Current revisions· 1997-08-14

"ARMAGEDDON" (1998)

WRITTEN BYJonathan Hensleigh·Tony Gilroy·Jeffrey Abrams

STATS118pages447scenes28,013words47%dialogue share79characters

Dialogue share

  • dialogue12,52447%
  • action13,96653%
  • formatting, excluded1,523

Scenes

location
  • INT 219
  • EXT 109
  • INT/EXT 3
  • UNKNOWN 116
time
  • DAY 30
  • NIGHT 11
  • DAWN 2
  • DUSK 3
  • CONT 1
  • UNKNOWN 400

SCREENPLAY PROFILE

On the page

This page presents the Armageddon (1998) screenplay, written by Jonathan Hensleigh, Tony Gilroy, and Jeffrey Abrams, as 447 navigable scenes across 118 pages. The source is identified as Current revisions, 1997-08-14. Search the text, isolate a character’s dialogue, or link directly to any scene.

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1

p.1

TITLES.

PLANET EARTH. STAR FIELD BEYOND. JUST PERFECT.

VOICE
Sixty-five million years ago, dinosaurs walked the face of a lush and fertile planet...
2

p.1

A GIGANTIC ASTEROID streaks past camera, burning into the atmosphere.

VOICE (cont'd)
...a complex, highly-evolved ecosystem thrived....A piece of rock, only six miles wide, hurtling through space, altered the course of natural history forever...
3

OMITTED

p.1
4

p.1

EARTH, seen from space, rocked by an IMMENSE SHOCKWAVE - and now - the blue is slowly lathered in this awful black death cloud.

VOICE (cont'd)
Impact equal to ten thousand nuclear weapons detonating simultaneously. A trillion tons of dirt and rock hurled into the atmosphere. A blanket of dust the sun was powerless to penetrate for a thousand years. It happened before. It will happen again. It's just a question... of when.
5

p.1

EARTH is now completely entombed in a dark, cold hell.

ARMAGEDDON

SUPER: 65 MILLION YEARS LATER

6

p.1

And OVER this we hear: A BLUR OF STATIC AND SQUAWKING RADIO CHATTER -- EARTH, reflected off the face of ASTRONAUT PETE SHELBY'S helmet. He is spacewalking; tethered to SHUTTLE ATLANTIS. He is trying, without success, to repair a satellite.

SHELBY
Houston, affirmative. I'm gonna try it again.
7

INT. JOHNSON SPACE CENTER - MISSION CONTROL -- 4:47 A.M. EST

p.1

Equipment. Busy. Crowded. Tense. DAN TRUMAN is the boss here. NASA's second-in-command -- he would've been an astronaut himself, but his LEG BRACE speaks of a disappointment he's had to accept long ago. He's standing over the shoulders of FLIGHT DIRECTOR CLARK. Watching the console. And the video.

CLARK
We've got that coupling up on the board now, Pete -- we'll give you a heads-up from down here when it's in alignment --
SHELBY (V.O.)
(breathing hard)
-- sounds good -- affirmative --

Truman taps Clark. Clark moves to another seat as Truman sits down.

TRUMAN
Pete, this is Truman -- we've got an eye on your meds here -- let's try and relax a little -- we've got plenty of time buddy.
8

EXT. SPACEWALK -- SAME TIME

p.1

SHELBY still struggling with delicate instruments. TRUMAN TENSE.

SHELBY (V.O.)
Okay Houston. Advise.
TRUMAN (V.O.)
Do not touch the gold plating. We do not want a power surge.

The instrument ever so SLOWLY moves into position.

SHELBY
-- I'm looking good here -- it's go--

SHELBY'S HELMET GETS ROCKED -- the glass spiderwebs -- EARTH'S REFLECTION shatters -- blood boiling -- Shelby's SHOULDER CAM spins.

9

source 9-11p.2

THE SPACE SHUTTLE suddenly shredded by thousands of tiny, speeding, meteoric pebbles -- SHRAPNEL tearing through everything -- NASA logo is destroyed -- THE SHUTTLE's SKIN peeling down to the ribs -- KANTWELL COCKPIT FILLS WITH A FIREBALL. Finally, there's a HUGE INTERNAL SHUTTLE EXPLOSION.

10

OMITTED

source 12p.2
11

INT. NASA - MISSION CONTROL

source 13p.2

MONITORS go dead. A horrible moment of silence...

NASA TECH #1
We're down.
NASA TECH #2
Massive failure. We lost....

And then -- action -- controlled panic. Hands flying over keyboards. CAMERA CLOSES ON -- Truman standing there, stunned. Utter disbelief.

12

INT. U.S. SPACE COMMAND -- 4:49 A.M. EST

source 14p.2

A dark room filled with equipment...full BATTLE STAFF run to their consoles. Tiny yellow BLIPS appear on large TV Screens.

OPERATOR #1
(following yellow BLIPS)
Sector five-niner is reporting three -- now five -- eight -- I repeat eight unidentified tracks --
OPERATOR #2
Watchdog, I have four, now nine -- make it eleven unknown tracks --

From above, a haggard looking SECTOR DIRECTOR yells down:

SECTOR DIRECTOR
Scramble the Eagles....
13

EXT. LORING AIR FORCE BASE, MAINE -- 5:03 A.M.

source 15p.2

Two dozen PILOTS and CREW from the 102nd Fighter Interceptor Wing scramble onto the dark, frozen tarmac to their waiting F-15 EAGLE's --

14

INT. NATIONAL SECURITY COUNCIL SITUATION ROOM -- 5:06 A.M.

source 16p.2

SEVERAL AIDES rush around the room. Mega-high tech equipment comes alive. A young AIDE holding three phones, is talking on a secure line:

AIDE #1
(rushing in)
Sir, I have some General from the Russian Air Defense Forces on the phone. He wants to know what we're doing....
KIMSEY (V.O.)
We're not doing anything! What are they doing?!
15

INT. NASA MISSION CONTROL -- 5:09 A.M.

source 17p.3

The room is packed. Truman pacing through, rushing out assignments.

TRUMAN
I want three groups -- one: Internal malfunction. Hit the log tapes, start working back -- maybe it's a glitch. Two: I want N.O.R.A.D., Space Command and the 50th Tactical comparing all space junk they track, every plane in every orbit -- have 'em check, then rechecked, and then do it all over again. Three: Wild Cards. Anything and everything, let's move it!
16

EXT. SEDONA, ARIZONA, OLD TRAILER -- 5:38 A.M.

source 18p.3

DOTTIE is in her eighties. She's wearing a nightgown and slippers. She's got a flashlight and she's walking with as much angry determination as her little body can muster. She walks out of her trailer towards a huge 1920's OBSERVATORY. She starts yellin'--

DOTTIE
Goddamn it, Karl, this time I'm not kidding!
17

INT. OBSERVATORY -- NIGHT

source 19p.3

A HUGE TELESCOPE. KARL, 80, a cranky, scrawny backyard astronomer with his eye to the sky. She throws open the door and --

DOTTIE
If you don't start spending a little less time in here and a little more time in the trailer with me, I want a divorce.
KARL
I thought we already were divorced.
DOTTIE
I am sick of you taking me for granted and--
KARL
Will you shut-up?! This is the big one! I'm in the books with this! Go get my phonebook -- I gotta call that guy from NASA!
DOTTIE
Friggin' books... you should be calling a lawyer is who you should be calling...
18

EXT. WASHINGTON D.C. - PENNSYLVANIA AVENUE -- 5:45 A.M.

source 20p.3

FOUR CARS -- military motorcade -- racing around a corner --

19

INT. MILITARY LIMO -- SAME TIME

source 21p.4

U.S.A.F. LT. GENERAL KIMSEY. Chairman of the Joint Chiefs of Staff. His deputy, GENERAL BOFFER, beside him in the back seat.

BOFFER
Space Command is reporting negative, that is zero global launches -- it might just be pieces of the shuttle breaking up as it comes in.
KIMSEY
(don't mess with me!)
Yeah, it might be Santa Claus -- until we get definitive, reliable, alternative confirmation, General, this is a surprise attack. Let's speed it up!
20

EXT. MANHATTAN ISLAND -- SUNRISE - MUSIC POUNDS

source 22p.4

Establishing. The sun rises over the Brooklyn Bridge.

21

EXT. 59TH STREET BRIDGE -- 6:00 A.M.

source 23p.4

A small MESSENGER cruising on his bike singing like a rock star. In the front basket is his FRENCH BULLDOG lovin' life. New York city pumps.

22

EXT. NEW YORK STREET -- MOMENTS LATER

source 24p.4

The MESSENGER now walking his Bulldog pulling at the limits of his retractable leash. Bulldog's POV as the dog attacks the big city. PEOPLE reading the tabloids. SHUTTLE MISSING! DISASTER IN ORBIT!

23

source 25p.4

A BIG ELECTRONICS STORE just up ahead. PASSERSBY's have stopped to stare through the window, where DOZENS of TELEVISIONS are playing an ABC NEWS SPECIAL REPORT on the missing Shuttle and --

LITTLE GUY
What's up?....
NEW YORK GUY
The space shuttle -- BAM, it's gone, vaporized.

Little Guy jerks the Bulldog...the Bulldog can wait no longer. He lifts his leg against A VERY LARGE BOOT attached to a A HUGE SAMOAN GUY. He feels something and looks down. The Samoan Guy kicks the dog, and it starts growling.

LITTLE GUY
Hey! Hey man, you kicked my dog!
SAMOAN
Yeah? What's a runt like you gonna do about it?
LITTLE GUY
Keep taunting and I'm gonna kick these Nike's up your big Samoan ass.

Suddenly, the T.V. SCREENS START FRITZING OUT -- a huge SONIC BOOM ROARS OVERHEAD -- The huge Samoan looks up, as -- A ROCK, the size of a basketball, WIPES HIM OFF THE SCREEN

-- EXPLODING into the pavement -- CONCRETE and SPARKS and GLASS FROM THE WINDOW. The TELEVISIONS ARE BLOWN IN THE AIR -- all of it -- SHATTERING AT ONCE and PEOPLE SCREAMING and HORNS HONKING and then --

It's over. The hissing of steam. Little Guy inside the store. In his hand, the leash -- the other end disappearing down into --

24

INT. A CRATER -- SAME TIME

source 26p.5

Ten-feet wide. Forty-feet deep. Way down there, embedded in the substreet infrastructure, A SIZZLING, STILL-SMOKING, RED-HOT METEORITE. And hanging there, suspended by the leash, the Bulldog.

LITTLE GUY
Little Richard? Omigod..Call 911, hang on!
25

EXT. MANHATTAN -- MORNING

source 27p.5

Traffic is ground to a halt. CAMERA MOVES into a cab. STU, the Cabbie, with an ASIAN TOURIST, cranes his neck out the window.

ASIAN TOURIST
What big problem?
STU THE CABBIE
Could be a couple of things: Shootin' stabbin', dead guy. It's Friday, payday most probably a jumper.
26

source 28p.5

Suddenly -- a projectile the size of a dump truck SCREAMS through the sky and blasts through THREE HUGE BUILDINGS. More projectiles explode in the intersection. Cars get thrown everywhere.

27

source 29p.5

Five cars lifted from the explosion scream down the street flying inches over the head of the Little guy and his dog.

28

source 30p.5

THE ENTIRE TOP FIVE STORIES OF A BUILDING topple and hit the street below. Bricks, mortar and gargoyles everywhere.

29

INT. NASA MISSION CONTROL -- 7:00 A.M.

source 31p.5

Grief and frenzied activity. Dozens of people running numbers. Truman is at the center -- being handed documents, shown monitors --

NASA TECH #1
Space Command's screens are clear.
TRUMAN
Who's on with the Russians?
NASA TECH #2
Right here. They're clearing too.
TRUMAN
Stay focused -- we need to map the trajectory now--
NASA TECH #2
That could take over a week to--
TRUMAN
Just FIND it. I want to know if the worst is over or on its way--
NASA TECH #2
General Kimsey on line four.
TRUMAN
(shit)
Excellent. Truman--
30

INT. NATIONAL SECURITY COUNCIL ROOM/INTERCUT WITH DAN TRUMAN

source 32A-Bp.6

Crowded now. Joint Chiefs. Cabinet officer. Empty chair for the President. NETWORK NEWS on TVs. GENERAL KIMSEY on the phone, frantic:

KIMSEY
We got hits from Finland to South Carolina and we know they're not missiles, so what the hell is it?
TRUMAN
It's a meteor shower in the northern hemisphere. That's what took out the shuttle.
KIMSEY
I've got the President on Air Force One demanding answers -- is it over?
TRUMAN
The sooner I get off the phone the sooner I'll know, we'll call you back--

Truman hangs up the phone -- back to the insanity --

31

INT. MISSION CONTROL - CORRIDOR -- DAY

source 33p.6

Hallways alive with action. We're following one nerdy guy named DR. RONALD QUINCY, carrying stacks of paper and hustling along when --

NASA TECH #1
(from a doorway)
Quincy. Yeah, there you are. Look, I got this old guy on the phone here from Sedona. Says he met you at some comet seminar?
32

INT. MISSION CONTROL - SIDE ROOM -- TEN MINUTES LATER

source 34p.6

BANKS OF COMPUTERS and COMMUNICATION GEAR. NASA PEOPLE manning battle stations. Tense, anticipatory silence. Nobody moving or talking.

TRUMAN
(on the phone)
...no, no, no, take your time, Karl. I'd rather have it right than fast.
(hiding his impatience)
No. No, you're definitely the first. Yes, we've all seen the news.
(beat)
Yup. I'm ready. Fire away. Yes, I'm holding a pencil. Talk to me.
NASA TECH #1
(second phone)
The FBI locked his location.

Truman passing off the numbers and THE ROOM EXPLODES with quiet frenzy -- NUMBERS are frantically plugged into the computer.

CLARK
(third phone)
-- he found a comet two weeks ago. He called the International Registry -- per usual they blew him off --
TRUMAN
--Karl, I want you to stand by up there. Okay? I want you to stay right there and let us check this out --

The RULERS move to the MAPS of the asteroid belt; lines are drawn.

TRUMAN (CONT'D)
--Karl, it's probably nothing, but until we know what we're dealing with here, I'm counting on you to keep this quiet. Top secret, understand? We're gonna send someone to pick you up.
33

INT. KARL'S TRAILER - DAY

source 35p.7

Loads of NAVAL MEMORABILIA. Dottie stands there watching.

KARL
Yes sir. Sir, I'm Retired Navy, I know what 'classified' means sir....

Karl hangs up and flashes her this very smug smile. She's burning.

34

INT. MISSION CONTROL - SIDE ROOM

source 36p.7

PHONE HANGS UP. Computers PRINT OUT, PHONE LINK to S.T.I.--

35

INT. S.T.I. - SPACE TRACKING INSTITUTE - DAY (NEW LOC NAME)

source 37p.7

Home of the HUBBLE SPACE TELESCOPE. Two S.T.I. TECHNICIANS man the Hubble's control console.

S.T.I. TECHNICIAN 1
New Houston info! Plot Coordinates 712 by 345. Let's move fast on high-resolution imaging!
36

EXT. OUTER SPACE - CONTINUOUS (DAY)

source 38p.8

The HUBBLE SPACE TELESCOPE screams by camera orbiting the earth. The Telescope tilts, repositioning its view. Lights flash.

37

INT. S.T.I. - SPACE TRACKING INSTITUTE - DAY

source 39p.8

IMAGES from the Hubble arrive on a high-resolution printer. S.T.I. Technician 1 grabs four PHOTOS from the printer. Technician swipes stuff off the console, making room. Together they arrange the four photos. They stare silently at the awesome COMPOSITE PHOTO.

S.T.I. TECHNICIAN 1
Motherfu....
38

EXT. OUTER SPACE - CONTINUOUS

source 40-41p.8

CAMERA PUSHES THROUGH A CLOUD OF ROCKY, ICY DEBRIS, penetrating the cloud until the HUGE ASTEROID CORE comes into clear view -- a mass of dirt and ice -- rough, craggy, menacing. A PROJECTION SCREEN - FULL FRAME. And there's that jagged, fuzzy, ugly THING again. And we hear:

NASA VOICE
This is the anomaly at sixteen-forty-three...

KA-CHUNK -- slide changes -- the THING gets bigger --

NASA VOICE (cont'd)
Here is the anomaly at sixteen-fifty-eight...

PULL BACK TO REVEAL -- FIFTY PEOPLE AT LEAST. Crammed in. Hand- lettered signs, hastily written -- propped up around this long table: ENGINEERING -- PROPULSION -- COMMUNICATIONS -- PUBLIC AFFAIRS -- DATA RETRIEVAL -- Open phone lines to N.S.C. -- The Cape -- the feeling that everybody who is in on this is on the line right now.

NASA VOICE
And here is the anomaly at seventeen hundred...

KA-CHUNK -- the THING gets bigger.

39

INT. NATIONAL SECURITY COUNCIL SITUATION ROOM

source 42p.8

General Kimsey watching THE SECRETARY OF DEFENSE as we hear THE PRESIDENT in the BG transmitted from Air Force One --

PRESIDENT (V.O.)
Enough with this anomaly horseshit, what is this thing?
TRUMAN (V.O.)
(speaker phone)
An asteroid, sir.
40

INT. MISSION CONTROL - CONFERENCE ROOM -- SAME TIME

source 43A-Bp.9
PRESIDENT (V.O.)
I'm staring at a laptop -- how big are we talking about?

Truman looks down the table. THREE PEOPLE sitting behind one of those signs that reads: PROPORTIONAL ANALYSIS.

PROP ANALYSIS TECH
Our best guess right now is, ninety-six point five billion cubic kil--

Truman waving his hands to make it simple.

TRUMAN
It's the size of Texas, Mr. President.
PRESIDENT (V.O.)
And we didn't see this coming?
TRUMAN
I'm sure you're aware, Sir, after congressional budget cuts, that $700,000 only lets us track 3 percent of the sky--
KIMSEY (V.O.)
What about this morning? How big were those?
TRUMAN
Nothing -- pebbles -- the size of basketballs and Volkswagons.
PRESIDENT (V.O.)
Is this thing gonna hit us?
TRUMAN
We're efforting that as we speak--
PRESIDENT (V.O.)
What kind of damage are--
TRUMAN
Total. Sir. This is what we call a Global Killer. The end of mankind. Doesn't matter where it hits, nothing would survive, not even bacteria.
PRESIDENT (V.O.)
My God...

Suddenly the door opens across the room -- a MATH GUY stands there, holding a printout. One look and you know it's bad. A sudden, total, awful silence.

MATH GUY
We have eighteen days.
41

EXT. THE GREAT OUTDOORS -- DAY

source 44p.10

A GOLF BALL and TEE pushed into GRASS -- HARRY S. STAMPER, CLUB in hand, lines up the shot -- eyes on the ball, then on his target, squinting, concentrating -- intense. He swings -- THWACK! Smiles.

42

OMITTED

source 45p.10
43

source 46A-Bp.10

We FOLLOW THE BALL, which sails through the air -- and just as we expect it to hit grass, it hits a GREENPEACE BOAT -- just missing one of the half dozen PROTESTERS on the deck, just waking up. They start YELLING at Harry, who waves back at them:

HARRY
RISE AND SHINE!

The Protesters keep yelling as Harry sets up another ball. Behind him, CHARLES "CHICK" CHAPPLE arrives, holding a clipboard. 40's, rugged -- been through the worst with Harry, but he's standing here. That says it all.

CHICK
That boat's a hundred yards too close. I'll call my friend at the Singapore Navy. This bastard's so mean his mother hates him.

Harry swings -- WHACK! The ball hits the Greenpeace hull. The Protesters yell more. Harry yells back:

HARRY (cont'd)
YOU GUYS ARE RIGHT! DRILLING IS BAD! WHAT MODEL SOLAR-POWERED BOAT IS THAT?!
CHICK
(hands him clipboard)
Seriously, Harry, lemme call my friend. At the very least it'll be entertaining.
HARRY
(reading report)
Nah, Greenpeace likes whales, I like whales. I just don't like when they park on my driving range-- why was there drilling on Two?
CHICK
Yeah, I thought you might find that fascinating. Chewed 180 feet last night.
HARRY
I shut it down. Who the hell ordered Two to drill?!
CHICK
I'll give you two guesses. But you're only gonna need one.

Harry's face goes flush -- jaw clenched -- he grabs the golf club. SWINGS -- The Golf Club -- as it's hurled into the sea--

CHICK (cont'd)
Harry, that was my five iron.
44

OMITTED

source 47p.11
45

OMITTED

source 48p.11
46

OMITTED

source 49p.11
47

EXT. OIL RIG -- MORNING

source 50p.11

Harry tearing through the rig. Way pissed off. HARRY'S GOLF SHOES CLATTERING and --

HARRY
A.J.! A.J.! Get your ass out here!

A COUPLE ROUGHNECKS cut pipe -- looking up, smiling --

ROUGHNECK #1
What'd he do this time, Har?
48

OMITTED

source 51p.11
49

INT. OIL RIG - MUD GEOLOGY LAB -- MORNING

source 52p.11

Funky and cramped. Samples all over. ROCKHOUND is wearing boxers, sneakers, and a miner's helmet. He's holding a big fish in his gloved hand. Harry comes rushing through--

ROCKHOUND
Hey, Har! Check this out, man! Forty-three pounds of lean, mean, aquatic machine! Life in the Goddamn food chain!
HARRY
A.J. Where is he?
ROCKHOUND
Why? Hey, did we hit? Thank God, are we done here?!
(chasing him, fish in hand)
'Cause you know me, man! I start fishin', it's the leading emotional indicator I'm getting a little rangy! Har -- slow down!
50

INT. MISSION CONTROL - CONFERENCE ROOM -- SAME TIME

source 52Ap.11

Truman studies the Math Guy's report. All eyes in the room on him. The grim reality is setting in... he looks around the room.

TRUMAN
All right, this is what we're going to do -- I want every strategy we got for Near Object Collision -- every strategy, every idea, every program, every sketch on every napkin and pizza box -- whatever we got for Near Object Collision Contingency. For 30 years they've questioned the need for NASA. Today we give them the answer. Let's go.

And the room erupts in activity --

51

INT. OIL RIG - CRANE CROW'S NEST -- MOMENTS LATER

source 53p.12

THE DOOR bursts open. Dust falls. Harry fills the frame. A small, dark room. A bed in the darkest corner -- Harry kicks it.

HARRY
Get up. Before I drag you out.

A.J.'s up in bed looking, damn "hand in the cookie jar" nervous. He's physically awkward here -- as if moving at all might break something...or reveal something...

A.J.
Hey -- okay, you're, uh...you're pissed, I get it --
HARRY
No, you've seen me pissed -- this -- you don't know what this is! I shut down number two! You knew that.
A.J.
Huh? Oh...yeah, that....
HARRY
Yeah, that! When you got eight million of your cash on a contract -- when it's your ass in the fire, if you don't hit at 19,000 feet, do whatever the hell you please. You don't ever disobey my orders!
A.J.
Oh, man, yeah. Of course you're right -- lemme get dressed, I'll be up in 2 minutes.
HARRY
There are five words I need to hear from you. Right now. Five words.
A.J.
(counting as he talks)
I'm...sorry...Harry? Very...sorry?
HARRY
"I'll never do that again."
A.J.
I won't, you know I won't. Who screwed up? Me. I blew it. I suck. Damnit Harry, everything you're thinking, you're right. I'm sorry. I'll meet you at ops in five minutes. 'Kay?

Harry looks at A.J. squarely. A.J. gets it. Harry turns to leave.

And then he HEARS a FEMALE SNEEZE. Harry stops. A.J. winces. Harry turns around, under the bed sheet -- lying there, in her slinky pajamas, is GRACE -- precious, beautiful and 23.

HARRY
Grace...?
GRACE
(voice trembling)
Harry...?
HARRY
I thought I told you to call me Dad?

We're TIGHT ON Harry's face -- wracked with rage -- red, insane -- he moves for A.J. who BOLTS OUTTA THE ROOM through the other door -- we CUT TO A.J. sliding down a 70-foot cable --

52

INT. OIL RIG - CROW'S NEST HALLWAY -- SECONDS LATER

source 54p.13

Harry RIPS a SHOTGUN from its mount. SHELLS fall everywhere --

53

EXT. OIL RIG - SAME TIME

source 55p.13

A.J., in his boxers, sprints from Harry, who wields the shotgun --

A.J.
HARRY! HARRY?! Under the circumstances being irrational is totally understanda--

BOOM!!! Harry FIRES into the sky -- Christ it's LOUD -- A.J. JUMPS, picking up speed, terrified --

A.J.
Holy shit, man!
HARRY
Fifteen years didn't change a thing, did it?!
(cocks the gun)
I saved your life! I gave you a purpose!
A.J.
Will ya WAIT?! Will ya listen to me?!
HARRY
You're still the same dumb-ass punk, just twice as old!

