halt. He beams his * flashlight into the obscurity just as aPREDATOR emerges from * the darkness. Max begins firing. But the Predator also * shoots. MATERIALIZING in mid-air beforeMax is a STEEL NET. * It knocks Max off his feet and envelops him. *

MAX

Aaaaaah!

The net is pulling even tighter around him. The steel mesh * cuts into Max's clothing and equipment. Slicing through * metal like it were paper.

Weyland struggles with the·net,but lacerates his own hands. * The mesh is razor-sharp. Sebastian tries to cut at the net with a knife, but the blade just snaps against the strength of the Predator steel. *

MAX (CONT'D) *
Look out!

A SECOND CLOAKED PREDATOR appearing suddenly behind Sebastian * and Weyland. They react, but Max's warningcame too late. Lex and Weyland are sent crashing to the floor. The Predator * grabs Sebastian by the throat and lifts him off the ground. Choking the life out of him. With his other hand,the Predator raises a SPEAR high above Max,ready to finish him off.

AvP Draft; September 26,2003 63.

90A. CONTINUED:

90A.

Lex reaches for her ice axe that is wrapped around her belt * but the First Predator is too fast. He BACKHANDS Lex, * sending her flying through the air. Lex lands hard. Th~ wind knocked out of her. She tries to struggle to her feet, but within seconds the Predator is on her again. A savage kick sends Lex back to the grou~d.

Max is held fast in the ever tightening net. He shares a * look with Weyland,only feet away from him, winded and helpless on the ground.

WEYLAND
I'm sorry .•.

It's the last wordsMax hears, as the Predator drives his SPEAR clear through the net. The force is so great, the spearembeds itself in the rock floor beneath Max.

Lex witnesses Max's death. Sebastian looks to be next in * line. He's helpless.Being choked to death by the Second * Predator. Just moments from losing consciousness. *

LEX
Sebastian... *

But there'snothing Lex can do. For she too is about to die.

CLOSE UP:On the twin blades sliding from the First * Predator's wrist. Even in cloaked mode, the razor sharp edges seem to catch the light. The Predator brings the twin blades up above Lex's head. She is just seconds from being decapitated. Lex tenses, ready for the blow. But it never * comes. Instead,the Predator CONVULSES. Its cloaking device * begins to spark,and the Predator starts to become visible. The sparking spreads outfrom the Predator's chest as he is LIFTED INTOTHE AIR!

Blood dripsonto the face of Lex. Green, luminescent Predator blood. As the creature hanging above her slowly becomes visible,Lex sees that something has IMPALED the Predator. A WICKED BARBED TAIL sticks straight through the Predator's chest.

Slowly, anALIEN unfolds from its- hiding place in the ceiling. It has stabbed the Pr~dator,the sharp point of its TAIL going clean through the Predator'sarmored chest.

And now the second predator registers the Alien. He tosses * Sebastian to one side,no longer interested. He has set his sights on BIG GAME. As if to mirror the actionsof the Second Predator, the Alien tosses aside the deadPredator hanging from its tail.

AvP Draft September 26,2003 64. CONTINUED: (2) 90A.

As Sebastian and Lex crawl away,the Predator UNCLOAKS and the two fearsome ALIEN WARRIORSface off. There is a long moment of tense anticipation, and then the two Creatures CHARGE! For the first time ever we witness:

A PREDATOR AND AN ALIENGO HEAD TO HEAD!

The two beasts meet with a mig~ty IMPACT. The Alien's tail stabs at the Predator. He deflects it with histwin wrist blades, and they SLICE clean through the tail. The Alien HOWLS in pain. The Predator tries to stab the Alien, but the twin blades have been reduced to smoldering stumpsby the Alien's acid blood.

Lex helps Weyland to his feet. Lex and Sebastian pick up * Weyland and carry him between them as they make their escape. * In the background, the two mighty beasts grapple, rolling end over end. The twin mouths of the Alien snap at the Predator's faceplate. He holds the Alien off,the teeth of the inner mouth barely inches away from his eyes. The Predator FLINGS the Alien off. Gaininga moment's grace. The Alien is clearly stronger than he had ever imagined.

THE ALIEN charges again. *

THE PREDATOR FIRES A STEEL NET that arcs through the airand * envelops the Alien. Bringing it crashing to the ground. The net pulls tight, cutting through the Alien's armored hide.

90B

INT.PYRAMID - LOWER LEVELFIGHT CHAMBER 90B.

THEPREDATOR ROARS in triumph. But as the net cuts through * theAlien, the Alien begins to bleed. And as the Alien bleeds,the net begins to smoke. The Alien's acid blood is eating through the steelmesh.

SUDDENLYTHE.ALIEN BREAKS FREE! Its whole body smoking from * where the net had cut into it. The Predator is caught off guard, and the Alienis on him in an instant.

CLOSE ON THEPREDATOR'S FACEPLATE as the Alien holds it * tightly between itsclaws. The Predator is literally FACETO FACE with the Alien. We see the Alien reflected in the mirrored eye sockets of the Predator faceplate.

THE PREDATOR watches helpless, as the Alien's inner mouth is

slowly r~vealedand then -- the inner mouth punches clean through the Predator's faceplate. The stone corridor is sprayed with brain matterand luminous green blood. FIRST

BLOOD TOTHE ALIENS.

AvP Draft September 26,2003 65.

c. INT. PYRAMID STAIRCASE 90C.

Lex and Sebastian help Weyland climb the stair case.

SEBASTIAN

What was that thing?

LEX

I don't knowand I don't want to

know.

Now half way up the stairs, Weyland falls to his knees. He * has started to HYPERVENTILATE. *

LEX (CONT'D)

Take it easy.

But Weyland isn't listening. He's in full panic.

LEX (CONT'D}

Look at me ...

She grabs Weyland'shead in her hands.

LEX (CONT'D)

You've taken too much air into

your lungs. They' re starting to

freeze. ·

Not once doesLex break eye contact with Weyland. *

LEX (CONT'D) *
You have to control your breathing. * Slow steady breaths. .Slow • . . * steady ••• that's it. *

Slowly she talkshim down, and Weyland's breathing returns to * normal'. *

WEYLAND * I'm okay • • .I 'm okay. *

LEX * Come on. *

Lex hauls Weyland to his feet. *

WEYLAND * No. I can't. *

Every word is an effort for Weyland. The frozen air has

wrecked what's left of his lungs. *

AvP Draft September 26,2003 66.

.......

CONTINUED: 90C.

WEYLAND {CONT'D)

It's hard enough to stand.

Weyland slumps against thewall of the stair case. He's not * going anywhere. *

LEX

Weyland.,..

WEYLAND

(interrupting her)

Don't...

LEX

I'm not letting you diedown here.

WEYLAND

You didn't.

At the bottom of the stairs,A LOOMING SHADOW appears.

Humanoid in shape. A PREDATOR. Weyland sees hirnand grabs

his ice axe and holdsit like a weapon. Weyland walks down

the stairs to fight the Predator.

WEYLAND (CONT'D)

Go!

Lex and Sebastian see the Predator at thebottom of the

stairs. Lex looks at Weyland.His look conveys the sacrifice

he's about to make.

WEYLAND (CONT' D)

Run! *

Sebastian pulls Lex away. she exchanges one last look with

Weyland as they run up the stairs.

Below: Human and Predator face off. Weyland draws himself

up to his full height. He's going out with a fight. Weyland

swings at Scar. Scar catches the ice axeand crumples it in * his fist. PREDATOR VISION: Scar seesWeyland in his

distinctive heat signature vision. Like an MRI, the Predator

vision scans over Weyland's wrecked body,a body riddled with

disease. Like stars in the sky,the tumors are everywhere.

The cancer has destroyed Weyland.

Scar turns away from Weyland and walksup the stairs. To * Scar, he's nothing but a sick animal. Weyland is not worthy * of the hunt. *

AvP Draft September 26,2003 67. CONTINUED: (2) 90C.

