LÁSZLÓ and VAN BUREN are deep in-conversation sitting in two chairs the main foyer whiles guests observe the library nearby.
The Brutalist (2024)
NEW ANGLE ON -
A screenplay character in The Brutalist (2024).
- lines
- 5
- words
- 140
- scenes
- 5
- dialogue
- 1.5%
- avg words / line
- 28
- shortest / longest
- 19 / 41
Sample dialogue
LÁSZLÓ regards them but stands talking with GORDON and GORDON’s son, WILLIAM (significantly older than when we last saw him). The three of them observe a small construction crew that carry futons above their heads which implies they’ll be sleeping on-site.
scene 98 — EXT. VISTA - LATERThe path finally opens to a majestic clearing. A large pond reflects moonlight and the hillside hovering above it.
scene 61 — EXT. FOREST TRAIL/ VISTA - TWILIGHTLÁSZLÓ wakes in a new environment, fully clothed atop some freshly ironed linens. Next to him, are all of his belongings, fetched and delivered whilst he slept. He quickly sorts through his bag to find his sketchbook.
scene 63 — INT. GUEST HOUSE - BEDROOM - DAYBy the shore, ERZSÉBET lies on a towel near LÁSZLÓ, VAN BUREN, and MAGGIE LEE. All of them laugh madly; a joyous scene.
scene 97 — EXT. VISTA - WATERING HOLE - DUSKLÁSZLÓ and VAN BUREN are deep in-conversation sitting in two chairs the main foyer whiles guests observe the library nearby.
scene 60 — INT. FOYER / STUDY - EARLY EVENING
Bookends
LÁSZLÓ regards them but stands talking with GORDON and GORDON’s son, WILLIAM (significantly older than when we last saw him). The three of them observe a small construction crew that carry futons above their heads which implies they’ll be sleeping on-site.