As A.J. scrambles up the DERRICK -- climbing the metal rungs, WE HEAR:

GRACE (O.S.)
HARRY!

Harry turns -- Grace runs up behind them, a sheet wrapped around her.

GRACE
Stop it! You're being insane!
HARRY
Sweetheart, go put on some clothes.
GRACE
YOU CAN'T CONTROL MY LIFE, YOU KNOW!!!
HARRY
I know. Clothes. Now.

Harry's going after A.J. again -- A.J.'s climbing hard -- glancing back at his pursuer --

A.J.
Look, I'm only going to say this once: put down that gun!

BOOM! Harry cocks and aims -- but is blocked by JAYOTIS "BEAR" KURLEENBEAR, huge, one of Harry's veterans, desperate for a shower and shave.

BEAR
Why don'tcha put the gun down, boss?
HARRY
You don't really want a piece of this, Bear. You know what I'm sayin'?
BEAR
(smiles)
Hell yeah, I know. I'm just trying to give my man a headstart.

Harry pushes past Bear continues after A.J. climbing for his life.

HARRY
You think I raised her-- sent her to college?! You think I took care of her all these years so she could end up with someone like us? A guy like you?!
A.J.
Harry, I love her!
HARRY
WAY wrong answer!

Harry FIRES again -- hits the PUMP JACKS -- SPARKS fly -- Harry continues until Chick intercepts him --

CHICK
Harry, Christ, before you kill the best man on your crew get your ass on deck -- we got fumes --
HARRY
I can't hear you -- you're saying words, but I'm on a rampage -- you gotta move --

Harry now pushes past Chick -- going after A.J. with all he's got --

A.J.
We gotta talk this over, man!
HARRY
That's what we're doing!

BOOM! -- A.J. climbing too fast -- loses his footing -- slipping -- falling -- grabs for THE CABLE -- just snagging it and --

GRACE
NO!!!

A.J. on the cable, pulling himself to safety. Harry aiming at him. He knows he won't really shoot the kid...or does he? AN AIR HORN BLASTS--

ROCKHOUND
(down below)
Pucker up! We got clients incoming!
54

source 56p.15

A HUGE LUXURY YACHT on the horizon.

55

INT. MISSION CONTROL - CONFERENCE ROOM -- DAY

source 57p.15

CAMERA MOVES along a PRESENTATION TABLE -- drawings, books, reports, sketches, scale models,-- over a DOZEN NASA TECHS-- and here's Truman, addressing his troops:

NASA PLANNER #1
(really nervous)
Uh, we, uh-- back in 1974, the idea, the possibility that an asteroid-- you could say, meteor, though technically a meteor is just a--
TRUMAN
I need someone who's had less caffeine this morning. Grunberg, translate.
NASA PLANNER #2
Our first feasibility plan was to use a spread-focus laser generator to heat the object to the point of fracture--
TRUMAN
That's shooting a BB gun at a freight train. Alexander whatcha got?
NASA PLANNER #3
What about Electrostatic Repulsion?
TRUMAN
What about it? We've got two and a half weeks, we can't bank on E.R. in this scenario. Waisler. Go.
NASA PLANNER #4
(shows drawing)
We've got the design for sending a craft to the object and hoisting solar sails to gently re-direct its trajectory.
TRUMAN
Nice. Creative.
NASA PLANNER #4
(feeling it)
You don't like this idea.
TRUMAN
No. What else have we got, people?
(turns to clock)
Time's a luxury we don't have.

And we PUSH IN on the nearby official NASA stopwatch -- DIGITAL NUMBERS to the thousandth of a second -- blurring past -- counting down TIME TO GLOBAL IMPACT -- 18 DAYS - 431:15:18:014 --

56

EXT. OIL RIG -- DAY

source 58p.16

THE YACHT has landed. The clients, THREE HONG KONG TITANS, prepare to come up the gangway. Harry and Grace (now dressed) stand together -- A.J., and Bear off to the side.

GRACE
(tries to hide her rage)
I understand that you're handicapped by a natural immaturity, Harry--
HARRY
Dad. Call me Da--
GRACE
But that shotgun thing was off-the-charts unacceptable.
HARRY
I don't care if you're friends, I --
GRACE
We are friends. Friends who sleep together. Look, you're really good at these things, let me ask you this... where's my mother again?
HARRY
Do not start with that--
GRACE
Oh, that's right. Nobody knows. When she ran off she forgot to leave us a forwarding address.
57

OMITTED

source 59p.16
BEAR
(laughs)
That's cold, Stamper. That is cold.
GRACE
She was a good choice, Harry, you're a relationship expert. Tell you what, you give me a list of things to do, okay? I'll do them all.
HARRY
I want you on a crewboat back to the mainland today and back in the office by Monday.
GRACE
Really. Then I quit.
HARRY
You're not gonna quit. And you're not gonna start seeing A.J., and we're not gonna have this conversation. Understood?
(sees she's almost laughing)
What?

Grace steps forward to greet THE HONG KONG CLIENTS, charming them instantly with her perfect Cantonese. She continues talking to the Clients, while Harry greets them -- but they both continue their argument:

HARRY
What are you smiling about?
GRACE
(between Cantonese phrases)
I've been dating A.J. for almost a year.

Harry goes pale --

58

EXT. OIL RIG -- MOMENTS LATER

source 60p.17

THE HONG KONG CLIENTS getting the grand tour. Grace leads the way, but the clients are oblivious to their fight:

HARRY
Have I once -- ever -- prevented you from doing anything?!
GRACE
Yeah, Harry, actually yes: having any semblance of a normal life. Most children - - are you aware of this? --don't live off the coast of 18 countries before they're nine.
HARRY
So you're worldly, you're welcome. You speak 3 languages because of me. Merci. Grazie...
GRACE
Most women my age have no idea what a titanium depth gauge is -- and I promise you, none of them care.
59

source 61-62p.18

Grace turns to listen to one of the Clients -- as Harry suddenly seems distracted by a THUMP-THUMP NOISE -- pipes VIBRATE -- Harry looks over at a PRESSURE GAUGE -- which is peaking -- the NEEDLE DROPS SUDDENLY -- then JUMPS -- ONCE -- TWICE -- Harry's eyes go wide -- he sprints away -- Grace confused -- A.J. joins Harry with a triumphant smile --

HARRY
IS THAT NUMBER TWO?
A.J.
Gotcha, man! We hit! I told you!
HARRY
I closed it down for a reason, you idiot! Two's relief valve is fried open!
(yelling to Grace)
GET THOSE PEOPLE OUTTA HERE!
60

source 63p.18

KA-WHOOSH! OIL -- PIPE -- MUD -- all of it ROCKETS into the sky.

HARRY (cont'd)
Chick! Turn the table out -- move! Bear -- Max -- swing those back-flanges in -- Go! Go! Go!
61

source 64-66p.18

A.J. -- like a flash -- charges after Harry. Grace pulling the Clients into hiding and -- Oil begins to spurt from the valves. Chick and his TEAM pull CABLE and EQUIPMENT as fast as they can. Harry right in the center of it and -- A.J. right behind.

62

INT. MISSION CONTROL CONFERENCE ROOM -- DAY

source 67p.18

Another meeting. KIMSEY is here, with an exhausted TRUMAN and crew:

TRUMAN
Because of the proximity of the asteroid -- without any prep time -- none of our primary plans are going to work.
KIMSEY
So what are you telling me?
TRUMAN
That our best shot -- what I'm about to suggest we do -- is a back-up plan that sounds like a joke.
KIMSEY
Why can't we can't just send up 50 ICBMs and blow that rock apart?
QUINCY
Simple physics. Did you ever take Physics? I don't mean that as an insult...
KIMSEY
Yeah, I took Physics... who is this?
TRUMAN
Dr. Ronald Quincy from Research. Pretty much the smartest man on the planet, listen to him.
QUINCY
It's actually very simple: you set a firecracker off in your open palm and you burn yourself. Right? But close your fist and light that fuse... and... well, your wife's gonna be opening the ketchup bottle the rest of your life.
KIMSEY
You're saying we nuke the thing... from inside?
QUINCY
That's exactly what I'm saying.
KIMSEY
How?
TRUMAN
We drill. We need to bring in the world's best deep core driller.
63

EXT. OIL RIG -- DAY

source A68p.19

IT'S SO LOUD YOU CAN'T BELIEVE IT -- PIPES keep falling and CRASHING AND ROLLING and the OIL IS STILL SHOOTING AND SPEWING AND RAINING DOWN and -- Harry PULLS men out of the way -- races to get to a GIANT VALVE WHEEL -- he's struggling to move the thing but it's not working and he's being blinded by the oil and -- NOW FLAMES BURST OUT --

Through a fountain of oil and mess, A.J. appears -- he pushes his way in beside Harry -- muscles straining and THE ROARING SOUND OF OIL and THE RATTLE and SHAKE -- Fire hoses shooting water -- It's terrifying and dangerous as metal pipes falls around them -- but they're doing it - - the WHEEL TURNS -- the GUSHER is slowly CONTAINED --

Until finally the insanity's over -- Harry and A.J. collapse to the floor, exhausted, covered in black. Harry looks at A.J., whose smile is the only bright white thing here.

HARRY
Don't smile at me.

Harry gets up -- slips a little in the oil -- and heads off. A.J.'s smile is gone now.

64

EXT. OIL RIG -- LATER

source 68p.20

Grace with the Hong Kong trio -- all covered in oil -- suits ruined, the yacht trashed -- but the Clients are all smiles. Harry appears.

CLIENTS
Thumb high, Harry! You a man! Many thumb!

Harry forces a thumbs up, turning to Chick, who's high on the bridge:

HARRY
Everyone all right? Are we holding?
CHICK
We're great, Harry -- PPI's at eighteen hundred solid!

Now A.J.'s behind Harry -- slaps his back --

A.J.
You know you should tell me next time we got an open blow-out valve, all ri--?

Harry pivots -- SLAMS A.J. in the face -- A.J. goes down. Grace gasps, starts across the platform toward the men. Harry looms large over A.J.

HARRY
You're off. You're fired.
GRACE
(rushes over, to Harry)
You really need some psychological counselling.
A.J.
I just made this hit, Harry. How about a thank you?!
HARRY
Getting lucky doesn't mean you're any good. Someone could've died today.

A.J. gets to his feet -- stands up to Harry -- Grace gets to A.J. --

A.J.
Well look around, man! No one did!
HARRY
(pushes A.J.)
Well you still might!
65

source 69p.20

Suddenly they all look up -- the Clients, everyone -- to the WHOK - WHOK - WHOK - WHOK of an approaching SEAHAWK NAVY HELICOPTER --

66

EXT. OIL RIG -- MOMENTS LATER

source 70p.20

The SEAHAWK sets down -- the doors fly open and SIX ARMED MARINES deploy. ADMIRAL KELSO is right behind them.

KELSO
Who's Harry Stamper?
HARRY
(in disbelief)
It's not even nine o'clock yet... over here!
KELSO
We need to talk privately.

Harry steps with Kelso to the ROAR OF THE ROTOR-WASH --

KELSO (cont'd)
Mr. Stamper, I'm Admiral Kelso, Commander of the Pacific Fleet. I've been sent here by the Secretary of Defense on direct orders from the President of the United States. This is a matter of urgent national security. I need you to get on this chopper right now, no questions asked. Reassure your men that you're leaving voluntarily.
HARRY
(smiling)
Did Crazy Willy put you up to this?
KELSO
...I'm afraid I don't know "Crazy Willy." Sir, I'm dead serious about this.

Everyone's staring -- and just as Harry realizes this is real, Rockhound approaches, intense and burdened.

ROCKHOUND
Listen, I swear to God she never told me her age, so I assumed she was at least--
HARRY
No, this is about me.
ROCKHOUND
Oh. Ooops, forget it...

Harry looks over at Grace and A.J. This might not work, but he gives it a try:

HARRY
(only Kelso can hear this)
I'll go with you. On one condition....

Grace and A.J. are in the midst of their own drama, unaware of the four MARINES heading from the chopper toward them. A.J.'s furious.

A.J.
He's not just a lunatic, he's an irrational asshole lunatic --
GRACE
I know that -- we all know that -- so we have to compensate for him, that's all we can do...

The Marines arrive --

MARINE
Miss, you're requested on-board. National Security.
GRACE
National Security and you want me?

Grace looks to A.J. -- sharing the confusion -- suddenly two of the MARINES hold A.J. from either side -- one under each arm -- Grace yells out but the other two have her -- they're being pulled apart -- and

67

INT. HELICOPTER - DAY

source 71p.22

Harry watches from the chopper, smiling as Grace -- confused and angry -- is "escorted" into the helicopter -- REVVING SO LOUD she can't hear.

HARRY
CHICK! YOU'RE IN CHARGE! GET 'EM HOME TODAY! MR. FONG, YOU LOOK GREAT IN BLACK!
68

source 71Ap.22

The Clients wave at Harry as the CHOPPER takes off.

69

OMITTED

source 72p.22
70

source 73p.22

THE CLOCK: DIGITAL NUMBERS -- TIME TO GLOBAL IMPACT -- 17 DAYS - 407:14:26:021

71

EXT. NASA/JOHNSON SPACE CENTER - HOUSTON -- DAY

source 74p.22

Establishing shots...the scope of this place is awesome...

72

INT. NASA HALLWAY -- DAY

source 75p.22

Harry and Grace coming through. Clean clothes, they've showered -- still, they're tense, tired, and confused.

TRUMAN
Mr. Stamper. Ms. Stamper. I'm Dan Truman. I'm the Executive Director here. On behalf of everyone, please accept my apolo--
HARRY
No. No more apologies. We've had 18 solid hours of apologies. Apologies on three helicopters, one aircraft carrier, and two military jets. We've been apologized to in half a dozen time zones, so please, for Christsake, spit it out already!

Silence. Two men eye-to-eye. Truman almost smiles.

73

INT. MISSION CONTROL - UPSTAIRS GLASS ROOM -- MINUTES LATER

source 76p.23

A large room. Harry and Grace sit in the middle of a PRESENTATION --. We go TIGHT ON Harry and Grace. Cut in the middle of Truman's story.

TRUMAN
A rogue comet hit an asteroid belt, sending shrapnel right for us. We're a shooting gallery for the next two and a half weeks. Even if this asteroid hits water, it's still hitting land -- it'll flash-boil millions of gallons of seawater and slam into ocean bedrock. A tidal wave three miles high travels a thousand miles an hour. Covers California, washing up in Denver. Asia. Gone. Australia. Gone. Half the world population gets incinerated by the heat blasts, the rest freeze to death from nuclear winter that'll hang around for the next 100 years.

Dead, grim silence. The lights come up. They're numb.

HARRY
This is unreal...
TRUMAN
Mr. Stamper, this is as real as it gets.

Truman nods to TECHS FLIP and SKIP, who open big curtains revealing WINDOWS THAT LOOK DOWN ON A VERY HECTIC MISSION CONTROL.

TRUMAN
It's coming. Right now. At 22,000 miles an hour, right for us. And none of us... anyone, anywhere... can hide from it.
HARRY
I take it... you're not alerting everyone like this.
TRUMAN
No one knows. And that's how it stays. For the next ten days only nine telescopes in the world can spot the asteroid and we control eight of them -- the President's classified this information as confidential. Those were the forms you signed.
(hands Harry a notebook)
Study from '87. If news like this broke, there'd be an overnight breakdown of basic social services worldwide. Rioting. Mass religious hysteria. Instant erosion of centralized authority. That thing reads like Cliff Notes to the worst parts of the Bible.
HARRY
So there are six billion people on the planet and you call me. Why?
74

INT. NASA/HALLWAY -- ONE MINUTE LATER

source 77p.24

Harry and Grace -- both in shock -- walk downstairs behind Truman, Quincy and A SMALL MILITARY ESCORT.

TRUMAN
We want to land on the asteroid, drill a hole, drop in some nukes, take off and detonate, having the pieces slide right past us. Except we have an equipment problem.
QUINCY
The drilling unit is part of a lunar project we've been working on for the past three years. The recent discovery of water on the moon wa--

A DOOR. TWO ARMED GUARDS open up and step aside --

75

INT. NASA R&D HANGAR -- SAME TIME

source 78p.24

TECHNICIANS standing beside a huge gurney. Stretched across, A LARGE ROBOTIC DRILLING ARM -- complex machinery and gears and Teflon cables. Harry's jaw tightening as he circles the thing. Harry is in shock -- .

QUINCY
(nervously)
You may recognize the rig....
HARRY
(utterly confused)
It's tough not to recognize something you spent five years designing --
QUINCY
Yes, we were planning on sending this to the moon and--
HARRY
What, you got a key to the Patent Office?
TRUMAN
Basically. You see, that's why you're here.
HARRY
What I see, is that you ripped me off and now I'm pissed.
QUINCY
We prefer the term borrowed...But actually, ostensibly, the boundaries of patent laws only apply to Earth, not outer space.
TRUMAN
Shut up, Ron.
HARRY
Are you kidding me?! I got dragged into this because you "borrowed from me" and by the way did a shit job of putting it together?
TRUMAN
So what's wrong with it? You said we'd done a bad job putting it together.
HARRY
No. No, I said shit job. First of all, you got the return system backwards. I'll take a guess, you're tearing up rotors and can't figure out why.
QUINCY
Yes, that's right...
HARRY
Well the cams are all wrong, Mr. Wizard, the flow cable, the way it's jammed in there? Wrong. And what's this? Aluminum?
QUINCY
Ceramic-titanium.
HARRY
If you're gonna steal a blue-print, at least read the materials list -- how do you short-hitch ceramics?
QUINCY
We're not looking for oil.
HARRY
So what?! How deep a hole do you want?
TRUMAN AND QUINCY
800 feet.
GRACE
(stepping in)
What if the bit starts binding? There's no flexibility. That's what he means.
HARRY
Who's been operating this thing?

Truman beckons across the room and EIGHT NASA MISSION SPECIALISTS start walking toward us. The geek patrol. Nerdnauts.

HARRY (CONT'D)
What's this?
QUINCY
We've had them training for eight months.
HARRY
(suddenly amused)
Eight whole months, gosh...
TRUMAN
We need you to modify the equipment and help train this team--
HARRY
Team?! That's not a team, it's a Dungeons and Dragons convention.
(to the "team")
Here's one for ya! You hit a gas pocket at 300 feet. Your crown block's frozen, the Kelly's starting to kick. You've got flow pressure backwashing and the valve swing's just broken off in your Roughneck's hand. What do you need to know?
(beat)
Quick! Do you pull pipe, speed up, slow down or run like hell?
(one, two, three)
Time's up. The rig blew. We all die.

Silence. Everyone has stopped working.

HARRY
Look, I'm a third-generation driller. I drew my first paycheck when I was twelve years old. It took me 32 years, every day, every frigging minute, to learn what I know. And I'm still learning. Some guy with one hand in a bar told you about a piece of equipment you gotta watch out for, that kinda thing. Might not look it, but drillin' holes is an art. Like a dirty, dangerous ballet: if you don't know your crew as well as you know yourself, you're screwed. Maybe dead. You think I'm the best? You're right, because I work with the best. In 17 days, I couldn't teach these Trekkies any more about drilling than you could teach me to fly a damn space ship.

Their eyes lock -- Truman's mind races -- Harry's too --

HARRY
So what exactly does the team do?
TRUMAN
Drill. That's it.
GRACE
(knows what's coming)
Harry, wait a second --
HARRY
No flying.
TRUMAN
No flying. No spacewalking. All they do is drill, then come home.
HARRY
I'd need my own people and I can't promise they'll do this.
GRACE
(freaks out)
Drilling on an asteroid flying 22 thousand miles per hour--
HARRY
And if it doesn't work, we all die anyway.
QUINCY
(not liking this)
Dan? We can't, uh....
TRUMAN
All of us. Everywhere.
GRACE
Does anyone mind if I throw in one rational thought here?
TRUMAN
We'll actually need two teams -- there'll be two Shuttles going up.
GRACE
In case one doesn't make it. So what are the odds here? Has anyone calculated that?
QUINCY
(indicates busy Techs)
That's what they're doing.
HARRY
(to Grace)
I need you to go to the office, get the personnel files.
GRACE
(terrified, furious)
You understand this is bullshit. You know that, right? You don't have to do this.
HARRY
(long beat)
Yeah I do. I don't trust anyone else.
76

OMITTED

source 79p.28
77

EXT. NEW MEXICO HIGHWAY -- PRE-DAWN

source 80p.28

A lonely ribbon of American road. A Harley detailed with leather and horns. And there's BEAR in the saddle. Charley Pride meets Shaft.

HARRY (V.O.)
Okay. Two five-man teams. I'm taking Bear, that's a gimme.

Bear glances at his rearview mirror. Shit, there's a COP CAR behind And then, ANOTHER.

BEAR
Come'n get me, bitch.

Bear tears off at a 100 m.p.h.

GRACE (V.O.)
There's Bennie Cobb, Clete Drummage, Ox...
78

INT. MISSION CONTROL - LOWER ROOM -- DAY

source 80Ap.28

Harry and Grace flip through STAMPER OIL PERSONNEL FILES. A team of FBI PERSONNEL listening to every word.

HARRY
I need more muscle. The best two fitters we got...between Monaco and Max...
79

INT. TATTOO PARLOR -- DAY

source 81p.28

MAX LENNERT. A big man. Plenty of room for all those tattoos. Could be an Allman Brothers roadie. Reading the Wall Street Journal sitting in a chair having a tattoo engraved on his massive arm. MOMMA walks in. She weighs 350lbs and is carrying a box of doughnuts. She looks at Max's new tattoo. It says: "LOVIN' MOMMA." Momma smiles.

MAX
Like it, Ma? Did you get me one of those yellow-jelly bear claws?
MOMMA
Maxie... I think you're in trouble with the law again...

FBI AGENTS walk in the door.

80

OMITTED

source 82p.28
81

EXT. NEW ORLEANS/FRENCH QUARTER -- EARLY MORNING

source 83p.28

Rockhound is drunk. So's THE BIMBO beside him. Drinking. He's got out his loupe, while holding her hand examining her diamond ring.

HARRY (V.O.)
Two geologists. The Hound. I need him for sure...
BIMBO
Isn't it easier if I take it off?
ROCKHOUND
Hey, don't rush me, we got plenty of time for that later. Just kidding. So what'd he tell you he spent on this, anyway?
BIMBO
It's over two carats.
ROCKHOUND
Yeah, well, size isn't everything. Although in my case it's something.
(is she smiling?)
Okay, so the ring... How should I put this? This diamond isn't...
BIMBO
It isn't two carats?
ROCKHOUND
It isn't a diamond.

Rockhound notices the TWO FBI AGENTS who stand over him.

ROCKHOUND
Are these your friends?
AGENTS
Sir, we have a national security matter.
HARRY (V.O.)
Second Geologist? Oscar's the man.
82

OMITTED

source 84p.29
83

EXT. GREAT AMERICAN SOUTH WEST PLAINS - SETTING SUN

source 85p.29

OSCAR CHOI, 32, goatee, galloping full tilt on a grey STALLION.

GRACE (V.O.)
Yeah, if they can find him...

There's two HELICOPTERS skimming the ground behind him.

GRACE (V.O.)
You'll need two engineers...
84

INT. LAS VEGAS - HORSESHOE CASINO -- MORNING

source 86p.29

Chick at a craps table. Losing. Grim. Taking the dice and --

HARRY (V.O.)
Chick obviously.

Snake eyes. TWO G-MEN watch Chick pull in a big pile of chips.

G-MAN
Mr. Charles Chapple?
CHICK
(suspicious)
Before I answer that, let me ask you this: has there ever been a situation where someone's been approached by two men in identical suits and it's been good news?
HARRY (V.O.)
Engineer number two.
85

EXT. BAR ALLEYWAY -- DAY

source 87p.30

FREDDY NOONAN, an Aussie, CHOKING some guy against the wall.

GRACE (V.O.)
How'd you leave it with Freddy Noonan?
HARRY (V.O.)
I paid the hospital bill, he paid for the holes in the wall.
NOONAN
The mates I collect for is a tough bunch. They would approve of me squeezin' the air out of your twig neck until I collect payment.

Noonan stops. GUY GASPS. TWO HUGE FEDERAL AGENTS stand there.

NOONAN
Morning, ladies. Can I buy you a drink?
WEASEL GUY
-- weasel punk, no brains foreigner --

Noonan reels around COLD COCKING the weasel, who drops flat.

86

EXT. NEW MEXICO - DIRT ROAD -- AFTERNOON

source 88p.30

NOW TEN SQUAD CARS...lights burning...SIRENS WHINING. A ROAD BLOCK. Three foot gap between cars...100mph...Bear blows through on his bike.

87

INT. MISSION CONTROL - LOWER ROOM -- CONTINUOUS

source 89p.30

Harry and Grace as they were -- finally getting to the inevitable.