WEYLAND (CONT'D)

Don't turn your back on me!

But Scar pays no heed. Weyland sees that Scar is heading up

the stairs after Lex and Sebastian. He feverishly reaches

inside his coat. Produces his oxygen bottle. And an

emergency flare.

Weyland opens the valve to the oxygen bottle and lights the * flare. The gas immediately ignites and the resulting jet of * flame engulfs the Predator.The Predator SCREAMS. *

Still burning, Scar turns back to Weylandand kills him with * his spear. Weyland dies a hero's death. The Predator ROARS * in triumph. *

90D

INT. PYRAMID -CORRIDOR 90D.

Lex and Sebastian exit the labyrinth. They hear the

Predator's victory cry. Lex stops.

LEX

Weyland!

SEBASTIAN

You can't help him.

He drags her away.

SEBASTIAN (CONT'D)

We have to go.

91

INT, PYRAMID - CHAMBEROF PILLAR 91.

They race into a long corridor filled with roughhewn stone PILLARS and GIGANTIC CHAINS. The chamberis vast, but the pillars make it hard to see too far ahead. Anytqing could be hiding in here.

Lex looks at her digital wrist compass. *

LEX

We keep moving and stay on the heading. We keep it together. Make * it to the surface.

PREDATOR VISION: Watching the humans move between the * pillars. But Sebastian and the other humans are not what the

Predator is interested in. He zooms in until thePREDATOR GUN in Lex's backpack FILLS THE FRAME. This iswhat he llllants.

AvP Draft September26,2003 68.

WHAT THE PREDATOR HEARS: •.• keep ..• it ... gether ..•mak

72

•• FACE

He is processing Lex's voice.

WHAT THE PREDATOR HEARS: {CONT'D)

Keep .•• it .•• together .••make

73

•. TO ••• TH ••• FACE •••

Until he perfects it --

WHAT THE PREDATOR HEARS: (CONT'D)

Keep •.. it ... together •••make ... it ... to •.. the .•. surface.

LEX POV: An Optical Blur,moving behind the pillars,

shadowing them.

LEX
Run! He's right behind us!

They halt. So does their shadow.The Predator is silent and * still.

SEBASTIAN * Why doesn't he attack?

THEN WE SEE THE ALIEN unfolding from the pillarDIRECTLY * BEHIND the hum~ns. It has bee~there all along. Perfectly camouflaged. This new Alien rearsup behind Lex. Ready to strike.

CLOSE ON A THROWING DISC slicing through the air. Its razor * sharp edges narrowly missing Lex,but cutting deep into the Alien, SEVERING AN ARM! The Alien shrieks. The Predator charges. Lex ducks as the Predator LEAPS overhead,CRASHING into the wounded Alien.

LEX

Run! This way!

The humans race between the pillars as thetwo creatures fight in vicious hand to hand combat. The Predator has the one armed Alien down on the ground.

THE PREDATOR holds the Alien down with one hand,while the * other CATCHES the returning throwing disc.

ON THE DISC as it slashes down, SEVERING the Alien's head. *

The digita~ ALARM GOES OFF again on SEBASTIAN'SWATCH. *

(CONTINUED\

AvP Draft September 26,2003 69.

91. CONTINUED: (2) 91.

SEBASTIAN
It's moving! *

LEX POV: The stone walls have begun to reconfigure· again. *

LEX
This way!

A HEAVY STONE SLAB is dropping fromabove, closing off the * doorway ahead of them.

SEBASTIAN (CONT'D) *
Hurry!

Sebastian helps Lex through the doorway..Sebastian ROLLS * beneath the stone slab seconds before it seals completely. He just missed being crushed. *

92

INT. PYRAMID - HIEROGLYPHICSCHAMBER - CONTINUOUS 92.

Lex picks herself up from the floor. The wallsand ceiling of * this chamber are covered in hieroglyphics. This is an ancient library of some kind. They are trapped here. Both * ends of the chamber are sealed off by heavy slabs of rock * that are impossible to move. *

LEX * That thing was using us as bait!

SEBASTIAN (O.S.) *
Look. Over here.

A dozen small peepholes have been cut in one of the walls. They afford a GLIMPSE into the Chamber of Pillar from which * they have just escaped. Lex joins Sebastian at one of the peepholes. *

92A

INT.PYRAMID - CHAMBER OFPILLAR 92A.

LEX/SEBASTIANPOV: The Predator stands over the dead Alien. * Usinga CEREMONIAL KNIFE, the Predator cuts off one of the Alien's fingers. Then the Predator removes his armored visor,revealing his hideous crab-like faqe. Using the severed Alien finger likea crayon, the Predator traces a Predator warrior insignia on the forehead of thearmored * visor. The acid blood leaking from the finger etches the Predator warrior insignia into the metal. Sebastian studies * the Predator. *

SEBASTIAN * He's 'blooding'himself. *

AvP Draft September26,2003 70. CONTINUED: 92A.

Then the Predator marks the same insignia on hisOWN

FOREHEAD. The Alien blood SEARS into his flesh. The Predator cries out. A mixture of pain,but also pride.

(92.) INT. PYRAMID - HIEROGLYPHICSCHAMBER (RESUMED) (92.)

LEX
What? -
SEBASTIAN
Ancient tribal warriors would mark themselves with the blood of their kill. It's a rite of passage. A

sign that they've become a man.

Sebastian and Lex jump down from the wall.He begins to scan the hieroglyphics.

SEBASTIAN(CONT'D)

This is starting to make sense. *

76

INT. PYRAMID - CHAMBEROF PILLAR 92B.

SCAR without the eyes of lex or Sebastianon him, drops the *

Alien finger to the ground. Blood spills out,burning

through the ground.

UNKNOWN POV: _·Watching Scar.

SCAR senses something, turns to look at it. Reveal:

IT'SAN ALIEN FACE HUGGER ~nd it leaps forhim ..• Scar * unleashes a THROWING DISC at the Face Hugger in mid-air and * slices it in half. Unseen behind it, anotherFACE HUGGER * appears.

92B1. INT.PYRAMID - CRAWL SPACE 92B1.

The duct opens up into a larger chamber. Miller crawls out * and stands. He slowly moves into... *

92C. SCENE92C. HAS BEEN DELETED. 92C.

92D

INT.PYRAMID STAIRCASE 92D.

The staircase. Miller sees something, walks over to it.

It's Weyland's dead body. *

AvP Draft September26,2003 71.

92D. CONTINUED: 92D.

High Angle lookingdown on Miller in the foreground something * moves. High up in the chamber above the staircase is Aliens * preparing to attack the unsuspecting scientist. *

93. SCENE 93.HAS BEEN DELETED. 93.

94

INT. PYRAMID- HIEROGLYPHICS CHAMBER 94.

Sebastian poursover the hieroglyphics carved into the walls and the floor.

SEBASTIAN
I think this is a manhood ritual of

some kind. The humanoid ones,

they've been sent here to prove

that they are worthy to become adults.

LEX

You're saying they're what

teenagers?

SEBASTIAN
Who knows how long these creatures

live. Perhaps for thousands of

years. However old they are, this

is their rite of passage.

He traces a hand over the hieroglyphics.

SEBASTIAN (CONT'"D)

That's why they didn't carry those

guns with them to beginwith. They

had to earn them. Like a knig~t

earning his spurs. The glyphs are

p little difficult to make out •.• but the story's all here.

95. FLASHBACK: EARTH- 5, 000YEARS AGO 95.

The blue green planet seen tr~m space. A Predator spacecraft approaches tor the very first time.

SEBASTIAN (V.O.)
Thousands of years ago these

hunters found a backwater planet.

96

EXT. PRIMITIVE SETTLEMENF- NIGHT 96.

A bright light descends from the sky and night becomes day. PRIMITIVE MEN and WOMEN emerge from their hovels tostare up at the heavens in amazement and fear.

