down at the two faces - intimately close together, likedown at the two faces - intimately close together, like lovers on their pillow. Then, as we PULL SLOWLY AWAY, welovers on their pillow. Then, as we PULL SLOWLY AWAY, we seesee that her staring eyes, and his dead gaze, are boththat her staring eyes, and his dead gaze, are both locked onto -locked onto -
The Silence of the Lambs (1991)
OVERHEAD ANGLE
A screenplay character in The Silence of the Lambs (1991).
- lines
- 1
- words
- 65
- scenes
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- dialogue
- 0.2%
- avg words / line
- 65
Sample dialogue
down at the two faces - intimately close together, likedown at the two faces - intimately close together, like lovers on their pillow. Then, as we PULL SLOWLY AWAY, welovers on their pillow. Then, as we PULL SLOWLY AWAY, we seesee that her staring eyes, and his dead gaze, are boththat her staring eyes, and his dead gaze, are both locked onto -locked onto -
scene 128, source scene 129 — INT. MR. GUMB'S WORKROOM - DAY (GREEN LIGHT)