GRACE
You'll still need another tool pusher, Everett's probably in Houston right now... how about Fredo? He's good.

Harry looks away. Is he going to say it first or will she?

GRACE
You don't want A.J., right? He's too reckless. He's cocky...dangerous. And fired, so....
HARRY
I need him.
GRACE
I thought you said you couldn't trust him.
HARRY
I thought you said I could.
(beat)
That drill's my design. No one knows her like me. Except A.J..

Grace struggles to come up with an argument...but can't.

88

EXT. OIL FIELD -- DUSK

source 90p.31

A.J. fixes his old 60's muscle car. A big wise-ass grin. Loving this.

A.J.
So what you're basically saying here -- lemme just get this straight -- is that there's a job Mr. Stud Harry Stamper can't handle by himself.

Harry stands there, letting A.J. love this... but hating it himself.

HARRY
Yeah... more or less.
A.J.
Well, I don't get it, is it... is it more or is it less?

Harry looks into A.J.'s eyes -- he could kill this kid. He could embrace him -- he chooses to do neither:

HARRY
You and I have a real problem.
A.J.
Harry -- there are five words I wanna hear. Right now. "A.J., I need you. Man" -- no, no: "A.J., you're the best... ever." How about four words: "A.J.? I love you".
HARRY
I'm not here to boost your ego. You should know there's not a job on this planet I'd want you to work on. I mean that.

A.J.'s quieted... intrigued... and because he can sense it... afraid.

A.J.
So... what are you doing here?
89

EXT. MISSION CONTROL BUILDING -- DAY

source 91p.31

The DRILLERS walk in with military ESCORTS laughing and joking with no idea what's up. They greet Harry and Truman.

CHICK
You better tell me what's goin' on, 'cause I just got pulled off my first winning streak in six years. So am I pissed? Oh yeah.
BEAR
What's up, Harry? NASA found oil on Uranus?

The guys LAUGH -- except Harry...

90

INT. MISSION CONTROL - GLASS ROOM -- NIGHT

source 92p.32

FACES in the dark: stunned, blank, incredulous, fascinated, terrified faces. MAX, OSCAR, NOONAN, CHICK, ROCKHOUND, BEAR, and A.J. sitting there; the lights come up. Dead silence.

TRUMAN
So there it is. Any questions?
MAX
Yeah. You sure you got the right guys?
HARRY
I need to talk to 'em. Alone.

Truman ushering NASA PEOPLE out the door. The guys alone now. SHOCKED. OSCAR starts to smile.

NOONAN
Surprise, right? This is a joke, it's someone's birthday. Please, was anyone here born today?!
HARRY
Yeah, this is the craziest shit I ever heard of too. And if we choose not to go... we're just sitting around waiting for some goddamn rock to kill everything we know. So I'm going. But not one of you need to prove how tough they are. I've seen you do stuff that would make Neil Armstrong piss his spacesuit. So if you don't think you can make it all the way, I need to know who's in. Who's out, right now?

Silence. And then, breaking the ice:

CHICK
20 years, haven't turned you down once. Not about to start now. I'm there.

Harry smiles at this.

NOONAN
Space? I don't know, man...
BEAR
This whole thing's a little too scary, isn't it?
OSCAR
This is just Goddamn historic. Hell yes, I'm in.
ROCKHOUND
I don't mean to be the materialistic bastard of the group, but do you think we can get some hazard pay outta this??
91

INT. MISSION CONTROL -- MINUTES LATER

source 93p.33

Truman, Kimsey and a GROUP OF NASA FOLKS stand around waiting. Staring at the door.

TRUMAN
(skimming their files--)
This guy Chick's got some experience. Air Force Commando for six years, reached the rank of Colonel...
KIMSEY
(skimming their files--)
All I see here's robbery, assault, arrest, resisting arrest, organized crime affiliation, lewd and salacious conduct in a telephone booth, few of these guys have done serious time.
(looking to Truman)
This reads like a big mistake.

They share a look. The door opens. Harry out first. The Guys behind him. Are they in or out? Unreadable.

TRUMAN
What's the verdict?
HARRY
They'll do it. But they've got a few requests.
TRUMAN
Such as?

Harry has a list. Unfolding it. And unfolding it. Kimsey is enraged - - about to berate them, but Truman silences Kimsey with a look.

HARRY
There's a lot here... they mostly involve things like, uh...
(reading the list)
Oscar here's got some outstanding parking tickets. Wants 'em wiped off his record.
OSCAR
Hundred and three tickets in 7 states.
TRUMAN
(looks to Kimsey, then)
Uh... yeah... all right...
HARRY
Noonan's got two women friends he'd like to see made American citizens, no questions asked. Chick wants a week Emperor Package at Caesar's Palace. That kind of stuff.

Harry hands Truman the long list... Truman reads it, a little taken aback, but in no position to argue.

TRUMAN
These, uh... huh. I guess we can deal with these...

We see Rockhound's mind racing. He CLEARS HIS THROAT -- gets Harry's attention. Harry moves to the guys. They huddle. Harry then walks back to Truman.

HARRY
And they don't want to pay taxes again. Ever.

Off Truman and Kimsey's reaction -- Kimsey turns and walks off.

92

INT. NASA MISSION CONTROL ASTEROID MONITORING HUB

source 93Ap.34

EIGHT NASA GEO TECHS working around the clock to map and monitor the asteroid. Monitors with 3-D mapping. Chemical spectroscopy. Truman is here -- like a General prepping for battle.

TRUMAN
Tell me everything you know about our enemy.
93

INT. NASA MEDICAL EXAMINATION CLINIC -- LATER

source 94p.34

A ROW OF CUBICLES. Nurses everywhere. The guys with their tattoos don't look like NASA fit specimens. BEAR, they're drawing blood. NOONAN, mouth open. OSCAR, they're testing his reflexes. Rockhound, Chick, Harry, A.J. - all running on treadmills attached to EKG's... dripping sweat. Rockhound sits down half dead.

TRUMAN (V.O.)
Over the next twelve days you men will be subjected to a battery of physical, mental, training exercises for 20 hours a day Preparing you to survive space travel....
94

source 95Ap.34

Chick and Oscar, naked beneath their NASA smocks, waiting. The door opens and Noonan comes hobbling out, his posterior is killing him.

CHICK
Jesus. You okay, Freddy?
NOONAN
Yeah, I'm fine. Except for my entire ass.

Head Nurse HELGA stands before Chick with RUBBER GLOVES, an ENEMA PROBE, and a jar of Vaseline.

HELGA THE NURSE
Mr. Chapple, you're next!
CHICK
Look lady, I just came here to drill.
NOONAN
Yeah, well so did she.
95

source 96Ap.35

Harry and A.J. sit facing each other, shirtless, on exam tables. Each has a HYPER-NERDLING NASA DOCTOR attaching the cuff of the sphygmomanometer to gauge their blood-pressure. Both men watch these LOUD-BREATHING GEEKS with discomfort.

A.J.
You know, Harry, I was thinking...and I think you're right.
(ultra sarcastic)
I think Grace would be much better off with a doctor. Or a scientist. Don't you?

A.J. nods, mock-seriously. Harry just stares at him. Hating him.

96

OMITTED

source 97-100p.35
97

INT. PSYCHOLOGICAL TESTING ROOM

source 100A-Dp.35

OUR TEAM is interviewed by a SHRINK in an all white small room.

CHICK
I get off the job. Find a hotel. Cash my check. Gamble till it hurts. Then back to work. Some people might think that's sad. But I say... yeah, I guess it is sad...
NOONAN
I don't try to get into fights, fights come to me. I'm like flypaper, but for fights. I'm fightpaper. Does that make any sense?
MAX
-- my favorite dish is haggis. It's all the parts of the sheep you'd normally throw away -- heart, lungs, liver, you shove it into the sheep's stomach with oats and onions, then you boil it. Little sour cream, Tabasco, that's the best.
HARRY
My first sexual memory? ... what kind of mission is this?
ROCKHOUND
What? You want to compare brain pans?
(blinding speed)
I won the Westinghouse prize when I was twelve. Big deal. Published at nineteen.
ROCKHOUND (cont'd)
So what. I got a double doctorate from M.I.T. at twenty-two. Chemistry and Geology. I taught at the Princeton Institute for two and half years -- so why do I do this, right? This incredibly pedestrian application of my academic credentials, what happened to me, right? Why do I do this? Because the money's good, the scenery changes, and they let me use explosives. Okay?
98

OMITTED

source A101p.36
99

INT. NASA MEDICAL FACILITY -- NIGHT

source 101p.36

Big, late-night meeting. Truman, Kimsey, Quincy, Harry, some NASA STAFFERS and all the NASA DOCTORS.

DR. BANKS
...Failed, failed, impressively failed... one toxicology analysis revealed Ketamine. That's a very powerful sedative.
HARRY
Doctor, sedatives are used all the time.
DR. BANKS
Yeah, well this one's used on horses.
(beat)
We normally have 18 months to psychologically prepare pre-screened, viable subjects for space travel. In a few days we've seen evidence of a wide variety of inappropriate anti-social behaviors, and territorial aggression.
TRUMAN
Can they physically survive the trip? That's all we need to know.
DR. BANKS
Personally, I don't know how they survived the tests.

Dr. Banks stamps a BIG RED "APPROVED" sticker on the guys' files -- over a small black "FAILED" stamp...

100

OMITTED

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101

OMITTED

source 102p.36
102

INT. NASA HALLWAY -- DAY

source 102Ap.36

OUR GUYS -- the whole motley crew -- heads down an antiseptic NASA corridor in SLOW-MOTION. At the other end, COLONEL SHARP -- a hardened military and aeronautic veteran -- stands with Truman and Clark, staring at the rag-tag team, deadpan.

SHARP
Sir, you're telling me my wife and little girl's lives are in their hands?
TRUMAN
Colonel Sharp, unless you know how to drill, your orders are to train them, land them on that rock and let 'em do their thing. And by the way... I've got a family myself.
103

INT. NASA LOCATION -- DAY

source 102Bp.37

A table piled high with BOOKS and FILES. OUR GUYS standing watching as SHARP walks forward slinging some books off the desk.

SHARP
Safety training. Irrelevant. Emergency training, no point. Repair, rescue, forget it. If we fail. If we screw up. Everyone dies. Good morning.
(looks hard at his class)
United States astronauts train for 18 months. You have twelve days. In addition to flying one of the X-71 teams to that rock, my job's to train you how deal with the mental and physical rigors of working in space so you don't freak out on the asteroid. Any intelligent questions before we get started?
BEAR
Yeah, wow do you take a dump in space?

Chick raises his hand.

CHICK
What's an X-71?
BEAR
I'm serious.
104

EXT.INT. NASA V.A.B. BUILDING -- DAY

source A103p.37

The giant hangar doors open as the guys -- along with Truman, Sharp and Grace -- our guys' faces dropping when they see the truly awesome sight -- THE X-71 SPACE SHUTTLE. Impossibly huge, impossibly advanced. Dozens of WORKERS up on scaffolding, ladders and platforms.

TRUMAN
You're the first civilians to ever see her. Top secret joint-venture with the Air Force...she and her sister ship at Vandenberg will leave tomorrow for launch prep in Florida...but I thought you should have a look.

Dumbstruck expressions as they follow TRUMAN. Kimsey standing here with a GROUP OF UNIFORMED spit-polish, TEST PILOTS.

TRUMAN
Colonel Davis is the ranking officer along with NASA pilot Tucker.
TRUMAN (cont'd)
Colonel Sharp'll be flying the Shuttle Freedom along with NASA pilot Watts...

The pilots give a wave down from on high.

QUINCY (V.O.)
Once you land on the asteroid, you'll use the our very special drill unit. We call it the Monster Armadillo....
105

OMITTED

source 103p.38
106

INT. ARMADILLO ANACHOIC HANGER-- LATER

source 104p.38

Harry, Grace and the Guys watch a HUGE PLASTIC SHEET being raised. TWO ARMADILLOS. This is not the old lunar golf-cart from Apollo days. Larger. Lower. Much, much cooler. THE DRILL ARM has been mounted.

TRUMAN
Fourth generation surface rover. Joint venture with BMW. Pressurized titanium alloy airlocked cab. Able to climb an 80 degree incline. Six-cell solar engine. It'll turn 800 turbo horses in near-zero gravity.
HARRY
BMW...Can we take a look?
107

source 105p.38

TIME CUT: METAL PIECES COME CLANKING to Quincy's feet. Thrown from the airlock. OUR GUYS VS. THE ARMADILLO. Under. Over. Inside and out.

HARRY
Grace, we need half-a-dozen full package, 980 Mack truck transmissions.

Grace with a clipboard, scribbling away, and --

HARRY (V.O.)
A.J.! I want you to check into some high-load, wastegate diaphragms and a couple nine-tooth, T5 drive gears.

-- METAL STILL FLYING.

CHICK
Make sure we get stall ratings 1500 under peak -- and some Hurst five-speed short throw shifters.
HARRY
(listening to someone inside)
Eight diesel, dual-pump point tachs.
(more chatter from below--)
Two rolls of Kevlar header wrap. Box of nine-inch graphite U-joints.
(and again)
Eight buckets of fried chicken.

Quincy is dying here -- his men standing around getting pale....

SHARP (V.O.)
In eleven days you'll begin a mission during which you'll experience the worst G-Forces in the history of flight.
108

source 111p.39

SMASH CUT: HORRIFYING IMAGES of flight -- A T-38 SCREAMING SKYWARD -- Bear in the back -- crammed in there. ROCKHOUND eyes bugging. Harry about to blow. WE HEAR the voice of CHUCK JR., a tough Vietnam Vet.

HARRY
Goddamn chicken....
CHUCK JR.
I will suck your eyes to the back of your heads, flip you, spin you, splat your bodies till' your bones hurt -- and when you squeal, I'll just do it faster and harder!

A.J. holds on for dear life and there's OSCAR -- except he's loving it.

CHUCK JR.
Your space flight's gonna be a brutal assault on your senses! I'm gonna give you a taste of that!

Harry wobbles out of the plane and kisses the ground.

109

OMITTED

source 111Ap.39
110

OMITTED

source 112p.39
111

OMITTED

source 112Ap.39
112

INT. NEUTRAL BUOYANCY TANK -- DAY

source 112Bp.39

Harry and Roughnecks underwater lined up. They look like Michelin Men. in weightless aerobic training. THEN WE HEAR a loud FART from Bear.

BEAR
(unembarrassed)
Yo, I got a wicked-ass methane leak!

The Roughnecks laugh -- the NASA guys don't.

113

EXT. SPACE

source 112Cp.39

There's Earth -- beautiful, blue earth. Then a rock passes over the camera toward our home. Then another, then a CLUSTER, that form the pathetic entourage for. ..THE REAL ASTEROID. This huge be-cragged, black, grey, white, horrific thing comes rumbling over the camera. It keeps coming over the camera, doesn't end because IT'S HUGE.

114

INT. MISSION CONTROL ASTEROID MONITORING HUB

source 112Dp.39

Truman, Rockhound, Oscar and Grace study printouts of the asteroid surface.

ROCKHOUND
Based on the thermographic imaging, Segment 201, Lateral Grid Six, site 12J14 -- that's one prime landing site. Site 12G17's another.

Clark moves to Truman, speaks to him quietly:

CLARK
There's a problem. The shuttle engines might not fire. We might not even be able to get them off the ground.
TRUMAN
(beat, calm but intense)
Well look. When you get the problem fixed? Tomorrow? Then it won't be a problem anymore.
115

INT. ARMADILLO ANACHOIC HANGER -- MORNING

source 112Ep.40

The guys are all over attacking and welding the metal beast. Mack trucks are lined up, trannies being dropped. The Armadillo is looking meaner and tougher as it's retrofitted for this special mission.

116

OMITTED

source 113p.40
117

OMITTED

source 114A-Kp.40
118

EXT. JOHNSON RUNWAY TARMAC -- DAY

source 115p.40

Sharp standing on the stairway of a NASA BOEING 707. As our guys board the plane -- for the first time we notice the COLOR CODING that will continue throughout: on their outfits, the players have RED or BLUE markings, breaking them into two teams. Blue: Harry, Rockhound, Chick and Max. Red: A.J., Bear, Oscar and Noonan.

SHARP
Hope you Mission Specialists had a nice relaxing lunch. Welcome to the Vomit Comet. Eight days from today you'll feel it for real...so today we're gonna fly this bird to 40 thousand feet and drop to 10 thousand in 30 seconds for weightless training.
119

INT. VOMIT COMET -- DAY

source 116p.40

The plane drops. The Roughnecks lift off: Zero gravity. Harry and our guys FLOATING AROUND. Then -- the BUZZER goes off and the guys splat to the ground.

120

OMITTED

source 117p.40
121

INT. NASA - MEN'S ROOM

source 117Ap.40

All the guys are in stalls, throwing up. Harry and Rockhound are at the sinks -- Harry getting sick in one -- Rockhound, a guy with a troubling secret, gagging but not vomiting, stands beside him.

ROCKHOUND
I was talking to this hotty in the metabolic secretions department? I'm working her, all right? So don't repeat this, this is a secret.
(gags a little)
Basically, the closer this rock gets the more they're learning and the less they're liking -- I'm talking about gas volcanos and ice storms and clouds of fog and seismic crap and rock slides and shit I can't even bring myself to say--
(hears others throwing up)
ROCKHOUND (cont'd)
You got more reason to blow yesterday's lunch than you think.
(back to Harry, gags again)
Not only are we landing on a psycho bitch of an asteroid -- that's not the secret. The secret is those shuttles that they've never flown. They've done 400 flight simulations, right? Take a freakin' guess how many of those sim-launches worked?
HARRY
Just tell me it's more than once.
ROCKHOUND
Did she tell you that? Once. Bingo. You win the shit-prize: you get to come with me.
122

INT. ARMADILLO COCKPIT/EXT. DRY LAKE BED -- DAY

source 117Bp.41

The Armadillo sits on a dry lake bed outside of Houston. Inside, HARRY's at the wheel, A.J. rides shotgun. MUCHO TENSION between them. QUINCY is their INSTRUCTOR.

QUINCY
Now I'll ask you to lock the brakes.

Harry hits the five switches to activate the BRAKE LOCK.

QUINCY (CONT'D)
Good. Now I'll ask you to reverse thrusters -- safety's on...

A.J. begins the thrust procedure. As he does this:

A.J.
Can I ask you something?
QUINCY
Good. Now I'll ask you to engage the pincers.
HARRY
If the word "Grace", "daughter", "love", "dating", or "Harry please" are about to come out of your mouth, I don't want to hear it.

Harry yanks the throttle --

QUINCY
Wait-- don't--

Suddenly the Armadillo RUMBLES -- GIANT GROUNDING PINCERS swing wide and SLAM into the concrete floor! Harry and A.J. are thrown hard against the cockpit wall! QUINCY hits his head hard --

QUINCY
Well that's... why we wear seat belts.
123

INT. NASA'S OLD MISSION CONTROL -- NIGHT

source 117Cp.42

Oscar sits at the out-of-service control console. Wears an ancient headset. Speaks quietly, dramatically...

OSCAR
Apollo, this is Houston. Engage landing gear booster rockets, over.
(does static sound)
Apollo, we do not copy, repeat, do not copy, over.

Harry enters the room, watches Oscar play for a moment. Then:

HARRY (V.O.)
Hey--

Oscar jumps, startled -- really embarrassed --

OSCAR
I was just here. Feeling the history, you know? Taking it in.
HARRY
You seen Grace?
OSCAR
Yeah, she was with A.J. in that hangar, you know those huge rock-- oh, wait, Grace? No. No, that wasn't her. That was, uh...

But Harry's gone before he can finish -- Oscar winces.

124

INT. SATURN-5 HANGAR -- NIGHT

source 117Ep.42

CLOSE ON A.J. and Grace kissing. We PULL BACK TO REVEAL that they're in a GIANT ROCKET ENGINE. Suddenly a VOICE:

HARRY (V.O.)
Hey guys.

Startled, the couple looks down on Harry, who stands there, Chick behind him. Harry is calm, assured.

HARRY (cont'd)
You do whatever you want right now. But in two weeks? When we get back? I'm gonna deal with this. My way. You two are through.
GRACE
Harry, grow up.
HARRY
(to A.J.)
And you? We're through.
CHICK
Harry...
HARRY
Goodnight.

Harry walks off, Chick follows. Grace and A.J. watch him go.

125

INT. ORBITAL PROCESSING -- NIGHT

source 117Ep.43

Harry walks under the belly of an old Space Shuttle, heading back to the barracks, Chick trying to keep up.

CHICK
So after we save the world will Grace be grounded?
HARRY
Get out of my face.
CHICK
Can I tell you something about your "little girl"? Your sweet little daughter? She's a babe. Okay?
HARRY
I know who and what my daughter is -- I'm not as dumb as I look. You should know that about me.
CHICK
We all helped raise her, Harry. Yeah, my biggest contribution was teaching her dirty jokes... but she's old enough to vote now. And drink and get married and get divorced and you know... whenever, whatever she wants... if she wants.
HARRY
Look at your life. Really think about it. Think about Bear. Oscar... Noonan... me. What do we do? We're scavengers. Live in shacks floating in the middle of the ocean, never on land for more than an eight week stretch, covered in filth for most of it... it's dangerous, it's lonely...
(beat)
Grace... is all I've got. She's better than us. Understand?
CHICK
In six days we're going into space. This isn't another job in the South China Sea. Now Rockhound's right. We've got about zero odds of surviving this. You know that. So here's a piece of un-asked-for advice: figure it all out with your "little girl". You know? Just in case.
126

INT. JOHNSON VACUUM CHAMBER - MORNING

source 118p.44

OUR EIGHT GUYS IN STATE OF THE ART SPACE SUITS. Tough-ass NASA PILOT JENNIFER WATTS stands up front giving a lesson. But Bear, Oscar and Noonan are talking, clearly something about Watts.

WATTS
In addition to the E.M.U., we'll be wearing D.A.T.'s, Directional Accelerant Thrusters--
(directly to Bear)
Hey, Listen up, or you're gonna die up there! In limited gravity this unit saves your life -- it keeps you stuck to the ground! Which means if I were to kick you in the balls and you weren't wearing it, you'd do what?!
BEAR
(quiet -- now nervous)
... Float away?

Rockhound raises his hand. Watts calls on him.

ROCKHOUND
When do we start training for that?

Watts hits a button -- the massive 40-ton door begins closing.

WATTS
Get your helmets on. 'Cause all the oxygen's gonna be sucked out of this vacuum in 18 seconds. Just like in space.

They fumble for their helmets as the door slams shut -- BLACKNESS.

127

EXT. SPACE

source 118Ap.44

Out of blackness, the asteroid -- mankind's horrifying enemy -- ROARS toward us... many "satellite" rocks surround it --

128

INT. MISSION CONTROL ASTEROID MONITORING HUB

source 119p.44

The TECHS doing their thing -- Truman close, with a female GEO TECH #1.

TRUMAN
I don't need anymore bad news.
GEO TECH #1
She's starting to show her personality. The atmosphere's brutal -- severe wind storms peaking at 130 miles an hour, sir.
TRUMAN
(grim)
So... give me some good news. Please.
GEO TECH #1
My son's three today.
129

OMITTED

source 120p.45
130

INT. THE WORLD'S LARGEST WIND TUNNEL -- DAY

source 121p.45

SIX STORIES OF THE MOST ENORMOUS WIND TUNNEL FANS IN THE WORLD at one end. EIGHT DWARFED FIGURES -- our guys -- in SPACESUITS at the other.

ROCKHOUND
Harry. What are you thinking?
HARRY
(grim eyes on fan)
That as bad as it gets down here... up there... they don't have an off switch.

The BLADES turn -- in SECONDS the guys are BLOWN OUT OF FRAME.

131

OMITTED

source 122p.45
132

OMITTED

source 122A-Bp.45
133

source 122Cp.45

WE PUSH IN ON THE CLOCK: TIME TO GLOBAL IMPACT -- 6 DAYS - 174:12:18:028

134

INT. NASA O&C BUILDING - DAY

source 122Dp.45

The Armadillo is hanging from a huge crane, Harry watches beside A.J.

HARRY
What the hell are those?
A.J.
They say they're debris elimination units, or D.E.U.'s, but I call them big-ass cannons. Or B.A.C.'s.

Harry's face registers concern -- Gruber and Tucker walk away.

135

OMITTED

source 123p.45
136

INT. MISSION CONTROL -- DAY

source 123Ap.45

Truman stands before the entire group, ROUGHNECKS and NASA, giving an overview. Truman is using crude models hanging from strings.

TRUMAN
Our only launch window for us to meet up with the asteroid is Tuesday. You will launch into orbit and dock at the Russian Space Station for refueling. From there, a two and a half-day trip to the Moon.

Truman walks amongst the spheres.