AvP Draft September26,2003 12. CONTINUED: 96.

SEBASTIAN (V.O.)
They taught humans how to build

and were worshiped as Gods •••

97. EX'l'.PYRAMID,DAY. 97.

Four great Pyramids are under construction. Directly above each hovers a Predator Spacecraft. It's a stunning image.

Thousands of Primitives labor on the pyramids, .whiletheir Predator Overlords oversee the work. In the foreground,on the steps of the first Pyramid, primitive TRIBAL CHIEFS prostrate themselves before their "Gods".

80

SEBASTIAN (V.O.)

The humans were taught that their

Gods would return every hundred

years, and that when they did, they would expect a sacrifice•••

98. IN'P.PYRAMID- SACRIFICIALCHAMBER 98.

Chosen sacrificial VICTIMS are anointed by TRIBAL PRIESTS. As the Victims lay back willingly on the sacrificial stones, an ALIEN EGGis revealed at the foot of each slab.

CLOSEON ONE EGG as it begins to open and the spider legs of * a FACEHUGGER start to emerge.

SEBASTIAN (V.O.)
Humans gavebirth to the 'Great

Serpents' •..

LEX (V.O.)

Serpents?

SEBASTIAN

The ones that don't look like us.

CLOSE ONONE OF THE VICTIMS as he convulses on the

sacrificialslab. The skin of his chest begins to distend. Something is fo~cingits way out.

SEBASTIAN (V.O.) (CONT'D)

Like gladiators ina coliseum the

hunters would battle these * serpents. *

AvP Draft; September26,2003 73.

EX'l'.PYRAMID- NIGHT 99.

We see anAlien and a Predator locked in combat on the steps of the Pyramid. All around them, a fierce electrical storm rages through the night sky.

SEBASTIAN { V.0.) The strongest survived.

The Predator stands atop the Pyramid. He holds the head of the Alien aloft. He is triumphant. Above him, a Predator Spacecraft descends through the electricalstonn.

SEBASTIAN (V.O.) (CONT'D)

To prove themselves worthy to

return to their home in the stars.

LEX (V.O.)
What if they lost? *

100. EX'P.ANO'.PHERPYRAMID-ANOTHER NIGHT 100.

The top of the Pyramid. Three Predators ina defensive formation, fighting back-to-back. The CAMERA PULLS BACK to reveal dozens of Aliens, circling and attacking. The CAMERA CONTINUES to PULL BACK,revealing even more Aliens pouring up the steps of the Pyramid toattack. Hundreds of them. Perhaps thousands. The Pyramid is alivewith Aliens, like some giant anthill.

SEBASTIAN (V.O.)
Total genocide. *

Just at the moment when the Predators are aboutto be ove.rwhelmed,they activate their SELFDESTRUCT mechanism. A powerful shockwave sweeps across the pyramids,vaporizing everything in its path. Scattering Aliens before it,blowing them limb from limb. Like a miniature atomic bomb

SEBASTIAN (V.O.) (CONT'D) *
An entire civilization wiped out * overnight. *

The searing white light of the explosionOBLITERATES the image -- *

CUT BACK TO:
101

INT. PYRAMID - HIEROGLYPHICSCHAMBER (PRESENT} 101.

Sebastian looks up from the hieroglyphics.

73;

AvP. Dra:ft September 26,2003 74. CONTINUED: 101.

LEX
so the humanoids, the hunters, they

brought those creatures here to

hunt?

SEBASTIAN
And they use us like cattle. We're

hosts for them to breed in.

LEX

So we didn't discover them.

SEBASTIAN

No. The heat bloom was designed to

lure us down here. This whole

thing was a trap. Without us there

could be no hunt.

101A

INT. PYRAMID - SACRIFICIAL CHAMBER 101A.

TIGHT ON MILLER'S EYES as he wakes up. He doesn't know where * he is. In horror, Miller realizes he has been cocooned next * to Vincenzo and Connors. Connors is dead, with his rib cage * already bent outward. Vincenzo is barely alive with a face * hugger attached to him. The tail is tightening around his * throat. Vincenzo's cocooned body is right beside Miller. * Protruding from Vincenzo's cocooned body is his shoulder * holster that contains his pistol. *

Pull back to reveal an egg cracking with aFace Hugger * inside. Miller has just a few seconds. *

Miller reaches forVincenzo's gun but he's virtually frozen * in place,trapped in the cocoon. He struggles, fighting * desperately to get to Vincenzo's gun. The face hugger is * almost out.Miller can't quite reach it. His only chance is * just inchesaway from his f-ingertips. *

Miller sees that the facehugger is almost free. Miller * summons all his strength,fighting to get out. He grabs the * gun just as theALIEN FACE HUGGER LEAPS for him. It's too * late. Miller is dead for sure. One second too late. But * then somehow he getsa shot off at the last possible second * that hits the Alien facehugger squarely. The Alien face * hugger falls to the ground, still twitching. Miller shoots * it three more times killing it. Our favorite nerd is a hero! *

MILLER * Boy Scouts. Pistol shooting merit * badge. Troop twenty-nine. Scout * Master Henderson. *

AvP Draft September 26,2003 75.

)lA. CONTINUED: 101A.

Then we pull back to reveal:A FIELD OF ALIEN EGGS * surrounding Miller on all sides.And now he sees them. His * adrenaline rush is assassinated by fear asthe eggs begin to * open one by one. Miller holds hisgun in hand ready to * fight, but his face shows the acceptance ofimpending death. *

101Apt.EXT. SACRIFICIAL CHAMBER lOlApt.

Just outside Miller's chamber we hear a few quickgun shots. * Then nothing. And we know Miller went down fighting. *

101B

INT. PYRAMID - HIEROGLYPHICSCHAMBER 101B.

101c. (INTERCUT WITH INT, CHAMBER OF PILLAR) 101c.

Lex returns to spy through one of the peepholes into the Chamber of Pillar. *

LEX POV: THE PREDATOR (SCAR) is gone. Where is he? Suddenly *

SCAR is looking at her through the same peephole,his eye an * inch from hers. *

LEX jumps back in terror. *

LEX POV: The Predator with the Predator warrior scar on his * forehead is putting his face plate back on. The face plate i•smarked with a similar Predator warrior insignia. From now * on, this Predator will be known as SCAR. Around his neck hangs the INNER MOUTH of the Alien he slew. He wears it asa. trophy.

SCAR stands calmly facing the doorway to the Hieroglyphics * chamber. He's waiting for the pyramid to reconfigure once more and the s·toneslab blocking the doorway to move.

LEX
He's right behind that rock. * Waiting for the door to open. *

SEBASTIAN

When we took the guns we upset the

order ofhow things work down here.

We tipped the scales.

LEX

(getting it) * He needs hisgun back.

Sebastian points to the slab that Scar isbehind.

AvP Dratt September 26,2003 76. CONTINUED: 101B.

SEBASTIAN

When that door opens we're dead.

LEX

Not if we set things right.

SEBASTIAN

What?

LEX

This pyramid is a prison. We took

the guard's guns, the prisoners

broke out of their cells and now

the guards can't restore order.

Sebastian just looks at her, more terrified than before.

SEBASTIAN

Don't ever use a metaphor again.

LEX

When the door opens we're going to

give that thing hisgun back.

SEBASTIAN

Are youcrazy? You want a metaphor?

During a big game hunt,the animals

being hunted don't arm the hunters!

LEX

They'renot hunting us.We're in

the middle ofa war. It's time to

pick a side.

SEBASTIAN

We're on.ru.u;:side.

LEX

Sebastian, we haveto fix what

we've done becauseif these

"serpents" get outof here it's all

over. Everything. Goodbye. *

He holds her look.He speaks slowly, not believing hisown * words. *

SEBASTIAN * The enemy of my enemy ismy friend. *

Lex looks at him andnods slowly, confirming their decision. *

AvP Draft September26,2003 77.