TRUMAN (cont'd)
As you slingshot around the moon to speeds greater 22,000 miles an hour, the lunar gravity will clear away the debris from the tail of the asteroid. You should emerge right here.
(demonstrates)
Inside the asteroid's tail, going 150 miles an hour faster than the asteroid. Then you'll set the shuttle down at the pre-determined sites.
OSCAR
Let's say for a second we actually land on the thing... what's it like?
TRUMAN
Jagged. Unstable. There's rock, there's ice. 200 degrees in sunlight, minus 200 in shade. Brutal winds, seismic instability, gas eruptions. Unsteady rotation might suddenly change the gravitational conditions...
OSCAR
Oh, so the scariest environment imaginable. Thanks. All you had to say was "scariest environment imaginable."

Truman moves to a monitor, hits his remote computer control -- the CG images display what he's describing.

TRUMAN
You land, you drill, you drop the nuke, you leave. If all goes well, we'll detonate the bomb before the asteroid passes this plane: Zero Barrier. That'll deflect the remaining pieces enough for them to slide right by us.

The display shows two giant asteroid halves just missing the earth.

TRUMAN (cont'd)
If the astroid passes Zero Barrier and the bomb hasn't exploded... the game's over.

They all watch in dread as the monitor displays the bomb discharging past Zero Barrier -- and the two pieces both hitting the earth.

HARRY
We'll only have eight hours once we land. That's 45 minutes to set up, 6 and a half hours drill time -- we're gonna need a hole 800 feet deep, that's 125 feet an hour. Then 45 minutes to drop the nuke and take off.
(eyes on Truman)
We'll report our progress as we go.

Harry indicates a monitor with two BAR GRAPHS -- one marked TIME TO ZERO BARRIER the other marked DEPTH.

HARRY (cont'd)
Time to Zero Barrier and Depth. If this gauge runs out first, we don't have a hole. I'd say we can go home, but we won't have that either. Now I want the red team to suit up: A.J., Bear, Oscar, Noonan, let's go.
137

EXT. DRY LAKE BED (EDWARDS) - DUSK

source 123Bp.47

CLOSE-UPS of Harry's incredible drill design mounted on the ARMADILLO. Over these shots we HEAR and we SEE guys demonstrate movements.

HARRY (V.O.)
Each shuttle can only carry the weight of one replacement tranny and five drill bits per vehicle. Those get chewed up, we're shut down. We're here because of our experience and ability -- but these are limits we're not used to. So up there we're by the book the whole way. There's no room for hot-dogging, showing off, going with instinct or trying to be a hero.
(to A.J.)
You got that? We stay inside the envelope at all times. Let's hit the tank.
138

INT./EXT. NEUTRAL BUOYANCY TANK --

source 124A-Gp.47

MONTAGE SHOTS of the RED TEAM in the water tank, fully suited -- moving quick to adjust the mock-up drill arm -- Harry is in monitoring room, STOPWATCH in hand --

HARRY
All right, we're going for a bit change! Bear, clamp it down! Okay, move it! You guys gotta do this faster up there! Load the pipe, Oscar! A.J., let's up the torque!

TIME CUTS of A.J. operating the drill -- of the COUNTDOWN -- of their DRIFT STANDARD DISPLAYS -- a CG SIMULATION of DEPTH and TRANNY RPM's. TRUMAN is watching -- GLOVED HANDS pulling cable -- CLAMPING PIPE -- BEAR'S FACE through the helmet straining and sweating as he tries to keep up with the pipe replacement --

BEAR
A.J., slow it down, man!
A.J.
She can handle this, can you? I'm takin' her up!
HARRY (CONT'D)
A.J., you're at 600 feet, your pipe is long, so pull her back to 8,000 rpm's!
A.J.
We don't have time for 8,000!
HARRY
Take her back or you'll snap the pipe or blow the tranny!
A.J.
Come on, guys, keep it up! We're the younger team! I'm going to 11,000! Bear, give the turbine more O2!

The unit's shaking -- the tension rising --

BEAR
Harry, you listening to this?!
A.J.
(mimicking Bear)
Harry, you listening to this?! Bear, up there, you listen to me!
HARRY
A.J., you're gonna blow the tranny! Back off now!
A.J.
More O2 Bear! I'm throttling up! You're on my team now! This is how it's gonna be!

A.J.'s meters JUMP -- the computer alarm SOUNDS with a BLOWN TRANNY.

HARRY
All right, get him out! Pull him up!

Outside of the tank, the exercise is halted as A.J. is pulled from the water -- Harry grabs him -- slams him against the wall -- Chick comes to break it up -- Harry pushes him back -- it's tense as all hell --

HARRY
"Your team"? "Your team" just blew the transmission.
A.J.
That NASA wimp computer's wrong. Your machine -- the real thing -- she can take it.
HARRY
Well that Goddamn rock is no place to find out. You pull that crap up there, you're dead -- the crew's dead -- everyone you can think of. I want you to go back in there and do it my way, no fight, no ego, no questions asked.

MONTAGE -- CLICK -- STOPWATCH -- A.J. works the drill -- we see the fruits of Harry's wisdom: the CG MONITOR shows the drilling at 8,000 RPM's hitting 800 feet. It's worked. Truman moves to Harry --

TRUMAN
If you want to replace a member of the crew, now is the time.
HARRY
I'm making a change in the schedule. My guys, they get tomorrow night off.
TRUMAN
What do you mean, off?
HARRY
I mean out of here. One night. Ten hours. Then we go to Florida.
TRUMAN
Harry, I can't do that. There's too much at stake. What if they get hurt? What if they talk?
HARRY
What if they're too burned out to do the right thing? What if they're so tense they snap? What if they forget what they're fighting for? I've been running crews a long time. You want their best, you gotta let em blow. They need it. I need it. Besides, I'm not asking, I'm telling.
139

EXT. JOHNSON SPACE CENTER FRONT GATE-- DAY

source 131Ap.49

The NASA SECURITY GATES open -- and our guys are being driven -- all in their own chauffeured car -- away from the premises...

140

OMITTED

source 132p.49
141

INT. LOAN SHARK LOCATION -- SUNDOWN

source 133p.49

A CASH COUNTER whipping through bills. Done. LOAN SHARK picks up the last pile puts it on the table.

LOAN SHARK
(very skeptical)
You sure you don't want to check it?

ROCKHOUND stuffs the cash into a paper bag.

ROCKHOUND
Nah, looks like a 100 grand to me.
LOAN SHARK
Sixty-percent interest. No excuses, no extensions, you understand that? Or some of your fingers are gonna be mine.
ROCKHOUND
Yadda yadda yadda, you know where to find me, yeah, I got it.
LOAN SHARK
You're not...sick. Are you? Dying and shit?
ROCKHOUND
Let's just say no more than you are.
142

OMITTED

source 134p.49
143

INT. HARRY'S HOUSE/HIS OFFICE -- SUNDOWN

source 135p.49

Photographs. Mementos. Trophies. Pieces of old equipment. A shrine to drilling. Memories. Harry looks around -- and then he finds PHOTOS OF GRACE -- as a little girl...looking in these pictures the way he sees her always.

Then he grabs the BIBLE from a desk drawer -- and takes an old photo of him as a kid and his DAD covered in oil next to the old Airstream. Harry smiles at the photo, puts it in the Bible...takes it.

144

INT. THE COTTAGE -- SUNDOWN

source 136p.50

A NURSE just inside. Harry gets a kiss.

HARRY
How is he?
NURSE
He's having a good day.

Sitting there: HOLLIS STAMPER. They call him "GRAP." He's ancient and tough, and a little senile.

HARRY
How's it hanging, Grap? They treating you all right?
GRAP
They underestimate me, Harry. They don't know like we know. I'm ready to work, damnit. Boots and gloves, I'm all packed up. New boots right over there. I'm ready to work -- will you talk to 'em?
HARRY
I'll talk to 'em, Grap.
GRAP
Talk to 'em -- tell em how we are, what kinda people we are. You go tell that doctor, I'm Hollis Vernon Stamper and I didn't get where I am by doing things partway.
(hopeful now)
Got some big jobs coming up?
HARRY
Seems that way.

Then Harry looks at Grap -- who's looking at him deeply. It's a moment of clarity for Grap. Harry smiles.

HARRY (CONT'D)
What is it?
GRAP
It funny... when I think of you... you're always just a little kid... but Christ, you're old...
HARRY
(thoughtfully smiles)
I love you, Grap.
GRAP
You what? What kind of shit is that?
145

EXT. NASA AIRFIELD - SETTING SUN

source 136Ap.51

Grace holds on to A.J. as he rides a Ducati motorcycle-- pushing the machine to its limits -- Grace laughing -- screaming as he guns it...

146

EXT. A SMALL HOUSTON HOUSE -- SUNDOWN

source 137p.51

Not the greatest. House next to an oil process plant. A woman looks through the screen door, her name DENISE. Chick stands outside.

DENISE
Jesus, you scared me.
CHICK
Sorry. I was just...

She's come down toward him now. Nervous.

DENISE
What? You need money, right?
CHICK
No. Thanks. Really. I'm flush.
(eyes past her)
He got big.

SIX-YEAR-OLD TOMMY peering down through the screen door.

DENISE
You can't come around like this.
CHICK
I know.
TOMMY
Ma?
DENISE
Get back in the house!
CHICK
I guess I'll see you later, Denise...
(backing away)
Look, I'm sorry too. About everything. You did the best you could. I got something coming up... you know you might just be proud of me.

THE BOY, at the door, watching Chick walk away.

147

INT. KITCHEN -- NIGHT

source 138p.51

MOMMA working a busy stove, eight pots of supper going. Max at the table. Eating like there's no tomorrow. 'Cause there might not be.

MAX
Hey Mamma, when I was a kid, you ever dream of me growing up and being an astronaut?
MOM
Nah. Never could see you eatin' that freeze-dried crap and drinkin' Tang. Shit.
148

OMITTED

source 139p.52
149

INT. CHURCH CONFESSIONAL -- NIGHT

source 140p.52

Oscar on his knees. Blessed by a PRIEST.

150

INT. THE ALAMO STRIP CLUB -- NIGHT

source 141p.52

Huge joint. MUSIC BLASTING. STRIPPERS all seem to be congregating in one part of the room. In fact, here come some more STRIPPERS running from the dressing room; all of them heading for --

THE VIP Section. Champagne everywhere. Rockhound and Noonan stuffing hundred dollar bills anywhere they want. OTHER CUSTOMERS getting jealous and pissed -- Rockhound buried in chest flesh.

MOLLY MOUNDS
What brings you to the Alamo?
ROCKHOUND
Little astronaut training.
(shakes her hand)
Hound, mission specialist.
HUGE CUSTOMER
Hey, who the hell do you guys think you are? You're hogging all the action.
NOONAN
Hey pinhead. Go find your own party.

Here comes an even BIGGER GUY. Call him BIKER.

BIKER CUSTOMER
Why don't you spread the wealth, pal?
ROCKHOUND
(tossing him a bill)
Here. Go out and buy yourself a neck.

That cuts it. It's a brawl. Noonan loving it...swings a bottle. Rockhound hiding behind SOME STRIPPERS as all hell breaks loose.

151

EXT. HOUSTON, TEXAS LOCATION/TBA -- EVENING

source 142p.52

Harry walks down a busy street, looking at all the people: families, kids, old folks, all laughing and talking, living their lives oblivious to the danger that awaits. Harry really feeling the responsibility. The pressure.

152

EXT. THE ALAMO STRIP CLUB ALLEY -- NIGHT

source 143p.53

THREE HOUSTON SQUAD CARS angled outside. Brawl aftermath. Bloody noses. Torn shirts. Rockhound and Noonan standing there with TEN OTHER GUYS, everyone with their hands up against the wall as the COPS try it out.

ROCKHOUND
I'm telling you, call NASA. They'll confirm it.
BIKER CUSTOMER
Yeah. We're all astronauts, Officer.

A COP roughs up the skinny Rockhound.

ROCKHOUND
Pal, you are so messing with national security right now.
153

INT. NASA - OLD MISSION CONTROL -- NIGHT

source 144p.53

Harry sitting thinking. Outside, NASA PEOPLE running urgently to some emergency.

HARRY
Hey. What's going on?
NASA TECH #2
Space command spotted more incoming.
154

INT. MISSION CONTROL -- MINUTES LATER

source 145p.53

The room is on. Mad scramble. Lights and PHONES and everything running and Truman at the middle of it all. Harry just walked in.

TRUMAN
Somebody give me a projected impact!
NASA TECH #1
East Asia. Eleven minutes...
CLARK
We've got to warn...
TRUMAN
Warn who? The whole South Pacific?
155

EXT. SHANGHAI - ESTABLISHING -- NIGHT

source 146p.53

Huge city. Neon blazing. The busy harbor alive with floating Junk's. A SONIC BOOM CRACKS THE SKY. HUGE FLASH. Night becomes day for two seconds. The world slows down, motion creeps. The face of a terrified LITTLE BOY reaching for his FATHER'S HAND. THE ASTEROID SHRIEKS down --

STRIKING -- so hard -- so fast -- a million gallons of seawater FLASH- BOILED instantly. The Junks rip apart like kindling.

156

INT. MISSION CONTROL -- MOMENTS LATER

source 147p.54

The room is quiet now. Somber. Truman looks wiped. Sees Harry -- moves to him.

TRUMAN
Do me a favor and tell me you've never let anyone down.
HARRY
Well...
TRUMAN
Christ, just lie to me, all right?
HARRY
I've never quit. How's that?

Their eyes meet for a moment. Truman almost smiles.

TRUMAN
You know I still remember the first, middle and last name of every man who qualified for the astronaut program my first year here. 22 years later. It was much different then. Less about bureaucracy and paperwork and politics... more about just doing the job right. That was the year we sent up the Viking lander. I joined the engineering program... even though all I wanted was to go up. Be one of the guys with the mission patches on his arm, ya know?
(beat)
Turns out every one of those men dropped out of the Administration years ago. But here I am.
(sighs)
I'd be on that shuttle with you, Harry. If I could.
HARRY
You don't want to go up any more than I do.
(beat)
You're afraid... 'cause you don't really know what we're up against.
TRUMAN
No. I'm afraid... because I think I do.
157

EXT. NASA AIRFIELD (KENNEDY) -- DAWN

source 148p.54

TWO NASA LEAR JETS parked on the runway. The guys walk with duffel bags on their shoulders. Chick snaps off a crisp salute to Davis as he climbs into the plane. Max right behind him. Noonan and Rockhound hanging very, very low this morning. Every footstep a major achievement. Grace and A.J. walk together. Harry stands there, watching, still disapproving. Truman walks up to Harry.

TRUMAN
Local reporter picked up our radio traffic. Now a French satellite's found the thing. So I have a few thousand calls to make.
HARRY
So this is goodbye.
TRUMAN
(shaking hands)
I hope not.
158

INT. NASA MISSION CONTROL MEDIA ROOM/ NEWS MONTAGE

source 149A-Fp.55

SCREENS, one by one, filling with the story. Talking heads speak with an urgency a lot more hysterical than usual.

MULTIPLE NEW HEADS
"--rumors circulating all last week about the possibility of further strikes--" "--Senior Pentagon officials refused -- President returning from Camp David adds fuel to the speculation--" "--Japanese satellite is now confirming the presence and trajectory of this object--"
159

EXT. KENNEDY SPACE CENTER/ FRONT GATES -- SUNSET

source 150p.55

HUNDRED OF REPORTERS and NEWS VANS pressing forward. U.S. Air Force SECURITY POLICE to keep them back.

160

EXT. KENNEDY SPACE CENTER - 3 MILE ROAD -- DUSK

source 151p.55

THE CRAWLER. Moving a towering X-71 ROCKET toward the launch gantry. Harry and the guys being driven in a transport vehicle, pull over. The guys get out, looking at the MASSIVE SHUTTLE.

OSCAR
You see those things all the time.. you just never think you're gonna be in one...
NOONAN
Yeah... it's like with supermodels.
161

EXT. APOLLO ONE LAUNCH SITE -- DAWN

source 153p.55

This place looks like a rusted steel Stone Hendge. Grace stands there, sadly transfixed on something. Harry walks up behind her.

HARRY
Hey...

She turns to him -- can't even force a smile.

GRACE
Thanks for coming...
HARRY (CONT'D)
Yeah, of course... what's up?

She just moves to him and hugs him. He hugs her back, savoring the moment -- his purest joy in ages --

GRACE
I have two favors. To ask you. They're important.
HARRY
Let's hear 'em.
GRACE
Don't make this a one-way trip.
HARRY
Deal. What's the other one?
GRACE
(the tears come)
I want you to bring my fiancé back with you.

Harry stands there -- letting the news sink in. She waits for his approbation -- but instead, he just takes her into his arms. As Grace cries, Harry sees what she was looking at: A PLAQUE which reads, "1967 Dedicated To The Living Memory Of The Crew of Apollo One." And we can see the fear in Harry's face. We then PULL BACK, revealing A.J., watching them from far away.

162

OMITTED

source 154p.56
163

INT. NASA MISSION CONTROL MEDIA ROOM -- SAME TIME

source 155p.56

More news flashes. NETWORK ANCHORS looking frazzled.

ANCHOR GARBLE
"...a secret shuttle project that was to be announced next year...." "...that the President and his family are in the White House and that he plans to stay after his address to the nation" "stopping to refuel, picking up liquid oxygen at the Russian" "hurrying toward that window of opportunity for successful take off..."
164

INT./EXT. NASA KENNEDY SPACE CENTER -- DAY

source 156A-Ep.56

QUICK SHOTS. Final preparation. FIRING ROOM shaking down. Harry and the Guys getting dressed. THINGS plugging in. Turning on. The Team suiting up in their SHUTTLE FLIGHT SUITS.

165

INT./EXT. NASA O&C SUIT-UP ROOM (VACUUM)-- DAY

source 157p.56

Big door. VEHICLES outside waiting to take them to the gantry. Tons of NASA PEOPLE scurrying around. Military security. Grace can go no further. A.J. the last to go. They're waiting for him.

NASA TECH #2
Mr. Frost, are you good to go...

He turns to Grace. Two lovers surrounded by this madness.

A.J. (CONT'D)
Just goin' for a quick spin... should be back in no time.
GRACE
It'll feel like a lifetime.
A.J.
Close your eyes. Feel this, right now-- make this a memory --

And he kisses her -- SLOW-MO --

NASA TECH #2
Mr. Frost. Please.

The kiss over, A.J. looks at Grace, strong and proud:

A.J.
I'm marrying you.
GRACE
Damn right you are.

The door shuts and -- And A.J.'s gone. Grace looks down at her ring.

166

MASSIVE MONTAGE

source 158A-Zp.57

TELEVISION SCREENS all showing the White House. As the massive door opens THE FLIGHT TEAM, lined up heroically, loads into escort vehicles. NEWS CREWS being held back.

PRESIDENT (OVER)
I address you tonight not as the President of the United States, not as the leader of a country, but as a citizen of humanity...

The vehicle convoy guided down the long three-mile road to the Shuttles by five cop cars and three SWAT loaded NASA Hueys.

The two shuttles silhouetted by the setting sun. A BAR dead quiet, PEOPLE watching television. The ENGINES steaming in readiness. LAUNCH CONSOLES humming alive. Truman in the bathroom, a moment alone, relieves himself, his forehead leans against the tile. He's feeling the weight of the world on his shoulders.

PRESIDENT (OVER)
...We are faced with the very gravest of challenges. The Bible calls this day "Armageddon:" the end of all things. And yet, for the first time in the history of the planet, a species possesses the technology to prevent its own extinction...

TELEVISION SHOTS now of THE FLIGHT TEAMS stepping off the escort vehicles at the gantry base. GRAP STAMPER parked in front of the TV as Harry's FACE is caught by the camera.

PRESIDENT (OVER)
...All of you listening and praying with us tonight need to know that everything we can do to prevent this disaster is being called into service...

CHICK'S KID glued to the TV as CHICK'S FACE flashes across the screen. THE KID turns, looking to DENISE who's standing at the door in shock.

PRESIDENT (OVER)
...The human thirst for knowledge and excellence; our every step up the ladder of science; every adventurous reach into the heavens; all of our combined modern technologies and imaginations, even the wars we have fought, have given us the tools to wage this terrible battle...

GANTRY ELEVATORS closing in on THE FLIGHT TEAMS. FACES of the ENTIRE FLIGHT TEAMS flashing. LAUNCH TECHS scurry around the gantry base.

PRESIDENT (OVER)
...Through all the chaos that has been our history, through all the wrong, and discord, the pain and suffering, through all our times, one thing has nourished our souls and elevated our species above its origins. That is our courage.

GANTRY ELEVATORS arrive at the top. CHICK'S KID staring as the television cameras linger on CHICK for a moment. DENISE says: "That's your Daddy..."

PRESIDENT (OVER)
Tonight, the dreams of an entire planet are focused on the fourteen brave souls travelling into the heavens...

MAX'S MOMMA in the kitchen watching. THE LOAN SHARK with his mouth open. KARL and DOTTIE watching.

PRESIDENT (OVER)
...Godspeed and good luck to you. And may we all, the world over, see these events through with a dignity and perseverance worthy of the challenge.
167

INT. UPPER GANTRY T-BAR -- SUN JUST SETTING

source 159p.58

FREEDOM to the left. INDEPENDENCE to the right. Harry and A.J. the last ones to split up. TECHS in WHITE SUITS leading them.

HARRY
What do you want to do today?
A.J.
I don't know... how about we go blast into space?
HARRY
Yeah, that sounds good.

THERE'S A LOT MORE TO SAY, BUT THERE'S NO TIME AND THEY'RE TOO CHOKED UP AND SCARED. THEY PART INTO THE WHITE ROOMS.

168

INT. SHUTTLE FREEDOM -- MINUTES LATER

source 160p.59

Strap-in teams harness Harry, Chick, Max, Rockhound. Up front, Sharp, Watts and Gruber prepping final checks.

ROCKHOUND
We're sitting on top of four million pounds of fuel, one nuclear weapon, in a thing that has 276,000 moving parts built by the lowest bidder. That makes you feel good, doesn't it?
169

INT. SHUTTLE INDEPENDENCE -- SAME TIME

source 161p.59

A.J., Noonan, Bear, Oscar strapped in. Up front, Davis, Tucker and Halsey run their checks. RADIO V.O.: Event timer started.

OSCAR
A.J.. You as scared as I am?

A.J. looks at Oscar, who looks truly terrified.

A.J.
Probably not.
OSCAR
Oh...
170

LAUNCH MONTAGE

source 162p.59

Countdown. Truman and Kimsey in Mission Control. FACES. FACES. FACES. THE CLOCK ticking down. And RADIO CHATTER over everything. T-MINUS TWENTY SECONDS. Harry trying to breathe. A.J. trying to breathe. Davis ready to roll. Sharp looking steady. ENGINES REVVING. TEN SECONDS. Rockhound eyes closed. Oscar praying. Chick. Bear.

TRUMAN (V.O.)
Gentlemen, you're our warriors up there. God be with you.

NUMBERS RUNNING DOWN. 10- 9- 8- ENGINES VENT -- 3-2-1...ENGINES FIRING.

171

INT. FIRING ROOM - CAPE CANAVERAL

source 163p.59
KENNEDY LAUNCH CONTROL
Independence and Freedom, auto ground launch sequencer commencing.
172

INT. SHUTTLE FREEDOM

source 164p.59
SHARP
Firing room. We have main engine start.
173

EXT. KENNEDY LAUNCH PADS -- NIGHT

source 165p.60

The shuttles engines fire simultaneously. The huge exhausts billows out as the massive vehicles clear the pads.

174

source 166A-Bp.60

Harry riding it out. A.J. too. Rockhound, Max, Noonan, Oscar -- squinting -- Bear, Chick all clenched against their fear. The Independence and Freedom streak awesomely between the camera. Climbing to the heavens.

175

INT. MISSION CONTROL

source 167p.60
CAPE KENNEDY (V.O.)
The tower has been cleared. We're handing over to you, Houston.

The whole control room intently watching their consoles.

CLARK
Freedom, Independence, you are looking strong.
TECH FLIP
Your thrust is maxed. Both shuttles are go for ET Separation.
176

INT. SHUTTLE FREEDOM - COCKPIT -- DUSK

source 168p.60

Sharp and Watts flip switches, check gauges.

SHARP
Instituting roll maneuver. We have S.R.B. Sep, over.
177

EXT. UPPER ATMOSPHERE -- NIGHT

source 169p.60

Freedom and Independence scream away from Earth as they shed their booster canisters. Harry and the guys hit their first hard G-Forces.