3. CONTINUED: (2) 101B.

LEX * We partner upor we die. *

The ALARMon Sebastian's watch GOES OFF. In the distance a * SOUND likeROLLING THUNDER. The pyramid is reconfiguring * once again. Lex ·nodsto the heavy slab blocking the doorway * in front ofthem, the one Scar is behind. But as the pyramid * reconfigures, that'snot the door that opens. The one holding * Scar back is still sealed. *

The door opens up intoa corridor and heading off to the left * are the small strobe lightsthat Lex dropped earlier marking * their path to the surface. Sebastian looks at the strobe * lights stretching out into the distance. *

SEBASTIAN * Those lead back to the surface. *

Sebastian starts to go left,heading toward the strobe lights * and the path out of the pyramid. *

LEX * And that's where we're going.

(a beat) ,

Right after we find this thingand

give him back his gun.

Lex turns right, toward the darknessand the unknown. And * Sebastian follows her. *

102. SCENE 102.HAS BEEN DELETED. 102.

NB. THERE IS NOSCENE NUMBER 103. NB.

104

INT. PYRAMID - LABYRINTH 104.

Lex and Sebastian are back in themaze of stone corridors. Running through the semi-darkness. Around any corner could

be a Predator. On any ceiling could be an Alien. They move

quickly but cautiously. Frightened.Prepared for anything.

SEBASTIAN * You know, there was a point I

really liked you. *

Shockingly sudden: Lex sees an Alienmove ahead ofthem,

blocking their way. Lex and Sebastian turn and rundown

another corridor as the horrible shadow of an approaching

Alien can be seen behind them. *

AVP Draft September 26,2003 78.

04A

INT. LABYRINTH - CHASM 104A

A DEEP CHASM spanning the corridor. It is over fifteen feet * wide. Lex and Sebastian see the chasm. They turn back but * they see theshadow of the Alien. *

LEX * We' regonna have to jump it. *

Lex and Sebastian attempt the impossiblejump at thesame * time but Sebastian's slightly tallerbody is ahead of Lex and * he lands firston the far side. The edge of the ledge * Sebastian lands on begins to give way from the weight of his * impact. *

Lex landsa second later but because of the weakened ledge, * the·edge Lex landson gives way. Lex almost makes it. * Almost. She hits the wall on the far side of the chasm. The * impact smashes her ribs she grimaces in pain. But she * managesto hang onto the ledge above her. *

SEBASTIAN

Hang on!

Sebastian reachesdown and grabs Lex with his right hand,

stopping her from falling.

SEBASTIAN {CONT'D)

Hang on! *

He holds her thereand begins to pull her up. Suddenly Lex's

face becomes amask of total terror. Sebastian just looks at

her.

SEBASTIAN (CONT'D)

What? *

LEX POV: Unfolding from theshadows is a fully grown ALIEN!

CLOSE ON SEBASTIAN ashe is SNATCHED by the Alien and

violently yanked_intothe air. Lex is horrified.

LEX

SEBASTIAN!

Lex doesn't even get a second to mourn as Sebastian isyanked * upward, his grip on her handis pulled away and-- *

LEX almost falls but she manages tohang on and pull -herself

over the edge. Lex takesa moment to absorb what she has * just witness, knowing fullwell what is in store for * Sebastian. She lies on the ground,bruised and heartbroken. *

(CONTINUED}

AvP Draft September 26,2003 79.

CLOSE ON THEBOTTLE CAP: The Pepsi cap that Sebastian wears * around hisneck. It falls in SLOW MOTION right past Lex. *

105. SCENENUMBER 105. HAS BEEN DELETED. 105.

106

INT. PYRAMID- LABYRINTH -LONG CORRIDOR 1°06.

Lex is back in thedarkened maze of stone corridors. She has only the pocket flashlight for illumination,and the battery is giving out. It's getting very dark, and she's getting very disoriented. She looks down at her digital wrist * compass,but it hasbeen smashed in the fall. It's useless. *

LEX
Damn it!

Around her, looming shadows are everywhere. She's hopelessly * lost.

107

INT. PYRAMID- LABYRINTH - DEADEND CHAMBER 107.

Lex makes a wrong turn and finds herselfin a dead end * corridor. She turns around and stops in her tracks.

Standing at the other end of the corridor,blocking her escape, is Scar. He holdsa short metal tube in one hand. * Suddenly both ends of thetube TELESCOPE out to form the Predator SPEAR.

LEX faces off with him, ref using toshow fear. It's a brave * effort but an unsuccessful one.She's terrified.

SCAR'S PREDATOR VISION: Lex outlined in distinctive heat * signature. ZOOM IN on her backpack, to reveal the outline of a PREDATOR GUN within. This is what Scar wants. *

LEX

(to herself;a mantra) * The enemy of my enemy is my friend.

The enemy of my enemy is my friend.

She says it over and over again softly,trying to convince

herself or prepare herself to do the unthinkable.,

Slowly Lex takes off her backpack. She slides the gun across * the floor. Scar picks it up and then something suddenly

moves behind him.

An ALIEN, just about to strike. Scarsenses the movement just intime but he hasn't had enough time to mount hisgun. * He turns and brings his spear up in defense. The Alien has * the upper hand however, ~nd SLAMS Scar to the ground.

-

(CONTINUEP)

AvP Dra:ft Septelnher26,2003 80. CON'l'INUED: 107.

Scar loses his grip on the spear and it slides across the * floor toward Lex. *

THE ALIEN pressing its advantage. The inner·mouth snaps at * Scar's face. Just inches away. Scar rolls backwards,using the Alien's own weight against it. A classic judo move. The Alien flies over Scar and crashes into the wall beside Lex!

Lex gets her hands on the Predator spear just as the Alien * rights itself. Without hesitation the Alien leaps at the nearest prey, Lex. *

LEX AND THE FIRST ALIEN. A Frozen Tableau, rendered in * EXTREME SLOW MOTION. The Alien caught mid-flight, leaping through the air toward Lex. Lex bringing up the Predator spear in defense. It's an epic moment. Suddenly, theimage returns to NORMAL TIME, and the Alien completes its flight with terrifying speed. The force and impact of the Alienis its undoinghowever, for it IMPALES itself on the spear. *

Lex struggles to keep hold of the spear. She leans back, * hoisting theimpaled Alien into the air. ~he Alien refuses to die,however. Its own body weight is causing it to slide down the spear towardLex! Every second, the snapping jaws of the creature drop closer to Lex's exposed face. *

THEALIEN impaled on the spear finally dies. His jaws barely * an inch from Lex'sface. *

CLOSE ON LEX'SFOREHEAD as the three red dots of the laser * sighting system appear onher face. She looks up to see Scar * pointing thegun straight at her. There is a tense moment * between the Humanand the Predator. Then the three red dots * slowly move off her face to the real target,behind her. *

PREDATOR POV: Behind Lex are four Aliens,led by Grid, * closing in for the kill. She's mesmerized by the Aliens. * They seem to flow over the ceiling,the-walls, the floor. * Scar shoots an Alien, vaporizing it. They scatter as they * see Scar shooting his gun with complete precision and * accuracy. The Aliens have retreated fornow. The room is * empty. *

SCAR

(in a distorted version of

Lex' sown voice)

Keep it together •..

Lex is amazed. Scar speaks and in her own voice.

LEX * Deal. *

AvP Draft September 26,2003 81. CONTINUED: (2) 107.

Scar wastes no time. He takes hisSACRIFICIAL DAGGER and * begins to cut up the body of the dead Alien. Prising the * armored hide away from its internal organs. Scar works with speed and precision. Lex is both intrigued and repelled.

LEX (CONT'D) *
What are you doing?