178

OMITTED

source 170-171p.60
179

INT. MISSION CONTROL -- DAY

source 172p.60
CLARK
Lookin' real good here, Freedom.
180

OMITTED

source 173p.60
181

INT. RUSSIAN SPACE STATION

source 174p.60

Picture the cluttered glove box of an old car. Cosmonaut LEV ANDROPOV intensely works the equipment -- he hits one of his monitors which FLICKERS back to life --

182

EXT. RUSSIAN SPACE STATION

source 175p.60

PULL OUT of the window to see Lev bouncing around to the music, FURTHER STILL to see the entire multi-module Space Station.

183

INT. SHUTTLE INDEPENDENCE - COCKPIT

source 176p.60

Through cockpit windows, the BLUE of the Earth's atmosphere becoming the BLACKNESS of space. RADIO CHATTER layering over everything --

DAVIS
Initiate docking beacon.
TUCKER
Docking beacon engaged.
184

INT. SHUTTLE FREEDOM

source 177p.61

Sharp and Watts do the same. Sharp turns to Harry and the rest:

SHARP
Russian space station's fired her rockets -- that'll give her enough spin to simulate gravity and let us work faster -- but it'll also make you queasy, so prepare yourself.
ROCKHOUND
(sick of this shit)
Yeah, it's about time, I haven't thrown up in almost an hour.
185

EXT. SPACE - LOW EARTH ORBIT - SPACE STATION DOCKING PORTS

source 178p.61

Freedom and Independence approach the Space Station's T-Shaped TWIN DOCKING PORTS. The Shuttles move to opposite sides.

186

INT. SHUTTLES FREEDOM/INDEPENDENCE - SPACE STATION AIRLOCK PORT

source 179A-Bp.61
SHARP
Fuel teams prepare to unload.

GREEN LIGHT. Locks depressurizing. Harry, Sharp, Gruber, Rockhound enter from one side. A.J., Davis, Tucker, Oscar from the other.

187

INT. RUSSIAN SPACE STATION - DOCKING MODULE

source 180p.61

As they enter, Lev pops out. Hanging upside down. Dark eyes and a grave stare that borders on psychosis.

LEV
So... my Space Agency tells me... it is you who will be saving world. Is this true?
SHARP
We have a 35 minute window -- we should start the liquid 02 transfer immediately.
LEV
(very intense)
Russian Space Station is not gas station. Is laboratory. I am here alone -- in charge of important and outstanding Russian scientific experiments. So. Do not be touching any one thing. Is this understood by everybody?

They're all a little taken aback by Lev's manner.

SHARP
Got it.
LEV
Good--

Suddenly Lev falls to the floor. Embarrassed -- angry --

LEV
Space legs... bitch...

Harry offers help, but Lev gets up on his own.

LEV
I do it.
(stands uncertainly)
You of course realize your plan cannot work. Is impossible. Break asteroid in two pieces...
SHARP
We really need to move fast.
LEV
Of course. For refuel I will need assistance.
(to A.J.)
You. Come.

Lev wobbles off. A.J. turns to Sharp.

A.J.
How long has this guy been alone?
SHARP
17 months.
A.J.
Huh. I was going to say 16.
188

INT. RUSSIAN SPACE STATION CORRIDOR - LOWER CELL POD

source 181p.62

Cramped and moldy like an old sub. Pipes and tubing everywhere. Lev helps A.J. put on a HEAVY COLD SUIT.

LEV
You will be observing pressure gauge. I will be controlling 02 release.

Chick looks inside an open, packed STORAGE BIN -- Lev rushes to him.

LEV (cont'd)
When I say touch nothing, I am not joke making.
CHICK
I'm sorry, I was just--
LEV
If something break, I pay for it. Back home. That is how Russian Space Agency work. That is how much they trust me.
CHICK
Well if this whole plan's not gonna work it doesn't really matter, does it?
LEV
That is not bad point.
(to A.J.)
Let's make move.

Lev leads A.J. down into a 25 FOOT SHAFT into --

189

INT. RUSSIAN SPACE STATION - FUEL STORAGE

source 182p.63

HUGE TANKS line the frosty room. Lev moves to the fuel gauges.

LEV
See gauge. You watch. 150? Good. 160? OK. 200? Very bad. Disaster for Space Station.
(indicates intercom)
So you tell Lev if before very bad.
A.J.
What's "Lev"?
LEV
Lev is me. Colonel Lev Andropov. Back home I am a hero.
A.J.
I'm not arguing with you.
LEV
If past 200? You hit shut-off valve. Here.

Lev shows A.J. the steel shut-off handle. Lev then turns on the 02 pressure, then climbs out of the shaft.

190

INT. RUSSIAN SPACE STATION - FUEL STORAGE -- FEW MINUTES LATER

source 183p.63

The shuttle teams works feverishly to set up the transfer of fuel into the shuttles. A liquid PROPELLANT TRANSFER HOSE is run through the docking port to an interior PROPELLANT INTAKE VALVE in the shuttles. Negative 400 degrees Liquid Oxygen starts to runs through the hose, filling the cabin with condensation. On a wall, a COMPUTER BOARD that monitors the fuel transfer is filled with GREEN LIGHTS.

191

INT. RUSSIAN SPACE STATION - WAR ROOM - CENTER HUB

source 184p.63

Harry, Noonan, Rockhound looking around as Lev works the consoles -- intensely working away. They all notice the PHOTOGRAPHS that Lev has taped onto the console -- his WIFE. His two SONS. His PARENTS. His DOG. Lev notices that the Americans are looking at his personal life. He doesn't like it.

LEV
My father was from Mordovinia. You know Mordovinia? It once had largest bomb factory in all of Soviet Union. He assembled impact sensors. He loved his job. Today in Mordovinia they make key chains. Now they have to be proud of building key chains.

Suddenly a C02 LEAK bursts near Harry's head -- they all jump -- Lev hurries to them --

ROCKHOUND
Jesus Christ, we're gonna die in this piece of shit!

Lev grabs a ROLL OF METAL TAPE -- wraps it around the pipe, stopping the leak.

LEV
Yes we are all going to die! But not because of Russian Space Station. She was built to last 7 years -- 12 years after it is Russian Space Station you come to for fuel. What is the most irony is that the last man alive... will be the one who lives on Space Station. Yes, this piece of shit. Me. And when my family is dead... you are the man I will blame.
ROCKHOUND
Christ, is there a Russian phrase for "lighten up"? Jesus...
192

INT. RUSSIAN SPACE STATION - FUEL STORAGE

source 185p.64

A.J. watches the gauge -- which starts to rise.

A.J.
Huh...
(reaches for intercom)
Lev? Pressure's climbing...
193

OMITTED

source 186p.64
194

INT. RUSSIAN SPACE STATION - WAR ROOM - CENTER HUB

source 186Ap.64

CLOSE ON the intercom, which broadcasts a BARELY AUDIBLE, CRACKLING A.J. as Lev continues to work the FUEL RELEASE CONSOLE. He turns to them, somewhat regretful:

LEV
Eh... look, if I... if am very tempered... it is because... I am lonely alone a lot by myself. So... I am sorry. If...
HARRY
It's all right. I know what it's like... to be alone.

Then Watts enters -- Lev turns to her -- gasps.

WATTS
Check your hoses, we've got some thermal variation -- you should check your pressure build-up.
LEV
(deeply effected)
You are first woman I have seen... in more than one year...

On a control panel behind him, GREEN LIGHTS turn RED as --

195

INT. RUSSIAN SPACE STATION - FUEL STORAGE

source 186Bp.65

A.J. watches the gauge hit 195 -- 200 -- A.J. PULLS the SHUT-OFF VALVE - - but the lever cracks off in his hands -- the Liquid Oxygen oozes into a CIRCUIT BOARD. Surgeon-like microscopic camera tracks it hitting a SWITCH -- which SPARKS.

196

INT. RUSSIAN SPACE STATION - WAR ROOM - CENTER HUB

source 186Cp.65

Lev tries to respond to A.J.'s STATICKY calls --

LEV
I cannot hear you -- hit the microphone, maybe is loose.

Suddenly there's a BROWN-OUT. Everyone stops -- it's horrifyingly silent -- a chill runs down Lev's spine -- then he EXPLODES WITH:

LEV (CONT'D)
LEEEEEEAAAAAK! GET OUT!!! OUT!!! OUT!!!

Lev hits the KLAXON and Sharp runs for the DOCKING PORT -- madness --

SHARP
Christ, E-vac! E-vac! Prepare to unhook shuttles! MOVE!
197

OMITTED

source 187p.65
198

INT. RUSSIAN SPACE STATION - FUEL STORAGE

source 188p.65

On A.J. as the KLAXON BLARES -- a recorded RUSSIAN VOICE comes over the speakers. A.J. struggles to climb up the shaft ladder. Reaching --

A.J.
This sucks...
199

OMITTED

source 189p.65
200

INT. RUSSIAN SPACE STATION - CORRIDOR

source 189Ap.65

Circuits POP VIOLENTLY all around A.J. -- SPARKS FLY -- FIRE starts to CHEW the walls -- Lev runs in, meets up with A.J. -- the leak growing rapidly --

A.J.
WHAT THE HELL HAPPENED, I WAS CALLING YOU!
LEV
So you turn off! Pull lever! --
A.J.
(holding metal piece)
THIS IS THE LEVER!
201

INT. RUSSIAN SPACE STATION

source 189Bp.66

A small EXPLOSION -- SHARP knows it's over... he closes a HATCH, sealing A.J. and Lev inside an area -- for the good of the mission.

202

INT. RUSSIAN SPACE STATION - DOCKING PORT

source 190p.66

Chick rushes in the shuttle --

ROCKHOUND
They say don't fly on Russian AIRPLANES, we should've seen this coming!
203

INT. RUSSIAN SPACE STATION - CENTRAL WAR ROOM

source 191p.66

Lev and A.J. are trapped in here. They can't open the hatch that Sharp closed on them. AUX air hatch. Lev POPS the door open and cold vapors pour in. The walls are being eaten around them.

LEV
Not heated, minus 100. Hold breath or lungs freeze. And touch nothing.

Lev sucks in a huge breath and into --

204

INT. RUSSIAN SPACE STATION - CO2 PROCESSING TUBE

source 192p.66

So tight they must crawl on elbows. Impossibly cold. Breath and you die. Sweat freezing as they inch along. LEV'S BARE hand brushing a freezing coil -- skin ripping off and --

205

INT. SHUTTLE INDEPENDENCE DOCKING PORT

source 193p.66

Halsey, Bear and Noonan rushing out with the hosing. Davis standing there. Eyes bugging out. Smoke wafting up --

DAVIS
Where the hell are they?
206

INT. SHUTTLE FREEDOM - DOCKING PORT

source 194p.66
SHARP
Get in the damn cabin! Did we get all the fuel?
WATTS
Affirmative, let's push off!
HARRY
We gotta make sure they got back!
SHARP
There's no time!
HARRY
Where's A.J.?!!!
SHARP
Get inside before everything blows!

Gruber, Chick and Max pull a fighting Harry inside.

207

INT. RUSSIAN SPACE STATION - CORRIDOR

source 195p.67

The small hatch in the ceiling pops out and Lev and A.J. drop to the floor. They are so frozen their muscles can barely move. A VIOLENT CONCUSSION hits, dropping the SPACE STATION sideways. A.J drags Lev away from the burning central hub. The pressure's too much -- a METAL DOOR BURSTS from its hinges -- flies across the corridor, almost taking off their heads. The ship is RIPPING apart. Lev grabs his PHOTOS OF HIS FAMILY.

208

INT. SHUTTLE FREEDOM

source 196p.67
SHARP
Shut the doors and fire her up!
HARRY
We still have people out there!
WATTS
It's them or ALL OF US! THIS IS AN ORDER!
209

INT. SHUTTLE INDEPENDENCE

source 197p.67

Tucker fires up the shuttle. The Russian Space Station shudders louder -- TILTS further.

TUCKER
We have to GO NOW!
210

INT. RUSSIAN SPACE STATION - DOCKING MODULE

source 198p.67

A.J. and Lev are running hard -- suddenly a VIOLENT VACUUM -- their screams silent as they struggle to pull themselves to the shuttle door.

211

INT. SHUTTLE FREEDOM

source 199p.67

Harry looking through the window, eyes frantically searching for A.J. Sharp stabs a button on his pilot console. The DOORS slide shut.

SHARP
Full thrusters!
212

OMITTED

source 200p.67
213

INT. RUSSIAN SPACE STATION - DOCKING MODULE

source 201p.67

The door opens -- A.J. and Lev dive in -- A.J. hits the button, the door CLOSES behind them --

214

EXT. RUSSIAN SPACE STATION - SHUTTLES FREEDOM AND INDEPENDENCE

source 202p.68

The two shuttles RELEASE AWAY from the Space Station on FULL THRUSTER POWER, just escaping as --

The Space Station EXPLODES in an internal flash fire, blowing out sections of wall panels and sending a SOLAR PANEL shooting toward Freedom that just misses her! THE SPACE STATION IMPLODES.

215

INT. SHUTTLE INDEPENDENCE

source 203p.68

A.J. and Lev in zero gravity... Lev looking back on the debris:

LEV
That was why I asked you not to touch anything.
A.J.
You might wanna talk to the boys in the lever department about that.
DAVIS
Welcome to the Independence.
216

INT. SHUTTLE FREEDOM

source A204p.68

Harry moves to the cockpit --

HARRY
Did they make it? Did A.J. make it?
WATTS
They made it.
217

INT. MISSION CONTROL

source B204p.68

Everyone is relieved --

WATTS
Everyone's accounted for, Houston. Independence is heavy one cosmonaut.
218

EXT. SHUTTLES FREEDOM AND INDEPENDENCE

source C204p.68

As they head toward the moon...

SUPER: TWENTY-THREE HOURS TO THE MOON

219

INT. MISSION CONTROL - VIDEO FACILITY/SHUTTLE CABINS

source 204p.68

TWENTY SCREENS. VIDEO SHOTS of: Cargo bay. Cockpit. Armadillo. Bear cranking up the music. Oscar up front in the cockpit. Noonan trying to eat a tube of floating stew. A.J. at the window and --

Chick and Rockhound trying to play cards in zero G's. Harry floating looking out the window, staring back at earth.

220

OMITTED

source 205p.69
221

INT. SHUTTLE FREEDOM - CABIN

source 206p.69

Max sleeping, hanging upside-down. Harry, Chick and Rockhound looking back at earth.

CHICK
I've followed you all over that thing. And now I've followed you up here. What the hell's wrong with me?
HARRY
(quietly)
Look at that. Just floating there. It's so beautiful, isn't it? Part of me is thinking... there are all those people living on that planet... how can we possibly exist at all? And why do we? What is the purpose of life?
(beat)
Then another part of me is thinking... why do I pay for all those movie channels? I never watch 'em.

Suddenly Max awakens with a start -- terrified.

MAX
Christ --
HARRY
Max, you okay?
MAX
I just -- had a dream-- Goddamn nightmare... that I wasn't coming home...
HARRY
We're all going home. And when we get there, I'm buying drinks.
(points to earth)
Anywhere on that ball you wanna go.

Max tries to smile -- but his nightmare has really shaken him. Harry then opens his Bible -- and finds a photo of Grace as a little girl and himself a younger man.

222

OMITTED

source 207p.69
223

INT. SHUTTLE INDEPENDENCE - CABIN

source 208p.69

A STORAGE CLOSET thrown open. SIX BACK-UP SPACE SUITS hanging here. Tucker pulls one -- hands it back to Lev.

Halsey already helping A.J., Oscar, Noonan, and Bear to get their suits on. Solemn vibe. Battle-prep.

224

INT. SHUTTLE FREEDOM - CABIN

source 209p.69

Same thing. The team settles in their seats, It's showtime.

225

INT. MISSION CONTROL -- DAY

source 210p.70

The room waking up now. Clean shirts. Fresh coffee. Crunch time. Kimsey on the phone near the MILITARY CONSOLE. Truman checking out something that Flip and Skip are working on. CONSTANT RADIO CHATTER GOING between ground and shuttles and --

226

EXT. SPACE - APPROACHING THE MOON

source 211p.70

The two Shuttles approach THE MOON, Freedom in the lead, Independence following. Beyond the Moon, too distant to see clearly, THE ASTEROID is on its trajectory toward Earth. It is a HUGE, CRAGGY MASS surrounded on all sides by a DEBRIS CLUSTER of rock and ice, the ice glinting on and off in reflected sunlight, like millions of fireflies.

227

INT. SHUTTLE FREEDOM - COCKPIT

source 212p.70

The MOON grows larger and larger. Beyond is the oncoming ASTEROID.

SHARP
We have visual of the target, Houston. Velocity 33-hundred miles an hour.
228

INT. MISSION CONTROL

source 213p.70

Clark sits in flight director pod with Techs Flip and Skip. Truman and Kimsey pace behind the console.

229

INT. SHUTTLE FREEDOM / SHUTTLE INDEPENDENCE

source 214A-Bp.70

Harry, Chick, and Max finish buckling into their seat restraints and harnesses. Shuttle Independence they are doing the same.

230

OMITTED

source 215p.70
231

EXT. SPACE -- APPROACHING THE MOON

source 216p.70

Shuttles closing-in rapidly. The dead, luminous sphere looming larger.

232

INT. SHUTTLE FREEDOM - COCKPIT

source 217p.70

LUNAR SURFACE completely fills the windshield. We've lost sight of the oncoming asteroid.

233

EXT. SPACE - APPROACHING THE MOON

source 218p.70

Shuttles Freedom and Independence shoot toward the Moon, pulled by the lunar gravitational field. The moon surface rushing past.

234

OMITTED

source 219p.70
235

INT. SHUTTLE FREEDOM - COCKPIT

source 220Ap.70
SHARP
We've lost visual contact with the target, Houston.
236

source 220Bp.70

THROUGH THE WINDSHIELD -- THE LUNAR SURFACE looks close enough to touch.

237

OMITTED

source 220p.70
238

OMITTED

source 221p.70
239

OMITTED

source 222p.70
240

EXT. SPACE -- APPROACHING THE MOON

source 223p.70

The two Shuttles rushing toward the dark side and --

241

INT. SHUTTLE FREEDOM - COCKPIT

source 224-225p.71

THROUGH THE WINDSHIELD - THE LUNAR SURFACE is only 50 miles below.

WATTS
-- closing on dark-side horizon, sixty-four seconds on the mark --
242

EXT. SPACE - FAR SIDE OF THE MOON

source 226p.71

THE ASTEROID followed by a SWARM OF DEBRIS roar into frame. Getting closer to the moon. Earth, in the far distance, a big, blue target.

243

INT. MISSION CONTROL

source 227p.71
SKIP
Eighteen seconds to radio interrupt.
244

INT. SHUTTLE FREEDOM - COCKPIT

source 228p.71

Sharp and Watts getting set for the big one.

SHARP
Booster sequence confirm.
WATTS
Rockets ready. On your mark.
TRUMAN (V.O.)
See you on the other side.
245

INT. MISSION CONTROL

source 229p.71
CLARK
Radio contact terminated, we're out.

STATIC. VIDEO SCREENS crashing. All shuttle readouts, FLATLINE.

TRUMAN
Nine and half G's for eleven minutes. I'd start praying right around now.
KIMSEY
Anyone ever done that before?
TRUMAN
Yeah. Vlad the Russian monkey back in '57. We'll pick 'em up again in sixteen minutes.
CLARK
If they're still alive.

Truman turns to see Grace sitting behind. Gives her a hang tough nod. She returns it.

246

OMITTED

source 230p.72
247

EXT. DARK SIDE OF MOON - FREEDOM AND INDEPENDENCE

source 231p.72

Freedom and Independence fire their BOOSTERS and explode forward, hurtling around the Moon's DARK SIDE with a degree of increasing velocity never before experienced by Man.

248

INT. SHUTTLE FREEDOM / SHUTTLE INDEPENDENCE

source 232A-Bp.72

Harry, Chick, Rockhound and Max get hit with the first G-Forces. Their torsos get jammed against their seats. Their arms weigh 300 lbs. It's like an elephant sitting on their chests. In the Independence A.J., Lev, Bear, and Oscar are in WRENCHING PAIN.

249

OMITTED

source 233p.72
250

INT. SHUTTLE FREEDOM - COCKPIT

source 234p.72

Watts reads her VELOCITY INDICATOR under G-Forces so bad she speaks through clenched teeth:

WATTS
14,000... 16,000... 22,000 miles an hour!
251

INT. MISSION CONTROL -- DAY

source 235p.72

Horribly helpless. Spookily silent.

252

INT. SHUTTLE FREEDOM / SHUTTLE INDEPENDENCE

source 236A-Bp.72

Excruciating. Gut-wrenching-turn-you-inside-out-G-Forces. FACIAL MUSCLES distorting hideously. Cheeks and lips just flattening. Almost impossible to breathe. Almost.

253

OMITTED

source 237p.72
254

EXT. LUNAR ORBIT - MASTER SHOT

source 238p.72

IN ONE AWE-INSPIRING SHOT, we see -- THE SHUTTLES rocketing around the Moon in darkness, further and further, until finally WE SEE, a staggering, mind-blowing visual --

THE ASTEROID'S TRAILING DEBRIS appears, a HUGE CLOUD of tiny ICE CHUNKS AND PEBBLES, and much larger BOULDERS, and ICEBERGS the size of houses, the ice glinting with reflected sunlight, throwing off a dazzling SPECTRAL SHOWER OF LIGHT in all directions. DEBRIS from the asteroid's tail starts bombarding the moon's surface.

THE ASTEROID'S HUGE CORE - just clearing the Moon - now flies straight for its destination: the beautiful, blue PLANET EARTH dead ahead. Freedom and Independence slingshot out of the lunar orbit and fall behind the asteroid, settling into the DEBRIS-LESS CORRIDOR.

255

INT. MISSION CONTROL -- DAY

source 239p.72

Silence/static replaced by LIGHT and SOUND. Computers WHIR to life.

CLARK
This is Houston, come in Freedom, come in Independence.

Nervous silence. And then...THROUGH BROKEN STATIC.

SHARP (V.O.)
Hou-- ell-- ou gotta see this to believe it!

Grace, like everyone else, breaths a major sigh of relief.

256

INT. SHUTTLE FREEDOM - COCKPIT

source 240p.73

Sharp and Watts staring through the windshield at the ASTEROID and GLIMMERING TAIL dead ahead. Harry and the others, still recovering. RADIOS START CHATTERING AWAY and --

257

INT. MISSION CONTROL

source 241p.73
TRUMAN
Okay, Team. Let's take them in.
258

EXT. ASTEROID APPROACH

source 242p.73

FREEDOM out front. INDEPENDENCE flanking. Descending through the debris-free corridor toward the asteroid surface. They are travelling 150 M.P.H. faster than the speeding target. Suddenly, A CLOUD OF ICE AND PEBBLES appears up ahead --

259

INT. SHUTTLE FREEDOM - COCKPIT

source 243p.73

Visibility cut instantly to twenty feet -- BANG! BANG! BANG! BANG! -- massive turbulence -- PEBBLES and ICE CHUNKS BATTERING THE WINDSHIELD -- chipping -- denting it --

SHARP
Goddamn! We got debris!

BACK IN THE CABIN -- Harry and the guys reacting --

CLARK (V.O.)
What is it, Willie?
SHARP
Asteroid junk! Severe turbulence!
WATTS
Stuff's ricocheting off the moon--

REAR OF COCKPIT -- Harry and the others are buffeted violently --

260

INT. SHUTTLE INDEPENDENCE - COCKPIT

source 244p.73

No visibility here either. Ice chunks and pebbles BANG against the windshield.

TUCKER
It's bad here! Colonel, we should peel off. Try again!

The debris clears -- then returns BIGGER AND MORE FORCEFUL --

261

EXT. SHUTTLE INDEPENDENCE

source 245p.74

BANG! A rear thruster gets taken out by flying rocks. The fuel leaks out spitting BLUE FLAME. Independence SPINS OUT OF CONTROL --

262

INT. SHUTTLE INDEPENDENCE - COCKPIT

source 246p.74
DAVIS
WE'RE HIT! WE'VE LOST THRUSTER CONTROL!

The whole shuttle spins around twirling, upside down.

263

EXT. SPACE

source 247p.74

The Independence upside down flies right over the top of the Freedom. The cockpits can almost look into each others.

264

INT. SHUTTLE FREEDOM - COCKPIT

source 248p.74

Filling Freedom's cockpit windows, massive engine thrusters of the Independence nearly colliding with her. Sharp takes evasive action and pulls up, out of the way. Safe, but for a MOMENT, a HUGE ICE BOULDER the size of a HUGE HOUSE twirls into Freedom's path.

The nose of the Freedom smashes into the top of the rock right over camera. Harry and the guys take a hard concussion.

265

INT. SHUTTLE INDEPENDENCE - COCKPIT

source 249p.74

In the mayhem, spinning and shaking. A.J., Lev, Bear floating in zero-G. As the shuttle takes large violent rock hits.

DAVIS
MAYDAY! MAYDAY! We're not going to make it! We're going down!

The Shuttle's roof collides with a rock. We hear SCRAPING METAL. The CEILING dents in, dislodging INTERIOR CEILING PANELS filled with wires and electrical components; Sparks that rain down. Chaos.

In the Cargo Bay, MACK TRANNIES, PIPES, DRILL BITS spin free and shred through the shuttle roof. A violent vacuum windstorm sucks more free.

DAVIS
Everyone go to life support!

Everyone grabs for their HELMETS, frantically trying to get them on. A.J. gets his on, but he can't lock the neck seal. He fidgets with the little SEAL LOCKS. A.J. rips off the helmet. It slips from his fingers and floats off through the zero-G cabin!

The whole cockpit revolves around A.J. as he floats for his helmet.

266

OMITTED

source 250-251p.74
267

INT. MISSION CONTROL

source 252p.74

We hear a CACOPHONY SCREAMING VOICES from the Independence.

TUCKER (V.O.)
MAYDAY, HOUSTON........MAYDAY....!!

Truman and the NASA personnel can only sit and listen, horrified, impotent to do anything....

268

INT. SHUTTLE INDEPENDENCE - REAR CABIN

source 253p.75

Noonan, strapped in, freaks out, bolts for the SAFETY EMERGENCY HATCH equipped with EXPLOSIVE RELEASE CHARGES. Tucker sees a wild-eyed, crazed Noonan at the Emergency Hatch. BIG ROCKS smash off the windshield in front of Tucker; the windshield's safety layer weaken and splinter, to the point of bursting.

TUCKER
Get away from that door!!!!
NOONAN
I ain't dyin' on this thing!!!!

A ROCK SMASHES through the windshield, gouging into Tucker. Depressurization. Davis and Tucker are VIOLENTLY SUCKED out the windshield.

269

OMITTED

source 254p.75
270

source 255p.75

Noonan BLOWS the Emergency Hatch. Noonan is sucked out the hatch door, hanging on by his harness, flapping against the side of the shuttle.

271

INT. SHUTTLE FREEDOM

source 255Ap.75

Sharp, Watts and Harry watch the Independence twirl down. BANG!!! MACK TRANNIES, PIPES, METAL SPLINTERS strikes the Freedom's nose. SUDDENLY SLAP! DAVIS' BODY HITS THE WINDSHIELD. Everyone recoils in terror.

272

INT. MISSION CONTROL

source 256p.75

FLASH CUTS: Independence's Systems Monitors flash off: PRESSURIZATION goes to zero; CABIN OXYGEN zero. Radio STATIC and PANICKED VOICES.

SKIP
Systems-wide failure!
273

INT. SHUTTLE INDEPENDENCE - REAR CABIN

source 257p.75

A.J., eyes wide, his face catatonic with fear. THE SOUND DROWNS OUT as he watches the Independence die. The cabin twirling..Smoke spewing from a hundred ruined components..sparks flying...The asteroid's surface approaching through the blown Emergency Hatch....

Then the Shuttle, upside down, SLAMS DOWN. The fuselage ceiling rips open like a can of tuna, filling the cabin with jagged rocks and ice. The Independence skips, bounces, finally skidding to a stop.

274

INT. SHUTTLE FREEDOM

source 258p.75

Seconds pass, Independence's STATIC goes dead. Sharp, Watts, Harry and crew stare at the radio in shock. Sharp looks out below at a rougher, craggier section where landing looks impossible.

SHARP
Houston, we lost our landing field!
WATTS
We're coming in too hot!

Sharp punches the directional thrusters, trying to regain control.

275

OMITTED

source 259p.76
276

EXT. ASTEROID SURFACE

source 260p.76

The Shuttle Freedom swoops over a CRAGGY SLOPE on the asteroid's surface, coming in sideways, too hot. Freedom HITS HARD on the craggy slope, bouncing and sliding, slinging gravel and ice chunks.

277

INT. SHUTTLE FREEDOM - REAR CABIN

source 261p.76

Harry and his Team are SMASHED around in their seats. They JOLT to a stop. No one moves. No one breathes. It's scary as hell. Silence.

SHARP
Cabin status? Anyone hurt?
(turning back)
Gruber! -- is anyone hurt?

Gruber with a big cut on his forehead -- in shock.

GRUBER
Me.
HARRY
(jumping in)
If you can say you're hurt, you're not dead.

POWER PULSING AND LIGHTS FLICKERING. Watts working like mad --

SHARP
(to Watts)
Initiate system-wide system check -- make sure we can get off this rock.
278

INT. MISSION CONTROL

source 262p.76

Frantic beehive of activity. People trying to boost the signals -- check the modules -- analyze the trajectories -- guess the angles.

CLARK
Freedom, come in. Freedom.
(nothing)
Independence, this is Houston. Independence, do you read?

Truman turns back to find Grace -- on the edge of madness, living in a nightmare. He moves to her --

TRUMAN
Listen, you might not want to be here.
GRACE
I don't have anywhere else to go.
279

INT. SHUTTLE FREEDOM - COCKPIT/CABIN

source 263p.77

Panels pulsing. Sharp and Watts blitzing a diagnostic rundown.

WATTS
Engine seals -- check. Fuel seals -- check. Pressure seals -- check--

Harnesses being torn away. Harry already at the window. Max and Chick very quiet. Rockhound starting to freak --

ROCKHOUND
So where's the other shuttle?
SHARP
Independence is off the grid.
ROCKHOUND
Off the grid? What are you, a freaking cyborg? What's that mean?
GRUBER
You saw it... she's gone.

CAMERA TIGHT ON HARRY -- devastated -- thinking about A.J. -- the rest of his team. He grabs his Bible -- eyes welling with tears --

HARRY
If... if I'd ever read this thing... maybe I'd know what to say right now. But I don't, I don't have a clue... except that it could've been us. Maybe it should've been...
CHICK
Jesus Christ... I can't believe this, I can't believe we're here...
HARRY
Well we are here. We did make it. And now we're gonna deal with it.
MAX
This isn't happening--
HARRY
It is happening. And we've only got 8 hours, so let's do this thing and get the hell outta here.
280

INT. MISSION CONTROL

source 264p.77

Clark and Skip at the CAPCOM STATION, still trying to get a radio signal going -- screens STATIC -- looks desperate --

CLARK
Independence is flatlined. Total spectrum failure.
TRUMAN
(pale)
Tell me we still have Freedom.
SKIP
There are pulse fragments -- if they're alive they're working on it.
281

INT. NATIONAL SECURITY COUNCIL CRISIS CENTER

source A265p.78

Everyone on edge -- the GENERAL'S hunched over a phone -- VIDEO MONITORS nothing but STATIC. RADIO is exclusively Houston's frantic effort to make contact. Grim in an understatement --

282

INT. SHUTTLE FREEDOM - COCKPIT/CABIN

source 265p.78

Watts swapping panels like crazy. Sharp punching keys. Rockhound stares at a MONITOR -- NUMBERS occasionally appear through the STATIC.

SHARP
(checks another monitor)
We're not getting a damn thing on the inertial nav system --
ROCKHOUND
I know where we are.
SHARP
Get away from the equipment please...

Sharp checks an LCD GAUGE showing RADIO SIGNAL STRENGTH -- FLATLINED.

SHARP
Radio signal's dead --
WATTS
I'm flipping the back-up generator -- but even with that, our comm signal's cut in half until we get back main power.
ROCKHOUND
We're in segment 202, lateral Grid Nine. Site 15H32, give or take a few yards. Captain America blew the landing by twenty-six miles.
SHARP
How the hell do you know that?
ROCKHOUND
Because I'm a genius.
WATTS
I can't read these gauges, they're all peaked, like we're plugged into some kind of magnetic field...
ROCKHOUND
Who on this space ship wants to know why?
(mostly to Sharp)
The reason we were shooting for Grid Eight is that thermographics indicated that Grid Nine, our current parking space, was especially compressed iron ferrite. In Astronaut-talk that means you landed us on a goddamn iron plate.
SHARP
Let's wheel out the remote satellite link. We need that radio.
283

OMITTED

source 266p.79
284

OMITTED

source 267p.79
285

EXT. ASTEROID SURFACE

source 268p.79

The gnarled wreck of SHUTTLE INDEPENDENCE lies below. Twisted metal.

286

INT. SHUTTLE INDEPENDENCE WRECKAGE

source 269p.79

MOVING THROUGH the steam and frozen gasses leaking from hundreds of small ruptures. Emergency lights flicker. Halsey: dead. Noonan: dead. Oscar's body, contorted horribly. But there's BEAR -- trapped in his harness, his boot painfully crushed into some grillwork. A.J. hangs upside-down, cuts himself free. Scared and breathing hard, he makes his way to Bear.

BEAR
My foot -- stuck. Think it's crushed.

A.J. gets down there. Straining and straining and --

A.J.
You gotta help me do this.
BEAR
No sweat, what do you need?

Suddenly Bear passes out. A.J. all alone, trying to pull it together. And then, in the back the sound of an ANGRY RUSSIAN SWEARING.

A.J.
Hey! Lev! Up here!

Lev appears through the cabin, out of breath, shaken.

LEV
Where are the rest?
(A.J. shakes his head, Lev looks off)
... lucky. They are very lucky...

Lev's eyes swell with tears. A chill rushes down A.J.'s spine. He then climbs into the Armadillo -- flips some controls -- the LOCATOR BEACON comes to life, indicating the direction of the other Armadillo.

A.J.
Okay -- I got a reading here... this is what we're gonna do: we're gonna get in the Armadillo and we're gonna find Harry and the other shuttle.
LEV
And why then are you so optimistic the other team is not dead?
A.J.
Well that's just the difference between you and me. Help me with him.
287

INT. SHUTTLE FREEDOM - CARGO BAY

source 270p.80

Freedom's cargo ramp unfolds to the asteroid surface. Harry and crew are suited up. Max inside the Armadillo, others on the sides. Harry looks out. The place looks eerily calm--

288

EXT. ASTEROID SURFACE

source 271p.80

Incredibly quiet. Tranquil and bizarre. They've landed in a small, dark valley; turned away from the Earth and Sun, THE MOON is huge on the far horizon. Harry walks down the ramp carrying a steel probe. Rockhound stares off at the moon --

ROCKHOUND
We're in space, Harry. Holy shit...
HARRY
We'll sightsee later. This iron can't be more than fifty feet deep.
ROCKHOUND
How do you figure that?
HARRY
Because I figure if it is we're screwed.

Here comes the ARMADILLO. In the BG, Sharp and Gruber push out the remote satellite link and --

289

OMITTED

source 272p.80
290

OMITTED

source 273p.80
291

INT. SHUTTLE FREEDOM - COCKPIT

source 274p.80

Watts working hard to get the radio and electric going --

292

OMITTED

source 275p.80
293

EXT. ASTEROID SURFACE/DRILL SITE

source 276p.80

DRILL BIT turning. Lowering. Biting. Harry and Chick work the arm -- carefully watching their rotation and depth speed gauges. Rockhound stands back -- the bit begins cutting, Max driving!

HARRY
(yelling over the din)
Max, you keep it under 20!
MAX
Just another day makin' hole... in outer friggin' space...

The first 10 feet go smoothly -- 15 feet -- 20 feet -- them suddenly: CLANK--CLANK-- CLOSE ON Harry as his face is flush with horror --

HARRY
What the hell...

KSSSSSSHHHHH-BOCOOOM!!! The bit breaks apart and the drill dies. Harry is horrified. Max is pale --

MAX
Uh, Harry? D'you see that?
ROCKHOUND
Well this is a Goddamn Greek tragedy...
HARRY
We've all seen bits get fried before.
CHICK
Not after ten feet--
HARRY
Well now we have! Get that look off your face. Bring out the Deliverance. Let's re-bit this as fast as we can -- move!
294

OMITTED

source 277p.81
295

OMITTED

source 278p.81
296

OMITTED

source 279p.81
297

INT. SHUTTLE FREEDOM - COCKPIT

source 280p.81

Watts getting THE RADIO to light up -- but only for a moment --

298

INT. MISSION CONTROL

source 281p.81

CONSOLE LIGHTS flickering and -- Everyone turning as they realize that FIVE VIDEO SCREENS are wisping to life --

299

OMITTED

source 282p.81
300

INT. SHUTTLE FREEDOM - COCKPIT

source 283p.81
WATTS
Houston. This is Freedom, do you read? Houston, this is --
301

INT. MISSION CONTROL

source 284p.81

Whole room reacting as they hear A VOICE THROUGH THE STATIC.

WATTS (V.O.)
...Freedom. Radio source coordinates approximate site location 15H-32.

CHEERS and APPLAUSE throughout the room -- Grace can't help but laugh.

TRUMAN
Freedom! Yes! God bless Freedom!
302

INT. SHUTTLE FREEDOM - COCKPIT

source 285p.82

Sharp now there with Watts. Yes! A minor triumph.

CLARK (V.O.)
...what is your current status?
SHARP
Shuttle flight capability not yet known -- we're also having electric and antenna difficulties, but we have commenced drilling.
303

EXT. ASTEROID SURFACE/DRILL SITE

source 285Ap.82

VARIOUS SHOTS as Harry, Chick, Rockhound and Max clamp in the NEW BIT -- they begin DRILLING AGAIN --

HARRY
All right, let's go to 25!
MAX
25!

And as the bit's ripping through the asteroid's skin Rockhound surveys around the hole -- Harry at the controls -- and then, the unthinkable: CLANG--CLANG--BOOOOM! The bit is chewed again. They all go silent in disbelief and shock. This is worse than any of them ever imagined.

ROCKHOUND
Harry--
HARRY
Shut up. We're cutting through a plate, some are tougher than others, you know that. Let's get another bit on this thing. Iron Maiden. Let's go!
304

INT. MISSION CONTROL ASTEROID MONITORING HUB

source A286p.82

Truman and Kimsey are there -- NASA and MILITARY TECHs everywhere. A NASA TECH #2 displays some dire information on a CG monitor --

NASA TECH #2
Before the asteroid passed the moon her rotation was stable at 32 degrees on an X axis. But now look -- the lunar gravity's put her in a spin. She's tumbling on all 3 axes. This wasn't expected, sir--
TRUMAN
What does this mean for communications?
NASA TECH #2
Not good -- we'll have definite contact with the shuttle for only 7 more minutes. After that it's radio darkness.
TRUMAN
For how long?
NASA TECH #2
We can't predict the asteroid's positioning -- we'll lose contact a minimum 90 seconds. And a maximum... of forever, sir.

Kimsey turns to a NUKE TECH (in military uniform) --

KIMSEY
If they lose shuttle comm, when do we lose the nuke?
NUKE TECH
The weapon remote receives its signal from a Milstar satellite, sir -- different orbit, higher powered frequency -- if we've got the shuttle for 7 minutes, we have remote detonation capability for an additional 5.
KIMSEY
Get me the President right away--
305

INT. SHUTTLE INDEPENDENCE WRECKAGE

source 286p.83

Bear painfully lowering himself into ARMADILLO TWO. Lev and A.J. staring at the mangled-up CARGO BAY.

LEV
(sarcastic)
Look how good your shuttle made safe landing.
A.J.
Listen, it's not my shuttle, okay? I'm not even an astronaut, I'm an oil driller. I shouldn't even be here.
LEV
Really... so what are you doing? A.J....?
A.J.
I'm getting us out of here.

A.J. jumps up on top of the ARMADILLO. Pulls the sleeve from the CANNON. Flips a few obvious looking levers and takes aim.

A.J.
You might want to get down for this. Lev.

Lev dives down into the ARMADILLO. A.J. ready... set... he pulls the trigger and -- BAM -- BAM -- it fires -- THE HUGE EXPLOSIVE SHELLS BLAST THROUGH.

306

EXT. SHUTTLE INDEPENDENCE WRECKAGE

source 286Ap.84

The smoke clears -- A HUGE RAGGED HOLE. THE ARMADILLO blasts through the ripped metal shuttle skin --

307

EXT. ASTEROID SURFACE - DRILLING SITE

source 287p.84

Harry, Rockhound and Chick watching the very slow progress.

HARRY
(checks his watch)
We're way behind...
(radio in Armadillo)
Max, I need some action down there. I want you to wind it out. Gimme fourth gear all the way.
308

INT. ARMADILLO ONE

source 288p.84
MAX
Boss, we're running hot already.
HARRY (V.O.)
Do it or I'll come in and do it for you.

Max PUNCHES the CLUTCH -- the drill ROARS and --

309

EXT. ASTEROID SURFACE - DRILLING SITE

source 289p.84

Spinning faster -- faster -- BAM! Starting to drop -- and then, BRRRRRR...Real slow.

HARRY
What's up with the tranny?
MAX
The good news is at least we got first gear left...

Suddenly BOOM! The tranny BLOWS -- SHRAPNEL FLIES EVERYWHERE --

CHICK
SHIT!

Suddenly, A BURST OF WIND ROARS THROUGH -- hang on --

HARRY
You want to make this tough? Okay. We can do it tough.
(talks to the Asteroid)
I've got another transmission inside and I'm coming, so bring it on, bitch.
(to Chick)
Let's go.
310

EXT. ASTEROID SURFACE

source 290p.84

Sharp and Gruber trying to lock down the REMOTE ANTENNAE, fighting the asteroid's gas bursts and windy atmosphere --

HARRY (V.O.)
Sharp, we need some help.
SHARP
What happened?
HARRY (V.O.)
Meet me in the shuttle.
311

INT. SHUTTLE FREEDOM

source A291p.85

Watts continues to work the electrical -- more lights come alive --

312

INT. MISSION CONTROL

source 291p.85

Kimsey pacing. Checking his watch. VIDEO MONITORS in the BG, starting to go in and out and --

313

INT. SHUTTLE FREEDOM

source 292p.85

Harry and Chick walk in as Sharp tries the radio -- STATIC --

SHARP
What's the situation?
HARRY
I'm drillin' into something I shouldn't be - - this thing just ate two drill bits faster than I've ever seen -- now it's killed our transmission.
SHARP
So how deep are we?
HARRY
I need your help in the cargo--
SHARP
There's an assessment report due now. We're supposed to be at 200 feet -- so -- how deep are we?
HARRY
Not as deep as we will be when you stop asking questions that waste my time.
SHARP
I need a depth to report.
HARRY
What's important is that you help us get that transmission on--
SHARP
I'll decide what's important! My job, my responsibility is to supervise and report-- we've got 800 feet to drill -- you've had 2 and a half hours, where are we?!
HARRY
Fifty-seven feet!

Sudden silence. Sharp can't believe this -- he's afraid now. He heads toward the cockpit radio --

HARRY
We landed on Goddamn steel -- once we get through the metal plate it'll go as fast as any other job--
314

INT. MISSION CONTROL

source 293p.86

Sharp via VIDEO and RADIO. Very patchy and staticky.

SHARP (V.O.)
(almost inaudible)
-- oust-- is --eedom--
315

OMITTED

source 294p.86
316

INT. SHUTTLE FREEDOM - COCKPIT

source 294A-Bp.86

Harry pushing past Watts. Sharp is on the radio, reading a DRILLING TIME TABLE CARD: Harry rips it out of his hand.

SHARP
Transmission change 20 minutes, puts drilling final at 10 hours -- that's 4 hours past Zero Barrier!

Harry grabs the radio out of Sharp's hand. Pissed.

HARRY
This is the way drillin' goes sometimes -- you don't know what you're gonna hit 'til you hit it -- so you can't panic just 'cause we had a few bad innings --

INTERCUT WITH: MISSION CONTROL

Harry's transmission is BREAKING UP -- NASA TECHS are frantic, trying to maintain contact with Shuttle Freedom -- but monitors FLICKER as the SIGNAL FADES. Harry drops the radio and turns to Sharp --

HARRY
Now I need you back in the cargo bay to help drag that thing out there.
SHARP
Just face it. You can't do it. You just can't. I knew from the beginning bringing you and your crew along to do this job was the biggest Goddamn mistake in NASA histor--

Before he can finish, Harry has LUNGED at Sharp -- pushing Sharp's face right into the VIDEO TAP -- back at NASA everyone sees this on VIDEO SCREENS that FLICKER again, then GO TO STATIC. At least for now, communication is GONE.

TRUMAN
Jesus -- try reaching them, every frequency, everything you can do--
317

OMITTED

source 295p.87
318

OMITTED

source 296p.87
319

INT. SHUTTLE FREEDOM

source A295p.87

Sharp tries to push Harry away -- finally they break apart:

HARRY
Stay here. You supervise and report. I'll go do the real work.

Harry heads back to the tranny --

320

INT. MISSION CONTROL

source 297p.87

Screens still STATIC -- desperate Techs at their posts -- Kimsey is handed a RINGING RED PHONE --

KIMSEY
Yes. Yessir. We saw that too. Yessir, very difficult... but perhaps we should wait unt--
(abruptly cut off)
Yessir. I understand.
(hangs up, to Truman)
Dan, get them out of there. E-vac right now.
TRUMAN
What are you doing?
KIMSEY
I've been ordered to override the system.

BOOM -- a CONTINGENT OF MARINES enter the room, accompanied by two military AIDES who are carrying a NUCLEAR COMMAND LINK SUITCASE.

TRUMAN
What is this?

Kimsey is all business now. He now has official orders.

KIMSEY
Secondary protocol.
TRUMAN
But they haven't drilled the Goddamn hole!
KIMSEY
The President and his advisors feel the drilling isn't working -- and we're about to lose radio contact, maybe for good -- we only have a few more minutes with guaranteed ability to remote detonate that nuke. If we don't do it now we lose control--
TRUMAN
Well you should tell the President that A: he must, immediately, fire his advisors, and B: if we blow that nuke on the surface, we're wasting a perfectly good bomb and blowing our one chance at doing this right!
KIMSEY
His mind is made up--
TRUMAN
So is mine -- General, you can't do this!
KIMSEY
It isn't my call. It isn't yours. My Commander and Chief, The President of the United States, has made a decision. Get them out of there now.
TRUMAN
We can't reach them -- we don't even know if that shuttle can fly yet!
321

OMITTED

source 298p.88
322

OMITTED

source 299p.88
323

INT. SHUTTLE FREEDOM - COCKPIT

source A300p.88

Watts works hard on the electrical -- more lights have come on. Sharp enters, furious -- glances at the RADIO SIGNAL GAUGE -- DEAD.

SHARP
How're we doing?
WATTS
Gettin' there -- but there's some serious radio interference I can't identify --
324

EXT. ASTEROID SURFACE

source B300p.88

In the growing WIND STORM, Gruber continues to lock down the remote antenna --

325

INT. MISSION CONTROL - MILITARY CONSOLE

source 300p.88

But back here there's still no comm. Around the NUKE CONSOLE it's CHAOS -- Kimsey and SIX MARINES-- Truman on the PHONE --

TRUMAN
Mr. President, I understand how detonating that bomb appears to be the right thing to do -- it has the illusion of being pro-active, but the truth is without the bomb detonating 800 feet or deeper inside a fault, an explosion will do nothing to stop the asteroid from hitting this planet. My point is simple: you do this, you kill me, you kill you, you kill the First Lady.

A beat. Truman holds out the phone.

TRUMAN (CONT'D)
He wants you.

Kimsey takes the phone.

KIMSEY
This is Kimsey. Yessir. I understand.

Then Kimsey looks drawn from the orders he's hearing. Hangs up.

TRUMAN
Give 'em a chance, they're making progress!
KIMSEY
(indicates THE DEPTH/TIME GAUGE)
That's not progress. One crew's dead, another's worthless and the equipment's down. Any minute we could be in total radio darkness forever. I'm sorry about this -- more sorry than you think.
TRUMAN
(to his Techs)
Get them the hell outta there --
NASA TECH #1
-- we still can't get through --
TRUMAN
THEN KEEP TRYING!
KIMSEY
The order is for remote detonation in 30 seconds.

Kimsey inserts his key -- Grace moves forward --

GRACE
But you haven't even told them yet!
KIMSEY
Someone get her out of here!
GRACE
You can't do that! THAT'S MY FATHER UP THERE!

Grace is held back by military OFFICERS --

TRUMAN
There's still time to do this right! THIS IS ONE ORDER YOU SHOULD NOT FOLLOW AND YOU KNOW IT!

But the MILITARY AIDES INSERT THEIR KEYS -- and they turn them -- CLICK...CLICK... Truman looks over -- there's Grace, crying, held back by the Officers, her heart breaking -- Kimsey says a silent prayer as he turns his key -- CLICK.

326

EXT. ASTEROID SURFACE/DRILL SITE

source A301p.90

Rockhound and Max dissemble the broken tranny -- a WIND STORM picks up, kicking thick dust everywhere --

ROCKHOUND
Harry, we're dismounting, where the hell's the back-up?
(beat)
Harry, do you copy?
327

INT. SHUTTLE FREEDOM - CARGO BAY

source 301p.90

Harry and Chick struggle alone, carrying the heavy tranny -- it's a brutal job -- Harry only hears STATIC, unable to read Rockhound's call.