Scar pulls the armored head plate of the Alienaway from the rest of its body. He lays it carefully to one side. It is now completely hollow, like an empty shell. Lex can see that the long twisted BRAIN of the Alien is still PULSING and TWITCHING. Even dead like this,the Alien is amazingly menacing. After all, how do you reallyknow when an Alien is dead? Lex leans in for a closer look and --

WHAM!!! A claw snatches at her face.

Lex jumps back terrified. But the Alienmakes no further movement. Maybe it was some kind of reflex action? Lex looks from the Alien to Scar. The Predator holds his dagger o~er the brain of the dead beast. He prodsa lobe of the Alien's brain and the same claw snatches at the air. He scared her deliberately. A Predator joke. Lex manages a half smile -- more spooked than funny -- that's •.. great. * Scar returns to his work. *

LEX (CONT'D) *
(firm)
What areyou doing?

Lex puts a hand on Scar's arm, stopping hiswork. Scar stares up at her. Clearly not used to being touched. A tense moment. For a second, it looks like the Predatormay tear Lex in half,but then he grabs Lex's spear. Scar dips * the tip of his sacrificial blade in thebody of the Alien. Then, holding the blade above the handle of her spear,he * lets a drop of Alien blood fall. The acid blood immediately begins to eat itsway through the handle of the spear. *

Next, Scar holds the bladeabove the long piece of Alien hide that he has just torn from the dead creature'sbody. Scar lets a drop of Alien blood fall. The acid blood rolls harmlessly off the Alien hide, like it were just a drop of water. The acid doesn't react with the Alien's own armor.

Scar looks up at Lex,as if to say - "Get it?" Lex nods. *

ANGLE ON:Grid and the Aliens are watching from the shadows. * Laying in wait. Slowly we move into Scar's shoulder gun. * It's the only thing keeping Lexand Scar from being ripped * apart: For now. *

AVP Draft September 26,2003 82.

THERE ISNO SCENENUMBER 108. NB.

I • SCENE 109. HASBEEN DELETED. 109.

110

INT. PYRAMID -ALIEN QUEEN'S CHAMBER 110.

The Alien Queen is forced to watch another batch of her eggs taken away from her by the automated conveyor belt. The Alien Queen is going berserk. Fighting against her chains, but to. no avail. She lets out a piercingSHRIEK that ECHOES through the Pyramid. *

111

INT. PYRAMID -LABYRINTH - LONG CORRIDOR 111.

CLOSE ON GRID as the leader of the Alien pack suddenly turns. He has heard his mother's cry.

112

INT. PYRAMID - LABYRINTH- DEAD END CHAMBER 112.

Scar then takes Lex's knife and jabs at the dead Alien's body

as Lex starts to process everything. She's almost on auto-

pilot. She can't believe what she's saying.

LEX.

(softly) * You need my help.

He looks at her strangely. And then walks away. *

LEX (.CONT'D)

Hey. Hey! *

She runsup to him. She grabs him. He turns sharply. *

LEX (CONT'D) *
I'm coming with you. You hear me * you ugly son of a bitch? I'm

comingwith you. *

Scar looks at her -- ready to kill her. And Lex does· the

most surprising thing. She simply opens her hand. scar * looks at this young warrior, wanting to fight,her hand * outstretched and open. And Scar places the knife in Lex's * hand. *

Human and Predator arenow forged together in the face of the * Alien threat. *

CUT TO:

AvP Draft September26,2003 83.

91

INT. PYRAMID- LABYRINTH - LONGCORRIDOR 113.

MUSIC is pounding as Lexand Scar stand side-by-side. Ready * for battle! Two warriors,both wear the armored plates cut from the Alien for protection. Lex carries a shield fashioned from the head of theAlien. Scar carries his Predator spear and plasmagun and Lex holds the coolest knife * you've ever seen -- madefrom the razor sharp barbs of an * Alien's tail. *

Together, Lex and Scar make afearsome sight. *

LEX * Let's go get them. *

Scar looks at Lex and the two warriorsbegin the hunt. *

113A

INT. PYRAMID -SACRIFICIAL CHAMBER 113A.

Predator and Human run side by side. Scar is clearly

starting to accept Lex as something ofan equal. Lex slows

and then halts. Something on theground catches Lex's eyes.

It's Miller's camera and it's laying on the ground...covered

in blood. Lex kneels to pick the camera up. She holds it in * her hands, slowly wiping the blood away. Lex flips through a

few of the digital photos that Miller has takenon this trip.

The last photo Lex stares at is the one that heshowed her on

the helicopter in: Miller standing arm and arm with histwo

sons.

LEX

Miller! *

But there is no reply. *

LEX (CONT D) *
Miller! *

Lex stands and stares into the darkness. She shines her * flashlight, piercing the darkness to find in horror theTHREE * COCOONS that hold the dead bodies of Miller,Vincenzo and * Connors. What's left of their rib cages are already bent * outward. The Chest Bursters long gone. Vincenzo's, Miller's * and Connors' faces are all frozen ina grotesque rictus. Lex * mourns and kneels down by their bodies and finds Miller's * handgun. She studies the gun as she hears something. *

It's very faint. A ghostly ECHO. At first, she can't make * it out. But then, to her horror, Lex realizes what it is -- * Her name. Repeated over and over. *

AvP Draft September 26,2003 84. CONTINUED: 113A.

ECHOING VOICE

Lex •••

It is coming from.a cluster ofSTONE STATUES close by.

ECHOING VOICE (CONT'D}

Lex •••

Lex advances on the statues. Eyes straining to see in the

half light of the chamber. *

ECHOING VOICE (CONT'D)

... help me ••.

Up ahead there is one statue in particular. Some kind of

grotesque beast. It seems impossible,but the voice seems to

be coming from this statue. *

ECHOING VOICE-(CONT'D)

help me, Lex •••

Lex draws closer, and only now does the horrifictruth become

clear. What Lex thoughtwas a statue is alive. And what she * thought was a beast, is a man -- Sebastian. The Alien had

not killed him, but instead,encased him in some kind of

monstrous ALIEN COCOON. *

LEX * Sebastian! *

Sebastian is held tight in the cocoon. In front of him an * EMPTY Alien Egg. He's clearly ina lot of pain. *

LEX {CONT''D) * I' 11 get you out of here. *

SEBASTIAN

No. Lex. Listen to me.

Sebastian suddenly convulses. We've seen this before. He's * ready to give birth to a Chest Burster. *

SEBASTIAN(CONT'D)

(in unimaginableagony)

God it hurts !

Scar appears at Lex's shoulder.

LEX * It•sokay.

Scar tries to pull her away from Sebastian.

AvP Draft September26,2003 85.

A. ·coNTINUED: (2) 113A.

LEX (CONT'D) *
Get off me! *

Lex has already seen sornanydie. She's not about to lose * Sebastian. But Scar knows that the human isdoomed. That * there is nothingLex can do for him. *

LEX (CONT'D) *
(struggling) * I have to help him. *

Scar pulls at her. •

LEX (CONT'D) *
Get off me! *

SEBASTIAN

NO! Lex it's too late. You

have to stop these things!

Sebastian SCREAMS in agony. *

SEBASTIAN (CONT'D) *
Lex they. • • can' t . . . reach. • . * the surface. *

Lex nods slowly. *

LEX * I know. *

His skin is starting to stretch tight. An Alien Chest * Burster is about to break free. Something that will haunt * Lex forever. Without hesitation,Scar targets his weapon. * The three red dots of the laser sighting system appearon * Sebastian. *

LEX (CONT'D) *
~! *

She blocks Scar ' sshot . *

LEX (CONT'D) *
No • • • *

Behind her, Sebastian SCREAMS again. Lex turns to facehim, * tears in her eyes. She brings up Miller's handgun that she * found. *

SEBASTIAN * Doit ...

AvP Draft September 26,2003 86.