HARRY
Keep going--
CHICK
I got it...

That's when Chick sees something -- THE NUCLEAR BOMB'S DIGITAL CLOCK IS COUNTING DOWN -- 4 MINUTES -- Chick stops -- Harry confused --

CHICK (cont'd)
The clock on that nine-foot nuclear weapon... is ticking.

Harry looks at the bomb -- sees its running clock -- his eyes go wide -- drops the tranny --

HARRY
SHARP!!! GET BACK HERE!!!

Sharp hurries in -- sees the bomb -- loses his shit --

SHARP
WATTS, GET THE SHUTTLE READY TO E-VAC IN TWO MINUTES NOW!
HARRY
What's happening?
SHARP
SECONDARY PROTOCOL!

Watts -- already moving double-time -- works wildly here --

WATTS
I DON'T KNOW IF WE CAN FIRE UP IN TIME!
HARRY
What the hell is Secondary Protocol?!

Guys in panic mode, following Sharp, who GRABS THE BOMB. Harry and Chick help, confused in the insanity -- trying to take it all in --

SHARP
They're detonating this thing from earth! We gotta DROP IT AND GO!
HARRY
MAX! ROCKHOUND! DOUBLE-TIME IT BACK TO THE SHUTTLE!
328

EXT. ASTEROID SURFACE/DRILL SITE

source A302p.91

Rockhound and Max keep working, business as usual -- THEY CAN'T HEAR HARRY'S CALL --

329

INT. SHUTTLE FREEDOM

source B302p.91

Watts is crazed in the cockpit -- lights are actually GOING OUT --

WATTS
We're surging! Not primed for departure!
HARRY
I got two men out there -- I gotta bring them back --
SHARP
I GOT A MAN OUT THERE TOO! There's no time!

Harry grabs Sharp HARD --

HARRY
Without putting this bomb down 800 feet into a fault line, blowing it up's just a real expensive fireworks show -- now they might not think we can drill it but I do.
SHARP
The order to detonate could only have come from the President of the United States --
HARRY
Well guess what. I never voted for him, 'cause I thought he was a wimp! We can do this right. Turn it off. Dismantle it!
330

INT. SHUTTLE FREEDOM - COCKPIT

source C302p.91

Watts gets a minor victory as the main power is BEING RESTORED --

WATTS
Central generator's not coming back online! Sharp, we are not going to make it!
331

INT. MISSION CONTROL

source 302p.91

Clark trying in vain to reach the Freedom. Truman standing at the back of the room, catching the eye of Flip at his COMPUTER TERMINAL. Truman draws his finger across his throat -- "kill it." Flip understands. His fingers race on the computer.

332

INT. SHUTTLE FREEDOM

source 303p.92

Utter mayhem --Sharp pushes Harry hard against the wall -- Harry then grabs a WRENCH -- he moves to the bomb -- about to SLAM the thing -- when Sharp pulls a gun on Harry --

SHARP
DON'T! You could set it off!
HARRY
Then you do it -- stop the clock so we can do our job.
SHARP
I'm under orders to protect a surface detonation --
333

INT. MISSION CONTROL

source 304p.92

Truman's eyes on Flip's BLURRING hands -- the monitor then reads: "OVERRIDE SUCCESSFUL" -- and the BOMB CONTROL PANEL COUNTDOWN suddenly stops -- Kimsey is shocked --

MARINE #1
Sir, the override -- it's been... over-ridden --

Kimsey looks over at Truman, who just returns the stare -- Kimsey figures out what's happened --

KIMSEY
Do it again.

A Marine moves to Flip's computer -- and SLIDES FLIP back in his chair, then SHUTS OFF Flip's console --

334

INT. SHUTTLE FREEDOM

source 305p.92

It's still madness here -- Harry vs. Sharp -- gun still drawn --

SHARP
This thing's gonna blow, we gotta get it off the ship!

Now Gruber enters from the windy exterior --

GRUBER
What the hell is this?!
WATTS (O.S.)
WE HAVE FULL POWER!

Suddenly the bomb counter freezes at 1:09. Sharp is shocked -- everyone freezes -- no one knows what to think...Harry lunges and WRAPS pipe tongs around Sharp's neck. Sharp is SLAMMED against the wall - Harry enraged. Gruber tries to stop him -- but Rockhound and Max come in. Harry squeezing the life out of Sharp. Chick hits Gruber in the throat, Gruber goes down. Harry, intense to Sharp:

HARRY
It figures, doesn't it? President can never make up his mind about anything.
SHARP
It could start up again -- that might've been a warning --
HARRY
Which is why you're gonna take apart that bomb right now -- I don't want any more surprises.
335

OMITTED

source 306-307p.93
336

INT. MISSION CONTROL - DAY

source 308p.93

The Marines with Kimsey at the Nuke Console --

MARINE #1
We're coming back on line--

BUTTONS being pushed -- the signal RE-SENT --

337

INT. SHUTTLE FREEDOM - COCKPIT

source A309p.93

Watts prepping for departure -- the RADIO SIGNAL GAUGE hits 90% --

WATTS
Forty-five seconds to engines!
338

INT. SHUTTLE FREEDOM

source 309p.93

Harry and Sharp -- CLOSER -- more INTENSE -- RADIOS return with STATIC.

HARRY
I'll be goddamned if I let you pull the plug before I've had a chance!

The PIPE TONGS SQUEEZING the air out of Sharp -- SUDDENLY THE BOMB STARTS AGAIN. None of them can believe it. Sharp struggles to get away from Harry -- but Harry forces him down -- 1:02...1:01 -- Harry squeezes harder on Sharp -- FACE TO FACE.

HARRY
I understand NASA wasn't always about following rules. Used to be about doing whatever you had to do to get the job done right. Is that true? That there were times when the guys in space didn't take the orders from the ground -- didn't follow the rules -- because they were there! And sometimes they saw the better way. Sharp, this is the biggest risk anyone's ever had to take -- but I've cut through slop and fire and stone so hard it crumbled diamond bits and goddamnit we're drilling this one! We can beat this thing! They're giving the orders... but we're the ones who are here. Do what you know is right. Please.

Sharp listens, he hears Harry now.

SHARP
Swear you can do it. On your daughter's life -- my family's...
HARRY
Swear to God.
SHARP
I'll disobeying the order. I'll take that responsibility. Take the heat. I just hope I can shut it off in time.

SMASH CUT: Sharp quickly, precisely removes panels -- pulls fuses -- removes MICROCHIPS, hits buttons, finds wires -- Gruber helping -- everyone sweating -- Rockhound leans against the wall -- eyes wide in terror -- this man is going insane.

ROCKHOUND
Do a good job, do a good job, do a good job...

As Sharp works we see a COMPUTER MICROCHIP from the bomb mechanism fall unnoticed through the floor gating -- the clock ticks down -- 05,04,03 - - Sharp does the final maneuvers --

339

OMITTED

source 309A-Bp.94
340

INT. MISSION CONTROL - MILITARY CONSOLE

source 310p.94

The timer on the console shuts off at TWO SECONDS.

NUKE TECH
Sir-- it shut off.
KIMSEY
(sweating)
What?

Silent NASA faces. Truman. Grace. SILENCE. And then -- the radio-- scratchy but clear--

HARRY'S (V.O.)
Houston, you have a problem. You see, I promised my daughter I'm coming home! Now I don't know what you are doing down there but we got a hole to dig up here.

Grace and Truman share a look. Kimsey closes his eyes.

KIMSEY
Get me the President.
341

OMITTED

source 311p.94
342

EXT. ASTEROID SURFACE - FRONT OF "THREE SPIRES RIDGE"

source 312p.94

A.J.'s ARMADILLO rumbles over a little hill revealing the RIDGE WITH THREE SPIRES directly in front of them. THE SUN is creeping over the asteroid's FAR HORIZON, causing a surprisingly beautiful "sunrise."

343

INT. A.J. AND LEV'S ARMADILLO

source 313p.95

A.J. driving. Lev and Bear (in pain) bouncing. A.J. watching the LOCATOR BEACON. Turns to head for the signal. Lev looks out, lost in thought...

LEV
It's like Siberia. Is so cold there... urine freezes immediately after pissing.
A.J.
Sounds like the North Sea. Off Scotland.
BEAR
Just thinkin' the same thing.
A.J.
Remember that? My second job, Harry drops me in the North Sea...
LEV
Did you like it there?
A.J.
Until today it was the worst place I've ever been.
BEAR
Just thinkin' the same thing...
A.J.
Guys...?

A.J. HITS THE BRAKES -- they have come to a RIDGE -- a 50 foot drop -- there's no way to get down.

344

EXT. DRILL SITE/ARMADILLO ONE

source 314p.95

Harry, Sharp, and Gruber bolt down the final lugs on THE NEW TRANSMISSION -- Rockhound wears the Armadillo CANNON-AIMING HELMET -- wherever he looks, the turret aims. Everyone's sweating now -- here comes another QUAKE --

SHARP
Those tremblers are getting worse.
HARRY
Is it me or has it gotten 20 degrees hotter in the last ten minutes?
ROCKHOUND
(half to himself)
The sun is hot... hot dogs are hot...

Beneath the armadillo, Max is on his back, braced under THE TRANSMISSIONS HOUSING -- straining to hold the lug straps in tight.

MAX
Okay. We're hot and heavy, let her go.

Chick up front. Starts the thing up -- accelerates and --

345

OMITTED

source 315p.96
346

EXT. ASTEROID SURFACE/DRILL SITE

source 316p.96

DRILL BIT DESCENDING -- grinding and digging and --

HARRY
You know the job: we got 2 hours to rip through the plate and chew 800 feet! Let's make this one work!
347

EXT. A.J. AND LEV'S ARMADILLO

source 317p.96

Lev standing on the roof of the Armadillo. A.J. walks in front, looking for a way down to continue on.

LEV
This is the worst situation ever.
A.J.
Do humanity a favor and shut the hell up.
LEV
I do not enjoy being so negative, it is simply the reality! We are at a dead stop here! All the others might be dead!
A.J.
We're not gonna give up! We are NOT gonna quit!
LEV
SO WHAT IS YOUR BIG IDEA?! WHAT ARE WE SUPPOSED TO DO?!
A.J.
I'M THINKING ABOUT IT!
LEV
WELL YOU SHOULD BE THINKING HARD MY FRIEND BECAUSE WE ONLY HAVE 2 HOURS LEFT OF TIME!
A.J.
I SAID SHUT-UP!

A.J. grabs a rock and HURLS it at LEV, who ducks -- but the rock just KEEPS GOING -- A.J. watches it -- Lev turns to see it go too -- the rock just floats away... A.J. and Lev look at each other...

348

INT. ARMADILLO ONE

source 318p.96

THE ENGINE ROARING. Max sweating buckets as he works -- Rockhound, wearing the aiming helmet, stares off crazily at the horizon -- now the drill seems to have broken through something --

ROCKHOUND
I spent my life breaking up rock -- now it wants revenge... this rock is alive...
CHICK
HARRY! Looking good -- I think we broke through the plate!
HARRY
Max! Hang in there! We're at 150 feet -- keep it up, my man!
349

OMITTED

source 319p.97
350

INT. A.J. AND LEV'S ARMADILLO

source 320p.97

A.J., in the driver's seat, jams it into reverse. Tires SKID. A.J. pauses. Looks ahead and breathes, then looks to Lev.

LEV
Thrusters off when we make jump. Thrusters on for to come down.
A.J.
This is going to work. Say it.
LEV
No. But if we make it... I'll never doubt you again.
A.J.
That's fair.

A.J. floors it right towards the cliff, as he shuts down the roof mounted pro-gravity thrusters.

351

EXT. ASTEROID

source 321p.97

The Armadillo rumbles right off the edge. Thrusters "off" -- they sail into space. It flies over the deep gully, the vehicle amazingly shoots across the entire jagged fissure --

352

INT. A.J. AND LEV'S ARMADILLO

source 322p.97

Lev looks down. They are slowly going higher. He pushes the thruster "fire" switch -- but nothing happens. He pushes it again... nothing. Bear is getting nervous --

LEV
Bad-- bad -- this is very not good--
A.J.
What isn't very good?!
LEV
Jets not firing! We are floating to space!

Lev rushes to the air lock. A.J. freaking --

A.J.
YOU'RE CLIMBING OUTSIDE?!
LEV
I AM SAVING YOUR AMERICAN ASS!
353

EXT. A.J. AND LEV'S ARMADILLO

source 323p.98

The Armadillo is still ascending as Lev POPS out on the roof and crawls carefully to the thruster port, caked with ice. Lev uses a small firing torch to melt the ice.

LEV
Please work -- please --

The valve SPUTTERS -- pissed off, he goes to the next --

A.J. (V.O.)
Lev, incoming!

Floating rocks SLAM and pepper the roof of the Armadillo. Lev rolls, dodging the hits, barely hanging on. He looks through the windshield to A.J.

354

OMITTED

source 324p.98
355

EXT. A.J. AND LEV'S ARMADILLO

source 325p.98

A side-mounted O2 canister explodes, sending Lev grabbing for the tow winch cable. The whole vehicle is now spinning end over end, and now Lev is hanging under the chassis. The ground passing 100 feet beneath.

356

INT. A.J. AND LEV'S ARMADILLO

source 326p.98

A.J. pushes the "fire" button and the THRUSTER'S ENGAGE. The burst sends the Armadillo heading in a new direction --

357

EXT. A.J. AND LEV'S ARMADILLO

source 327p.98

Lev hangs on for his life as the Armadillo SLAMS into the sheer face of a spire -- a 90-degree wall. The wheels almost smash Lev's body as it SLAMS into the face of the asteroid, Lev dragging to a stop. They did it.

358

OMITTED

source 328p.98
359

EXT. A.J. AND LEV'S ARMADILLO - REAR COMPARTMENT

source 329p.98

A.J. pops his head out of the airlock. Lev, splayed out 50 feet from the back of the Armadillo, covered in asteroid surface dirt and grime, looks up at him. Smiles for maybe the first time in years.

LEV
I must say...I am loving your American confidence.
360

INT. MISSION CONTROL -- DAY

source 330p.98

DEPTH/TIME GAUGE -- less than two hours to Zero Barrier. They're 400 feet down. 200 feet behind schedule. Grace is going through her father's files -- pulling out maps of old drilling sites -- studying them -- looking for something --

Truman moves to GEO-TECH #1 --

GEO-TECH #1
Now that it's passed the moon her rotation is stabilizing -- but the day/night cycles are getting longer -- so she's heating up, almost 20 degrees an hour --
361

EXT. ASTEROID SURFACE/DRILL SITE

source 331p.99

THE SUN hangs low and bright over the horizon. STACKS OF PIPE and debris starting to accumulate. They're DRILLING as fast as they can. Harry and Sharp humping pipe -- Rockhound, atop the Armadillo, seeming oddly thoughtful --

ROCKHOUND
Give it a rest, guys. I'll take care of all this --

And Rockhound PULLS THE LASER-AIMED CANNON TRIGGER -- the cannon begins BLASTING WILDLY! Chick almost falls off the Armadillo -- Harry and Gruber turn -- as Rockhound turns to them so does the gun turret -- Harry and Gruber dive for cover. Rockhound's gone mad: Rockhound madly FIRES at him -- Harry DIVES as he just misses the BLAST! Rockhound almost shoots the NUCLEAR BOMB --

Harry's climbed onto the Armadillo and tackles Rockhound -- they both fall hard to the ground -- Harry right on top of him --

HARRY
What the hell are you doing?
ROCKHOUND
Just shootin' a gun in space. What are you so testy about?
362

INT. ARMADILLO ONE

source 332p.99

Max at the controls -- looking around, confused, afraid --

MAX
This is one damn freakshow...

He's turned away long enough to miss the PRESSURE GAUGE NEEDLE DROP SUDDENLY -- then JUMP -- ONCE -- TWICE -- we've seen this before --

363

EXT. ASTEROID SURFACE/DRILL SITE

source 333p.99

The GROUND begins to SPLIT -- SPIDERWEBBING like shattered glass -- BENEATH Harry and Rockhound -- continuing to the drill arm -- Harry then sees THE DRILL ARM KICK -- just a few inches -- he can't take his eyes off it -- THEN IT KICKS AGAIN.

HARRY
Max, pull the drill! Clear the hole now!

Suddenly a HUGE TREMBLER rocks the valley --

364

OMITTED

source 334-335p.100
365

INT. ARMADILLO ONE

source 336p.100

Max grabs his helmet -- EVERYTHING SHAKING -- BOUNCING -- his helmet falls -- kicks around in the interior --

366

EXT. ASTEROID SURFACE/DRILL SITE

source 337p.100

The drill arm KICKS LIKE CRAZY NOW--

HARRY
GET OUTTA THERE!!! Chick! Pull the pipe!
ROCKHOUND
(laughs wildly, sings)
"It's the end of the world as we know it! It's the end of the world as we know it, and I feel fiiiiiiine!"

Harry tries hopelessly to unhook the ARMADILLO form the DRILL ARM --and it's POUNDING AWAY and there's GAS BURSTING from beneath the ground and Rockhound's going nuts and Harry bangs on the Armadillo glass at Max --

HARRY
GET OUTTA THERE!

But Chick grabs Harry and pulls him away as KA-BLAM!!! THE DRILLING HOLE BLOWS -- huge explosion -- PIPE EXPLODES UPWARD -- everywhere -- the DRILLING ARM and ARMADILLO ONE LIFT OFF THE GROUND -- PINCERS RIPPING FREE -- the whole thing blows skyward --

367

OMITTED

source 338-343p.100
368

INT. ARMADILLO ONE

source 344p.100

Max tumbles -- frantic -- punches THE DOOR LOCK without depressurizing the cabin -- this is suicide -- he's sucked violently out into space --

369

EXT. SPACE OVER ASTEROID SURFACE

source 345p.100

ARMADILLO -- ALL THAT PIPE, THE DRILLING ARM. MAX, all of it shooting into nowhere. MAX'S FACE a screaming mask of terror and confusion; arms reaching for help that will never come. DOWN BELOW -- Harry and the guys watch in silence. Except Rockhound:

ROCKHOUND
See ya, Max...
370

INT. MISSION CONTROL

source 346p.100

Clark at the comm:

CLARK
Freedom? Come in Freedom, request an update...
WATTS (V.O.)
(choked up)
Houston... this is Freedom. We've lost the Armadillo. Drilling... terminated. Unsuccessful.

Everyone stops...goes pale. Some drop their head into their hands. Grace -- tears in her eyes seems more enraged than anything --

371

EXT. ASTEROID SURFACE/DRILL SITE

source 347p.101

Silence. Stark tableau. Harry, Chick, Sharp and Gruber -- they're all devastated. That's when Rockhound goes off:

ROCKHOUND
Do you know the math that had to go into this?! What are the odds that we'd end up here? YA KNOW SHE DOESN'T EVEN THINK SHE CAN START THE SHUTTLE! GUESS WHAT GUYS! IT'S TIME TO EMBRACE THE HORROR!

Sharp and Gruber move to the bomb --

ROCKHOUND (cont'd)
WE GOT FRONT ROW SEATS TO THE END OF THE WORLD, MAN! WE'RE COURTSIDE! LET'S RIDE IT ALL THE WAY IN! IT'S A SURFIN' SAFARI.
372

INT. MISSION CONTROL/MILITARY CONSOLE

source 348p.101

Kimsey beside the Nuke-techs who still work to make contact with the nuke. Truman approaches --

TRUMAN
We'll do it the President's way. I'll order an evac... you can remote detonate.
KIMSEY
You still don't think this'll work.
TRUMAN
What I know is irrelevant.
KIMSEY
We can't get online -- you better get bomb status from the crew now.

Truman goes to do that -- but Grace blocks his way. You do not want to mess with her right now.

GRACE
Can they still take off?
TRUMAN
We hope so. We can't know if--

Before he can finish, she's SLUGGED TRUMAN across the face -- unleashing all her rage:

GRACE
THAT'S MY FAMILY UP THERE, DO YOU UNDERSTAND THAT?!

She grabs his shirt -- everyone watches, stunned --

GRACE (cont'd)
YOU PULLED THEM INTO THIS! SO I DON'T WANT TO HEAR "WE HOPE SO"!

Now Truman grabs her -- by the shoulders -- tears come to her eyes --

TRUMAN
I'm feeling the same thing you are--
GRACE
No you are not-- you couldn't--
TRUMAN
-- and I'm sorry. But it's not your family. It's everyone. Everyone's family. Can they still take off? I pray they can. Even more I pray there'll be a place they can come home to.
373

OMITTED

source 349-351p.102
374

INT. SHUTTLE FREEDOM - COCKPIT

source A352p.102

Watts, drained, prepares for take-off --

WATTS
Houston, electrical's unsteady but we have pre-launch phase two complete...
375

EXT. ASTEROID SURFACE/DRILL SITE

source B352p.102

Harry watches Sharp and Gruber as they reassemble the nuke. Chick moves to Harry, says quietly:

CHICK
It's been 20 years with you. Everytime I thought we couldn't do it... you proved me wrong. I admire that more than you think.
(beat, voice cracks)
Damnit, Harry... this time I was right.

Just then a light washes across Harry's spacesuit -- he turns around to see the 2ND ARMADILLO HEADLIGHTS BLAZING.

376

INT. MISSION CONTROL

source 352p.102

The somber setting is broken by an emotional VOICE --

WATTS (V.O.)
Houston! You're not gonna believe this! The Armadillo! The other Armadillo! It's here!

The room erupts in TALK and CHEERS -- Grace is an emotional volcano --

377

EXT. ASTEROID SURFACE/DRILL SITE

source 353p.102

ARMADILLO TWO rumbles to a stop at the hole. A.J. pops out of the roof hatch --

A.J.
There's a great little Italian place like two miles that way.

Harry can't help but smile --

HARRY
Ya feel like helping us drill a hole?

A.J.'s joy is soon replaced with the memory of the grim crash:

A.J.
I've only got Bear and the cosmonaut. The others didn't make it.
HARRY
We'll take whatever help we can get.
A.J.
Then let's get dirty.
378

INT. MISSION CONTROL

source 354p.103
WATTS (V.O.)
Houston, drilling has re-commenced--

Truman moves to Grace --

TRUMAN
D'you think they can drill 400 feet in one hour?
GRACE
We hope so.
379

EXT. ASTEROID SURFACE/DRILL SITE -- MONTAGE

source 355p.103

Feverish pace -- A.J. works the levers on the platform. Hydraulic tongs clamp pipe -- wind POUNDS Harry, working hard outside -- A.J. controlling the drill from the inside -- Bear works hard through the pain -- Lev helping any way he can -- Harry shouting orders, the ground TREMBLING beneath them --

And then A.J. sees the PRESSURE GAUGE JUMP -- concern registers -- Harry sees the DRILL ARM KICK -- eyes go wide --

HARRY
WE'RE GETTING SOME KICK!
A.J.
I'M DRILLING THROUGH HER!
HARRY
NO, WAIT, SLOW IT DOWN!
A.J.
HARRY IF YOU'RE EVER GONNA TRUST ME, DO IT NOW! WE CAN'T PULL BACK, THE BIT'LL GET LODGED AND THE WHOLE THING'LL BLOW!
HARRY
I DON'T THINK THE ARM CAN TAKE THE PRESSURE!
A.J.
YOU BUILT HER! LET ME RIDE HER! IF THE BIT GETS CHEWED WE'LL REPLACE IT! IF THE TRANNY BLOWS WE'LL THROW ANOTHER ONE ON! TRUST ME!!!
HARRY
I GOT SOME NEWS FOR YA! WE'RE ALL OUT OF BITS AND TRANNIES!
A.J.
WHAT?!
HARRY
WE'RE ALL OUT!
A.J.
(mind reeling)
Okay... HARRY, YOU GOTTA TRUST ME! I'M ASKING YOUR PERMISSION, HARRY! CAN I REV HER ALL THE WAY?! IT'S YOUR CALL!

Sharp -- Bear -- Gruber -- all eyes on Harry -- Armadillo BUCKING --

HARRY
PUNCH IT.

And A.J. WORKS the drill -- driving the bit hard and fast -- the SOUND LOUDER than we've ever heard -- the GAUGE JUMPING -- JUMPING -- but A.J.'s drilling through the rock -- he's doing it -- the ARMADILLO DEPTH GAUGE hits 804 FEET -- Harry ecstatic --

HARRY
A.J., YOU TAPPED US A FAULT! Let's start pulling pipe! MOVE!
380

OMITTED

source 356p.104
381

OMITTED

source 357p.104
382

INT. MISSION CONTROL

source A358p.104
WATTS (V.O.)
Houston, we're at 800 feet!

Cheers erupt as we see the DEPTH/ZERO BARRIER chart complete -- DEPTH is COMPLETE -- ZERO BARRIER closely approaching -- Grace moves to Truman.