A. CONTINUED: (3} 113A.

She can see it in his eyes -- death would be a mercy. *

SEBASTIAN (CONT'D) *
please! *

~x * (softly) * I'rn·sorry. *

Lex closes her eyes andmakes the impossible and unthinkable * choice to fire. Her gun racks back as she just fired the * last bullet. And we HOLD ON her eyes, experiencing the * horror of thismoment entirely from her tortured perspective. * Sebastian's agonized screamingcomes to an abrupt end. *

Scar watches her closely. From his reaction, he appears to * respect her more and more with every decision she makes. *

SCAR'S PREDATOR VISION: We see Sebastian's dead body slumped * on the floor. His body begins to convulse. Sebastian's skin * begins to distend. *

THE ALIEN CHEST BURSTER leaps through the air. With * lightening-fast reflexes,Scar catches it.

CLOSE ON SCAR as he holds thenewly born Alien up to his * face. He turns it in his hand,examining it. *

CLOSE ON THE ALIEN. Its teeth snapping at Scar's face. * Unbelievably vicious. Then in one simple move,Sca·rcasually * SNAPS its neck between his fingers. Just like it were a * matchstick. *

114

INT. PYRAMID- ALIEN QUEEN'S CHAMBER 114.

The Alien Queen hangs from her chains,a prisoner. Slowly, * dark figures emerge from the shadows of the chamber. .Aliens .* Her children. Led by Grid. They almost seem to bow in * supplic.ation to the Alien Queen.Then, as a group, they LEAP * upon their mother. Their claws and mouthsTEARING at her * flesh in a frenzied attack. The Alien Queen begins to bleed. * Her hissing, burning blood flying everywhere. Her acid blood * begins to eat through the chains. And only now do we realize * what the Aliens are doing -- *

They are not trying to kill their mother.they are trying to * free her! *

The first of the Alien Queen's limbs break freefrom the * weakened chains. Then another, then another. Then Alien * Queen, wounded but magnificent, drops to the floor of the * chamber. Free at last. *

AvP Draft September26,2003 87. •CONTINUED: 114.

'.

The Alien Queen SHRIEKS both in painand triumph. The * grotesque, terrifyingSOUND ECHOES through every chamber and * corridor in the Pyramid. *

114A. THERE IS NOSCENE NUMBER 114A. 114A.

115. ·INT.PYRAMID- SACRIFICIAL CHAMBER 115. *

scar hears the Queen's blood-curdlingSCREAM as it echoes * through the entire pyramid. There is also a distinct * rumbling which sounds like its getting closer. *

LEX

What? What is it? What's wrong? *

Lex witnesses a first --a scared Predator. *

SCAR * (in a distorted version of * Lex's own voice) * Keep it together. Make it to the * surface. *

~x * Wait. We can't let these things get * out of here. *

Scar presses several buttonson his wrist computer. There * are several loud BEEPS. A cluster of predator symbols * instantly appear on the wrist computer. *

Scar shows it to Lex. She shakes herhead. *

LEX (CONT'D} *
What? What is this? *.

He points to the wrist computer. *

Scar makes a tight fist with the hand that the wrist computer * is on. Then he uses the opposite hand to point to the wrist * computer. *

LEX (CONT'D) *
I don't understand. *

·ThenScar slowly unfurls his fist indicating an explosion. *

LEX (.CONT'D) *
Thatthing is a bomb? *
(no answer) * It' sabomb? *

AvP Draft September 26,2003 88. CONTINUED: 115.

Scar looks at her and unfurls his hand again. She nods, * understanding Scar's plan completely.

LEX (CONT'D}

Well, I hope it kills everyfucking

one of them.

SCAR

Keep it together .••Make it to the

surface.

Scar leadsLex out. She follows behind Scar as they race * through the darkenedmaz,. The pace is brutal.

94

INT. PYRAMID -LABYRINTH

Aliens, racing through the darkness. Barely glimpsed in the * half light. Grid is at their head. And behind the Pack, * wrapped in darkness,something huge and monstrous -- *

THE ALIEN QUEEN. *

95

INT. PYRAMID- LABYRINTH - CORRIDOR

Lex is doing her best just to keep up. Scar stops at an * intersection. He seems uncertain fora moment, then he heads to the RIGHT.

LEX * No!

Lex has stopped at the intersection. She isn't following. *

LEX (CONT'D}

This way.

She heads to the LEFT. Stepping overone of the STROBE * LIGHTS she left earlier -- her path back to the surface.

After a moment, Scar follows the Human.

116-118SCENES 116/117 & 118HAVE BEEN DELETED. 116-118

119

INT. PYRAMID - ENTRANCECHAMBER 119.

Lex and Scar still running. Lex can see a pinprick of light * in the distance -- the entrance to the Pyramid. *

120. SCENE 120. HAS BEENDELETED. 120.

B. THERE ARE NO SCENENUMBERS 121 & 121A. NB.

AvP Draft September 26,2003 89.

lB. EXT. PYRAMIDSTEPS 121B.

Lex and Scar emerge from thePyramid and race toward the mouth of the tunnel- their escape route back to the surface. *

122

INT. ICE GROTTO 122.

Lex looks back. There isno sign of Aliens behind them. They * are safe for now. She finds herself face to face with Quinn. *

she almost screams in surprise. Quinn's body is frozen .solid * at the foot of the ice tunnel. *

Shaking off the surprise,Lex sees that one o_fthe large equipment cases is still fastened to the automated winch and pulley system. Lex rips the top of the case off and flings it away. The empty case now resemblesa SLED. Lex grabs the control box for the automatedwinch. She shouts to Scar.

LEX
Get in!

But as Scar turns, an Alien claw cuts into his shoulder

smashing his plasma gun! AN ALIENHAS MATERIALIZED OUT OF NO * WHERE. THE ALIEN is hunched over Scar's back. A blur of

teeth and claws. Lex sees the PITONGUN on the sled and

grabs it and shoves it into the Alien's mouth.

LEX (CONT'D)

Wrong girl.

She pulls the trigger and blows the back of his headoff~

A second Alien, "Grid" appears and rushes the sled. Grid

smashes the piton gun. Scar reaches for his throwing disc

and drives it into Grid's crown,wounding him badly. Acid

blood pours from Grid's wounds, splashing Scar and burning

through Scar'sar~or. Scar's wounds are brutal but not

deadly.

Grid and Scar are locked in deadly combat. Grid is clawing * at Scar,with blow after pounding blow. Scar throws Grid * back against the wall of ice. *

Lex grabs Scarand they tumble back into the sled together. *

123

EXT.MOUTH OF THE TUNNEL -CONTINUOUS 123.

2,000 feet above,the digital readout on the automated winch suddenly changes to --EMERGENCY RELEASE ACTIVATED. The digital counter reads3 •.• 2 ... l. And then the COUNTERWEIGHT is released.

AvP Draft September 26,2003 90.

,. IBT. ICE GROTTO - 2,000FEET BELOW -CONTINUOUS 124.

Even with the weight of Scar and Lex,the sled is still much lighter than when loaded with equipment. The result -- instead ofa slow, steady rise to the surface, the sled takes off like an Express Elevator out of Hell. Literally snatching Scarand Lex from the clutches of the Aliens.

125

INT.TUNNEL - CONTINUOUS 125.

The speed with which they ascend is incredible.The breath is knocked out of them. Lex can barely speak --

LEX
Hold on
126

EXT.MOUTH OF THE '.L'ILLTNEL-PERPETUALTWILIGHT 126.

The sled leaps from the tunnel. Smashing into the winch rig with aMASSIVE IMPACT. Scar and Lex are thrown clear.

Lex lands HARD in thesnow. The katabatic storm rages around * her prone figure,but Lex is oblivious. She has been knocked unconsciousby the impact.

scar is already back on his feet. Oblivious to the open * wound in his shoulder. He strides back to the mouth of the tunnel and looks within.

126A

INT. TUNNEL 126A.