GRACE
I'm really sorry. About...
TRUMAN
Breaking my jaw?
GRACE
If it makes you feel better, I think I broke my hand.
TRUMAN
(beat)
It does.

She smiles.

383

EXT. ASTEROID SURFACE/DRILL SITE

source 358p.105

THE NUKE SLED -- Sharp and Gruber finishing reassembling the bomb.

SHARP
We're almost ready to drop this thing in!
HARRY
As soon as the hole's clear!

DRILL ARM in full-speed reverse. Pulling up. Sections of pipe rising quickly -- Harry and Bear (in agony) snapping them off -- A.J. working the drill and Bear on top, a wrench in his hand, losing consciousness and the wrench SLIPS -- falls into THE TURBINE ENGINE -- SIX THOUSAND R.P.M.'s GRINDING HORRIBLY and--

THE DRILLING ARM suddenly reversing -- JAMMING PIPE BACK DOWN INTO THE HOLE -- buckling it -- twisting it -- Harry and Bear diving away--

384

INT. MISSION CONTROL

source 359p.105

Truman paces -- the whole room is knotted with tension --

TRUMAN
Watts, they've got 38 minutes.
WATTS (V.O.)
Sir, there's been an accident...

We CUT TO WORLD MONTAGE -- a NEWSCASTER details unconfirmed reports that the drilling has failed as we see VARIOUS IMAGES of the world reacting to the news --

385

EXT. ASTEROID SURFACE/DRILL SITE

source 360p.105

THE HOLE. A.J. standing there as Harry comes limping over. Fifty feet down, a mess of MANGLED PIPE.

HARRY
Run me out some cable.
A.J.
You're not going down there.
HARRY
Hell I'm not.

Harry starts running out the cable himself --

A.J.
I've climbed the Pyrenees twice-- I'm a better climber than you and I don't know how many decades younger.
HARRY
Back home I'd kick your ass for that.
A.J.
The truth hurts. If we had more time I'd say go for it, you know that.

Harry and A.J. share a look -- Harry hands A.J. the cable. A.J. climbs in -- looks up at Harry.

A.J. (cont'd)
Hey, the bride's father usually pays for the wedding, right?
HARRY
You better start climbing.
386

INT. DRILLING HOLE

source 361p.106

A.J. descends with a HAND-HELD CUTTER and A LENGTH OF ROPE. Reaching the obstruction. PIPES mashed and bent, stabbed into the walls. A.J. starting to cut and--

387

EXT. ASTEROID SURFACE/DRILL SITE

source 362p.106

Harry and Chick hoisting debris, as the ground starts to RUMBLE.

HARRY
A.J., move fast--
388

INT. DRILLING HOLE

source 363p.106

A.J.'s rattled around as he ties the rope to the pipes --

389

EXT. DRILLING SITE

source 364p.106

Harry and Chick hauling out the debris. Sharp and Gruber right near by, prepping THE NUKE and --

390

INT. SHUTTLE FREEDOM - CABIN

source 365p.106

Rockhound duct-taped to a chair -- finally pushes some of the tape away with his tongue --

ROCKHOUND
This duct tape... is it spearmint? 'Cause it's got a minty-fresh taste.

Just then a BIG TREMBLER STARTS BUILDING. Watts runs in -- Lev right behind her, holding tools --

ROCKHOUND
Hey, any of you kids feel like un-Goddamn-taping me?!
391

EXT. ASTEROID SURFACE/DRILL SITE

source 366p.106

EARTHQUAKE. A 9.7 on Earth. Chick falls back. Harry grabs the ARMADILLO. Sharp tries to grab THE NUKE as it rolls off the sled and --

392

INT. DRILLING HOLE

source 367p.107

A.J. trying to climb out because EVERYTHING RUMBLING. THIS SOUND, WHOOOSHHHH, getting louder and louder and then, suddenly, a WINDSTORM OF PEBBLES shoots up SMASHING INTO A.J.'s FACESHIELD and--

393

EXT. DRILLING SITE

source 368p.107

Harry looks -- ACROSS THE VALLEY FLOOR -- A 100 FOOT METHANE GEYSER ERUPTS and plumes of GREEN GAS rocket into space. ANOTHER. And ANOTHER -- it's coming alive....

394

INT. DRILLING HOLE

source 369p.107

A.J. can't hold on anymore -- the up-draft too strong and--

395

EXT. DRILLING SITE

source 370p.107

Harry turns to see A.J. shot out of the hole -- SAFETY LINE PLAYING OUT -- ripping free! A.J. flies 70 feet off the ground as Harry dives for THE CABLE -- just grabbing it before A.J.'s gone forever --

HARRY
This thing definitely does not like us.
CHICK
'Cause it knows we're here to kill it.

CHUNKS OF ASTEROID -- some the size of trucks -- breaking free from the ASTEROID SURFACE and, slowly at first, but with terrifyingly increasing speed and momentum, they start rolling...

Harry and the guys standing there, they can't believe it. On come the ROCKS and CHUNKS, rolling as they hit smaller surface rocks -- they take little hops, and bigger hops, until they are BOUNDING across the surface. Harry lashes A.J.'s tether to THE ARMADILLO. Sharp rushes for the PHALANX CANNON atop the Armadillo.

In the midst of this, the ground bursts open with -- A 200 FOOT HIGH GEYSER next to the drilling hole. Gruber gets blasted by the geyser, which blows him across the asteroid floor, SLAMMING him into THE ARMADILLO, killing him. The cannon FIRES thousands of rounds that smash into rocks, bursting them. But there are too many of them.

A 20 FOOT BOULDER rolls toward A.J.'s SAFETY TETHER.

A.J., suspended high above, looks down at the ONCOMING ICE BOULDER.

The boulder hits A.J.'s tether, rolling over it, flattening it to the asteroid surface, which causes A.J., with a JOLT, to be yanked toward the surface.

Sharp, on top of the ARMADILLO, sees A.J.'s plight. He dives inside, engages the gears. The Armadillo ROARS toward the oncoming ICE BOULDER.

A.J., terrified, continues to descend as --

Sharp, driving the Armadillo, rams the BOULDER just as it's about to roll over A.J. The boulder keeps rolling. A.J. is safe. BUT SHIT... the grappling hook is now imbedded in the rolling rock. The slack in line starts to unravel like a huge barracuda on a wild fishing line. The slack RUNS OUT and A.J. is still attached to the harness.

SLACK IS GOING. A.J. tries to get it off...less slack -- WHOMP it pulls A.J. and slams him into a rock just as he releases the harness.THE NUCLEAR DEVICE gets banged by debris. Rocks CLANGING off the device's REMOTE DETONATOR...

THE LARGEST JAGGED ROCK rolls right at Harry and Chick. They are caught. No place to turn. TEN FEET...FIVE... Harry pulls Chick into a small, fox-hole-sized indentation. THE ROCK BOUNCES, floating right over them so close, virtually skimming their face shields. It rolls right past their shocked eyes.

Finally the quake stops. The situation stabilizes. Everyone gets to their feet. Harry and Chick get up.

They look off at THE MASSIVE BOULDERS rolling away in the distance, smashing into other rock formations. Sharp looks at Gruber's corpse.

SHARP
We lost Gruber...

Harry stumbling to the hole. Looking down. Clear.

HARRY
Get the bomb.
396

OMITTED

source 371p.108
397

INT. SHUTTLE FREEDOM - COCKPIT

source 372p.108

Watts prepping for take-off. Lev at the window as the ship's electrical BROWNS OUT --

WATTS
No-- God, not now--
LEV
Is this serious problem?
398

EXT. ASTEROID SURFACE/DRILL SITE

source 373p.108

Sharp doing final prep on the nuke -- Harry and A.J. beside him -- Sharp hits the button sequence -- but the thing doesn't respond.

HARRY
What's wrong now?
SHARP
(horrified)
The timer, the remote, the whole thing's dead--
A.J.
The bomb's no good--?
SHARP
The trigger must've gotten fried when we took it apart.
HARRY
Sharp, how do we detonate this thing?
SHARP
The only way now... is manually.
A.J.
You mean... manually manually?
HARRY
He means one of us has to stay.
399

INT. MISSION CONTROL

source 374p.109

Truman addresses the room. PUSH IN on Grace as:

TRUMAN
We're eighteen minutes from Zero Barrier. We've got some bad news. The remote detonator on the bomb's been damaged...
400

INT. SHUTTLE FREEDOM - CABIN

source 375p.109

PAN FROM Harry...to A.J... Chick... Lev... Bear... Watts. Rockhound still taped to the chair. Electrical wire and CUTTER on the table.

SHARP
It takes two people to fly this thing. Otherwise I'd trade places with any of you.
ROCKHOUND
Yeah, sure you would.
SHARP
Either we all stay and die, or you guys draw straws.
ROCKHOUND
I say we all stay and die, but that's me.
HARRY
We don't need to take straws. I'll do it.
LEV
Bullshit I will let you volunteer for this so I can return to my country as the man who did not volunteer--
BEAR
I'm the guy for the job. Besides my bike I barely got anything back home anyway.
ROCKHOUND
You all might think I'm crazy now, but I'd really like this responsibility.
HARRY
Let's draw -- do it quick.

Sharp nods. A BUNDLE OF ELECTRICAL WIRES in his hand.

SHARP
We'll go clockwise...

That makes A.J. first. He stares at the BUNDLE OF WIRES. Reaches. Draws. Holding HIS STRAND as Chick swallows hard. His hand shaking as it reaches out -- pulls slowly -- HIS STRAND LOOKS LONGER THAN A.J.'s. A.J. goes pale. Bear reaching quick -- ANOTHER LONG ONE --

A.J.
Oh, man...

Lev takes his.

LEV
Mine is long one.

Everyone stares at A.J. No doubt now. He's staying. Harry's stomach is in knots --

HARRY
A.J., listen--
A.J.
(with a good face)
It's settled. I'm the guy who gets to save the Earth. Let's get it over with.

Sharp shows A.J. the detonator --

SHARP
You'll plug this into the port, press this trigger button. That's it.

A.J. nods. Dead man walking.

401

OMITTED

source 376p.110
402

OMITTED

source 377p.110
403

INT. MISSION CONTROL - STAIRWELL

source 378p.110

FLIP AND SKIP lead Grace up the stairs and into --

404

INT. MISSION CONTROL - REAR ROOM

source 379p.110

A couple chairs. MONITORS. RADIOS. Like an execution viewing room. Grace sits. Waiting to talk to her man.

405

EXT. SHUTTLE BASE/ASTEROID SURFACE

source 380p.110

A.J. and Harry emerging from the SHUTTLE -- A.J. holding the detonator.

A.J.
Do me a favor and tell Grace...
(fights his emotions)
... she already knows anything I could ever tell her... just tell her I miss her. Would you do that?
HARRY
No.
A.J.
(almost crying)
Harry, please...

Harry then grabs his own MISSION PATCH from his spacesuit sleeve and RIPS IT OFF. He shoves it into one of A.J.'s suit pockets.

HARRY
Give that to Truman.

Suddenly Harry VIOLENTLY rips A.J.'s air tubes -- almost immediately loses his breath. Harry stabs the AIRLOCK DOOR -- grabs the DETONATOR --

HARRY
This time it's my turn.

A.J. thrashes -- GASPS -- Harry pushes him into THE ELEVATOR -- the doors SLAM closed -- A.J. BANGS ON THE DOOR --

A.J.
BULLSHIT! THIS IS MY JOB!
HARRY
Go take care of my little girl. That's your job. Go be the husband Grace deserves.
A.J.
I'M GONNA GET ANOTHER SUIT, I SWEAR TO GOD!
HARRY
I love you almost as much as she does. Go home.

Harry hits the elevator button -- The elevator sucks A.J. up into the shuttle. Harry is alone now. Forever.

406

INT. SHUTTLE FREEDOM - AIRLOCK

source 381p.111

ELEVATOR DOORS open -- A.J. falls out, eyes wet -- looks at Bear, who immediately knows what's happened.

BEAR
That stubborn iron-ass bastard...
407

EXT. ASTEROID SURFACE/DRILL SITE

source 382p.111

Harry walks to the drilling hole -- violent WIND kicking dust --

408

INT. MISSION CONTROL - REAR ROOM

source 383p.111

Grace alone. Truman standing at the door.

GRACE
Is he calling? Can he get through?
TRUMAN
There's been a change in plan.

Before she can react -- A VIDEO SCREEN comes to life--

HARRY (V.O.)
--e there?...oing...ough?...ybe.
(clearing a little)
Grace? Can you hear me?

Grace can't believe it.

409

INTERCUT WITH HARRY IN ARMADILLO TWO, staring at the camera.

source 384A-Bp.112

Skip hands Grace a mike and exits. She stares at the static on the monitor. Harry's face fades in and out. Grace knows something is very wrong from her father's strained, tired face. She forces a smile.

GRACE
Dad...

Tears start to well up in her and Harry's eyes.

HARRY
I know I promised I was coming home... but... Grace, I gotta break that promise.
GRACE
Why can't they...?
HARRY
Honey, stop. Listen to me, there isn't much time. I just want to tell you... I lied to you. When I said I was going along because I don't trust anyone else... that wasn't true.
(beat)
I'm here because I love you.

Harry tries not to cry which just makes it harder.

GRACE
I'm so scared...Dad, I'm so scared...
HARRY (V.O.)
(looking at Earth)
There won't be anything to be scared of soon... and don't be scared for me, Sweetheart... I'll be just fine. It's so beautiful up here.

Grace fights her tears...

HARRY (CONT'D)
I want you to take care of your husband. I wish I could walk you down the aisle...
(beat)
But I'll look in on you from time to time. I love you, Gracie...

Harry then pulls the video link -- Grace's monitors go STATIC. Grace touches the monitor as Harry's face fades away. Her knees buckle.

410

INT. SHUTTLE FREEDOM - COCKPIT

source 385p.113

Sharp and Watts -- a blur of pre-flight activity--

WATTS
O2 vents closed, pressure loaded.
SHARP
Engine board is green.
411

EXT. ASTEROID SURFACE/DRILL SITE

source 386p.113

Harry sitting beside the hole. DETONATOR in hand.

HARRY (V.O.)
You got two minutes, Sharp. I'm not waiting.
412

INT. SHUTTLE FREEDOM - COCKPIT

source 387p.113

A.J., Rockhound, Lev, Chick, and Bear all strapped in.

SHARP
Initiate thrusters.

Watts hits the THRUSTER BUTTON. Hits it again. Again. Nothing.

WATTS
Goddamnit. I just had it running!
413

OMITTED

source 388p.113
414

EXT. SHUTTLE FREEDOM

source 389p.113

Booster rockets SPUTTER and die.

415

OMITTED

source 390p.113
416

INT. MISSION CONTROL

source 391p.113

ZERO BARRIER CLOCK down to 1:34...1:33...1:32....

CLARK
Freedom, looking tight for ignition.
417

INT. SHUTTLE FREEDOM - CABIN

source 392p.113

The guys watching Watts run past them toward the CARGO BAY. Lev quickly trying to unstrap himself and--

418

EXT. ASTEROID SURFACE/DRILL SITE

source 393p.113
HARRY
What the hell are you doing in there? Get off this rock!
419

INT. SHUTTLE FREEDOM - ENGINE SERVICE HATCH

source 394p.113

Watts frantically works the FUEL VALVES. Lev crowds in behind her.

LEV
Is sticking, yes?
WATTS
BACK OFF! YOU DON'T KNOW THE COMPONENT!
420

source 395p.114

Sharp hitting the THRUSTER BUTTON -- over and over --

421

source 396p.114

ZERO BARRIER CLOCK -- 16... 15... 14

422

EXT. ASTEROID SURFACE/DRILL SITE

source 397p.114

WIND and RUMBLING --

HARRY
Don't think I won't press this button!
423

INT. SHUTTLE FREEDOM - SERVICE HATCH

source 398p.114

Watts going nuts trying to get THE VALVE to open and--

LEV
MOVE AWAY!
WATT
BACK OFF!
LEV
SHIT PART RUSSIAN IS SAME AS SHIT PART AMERICAN! I SPEND YEAR AND A HALF ON RUSSIAN SPACE STATION! THIS IS HOW WE FIX EVERYTHING!

Lev jerks her out of the way and starts HITTING the equipment with his wrench -- BAM! BAM! BAM! Suddenly -- VROOOOOOM! IT FIRES! Lev falls back into WATTS' ARMS as FREEDOM LURCHES.

424

OMITTED

source 399p.114
425

OMITTED

source 400p.114
426

INT. MISSION CONTROL

source 401p.114

ZERO BARRIER CLOCK IS BUZZING NOW...-2...-3...-4...

TRUMAN
PRESS THE BUTTON, STAMPER!
427

INT. SHUTTLE FREEDOM - COCKPIT

source 402p.114

Sharp with the stick-- struggling-- lights flashing-- they're lifting away and--

428

EXT. ASTEROID SURFACE - ABOVE

source 403p.114

FREEDOM rising backwards. THRUSTERS ON FULL REVERSE -- falling away from THE ASTEROID -- toward the Moon. DOWN BELOW -- Harry, getting smaller and smaller and --

429

EXT. ASTEROID SURFACE/DRILL SITE

source 404p.114

Harry takes his final breaths. Tears welling. A GEYSER blows across the valley. WINDS gusting badly and--

HARRY
Complain all you want, you son-of-a-bitch. It's just you and me, and now it's my turn...

Raising THE DETONATOR to press the button and -- WHAM!! -- right below him -- THREE GEYSERS OF GAS BLOW OUT OF THE GROUND! THE DETONATOR flies from HARRY'S HAND as he's knocked back on his ass--INTO THE HOLE!

430

INT. DRILLING HOLE

source 405p.115

Harry falling ass first -- PRO-GRAVITY THRUSTERS pushing him further and further down -- Harry's fingers GOUGE into the walls and BOOTS scrambling to stop his fall -- GASPING as his air supply is punctured.

431

INT. SHUTTLE FREEDOM - COCKPIT

source 406p.115

Sharp with his hands full. Watts busy strapping in and--

CLARK (V.O.)
Freedom, we're 30 seconds to Zero Barrier -- where's the detonation?!
432

EXT. ASTEROID SURFACE/DRILL SITE

source 407p.115

HARRY'S GLOVED HANDS grip the sides of the hole. His HELMET appears. PULLING himself up. Looking for the detonator...Harry choking.

433

INT. SHUTTLE FREEDOM - COCKPIT

source 408p.115
SHARP
Something's wrong -- we gotta go back.
WATTS
There is no going back! We won't have enough fuel to make it home!
434

INTERCUT - HARRY / FREEDOM COCKPIT

source 409A-Bp.115

Harry hurt, damaged suit -- much pain -- GEYSERS EXPLODING and THE WIND and DUST flying -- is running, gasping for air. Sharp's shaking hand is on the throttle about to thrust forward. Harry dodges flying rocks.

435

INT. FREEDOM COCKPIT

source 410p.115
SHARP
Something's wrong!
A.J.
Even if something's wrong, Harry won't quit. He doesn't know how.
436

OMITTED

source 411-412p.115
437

EXT. ASTEROID SURFACE/DRILL SITE

source 413p.115

Harry dives for THE DETONATOR. One last look at beautiful Earth. Home. Tears.

HARRY
I win.

SLOW-MOTION CU -- HARRY'S FINGER pressing the button and--

438

EXT. SPACE

source 414p.116

EXPLOSION. Spectacular. The ASTEROID splits in half like a diamond. TWO BLOWN PIECES winging off at new angles and--

439

INT. SHUTTLE FREEDOM - COCKPIT

source 415p.116

ROCKED BY THE BLAST WAVE. Sharp hanging on to the stick and Watts staring out the window and-- The guys are silent. Not sure how to feel.

440

EXT. AROUND THE WORLD -- IMAGE MONTAGE

source 416A-Kp.116

EXTREME SLOW-MO: We see images around the world. WALL STREET deserted A CHURCH with people gathered around a TV...A TEAR falling from a woman's face...FARMERS in a cornfield...KIMSEY with his face in his hands. THE PYRAMIDS dappled in firelight as hundreds pray...FATHER AND SON hold hands as they watch a brilliant flaming sky...TRUMAN falls back into his seat...India--hundreds praying...Little kids running.

441

INT. HARRY'S TEXAS HOUSE - GRAP'S ROOM

source 417p.116

Grap's in his room watching TV, the bright flare fills the room.

GRAP
That's my boy...
442

INT. MISSION CONTROL

source 418p.116

Truman, Kimsey and everyone who'll fit, crammed in around the ORBITAL MATH CONSOLE -- ON THE BIG MATH SCREEN -- computer-imaging -- THE ASTEROID'S TWO HALVES moving in new directions -- FLIP and SEVERAL TECHS grabbing DATA SHEETS as they pour out.

KIMSEY
What's the verdict?
FLIP
Some debris will hit -- most likely in the Atlantic -- but the two asteroid halves are going to miss us by a hundred-thousand miles. We're clear.

WAY IN THE BACK -- GRACE is sitting alone. Quietly weeping. Startled as THE WHOLE PLACE SUDDENLY EXPLODES IN CHEERING and APPLAUSE

Truman turns realizing she's hearing this, concerned, runs up the aisle. He gathers her into his arms and --

443

EXT. SHUTTLE LANDING STRIP -- DAY

source 419p.116

VEHICLES everywhere. AMBULANCES. MEDIA. NASA FIRE TRUCKS. And here comes FREEDOM, coming fast, wobbly, tilting, adjusting, closer, closer -- up a little, down a little, all over...

444

INT. SHUTTLE FREEDOM - CABIN -- DAY

source 420p.117

The guys bouncing around like crazy. Things SHAKING and RATTLING and falling -- Bear wincing with every ding --

CHICK
Be an awful shame to die now!
ROCKHOUND
Speak for yourself! You don't owe a hundred grand to a bad ass Italian!
445

EXT. CAPE KENNEDY - SHUTTLE LANDING STRIP -- DAY

source 421p.117

Here comes FREEDOM -- DUST CHIRPING as TIRES HIT CONCRETE -- BANGING DOWN, BRAKES GOING -- BOUNCING and SPEEDING but it's gonna work, it's gonna stop, it's gonna be all right...

446

INT. SHUTTLE FREEDOM - CABIN

source 422p.117

A.J., Chick, Bear, Rockhound and Lev unbuckling.

CHICK
You know what this means? I get to have another hangover.
ROCKHOUND
I already got one... I'm serious, I don't think my oxygen was working right...
SHARP
Guys, stay in your seats until they tell us what to do -- there's a lot of people out there, it's gonna be a madhouse, so just hang tight, okay?
A.J.
No. That's not what Harry would do.
447

EXT. SHUTTLE FREEDOM - RUNWAY -- DAY

source 423p.117

EMERGENCY HATCH DOORS EXPLODE from their hinges and CRASH DOWN onto the runway. NASA people completely surprised. A.J. and Chick giving Bear a hand down. Rockhound stands there waving to THE CROWD that's starting to CHEER and CHANT and ROAR LOUDER...LOUDER.

ROCKHOUND
I think I want my own talk show.

A SEA OF AMERICAN FLAGS and A.F. SECURITY POLICE trying to keep PEOPLE back and everything disrupted by -- A.J., Chick, Bear as they victory walk the runway. Pumping their fists. THE CROWD JUST GOING NUTS -- Rockhound behind wearing his helmet afraid to be seen.

Grace breaks away from a RECEPTION AREA up ahead. A.J. spots her-- they're both running, falling into each other's arms. Kissing, crying. It's their moment...

A.J.
He was a great man, Grace.
GRACE
I know he was.

Denise and Chick's son in the crowd, held back by soldiers -- YELLING and CHEERING and CALLING FOR "CHICK" but he can't hear them, the boy starts running, full out -- soldiers chasing him onto the runway and--

CHICK
Hey! Wait! Leave him alone!

The boy running up -- stopping suddenly as he arrives. An awkward instant, as they realize they don't know what to do, and then Chick reaches out, lifts the boy into his strong arms, holding him tight and--

Watts and Lev jumping down from the shuttle. Hand in hand. Safety precaution or romance? SHARP on the runway, marching with purpose. Eyes straight ahead. CHEERING CROWD means nothing to him. Full military stride; he stops:

SHARP
Ms. Stamper?

Grace unpeels herself from A.J. and turns to --

SHARP
Colonel Roger Sharp, United States Air Force, ma'am.
(a crisp salute)
Requesting permission to shake the hand of the daughter of the bravest man I've ever met.

Grace smiles. Her eyes are dry. She straightens herself. Offers her hand. They shake. A.J. sees Truman, hands him Harry's mission patch.

A.J.
Harry wanted you to have this.

Truman, eyes wet, smiles as he sees the mission patch. Smiles at A.J..

TRUMAN
Thank you.

Grace grabs A.J. again -- they hold each other tight as they can...WE PULL BACK to the SKY..knowing that Harry Stamper is up there somewhere.

THE END