Far below, the AlienQueen is ascending the tunnel-. Razor sharp claws cutting into the ice, giving her purchase. And clambering over her,even riding on top of her, are the rest of her children and leading the hungry pack of ravenous * aliens is GRID. Scar has escaped him twice. The Alien isn't * going to give him a third chance. *

It's a terrifying, almost medievalimage. Like a pack of demons rising out of Hell. *

126B-E.SCENES 126B - 126EHAVE BEEN DELETED. 126B-E.

126F. EXT, MOUTH OFTHE TUNNEL 126F.

SCAR has the higher ground. He looks at his wristcomputer * and activates the countdown. Then heremoves the

computer/bomb from his wrist. He takes one last look at the

Aliens and then drops it down therewith them. *

AvP Draft September 26,2003 91.

G. INT. TUNNEL 126G.

CLOSE ON THE WRIST COMPUTER sliding down the icywalls of the * tunnel toward the Aliens. The numbers counting down, faster and faster.

126H

EXT. MOUTHOF THE TUNNEL 12611.

Lex slowly recovers. Scar hoists her to her feet and begins * to run with her through the storm. He's almost carrying her.

SCAR
Hold on
1261

INT. TUNNEL 1261.

CLOSE ON THE WRIST COMPUTER as it slides PAST Grid,the Alien * Children and toward the Alien Queen. The countdown is almost * done.

127

EXT. RAZORBACKPOINT - WHALING STATION - CONTINUOUS 127.

Lex and Scar, running through the whaling station.

7A

EXT. MOUTH OFTHE TUNNEL 127A.

Behind them, Grid appears at the mouth of the tunnel. *

CLOSE ON GRID. He is the first Alien to reach the surface. * He HOWLS for Scar's blood. This has beena personal grudge * match between the two of them. He is about to leapforward * when suddenly

127B

INT. TUNNEL 127B.

THE PREDATOR BOMB EXPLODES.

127C

EXT. MOUTH OF THE TUNNEL 127C.

The force of the explosion rockets up the tunnel,spreading * like an ever expanding mushrooming cloud of fire and blowing * Grid and the Alien children into pieces. *

127D

EXT. WHALING STATION 127D.

The massive underground explosion throws Lex to her knees.

A GIANT SHOCKWAVE shudders through the snow, AND THEN THE * GROUND BEGINS TO GIVE WAY! The entire ice cave and Pyramid beneaththem has started to collapse.

AvP Draft September 26,2003 92. CONTINUED: 127D.

The mouth of the tunnel and everything around itis sucked down into the bowels of the Earth. The drilling rigs, the base camp, all swallowed from view.

But the collapse is spreading outward, like ripples ina pond. It is starting to consume the whaling station. Building after building issucked into the abyss. Scar forces Lex to her knees as thesnow and ice around them starts to CRACK and give way. No matter how fast they run howeyer, the cracks are already spreading ahead ofthem.

Then the very ground beneath their feet begins to give way.

Scar and Lex make one last desperateJUMP as the earth literally DISAPPEARS beneaththem.

128. EX'l'.RAZORBACKPOINT- HARBOR (MOMENTSLATER) 128.

CLOSE ON LEX -- lying in the snow,looking up at the sky. Above her towers the Separator -- the giant vat for boiling whale blubber that she and Sebastianonce discussed.

LEX rolls over to see -- She and Scar are lying on the very * edge of a GIANT CRATER. Half the whaling station is gone. All that remains are smashed timbers,the iced-over harbor and the separator. It is the only piece of structure left standing intact. Lex struggles to her knees. It's hard to see the full expanse of the crater through the katabatic storm, but it's vast. Far below lie the wrecked timbers of the whaling station. Scar stands beside Lex. He too has survived.

The SNOW around them HISSES and meltswhere chunks o.fAlien carcass have landed. One of these chunks looks familiar. * It's a piece of Grid's head-~ his signature pattern clearly * visible. Scar leans down and picks something up. He carries * it over to Lex. She is still dazed, and it takesa moment for her to reali2e what is happening. Scar holdsan Alien finger, still dripping acid blood, right. in front of her face. Lex tenses in pain, but makes no sound,as the Predator begins to "blood" her. Burning the distinctive Predator warrior scar into Lex's forehead with the acid blood * of a dead Alien.

She has earned the mark of a warrior.

THE CAMERA begins to PULL BACK and the MUSIC SWELLS. We are left with the classicimage of two tiny figures in a vast landscape. The last survivors.

SUDDENLYBEHIND THEM, THE ALIEN QUEEN BURSTS FROM THE SNOW!

AvP Draft September26,2003 93. CONTINUED: 128.

None of her brood have survived, but the mother lives,and she's out for blood.

THE ALIEN QUEEN'S TAIL whipsaround, smashing into Scar, * flinging him into the remnant of the whaling station. Scar survives the impact and falls to theground, as we see chunks of smashed concrete flying in the air.

THE ALIEN QUEEN closes in onScar to finish him off but then * piasma shells fire past her,blowing chunks off the Alien Queen's crown. PULLBACK to reveal •.•LEX FIRING!

THE ALIEN QUEEN turns to face her. Lex has to duck to avoid * a CHAIN as it whips above her head. Many of the restraints that had held the Alien Queen prisoner are still attached to her body. And as she moves her limbs, these chains flail around her like giant steelWHIPS!

Lex lines up to shoot again. But this timeone of the chains * catches her plasma gun, sending it flying into a bank ofdeep snow by the separator.

LEX recovers quickly, desperate and cold.She runs toward the * snow bank to try and get the gun back.Behind her emerging from the fury of the storm is the Alien Queen chasing after her at top speed.

LEX desperately digs into the snow bank ina futile search * for her gun. Lex is helpless. A sitting duck for the Alien Queen.

THE ALIEN QUEEN is about to impale Lex whenshe rolls * underneath THE SEPARATOR. It sits six feet off the ground * and it is a complex we? of metal wood support.

THE ALIEN QUEEN starts smashing through them using her claws * and tail.

LEX is narrowly avoiding the tail s~ashingin and out of the * separator. The Alien Queen smashes another supportbeam causing THE SEPARATOR to drop three feet instantly,nearly * crushing Lex.

Lex finds a moment and escapes from underneath the separator. * She runs toward the Whaling ·station.

129

INT. REMNANTS OF WHALING STATION 129.

LEX runs into the dilapidated whaling station and hides in between two walls where the insulation sits. Sheis cold and the insulation helps keep herwarm.

AvP Draft September26,2003 94. CONTINUED: 129.

The space is very narrow, very long and very claustrophobic. She has just a moment to catch her breath when .••

THE ALIEN QUEEN'S TAIL smashes through the wall next to Lex's * head, almost impaling her.

Lex falls to the ground as... *

THE ALIEN QUEEN'S TAIL smashes through the wall next to her * leg, narrowly missing her.

THE ALIEN QUEEN moves her head into one of the holes she * smashed looking for Lex. *

LEX scrambles out of the walls barely escaping just as the * Alien Queen rips another hole into the wall. She emergesfrom the whaling station. *

130. SCENE 130. HAS BEEN DELETED. 130.

131

EXT.RAZORBACK POINT - HARBOR 131.

Lex findsone of the LONG CHAINS still attached to the queen * and works quickly to get thechain of the Alien Queen around * the separator. She is pushing at the one weakened support that stops the Separator from tumbling into the harbor below. The one weakened leg of the Separator finally gives way.as

THE SEPARATORtumbles down the hill. The chain PULLS TIGHT * andDRAGS the· AlienQueen with it. It hits the pack ice covering the harbor. It cracks the ice, but doesn't break through completely.

THE ALIENQUEEN is dragged to the edge of the harbor, and it * brings her closer toLex but not into the freezing depths below.

A hundred feet below lie thebroken remnants of the whaling station -now transformed into a forest of sharp wooden stakes thrusting up into the air. To fall on these would be instant death.

ON THE SEPARATOR asa spiderweb of cracksspread out through * the pack ice. The ice is weakening,breaking up, but not fast enough.

THE ALIEN QUEEN'S CLAWS slash past,they rake through Lex's * clothing.

LEX
(in pain)
Aaaaah!

(CONTINUED}

AvP Draft September26,2003 95. CONTINUED: 131.

The Alien Queen's claws find Lex once again.

LEX (CONT'D)
Aaaaaah!

The Alien Queen has Lex pinned with one of her long claws. Lex is now immobile, helpless. Just waiting for the killer blow.

132. BXT. RAZORBACK POINT - HARBOR- CONTINUOUS 132.

The Alien Queen leansdown. Her face hovering inchesfrom Lex's. Her jaws open, revealing the inner mouth. Ready to strike. Lex closes her eyes.

CLOSEON A PREDATOR DISC as it arcs through the storm and * impacts with the Alien Queen. The Alien Queen HOWLS in pain! The disc hasembedded itself in an open wound --where the * explosion had torna hole in her armor. The Alien Queen * thrashes around in pain,attempting to dislodge the Predator throwing disc. Eventually she succeeds, and the furious Alien Queen turns to face the culprit. Scar stands ina Samurai pose. Ready for battle. With one hand, he motions for the AlienQueen to begin.

SCAR AND THEALIEN QUEEN FACE OFF. There's something medieval * ·about the image. An armored knight facing off against some mythic dragon.While around them, an apocalyptic storm rages.

THE ALIENQUEEN AND SCAR CIRCLE. The Alien Queen stabbing * with her tail,Scar parrying with his spear. Scar cuts through the Alien's defenses,and drives his spear deep into her side. For a moment there is a feeling of triumph. But it is short lived. The Alien Queen STABS Scar with her TAIL, IMPALING him and liftinghim clear off the ground. The Alien Queen studieshim for a moment, then with a violent flick, she sends Scar flying. He's badly injured.

THE ALIENQUEEN advances on the prone Scar, closing in for * the kill. He tries to stand, but he's never going to make it.

LEX appears at the Predator's side. The spear fashioned from

an Alien tail firmly in herhands. For a glorious moment she and Scar fight side-by-side.

Human and Predator united against the ultimate Alien threat.

Their actions are heroic,but futile. They cannot defeat THE * ALIEN QUEEN as she begins toTEAR THEM APART. It's only a * matter of time, a very short time,before Lex and Scar are destroyed.

Draft September 26,2003 96- CONTINUED: 132.

The towering Alien casts a giant shadow across Lex. With * lightning speed she suddenly moves,PIVING UNDER the Alien Queen's CLAWS, she rolls forward, pulls out her knife that she madefrom the Alien's tail, and stabs the Alien Queena few times,causing the acid blood of the Alien Queen to spill out.

THE ALIEN QUEEN attacks with her claws and Lex'sknife is * knockedaway.

Lex now only has the shield she made with Scar to protect her * and it won't protecther for long.

THE ALIEN QUEEN'S acid blood narrowly missesLex and strikes * some concrete on the separator, melting right through it. What it would have done to Lex is unthinkable.Her shield is a battered and bruised mess. She won't be able to keep the Alien Queen back much longer. She rolls out and narrowly escapes.

SCAR flings his Predator Spear high into the air. It's a * seemingly insane move -- giving up his only weapon. But then the spear begins to descend toward the ice. With perfect accuracy, the spear landsWITHIN the deepest of the cracks. The impact is just enough,and with a massive GROANING SOUND the pack ice finally breaksup. But Scar is now defenseless, and the Alien Queen pinshim to the ground with one mighty blow!

THE SEPARATOR slips through the ice and is sucked into the * water below. The chain PULLS TIGHT. Dragging the Alien Queen off the prone body of Scar. The Alien SCREAMS in protest, but there is nothingshe can do. She smashes through the remnants of a buildingand is dragged into the harbor by three tons of solid iron.

ON THE PACK ICE as the Alien Queen is dragged across theice * and through the gaping hole madeby the Separator.

133./134./135. NOSCENENUMBERS 133,134 & 135 133./134./135.

136. UNDERWATER: BENEATH THEPACK ICE - CONTINUOUS 136.

Beneath the ice, everything is silent. Ghostly. The Separator hurtles past the CAMERA, likea giant anchor headed straight to the bottom. It is followedby the length of chain and then the Alien Queen.

THE ALIEN QUEEN is dragged down into the dark. Into the * abyss. Eventually disappearing completelyfrom view.

96-

AVP Draf-t September26,2003 97.

7

EXT. RAZORBACK POINT - HARBOR 137.

Scar lies in the snow. A fallen warrior. Bloodied and broken, but dying with honor. Lex cradles his head in her hands.

Scar reaches out and touches Lex's forehead. His movement * are gentle for.such a big creature. He traces the Predator * warrior scar marked into her flesh. *

Then Scar dies.

For a moment, the storm seems to reduce in fury. The sky clears to reveal the PREDATOR SPACECRAFT hovering directly above the remnants of the whaling station. On a low rise overlooking the battleground standa DOZEN PREDATOR ELDERS. They had been watching all along. MULTIPLE SHADOWS, cast seemingly from nowhere,play over Lex and Scar. Then four more PREDATORS become visible. They pick up Scar's body and carry him toward along ramp leading up to the belly of the spacecraft.

Lex faces off against A DOZEN PREDATORS. She's ready for battle. She doesn't care. She'll take them all on. For a moment there isa tense standoff. A PREDATOR ELDER.stares at theHuman Woman. He sees the distinctive Predator warrior * scar on herforehead. The same scar that he and all the others wear. Then he nods in RESPECT. As the rest of the Predators file back onto the Spacecraft,the Predator Elder hands Lex hisSPEAR. The gesture has the feeling of ancient ceremony about it. The message is clear· --

LEX IS NOWA HUNTER. *

Lex takes the spear. And the Predator Elder turns back to the Spaceship. As he turns, he shimmers and becomes invisible.The MAINTHRUSTERS of the Predator Craft are starting to fire up. Intensifying the snowstorm beneath the ship.

Lex is covered in blood and bruises,holding the warrior's * spear and marked with the Predator warrior scar,Lex has * never looked more formidable. She seems more Predator than Human. She watches the Spacecraft as it rises into the heavens, becoming lost in the storm in a matter of moments. Lex takes something from her pocket. It's Sebastian's bottle cap. She turns it over in her hand,the emotion of the moment clear.

Lex looks up to the heavens. A break in the storm reveals a giant FULL MOON hanging in thesky.

AvP Dra:tt September26,2003 98. CONTINUED: 137.

The moon she had been looking at just the other night with Sebastian. She closes her hand around the bottle cap and looks up to the skies.

LEX
{softly) 'Hunter's Moon. '
138

EXT. OUTERSPACE 138.

The Predator Spacecraft glides past our Moon,headed away from Earth, into deep space.

139

INT. PREDATORSPACECRAFT 139.

Scar's dead body has been laid to resti~ a place of honor. * Scar's faceplate is off,displaying the Predator warrior * scar. He died a warrior's death.

The air is heavywith incense and some kind of religious ceremony has just finished. The last of the PREDATOR ELDERS is filing out of theroom, returning to the cryo-stasis tubes, ready for the journey back into deep space. Scar's body is left alone in the silent chamber.

Scar's chest begins to CONVULSE! Tearing its way out of * Scar's dead body is anALIEN CHEST BURSTER!

The Alien that develops inside a Predator is biggerand tougher than we could ever have imagined. A HYBRID between ALIEN and PREDATOR, more fierce than anything we have seen before. And now it is loose on the unsuspecting Predator ship!

CLOSE ON THE ALIEN-PREDATORHYBRID as it bursts free. * Covered in Predator blood. RAZORs·HARPteeth catching the light.

FREEZE FRAME:

LEX WILL RETURN IN:

A-P-A

ALIEN/PREDATOR: ANNIHILATION